1 00:00:02,160 --> 00:00:04,960 Speaker 1: Who's that knocking at the door. It's all your friends, 2 00:00:04,960 --> 00:00:07,960 Speaker 1: your filthy horse, your husband's gone, and you've got books 3 00:00:07,960 --> 00:00:12,560 Speaker 1: and a bottle of wine to kill. It's books, It's gossip. 4 00:00:12,800 --> 00:00:20,639 Speaker 1: I'm shook. It's memoirs. Martini Club. Come read it while 5 00:00:20,680 --> 00:00:24,840 Speaker 1: it's hot. Celebrity Book Club, Tell your secrets. We won't 6 00:00:24,880 --> 00:00:31,920 Speaker 1: talk clebrity books. No boys are alloud. Celebrity book say 7 00:00:31,960 --> 00:00:36,239 Speaker 1: it Loud and cloud Celebrity Book Club. Buzz Man. I 8 00:00:36,320 --> 00:00:41,720 Speaker 1: brought the queer Voe. Hey, hey, best friend. Wow, it's 9 00:00:41,760 --> 00:00:46,000 Speaker 1: so good to see you. Hey, freaking passa bit um. 10 00:00:46,080 --> 00:00:48,080 Speaker 1: I know all of our listeners are on the edge 11 00:00:48,120 --> 00:00:50,760 Speaker 1: of our seat about my Valentine's Day. I know we've 12 00:00:50,800 --> 00:00:53,640 Speaker 1: been talking about it for like three weeks and it 13 00:00:53,760 --> 00:00:56,080 Speaker 1: was famously last night, And I know that you kind 14 00:00:56,120 --> 00:00:59,040 Speaker 1: of a guy's night, is you? Guys? Dated? You watch 15 00:00:59,120 --> 00:01:03,560 Speaker 1: Top Gun and yeah, just fucking maybe myself a really 16 00:01:03,600 --> 00:01:06,520 Speaker 1: awesome boulevardier. If you're running what that is, it's basically 17 00:01:06,600 --> 00:01:10,160 Speaker 1: wi Keina Grony and I watched um, yeah, guy Style. 18 00:01:10,200 --> 00:01:12,959 Speaker 1: I watched the new straight to Amazon Prime Jalo movie 19 00:01:13,160 --> 00:01:15,800 Speaker 1: Oh wait, as in the one with like Josh Dum Yes, 20 00:01:15,880 --> 00:01:21,039 Speaker 1: and Jennifer Coolidge and it's like about pirates and it's random. 21 00:01:21,080 --> 00:01:23,960 Speaker 1: It's bad. Yeah, it's very like this is was it 22 00:01:24,120 --> 00:01:27,199 Speaker 1: not a movie giving like the Sandraw Bullock movie where 23 00:01:27,200 --> 00:01:29,840 Speaker 1: she goes no, and I was I was thinking about 24 00:01:30,000 --> 00:01:33,320 Speaker 1: tales of like Sandra Bullock's lost arc last night, where 25 00:01:33,360 --> 00:01:35,039 Speaker 1: you're just like, this should be fun, but there's just 26 00:01:35,080 --> 00:01:37,520 Speaker 1: something fake about it. It's like overproduced, it's like too 27 00:01:37,600 --> 00:01:41,160 Speaker 1: much budget. It's like it was really slick looking. Yeah, 28 00:01:41,240 --> 00:01:43,680 Speaker 1: Jennifer Coolidge, of course kind of has really funny lines 29 00:01:43,920 --> 00:01:47,440 Speaker 1: and you're like, what is this relationship? And Lenny Kravitz, 30 00:01:47,480 --> 00:01:50,919 Speaker 1: isn't it okay? So it's laden with cameos. Yeah, it's cameos. 31 00:01:51,040 --> 00:01:54,720 Speaker 1: It's it has periods of fun. But overall I'm giving 32 00:01:54,760 --> 00:01:59,920 Speaker 1: it kind of two thumbs down to big thumb style, 33 00:02:00,320 --> 00:02:03,120 Speaker 1: two big foam thumbs down. Thank god you had that 34 00:02:03,160 --> 00:02:07,240 Speaker 1: BOULEVARDI d a nurse exactly. I mean, but Jlo always 35 00:02:07,720 --> 00:02:11,640 Speaker 1: looking sexy as hell nice, you're beating off, yeah, exactly. 36 00:02:11,880 --> 00:02:14,320 Speaker 1: So my boyfriend had told me to like be ready 37 00:02:14,320 --> 00:02:16,760 Speaker 1: at six thirty. I was. I was on the edge 38 00:02:16,760 --> 00:02:20,040 Speaker 1: of my I was ready at ready we leave because 39 00:02:20,040 --> 00:02:21,679 Speaker 1: when we were going, we're getting the subway. I'm like, Okay, 40 00:02:21,680 --> 00:02:23,760 Speaker 1: we're going to Manhattan. I kind of thought like he's 41 00:02:23,800 --> 00:02:26,160 Speaker 1: probably doing some like old school restaurant, like and that 42 00:02:26,160 --> 00:02:28,160 Speaker 1: would be cool, and I love old school in New York. 43 00:02:28,480 --> 00:02:29,880 Speaker 1: But I'm like, but, like, you know, where have you 44 00:02:29,960 --> 00:02:31,639 Speaker 1: not been? Is it like some hole in the walls? 45 00:02:31,639 --> 00:02:35,240 Speaker 1: It's some iconic like you were for old school. I 46 00:02:35,280 --> 00:02:37,040 Speaker 1: was kind of thinking, Oh, I hope it's like more 47 00:02:37,120 --> 00:02:39,000 Speaker 1: hole in the wall or something like something that I 48 00:02:39,040 --> 00:02:42,200 Speaker 1: really have never heard of. You actually wanted like Mongolian 49 00:02:42,360 --> 00:02:46,280 Speaker 1: sushi kind of but like, but it's made in a 50 00:02:46,360 --> 00:02:50,840 Speaker 1: deli and yeah, yeah, you're eating on the street. Yeah. 51 00:02:50,960 --> 00:02:53,520 Speaker 1: Then we literally get on the Satin Aling Ferry and 52 00:02:53,520 --> 00:02:55,080 Speaker 1: then I was like, oh, if only the bar was open. 53 00:02:55,240 --> 00:02:57,600 Speaker 1: Then he pulls out a mini bottle of wine from 54 00:02:57,639 --> 00:03:01,600 Speaker 1: his coat fouls with like coops and was it like 55 00:03:01,639 --> 00:03:05,160 Speaker 1: a mini sutter Home or like a medium mini bottle 56 00:03:05,160 --> 00:03:09,680 Speaker 1: of mine? It was a medium burrella, gorgeous um. So 57 00:03:09,919 --> 00:03:11,639 Speaker 1: we get off inso An Island, in the town there, 58 00:03:11,840 --> 00:03:14,040 Speaker 1: and then we get on the Staten Island Railroad. So 59 00:03:14,080 --> 00:03:16,239 Speaker 1: I'm like, oh, wow, we're really going something. So I 60 00:03:16,280 --> 00:03:19,680 Speaker 1: didn't even know existence. We like walk into a strip 61 00:03:19,680 --> 00:03:23,200 Speaker 1: mall and then suddenly we are at this old school 62 00:03:23,320 --> 00:03:27,800 Speaker 1: Italian like huge double decker restaurant called Butcelli, and there's 63 00:03:27,840 --> 00:03:30,160 Speaker 1: like so many frame photos of just like Hillary Clinton, 64 00:03:30,280 --> 00:03:33,919 Speaker 1: Rudy Giuliani, the Pope, like meeting the chef on the wall. 65 00:03:34,240 --> 00:03:39,320 Speaker 1: The place is absolutely jammed on Valentine with like so 66 00:03:39,360 --> 00:03:45,800 Speaker 1: many couples celebrating the marriage of seventeen to twenty seven years. 67 00:03:45,840 --> 00:03:48,440 Speaker 1: It's a lot of like twenty two year old girls 68 00:03:48,480 --> 00:03:51,360 Speaker 1: with middle parts and their boyfriends and under armour. Oh 69 00:03:51,400 --> 00:03:53,880 Speaker 1: that also makes sense. He's just like gotta make a reservation. 70 00:03:53,960 --> 00:03:55,960 Speaker 1: They're like, well, yeah, my parents all I always was 71 00:03:56,040 --> 00:03:58,840 Speaker 1: taken to like and so like everyone's up Pelli and 72 00:03:58,840 --> 00:04:01,960 Speaker 1: all the girls are like hot, pissed and like, my 73 00:04:02,000 --> 00:04:04,560 Speaker 1: favorite one about Valentine's is just going to a restaurant 74 00:04:04,680 --> 00:04:08,440 Speaker 1: just it's all pissed girls. How insane is this? We 75 00:04:08,480 --> 00:04:12,000 Speaker 1: saw a double date with like two gay guys and 76 00:04:12,040 --> 00:04:14,600 Speaker 1: a straight couple. Oh wait, two gay guys and a 77 00:04:14,640 --> 00:04:18,120 Speaker 1: straight couple. Were they giving Staton? Yeah? They were like 78 00:04:18,120 --> 00:04:21,360 Speaker 1: two Staten Island gay guys with like guido like gel 79 00:04:21,480 --> 00:04:24,480 Speaker 1: back hair and one of the gays was in under 80 00:04:24,560 --> 00:04:26,360 Speaker 1: armour and the other was in like a tight red polo, 81 00:04:26,560 --> 00:04:28,159 Speaker 1: and then there was the straight couple who were like 82 00:04:28,240 --> 00:04:30,440 Speaker 1: kind of on their phone separately for a lot of 83 00:04:30,440 --> 00:04:34,120 Speaker 1: the nights. That reminds me of the book that we 84 00:04:34,160 --> 00:04:38,160 Speaker 1: read this week. Oh my god, it does that because 85 00:04:38,160 --> 00:04:40,599 Speaker 1: it's so dinner. Well. I just feel like the star 86 00:04:40,720 --> 00:04:43,599 Speaker 1: of our book is like always like with a straight 87 00:04:43,600 --> 00:04:46,279 Speaker 1: couple and another gay guy like at a restaurant. Yes 88 00:04:46,320 --> 00:04:49,560 Speaker 1: he is, you know him from Bravo. He's the inventor 89 00:04:49,600 --> 00:04:52,599 Speaker 1: of the housewives. Um, he's literally the king of all women. 90 00:04:52,880 --> 00:04:57,760 Speaker 1: His name is and Yes Hunt. And we read his 91 00:04:58,160 --> 00:05:02,480 Speaker 1: second book, The Andy Cohen Ears, which are modeled after 92 00:05:02,960 --> 00:05:08,200 Speaker 1: the Andy Warhol Diaries, the Andy Warhole Diaries. He basically 93 00:05:08,240 --> 00:05:10,440 Speaker 1: like read the Andy Warhol Diaries and then was just like, 94 00:05:10,640 --> 00:05:12,440 Speaker 1: oh wait, I want to do us, Like I'm upset 95 00:05:12,520 --> 00:05:15,320 Speaker 1: with any Warhol. He's so like smart and like documenting 96 00:05:15,400 --> 00:05:18,360 Speaker 1: this urbaning like sophisticated life, like full of celebrities, and 97 00:05:18,480 --> 00:05:20,040 Speaker 1: like that's kind of my life and like I want 98 00:05:20,040 --> 00:05:22,919 Speaker 1: to do that too. God, there's just so this book 99 00:05:23,080 --> 00:05:25,599 Speaker 1: is so packed, it's like where to be even jump in, 100 00:05:25,680 --> 00:05:28,000 Speaker 1: but so this book Halter was written in it's twenty 101 00:05:28,040 --> 00:05:31,240 Speaker 1: thirteen to twenty fourteen, so that a year kind of 102 00:05:31,240 --> 00:05:34,560 Speaker 1: the Sectually, it's so the end of an era in 103 00:05:34,560 --> 00:05:36,359 Speaker 1: this way. You know. I don't think he's saying up 104 00:05:36,400 --> 00:05:39,240 Speaker 1: the end of Indie Sleys. But I have to say 105 00:05:39,440 --> 00:05:43,560 Speaker 1: I loved this book. I was completely riveted by it. 106 00:05:43,760 --> 00:05:46,760 Speaker 1: And I think, like, especially having read so many memoirs, 107 00:05:46,760 --> 00:05:48,719 Speaker 1: because they have this podcast where I read celebrity memoirs. 108 00:05:48,760 --> 00:05:50,320 Speaker 1: Oh my god, I'm looking for a podcast, so you 109 00:05:50,360 --> 00:05:52,400 Speaker 1: should check it out. It's called Celebrity Book Club. But 110 00:05:52,560 --> 00:05:56,760 Speaker 1: memoirs have this very kind of stock narrative that they 111 00:05:56,839 --> 00:05:58,960 Speaker 1: have to follow. It always has to have this like 112 00:05:59,279 --> 00:06:02,680 Speaker 1: redemption arc and like traumatic childhood, and then they have 113 00:06:02,760 --> 00:06:04,480 Speaker 1: the thing that happens when they get to LA or 114 00:06:04,480 --> 00:06:06,719 Speaker 1: New York, and then they meet the dodgy people. But 115 00:06:06,800 --> 00:06:08,320 Speaker 1: and then by the end they're always like, but I'm 116 00:06:08,360 --> 00:06:09,840 Speaker 1: so happy to be where I am in my life. 117 00:06:09,880 --> 00:06:12,680 Speaker 1: I'm so proud. They all hue to that exact same 118 00:06:12,920 --> 00:06:16,000 Speaker 1: narrative basically, and I feel like it's actually so much 119 00:06:16,080 --> 00:06:19,320 Speaker 1: more poignant and profound to like, you know, all the 120 00:06:19,360 --> 00:06:21,400 Speaker 1: little things that add up over the course of the 121 00:06:21,480 --> 00:06:23,720 Speaker 1: year and that amount of detail, and you end up 122 00:06:23,760 --> 00:06:28,080 Speaker 1: revealing I think, deeper truths as I couldn't agree more 123 00:06:28,080 --> 00:06:31,160 Speaker 1: with you, Stephen. I really came away from this diary 124 00:06:31,279 --> 00:06:33,880 Speaker 1: is like I would say, before this book to me 125 00:06:34,160 --> 00:06:38,719 Speaker 1: like he seemed evil, but anyway I the housewives to 126 00:06:38,839 --> 00:06:41,480 Speaker 1: him like it's a little more just like, oh, this 127 00:06:41,560 --> 00:06:44,159 Speaker 1: is my job, and I do have this cool, fabulous job. 128 00:06:44,600 --> 00:06:49,800 Speaker 1: It's less I'm a puppeteer. He's actually not that machiavellian. 129 00:06:50,240 --> 00:06:52,839 Speaker 1: And I think like one episode that really spoke to 130 00:06:52,880 --> 00:06:55,880 Speaker 1: that was when so he gets cast in Lady Gaga's 131 00:06:55,920 --> 00:07:00,760 Speaker 1: guy video and I think Gaga really understand his role 132 00:07:00,920 --> 00:07:03,200 Speaker 1: in culture, and like she's playing with that. All the 133 00:07:03,200 --> 00:07:05,560 Speaker 1: housewives are in the video and he's this kind of 134 00:07:05,560 --> 00:07:07,640 Speaker 1: like Zeus, and he is this like figure who is 135 00:07:07,640 --> 00:07:09,440 Speaker 1: in charge of all these women, and like the book 136 00:07:09,560 --> 00:07:12,800 Speaker 1: is all about women basically being obsessed with him. They 137 00:07:12,840 --> 00:07:15,440 Speaker 1: all need him to make him to make them famous, 138 00:07:15,440 --> 00:07:17,080 Speaker 1: and just like surroundom a woman. A lot of time, 139 00:07:17,080 --> 00:07:20,680 Speaker 1: he's always hosting all these like women's events and women's 140 00:07:20,720 --> 00:07:23,560 Speaker 1: like breast cancer walks and like Women of the Year 141 00:07:23,600 --> 00:07:26,360 Speaker 1: awards and Women of the Week Awards. He's like, so 142 00:07:26,520 --> 00:07:30,720 Speaker 1: I'm co hosting the breast cancer Awareness like als like 143 00:07:30,960 --> 00:07:35,600 Speaker 1: walkathon that's streaming on Oxygen with Wendy Williams. Hondy was late. 144 00:07:35,840 --> 00:07:39,000 Speaker 1: I finished up and I thought I wanted to get 145 00:07:39,040 --> 00:07:41,520 Speaker 1: with the drugs one day. But then Bruce Kelly s 146 00:07:41,640 --> 00:07:44,600 Speaker 1: JP call do. We went to Barbaccino, Then we went 147 00:07:44,640 --> 00:07:48,280 Speaker 1: to Barrakuda. I had another whiskey ginger oh, and then 148 00:07:48,320 --> 00:07:51,000 Speaker 1: Bruce force been to have mes call is by the 149 00:07:51,000 --> 00:07:53,200 Speaker 1: way every Leven book is like he's doing like a 150 00:07:53,400 --> 00:07:56,200 Speaker 1: dinner a like a Boozefield dinner with this trade couple, 151 00:07:56,720 --> 00:07:59,560 Speaker 1: then going with one of his gays to hell, we'll 152 00:07:59,600 --> 00:08:03,080 Speaker 1: get in to the alcoholism. I also found the way 153 00:08:03,120 --> 00:08:05,920 Speaker 1: he also talks about the Housewives, which also felt less. 154 00:08:05,920 --> 00:08:10,080 Speaker 1: Marcavellian is like he's not being like, you want to 155 00:08:10,120 --> 00:08:13,880 Speaker 1: know the real t about Ramona. He's like letting just 156 00:08:14,080 --> 00:08:17,800 Speaker 1: things show themselves and he gets how good television is 157 00:08:17,840 --> 00:08:19,280 Speaker 1: made and so but this is what I was saying 158 00:08:19,280 --> 00:08:21,560 Speaker 1: about the Lady Gaga thing was oh yeah, So he 159 00:08:21,560 --> 00:08:24,280 Speaker 1: shoots this video with her and he's like, I don't know, 160 00:08:24,240 --> 00:08:26,440 Speaker 1: it was a funny. He goes honestly I didn't really 161 00:08:26,480 --> 00:08:28,640 Speaker 1: get it, and I was like the fact that he 162 00:08:28,680 --> 00:08:31,239 Speaker 1: didn't even get what she was saying that she's saying 163 00:08:31,280 --> 00:08:34,560 Speaker 1: that he is like this the emperor of this entire 164 00:08:34,720 --> 00:08:38,600 Speaker 1: universe of like women whose lives are turned into fotherer 165 00:08:38,600 --> 00:08:40,640 Speaker 1: for reality TV shows and they have to like cat 166 00:08:40,679 --> 00:08:42,840 Speaker 1: fighting backs up each other but become also these like 167 00:08:43,080 --> 00:08:46,120 Speaker 1: heroines and these archetypes. It's like he didn't even really 168 00:08:46,200 --> 00:08:49,680 Speaker 1: see himself as being like that all powerful, No, because 169 00:08:49,760 --> 00:08:54,160 Speaker 1: you can tell by this book he thinks the Housewives 170 00:08:54,160 --> 00:08:57,120 Speaker 1: are the B story and he thinks Watch what Happens 171 00:08:57,280 --> 00:09:00,600 Speaker 1: is the A story, which I love. I love. Like 172 00:09:00,679 --> 00:09:03,160 Speaker 1: he's like, I'm a late night host, I mean gay, 173 00:09:03,200 --> 00:09:06,080 Speaker 1: I'm the only gay late night host and I just 174 00:09:06,080 --> 00:09:09,000 Speaker 1: saw a documentary about AIDS and that's really sad, and 175 00:09:09,120 --> 00:09:12,080 Speaker 1: so I need to like be out and proud as 176 00:09:12,120 --> 00:09:15,160 Speaker 1: the only gay hosted Lane. Okay, then I got tricks 177 00:09:15,160 --> 00:09:17,600 Speaker 1: Witch on Mare. Like he's much more. Just like every 178 00:09:17,679 --> 00:09:22,640 Speaker 1: single story of this book, unless he's on vacation, is 179 00:09:22,679 --> 00:09:26,560 Speaker 1: about that night's show. Yeah, his biggest desires that the 180 00:09:26,600 --> 00:09:29,680 Speaker 1: show goes well, that their chemistry is you know, lightning 181 00:09:29,720 --> 00:09:31,240 Speaker 1: in a bottle. I mean he's just like, I mean 182 00:09:31,360 --> 00:09:35,480 Speaker 1: Letterman and Bernhard and the eighties. That was lightning in 183 00:09:35,520 --> 00:09:40,760 Speaker 1: a bottle. Yeah, Another time he goes Terry Gar and Letterman, 184 00:09:40,960 --> 00:09:45,199 Speaker 1: Yeah that was chemistry. Like he is much more excited 185 00:09:45,200 --> 00:09:48,079 Speaker 1: by that and is like such a kind of like 186 00:09:48,720 --> 00:09:53,440 Speaker 1: news late night nerd. Then he is like like he'll 187 00:09:53,480 --> 00:09:57,000 Speaker 1: be like, oh, I'm so like excited for like Married 188 00:09:57,040 --> 00:10:00,040 Speaker 1: to Medical this season. It's going to be hilarious. But 189 00:10:00,600 --> 00:10:04,880 Speaker 1: he's he's like Encyclopicnoledge of late ninety. He's just like, oh, 190 00:10:04,920 --> 00:10:07,880 Speaker 1: like Jimmie is killing it, just like he really knows 191 00:10:07,920 --> 00:10:10,120 Speaker 1: what he's doing. Like when Seth Meyers sent him at 192 00:10:10,120 --> 00:10:11,400 Speaker 1: that convent and Seth is like should I have a 193 00:10:11,440 --> 00:10:14,079 Speaker 1: band or a DJ? And he's just like, wow, I 194 00:10:14,080 --> 00:10:16,160 Speaker 1: guess other people like make fly by the like see 195 00:10:16,200 --> 00:10:19,440 Speaker 1: of their pants like decisions too, Like I really hope 196 00:10:19,440 --> 00:10:21,400 Speaker 1: Seth does well. I'm so happy for him. And then 197 00:10:21,520 --> 00:10:24,680 Speaker 1: like he'll be at like again like some like the 198 00:10:24,840 --> 00:10:28,000 Speaker 1: Upfronts or like something, and he's like, so obviously I 199 00:10:28,040 --> 00:10:31,400 Speaker 1: went straight to like Clara Hudgens because I'm a total 200 00:10:31,480 --> 00:10:35,920 Speaker 1: local news nerd. Oh. Yeah, he's always like running up 201 00:10:36,040 --> 00:10:40,160 Speaker 1: like a local he's obsessed with He's obsessed with Janice 202 00:10:40,200 --> 00:10:43,200 Speaker 1: Huff like the weather woman for like yeah New York 203 00:10:43,320 --> 00:10:46,720 Speaker 1: NVC whatever. Okay, Wait, did the line when he says, 204 00:10:46,720 --> 00:10:49,120 Speaker 1: it's like very beginning we goes, um, he's at some 205 00:10:49,200 --> 00:10:52,560 Speaker 1: event and he's just the amount of insane random upfronts, 206 00:10:52,600 --> 00:10:59,439 Speaker 1: events and dinners like it's just at home maybe once once, Okay, 207 00:10:59,480 --> 00:11:02,160 Speaker 1: but this line, Suzanne Simmers said, she relates to me 208 00:11:02,200 --> 00:11:04,600 Speaker 1: as a businesswoman, which I don't know what to do with. 209 00:11:05,080 --> 00:11:09,439 Speaker 1: Women love to tell me that they are businesswomen, especially housewives. 210 00:11:10,720 --> 00:11:13,160 Speaker 1: Oh I wrote that like too. That's like that's when 211 00:11:13,200 --> 00:11:15,880 Speaker 1: he is like kind of like okay, Like it's also 212 00:11:16,000 --> 00:11:18,600 Speaker 1: like he knows women are obsessed with them, but he's 213 00:11:18,679 --> 00:11:23,960 Speaker 1: also just like women be random. All these straight women 214 00:11:24,000 --> 00:11:26,440 Speaker 1: cons like I'm a businesswoman. I'd love to talk to 215 00:11:26,440 --> 00:11:29,240 Speaker 1: about it because like everyone thinks they're Bethany ultimately is 216 00:11:29,240 --> 00:11:33,360 Speaker 1: completely insane. Wait, the meeting with Bethany and Martha Stewart, 217 00:11:33,400 --> 00:11:36,840 Speaker 1: I think it's literally at Mirandy also, so he is 218 00:11:36,880 --> 00:11:40,120 Speaker 1: like producing more shows now and he's like, okay, I 219 00:11:40,160 --> 00:11:42,760 Speaker 1: think like I'm not like having me with Martha and 220 00:11:42,920 --> 00:11:45,080 Speaker 1: Bethany for like them to have a show, but like, 221 00:11:45,400 --> 00:11:48,280 Speaker 1: let's also get p Diddy involved. I feel like maybe 222 00:11:48,280 --> 00:11:51,640 Speaker 1: that just became Martha and Snoop's show. I know, because 223 00:11:51,679 --> 00:11:53,199 Speaker 1: he was like, I need to have a black show. 224 00:11:53,240 --> 00:11:56,480 Speaker 1: But so at the meeting, Bethany says, she's just like, 225 00:11:56,600 --> 00:11:58,280 Speaker 1: I think the audience would be really interested in the 226 00:11:58,360 --> 00:12:01,480 Speaker 1: tension between you and me and Mandy's like it kind 227 00:12:01,480 --> 00:12:04,480 Speaker 1: of made the meaning like more awkward and intense that 228 00:12:04,640 --> 00:12:07,600 Speaker 1: Bethany said that. It's like I can so see Bethany's insane, 229 00:12:07,679 --> 00:12:11,960 Speaker 1: caffeinated adderall ass. You know what I think, Martha, you 230 00:12:11,960 --> 00:12:14,120 Speaker 1: know what I think. I think that would make the 231 00:12:14,240 --> 00:12:17,239 Speaker 1: tension interesting. And then when he goes over to Bethany's 232 00:12:17,280 --> 00:12:20,839 Speaker 1: house for dinner and he's like she had tons of 233 00:12:20,920 --> 00:12:25,079 Speaker 1: Skinny Girl products for everything, and it's like I feel 234 00:12:25,080 --> 00:12:28,920 Speaker 1: like her house was like so scary unsold shark tank, 235 00:12:29,080 --> 00:12:30,959 Speaker 1: and like she's going over and she's like, do you 236 00:12:31,000 --> 00:12:33,000 Speaker 1: want to skinny Girl? Do you want to try my 237 00:12:33,080 --> 00:12:35,960 Speaker 1: new skinny Girl popcorns? Like thinking of Bethany's insanity and 238 00:12:36,000 --> 00:12:38,520 Speaker 1: her wound upness, like I used to have a much 239 00:12:38,520 --> 00:12:40,880 Speaker 1: more negative you of Andy as well. Before reading this book. 240 00:12:41,000 --> 00:12:42,959 Speaker 1: I thought of him as evil, and I thought of, like, 241 00:12:43,400 --> 00:12:45,960 Speaker 1: you know that that husband of the Beverly Hills housewife 242 00:12:45,960 --> 00:12:48,360 Speaker 1: who killed himself. I was like, that's like Andy has 243 00:12:48,360 --> 00:12:52,000 Speaker 1: blood in his hands, Like he has created this insanely 244 00:12:52,160 --> 00:12:56,080 Speaker 1: toxic enterprise that where we like are so desperate to 245 00:12:56,160 --> 00:12:59,240 Speaker 1: see these people fail and to see these people get hurt. 246 00:12:59,720 --> 00:13:02,320 Speaker 1: And and I came with thinking like, oh, he's actually 247 00:13:02,400 --> 00:13:04,559 Speaker 1: just like I think he is completely obsessed with himself 248 00:13:04,559 --> 00:13:07,679 Speaker 1: and ultimately like probably that's why he can't have a relationships. 249 00:13:07,720 --> 00:13:10,600 Speaker 1: He can never like seed enough time to anyone else 250 00:13:10,600 --> 00:13:12,120 Speaker 1: before it comes back to him. And he's trying to 251 00:13:12,160 --> 00:13:14,320 Speaker 1: make the joke and like make something fun happen, and 252 00:13:14,360 --> 00:13:18,600 Speaker 1: he's t other you know, through line of this book 253 00:13:18,880 --> 00:13:21,720 Speaker 1: is his singleness. And yeah, he has like a very 254 00:13:21,760 --> 00:13:29,880 Speaker 1: close relationship, you know with his friends Kelly Rippa, Mark Consuelo, Sarah, Jessica, Matthew. 255 00:13:30,200 --> 00:13:33,160 Speaker 1: I love the way that John there's just so many 256 00:13:33,160 --> 00:13:35,440 Speaker 1: first names in this book, and he doesn't always explain, 257 00:13:35,480 --> 00:13:37,120 Speaker 1: like you always hear him saying Kelly and Mark or 258 00:13:37,200 --> 00:13:40,400 Speaker 1: Consuelos or just like Kelly and you know it's Kelly Rippa, right, 259 00:13:40,840 --> 00:13:44,720 Speaker 1: do you know who Tasha's Natasha whose death he refers to, Yeah, 260 00:13:44,800 --> 00:13:47,440 Speaker 1: Natasha richards Okay, you got that. Okay, it was just yeah, 261 00:13:47,480 --> 00:13:51,320 Speaker 1: it was okay, I know stuff about British people. So 262 00:13:51,559 --> 00:13:54,600 Speaker 1: he talks a lot about you know, Natasha Richardson's like 263 00:13:54,679 --> 00:13:58,280 Speaker 1: memorial and all their friends and their big reunion and likens. 264 00:13:58,320 --> 00:14:01,480 Speaker 1: And I was like, and they go to are best 265 00:14:01,480 --> 00:14:03,400 Speaker 1: friends with Tasha? And he's like yeah. And then we 266 00:14:03,440 --> 00:14:06,439 Speaker 1: did Easter f Vanessa Redgraves upstate and it was bittersweet 267 00:14:06,480 --> 00:14:09,120 Speaker 1: because like Tasha used to make these muffins, and I'm like, 268 00:14:09,720 --> 00:14:12,559 Speaker 1: you're friends with all these like seventy year old actresses 269 00:14:12,600 --> 00:14:15,720 Speaker 1: but also like forty year old actresses, like talk about 270 00:14:15,800 --> 00:14:21,680 Speaker 1: intergenerational relationship, serious intergenerational I was and he's like, oh, 271 00:14:21,720 --> 00:14:23,680 Speaker 1: I feel so bad for Liam and you're kind of 272 00:14:23,680 --> 00:14:27,920 Speaker 1: just like what on earth? So okay, two things, but who? Yeah, 273 00:14:27,960 --> 00:14:29,680 Speaker 1: the whole time, I was like, who is Bruce and 274 00:14:29,720 --> 00:14:32,120 Speaker 1: who is John? Who are like his best friends? Okay? 275 00:14:32,200 --> 00:14:35,960 Speaker 1: So I can't actually I know who John is because 276 00:14:36,040 --> 00:14:38,960 Speaker 1: John like a producer. John is like a producer on 277 00:14:39,000 --> 00:14:42,960 Speaker 1: the show and t get ready to be spelled. He 278 00:14:43,080 --> 00:14:47,680 Speaker 1: slid into my dms before stop. Yeah, because he's Okay, 279 00:14:47,680 --> 00:14:50,240 Speaker 1: we're actually gonna die. Might have. So the guy he 280 00:14:50,320 --> 00:14:54,080 Speaker 1: keeps saying, John Hill, Yeah, his full name is wait 281 00:14:54,160 --> 00:15:02,080 Speaker 1: for it, John Arthur Hill for hill Shu. So he 282 00:15:02,120 --> 00:15:04,160 Speaker 1: hasn't slid into my DMS in a long time. And 283 00:15:04,200 --> 00:15:06,320 Speaker 1: maybe he doesn't even follow him anymore because he got bored. 284 00:15:06,360 --> 00:15:08,480 Speaker 1: But like, wow, there was a moment a few years 285 00:15:08,480 --> 00:15:10,880 Speaker 1: ago where he was he said, he said some you know, 286 00:15:11,000 --> 00:15:15,760 Speaker 1: flirtatious things to me. Okay, and decoens x oh he's 287 00:15:15,800 --> 00:15:18,360 Speaker 1: on serious sex Time Channel one O two okay. And 288 00:15:18,360 --> 00:15:22,920 Speaker 1: you also know that I have met Andy once like CBS. Yeah, 289 00:15:22,920 --> 00:15:25,480 Speaker 1: like in like that Vicom building where I think they 290 00:15:25,520 --> 00:15:28,680 Speaker 1: film Watch What Happens Live. There's like empty ving Comedy 291 00:15:28,680 --> 00:15:33,440 Speaker 1: Central in there. Eric and I bless you. Eric and 292 00:15:33,480 --> 00:15:35,880 Speaker 1: I were like going to like some meeting there, and 293 00:15:35,920 --> 00:15:38,080 Speaker 1: we got out on an elevator on the wrong floor 294 00:15:38,160 --> 00:15:40,080 Speaker 1: and I think it was like Andy's floor, and he 295 00:15:40,160 --> 00:15:43,760 Speaker 1: was just bounding towards us and the elevator opens. We're 296 00:15:43,760 --> 00:15:45,720 Speaker 1: just standing there and like he just looks and sees 297 00:15:45,720 --> 00:15:48,320 Speaker 1: two gay guys and he just goes, hi boys, Oh 298 00:15:48,360 --> 00:15:55,400 Speaker 1: my god. Is he like five to seven? Absolutely? And 299 00:15:55,560 --> 00:15:57,640 Speaker 1: I mean maybe maybe five eight. But yeah, back to 300 00:15:57,680 --> 00:15:59,760 Speaker 1: the single this so it's like Tinder was also just 301 00:15:59,800 --> 00:16:02,280 Speaker 1: an vented, so we're kind of getting into that, and 302 00:16:03,040 --> 00:16:05,600 Speaker 1: he frames this book is like my year alone. And 303 00:16:05,640 --> 00:16:08,440 Speaker 1: then I got a dog and he gets this beagle 304 00:16:09,240 --> 00:16:12,400 Speaker 1: named Walca, and that's like a whole thing to like 305 00:16:12,520 --> 00:16:16,040 Speaker 1: soothe his loneliness, and he like, I mean, is doing 306 00:16:16,080 --> 00:16:18,560 Speaker 1: what a lot of dog owners do, putting a little 307 00:16:18,640 --> 00:16:24,080 Speaker 1: too much ye into the dog walka becomes this obviously 308 00:16:24,120 --> 00:16:27,920 Speaker 1: this senectity is that their senectity whatever the New York 309 00:16:28,840 --> 00:16:32,120 Speaker 1: this connection would be like for his single to him 310 00:16:32,240 --> 00:16:35,280 Speaker 1: and his for the love and affection that he craves 311 00:16:35,440 --> 00:16:37,720 Speaker 1: in his life when he's not getting and he starts 312 00:16:37,720 --> 00:16:39,360 Speaker 1: to build this ring Tim and he's even very open 313 00:16:39,400 --> 00:16:41,160 Speaker 1: about this. He's like, well, I was. I was having 314 00:16:41,200 --> 00:16:42,560 Speaker 1: a close relationship with the walker and then I never 315 00:16:42,640 --> 00:16:44,160 Speaker 1: have a man in my life, and we fell asleep 316 00:16:44,200 --> 00:16:46,680 Speaker 1: in each other's arms, and I spent all morning telling 317 00:16:46,760 --> 00:16:48,320 Speaker 1: him that I loved him, but then we got in 318 00:16:48,400 --> 00:16:51,840 Speaker 1: a fight. Yeah, and it's always He's like, Okay, Walca 319 00:16:52,040 --> 00:16:55,520 Speaker 1: was following me everywhere and thank god I had the 320 00:16:55,560 --> 00:16:58,000 Speaker 1: show do tonight because we didn't some time apart, He's like, 321 00:16:58,160 --> 00:17:00,720 Speaker 1: and then he's always like, we took this amazing drunken 322 00:17:00,760 --> 00:17:05,440 Speaker 1: walk through the West Village together. Oh, He's always like, 323 00:17:05,520 --> 00:17:08,359 Speaker 1: drunk walks are the best. Wait, if we could just 324 00:17:08,359 --> 00:17:12,320 Speaker 1: discuss the alcohol for a second. Yeah, let's talk about that. 325 00:17:12,560 --> 00:17:16,119 Speaker 1: It made me feel good about my drinking. Dame I 326 00:17:16,240 --> 00:17:22,280 Speaker 1: was like, oh my god, I'm I'm a suffrage I'm 327 00:17:22,320 --> 00:17:27,000 Speaker 1: a lival Quaker suffraget, like sober ass more men like, 328 00:17:27,320 --> 00:17:31,080 Speaker 1: so this is every day he wakes up, has meetings, 329 00:17:31,200 --> 00:17:34,280 Speaker 1: goes to the gym with Ninje. Then obviously they drink 330 00:17:34,280 --> 00:17:36,320 Speaker 1: in the show, so he always gets like wasted on 331 00:17:36,320 --> 00:17:37,959 Speaker 1: the show. Then he's having He's like, then I got 332 00:17:38,000 --> 00:17:39,960 Speaker 1: a shot of yeager as we were leaving the show. 333 00:17:40,240 --> 00:17:45,120 Speaker 1: Then I yea shot sky, which is like a room 334 00:17:45,160 --> 00:17:47,320 Speaker 1: where you do shots or something like that. That watch 335 00:17:47,359 --> 00:17:49,600 Speaker 1: what happened in the clubhouse, and he likes always talking 336 00:17:49,600 --> 00:17:52,480 Speaker 1: about the clubhouse. Then he's like, then we like stay 337 00:17:52,920 --> 00:17:56,240 Speaker 1: at the clubhouse and like I've I had like three drinks, 338 00:17:56,440 --> 00:18:01,399 Speaker 1: you know what, just like Christian Ronaldo and Lee Martin 339 00:18:01,640 --> 00:18:07,760 Speaker 1: like fast stage. Then I went and met John Mayer. Yeah, 340 00:18:07,800 --> 00:18:10,520 Speaker 1: and then I did my classic corner Beastro two am 341 00:18:10,600 --> 00:18:13,800 Speaker 1: Burger with John and Hickey. Then we went to Anderson 342 00:18:13,840 --> 00:18:16,880 Speaker 1: and Ben Massoni's bar Atlas Social Club and had more 343 00:18:16,960 --> 00:18:20,520 Speaker 1: mes caltel four. Then I slept with a Latino guy. Yeah, 344 00:18:20,560 --> 00:18:26,760 Speaker 1: he's always been like yum yum latinosa the part in 345 00:18:26,840 --> 00:18:28,520 Speaker 1: my EMI where he's like, I had to make a 346 00:18:28,600 --> 00:18:32,320 Speaker 1: gay sophie's choice between between a Latino man and a 347 00:18:32,359 --> 00:18:36,840 Speaker 1: black man. And that's what's very twenty fourteen and very 348 00:18:37,040 --> 00:18:41,480 Speaker 1: twenty fourteen about this book. The casual fetishization and his 349 00:18:41,600 --> 00:18:46,520 Speaker 1: relationship with Anderson is very sweet, Supers. I'll say that 350 00:18:46,640 --> 00:18:49,240 Speaker 1: not to become like such insane. Andy stands on the 351 00:18:49,240 --> 00:18:51,960 Speaker 1: spot where we're like, he's literally a model citizen. I mean, 352 00:18:52,240 --> 00:18:54,720 Speaker 1: they're gay guys. I mean the biggest question obviously is 353 00:18:54,720 --> 00:18:58,920 Speaker 1: has they have have they fucked, because he's like Andy 354 00:18:59,320 --> 00:19:01,600 Speaker 1: and benj n in their club, but then he's been 355 00:19:01,640 --> 00:19:04,600 Speaker 1: like just me and Anderson went to Rio. So you 356 00:19:04,640 --> 00:19:07,320 Speaker 1: think I need you to answer the question. I think 357 00:19:07,320 --> 00:19:14,280 Speaker 1: they have fucked in the past. Yeah, I And it's 358 00:19:14,320 --> 00:19:17,080 Speaker 1: a little to me now. I am kind of like, 359 00:19:17,240 --> 00:19:20,480 Speaker 1: I know they both have their like separate five million 360 00:19:20,520 --> 00:19:27,040 Speaker 1: dollars or Gussie children, right, But why didn't they just 361 00:19:27,040 --> 00:19:29,399 Speaker 1: get one together? Like I know, I don't get it, 362 00:19:29,440 --> 00:19:32,440 Speaker 1: Like I feel like I don't know, like obviously they're 363 00:19:32,440 --> 00:19:35,040 Speaker 1: already both fifty. But now I'm just being straight girl, 364 00:19:35,160 --> 00:19:38,840 Speaker 1: being like, you guys should just be together and make 365 00:19:38,880 --> 00:19:41,320 Speaker 1: it work well. And also makes sense because Andy is 366 00:19:41,320 --> 00:19:46,840 Speaker 1: a top and you know Anderson even though sometimes the book, 367 00:19:46,960 --> 00:19:50,560 Speaker 1: Andy's being like people ask me if I'm a bottom, 368 00:19:50,600 --> 00:19:54,359 Speaker 1: like okay, like siss like similar with the questions, I 369 00:19:54,359 --> 00:19:56,679 Speaker 1: think that he's verse top. I think like he's probably 370 00:19:56,720 --> 00:19:58,200 Speaker 1: more of a top if he gets older, which a 371 00:19:58,240 --> 00:20:00,760 Speaker 1: lot of people do. Daddy vibes because I kind of 372 00:20:00,760 --> 00:20:03,160 Speaker 1: feel like maybe he was a bottom with John Hill 373 00:20:03,280 --> 00:20:05,920 Speaker 1: for all those years. Because there's a part later when 374 00:20:05,960 --> 00:20:08,800 Speaker 1: Anderson reveals that he's a top on when him, Kelly, 375 00:20:08,920 --> 00:20:11,359 Speaker 1: and Andy are like hosting the Today Show or something 376 00:20:11,440 --> 00:20:13,720 Speaker 1: together and he's like, when it's the three of us, 377 00:20:14,080 --> 00:20:18,399 Speaker 1: we just go to totally crazy. It should be illegal. 378 00:20:18,480 --> 00:20:21,639 Speaker 1: We should not be allowed to like do sub in 379 00:20:21,760 --> 00:20:24,600 Speaker 1: hosting for Al Roker on the fourth hour of Today 380 00:20:24,760 --> 00:20:27,360 Speaker 1: because we just push it. We just totally push it, 381 00:20:27,440 --> 00:20:30,880 Speaker 1: fucking push at We're crazy. And again I mean as 382 00:20:30,920 --> 00:20:33,919 Speaker 1: to read I'm so glad we read like Kelly's book 383 00:20:34,160 --> 00:20:37,240 Speaker 1: before this because this, like she obviously talks about the 384 00:20:37,320 --> 00:20:39,280 Speaker 1: hanging out with Andy A. Lott in that book, but 385 00:20:39,400 --> 00:20:44,399 Speaker 1: this you really realize, like how truly much of a 386 00:20:44,480 --> 00:20:47,560 Speaker 1: fat caag she is like she is And he's like, so, 387 00:20:47,600 --> 00:20:49,800 Speaker 1: then we went over her house in Tag Harbor. She's 388 00:20:49,840 --> 00:20:52,639 Speaker 1: a gaggle of gaze there, like she just is she 389 00:20:52,680 --> 00:20:54,680 Speaker 1: needs to be throunding a game. Yeah, like she's really 390 00:20:54,760 --> 00:20:56,920 Speaker 1: at her pool and she he was like there was. 391 00:20:56,960 --> 00:20:58,720 Speaker 1: He's like, it's Kelly's house. You know there's gonna be 392 00:20:58,840 --> 00:21:02,680 Speaker 1: nine million sex see gay guys there. And he's like, oh, 393 00:21:02,720 --> 00:21:05,240 Speaker 1: thank god. Mark could be the Desnay driver. And Mark 394 00:21:05,400 --> 00:21:08,400 Speaker 1: is just like staying more sober so he can drive 395 00:21:08,480 --> 00:21:14,680 Speaker 1: Kelly and her wasted ass gaze chugging Whispering Angel Rose 396 00:21:15,160 --> 00:21:17,600 Speaker 1: wait with Preene Angel Rose. He was like, oh, I 397 00:21:17,640 --> 00:21:19,919 Speaker 1: had some with Spree Angel before before I went on 398 00:21:19,920 --> 00:21:23,160 Speaker 1: three sixty. I should now, but I did. Sorry when 399 00:21:23,160 --> 00:21:25,520 Speaker 1: he says the Lance Bass came over and was making 400 00:21:25,520 --> 00:21:28,520 Speaker 1: like a wine spritzer with Whispering Angel and he's like, yeah, 401 00:21:28,600 --> 00:21:30,880 Speaker 1: they say it actually makes you drunker if you're making 402 00:21:30,920 --> 00:21:35,040 Speaker 1: a wine spritzer. Okay, that was another thing. I was like, 403 00:21:35,080 --> 00:21:37,200 Speaker 1: so him and Lance don't fuck at that late night 404 00:21:37,440 --> 00:21:40,480 Speaker 1: hang out. He's been like Lance talk about an angel. 405 00:21:41,119 --> 00:21:44,399 Speaker 1: That's very like he's not attracted to Lance. Yeah, like 406 00:21:44,560 --> 00:21:47,639 Speaker 1: he's so sweet, but no, I don't think him and 407 00:21:47,760 --> 00:21:51,880 Speaker 1: Lance are fucking. I want to talk about Kathy Griffin, 408 00:21:52,119 --> 00:21:56,080 Speaker 1: so let me know. Andy took over for Kathy, who 409 00:21:56,200 --> 00:21:59,480 Speaker 1: used to do the ball drop with Anderson, and like 410 00:22:00,080 --> 00:22:02,760 Speaker 1: Kathy used to be the crazy one to Anderson straight man, 411 00:22:02,840 --> 00:22:06,280 Speaker 1: and like if they were like an unlikely friend group. 412 00:22:06,400 --> 00:22:11,160 Speaker 1: I think the differences was like Kelly, like she's still like, yes, 413 00:22:11,280 --> 00:22:13,679 Speaker 1: she's like study gay guys, but she's still just like 414 00:22:13,880 --> 00:22:17,679 Speaker 1: buttoned up and cheesy and bless, Like she's not Kathy 415 00:22:17,760 --> 00:22:22,400 Speaker 1: who's saying everything under the sun. Yeah, but Kathy's also 416 00:22:22,560 --> 00:22:25,720 Speaker 1: not cool and doesn't drink and isn't hanging out and 417 00:22:25,800 --> 00:22:28,359 Speaker 1: like not going to a pool party. I guess that's 418 00:22:28,400 --> 00:22:32,880 Speaker 1: the thing. And I feel like Andy is says very 419 00:22:32,920 --> 00:22:35,480 Speaker 1: few things about Kathy, and I feel like Anderson and 420 00:22:35,560 --> 00:22:37,720 Speaker 1: Kathy were friends and like he says, remember so like 421 00:22:37,720 --> 00:22:39,520 Speaker 1: there it's an after party for a special and they're 422 00:22:39,520 --> 00:22:43,120 Speaker 1: at like we're at Sardis. We're at like Roma Sarti's 423 00:22:43,119 --> 00:22:46,080 Speaker 1: at fifty seventh and everyone is there, and Martha's there, 424 00:22:46,160 --> 00:22:48,720 Speaker 1: and Elsie is there, and John and Hickey and John 425 00:22:48,760 --> 00:22:51,959 Speaker 1: and Bruce and dear Drop and Lisa are there, and 426 00:22:52,160 --> 00:22:56,080 Speaker 1: he's like, Kathy was being nice Kathy, Yeah, which implies 427 00:22:56,119 --> 00:22:59,800 Speaker 1: the existence of not nice Kathy. And then Kathy comes 428 00:22:59,840 --> 00:23:02,000 Speaker 1: up to him and she's just like, oh, like, Annie, 429 00:23:02,040 --> 00:23:04,520 Speaker 1: thank you so much. I love like I love that 430 00:23:04,560 --> 00:23:07,000 Speaker 1: I'm on my fourteenth Bravo special, Like I'm like so 431 00:23:07,240 --> 00:23:09,000 Speaker 1: proud to have all these Bravo specials. He was like, 432 00:23:09,160 --> 00:23:11,639 Speaker 1: now she was being grateful Kathy. And he was like, 433 00:23:11,680 --> 00:23:13,600 Speaker 1: even though I had really nothing to do with her 434 00:23:13,600 --> 00:23:18,159 Speaker 1: getting those specials, I still was like, sure, you're welcome To's. 435 00:23:18,200 --> 00:23:21,119 Speaker 1: Like then she kept it at that, like that's pretty 436 00:23:21,119 --> 00:23:24,240 Speaker 1: short for Kathy. Yeah. Well, I think it's also, as 437 00:23:24,280 --> 00:23:26,760 Speaker 1: you're saying, like Anderson's the straight man. They like they 438 00:23:26,800 --> 00:23:29,720 Speaker 1: love to kind of like play the live wire to him, 439 00:23:29,720 --> 00:23:32,240 Speaker 1: and I think it's like they're both they were competing 440 00:23:32,280 --> 00:23:34,760 Speaker 1: live wires, and I think he always saw Kathy as like, 441 00:23:35,359 --> 00:23:37,359 Speaker 1: I'm the kind of a little competition. I think he 442 00:23:37,520 --> 00:23:40,720 Speaker 1: was like Kathy's actually too crazy. I'm the fun of 443 00:23:40,760 --> 00:23:43,400 Speaker 1: your live where I drank. She's like kind of random 444 00:23:43,960 --> 00:23:46,119 Speaker 1: and like is d list and like she did it. 445 00:23:46,280 --> 00:23:49,199 Speaker 1: She's not in his like category of fabulous Cheeka. He 446 00:23:49,320 --> 00:23:52,560 Speaker 1: knows how to like be fun with someone but make 447 00:23:52,600 --> 00:23:54,639 Speaker 1: them think you're on their side so that they'll like 448 00:23:54,760 --> 00:23:57,160 Speaker 1: say something revealing. And I think that he knows that 449 00:23:57,160 --> 00:24:00,119 Speaker 1: that's the entire trick to Late Night. Whereas Kathy the 450 00:24:00,720 --> 00:24:03,720 Speaker 1: she's not actually like charming or nice enough to like 451 00:24:03,880 --> 00:24:05,600 Speaker 1: for people to want to be friends with her on 452 00:24:05,640 --> 00:24:08,480 Speaker 1: their level. Like she's very funny and always has something 453 00:24:08,480 --> 00:24:11,000 Speaker 1: to say, but she doesn't like connect with people in 454 00:24:11,040 --> 00:24:21,000 Speaker 1: the same way Lily story time. So I saw caper 455 00:24:21,040 --> 00:24:24,360 Speaker 1: Lance show her woman with show Kaye fabulous. I'm backstage, 456 00:24:24,520 --> 00:24:27,560 Speaker 1: Michael Stipe is there, you know, lots of celebrities as usual, 457 00:24:28,000 --> 00:24:30,120 Speaker 1: and then the scrol goes, oh, I'm a huge fan 458 00:24:30,160 --> 00:24:34,119 Speaker 1: of your podcast. Turns out she's the designer of the 459 00:24:34,200 --> 00:24:38,720 Speaker 1: boots Kate wears in the show. No, you're kidding, You're kidding. Wait, 460 00:24:38,760 --> 00:24:42,640 Speaker 1: the like chic made an Italy really good quality. Yes, 461 00:24:42,760 --> 00:24:45,400 Speaker 1: these like fab little like Chelsea boots, but they're kind 462 00:24:45,400 --> 00:24:49,520 Speaker 1: of Stumpy different. Yeah, they're not. They're Chelsea. It's like 463 00:24:49,520 --> 00:24:53,800 Speaker 1: like women's stump. They're like professional women's like every fabulous 464 00:24:53,880 --> 00:24:57,000 Speaker 1: woman in a nineties sitcom, you know, from Jennifer Anniston 465 00:24:57,119 --> 00:25:01,760 Speaker 1: to Deborah Messing, Terry Patcher. Yes, power City gal, but 466 00:25:01,800 --> 00:25:04,080 Speaker 1: like they're sexy and fun at the same time. Anyway, 467 00:25:04,080 --> 00:25:06,560 Speaker 1: she was like, I'd love to sponsor your show. We 468 00:25:06,680 --> 00:25:11,200 Speaker 1: say boots constantly, so now you listeners get to sort 469 00:25:11,240 --> 00:25:13,639 Speaker 1: of enjoy the fruits of these boots hashtag fruits of 470 00:25:13,640 --> 00:25:16,400 Speaker 1: the Boots. Since they are a new sponsor, they are 471 00:25:16,440 --> 00:25:20,399 Speaker 1: offering twenty percent off with code five boots. No, I 472 00:25:20,440 --> 00:25:23,400 Speaker 1: mean twenty percent off. 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I want to talk about 478 00:25:45,320 --> 00:25:49,639 Speaker 1: his just another thing to his um single life, his 479 00:25:49,840 --> 00:25:54,840 Speaker 1: massages that made me think of us certain someone so 480 00:25:55,200 --> 00:25:58,520 Speaker 1: a some days when he's like not going to Barracuda 481 00:25:58,600 --> 00:26:03,439 Speaker 1: with like Andy and Jerson he gets a two Every 482 00:26:03,520 --> 00:26:06,199 Speaker 1: single night, he gets a two hour massage from this 483 00:26:06,240 --> 00:26:09,160 Speaker 1: guy named Adam, a twink named Adam. And it's not 484 00:26:09,400 --> 00:26:11,719 Speaker 1: a happy ending. Yeah, that's the thing. I was like, 485 00:26:11,920 --> 00:26:15,720 Speaker 1: is this not erotic? Like if it was erotic, would 486 00:26:15,920 --> 00:26:18,919 Speaker 1: he talk about it so much? Yeah? I guess he 487 00:26:18,920 --> 00:26:21,440 Speaker 1: wouldn't because the actual sex scenes are pretty like he's 488 00:26:21,440 --> 00:26:23,880 Speaker 1: always just like the Irish chef came over, like that 489 00:26:23,960 --> 00:26:26,000 Speaker 1: was fun, but I don't think it's going anywhere. His 490 00:26:26,240 --> 00:26:28,600 Speaker 1: sex life isn't no, but he's never actually talking about 491 00:26:28,680 --> 00:26:31,200 Speaker 1: the sex or saying it was amazing. We'll be like, uh, 492 00:26:31,840 --> 00:26:35,679 Speaker 1: like he tested me the day the Vanity Fair party 493 00:26:35,680 --> 00:26:37,240 Speaker 1: and then he's and then the guy talks him like 494 00:26:37,440 --> 00:26:39,399 Speaker 1: have a safe trip. Like the next day he's like, 495 00:26:39,440 --> 00:26:43,400 Speaker 1: well that's over. Cool. Another Tinder date was someone not 496 00:26:43,640 --> 00:26:47,160 Speaker 1: age appropriate, like magazine guy who was ultimately too young. 497 00:26:47,200 --> 00:26:49,000 Speaker 1: But he does take to see Headwig and he's like, 498 00:26:49,280 --> 00:26:52,359 Speaker 1: Headwig just isn't my show. And you know what, I 499 00:26:52,359 --> 00:26:54,040 Speaker 1: didn't like it fifteen years ago when I don't like 500 00:26:54,080 --> 00:26:56,280 Speaker 1: it now. But Neil Patrick Harris looks great and he's 501 00:26:56,280 --> 00:26:57,920 Speaker 1: like and he told me that he has like a 502 00:26:57,960 --> 00:26:59,800 Speaker 1: stomach bug and I told him that it's working for him, 503 00:26:59,800 --> 00:27:04,359 Speaker 1: becau he looks wrapped. I was dying that he said 504 00:27:04,359 --> 00:27:08,000 Speaker 1: he didn't like Headwig. I feel like jen Xers, it's 505 00:27:08,000 --> 00:27:10,919 Speaker 1: almost of like gay guys. That's like you're required to 506 00:27:11,080 --> 00:27:14,879 Speaker 1: be like obsessed with Hedwig? Did you see Headwig in 507 00:27:14,960 --> 00:27:19,040 Speaker 1: high school? I had this soundtrack in high school, and 508 00:27:19,080 --> 00:27:21,400 Speaker 1: I feel like I'm sure. I was like, Stephen, this 509 00:27:21,520 --> 00:27:25,600 Speaker 1: is actually like a really really cool gay thing, and 510 00:27:25,720 --> 00:27:29,240 Speaker 1: like maybe I'll burn it for you, just maybe. But 511 00:27:29,280 --> 00:27:33,200 Speaker 1: like I I can't really remember the songs I remember 512 00:27:33,320 --> 00:27:36,480 Speaker 1: seeing it. I think like I feel like, oh my god, 513 00:27:36,560 --> 00:27:39,479 Speaker 1: I'm having a memory. Oh my god, memory. My nanny 514 00:27:39,560 --> 00:27:42,919 Speaker 1: Heather took me to see Headwig because she knew I 515 00:27:42,960 --> 00:27:46,879 Speaker 1: was obviously gay. Yeah no, no no, no, Like the movie 516 00:27:47,640 --> 00:27:51,960 Speaker 1: wasn't like the John Cameron Mitchell like, oh okay, or 517 00:27:52,000 --> 00:27:54,880 Speaker 1: did that come out? And wait now I'm like, did 518 00:27:54,960 --> 00:27:58,080 Speaker 1: we see the movie together at Kendall Square? And I'm 519 00:27:58,119 --> 00:28:00,800 Speaker 1: having a memory. I came out to thousand and one? 520 00:28:01,600 --> 00:28:04,200 Speaker 1: So we definitely were in high school. How there was 521 00:28:04,280 --> 00:28:09,600 Speaker 1: not my nanny then? Yeah? You were done with babysitters 522 00:28:09,680 --> 00:28:12,960 Speaker 1: bio one? Or did you were you still nanny of 523 00:28:13,040 --> 00:28:17,600 Speaker 1: nanny experience. I mean, and we were all pretending to 524 00:28:17,640 --> 00:28:19,560 Speaker 1: like it more than we did because we were like, yeah, 525 00:28:19,600 --> 00:28:23,280 Speaker 1: that was a really awesome indie gay movie that was 526 00:28:23,720 --> 00:28:28,040 Speaker 1: really cool, that was really interesting, and then like we 527 00:28:28,080 --> 00:28:30,200 Speaker 1: did the sound track and didn't listen do it? Yeah, 528 00:28:30,240 --> 00:28:33,359 Speaker 1: and I feel like my soundtrack was used one. Okay, 529 00:28:33,400 --> 00:28:36,120 Speaker 1: so I don't think I think him and Anderson Okay, 530 00:28:36,160 --> 00:28:39,760 Speaker 1: what about this. I think him and Anderson like kissed 531 00:28:39,960 --> 00:28:45,400 Speaker 1: and like blowjob. I don't think full penetration. I guess 532 00:28:45,440 --> 00:28:48,480 Speaker 1: they must have, like because I just got the impassion 533 00:28:48,520 --> 00:28:50,080 Speaker 1: that they have a TOI together like for meeting this. 534 00:28:50,240 --> 00:28:54,840 Speaker 1: But in my experience, all gay guys have to sleep 535 00:28:54,880 --> 00:28:58,280 Speaker 1: with each other eventually. It is it's impossible to avoid. 536 00:28:58,320 --> 00:29:00,640 Speaker 1: It will happen at some point. I'm like, it just 537 00:29:00,760 --> 00:29:02,800 Speaker 1: must have happened at this point, Like there's a way 538 00:29:02,800 --> 00:29:04,880 Speaker 1: just couldn't have been my experience as well it could. 539 00:29:04,960 --> 00:29:07,520 Speaker 1: There's a way it just could have never happened. Right though. 540 00:29:07,560 --> 00:29:11,000 Speaker 1: It's like, he does, you know, come off as someone 541 00:29:11,080 --> 00:29:14,640 Speaker 1: who like maybe enjoys a corner bistro Burger or a 542 00:29:14,720 --> 00:29:18,320 Speaker 1: late night size of New York pizza over maybe like 543 00:29:18,800 --> 00:29:22,040 Speaker 1: fucking like sometimes maybe you know, he'll go home and 544 00:29:22,080 --> 00:29:25,880 Speaker 1: go for the burger instead of spending that extra thirty 545 00:29:25,960 --> 00:29:29,400 Speaker 1: minutes getting fucked trying to look for someone to Yeah, 546 00:29:29,440 --> 00:29:32,240 Speaker 1: I don't think that he has a Samantha esque appetite, 547 00:29:32,320 --> 00:29:35,600 Speaker 1: but again, he might just be leaving that out. And 548 00:29:35,680 --> 00:29:38,040 Speaker 1: maybe you know, Grinder was just coming out when this 549 00:29:38,080 --> 00:29:41,400 Speaker 1: book started, But it's possible that ten years later he 550 00:29:42,240 --> 00:29:48,320 Speaker 1: feels a lot less apprehension about opening Grinder and ordering 551 00:29:48,320 --> 00:29:50,800 Speaker 1: a man over. I mean true, he said, because he 552 00:29:50,840 --> 00:29:52,880 Speaker 1: had just downloaded Tinder and he's like, this whole thing 553 00:29:53,000 --> 00:29:56,000 Speaker 1: is weird. He is very like what happened to the 554 00:29:56,040 --> 00:29:58,760 Speaker 1: West Village? He has being like another Bank of America, 555 00:29:59,040 --> 00:30:02,040 Speaker 1: Like I used to be into just meeting someone face 556 00:30:02,120 --> 00:30:04,360 Speaker 1: to face and talking to them, Like what is with 557 00:30:04,480 --> 00:30:07,480 Speaker 1: this app stuff? Wait, there's this funny line, which I 558 00:30:07,480 --> 00:30:10,880 Speaker 1: think just really illustrates this world when he's going to 559 00:30:10,920 --> 00:30:13,680 Speaker 1: this random event. Then I went to the world's largest 560 00:30:13,680 --> 00:30:17,960 Speaker 1: picnic on Peerading four, sponsored by Helmets. It was no 561 00:30:18,000 --> 00:30:22,000 Speaker 1: surprise a paid appearance. Katie Holmes and Mario Batali were there, 562 00:30:22,040 --> 00:30:24,320 Speaker 1: and it just made me realize everyone's on the dole. 563 00:30:24,440 --> 00:30:31,080 Speaker 1: Oh that was Katie Holmes and Andy Cohen and Barbatolly 564 00:30:31,160 --> 00:30:36,200 Speaker 1: all paid to be at a helmet this Mayonnaise activation, 565 00:30:36,360 --> 00:30:38,280 Speaker 1: just being like, oh, great to see you, Katie. And 566 00:30:38,400 --> 00:30:41,240 Speaker 1: you know, Mario was like up there making like some 567 00:30:41,280 --> 00:30:44,920 Speaker 1: sort of like deviled eggs and it's so far away, 568 00:30:45,280 --> 00:30:49,160 Speaker 1: and when he does the ls Bucket challenge and he's like, 569 00:30:49,320 --> 00:30:52,120 Speaker 1: I think I didn't like kind of like too late, 570 00:30:52,400 --> 00:30:57,040 Speaker 1: like can we all move on from the ice bucket Challenge? 571 00:30:57,200 --> 00:31:00,640 Speaker 1: Like it's called I gave money? Like is this? I 572 00:31:00,680 --> 00:31:04,600 Speaker 1: love that he just has this kind of instinctual understanding 573 00:31:04,640 --> 00:31:07,680 Speaker 1: that nothing matters and everything is stupid, Like Clay Aiken 574 00:31:07,800 --> 00:31:10,160 Speaker 1: just being like will you please be on the board 575 00:31:10,200 --> 00:31:12,440 Speaker 1: and like speak at my fundraise or my congressional run 576 00:31:12,480 --> 00:31:16,760 Speaker 1: and he's just been like what, like I'll send a check, 577 00:31:16,880 --> 00:31:19,560 Speaker 1: Like I don't know anything about South Carolina politics, nor 578 00:31:19,600 --> 00:31:21,560 Speaker 1: do I care like whatever, And also I can't go 579 00:31:21,600 --> 00:31:23,960 Speaker 1: I'm busy. I'm going to say barts, but also La 580 00:31:24,000 --> 00:31:26,000 Speaker 1: and I have to shoot this video. And then Candy 581 00:31:26,040 --> 00:31:29,080 Speaker 1: Burris is another. It's funny because another like he's like 582 00:31:29,120 --> 00:31:32,640 Speaker 1: always saying he is so like passionate about politics. Oh 583 00:31:32,680 --> 00:31:34,800 Speaker 1: and the Bill and his mom is always telling him 584 00:31:34,840 --> 00:31:39,240 Speaker 1: to not go on Bill Maher and she's like, you're 585 00:31:39,280 --> 00:31:42,400 Speaker 1: not political enough. They're gonna make mince meat out of you. 586 00:31:42,400 --> 00:31:46,120 Speaker 1: You can't do it. Very serious on that show, very serious. 587 00:31:46,160 --> 00:31:48,840 Speaker 1: So yeah, he hangs out like his parents. What I love, 588 00:31:48,920 --> 00:31:51,040 Speaker 1: Like his parents from Saint Louis come to New York 589 00:31:51,120 --> 00:31:54,720 Speaker 1: like literally every other weekend. He's like, some mom was bartending. 590 00:31:55,200 --> 00:31:59,160 Speaker 1: I got dad an amazing double r L suit. So 591 00:31:59,400 --> 00:32:01,680 Speaker 1: he also it's also when de Blasio is running and 592 00:32:01,680 --> 00:32:04,080 Speaker 1: he's like, I went to the Deblasio event that Cynthia 593 00:32:04,200 --> 00:32:07,120 Speaker 1: Nixon was basically holding up with one hand. I feel 594 00:32:07,160 --> 00:32:10,120 Speaker 1: like I was. I was like, were you there? Like, 595 00:32:10,800 --> 00:32:13,160 Speaker 1: and then he keeps some time about how he's worried 596 00:32:13,200 --> 00:32:16,200 Speaker 1: that Bill de Blasio was too liberal for this city. 597 00:32:16,320 --> 00:32:19,240 Speaker 1: It's so I feel like the Kelly Rippa like New 598 00:32:19,320 --> 00:32:21,960 Speaker 1: York Canoes crowd of him just being like there's gonna 599 00:32:21,960 --> 00:32:25,200 Speaker 1: be a homeless people every yeah, and like come on 600 00:32:25,280 --> 00:32:27,560 Speaker 1: the police unions. Um. Well, and he did go on 601 00:32:27,640 --> 00:32:29,760 Speaker 1: a rant against de Blasio that one time. Well, and 602 00:32:29,800 --> 00:32:31,520 Speaker 1: that's when he had to apologize for it when he 603 00:32:31,560 --> 00:32:33,520 Speaker 1: got too drunk and he was so drunk. Okay, this 604 00:32:33,720 --> 00:32:38,680 Speaker 1: scene when when Martha Stewart sends him that gift. Yeah, 605 00:32:39,520 --> 00:32:41,520 Speaker 1: I went to thirty Rock and Martha Stewart had sent 606 00:32:41,560 --> 00:32:44,200 Speaker 1: me this piece of wood shaped like the United States 607 00:32:44,520 --> 00:32:47,920 Speaker 1: as a gift for hosting the American Maid Awards dot 608 00:32:47,920 --> 00:32:51,000 Speaker 1: dot dot in October. Not to be a dick or 609 00:32:51,000 --> 00:32:53,240 Speaker 1: look a gift domestic diva in the mouth, but aren't 610 00:32:53,240 --> 00:32:54,800 Speaker 1: we well be on the proper window of a thank 611 00:32:54,840 --> 00:32:56,440 Speaker 1: you gift? Or do you have a year to thank 612 00:32:56,520 --> 00:33:00,280 Speaker 1: someone for co hosting your award show? Anyway, it's a 613 00:33:00,320 --> 00:33:03,720 Speaker 1: cool piece of wood. I'm obsessed with calling up Martha's 614 00:33:03,720 --> 00:33:08,320 Speaker 1: Stewart with bad etiquette, which is funny because remember that 615 00:33:08,400 --> 00:33:14,840 Speaker 1: like viral Roseodomo story where Roseodonald gifted yes, Martha's lemon 616 00:33:15,040 --> 00:33:17,200 Speaker 1: tree and then she like never heard from her again. 617 00:33:17,560 --> 00:33:21,560 Speaker 1: Martha's Stewart is a random mass gift. Yeah, okay, it's 618 00:33:21,600 --> 00:33:24,760 Speaker 1: like her begging for gifts and then gifting later. Check 619 00:33:24,800 --> 00:33:27,840 Speaker 1: your own etiquette book, Martha. Okay. Also, it's so just 620 00:33:27,880 --> 00:33:30,840 Speaker 1: like it sounds like it's not even a cutting board, 621 00:33:31,080 --> 00:33:32,240 Speaker 1: or maybe it is that he just doesn't know what 622 00:33:32,280 --> 00:33:34,240 Speaker 1: a cunning board is because he doesn't cook. But it's 623 00:33:34,280 --> 00:33:37,640 Speaker 1: like this piece of wood shaped like the United States. Wait, 624 00:33:37,640 --> 00:33:40,920 Speaker 1: back to his one meal, which defined gay guys cooking 625 00:33:41,000 --> 00:33:43,800 Speaker 1: by the way New York City gays cooking. So when 626 00:33:43,800 --> 00:33:47,000 Speaker 1: he's like trying to lose weight, he goes to a 627 00:33:47,040 --> 00:33:51,080 Speaker 1: West Village deli and buys chicken sausage. Oh yeah, but 628 00:33:51,240 --> 00:33:54,160 Speaker 1: like apple Gate chicken sau was like it is nothing 629 00:33:54,320 --> 00:33:57,920 Speaker 1: is more gay guy French bulldog than opening the fridge 630 00:33:57,920 --> 00:34:01,680 Speaker 1: and having the apple Gate in there. So back to 631 00:34:01,760 --> 00:34:04,400 Speaker 1: his also like his gatus. So the book ends with 632 00:34:04,480 --> 00:34:08,600 Speaker 1: him going to Fire Island and like at fifty or whatever, 633 00:34:08,640 --> 00:34:11,360 Speaker 1: he is like accepting that he can go to Fire 634 00:34:11,400 --> 00:34:14,440 Speaker 1: Island and basically admitting that like in his twenties and 635 00:34:14,600 --> 00:34:18,520 Speaker 1: thirties and maybe even early forties, like he was like 636 00:34:18,800 --> 00:34:22,000 Speaker 1: Fire Island is like for like really flamboyant gays and 637 00:34:22,120 --> 00:34:24,400 Speaker 1: like I'm not like that, and like everyone there's a 638 00:34:24,480 --> 00:34:27,880 Speaker 1: drug addict. Yeah, because he has these conservative tendencies. And 639 00:34:27,920 --> 00:34:30,160 Speaker 1: then he's like, by the way, I've never done meth. 640 00:34:30,600 --> 00:34:33,319 Speaker 1: I've never done JHB, but I have done molly. And 641 00:34:33,360 --> 00:34:37,680 Speaker 1: it's super fun really getting out there that he hasn't 642 00:34:37,719 --> 00:34:40,880 Speaker 1: done meth. And then I was actually shocked by this. 643 00:34:41,480 --> 00:34:45,160 Speaker 1: S JP comes and visits him in Fire Island. We 644 00:34:45,239 --> 00:34:47,320 Speaker 1: have to talk about this scene because it's so insane. 645 00:34:47,400 --> 00:34:50,279 Speaker 1: This is the passage, okay, as JP's arrival on the 646 00:34:50,280 --> 00:34:52,600 Speaker 1: ferry was the closest thing I've seen to Dolly Levi 647 00:34:52,800 --> 00:34:56,120 Speaker 1: returning to the Harmonial gardens. Don't get that reference. Boys 648 00:34:56,160 --> 00:34:59,240 Speaker 1: carrying her luggage, others handing her flyers, kisses, blown photos 649 00:34:59,239 --> 00:35:01,080 Speaker 1: taken for real. I thought a song and dance lumbard 650 00:35:01,120 --> 00:35:02,360 Speaker 1: was going to break out, and the kids passing no 651 00:35:02,440 --> 00:35:04,719 Speaker 1: flyers by the ferry. We're going to thrust her into 652 00:35:04,760 --> 00:35:08,520 Speaker 1: the air, just like like I've imagine full Cleopatra, like 653 00:35:08,760 --> 00:35:11,600 Speaker 1: gay guys just holding her up on the ferry, Like 654 00:35:11,840 --> 00:35:14,520 Speaker 1: there's nothing more exciting than s JP arriving to Fire Island, 655 00:35:14,520 --> 00:35:16,200 Speaker 1: like it has to be in this one same thing. Okay, 656 00:35:16,200 --> 00:35:19,040 Speaker 1: but this part is insane. Wait the pantry part. When 657 00:35:19,040 --> 00:35:22,040 Speaker 1: she goes to Pines Pantry, she's s JP is a 658 00:35:22,080 --> 00:35:24,880 Speaker 1: thing for grocery stores. She feels like when you travel, 659 00:35:24,920 --> 00:35:27,200 Speaker 1: the local stores tell you a lot about where you are. 660 00:35:27,520 --> 00:35:29,960 Speaker 1: So exo s J. So after dinner, we took a 661 00:35:29,960 --> 00:35:31,680 Speaker 1: walk to the town and went to the Pines pantry 662 00:35:31,719 --> 00:35:33,640 Speaker 1: so she could investigate it. For those of you don't know, 663 00:35:33,719 --> 00:35:35,719 Speaker 1: Pines Pantry is just like Adina and de Luca. It's 664 00:35:35,760 --> 00:35:38,840 Speaker 1: just like an It's like an expensive vacation grocery store. 665 00:35:39,160 --> 00:35:41,200 Speaker 1: She walked through that pantry with the wonder of a 666 00:35:41,280 --> 00:35:44,560 Speaker 1: child visiting Disney World for the first time. Look at 667 00:35:44,560 --> 00:35:54,040 Speaker 1: the beautiful butcher section. Here's the hardware, a crock pot. 668 00:35:52,680 --> 00:35:58,800 Speaker 1: So her being like, oh, isn't this the most darling 669 00:35:59,000 --> 00:36:03,799 Speaker 1: section of muff stirreds andy. Oh, we have to get one. Oh, 670 00:36:03,840 --> 00:36:07,319 Speaker 1: I have to get Matthew one. They have mustard and 671 00:36:07,400 --> 00:36:11,160 Speaker 1: fire alisand andy. They really do. And then they're like 672 00:36:11,719 --> 00:36:14,600 Speaker 1: rapesing out and she's like a bought. And then she 673 00:36:14,760 --> 00:36:17,840 Speaker 1: you know, she's like handing over her heavy card to 674 00:36:17,960 --> 00:36:20,680 Speaker 1: like pay for a mustard and like a jam and 675 00:36:21,080 --> 00:36:25,760 Speaker 1: she's like, hello, how are you? I am doing quite fine? 676 00:36:26,239 --> 00:36:30,279 Speaker 1: One mustard for me, Thank you so much, have an 677 00:36:30,280 --> 00:36:35,719 Speaker 1: amazing day. Absolutely please tell me that you take American 678 00:36:35,800 --> 00:36:43,480 Speaker 1: Express so wonderful. And then she's just fully shooting in 679 00:36:43,560 --> 00:36:46,520 Speaker 1: a max out. You're just like, yeah, Sarah needs you 680 00:36:46,560 --> 00:36:48,640 Speaker 1: to come down. I mean definitely. I feel like he 681 00:36:48,680 --> 00:36:50,280 Speaker 1: tries to kind of put a pin on the book 682 00:36:50,280 --> 00:36:53,920 Speaker 1: with fire Island of being like it was so renewing, 683 00:36:54,840 --> 00:36:58,520 Speaker 1: like and then refers to the gays leaving on Monday 684 00:36:58,520 --> 00:37:01,880 Speaker 1: as blood buckets. Wait, why are they? He goes the 685 00:37:01,920 --> 00:37:04,400 Speaker 1: Monday fares are blood buckets because like they're leaving on 686 00:37:04,480 --> 00:37:07,160 Speaker 1: Monday and they're like so hung over. I don't really 687 00:37:07,200 --> 00:37:10,040 Speaker 1: like the vampires. I guess maybe or like your blood 688 00:37:10,040 --> 00:37:12,880 Speaker 1: is so like full of alcohol. I will say that 689 00:37:12,960 --> 00:37:15,160 Speaker 1: I do feel like the real story is that he 690 00:37:15,160 --> 00:37:17,400 Speaker 1: feels comfortable being a Fireland now because he got in 691 00:37:17,480 --> 00:37:20,560 Speaker 1: shape and he and he lost weight and like started 692 00:37:20,600 --> 00:37:22,440 Speaker 1: going in the gym and was like now more comfortable 693 00:37:22,480 --> 00:37:24,880 Speaker 1: with his body, which is beautiful, but it's very just 694 00:37:24,960 --> 00:37:27,000 Speaker 1: like that's kind of what changed. Maybe like you're a 695 00:37:27,120 --> 00:37:29,200 Speaker 1: rich and famously yeah, and he's like, yeah, it's crazy. 696 00:37:29,280 --> 00:37:32,280 Speaker 1: I walk around with my shirt off all the time. 697 00:37:32,320 --> 00:37:34,840 Speaker 1: It's just kind of like it's not that insane and 698 00:37:34,920 --> 00:37:36,640 Speaker 1: im and I'm proud of his journey. I mean, the 699 00:37:36,640 --> 00:37:38,400 Speaker 1: thing is I think it's that and I also but 700 00:37:38,480 --> 00:37:40,440 Speaker 1: I do think he maybe was a little more of 701 00:37:40,480 --> 00:37:44,120 Speaker 1: this like office gay that was like, oh, like it 702 00:37:44,239 --> 00:37:46,640 Speaker 1: was a body thing, but he was made excuses like, oh, 703 00:37:46,680 --> 00:37:49,319 Speaker 1: I'm not into circuit parties. I'm you know, oh I'm 704 00:37:49,360 --> 00:37:53,160 Speaker 1: not a slut. Yeah, like yeah, yeah, And it's like, well, 705 00:37:53,160 --> 00:37:55,400 Speaker 1: you're going to Kelly Rippett's house, which is basically a 706 00:37:55,440 --> 00:37:59,040 Speaker 1: circuit right, So it's it's like, that's crazier than Fire Island? 707 00:37:59,280 --> 00:38:02,319 Speaker 1: Can I read this one passage that's that literally like 708 00:38:02,840 --> 00:38:05,239 Speaker 1: made me cry? I would like took my breath away. 709 00:38:05,440 --> 00:38:08,360 Speaker 1: Do you remember when he's taking Walka in to get surgery. 710 00:38:08,360 --> 00:38:10,239 Speaker 1: He's at the vet that ends up being like co 711 00:38:10,400 --> 00:38:13,480 Speaker 1: owned by Barbara Walters that he and he's like terrified 712 00:38:13,520 --> 00:38:15,479 Speaker 1: that Barbara Walters is gonna fuck up his dog because 713 00:38:15,480 --> 00:38:17,359 Speaker 1: he like makes fun of her age on the view 714 00:38:17,440 --> 00:38:21,399 Speaker 1: and he's like co hosting. Okay, but he's he's Wade. 715 00:38:21,480 --> 00:38:24,560 Speaker 1: He's in the waiting room at this Barbara Walters vet hospital. 716 00:38:25,880 --> 00:38:28,680 Speaker 1: Then a nurse brought a blind man over and seated 717 00:38:28,760 --> 00:38:30,799 Speaker 1: him next to me. The nurse said to him, I'm 718 00:38:30,840 --> 00:38:33,759 Speaker 1: so sorry. After she left, he made a phone call 719 00:38:34,120 --> 00:38:38,200 Speaker 1: voice activated to someone to explain that his guide dog 720 00:38:38,280 --> 00:38:41,799 Speaker 1: had just died and he needed a ride. I was 721 00:38:41,840 --> 00:38:44,080 Speaker 1: just sitting there frozen. It was a situation I never 722 00:38:44,120 --> 00:38:46,879 Speaker 1: considered and so overwhelmingly sad that tears were streaming down 723 00:38:46,880 --> 00:38:48,920 Speaker 1: my face. I told him how sorry I was. He 724 00:38:49,000 --> 00:38:51,000 Speaker 1: said that this one was his guide dog of twelve 725 00:38:51,080 --> 00:38:53,360 Speaker 1: years and then he got a tumor out of nowhere. 726 00:38:54,120 --> 00:38:57,080 Speaker 1: They just put him down, Like isn't that the sad? 727 00:38:58,880 --> 00:39:01,480 Speaker 1: And he can't even go home because his guide dog 728 00:39:01,520 --> 00:39:04,239 Speaker 1: can't like walk him home. Wait, but it's also him 729 00:39:04,280 --> 00:39:07,160 Speaker 1: like leaving, Like I feel like Andy doesn't like offer 730 00:39:07,239 --> 00:39:09,600 Speaker 1: him a ride. He's like so I started sobbing. I 731 00:39:09,640 --> 00:39:13,600 Speaker 1: didn't realize that like a guide dog could die anyway. 732 00:39:13,760 --> 00:39:17,920 Speaker 1: Then I met Kelly at Atlas. So he sees the 733 00:39:17,960 --> 00:39:19,960 Speaker 1: guy outside like waiting for his car, and he like 734 00:39:20,000 --> 00:39:21,799 Speaker 1: waits with him and helps him get in the car. 735 00:39:22,120 --> 00:39:25,960 Speaker 1: He like does the right thing. He does wait with him. 736 00:39:26,040 --> 00:39:28,080 Speaker 1: Standing in front of the hospital. His bus was idling, 737 00:39:28,080 --> 00:39:30,440 Speaker 1: but the driver wasn't inside. It was confusing. I told 738 00:39:30,520 --> 00:39:32,239 Speaker 1: them bus was there and like waited with him. It 739 00:39:32,280 --> 00:39:34,560 Speaker 1: was a weird few minutes of limbo. His driver returned 740 00:39:34,560 --> 00:39:36,359 Speaker 1: and off he went. I hope someone nice was waiting 741 00:39:36,400 --> 00:39:39,600 Speaker 1: for him at home. Okay, I take that back. He 742 00:39:39,640 --> 00:39:42,160 Speaker 1: did wait with him, yeah, and he made sure that 743 00:39:42,200 --> 00:39:44,839 Speaker 1: he like got home safely, Like I feel like that's 744 00:39:44,880 --> 00:39:47,040 Speaker 1: is he always does the right thing. And it's like 745 00:39:47,160 --> 00:39:49,080 Speaker 1: he's like very like classic New York. He's like, well, 746 00:39:49,160 --> 00:39:50,520 Speaker 1: give a four dollars tip, and I told you all 747 00:39:50,640 --> 00:39:52,759 Speaker 1: ride Like that's a pretty good tip, Like what's the issue? Yeah, 748 00:39:52,800 --> 00:39:54,400 Speaker 1: I was just like this homeless woman was screaming, so 749 00:39:54,440 --> 00:39:56,279 Speaker 1: I went back and gave her five dollars. Then she said, 750 00:39:56,400 --> 00:39:58,759 Speaker 1: my sweater made me look fat. It's very like to 751 00:39:58,840 --> 00:40:01,839 Speaker 1: New York moments. And I do wonder with this book, 752 00:40:01,880 --> 00:40:04,160 Speaker 1: you know, we see his humanity and that's like the 753 00:40:04,280 --> 00:40:08,000 Speaker 1: job from twenty thirteen to twenty twenty three. You know, 754 00:40:08,080 --> 00:40:12,839 Speaker 1: I do think he's maybe a different man now, like 755 00:40:12,920 --> 00:40:15,319 Speaker 1: I do think his kids he has, But you but 756 00:40:16,040 --> 00:40:17,880 Speaker 1: why doesn't he have a Boyfriend's what you're No. I 757 00:40:18,000 --> 00:40:21,000 Speaker 1: just wonder with like we're talking about having like you know, 758 00:40:21,200 --> 00:40:23,480 Speaker 1: blood on his hands with housewives, like I do think 759 00:40:23,520 --> 00:40:26,799 Speaker 1: the beast has eaten him alive more like how could it? 760 00:40:26,880 --> 00:40:29,520 Speaker 1: But I don't think he could get himself out of it, 761 00:40:30,200 --> 00:40:32,799 Speaker 1: Like he can only go more in even if he 762 00:40:32,920 --> 00:40:36,320 Speaker 1: wanted to, he could only go more y. Yeah, it's 763 00:40:36,360 --> 00:40:39,680 Speaker 1: like but I mean, but he likes doing like live 764 00:40:39,760 --> 00:40:43,640 Speaker 1: streams with Coco Rosha at the DVF. Yes, I love 765 00:40:43,719 --> 00:40:47,719 Speaker 1: DVF lunch. He's always and this way, it's like he's 766 00:40:47,760 --> 00:40:50,680 Speaker 1: at the social club with Barry Diller and Barry Diller 767 00:40:50,800 --> 00:40:52,719 Speaker 1: is swiping on tender for him, and I'm just like, 768 00:40:52,800 --> 00:40:54,960 Speaker 1: not Barry Diller's eighty five year old ass like swiping 769 00:40:55,000 --> 00:40:59,279 Speaker 1: on tender for you and don't understand. I mean, I 770 00:40:59,280 --> 00:41:02,680 Speaker 1: guess that's so love. Like he's so close with John Mayer. Yeah, 771 00:41:02,719 --> 00:41:05,279 Speaker 1: I mean John Mayer is so annoying, and it's like 772 00:41:05,400 --> 00:41:08,000 Speaker 1: so wanting to be friends with everyone, and Liz like 773 00:41:08,200 --> 00:41:10,680 Speaker 1: wants talking about himself and he knows Andy will listen. 774 00:41:10,760 --> 00:41:12,799 Speaker 1: I feel like Andy thinks John Mayer is hot. So 775 00:41:12,920 --> 00:41:16,040 Speaker 1: like Andy does go to Montana and he's like they 776 00:41:16,080 --> 00:41:20,040 Speaker 1: shoot gophers and like it's just them. I was just like, 777 00:41:20,120 --> 00:41:23,960 Speaker 1: what is this shocking? But that's so The thing is 778 00:41:24,000 --> 00:41:26,239 Speaker 1: he comes to the Housewives world is very like we're 779 00:41:26,280 --> 00:41:28,719 Speaker 1: going on a trip. You're not seeing the people you're 780 00:41:28,719 --> 00:41:30,480 Speaker 1: on a trip with for like ten hours out of 781 00:41:30,520 --> 00:41:33,560 Speaker 1: the day. You're like separately in your rooms getting ready, 782 00:41:33,640 --> 00:41:35,799 Speaker 1: and then you're like meeting up at dinner. Right. He's like, 783 00:41:35,880 --> 00:41:39,279 Speaker 1: so then we met up at like the most amazing steakhouse. 784 00:41:39,320 --> 00:41:41,040 Speaker 1: It was, but I was like, you guys are spending 785 00:41:41,080 --> 00:41:43,359 Speaker 1: some time together. He's like, there's nothing sexier than seeing 786 00:41:43,520 --> 00:41:46,920 Speaker 1: like John Mayer and a hat, like whipping up a 787 00:41:47,080 --> 00:41:50,600 Speaker 1: skillet breakfast. Then we went to a grocery store, like yeah, Ken, 788 00:41:50,719 --> 00:41:52,759 Speaker 1: we went to a steakhouts and we went shooting. But yes, 789 00:41:52,880 --> 00:41:55,399 Speaker 1: I'm sure there's like hours where like Andy is at 790 00:41:55,400 --> 00:41:58,480 Speaker 1: a bookstore or like getting a massage, and they're in 791 00:41:58,920 --> 00:42:02,520 Speaker 1: Montana and like they're in totally separate guesthouses and he's 792 00:42:02,560 --> 00:42:05,200 Speaker 1: flying a mass Susan from Helena. Wait, Also, did you 793 00:42:05,239 --> 00:42:06,680 Speaker 1: clock the name of that restaurant that they go to, 794 00:42:06,800 --> 00:42:10,600 Speaker 1: like after the Cocoa Rosha like something. Yeah, he's so 795 00:42:10,640 --> 00:42:12,920 Speaker 1: mad of the Chilis was closed. We had dinner with 796 00:42:12,960 --> 00:42:16,279 Speaker 1: a big group at Tortilla Republic and then and then 797 00:42:16,320 --> 00:42:20,160 Speaker 1: I'll wound up at Revolt. Would that be more Chelsea? 798 00:42:20,280 --> 00:42:29,720 Speaker 1: It's like the most Tortilla Republic, Like it's Wowia Republic. 799 00:42:29,800 --> 00:42:33,040 Speaker 1: It still feels so ninety thousand square feet it No, 800 00:42:33,160 --> 00:42:36,360 Speaker 1: it feels so huge in like Chelsea Market. One other 801 00:42:36,400 --> 00:42:39,120 Speaker 1: thing that I have to get to is when Teresa 802 00:42:39,160 --> 00:42:42,520 Speaker 1: Caputo comes on his show and oh, and does the 803 00:42:42,560 --> 00:42:44,640 Speaker 1: reading of like the camera guy yeah, and like they 804 00:42:44,640 --> 00:42:47,600 Speaker 1: haven't cheers. But then like she tries to contact Natasha 805 00:42:47,680 --> 00:42:51,439 Speaker 1: Richardson and can't and then like he's like, Teresa called again. 806 00:42:51,520 --> 00:42:54,239 Speaker 1: She wants it good do over where she tries to 807 00:42:54,320 --> 00:42:58,640 Speaker 1: contact Natasha and obviously she's feeling like she's a fake 808 00:43:00,080 --> 00:43:03,719 Speaker 1: you and I was like it's really fun and he's like, no, 809 00:43:03,840 --> 00:43:07,080 Speaker 1: I'm good. I don't need to like try to recontact 810 00:43:07,200 --> 00:43:10,080 Speaker 1: well and like do you think that? Um? Teresa is 811 00:43:10,120 --> 00:43:14,680 Speaker 1: like just frantically like googling Natasha and like try putting 812 00:43:14,680 --> 00:43:16,600 Speaker 1: together it's Darcia and her. So she's like, why am 813 00:43:16,640 --> 00:43:20,640 Speaker 1: I feeling cold? Why am I feeling cold? She says, 814 00:43:20,640 --> 00:43:23,080 Speaker 1: the way she died, it was very sudden. It was 815 00:43:23,200 --> 00:43:25,360 Speaker 1: very painful. I feel like I'm all of a sudden 816 00:43:25,400 --> 00:43:29,200 Speaker 1: going downhill. Okay, does Win does in my face way 817 00:43:29,320 --> 00:43:31,520 Speaker 1: a lot of white? Does that bring anything to mind? 818 00:43:31,520 --> 00:43:33,080 Speaker 1: A lot of just the color white? That's all I 819 00:43:33,160 --> 00:43:38,040 Speaker 1: see is white. He's like saying, Tash and then yeah, 820 00:43:38,080 --> 00:43:40,440 Speaker 1: it's like he might not even headset Natasha richard It 821 00:43:40,600 --> 00:43:42,279 Speaker 1: and like now she gets said, She's like oh fuck. 822 00:43:42,440 --> 00:43:45,200 Speaker 1: She's like fuck. It is like telling her agent being like, 823 00:43:45,280 --> 00:43:48,359 Speaker 1: let's let's go back, Let's go back. Okay. Wait. Also 824 00:43:48,560 --> 00:43:51,480 Speaker 1: one last night, have to read Bruce and I met Mark, Jason, 825 00:43:51,480 --> 00:43:53,719 Speaker 1: and Lauren at Soule Cycle, which I hadn't done in 826 00:43:53,719 --> 00:43:55,239 Speaker 1: a couple of years because I always feel like if 827 00:43:55,239 --> 00:43:57,200 Speaker 1: I wanted to be screamed at by lesbians, I'd go 828 00:43:57,200 --> 00:43:59,919 Speaker 1: to the cubby hole. Wait. Obsessed with that lot because 829 00:44:00,000 --> 00:44:06,120 Speaker 1: that soul Cycle is so randomly like like workout, it's 830 00:44:06,400 --> 00:44:10,240 Speaker 1: so Jackie from Worcout just being like, get your ass 831 00:44:10,400 --> 00:44:15,200 Speaker 1: off that seat in the air ladies. He's also always 832 00:44:15,239 --> 00:44:19,760 Speaker 1: a cubby hole. I mean he's in the West Village Village. 833 00:44:19,800 --> 00:44:22,000 Speaker 1: Please make you want to live in the West Village, 834 00:44:22,160 --> 00:44:24,319 Speaker 1: not that I like don't usually want to live in 835 00:44:24,320 --> 00:44:26,439 Speaker 1: the West Village because it's so adorable and there's there's 836 00:44:26,480 --> 00:44:28,719 Speaker 1: so many restaurants per capital. You know, it really is 837 00:44:28,760 --> 00:44:32,120 Speaker 1: the ultimate. Everyone has these like townhouses West Village. Please, 838 00:44:32,120 --> 00:44:35,160 Speaker 1: You're like, this is Carrie. It's a neighborhood and you're 839 00:44:35,200 --> 00:44:37,560 Speaker 1: literally carrying Carrie literally lives there, and it's just like 840 00:44:37,760 --> 00:44:40,279 Speaker 1: I don't know even he you know, he's complaining about 841 00:44:40,280 --> 00:44:42,200 Speaker 1: all the Bank of Americas and it's even more. That 842 00:44:42,400 --> 00:44:45,719 Speaker 1: now so true. I mean, this city is a fucking mall, 843 00:44:45,840 --> 00:44:49,280 Speaker 1: this fucking city. I think part of what is wonderful 844 00:44:49,320 --> 00:44:51,239 Speaker 1: about him is that he really does have such a 845 00:44:51,320 --> 00:44:53,480 Speaker 1: lust for life and enjoy for all of these like 846 00:44:53,600 --> 00:44:56,360 Speaker 1: exciting people and make and like and just like making 847 00:44:56,480 --> 00:44:58,520 Speaker 1: jokes and just like being in the thick of it. 848 00:44:58,560 --> 00:45:00,760 Speaker 1: That I think that and that's like gen that doesn't 849 00:45:00,760 --> 00:45:03,440 Speaker 1: come from this, like right. What I took away from 850 00:45:03,280 --> 00:45:05,719 Speaker 1: her was like he loves all the women. Yeah, he 851 00:45:06,600 --> 00:45:09,279 Speaker 1: like loves going out, loves going to restaurants, loves going 852 00:45:09,320 --> 00:45:11,920 Speaker 1: to mayonnaise events. You know it is sorry like us, 853 00:45:11,960 --> 00:45:14,919 Speaker 1: like the salmon event, Like I want to go. That's 854 00:45:14,960 --> 00:45:17,880 Speaker 1: the reason I live in New York, And that's his reason. 855 00:45:17,960 --> 00:45:25,760 Speaker 1: It's like to go to a Hellman's event. Watch segments 856 00:45:26,120 --> 00:45:33,120 Speaker 1: live How did she um? What does she eat? I 857 00:45:33,120 --> 00:45:37,080 Speaker 1: mean literally at a different West Village Hell's Kitchen restaurant 858 00:45:37,320 --> 00:45:40,160 Speaker 1: every single night. But then and then for lunch, he's 859 00:45:40,200 --> 00:45:44,000 Speaker 1: always getting the most like salmon with two sides digg in, 860 00:45:44,280 --> 00:45:48,000 Speaker 1: like brussels and asparagus and salmon really dig in, like 861 00:45:48,239 --> 00:45:50,160 Speaker 1: when he is not being naughty, and then when he 862 00:45:50,320 --> 00:45:53,720 Speaker 1: is being naughty, he's been like I'm having the double 863 00:45:53,840 --> 00:45:56,960 Speaker 1: heirloom melt like with the French onion soup, and then 864 00:45:56,960 --> 00:46:00,160 Speaker 1: at Chusburg and we'll like we'll be like, oh, like 865 00:46:00,239 --> 00:46:02,840 Speaker 1: I had the mushroom and Swiss like and the and 866 00:46:02,920 --> 00:46:08,120 Speaker 1: the food at Um Jerry Steinfeld's mom's Shiva was amazing. 867 00:46:08,480 --> 00:46:10,600 Speaker 1: Oh yeah. And it's like anytime he's in the Hampton's, 868 00:46:10,680 --> 00:46:14,120 Speaker 1: he's just like, oh, amazing Jewish bread. I had salmon, 869 00:46:14,239 --> 00:46:16,960 Speaker 1: three hot dogs, no bun, two more hot dogs that 870 00:46:17,040 --> 00:46:19,799 Speaker 1: I went to Marcy's house. Had to have froyo, yeah, 871 00:46:19,920 --> 00:46:22,839 Speaker 1: his ice cream and like fro you obsession. I do 872 00:46:22,920 --> 00:46:24,960 Speaker 1: feel it's that's guess that's just so nineties and he 873 00:46:25,080 --> 00:46:27,759 Speaker 1: is gen X and it's well, hello, I mean that 874 00:46:27,880 --> 00:46:32,360 Speaker 1: was twenty thirteen. Twenty fourteen was also sixteen candles like Universe, 875 00:46:32,520 --> 00:46:34,920 Speaker 1: oh right, sixteen handles, but like TCB wist and I 876 00:46:34,960 --> 00:46:36,960 Speaker 1: guess I'm just like that people have not TCB why 877 00:46:37,000 --> 00:46:40,279 Speaker 1: it was what pinkberry? It's pinkberry and you're you're right, 878 00:46:40,360 --> 00:46:43,040 Speaker 1: You're right. I'm just like I'm saying that people of 879 00:46:43,160 --> 00:46:45,879 Speaker 1: his age bracket, of his generation, I think are more 880 00:46:45,920 --> 00:46:48,120 Speaker 1: into that. I guess like Chicas are so into that 881 00:46:48,160 --> 00:46:50,600 Speaker 1: now too, or they were into Pinkberry. But I was 882 00:46:50,640 --> 00:46:53,200 Speaker 1: surprised because I just I don't feel like gay men 883 00:46:53,200 --> 00:46:55,680 Speaker 1: of my age range of thirty four to thirty six 884 00:46:55,760 --> 00:46:59,239 Speaker 1: are so into ice scream and froyo. We could talk 885 00:46:59,280 --> 00:47:02,360 Speaker 1: about this for for but you remember, like Friend of 886 00:47:02,360 --> 00:47:05,000 Speaker 1: the Pod Sam, like we go to sixteen Handles every 887 00:47:05,040 --> 00:47:11,560 Speaker 1: single day. Oh yeah, in twenty fourteen, every single day. 888 00:47:11,840 --> 00:47:18,440 Speaker 1: That as kind of haunting tape that what's going on there? 889 00:47:18,480 --> 00:47:20,799 Speaker 1: Like what is that? Is that a Peter Pan syn 890 00:47:20,880 --> 00:47:23,040 Speaker 1: drop thing? Honey, I don't want to see that, Like 891 00:47:23,080 --> 00:47:26,880 Speaker 1: I'm I'm concerned by that. I don't think that adults 892 00:47:26,880 --> 00:47:30,400 Speaker 1: should be Whatever that is in sixteen Handles was fun, okay, 893 00:47:30,480 --> 00:47:33,160 Speaker 1: that it was about the topings, the different flavors, that 894 00:47:33,280 --> 00:47:36,680 Speaker 1: the whole aesthetic it is too infantilizing. I just there's 895 00:47:36,719 --> 00:47:41,759 Speaker 1: there's there's. I actually I totally disagree. I think we 896 00:47:41,840 --> 00:47:46,440 Speaker 1: need more sober spaces for gay men. And it's like 897 00:47:46,719 --> 00:47:51,640 Speaker 1: it's more sloppy and teen. It's not kidlike, it's like ridumculous, 898 00:47:52,040 --> 00:47:58,399 Speaker 1: like you're grabbing like sprinkles and then for bad grown ups. Okay, yeah, 899 00:47:58,400 --> 00:48:00,640 Speaker 1: it's like we're naught in your like sitting on the 900 00:48:01,520 --> 00:48:05,640 Speaker 1: final it's always these bright colors and it's like so 901 00:48:05,719 --> 00:48:07,879 Speaker 1: fluorescent in there. I just I think there, I don't 902 00:48:07,880 --> 00:48:09,560 Speaker 1: think there is a world in which ice cream culture 903 00:48:09,600 --> 00:48:14,120 Speaker 1: is not childish. Okay, cool, you're old, Kongrats. You don't 904 00:48:14,160 --> 00:48:19,920 Speaker 1: like sixteen handles, Kongrats? Okay, Um, how does she live? 905 00:48:20,320 --> 00:48:25,799 Speaker 1: I mean the bad is high as the pyramids hunting? Oh, 906 00:48:25,840 --> 00:48:29,759 Speaker 1: I okay, because he reminds I guess he is so 907 00:48:29,960 --> 00:48:32,279 Speaker 1: dog and gay guy and west side and he's so 908 00:48:32,360 --> 00:48:36,080 Speaker 1: like jewel tone sofa and like you know, the Jonathan 909 00:48:36,160 --> 00:48:41,120 Speaker 1: Adler like boll And to me, yeah, rug and then 910 00:48:41,520 --> 00:48:44,120 Speaker 1: but I also think that because he's so like busy 911 00:48:44,200 --> 00:48:46,120 Speaker 1: and running to his office, then running to his show, 912 00:48:46,160 --> 00:48:48,640 Speaker 1: then going out to dinner. It's like, yes, he hosts 913 00:48:48,680 --> 00:48:51,080 Speaker 1: his infamous like Christmas party every year. But I don't 914 00:48:51,080 --> 00:48:53,960 Speaker 1: think he's so like Maximus as I because remember he 915 00:48:54,080 --> 00:48:56,759 Speaker 1: kind of doesn't care about like combining the apartments and 916 00:48:57,080 --> 00:49:00,680 Speaker 1: the means with the architect. He's always like boring, like 917 00:49:00,719 --> 00:49:02,799 Speaker 1: I think, I don't. I don't think there's like so 918 00:49:02,880 --> 00:49:06,239 Speaker 1: much art and it's actually so gay guy, like no, no no, no, 919 00:49:06,480 --> 00:49:09,000 Speaker 1: I'm not saying it's overblown. And also like I feel 920 00:49:09,000 --> 00:49:11,200 Speaker 1: like he's just like, oh, I want a really good couch. 921 00:49:11,200 --> 00:49:13,640 Speaker 1: And he talks about Cameron Diaz like telling him that 922 00:49:13,680 --> 00:49:17,600 Speaker 1: she's obsessed with restoration hardware, and he's like everyone is 923 00:49:17,640 --> 00:49:21,840 Speaker 1: obsessed with restoration hardware these days. Yeah, It's like he 924 00:49:21,880 --> 00:49:24,239 Speaker 1: doesn't actually care about design that much and like, so 925 00:49:24,440 --> 00:49:26,799 Speaker 1: maybe there isn't like I think, yeah, it's like he 926 00:49:26,880 --> 00:49:29,000 Speaker 1: has like a couch from article, honestly, and then he 927 00:49:29,040 --> 00:49:31,719 Speaker 1: has like an oh my god, he has a much 928 00:49:31,719 --> 00:49:34,239 Speaker 1: more expensive Okay, it's from ABC Carpet and Home, but 929 00:49:34,280 --> 00:49:36,719 Speaker 1: that's that's as high as we're going. Yes, and he's 930 00:49:36,760 --> 00:49:39,400 Speaker 1: eating there and he's buying a rug and it's done. Yeah, 931 00:49:39,400 --> 00:49:42,080 Speaker 1: but I think the couch is brown leather. And I 932 00:49:42,120 --> 00:49:44,560 Speaker 1: feel like, well, now he doesn't have the dog anymore, 933 00:49:44,800 --> 00:49:49,319 Speaker 1: because say it with me, because it was showing signs 934 00:49:49,360 --> 00:49:53,279 Speaker 1: of regression towards his children. I just think there's like 935 00:49:53,320 --> 00:49:56,360 Speaker 1: a coziness that he wants in his I think his 936 00:49:56,880 --> 00:50:00,920 Speaker 1: bed and sag Harbor is lower the New York bed. 937 00:50:01,000 --> 00:50:02,759 Speaker 1: I just feel like he does want to be a 938 00:50:02,800 --> 00:50:06,359 Speaker 1: little more like hmmm, like when he comes home after 939 00:50:06,480 --> 00:50:08,759 Speaker 1: like a three arm massage and at Corner Bestro and 940 00:50:08,760 --> 00:50:11,600 Speaker 1: like a knight of shooting. What does she wear? I 941 00:50:11,640 --> 00:50:15,680 Speaker 1: mean like a thousand shiny suits. Yeah, but he's obsessed 942 00:50:15,719 --> 00:50:19,479 Speaker 1: with double r L. But he's always mad Double RL 943 00:50:19,680 --> 00:50:22,600 Speaker 1: isn't like Ralph Fla because it's like he's he's into 944 00:50:22,640 --> 00:50:24,319 Speaker 1: the stores that in the West Village. He probably goes 945 00:50:24,320 --> 00:50:27,960 Speaker 1: like Scott and Soda, Like he's just like West Village. 946 00:50:28,040 --> 00:50:33,080 Speaker 1: He buys like three Olympic Route themed Ralph Laurence sweaters. 947 00:50:33,200 --> 00:50:34,879 Speaker 1: Well he like gets them. He's like they're so ugly, 948 00:50:34,880 --> 00:50:36,680 Speaker 1: but then this homeless woman like them and then actually 949 00:50:36,680 --> 00:50:38,399 Speaker 1: it's kind of growing on me and it does fit 950 00:50:38,520 --> 00:50:41,920 Speaker 1: really well. He's very like he not he obviously not 951 00:50:41,960 --> 00:50:44,319 Speaker 1: like a fashionis. It's like he likes things to fit well. 952 00:50:44,360 --> 00:50:46,680 Speaker 1: It's like he's so Bonnabo's and like Untucket where he's 953 00:50:46,719 --> 00:50:48,320 Speaker 1: like he's just like I love it when a shirt 954 00:50:49,040 --> 00:50:51,400 Speaker 1: fits and like the bands like face like everything is 955 00:50:51,440 --> 00:50:54,600 Speaker 1: just like pretty tight. He also like does love a 956 00:50:54,640 --> 00:50:56,560 Speaker 1: deal and he's like, oh my god, they're giving away 957 00:50:56,600 --> 00:51:02,840 Speaker 1: suits and he's buying like seven shiny maroon white pink 958 00:51:03,040 --> 00:51:11,719 Speaker 1: suits at like a slow Okay, way off. She's like 959 00:51:11,840 --> 00:51:16,160 Speaker 1: knocking down tons of stuff. Tend to red home her. Yeah, nope, 960 00:51:16,239 --> 00:51:17,920 Speaker 1: this is where he signed their aggression I need to 961 00:51:17,960 --> 00:51:21,680 Speaker 1: read home. Um, who are you in the book? I 962 00:51:21,719 --> 00:51:24,160 Speaker 1: think we're gonna go ahead and say that in many ways, 963 00:51:24,200 --> 00:51:29,239 Speaker 1: I Andy, you're Andy, Yeah, You're I mean, you love activations, 964 00:51:29,280 --> 00:51:34,120 Speaker 1: you get nine hundred hour massages. And again we've said 965 00:51:34,160 --> 00:51:38,239 Speaker 1: it before, I'm Kelly with nine hundred gay guys over 966 00:51:38,320 --> 00:51:45,279 Speaker 1: at my house. You're definitely Kelly because you're definitely not Mark. 967 00:51:45,320 --> 00:51:51,719 Speaker 1: You're definitely not being the designated driver. Nope, Okay, I 968 00:51:51,840 --> 00:51:56,399 Speaker 1: give this book honestly, like a very rare like four 969 00:51:56,560 --> 00:52:03,400 Speaker 1: point eight out of five um Anchovy solids at Mirandy. Yeah, 970 00:52:03,440 --> 00:52:06,160 Speaker 1: I mean I give this. I'm gonna be a little 971 00:52:06,239 --> 00:52:12,680 Speaker 1: more conservative, only because by the end of the book, 972 00:52:12,760 --> 00:52:15,719 Speaker 1: listening to it, I was like, I've heard you say 973 00:52:15,840 --> 00:52:18,040 Speaker 1: you're going to Mirandy for the night hunch time and 974 00:52:18,160 --> 00:52:21,520 Speaker 1: then just giving it a four point five dog treats 975 00:52:21,520 --> 00:52:23,759 Speaker 1: you get in the West Village out of five. Um, 976 00:52:23,920 --> 00:52:26,880 Speaker 1: it's but honestly, do listen the audio. It's literally so 977 00:52:27,680 --> 00:52:30,439 Speaker 1: fun and inspiring and you're also just kind of like 978 00:52:30,880 --> 00:52:33,400 Speaker 1: what I love about him is like he is really successful, 979 00:52:33,480 --> 00:52:35,960 Speaker 1: super busy, but he also shows that he's actually not 980 00:52:36,000 --> 00:52:39,600 Speaker 1: that busy, and like everyone's lying. Hey, everyone's lying. Be's 981 00:52:39,640 --> 00:52:41,200 Speaker 1: at the busy. See if he can do it, so 982 00:52:41,239 --> 00:52:43,279 Speaker 1: can you. It just felt empowering. I was like, yeah, 983 00:52:43,360 --> 00:52:45,040 Speaker 1: you know what, Like, yeah, you go to the office, 984 00:52:45,040 --> 00:52:46,359 Speaker 1: you do a little bit of work, then you like 985 00:52:46,360 --> 00:52:48,920 Speaker 1: shoot some show, and I just love that he rolls 986 00:52:48,960 --> 00:52:51,200 Speaker 1: with everything and it's like the shit that happened. It's 987 00:52:51,200 --> 00:52:53,800 Speaker 1: like when he has the weird altercation with Barbara Walters 988 00:52:53,800 --> 00:52:55,360 Speaker 1: in the view that he talks about it on his 989 00:52:55,400 --> 00:52:57,960 Speaker 1: own show that night and he makes a joke about it, 990 00:52:58,000 --> 00:53:00,239 Speaker 1: sends her flowers the next day, and then the next 991 00:53:00,320 --> 00:53:02,200 Speaker 1: day he's movedani is the next thing. It's just like 992 00:53:02,320 --> 00:53:04,560 Speaker 1: he just keeps rolling with the punches, incorporating to his 993 00:53:04,600 --> 00:53:07,560 Speaker 1: life and then like letting it go. And he's like, yeah, 994 00:53:07,600 --> 00:53:10,799 Speaker 1: not pretending to put out fires when they're they don't 995 00:53:10,840 --> 00:53:15,680 Speaker 1: need to be so anyway, listen read Andy Cohen. Yeah 996 00:53:15,719 --> 00:53:20,799 Speaker 1: you heard it here. First he's a gay guy. And 997 00:53:20,880 --> 00:53:24,200 Speaker 1: I think, and honestly I'll say this, like, keep a diary, 998 00:53:24,320 --> 00:53:27,520 Speaker 1: see what happens. Literally, keep a diary. I have to 999 00:53:27,520 --> 00:53:29,960 Speaker 1: go because I have to go to an activation that's 1000 00:53:29,960 --> 00:53:32,120 Speaker 1: a charity for a shirt. I have to run to 1001 00:53:32,280 --> 00:53:36,600 Speaker 1: eight Women's Makers of Long Island late lunch, I'll write 1002 00:53:36,600 --> 00:53:38,719 Speaker 1: a check that I am hosting and doing the live 1003 00:53:38,800 --> 00:53:42,640 Speaker 1: stream for Okay, Well Love You club Kids, Best Best 1004 00:53:45,160 --> 00:53:48,319 Speaker 1: Celebrity Book Club is presented by Stephen Phillip's host. The 1005 00:53:48,360 --> 00:53:51,920 Speaker 1: show is produced by Stephen Phillips Sost, with editorial support 1006 00:53:52,040 --> 00:53:55,799 Speaker 1: from Stephen Phillips Sost. A Production manager is Stephen Phillip's host. 1007 00:53:56,120 --> 00:54:00,280 Speaker 1: Our intern is Lily Marotta. Original theme song twice Stephen 1008 00:54:00,280 --> 00:54:03,640 Speaker 1: Philip's horst artwork by Teddy Blanks. Follow us on Twitter 1009 00:54:03,719 --> 00:54:09,480 Speaker 1: and Instagram at CBC the pod. Subscribe on Apple is 1010 00:54:09,560 --> 00:54:12,719 Speaker 1: my recommendation because I just find that it's sort of 1011 00:54:12,760 --> 00:54:17,040 Speaker 1: easier to go through. But some folks refer Spotify, and 1012 00:54:17,120 --> 00:54:19,640 Speaker 1: I think one of the advantages to Spotify is kind 1013 00:54:19,640 --> 00:54:23,160 Speaker 1: of the black screen. It feels a bit more chic, 1014 00:54:23,760 --> 00:54:29,000 Speaker 1: a bit more downtown. And I've also heard that it 1015 00:54:29,040 --> 00:54:32,080 Speaker 1: is better for the environment because it uses less energy, 1016 00:54:32,120 --> 00:54:34,800 Speaker 1: but that seems fake to me. Also, go to Patreon 1017 00:54:35,320 --> 00:54:38,040 Speaker 1: and do pay because you do want to hear us more. Okay, 1018 00:54:38,040 --> 00:54:47,400 Speaker 1: I hope you're well. Bye,