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Speaker 1: Of Course.

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Speaker 2: Love Supreme is a production of iHeartRadio. This classic episode

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Speaker 2: was produced by the team at Pandora. Ladies and gentlemen,

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Speaker 2: Welcome to QLs Classic Episode ninety seven with DJ Jazzy

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Speaker 2: Jeff August twenty eighteen. What can I say, Jazzy Jeff

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Speaker 2: is simply the best, most creative DJ of all time.

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Speaker 2: There is no DJ today worth their grain of salt

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Speaker 2: that doesn't worship from the altar of Jeff Towns.

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Speaker 1: And you know you know, so, without.

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Speaker 2: Further ado, I present you the goat of all DJs,

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Speaker 2: straight out of Philadelphia, DJ Jazzy Jeff.

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Speaker 1: Here we go.

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Speaker 3: Supremo Sun Suprema Roll Call Suprema Sun Supreme, A roll

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Speaker 3: call Suprema Sun Sun Supreme A roll call Suprema So Supreme.

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Speaker 2: Roll another episode without Fonte Unpaid in Bostonville and I'm

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Speaker 2: stuck with Stephen my ear.

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Speaker 4: Yeah, Suppreva Supreme, roll Call Suprema So Supreme, Rode.

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Speaker 5: This dude can spin, yeah, this dude mixed tracks, yeah,

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Speaker 5: this dude can cook, Yeah, this dude can act.

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Speaker 4: Supreme Supremo Supremo roll.

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Speaker 6: Yeah.

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Speaker 7: And it's okay easy, oh Ship Jeff, Yeah, Jazz Love

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Speaker 7: Hillary Supreme.

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Speaker 4: SUPREMEA Rod Car Suppreva Son SUPREMEA Role call.

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Speaker 6: My name is Fast, Yeah, my crew is new still Yeah,

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Speaker 6: it's called the Trinity.

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Speaker 4: Yeah.

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Speaker 1: We don't fight like Drew Hill.

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Speaker 4: Supreme Supreme Supreme Supprime Role.

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Speaker 8: My name is Jeff, his name is Fest. Yeah, it's

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Speaker 8: Stephen Laia. Yeah, and that's my brother Quest.

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Speaker 4: Well Suprema Subprema Role, came Surema some SUPREMEA Role Calm

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Speaker 4: Suprema Suprema Role Supreme Supreme Roll.

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Speaker 2: Oh man, yo, I have to say that of I mean,

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Speaker 2: we're not one hundred episodes yet, but we're at least

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Speaker 2: at eighty something eighty something. Yeah, that is probably the

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Speaker 2: quickest sneaking of the feat. I mean, I've had well

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Speaker 2: renowned mcs just like.

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Speaker 1: Dum you you might, I think your body should.

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Speaker 9: I wrote that for him.

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Speaker 1: I wrote that. That's my ghost racking right there.

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Speaker 2: Ladies and gentlemen, welcome to another anemic episode of Quest

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Speaker 2: Left Supreme, only on Pandora.

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Speaker 1: Uh, I'm still here with what's left of Team Supreme.

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Speaker 9: Damn.

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Speaker 7: You know when you gets hot outside, niggas start disappearing.

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Speaker 1: Well, su Steve's still here, even though you know your

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Speaker 1: your your network star.

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Speaker 5: Now, Wes, I have every excuse to call him sick,

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Speaker 5: you know, mentally ill, among other things.

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Speaker 1: Yeah, I see, well, thank you for still sticking.

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Speaker 10: I never missed a shot.

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Speaker 2: I assume that Fante is still working on his uh

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Speaker 2: uh his basement counter Yeah, his countertops is week number

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Speaker 2: five working on his miswork to work on your house,

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Speaker 2: hey man, bathroom.

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Speaker 1: Tiles are important, you know, it's extremely important.

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Speaker 7: Mean, while both Bills have medical conditions, So.

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Speaker 9: There you go.

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Speaker 1: I thought Bill's not at Assessame Street right now.

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Speaker 7: No, Bill's getting his wisdom teeth out.

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Speaker 2: Okay, I guess I can excuse that. All right, shout

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Speaker 2: out to Boss Bill, who has a headache right now.

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Speaker 2: So wait, I don't know because if something happens in

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Speaker 2: the future, I don't want this to sound bite to

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Speaker 2: be play.

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Speaker 7: He has a severe headache right now.

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Speaker 2: Yes, shout out to Boss Bill, and is a many headaches,

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Speaker 2: so I just want to make sure that I'm not

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Speaker 2: the source of the headache. So all right, less stressed

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Speaker 2: in your life, Bill, I promise to be better, but

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Speaker 2: you got admit I am improving since the beginning of

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Speaker 2: of course.

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Speaker 1: Love you have.

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Speaker 7: But then you stop sugar and you back, so you.

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Speaker 2: Know, oh okay, Yeah, Layah is claiming that I'm evil

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Speaker 2: because I'm day fifty one without sugar.

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Speaker 10: So I'm still here for it.

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Speaker 1: Thank you, Steve. Is that possible if you want to

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Speaker 1: live it? Is? I'm just saying that.

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Speaker 2: You know, twenty twenty three, twenty four to twenty five,

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Speaker 2: your concern was like getting shot at the club.

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Speaker 1: Yeah, the new getting shot at the club is that

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Speaker 1: is getting the stroke. Yeah, like I don't want.

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Speaker 7: To be I mean, you still got your boyhood figure,

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Speaker 7: jeff So how you do it?

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Speaker 10: Listen?

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Speaker 8: I do one hundred and sixty dates a year and

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Speaker 8: walk like nineteen miles through the airport.

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Speaker 1: Wait.

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Speaker 2: I was gonna say, wait a minute, time out. Uh,

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Speaker 2: we're doing this ass backwards, ladies and gentlemen. I forgot

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Speaker 2: to introduce our actual guest of the show.

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Speaker 1: Ladies and gentlemen. It could be Jeffrey Osborne if we

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Speaker 1: already he was.

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Speaker 2: He was our last guests not bad yo. Did you

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Speaker 2: know he played drums with Smokey Robinson. No, you know,

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Speaker 2: we forgot to ask Jeffrey Osborne.

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Speaker 1: And we do this often.

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Speaker 2: We often rabbit hole ourselves and introduce like a half

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Speaker 2: hour down the line. I forgot to even talk about

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Speaker 2: Whitney Houston's didn't we almost have it all?

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Speaker 1: He wrote that?

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Speaker 9: Oh shit?

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Speaker 2: Oh wow, yes he wrote that for it anyway, Uh

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Speaker 2: lazy Okay. Introducing Joff. Uh yeah, if if God were DJ,

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Speaker 2: he'd be named Jeffrey Towns. Uh and wow, that's all

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Speaker 2: I have to say. It's gonna be the shortest intro ever.

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Speaker 8: Uh.

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Speaker 2: We have God himself of turntables Philly, his own DJ

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Speaker 2: Jazz Jeff the legendary DJ Jazzy Jeff on Quest left Supreme.

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Speaker 1: I would also hate that.

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Speaker 2: It would also uh uh be remiss if I didn't

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Speaker 2: also mention that, uh, you're here with a very special guest. Yes,

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Speaker 2: another guy in his right Grammy and Oscar Oscar Winner

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Speaker 2: that was sermon now was paid Bill was here?

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Speaker 7: We have somebody that yeah his O but his get.

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Speaker 1: Well yeah, because you know, well, I think what paid

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Speaker 1: Bill is a.

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Speaker 7: Right one of our co hosts. He has a Grammy,

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Speaker 7: Emmy and a Tony, but he missing.

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Speaker 1: He's missing.

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Speaker 2: Oh so if he was chilling with uh paid Bill

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Speaker 2: right now, we'd have a ghetto not an ron festers here,

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Speaker 2: Lady John.

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Speaker 1: The world uh. And also I should mention your.

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Speaker 2: New project M three yes, uh in well right now

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Speaker 2: digitally available, but when will it be in store?

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Speaker 8: Will it be the stores? It's hard, hard U No

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Speaker 8: hard copies are coming. Listen, I'm doing this all independence.

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Speaker 8: I have to come a little bit later. They're they're

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Speaker 8: on the way.

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Speaker 1: Okay. Good, that's good dimension, that's good dimension. Yeah.

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Speaker 2: So you you were saying that you keep in shape

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Speaker 2: because you just run across airports NonStop. See, but that's

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Speaker 2: the thing, my Achilles hill is being on the road

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Speaker 2: because you know, for every coffee shop in every airport, hotel, food.

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Speaker 7: It is it is.

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Speaker 1: So how do you resist that?

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Speaker 2: And I know you live at home in Lynette's kitchen, yes,

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Speaker 2: which you know, as far as I'm concerned, you guys

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Speaker 2: catch your fish and all your seafood in the backyard

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Speaker 2: of where you live.

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Speaker 8: So, like, how just just remain inactive. It's not even

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Speaker 8: an exercise thing, you know. It's really when you got

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Speaker 8: sixty pounds on your back because you try to take

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Speaker 8: every gadget in the world and you're pulling a little

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Speaker 8: portable studio on a pull bag and you're in London

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Speaker 8: Heathrow and your gait is thirty five minutes away.

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Speaker 4: I know that.

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Speaker 1: Yeah, you know that feeling.

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Speaker 8: So it's a lot of walking. You know, you get

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Speaker 8: mad when you first go out because you wind it

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Speaker 8: and you're tired and you're mad. Your knee hurts. But

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Speaker 8: by the time you come home, I would say, you're

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Speaker 8: Oj Simpson. But you know what I mean, You know,

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Speaker 8: I know what you mean.

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Speaker 9: Yo.

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Speaker 1: Wait have you ever.

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Speaker 2: Have you ever successfully to me, like to successfully navigate

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Speaker 2: through Heathrow without them thoroughly checking my back Like Heathrow

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Speaker 2: is one of the yeah, most anal retentive airports in

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Speaker 2: the world. Yes, Like you can have a piece of

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Speaker 2: like gum in your bag and if you don't take

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Speaker 2: it out to let them know that, then they're they're

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Speaker 2: taking your whole entire fiber part of that bag.

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Speaker 8: Or you just wait for your bag to go on

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Speaker 8: that separate lane.

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Speaker 1: It's the worst.

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Speaker 8: Then that separate lane you realize that there's nineteen people

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Speaker 8: in front of it, right, you're missing your flight.

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Speaker 7: So y'all travel too much?

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Speaker 1: That whole thing was like, no, it's.

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Speaker 2: For real, Like he Throw is one of the most

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Speaker 2: anal retentive, I mean most of them quality rhymed about

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Speaker 2: that even even on their first record, like the first

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Speaker 2: time I ever had to have.

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Speaker 1: The check he throw.

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Speaker 7: Has there been between the two of y'all? Y'all been

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Speaker 7: around the world like fifty thousand times. Has there been

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Speaker 7: anywhere you haven't been yet?

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Speaker 8: I just went to Kenya? That was That was your

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Speaker 8: worst time in Kenya? What was that?

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Speaker 7: Like?

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Speaker 8: That was probably top three experience of my life? Why listen?

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Speaker 8: First of all, I was, you know, I don't change.

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Speaker 8: I don't change the way I play anywhere in this

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Speaker 8: world at all. Because let me, let me give you

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Speaker 8: my reasoning. You don't go to Africa and play Afro beat.

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Speaker 8: That's the ship that they hear all the time. And

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Speaker 8: that's the biggest mistake that I think a lot of DJs,

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Speaker 8: because think about it when you get DJs that come

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Speaker 8: to Philly and be like, oh, I'm about to play

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Speaker 8: Crown Rulers and you kind of like, come on, dude,

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Speaker 8: I came to see you play. I didn't come to

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Speaker 8: hear you play how you think I want you to play.

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Speaker 8: So I never changed the way that I play because people,

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Speaker 8: you're a seasoning in the restaurant, you don't change the

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Speaker 8: dish you.

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Speaker 1: Called me out.

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Speaker 7: I mean, listen, you know it's never too late though.

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Speaker 1: Right, Yeah, but because you know what it is.

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Speaker 8: It's kind of like imagine going to your favorite restaurant

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Speaker 8: and they changed the menu every week. You upset, you like,

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Speaker 8: I came for the fish. I want to fish in

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Speaker 8: the corn bread. What what's the meat loaf?

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Speaker 2: Okay, but I'm going to ask you about the Kansas incident.

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Speaker 2: That's always my worst nightmare.

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Speaker 1: Well, you know what it is.

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Speaker 8: Kansas was me walking into that didn't have anything to

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Speaker 8: do with me playing. That had more to do with

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Speaker 8: the wrong event in the wrong place, you know, Like

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Speaker 8: you can't you know, because I had situations like that

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Speaker 8: when you know DJ Am passed away. I did one

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Speaker 8: of his memorials in Las Vegas, and I did it

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Speaker 8: in a place that they didn't want you to play

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Speaker 8: hip hop And I'm kind of like, how do you

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Speaker 8: have me do a tribute to a hip hop DJ

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Speaker 8: and not play hip hop? Like I'm kind of like, yo,

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Speaker 8: so you're trying to do this ship.

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Speaker 2: My name only wait that's still going on, Like, well

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Speaker 2: not now, but it was what was the name of

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Speaker 2: can you name? What was the name of the club?

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Speaker 7: What's the situations.

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Speaker 2: Well, I don't want to start with the bad DJ

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Speaker 2: gig verse. I wanted to start with the early god

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Speaker 2: I did.

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Speaker 8: I was on tour with Sion and Sion was doing

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Speaker 8: these parties all over and we went to Kansas City

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Speaker 8: and played in the Power and Light District and it

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Speaker 8: was funny because I got there. Z Trip went on

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Speaker 8: before me and I came out and we started playing,

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Speaker 8: like five thousand people outside we started playing and people

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Speaker 8: are rocking, and you know, my sets are very eclectic,

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Speaker 8: like I'm gona playing some hip hop, I'm gonna go here,

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Speaker 8: I'm gonna do this. You know, at the end of

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Speaker 8: the night, you're gonna get a little bit of everything.

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Speaker 8: And my road manager at the time came out and

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Speaker 8: put a towel on my table and walked off. So

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Speaker 8: I looked, and I'm looking at the tower that I

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Speaker 8: already have, and I was just like, why did you

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Speaker 8: bring a towel over? So he came out and brought

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Speaker 8: a bottle of water, and I had water on the table,

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Speaker 8: so I knew something wasn't right. So he ended up

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Speaker 8: coming over the third time and he leaned down and

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Speaker 8: he said, listen, they're about to cut you off because

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Speaker 8: they're saying that you're playing too much hip hop. And

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Speaker 8: before they cut you you off, I wanted to let

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Speaker 8: you know so that you can make the decision. I said,

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Speaker 8: oh shit, tell Skills, we're out of here. So he

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Speaker 8: went and leaned and told Skills, and Skills turned and

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Speaker 8: looked at me and was like word, and it was

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Speaker 8: like yeah. So right in the middle of everybody rocking,

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Speaker 8: I just said, so we were rocking. Oh listen, it's

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Speaker 8: non stop, non stop, like I think I was playing

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Speaker 8: Rihanna at that. So I hit the stop button and

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Speaker 8: Skills said, hey, I'm sorry, Kansas City, but we just

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Speaker 8: got word that they don't really want us playing hip

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Speaker 8: hop in here, and they were about to cut Jeff off.

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Speaker 1: So before we let.

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Speaker 8: Them do that to us, we wanted to make the

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Speaker 8: announcement to you that we apologized and we hope that

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Speaker 8: we can come back and play for you soon. And

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Speaker 8: took everything off and I walked our stage. Everybody thought

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Speaker 8: it was a part of the show, so they still

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Speaker 8: for about two minutes, and when the road managers started

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Speaker 8: coming out and breaking my equipment down, people went off wow,

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Speaker 8: And I went downstairs in the dressing room skills standing outside,

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Speaker 8: and they kicked skills out the venue because they were mad,

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Speaker 8: like they were this is the behind the scenes thing

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Speaker 8: that you weren't supposed to pull a curtain back. So

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Speaker 8: the hotel was across the street. I ended up walking

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Speaker 8: across the street and had no idea how big this was.

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Speaker 8: And I remember this is early Twitter. I posted Wow,

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Speaker 8: right party, wrong place. I was like, this is the

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Speaker 8: first time that I ever someone ever threatened to kick

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Speaker 8: me off in twenty five years, and went and checked

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Speaker 8: into the hotel. I called, you know, my manager at

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Speaker 8: the time, and he was like, change your flight. You know,

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Speaker 8: we had like a nine o'clock flight. He's like, get

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Speaker 8: on the six o'clock flight, he said, because I guarantee

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Speaker 8: you they're going to be pressing everybody at the airport.

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Speaker 8: So I changed my flight and we got on the

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Speaker 8: plane and flew at six o'clock and I landed. By

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Speaker 8: the time I landed, Associated Press had called me like

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Speaker 8: it hit everywhere, and I was just like, like, it

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Speaker 8: got so bad that the owner of Power and Light

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Speaker 8: was the owner of the land of forty forty cloud

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Speaker 8: and it got so bad that he called Jay Z

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Speaker 8: for Jay Z to call Will for Will to call

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Speaker 8: me because he wanted to talk to me, and he

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Speaker 8: was like, listen, I need to meet with you so

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Speaker 8: I can officially apologize.

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Speaker 7: Didn't you win the first Grammy for hip hop?

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Speaker 10: Hey?

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Speaker 7: Listen?

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Speaker 8: They was trying to get me to come back, Like

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Speaker 8: what did they?

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Speaker 1: It was just the area of.

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Speaker 8: No, No, it had nothing to do with that. It

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Speaker 8: was kind of like, you know what par and Light

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Speaker 8: is like, paring Light is kind of like I don't

303
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Speaker 8: want to say Infinity Live. It's like one of those.

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Speaker 8: But it was kind of like, we're not really trying

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Speaker 8: to have that hip hop element because from what I

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Speaker 8: heard after I left was they were like, you know,

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Speaker 8: we don't normally come down here. They don't like you

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Speaker 8: in sports jerseys and baseball hats. And it was one

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Speaker 8: of the yeah, yeah, basically, let's setting that tone this

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Speaker 8: code talk. But you know how it is you kind

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Speaker 8: of times you skate under the radar because it's like

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Speaker 8: that's Jazz from Fresh Prince of bel Air not knowing

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Speaker 8: that I'm playing mob deep.

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Speaker 1: But what was z Trip playing like?

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Speaker 8: Because Trip was playing mash up, so he was sneaking.

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Speaker 8: He was sneaking, but understand. No one said that, like

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Speaker 8: all of these days that we did, no one said

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Speaker 8: when you come here that you have to play like this,

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Speaker 8: Like you know, a lot of times people tell you

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Speaker 8: how you want to play. I'm like, I'm cool. Like

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Speaker 8: if I can't do.

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Speaker 1: Me, then how do you How do you handle it?

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Speaker 1: Because I don't. I don't.

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Speaker 8: I don't that. I don't accept that at all. Even

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Speaker 8: at the most prestigious get I won't take them. If

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Speaker 8: you don't want me, then don't book me.

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Speaker 7: Always, your whole career.

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Speaker 8: Always, if you don't want me, don't book me, man

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Speaker 8: I because you know, you know how this is Vegas.

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Speaker 8: Vegas got like that, you know, Vegas got to the

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Speaker 8: point that it was kind of like where we kind

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Speaker 8: of want this, Like I remember, do you Vegas?

333
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Speaker 1: Listen?

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Speaker 8: I don't do Vegas anymore?

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Speaker 1: They listen.

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Speaker 8: I get a million offers to do Vegas and I

337
00:17:01,040 --> 00:17:05,080
Speaker 8: turn them down. But you remember, like we we you know, questioning.

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Speaker 8: I had a resident residency at the same spot and

339
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Speaker 8: I never forget the first time that I did it.

340
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Speaker 8: When I was done, they came down or someone said, well,

341
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Speaker 8: we'll have a report for you, and I was like

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Speaker 8: a report I ain't never had a report. What's the report, Like,

343
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Speaker 8: we're gonna give you a report, you know, And it

344
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Speaker 8: got to a point that you know, oh yeah, you

345
00:17:26,800 --> 00:17:28,480
Speaker 8: were great and this was cool, but it was kind

346
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Speaker 8: of like, so you got people down here like checking

347
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Speaker 8: on me, like I've been DJing in Vegas before. Everybody

348
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Speaker 8: who works here, yeah, you know, but it's you know,

349
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Speaker 8: I might at the end of the day, if everybody's

350
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Speaker 8: having a good time and they buying drinks and everybody's cool,

351
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Speaker 8: leave me alone.

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Speaker 2: This is weird now because it's like the variety that

353
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Speaker 2: you have that allows you to DJ in spaces that

354
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Speaker 2: your average your your your your average guy. Okay, well

355
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Speaker 2: I'll be honest, because I mean it's the white elephant

356
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Speaker 2: in the room. Obviously, you and Cash are Philadelphia gods.

357
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Speaker 5: And.

358
00:18:10,640 --> 00:18:14,240
Speaker 2: Your level of celebrity has allowed you more oxygen and

359
00:18:14,400 --> 00:18:17,480
Speaker 2: more leverage and where you are now. And it's also

360
00:18:17,800 --> 00:18:21,000
Speaker 2: on how you you freak it and how you handle

361
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Speaker 2: your business that part, you know, so I can't ignore that,

362
00:18:24,920 --> 00:18:30,920
Speaker 2: but it's like, are you I'm the type of person

363
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Speaker 2: that dreads when November comes around because in my head.

364
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Speaker 1: Usually when December.

365
00:18:37,680 --> 00:18:43,399
Speaker 2: Gigs come, I'm always like damn, January is coming, and

366
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Speaker 2: it's going to be another year where someone born in

367
00:18:52,280 --> 00:18:55,800
Speaker 2: two thousand and two or you know, someone born in

368
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Speaker 2: nineteen ninety nine who will be twenty one or whatever,

369
00:18:59,800 --> 00:19:03,520
Speaker 2: you know, won't know what don't stop till you get

370
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Speaker 2: enough is more.

371
00:19:04,600 --> 00:19:10,600
Speaker 1: It's like those records that used to be instant, they changed,

372
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Speaker 1: like you you remember how like you would play the.

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Speaker 2: Opening horn riff of like Troy Yep and it was

374
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Speaker 2: like chaos, and then the moment you mean when it stopped.

375
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Speaker 8: You mean when that stopped, yo, when I had one

376
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Speaker 8: of the worst incidents, well my first incident of that,

377
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Speaker 8: I did it Howard's Homecoming. Oh no, And I remember

378
00:19:32,200 --> 00:19:34,520
Speaker 8: when you do the whole you know, I remember when

379
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Speaker 8: you would play all of the current stuff and then

380
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Speaker 8: you would kind of into your ERICB for President and

381
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Speaker 8: everybody would lose their mind. And I dropped Eric B

382
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Speaker 8: for President and everybody just stood there and I was like, wow,

383
00:19:47,600 --> 00:19:50,520
Speaker 8: like because now Eric B for President is the entrance

384
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Speaker 8: to where I'm going. So I'm like, oh shit, you

385
00:19:52,960 --> 00:19:55,080
Speaker 8: don't know the door that I just opened up. I

386
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Speaker 8: don't know if I can go in the house now.

387
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Speaker 8: So I was kind of you know, and I remember that,

388
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Speaker 8: but that was the first time that I learned the

389
00:20:03,000 --> 00:20:06,120
Speaker 8: lesson that you have to pay attention because every few

390
00:20:06,320 --> 00:20:12,960
Speaker 8: years the timeline slides, you know what I mean. Like

391
00:20:13,080 --> 00:20:15,480
Speaker 8: it was I remember, you know, a couple of years

392
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Speaker 8: ago going overseas playing and somebody dropped Eve who's that girl?

393
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Speaker 8: And the club went crazy and I was like, oh shit,

394
00:20:21,680 --> 00:20:24,760
Speaker 8: this is their classic? Now that was So you just

395
00:20:24,840 --> 00:20:27,720
Speaker 8: have to keep you just have to keep your music

396
00:20:27,800 --> 00:20:29,200
Speaker 8: set up in a way that you just have to

397
00:20:29,320 --> 00:20:31,439
Speaker 8: slide it, slide it like you got to pay attention

398
00:20:32,000 --> 00:20:32,760
Speaker 8: to who's out there?

399
00:20:32,880 --> 00:20:36,919
Speaker 2: But are you ready to mint that front and by Pharrell?

400
00:20:37,440 --> 00:20:41,160
Speaker 2: Is now the new message? By Graham Asters?

401
00:20:42,359 --> 00:20:45,000
Speaker 8: Yeah, like that's old school now, well you know what

402
00:20:45,080 --> 00:20:48,399
Speaker 8: it is. This also comes down to who are you

403
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Speaker 8: playing for? You know what I mean?

404
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Speaker 1: And so are you playing for yourself? Are you playing?

405
00:20:52,960 --> 00:20:56,040
Speaker 8: Oh no, no, no, no, no listen. I do a

406
00:20:56,440 --> 00:21:02,040
Speaker 8: very very good mixture of playing. I take enough met

407
00:21:02,119 --> 00:21:04,960
Speaker 8: gigs to make to make me happy. But my job

408
00:21:05,040 --> 00:21:05,920
Speaker 8: is to play for the people.

409
00:21:07,200 --> 00:21:09,000
Speaker 7: So wait when you went to Kenya, because we started

410
00:21:09,119 --> 00:21:11,399
Speaker 7: with Kenya, So now I want to know and reference

411
00:21:11,400 --> 00:21:13,920
Speaker 7: to Kenya, like what made the what made the crowd

412
00:21:14,040 --> 00:21:14,560
Speaker 7: go crazy?

413
00:21:14,640 --> 00:21:15,240
Speaker 1: And what was there?

414
00:21:15,359 --> 00:21:16,640
Speaker 7: Like they throw back down?

415
00:21:16,800 --> 00:21:20,040
Speaker 8: So we where we played it was a restaurant, so

416
00:21:20,160 --> 00:21:23,280
Speaker 8: we went and ate. Like when the club opened up.

417
00:21:23,520 --> 00:21:25,399
Speaker 8: When I was telling you, they was playing Mary J.

418
00:21:25,600 --> 00:21:30,639
Speaker 8: Blige album cuts like it was one hundred percent pure

419
00:21:30,800 --> 00:21:34,840
Speaker 8: black music and deep black music. They appreciate it to

420
00:21:34,960 --> 00:21:37,359
Speaker 8: the point that I was kind of like, oh, if

421
00:21:37,480 --> 00:21:39,640
Speaker 8: that's where y'all go, oh, I'm good, I'm good.

422
00:21:40,480 --> 00:21:41,359
Speaker 10: So you know it was.

423
00:21:41,680 --> 00:21:43,320
Speaker 1: It was everything from.

424
00:21:44,680 --> 00:21:50,040
Speaker 8: Some classic house stuff to mob deep to like they

425
00:21:50,240 --> 00:21:52,000
Speaker 8: they I couldn't stump them.

426
00:21:53,880 --> 00:21:54,600
Speaker 1: What were you saying about it?

427
00:21:55,080 --> 00:21:58,440
Speaker 6: Like, you know, like so I danced a little bit,

428
00:21:58,560 --> 00:22:00,440
Speaker 6: you know what I'm saying, But when you go to Africa,

429
00:22:00,600 --> 00:22:02,879
Speaker 6: like you're just insecure, you know what I'm saying, Like,

430
00:22:03,040 --> 00:22:05,640
Speaker 6: you're like, man, it ain't no dance that I can

431
00:22:05,720 --> 00:22:08,560
Speaker 6: do that's gonna impress nobody out here. And yeah, but

432
00:22:08,680 --> 00:22:11,680
Speaker 6: when Jeff played that music, they're all it's like you're

433
00:22:11,720 --> 00:22:14,880
Speaker 6: at You're in the home of where rhythm started. You're

434
00:22:14,920 --> 00:22:17,480
Speaker 6: in the home like when you when you get I

435
00:22:17,600 --> 00:22:20,040
Speaker 6: heard the black people in America was from West Africa,

436
00:22:20,119 --> 00:22:22,160
Speaker 6: But when you go to Kenya, they'd be like welcome home,

437
00:22:22,280 --> 00:22:25,320
Speaker 6: and you look around like really like you know, like

438
00:22:25,400 --> 00:22:28,240
Speaker 6: this is amine too like and and you know, just

439
00:22:28,640 --> 00:22:32,120
Speaker 6: the welcoming atmosphere. But you know they got like bodily

440
00:22:32,280 --> 00:22:35,720
Speaker 6: and musical superpowers if they want, because that's where it starts.

441
00:22:35,760 --> 00:22:38,080
Speaker 1: How many how many days or weeks were you guys there?

442
00:22:38,359 --> 00:22:42,119
Speaker 8: We were there for three days? Really three days. We

443
00:22:42,320 --> 00:22:44,399
Speaker 8: we played like the first day we got.

444
00:22:44,280 --> 00:22:47,000
Speaker 2: There coming straight from America or no, no, no, no.

445
00:22:47,160 --> 00:22:49,760
Speaker 2: We were for a mom Okay, I was about to say,

446
00:22:49,840 --> 00:22:51,160
Speaker 2: like for three days.

447
00:22:51,240 --> 00:22:53,320
Speaker 1: It's like that lag do the gig.

448
00:22:53,640 --> 00:22:56,080
Speaker 8: Have some food and well listen that. Yeah, it gets

449
00:22:56,200 --> 00:22:58,080
Speaker 8: like that. We were in Dubai and we flew from

450
00:22:58,119 --> 00:23:07,080
Speaker 8: Dubai to Kenya. Food was amazing, the seasoning to see. Yeah,

451
00:23:07,400 --> 00:23:10,560
Speaker 8: you know, because everybody has this whole thing of when

452
00:23:10,560 --> 00:23:15,040
Speaker 8: I'm going to Africa, I'm going to eat necessarily African food,

453
00:23:15,320 --> 00:23:18,920
Speaker 8: like they have their food and then they have food

454
00:23:19,040 --> 00:23:20,560
Speaker 8: that everybody eats.

455
00:23:20,680 --> 00:23:22,320
Speaker 1: You know, it's weird.

456
00:23:22,680 --> 00:23:25,960
Speaker 2: When I went to South Africa, there was a place

457
00:23:27,400 --> 00:23:33,159
Speaker 2: that it's almost like they know what foreigners are looking.

458
00:23:33,000 --> 00:23:35,720
Speaker 1: For, like that Africa.

459
00:23:37,840 --> 00:23:41,520
Speaker 2: Africa, you know, like they're looking for that, and they

460
00:23:41,680 --> 00:23:45,399
Speaker 2: actually made they have a restaurant that plays up to

461
00:23:45,480 --> 00:23:46,040
Speaker 2: that whole thing.

462
00:23:46,480 --> 00:23:48,160
Speaker 1: But I could tell it's just like for tourists.

463
00:23:48,240 --> 00:23:51,760
Speaker 2: Like I asked the guy, I'm like, Africans wouldn't eat

464
00:23:51,800 --> 00:23:53,440
Speaker 2: the spot, right, And he laughed like, no, this is

465
00:23:53,480 --> 00:23:54,119
Speaker 2: just for tourists.

466
00:23:54,200 --> 00:23:56,840
Speaker 1: Like they went. How they took They took us to

467
00:23:56,920 --> 00:23:57,480
Speaker 1: the real deal.

468
00:23:58,160 --> 00:24:02,040
Speaker 8: We ate at a restaurant that was overlooking an African

469
00:24:02,280 --> 00:24:05,960
Speaker 8: preserve that if you sat at your table and squint

470
00:24:06,000 --> 00:24:07,240
Speaker 8: it you could see a giraffe.

471
00:24:08,080 --> 00:24:10,880
Speaker 1: What it was deep? It was deep, Like I asked.

472
00:24:10,920 --> 00:24:12,879
Speaker 8: There was a big security guard that was with us,

473
00:24:13,320 --> 00:24:14,720
Speaker 8: and I was like, let me ask you a question,

474
00:24:14,880 --> 00:24:19,639
Speaker 8: like how close are we to the lions? Like and

475
00:24:19,760 --> 00:24:25,440
Speaker 8: he was like not so far, Like he said yeah, yeah,

476
00:24:25,520 --> 00:24:27,520
Speaker 8: like they they'll come in the hood.

477
00:24:29,040 --> 00:24:29,240
Speaker 10: Yeah.

478
00:24:30,800 --> 00:24:35,119
Speaker 6: They told stories about gorillas that crossed the road and

479
00:24:35,200 --> 00:24:37,800
Speaker 6: if one of them get hurt, the cars got to stop.

480
00:24:38,000 --> 00:24:40,359
Speaker 6: And if you try to ride past the gorillas to

481
00:24:40,480 --> 00:24:44,040
Speaker 6: jump on the car bang your window that you have to.

482
00:24:45,280 --> 00:24:52,240
Speaker 8: Yeah, you gotta stop and let them. It was, oh, listen,

483
00:24:52,320 --> 00:24:56,880
Speaker 8: we went to a we went to an African animal. Yeah,

484
00:24:57,040 --> 00:24:59,960
Speaker 8: that was first of all. Let me explain it, Michael Jack.

485
00:25:01,680 --> 00:25:05,240
Speaker 8: He The guy was telling us that when a lion

486
00:25:05,440 --> 00:25:08,119
Speaker 8: roars in full voice, you can hear him ten miles away.

487
00:25:08,520 --> 00:25:11,240
Speaker 8: Said the lion will roar into the ground and vibrate

488
00:25:11,320 --> 00:25:13,960
Speaker 8: the gout. That's how he lets everybody know. Get out

489
00:25:14,040 --> 00:25:17,679
Speaker 8: my way. But that's a dear Listen, they were feeding

490
00:25:18,280 --> 00:25:21,800
Speaker 8: the lion, and the female lion came over to try

491
00:25:21,840 --> 00:25:23,840
Speaker 8: to grab a piece of meat from the male lion,

492
00:25:24,400 --> 00:25:25,240
Speaker 8: and the roar.

493
00:25:25,160 --> 00:25:26,040
Speaker 1: That he let out.

494
00:25:28,160 --> 00:25:31,760
Speaker 8: I let a little bit go, That's all I'm gonna say. Like,

495
00:25:31,920 --> 00:25:35,000
Speaker 8: I ain't never heard no ship like that piece of chicken.

496
00:25:35,280 --> 00:25:38,040
Speaker 8: Listen like that roar. I was kind of like, I'm cool,

497
00:25:38,359 --> 00:25:39,840
Speaker 8: I'll take my lions in the zoo.

498
00:25:40,840 --> 00:25:41,600
Speaker 1: That was a little deep.

499
00:25:42,840 --> 00:25:44,800
Speaker 10: I gotta I gotta got experience.

500
00:25:44,840 --> 00:25:46,359
Speaker 1: I gotta figure out way to get over that.

501
00:25:46,720 --> 00:25:49,680
Speaker 8: Anyway, I'm glad that I'm here because they are greatly

502
00:25:49,800 --> 00:25:53,800
Speaker 8: wanting you to come down. I greatly want you to

503
00:25:53,880 --> 00:25:54,560
Speaker 8: come down and play.

504
00:25:54,680 --> 00:25:59,840
Speaker 2: I'm saying that no one has ever carried on a

505
00:26:00,520 --> 00:26:06,520
Speaker 2: string teased me more than the entire continent of Africa.

506
00:26:06,800 --> 00:26:08,520
Speaker 7: But you've been a couple of places in the South.

507
00:26:08,720 --> 00:26:10,320
Speaker 1: I've been to South South. It's different.

508
00:26:10,640 --> 00:26:14,159
Speaker 8: I've been to South South. He's in South Africa. You

509
00:26:14,240 --> 00:26:15,800
Speaker 8: almost don't get cool points from going.

510
00:26:15,720 --> 00:26:17,000
Speaker 1: To South Africa, North America.

511
00:26:17,040 --> 00:26:19,359
Speaker 8: Where you're going, I'm going to South Africa. Yeah, okay whatever,

512
00:26:19,800 --> 00:26:21,880
Speaker 8: Like I got props when it was like I'm going

513
00:26:21,960 --> 00:26:28,200
Speaker 8: to Kenya right over they just called really called, was

514
00:26:28,240 --> 00:26:31,000
Speaker 8: like listen, and it was crazy because once I accepted Kenya,

515
00:26:31,440 --> 00:26:34,280
Speaker 8: then Tanzania, card and all these other people, and it was.

516
00:26:34,280 --> 00:26:36,000
Speaker 1: Just like it was it was a little too late

517
00:26:36,080 --> 00:26:36,240
Speaker 1: for that.

518
00:26:36,920 --> 00:26:40,119
Speaker 2: Now that I know what I know, I gotta you know,

519
00:26:40,480 --> 00:26:42,680
Speaker 2: you need to go like going to beIN or my

520
00:26:42,960 --> 00:26:43,720
Speaker 2: what Nigeria?

521
00:26:43,800 --> 00:26:43,840
Speaker 7: What?

522
00:26:43,960 --> 00:26:47,200
Speaker 8: I will tell you you will absolutely body that. Like

523
00:26:47,320 --> 00:26:49,800
Speaker 8: they asked, They were like who who who?

524
00:26:50,200 --> 00:26:50,360
Speaker 10: Who?

525
00:26:50,440 --> 00:26:52,760
Speaker 8: Do you want to come down and play we Love Premiere.

526
00:26:53,080 --> 00:26:54,840
Speaker 8: It was like we would love quest Love. We don't

527
00:26:54,840 --> 00:26:56,240
Speaker 8: know if we can get him. I was like, I'll

528
00:26:56,280 --> 00:26:58,480
Speaker 8: talk to him because I'm like, oh, he's.

529
00:26:58,320 --> 00:27:00,360
Speaker 1: Not that I don't want to go. You will matter

530
00:27:00,960 --> 00:27:01,680
Speaker 1: that time.

531
00:27:02,040 --> 00:27:04,719
Speaker 2: Well, wait a minute, I know you're meticulous about your

532
00:27:04,840 --> 00:27:08,159
Speaker 2: back line, So do you just take do you now

533
00:27:08,280 --> 00:27:10,600
Speaker 2: just travel with all of your equipment?

534
00:27:11,240 --> 00:27:11,280
Speaker 7: No?

535
00:27:11,760 --> 00:27:14,960
Speaker 1: I just so they have Pioneer turntables there or Pioneer

536
00:27:15,080 --> 00:27:15,560
Speaker 1: just ships them.

537
00:27:15,640 --> 00:27:17,920
Speaker 8: Yeah, they have Pioneer turntables, had an s no mixer

538
00:27:18,520 --> 00:27:19,560
Speaker 8: what yeah that.

539
00:27:21,560 --> 00:27:25,520
Speaker 7: Man? Okay, well yeah listen hown I.

540
00:27:25,520 --> 00:27:28,560
Speaker 1: Said when I was there, they had the Flintstone Bird.

541
00:27:35,560 --> 00:27:38,879
Speaker 2: I'm just saying, back in two thousand a date, you know,

542
00:27:39,040 --> 00:27:41,000
Speaker 2: if I had just send a carrier pits and send

543
00:27:41,119 --> 00:27:44,719
Speaker 2: a few break beats over to me, Yeah, now they

544
00:27:44,720 --> 00:27:46,280
Speaker 2: were they were okay, they were cool.

545
00:27:46,359 --> 00:27:48,840
Speaker 8: They gave me a bunch of music too, Okay, So

546
00:27:48,960 --> 00:27:50,399
Speaker 8: you know, I go down there, I was.

547
00:27:50,480 --> 00:27:54,280
Speaker 2: Getting tired of people giving you, like all their twelve

548
00:27:54,320 --> 00:27:56,120
Speaker 2: inches and the forty five's and everything.

549
00:27:56,480 --> 00:28:00,320
Speaker 8: You can't say that outright because you know, just you

550
00:28:00,440 --> 00:28:02,800
Speaker 8: almost need to carry a bag for the stuff that

551
00:28:02,920 --> 00:28:05,600
Speaker 8: people give you on a tour exactly because you just

552
00:28:05,760 --> 00:28:08,280
Speaker 8: kind of come home and it's kind of like, you know,

553
00:28:08,520 --> 00:28:12,440
Speaker 8: and I will really really appreciate this T shirt, just

554
00:28:12,560 --> 00:28:15,280
Speaker 8: like I appreciate the twenty two thousand T shirts. I

555
00:28:15,640 --> 00:28:18,000
Speaker 8: get that you want me to take the T shirt

556
00:28:18,119 --> 00:28:20,520
Speaker 8: with your album cover artwork home.

557
00:28:21,000 --> 00:28:22,760
Speaker 2: What It's almost like you can travel like a Navy

558
00:28:22,800 --> 00:28:26,960
Speaker 2: seal now like you probably could just you know, live

559
00:28:27,040 --> 00:28:27,960
Speaker 2: off the swag.

560
00:28:27,720 --> 00:28:29,040
Speaker 1: That's given to you on the road.

561
00:28:29,200 --> 00:28:30,879
Speaker 8: Pretty much and pretty much.

562
00:28:30,920 --> 00:28:31,240
Speaker 10: That's that.

563
00:28:35,840 --> 00:28:36,800
Speaker 1: I will kill myself.

564
00:28:36,840 --> 00:28:40,680
Speaker 2: But I don't start the way I always out like, yeah,

565
00:28:40,680 --> 00:28:45,160
Speaker 2: we always started the beginning. But it's also been a

566
00:28:45,360 --> 00:28:47,720
Speaker 2: long time since we had an episode of.

567
00:28:49,880 --> 00:28:54,520
Speaker 1: So Jeff. As as as as the.

568
00:28:57,040 --> 00:29:00,240
Speaker 2: Music extraordinary that you are and being one of the

569
00:29:00,320 --> 00:29:03,760
Speaker 2: many one of one of the first pioneers to actually

570
00:29:04,000 --> 00:29:09,640
Speaker 2: introduce jazz samples to hip hop. Uh. We do a

571
00:29:09,720 --> 00:29:14,000
Speaker 2: game called but You Guessed It, in which I will

572
00:29:14,080 --> 00:29:17,520
Speaker 2: play a quarter of a second of a particular song

573
00:29:17,680 --> 00:29:18,960
Speaker 2: and you have to even guess.

574
00:29:18,880 --> 00:29:20,160
Speaker 1: The artist or the song he said.

575
00:29:20,160 --> 00:29:21,640
Speaker 7: A quarter of a second, yes, quarter of a.

576
00:29:21,680 --> 00:29:25,120
Speaker 1: Second, quarter of a second, yes, some are easy, some

577
00:29:25,360 --> 00:29:27,840
Speaker 1: or not. There is no you. This is this is

578
00:29:28,760 --> 00:29:34,080
Speaker 1: I'm just saying this. This is round one of Okay,

579
00:29:35,200 --> 00:29:37,960
Speaker 1: can you name this break.

580
00:29:39,440 --> 00:29:40,320
Speaker 8: Bracket in the pocket?

581
00:29:40,920 --> 00:29:41,600
Speaker 1: You are correct?

582
00:29:42,920 --> 00:29:47,440
Speaker 10: This, I know it.

583
00:29:47,600 --> 00:29:51,120
Speaker 8: That's the who who makes it. It's the original. I

584
00:29:51,160 --> 00:29:52,040
Speaker 8: don't want to be a player.

585
00:29:55,080 --> 00:29:55,320
Speaker 1: Thank you.

586
00:29:55,960 --> 00:29:56,560
Speaker 7: The first Monday.

587
00:29:56,560 --> 00:29:58,720
Speaker 8: I might need help because I may not know the names,

588
00:29:58,760 --> 00:30:00,800
Speaker 8: but you don't know that I know what I'm talking about,

589
00:30:00,880 --> 00:30:01,240
Speaker 8: all right?

590
00:30:01,600 --> 00:30:02,080
Speaker 1: Number three?

591
00:30:03,440 --> 00:30:06,560
Speaker 8: Yeah, brand new or a bouncy lady.

592
00:30:06,960 --> 00:30:12,560
Speaker 1: Yes, I love how you just that pleasure break.

593
00:30:14,400 --> 00:30:14,840
Speaker 6: Mm hmm.

594
00:30:16,440 --> 00:30:17,280
Speaker 8: Do that one more time?

595
00:30:18,200 --> 00:30:18,640
Speaker 10: Mm hmm.

596
00:30:21,200 --> 00:30:22,320
Speaker 8: Yeah that's do do.

597
00:30:24,920 --> 00:30:30,760
Speaker 1: Together? Do the message by yes, me and the beers.

598
00:30:31,400 --> 00:30:34,360
Speaker 1: You ready? Number five? Yeah?

599
00:30:35,840 --> 00:30:41,520
Speaker 8: Oh one more time? Yeah, you might stamp me with

600
00:30:41,600 --> 00:30:43,760
Speaker 8: that one. Wait a minute, one more time?

601
00:30:47,520 --> 00:30:50,040
Speaker 1: No, one last time?

602
00:30:50,760 --> 00:31:00,240
Speaker 8: Yeah, nope, mhm.

603
00:31:05,880 --> 00:31:08,760
Speaker 1: Uh that was Ohio players singing in the morning.

604
00:31:09,680 --> 00:31:13,200
Speaker 8: See yeah, yeah, he got biggies.

605
00:31:13,280 --> 00:31:19,320
Speaker 1: Uh ready to up? All right, you're allowed to strike?

606
00:31:20,880 --> 00:31:21,400
Speaker 1: Number six?

607
00:31:22,120 --> 00:31:22,520
Speaker 9: Mm hmm.

608
00:31:25,120 --> 00:31:32,600
Speaker 1: Is that Parlem with Funkadelic, Yes, the number seven? Oh,

609
00:31:32,720 --> 00:31:33,120
Speaker 1: that is it.

610
00:31:33,160 --> 00:31:34,600
Speaker 8: The bird is playing Johnny Guitar.

611
00:31:34,440 --> 00:31:38,400
Speaker 1: Watson Superman Lover. Yes, number eight.

612
00:31:40,080 --> 00:31:40,400
Speaker 7: Mm hm.

613
00:31:40,960 --> 00:31:43,800
Speaker 8: That is the original be a Father to your child

614
00:31:44,400 --> 00:31:45,600
Speaker 8: EDLG and the Bulldogs.

615
00:31:47,600 --> 00:31:51,920
Speaker 1: You're close wrong single? Yeah? Yeah, not be a father

616
00:31:52,040 --> 00:31:53,520
Speaker 1: to your child? Yeah, you know what I'm saying.

617
00:31:53,560 --> 00:31:54,200
Speaker 8: I gotta have it.

618
00:31:54,800 --> 00:31:57,200
Speaker 1: Yeah bo Hannon burn that song singing.

619
00:31:56,960 --> 00:31:59,080
Speaker 7: A song from my mother being five to your child?

620
00:31:59,240 --> 00:31:59,760
Speaker 9: Was that ship?

621
00:32:00,520 --> 00:32:00,840
Speaker 7: All right?

622
00:32:00,880 --> 00:32:03,440
Speaker 1: Two more left? Two more left? Last one? All right?

623
00:32:03,480 --> 00:32:04,320
Speaker 1: Second and last one.

624
00:32:09,080 --> 00:32:15,320
Speaker 8: The original dre ship? Yeah, chick moaning I want to

625
00:32:15,640 --> 00:32:16,520
Speaker 8: do something freak.

626
00:32:18,480 --> 00:32:20,880
Speaker 1: Uh. Side note, I actually thought that was my mom.

627
00:32:21,840 --> 00:32:27,360
Speaker 2: Oh no, only because Dre uses my parents sample and

628
00:32:27,400 --> 00:32:31,240
Speaker 2: that ship too, So I thought that you.

629
00:32:31,280 --> 00:32:33,200
Speaker 7: Knew your mama were weird.

630
00:32:33,320 --> 00:32:39,160
Speaker 1: I'm sorry, mom, the like, sorry, my mom has a

631
00:32:39,360 --> 00:32:44,000
Speaker 1: similar s side.

632
00:32:44,720 --> 00:32:50,920
Speaker 2: I'm not that oxygen oxygen technique tale on her record, Yeah,

633
00:32:51,320 --> 00:32:56,000
Speaker 2: excel on her record. So yeah, I was very relieved

634
00:32:56,000 --> 00:32:59,880
Speaker 2: to find out that, no, that wasn't my mom, but yeah,

635
00:33:00,080 --> 00:33:02,840
Speaker 2: she does something something anyway.

636
00:33:03,120 --> 00:33:05,200
Speaker 11: Your last song all right, this this is the comic

637
00:33:05,280 --> 00:33:15,480
Speaker 11: kaze one more Time, M one more Time.

638
00:33:21,520 --> 00:33:24,760
Speaker 1: That's not h one two, three, four, five, six, seven,

639
00:33:29,280 --> 00:33:30,120
Speaker 1: eleven twelve.

640
00:33:31,920 --> 00:33:34,640
Speaker 2: Only did that because of your connection with Jill Scott

641
00:33:34,880 --> 00:33:37,680
Speaker 2: and getting in the way and her dropping.

642
00:33:37,440 --> 00:33:41,160
Speaker 1: That anyway, Uh, even though I know it.

643
00:33:41,480 --> 00:33:45,560
Speaker 2: Uh, Sir Jeff Towns, could you please tell our audience,

644
00:33:45,680 --> 00:33:48,240
Speaker 2: almost three hours into the show, where you were born

645
00:33:48,240 --> 00:33:48,800
Speaker 2: in what city?

646
00:33:49,440 --> 00:33:51,240
Speaker 8: Osborn in West Philadelphia?

647
00:33:52,040 --> 00:33:54,280
Speaker 2: We're in West Philadelphia, Like, are you allowed to talk

648
00:33:54,320 --> 00:33:55,800
Speaker 2: about your old neighborhood.

649
00:33:55,280 --> 00:33:56,239
Speaker 1: Now that you don't live there?

650
00:33:56,400 --> 00:34:00,160
Speaker 8: I am. I'm from fifty seventh and Rodman, which which

651
00:34:00,200 --> 00:34:03,640
Speaker 8: is right next to fifty seventh and Cedar, which is

652
00:34:03,720 --> 00:34:08,000
Speaker 8: between Baltimore Avenue and Market Street. Which is funny because

653
00:34:08,080 --> 00:34:10,680
Speaker 8: you know the north side is basically the north side

654
00:34:10,680 --> 00:34:14,680
Speaker 8: of Market Street south side is south of Market Street,

655
00:34:14,760 --> 00:34:19,920
Speaker 8: but before Baltimore Avenue, so not southwest past Baltimore Avenue southwest.

656
00:34:20,840 --> 00:34:24,040
Speaker 1: So in eighty five, how close were you to that

657
00:34:24,239 --> 00:34:27,720
Speaker 1: move fire? Oh man, behind those sage.

658
00:34:28,080 --> 00:34:30,920
Speaker 8: Yeah, it was. I was about five blocks away, like

659
00:34:31,239 --> 00:34:35,080
Speaker 8: literally heard the gunshots. Like the night before. You know,

660
00:34:35,239 --> 00:34:37,160
Speaker 8: everybody in the neighborhood was just like, yo, something's going

661
00:34:37,200 --> 00:34:39,680
Speaker 8: on because you knew move were there, you know, just

662
00:34:39,920 --> 00:34:42,200
Speaker 8: going on a block. I went there, be outside with

663
00:34:42,280 --> 00:34:42,760
Speaker 8: the ballhome.

664
00:34:42,880 --> 00:34:46,360
Speaker 1: Jack Junes was like yeah, crawling on the floor and it.

665
00:34:46,440 --> 00:34:49,480
Speaker 8: Was crazy because that night they were like, Yo, something

666
00:34:49,600 --> 00:34:52,040
Speaker 8: is gonna happen. And we went up to Kyles Creek

667
00:34:52,080 --> 00:34:54,720
Speaker 8: Parkway and it was I've never seen as many cops.

668
00:34:55,040 --> 00:34:59,200
Speaker 8: I've never seen a swat team, you know, in real life,

669
00:34:59,360 --> 00:35:01,680
Speaker 8: and they all were out there the big flood lights,

670
00:35:03,960 --> 00:35:05,800
Speaker 8: and you know, we stayed up there for about two hours.

671
00:35:05,840 --> 00:35:08,840
Speaker 8: I mean you couldn't get but three blocks close to it.

672
00:35:09,040 --> 00:35:12,120
Speaker 8: And then we went home and I never forget it

673
00:35:12,239 --> 00:35:14,400
Speaker 8: had to be about five o'clock in the morning. I

674
00:35:14,520 --> 00:35:22,120
Speaker 8: have never in my life heard twenty minutes of sub

675
00:35:22,360 --> 00:35:27,000
Speaker 8: automatic weapons being fired in your neighborhood. Like it was

676
00:35:27,320 --> 00:35:30,360
Speaker 8: nine stop and you you know, you didn't know, like

677
00:35:30,480 --> 00:35:33,920
Speaker 8: you're hearing this through your window, not knowing what's going on,

678
00:35:34,040 --> 00:35:36,319
Speaker 8: and you turn on the news and you know, so.

679
00:35:36,360 --> 00:35:40,000
Speaker 2: You had no clue that in twenty four hours entire

680
00:35:40,040 --> 00:35:41,120
Speaker 2: blocks will be burnt.

681
00:35:41,280 --> 00:35:42,239
Speaker 1: No exact.

682
00:35:43,760 --> 00:35:46,319
Speaker 8: Like we saw the helicopter fly over, and we saw

683
00:35:46,440 --> 00:35:48,960
Speaker 8: when it dropped it, and we didn't know what it was.

684
00:35:49,040 --> 00:35:51,120
Speaker 8: We saw when it dropped it and you heard this

685
00:35:51,440 --> 00:35:55,520
Speaker 8: incredibly loud boom that shook everything in the neighborhood and

686
00:35:55,600 --> 00:35:57,000
Speaker 8: we were just kind of like, what was that? And

687
00:35:57,040 --> 00:35:58,560
Speaker 8: they were just like they must have dropped some kind

688
00:35:58,560 --> 00:36:03,160
Speaker 8: of explosive and then fire started, and like to realize

689
00:36:03,280 --> 00:36:05,960
Speaker 8: this might have been three o'clock in the afternoon, and

690
00:36:07,239 --> 00:36:12,520
Speaker 8: no one came, like, there wasn't a fire truck around

691
00:36:12,840 --> 00:36:15,279
Speaker 8: for a good five to six hours. So to watch

692
00:36:15,360 --> 00:36:18,480
Speaker 8: it burn a complete blockdown, and you know how the

693
00:36:18,560 --> 00:36:21,000
Speaker 8: blocks are that they're connected, So it burned a blockdown,

694
00:36:21,080 --> 00:36:23,800
Speaker 8: it went through the alley to another block and burned

695
00:36:23,880 --> 00:36:25,240
Speaker 8: one side of another blockdown.

696
00:36:25,400 --> 00:36:27,400
Speaker 7: As a whole cider. I'm still surprised how y'all let

697
00:36:27,400 --> 00:36:28,719
Speaker 7: this go down, But I'm just gonna say that I

698
00:36:28,719 --> 00:36:32,120
Speaker 7: don't understand Philly, y'all you are a Philadelphia I am,

699
00:36:32,200 --> 00:36:33,600
Speaker 7: but I was in DC at the time, and I

700
00:36:33,719 --> 00:36:35,160
Speaker 7: just know I felt like if it would have happened

701
00:36:35,160 --> 00:36:37,360
Speaker 7: in DC, a bunch of black people would have took hands,

702
00:36:37,440 --> 00:36:39,719
Speaker 7: went grew and got around the neighborhood and been like,

703
00:36:39,800 --> 00:36:41,279
Speaker 7: I'll be damned if you go out to bomb these

704
00:36:41,280 --> 00:36:42,240
Speaker 7: black people and these babies.

705
00:36:42,440 --> 00:36:43,040
Speaker 1: No, you didn't know.

706
00:36:43,320 --> 00:36:46,800
Speaker 8: You didn't like understand this is all news media, and

707
00:36:47,360 --> 00:36:51,360
Speaker 8: this is after all of this gunfire, and what happened

708
00:36:51,520 --> 00:36:56,080
Speaker 8: was people didn't know, which I personally believe that I

709
00:36:56,160 --> 00:36:59,680
Speaker 8: don't think anybody from move shot. I think this was

710
00:36:59,719 --> 00:37:03,200
Speaker 8: the least shooting at each other because all it takes

711
00:37:03,320 --> 00:37:07,000
Speaker 8: is one shot, and and it was just gunfire that

712
00:37:07,520 --> 00:37:11,360
Speaker 8: no one was kind of like known to have shot

713
00:37:11,480 --> 00:37:14,160
Speaker 8: somebody you didn't know, So it was just kind of

714
00:37:14,200 --> 00:37:16,400
Speaker 8: like nobody moved. You didn't know what was going on.

715
00:37:16,680 --> 00:37:19,439
Speaker 2: And to be honest with you, in nineteen eighty five,

716
00:37:21,160 --> 00:37:30,480
Speaker 2: black Christian Conservative outlook was was hot and black Christian Conservative.

717
00:37:30,520 --> 00:37:36,160
Speaker 2: I think it's almost a step ahead of racist, redneck

718
00:37:37,680 --> 00:37:44,200
Speaker 2: Southern Bible Christian Conservative. It's almost like, you know, I remember,

719
00:37:44,600 --> 00:37:49,000
Speaker 2: like practically everyone in the neighborhood saw the move people

720
00:37:49,200 --> 00:37:55,359
Speaker 2: as heathens. Yep, they eat raw meat, they homeschooled their kids.

721
00:37:56,719 --> 00:37:57,799
Speaker 1: But I remember the move.

722
00:37:58,200 --> 00:38:01,240
Speaker 8: My brother used to live on forty fourth from Paltain,

723
00:38:01,280 --> 00:38:04,880
Speaker 8: so I remember the first move with seventy seven Yeah naked,

724
00:38:05,080 --> 00:38:07,920
Speaker 8: so you you you know, you knew about the organization

725
00:38:08,640 --> 00:38:11,480
Speaker 8: and what it was, and they had a standoff there.

726
00:38:11,560 --> 00:38:13,239
Speaker 8: I was just a little bit too young to really

727
00:38:13,320 --> 00:38:16,080
Speaker 8: understand what it was. So when they kind of moved

728
00:38:16,160 --> 00:38:18,640
Speaker 8: up in the neighborhood, you kind of it was still

729
00:38:18,680 --> 00:38:21,960
Speaker 8: the same chatter, and you know, you're getting the information

730
00:38:22,080 --> 00:38:22,800
Speaker 8: off of television.

731
00:38:22,920 --> 00:38:26,920
Speaker 2: So yeah, I was also that was I was heartbroken

732
00:38:27,000 --> 00:38:30,439
Speaker 2: that day. I just got dumped by like my first

733
00:38:30,520 --> 00:38:31,239
Speaker 2: high school girl.

734
00:38:33,000 --> 00:38:34,840
Speaker 7: The only time a bomb been dropped in the country

735
00:38:34,920 --> 00:38:35,439
Speaker 7: you talk about.

736
00:38:35,440 --> 00:38:38,040
Speaker 1: I'm just saying, man, none of that. She's like I

737
00:38:38,120 --> 00:38:41,040
Speaker 1: had a bomb dropped on my heart. Yeah, man, Like

738
00:38:42,200 --> 00:38:42,960
Speaker 1: I came home.

739
00:38:44,760 --> 00:38:47,640
Speaker 2: Seriously, like the second they dropped that bomb in like

740
00:38:47,760 --> 00:38:52,920
Speaker 2: three thirty, I was right on my porch and I

741
00:38:53,000 --> 00:38:53,239
Speaker 2: was just.

742
00:38:53,320 --> 00:38:56,800
Speaker 1: Like, yeah, let me go watch the last Cosby episode.

743
00:38:59,000 --> 00:39:01,880
Speaker 5: For those of us who weren't there, can somebody just

744
00:39:01,960 --> 00:39:05,440
Speaker 5: give us a brief about move not only about move,

745
00:39:05,480 --> 00:39:07,040
Speaker 5: but about this bomb that was dropped.

746
00:39:08,040 --> 00:39:08,720
Speaker 10: I've never heard.

747
00:39:08,640 --> 00:39:11,239
Speaker 1: Loost Bill will be played by Steve Mandel. All Right,

748
00:39:11,320 --> 00:39:15,920
Speaker 1: so basically move, I wouldn't know how to how to

749
00:39:17,280 --> 00:39:20,000
Speaker 1: exactly I kind of get to move.

750
00:39:20,200 --> 00:39:23,000
Speaker 7: Or he's asking about the correlation between the bomb.

751
00:39:22,840 --> 00:39:26,680
Speaker 1: And the bomb there. Okay, so according.

752
00:39:29,160 --> 00:39:31,560
Speaker 7: How Philadelphia people really explain this, this is not a mirror.

753
00:39:31,600 --> 00:39:33,920
Speaker 1: He's don't I don't want I don't want to leave that.

754
00:39:34,000 --> 00:39:36,439
Speaker 1: I don't want to be the all sides guy.

755
00:39:36,640 --> 00:39:44,719
Speaker 2: But so basically, I guess there was tension between the

756
00:39:44,840 --> 00:39:48,320
Speaker 2: neighbors of the fifty eight one hundred block of Osage

757
00:39:48,320 --> 00:39:54,000
Speaker 2: Avenue and the Africa family, which all their last names

758
00:39:54,040 --> 00:39:56,440
Speaker 2: were Africa, similar to like having an X. They all

759
00:39:56,480 --> 00:39:59,040
Speaker 2: took the last name of the Africa and it was

760
00:39:59,160 --> 00:40:03,200
Speaker 2: like fifteen people in the house. Everyone had a similar

761
00:40:03,239 --> 00:40:05,759
Speaker 2: look dreadlocks. They were more like a primitive I mean,

762
00:40:05,840 --> 00:40:08,239
Speaker 2: the thing is that it would be totally normal now

763
00:40:08,480 --> 00:40:10,680
Speaker 2: in the times that we live in, but back then

764
00:40:10,719 --> 00:40:13,520
Speaker 2: you saw someone dreadlocks, you were just like snakes in

765
00:40:13,600 --> 00:40:16,760
Speaker 2: your head and you must move drugs like Bob Marley

766
00:40:16,840 --> 00:40:19,120
Speaker 2: and you know. And they didn't believe in They just

767
00:40:19,160 --> 00:40:25,520
Speaker 2: didn't really believe in the westernized colonization of where America

768
00:40:25,719 --> 00:40:28,120
Speaker 2: was their education system and all, so they want to

769
00:40:28,160 --> 00:40:29,160
Speaker 2: homeschool their kids.

770
00:40:29,239 --> 00:40:30,080
Speaker 7: They armed themselves.

771
00:40:30,200 --> 00:40:32,640
Speaker 1: Well right, yeah, they armed themselves. So it was like

772
00:40:32,760 --> 00:40:35,880
Speaker 1: part part uh uh, part black.

773
00:40:35,760 --> 00:40:44,480
Speaker 2: Panther ideology, educate your kids live like vegetarians. It's I

774
00:40:44,560 --> 00:40:47,640
Speaker 2: think the complaint was mainly a noise complaint. And then

775
00:40:47,880 --> 00:40:51,399
Speaker 2: they would they would they were us on the roof

776
00:40:51,719 --> 00:40:55,680
Speaker 2: with a bullhorn and just preached their message.

777
00:40:55,760 --> 00:40:57,879
Speaker 1: And they occupied homes. They didn't boy the home.

778
00:40:57,960 --> 00:41:00,759
Speaker 8: Oh yeah, like and see, I think one of the

779
00:41:00,880 --> 00:41:04,680
Speaker 8: things that was different was this was in a residential

780
00:41:05,200 --> 00:41:08,239
Speaker 8: neighborhood like so they were in the middle of the

781
00:41:08,320 --> 00:41:10,279
Speaker 8: block like this. It wasn't like they were in the

782
00:41:10,360 --> 00:41:14,240
Speaker 8: suburbs or had a farm. They were your next door neighbor.

783
00:41:14,760 --> 00:41:17,600
Speaker 2: And not to mention, they were already targeted because in

784
00:41:18,200 --> 00:41:23,680
Speaker 2: nineteen seventy seven, our mayor Frank Rizzo, who was like,

785
00:41:25,360 --> 00:41:28,359
Speaker 2: I mean, if you think like Giuliani era New York

786
00:41:29,080 --> 00:41:33,640
Speaker 2: mixed with Donald Trump mixed with I mean, just think

787
00:41:33,719 --> 00:41:33,960
Speaker 2: of the.

788
00:41:35,440 --> 00:41:39,600
Speaker 1: Worst racist police state mayor you could have.

789
00:41:41,840 --> 00:41:45,879
Speaker 2: They had an incident on forty fourth and Palatain where

790
00:41:45,880 --> 00:41:49,680
Speaker 2: it was like because of a disturbance there, and then

791
00:41:49,719 --> 00:41:53,719
Speaker 2: there was a shootout and he made them all come outside.

792
00:41:54,600 --> 00:41:57,320
Speaker 2: I just remember the picture of them all naked, like

793
00:41:57,640 --> 00:42:00,360
Speaker 2: twenty of them, hands in their naked and.

794
00:42:01,719 --> 00:42:02,600
Speaker 1: Some of them died.

795
00:42:02,719 --> 00:42:05,880
Speaker 2: And so there was already tension between the Philadelphia police

796
00:42:06,400 --> 00:42:11,120
Speaker 2: and the Africa family. So once once complaints and protest

797
00:42:12,040 --> 00:42:17,600
Speaker 2: uh were happening with the residents, the cops were sort

798
00:42:17,600 --> 00:42:18,840
Speaker 2: of like, you know, and get out the house and

799
00:42:18,880 --> 00:42:21,120
Speaker 2: they're like, no, this is our property, YadA YadA, yadda,

800
00:42:21,200 --> 00:42:23,239
Speaker 2: And there was a standoff. It was like a four

801
00:42:23,360 --> 00:42:26,239
Speaker 2: or five days standoff where they just seal off the

802
00:42:26,320 --> 00:42:29,880
Speaker 2: block and you saw news cameras and news people like

803
00:42:30,440 --> 00:42:33,640
Speaker 2: bending on their knees like you know this Jack Jones live.

804
00:42:33,680 --> 00:42:35,800
Speaker 2: Oh no, k y w N Now we're outside of

805
00:42:35,800 --> 00:42:40,200
Speaker 2: the Africa home. And and then on May thirteenth, man, Yeah,

806
00:42:40,719 --> 00:42:45,520
Speaker 2: the commissioner decided to just fly in helicopter right over

807
00:42:45,560 --> 00:42:47,640
Speaker 2: their rooftop. I'm trying to figure out, like what was

808
00:42:47,680 --> 00:42:49,200
Speaker 2: so distinctive about their rooftop.

809
00:42:49,360 --> 00:42:51,240
Speaker 7: They had something on top, they had a bunker.

810
00:42:51,440 --> 00:42:56,759
Speaker 2: Yeah, but you've realized how precise your aim has to

811
00:42:56,840 --> 00:43:00,239
Speaker 2: be to drop like, so they basically I don't know

812
00:43:00,280 --> 00:43:02,080
Speaker 2: if it's a grenade or whatever, but they dropped some

813
00:43:02,239 --> 00:43:05,480
Speaker 2: sort of device that just they dropped a bomb. It

814
00:43:05,600 --> 00:43:07,360
Speaker 2: was a it was a legit bomb.

815
00:43:07,280 --> 00:43:09,680
Speaker 7: First and last time ever on the United States story.

816
00:43:09,719 --> 00:43:11,000
Speaker 8: So they dropped a bomb.

817
00:43:11,160 --> 00:43:14,919
Speaker 2: And you see how like row homes are in Philadelphia,

818
00:43:15,000 --> 00:43:17,239
Speaker 2: so it's not like there's a separation.

819
00:43:17,640 --> 00:43:20,640
Speaker 1: And so they let this house. They tried. They were like,

820
00:43:20,680 --> 00:43:22,400
Speaker 1: we're going to burn you out the house. So they

821
00:43:22,800 --> 00:43:23,239
Speaker 1: burned them.

822
00:43:23,400 --> 00:43:26,520
Speaker 2: Well, they literally killed them all but two, but then

823
00:43:27,160 --> 00:43:30,320
Speaker 2: the fire spread and then the next two houses, and

824
00:43:30,440 --> 00:43:34,279
Speaker 2: then two hours later the entire block was dummies. But

825
00:43:34,480 --> 00:43:39,960
Speaker 2: then five hours later that one big ass block hit

826
00:43:40,040 --> 00:43:42,640
Speaker 2: the next block, and then that entire block hit the

827
00:43:42,719 --> 00:43:46,279
Speaker 2: block across the street, and then that spread. So at

828
00:43:46,440 --> 00:43:50,880
Speaker 2: some point around nine o'clock we gotta knock saying there

829
00:43:50,960 --> 00:43:53,840
Speaker 2: was like the block. Captain was sort of like, okay,

830
00:43:54,520 --> 00:43:59,080
Speaker 2: just be prepared to I lived on the fifty second

831
00:43:59,120 --> 00:44:02,120
Speaker 2: block and this is the eight hundred blocks. So around

832
00:44:02,200 --> 00:44:05,480
Speaker 2: like nine pm, even though we thought they would contain

833
00:44:05,520 --> 00:44:08,880
Speaker 2: the fire, there was like concern that the ship just

834
00:44:08,960 --> 00:44:10,240
Speaker 2: might spread and spread and spread.

835
00:44:12,080 --> 00:44:13,600
Speaker 1: Yeah, it was just it was.

836
00:44:17,120 --> 00:44:19,560
Speaker 8: It's crazy that I'm asked that anywhere I go in

837
00:44:19,640 --> 00:44:23,239
Speaker 8: the world, because everybody's kind of like, yo, didn't weren't

838
00:44:23,280 --> 00:44:26,880
Speaker 8: you guys that the people that dropped the bomb on

839
00:44:26,960 --> 00:44:30,320
Speaker 8: a residential area. Yeah, it ain't like some ship you

840
00:44:30,360 --> 00:44:31,160
Speaker 8: want to be known for.

841
00:44:32,080 --> 00:44:39,880
Speaker 1: Yeah. So records, yeah, yeah, no, So how did you

842
00:44:40,160 --> 00:44:40,560
Speaker 1: how did you.

843
00:44:42,040 --> 00:44:47,640
Speaker 2: How did you start your your I guess that even

844
00:44:47,680 --> 00:44:50,560
Speaker 2: before DJ you have to love records. So what was

845
00:44:50,640 --> 00:44:53,360
Speaker 2: the first record you ever purchased? Or were you like

846
00:44:53,480 --> 00:44:54,480
Speaker 2: the youngest I was?

847
00:44:54,719 --> 00:44:58,680
Speaker 8: Yeah, you know, well, you know what it is, like

848
00:44:58,800 --> 00:45:01,479
Speaker 8: my brother played bass for the Intruders, So they would

849
00:45:01,560 --> 00:45:06,040
Speaker 8: actually rehearse in our basement, which was a little deep

850
00:45:06,160 --> 00:45:09,560
Speaker 8: because you know, you're so young that you're not allowed

851
00:45:09,760 --> 00:45:12,239
Speaker 8: in the basement. That I would sit on the top

852
00:45:12,320 --> 00:45:14,400
Speaker 8: step and they would rehearse, and then I would slide

853
00:45:14,440 --> 00:45:15,840
Speaker 8: down to the next step and slide down to the

854
00:45:15,880 --> 00:45:18,080
Speaker 8: next step till they finally see me and let's say

855
00:45:18,160 --> 00:45:22,080
Speaker 8: get back up, you know, get back upstairs. But then

856
00:45:22,120 --> 00:45:26,600
Speaker 8: my dad was an MC for count Basie, So yeah,

857
00:45:26,840 --> 00:45:29,279
Speaker 8: like my dad, like I grew up with seventy eights

858
00:45:29,320 --> 00:45:33,000
Speaker 8: in the house, West Montgomery. Jimmy Smith and Arthur Price sock,

859
00:45:33,160 --> 00:45:35,839
Speaker 8: so you had those. So it was almost like being

860
00:45:35,920 --> 00:45:39,279
Speaker 8: the youngest, I had the best of everything. I had

861
00:45:39,320 --> 00:45:42,320
Speaker 8: the seventy eights. You know, my brothers were you know,

862
00:45:42,440 --> 00:45:46,240
Speaker 8: my brother was the weather report, Maha Vish New orchestra person,

863
00:45:46,800 --> 00:45:49,280
Speaker 8: and then of course your sisters how many years older.

864
00:45:50,560 --> 00:45:55,840
Speaker 8: I'm oh man, I was the mistake, okay, Like I

865
00:45:55,920 --> 00:45:57,840
Speaker 8: was the one that was a little bit of farther

866
00:45:58,000 --> 00:45:59,480
Speaker 8: gap that it was kind of like, yeah, this was

867
00:45:59,520 --> 00:46:01,319
Speaker 8: a hot and every night with my mont and dad,

868
00:46:02,000 --> 00:46:05,320
Speaker 8: because everybody was like, you know, one person was this

869
00:46:05,560 --> 00:46:10,319
Speaker 8: you know, you know, forty nine and fifty one, fifty three,

870
00:46:10,960 --> 00:46:12,400
Speaker 8: and you know, it got to the point that it

871
00:46:12,480 --> 00:46:14,000
Speaker 8: was kind of like, yo, there was like an eight

872
00:46:14,120 --> 00:46:16,880
Speaker 8: year gap with me, Like I wasn't supposed to be

873
00:46:17,000 --> 00:46:20,160
Speaker 8: his right, right, but you know, but I was. I

874
00:46:20,280 --> 00:46:22,440
Speaker 8: was the sponge, so you know, and and what I

875
00:46:22,520 --> 00:46:26,280
Speaker 8: give more credit to was my you know, at about

876
00:46:26,440 --> 00:46:29,719
Speaker 8: seven years old, my brother showed me how to take

877
00:46:29,880 --> 00:46:32,680
Speaker 8: records in and out of the sleeve. Don't put your

878
00:46:32,719 --> 00:46:35,080
Speaker 8: hands on the records. You hold your thumb at the end,

879
00:46:35,160 --> 00:46:36,839
Speaker 8: you put your finger in the middle, bring it out,

880
00:46:36,880 --> 00:46:41,160
Speaker 8: don't don't touch touch the vinyl like that, and he

881
00:46:41,320 --> 00:46:44,600
Speaker 8: had you know, he had a set, he had a

882
00:46:44,680 --> 00:46:49,480
Speaker 8: receiver records now now like we've used I think I

883
00:46:49,600 --> 00:46:50,640
Speaker 8: think that ship out the window.

884
00:46:50,719 --> 00:46:51,560
Speaker 7: My parents were like that.

885
00:46:52,280 --> 00:46:54,279
Speaker 8: But he, you know, he was kind of like, listen,

886
00:46:54,480 --> 00:46:57,320
Speaker 8: if if you, if you take care of it, I

887
00:46:57,400 --> 00:47:01,239
Speaker 8: will let you use my stere system when he was

888
00:47:01,280 --> 00:47:04,160
Speaker 8: at work, what like seven years old. But what I'm

889
00:47:04,160 --> 00:47:06,640
Speaker 8: gonna tell you was crazy. I'm seven years old and

890
00:47:06,719 --> 00:47:11,440
Speaker 8: I'm making chick corea tapes cassettes, like he gave me

891
00:47:11,480 --> 00:47:14,719
Speaker 8: a blank cassette and I'm listening to music, not really

892
00:47:14,920 --> 00:47:18,520
Speaker 8: understanding what is attracting me to this music. But I'm like,

893
00:47:18,640 --> 00:47:20,960
Speaker 8: oh my god, I want this chick career song and

894
00:47:21,320 --> 00:47:23,759
Speaker 8: oh look, you know, return it forever and I want that.

895
00:47:24,200 --> 00:47:27,759
Speaker 8: And because the his music was my music, and I

896
00:47:27,800 --> 00:47:32,000
Speaker 8: would make these, make these tapes, and I got sucked in,

897
00:47:32,120 --> 00:47:33,880
Speaker 8: like I didn't understand it was the chorus structure. I

898
00:47:33,920 --> 00:47:36,560
Speaker 8: didn't understand what it was. It was just the it

899
00:47:36,719 --> 00:47:39,640
Speaker 8: was a pure attraction of music. And then the Stevie

900
00:47:39,680 --> 00:47:40,600
Speaker 8: Wondering and Marvin Gay.

901
00:47:40,719 --> 00:47:43,840
Speaker 2: So that's what makes you different. You didn't have the

902
00:47:44,280 --> 00:47:47,960
Speaker 2: don't touch my stereo. Oh no, I had the exact opposite.

903
00:47:49,640 --> 00:47:51,360
Speaker 2: I had the exact opposite.

904
00:47:51,880 --> 00:47:52,720
Speaker 1: See, I had.

905
00:47:52,640 --> 00:47:55,920
Speaker 2: Don't touch my stereo. But I also lived in the

906
00:47:55,960 --> 00:47:59,600
Speaker 2: house with three collectors that hove the stereo. So I

907
00:47:59,800 --> 00:48:04,759
Speaker 2: was forced by will too, you know, by force. I

908
00:48:05,000 --> 00:48:09,759
Speaker 2: had to listen to their music and don't touch my

909
00:48:09,840 --> 00:48:11,440
Speaker 2: stereo on the car and none of that stuff. So

910
00:48:13,120 --> 00:48:15,879
Speaker 2: I was that music was forced upon me. And then

911
00:48:16,080 --> 00:48:17,320
Speaker 2: I guess Stockholm syndrome.

912
00:48:17,360 --> 00:48:19,799
Speaker 8: I just like I used to do this weird thing

913
00:48:20,000 --> 00:48:22,080
Speaker 8: that this is probably the first time that I'm ever

914
00:48:22,360 --> 00:48:26,640
Speaker 8: admitting admitting this. But I would have a radio and

915
00:48:27,000 --> 00:48:28,959
Speaker 8: I would go and take a bath, and I would

916
00:48:29,080 --> 00:48:31,239
Speaker 8: take the radio in the bathroom and I plug it

917
00:48:31,320 --> 00:48:33,200
Speaker 8: up and I would sit the radio on top of

918
00:48:33,280 --> 00:48:36,759
Speaker 8: the toilet and I would grab the plunger because you

919
00:48:36,800 --> 00:48:40,839
Speaker 8: got to understand a plunger microphone, it's a microphone, it's

920
00:48:40,920 --> 00:48:45,200
Speaker 8: a horn, it's a bass, it's a guitar. Oh, I

921
00:48:45,239 --> 00:48:47,759
Speaker 8: would mimic every but you know what I did. It

922
00:48:48,000 --> 00:48:53,960
Speaker 8: made me memorize every guitar solo, lick for lick, every horn.

923
00:48:54,040 --> 00:48:56,879
Speaker 8: So listen, I was switched. I would have that ship

924
00:48:57,239 --> 00:48:57,719
Speaker 8: out playing.

925
00:49:00,560 --> 00:49:06,839
Speaker 1: Look the whole entire room just turned against.

926
00:49:06,680 --> 00:49:08,360
Speaker 7: The first thing. He says, I use a plunger for

927
00:49:08,440 --> 00:49:11,800
Speaker 7: a mic, like but no, no, no, listen, what was that?

928
00:49:12,320 --> 00:49:16,040
Speaker 2: Literally everything everyone in this room, the people across the street,

929
00:49:16,080 --> 00:49:16,680
Speaker 2: that froker.

930
00:49:20,239 --> 00:49:24,880
Speaker 8: Listen, man, you know your imagination and music is basically

931
00:49:25,040 --> 00:49:27,480
Speaker 8: while I'm sitting here, because you.

932
00:49:27,600 --> 00:49:28,759
Speaker 1: Look ill meant the same thing.

933
00:49:29,160 --> 00:49:31,799
Speaker 2: When James Brown was on Dinah Shore doing body Heat

934
00:49:32,800 --> 00:49:34,080
Speaker 2: and that's the first time I saw him do the

935
00:49:34,120 --> 00:49:34,920
Speaker 2: microphone tricks.

936
00:49:35,440 --> 00:49:37,600
Speaker 1: I got the toilet punch and start doing the microphone tricks.

937
00:49:37,600 --> 00:49:40,480
Speaker 1: And then my mom was like, so.

938
00:49:41,160 --> 00:49:42,640
Speaker 8: See I didn't do it in front of my mouth.

939
00:49:43,000 --> 00:49:44,040
Speaker 8: I had a lock on the door.

940
00:49:45,160 --> 00:49:47,080
Speaker 1: Oh you knew better? Oh yeah, yeah.

941
00:49:48,760 --> 00:49:48,920
Speaker 7: Yeah.

942
00:49:49,600 --> 00:49:51,960
Speaker 8: And I didn't put the plunger near my mouth.

943
00:49:52,160 --> 00:49:55,520
Speaker 7: You know you plunge, slash, you know what I'm saying.

944
00:49:55,719 --> 00:49:59,799
Speaker 8: You listen, But but the top like, I wasn't doing

945
00:49:59,800 --> 00:50:03,400
Speaker 8: it the rubber part, which was the horn, and you know,

946
00:50:03,560 --> 00:50:05,279
Speaker 8: you would grab a roll of toilet paper and that

947
00:50:05,320 --> 00:50:09,680
Speaker 8: would be your muzzle on your on your trumpet. So listen,

948
00:50:09,719 --> 00:50:12,320
Speaker 8: I went to what was Steve was just like, wow.

949
00:50:13,800 --> 00:50:18,520
Speaker 1: Where were you busy in the bathroom? When were you

950
00:50:18,880 --> 00:50:21,280
Speaker 1: allowed to curate.

951
00:50:22,680 --> 00:50:26,640
Speaker 2: The first backyard barbecue or like what you consider your

952
00:50:26,719 --> 00:50:27,919
Speaker 2: first DJ gig.

953
00:50:28,320 --> 00:50:30,840
Speaker 8: I started making mixtapes for all of the dancers, not

954
00:50:30,960 --> 00:50:34,960
Speaker 8: necessarily mixtapes. If you had a cassette that had a

955
00:50:35,040 --> 00:50:39,480
Speaker 8: spring loaded pause button that it did it instantly. You

956
00:50:39,560 --> 00:50:42,400
Speaker 8: could like you know how sometimes you would have the

957
00:50:42,480 --> 00:50:44,560
Speaker 8: pause buttons that you would hit it and then it

958
00:50:44,560 --> 00:50:47,800
Speaker 8: would engage. If you had a spring loaded pause button,

959
00:50:48,040 --> 00:50:51,200
Speaker 8: it would stop automatic. So I would just make the

960
00:50:51,320 --> 00:50:53,000
Speaker 8: love the Life you Live break that all of the

961
00:50:53,120 --> 00:50:55,520
Speaker 8: dancers would dance off of. I was the one that

962
00:50:55,680 --> 00:50:58,560
Speaker 8: had it that went for ten minutes. Yeah, so I

963
00:50:58,600 --> 00:51:01,480
Speaker 8: would go to the end, and you got known for that.

964
00:51:02,360 --> 00:51:05,000
Speaker 8: And then it just turned into you know what, I'm

965
00:51:05,080 --> 00:51:08,480
Speaker 8: gonna steal some of my brother's records and not eat

966
00:51:08,600 --> 00:51:11,520
Speaker 8: lunch the whole time. I'm in school and I'm going

967
00:51:11,560 --> 00:51:15,360
Speaker 8: downtown because you remember funkal Mart had three five for

968
00:51:16,280 --> 00:51:18,840
Speaker 8: you know, two dollars, and I would just I started

969
00:51:18,880 --> 00:51:21,239
Speaker 8: a record collection like that's I realized that the record

970
00:51:21,280 --> 00:51:23,640
Speaker 8: collection is the most important thing as a DJ.

971
00:51:24,400 --> 00:51:27,640
Speaker 2: What was the first because I did when Rappers a

972
00:51:27,719 --> 00:51:31,560
Speaker 2: Light came out, I begged I think twenty people for

973
00:51:31,680 --> 00:51:35,640
Speaker 2: a dime mm because there's like seventeen.

974
00:51:35,760 --> 00:51:39,520
Speaker 8: So yeah, listen, I had, like, what was the first

975
00:51:39,680 --> 00:51:45,880
Speaker 8: record that you like, bar Kay's Holy Ghosts Moving by

976
00:51:45,960 --> 00:51:49,399
Speaker 8: Brass Construction because I was a little pre hip hop.

977
00:51:49,600 --> 00:51:51,600
Speaker 8: So that's what they play at the block parties. I

978
00:51:51,640 --> 00:51:53,560
Speaker 8: just want to make your dream come try by mass production,

979
00:51:53,760 --> 00:51:55,600
Speaker 8: and you know, it was it was all of that.

980
00:51:55,680 --> 00:51:57,120
Speaker 8: It was the funk and soul bands.

981
00:51:57,520 --> 00:51:59,040
Speaker 1: When did you play your first block party?

982
00:52:01,239 --> 00:52:09,040
Speaker 8: Probably about eighty seventy nine eighty. I know, I was

983
00:52:09,080 --> 00:52:10,080
Speaker 8: still in school.

984
00:52:10,160 --> 00:52:13,359
Speaker 2: Too, so I know Philly is known for these DJ

985
00:52:13,520 --> 00:52:16,680
Speaker 2: crews like astrou Oh yeah, this was this was way

986
00:52:16,800 --> 00:52:17,200
Speaker 2: before that.

987
00:52:17,560 --> 00:52:22,359
Speaker 8: This was super before that, like enough to go off

988
00:52:22,440 --> 00:52:24,719
Speaker 8: the block, so let alone have a crew. But it

989
00:52:24,800 --> 00:52:28,040
Speaker 8: was it was older DJ's on the block, and you know,

990
00:52:28,360 --> 00:52:30,680
Speaker 8: and that's the first time that you got in front

991
00:52:30,719 --> 00:52:35,879
Speaker 8: of two turntables and a mixer with headphones mix.

992
00:52:36,120 --> 00:52:39,640
Speaker 1: Oh yes, I had nothing, and they trusted you. Yeah.

993
00:52:39,920 --> 00:52:42,200
Speaker 8: I mean, listen, I was the guy that when they

994
00:52:42,280 --> 00:52:43,400
Speaker 8: had to go pee, I played.

995
00:52:45,200 --> 00:52:46,600
Speaker 1: Yeah, you were like, I was gonna say, have you

996
00:52:46,680 --> 00:52:47,960
Speaker 1: ever been someone's record? Dude?

997
00:52:48,320 --> 00:52:51,080
Speaker 8: Always? That's all I was to all of the older guys,

998
00:52:51,200 --> 00:52:54,240
Speaker 8: and it was just you know, I don't remember what happened,

999
00:52:54,360 --> 00:52:57,000
Speaker 8: but I gotten to a point that I would do

1000
00:52:57,440 --> 00:53:00,680
Speaker 8: stuff by myself. And you I know from growing up

1001
00:53:00,719 --> 00:53:05,800
Speaker 8: in West Philly that we have an iconic public enemy

1002
00:53:06,200 --> 00:53:10,280
Speaker 8: type flavor flave figure named Crazy D that if Crazy

1003
00:53:10,360 --> 00:53:13,000
Speaker 8: D was at your block party, your block party was

1004
00:53:13,120 --> 00:53:15,560
Speaker 8: guaranteed to be a success. So people would go and

1005
00:53:15,680 --> 00:53:18,680
Speaker 8: recruit him. And they had a block party on fifty

1006
00:53:18,719 --> 00:53:21,360
Speaker 8: seven Cedar, which is a big block to two Way Street.

1007
00:53:22,080 --> 00:53:24,800
Speaker 8: And I remember looking at all of the DJs in

1008
00:53:24,800 --> 00:53:26,960
Speaker 8: the neighborhood. You had Disco Doc, you had Disco Rat,

1009
00:53:27,040 --> 00:53:30,400
Speaker 8: you had Email Disco, and all of them had no

1010
00:53:30,600 --> 00:53:32,839
Speaker 8: block parties. They were all there. So it was kind

1011
00:53:32,880 --> 00:53:35,600
Speaker 8: of like when you don't have any other competition and

1012
00:53:35,640 --> 00:53:39,680
Speaker 8: they're all they're watching you and you're fourteen fifteen years

1013
00:53:39,719 --> 00:53:42,359
Speaker 8: old in the street with four or five hundred people

1014
00:53:43,000 --> 00:53:46,400
Speaker 8: and you're controlling them. That was the That was the signal.

1015
00:53:46,600 --> 00:53:49,600
Speaker 8: That was the signal in the neighborhood that that he

1016
00:53:50,000 --> 00:53:50,320
Speaker 8: got it.

1017
00:53:51,600 --> 00:53:52,160
Speaker 9: Like that was it.

1018
00:53:52,320 --> 00:53:53,520
Speaker 8: It was that one block party.

1019
00:53:54,000 --> 00:53:56,440
Speaker 1: So how long was it before you were able to.

1020
00:53:58,360 --> 00:54:00,359
Speaker 2: Because I know turned, I mean I had to get

1021
00:54:00,360 --> 00:54:04,400
Speaker 2: a record budget to buy my turntables and my mixer

1022
00:54:04,480 --> 00:54:05,239
Speaker 2: and that sort of thing.

1023
00:54:05,360 --> 00:54:06,880
Speaker 8: So like I was in a lot of crews that

1024
00:54:07,000 --> 00:54:11,560
Speaker 8: had equipment, so one guy, you know, it was kind

1025
00:54:11,560 --> 00:54:17,799
Speaker 8: of like you practice, though I would mentally practice, no, Jeff, listen,

1026
00:54:17,960 --> 00:54:21,040
Speaker 8: I'm I'm dead that serious. I would practice in my head.

1027
00:54:21,880 --> 00:54:23,440
Speaker 8: That was the only way that I can get ten

1028
00:54:24,320 --> 00:54:28,719
Speaker 8: spent in my head project. Well that was before that.

1029
00:54:29,520 --> 00:54:31,160
Speaker 8: That was before that, but you know what it was.

1030
00:54:31,400 --> 00:54:37,520
Speaker 8: What helped was if you cut Grand Master Flash super

1031
00:54:37,560 --> 00:54:41,160
Speaker 8: Wrapping at a party and you killed it. The next week,

1032
00:54:41,480 --> 00:54:44,120
Speaker 8: the DJ in your crew is going to cut that record.

1033
00:54:44,440 --> 00:54:46,640
Speaker 8: He's not gonna leave it for you. There wasn't there

1034
00:54:46,719 --> 00:54:49,839
Speaker 8: wasn't favoritism or any of that. So what happened then

1035
00:54:49,880 --> 00:54:52,319
Speaker 8: you learned how to cut at the party by Treacher's Three,

1036
00:54:52,920 --> 00:54:55,120
Speaker 8: and then the next week he would cut Grand Master

1037
00:54:55,200 --> 00:54:58,719
Speaker 8: Flash and the Treacher's Three. So you systematically kept going

1038
00:54:58,800 --> 00:55:01,719
Speaker 8: through records finding root teens to do off of these

1039
00:55:01,800 --> 00:55:05,600
Speaker 8: records because it was it was that competitive, you know,

1040
00:55:05,680 --> 00:55:07,960
Speaker 8: you you know the back in the day parties, you know,

1041
00:55:08,160 --> 00:55:11,400
Speaker 8: Grand Master Flash super Wrapping was paid twenty times because

1042
00:55:11,400 --> 00:55:12,719
Speaker 8: everybody had a routine off.

1043
00:55:12,640 --> 00:55:18,960
Speaker 1: Of it, right, who who was the first? Like did

1044
00:55:19,000 --> 00:55:21,759
Speaker 1: you pioneer the whole let's dance of the drummers beat?

1045
00:55:21,840 --> 00:55:23,040
Speaker 9: Like what that was?

1046
00:55:23,280 --> 00:55:24,120
Speaker 1: That was a classic?

1047
00:55:24,960 --> 00:55:27,719
Speaker 8: Like I don't think anybody necessary like that's what was

1048
00:55:27,760 --> 00:55:29,799
Speaker 8: the record that the drummers beat?

1049
00:55:30,040 --> 00:55:32,640
Speaker 1: Like that to me is is that's Philly?

1050
00:55:33,160 --> 00:55:34,719
Speaker 8: Like that was one of the things that I would say,

1051
00:55:34,800 --> 00:55:38,360
Speaker 8: like that didn't belong to any DJ specifically, that was Philly.

1052
00:55:38,480 --> 00:55:42,040
Speaker 8: That was DJ Spinbad, Lightning Rich, that was every DJ

1053
00:55:42,200 --> 00:55:45,960
Speaker 8: and Philly cut pumped me Up, they cut dances, drummers beat,

1054
00:55:46,280 --> 00:55:51,040
Speaker 8: they cut, it's time, they cut, you know, clear they

1055
00:55:51,120 --> 00:55:53,840
Speaker 8: cut Like there was just a staple of Philly records

1056
00:55:54,160 --> 00:55:55,520
Speaker 8: that all of the DJs cut.

1057
00:55:56,200 --> 00:55:57,880
Speaker 2: But I mean, who was the first cat that was

1058
00:55:57,920 --> 00:56:02,160
Speaker 2: just like, yo, just pump me up normal, I'm gonna

1059
00:56:02,239 --> 00:56:04,759
Speaker 2: bump the bump up, bump, bump me out like.

1060
00:56:05,480 --> 00:56:08,359
Speaker 8: Ways to every You know what was funny? I think

1061
00:56:09,400 --> 00:56:12,640
Speaker 8: when I saved up enough money and got twelve hundred,

1062
00:56:12,640 --> 00:56:14,640
Speaker 8: because I understand all of this early stuff was done

1063
00:56:14,640 --> 00:56:17,920
Speaker 8: on belt drive turntables, which I think helped me a.

1064
00:56:17,960 --> 00:56:21,040
Speaker 1: Lot because the record goes fat okay, but you know

1065
00:56:21,080 --> 00:56:21,319
Speaker 1: what it.

1066
00:56:21,400 --> 00:56:23,920
Speaker 8: Was, it helped your hands. You know that's my hands

1067
00:56:24,000 --> 00:56:26,800
Speaker 8: got light because they had no choice but to be

1068
00:56:27,000 --> 00:56:30,360
Speaker 8: like because I was on the wackiest equipment in the world.

1069
00:56:30,480 --> 00:56:32,840
Speaker 2: So so without butter rugs, how were you able to

1070
00:56:33,040 --> 00:56:34,759
Speaker 2: wax records under wax paper?

1071
00:56:35,360 --> 00:56:37,080
Speaker 8: You would go in your moms and pull out some

1072
00:56:37,160 --> 00:56:39,560
Speaker 8: wax paper, put a record down, you cut it out

1073
00:56:39,600 --> 00:56:42,120
Speaker 8: and poked a hole in. You start scratching too much.

1074
00:56:42,160 --> 00:56:44,319
Speaker 8: The wax paper would get too big and start sliding off,

1075
00:56:44,360 --> 00:56:46,600
Speaker 8: and you gotta get some new wax paper. There wasn't

1076
00:56:46,920 --> 00:56:48,880
Speaker 8: We didn't have any of those tools. We didn't have

1077
00:56:49,400 --> 00:56:52,960
Speaker 8: butter rugs. Felt mattch You. You know, you bought a turntable,

1078
00:56:53,000 --> 00:56:54,719
Speaker 8: you had the big rubber mat on it that you

1079
00:56:54,920 --> 00:56:58,080
Speaker 8: just tossed away, and you know, forty five made the

1080
00:56:58,120 --> 00:57:01,600
Speaker 8: record wobble, which you had to have really light hands because.

1081
00:57:01,360 --> 00:57:02,520
Speaker 1: You would cut forty five's too.

1082
00:57:02,960 --> 00:57:06,240
Speaker 8: Well, No, you would put a forty five underneath the twelve,

1083
00:57:06,320 --> 00:57:09,840
Speaker 8: and oh but that didn't work. So the wax paper

1084
00:57:09,960 --> 00:57:12,560
Speaker 8: was it. Or you would cut an album cover and

1085
00:57:13,160 --> 00:57:14,840
Speaker 8: try to use that. You try to get a glossy

1086
00:57:14,880 --> 00:57:17,160
Speaker 8: one because it was a lot more. He would spray

1087
00:57:17,320 --> 00:57:19,560
Speaker 8: WD forty in your mixer, which I know Steve is

1088
00:57:19,680 --> 00:57:23,880
Speaker 8: just like, oh, my god, you would spray it in

1089
00:57:24,000 --> 00:57:26,200
Speaker 8: the mixure. You knew it was going to destroy your mixer,

1090
00:57:26,240 --> 00:57:29,360
Speaker 8: but it would make your crossfader cool. So you know,

1091
00:57:29,560 --> 00:57:31,520
Speaker 8: it was kind of like listen, I'm gonna I'm gonna

1092
00:57:31,560 --> 00:57:34,200
Speaker 8: kill it for about three weeks and then the here

1093
00:57:34,280 --> 00:57:36,960
Speaker 8: comes the static and it's time to retire, and you

1094
00:57:36,960 --> 00:57:39,040
Speaker 8: would just sit it on the cell shelf and let

1095
00:57:39,080 --> 00:57:40,960
Speaker 8: it dry out. By time to dry it out, you

1096
00:57:41,000 --> 00:57:41,919
Speaker 8: could do it all over again.

1097
00:57:42,760 --> 00:57:44,880
Speaker 7: Can I ask you all a question, just in a

1098
00:57:45,000 --> 00:57:48,480
Speaker 7: DJ culture question, like what is Philly DJ culture and

1099
00:57:48,680 --> 00:57:52,200
Speaker 7: history mean to hip hop versus other cities? Well, of

1100
00:57:52,280 --> 00:57:53,800
Speaker 7: course people would say New York, But what do y'all

1101
00:57:53,840 --> 00:57:55,880
Speaker 7: think that it really means to the culture.

1102
00:57:56,040 --> 00:57:58,680
Speaker 2: Well that leads to my next question, because I think

1103
00:57:58,800 --> 00:58:06,400
Speaker 2: that yes or no, did you invent the Transformer scratch?

1104
00:58:06,480 --> 00:58:08,920
Speaker 8: I don't. I don't give that. If I had to

1105
00:58:08,960 --> 00:58:11,360
Speaker 8: give that credit to anybody, I would give that credit

1106
00:58:11,400 --> 00:58:14,800
Speaker 8: to DJ Spinbad, the original spin Bad who used to

1107
00:58:14,880 --> 00:58:15,560
Speaker 8: DJ Forbell.

1108
00:58:16,280 --> 00:58:18,560
Speaker 1: Yeah, he's from Philly, Yes he was.

1109
00:58:18,800 --> 00:58:23,000
Speaker 8: He was the first person to do something that sounded

1110
00:58:23,120 --> 00:58:24,520
Speaker 8: like that. There was no name.

1111
00:58:25,240 --> 00:58:26,800
Speaker 1: He was doing it with the up and down. It

1112
00:58:26,920 --> 00:58:28,000
Speaker 1: was no rhythm to it.

1113
00:58:28,520 --> 00:58:31,440
Speaker 8: But he was the first person that did it forward

1114
00:58:31,520 --> 00:58:34,040
Speaker 8: and did it backwards and then basically.

1115
00:58:33,720 --> 00:58:35,800
Speaker 1: It did the light bulb go off in your headlight?

1116
00:58:35,880 --> 00:58:37,880
Speaker 8: Oh completely, But you know what it was when you

1117
00:58:37,920 --> 00:58:41,960
Speaker 8: think about it, what Graham was the Theodore invented. You

1118
00:58:42,160 --> 00:58:45,360
Speaker 8: took and you said, okay, Flash added some rhythm to it,

1119
00:58:46,400 --> 00:58:49,240
Speaker 8: you know what I mean? Okay, who decided to use

1120
00:58:49,280 --> 00:58:52,200
Speaker 8: the crossfrader and cut the scratch on and off? Like

1121
00:58:52,720 --> 00:58:55,280
Speaker 8: it was all of these add ons that people did.

1122
00:58:55,440 --> 00:58:57,720
Speaker 8: So when he did it, it was kind of like, Okay,

1123
00:58:57,880 --> 00:58:58,280
Speaker 8: he did it.

1124
00:58:58,400 --> 00:58:59,000
Speaker 1: That was dope.

1125
00:58:59,040 --> 00:59:01,040
Speaker 8: But he didn't put any kind of rhythm to it

1126
00:59:01,400 --> 00:59:06,200
Speaker 8: like everybody. You know, everybody's rhythm is syncopated. Nobody was

1127
00:59:10,720 --> 00:59:11,520
Speaker 8: like everybody's that that.

1128
00:59:12,840 --> 00:59:14,800
Speaker 7: Okay, So see that right there. So if I was

1129
00:59:14,880 --> 00:59:17,280
Speaker 7: to say what alt Philly DJ's hip hop would be,

1130
00:59:17,400 --> 00:59:19,280
Speaker 7: what it would be something like that, Like it would.

1131
00:59:19,080 --> 00:59:22,920
Speaker 1: Be technique is something that Philly is definitely invented.

1132
00:59:23,000 --> 00:59:29,320
Speaker 2: Technique Like most people credit spendbad Uh you cash money?

1133
00:59:29,880 --> 00:59:35,400
Speaker 1: There's a fourth one. Uh, we don't play what is miss?

1134
00:59:36,880 --> 00:59:40,200
Speaker 2: I would say that, well, okay, I'll ask you who

1135
00:59:41,440 --> 00:59:45,480
Speaker 2: without hurting people's feelings who's in your Mount Rushmore?

1136
00:59:47,400 --> 00:59:49,080
Speaker 1: Oh you're already there.

1137
00:59:49,560 --> 00:59:52,920
Speaker 8: Who Now is this Mount Rushmore in Philly or just

1138
00:59:53,080 --> 00:59:54,160
Speaker 8: in general Philly?

1139
00:59:55,320 --> 00:59:55,600
Speaker 1: Cash?

1140
00:59:55,800 --> 01:00:03,200
Speaker 8: Absolutely crazy thing. It would be cash grand Master Neell

1141
01:00:03,320 --> 01:00:04,000
Speaker 8: and Cosmic keV.

1142
01:00:04,120 --> 01:00:05,480
Speaker 7: Well, I knew you was gonna say keV, but I was,

1143
01:00:05,600 --> 01:00:07,240
Speaker 7: that's wow, that's awesome.

1144
01:00:07,000 --> 01:00:10,640
Speaker 8: Like and it's ken my idol. Listen, keV keV.

1145
01:00:13,640 --> 01:00:13,880
Speaker 1: keV.

1146
01:00:15,360 --> 01:00:18,960
Speaker 8: keV was incredible. Cosmic keV is the fastest DJ ever

1147
01:00:19,360 --> 01:00:23,200
Speaker 8: heard him? Like he was he was, he was incredible.

1148
01:00:23,920 --> 01:00:26,160
Speaker 8: Like I like, we get mad at keV because keV

1149
01:00:26,360 --> 01:00:28,640
Speaker 8: don't beat keV no more. And I'm like, come on, dude,

1150
01:00:28,680 --> 01:00:30,840
Speaker 8: I know you got that ship that don't.

1151
01:00:30,680 --> 01:00:31,360
Speaker 10: Ever go nowhere.

1152
01:00:31,480 --> 01:00:32,520
Speaker 1: Wait he doesn't do it anymore.

1153
01:00:32,920 --> 01:00:35,479
Speaker 8: No, No, I ain't saying like that. I'm saying like, listen,

1154
01:00:35,640 --> 01:00:38,520
Speaker 8: like I said, I get mad that this generation of

1155
01:00:38,600 --> 01:00:41,360
Speaker 8: people who know Cosmic keV don't know the cosmic keV

1156
01:00:41,440 --> 01:00:43,960
Speaker 8: that I know. Oh you know what I mean, Like

1157
01:00:44,320 --> 01:00:47,280
Speaker 8: you know, keV grand Astonell, like everybody kind of had

1158
01:00:47,360 --> 01:00:48,880
Speaker 8: something and it was you know, and it was really

1159
01:00:48,920 --> 01:00:53,320
Speaker 8: dope because you know, when cash wasn't necessarily from Philly,

1160
01:00:53,400 --> 01:00:57,800
Speaker 8: cash from Yaton and you know, we brought Cash into

1161
01:00:57,880 --> 01:01:00,080
Speaker 8: Philly and introduced him to all of the promoters and

1162
01:01:00,120 --> 01:01:00,680
Speaker 8: all the rest of that.

1163
01:01:00,960 --> 01:01:05,960
Speaker 1: Wait, you don't consider Yayden, Well, well I do, I do.

1164
01:01:06,360 --> 01:01:08,320
Speaker 8: I mean, you know, it's kind of like you you

1165
01:01:08,560 --> 01:01:10,200
Speaker 8: kind of count Sharon Hill as Philly.

1166
01:01:10,640 --> 01:01:12,840
Speaker 1: Yeah, okay, back in the day, used to think that

1167
01:01:12,920 --> 01:01:14,600
Speaker 1: was a suburb. Yeah, yeah, I get it. I get it.

1168
01:01:14,720 --> 01:01:17,600
Speaker 8: But you know, but you know, like you know, Nell

1169
01:01:17,760 --> 01:01:19,600
Speaker 8: used to bring us to South Philly because you wouldn't

1170
01:01:19,600 --> 01:01:22,000
Speaker 8: go to South Philly without knowing somebody. You wouldn't, damn it,

1171
01:01:22,160 --> 01:01:23,240
Speaker 8: trying to go down there and DJ.

1172
01:01:23,880 --> 01:01:24,160
Speaker 10: So you.

1173
01:01:26,080 --> 01:01:29,680
Speaker 8: Listen, it wasn't like that, Like I listen, I remember

1174
01:01:30,240 --> 01:01:33,440
Speaker 8: keV bringing me to Mount Airy to DJ at a

1175
01:01:33,480 --> 01:01:38,240
Speaker 8: block party, and someone snatched this guy's glasses right next

1176
01:01:38,280 --> 01:01:39,960
Speaker 8: to me. He had a pair of Neil Styles on

1177
01:01:40,880 --> 01:01:43,320
Speaker 8: just like I did. And they snatched his glasses and

1178
01:01:43,480 --> 01:01:46,240
Speaker 8: didn't snatch mine because I was up there with keV.

1179
01:01:47,000 --> 01:01:49,280
Speaker 1: I forgot you grew up in the era of snatching.

1180
01:01:51,560 --> 01:01:58,560
Speaker 8: Listen Gazelle's Space Invader hats I remember, Yeah, I forgot

1181
01:01:58,600 --> 01:02:01,600
Speaker 8: about that era. It was rough, you know, and and

1182
01:02:01,920 --> 01:02:05,800
Speaker 8: I understand I needed glasses. So my ship wasn't for show.

1183
01:02:07,000 --> 01:02:09,600
Speaker 7: You got transitions before we even had transitions.

1184
01:02:09,680 --> 01:02:09,919
Speaker 1: Listen.

1185
01:02:10,920 --> 01:02:13,160
Speaker 8: So somebody snatched my glasses. I don't know if I'm

1186
01:02:13,160 --> 01:02:15,760
Speaker 8: a beer fire. I got robbed too, and somebody took

1187
01:02:15,840 --> 01:02:18,080
Speaker 8: my gazelle. They took my glasses, took my sneaks.

1188
01:02:18,760 --> 01:02:20,160
Speaker 1: What at?

1189
01:02:20,880 --> 01:02:21,080
Speaker 6: Noah?

1190
01:02:21,360 --> 01:02:24,600
Speaker 8: Listen, I was coming home, coming home, and you saw it.

1191
01:02:24,760 --> 01:02:27,720
Speaker 8: You saw the whole thing being set up. We were walking.

1192
01:02:29,880 --> 01:02:32,080
Speaker 8: Funny is I was with a friend of mine and

1193
01:02:32,240 --> 01:02:35,040
Speaker 8: we stopped and was talking to this girl and these

1194
01:02:35,080 --> 01:02:40,080
Speaker 8: two guys walked past, and they walked back past. So

1195
01:02:40,200 --> 01:02:41,960
Speaker 8: it's kind of like the second pass was kind of

1196
01:02:42,000 --> 01:02:43,640
Speaker 8: like that's when you kind of cut your eye, and

1197
01:02:43,800 --> 01:02:46,320
Speaker 8: the third past they came back and we kind of

1198
01:02:46,360 --> 01:02:48,320
Speaker 8: looked at each other like okay, you know what this is.

1199
01:02:48,920 --> 01:02:53,080
Speaker 8: So as they walked left, we walked right. And what

1200
01:02:53,240 --> 01:02:55,320
Speaker 8: he did is he looped around and came through the

1201
01:02:55,360 --> 01:02:56,960
Speaker 8: alley and jumped out the alley with a gun and

1202
01:02:57,120 --> 01:02:59,640
Speaker 8: was just like give me your glasses. And I'll just

1203
01:02:59,720 --> 01:03:01,680
Speaker 8: repeat did everything that he said because it was in

1204
01:03:01,760 --> 01:03:04,160
Speaker 8: broad daylight. So he's like, give me your glasses. I

1205
01:03:04,240 --> 01:03:08,760
Speaker 8: was like, glasses, Like give me a chain, give me

1206
01:03:08,880 --> 01:03:11,640
Speaker 8: my chain because I'm like, I'm stalling because my man broke.

1207
01:03:11,880 --> 01:03:12,320
Speaker 10: He broke.

1208
01:03:13,640 --> 01:03:15,600
Speaker 8: I mean, listen, I wasn't mad shit he had a gun.

1209
01:03:15,600 --> 01:03:17,600
Speaker 8: I would have broke too, damn it will I'm playing,

1210
01:03:18,160 --> 01:03:21,880
Speaker 8: but he broke, and you know I was. I was

1211
01:03:21,920 --> 01:03:24,880
Speaker 8: two seconds away from like, Okay, he doesn't look too

1212
01:03:24,960 --> 01:03:27,520
Speaker 8: confident with his gun, so I'm about to suckle punch

1213
01:03:27,560 --> 01:03:30,160
Speaker 8: the ship out of him and run. And what happened.

1214
01:03:30,200 --> 01:03:31,959
Speaker 8: Then his man came up, So now it's two people.

1215
01:03:32,000 --> 01:03:33,240
Speaker 8: So it was kind of like, okay, all right, let

1216
01:03:33,320 --> 01:03:35,800
Speaker 8: me just give my glasses and give you my watch,

1217
01:03:35,920 --> 01:03:36,960
Speaker 8: and and it got caught.

1218
01:03:37,600 --> 01:03:38,080
Speaker 1: Oh they did.

1219
01:03:38,880 --> 01:03:41,720
Speaker 8: Long story short. He came to court with my sneakers on.

1220
01:03:42,840 --> 01:03:45,640
Speaker 8: You You remember how you used to lace the sneakers up,

1221
01:03:46,120 --> 01:03:48,400
Speaker 8: that how all one side would be red and one

1222
01:03:48,480 --> 01:03:49,240
Speaker 8: side would be blue.

1223
01:03:50,360 --> 01:03:52,520
Speaker 2: I knew how to lace my sneakers to New York

1224
01:03:52,640 --> 01:03:53,960
Speaker 2: strings in the same suit.

1225
01:03:54,320 --> 01:03:56,280
Speaker 8: I knew how to lace my sneaks up, that this

1226
01:03:56,400 --> 01:03:58,479
Speaker 8: whole side will be red, this whole side to be blue.

1227
01:03:58,840 --> 01:04:01,200
Speaker 8: He came in to sneakkers that he wribbed me in.

1228
01:04:01,880 --> 01:04:05,320
Speaker 8: I let the judge know. He said they were his sneakers.

1229
01:04:05,640 --> 01:04:07,400
Speaker 8: I told him take the laces out and let him

1230
01:04:07,440 --> 01:04:08,680
Speaker 8: lace them up, and.

1231
01:04:08,880 --> 01:04:09,240
Speaker 10: Did he do it?

1232
01:04:09,280 --> 01:04:12,320
Speaker 2: And he couldn't do it. Wait, the judge made the

1233
01:04:12,440 --> 01:04:14,800
Speaker 2: judge made him do it. He couldn't do it, and

1234
01:04:14,920 --> 01:04:16,400
Speaker 2: it gave me the sneakers back, and I took the

1235
01:04:16,440 --> 01:04:17,040
Speaker 2: sneaks and throw.

1236
01:04:16,960 --> 01:04:17,520
Speaker 9: Him in the fass.

1237
01:04:17,560 --> 01:04:18,680
Speaker 8: It's just like, I just don't want you.

1238
01:04:18,720 --> 01:04:22,440
Speaker 10: To have Yeah, it'd be such a great episode.

1239
01:04:22,040 --> 01:04:25,880
Speaker 9: Of C S I or l A Law Like you're

1240
01:04:25,920 --> 01:04:39,760
Speaker 9: so old, you said, l A.

1241
01:04:40,320 --> 01:04:40,880
Speaker 7: I love that.

1242
01:04:41,320 --> 01:04:42,200
Speaker 1: No, I get it.

1243
01:04:42,560 --> 01:04:45,400
Speaker 10: That is you should sell that episode.

1244
01:04:51,760 --> 01:04:53,680
Speaker 1: How did you first hear about the d mcs?

1245
01:04:54,920 --> 01:04:55,439
Speaker 8: Oh man?

1246
01:04:56,040 --> 01:04:58,520
Speaker 1: How many? How many belts? Is that a real thing?

1247
01:04:58,800 --> 01:05:01,120
Speaker 1: Or just where is that? Folk Awards?

1248
01:05:01,480 --> 01:05:03,720
Speaker 8: It wasn't belt. I got a cup. I didn't get

1249
01:05:03,720 --> 01:05:04,040
Speaker 8: a belt.

1250
01:05:04,920 --> 01:05:05,920
Speaker 1: Was it the very first one?

1251
01:05:06,440 --> 01:05:09,520
Speaker 8: No, it wasn't the first one, but I got I

1252
01:05:09,600 --> 01:05:10,120
Speaker 8: got a cup.

1253
01:05:11,480 --> 01:05:12,600
Speaker 1: What year did you win yours?

1254
01:05:13,560 --> 01:05:14,120
Speaker 8: Eighty six?

1255
01:05:15,160 --> 01:05:17,160
Speaker 1: Okay? And how many years were they in existence?

1256
01:05:17,240 --> 01:05:17,680
Speaker 8: Oh man?

1257
01:05:17,720 --> 01:05:17,920
Speaker 10: It was?

1258
01:05:18,400 --> 01:05:20,600
Speaker 8: It was there for a couple of years before that.

1259
01:05:21,000 --> 01:05:23,960
Speaker 8: But it was funny because when I got in, fifty

1260
01:05:24,000 --> 01:05:27,720
Speaker 8: percent of the DJs were mixers. So they got really

1261
01:05:27,800 --> 01:05:29,720
Speaker 8: really mad at me because I kind of changed the

1262
01:05:29,800 --> 01:05:33,560
Speaker 8: whole landscape of the DMC. So before you can listen,

1263
01:05:33,640 --> 01:05:37,320
Speaker 8: before listen, the dude was playing and he I need

1264
01:05:37,600 --> 01:05:42,520
Speaker 8: Love and he's mixing the next record, and I came

1265
01:05:42,600 --> 01:05:45,760
Speaker 8: in like no technique lass Lassan, and it was just like,

1266
01:05:46,520 --> 01:05:47,680
Speaker 8: we can't keep up with that.

1267
01:05:48,400 --> 01:05:50,680
Speaker 10: What's the d MCS DIC mixed Club?

1268
01:05:51,400 --> 01:05:52,480
Speaker 1: Yeah, I never knew that's what.

1269
01:05:52,560 --> 01:05:59,040
Speaker 2: DMCs do think about it just mix, Yes, But so

1270
01:05:59,200 --> 01:06:02,840
Speaker 2: you're saying that before you came in, Before you came in,

1271
01:06:03,560 --> 01:06:05,560
Speaker 2: it was just about who had the hottest mix in

1272
01:06:05,720 --> 01:06:07,120
Speaker 2: five minutes pretty much?

1273
01:06:07,440 --> 01:06:11,240
Speaker 1: Who were the previous winners before? I don't know, so

1274
01:06:11,360 --> 01:06:12,880
Speaker 1: who was going up against you now?

1275
01:06:15,840 --> 01:06:17,720
Speaker 8: I want to say, well, because it was two it

1276
01:06:17,840 --> 01:06:19,800
Speaker 8: was the New Music Seminar and it was the Disco

1277
01:06:19,880 --> 01:06:22,600
Speaker 8: Mixed Club, Disco Mixed Club. I remember Van dy C

1278
01:06:22,880 --> 01:06:25,600
Speaker 8: was in it, and it was a couple other dejits.

1279
01:06:25,640 --> 01:06:28,520
Speaker 8: I think wiz Kid was in it. I don't know

1280
01:06:28,680 --> 01:06:33,040
Speaker 8: the mixer. The mixer guys it was from Philly as well.

1281
01:06:33,120 --> 01:06:34,600
Speaker 8: He's not from Philly, he's from Jersey.

1282
01:06:35,280 --> 01:06:36,840
Speaker 1: He was he was, he was.

1283
01:06:36,920 --> 01:06:40,080
Speaker 8: I was in the New Music Seminar with him. He

1284
01:06:40,240 --> 01:06:44,240
Speaker 8: was the he was the d m C World champ

1285
01:06:44,520 --> 01:06:46,320
Speaker 8: at the time, and.

1286
01:06:46,400 --> 01:06:47,360
Speaker 1: How did you defeat him?

1287
01:06:50,520 --> 01:06:53,560
Speaker 8: What do you mean how I was better?

1288
01:06:53,920 --> 01:06:57,200
Speaker 1: Okay, but you know what, like listen and and and

1289
01:06:57,560 --> 01:06:58,840
Speaker 1: he's he's he's cool.

1290
01:06:59,080 --> 01:06:59,240
Speaker 10: You know.

1291
01:06:59,280 --> 01:07:01,600
Speaker 8: I love that brother. It was just funny at that

1292
01:07:01,760 --> 01:07:04,760
Speaker 8: point in time. I was never really I never really

1293
01:07:04,800 --> 01:07:08,640
Speaker 8: considered myself a competition guy like listen, I like, I

1294
01:07:08,800 --> 01:07:10,480
Speaker 8: like to do it. I was just kind of like, damn,

1295
01:07:10,480 --> 01:07:13,080
Speaker 8: I'm really mad that everybody's trying to put this person

1296
01:07:13,160 --> 01:07:15,080
Speaker 8: up against you. It's just like I enjoyed doing this.

1297
01:07:15,160 --> 01:07:17,800
Speaker 8: I ain't playing basketball to win the dunk contest. I

1298
01:07:17,960 --> 01:07:20,160
Speaker 8: just like playing ball. But that was a way to

1299
01:07:20,200 --> 01:07:22,600
Speaker 8: get your name out. So when I got into the

1300
01:07:22,680 --> 01:07:26,520
Speaker 8: new music seminar, being from Philly, what did you cut with?

1301
01:07:29,080 --> 01:07:29,400
Speaker 1: I did?

1302
01:07:29,520 --> 01:07:31,680
Speaker 8: That was when I did the bought a mansion for

1303
01:07:31,720 --> 01:07:36,920
Speaker 8: your mother thing and broke it down. But it was

1304
01:07:37,000 --> 01:07:41,280
Speaker 8: kind of like he right before we went on, I

1305
01:07:41,360 --> 01:07:44,040
Speaker 8: went to shake his hand and he didn't shake mine.

1306
01:07:44,080 --> 01:07:45,680
Speaker 8: I was just like, hey, man, what's up. Good luck?

1307
01:07:45,720 --> 01:07:46,960
Speaker 8: You know, because I was like, man, I like you

1308
01:07:47,120 --> 01:07:49,160
Speaker 8: got the King cut record out, and he didn't. He

1309
01:07:49,200 --> 01:07:52,360
Speaker 8: wouldn't shake my hand, you know. But it was just

1310
01:07:52,520 --> 01:07:55,400
Speaker 8: it was literally one of those things that I'm kind

1311
01:07:55,440 --> 01:07:58,600
Speaker 8: of like, listen, the equipment was messing up. I realized

1312
01:07:58,640 --> 01:08:02,320
Speaker 8: that nobody was using their own needles. Nobody was using

1313
01:08:02,840 --> 01:08:07,960
Speaker 8: I won that with technology because the equipment that everybody

1314
01:08:08,080 --> 01:08:11,080
Speaker 8: was using, everybody lost on the side, like it was

1315
01:08:11,120 --> 01:08:14,200
Speaker 8: two setups to set up on the left. Everybody lost

1316
01:08:14,560 --> 01:08:18,400
Speaker 8: because it was jumping. And when he didn't shake my hand,

1317
01:08:18,640 --> 01:08:23,040
Speaker 8: I deliberately walked to the left side. You know, I

1318
01:08:23,160 --> 01:08:26,840
Speaker 8: was like, no, I'm going to show you that. I'm

1319
01:08:26,920 --> 01:08:29,000
Speaker 8: going to show you completely. And I reached.

1320
01:08:31,040 --> 01:08:32,639
Speaker 1: I purposely took the bad side.

1321
01:08:32,760 --> 01:08:35,760
Speaker 8: Like Will was pissed off because everybody was like, when

1322
01:08:35,760 --> 01:08:37,240
Speaker 8: you go out there, go to the right side.

1323
01:08:37,680 --> 01:08:38,479
Speaker 1: And I walked up and.

1324
01:08:38,520 --> 01:08:40,600
Speaker 8: Went to the left side, and I reached in my

1325
01:08:40,680 --> 01:08:42,599
Speaker 8: bag and I put my own needles on. I had

1326
01:08:42,640 --> 01:08:46,000
Speaker 8: some ADC needles with quarters on top. And I reached

1327
01:08:46,040 --> 01:08:48,679
Speaker 8: and I put my wax paper on and I put

1328
01:08:48,760 --> 01:08:52,040
Speaker 8: my record on. And the funny thing with Steve was

1329
01:08:52,080 --> 01:08:54,679
Speaker 8: gonna kill me. I reached in my bag and while

1330
01:08:54,720 --> 01:08:59,960
Speaker 8: everybody was looking, I took the long straw and said crossfader,

1331
01:09:00,120 --> 01:09:02,320
Speaker 8: and as soon as it got loose, I went my

1332
01:09:02,439 --> 01:09:05,400
Speaker 8: headphones and I tested the left turntable and I tested

1333
01:09:05,439 --> 01:09:07,439
Speaker 8: the right one, and I looked out at the crowded

1334
01:09:07,520 --> 01:09:08,200
Speaker 8: Will and I was like.

1335
01:09:08,600 --> 01:09:11,000
Speaker 10: Yeah, that's it.

1336
01:09:11,160 --> 01:09:14,519
Speaker 2: I was like, like, none of those DJs even thought

1337
01:09:14,920 --> 01:09:19,760
Speaker 2: knew none to wait their ship, not or balance none.

1338
01:09:20,240 --> 01:09:24,080
Speaker 2: Only you were doing that just me. And once I knew,

1339
01:09:24,160 --> 01:09:25,160
Speaker 2: I was kind of like, I'm good.

1340
01:09:25,680 --> 01:09:29,280
Speaker 8: And I started breaking breaking stuff down, doing rhythm scratches

1341
01:09:29,360 --> 01:09:32,280
Speaker 8: with job rhythm scratch and you know, just stuff that

1342
01:09:32,439 --> 01:09:35,040
Speaker 8: people hadn't seen or heard before.

1343
01:09:37,160 --> 01:09:40,400
Speaker 1: And that's how you won. That was it? I see,

1344
01:09:40,880 --> 01:09:44,160
Speaker 1: all right, Uh, I gotta get to your your production phase.

1345
01:09:44,280 --> 01:09:44,479
Speaker 1: I know.

1346
01:09:45,160 --> 01:09:47,320
Speaker 5: Jeff was like, this is got We're gonna have to

1347
01:09:47,360 --> 01:09:49,679
Speaker 5: have him back for an whole mon like production phase.

1348
01:09:51,560 --> 01:09:53,000
Speaker 7: I told you before he got here, I was like,

1349
01:09:53,000 --> 01:09:54,040
Speaker 7: I don't know how we're gonna do this.

1350
01:09:56,520 --> 01:09:59,800
Speaker 5: This is a two parter that's waiting to happen. I'm

1351
01:09:59,840 --> 01:10:03,280
Speaker 5: not stopping the story is no, I'm just I'm I'm

1352
01:10:03,280 --> 01:10:03,879
Speaker 5: just saying.

1353
01:10:05,080 --> 01:10:06,760
Speaker 1: I see he's let's go.

1354
01:10:06,840 --> 01:10:08,880
Speaker 7: You know, we're gon we can get and then we're

1355
01:10:08,880 --> 01:10:10,120
Speaker 7: gonna make him come back again.

1356
01:10:10,560 --> 01:10:13,760
Speaker 1: Yes, okay, So how did you partner with Will?

1357
01:10:16,000 --> 01:10:19,400
Speaker 8: You know every day everybody had a rap group, everybody

1358
01:10:19,439 --> 01:10:21,000
Speaker 8: had an MC, everybody had a DJ.

1359
01:10:21,600 --> 01:10:24,519
Speaker 2: Wait before I asked that, how did I heard a

1360
01:10:24,600 --> 01:10:27,839
Speaker 2: mixtape once of you battling Victor do play.

1361
01:10:31,280 --> 01:10:31,479
Speaker 9: Dick.

1362
01:10:32,520 --> 01:10:35,200
Speaker 1: It wasn't who put that mistake one.

1363
01:10:35,360 --> 01:10:38,560
Speaker 8: It wasn't a battle. It was people just recorded. But

1364
01:10:38,640 --> 01:10:40,759
Speaker 8: it was kind of like people used to do calling

1365
01:10:40,840 --> 01:10:42,120
Speaker 8: responses with records.

1366
01:10:42,439 --> 01:10:44,320
Speaker 1: But I thought he was your record dude.

1367
01:10:44,720 --> 01:10:48,120
Speaker 8: No, you know, Vic, Vic was the young guy that

1368
01:10:48,320 --> 01:10:49,720
Speaker 8: used to come over the house and I would show

1369
01:10:49,800 --> 01:10:50,200
Speaker 8: him stuff.

1370
01:10:50,800 --> 01:10:53,080
Speaker 1: Yeah, but then what happened with this thing like your

1371
01:10:53,200 --> 01:10:54,880
Speaker 1: battle with Jeff and Vic.

1372
01:10:54,800 --> 01:10:55,479
Speaker 7: The dick.

1373
01:10:57,080 --> 01:10:57,960
Speaker 1: Telling that title.

1374
01:10:58,080 --> 01:11:01,559
Speaker 8: What happened was Vic when on at a Central High

1375
01:11:01,640 --> 01:11:05,120
Speaker 8: party and as a joke, he took a he took

1376
01:11:05,160 --> 01:11:07,960
Speaker 8: a jab at me with records because we're all cool, right,

1377
01:11:08,200 --> 01:11:10,000
Speaker 8: he took a jab at me with records. So it

1378
01:11:10,080 --> 01:11:11,479
Speaker 8: was kind of like, Okay, you're gonna take a jab

1379
01:11:11,520 --> 01:11:14,360
Speaker 8: at me. You don't understand that I got this laundry

1380
01:11:14,479 --> 01:11:16,880
Speaker 8: list of things that I can do to you. And

1381
01:11:17,439 --> 01:11:20,479
Speaker 8: and Ice, my MC at the time was the one

1382
01:11:20,520 --> 01:11:22,560
Speaker 8: that was like Victor Dick. So now to show you,

1383
01:11:23,320 --> 01:11:26,960
Speaker 8: because it came out on a mix tape, you don't

1384
01:11:27,000 --> 01:11:29,240
Speaker 8: get a chance to see what actually happened. You only

1385
01:11:29,360 --> 01:11:31,960
Speaker 8: hear it, so everybody's like, oh my god, you killed

1386
01:11:32,040 --> 01:11:34,920
Speaker 8: Vic and it was like it wasn't like that stage.

1387
01:11:35,000 --> 01:11:35,200
Speaker 1: Yeah.

1388
01:11:35,360 --> 01:11:37,240
Speaker 7: Can I give a millennial footnote real quick to all

1389
01:11:37,240 --> 01:11:40,040
Speaker 7: the millennials Victor Dick aka Victor Cook aka Victor to

1390
01:11:40,080 --> 01:11:42,000
Speaker 7: do play. You may know him from a party called

1391
01:11:42,080 --> 01:11:42,719
Speaker 7: Kissing Grind.

1392
01:11:42,840 --> 01:11:47,760
Speaker 1: Yeah, there we go, the god Kissing Grind. Yes, that's

1393
01:11:47,880 --> 01:11:48,600
Speaker 1: that's come up with the.

1394
01:11:48,640 --> 01:11:50,320
Speaker 7: Century and one of the producers, one of my favorite,

1395
01:11:50,360 --> 01:11:52,680
Speaker 7: Eric Eric green Eyes. I always like to put that

1396
01:11:52,720 --> 01:11:52,960
Speaker 7: in there.

1397
01:11:54,320 --> 01:11:57,479
Speaker 1: Victor Cook, Victor Victor, I'm a call him Cook. I'm

1398
01:11:59,560 --> 01:12:00,680
Speaker 1: no he.

1399
01:12:02,400 --> 01:12:07,840
Speaker 2: Wait, Actually you mentioned something very crucial, uh for Philadelphia

1400
01:12:08,160 --> 01:12:12,880
Speaker 2: hip hop heads. The the high school jams. How were

1401
01:12:12,920 --> 01:12:16,400
Speaker 2: they booked? Because those were like on level of college jams.

1402
01:12:16,479 --> 01:12:18,880
Speaker 8: But you know what, all of the DJs were from

1403
01:12:19,760 --> 01:12:23,120
Speaker 8: Central High Like Vic went to Central Where did you

1404
01:12:23,160 --> 01:12:26,679
Speaker 8: go to high school? I was, but you know I was, yeah,

1405
01:12:26,720 --> 01:12:29,280
Speaker 8: I was out of school by then. Oh, but it

1406
01:12:29,400 --> 01:12:31,080
Speaker 8: was just kind of like I got booked because of

1407
01:12:31,120 --> 01:12:33,599
Speaker 8: my affiliation with Vic and everybody else.

1408
01:12:33,720 --> 01:12:36,960
Speaker 1: So you was there an agent that just had y'all

1409
01:12:37,000 --> 01:12:43,280
Speaker 1: going on to high school was an agent. An agent six,

1410
01:12:46,280 --> 01:12:48,600
Speaker 1: I thought an agent was a guy that you know

1411
01:12:48,800 --> 01:12:49,400
Speaker 1: did these things.

1412
01:12:49,479 --> 01:12:51,240
Speaker 8: Now you just you know, you knew that you knew

1413
01:12:51,280 --> 01:12:53,679
Speaker 8: the guy who was throwing a party, and you wanted

1414
01:12:53,680 --> 01:12:55,600
Speaker 8: to kind of be his favorite because he would, you know,

1415
01:12:55,680 --> 01:12:58,560
Speaker 8: and then if he knew that people followed you, you

1416
01:12:58,680 --> 01:12:59,960
Speaker 8: know they were they were booking.

1417
01:13:00,120 --> 01:13:02,519
Speaker 2: But you never desired to be on like Lady b

1418
01:13:02,680 --> 01:13:04,920
Speaker 2: Street beat on Power ninety nine or like like what

1419
01:13:05,080 --> 01:13:05,479
Speaker 2: was your goal?

1420
01:13:05,600 --> 01:13:07,960
Speaker 8: I got the radio one, you know what, I didn't know.

1421
01:13:08,720 --> 01:13:10,880
Speaker 8: I didn't know, Like this was weird because this was

1422
01:13:10,880 --> 01:13:13,880
Speaker 8: at a point in time when I'm out of school

1423
01:13:14,200 --> 01:13:16,720
Speaker 8: and I don't tell anybody that I'm a DJ, Like

1424
01:13:17,040 --> 01:13:17,800
Speaker 8: what kind of DJ?

1425
01:13:17,960 --> 01:13:18,120
Speaker 7: You know?

1426
01:13:18,240 --> 01:13:18,519
Speaker 9: You were?

1427
01:13:18,680 --> 01:13:21,160
Speaker 8: You were a radio DJ then, so you know, my

1428
01:13:21,240 --> 01:13:22,080
Speaker 8: mom's friends come to.

1429
01:13:22,240 --> 01:13:23,360
Speaker 1: Oh, Jeff, you at of school.

1430
01:13:23,400 --> 01:13:24,080
Speaker 9: What are you doing now?

1431
01:13:24,640 --> 01:13:28,240
Speaker 1: You kind of like a college or you didn't okay, okay, it's.

1432
01:13:28,200 --> 01:13:29,240
Speaker 8: Kind of like what are you doing now? It's like

1433
01:13:29,240 --> 01:13:31,920
Speaker 8: I'm a DJ and you don't tell somebody I do

1434
01:13:32,080 --> 01:13:34,759
Speaker 8: block parties and you know, house parties that I'm setting

1435
01:13:34,800 --> 01:13:36,519
Speaker 8: up on people's washing machines and all of that.

1436
01:13:36,640 --> 01:13:40,559
Speaker 2: Like that that wasn't a viable. So back then, if

1437
01:13:40,640 --> 01:13:43,639
Speaker 2: I wanted to book Jazzy Jeff, Oh, listen, I had.

1438
01:13:43,600 --> 01:13:46,880
Speaker 1: My cool in eighty three or eighty.

1439
01:13:46,320 --> 01:13:48,800
Speaker 8: Listen, you find your man who worked at the printing store,

1440
01:13:48,840 --> 01:13:50,639
Speaker 8: and you would get the car and then somebody would

1441
01:13:50,640 --> 01:13:52,960
Speaker 8: design it and you would put your home number on it.

1442
01:13:53,840 --> 01:13:57,320
Speaker 1: So in eighty three, how much could I book you for?

1443
01:13:57,840 --> 01:13:57,960
Speaker 4: Oh?

1444
01:13:58,080 --> 01:14:00,439
Speaker 8: Man, I was a cool thirty five hours?

1445
01:14:01,439 --> 01:14:02,640
Speaker 1: Wait what come on?

1446
01:14:02,760 --> 01:14:02,920
Speaker 7: Man?

1447
01:14:03,000 --> 01:14:04,120
Speaker 1: We was just trying to five bucks.

1448
01:14:04,200 --> 01:14:05,959
Speaker 8: We was trying to get money to go to McDonald's

1449
01:14:05,960 --> 01:14:06,920
Speaker 8: on Fortier Street.

1450
01:14:07,960 --> 01:14:09,600
Speaker 7: Like a COAE episode.

1451
01:14:10,720 --> 01:14:13,880
Speaker 2: University like you wasn't getting I got to pay you

1452
01:14:13,920 --> 01:14:15,000
Speaker 2: two hundred and fifty bucks.

1453
01:14:15,760 --> 01:14:17,800
Speaker 8: Man, I wish somebody paid me two hundred fifty bucks.

1454
01:14:17,880 --> 01:14:20,559
Speaker 7: But you wear and your kicks was right.

1455
01:14:20,520 --> 01:14:22,599
Speaker 1: I mean listen, because I had a job. I worked

1456
01:14:22,600 --> 01:14:23,320
Speaker 1: at Roy Rogers.

1457
01:14:23,400 --> 01:14:24,000
Speaker 7: Okay, there we go.

1458
01:14:24,240 --> 01:14:26,360
Speaker 1: You worked where? Which street?

1459
01:14:26,439 --> 01:14:27,080
Speaker 9: How do you think I know?

1460
01:14:28,680 --> 01:14:30,920
Speaker 1: I lived at Roy Rogers? Come on, I was, I was.

1461
01:14:31,040 --> 01:14:33,880
Speaker 8: I was the chicken cook. Makes a lot of sense, now,

1462
01:14:33,960 --> 01:14:34,400
Speaker 8: don't it you?

1463
01:14:34,960 --> 01:14:38,600
Speaker 1: Yes, it totally there you goes, Oh my god, this.

1464
01:14:38,760 --> 01:14:44,120
Speaker 2: Totally makes sense. This absolutely makes sense. Now wait, you

1465
01:14:44,280 --> 01:14:49,760
Speaker 2: worked at that that? Yes, dude, I guarantee you, I've sixty.

1466
01:14:49,520 --> 01:14:52,080
Speaker 1: Five percent of all my nutrition.

1467
01:14:53,320 --> 01:14:53,639
Speaker 9: Was a ship.

1468
01:14:53,720 --> 01:14:55,679
Speaker 8: I worked at the Roy Rogers, and then I moved

1469
01:14:55,800 --> 01:14:57,800
Speaker 8: up the street and started working for Steve's ice Cream.

1470
01:14:59,600 --> 01:15:01,920
Speaker 1: Ice Cream. Yeah, with the mixed man.

1471
01:15:02,000 --> 01:15:03,120
Speaker 8: I was the king of the mixing.

1472
01:15:03,320 --> 01:15:05,000
Speaker 7: So y'all knew each other, but y'all don't know each

1473
01:15:05,000 --> 01:15:05,879
Speaker 7: other obviously.

1474
01:15:06,160 --> 01:15:06,760
Speaker 1: I guarantee you.

1475
01:15:06,760 --> 01:15:10,280
Speaker 7: Ever asking for some free ice cream, He's like, no.

1476
01:15:10,520 --> 01:15:12,080
Speaker 2: You know you all right, wait, let me let me

1477
01:15:12,120 --> 01:15:15,799
Speaker 2: bring the move down real quick. Uh side note Philadelphia tribute.

1478
01:15:16,280 --> 01:15:16,400
Speaker 1: Uh.

1479
01:15:17,000 --> 01:15:20,799
Speaker 2: Gary Heidnick used to oh damn you guys started frowning already.

1480
01:15:21,160 --> 01:15:27,720
Speaker 2: Gary Heidnick uh would often lord his the women inside.

1481
01:15:27,320 --> 01:15:30,840
Speaker 1: Of that Roy Rogers on forties? Really to do?

1482
01:15:30,920 --> 01:15:32,160
Speaker 7: What? Who is he?

1483
01:15:32,240 --> 01:15:32,479
Speaker 9: What to do?

1484
01:15:33,360 --> 01:15:36,599
Speaker 1: Disorder? Are Who's Milwaukee? Yeah?

1485
01:15:38,280 --> 01:15:39,040
Speaker 10: I hate to do that.

1486
01:15:39,120 --> 01:15:42,320
Speaker 8: Noise, yeah, silence and lamb dude.

1487
01:15:43,960 --> 01:15:46,080
Speaker 1: Who's Milwaukee? Yeah? Yeah, I'm.

1488
01:15:47,479 --> 01:15:47,519
Speaker 4: Not.

1489
01:15:47,720 --> 01:15:50,840
Speaker 1: David Banner, David David.

1490
01:15:51,800 --> 01:15:58,760
Speaker 7: He got killed in jail. David the blonde everybody. Yeah,

1491
01:16:00,520 --> 01:16:01,360
Speaker 7: he liked it. He liked it.

1492
01:16:01,400 --> 01:16:03,880
Speaker 1: Brown his name. We had a we had we had

1493
01:16:03,920 --> 01:16:07,960
Speaker 1: a version of that in Philly. I didn't know he

1494
01:16:08,280 --> 01:16:13,680
Speaker 1: lived at eighth and Butler at that and he in

1495
01:16:13,800 --> 01:16:16,839
Speaker 1: the he used the bar to Jeff.

1496
01:16:18,720 --> 01:16:23,320
Speaker 2: So Gary was our Jeffrey Domer side note at his trial,

1497
01:16:23,600 --> 01:16:26,560
Speaker 2: you know his key hip hop history, you know it

1498
01:16:26,680 --> 01:16:28,240
Speaker 2: was a key witness at his trial.

1499
01:16:28,360 --> 01:16:29,600
Speaker 1: At Gary Hidnik's.

1500
01:16:29,200 --> 01:16:33,280
Speaker 8: Trial said G from Ultra Magnetic for.

1501
01:16:33,439 --> 01:16:38,880
Speaker 2: Some reird, weird reason either said, G used to talk

1502
01:16:38,960 --> 01:16:41,680
Speaker 2: to this girl in Philly, but he lived.

1503
01:16:42,880 --> 01:16:44,439
Speaker 1: Crashed in North Philly.

1504
01:16:44,920 --> 01:16:50,880
Speaker 2: Uh eighty six eighty seven, like between his ultramatenetic gears

1505
01:16:50,960 --> 01:16:51,240
Speaker 2: or whatever.

1506
01:16:51,439 --> 01:16:56,360
Speaker 1: But he had to for some reason. He was testifying

1507
01:16:56,479 --> 01:16:58,880
Speaker 1: in the in that Gary hiding truck.

1508
01:16:59,120 --> 01:16:59,920
Speaker 10: Yeah, that's a little weird.

1509
01:17:00,520 --> 01:17:03,040
Speaker 1: Yeah, why I just bring the mood down.

1510
01:17:03,160 --> 01:17:03,920
Speaker 7: No, it's fine.

1511
01:17:05,640 --> 01:17:12,679
Speaker 8: Just completely destroyed my Rory Roger days. I gave oh man, Gary, Wow,

1512
01:17:12,840 --> 01:17:14,000
Speaker 8: I'm fixing chicken.

1513
01:17:17,320 --> 01:17:19,439
Speaker 1: This is not funny. Just killing chicken.

1514
01:17:21,400 --> 01:17:22,240
Speaker 7: I heard you good?

1515
01:17:23,360 --> 01:17:30,720
Speaker 2: So uh yeah, from doing those those central This is

1516
01:17:30,800 --> 01:17:35,120
Speaker 2: weird because this actually takes us back to the beginning

1517
01:17:35,600 --> 01:17:41,760
Speaker 2: of this conversation with pleasing yourself musically and serving.

1518
01:17:43,000 --> 01:17:50,080
Speaker 1: The crowd musically. I noticed that, uh, there's there's sort

1519
01:17:50,120 --> 01:17:53,120
Speaker 1: of a running theme with most of the.

1520
01:17:53,120 --> 01:17:58,679
Speaker 2: Guests that are on QLs in which high pressured dj

1521
01:17:59,760 --> 01:18:07,120
Speaker 2: uh uh scenarios make better producers. Jimmy Jam would often

1522
01:18:07,200 --> 01:18:12,040
Speaker 2: talk about having to DJ for two thousand kids in Minnesota,

1523
01:18:13,000 --> 01:18:16,360
Speaker 2: but that made him more in tune to become Jimmy

1524
01:18:16,439 --> 01:18:19,000
Speaker 2: Jam And of course Doctor Dre his story.

1525
01:18:18,880 --> 01:18:21,320
Speaker 1: Is that you know, if you played the wrong record,

1526
01:18:21,360 --> 01:18:22,080
Speaker 1: you could get shot.

1527
01:18:22,560 --> 01:18:24,280
Speaker 8: Yeah, I know that part, So.

1528
01:18:26,240 --> 01:18:26,600
Speaker 1: I don't know.

1529
01:18:26,880 --> 01:18:29,439
Speaker 2: I feel like I'm in such a privileged era because like,

1530
01:18:29,560 --> 01:18:35,320
Speaker 2: my celebrity allows me to do silly shit, like I

1531
01:18:35,360 --> 01:18:37,040
Speaker 2: could play a Sesame Street record if I want to,

1532
01:18:37,160 --> 01:18:39,360
Speaker 2: and it's like, oh, of course, loves you know, I'll

1533
01:18:39,360 --> 01:18:42,479
Speaker 2: play the Curly Shuffle, three Stooges, shit whatever. But it's like,

1534
01:18:43,600 --> 01:18:47,560
Speaker 2: how are you able to experiment or is it just

1535
01:18:47,640 --> 01:18:49,320
Speaker 2: like yo, I got to play the hottest record right

1536
01:18:49,400 --> 01:18:52,640
Speaker 2: now and that's it. You got, Like I assume these

1537
01:18:52,680 --> 01:18:55,800
Speaker 2: gigs are like three to four hours, correct, No, you do.

1538
01:18:55,920 --> 01:18:58,760
Speaker 8: Three to four hours. I do two. I'll do you

1539
01:18:58,800 --> 01:19:01,720
Speaker 8: can make a point in two hours, yes, Like I

1540
01:19:01,760 --> 01:19:04,600
Speaker 8: can make a point however long. But it's one of

1541
01:19:04,680 --> 01:19:07,120
Speaker 8: the most important things is for me to know how long,

1542
01:19:07,560 --> 01:19:10,080
Speaker 8: because for me to tell the story, I have to end.

1543
01:19:10,760 --> 01:19:14,479
Speaker 8: I get absolutely pissed off. I am not able to

1544
01:19:14,760 --> 01:19:17,400
Speaker 8: end because everything, you know, it has a beginning of

1545
01:19:17,479 --> 01:19:21,040
Speaker 8: middle and an end and you just you once I

1546
01:19:21,160 --> 01:19:23,080
Speaker 8: know how long it is, I kind of know where

1547
01:19:23,120 --> 01:19:23,280
Speaker 8: to go.

1548
01:19:23,520 --> 01:19:25,280
Speaker 1: But how can you tell that story in two hours?

1549
01:19:25,320 --> 01:19:28,639
Speaker 8: Though, because it's so it's possible to tell that story

1550
01:19:28,640 --> 01:19:31,600
Speaker 8: in thirty minutes, like it all depends.

1551
01:19:31,320 --> 01:19:33,800
Speaker 9: You know, it might not like it.

1552
01:19:35,360 --> 01:19:36,000
Speaker 1: It's not easy.

1553
01:19:36,400 --> 01:19:39,360
Speaker 8: It's like it's actually harder to do it in a

1554
01:19:39,439 --> 01:19:41,920
Speaker 8: shorter amount of time. Yes, it's hard to tell, you know,

1555
01:19:42,120 --> 01:19:44,640
Speaker 8: because you you don't get a chance to build up,

1556
01:19:44,720 --> 01:19:47,760
Speaker 8: you don't get a chance to kind of get into it.

1557
01:19:47,880 --> 01:19:50,120
Speaker 1: You only so when you do these gigs around the world,

1558
01:19:50,120 --> 01:19:54,000
Speaker 1: it's only for two hours. Yep, got even three?

1559
01:19:54,320 --> 01:19:55,840
Speaker 8: Well, see, you know what it is. You got to

1560
01:19:55,920 --> 01:20:00,160
Speaker 8: keep in mind. I play really really high impact. When

1561
01:20:00,160 --> 01:20:03,800
Speaker 8: you play high impact, you can't high impact people for

1562
01:20:04,560 --> 01:20:07,680
Speaker 8: over two hours. Like, there was so many lessons that

1563
01:20:07,800 --> 01:20:13,240
Speaker 8: I've learned. I remember doing an MSU homecoming and it

1564
01:20:13,400 --> 01:20:15,599
Speaker 8: was one of those things that I just was hitting

1565
01:20:15,640 --> 01:20:18,160
Speaker 8: them and hitting them and hitting them, and I remember

1566
01:20:18,280 --> 01:20:21,120
Speaker 8: paying attention to this guy. He was a little bit

1567
01:20:21,200 --> 01:20:23,920
Speaker 8: heavy and he was dancing and it was almost like

1568
01:20:24,479 --> 01:20:27,080
Speaker 8: you were trying to get off the floor and I

1569
01:20:27,280 --> 01:20:30,000
Speaker 8: keep playing something that and when I tell you, he

1570
01:20:30,280 --> 01:20:33,400
Speaker 8: was dripping and soaking wet. And it got to a

1571
01:20:33,479 --> 01:20:36,799
Speaker 8: point that I was like, you're not enjoying yourself anymore,

1572
01:20:37,760 --> 01:20:41,519
Speaker 8: Like you're at a fucking health reason, You're You're at

1573
01:20:41,560 --> 01:20:44,120
Speaker 8: a point that you're not enjoying. And it was kind

1574
01:20:44,120 --> 01:20:45,920
Speaker 8: of like, wow, Jeff, you know what you have to do.

1575
01:20:45,960 --> 01:20:48,400
Speaker 8: You gotta take people on a roller coaster ride. You

1576
01:20:48,520 --> 01:20:51,200
Speaker 8: got like it's cool to send people to the bar.

1577
01:20:51,960 --> 01:20:53,600
Speaker 8: You know what I realized a long time, like I

1578
01:20:53,640 --> 01:20:58,160
Speaker 8: didn't come up playing reggae because like, and I'm gonna

1579
01:20:58,160 --> 01:21:00,960
Speaker 8: tell you why, there was so many me reggae records

1580
01:21:01,000 --> 01:21:04,200
Speaker 8: you get. You know, I'm coming from funk, soul rock,

1581
01:21:04,320 --> 01:21:07,240
Speaker 8: all the rest of this. I couldn't add reggae into

1582
01:21:08,200 --> 01:21:11,360
Speaker 8: my set because it was way too much and it

1583
01:21:11,520 --> 01:21:14,280
Speaker 8: was so many rhythms that changed that it was just

1584
01:21:14,360 --> 01:21:16,040
Speaker 8: kind of like, you know what, I'm gonna leave that

1585
01:21:16,240 --> 01:21:20,720
Speaker 8: to someone else. But what I realized is if I

1586
01:21:20,800 --> 01:21:25,000
Speaker 8: didn't play reggae, people didn't leave who wanted to hear reggae?

1587
01:21:25,439 --> 01:21:28,920
Speaker 8: Once you get them in, nobody's leaving. That's the first

1588
01:21:29,040 --> 01:21:31,720
Speaker 8: lesson as a DJ that you have to understand, Yeah,

1589
01:21:31,720 --> 01:21:33,920
Speaker 8: I'm not paying twenty dollars and a DJ suck to

1590
01:21:33,960 --> 01:21:36,559
Speaker 8: the point that I'm gonna leave. I'm gonna be mad

1591
01:21:36,640 --> 01:21:39,680
Speaker 8: at you, but I'm gonna stay so because I know

1592
01:21:39,840 --> 01:21:43,559
Speaker 8: that you're there. My job is, you know what, if

1593
01:21:43,640 --> 01:21:47,719
Speaker 8: you satisfy everybody in the room for forty five minutes,

1594
01:21:47,760 --> 01:21:51,600
Speaker 8: they walk out saying I had a great time. So

1595
01:21:52,200 --> 01:21:55,479
Speaker 8: it gives me the ability to satisfy three different groups

1596
01:21:55,520 --> 01:22:00,200
Speaker 8: of people for forty five minutes. Everybody walks out like, yo,

1597
01:22:00,560 --> 01:22:04,519
Speaker 8: he killed it, because you can't think. Case in point,

1598
01:22:04,960 --> 01:22:10,000
Speaker 8: how long do people dance at a wedding reception? Twenty minutes? Yeah, tops,

1599
01:22:10,920 --> 01:22:12,560
Speaker 8: a boy, get on the floor with the bride and

1600
01:22:12,640 --> 01:22:15,160
Speaker 8: the groom. You boom boom, boom, boom boom, and it's

1601
01:22:15,240 --> 01:22:17,320
Speaker 8: kind of like, okay, cut the cake and we out,

1602
01:22:17,960 --> 01:22:21,439
Speaker 8: and I'm good, like we not at the You know,

1603
01:22:21,600 --> 01:22:25,240
Speaker 8: this ain't dance materia because people who went to those

1604
01:22:25,360 --> 01:22:28,840
Speaker 8: marathon dance things they went there to dance all night.

1605
01:22:29,360 --> 01:22:32,320
Speaker 2: That's not the average club. The average club is I'm

1606
01:22:32,360 --> 01:22:34,920
Speaker 2: a drink, I'm gonna find a girl, and I'm ana dance.

1607
01:22:35,960 --> 01:22:37,120
Speaker 2: It's not it's not the whole thing.

1608
01:22:37,560 --> 01:22:39,400
Speaker 7: And as I'm just gonna say, as the person dancing

1609
01:22:39,479 --> 01:22:41,519
Speaker 7: on the floor, we appreciate the break to go get

1610
01:22:41,560 --> 01:22:43,400
Speaker 7: the drink, to not mess up your hair and sweat

1611
01:22:43,439 --> 01:22:45,120
Speaker 7: your hair out and shit and be like, oh good,

1612
01:22:45,560 --> 01:22:46,320
Speaker 7: he's gonna let take it.

1613
01:22:46,400 --> 01:22:46,680
Speaker 2: Oh good.

1614
01:22:46,680 --> 01:22:48,920
Speaker 7: I can breathe for a second, like we just appreciate it.

1615
01:22:49,040 --> 01:22:51,599
Speaker 2: You know what, It's funny you said about reggae because

1616
01:22:52,720 --> 01:22:55,080
Speaker 2: I feel as though reggae is the one genre that

1617
01:22:55,240 --> 01:22:56,640
Speaker 2: will never die and that.

1618
01:22:56,760 --> 01:22:59,040
Speaker 1: Is universally loved by everyone. Yep.

1619
01:22:59,479 --> 01:23:02,559
Speaker 2: My first ten records are always the reggae records because

1620
01:23:03,640 --> 01:23:07,280
Speaker 2: I have to test the room. That's the one like murder,

1621
01:23:07,400 --> 01:23:10,320
Speaker 2: she will will never die in my lifetime, So that's

1622
01:23:10,439 --> 01:23:12,400
Speaker 2: usually like my first record. And with the stuff that

1623
01:23:12,439 --> 01:23:14,200
Speaker 2: Drake is doing now, that's sort of like close that

1624
01:23:15,200 --> 01:23:17,360
Speaker 2: it fits in. So usually my first ten records of that,

1625
01:23:18,080 --> 01:23:21,160
Speaker 2: and it buys me time to see. Now it's weird

1626
01:23:21,280 --> 01:23:24,120
Speaker 2: because I used to be the DJ that like came

1627
01:23:24,160 --> 01:23:27,479
Speaker 2: out the box hit hit, hit, hit, but then I learned,

1628
01:23:27,520 --> 01:23:28,120
Speaker 2: like after.

1629
01:23:28,040 --> 01:23:29,840
Speaker 1: Seventeen, there's fatigue yep.

1630
01:23:30,680 --> 01:23:34,280
Speaker 2: And then I started feeling myself to the point where

1631
01:23:35,760 --> 01:23:41,320
Speaker 2: I got off with playing the worst shit.

1632
01:23:41,439 --> 01:23:45,519
Speaker 1: Ever, No, only because I knew what I had around

1633
01:23:45,560 --> 01:23:46,000
Speaker 1: the corner.

1634
01:23:46,280 --> 01:23:50,840
Speaker 8: But how great is that feeling? I tell people, it's amazing.

1635
01:23:51,160 --> 01:23:53,360
Speaker 8: If I got two thousand people in front of me

1636
01:23:53,840 --> 01:23:57,280
Speaker 8: and I know I got you, I know what the

1637
01:23:57,479 --> 01:24:01,080
Speaker 8: next five records are going to do to you? Like

1638
01:24:01,240 --> 01:24:03,400
Speaker 8: you don't know, Like I'm sitting there like, oh my god,

1639
01:24:03,880 --> 01:24:06,600
Speaker 8: my ass like fast when we were in when we

1640
01:24:06,720 --> 01:24:09,920
Speaker 8: were in Africa. And because I have this thing that

1641
01:24:10,160 --> 01:24:14,920
Speaker 8: I play the original of Annie Up the Soul System,

1642
01:24:15,000 --> 01:24:16,160
Speaker 8: so you know it's fast.

1643
01:24:18,960 --> 01:24:19,759
Speaker 1: And Soul System.

1644
01:24:19,880 --> 01:24:22,400
Speaker 8: So everybody's kind of have this look because it's kind

1645
01:24:22,439 --> 01:24:26,320
Speaker 8: of like you just changed the tempo, like it's almost

1646
01:24:26,320 --> 01:24:27,320
Speaker 8: like damn, did he fuck up?

1647
01:24:27,880 --> 01:24:28,840
Speaker 1: And I'm playing it and you.

1648
01:24:29,160 --> 01:24:31,280
Speaker 8: Gotta sell it like we're selling it. That's over there

1649
01:24:31,400 --> 01:24:35,479
Speaker 8: dancing Dane dancing, and when it when it morphs into it,

1650
01:24:36,160 --> 01:24:41,320
Speaker 8: the look on everybody's face, oh oh shit, oh and

1651
01:24:41,439 --> 01:24:45,959
Speaker 8: it's pandemonium. But so when I drop that, I'm excited

1652
01:24:46,000 --> 01:24:48,360
Speaker 8: because I'm kind of like I'm looking at the dude

1653
01:24:48,439 --> 01:24:50,320
Speaker 8: just kind of like, what's he doing? Man, this dude?

1654
01:24:50,479 --> 01:24:52,519
Speaker 1: And I'm like, and I'm just staring straight in his face.

1655
01:24:53,200 --> 01:24:55,720
Speaker 8: Just wait because you know, Annie up is kind of

1656
01:24:55,840 --> 01:24:59,599
Speaker 8: like with all the ladies, and right, yeah, that's that's

1657
01:24:59,640 --> 01:25:00,360
Speaker 8: the be say.

1658
01:25:00,439 --> 01:25:06,200
Speaker 2: For dudes, I'm sitting there like, okay, go ahead, stand

1659
01:25:06,240 --> 01:25:07,560
Speaker 2: there with that stone face.

1660
01:25:09,160 --> 01:25:10,240
Speaker 7: And then he loses his mind.

1661
01:25:10,280 --> 01:25:16,280
Speaker 2: Oh absolutely, okay, so listen. Dis inclosing because I also

1662
01:25:16,439 --> 01:25:20,040
Speaker 2: want to get listen. You said for the record, we

1663
01:25:20,600 --> 01:25:21,439
Speaker 2: are doing part two.

1664
01:25:22,040 --> 01:25:26,559
Speaker 7: Okay, but part two gonna be real long too. We're

1665
01:25:26,600 --> 01:25:27,920
Speaker 7: talking touch of jazz, We're.

1666
01:25:27,840 --> 01:25:31,800
Speaker 2: Talking we gotta get to the production stuff and then

1667
01:25:32,000 --> 01:25:34,679
Speaker 2: but I do want to talk about the M three project.

1668
01:25:34,760 --> 01:25:37,040
Speaker 1: Explained to me how it came to be.

1669
01:25:38,160 --> 01:25:40,360
Speaker 8: I wanted this to be the last installment of the

1670
01:25:40,439 --> 01:25:43,160
Speaker 8: Magnificent Series, not the last record that I'm gonna do.

1671
01:25:44,200 --> 01:25:47,120
Speaker 8: The Magnificent Series was always a trilogy to me. I

1672
01:25:47,200 --> 01:25:49,439
Speaker 8: wanted to be the Magnificent return of Magnificent M three.

1673
01:25:50,000 --> 01:25:52,760
Speaker 8: I needed to let the music industry kind of get

1674
01:25:52,840 --> 01:25:55,760
Speaker 8: completely out of my way. There's certain ship that just

1675
01:25:55,840 --> 01:25:59,760
Speaker 8: didn't make sense to me that I wanted to kind

1676
01:25:59,800 --> 01:26:02,640
Speaker 8: of You know, the first thing that I fixed was

1677
01:26:02,840 --> 01:26:05,519
Speaker 8: having your own studio. Because now I can control the

1678
01:26:05,640 --> 01:26:09,040
Speaker 8: creative process. I can make whatever I want. Nobody can

1679
01:26:09,080 --> 01:26:12,000
Speaker 8: tell me that I just didn't have it down to

1680
01:26:12,080 --> 01:26:15,000
Speaker 8: how to release your music and get it to everybody.

1681
01:26:15,160 --> 01:26:18,720
Speaker 8: So social media and just the changing world that we

1682
01:26:18,840 --> 01:26:21,679
Speaker 8: live in allowed all of that to happen, and that's

1683
01:26:21,680 --> 01:26:24,840
Speaker 8: why I was eleven year gap between the Return of

1684
01:26:24,880 --> 01:26:28,200
Speaker 8: the Magnificent to this one. But I also wanted to

1685
01:26:28,280 --> 01:26:30,960
Speaker 8: do a record because I made the mistake by making

1686
01:26:31,000 --> 01:26:35,640
Speaker 8: the prototypical let me have all of these guests on

1687
01:26:35,800 --> 01:26:38,639
Speaker 8: my record, only to realize that there's no way humanly

1688
01:26:38,720 --> 01:26:40,439
Speaker 8: possible that we're ever going to do a show.

1689
01:26:41,960 --> 01:26:42,840
Speaker 1: Isn't that frustrating?

1690
01:26:43,080 --> 01:26:45,160
Speaker 8: Wow? So it just got to a point that it

1691
01:26:45,240 --> 01:26:47,760
Speaker 8: was kind of like, listen, I'm you know, as many

1692
01:26:47,880 --> 01:26:50,080
Speaker 8: dates as we're doing, how can I make this record

1693
01:26:50,160 --> 01:26:52,920
Speaker 8: to the point that we can go out and support you?

1694
01:26:53,400 --> 01:26:55,040
Speaker 7: But did you do that with the other Magnificence?

1695
01:26:55,520 --> 01:26:58,719
Speaker 8: Oh listen, I had method man cls move and everybody.

1696
01:26:58,720 --> 01:26:58,800
Speaker 7: You know.

1697
01:26:58,840 --> 01:27:02,439
Speaker 1: It was just kind of like, yeah, so this will

1698
01:27:02,520 --> 01:27:06,320
Speaker 1: never be live, That's what I meant, Like the tour ever.

1699
01:27:08,280 --> 01:27:11,080
Speaker 8: And yeah, so you know, it was kind of like,

1700
01:27:11,240 --> 01:27:12,800
Speaker 8: you know, me and Dane have been on the road

1701
01:27:12,920 --> 01:27:16,479
Speaker 8: for six seven years. I've made fest was on the

1702
01:27:16,600 --> 01:27:19,960
Speaker 8: Return of the Magnificent. The funny thing was when I

1703
01:27:20,160 --> 01:27:24,559
Speaker 8: made the Return of the Magnificent, my son Amyra was five,

1704
01:27:25,840 --> 01:27:28,639
Speaker 8: so you know, it was all and then just sitting

1705
01:27:28,680 --> 01:27:31,479
Speaker 8: down kind of piecing it together. You know, I was

1706
01:27:31,600 --> 01:27:33,600
Speaker 8: kind of like, listen, you know what I want to do.

1707
01:27:33,760 --> 01:27:35,800
Speaker 8: First of all, I want to bring back the era

1708
01:27:36,400 --> 01:27:38,120
Speaker 8: of Cold Crush. I want to bring back the era

1709
01:27:38,280 --> 01:27:40,639
Speaker 8: of tried, bring back the era of Day Last Soul

1710
01:27:40,760 --> 01:27:45,719
Speaker 8: of MC's going back and forth with each other because

1711
01:27:45,760 --> 01:27:48,200
Speaker 8: one of the things that I realized, especially being in DJ,

1712
01:27:49,040 --> 01:27:53,599
Speaker 8: is when you've been around doing a cycle. When AM

1713
01:27:53,720 --> 01:27:55,960
Speaker 8: and I would DJ together and we would do two

1714
01:27:56,040 --> 01:27:58,200
Speaker 8: by four sets, which basically both of us are playing

1715
01:27:58,240 --> 01:28:00,800
Speaker 8: at the same time, people would lose their mind. And

1716
01:28:00,920 --> 01:28:02,760
Speaker 8: I'm like, I did this twenty five years ago with

1717
01:28:02,880 --> 01:28:05,320
Speaker 8: cash money, Like it's not new.

1718
01:28:05,560 --> 01:28:08,360
Speaker 1: Wait, you DJ with cash money before? Yeah, we would

1719
01:28:08,400 --> 01:28:10,599
Speaker 1: do two by four style. I never knew that. Yeah,

1720
01:28:10,960 --> 01:28:13,120
Speaker 1: That's why I never asked the question, Yeah, we would

1721
01:28:13,120 --> 01:28:14,960
Speaker 1: do that, but it's just what it did.

1722
01:28:15,120 --> 01:28:17,080
Speaker 8: Is it kind of let me know, when you have

1723
01:28:17,360 --> 01:28:21,080
Speaker 8: when the cycle has repeated itself, everything starts over.

1724
01:28:22,080 --> 01:28:22,240
Speaker 1: You know.

1725
01:28:22,360 --> 01:28:24,439
Speaker 8: It's kind of like the person who's like, oh my god,

1726
01:28:24,560 --> 01:28:26,839
Speaker 8: transformers and you're kind of like, oh, wow, you completely

1727
01:28:26,880 --> 01:28:29,599
Speaker 8: missed the cartoon. Huh, like you think it started now.

1728
01:28:30,280 --> 01:28:34,160
Speaker 8: So it's from knowing that. From the DJ side, I'm

1729
01:28:34,280 --> 01:28:39,080
Speaker 8: kind of like, you know, migos don't actually tag team

1730
01:28:39,200 --> 01:28:41,599
Speaker 8: when they rap, like they're not doing day La Sola

1731
01:28:41,680 --> 01:28:44,880
Speaker 8: cold Crush stuff, so no one understands about that. So

1732
01:28:44,960 --> 01:28:48,600
Speaker 8: I was like, yo, I'm just reinventing the wheel that

1733
01:28:49,320 --> 01:28:51,679
Speaker 8: what I think is really dope is I had three

1734
01:28:51,840 --> 01:28:56,080
Speaker 8: generations of MC's that I have Fest who's forty, Dame

1735
01:28:56,160 --> 01:29:00,280
Speaker 8: who's twenty, and am Here who's eighteen, but they all

1736
01:29:00,400 --> 01:29:01,080
Speaker 8: are MC's.

1737
01:29:01,120 --> 01:29:03,280
Speaker 7: They all spit and you can hear their different perspectives

1738
01:29:03,280 --> 01:29:04,400
Speaker 7: and the songs I was listening to it, I was like,

1739
01:29:04,439 --> 01:29:04,600
Speaker 7: this is.

1740
01:29:04,640 --> 01:29:08,200
Speaker 8: Kind of like everybody's kind of like, oh man, you

1741
01:29:08,280 --> 01:29:10,120
Speaker 8: know is it that this is? This is kind of

1742
01:29:10,160 --> 01:29:14,200
Speaker 8: like I hate categorizing music. I got two categories. There's

1743
01:29:14,200 --> 01:29:17,200
Speaker 8: good music and bad music. I don't care the genres

1744
01:29:17,320 --> 01:29:19,519
Speaker 8: all the rest of that ship, because you know, you

1745
01:29:19,560 --> 01:29:22,120
Speaker 8: would go into a tower records and you couldn't find

1746
01:29:22,160 --> 01:29:25,200
Speaker 8: a ship that you wanted because you classified it as

1747
01:29:25,280 --> 01:29:27,720
Speaker 8: one thing and they classified it as something else. And

1748
01:29:27,760 --> 01:29:29,760
Speaker 8: I just kind of wish that the entire store was

1749
01:29:29,800 --> 01:29:32,439
Speaker 8: in alphabetical order, because I could probably find everything that

1750
01:29:32,520 --> 01:29:36,400
Speaker 8: I wanted. So it's just it wasn't genre specific, you know.

1751
01:29:36,479 --> 01:29:38,920
Speaker 8: I took two weeks and we came in and we

1752
01:29:39,040 --> 01:29:40,840
Speaker 8: made all of the music. All of the music on

1753
01:29:40,920 --> 01:29:44,840
Speaker 8: the album is live instrumentation, and I did it in

1754
01:29:44,920 --> 01:29:46,600
Speaker 8: a way because it was kind of like, Okay, you know,

1755
01:29:47,280 --> 01:29:49,200
Speaker 8: I don't necessarily want you to know. I want you

1756
01:29:49,280 --> 01:29:51,439
Speaker 8: to feel the music. I'm not I don't want you

1757
01:29:51,520 --> 01:29:55,519
Speaker 8: to dissect it. And then invited Dane ron Fest and

1758
01:29:55,560 --> 01:29:58,200
Speaker 8: I'm Mayr to come in and Aaron Camper and we,

1759
01:29:59,120 --> 01:30:01,479
Speaker 8: you know, recorded all the vocals and it was like

1760
01:30:01,600 --> 01:30:01,960
Speaker 8: that was it.

1761
01:30:03,240 --> 01:30:04,240
Speaker 1: Shout out to Aaron Camp.

1762
01:30:04,600 --> 01:30:09,920
Speaker 8: Shout out to Aaron Camp. So I'm about to say

1763
01:30:10,000 --> 01:30:14,160
Speaker 8: and then we cheat because traveling around the world, if

1764
01:30:14,200 --> 01:30:16,479
Speaker 8: you watch any of the videos that we put out,

1765
01:30:17,160 --> 01:30:20,320
Speaker 8: we cheat and shoot videos and all of the places

1766
01:30:20,360 --> 01:30:23,519
Speaker 8: that we go. So the first video, Skaters Paradise, which

1767
01:30:23,600 --> 01:30:27,240
Speaker 8: is actually about traveling around the world and how some

1768
01:30:27,360 --> 01:30:30,280
Speaker 8: people would rather spend a thousand dollars on the strip

1769
01:30:30,320 --> 01:30:32,400
Speaker 8: of the dance instead of spending one thousand dollars on

1770
01:30:32,479 --> 01:30:36,800
Speaker 8: a trip to Japan. You know, we we cheated and

1771
01:30:36,840 --> 01:30:38,200
Speaker 8: shot the video all over the world.

1772
01:30:39,120 --> 01:30:39,920
Speaker 1: That's good business.

1773
01:30:40,920 --> 01:30:41,679
Speaker 10: That's good business.

1774
01:30:41,840 --> 01:30:45,400
Speaker 1: Good business. Well, Jeff, I'm holding.

1775
01:30:45,160 --> 01:30:45,360
Speaker 10: You to.

1776
01:30:46,920 --> 01:30:50,280
Speaker 7: Yes, we have two actually we have two extra episodes

1777
01:30:50,280 --> 01:30:51,680
Speaker 7: to do. We have to do Jeff, and then Ryan

1778
01:30:51,720 --> 01:30:53,920
Speaker 7: Fast he got to come back to his own episode

1779
01:30:54,640 --> 01:30:56,080
Speaker 7: talk about how he be trying to say the world

1780
01:30:56,120 --> 01:30:57,080
Speaker 7: and shit exactly.

1781
01:30:58,240 --> 01:31:00,400
Speaker 8: Yeah, Fest, I take Fest around the world with me

1782
01:31:00,840 --> 01:31:02,880
Speaker 8: because he saves the world as we go.

1783
01:31:05,200 --> 01:31:06,080
Speaker 1: I don't. I don't.

1784
01:31:06,479 --> 01:31:08,960
Speaker 8: I've never been that person that just kind of ventures

1785
01:31:09,040 --> 01:31:12,200
Speaker 8: off and we would come down and I'll say, dang,

1786
01:31:12,240 --> 01:31:13,760
Speaker 8: where's Fest And he was like, I don't know, and

1787
01:31:15,000 --> 01:31:16,960
Speaker 8: Fests just be like, yo, I just got with some

1788
01:31:17,080 --> 01:31:19,680
Speaker 8: people and they took me out and Kenya, and I'm

1789
01:31:19,760 --> 01:31:22,640
Speaker 8: kind of like, yeah, I wouldn't have did that. But

1790
01:31:22,800 --> 01:31:26,080
Speaker 8: Fest comes back and listen. We we were in Bali

1791
01:31:26,200 --> 01:31:28,920
Speaker 8: and Fest came back after being gone all day that

1792
01:31:29,040 --> 01:31:31,400
Speaker 8: we're almost about to send a search party out, and

1793
01:31:31,520 --> 01:31:34,439
Speaker 8: Fest was like, yeah, I went to a brothel and

1794
01:31:34,520 --> 01:31:37,720
Speaker 8: I was sitting outside talking to three prostitutes and a cop. Yes,

1795
01:31:38,360 --> 01:31:41,080
Speaker 8: And he had like a five hour conversation, but came

1796
01:31:41,200 --> 01:31:47,000
Speaker 8: back with the entire information on the country of Bali, Indonesia, Indonesia,

1797
01:31:50,280 --> 01:31:56,479
Speaker 8: potato potato patata. So yeah, you know, fest is our culture.

1798
01:31:58,080 --> 01:32:01,439
Speaker 7: Yeah, how's Obama doing? I just figure you know him.

1799
01:32:02,600 --> 01:32:06,720
Speaker 6: You know, actually we were having some issues in Chicago

1800
01:32:07,760 --> 01:32:11,240
Speaker 6: because you know, they got the the the Obama Library.

1801
01:32:11,400 --> 01:32:12,639
Speaker 1: It's coming to the South Side.

1802
01:32:12,680 --> 01:32:16,160
Speaker 6: It's a five hundred million dollar project, is gonna projected

1803
01:32:16,439 --> 01:32:17,400
Speaker 6: three billion.

1804
01:32:17,120 --> 01:32:19,320
Speaker 1: Dollars for the for the South Side of Chicago.

1805
01:32:19,880 --> 01:32:24,600
Speaker 6: But Obama, who was a community organizer, wouldn't sign a

1806
01:32:24,680 --> 01:32:29,439
Speaker 6: community benefits agreement and that that community benefits agreement that

1807
01:32:29,840 --> 01:32:33,320
Speaker 6: makes sure people don't get harlemed out and brooke them out,

1808
01:32:33,439 --> 01:32:35,519
Speaker 6: you know what I mean. Like when you see what's

1809
01:32:35,560 --> 01:32:38,040
Speaker 6: happening in New York, it's coming to your neighborhood soon.

1810
01:32:38,120 --> 01:32:39,679
Speaker 7: I'm from Dcy.

1811
01:32:39,960 --> 01:32:42,160
Speaker 6: It didn't already happen in Chicago because where did the

1812
01:32:42,240 --> 01:32:45,000
Speaker 6: council voted on it today and pushed it through and

1813
01:32:45,160 --> 01:32:50,599
Speaker 6: so like, you know, basically, you know, the preachers and Obama,

1814
01:32:50,640 --> 01:32:52,559
Speaker 6: they got to get like it's Obama, just trust them.

1815
01:32:52,840 --> 01:32:54,840
Speaker 6: And the community is like, hold on, wait this three

1816
01:32:54,880 --> 01:32:57,639
Speaker 6: billion dollars, we need this in writing, and they're like, nah,

1817
01:32:57,680 --> 01:32:59,640
Speaker 6: you're not getting it in writing a lot of times too.

1818
01:32:59,760 --> 01:33:02,720
Speaker 6: You know what's interesting when you this is what black

1819
01:33:02,760 --> 01:33:05,599
Speaker 6: people got to be careful of when we make big

1820
01:33:05,720 --> 01:33:07,120
Speaker 6: money and do big projects.

1821
01:33:07,360 --> 01:33:10,120
Speaker 1: Who's in the middle of us in the community. It's

1822
01:33:10,240 --> 01:33:11,360
Speaker 1: always the middle man.

1823
01:33:11,960 --> 01:33:13,240
Speaker 7: He usually don't look like the man.

1824
01:33:13,320 --> 01:33:14,960
Speaker 6: He don't look like the one at the bottom of

1825
01:33:15,000 --> 01:33:15,720
Speaker 6: the at the top.

1826
01:33:15,840 --> 01:33:16,360
Speaker 10: Sometimes.

1827
01:33:16,960 --> 01:33:21,000
Speaker 1: Yeah, you know what I'm saying. I mean Steve Cools, No,

1828
01:33:21,120 --> 01:33:24,519
Speaker 1: he is right now.

1829
01:33:25,800 --> 01:33:28,200
Speaker 10: Hey, I'm going to get him an endorsement deal with

1830
01:33:28,360 --> 01:33:29,200
Speaker 10: w T forty.

1831
01:33:29,439 --> 01:33:33,240
Speaker 8: Okay, don't but you know my mix is no more

1832
01:33:33,240 --> 01:33:35,599
Speaker 8: because now they got a nob to make it tight

1833
01:33:35,800 --> 01:33:36,160
Speaker 8: or loose.

1834
01:33:38,320 --> 01:33:40,640
Speaker 7: I heard you Ryan over there. Watch out for the

1835
01:33:40,680 --> 01:33:43,280
Speaker 7: middle man. You know he talks to rich people. I'm

1836
01:33:43,280 --> 01:33:45,240
Speaker 7: not there yet, but for you and Jeff, y'all should

1837
01:33:45,240 --> 01:33:46,120
Speaker 7: watch out for the middle man.

1838
01:33:46,479 --> 01:33:48,320
Speaker 1: If you see a rich person. You know what I'm saying.

1839
01:33:48,760 --> 01:33:51,400
Speaker 7: I couldn't say wealthy, at least rich. Come on, Negroes,

1840
01:33:51,439 --> 01:33:52,639
Speaker 7: don't try to play a player.

1841
01:33:53,720 --> 01:33:55,960
Speaker 1: Got wind this episode so I can go to my job.

1842
01:33:56,760 --> 01:33:58,400
Speaker 1: You can be rich with culture.

1843
01:33:58,479 --> 01:33:59,880
Speaker 7: Goodbye. I can't look.

1844
01:33:59,880 --> 01:34:01,120
Speaker 1: I'm just spending on my mama house.

1845
01:34:01,160 --> 01:34:02,320
Speaker 7: That's okay.

1846
01:34:03,040 --> 01:34:09,799
Speaker 2: On behalf of j DJ Jazzy Jeff, Ron fest Sugar,

1847
01:34:09,840 --> 01:34:12,080
Speaker 2: Steve Fantigolo and his countertops.

1848
01:34:13,360 --> 01:34:16,519
Speaker 7: Oh man, I love we speak like he real salty

1849
01:34:16,600 --> 01:34:18,840
Speaker 7: day he didn't, Yeah he real salty is he?

1850
01:34:19,080 --> 01:34:19,320
Speaker 2: Yeah?

1851
01:34:20,040 --> 01:34:24,559
Speaker 7: His countertops exactly should have been here, but Ron that's

1852
01:34:24,600 --> 01:34:25,560
Speaker 7: coming back. So there you go.

1853
01:34:26,040 --> 01:34:28,840
Speaker 2: There you go, all right, And also Unpaid Bill on

1854
01:34:28,960 --> 01:34:37,280
Speaker 2: Testamont Street and uh uh Boss Billy Steve. Yeah, everyone,

1855
01:34:37,520 --> 01:34:40,920
Speaker 2: this Questbow Supreme and this Quest Love only on Pandora.

1856
01:34:41,040 --> 01:34:42,280
Speaker 10: We will see him the next go round.

1857
01:34:42,320 --> 01:34:46,080
Speaker 1: Thank you, ladies and gentlemen.

1858
01:34:46,760 --> 01:34:49,439
Speaker 2: You hate to hear it happen, but you know that's

1859
01:34:49,520 --> 01:34:53,240
Speaker 2: part one of the Great Jazzy Jeff. Stay tuned for

1860
01:34:53,479 --> 01:34:56,400
Speaker 2: Part two, where we get more stories of his life

1861
01:34:56,439 --> 01:35:01,679
Speaker 2: with Will Smith making records, DJing, making music, Follownists, Passion,

1862
01:35:02,320 --> 01:35:05,920
Speaker 2: the Greatest Ever Jazzy Jeff QLs Classic Part two coming

1863
01:35:06,000 --> 01:35:12,760
Speaker 2: up next time. Quest Love Supreme is a production of iHeartRadio.

1864
01:35:13,240 --> 01:35:16,640
Speaker 2: This classic episode was produced by the team at Pandora.

1865
01:35:19,360 --> 01:35:23,760
Speaker 2: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1866
01:35:24,200 --> 01:35:25,880
Speaker 2: or wherever you listen to your favorite shows.