1 00:00:00,760 --> 00:00:03,680 Speaker 1: As we gear up for the biggest year in politics, 2 00:00:03,720 --> 00:00:06,040 Speaker 1: one thing we can all do now is start voting 3 00:00:06,080 --> 00:00:06,840 Speaker 1: with our wallets. 4 00:00:07,160 --> 00:00:10,520 Speaker 2: By supporting brands and companies that share your values, you're 5 00:00:10,640 --> 00:00:11,639 Speaker 2: sending a message. 6 00:00:11,720 --> 00:00:15,240 Speaker 1: It's like buying a Team Jersey, and we're on Team Sanity. 7 00:00:15,440 --> 00:00:16,720 Speaker 1: Our sponsors are too. 8 00:00:17,040 --> 00:00:20,040 Speaker 2: So before we get behind the candidates, let's get behind 9 00:00:20,160 --> 00:00:20,680 Speaker 2: the people. 10 00:00:20,960 --> 00:00:24,240 Speaker 1: Our people, every day men and women who have started 11 00:00:24,239 --> 00:00:27,600 Speaker 1: businesses across the country, people just like you and me. 12 00:00:27,800 --> 00:00:30,680 Speaker 2: Support a Clan Buck sponsor and let your voice be heard. 13 00:00:30,720 --> 00:00:32,720 Speaker 2: The more of us that support them, the louder or 14 00:00:32,720 --> 00:00:37,080 Speaker 2: collective voice becomes. 15 00:00:35,400 --> 00:00:40,640 Speaker 3: Bold, reverence and occasionally random. The Sunday hang with Playing 16 00:00:40,760 --> 00:00:43,000 Speaker 3: Buck podcasts that starts now. 17 00:00:44,280 --> 00:00:48,040 Speaker 1: You tease that you, as a huge officionado of the 18 00:00:48,120 --> 00:00:51,800 Speaker 1: Barbie franchise, Wow, spit your weekend making your I know 19 00:00:51,840 --> 00:00:54,280 Speaker 1: you blocked off four hours to watch it back to back. 20 00:00:54,520 --> 00:00:55,800 Speaker 1: Make sure that you loved it. 21 00:00:55,840 --> 00:00:57,480 Speaker 2: I just want all the Lord of the Rings fans 22 00:00:57,520 --> 00:00:59,720 Speaker 2: to notice that he even hit me for the extended 23 00:00:59,800 --> 00:01:02,680 Speaker 2: Just Lord of the Rings at Clay Travis on Twitter 24 00:01:02,680 --> 00:01:05,000 Speaker 2: if you want to light him up, Clay, I'm honest 25 00:01:05,000 --> 00:01:07,240 Speaker 2: to god, I sat down with Carrie and I'm like, 26 00:01:07,240 --> 00:01:08,800 Speaker 2: we're gonna, We're gonna make it through, Honey. 27 00:01:09,240 --> 00:01:09,720 Speaker 1: We couldn't. 28 00:01:09,720 --> 00:01:13,120 Speaker 2: We got I think thirty minutes into it. I was like, 29 00:01:13,160 --> 00:01:15,640 Speaker 2: I can't do it anymore. Really, I can't do it anymore. 30 00:01:15,840 --> 00:01:17,959 Speaker 2: It's so bad. It was so bad. 31 00:01:18,360 --> 00:01:21,760 Speaker 1: I don't know. Did she not like it either, or 32 00:01:21,800 --> 00:01:22,720 Speaker 1: did she keep watching? 33 00:01:23,400 --> 00:01:25,560 Speaker 2: Oh no, she hated it too. We did not make 34 00:01:25,600 --> 00:01:28,760 Speaker 2: it more than thirty minutes in. The Barbie movie was 35 00:01:28,800 --> 00:01:31,280 Speaker 2: worse than the Ferrari movie. I didn't even think that 36 00:01:31,440 --> 00:01:33,920 Speaker 2: was possible. I didn't even think that was a thing 37 00:01:34,000 --> 00:01:37,399 Speaker 2: that could happen in the space time continuum with the 38 00:01:37,440 --> 00:01:38,520 Speaker 2: flex capacitor. 39 00:01:39,000 --> 00:01:42,160 Speaker 1: Well, to be fair to everybody out there, I did watch. 40 00:01:42,200 --> 00:01:45,440 Speaker 1: I mentioned this or romantic comedy on the airplane flight 41 00:01:45,480 --> 00:01:46,520 Speaker 1: back from Australia. 42 00:01:46,959 --> 00:01:47,199 Speaker 3: Love. 43 00:01:47,280 --> 00:01:50,040 Speaker 1: Actually, I thought it was pretty good, Buck, I hadn't 44 00:01:50,040 --> 00:01:50,440 Speaker 1: seen it. 45 00:01:51,640 --> 00:01:54,360 Speaker 2: And you don't even realize it. That man card is toast. 46 00:01:54,800 --> 00:01:57,160 Speaker 2: I laughed out loud a lot of times during that movie. 47 00:01:57,200 --> 00:01:58,080 Speaker 2: I didn't think it was bad. 48 00:01:58,760 --> 00:02:01,080 Speaker 3: Sunday, Hey, Buck. 49 00:02:02,480 --> 00:02:04,320 Speaker 2: You know, I had a few people that were surprised 50 00:02:04,320 --> 00:02:06,240 Speaker 2: that I didn't like the Barbie movie because they liked 51 00:02:06,280 --> 00:02:09,680 Speaker 2: the Barbie movie Clay and I just I don't understand this. 52 00:02:10,000 --> 00:02:11,720 Speaker 2: I don't know how that's possible. Do you do you 53 00:02:11,760 --> 00:02:13,840 Speaker 2: have Do you have anyone that given pushback on this 54 00:02:13,919 --> 00:02:14,840 Speaker 2: analysis of Barbie. 55 00:02:14,880 --> 00:02:16,640 Speaker 1: No, I do not have a I have not seen 56 00:02:16,639 --> 00:02:20,640 Speaker 1: the Barbie movie. But my wife heard your discussion of 57 00:02:20,639 --> 00:02:24,280 Speaker 1: the Barbie movie, you and Carrie, and said she watched 58 00:02:24,320 --> 00:02:26,520 Speaker 1: it on our flights when we went to Australia it 59 00:02:26,600 --> 00:02:30,240 Speaker 1: was on, and she said Buck was right. She said 60 00:02:30,280 --> 00:02:32,240 Speaker 1: she expected, based on the fact that it made a 61 00:02:32,280 --> 00:02:35,280 Speaker 1: billion dollars, that it was going to be super smart 62 00:02:35,320 --> 00:02:38,440 Speaker 1: and super interesting, even if she disagreed with some of 63 00:02:38,480 --> 00:02:41,080 Speaker 1: the ways that it was conveyed. And she said she 64 00:02:41,200 --> 00:02:44,320 Speaker 1: watched it and it was not smart, and it wasn't 65 00:02:44,360 --> 00:02:47,720 Speaker 1: well constructed as a story. And I haven't seen it 66 00:02:47,760 --> 00:02:49,680 Speaker 1: at all, but she said, yeah, Buck was one hundred 67 00:02:49,680 --> 00:02:51,000 Speaker 1: percent right about the Barbie movie. 68 00:02:51,840 --> 00:02:54,600 Speaker 2: Laura is a very astute and brilliant woman. So this 69 00:02:54,639 --> 00:02:57,680 Speaker 2: does not yours Gladiator, which puts which means that he 70 00:02:57,720 --> 00:02:59,000 Speaker 2: says to be fair things. 71 00:02:59,160 --> 00:03:01,920 Speaker 1: My wife, Laura says that Gladiator is the greatest movie 72 00:03:01,919 --> 00:03:04,320 Speaker 1: that's ever been made. They're making a Gladiator too, which 73 00:03:04,360 --> 00:03:07,360 Speaker 1: I'm a little bit nervous about I'm worried. I'm worried. 74 00:03:07,760 --> 00:03:10,399 Speaker 1: But yeah, but she says, my wife, if you asked 75 00:03:10,440 --> 00:03:12,280 Speaker 1: her the best movie that she's ever seen in her life, 76 00:03:12,280 --> 00:03:16,000 Speaker 1: would say Gladiator. Also said recently, because we were talking 77 00:03:16,000 --> 00:03:18,040 Speaker 1: about Viking, she was like, I think I would have 78 00:03:18,160 --> 00:03:19,840 Speaker 1: liked much of my wife. I think I would have 79 00:03:19,960 --> 00:03:23,080 Speaker 1: liked living in the Viking era and being a Viking wife. 80 00:03:23,120 --> 00:03:24,720 Speaker 1: And I was like, I don't know. 81 00:03:24,919 --> 00:03:27,760 Speaker 2: There was a term for the warriors shield maidens they 82 00:03:27,800 --> 00:03:30,079 Speaker 2: called them, and Laura would be a badass. 83 00:03:29,639 --> 00:03:32,360 Speaker 1: Shield shield maid. All right, there you go. So but 84 00:03:32,400 --> 00:03:34,000 Speaker 1: she said, you were one hundred percent right about the 85 00:03:34,000 --> 00:03:37,800 Speaker 1: Barbie movie, So I probably will never watch it. Now 86 00:03:38,040 --> 00:03:40,640 Speaker 1: I've got to catch up on john Wick. I'm halfway 87 00:03:40,680 --> 00:03:42,240 Speaker 1: through the john Wick franchise. 88 00:03:42,520 --> 00:03:44,040 Speaker 2: You gotta watch john Wick and then we're gonna get 89 00:03:44,040 --> 00:03:45,800 Speaker 2: you out of the range next time you're visiting down 90 00:03:45,840 --> 00:03:47,640 Speaker 2: in South Florida, will get you in on some john 91 00:03:47,680 --> 00:03:48,240 Speaker 2: Wick drills. 92 00:03:48,280 --> 00:03:50,240 Speaker 1: Buddy, we gotta go. We got it going on down here. 93 00:03:50,240 --> 00:03:52,640 Speaker 1: So when you watch a movie like john Wick, do 94 00:03:52,760 --> 00:03:56,320 Speaker 1: you think I understand obviously, like it's basically the matrix, 95 00:03:57,280 --> 00:04:01,880 Speaker 1: except in somewhat real life is the movements that he 96 00:04:02,000 --> 00:04:06,360 Speaker 1: has with weaponry. Does he as you watch, do you think, 97 00:04:06,440 --> 00:04:09,400 Speaker 1: oh that's a guy who's had advanced weapons training or 98 00:04:09,480 --> 00:04:09,800 Speaker 1: is it. 99 00:04:09,800 --> 00:04:13,440 Speaker 2: Just totally cartoonish? One hundred percent. Keanu Reeves is very 100 00:04:13,480 --> 00:04:17,360 Speaker 2: adept with weapons movements. He trains with taran tacticle out 101 00:04:17,360 --> 00:04:20,120 Speaker 2: in California. He does, you know, two gun drills. 102 00:04:20,200 --> 00:04:22,320 Speaker 1: So you watch it and think this guy's a badass, 103 00:04:22,320 --> 00:04:23,120 Speaker 1: Like it's not fair. 104 00:04:23,320 --> 00:04:25,240 Speaker 2: I mean he knows, you know, he knows his way 105 00:04:25,279 --> 00:04:28,000 Speaker 2: around around firearms for sure. He's you know, he's trained 106 00:04:28,000 --> 00:04:30,120 Speaker 2: to look it's it's muscle memory. It's like a lot 107 00:04:30,120 --> 00:04:32,240 Speaker 2: of things. It's like training for a sport or something. 108 00:04:32,240 --> 00:04:33,960 Speaker 2: I mean, you know, if you do enough and you 109 00:04:34,000 --> 00:04:37,040 Speaker 2: have good training. But you know, Keanu Reeves is he 110 00:04:37,080 --> 00:04:39,040 Speaker 2: moves very I mean I've asked friends of mine who 111 00:04:39,040 --> 00:04:41,159 Speaker 2: are seals and who are you know, former Delta guys. 112 00:04:41,400 --> 00:04:43,400 Speaker 2: I'm like, when you watch the Kano things like, yeah, 113 00:04:43,440 --> 00:04:44,720 Speaker 2: this guy really knows what's up? 114 00:04:45,440 --> 00:04:47,479 Speaker 1: Speaking of that, maybe we have to talk about this tomorrow. 115 00:04:47,480 --> 00:04:48,960 Speaker 1: Do you know one of the places we went in 116 00:04:49,000 --> 00:04:52,120 Speaker 1: Australia since Keanu Reeves is coming up, where they filmed 117 00:04:52,160 --> 00:04:53,760 Speaker 1: the final scene of point break. 118 00:04:54,279 --> 00:04:56,920 Speaker 2: We went to that actual beach where body is there? 119 00:04:57,040 --> 00:05:00,240 Speaker 2: The final ride, Man, I remember that scene so well. 120 00:05:00,279 --> 00:05:01,600 Speaker 2: Patrick Swayzee rest in. 121 00:05:01,560 --> 00:05:06,120 Speaker 3: Peace, Sunday Drop with Clay and Buck Buck. 122 00:05:06,160 --> 00:05:11,520 Speaker 1: I was gonna tell on myself here college football season 123 00:05:11,600 --> 00:05:16,760 Speaker 1: is over. Last night, my lovely wife Lauras, she says, hey, 124 00:05:17,400 --> 00:05:20,560 Speaker 1: do you want to watch The Crown? Not a lot 125 00:05:20,600 --> 00:05:24,880 Speaker 1: of sports on television. I said, sure, let's watch The Crown. 126 00:05:25,279 --> 00:05:28,599 Speaker 1: Season six of The Crown Underway Buck, very popular show 127 00:05:28,640 --> 00:05:34,720 Speaker 1: on Netflix about British royalty. We were watching spoiler alert, 128 00:05:35,360 --> 00:05:40,960 Speaker 1: Princess Die Dies. This is the season six, episode three 129 00:05:41,000 --> 00:05:44,640 Speaker 1: and four, and I just I try to be as 130 00:05:44,640 --> 00:05:46,479 Speaker 1: honest with this audience as I can be, and I 131 00:05:46,560 --> 00:05:49,000 Speaker 1: understand if you aren't gonna trust me anymore, or if 132 00:05:49,040 --> 00:05:51,240 Speaker 1: you're gonna expect to see me driving by myself in 133 00:05:51,279 --> 00:05:52,480 Speaker 1: a car wearing a mask. 134 00:05:54,000 --> 00:05:54,279 Speaker 3: Buck. 135 00:05:55,920 --> 00:05:59,640 Speaker 1: I teared up and began to cry while watching The 136 00:05:59,680 --> 00:06:02,280 Speaker 1: Crown last night, and I'm gonna be honest with you. 137 00:06:02,360 --> 00:06:06,640 Speaker 1: I don't even know that I know myself anymore. Devastatingly 138 00:06:06,720 --> 00:06:10,560 Speaker 1: sad episode. Princess Di've been dead twenty six years or whatever, 139 00:06:11,160 --> 00:06:13,760 Speaker 1: and they got me on the Crown and I just 140 00:06:13,800 --> 00:06:17,280 Speaker 1: want to confess that I started to cry while watching 141 00:06:17,320 --> 00:06:21,000 Speaker 1: The Crown last night, and I still can't believe it happened. 142 00:06:21,800 --> 00:06:24,359 Speaker 1: I think you're making both of our estrogen levels rise 143 00:06:24,480 --> 00:06:28,400 Speaker 1: right now just by telling this story. Somebody said, this 144 00:06:28,520 --> 00:06:30,719 Speaker 1: is a crazy way to come out and announce that 145 00:06:30,760 --> 00:06:33,680 Speaker 1: you're endorsing Joe Biden for president in twenty twenty four. 146 00:06:33,800 --> 00:06:37,760 Speaker 1: It's pretty funny. It was a very funny line and 147 00:06:38,760 --> 00:06:40,720 Speaker 1: the comments, by the way, I tweeted about it last 148 00:06:40,800 --> 00:06:43,440 Speaker 1: night we finished the show. In fact, I hadn't tell 149 00:06:43,480 --> 00:06:46,440 Speaker 1: my wife. I was like, I can't watch third episode 150 00:06:46,520 --> 00:06:50,920 Speaker 1: right now. I am emotionally overwhelmed by the last two 151 00:06:50,920 --> 00:06:51,920 Speaker 1: episodes that we watched. 152 00:06:51,960 --> 00:06:54,159 Speaker 2: I can't watch any more of The Crown. It doesn't 153 00:06:54,200 --> 00:06:57,520 Speaker 2: matter what kind of movie it is. If a beloved 154 00:06:57,560 --> 00:07:01,360 Speaker 2: animal dies, you know, a dog, a wholes Uh, you 155 00:07:01,400 --> 00:07:02,640 Speaker 2: can't watch Old Bear. 156 00:07:03,320 --> 00:07:06,359 Speaker 1: I cry, can't watch it makes me said, did you 157 00:07:06,440 --> 00:07:08,640 Speaker 1: read Where the Red Fern Grows when you were a kid. 158 00:07:09,320 --> 00:07:10,920 Speaker 1: I know that, but I didn't read it. No, I 159 00:07:10,960 --> 00:07:13,720 Speaker 1: mean I know of it. Yeah, maybe the saddest book 160 00:07:13,720 --> 00:07:15,840 Speaker 1: that any kid could read in history. I know there's 161 00:07:15,840 --> 00:07:18,679 Speaker 1: people out there, Old Dan, Little Anne. I think the names. 162 00:07:18,680 --> 00:07:20,520 Speaker 1: I bet you're crying right now just thinking about it. 163 00:07:20,800 --> 00:07:24,520 Speaker 2: So we just got confirmation from producer Ali that she 164 00:07:24,640 --> 00:07:27,680 Speaker 2: did not cry during the same episodes of The Crown. 165 00:07:27,960 --> 00:07:31,160 Speaker 2: But Clay was getting the vapors. 166 00:07:31,960 --> 00:07:34,840 Speaker 1: Watch a third episode and I producer Ali just in 167 00:07:34,880 --> 00:07:36,360 Speaker 1: my ear, she was like, yeah, it was a really 168 00:07:36,400 --> 00:07:39,640 Speaker 1: good show, The Crown, but she didn't cry at all. 169 00:07:40,280 --> 00:07:43,000 Speaker 1: And I'm just sitting here. Maybe I am the ultimate softy. 170 00:07:43,400 --> 00:07:45,040 Speaker 1: And I understand if you can't trust any of my 171 00:07:45,080 --> 00:07:47,880 Speaker 1: opinions on anything, because I cried during The Crown last night. 172 00:07:48,000 --> 00:07:50,760 Speaker 1: I I just felt like I needed to come clean. 173 00:07:51,040 --> 00:07:53,960 Speaker 1: Did the missus tear up or no? Couldn't tell the 174 00:07:54,040 --> 00:07:56,800 Speaker 1: light where it was off. You know, it's like. 175 00:07:58,600 --> 00:08:00,880 Speaker 2: You bury your head in love on his shoulder. While 176 00:08:00,920 --> 00:08:03,760 Speaker 2: she was like, it's okay, Clay, it's just a show. No, 177 00:08:03,880 --> 00:08:06,000 Speaker 2: And I was trying to disguise it. But I was like, 178 00:08:06,840 --> 00:08:08,480 Speaker 2: I was like, you know, it was dark. I was like, 179 00:08:08,600 --> 00:08:11,200 Speaker 2: maybe this's not gonna notice that I'm crying. But then 180 00:08:11,280 --> 00:08:16,440 Speaker 2: the funeral itself happened, and uh, and I just I 181 00:08:16,760 --> 00:08:18,720 Speaker 2: was like, you know, I was I was out of control. 182 00:08:18,720 --> 00:08:20,720 Speaker 2: I legit said, I don't I don't think we can 183 00:08:20,800 --> 00:08:22,520 Speaker 2: watch a third episode right now. You know, you know 184 00:08:22,600 --> 00:08:25,280 Speaker 2: what really got me back in the day, what really 185 00:08:25,320 --> 00:08:29,400 Speaker 2: got me when John Lithgow and Harry and the Hendersons, 186 00:08:29,920 --> 00:08:32,920 Speaker 2: for Bigfoot's own benefit, has to pretend like he doesn't 187 00:08:32,920 --> 00:08:35,080 Speaker 2: want him around anymore. I'm getting like a little choked 188 00:08:35,120 --> 00:08:38,760 Speaker 2: up just thinking about it now. So some guy dressed 189 00:08:38,760 --> 00:08:41,160 Speaker 2: in an actor because Bigfoot was on. He almost like 190 00:08:41,160 --> 00:08:43,160 Speaker 2: a big you know, he's like a big Saint Bernard 191 00:08:43,240 --> 00:08:45,079 Speaker 2: or something, or a big golden retriever, like he was 192 00:08:45,120 --> 00:08:46,439 Speaker 2: a nice Bigfoot. 193 00:08:46,800 --> 00:08:50,720 Speaker 1: If we need if there's gonna be awfulness throughout twenty 194 00:08:50,760 --> 00:08:54,000 Speaker 1: twenty four, right, there's gonna be so much toxicity, there's 195 00:08:54,040 --> 00:08:56,640 Speaker 1: gonna be so many At some point we just need 196 00:08:56,679 --> 00:08:59,520 Speaker 1: to have a fun hour where we just give people 197 00:08:59,559 --> 00:09:03,800 Speaker 1: im munich men in particular, primarily to call in and 198 00:09:03,880 --> 00:09:06,959 Speaker 1: admit the most embarrassing thing that they have cried while watching. 199 00:09:07,040 --> 00:09:08,920 Speaker 2: I mean, I'm not embarrassing this at all, but I'll 200 00:09:08,920 --> 00:09:13,120 Speaker 2: tell you Turner and Hooch with Hanks and Canine with 201 00:09:13,200 --> 00:09:16,240 Speaker 2: the other Belushi dude, Turner and Hooch, I love I 202 00:09:16,240 --> 00:09:20,120 Speaker 2: wanted a French mastiff so badly, and and and you 203 00:09:20,160 --> 00:09:22,480 Speaker 2: know he saves his life in that One Man. 204 00:09:22,640 --> 00:09:27,160 Speaker 1: That was Tom Hanks. Tom Hanks alongside Turner and Hooch 205 00:09:27,320 --> 00:09:30,959 Speaker 1: was a classic of the nineteen eighties. I mean, great film, 206 00:09:31,280 --> 00:09:33,800 Speaker 1: great film. You know the other time when I really 207 00:09:33,840 --> 00:09:36,480 Speaker 1: lost Oh there's been Do you remember what was the 208 00:09:36,520 --> 00:09:39,559 Speaker 1: movie that won the Oscar and I don't want to 209 00:09:39,600 --> 00:09:43,360 Speaker 1: get needs more deeps about for like twenty twenty years, 210 00:09:43,520 --> 00:09:47,040 Speaker 1: the one that was set in Hollywood that some people 211 00:09:47,120 --> 00:09:49,920 Speaker 1: really liked and other people hated. It was like a 212 00:09:50,000 --> 00:09:55,520 Speaker 1: set in La on No. I don't do musicals. I 213 00:09:55,600 --> 00:10:00,280 Speaker 1: do still have some shred of masculinity in me. The Alley, Ali, 214 00:10:00,360 --> 00:10:03,520 Speaker 1: you're the pop culture expert. It's the one where, like 215 00:10:03,600 --> 00:10:08,840 Speaker 1: the it follows a different life of Angelino's and uh, 216 00:10:08,920 --> 00:10:12,440 Speaker 1: and there's all these different people contrasting and going through life. 217 00:10:12,480 --> 00:10:16,280 Speaker 1: Crash Crash, I really did you like one back in 218 00:10:16,320 --> 00:10:19,040 Speaker 1: the day. But that was the weirdest description of Crash 219 00:10:19,080 --> 00:10:21,920 Speaker 1: I've ever heard. You're like, it's a movie. 220 00:10:21,960 --> 00:10:25,440 Speaker 2: There's like people wearing T shirts and they walk around 221 00:10:25,480 --> 00:10:27,360 Speaker 2: and shoot in Los Angeles. 222 00:10:27,520 --> 00:10:31,800 Speaker 1: They're filming it. It's not real life. There's a scene 223 00:10:31,800 --> 00:10:35,439 Speaker 1: at the end of Crash where the dad runs out 224 00:10:35,480 --> 00:10:38,400 Speaker 1: to like save the kid's life, and the. 225 00:10:38,400 --> 00:10:40,720 Speaker 2: Kids not at the end. It's early, pretty early on. 226 00:10:40,800 --> 00:10:42,280 Speaker 2: You mean the one where the dad shoots and it's 227 00:10:42,320 --> 00:10:45,439 Speaker 2: the cap it's the blank. Yeah, that was that way 228 00:10:45,480 --> 00:10:46,240 Speaker 2: the movie ends. 229 00:10:46,480 --> 00:10:49,160 Speaker 1: No, it's like maybe you were going to be a 230 00:10:49,200 --> 00:10:53,320 Speaker 1: crash expert. That was the eighth minute of the episode 231 00:10:53,360 --> 00:10:56,480 Speaker 1: that was seemed more I saw many totally good movie, right, 232 00:10:56,520 --> 00:10:58,920 Speaker 1: So you agree with me that it was really well done. Yeah, yeah, No, 233 00:10:59,000 --> 00:11:00,319 Speaker 1: I thought it was a very well done movie. I 234 00:11:00,440 --> 00:11:00,800 Speaker 1: enjoyed it. 235 00:11:00,840 --> 00:11:03,599 Speaker 2: We're you're not supposed to like it, though, because it 236 00:11:03,720 --> 00:11:08,160 Speaker 2: it likes you know, doesn't it doesn't go tough enough 237 00:11:08,200 --> 00:11:11,080 Speaker 2: on systemic racism. So that's why you're not supposed to 238 00:11:11,120 --> 00:11:11,720 Speaker 2: like that movie. 239 00:11:11,840 --> 00:11:16,640 Speaker 1: Yeah, it has the bridget the guy who ludicrous isn't Yeah, right. 240 00:11:16,679 --> 00:11:19,880 Speaker 2: It shows it shows that people of all different backgrounds 241 00:11:19,960 --> 00:11:23,559 Speaker 2: are capable of bigotry and racism, and therefore it's a 242 00:11:23,640 --> 00:11:27,080 Speaker 2: human problem and not an intersectional some races good, some 243 00:11:27,240 --> 00:11:31,480 Speaker 2: races bad problem. Therefore the left hates it not allowed. 244 00:11:32,080 --> 00:11:35,120 Speaker 1: Yeah, and that's actually the generations that we grew up 245 00:11:35,160 --> 00:11:37,760 Speaker 1: in the eighties and the nineties in the post civil 246 00:11:37,880 --> 00:11:40,680 Speaker 1: rights era, was all about the idea of a we 247 00:11:40,800 --> 00:11:43,360 Speaker 1: actually have way more in common than we do different. 248 00:11:43,520 --> 00:11:45,400 Speaker 1: That was the legacy. I know a lot of you 249 00:11:45,440 --> 00:11:47,880 Speaker 1: out there who grew up around mine and bucks ages. 250 00:11:48,320 --> 00:11:51,000 Speaker 1: That is the era in which we grew up white, Black, Asianispanic. 251 00:11:51,000 --> 00:11:52,880 Speaker 1: We all have way more in common than we do different, 252 00:11:53,160 --> 00:11:55,840 Speaker 1: and an identity politics destroyed all that. By the way, 253 00:11:55,920 --> 00:11:59,680 Speaker 1: Ludacrous story, I was in a you probably didn't expect that. 254 00:11:59,720 --> 00:12:04,120 Speaker 1: I was in an elevator with Ludicrous in Las Vegas. 255 00:12:04,200 --> 00:12:06,600 Speaker 1: He was performing. I was out for a bachelor party. 256 00:12:06,760 --> 00:12:08,600 Speaker 1: It was just me and him, and like he had 257 00:12:08,600 --> 00:12:11,440 Speaker 1: a big bodyguard or something, and uh, and he was 258 00:12:11,440 --> 00:12:14,240 Speaker 1: performing at the hotel I was in. And he got 259 00:12:14,280 --> 00:12:16,680 Speaker 1: in the elevator and we started talking. I don't remember 260 00:12:16,720 --> 00:12:22,360 Speaker 1: what the conversation was about did you shine? And then 261 00:12:22,800 --> 00:12:25,720 Speaker 1: I actually I do remember the conversation. I told him, 262 00:12:26,040 --> 00:12:28,679 Speaker 1: I said, hey, I thought Crash was really good, and 263 00:12:28,720 --> 00:12:30,600 Speaker 1: he was like, oh, I appreciate that. You know, he's 264 00:12:30,600 --> 00:12:32,840 Speaker 1: an actor, musician, whatever, And then we were talking in 265 00:12:32,880 --> 00:12:34,480 Speaker 1: the ride. I don't know, it was like a high rise. 266 00:12:34,520 --> 00:12:36,079 Speaker 1: I think it was the Palm or something like that 267 00:12:36,120 --> 00:12:38,160 Speaker 1: in Vegas. Just the two of us for a long time, 268 00:12:38,280 --> 00:12:40,920 Speaker 1: and he was performing later that day and uh and 269 00:12:40,920 --> 00:12:42,480 Speaker 1: I and he was like, you're coming to the show. 270 00:12:42,760 --> 00:12:44,480 Speaker 1: And I was like, no, I didn't get tickets. And 271 00:12:44,520 --> 00:12:47,560 Speaker 1: he was like, yeah, tough break walked right out. And 272 00:12:47,679 --> 00:12:50,640 Speaker 1: I remember thinking, if I had been in a remotely 273 00:12:50,679 --> 00:12:54,040 Speaker 1: attractive girl, I would have had backstage We had like 274 00:12:54,080 --> 00:12:57,880 Speaker 1: a legitimate, decent conversation in the elevator. Dude, the dude, 275 00:12:57,880 --> 00:12:59,800 Speaker 1: he was like, yeah, tough break walks right out. If 276 00:12:59,840 --> 00:13:01,840 Speaker 1: I had gotten on, i'd been a girl, I would 277 00:13:01,840 --> 00:13:03,960 Speaker 1: have had backstage passes. I would have been hooked up. 278 00:13:04,080 --> 00:13:07,600 Speaker 1: Hot girl privilege. Everybody wants to talk about white privilege. 279 00:13:07,800 --> 00:13:10,800 Speaker 1: The single greatest privilege in the history of the world. 280 00:13:10,960 --> 00:13:14,000 Speaker 1: Hot girl privilege. It is undefeated. 281 00:13:14,360 --> 00:13:17,600 Speaker 2: Well, it's true across all cultures and all history. 282 00:13:17,720 --> 00:13:20,120 Speaker 1: So because we all have more in common. I told 283 00:13:20,200 --> 00:13:23,320 Speaker 1: my kids, my wife agreed with this. I'm curious if 284 00:13:23,320 --> 00:13:27,440 Speaker 1: you would agree, Buck. Without pretty girls, we would all 285 00:13:27,480 --> 00:13:29,040 Speaker 1: still live in caves. 286 00:13:30,120 --> 00:13:32,400 Speaker 2: I mean, I think we would all definitely be playing 287 00:13:32,400 --> 00:13:35,000 Speaker 2: a lot more video games and needing a lot more Dorito's. 288 00:13:35,120 --> 00:13:37,360 Speaker 1: But I don't think we would have even invented video 289 00:13:37,440 --> 00:13:40,000 Speaker 1: games because the guy who invented video games? Do you 290 00:13:40,040 --> 00:13:41,840 Speaker 1: know why he did it? So he could get a 291 00:13:41,840 --> 00:13:47,360 Speaker 1: better looking girlfriend. Almost all masculine achievement, in my humble opinion, 292 00:13:47,800 --> 00:13:49,920 Speaker 1: is based on trying to get a better looking girlfriend 293 00:13:50,040 --> 00:13:50,400 Speaker 1: or wife. 294 00:13:50,440 --> 00:13:52,480 Speaker 2: It's a little bit like Robin Williams in Dead Poets 295 00:13:52,480 --> 00:13:56,360 Speaker 2: Society where he says that poetry was created to woo women. 296 00:13:57,160 --> 00:13:58,760 Speaker 2: I remember seeing that movie and thinking that I liked it, 297 00:13:58,800 --> 00:14:00,400 Speaker 2: and then I thought more about it later. It's kind 298 00:14:00,440 --> 00:14:03,280 Speaker 2: of a nihilistic, sad and bizarre movie actually, so I 299 00:14:03,280 --> 00:14:03,600 Speaker 2: don't know. 300 00:14:03,640 --> 00:14:05,600 Speaker 1: I haven't seen it in a long time. My kids 301 00:14:06,440 --> 00:14:08,600 Speaker 1: go to a school based on Dead Poets? 302 00:14:08,960 --> 00:14:10,839 Speaker 2: Can I just really because I was gonna say, I mean, 303 00:14:10,920 --> 00:14:13,040 Speaker 2: some kid can't be in like the high school play 304 00:14:13,080 --> 00:14:15,000 Speaker 2: and dad saying like, get a real job, and he 305 00:14:15,040 --> 00:14:17,800 Speaker 2: kills himself. It's like horrible, you know, like what I 306 00:14:17,840 --> 00:14:20,160 Speaker 2: forgot about his career as an actor? Like come on, 307 00:14:20,240 --> 00:14:21,520 Speaker 2: you know what I mean? That is pretty awful. 308 00:14:21,600 --> 00:14:24,280 Speaker 1: Same on a more positive note, that's also why all 309 00:14:24,360 --> 00:14:27,120 Speaker 1: music exists, right, Like every kind of awkward guy who 310 00:14:27,120 --> 00:14:29,080 Speaker 1: decides he wants to play the drums or learn how 311 00:14:29,080 --> 00:14:31,360 Speaker 1: to play a guitar is doing it for chicks. 312 00:14:31,360 --> 00:14:34,160 Speaker 2: Well, it is amazing because if you actually were to 313 00:14:34,240 --> 00:14:38,440 Speaker 2: objectively look at some of the great male sex symbols 314 00:14:38,480 --> 00:14:42,000 Speaker 2: of the twentieth century. In terms of rock stars, not 315 00:14:42,040 --> 00:14:44,720 Speaker 2: only are a lot of them not handsome, they're actually 316 00:14:44,840 --> 00:14:45,840 Speaker 2: really weird looking. 317 00:14:46,440 --> 00:14:49,480 Speaker 1: But that's why it started that their angle was not 318 00:14:49,880 --> 00:14:52,600 Speaker 1: if if a lot of them have been incredibly good looking, 319 00:14:53,080 --> 00:14:55,280 Speaker 1: they would have never gotten into music in the first place. 320 00:14:55,320 --> 00:14:58,160 Speaker 1: That was their angle to get chicks. Producer Ali has 321 00:14:58,160 --> 00:15:02,720 Speaker 1: been pulling what is I'm told our funny VIP emails, 322 00:15:03,880 --> 00:15:06,240 Speaker 1: and so I thought I would read some of these 323 00:15:06,400 --> 00:15:08,440 Speaker 1: for you as we roll into You can sign up 324 00:15:08,480 --> 00:15:12,200 Speaker 1: because you've become a VIP. All three hours of the 325 00:15:12,240 --> 00:15:15,640 Speaker 1: show streams live on video, and by the way, we're 326 00:15:15,640 --> 00:15:18,240 Speaker 1: soon going to be streaming behind the paywall at Fox 327 00:15:18,400 --> 00:15:21,240 Speaker 1: Nation as well. So there are lots of ways where 328 00:15:21,280 --> 00:15:23,960 Speaker 1: you can get high waving at you right now the 329 00:15:24,080 --> 00:15:26,720 Speaker 1: opportunity to watch, not that they're buck waving too, not 330 00:15:26,880 --> 00:15:28,400 Speaker 1: that all of you are sitting around saying, you know 331 00:15:28,400 --> 00:15:30,600 Speaker 1: what I really needed my life more video of Clay 332 00:15:30,600 --> 00:15:34,000 Speaker 1: and Buck. But if per chance that is what you 333 00:15:34,040 --> 00:15:36,280 Speaker 1: would like to have, it's soon going to be widely 334 00:15:36,320 --> 00:15:37,480 Speaker 1: available if. 335 00:15:37,320 --> 00:15:40,240 Speaker 2: You start watching us on our stream, Clay will do 336 00:15:40,360 --> 00:15:42,680 Speaker 2: more silly Clay voices, which I got to tell you 337 00:15:42,760 --> 00:15:45,080 Speaker 2: still the highlight of my day to day. I knew 338 00:15:45,080 --> 00:15:49,200 Speaker 2: they were in there somewhere here are the email Danny. 339 00:15:49,440 --> 00:15:53,000 Speaker 1: Danny wrote, Clay Clay Clay crying during a show about 340 00:15:53,040 --> 00:15:55,640 Speaker 1: something we all knew happened about one hundred and fifty 341 00:15:55,720 --> 00:15:59,160 Speaker 1: years ago. And you claim not to like Lady in 342 00:15:59,200 --> 00:16:02,440 Speaker 1: the Tramp. Some days just don't make any sense. Danny 343 00:16:02,520 --> 00:16:03,360 Speaker 1: was a very funny email. 344 00:16:04,200 --> 00:16:06,320 Speaker 2: Danny put you on notice, and I can co sign 345 00:16:06,400 --> 00:16:07,960 Speaker 2: that you don't like Lady in the Tramp, but you 346 00:16:08,040 --> 00:16:09,280 Speaker 2: cried during the Crown. 347 00:16:09,360 --> 00:16:10,800 Speaker 1: I don't see it. I don't see it. Lady in 348 00:16:10,840 --> 00:16:13,880 Speaker 1: the Tramp totally overrated, never really bought into the trade, 349 00:16:13,920 --> 00:16:14,560 Speaker 1: never really bought in. 350 00:16:14,720 --> 00:16:17,040 Speaker 2: He was trolling you, Lady in the Tramp fans, He's 351 00:16:17,080 --> 00:16:18,120 Speaker 2: trolling you. 352 00:16:18,280 --> 00:16:23,040 Speaker 1: Lisa says, I don't think the Iliad was composed by 353 00:16:23,160 --> 00:16:25,680 Speaker 1: men to woo women, not by a walk. 354 00:16:27,640 --> 00:16:30,680 Speaker 2: Not I did Walshot. I didn't say poetry was to 355 00:16:30,760 --> 00:16:35,040 Speaker 2: create that. That's a Robin Williams quote from Dead Poets Society. 356 00:16:35,080 --> 00:16:39,000 Speaker 1: Lisa has had enough with you, Buck. I wouldn't have 357 00:16:39,040 --> 00:16:40,320 Speaker 1: expected angry iliot. 358 00:16:40,640 --> 00:16:43,480 Speaker 2: Hold on a second, Hold on a second. The Iliad 359 00:16:43,600 --> 00:16:45,720 Speaker 2: is about a war that was started over a woman. 360 00:16:45,960 --> 00:16:48,480 Speaker 2: I agree with you and everybody. 361 00:16:48,960 --> 00:16:52,760 Speaker 1: How face launched a thousand ships. The most beautiful woman 362 00:16:52,800 --> 00:16:56,800 Speaker 1: ever kidnapped, and they fought a long war to get 363 00:16:56,800 --> 00:16:59,600 Speaker 1: her back. I think Lisa's been checkmated. Here, folks, we 364 00:16:59,640 --> 00:17:03,960 Speaker 1: love you. It would be the modern day Helen of Troy. 365 00:17:04,200 --> 00:17:08,760 Speaker 1: My wife, Oh, that is a very that you need 366 00:17:08,800 --> 00:17:11,640 Speaker 1: to clip that you. That was very very well done. 367 00:17:11,720 --> 00:17:14,639 Speaker 1: Thank you. I didn't mean that, we knew, but my 368 00:17:14,760 --> 00:17:17,399 Speaker 1: wife would also be the My wife would also be 369 00:17:17,440 --> 00:17:21,640 Speaker 1: the modern day Troy. We're gonna have to edit. Just 370 00:17:21,720 --> 00:17:23,679 Speaker 1: can we just drop I heard we dropped in New 371 00:17:23,760 --> 00:17:28,119 Speaker 1: York yesterday. Can we just cut that segment? Uh? By 372 00:17:28,160 --> 00:17:32,119 Speaker 1: the way, closing out with Sharon here, Sharon wants us 373 00:17:32,160 --> 00:17:35,960 Speaker 1: to want you all to know. Sharon says, it is 374 00:17:36,119 --> 00:17:40,359 Speaker 1: not all caps a good segue or transition if you 375 00:17:40,480 --> 00:17:44,040 Speaker 1: have to call attention to it. The whole point of 376 00:17:44,119 --> 00:17:49,120 Speaker 1: a transition is to move seamlessly from one subject to another. 377 00:17:49,560 --> 00:17:53,000 Speaker 1: If you stop to point it out, it's not seamless. 378 00:17:53,200 --> 00:17:56,359 Speaker 1: Speaking of seamless transitions, the show is almost over today. 379 00:17:56,400 --> 00:17:59,880 Speaker 1: By the way, Sharon, we're having fun mocking the fact 380 00:17:59,920 --> 00:18:03,280 Speaker 1: that it is clearly not a seamless transition. Often when 381 00:18:03,320 --> 00:18:06,000 Speaker 1: we are seamlessly transitioning. But I appreciate your email. Also 382 00:18:07,000 --> 00:18:09,359 Speaker 1: would put a lot of money on Sharon over the 383 00:18:09,400 --> 00:18:12,960 Speaker 1: age of fifty. Is anyone in America named Sharon under 384 00:18:13,000 --> 00:18:15,639 Speaker 1: the age of fifty right now? I would vote no 385 00:18:16,160 --> 00:18:20,120 Speaker 1: seamless transition. Tomorrow will be back, same Bat time, same 386 00:18:20,160 --> 00:18:23,040 Speaker 1: BAT channel. Appreciate all of the lee crying. We promise