WEBVTT - QLS Classic: Jazzy Jeff (Part 1)

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<v Speaker 1>Of Course.

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<v Speaker 2>Love Supreme is a production of iHeartRadio. This classic episode

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<v Speaker 2>was produced by the team at Pandora. Ladies and gentlemen,

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<v Speaker 2>Welcome to QLs Classic Episode ninety seven with DJ Jazzy

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<v Speaker 2>Jeff August twenty eighteen. What can I say, Jazzy Jeff

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<v Speaker 2>is simply the best, most creative DJ of all time.

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<v Speaker 2>There is no DJ today worth their grain of salt

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<v Speaker 2>that doesn't worship from the altar of Jeff Towns.

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<v Speaker 1>And you know you know, so, without.

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<v Speaker 2>Further ado, I present you the goat of all DJs,

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<v Speaker 2>straight out of Philadelphia, DJ Jazzy Jeff.

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<v Speaker 1>Here we go.

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<v Speaker 3>Supremo Sun Suprema Roll Call Suprema Sun Supreme, A roll

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<v Speaker 3>call Suprema Sun Sun Supreme A roll call Suprema So Supreme.

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<v Speaker 2>Roll another episode without Fonte Unpaid in Bostonville and I'm

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<v Speaker 2>stuck with Stephen my ear.

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<v Speaker 4>Yeah, Suppreva Supreme, roll Call Suprema So Supreme, Rode.

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<v Speaker 5>This dude can spin, yeah, this dude mixed tracks, yeah,

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<v Speaker 5>this dude can cook, Yeah, this dude can act.

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<v Speaker 4>Supreme Supremo Supremo roll.

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<v Speaker 6>Yeah.

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<v Speaker 7>And it's okay easy, oh Ship Jeff, Yeah, Jazz Love

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<v Speaker 7>Hillary Supreme.

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<v Speaker 4>SUPREMEA Rod Car Suppreva Son SUPREMEA Role call.

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<v Speaker 6>My name is Fast, Yeah, my crew is new still Yeah,

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<v Speaker 6>it's called the Trinity.

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<v Speaker 4>Yeah.

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<v Speaker 1>We don't fight like Drew Hill.

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<v Speaker 4>Supreme Supreme Supreme Supprime Role.

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<v Speaker 8>My name is Jeff, his name is Fest. Yeah, it's

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<v Speaker 8>Stephen Laia. Yeah, and that's my brother Quest.

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<v Speaker 4>Well Suprema Subprema Role, came Surema some SUPREMEA Role Calm

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<v Speaker 4>Suprema Suprema Role Supreme Supreme Roll.

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<v Speaker 2>Oh man, yo, I have to say that of I mean,

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<v Speaker 2>we're not one hundred episodes yet, but we're at least

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<v Speaker 2>at eighty something eighty something. Yeah, that is probably the

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<v Speaker 2>quickest sneaking of the feat. I mean, I've had well

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<v Speaker 2>renowned mcs just like.

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<v Speaker 1>Dum you you might, I think your body should.

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<v Speaker 9>I wrote that for him.

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<v Speaker 1>I wrote that. That's my ghost racking right there.

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<v Speaker 2>Ladies and gentlemen, welcome to another anemic episode of Quest

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<v Speaker 2>Left Supreme, only on Pandora.

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<v Speaker 1>Uh, I'm still here with what's left of Team Supreme.

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<v Speaker 9>Damn.

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<v Speaker 7>You know when you gets hot outside, niggas start disappearing.

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<v Speaker 1>Well, su Steve's still here, even though you know your

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<v Speaker 1>your your network star.

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<v Speaker 5>Now, Wes, I have every excuse to call him sick,

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<v Speaker 5>you know, mentally ill, among other things.

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<v Speaker 1>Yeah, I see, well, thank you for still sticking.

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<v Speaker 10>I never missed a shot.

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<v Speaker 2>I assume that Fante is still working on his uh

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<v Speaker 2>uh his basement counter Yeah, his countertops is week number

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<v Speaker 2>five working on his miswork to work on your house,

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<v Speaker 2>hey man, bathroom.

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<v Speaker 1>Tiles are important, you know, it's extremely important.

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<v Speaker 7>Mean, while both Bills have medical conditions, So.

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<v Speaker 9>There you go.

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<v Speaker 1>I thought Bill's not at Assessame Street right now.

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<v Speaker 7>No, Bill's getting his wisdom teeth out.

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<v Speaker 2>Okay, I guess I can excuse that. All right, shout

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<v Speaker 2>out to Boss Bill, who has a headache right now.

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<v Speaker 2>So wait, I don't know because if something happens in

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<v Speaker 2>the future, I don't want this to sound bite to

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<v Speaker 2>be play.

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<v Speaker 7>He has a severe headache right now.

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<v Speaker 2>Yes, shout out to Boss Bill, and is a many headaches,

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<v Speaker 2>so I just want to make sure that I'm not

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<v Speaker 2>the source of the headache. So all right, less stressed

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<v Speaker 2>in your life, Bill, I promise to be better, but

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<v Speaker 2>you got admit I am improving since the beginning of

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<v Speaker 2>of course.

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<v Speaker 1>Love you have.

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<v Speaker 7>But then you stop sugar and you back, so you.

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<v Speaker 2>Know, oh okay, Yeah, Layah is claiming that I'm evil

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<v Speaker 2>because I'm day fifty one without sugar.

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<v Speaker 10>So I'm still here for it.

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<v Speaker 1>Thank you, Steve. Is that possible if you want to

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<v Speaker 1>live it? Is? I'm just saying that.

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<v Speaker 2>You know, twenty twenty three, twenty four to twenty five,

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<v Speaker 2>your concern was like getting shot at the club.

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<v Speaker 1>Yeah, the new getting shot at the club is that

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<v Speaker 1>is getting the stroke. Yeah, like I don't want.

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<v Speaker 7>To be I mean, you still got your boyhood figure,

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<v Speaker 7>jeff So how you do it?

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<v Speaker 10>Listen?

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<v Speaker 8>I do one hundred and sixty dates a year and

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<v Speaker 8>walk like nineteen miles through the airport.

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<v Speaker 1>Wait.

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<v Speaker 2>I was gonna say, wait a minute, time out. Uh,

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<v Speaker 2>we're doing this ass backwards, ladies and gentlemen. I forgot

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<v Speaker 2>to introduce our actual guest of the show.

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<v Speaker 1>Ladies and gentlemen. It could be Jeffrey Osborne if we

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<v Speaker 1>already he was.

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<v Speaker 2>He was our last guests not bad yo. Did you

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<v Speaker 2>know he played drums with Smokey Robinson. No, you know,

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<v Speaker 2>we forgot to ask Jeffrey Osborne.

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<v Speaker 1>And we do this often.

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<v Speaker 2>We often rabbit hole ourselves and introduce like a half

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<v Speaker 2>hour down the line. I forgot to even talk about

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<v Speaker 2>Whitney Houston's didn't we almost have it all?

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<v Speaker 1>He wrote that?

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<v Speaker 9>Oh shit?

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<v Speaker 2>Oh wow, yes he wrote that for it anyway, Uh

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<v Speaker 2>lazy Okay. Introducing Joff. Uh yeah, if if God were DJ,

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<v Speaker 2>he'd be named Jeffrey Towns. Uh and wow, that's all

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<v Speaker 2>I have to say. It's gonna be the shortest intro ever.

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<v Speaker 8>Uh.

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<v Speaker 2>We have God himself of turntables Philly, his own DJ

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<v Speaker 2>Jazz Jeff the legendary DJ Jazzy Jeff on Quest left Supreme.

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<v Speaker 1>I would also hate that.

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<v Speaker 2>It would also uh uh be remiss if I didn't

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<v Speaker 2>also mention that, uh, you're here with a very special guest. Yes,

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<v Speaker 2>another guy in his right Grammy and Oscar Oscar Winner

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<v Speaker 2>that was sermon now was paid Bill was here?

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<v Speaker 7>We have somebody that yeah his O but his get.

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<v Speaker 1>Well yeah, because you know, well, I think what paid

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<v Speaker 1>Bill is a.

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<v Speaker 7>Right one of our co hosts. He has a Grammy,

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<v Speaker 7>Emmy and a Tony, but he missing.

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<v Speaker 1>He's missing.

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<v Speaker 2>Oh so if he was chilling with uh paid Bill

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<v Speaker 2>right now, we'd have a ghetto not an ron festers here,

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<v Speaker 2>Lady John.

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<v Speaker 1>The world uh. And also I should mention your.

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<v Speaker 2>New project M three yes, uh in well right now

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<v Speaker 2>digitally available, but when will it be in store?

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<v Speaker 8>Will it be the stores? It's hard, hard U No

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<v Speaker 8>hard copies are coming. Listen, I'm doing this all independence.

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<v Speaker 8>I have to come a little bit later. They're they're

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<v Speaker 8>on the way.

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<v Speaker 1>Okay. Good, that's good dimension, that's good dimension. Yeah.

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<v Speaker 2>So you you were saying that you keep in shape

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<v Speaker 2>because you just run across airports NonStop. See, but that's

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<v Speaker 2>the thing, my Achilles hill is being on the road

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<v Speaker 2>because you know, for every coffee shop in every airport, hotel, food.

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<v Speaker 7>It is it is.

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<v Speaker 1>So how do you resist that?

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<v Speaker 2>And I know you live at home in Lynette's kitchen, yes,

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<v Speaker 2>which you know, as far as I'm concerned, you guys

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<v Speaker 2>catch your fish and all your seafood in the backyard

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<v Speaker 2>of where you live.

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<v Speaker 8>So, like, how just just remain inactive. It's not even

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<v Speaker 8>an exercise thing, you know. It's really when you got

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<v Speaker 8>sixty pounds on your back because you try to take

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<v Speaker 8>every gadget in the world and you're pulling a little

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<v Speaker 8>portable studio on a pull bag and you're in London

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<v Speaker 8>Heathrow and your gait is thirty five minutes away.

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<v Speaker 4>I know that.

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<v Speaker 1>Yeah, you know that feeling.

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<v Speaker 8>So it's a lot of walking. You know, you get

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<v Speaker 8>mad when you first go out because you wind it

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<v Speaker 8>and you're tired and you're mad. Your knee hurts. But

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<v Speaker 8>by the time you come home, I would say, you're

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<v Speaker 8>Oj Simpson. But you know what I mean, You know,

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<v Speaker 8>I know what you mean.

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<v Speaker 9>Yo.

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<v Speaker 1>Wait have you ever.

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<v Speaker 2>Have you ever successfully to me, like to successfully navigate

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<v Speaker 2>through Heathrow without them thoroughly checking my back Like Heathrow

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<v Speaker 2>is one of the yeah, most anal retentive airports in

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<v Speaker 2>the world. Yes, Like you can have a piece of

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<v Speaker 2>like gum in your bag and if you don't take

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<v Speaker 2>it out to let them know that, then they're they're

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<v Speaker 2>taking your whole entire fiber part of that bag.

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<v Speaker 8>Or you just wait for your bag to go on

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<v Speaker 8>that separate lane.

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<v Speaker 1>It's the worst.

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<v Speaker 8>Then that separate lane you realize that there's nineteen people

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<v Speaker 8>in front of it, right, you're missing your flight.

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<v Speaker 7>So y'all travel too much?

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<v Speaker 1>That whole thing was like, no, it's.

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<v Speaker 2>For real, Like he Throw is one of the most

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<v Speaker 2>anal retentive, I mean most of them quality rhymed about

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<v Speaker 2>that even even on their first record, like the first

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<v Speaker 2>time I ever had to have.

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<v Speaker 1>The check he throw.

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<v Speaker 7>Has there been between the two of y'all? Y'all been

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<v Speaker 7>around the world like fifty thousand times. Has there been

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<v Speaker 7>anywhere you haven't been yet?

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<v Speaker 8>I just went to Kenya? That was That was your

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<v Speaker 8>worst time in Kenya? What was that?

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<v Speaker 7>Like?

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<v Speaker 8>That was probably top three experience of my life? Why listen?

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<v Speaker 8>First of all, I was, you know, I don't change.

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<v Speaker 8>I don't change the way I play anywhere in this

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<v Speaker 8>world at all. Because let me, let me give you

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<v Speaker 8>my reasoning. You don't go to Africa and play Afro beat.

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<v Speaker 8>That's the ship that they hear all the time. And

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<v Speaker 8>that's the biggest mistake that I think a lot of DJs,

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<v Speaker 8>because think about it when you get DJs that come

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<v Speaker 8>to Philly and be like, oh, I'm about to play

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<v Speaker 8>Crown Rulers and you kind of like, come on, dude,

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<v Speaker 8>I came to see you play. I didn't come to

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<v Speaker 8>hear you play how you think I want you to play.

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<v Speaker 8>So I never changed the way that I play because people,

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<v Speaker 8>you're a seasoning in the restaurant, you don't change the

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<v Speaker 8>dish you.

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<v Speaker 1>Called me out.

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<v Speaker 7>I mean, listen, you know it's never too late though.

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<v Speaker 1>Right, Yeah, but because you know what it is.

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<v Speaker 8>It's kind of like imagine going to your favorite restaurant

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<v Speaker 8>and they changed the menu every week. You upset, you like,

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<v Speaker 8>I came for the fish. I want to fish in

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<v Speaker 8>the corn bread. What what's the meat loaf?

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<v Speaker 2>Okay, but I'm going to ask you about the Kansas incident.

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<v Speaker 2>That's always my worst nightmare.

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<v Speaker 1>Well, you know what it is.

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<v Speaker 8>Kansas was me walking into that didn't have anything to

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<v Speaker 8>do with me playing. That had more to do with

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<v Speaker 8>the wrong event in the wrong place, you know, Like

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<v Speaker 8>you can't you know, because I had situations like that

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<v Speaker 8>when you know DJ Am passed away. I did one

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<v Speaker 8>of his memorials in Las Vegas, and I did it

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<v Speaker 8>in a place that they didn't want you to play

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<v Speaker 8>hip hop And I'm kind of like, how do you

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<v Speaker 8>have me do a tribute to a hip hop DJ

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<v Speaker 8>and not play hip hop? Like I'm kind of like, yo,

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<v Speaker 8>so you're trying to do this ship.

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<v Speaker 2>My name only wait that's still going on, Like, well

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<v Speaker 2>not now, but it was what was the name of

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<v Speaker 2>can you name? What was the name of the club?

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<v Speaker 7>What's the situations.

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<v Speaker 2>Well, I don't want to start with the bad DJ

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<v Speaker 2>gig verse. I wanted to start with the early god

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<v Speaker 2>I did.

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<v Speaker 8>I was on tour with Sion and Sion was doing

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<v Speaker 8>these parties all over and we went to Kansas City

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<v Speaker 8>and played in the Power and Light District and it

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<v Speaker 8>was funny because I got there. Z Trip went on

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<v Speaker 8>before me and I came out and we started playing,

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<v Speaker 8>like five thousand people outside we started playing and people

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<v Speaker 8>are rocking, and you know, my sets are very eclectic,

0:12:24.960 --> 0:12:26.480
<v Speaker 8>like I'm gona playing some hip hop, I'm gonna go here,

0:12:26.480 --> 0:12:28.199
<v Speaker 8>I'm gonna do this. You know, at the end of

0:12:28.240 --> 0:12:30.200
<v Speaker 8>the night, you're gonna get a little bit of everything.

0:12:30.920 --> 0:12:35.000
<v Speaker 8>And my road manager at the time came out and

0:12:35.120 --> 0:12:38.280
<v Speaker 8>put a towel on my table and walked off. So

0:12:38.400 --> 0:12:40.480
<v Speaker 8>I looked, and I'm looking at the tower that I

0:12:40.480 --> 0:12:41.959
<v Speaker 8>already have, and I was just like, why did you

0:12:42.000 --> 0:12:44.320
<v Speaker 8>bring a towel over? So he came out and brought

0:12:44.320 --> 0:12:46.240
<v Speaker 8>a bottle of water, and I had water on the table,

0:12:46.320 --> 0:12:49.400
<v Speaker 8>so I knew something wasn't right. So he ended up

0:12:49.440 --> 0:12:52.280
<v Speaker 8>coming over the third time and he leaned down and

0:12:52.400 --> 0:12:55.760
<v Speaker 8>he said, listen, they're about to cut you off because

0:12:55.760 --> 0:12:58.880
<v Speaker 8>they're saying that you're playing too much hip hop. And

0:12:59.080 --> 0:13:01.160
<v Speaker 8>before they cut you you off, I wanted to let

0:13:01.240 --> 0:13:04.120
<v Speaker 8>you know so that you can make the decision. I said,

0:13:04.160 --> 0:13:07.640
<v Speaker 8>oh shit, tell Skills, we're out of here. So he

0:13:07.800 --> 0:13:10.839
<v Speaker 8>went and leaned and told Skills, and Skills turned and

0:13:10.880 --> 0:13:12.480
<v Speaker 8>looked at me and was like word, and it was

0:13:12.559 --> 0:13:16.000
<v Speaker 8>like yeah. So right in the middle of everybody rocking,

0:13:16.120 --> 0:13:18.880
<v Speaker 8>I just said, so we were rocking. Oh listen, it's

0:13:19.160 --> 0:13:22.600
<v Speaker 8>non stop, non stop, like I think I was playing

0:13:22.679 --> 0:13:26.199
<v Speaker 8>Rihanna at that. So I hit the stop button and

0:13:26.320 --> 0:13:29.199
<v Speaker 8>Skills said, hey, I'm sorry, Kansas City, but we just

0:13:29.280 --> 0:13:31.199
<v Speaker 8>got word that they don't really want us playing hip

0:13:31.240 --> 0:13:33.600
<v Speaker 8>hop in here, and they were about to cut Jeff off.

0:13:33.679 --> 0:13:35.040
<v Speaker 1>So before we let.

0:13:35.000 --> 0:13:36.599
<v Speaker 8>Them do that to us, we wanted to make the

0:13:36.640 --> 0:13:40.199
<v Speaker 8>announcement to you that we apologized and we hope that

0:13:40.280 --> 0:13:42.319
<v Speaker 8>we can come back and play for you soon. And

0:13:42.640 --> 0:13:44.880
<v Speaker 8>took everything off and I walked our stage. Everybody thought

0:13:44.880 --> 0:13:47.320
<v Speaker 8>it was a part of the show, so they still

0:13:48.400 --> 0:13:51.839
<v Speaker 8>for about two minutes, and when the road managers started

0:13:51.840 --> 0:13:56.440
<v Speaker 8>coming out and breaking my equipment down, people went off wow,

0:13:57.000 --> 0:14:00.960
<v Speaker 8>And I went downstairs in the dressing room skills standing outside,

0:14:01.320 --> 0:14:04.480
<v Speaker 8>and they kicked skills out the venue because they were mad,

0:14:04.559 --> 0:14:06.600
<v Speaker 8>like they were this is the behind the scenes thing

0:14:06.960 --> 0:14:09.800
<v Speaker 8>that you weren't supposed to pull a curtain back. So

0:14:09.920 --> 0:14:11.880
<v Speaker 8>the hotel was across the street. I ended up walking

0:14:11.920 --> 0:14:14.959
<v Speaker 8>across the street and had no idea how big this was.

0:14:15.040 --> 0:14:18.960
<v Speaker 8>And I remember this is early Twitter. I posted Wow,

0:14:19.200 --> 0:14:22.040
<v Speaker 8>right party, wrong place. I was like, this is the

0:14:22.080 --> 0:14:24.480
<v Speaker 8>first time that I ever someone ever threatened to kick

0:14:24.600 --> 0:14:28.720
<v Speaker 8>me off in twenty five years, and went and checked

0:14:28.760 --> 0:14:32.320
<v Speaker 8>into the hotel. I called, you know, my manager at

0:14:32.360 --> 0:14:35.200
<v Speaker 8>the time, and he was like, change your flight. You know,

0:14:35.480 --> 0:14:37.000
<v Speaker 8>we had like a nine o'clock flight. He's like, get

0:14:37.040 --> 0:14:39.400
<v Speaker 8>on the six o'clock flight, he said, because I guarantee

0:14:39.400 --> 0:14:41.240
<v Speaker 8>you they're going to be pressing everybody at the airport.

0:14:41.320 --> 0:14:43.320
<v Speaker 8>So I changed my flight and we got on the

0:14:43.360 --> 0:14:45.880
<v Speaker 8>plane and flew at six o'clock and I landed. By

0:14:45.960 --> 0:14:49.240
<v Speaker 8>the time I landed, Associated Press had called me like

0:14:49.360 --> 0:14:53.040
<v Speaker 8>it hit everywhere, and I was just like, like, it

0:14:53.120 --> 0:14:56.280
<v Speaker 8>got so bad that the owner of Power and Light

0:14:57.080 --> 0:14:59.680
<v Speaker 8>was the owner of the land of forty forty cloud

0:15:00.320 --> 0:15:02.960
<v Speaker 8>and it got so bad that he called Jay Z

0:15:03.760 --> 0:15:06.120
<v Speaker 8>for Jay Z to call Will for Will to call

0:15:06.240 --> 0:15:08.280
<v Speaker 8>me because he wanted to talk to me, and he

0:15:08.440 --> 0:15:10.600
<v Speaker 8>was like, listen, I need to meet with you so

0:15:10.720 --> 0:15:12.240
<v Speaker 8>I can officially apologize.

0:15:14.240 --> 0:15:15.960
<v Speaker 7>Didn't you win the first Grammy for hip hop?

0:15:16.360 --> 0:15:16.560
<v Speaker 10>Hey?

0:15:16.880 --> 0:15:17.200
<v Speaker 7>Listen?

0:15:18.480 --> 0:15:20.200
<v Speaker 8>They was trying to get me to come back, Like

0:15:20.440 --> 0:15:20.920
<v Speaker 8>what did they?

0:15:22.120 --> 0:15:23.120
<v Speaker 1>It was just the area of.

0:15:26.200 --> 0:15:28.360
<v Speaker 8>No, No, it had nothing to do with that. It

0:15:28.520 --> 0:15:30.480
<v Speaker 8>was kind of like, you know what par and Light

0:15:30.760 --> 0:15:35.520
<v Speaker 8>is like, paring Light is kind of like I don't

0:15:35.520 --> 0:15:39.520
<v Speaker 8>want to say Infinity Live. It's like one of those.

0:15:40.160 --> 0:15:42.120
<v Speaker 8>But it was kind of like, we're not really trying

0:15:42.160 --> 0:15:44.440
<v Speaker 8>to have that hip hop element because from what I

0:15:44.640 --> 0:15:47.520
<v Speaker 8>heard after I left was they were like, you know,

0:15:47.640 --> 0:15:49.680
<v Speaker 8>we don't normally come down here. They don't like you

0:15:49.840 --> 0:15:53.280
<v Speaker 8>in sports jerseys and baseball hats. And it was one

0:15:53.320 --> 0:15:57.440
<v Speaker 8>of the yeah, yeah, basically, let's setting that tone this

0:15:57.640 --> 0:15:59.720
<v Speaker 8>code talk. But you know how it is you kind

0:15:59.720 --> 0:16:02.560
<v Speaker 8>of times you skate under the radar because it's like

0:16:02.640 --> 0:16:04.840
<v Speaker 8>that's Jazz from Fresh Prince of bel Air not knowing

0:16:04.880 --> 0:16:05.880
<v Speaker 8>that I'm playing mob deep.

0:16:06.840 --> 0:16:09.080
<v Speaker 1>But what was z Trip playing like?

0:16:09.280 --> 0:16:12.120
<v Speaker 8>Because Trip was playing mash up, so he was sneaking.

0:16:13.160 --> 0:16:16.480
<v Speaker 8>He was sneaking, but understand. No one said that, like

0:16:16.880 --> 0:16:18.720
<v Speaker 8>all of these days that we did, no one said

0:16:19.080 --> 0:16:21.560
<v Speaker 8>when you come here that you have to play like this,

0:16:22.680 --> 0:16:23.960
<v Speaker 8>Like you know, a lot of times people tell you

0:16:24.000 --> 0:16:25.440
<v Speaker 8>how you want to play. I'm like, I'm cool. Like

0:16:25.480 --> 0:16:26.120
<v Speaker 8>if I can't do.

0:16:26.240 --> 0:16:28.640
<v Speaker 1>Me, then how do you How do you handle it?

0:16:28.800 --> 0:16:30.760
<v Speaker 1>Because I don't. I don't.

0:16:30.880 --> 0:16:33.960
<v Speaker 8>I don't that. I don't accept that at all. Even

0:16:34.000 --> 0:16:37.200
<v Speaker 8>at the most prestigious get I won't take them. If

0:16:37.280 --> 0:16:39.880
<v Speaker 8>you don't want me, then don't book me.

0:16:40.400 --> 0:16:41.560
<v Speaker 7>Always, your whole career.

0:16:41.960 --> 0:16:45.880
<v Speaker 8>Always, if you don't want me, don't book me, man

0:16:46.560 --> 0:16:49.240
<v Speaker 8>I because you know, you know how this is Vegas.

0:16:49.520 --> 0:16:51.680
<v Speaker 8>Vegas got like that, you know, Vegas got to the

0:16:51.760 --> 0:16:53.960
<v Speaker 8>point that it was kind of like where we kind

0:16:54.000 --> 0:16:55.960
<v Speaker 8>of want this, Like I remember, do you Vegas?

0:16:56.200 --> 0:16:56.400
<v Speaker 1>Listen?

0:16:56.520 --> 0:16:57.680
<v Speaker 8>I don't do Vegas anymore?

0:16:58.000 --> 0:16:58.640
<v Speaker 1>They listen.

0:16:58.800 --> 0:17:00.920
<v Speaker 8>I get a million offers to do Vegas and I

0:17:01.040 --> 0:17:05.080
<v Speaker 8>turn them down. But you remember, like we we you know, questioning.

0:17:05.160 --> 0:17:08.760
<v Speaker 8>I had a resident residency at the same spot and

0:17:09.480 --> 0:17:11.320
<v Speaker 8>I never forget the first time that I did it.

0:17:12.080 --> 0:17:15.880
<v Speaker 8>When I was done, they came down or someone said, well,

0:17:15.920 --> 0:17:17.720
<v Speaker 8>we'll have a report for you, and I was like

0:17:17.760 --> 0:17:22.440
<v Speaker 8>a report I ain't never had a report. What's the report, Like,

0:17:22.480 --> 0:17:24.879
<v Speaker 8>we're gonna give you a report, you know, And it

0:17:24.960 --> 0:17:26.760
<v Speaker 8>got to a point that you know, oh yeah, you

0:17:26.800 --> 0:17:28.480
<v Speaker 8>were great and this was cool, but it was kind

0:17:28.480 --> 0:17:31.000
<v Speaker 8>of like, so you got people down here like checking

0:17:31.040 --> 0:17:34.040
<v Speaker 8>on me, like I've been DJing in Vegas before. Everybody

0:17:34.040 --> 0:17:38.119
<v Speaker 8>who works here, yeah, you know, but it's you know,

0:17:38.160 --> 0:17:39.640
<v Speaker 8>I might at the end of the day, if everybody's

0:17:39.680 --> 0:17:42.320
<v Speaker 8>having a good time and they buying drinks and everybody's cool,

0:17:42.440 --> 0:17:42.920
<v Speaker 8>leave me alone.

0:17:44.320 --> 0:17:48.600
<v Speaker 2>This is weird now because it's like the variety that

0:17:48.800 --> 0:17:51.440
<v Speaker 2>you have that allows you to DJ in spaces that

0:17:52.280 --> 0:17:58.480
<v Speaker 2>your average your your your your average guy. Okay, well

0:17:58.680 --> 0:18:03.879
<v Speaker 2>I'll be honest, because I mean it's the white elephant

0:18:03.920 --> 0:18:08.240
<v Speaker 2>in the room. Obviously, you and Cash are Philadelphia gods.

0:18:08.880 --> 0:18:08.960
<v Speaker 5>And.

0:18:10.640 --> 0:18:14.240
<v Speaker 2>Your level of celebrity has allowed you more oxygen and

0:18:14.400 --> 0:18:17.480
<v Speaker 2>more leverage and where you are now. And it's also

0:18:17.800 --> 0:18:21.000
<v Speaker 2>on how you you freak it and how you handle

0:18:21.040 --> 0:18:24.080
<v Speaker 2>your business that part, you know, so I can't ignore that,

0:18:24.920 --> 0:18:30.920
<v Speaker 2>but it's like, are you I'm the type of person

0:18:31.000 --> 0:18:35.040
<v Speaker 2>that dreads when November comes around because in my head.

0:18:36.800 --> 0:18:37.960
<v Speaker 1>Usually when December.

0:18:37.680 --> 0:18:43.399
<v Speaker 2>Gigs come, I'm always like damn, January is coming, and

0:18:43.520 --> 0:18:50.840
<v Speaker 2>it's going to be another year where someone born in

0:18:52.280 --> 0:18:55.800
<v Speaker 2>two thousand and two or you know, someone born in

0:18:55.880 --> 0:18:59.720
<v Speaker 2>nineteen ninety nine who will be twenty one or whatever,

0:18:59.800 --> 0:19:03.520
<v Speaker 2>you know, won't know what don't stop till you get

0:19:03.600 --> 0:19:04.520
<v Speaker 2>enough is more.

0:19:04.600 --> 0:19:10.600
<v Speaker 1>It's like those records that used to be instant, they changed,

0:19:10.680 --> 0:19:13.679
<v Speaker 1>like you you remember how like you would play the.

0:19:13.960 --> 0:19:17.680
<v Speaker 2>Opening horn riff of like Troy Yep and it was

0:19:17.760 --> 0:19:21.600
<v Speaker 2>like chaos, and then the moment you mean when it stopped.

0:19:22.160 --> 0:19:24.399
<v Speaker 8>You mean when that stopped, yo, when I had one

0:19:24.480 --> 0:19:28.200
<v Speaker 8>of the worst incidents, well my first incident of that,

0:19:28.440 --> 0:19:32.120
<v Speaker 8>I did it Howard's Homecoming. Oh no, And I remember

0:19:32.200 --> 0:19:34.520
<v Speaker 8>when you do the whole you know, I remember when

0:19:34.560 --> 0:19:36.679
<v Speaker 8>you would play all of the current stuff and then

0:19:36.720 --> 0:19:39.720
<v Speaker 8>you would kind of into your ERICB for President and

0:19:39.840 --> 0:19:42.480
<v Speaker 8>everybody would lose their mind. And I dropped Eric B

0:19:42.640 --> 0:19:46.919
<v Speaker 8>for President and everybody just stood there and I was like, wow,

0:19:47.600 --> 0:19:50.520
<v Speaker 8>like because now Eric B for President is the entrance

0:19:50.880 --> 0:19:52.879
<v Speaker 8>to where I'm going. So I'm like, oh shit, you

0:19:52.960 --> 0:19:55.080
<v Speaker 8>don't know the door that I just opened up. I

0:19:55.119 --> 0:19:56.560
<v Speaker 8>don't know if I can go in the house now.

0:19:57.720 --> 0:19:59.600
<v Speaker 8>So I was kind of you know, and I remember that,

0:19:59.760 --> 0:20:02.879
<v Speaker 8>but that was the first time that I learned the

0:20:03.000 --> 0:20:06.120
<v Speaker 8>lesson that you have to pay attention because every few

0:20:06.320 --> 0:20:12.960
<v Speaker 8>years the timeline slides, you know what I mean. Like

0:20:13.080 --> 0:20:15.480
<v Speaker 8>it was I remember, you know, a couple of years

0:20:15.520 --> 0:20:19.520
<v Speaker 8>ago going overseas playing and somebody dropped Eve who's that girl?

0:20:19.600 --> 0:20:21.560
<v Speaker 8>And the club went crazy and I was like, oh shit,

0:20:21.680 --> 0:20:24.760
<v Speaker 8>this is their classic? Now that was So you just

0:20:24.840 --> 0:20:27.720
<v Speaker 8>have to keep you just have to keep your music

0:20:27.800 --> 0:20:29.200
<v Speaker 8>set up in a way that you just have to

0:20:29.320 --> 0:20:31.439
<v Speaker 8>slide it, slide it like you got to pay attention

0:20:32.000 --> 0:20:32.760
<v Speaker 8>to who's out there?

0:20:32.880 --> 0:20:36.919
<v Speaker 2>But are you ready to mint that front and by Pharrell?

0:20:37.440 --> 0:20:41.160
<v Speaker 2>Is now the new message? By Graham Asters?

0:20:42.359 --> 0:20:45.000
<v Speaker 8>Yeah, like that's old school now, well you know what

0:20:45.080 --> 0:20:48.399
<v Speaker 8>it is. This also comes down to who are you

0:20:48.520 --> 0:20:50.520
<v Speaker 8>playing for? You know what I mean?

0:20:50.600 --> 0:20:52.920
<v Speaker 1>And so are you playing for yourself? Are you playing?

0:20:52.960 --> 0:20:56.040
<v Speaker 8>Oh no, no, no, no, no listen. I do a

0:20:56.440 --> 0:21:02.040
<v Speaker 8>very very good mixture of playing. I take enough met

0:21:02.119 --> 0:21:04.960
<v Speaker 8>gigs to make to make me happy. But my job

0:21:05.040 --> 0:21:05.920
<v Speaker 8>is to play for the people.

0:21:07.200 --> 0:21:09.000
<v Speaker 7>So wait when you went to Kenya, because we started

0:21:09.119 --> 0:21:11.399
<v Speaker 7>with Kenya, So now I want to know and reference

0:21:11.400 --> 0:21:13.920
<v Speaker 7>to Kenya, like what made the what made the crowd

0:21:14.040 --> 0:21:14.560
<v Speaker 7>go crazy?

0:21:14.640 --> 0:21:15.240
<v Speaker 1>And what was there?

0:21:15.359 --> 0:21:16.640
<v Speaker 7>Like they throw back down?

0:21:16.800 --> 0:21:20.040
<v Speaker 8>So we where we played it was a restaurant, so

0:21:20.160 --> 0:21:23.280
<v Speaker 8>we went and ate. Like when the club opened up.

0:21:23.520 --> 0:21:25.399
<v Speaker 8>When I was telling you, they was playing Mary J.

0:21:25.600 --> 0:21:30.639
<v Speaker 8>Blige album cuts like it was one hundred percent pure

0:21:30.800 --> 0:21:34.840
<v Speaker 8>black music and deep black music. They appreciate it to

0:21:34.960 --> 0:21:37.359
<v Speaker 8>the point that I was kind of like, oh, if

0:21:37.480 --> 0:21:39.640
<v Speaker 8>that's where y'all go, oh, I'm good, I'm good.

0:21:40.480 --> 0:21:41.359
<v Speaker 10>So you know it was.

0:21:41.680 --> 0:21:43.320
<v Speaker 1>It was everything from.

0:21:44.680 --> 0:21:50.040
<v Speaker 8>Some classic house stuff to mob deep to like they

0:21:50.240 --> 0:21:52.000
<v Speaker 8>they I couldn't stump them.

0:21:53.880 --> 0:21:54.600
<v Speaker 1>What were you saying about it?

0:21:55.080 --> 0:21:58.440
<v Speaker 6>Like, you know, like so I danced a little bit,

0:21:58.560 --> 0:22:00.440
<v Speaker 6>you know what I'm saying, But when you go to Africa,

0:22:00.600 --> 0:22:02.879
<v Speaker 6>like you're just insecure, you know what I'm saying, Like,

0:22:03.040 --> 0:22:05.640
<v Speaker 6>you're like, man, it ain't no dance that I can

0:22:05.720 --> 0:22:08.560
<v Speaker 6>do that's gonna impress nobody out here. And yeah, but

0:22:08.680 --> 0:22:11.680
<v Speaker 6>when Jeff played that music, they're all it's like you're

0:22:11.720 --> 0:22:14.880
<v Speaker 6>at You're in the home of where rhythm started. You're

0:22:14.920 --> 0:22:17.480
<v Speaker 6>in the home like when you when you get I

0:22:17.600 --> 0:22:20.040
<v Speaker 6>heard the black people in America was from West Africa,

0:22:20.119 --> 0:22:22.160
<v Speaker 6>But when you go to Kenya, they'd be like welcome home,

0:22:22.280 --> 0:22:25.320
<v Speaker 6>and you look around like really like you know, like

0:22:25.400 --> 0:22:28.240
<v Speaker 6>this is amine too like and and you know, just

0:22:28.640 --> 0:22:32.120
<v Speaker 6>the welcoming atmosphere. But you know they got like bodily

0:22:32.280 --> 0:22:35.720
<v Speaker 6>and musical superpowers if they want, because that's where it starts.

0:22:35.760 --> 0:22:38.080
<v Speaker 1>How many how many days or weeks were you guys there?

0:22:38.359 --> 0:22:42.119
<v Speaker 8>We were there for three days? Really three days. We

0:22:42.320 --> 0:22:44.399
<v Speaker 8>we played like the first day we got.

0:22:44.280 --> 0:22:47.000
<v Speaker 2>There coming straight from America or no, no, no, no.

0:22:47.160 --> 0:22:49.760
<v Speaker 2>We were for a mom Okay, I was about to say,

0:22:49.840 --> 0:22:51.160
<v Speaker 2>like for three days.

0:22:51.240 --> 0:22:53.320
<v Speaker 1>It's like that lag do the gig.

0:22:53.640 --> 0:22:56.080
<v Speaker 8>Have some food and well listen that. Yeah, it gets

0:22:56.200 --> 0:22:58.080
<v Speaker 8>like that. We were in Dubai and we flew from

0:22:58.119 --> 0:23:07.080
<v Speaker 8>Dubai to Kenya. Food was amazing, the seasoning to see. Yeah,

0:23:07.400 --> 0:23:10.560
<v Speaker 8>you know, because everybody has this whole thing of when

0:23:10.560 --> 0:23:15.040
<v Speaker 8>I'm going to Africa, I'm going to eat necessarily African food,

0:23:15.320 --> 0:23:18.920
<v Speaker 8>like they have their food and then they have food

0:23:19.040 --> 0:23:20.560
<v Speaker 8>that everybody eats.

0:23:20.680 --> 0:23:22.320
<v Speaker 1>You know, it's weird.

0:23:22.680 --> 0:23:25.960
<v Speaker 2>When I went to South Africa, there was a place

0:23:27.400 --> 0:23:33.159
<v Speaker 2>that it's almost like they know what foreigners are looking.

0:23:33.000 --> 0:23:35.720
<v Speaker 1>For, like that Africa.

0:23:37.840 --> 0:23:41.520
<v Speaker 2>Africa, you know, like they're looking for that, and they

0:23:41.680 --> 0:23:45.399
<v Speaker 2>actually made they have a restaurant that plays up to

0:23:45.480 --> 0:23:46.040
<v Speaker 2>that whole thing.

0:23:46.480 --> 0:23:48.160
<v Speaker 1>But I could tell it's just like for tourists.

0:23:48.240 --> 0:23:51.760
<v Speaker 2>Like I asked the guy, I'm like, Africans wouldn't eat

0:23:51.800 --> 0:23:53.440
<v Speaker 2>the spot, right, And he laughed like, no, this is

0:23:53.480 --> 0:23:54.119
<v Speaker 2>just for tourists.

0:23:54.200 --> 0:23:56.840
<v Speaker 1>Like they went. How they took They took us to

0:23:56.920 --> 0:23:57.480
<v Speaker 1>the real deal.

0:23:58.160 --> 0:24:02.040
<v Speaker 8>We ate at a restaurant that was overlooking an African

0:24:02.280 --> 0:24:05.960
<v Speaker 8>preserve that if you sat at your table and squint

0:24:06.000 --> 0:24:07.240
<v Speaker 8>it you could see a giraffe.

0:24:08.080 --> 0:24:10.880
<v Speaker 1>What it was deep? It was deep, Like I asked.

0:24:10.920 --> 0:24:12.879
<v Speaker 8>There was a big security guard that was with us,

0:24:13.320 --> 0:24:14.720
<v Speaker 8>and I was like, let me ask you a question,

0:24:14.880 --> 0:24:19.639
<v Speaker 8>like how close are we to the lions? Like and

0:24:19.760 --> 0:24:25.440
<v Speaker 8>he was like not so far, Like he said yeah, yeah,

0:24:25.520 --> 0:24:27.520
<v Speaker 8>like they they'll come in the hood.

0:24:29.040 --> 0:24:29.240
<v Speaker 10>Yeah.

0:24:30.800 --> 0:24:35.119
<v Speaker 6>They told stories about gorillas that crossed the road and

0:24:35.200 --> 0:24:37.800
<v Speaker 6>if one of them get hurt, the cars got to stop.

0:24:38.000 --> 0:24:40.359
<v Speaker 6>And if you try to ride past the gorillas to

0:24:40.480 --> 0:24:44.040
<v Speaker 6>jump on the car bang your window that you have to.

0:24:45.280 --> 0:24:52.240
<v Speaker 8>Yeah, you gotta stop and let them. It was, oh, listen,

0:24:52.320 --> 0:24:56.880
<v Speaker 8>we went to a we went to an African animal. Yeah,

0:24:57.040 --> 0:24:59.960
<v Speaker 8>that was first of all. Let me explain it, Michael Jack.

0:25:01.680 --> 0:25:05.240
<v Speaker 8>He The guy was telling us that when a lion

0:25:05.440 --> 0:25:08.119
<v Speaker 8>roars in full voice, you can hear him ten miles away.

0:25:08.520 --> 0:25:11.240
<v Speaker 8>Said the lion will roar into the ground and vibrate

0:25:11.320 --> 0:25:13.960
<v Speaker 8>the gout. That's how he lets everybody know. Get out

0:25:14.040 --> 0:25:17.679
<v Speaker 8>my way. But that's a dear Listen, they were feeding

0:25:18.280 --> 0:25:21.800
<v Speaker 8>the lion, and the female lion came over to try

0:25:21.840 --> 0:25:23.840
<v Speaker 8>to grab a piece of meat from the male lion,

0:25:24.400 --> 0:25:25.240
<v Speaker 8>and the roar.

0:25:25.160 --> 0:25:26.040
<v Speaker 1>That he let out.

0:25:28.160 --> 0:25:31.760
<v Speaker 8>I let a little bit go, That's all I'm gonna say. Like,

0:25:31.920 --> 0:25:35.000
<v Speaker 8>I ain't never heard no ship like that piece of chicken.

0:25:35.280 --> 0:25:38.040
<v Speaker 8>Listen like that roar. I was kind of like, I'm cool,

0:25:38.359 --> 0:25:39.840
<v Speaker 8>I'll take my lions in the zoo.

0:25:40.840 --> 0:25:41.600
<v Speaker 1>That was a little deep.

0:25:42.840 --> 0:25:44.800
<v Speaker 10>I gotta I gotta got experience.

0:25:44.840 --> 0:25:46.359
<v Speaker 1>I gotta figure out way to get over that.

0:25:46.720 --> 0:25:49.680
<v Speaker 8>Anyway, I'm glad that I'm here because they are greatly

0:25:49.800 --> 0:25:53.800
<v Speaker 8>wanting you to come down. I greatly want you to

0:25:53.880 --> 0:25:54.560
<v Speaker 8>come down and play.

0:25:54.680 --> 0:25:59.840
<v Speaker 2>I'm saying that no one has ever carried on a

0:26:00.520 --> 0:26:06.520
<v Speaker 2>string teased me more than the entire continent of Africa.

0:26:06.800 --> 0:26:08.520
<v Speaker 7>But you've been a couple of places in the South.

0:26:08.720 --> 0:26:10.320
<v Speaker 1>I've been to South South. It's different.

0:26:10.640 --> 0:26:14.159
<v Speaker 8>I've been to South South. He's in South Africa. You

0:26:14.240 --> 0:26:15.800
<v Speaker 8>almost don't get cool points from going.

0:26:15.720 --> 0:26:17.000
<v Speaker 1>To South Africa, North America.

0:26:17.040 --> 0:26:19.359
<v Speaker 8>Where you're going, I'm going to South Africa. Yeah, okay whatever,

0:26:19.800 --> 0:26:21.880
<v Speaker 8>Like I got props when it was like I'm going

0:26:21.960 --> 0:26:28.200
<v Speaker 8>to Kenya right over they just called really called, was

0:26:28.240 --> 0:26:31.000
<v Speaker 8>like listen, and it was crazy because once I accepted Kenya,

0:26:31.440 --> 0:26:34.280
<v Speaker 8>then Tanzania, card and all these other people, and it was.

0:26:34.280 --> 0:26:36.000
<v Speaker 1>Just like it was it was a little too late

0:26:36.080 --> 0:26:36.240
<v Speaker 1>for that.

0:26:36.920 --> 0:26:40.119
<v Speaker 2>Now that I know what I know, I gotta you know,

0:26:40.480 --> 0:26:42.680
<v Speaker 2>you need to go like going to beIN or my

0:26:42.960 --> 0:26:43.720
<v Speaker 2>what Nigeria?

0:26:43.800 --> 0:26:43.840
<v Speaker 7>What?

0:26:43.960 --> 0:26:47.200
<v Speaker 8>I will tell you you will absolutely body that. Like

0:26:47.320 --> 0:26:49.800
<v Speaker 8>they asked, They were like who who who?

0:26:50.200 --> 0:26:50.360
<v Speaker 10>Who?

0:26:50.440 --> 0:26:52.760
<v Speaker 8>Do you want to come down and play we Love Premiere.

0:26:53.080 --> 0:26:54.840
<v Speaker 8>It was like we would love quest Love. We don't

0:26:54.840 --> 0:26:56.240
<v Speaker 8>know if we can get him. I was like, I'll

0:26:56.280 --> 0:26:58.480
<v Speaker 8>talk to him because I'm like, oh, he's.

0:26:58.320 --> 0:27:00.360
<v Speaker 1>Not that I don't want to go. You will matter

0:27:00.960 --> 0:27:01.680
<v Speaker 1>that time.

0:27:02.040 --> 0:27:04.719
<v Speaker 2>Well, wait a minute, I know you're meticulous about your

0:27:04.840 --> 0:27:08.159
<v Speaker 2>back line, So do you just take do you now

0:27:08.280 --> 0:27:10.600
<v Speaker 2>just travel with all of your equipment?

0:27:11.240 --> 0:27:11.280
<v Speaker 7>No?

0:27:11.760 --> 0:27:14.960
<v Speaker 1>I just so they have Pioneer turntables there or Pioneer

0:27:15.080 --> 0:27:15.560
<v Speaker 1>just ships them.

0:27:15.640 --> 0:27:17.920
<v Speaker 8>Yeah, they have Pioneer turntables, had an s no mixer

0:27:18.520 --> 0:27:19.560
<v Speaker 8>what yeah that.

0:27:21.560 --> 0:27:25.520
<v Speaker 7>Man? Okay, well yeah listen hown I.

0:27:25.520 --> 0:27:28.560
<v Speaker 1>Said when I was there, they had the Flintstone Bird.

0:27:35.560 --> 0:27:38.879
<v Speaker 2>I'm just saying, back in two thousand a date, you know,

0:27:39.040 --> 0:27:41.000
<v Speaker 2>if I had just send a carrier pits and send

0:27:41.119 --> 0:27:44.719
<v Speaker 2>a few break beats over to me, Yeah, now they

0:27:44.720 --> 0:27:46.280
<v Speaker 2>were they were okay, they were cool.

0:27:46.359 --> 0:27:48.840
<v Speaker 8>They gave me a bunch of music too, Okay, So

0:27:48.960 --> 0:27:50.399
<v Speaker 8>you know, I go down there, I was.

0:27:50.480 --> 0:27:54.280
<v Speaker 2>Getting tired of people giving you, like all their twelve

0:27:54.320 --> 0:27:56.120
<v Speaker 2>inches and the forty five's and everything.

0:27:56.480 --> 0:28:00.320
<v Speaker 8>You can't say that outright because you know, just you

0:28:00.440 --> 0:28:02.800
<v Speaker 8>almost need to carry a bag for the stuff that

0:28:02.920 --> 0:28:05.600
<v Speaker 8>people give you on a tour exactly because you just

0:28:05.760 --> 0:28:08.280
<v Speaker 8>kind of come home and it's kind of like, you know,

0:28:08.520 --> 0:28:12.440
<v Speaker 8>and I will really really appreciate this T shirt, just

0:28:12.560 --> 0:28:15.280
<v Speaker 8>like I appreciate the twenty two thousand T shirts. I

0:28:15.640 --> 0:28:18.000
<v Speaker 8>get that you want me to take the T shirt

0:28:18.119 --> 0:28:20.520
<v Speaker 8>with your album cover artwork home.

0:28:21.000 --> 0:28:22.760
<v Speaker 2>What It's almost like you can travel like a Navy

0:28:22.800 --> 0:28:26.960
<v Speaker 2>seal now like you probably could just you know, live

0:28:27.040 --> 0:28:27.960
<v Speaker 2>off the swag.

0:28:27.720 --> 0:28:29.040
<v Speaker 1>That's given to you on the road.

0:28:29.200 --> 0:28:30.879
<v Speaker 8>Pretty much and pretty much.

0:28:30.920 --> 0:28:31.240
<v Speaker 10>That's that.

0:28:35.840 --> 0:28:36.800
<v Speaker 1>I will kill myself.

0:28:36.840 --> 0:28:40.680
<v Speaker 2>But I don't start the way I always out like, yeah,

0:28:40.680 --> 0:28:45.160
<v Speaker 2>we always started the beginning. But it's also been a

0:28:45.360 --> 0:28:47.720
<v Speaker 2>long time since we had an episode of.

0:28:49.880 --> 0:28:54.520
<v Speaker 1>So Jeff. As as as as the.

0:28:57.040 --> 0:29:00.240
<v Speaker 2>Music extraordinary that you are and being one of the

0:29:00.320 --> 0:29:03.760
<v Speaker 2>many one of one of the first pioneers to actually

0:29:04.000 --> 0:29:09.640
<v Speaker 2>introduce jazz samples to hip hop. Uh. We do a

0:29:09.720 --> 0:29:14.000
<v Speaker 2>game called but You Guessed It, in which I will

0:29:14.080 --> 0:29:17.520
<v Speaker 2>play a quarter of a second of a particular song

0:29:17.680 --> 0:29:18.960
<v Speaker 2>and you have to even guess.

0:29:18.880 --> 0:29:20.160
<v Speaker 1>The artist or the song he said.

0:29:20.160 --> 0:29:21.640
<v Speaker 7>A quarter of a second, yes, quarter of a.

0:29:21.680 --> 0:29:25.120
<v Speaker 1>Second, quarter of a second, yes, some are easy, some

0:29:25.360 --> 0:29:27.840
<v Speaker 1>or not. There is no you. This is this is

0:29:28.760 --> 0:29:34.080
<v Speaker 1>I'm just saying this. This is round one of Okay,

0:29:35.200 --> 0:29:37.960
<v Speaker 1>can you name this break.

0:29:39.440 --> 0:29:40.320
<v Speaker 8>Bracket in the pocket?

0:29:40.920 --> 0:29:41.600
<v Speaker 1>You are correct?

0:29:42.920 --> 0:29:47.440
<v Speaker 10>This, I know it.

0:29:47.600 --> 0:29:51.120
<v Speaker 8>That's the who who makes it. It's the original. I

0:29:51.160 --> 0:29:52.040
<v Speaker 8>don't want to be a player.

0:29:55.080 --> 0:29:55.320
<v Speaker 1>Thank you.

0:29:55.960 --> 0:29:56.560
<v Speaker 7>The first Monday.

0:29:56.560 --> 0:29:58.720
<v Speaker 8>I might need help because I may not know the names,

0:29:58.760 --> 0:30:00.800
<v Speaker 8>but you don't know that I know what I'm talking about,

0:30:00.880 --> 0:30:01.240
<v Speaker 8>all right?

0:30:01.600 --> 0:30:02.080
<v Speaker 1>Number three?

0:30:03.440 --> 0:30:06.560
<v Speaker 8>Yeah, brand new or a bouncy lady.

0:30:06.960 --> 0:30:12.560
<v Speaker 1>Yes, I love how you just that pleasure break.

0:30:14.400 --> 0:30:14.840
<v Speaker 6>Mm hmm.

0:30:16.440 --> 0:30:17.280
<v Speaker 8>Do that one more time?

0:30:18.200 --> 0:30:18.640
<v Speaker 10>Mm hmm.

0:30:21.200 --> 0:30:22.320
<v Speaker 8>Yeah that's do do.

0:30:24.920 --> 0:30:30.760
<v Speaker 1>Together? Do the message by yes, me and the beers.

0:30:31.400 --> 0:30:34.360
<v Speaker 1>You ready? Number five? Yeah?

0:30:35.840 --> 0:30:41.520
<v Speaker 8>Oh one more time? Yeah, you might stamp me with

0:30:41.600 --> 0:30:43.760
<v Speaker 8>that one. Wait a minute, one more time?

0:30:47.520 --> 0:30:50.040
<v Speaker 1>No, one last time?

0:30:50.760 --> 0:31:00.240
<v Speaker 8>Yeah, nope, mhm.

0:31:05.880 --> 0:31:08.760
<v Speaker 1>Uh that was Ohio players singing in the morning.

0:31:09.680 --> 0:31:13.200
<v Speaker 8>See yeah, yeah, he got biggies.

0:31:13.280 --> 0:31:19.320
<v Speaker 1>Uh ready to up? All right, you're allowed to strike?

0:31:20.880 --> 0:31:21.400
<v Speaker 1>Number six?

0:31:22.120 --> 0:31:22.520
<v Speaker 9>Mm hmm.

0:31:25.120 --> 0:31:32.600
<v Speaker 1>Is that Parlem with Funkadelic, Yes, the number seven? Oh,

0:31:32.720 --> 0:31:33.120
<v Speaker 1>that is it.

0:31:33.160 --> 0:31:34.600
<v Speaker 8>The bird is playing Johnny Guitar.

0:31:34.440 --> 0:31:38.400
<v Speaker 1>Watson Superman Lover. Yes, number eight.

0:31:40.080 --> 0:31:40.400
<v Speaker 7>Mm hm.

0:31:40.960 --> 0:31:43.800
<v Speaker 8>That is the original be a Father to your child

0:31:44.400 --> 0:31:45.600
<v Speaker 8>EDLG and the Bulldogs.

0:31:47.600 --> 0:31:51.920
<v Speaker 1>You're close wrong single? Yeah? Yeah, not be a father

0:31:52.040 --> 0:31:53.520
<v Speaker 1>to your child? Yeah, you know what I'm saying.

0:31:53.560 --> 0:31:54.200
<v Speaker 8>I gotta have it.

0:31:54.800 --> 0:31:57.200
<v Speaker 1>Yeah bo Hannon burn that song singing.

0:31:56.960 --> 0:31:59.080
<v Speaker 7>A song from my mother being five to your child?

0:31:59.240 --> 0:31:59.760
<v Speaker 9>Was that ship?

0:32:00.520 --> 0:32:00.840
<v Speaker 7>All right?

0:32:00.880 --> 0:32:03.440
<v Speaker 1>Two more left? Two more left? Last one? All right?

0:32:03.480 --> 0:32:04.320
<v Speaker 1>Second and last one.

0:32:09.080 --> 0:32:15.320
<v Speaker 8>The original dre ship? Yeah, chick moaning I want to

0:32:15.640 --> 0:32:16.520
<v Speaker 8>do something freak.

0:32:18.480 --> 0:32:20.880
<v Speaker 1>Uh. Side note, I actually thought that was my mom.

0:32:21.840 --> 0:32:27.360
<v Speaker 2>Oh no, only because Dre uses my parents sample and

0:32:27.400 --> 0:32:31.240
<v Speaker 2>that ship too, So I thought that you.

0:32:31.280 --> 0:32:33.200
<v Speaker 7>Knew your mama were weird.

0:32:33.320 --> 0:32:39.160
<v Speaker 1>I'm sorry, mom, the like, sorry, my mom has a

0:32:39.360 --> 0:32:44.000
<v Speaker 1>similar s side.

0:32:44.720 --> 0:32:50.920
<v Speaker 2>I'm not that oxygen oxygen technique tale on her record, Yeah,

0:32:51.320 --> 0:32:56.000
<v Speaker 2>excel on her record. So yeah, I was very relieved

0:32:56.000 --> 0:32:59.880
<v Speaker 2>to find out that, no, that wasn't my mom, but yeah,

0:33:00.080 --> 0:33:02.840
<v Speaker 2>she does something something anyway.

0:33:03.120 --> 0:33:05.200
<v Speaker 11>Your last song all right, this this is the comic

0:33:05.280 --> 0:33:15.480
<v Speaker 11>kaze one more Time, M one more Time.

0:33:21.520 --> 0:33:24.760
<v Speaker 1>That's not h one two, three, four, five, six, seven,

0:33:29.280 --> 0:33:30.120
<v Speaker 1>eleven twelve.

0:33:31.920 --> 0:33:34.640
<v Speaker 2>Only did that because of your connection with Jill Scott

0:33:34.880 --> 0:33:37.680
<v Speaker 2>and getting in the way and her dropping.

0:33:37.440 --> 0:33:41.160
<v Speaker 1>That anyway, Uh, even though I know it.

0:33:41.480 --> 0:33:45.560
<v Speaker 2>Uh, Sir Jeff Towns, could you please tell our audience,

0:33:45.680 --> 0:33:48.240
<v Speaker 2>almost three hours into the show, where you were born

0:33:48.240 --> 0:33:48.800
<v Speaker 2>in what city?

0:33:49.440 --> 0:33:51.240
<v Speaker 8>Osborn in West Philadelphia?

0:33:52.040 --> 0:33:54.280
<v Speaker 2>We're in West Philadelphia, Like, are you allowed to talk

0:33:54.320 --> 0:33:55.800
<v Speaker 2>about your old neighborhood.

0:33:55.280 --> 0:33:56.239
<v Speaker 1>Now that you don't live there?

0:33:56.400 --> 0:34:00.160
<v Speaker 8>I am. I'm from fifty seventh and Rodman, which which

0:34:00.200 --> 0:34:03.640
<v Speaker 8>is right next to fifty seventh and Cedar, which is

0:34:03.720 --> 0:34:08.000
<v Speaker 8>between Baltimore Avenue and Market Street. Which is funny because

0:34:08.080 --> 0:34:10.680
<v Speaker 8>you know the north side is basically the north side

0:34:10.680 --> 0:34:14.680
<v Speaker 8>of Market Street south side is south of Market Street,

0:34:14.760 --> 0:34:19.920
<v Speaker 8>but before Baltimore Avenue, so not southwest past Baltimore Avenue southwest.

0:34:20.840 --> 0:34:24.040
<v Speaker 1>So in eighty five, how close were you to that

0:34:24.239 --> 0:34:27.720
<v Speaker 1>move fire? Oh man, behind those sage.

0:34:28.080 --> 0:34:30.920
<v Speaker 8>Yeah, it was. I was about five blocks away, like

0:34:31.239 --> 0:34:35.080
<v Speaker 8>literally heard the gunshots. Like the night before. You know,

0:34:35.239 --> 0:34:37.160
<v Speaker 8>everybody in the neighborhood was just like, yo, something's going

0:34:37.200 --> 0:34:39.680
<v Speaker 8>on because you knew move were there, you know, just

0:34:39.920 --> 0:34:42.200
<v Speaker 8>going on a block. I went there, be outside with

0:34:42.280 --> 0:34:42.760
<v Speaker 8>the ballhome.

0:34:42.880 --> 0:34:46.360
<v Speaker 1>Jack Junes was like yeah, crawling on the floor and it.

0:34:46.440 --> 0:34:49.480
<v Speaker 8>Was crazy because that night they were like, Yo, something

0:34:49.600 --> 0:34:52.040
<v Speaker 8>is gonna happen. And we went up to Kyles Creek

0:34:52.080 --> 0:34:54.720
<v Speaker 8>Parkway and it was I've never seen as many cops.

0:34:55.040 --> 0:34:59.200
<v Speaker 8>I've never seen a swat team, you know, in real life,

0:34:59.360 --> 0:35:01.680
<v Speaker 8>and they all were out there the big flood lights,

0:35:03.960 --> 0:35:05.800
<v Speaker 8>and you know, we stayed up there for about two hours.

0:35:05.840 --> 0:35:08.840
<v Speaker 8>I mean you couldn't get but three blocks close to it.

0:35:09.040 --> 0:35:12.120
<v Speaker 8>And then we went home and I never forget it

0:35:12.239 --> 0:35:14.400
<v Speaker 8>had to be about five o'clock in the morning. I

0:35:14.520 --> 0:35:22.120
<v Speaker 8>have never in my life heard twenty minutes of sub

0:35:22.360 --> 0:35:27.000
<v Speaker 8>automatic weapons being fired in your neighborhood. Like it was

0:35:27.320 --> 0:35:30.360
<v Speaker 8>nine stop and you you know, you didn't know, like

0:35:30.480 --> 0:35:33.920
<v Speaker 8>you're hearing this through your window, not knowing what's going on,

0:35:34.040 --> 0:35:36.319
<v Speaker 8>and you turn on the news and you know, so.

0:35:36.360 --> 0:35:40.000
<v Speaker 2>You had no clue that in twenty four hours entire

0:35:40.040 --> 0:35:41.120
<v Speaker 2>blocks will be burnt.

0:35:41.280 --> 0:35:42.239
<v Speaker 1>No exact.

0:35:43.760 --> 0:35:46.319
<v Speaker 8>Like we saw the helicopter fly over, and we saw

0:35:46.440 --> 0:35:48.960
<v Speaker 8>when it dropped it, and we didn't know what it was.

0:35:49.040 --> 0:35:51.120
<v Speaker 8>We saw when it dropped it and you heard this

0:35:51.440 --> 0:35:55.520
<v Speaker 8>incredibly loud boom that shook everything in the neighborhood and

0:35:55.600 --> 0:35:57.000
<v Speaker 8>we were just kind of like, what was that? And

0:35:57.040 --> 0:35:58.560
<v Speaker 8>they were just like they must have dropped some kind

0:35:58.560 --> 0:36:03.160
<v Speaker 8>of explosive and then fire started, and like to realize

0:36:03.280 --> 0:36:05.960
<v Speaker 8>this might have been three o'clock in the afternoon, and

0:36:07.239 --> 0:36:12.520
<v Speaker 8>no one came, like, there wasn't a fire truck around

0:36:12.840 --> 0:36:15.279
<v Speaker 8>for a good five to six hours. So to watch

0:36:15.360 --> 0:36:18.480
<v Speaker 8>it burn a complete blockdown, and you know how the

0:36:18.560 --> 0:36:21.000
<v Speaker 8>blocks are that they're connected, So it burned a blockdown,

0:36:21.080 --> 0:36:23.800
<v Speaker 8>it went through the alley to another block and burned

0:36:23.880 --> 0:36:25.240
<v Speaker 8>one side of another blockdown.

0:36:25.400 --> 0:36:27.400
<v Speaker 7>As a whole cider. I'm still surprised how y'all let

0:36:27.400 --> 0:36:28.719
<v Speaker 7>this go down, But I'm just gonna say that I

0:36:28.719 --> 0:36:32.120
<v Speaker 7>don't understand Philly, y'all you are a Philadelphia I am,

0:36:32.200 --> 0:36:33.600
<v Speaker 7>but I was in DC at the time, and I

0:36:33.719 --> 0:36:35.160
<v Speaker 7>just know I felt like if it would have happened

0:36:35.160 --> 0:36:37.360
<v Speaker 7>in DC, a bunch of black people would have took hands,

0:36:37.440 --> 0:36:39.719
<v Speaker 7>went grew and got around the neighborhood and been like,

0:36:39.800 --> 0:36:41.279
<v Speaker 7>I'll be damned if you go out to bomb these

0:36:41.280 --> 0:36:42.240
<v Speaker 7>black people and these babies.

0:36:42.440 --> 0:36:43.040
<v Speaker 1>No, you didn't know.

0:36:43.320 --> 0:36:46.800
<v Speaker 8>You didn't like understand this is all news media, and

0:36:47.360 --> 0:36:51.360
<v Speaker 8>this is after all of this gunfire, and what happened

0:36:51.520 --> 0:36:56.080
<v Speaker 8>was people didn't know, which I personally believe that I

0:36:56.160 --> 0:36:59.680
<v Speaker 8>don't think anybody from move shot. I think this was

0:36:59.719 --> 0:37:03.200
<v Speaker 8>the least shooting at each other because all it takes

0:37:03.320 --> 0:37:07.000
<v Speaker 8>is one shot, and and it was just gunfire that

0:37:07.520 --> 0:37:11.360
<v Speaker 8>no one was kind of like known to have shot

0:37:11.480 --> 0:37:14.160
<v Speaker 8>somebody you didn't know, So it was just kind of

0:37:14.200 --> 0:37:16.400
<v Speaker 8>like nobody moved. You didn't know what was going on.

0:37:16.680 --> 0:37:19.439
<v Speaker 2>And to be honest with you, in nineteen eighty five,

0:37:21.160 --> 0:37:30.480
<v Speaker 2>black Christian Conservative outlook was was hot and black Christian Conservative.

0:37:30.520 --> 0:37:36.160
<v Speaker 2>I think it's almost a step ahead of racist, redneck

0:37:37.680 --> 0:37:44.200
<v Speaker 2>Southern Bible Christian Conservative. It's almost like, you know, I remember,

0:37:44.600 --> 0:37:49.000
<v Speaker 2>like practically everyone in the neighborhood saw the move people

0:37:49.200 --> 0:37:55.359
<v Speaker 2>as heathens. Yep, they eat raw meat, they homeschooled their kids.

0:37:56.719 --> 0:37:57.799
<v Speaker 1>But I remember the move.

0:37:58.200 --> 0:38:01.240
<v Speaker 8>My brother used to live on forty fourth from Paltain,

0:38:01.280 --> 0:38:04.880
<v Speaker 8>so I remember the first move with seventy seven Yeah naked,

0:38:05.080 --> 0:38:07.920
<v Speaker 8>so you you you know, you knew about the organization

0:38:08.640 --> 0:38:11.480
<v Speaker 8>and what it was, and they had a standoff there.

0:38:11.560 --> 0:38:13.239
<v Speaker 8>I was just a little bit too young to really

0:38:13.320 --> 0:38:16.080
<v Speaker 8>understand what it was. So when they kind of moved

0:38:16.160 --> 0:38:18.640
<v Speaker 8>up in the neighborhood, you kind of it was still

0:38:18.680 --> 0:38:21.960
<v Speaker 8>the same chatter, and you know, you're getting the information

0:38:22.080 --> 0:38:22.800
<v Speaker 8>off of television.

0:38:22.920 --> 0:38:26.920
<v Speaker 2>So yeah, I was also that was I was heartbroken

0:38:27.000 --> 0:38:30.439
<v Speaker 2>that day. I just got dumped by like my first

0:38:30.520 --> 0:38:31.239
<v Speaker 2>high school girl.

0:38:33.000 --> 0:38:34.840
<v Speaker 7>The only time a bomb been dropped in the country

0:38:34.920 --> 0:38:35.439
<v Speaker 7>you talk about.

0:38:35.440 --> 0:38:38.040
<v Speaker 1>I'm just saying, man, none of that. She's like I

0:38:38.120 --> 0:38:41.040
<v Speaker 1>had a bomb dropped on my heart. Yeah, man, Like

0:38:42.200 --> 0:38:42.960
<v Speaker 1>I came home.

0:38:44.760 --> 0:38:47.640
<v Speaker 2>Seriously, like the second they dropped that bomb in like

0:38:47.760 --> 0:38:52.920
<v Speaker 2>three thirty, I was right on my porch and I

0:38:53.000 --> 0:38:53.239
<v Speaker 2>was just.

0:38:53.320 --> 0:38:56.800
<v Speaker 1>Like, yeah, let me go watch the last Cosby episode.

0:38:59.000 --> 0:39:01.880
<v Speaker 5>For those of us who weren't there, can somebody just

0:39:01.960 --> 0:39:05.440
<v Speaker 5>give us a brief about move not only about move,

0:39:05.480 --> 0:39:07.040
<v Speaker 5>but about this bomb that was dropped.

0:39:08.040 --> 0:39:08.720
<v Speaker 10>I've never heard.

0:39:08.640 --> 0:39:11.239
<v Speaker 1>Loost Bill will be played by Steve Mandel. All Right,

0:39:11.320 --> 0:39:15.920
<v Speaker 1>so basically move, I wouldn't know how to how to

0:39:17.280 --> 0:39:20.000
<v Speaker 1>exactly I kind of get to move.

0:39:20.200 --> 0:39:23.000
<v Speaker 7>Or he's asking about the correlation between the bomb.

0:39:22.840 --> 0:39:26.680
<v Speaker 1>And the bomb there. Okay, so according.

0:39:29.160 --> 0:39:31.560
<v Speaker 7>How Philadelphia people really explain this, this is not a mirror.

0:39:31.600 --> 0:39:33.920
<v Speaker 1>He's don't I don't want I don't want to leave that.

0:39:34.000 --> 0:39:36.439
<v Speaker 1>I don't want to be the all sides guy.

0:39:36.640 --> 0:39:44.719
<v Speaker 2>But so basically, I guess there was tension between the

0:39:44.840 --> 0:39:48.320
<v Speaker 2>neighbors of the fifty eight one hundred block of Osage

0:39:48.320 --> 0:39:54.000
<v Speaker 2>Avenue and the Africa family, which all their last names

0:39:54.040 --> 0:39:56.440
<v Speaker 2>were Africa, similar to like having an X. They all

0:39:56.480 --> 0:39:59.040
<v Speaker 2>took the last name of the Africa and it was

0:39:59.160 --> 0:40:03.200
<v Speaker 2>like fifteen people in the house. Everyone had a similar

0:40:03.239 --> 0:40:05.759
<v Speaker 2>look dreadlocks. They were more like a primitive I mean,

0:40:05.840 --> 0:40:08.239
<v Speaker 2>the thing is that it would be totally normal now

0:40:08.480 --> 0:40:10.680
<v Speaker 2>in the times that we live in, but back then

0:40:10.719 --> 0:40:13.520
<v Speaker 2>you saw someone dreadlocks, you were just like snakes in

0:40:13.600 --> 0:40:16.760
<v Speaker 2>your head and you must move drugs like Bob Marley

0:40:16.840 --> 0:40:19.120
<v Speaker 2>and you know. And they didn't believe in They just

0:40:19.160 --> 0:40:25.520
<v Speaker 2>didn't really believe in the westernized colonization of where America

0:40:25.719 --> 0:40:28.120
<v Speaker 2>was their education system and all, so they want to

0:40:28.160 --> 0:40:29.160
<v Speaker 2>homeschool their kids.

0:40:29.239 --> 0:40:30.080
<v Speaker 7>They armed themselves.

0:40:30.200 --> 0:40:32.640
<v Speaker 1>Well right, yeah, they armed themselves. So it was like

0:40:32.760 --> 0:40:35.880
<v Speaker 1>part part uh uh, part black.

0:40:35.760 --> 0:40:44.480
<v Speaker 2>Panther ideology, educate your kids live like vegetarians. It's I

0:40:44.560 --> 0:40:47.640
<v Speaker 2>think the complaint was mainly a noise complaint. And then

0:40:47.880 --> 0:40:51.399
<v Speaker 2>they would they would they were us on the roof

0:40:51.719 --> 0:40:55.680
<v Speaker 2>with a bullhorn and just preached their message.

0:40:55.760 --> 0:40:57.879
<v Speaker 1>And they occupied homes. They didn't boy the home.

0:40:57.960 --> 0:41:00.759
<v Speaker 8>Oh yeah, like and see, I think one of the

0:41:00.880 --> 0:41:04.680
<v Speaker 8>things that was different was this was in a residential

0:41:05.200 --> 0:41:08.239
<v Speaker 8>neighborhood like so they were in the middle of the

0:41:08.320 --> 0:41:10.279
<v Speaker 8>block like this. It wasn't like they were in the

0:41:10.360 --> 0:41:14.240
<v Speaker 8>suburbs or had a farm. They were your next door neighbor.

0:41:14.760 --> 0:41:17.600
<v Speaker 2>And not to mention, they were already targeted because in

0:41:18.200 --> 0:41:23.680
<v Speaker 2>nineteen seventy seven, our mayor Frank Rizzo, who was like,

0:41:25.360 --> 0:41:28.359
<v Speaker 2>I mean, if you think like Giuliani era New York

0:41:29.080 --> 0:41:33.640
<v Speaker 2>mixed with Donald Trump mixed with I mean, just think

0:41:33.719 --> 0:41:33.960
<v Speaker 2>of the.

0:41:35.440 --> 0:41:39.600
<v Speaker 1>Worst racist police state mayor you could have.

0:41:41.840 --> 0:41:45.879
<v Speaker 2>They had an incident on forty fourth and Palatain where

0:41:45.880 --> 0:41:49.680
<v Speaker 2>it was like because of a disturbance there, and then

0:41:49.719 --> 0:41:53.719
<v Speaker 2>there was a shootout and he made them all come outside.

0:41:54.600 --> 0:41:57.320
<v Speaker 2>I just remember the picture of them all naked, like

0:41:57.640 --> 0:42:00.360
<v Speaker 2>twenty of them, hands in their naked and.

0:42:01.719 --> 0:42:02.600
<v Speaker 1>Some of them died.

0:42:02.719 --> 0:42:05.880
<v Speaker 2>And so there was already tension between the Philadelphia police

0:42:06.400 --> 0:42:11.120
<v Speaker 2>and the Africa family. So once once complaints and protest

0:42:12.040 --> 0:42:17.600
<v Speaker 2>uh were happening with the residents, the cops were sort

0:42:17.600 --> 0:42:18.840
<v Speaker 2>of like, you know, and get out the house and

0:42:18.880 --> 0:42:21.120
<v Speaker 2>they're like, no, this is our property, YadA YadA, yadda,

0:42:21.200 --> 0:42:23.239
<v Speaker 2>And there was a standoff. It was like a four

0:42:23.360 --> 0:42:26.239
<v Speaker 2>or five days standoff where they just seal off the

0:42:26.320 --> 0:42:29.880
<v Speaker 2>block and you saw news cameras and news people like

0:42:30.440 --> 0:42:33.640
<v Speaker 2>bending on their knees like you know this Jack Jones live.

0:42:33.680 --> 0:42:35.800
<v Speaker 2>Oh no, k y w N Now we're outside of

0:42:35.800 --> 0:42:40.200
<v Speaker 2>the Africa home. And and then on May thirteenth, man, Yeah,

0:42:40.719 --> 0:42:45.520
<v Speaker 2>the commissioner decided to just fly in helicopter right over

0:42:45.560 --> 0:42:47.640
<v Speaker 2>their rooftop. I'm trying to figure out, like what was

0:42:47.680 --> 0:42:49.200
<v Speaker 2>so distinctive about their rooftop.

0:42:49.360 --> 0:42:51.240
<v Speaker 7>They had something on top, they had a bunker.

0:42:51.440 --> 0:42:56.759
<v Speaker 2>Yeah, but you've realized how precise your aim has to

0:42:56.840 --> 0:43:00.239
<v Speaker 2>be to drop like, so they basically I don't know

0:43:00.280 --> 0:43:02.080
<v Speaker 2>if it's a grenade or whatever, but they dropped some

0:43:02.239 --> 0:43:05.480
<v Speaker 2>sort of device that just they dropped a bomb. It

0:43:05.600 --> 0:43:07.360
<v Speaker 2>was a it was a legit bomb.

0:43:07.280 --> 0:43:09.680
<v Speaker 7>First and last time ever on the United States story.

0:43:09.719 --> 0:43:11.000
<v Speaker 8>So they dropped a bomb.

0:43:11.160 --> 0:43:14.919
<v Speaker 2>And you see how like row homes are in Philadelphia,

0:43:15.000 --> 0:43:17.239
<v Speaker 2>so it's not like there's a separation.

0:43:17.640 --> 0:43:20.640
<v Speaker 1>And so they let this house. They tried. They were like,

0:43:20.680 --> 0:43:22.400
<v Speaker 1>we're going to burn you out the house. So they

0:43:22.800 --> 0:43:23.239
<v Speaker 1>burned them.

0:43:23.400 --> 0:43:26.520
<v Speaker 2>Well, they literally killed them all but two, but then

0:43:27.160 --> 0:43:30.320
<v Speaker 2>the fire spread and then the next two houses, and

0:43:30.440 --> 0:43:34.279
<v Speaker 2>then two hours later the entire block was dummies. But

0:43:34.480 --> 0:43:39.960
<v Speaker 2>then five hours later that one big ass block hit

0:43:40.040 --> 0:43:42.640
<v Speaker 2>the next block, and then that entire block hit the

0:43:42.719 --> 0:43:46.279
<v Speaker 2>block across the street, and then that spread. So at

0:43:46.440 --> 0:43:50.880
<v Speaker 2>some point around nine o'clock we gotta knock saying there

0:43:50.960 --> 0:43:53.840
<v Speaker 2>was like the block. Captain was sort of like, okay,

0:43:54.520 --> 0:43:59.080
<v Speaker 2>just be prepared to I lived on the fifty second

0:43:59.120 --> 0:44:02.120
<v Speaker 2>block and this is the eight hundred blocks. So around

0:44:02.200 --> 0:44:05.480
<v Speaker 2>like nine pm, even though we thought they would contain

0:44:05.520 --> 0:44:08.880
<v Speaker 2>the fire, there was like concern that the ship just

0:44:08.960 --> 0:44:10.240
<v Speaker 2>might spread and spread and spread.

0:44:12.080 --> 0:44:13.600
<v Speaker 1>Yeah, it was just it was.

0:44:17.120 --> 0:44:19.560
<v Speaker 8>It's crazy that I'm asked that anywhere I go in

0:44:19.640 --> 0:44:23.239
<v Speaker 8>the world, because everybody's kind of like, yo, didn't weren't

0:44:23.280 --> 0:44:26.880
<v Speaker 8>you guys that the people that dropped the bomb on

0:44:26.960 --> 0:44:30.320
<v Speaker 8>a residential area. Yeah, it ain't like some ship you

0:44:30.360 --> 0:44:31.160
<v Speaker 8>want to be known for.

0:44:32.080 --> 0:44:39.880
<v Speaker 1>Yeah. So records, yeah, yeah, no, So how did you

0:44:40.160 --> 0:44:40.560
<v Speaker 1>how did you.

0:44:42.040 --> 0:44:47.640
<v Speaker 2>How did you start your your I guess that even

0:44:47.680 --> 0:44:50.560
<v Speaker 2>before DJ you have to love records. So what was

0:44:50.640 --> 0:44:53.360
<v Speaker 2>the first record you ever purchased? Or were you like

0:44:53.480 --> 0:44:54.480
<v Speaker 2>the youngest I was?

0:44:54.719 --> 0:44:58.680
<v Speaker 8>Yeah, you know, well, you know what it is, like

0:44:58.800 --> 0:45:01.479
<v Speaker 8>my brother played bass for the Intruders, So they would

0:45:01.560 --> 0:45:06.040
<v Speaker 8>actually rehearse in our basement, which was a little deep

0:45:06.160 --> 0:45:09.560
<v Speaker 8>because you know, you're so young that you're not allowed

0:45:09.760 --> 0:45:12.239
<v Speaker 8>in the basement. That I would sit on the top

0:45:12.320 --> 0:45:14.400
<v Speaker 8>step and they would rehearse, and then I would slide

0:45:14.440 --> 0:45:15.840
<v Speaker 8>down to the next step and slide down to the

0:45:15.880 --> 0:45:18.080
<v Speaker 8>next step till they finally see me and let's say

0:45:18.160 --> 0:45:22.080
<v Speaker 8>get back up, you know, get back upstairs. But then

0:45:22.120 --> 0:45:26.600
<v Speaker 8>my dad was an MC for count Basie, So yeah,

0:45:26.840 --> 0:45:29.279
<v Speaker 8>like my dad, like I grew up with seventy eights

0:45:29.320 --> 0:45:33.000
<v Speaker 8>in the house, West Montgomery. Jimmy Smith and Arthur Price sock,

0:45:33.160 --> 0:45:35.839
<v Speaker 8>so you had those. So it was almost like being

0:45:35.920 --> 0:45:39.279
<v Speaker 8>the youngest, I had the best of everything. I had

0:45:39.320 --> 0:45:42.320
<v Speaker 8>the seventy eights. You know, my brothers were you know,

0:45:42.440 --> 0:45:46.240
<v Speaker 8>my brother was the weather report, Maha Vish New orchestra person,

0:45:46.800 --> 0:45:49.280
<v Speaker 8>and then of course your sisters how many years older.

0:45:50.560 --> 0:45:55.840
<v Speaker 8>I'm oh man, I was the mistake, okay, Like I

0:45:55.920 --> 0:45:57.840
<v Speaker 8>was the one that was a little bit of farther

0:45:58.000 --> 0:45:59.480
<v Speaker 8>gap that it was kind of like, yeah, this was

0:45:59.520 --> 0:46:01.319
<v Speaker 8>a hot and every night with my mont and dad,

0:46:02.000 --> 0:46:05.320
<v Speaker 8>because everybody was like, you know, one person was this

0:46:05.560 --> 0:46:10.319
<v Speaker 8>you know, you know, forty nine and fifty one, fifty three,

0:46:10.960 --> 0:46:12.400
<v Speaker 8>and you know, it got to the point that it

0:46:12.480 --> 0:46:14.000
<v Speaker 8>was kind of like, yo, there was like an eight

0:46:14.120 --> 0:46:16.880
<v Speaker 8>year gap with me, Like I wasn't supposed to be

0:46:17.000 --> 0:46:20.160
<v Speaker 8>his right, right, but you know, but I was. I

0:46:20.280 --> 0:46:22.440
<v Speaker 8>was the sponge, so you know, and and what I

0:46:22.520 --> 0:46:26.280
<v Speaker 8>give more credit to was my you know, at about

0:46:26.440 --> 0:46:29.719
<v Speaker 8>seven years old, my brother showed me how to take

0:46:29.880 --> 0:46:32.680
<v Speaker 8>records in and out of the sleeve. Don't put your

0:46:32.719 --> 0:46:35.080
<v Speaker 8>hands on the records. You hold your thumb at the end,

0:46:35.160 --> 0:46:36.839
<v Speaker 8>you put your finger in the middle, bring it out,

0:46:36.880 --> 0:46:41.160
<v Speaker 8>don't don't touch touch the vinyl like that, and he

0:46:41.320 --> 0:46:44.600
<v Speaker 8>had you know, he had a set, he had a

0:46:44.680 --> 0:46:49.480
<v Speaker 8>receiver records now now like we've used I think I

0:46:49.600 --> 0:46:50.640
<v Speaker 8>think that ship out the window.

0:46:50.719 --> 0:46:51.560
<v Speaker 7>My parents were like that.

0:46:52.280 --> 0:46:54.279
<v Speaker 8>But he, you know, he was kind of like, listen,

0:46:54.480 --> 0:46:57.320
<v Speaker 8>if if you, if you take care of it, I

0:46:57.400 --> 0:47:01.239
<v Speaker 8>will let you use my stere system when he was

0:47:01.280 --> 0:47:04.160
<v Speaker 8>at work, what like seven years old. But what I'm

0:47:04.160 --> 0:47:06.640
<v Speaker 8>gonna tell you was crazy. I'm seven years old and

0:47:06.719 --> 0:47:11.440
<v Speaker 8>I'm making chick corea tapes cassettes, like he gave me

0:47:11.480 --> 0:47:14.719
<v Speaker 8>a blank cassette and I'm listening to music, not really

0:47:14.920 --> 0:47:18.520
<v Speaker 8>understanding what is attracting me to this music. But I'm like,

0:47:18.640 --> 0:47:20.960
<v Speaker 8>oh my god, I want this chick career song and

0:47:21.320 --> 0:47:23.759
<v Speaker 8>oh look, you know, return it forever and I want that.

0:47:24.200 --> 0:47:27.759
<v Speaker 8>And because the his music was my music, and I

0:47:27.800 --> 0:47:32.000
<v Speaker 8>would make these, make these tapes, and I got sucked in,

0:47:32.120 --> 0:47:33.880
<v Speaker 8>like I didn't understand it was the chorus structure. I

0:47:33.920 --> 0:47:36.560
<v Speaker 8>didn't understand what it was. It was just the it

0:47:36.719 --> 0:47:39.640
<v Speaker 8>was a pure attraction of music. And then the Stevie

0:47:39.680 --> 0:47:40.600
<v Speaker 8>Wondering and Marvin Gay.

0:47:40.719 --> 0:47:43.840
<v Speaker 2>So that's what makes you different. You didn't have the

0:47:44.280 --> 0:47:47.960
<v Speaker 2>don't touch my stereo. Oh no, I had the exact opposite.

0:47:49.640 --> 0:47:51.360
<v Speaker 2>I had the exact opposite.

0:47:51.880 --> 0:47:52.720
<v Speaker 1>See, I had.

0:47:52.640 --> 0:47:55.920
<v Speaker 2>Don't touch my stereo. But I also lived in the

0:47:55.960 --> 0:47:59.600
<v Speaker 2>house with three collectors that hove the stereo. So I

0:47:59.800 --> 0:48:04.759
<v Speaker 2>was forced by will too, you know, by force. I

0:48:05.000 --> 0:48:09.759
<v Speaker 2>had to listen to their music and don't touch my

0:48:09.840 --> 0:48:11.440
<v Speaker 2>stereo on the car and none of that stuff. So

0:48:13.120 --> 0:48:15.879
<v Speaker 2>I was that music was forced upon me. And then

0:48:16.080 --> 0:48:17.320
<v Speaker 2>I guess Stockholm syndrome.

0:48:17.360 --> 0:48:19.799
<v Speaker 8>I just like I used to do this weird thing

0:48:20.000 --> 0:48:22.080
<v Speaker 8>that this is probably the first time that I'm ever

0:48:22.360 --> 0:48:26.640
<v Speaker 8>admitting admitting this. But I would have a radio and

0:48:27.000 --> 0:48:28.959
<v Speaker 8>I would go and take a bath, and I would

0:48:29.080 --> 0:48:31.239
<v Speaker 8>take the radio in the bathroom and I plug it

0:48:31.320 --> 0:48:33.200
<v Speaker 8>up and I would sit the radio on top of

0:48:33.280 --> 0:48:36.759
<v Speaker 8>the toilet and I would grab the plunger because you

0:48:36.800 --> 0:48:40.839
<v Speaker 8>got to understand a plunger microphone, it's a microphone, it's

0:48:40.920 --> 0:48:45.200
<v Speaker 8>a horn, it's a bass, it's a guitar. Oh, I

0:48:45.239 --> 0:48:47.759
<v Speaker 8>would mimic every but you know what I did. It

0:48:48.000 --> 0:48:53.960
<v Speaker 8>made me memorize every guitar solo, lick for lick, every horn.

0:48:54.040 --> 0:48:56.879
<v Speaker 8>So listen, I was switched. I would have that ship

0:48:57.239 --> 0:48:57.719
<v Speaker 8>out playing.

0:49:00.560 --> 0:49:06.839
<v Speaker 1>Look the whole entire room just turned against.

0:49:06.680 --> 0:49:08.360
<v Speaker 7>The first thing. He says, I use a plunger for

0:49:08.440 --> 0:49:11.800
<v Speaker 7>a mic, like but no, no, no, listen, what was that?

0:49:12.320 --> 0:49:16.040
<v Speaker 2>Literally everything everyone in this room, the people across the street,

0:49:16.080 --> 0:49:16.680
<v Speaker 2>that froker.

0:49:20.239 --> 0:49:24.880
<v Speaker 8>Listen, man, you know your imagination and music is basically

0:49:25.040 --> 0:49:27.480
<v Speaker 8>while I'm sitting here, because you.

0:49:27.600 --> 0:49:28.759
<v Speaker 1>Look ill meant the same thing.

0:49:29.160 --> 0:49:31.799
<v Speaker 2>When James Brown was on Dinah Shore doing body Heat

0:49:32.800 --> 0:49:34.080
<v Speaker 2>and that's the first time I saw him do the

0:49:34.120 --> 0:49:34.920
<v Speaker 2>microphone tricks.

0:49:35.440 --> 0:49:37.600
<v Speaker 1>I got the toilet punch and start doing the microphone tricks.

0:49:37.600 --> 0:49:40.480
<v Speaker 1>And then my mom was like, so.

0:49:41.160 --> 0:49:42.640
<v Speaker 8>See I didn't do it in front of my mouth.

0:49:43.000 --> 0:49:44.040
<v Speaker 8>I had a lock on the door.

0:49:45.160 --> 0:49:47.080
<v Speaker 1>Oh you knew better? Oh yeah, yeah.

0:49:48.760 --> 0:49:48.920
<v Speaker 7>Yeah.

0:49:49.600 --> 0:49:51.960
<v Speaker 8>And I didn't put the plunger near my mouth.

0:49:52.160 --> 0:49:55.520
<v Speaker 7>You know you plunge, slash, you know what I'm saying.

0:49:55.719 --> 0:49:59.799
<v Speaker 8>You listen, But but the top like, I wasn't doing

0:49:59.800 --> 0:50:03.400
<v Speaker 8>it the rubber part, which was the horn, and you know,

0:50:03.560 --> 0:50:05.279
<v Speaker 8>you would grab a roll of toilet paper and that

0:50:05.320 --> 0:50:09.680
<v Speaker 8>would be your muzzle on your on your trumpet. So listen,

0:50:09.719 --> 0:50:12.320
<v Speaker 8>I went to what was Steve was just like, wow.

0:50:13.800 --> 0:50:18.520
<v Speaker 1>Where were you busy in the bathroom? When were you

0:50:18.880 --> 0:50:21.280
<v Speaker 1>allowed to curate.

0:50:22.680 --> 0:50:26.640
<v Speaker 2>The first backyard barbecue or like what you consider your

0:50:26.719 --> 0:50:27.919
<v Speaker 2>first DJ gig.

0:50:28.320 --> 0:50:30.840
<v Speaker 8>I started making mixtapes for all of the dancers, not

0:50:30.960 --> 0:50:34.960
<v Speaker 8>necessarily mixtapes. If you had a cassette that had a

0:50:35.040 --> 0:50:39.480
<v Speaker 8>spring loaded pause button that it did it instantly. You

0:50:39.560 --> 0:50:42.400
<v Speaker 8>could like you know how sometimes you would have the

0:50:42.480 --> 0:50:44.560
<v Speaker 8>pause buttons that you would hit it and then it

0:50:44.560 --> 0:50:47.800
<v Speaker 8>would engage. If you had a spring loaded pause button,

0:50:48.040 --> 0:50:51.200
<v Speaker 8>it would stop automatic. So I would just make the

0:50:51.320 --> 0:50:53.000
<v Speaker 8>love the Life you Live break that all of the

0:50:53.120 --> 0:50:55.520
<v Speaker 8>dancers would dance off of. I was the one that

0:50:55.680 --> 0:50:58.560
<v Speaker 8>had it that went for ten minutes. Yeah, so I

0:50:58.600 --> 0:51:01.480
<v Speaker 8>would go to the end, and you got known for that.

0:51:02.360 --> 0:51:05.000
<v Speaker 8>And then it just turned into you know what, I'm

0:51:05.080 --> 0:51:08.480
<v Speaker 8>gonna steal some of my brother's records and not eat

0:51:08.600 --> 0:51:11.520
<v Speaker 8>lunch the whole time. I'm in school and I'm going

0:51:11.560 --> 0:51:15.360
<v Speaker 8>downtown because you remember funkal Mart had three five for

0:51:16.280 --> 0:51:18.840
<v Speaker 8>you know, two dollars, and I would just I started

0:51:18.880 --> 0:51:21.239
<v Speaker 8>a record collection like that's I realized that the record

0:51:21.280 --> 0:51:23.640
<v Speaker 8>collection is the most important thing as a DJ.

0:51:24.400 --> 0:51:27.640
<v Speaker 2>What was the first because I did when Rappers a

0:51:27.719 --> 0:51:31.560
<v Speaker 2>Light came out, I begged I think twenty people for

0:51:31.680 --> 0:51:35.640
<v Speaker 2>a dime mm because there's like seventeen.

0:51:35.760 --> 0:51:39.520
<v Speaker 8>So yeah, listen, I had, like, what was the first

0:51:39.680 --> 0:51:45.880
<v Speaker 8>record that you like, bar Kay's Holy Ghosts Moving by

0:51:45.960 --> 0:51:49.399
<v Speaker 8>Brass Construction because I was a little pre hip hop.

0:51:49.600 --> 0:51:51.600
<v Speaker 8>So that's what they play at the block parties. I

0:51:51.640 --> 0:51:53.560
<v Speaker 8>just want to make your dream come try by mass production,

0:51:53.760 --> 0:51:55.600
<v Speaker 8>and you know, it was it was all of that.

0:51:55.680 --> 0:51:57.120
<v Speaker 8>It was the funk and soul bands.

0:51:57.520 --> 0:51:59.040
<v Speaker 1>When did you play your first block party?

0:52:01.239 --> 0:52:09.040
<v Speaker 8>Probably about eighty seventy nine eighty. I know, I was

0:52:09.080 --> 0:52:10.080
<v Speaker 8>still in school.

0:52:10.160 --> 0:52:13.359
<v Speaker 2>Too, so I know Philly is known for these DJ

0:52:13.520 --> 0:52:16.680
<v Speaker 2>crews like astrou Oh yeah, this was this was way

0:52:16.800 --> 0:52:17.200
<v Speaker 2>before that.

0:52:17.560 --> 0:52:22.359
<v Speaker 8>This was super before that, like enough to go off

0:52:22.440 --> 0:52:24.719
<v Speaker 8>the block, so let alone have a crew. But it

0:52:24.800 --> 0:52:28.040
<v Speaker 8>was it was older DJ's on the block, and you know,

0:52:28.360 --> 0:52:30.680
<v Speaker 8>and that's the first time that you got in front

0:52:30.719 --> 0:52:35.879
<v Speaker 8>of two turntables and a mixer with headphones mix.

0:52:36.120 --> 0:52:39.640
<v Speaker 1>Oh yes, I had nothing, and they trusted you. Yeah.

0:52:39.920 --> 0:52:42.200
<v Speaker 8>I mean, listen, I was the guy that when they

0:52:42.280 --> 0:52:43.400
<v Speaker 8>had to go pee, I played.

0:52:45.200 --> 0:52:46.600
<v Speaker 1>Yeah, you were like, I was gonna say, have you

0:52:46.680 --> 0:52:47.960
<v Speaker 1>ever been someone's record? Dude?

0:52:48.320 --> 0:52:51.080
<v Speaker 8>Always? That's all I was to all of the older guys,

0:52:51.200 --> 0:52:54.240
<v Speaker 8>and it was just you know, I don't remember what happened,

0:52:54.360 --> 0:52:57.000
<v Speaker 8>but I gotten to a point that I would do

0:52:57.440 --> 0:53:00.680
<v Speaker 8>stuff by myself. And you I know from growing up

0:53:00.719 --> 0:53:05.800
<v Speaker 8>in West Philly that we have an iconic public enemy

0:53:06.200 --> 0:53:10.280
<v Speaker 8>type flavor flave figure named Crazy D that if Crazy

0:53:10.360 --> 0:53:13.000
<v Speaker 8>D was at your block party, your block party was

0:53:13.120 --> 0:53:15.560
<v Speaker 8>guaranteed to be a success. So people would go and

0:53:15.680 --> 0:53:18.680
<v Speaker 8>recruit him. And they had a block party on fifty

0:53:18.719 --> 0:53:21.360
<v Speaker 8>seven Cedar, which is a big block to two Way Street.

0:53:22.080 --> 0:53:24.800
<v Speaker 8>And I remember looking at all of the DJs in

0:53:24.800 --> 0:53:26.960
<v Speaker 8>the neighborhood. You had Disco Doc, you had Disco Rat,

0:53:27.040 --> 0:53:30.400
<v Speaker 8>you had Email Disco, and all of them had no

0:53:30.600 --> 0:53:32.839
<v Speaker 8>block parties. They were all there. So it was kind

0:53:32.880 --> 0:53:35.600
<v Speaker 8>of like when you don't have any other competition and

0:53:35.640 --> 0:53:39.680
<v Speaker 8>they're all they're watching you and you're fourteen fifteen years

0:53:39.719 --> 0:53:42.359
<v Speaker 8>old in the street with four or five hundred people

0:53:43.000 --> 0:53:46.400
<v Speaker 8>and you're controlling them. That was the That was the signal.

0:53:46.600 --> 0:53:49.600
<v Speaker 8>That was the signal in the neighborhood that that he

0:53:50.000 --> 0:53:50.320
<v Speaker 8>got it.

0:53:51.600 --> 0:53:52.160
<v Speaker 9>Like that was it.

0:53:52.320 --> 0:53:53.520
<v Speaker 8>It was that one block party.

0:53:54.000 --> 0:53:56.440
<v Speaker 1>So how long was it before you were able to.

0:53:58.360 --> 0:54:00.359
<v Speaker 2>Because I know turned, I mean I had to get

0:54:00.360 --> 0:54:04.400
<v Speaker 2>a record budget to buy my turntables and my mixer

0:54:04.480 --> 0:54:05.239
<v Speaker 2>and that sort of thing.

0:54:05.360 --> 0:54:06.880
<v Speaker 8>So like I was in a lot of crews that

0:54:07.000 --> 0:54:11.560
<v Speaker 8>had equipment, so one guy, you know, it was kind

0:54:11.560 --> 0:54:17.799
<v Speaker 8>of like you practice, though I would mentally practice, no, Jeff, listen,

0:54:17.960 --> 0:54:21.040
<v Speaker 8>I'm I'm dead that serious. I would practice in my head.

0:54:21.880 --> 0:54:23.440
<v Speaker 8>That was the only way that I can get ten

0:54:24.320 --> 0:54:28.719
<v Speaker 8>spent in my head project. Well that was before that.

0:54:29.520 --> 0:54:31.160
<v Speaker 8>That was before that, but you know what it was.

0:54:31.400 --> 0:54:37.520
<v Speaker 8>What helped was if you cut Grand Master Flash super

0:54:37.560 --> 0:54:41.160
<v Speaker 8>Wrapping at a party and you killed it. The next week,

0:54:41.480 --> 0:54:44.120
<v Speaker 8>the DJ in your crew is going to cut that record.

0:54:44.440 --> 0:54:46.640
<v Speaker 8>He's not gonna leave it for you. There wasn't there

0:54:46.719 --> 0:54:49.839
<v Speaker 8>wasn't favoritism or any of that. So what happened then

0:54:49.880 --> 0:54:52.319
<v Speaker 8>you learned how to cut at the party by Treacher's Three,

0:54:52.920 --> 0:54:55.120
<v Speaker 8>and then the next week he would cut Grand Master

0:54:55.200 --> 0:54:58.719
<v Speaker 8>Flash and the Treacher's Three. So you systematically kept going

0:54:58.800 --> 0:55:01.719
<v Speaker 8>through records finding root teens to do off of these

0:55:01.800 --> 0:55:05.600
<v Speaker 8>records because it was it was that competitive, you know,

0:55:05.680 --> 0:55:07.960
<v Speaker 8>you you know the back in the day parties, you know,

0:55:08.160 --> 0:55:11.400
<v Speaker 8>Grand Master Flash super Wrapping was paid twenty times because

0:55:11.400 --> 0:55:12.719
<v Speaker 8>everybody had a routine off.

0:55:12.640 --> 0:55:18.960
<v Speaker 1>Of it, right, who who was the first? Like did

0:55:19.000 --> 0:55:21.759
<v Speaker 1>you pioneer the whole let's dance of the drummers beat?

0:55:21.840 --> 0:55:23.040
<v Speaker 9>Like what that was?

0:55:23.280 --> 0:55:24.120
<v Speaker 1>That was a classic?

0:55:24.960 --> 0:55:27.719
<v Speaker 8>Like I don't think anybody necessary like that's what was

0:55:27.760 --> 0:55:29.799
<v Speaker 8>the record that the drummers beat?

0:55:30.040 --> 0:55:32.640
<v Speaker 1>Like that to me is is that's Philly?

0:55:33.160 --> 0:55:34.719
<v Speaker 8>Like that was one of the things that I would say,

0:55:34.800 --> 0:55:38.360
<v Speaker 8>like that didn't belong to any DJ specifically, that was Philly.

0:55:38.480 --> 0:55:42.040
<v Speaker 8>That was DJ Spinbad, Lightning Rich, that was every DJ

0:55:42.200 --> 0:55:45.960
<v Speaker 8>and Philly cut pumped me Up, they cut dances, drummers beat,

0:55:46.280 --> 0:55:51.040
<v Speaker 8>they cut, it's time, they cut, you know, clear they

0:55:51.120 --> 0:55:53.840
<v Speaker 8>cut Like there was just a staple of Philly records

0:55:54.160 --> 0:55:55.520
<v Speaker 8>that all of the DJs cut.

0:55:56.200 --> 0:55:57.880
<v Speaker 2>But I mean, who was the first cat that was

0:55:57.920 --> 0:56:02.160
<v Speaker 2>just like, yo, just pump me up normal, I'm gonna

0:56:02.239 --> 0:56:04.759
<v Speaker 2>bump the bump up, bump, bump me out like.

0:56:05.480 --> 0:56:08.359
<v Speaker 8>Ways to every You know what was funny? I think

0:56:09.400 --> 0:56:12.640
<v Speaker 8>when I saved up enough money and got twelve hundred,

0:56:12.640 --> 0:56:14.640
<v Speaker 8>because I understand all of this early stuff was done

0:56:14.640 --> 0:56:17.920
<v Speaker 8>on belt drive turntables, which I think helped me a.

0:56:17.960 --> 0:56:21.040
<v Speaker 1>Lot because the record goes fat okay, but you know

0:56:21.080 --> 0:56:21.319
<v Speaker 1>what it.

0:56:21.400 --> 0:56:23.920
<v Speaker 8>Was, it helped your hands. You know that's my hands

0:56:24.000 --> 0:56:26.800
<v Speaker 8>got light because they had no choice but to be

0:56:27.000 --> 0:56:30.360
<v Speaker 8>like because I was on the wackiest equipment in the world.

0:56:30.480 --> 0:56:32.840
<v Speaker 2>So so without butter rugs, how were you able to

0:56:33.040 --> 0:56:34.759
<v Speaker 2>wax records under wax paper?

0:56:35.360 --> 0:56:37.080
<v Speaker 8>You would go in your moms and pull out some

0:56:37.160 --> 0:56:39.560
<v Speaker 8>wax paper, put a record down, you cut it out

0:56:39.600 --> 0:56:42.120
<v Speaker 8>and poked a hole in. You start scratching too much.

0:56:42.160 --> 0:56:44.319
<v Speaker 8>The wax paper would get too big and start sliding off,

0:56:44.360 --> 0:56:46.600
<v Speaker 8>and you gotta get some new wax paper. There wasn't

0:56:46.920 --> 0:56:48.880
<v Speaker 8>We didn't have any of those tools. We didn't have

0:56:49.400 --> 0:56:52.960
<v Speaker 8>butter rugs. Felt mattch You. You know, you bought a turntable,

0:56:53.000 --> 0:56:54.719
<v Speaker 8>you had the big rubber mat on it that you

0:56:54.920 --> 0:56:58.080
<v Speaker 8>just tossed away, and you know, forty five made the

0:56:58.120 --> 0:57:01.600
<v Speaker 8>record wobble, which you had to have really light hands because.

0:57:01.360 --> 0:57:02.520
<v Speaker 1>You would cut forty five's too.

0:57:02.960 --> 0:57:06.240
<v Speaker 8>Well, No, you would put a forty five underneath the twelve,

0:57:06.320 --> 0:57:09.840
<v Speaker 8>and oh but that didn't work. So the wax paper

0:57:09.960 --> 0:57:12.560
<v Speaker 8>was it. Or you would cut an album cover and

0:57:13.160 --> 0:57:14.840
<v Speaker 8>try to use that. You try to get a glossy

0:57:14.880 --> 0:57:17.160
<v Speaker 8>one because it was a lot more. He would spray

0:57:17.320 --> 0:57:19.560
<v Speaker 8>WD forty in your mixer, which I know Steve is

0:57:19.680 --> 0:57:23.880
<v Speaker 8>just like, oh, my god, you would spray it in

0:57:24.000 --> 0:57:26.200
<v Speaker 8>the mixure. You knew it was going to destroy your mixer,

0:57:26.240 --> 0:57:29.360
<v Speaker 8>but it would make your crossfader cool. So you know,

0:57:29.560 --> 0:57:31.520
<v Speaker 8>it was kind of like listen, I'm gonna I'm gonna

0:57:31.560 --> 0:57:34.200
<v Speaker 8>kill it for about three weeks and then the here

0:57:34.280 --> 0:57:36.960
<v Speaker 8>comes the static and it's time to retire, and you

0:57:36.960 --> 0:57:39.040
<v Speaker 8>would just sit it on the cell shelf and let

0:57:39.080 --> 0:57:40.960
<v Speaker 8>it dry out. By time to dry it out, you

0:57:41.000 --> 0:57:41.919
<v Speaker 8>could do it all over again.

0:57:42.760 --> 0:57:44.880
<v Speaker 7>Can I ask you all a question, just in a

0:57:45.000 --> 0:57:48.480
<v Speaker 7>DJ culture question, like what is Philly DJ culture and

0:57:48.680 --> 0:57:52.200
<v Speaker 7>history mean to hip hop versus other cities? Well, of

0:57:52.280 --> 0:57:53.800
<v Speaker 7>course people would say New York, But what do y'all

0:57:53.840 --> 0:57:55.880
<v Speaker 7>think that it really means to the culture.

0:57:56.040 --> 0:57:58.680
<v Speaker 2>Well that leads to my next question, because I think

0:57:58.800 --> 0:58:06.400
<v Speaker 2>that yes or no, did you invent the Transformer scratch?

0:58:06.480 --> 0:58:08.920
<v Speaker 8>I don't. I don't give that. If I had to

0:58:08.960 --> 0:58:11.360
<v Speaker 8>give that credit to anybody, I would give that credit

0:58:11.400 --> 0:58:14.800
<v Speaker 8>to DJ Spinbad, the original spin Bad who used to

0:58:14.880 --> 0:58:15.560
<v Speaker 8>DJ Forbell.

0:58:16.280 --> 0:58:18.560
<v Speaker 1>Yeah, he's from Philly, Yes he was.

0:58:18.800 --> 0:58:23.000
<v Speaker 8>He was the first person to do something that sounded

0:58:23.120 --> 0:58:24.520
<v Speaker 8>like that. There was no name.

0:58:25.240 --> 0:58:26.800
<v Speaker 1>He was doing it with the up and down. It

0:58:26.920 --> 0:58:28.000
<v Speaker 1>was no rhythm to it.

0:58:28.520 --> 0:58:31.440
<v Speaker 8>But he was the first person that did it forward

0:58:31.520 --> 0:58:34.040
<v Speaker 8>and did it backwards and then basically.

0:58:33.720 --> 0:58:35.800
<v Speaker 1>It did the light bulb go off in your headlight?

0:58:35.880 --> 0:58:37.880
<v Speaker 8>Oh completely, But you know what it was when you

0:58:37.920 --> 0:58:41.960
<v Speaker 8>think about it, what Graham was the Theodore invented. You

0:58:42.160 --> 0:58:45.360
<v Speaker 8>took and you said, okay, Flash added some rhythm to it,

0:58:46.400 --> 0:58:49.240
<v Speaker 8>you know what I mean? Okay, who decided to use

0:58:49.280 --> 0:58:52.200
<v Speaker 8>the crossfrader and cut the scratch on and off? Like

0:58:52.720 --> 0:58:55.280
<v Speaker 8>it was all of these add ons that people did.

0:58:55.440 --> 0:58:57.720
<v Speaker 8>So when he did it, it was kind of like, Okay,

0:58:57.880 --> 0:58:58.280
<v Speaker 8>he did it.

0:58:58.400 --> 0:58:59.000
<v Speaker 1>That was dope.

0:58:59.040 --> 0:59:01.040
<v Speaker 8>But he didn't put any kind of rhythm to it

0:59:01.400 --> 0:59:06.200
<v Speaker 8>like everybody. You know, everybody's rhythm is syncopated. Nobody was

0:59:10.720 --> 0:59:11.520
<v Speaker 8>like everybody's that that.

0:59:12.840 --> 0:59:14.800
<v Speaker 7>Okay, So see that right there. So if I was

0:59:14.880 --> 0:59:17.280
<v Speaker 7>to say what alt Philly DJ's hip hop would be,

0:59:17.400 --> 0:59:19.280
<v Speaker 7>what it would be something like that, Like it would.

0:59:19.080 --> 0:59:22.920
<v Speaker 1>Be technique is something that Philly is definitely invented.

0:59:23.000 --> 0:59:29.320
<v Speaker 2>Technique Like most people credit spendbad Uh you cash money?

0:59:29.880 --> 0:59:35.400
<v Speaker 1>There's a fourth one. Uh, we don't play what is miss?

0:59:36.880 --> 0:59:40.200
<v Speaker 2>I would say that, well, okay, I'll ask you who

0:59:41.440 --> 0:59:45.480
<v Speaker 2>without hurting people's feelings who's in your Mount Rushmore?

0:59:47.400 --> 0:59:49.080
<v Speaker 1>Oh you're already there.

0:59:49.560 --> 0:59:52.920
<v Speaker 8>Who Now is this Mount Rushmore in Philly or just

0:59:53.080 --> 0:59:54.160
<v Speaker 8>in general Philly?

0:59:55.320 --> 0:59:55.600
<v Speaker 1>Cash?

0:59:55.800 --> 1:00:03.200
<v Speaker 8>Absolutely crazy thing. It would be cash grand Master Neell

1:00:03.320 --> 1:00:04.000
<v Speaker 8>and Cosmic keV.

1:00:04.120 --> 1:00:05.480
<v Speaker 7>Well, I knew you was gonna say keV, but I was,

1:00:05.600 --> 1:00:07.240
<v Speaker 7>that's wow, that's awesome.

1:00:07.000 --> 1:00:10.640
<v Speaker 8>Like and it's ken my idol. Listen, keV keV.

1:00:13.640 --> 1:00:13.880
<v Speaker 1>keV.

1:00:15.360 --> 1:00:18.960
<v Speaker 8>keV was incredible. Cosmic keV is the fastest DJ ever

1:00:19.360 --> 1:00:23.200
<v Speaker 8>heard him? Like he was he was, he was incredible.

1:00:23.920 --> 1:00:26.160
<v Speaker 8>Like I like, we get mad at keV because keV

1:00:26.360 --> 1:00:28.640
<v Speaker 8>don't beat keV no more. And I'm like, come on, dude,

1:00:28.680 --> 1:00:30.840
<v Speaker 8>I know you got that ship that don't.

1:00:30.680 --> 1:00:31.360
<v Speaker 10>Ever go nowhere.

1:00:31.480 --> 1:00:32.520
<v Speaker 1>Wait he doesn't do it anymore.

1:00:32.920 --> 1:00:35.479
<v Speaker 8>No, No, I ain't saying like that. I'm saying like, listen,

1:00:35.640 --> 1:00:38.520
<v Speaker 8>like I said, I get mad that this generation of

1:00:38.600 --> 1:00:41.360
<v Speaker 8>people who know Cosmic keV don't know the cosmic keV

1:00:41.440 --> 1:00:43.960
<v Speaker 8>that I know. Oh you know what I mean, Like

1:00:44.320 --> 1:00:47.280
<v Speaker 8>you know, keV grand Astonell, like everybody kind of had

1:00:47.360 --> 1:00:48.880
<v Speaker 8>something and it was you know, and it was really

1:00:48.920 --> 1:00:53.320
<v Speaker 8>dope because you know, when cash wasn't necessarily from Philly,

1:00:53.400 --> 1:00:57.800
<v Speaker 8>cash from Yaton and you know, we brought Cash into

1:00:57.880 --> 1:01:00.080
<v Speaker 8>Philly and introduced him to all of the promoters and

1:01:00.120 --> 1:01:00.680
<v Speaker 8>all the rest of that.

1:01:00.960 --> 1:01:05.960
<v Speaker 1>Wait, you don't consider Yayden, Well, well I do, I do.

1:01:06.360 --> 1:01:08.320
<v Speaker 8>I mean, you know, it's kind of like you you

1:01:08.560 --> 1:01:10.200
<v Speaker 8>kind of count Sharon Hill as Philly.

1:01:10.640 --> 1:01:12.840
<v Speaker 1>Yeah, okay, back in the day, used to think that

1:01:12.920 --> 1:01:14.600
<v Speaker 1>was a suburb. Yeah, yeah, I get it. I get it.

1:01:14.720 --> 1:01:17.600
<v Speaker 8>But you know, but you know, like you know, Nell

1:01:17.760 --> 1:01:19.600
<v Speaker 8>used to bring us to South Philly because you wouldn't

1:01:19.600 --> 1:01:22.000
<v Speaker 8>go to South Philly without knowing somebody. You wouldn't, damn it,

1:01:22.160 --> 1:01:23.240
<v Speaker 8>trying to go down there and DJ.

1:01:23.880 --> 1:01:24.160
<v Speaker 10>So you.

1:01:26.080 --> 1:01:29.680
<v Speaker 8>Listen, it wasn't like that, Like I listen, I remember

1:01:30.240 --> 1:01:33.440
<v Speaker 8>keV bringing me to Mount Airy to DJ at a

1:01:33.480 --> 1:01:38.240
<v Speaker 8>block party, and someone snatched this guy's glasses right next

1:01:38.280 --> 1:01:39.960
<v Speaker 8>to me. He had a pair of Neil Styles on

1:01:40.880 --> 1:01:43.320
<v Speaker 8>just like I did. And they snatched his glasses and

1:01:43.480 --> 1:01:46.240
<v Speaker 8>didn't snatch mine because I was up there with keV.

1:01:47.000 --> 1:01:49.280
<v Speaker 1>I forgot you grew up in the era of snatching.

1:01:51.560 --> 1:01:58.560
<v Speaker 8>Listen Gazelle's Space Invader hats I remember, Yeah, I forgot

1:01:58.600 --> 1:02:01.600
<v Speaker 8>about that era. It was rough, you know, and and

1:02:01.920 --> 1:02:05.800
<v Speaker 8>I understand I needed glasses. So my ship wasn't for show.

1:02:07.000 --> 1:02:09.600
<v Speaker 7>You got transitions before we even had transitions.

1:02:09.680 --> 1:02:09.919
<v Speaker 1>Listen.

1:02:10.920 --> 1:02:13.160
<v Speaker 8>So somebody snatched my glasses. I don't know if I'm

1:02:13.160 --> 1:02:15.760
<v Speaker 8>a beer fire. I got robbed too, and somebody took

1:02:15.840 --> 1:02:18.080
<v Speaker 8>my gazelle. They took my glasses, took my sneaks.

1:02:18.760 --> 1:02:20.160
<v Speaker 1>What at?

1:02:20.880 --> 1:02:21.080
<v Speaker 6>Noah?

1:02:21.360 --> 1:02:24.600
<v Speaker 8>Listen, I was coming home, coming home, and you saw it.

1:02:24.760 --> 1:02:27.720
<v Speaker 8>You saw the whole thing being set up. We were walking.

1:02:29.880 --> 1:02:32.080
<v Speaker 8>Funny is I was with a friend of mine and

1:02:32.240 --> 1:02:35.040
<v Speaker 8>we stopped and was talking to this girl and these

1:02:35.080 --> 1:02:40.080
<v Speaker 8>two guys walked past, and they walked back past. So

1:02:40.200 --> 1:02:41.960
<v Speaker 8>it's kind of like the second pass was kind of

1:02:42.000 --> 1:02:43.640
<v Speaker 8>like that's when you kind of cut your eye, and

1:02:43.800 --> 1:02:46.320
<v Speaker 8>the third past they came back and we kind of

1:02:46.360 --> 1:02:48.320
<v Speaker 8>looked at each other like okay, you know what this is.

1:02:48.920 --> 1:02:53.080
<v Speaker 8>So as they walked left, we walked right. And what

1:02:53.240 --> 1:02:55.320
<v Speaker 8>he did is he looped around and came through the

1:02:55.360 --> 1:02:56.960
<v Speaker 8>alley and jumped out the alley with a gun and

1:02:57.120 --> 1:02:59.640
<v Speaker 8>was just like give me your glasses. And I'll just

1:02:59.720 --> 1:03:01.680
<v Speaker 8>repeat did everything that he said because it was in

1:03:01.760 --> 1:03:04.160
<v Speaker 8>broad daylight. So he's like, give me your glasses. I

1:03:04.240 --> 1:03:08.760
<v Speaker 8>was like, glasses, Like give me a chain, give me

1:03:08.880 --> 1:03:11.640
<v Speaker 8>my chain because I'm like, I'm stalling because my man broke.

1:03:11.880 --> 1:03:12.320
<v Speaker 10>He broke.

1:03:13.640 --> 1:03:15.600
<v Speaker 8>I mean, listen, I wasn't mad shit he had a gun.

1:03:15.600 --> 1:03:17.600
<v Speaker 8>I would have broke too, damn it will I'm playing,

1:03:18.160 --> 1:03:21.880
<v Speaker 8>but he broke, and you know I was. I was

1:03:21.920 --> 1:03:24.880
<v Speaker 8>two seconds away from like, Okay, he doesn't look too

1:03:24.960 --> 1:03:27.520
<v Speaker 8>confident with his gun, so I'm about to suckle punch

1:03:27.560 --> 1:03:30.160
<v Speaker 8>the ship out of him and run. And what happened.

1:03:30.200 --> 1:03:31.959
<v Speaker 8>Then his man came up, So now it's two people.

1:03:32.000 --> 1:03:33.240
<v Speaker 8>So it was kind of like, okay, all right, let

1:03:33.320 --> 1:03:35.800
<v Speaker 8>me just give my glasses and give you my watch,

1:03:35.920 --> 1:03:36.960
<v Speaker 8>and and it got caught.

1:03:37.600 --> 1:03:38.080
<v Speaker 1>Oh they did.

1:03:38.880 --> 1:03:41.720
<v Speaker 8>Long story short. He came to court with my sneakers on.

1:03:42.840 --> 1:03:45.640
<v Speaker 8>You You remember how you used to lace the sneakers up,

1:03:46.120 --> 1:03:48.400
<v Speaker 8>that how all one side would be red and one

1:03:48.480 --> 1:03:49.240
<v Speaker 8>side would be blue.

1:03:50.360 --> 1:03:52.520
<v Speaker 2>I knew how to lace my sneakers to New York

1:03:52.640 --> 1:03:53.960
<v Speaker 2>strings in the same suit.

1:03:54.320 --> 1:03:56.280
<v Speaker 8>I knew how to lace my sneaks up, that this

1:03:56.400 --> 1:03:58.479
<v Speaker 8>whole side will be red, this whole side to be blue.

1:03:58.840 --> 1:04:01.200
<v Speaker 8>He came in to sneakkers that he wribbed me in.

1:04:01.880 --> 1:04:05.320
<v Speaker 8>I let the judge know. He said they were his sneakers.

1:04:05.640 --> 1:04:07.400
<v Speaker 8>I told him take the laces out and let him

1:04:07.440 --> 1:04:08.680
<v Speaker 8>lace them up, and.

1:04:08.880 --> 1:04:09.240
<v Speaker 10>Did he do it?

1:04:09.280 --> 1:04:12.320
<v Speaker 2>And he couldn't do it. Wait, the judge made the

1:04:12.440 --> 1:04:14.800
<v Speaker 2>judge made him do it. He couldn't do it, and

1:04:14.920 --> 1:04:16.400
<v Speaker 2>it gave me the sneakers back, and I took the

1:04:16.440 --> 1:04:17.040
<v Speaker 2>sneaks and throw.

1:04:16.960 --> 1:04:17.520
<v Speaker 9>Him in the fass.

1:04:17.560 --> 1:04:18.680
<v Speaker 8>It's just like, I just don't want you.

1:04:18.720 --> 1:04:22.440
<v Speaker 10>To have Yeah, it'd be such a great episode.

1:04:22.040 --> 1:04:25.880
<v Speaker 9>Of C S I or l A Law Like you're

1:04:25.920 --> 1:04:39.760
<v Speaker 9>so old, you said, l A.

1:04:40.320 --> 1:04:40.880
<v Speaker 7>I love that.

1:04:41.320 --> 1:04:42.200
<v Speaker 1>No, I get it.

1:04:42.560 --> 1:04:45.400
<v Speaker 10>That is you should sell that episode.

1:04:51.760 --> 1:04:53.680
<v Speaker 1>How did you first hear about the d mcs?

1:04:54.920 --> 1:04:55.439
<v Speaker 8>Oh man?

1:04:56.040 --> 1:04:58.520
<v Speaker 1>How many? How many belts? Is that a real thing?

1:04:58.800 --> 1:05:01.120
<v Speaker 1>Or just where is that? Folk Awards?

1:05:01.480 --> 1:05:03.720
<v Speaker 8>It wasn't belt. I got a cup. I didn't get

1:05:03.720 --> 1:05:04.040
<v Speaker 8>a belt.

1:05:04.920 --> 1:05:05.920
<v Speaker 1>Was it the very first one?

1:05:06.440 --> 1:05:09.520
<v Speaker 8>No, it wasn't the first one, but I got I

1:05:09.600 --> 1:05:10.120
<v Speaker 8>got a cup.

1:05:11.480 --> 1:05:12.600
<v Speaker 1>What year did you win yours?

1:05:13.560 --> 1:05:14.120
<v Speaker 8>Eighty six?

1:05:15.160 --> 1:05:17.160
<v Speaker 1>Okay? And how many years were they in existence?

1:05:17.240 --> 1:05:17.680
<v Speaker 8>Oh man?

1:05:17.720 --> 1:05:17.920
<v Speaker 10>It was?

1:05:18.400 --> 1:05:20.600
<v Speaker 8>It was there for a couple of years before that.

1:05:21.000 --> 1:05:23.960
<v Speaker 8>But it was funny because when I got in, fifty

1:05:24.000 --> 1:05:27.720
<v Speaker 8>percent of the DJs were mixers. So they got really

1:05:27.800 --> 1:05:29.720
<v Speaker 8>really mad at me because I kind of changed the

1:05:29.800 --> 1:05:33.560
<v Speaker 8>whole landscape of the DMC. So before you can listen,

1:05:33.640 --> 1:05:37.320
<v Speaker 8>before listen, the dude was playing and he I need

1:05:37.600 --> 1:05:42.520
<v Speaker 8>Love and he's mixing the next record, and I came

1:05:42.600 --> 1:05:45.760
<v Speaker 8>in like no technique lass Lassan, and it was just like,

1:05:46.520 --> 1:05:47.680
<v Speaker 8>we can't keep up with that.

1:05:48.400 --> 1:05:50.680
<v Speaker 10>What's the d MCS DIC mixed Club?

1:05:51.400 --> 1:05:52.480
<v Speaker 1>Yeah, I never knew that's what.

1:05:52.560 --> 1:05:59.040
<v Speaker 2>DMCs do think about it just mix, Yes, But so

1:05:59.200 --> 1:06:02.840
<v Speaker 2>you're saying that before you came in, Before you came in,

1:06:03.560 --> 1:06:05.560
<v Speaker 2>it was just about who had the hottest mix in

1:06:05.720 --> 1:06:07.120
<v Speaker 2>five minutes pretty much?

1:06:07.440 --> 1:06:11.240
<v Speaker 1>Who were the previous winners before? I don't know, so

1:06:11.360 --> 1:06:12.880
<v Speaker 1>who was going up against you now?

1:06:15.840 --> 1:06:17.720
<v Speaker 8>I want to say, well, because it was two it

1:06:17.840 --> 1:06:19.800
<v Speaker 8>was the New Music Seminar and it was the Disco

1:06:19.880 --> 1:06:22.600
<v Speaker 8>Mixed Club, Disco Mixed Club. I remember Van dy C

1:06:22.880 --> 1:06:25.600
<v Speaker 8>was in it, and it was a couple other dejits.

1:06:25.640 --> 1:06:28.520
<v Speaker 8>I think wiz Kid was in it. I don't know

1:06:28.680 --> 1:06:33.040
<v Speaker 8>the mixer. The mixer guys it was from Philly as well.

1:06:33.120 --> 1:06:34.600
<v Speaker 8>He's not from Philly, he's from Jersey.

1:06:35.280 --> 1:06:36.840
<v Speaker 1>He was he was, he was.

1:06:36.920 --> 1:06:40.080
<v Speaker 8>I was in the New Music Seminar with him. He

1:06:40.240 --> 1:06:44.240
<v Speaker 8>was the he was the d m C World champ

1:06:44.520 --> 1:06:46.320
<v Speaker 8>at the time, and.

1:06:46.400 --> 1:06:47.360
<v Speaker 1>How did you defeat him?

1:06:50.520 --> 1:06:53.560
<v Speaker 8>What do you mean how I was better?

1:06:53.920 --> 1:06:57.200
<v Speaker 1>Okay, but you know what, like listen and and and

1:06:57.560 --> 1:06:58.840
<v Speaker 1>he's he's he's cool.

1:06:59.080 --> 1:06:59.240
<v Speaker 10>You know.

1:06:59.280 --> 1:07:01.600
<v Speaker 8>I love that brother. It was just funny at that

1:07:01.760 --> 1:07:04.760
<v Speaker 8>point in time. I was never really I never really

1:07:04.800 --> 1:07:08.640
<v Speaker 8>considered myself a competition guy like listen, I like, I

1:07:08.800 --> 1:07:10.480
<v Speaker 8>like to do it. I was just kind of like, damn,

1:07:10.480 --> 1:07:13.080
<v Speaker 8>I'm really mad that everybody's trying to put this person

1:07:13.160 --> 1:07:15.080
<v Speaker 8>up against you. It's just like I enjoyed doing this.

1:07:15.160 --> 1:07:17.800
<v Speaker 8>I ain't playing basketball to win the dunk contest. I

1:07:17.960 --> 1:07:20.160
<v Speaker 8>just like playing ball. But that was a way to

1:07:20.200 --> 1:07:22.600
<v Speaker 8>get your name out. So when I got into the

1:07:22.680 --> 1:07:26.520
<v Speaker 8>new music seminar, being from Philly, what did you cut with?

1:07:29.080 --> 1:07:29.400
<v Speaker 1>I did?

1:07:29.520 --> 1:07:31.680
<v Speaker 8>That was when I did the bought a mansion for

1:07:31.720 --> 1:07:36.920
<v Speaker 8>your mother thing and broke it down. But it was

1:07:37.000 --> 1:07:41.280
<v Speaker 8>kind of like he right before we went on, I

1:07:41.360 --> 1:07:44.040
<v Speaker 8>went to shake his hand and he didn't shake mine.

1:07:44.080 --> 1:07:45.680
<v Speaker 8>I was just like, hey, man, what's up. Good luck?

1:07:45.720 --> 1:07:46.960
<v Speaker 8>You know, because I was like, man, I like you

1:07:47.120 --> 1:07:49.160
<v Speaker 8>got the King cut record out, and he didn't. He

1:07:49.200 --> 1:07:52.360
<v Speaker 8>wouldn't shake my hand, you know. But it was just

1:07:52.520 --> 1:07:55.400
<v Speaker 8>it was literally one of those things that I'm kind

1:07:55.440 --> 1:07:58.600
<v Speaker 8>of like, listen, the equipment was messing up. I realized

1:07:58.640 --> 1:08:02.320
<v Speaker 8>that nobody was using their own needles. Nobody was using

1:08:02.840 --> 1:08:07.960
<v Speaker 8>I won that with technology because the equipment that everybody

1:08:08.080 --> 1:08:11.080
<v Speaker 8>was using, everybody lost on the side, like it was

1:08:11.120 --> 1:08:14.200
<v Speaker 8>two setups to set up on the left. Everybody lost

1:08:14.560 --> 1:08:18.400
<v Speaker 8>because it was jumping. And when he didn't shake my hand,

1:08:18.640 --> 1:08:23.040
<v Speaker 8>I deliberately walked to the left side. You know, I

1:08:23.160 --> 1:08:26.840
<v Speaker 8>was like, no, I'm going to show you that. I'm

1:08:26.920 --> 1:08:29.000
<v Speaker 8>going to show you completely. And I reached.

1:08:31.040 --> 1:08:32.639
<v Speaker 1>I purposely took the bad side.

1:08:32.760 --> 1:08:35.760
<v Speaker 8>Like Will was pissed off because everybody was like, when

1:08:35.760 --> 1:08:37.240
<v Speaker 8>you go out there, go to the right side.

1:08:37.680 --> 1:08:38.479
<v Speaker 1>And I walked up and.

1:08:38.520 --> 1:08:40.600
<v Speaker 8>Went to the left side, and I reached in my

1:08:40.680 --> 1:08:42.599
<v Speaker 8>bag and I put my own needles on. I had

1:08:42.640 --> 1:08:46.000
<v Speaker 8>some ADC needles with quarters on top. And I reached

1:08:46.040 --> 1:08:48.679
<v Speaker 8>and I put my wax paper on and I put

1:08:48.760 --> 1:08:52.040
<v Speaker 8>my record on. And the funny thing with Steve was

1:08:52.080 --> 1:08:54.679
<v Speaker 8>gonna kill me. I reached in my bag and while

1:08:54.720 --> 1:08:59.960
<v Speaker 8>everybody was looking, I took the long straw and said crossfader,

1:09:00.120 --> 1:09:02.320
<v Speaker 8>and as soon as it got loose, I went my

1:09:02.439 --> 1:09:05.400
<v Speaker 8>headphones and I tested the left turntable and I tested

1:09:05.439 --> 1:09:07.439
<v Speaker 8>the right one, and I looked out at the crowded

1:09:07.520 --> 1:09:08.200
<v Speaker 8>Will and I was like.

1:09:08.600 --> 1:09:11.000
<v Speaker 10>Yeah, that's it.

1:09:11.160 --> 1:09:14.519
<v Speaker 2>I was like, like, none of those DJs even thought

1:09:14.920 --> 1:09:19.760
<v Speaker 2>knew none to wait their ship, not or balance none.

1:09:20.240 --> 1:09:24.080
<v Speaker 2>Only you were doing that just me. And once I knew,

1:09:24.160 --> 1:09:25.160
<v Speaker 2>I was kind of like, I'm good.

1:09:25.680 --> 1:09:29.280
<v Speaker 8>And I started breaking breaking stuff down, doing rhythm scratches

1:09:29.360 --> 1:09:32.280
<v Speaker 8>with job rhythm scratch and you know, just stuff that

1:09:32.439 --> 1:09:35.040
<v Speaker 8>people hadn't seen or heard before.

1:09:37.160 --> 1:09:40.400
<v Speaker 1>And that's how you won. That was it? I see,

1:09:40.880 --> 1:09:44.160
<v Speaker 1>all right, Uh, I gotta get to your your production phase.

1:09:44.280 --> 1:09:44.479
<v Speaker 1>I know.

1:09:45.160 --> 1:09:47.320
<v Speaker 5>Jeff was like, this is got We're gonna have to

1:09:47.360 --> 1:09:49.679
<v Speaker 5>have him back for an whole mon like production phase.

1:09:51.560 --> 1:09:53.000
<v Speaker 7>I told you before he got here, I was like,

1:09:53.000 --> 1:09:54.040
<v Speaker 7>I don't know how we're gonna do this.

1:09:56.520 --> 1:09:59.800
<v Speaker 5>This is a two parter that's waiting to happen. I'm

1:09:59.840 --> 1:10:03.280
<v Speaker 5>not stopping the story is no, I'm just I'm I'm

1:10:03.280 --> 1:10:03.879
<v Speaker 5>just saying.

1:10:05.080 --> 1:10:06.760
<v Speaker 1>I see he's let's go.

1:10:06.840 --> 1:10:08.880
<v Speaker 7>You know, we're gon we can get and then we're

1:10:08.880 --> 1:10:10.120
<v Speaker 7>gonna make him come back again.

1:10:10.560 --> 1:10:13.760
<v Speaker 1>Yes, okay, So how did you partner with Will?

1:10:16.000 --> 1:10:19.400
<v Speaker 8>You know every day everybody had a rap group, everybody

1:10:19.439 --> 1:10:21.000
<v Speaker 8>had an MC, everybody had a DJ.

1:10:21.600 --> 1:10:24.519
<v Speaker 2>Wait before I asked that, how did I heard a

1:10:24.600 --> 1:10:27.839
<v Speaker 2>mixtape once of you battling Victor do play.

1:10:31.280 --> 1:10:31.479
<v Speaker 9>Dick.

1:10:32.520 --> 1:10:35.200
<v Speaker 1>It wasn't who put that mistake one.

1:10:35.360 --> 1:10:38.560
<v Speaker 8>It wasn't a battle. It was people just recorded. But

1:10:38.640 --> 1:10:40.759
<v Speaker 8>it was kind of like people used to do calling

1:10:40.840 --> 1:10:42.120
<v Speaker 8>responses with records.

1:10:42.439 --> 1:10:44.320
<v Speaker 1>But I thought he was your record dude.

1:10:44.720 --> 1:10:48.120
<v Speaker 8>No, you know, Vic, Vic was the young guy that

1:10:48.320 --> 1:10:49.720
<v Speaker 8>used to come over the house and I would show

1:10:49.800 --> 1:10:50.200
<v Speaker 8>him stuff.

1:10:50.800 --> 1:10:53.080
<v Speaker 1>Yeah, but then what happened with this thing like your

1:10:53.200 --> 1:10:54.880
<v Speaker 1>battle with Jeff and Vic.

1:10:54.800 --> 1:10:55.479
<v Speaker 7>The dick.

1:10:57.080 --> 1:10:57.960
<v Speaker 1>Telling that title.

1:10:58.080 --> 1:11:01.559
<v Speaker 8>What happened was Vic when on at a Central High

1:11:01.640 --> 1:11:05.120
<v Speaker 8>party and as a joke, he took a he took

1:11:05.160 --> 1:11:07.960
<v Speaker 8>a jab at me with records because we're all cool, right,

1:11:08.200 --> 1:11:10.000
<v Speaker 8>he took a jab at me with records. So it

1:11:10.080 --> 1:11:11.479
<v Speaker 8>was kind of like, Okay, you're gonna take a jab

1:11:11.520 --> 1:11:14.360
<v Speaker 8>at me. You don't understand that I got this laundry

1:11:14.479 --> 1:11:16.880
<v Speaker 8>list of things that I can do to you. And

1:11:17.439 --> 1:11:20.479
<v Speaker 8>and Ice, my MC at the time was the one

1:11:20.520 --> 1:11:22.560
<v Speaker 8>that was like Victor Dick. So now to show you,

1:11:23.320 --> 1:11:26.960
<v Speaker 8>because it came out on a mix tape, you don't

1:11:27.000 --> 1:11:29.240
<v Speaker 8>get a chance to see what actually happened. You only

1:11:29.360 --> 1:11:31.960
<v Speaker 8>hear it, so everybody's like, oh my god, you killed

1:11:32.040 --> 1:11:34.920
<v Speaker 8>Vic and it was like it wasn't like that stage.

1:11:35.000 --> 1:11:35.200
<v Speaker 1>Yeah.

1:11:35.360 --> 1:11:37.240
<v Speaker 7>Can I give a millennial footnote real quick to all

1:11:37.240 --> 1:11:40.040
<v Speaker 7>the millennials Victor Dick aka Victor Cook aka Victor to

1:11:40.080 --> 1:11:42.000
<v Speaker 7>do play. You may know him from a party called

1:11:42.080 --> 1:11:42.719
<v Speaker 7>Kissing Grind.

1:11:42.840 --> 1:11:47.760
<v Speaker 1>Yeah, there we go, the god Kissing Grind. Yes, that's

1:11:47.880 --> 1:11:48.600
<v Speaker 1>that's come up with the.

1:11:48.640 --> 1:11:50.320
<v Speaker 7>Century and one of the producers, one of my favorite,

1:11:50.360 --> 1:11:52.680
<v Speaker 7>Eric Eric green Eyes. I always like to put that

1:11:52.720 --> 1:11:52.960
<v Speaker 7>in there.

1:11:54.320 --> 1:11:57.479
<v Speaker 1>Victor Cook, Victor Victor, I'm a call him Cook. I'm

1:11:59.560 --> 1:12:00.680
<v Speaker 1>no he.

1:12:02.400 --> 1:12:07.840
<v Speaker 2>Wait, Actually you mentioned something very crucial, uh for Philadelphia

1:12:08.160 --> 1:12:12.880
<v Speaker 2>hip hop heads. The the high school jams. How were

1:12:12.920 --> 1:12:16.400
<v Speaker 2>they booked? Because those were like on level of college jams.

1:12:16.479 --> 1:12:18.880
<v Speaker 8>But you know what, all of the DJs were from

1:12:19.760 --> 1:12:23.120
<v Speaker 8>Central High Like Vic went to Central Where did you

1:12:23.160 --> 1:12:26.679
<v Speaker 8>go to high school? I was, but you know I was, yeah,

1:12:26.720 --> 1:12:29.280
<v Speaker 8>I was out of school by then. Oh, but it

1:12:29.400 --> 1:12:31.080
<v Speaker 8>was just kind of like I got booked because of

1:12:31.120 --> 1:12:33.599
<v Speaker 8>my affiliation with Vic and everybody else.

1:12:33.720 --> 1:12:36.960
<v Speaker 1>So you was there an agent that just had y'all

1:12:37.000 --> 1:12:43.280
<v Speaker 1>going on to high school was an agent. An agent six,

1:12:46.280 --> 1:12:48.600
<v Speaker 1>I thought an agent was a guy that you know

1:12:48.800 --> 1:12:49.400
<v Speaker 1>did these things.

1:12:49.479 --> 1:12:51.240
<v Speaker 8>Now you just you know, you knew that you knew

1:12:51.280 --> 1:12:53.679
<v Speaker 8>the guy who was throwing a party, and you wanted

1:12:53.680 --> 1:12:55.600
<v Speaker 8>to kind of be his favorite because he would, you know,

1:12:55.680 --> 1:12:58.560
<v Speaker 8>and then if he knew that people followed you, you

1:12:58.680 --> 1:12:59.960
<v Speaker 8>know they were they were booking.

1:13:00.120 --> 1:13:02.519
<v Speaker 2>But you never desired to be on like Lady b

1:13:02.680 --> 1:13:04.920
<v Speaker 2>Street beat on Power ninety nine or like like what

1:13:05.080 --> 1:13:05.479
<v Speaker 2>was your goal?

1:13:05.600 --> 1:13:07.960
<v Speaker 8>I got the radio one, you know what, I didn't know.

1:13:08.720 --> 1:13:10.880
<v Speaker 8>I didn't know, Like this was weird because this was

1:13:10.880 --> 1:13:13.880
<v Speaker 8>at a point in time when I'm out of school

1:13:14.200 --> 1:13:16.720
<v Speaker 8>and I don't tell anybody that I'm a DJ, Like

1:13:17.040 --> 1:13:17.800
<v Speaker 8>what kind of DJ?

1:13:17.960 --> 1:13:18.120
<v Speaker 7>You know?

1:13:18.240 --> 1:13:18.519
<v Speaker 9>You were?

1:13:18.680 --> 1:13:21.160
<v Speaker 8>You were a radio DJ then, so you know, my

1:13:21.240 --> 1:13:22.080
<v Speaker 8>mom's friends come to.

1:13:22.240 --> 1:13:23.360
<v Speaker 1>Oh, Jeff, you at of school.

1:13:23.400 --> 1:13:24.080
<v Speaker 9>What are you doing now?

1:13:24.640 --> 1:13:28.240
<v Speaker 1>You kind of like a college or you didn't okay, okay, it's.

1:13:28.200 --> 1:13:29.240
<v Speaker 8>Kind of like what are you doing now? It's like

1:13:29.240 --> 1:13:31.920
<v Speaker 8>I'm a DJ and you don't tell somebody I do

1:13:32.080 --> 1:13:34.759
<v Speaker 8>block parties and you know, house parties that I'm setting

1:13:34.800 --> 1:13:36.519
<v Speaker 8>up on people's washing machines and all of that.

1:13:36.640 --> 1:13:40.559
<v Speaker 2>Like that that wasn't a viable. So back then, if

1:13:40.640 --> 1:13:43.639
<v Speaker 2>I wanted to book Jazzy Jeff, Oh, listen, I had.

1:13:43.600 --> 1:13:46.880
<v Speaker 1>My cool in eighty three or eighty.

1:13:46.320 --> 1:13:48.800
<v Speaker 8>Listen, you find your man who worked at the printing store,

1:13:48.840 --> 1:13:50.639
<v Speaker 8>and you would get the car and then somebody would

1:13:50.640 --> 1:13:52.960
<v Speaker 8>design it and you would put your home number on it.

1:13:53.840 --> 1:13:57.320
<v Speaker 1>So in eighty three, how much could I book you for?

1:13:57.840 --> 1:13:57.960
<v Speaker 4>Oh?

1:13:58.080 --> 1:14:00.439
<v Speaker 8>Man, I was a cool thirty five hours?

1:14:01.439 --> 1:14:02.640
<v Speaker 1>Wait what come on?

1:14:02.760 --> 1:14:02.920
<v Speaker 7>Man?

1:14:03.000 --> 1:14:04.120
<v Speaker 1>We was just trying to five bucks.

1:14:04.200 --> 1:14:05.959
<v Speaker 8>We was trying to get money to go to McDonald's

1:14:05.960 --> 1:14:06.920
<v Speaker 8>on Fortier Street.

1:14:07.960 --> 1:14:09.600
<v Speaker 7>Like a COAE episode.

1:14:10.720 --> 1:14:13.880
<v Speaker 2>University like you wasn't getting I got to pay you

1:14:13.920 --> 1:14:15.000
<v Speaker 2>two hundred and fifty bucks.

1:14:15.760 --> 1:14:17.800
<v Speaker 8>Man, I wish somebody paid me two hundred fifty bucks.

1:14:17.880 --> 1:14:20.559
<v Speaker 7>But you wear and your kicks was right.

1:14:20.520 --> 1:14:22.599
<v Speaker 1>I mean listen, because I had a job. I worked

1:14:22.600 --> 1:14:23.320
<v Speaker 1>at Roy Rogers.

1:14:23.400 --> 1:14:24.000
<v Speaker 7>Okay, there we go.

1:14:24.240 --> 1:14:26.360
<v Speaker 1>You worked where? Which street?

1:14:26.439 --> 1:14:27.080
<v Speaker 9>How do you think I know?

1:14:28.680 --> 1:14:30.920
<v Speaker 1>I lived at Roy Rogers? Come on, I was, I was.

1:14:31.040 --> 1:14:33.880
<v Speaker 8>I was the chicken cook. Makes a lot of sense, now,

1:14:33.960 --> 1:14:34.400
<v Speaker 8>don't it you?

1:14:34.960 --> 1:14:38.600
<v Speaker 1>Yes, it totally there you goes, Oh my god, this.

1:14:38.760 --> 1:14:44.120
<v Speaker 2>Totally makes sense. This absolutely makes sense. Now wait, you

1:14:44.280 --> 1:14:49.760
<v Speaker 2>worked at that that? Yes, dude, I guarantee you, I've sixty.

1:14:49.520 --> 1:14:52.080
<v Speaker 1>Five percent of all my nutrition.

1:14:53.320 --> 1:14:53.639
<v Speaker 9>Was a ship.

1:14:53.720 --> 1:14:55.679
<v Speaker 8>I worked at the Roy Rogers, and then I moved

1:14:55.800 --> 1:14:57.800
<v Speaker 8>up the street and started working for Steve's ice Cream.

1:14:59.600 --> 1:15:01.920
<v Speaker 1>Ice Cream. Yeah, with the mixed man.

1:15:02.000 --> 1:15:03.120
<v Speaker 8>I was the king of the mixing.

1:15:03.320 --> 1:15:05.000
<v Speaker 7>So y'all knew each other, but y'all don't know each

1:15:05.000 --> 1:15:05.879
<v Speaker 7>other obviously.

1:15:06.160 --> 1:15:06.760
<v Speaker 1>I guarantee you.

1:15:06.760 --> 1:15:10.280
<v Speaker 7>Ever asking for some free ice cream, He's like, no.

1:15:10.520 --> 1:15:12.080
<v Speaker 2>You know you all right, wait, let me let me

1:15:12.120 --> 1:15:15.799
<v Speaker 2>bring the move down real quick. Uh side note Philadelphia tribute.

1:15:16.280 --> 1:15:16.400
<v Speaker 1>Uh.

1:15:17.000 --> 1:15:20.799
<v Speaker 2>Gary Heidnick used to oh damn you guys started frowning already.

1:15:21.160 --> 1:15:27.720
<v Speaker 2>Gary Heidnick uh would often lord his the women inside.

1:15:27.320 --> 1:15:30.840
<v Speaker 1>Of that Roy Rogers on forties? Really to do?

1:15:30.920 --> 1:15:32.160
<v Speaker 7>What? Who is he?

1:15:32.240 --> 1:15:32.479
<v Speaker 9>What to do?

1:15:33.360 --> 1:15:36.599
<v Speaker 1>Disorder? Are Who's Milwaukee? Yeah?

1:15:38.280 --> 1:15:39.040
<v Speaker 10>I hate to do that.

1:15:39.120 --> 1:15:42.320
<v Speaker 8>Noise, yeah, silence and lamb dude.

1:15:43.960 --> 1:15:46.080
<v Speaker 1>Who's Milwaukee? Yeah? Yeah, I'm.

1:15:47.479 --> 1:15:47.519
<v Speaker 4>Not.

1:15:47.720 --> 1:15:50.840
<v Speaker 1>David Banner, David David.

1:15:51.800 --> 1:15:58.760
<v Speaker 7>He got killed in jail. David the blonde everybody. Yeah,

1:16:00.520 --> 1:16:01.360
<v Speaker 7>he liked it. He liked it.

1:16:01.400 --> 1:16:03.880
<v Speaker 1>Brown his name. We had a we had we had

1:16:03.920 --> 1:16:07.960
<v Speaker 1>a version of that in Philly. I didn't know he

1:16:08.280 --> 1:16:13.680
<v Speaker 1>lived at eighth and Butler at that and he in

1:16:13.800 --> 1:16:16.839
<v Speaker 1>the he used the bar to Jeff.

1:16:18.720 --> 1:16:23.320
<v Speaker 2>So Gary was our Jeffrey Domer side note at his trial,

1:16:23.600 --> 1:16:26.560
<v Speaker 2>you know his key hip hop history, you know it

1:16:26.680 --> 1:16:28.240
<v Speaker 2>was a key witness at his trial.

1:16:28.360 --> 1:16:29.600
<v Speaker 1>At Gary Hidnik's.

1:16:29.200 --> 1:16:33.280
<v Speaker 8>Trial said G from Ultra Magnetic for.

1:16:33.439 --> 1:16:38.880
<v Speaker 2>Some reird, weird reason either said, G used to talk

1:16:38.960 --> 1:16:41.680
<v Speaker 2>to this girl in Philly, but he lived.

1:16:42.880 --> 1:16:44.439
<v Speaker 1>Crashed in North Philly.

1:16:44.920 --> 1:16:50.880
<v Speaker 2>Uh eighty six eighty seven, like between his ultramatenetic gears

1:16:50.960 --> 1:16:51.240
<v Speaker 2>or whatever.

1:16:51.439 --> 1:16:56.360
<v Speaker 1>But he had to for some reason. He was testifying

1:16:56.479 --> 1:16:58.880
<v Speaker 1>in the in that Gary hiding truck.

1:16:59.120 --> 1:16:59.920
<v Speaker 10>Yeah, that's a little weird.

1:17:00.520 --> 1:17:03.040
<v Speaker 1>Yeah, why I just bring the mood down.

1:17:03.160 --> 1:17:03.920
<v Speaker 7>No, it's fine.

1:17:05.640 --> 1:17:12.679
<v Speaker 8>Just completely destroyed my Rory Roger days. I gave oh man, Gary, Wow,

1:17:12.840 --> 1:17:14.000
<v Speaker 8>I'm fixing chicken.

1:17:17.320 --> 1:17:19.439
<v Speaker 1>This is not funny. Just killing chicken.

1:17:21.400 --> 1:17:22.240
<v Speaker 7>I heard you good?

1:17:23.360 --> 1:17:30.720
<v Speaker 2>So uh yeah, from doing those those central This is

1:17:30.800 --> 1:17:35.120
<v Speaker 2>weird because this actually takes us back to the beginning

1:17:35.600 --> 1:17:41.760
<v Speaker 2>of this conversation with pleasing yourself musically and serving.

1:17:43.000 --> 1:17:50.080
<v Speaker 1>The crowd musically. I noticed that, uh, there's there's sort

1:17:50.120 --> 1:17:53.120
<v Speaker 1>of a running theme with most of the.

1:17:53.120 --> 1:17:58.679
<v Speaker 2>Guests that are on QLs in which high pressured dj

1:17:59.760 --> 1:18:07.120
<v Speaker 2>uh uh scenarios make better producers. Jimmy Jam would often

1:18:07.200 --> 1:18:12.040
<v Speaker 2>talk about having to DJ for two thousand kids in Minnesota,

1:18:13.000 --> 1:18:16.360
<v Speaker 2>but that made him more in tune to become Jimmy

1:18:16.439 --> 1:18:19.000
<v Speaker 2>Jam And of course Doctor Dre his story.

1:18:18.880 --> 1:18:21.320
<v Speaker 1>Is that you know, if you played the wrong record,

1:18:21.360 --> 1:18:22.080
<v Speaker 1>you could get shot.

1:18:22.560 --> 1:18:24.280
<v Speaker 8>Yeah, I know that part, So.

1:18:26.240 --> 1:18:26.600
<v Speaker 1>I don't know.

1:18:26.880 --> 1:18:29.439
<v Speaker 2>I feel like I'm in such a privileged era because like,

1:18:29.560 --> 1:18:35.320
<v Speaker 2>my celebrity allows me to do silly shit, like I

1:18:35.360 --> 1:18:37.040
<v Speaker 2>could play a Sesame Street record if I want to,

1:18:37.160 --> 1:18:39.360
<v Speaker 2>and it's like, oh, of course, loves you know, I'll

1:18:39.360 --> 1:18:42.479
<v Speaker 2>play the Curly Shuffle, three Stooges, shit whatever. But it's like,

1:18:43.600 --> 1:18:47.560
<v Speaker 2>how are you able to experiment or is it just

1:18:47.640 --> 1:18:49.320
<v Speaker 2>like yo, I got to play the hottest record right

1:18:49.400 --> 1:18:52.640
<v Speaker 2>now and that's it. You got, Like I assume these

1:18:52.680 --> 1:18:55.800
<v Speaker 2>gigs are like three to four hours, correct, No, you do.

1:18:55.920 --> 1:18:58.760
<v Speaker 8>Three to four hours. I do two. I'll do you

1:18:58.800 --> 1:19:01.720
<v Speaker 8>can make a point in two hours, yes, Like I

1:19:01.760 --> 1:19:04.600
<v Speaker 8>can make a point however long. But it's one of

1:19:04.680 --> 1:19:07.120
<v Speaker 8>the most important things is for me to know how long,

1:19:07.560 --> 1:19:10.080
<v Speaker 8>because for me to tell the story, I have to end.

1:19:10.760 --> 1:19:14.479
<v Speaker 8>I get absolutely pissed off. I am not able to

1:19:14.760 --> 1:19:17.400
<v Speaker 8>end because everything, you know, it has a beginning of

1:19:17.479 --> 1:19:21.040
<v Speaker 8>middle and an end and you just you once I

1:19:21.160 --> 1:19:23.080
<v Speaker 8>know how long it is, I kind of know where

1:19:23.120 --> 1:19:23.280
<v Speaker 8>to go.

1:19:23.520 --> 1:19:25.280
<v Speaker 1>But how can you tell that story in two hours?

1:19:25.320 --> 1:19:28.639
<v Speaker 8>Though, because it's so it's possible to tell that story

1:19:28.640 --> 1:19:31.600
<v Speaker 8>in thirty minutes, like it all depends.

1:19:31.320 --> 1:19:33.800
<v Speaker 9>You know, it might not like it.

1:19:35.360 --> 1:19:36.000
<v Speaker 1>It's not easy.

1:19:36.400 --> 1:19:39.360
<v Speaker 8>It's like it's actually harder to do it in a

1:19:39.439 --> 1:19:41.920
<v Speaker 8>shorter amount of time. Yes, it's hard to tell, you know,

1:19:42.120 --> 1:19:44.640
<v Speaker 8>because you you don't get a chance to build up,

1:19:44.720 --> 1:19:47.760
<v Speaker 8>you don't get a chance to kind of get into it.

1:19:47.880 --> 1:19:50.120
<v Speaker 1>You only so when you do these gigs around the world,

1:19:50.120 --> 1:19:54.000
<v Speaker 1>it's only for two hours. Yep, got even three?

1:19:54.320 --> 1:19:55.840
<v Speaker 8>Well, see, you know what it is. You got to

1:19:55.920 --> 1:20:00.160
<v Speaker 8>keep in mind. I play really really high impact. When

1:20:00.160 --> 1:20:03.800
<v Speaker 8>you play high impact, you can't high impact people for

1:20:04.560 --> 1:20:07.680
<v Speaker 8>over two hours. Like, there was so many lessons that

1:20:07.800 --> 1:20:13.240
<v Speaker 8>I've learned. I remember doing an MSU homecoming and it

1:20:13.400 --> 1:20:15.599
<v Speaker 8>was one of those things that I just was hitting

1:20:15.640 --> 1:20:18.160
<v Speaker 8>them and hitting them and hitting them, and I remember

1:20:18.280 --> 1:20:21.120
<v Speaker 8>paying attention to this guy. He was a little bit

1:20:21.200 --> 1:20:23.920
<v Speaker 8>heavy and he was dancing and it was almost like

1:20:24.479 --> 1:20:27.080
<v Speaker 8>you were trying to get off the floor and I

1:20:27.280 --> 1:20:30.000
<v Speaker 8>keep playing something that and when I tell you, he

1:20:30.280 --> 1:20:33.400
<v Speaker 8>was dripping and soaking wet. And it got to a

1:20:33.479 --> 1:20:36.799
<v Speaker 8>point that I was like, you're not enjoying yourself anymore,

1:20:37.760 --> 1:20:41.519
<v Speaker 8>Like you're at a fucking health reason, You're You're at

1:20:41.560 --> 1:20:44.120
<v Speaker 8>a point that you're not enjoying. And it was kind

1:20:44.120 --> 1:20:45.920
<v Speaker 8>of like, wow, Jeff, you know what you have to do.

1:20:45.960 --> 1:20:48.400
<v Speaker 8>You gotta take people on a roller coaster ride. You

1:20:48.520 --> 1:20:51.200
<v Speaker 8>got like it's cool to send people to the bar.

1:20:51.960 --> 1:20:53.600
<v Speaker 8>You know what I realized a long time, like I

1:20:53.640 --> 1:20:58.160
<v Speaker 8>didn't come up playing reggae because like, and I'm gonna

1:20:58.160 --> 1:21:00.960
<v Speaker 8>tell you why, there was so many me reggae records

1:21:01.000 --> 1:21:04.200
<v Speaker 8>you get. You know, I'm coming from funk, soul rock,

1:21:04.320 --> 1:21:07.240
<v Speaker 8>all the rest of this. I couldn't add reggae into

1:21:08.200 --> 1:21:11.360
<v Speaker 8>my set because it was way too much and it

1:21:11.520 --> 1:21:14.280
<v Speaker 8>was so many rhythms that changed that it was just

1:21:14.360 --> 1:21:16.040
<v Speaker 8>kind of like, you know what, I'm gonna leave that

1:21:16.240 --> 1:21:20.720
<v Speaker 8>to someone else. But what I realized is if I

1:21:20.800 --> 1:21:25.000
<v Speaker 8>didn't play reggae, people didn't leave who wanted to hear reggae?

1:21:25.439 --> 1:21:28.920
<v Speaker 8>Once you get them in, nobody's leaving. That's the first

1:21:29.040 --> 1:21:31.720
<v Speaker 8>lesson as a DJ that you have to understand, Yeah,

1:21:31.720 --> 1:21:33.920
<v Speaker 8>I'm not paying twenty dollars and a DJ suck to

1:21:33.960 --> 1:21:36.559
<v Speaker 8>the point that I'm gonna leave. I'm gonna be mad

1:21:36.640 --> 1:21:39.680
<v Speaker 8>at you, but I'm gonna stay so because I know

1:21:39.840 --> 1:21:43.559
<v Speaker 8>that you're there. My job is, you know what, if

1:21:43.640 --> 1:21:47.719
<v Speaker 8>you satisfy everybody in the room for forty five minutes,

1:21:47.760 --> 1:21:51.600
<v Speaker 8>they walk out saying I had a great time. So

1:21:52.200 --> 1:21:55.479
<v Speaker 8>it gives me the ability to satisfy three different groups

1:21:55.520 --> 1:22:00.200
<v Speaker 8>of people for forty five minutes. Everybody walks out like, yo,

1:22:00.560 --> 1:22:04.519
<v Speaker 8>he killed it, because you can't think. Case in point,

1:22:04.960 --> 1:22:10.000
<v Speaker 8>how long do people dance at a wedding reception? Twenty minutes? Yeah, tops,

1:22:10.920 --> 1:22:12.560
<v Speaker 8>a boy, get on the floor with the bride and

1:22:12.640 --> 1:22:15.160
<v Speaker 8>the groom. You boom boom, boom, boom boom, and it's

1:22:15.240 --> 1:22:17.320
<v Speaker 8>kind of like, okay, cut the cake and we out,

1:22:17.960 --> 1:22:21.439
<v Speaker 8>and I'm good, like we not at the You know,

1:22:21.600 --> 1:22:25.240
<v Speaker 8>this ain't dance materia because people who went to those

1:22:25.360 --> 1:22:28.840
<v Speaker 8>marathon dance things they went there to dance all night.

1:22:29.360 --> 1:22:32.320
<v Speaker 2>That's not the average club. The average club is I'm

1:22:32.360 --> 1:22:34.920
<v Speaker 2>a drink, I'm gonna find a girl, and I'm ana dance.

1:22:35.960 --> 1:22:37.120
<v Speaker 2>It's not it's not the whole thing.

1:22:37.560 --> 1:22:39.400
<v Speaker 7>And as I'm just gonna say, as the person dancing

1:22:39.479 --> 1:22:41.519
<v Speaker 7>on the floor, we appreciate the break to go get

1:22:41.560 --> 1:22:43.400
<v Speaker 7>the drink, to not mess up your hair and sweat

1:22:43.439 --> 1:22:45.120
<v Speaker 7>your hair out and shit and be like, oh good,

1:22:45.560 --> 1:22:46.320
<v Speaker 7>he's gonna let take it.

1:22:46.400 --> 1:22:46.680
<v Speaker 2>Oh good.

1:22:46.680 --> 1:22:48.920
<v Speaker 7>I can breathe for a second, like we just appreciate it.

1:22:49.040 --> 1:22:51.599
<v Speaker 2>You know what, It's funny you said about reggae because

1:22:52.720 --> 1:22:55.080
<v Speaker 2>I feel as though reggae is the one genre that

1:22:55.240 --> 1:22:56.640
<v Speaker 2>will never die and that.

1:22:56.760 --> 1:22:59.040
<v Speaker 1>Is universally loved by everyone. Yep.

1:22:59.479 --> 1:23:02.559
<v Speaker 2>My first ten records are always the reggae records because

1:23:03.640 --> 1:23:07.280
<v Speaker 2>I have to test the room. That's the one like murder,

1:23:07.400 --> 1:23:10.320
<v Speaker 2>she will will never die in my lifetime, So that's

1:23:10.439 --> 1:23:12.400
<v Speaker 2>usually like my first record. And with the stuff that

1:23:12.439 --> 1:23:14.200
<v Speaker 2>Drake is doing now, that's sort of like close that

1:23:15.200 --> 1:23:17.360
<v Speaker 2>it fits in. So usually my first ten records of that,

1:23:18.080 --> 1:23:21.160
<v Speaker 2>and it buys me time to see. Now it's weird

1:23:21.280 --> 1:23:24.120
<v Speaker 2>because I used to be the DJ that like came

1:23:24.160 --> 1:23:27.479
<v Speaker 2>out the box hit hit, hit, hit, but then I learned,

1:23:27.520 --> 1:23:28.120
<v Speaker 2>like after.

1:23:28.040 --> 1:23:29.840
<v Speaker 1>Seventeen, there's fatigue yep.

1:23:30.680 --> 1:23:34.280
<v Speaker 2>And then I started feeling myself to the point where

1:23:35.760 --> 1:23:41.320
<v Speaker 2>I got off with playing the worst shit.

1:23:41.439 --> 1:23:45.519
<v Speaker 1>Ever, No, only because I knew what I had around

1:23:45.560 --> 1:23:46.000
<v Speaker 1>the corner.

1:23:46.280 --> 1:23:50.840
<v Speaker 8>But how great is that feeling? I tell people, it's amazing.

1:23:51.160 --> 1:23:53.360
<v Speaker 8>If I got two thousand people in front of me

1:23:53.840 --> 1:23:57.280
<v Speaker 8>and I know I got you, I know what the

1:23:57.479 --> 1:24:01.080
<v Speaker 8>next five records are going to do to you? Like

1:24:01.240 --> 1:24:03.400
<v Speaker 8>you don't know, Like I'm sitting there like, oh my god,

1:24:03.880 --> 1:24:06.600
<v Speaker 8>my ass like fast when we were in when we

1:24:06.720 --> 1:24:09.920
<v Speaker 8>were in Africa. And because I have this thing that

1:24:10.160 --> 1:24:14.920
<v Speaker 8>I play the original of Annie Up the Soul System,

1:24:15.000 --> 1:24:16.160
<v Speaker 8>so you know it's fast.

1:24:18.960 --> 1:24:19.759
<v Speaker 1>And Soul System.

1:24:19.880 --> 1:24:22.400
<v Speaker 8>So everybody's kind of have this look because it's kind

1:24:22.439 --> 1:24:26.320
<v Speaker 8>of like you just changed the tempo, like it's almost

1:24:26.320 --> 1:24:27.320
<v Speaker 8>like damn, did he fuck up?

1:24:27.880 --> 1:24:28.840
<v Speaker 1>And I'm playing it and you.

1:24:29.160 --> 1:24:31.280
<v Speaker 8>Gotta sell it like we're selling it. That's over there

1:24:31.400 --> 1:24:35.479
<v Speaker 8>dancing Dane dancing, and when it when it morphs into it,

1:24:36.160 --> 1:24:41.320
<v Speaker 8>the look on everybody's face, oh oh shit, oh and

1:24:41.439 --> 1:24:45.959
<v Speaker 8>it's pandemonium. But so when I drop that, I'm excited

1:24:46.000 --> 1:24:48.360
<v Speaker 8>because I'm kind of like I'm looking at the dude

1:24:48.439 --> 1:24:50.320
<v Speaker 8>just kind of like, what's he doing? Man, this dude?

1:24:50.479 --> 1:24:52.519
<v Speaker 1>And I'm like, and I'm just staring straight in his face.

1:24:53.200 --> 1:24:55.720
<v Speaker 8>Just wait because you know, Annie up is kind of

1:24:55.840 --> 1:24:59.599
<v Speaker 8>like with all the ladies, and right, yeah, that's that's

1:24:59.640 --> 1:25:00.360
<v Speaker 8>the be say.

1:25:00.439 --> 1:25:06.200
<v Speaker 2>For dudes, I'm sitting there like, okay, go ahead, stand

1:25:06.240 --> 1:25:07.560
<v Speaker 2>there with that stone face.

1:25:09.160 --> 1:25:10.240
<v Speaker 7>And then he loses his mind.

1:25:10.280 --> 1:25:16.280
<v Speaker 2>Oh absolutely, okay, so listen. Dis inclosing because I also

1:25:16.439 --> 1:25:20.040
<v Speaker 2>want to get listen. You said for the record, we

1:25:20.600 --> 1:25:21.439
<v Speaker 2>are doing part two.

1:25:22.040 --> 1:25:26.559
<v Speaker 7>Okay, but part two gonna be real long too. We're

1:25:26.600 --> 1:25:27.920
<v Speaker 7>talking touch of jazz, We're.

1:25:27.840 --> 1:25:31.800
<v Speaker 2>Talking we gotta get to the production stuff and then

1:25:32.000 --> 1:25:34.679
<v Speaker 2>but I do want to talk about the M three project.

1:25:34.760 --> 1:25:37.040
<v Speaker 1>Explained to me how it came to be.

1:25:38.160 --> 1:25:40.360
<v Speaker 8>I wanted this to be the last installment of the

1:25:40.439 --> 1:25:43.160
<v Speaker 8>Magnificent Series, not the last record that I'm gonna do.

1:25:44.200 --> 1:25:47.120
<v Speaker 8>The Magnificent Series was always a trilogy to me. I

1:25:47.200 --> 1:25:49.439
<v Speaker 8>wanted to be the Magnificent return of Magnificent M three.

1:25:50.000 --> 1:25:52.760
<v Speaker 8>I needed to let the music industry kind of get

1:25:52.840 --> 1:25:55.760
<v Speaker 8>completely out of my way. There's certain ship that just

1:25:55.840 --> 1:25:59.760
<v Speaker 8>didn't make sense to me that I wanted to kind

1:25:59.800 --> 1:26:02.640
<v Speaker 8>of You know, the first thing that I fixed was

1:26:02.840 --> 1:26:05.519
<v Speaker 8>having your own studio. Because now I can control the

1:26:05.640 --> 1:26:09.040
<v Speaker 8>creative process. I can make whatever I want. Nobody can

1:26:09.080 --> 1:26:12.000
<v Speaker 8>tell me that I just didn't have it down to

1:26:12.080 --> 1:26:15.000
<v Speaker 8>how to release your music and get it to everybody.

1:26:15.160 --> 1:26:18.720
<v Speaker 8>So social media and just the changing world that we

1:26:18.840 --> 1:26:21.679
<v Speaker 8>live in allowed all of that to happen, and that's

1:26:21.680 --> 1:26:24.840
<v Speaker 8>why I was eleven year gap between the Return of

1:26:24.880 --> 1:26:28.200
<v Speaker 8>the Magnificent to this one. But I also wanted to

1:26:28.280 --> 1:26:30.960
<v Speaker 8>do a record because I made the mistake by making

1:26:31.000 --> 1:26:35.640
<v Speaker 8>the prototypical let me have all of these guests on

1:26:35.800 --> 1:26:38.639
<v Speaker 8>my record, only to realize that there's no way humanly

1:26:38.720 --> 1:26:40.439
<v Speaker 8>possible that we're ever going to do a show.

1:26:41.960 --> 1:26:42.840
<v Speaker 1>Isn't that frustrating?

1:26:43.080 --> 1:26:45.160
<v Speaker 8>Wow? So it just got to a point that it

1:26:45.240 --> 1:26:47.760
<v Speaker 8>was kind of like, listen, I'm you know, as many

1:26:47.880 --> 1:26:50.080
<v Speaker 8>dates as we're doing, how can I make this record

1:26:50.160 --> 1:26:52.920
<v Speaker 8>to the point that we can go out and support you?

1:26:53.400 --> 1:26:55.040
<v Speaker 7>But did you do that with the other Magnificence?

1:26:55.520 --> 1:26:58.719
<v Speaker 8>Oh listen, I had method man cls move and everybody.

1:26:58.720 --> 1:26:58.800
<v Speaker 7>You know.

1:26:58.840 --> 1:27:02.439
<v Speaker 1>It was just kind of like, yeah, so this will

1:27:02.520 --> 1:27:06.320
<v Speaker 1>never be live, That's what I meant, Like the tour ever.

1:27:08.280 --> 1:27:11.080
<v Speaker 8>And yeah, so you know, it was kind of like,

1:27:11.240 --> 1:27:12.800
<v Speaker 8>you know, me and Dane have been on the road

1:27:12.920 --> 1:27:16.479
<v Speaker 8>for six seven years. I've made fest was on the

1:27:16.600 --> 1:27:19.960
<v Speaker 8>Return of the Magnificent. The funny thing was when I

1:27:20.160 --> 1:27:24.559
<v Speaker 8>made the Return of the Magnificent, my son Amyra was five,

1:27:25.840 --> 1:27:28.639
<v Speaker 8>so you know, it was all and then just sitting

1:27:28.680 --> 1:27:31.479
<v Speaker 8>down kind of piecing it together. You know, I was

1:27:31.600 --> 1:27:33.600
<v Speaker 8>kind of like, listen, you know what I want to do.

1:27:33.760 --> 1:27:35.800
<v Speaker 8>First of all, I want to bring back the era

1:27:36.400 --> 1:27:38.120
<v Speaker 8>of Cold Crush. I want to bring back the era

1:27:38.280 --> 1:27:40.639
<v Speaker 8>of tried, bring back the era of Day Last Soul

1:27:40.760 --> 1:27:45.719
<v Speaker 8>of MC's going back and forth with each other because

1:27:45.760 --> 1:27:48.200
<v Speaker 8>one of the things that I realized, especially being in DJ,

1:27:49.040 --> 1:27:53.599
<v Speaker 8>is when you've been around doing a cycle. When AM

1:27:53.720 --> 1:27:55.960
<v Speaker 8>and I would DJ together and we would do two

1:27:56.040 --> 1:27:58.200
<v Speaker 8>by four sets, which basically both of us are playing

1:27:58.240 --> 1:28:00.800
<v Speaker 8>at the same time, people would lose their mind. And

1:28:00.920 --> 1:28:02.760
<v Speaker 8>I'm like, I did this twenty five years ago with

1:28:02.880 --> 1:28:05.320
<v Speaker 8>cash money, Like it's not new.

1:28:05.560 --> 1:28:08.360
<v Speaker 1>Wait, you DJ with cash money before? Yeah, we would

1:28:08.400 --> 1:28:10.599
<v Speaker 1>do two by four style. I never knew that. Yeah,

1:28:10.960 --> 1:28:13.120
<v Speaker 1>That's why I never asked the question, Yeah, we would

1:28:13.120 --> 1:28:14.960
<v Speaker 1>do that, but it's just what it did.

1:28:15.120 --> 1:28:17.080
<v Speaker 8>Is it kind of let me know, when you have

1:28:17.360 --> 1:28:21.080
<v Speaker 8>when the cycle has repeated itself, everything starts over.

1:28:22.080 --> 1:28:22.240
<v Speaker 1>You know.

1:28:22.360 --> 1:28:24.439
<v Speaker 8>It's kind of like the person who's like, oh my god,

1:28:24.560 --> 1:28:26.839
<v Speaker 8>transformers and you're kind of like, oh, wow, you completely

1:28:26.880 --> 1:28:29.599
<v Speaker 8>missed the cartoon. Huh, like you think it started now.

1:28:30.280 --> 1:28:34.160
<v Speaker 8>So it's from knowing that. From the DJ side, I'm

1:28:34.280 --> 1:28:39.080
<v Speaker 8>kind of like, you know, migos don't actually tag team

1:28:39.200 --> 1:28:41.599
<v Speaker 8>when they rap, like they're not doing day La Sola

1:28:41.680 --> 1:28:44.880
<v Speaker 8>cold Crush stuff, so no one understands about that. So

1:28:44.960 --> 1:28:48.600
<v Speaker 8>I was like, yo, I'm just reinventing the wheel that

1:28:49.320 --> 1:28:51.679
<v Speaker 8>what I think is really dope is I had three

1:28:51.840 --> 1:28:56.080
<v Speaker 8>generations of MC's that I have Fest who's forty, Dame

1:28:56.160 --> 1:29:00.280
<v Speaker 8>who's twenty, and am Here who's eighteen, but they all

1:29:00.400 --> 1:29:01.080
<v Speaker 8>are MC's.

1:29:01.120 --> 1:29:03.280
<v Speaker 7>They all spit and you can hear their different perspectives

1:29:03.280 --> 1:29:04.400
<v Speaker 7>and the songs I was listening to it, I was like,

1:29:04.439 --> 1:29:04.600
<v Speaker 7>this is.

1:29:04.640 --> 1:29:08.200
<v Speaker 8>Kind of like everybody's kind of like, oh man, you

1:29:08.280 --> 1:29:10.120
<v Speaker 8>know is it that this is? This is kind of

1:29:10.160 --> 1:29:14.200
<v Speaker 8>like I hate categorizing music. I got two categories. There's

1:29:14.200 --> 1:29:17.200
<v Speaker 8>good music and bad music. I don't care the genres

1:29:17.320 --> 1:29:19.519
<v Speaker 8>all the rest of that ship, because you know, you

1:29:19.560 --> 1:29:22.120
<v Speaker 8>would go into a tower records and you couldn't find

1:29:22.160 --> 1:29:25.200
<v Speaker 8>a ship that you wanted because you classified it as

1:29:25.280 --> 1:29:27.720
<v Speaker 8>one thing and they classified it as something else. And

1:29:27.760 --> 1:29:29.760
<v Speaker 8>I just kind of wish that the entire store was

1:29:29.800 --> 1:29:32.439
<v Speaker 8>in alphabetical order, because I could probably find everything that

1:29:32.520 --> 1:29:36.400
<v Speaker 8>I wanted. So it's just it wasn't genre specific, you know.

1:29:36.479 --> 1:29:38.920
<v Speaker 8>I took two weeks and we came in and we

1:29:39.040 --> 1:29:40.840
<v Speaker 8>made all of the music. All of the music on

1:29:40.920 --> 1:29:44.840
<v Speaker 8>the album is live instrumentation, and I did it in

1:29:44.920 --> 1:29:46.600
<v Speaker 8>a way because it was kind of like, Okay, you know,

1:29:47.280 --> 1:29:49.200
<v Speaker 8>I don't necessarily want you to know. I want you

1:29:49.280 --> 1:29:51.439
<v Speaker 8>to feel the music. I'm not I don't want you

1:29:51.520 --> 1:29:55.519
<v Speaker 8>to dissect it. And then invited Dane ron Fest and

1:29:55.560 --> 1:29:58.200
<v Speaker 8>I'm Mayr to come in and Aaron Camper and we,

1:29:59.120 --> 1:30:01.479
<v Speaker 8>you know, recorded all the vocals and it was like

1:30:01.600 --> 1:30:01.960
<v Speaker 8>that was it.

1:30:03.240 --> 1:30:04.240
<v Speaker 1>Shout out to Aaron Camp.

1:30:04.600 --> 1:30:09.920
<v Speaker 8>Shout out to Aaron Camp. So I'm about to say

1:30:10.000 --> 1:30:14.160
<v Speaker 8>and then we cheat because traveling around the world, if

1:30:14.200 --> 1:30:16.479
<v Speaker 8>you watch any of the videos that we put out,

1:30:17.160 --> 1:30:20.320
<v Speaker 8>we cheat and shoot videos and all of the places

1:30:20.360 --> 1:30:23.519
<v Speaker 8>that we go. So the first video, Skaters Paradise, which

1:30:23.600 --> 1:30:27.240
<v Speaker 8>is actually about traveling around the world and how some

1:30:27.360 --> 1:30:30.280
<v Speaker 8>people would rather spend a thousand dollars on the strip

1:30:30.320 --> 1:30:32.400
<v Speaker 8>of the dance instead of spending one thousand dollars on

1:30:32.479 --> 1:30:36.800
<v Speaker 8>a trip to Japan. You know, we we cheated and

1:30:36.840 --> 1:30:38.200
<v Speaker 8>shot the video all over the world.

1:30:39.120 --> 1:30:39.920
<v Speaker 1>That's good business.

1:30:40.920 --> 1:30:41.679
<v Speaker 10>That's good business.

1:30:41.840 --> 1:30:45.400
<v Speaker 1>Good business. Well, Jeff, I'm holding.

1:30:45.160 --> 1:30:45.360
<v Speaker 10>You to.

1:30:46.920 --> 1:30:50.280
<v Speaker 7>Yes, we have two actually we have two extra episodes

1:30:50.280 --> 1:30:51.680
<v Speaker 7>to do. We have to do Jeff, and then Ryan

1:30:51.720 --> 1:30:53.920
<v Speaker 7>Fast he got to come back to his own episode

1:30:54.640 --> 1:30:56.080
<v Speaker 7>talk about how he be trying to say the world

1:30:56.120 --> 1:30:57.080
<v Speaker 7>and shit exactly.

1:30:58.240 --> 1:31:00.400
<v Speaker 8>Yeah, Fest, I take Fest around the world with me

1:31:00.840 --> 1:31:02.880
<v Speaker 8>because he saves the world as we go.

1:31:05.200 --> 1:31:06.080
<v Speaker 1>I don't. I don't.

1:31:06.479 --> 1:31:08.960
<v Speaker 8>I've never been that person that just kind of ventures

1:31:09.040 --> 1:31:12.200
<v Speaker 8>off and we would come down and I'll say, dang,

1:31:12.240 --> 1:31:13.760
<v Speaker 8>where's Fest And he was like, I don't know, and

1:31:15.000 --> 1:31:16.960
<v Speaker 8>Fests just be like, yo, I just got with some

1:31:17.080 --> 1:31:19.680
<v Speaker 8>people and they took me out and Kenya, and I'm

1:31:19.760 --> 1:31:22.640
<v Speaker 8>kind of like, yeah, I wouldn't have did that. But

1:31:22.800 --> 1:31:26.080
<v Speaker 8>Fest comes back and listen. We we were in Bali

1:31:26.200 --> 1:31:28.920
<v Speaker 8>and Fest came back after being gone all day that

1:31:29.040 --> 1:31:31.400
<v Speaker 8>we're almost about to send a search party out, and

1:31:31.520 --> 1:31:34.439
<v Speaker 8>Fest was like, yeah, I went to a brothel and

1:31:34.520 --> 1:31:37.720
<v Speaker 8>I was sitting outside talking to three prostitutes and a cop. Yes,

1:31:38.360 --> 1:31:41.080
<v Speaker 8>And he had like a five hour conversation, but came

1:31:41.200 --> 1:31:47.000
<v Speaker 8>back with the entire information on the country of Bali, Indonesia, Indonesia,

1:31:50.280 --> 1:31:56.479
<v Speaker 8>potato potato patata. So yeah, you know, fest is our culture.

1:31:58.080 --> 1:32:01.439
<v Speaker 7>Yeah, how's Obama doing? I just figure you know him.

1:32:02.600 --> 1:32:06.720
<v Speaker 6>You know, actually we were having some issues in Chicago

1:32:07.760 --> 1:32:11.240
<v Speaker 6>because you know, they got the the the Obama Library.

1:32:11.400 --> 1:32:12.639
<v Speaker 1>It's coming to the South Side.

1:32:12.680 --> 1:32:16.160
<v Speaker 6>It's a five hundred million dollar project, is gonna projected

1:32:16.439 --> 1:32:17.400
<v Speaker 6>three billion.

1:32:17.120 --> 1:32:19.320
<v Speaker 1>Dollars for the for the South Side of Chicago.

1:32:19.880 --> 1:32:24.600
<v Speaker 6>But Obama, who was a community organizer, wouldn't sign a

1:32:24.680 --> 1:32:29.439
<v Speaker 6>community benefits agreement and that that community benefits agreement that

1:32:29.840 --> 1:32:33.320
<v Speaker 6>makes sure people don't get harlemed out and brooke them out,

1:32:33.439 --> 1:32:35.519
<v Speaker 6>you know what I mean. Like when you see what's

1:32:35.560 --> 1:32:38.040
<v Speaker 6>happening in New York, it's coming to your neighborhood soon.

1:32:38.120 --> 1:32:39.679
<v Speaker 7>I'm from Dcy.

1:32:39.960 --> 1:32:42.160
<v Speaker 6>It didn't already happen in Chicago because where did the

1:32:42.240 --> 1:32:45.000
<v Speaker 6>council voted on it today and pushed it through and

1:32:45.160 --> 1:32:50.599
<v Speaker 6>so like, you know, basically, you know, the preachers and Obama,

1:32:50.640 --> 1:32:52.559
<v Speaker 6>they got to get like it's Obama, just trust them.

1:32:52.840 --> 1:32:54.840
<v Speaker 6>And the community is like, hold on, wait this three

1:32:54.880 --> 1:32:57.639
<v Speaker 6>billion dollars, we need this in writing, and they're like, nah,

1:32:57.680 --> 1:32:59.640
<v Speaker 6>you're not getting it in writing a lot of times too.

1:32:59.760 --> 1:33:02.720
<v Speaker 6>You know what's interesting when you this is what black

1:33:02.760 --> 1:33:05.599
<v Speaker 6>people got to be careful of when we make big

1:33:05.720 --> 1:33:07.120
<v Speaker 6>money and do big projects.

1:33:07.360 --> 1:33:10.120
<v Speaker 1>Who's in the middle of us in the community. It's

1:33:10.240 --> 1:33:11.360
<v Speaker 1>always the middle man.

1:33:11.960 --> 1:33:13.240
<v Speaker 7>He usually don't look like the man.

1:33:13.320 --> 1:33:14.960
<v Speaker 6>He don't look like the one at the bottom of

1:33:15.000 --> 1:33:15.720
<v Speaker 6>the at the top.

1:33:15.840 --> 1:33:16.360
<v Speaker 10>Sometimes.

1:33:16.960 --> 1:33:21.000
<v Speaker 1>Yeah, you know what I'm saying. I mean Steve Cools, No,

1:33:21.120 --> 1:33:24.519
<v Speaker 1>he is right now.

1:33:25.800 --> 1:33:28.200
<v Speaker 10>Hey, I'm going to get him an endorsement deal with

1:33:28.360 --> 1:33:29.200
<v Speaker 10>w T forty.

1:33:29.439 --> 1:33:33.240
<v Speaker 8>Okay, don't but you know my mix is no more

1:33:33.240 --> 1:33:35.599
<v Speaker 8>because now they got a nob to make it tight

1:33:35.800 --> 1:33:36.160
<v Speaker 8>or loose.

1:33:38.320 --> 1:33:40.640
<v Speaker 7>I heard you Ryan over there. Watch out for the

1:33:40.680 --> 1:33:43.280
<v Speaker 7>middle man. You know he talks to rich people. I'm

1:33:43.280 --> 1:33:45.240
<v Speaker 7>not there yet, but for you and Jeff, y'all should

1:33:45.240 --> 1:33:46.120
<v Speaker 7>watch out for the middle man.

1:33:46.479 --> 1:33:48.320
<v Speaker 1>If you see a rich person. You know what I'm saying.

1:33:48.760 --> 1:33:51.400
<v Speaker 7>I couldn't say wealthy, at least rich. Come on, Negroes,

1:33:51.439 --> 1:33:52.639
<v Speaker 7>don't try to play a player.

1:33:53.720 --> 1:33:55.960
<v Speaker 1>Got wind this episode so I can go to my job.

1:33:56.760 --> 1:33:58.400
<v Speaker 1>You can be rich with culture.

1:33:58.479 --> 1:33:59.880
<v Speaker 7>Goodbye. I can't look.

1:33:59.880 --> 1:34:01.120
<v Speaker 1>I'm just spending on my mama house.

1:34:01.160 --> 1:34:02.320
<v Speaker 7>That's okay.

1:34:03.040 --> 1:34:09.799
<v Speaker 2>On behalf of j DJ Jazzy Jeff, Ron fest Sugar,

1:34:09.840 --> 1:34:12.080
<v Speaker 2>Steve Fantigolo and his countertops.

1:34:13.360 --> 1:34:16.519
<v Speaker 7>Oh man, I love we speak like he real salty

1:34:16.600 --> 1:34:18.840
<v Speaker 7>day he didn't, Yeah he real salty is he?

1:34:19.080 --> 1:34:19.320
<v Speaker 2>Yeah?

1:34:20.040 --> 1:34:24.559
<v Speaker 7>His countertops exactly should have been here, but Ron that's

1:34:24.600 --> 1:34:25.560
<v Speaker 7>coming back. So there you go.

1:34:26.040 --> 1:34:28.840
<v Speaker 2>There you go, all right, And also Unpaid Bill on

1:34:28.960 --> 1:34:37.280
<v Speaker 2>Testamont Street and uh uh Boss Billy Steve. Yeah, everyone,

1:34:37.520 --> 1:34:40.920
<v Speaker 2>this Questbow Supreme and this Quest Love only on Pandora.

1:34:41.040 --> 1:34:42.280
<v Speaker 10>We will see him the next go round.

1:34:42.320 --> 1:34:46.080
<v Speaker 1>Thank you, ladies and gentlemen.

1:34:46.760 --> 1:34:49.439
<v Speaker 2>You hate to hear it happen, but you know that's

1:34:49.520 --> 1:34:53.240
<v Speaker 2>part one of the Great Jazzy Jeff. Stay tuned for

1:34:53.479 --> 1:34:56.400
<v Speaker 2>Part two, where we get more stories of his life

1:34:56.439 --> 1:35:01.679
<v Speaker 2>with Will Smith making records, DJing, making music, Follownists, Passion,

1:35:02.320 --> 1:35:05.920
<v Speaker 2>the Greatest Ever Jazzy Jeff QLs Classic Part two coming

1:35:06.000 --> 1:35:12.760
<v Speaker 2>up next time. Quest Love Supreme is a production of iHeartRadio.

1:35:13.240 --> 1:35:16.640
<v Speaker 2>This classic episode was produced by the team at Pandora.

1:35:19.360 --> 1:35:23.760
<v Speaker 2>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1:35:24.200 --> 1:35:25.880
<v Speaker 2>or wherever you listen to your favorite shows.