WEBVTT - Walt Disney the Futurist

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<v Speaker 1>Hey, welcome to Stuff to blow your mind. My name

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<v Speaker 1>is Robert Lamb and I'm Julie Douglas. And Julie we

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<v Speaker 1>need we need to kick off by talking about a

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<v Speaker 1>little urban legend. Yeah, concerning one Walt Disney, and that,

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<v Speaker 1>of course, is the idea that buried in the secret

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<v Speaker 1>high tech vaults underneath Disney World and Epcot Center. The

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<v Speaker 1>Magic Kingdom, the Magical Kingdom's laity is that the Magic Kingdom?

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<v Speaker 1>It is California, the Magic Kingdom? Are they the Magic Kingdom?

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<v Speaker 1>Already you've exposed my knowledge of the Disney franchise. Well, anyway,

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<v Speaker 1>the myth is that's somewhere underneath one of these magical

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<v Speaker 1>cities that composed this Magical Kingdom. They're like robot tendered vaults,

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<v Speaker 1>and there you will find Walt Disney's frozen body that

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<v Speaker 1>it's in. It's being preserved until such time as we

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<v Speaker 1>can bring him back to life so that he can

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<v Speaker 1>save us from the uh, the harsh realities that faces

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<v Speaker 1>in the future. That's right, he's just waiting for technology

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<v Speaker 1>to catch up and and reanimate him. Yeah. Plus, somebody's

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<v Speaker 1>gonna make fantage of three. So yeah, yeah, So I

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<v Speaker 1>mean this is of course an urban legend. This is

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<v Speaker 1>complete um who whoie if you will, I mean, for

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<v Speaker 1>for starters. Just an important factor is that Dr James Bedford,

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<v Speaker 1>seventy three year old psychology professor, was the first person

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<v Speaker 1>frozen in this matter through Ennis, and that was on

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<v Speaker 1>January twelfth, nineteen sixty seven. Walt Disney died December fift

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<v Speaker 1>nineteen sixty six. You know, so we got roughly a

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<v Speaker 1>year there before it was even really possible. Um So,

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<v Speaker 1>so there's that, all right, right, So the confluence of

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<v Speaker 1>events helped perpetuate this myth, not to mention the fact

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<v Speaker 1>that he was highly private and actually his funeral arrangements

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<v Speaker 1>were not publicized, and so people started to stir up

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<v Speaker 1>all of these rumors. Yeah, and people, you know, people

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<v Speaker 1>generally like the idea of a of of rich people

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<v Speaker 1>being kind of crazy and Richard Branson yeah, or or also,

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<v Speaker 1>I mean the whole um Howard Hughes, uh deal, you know,

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<v Speaker 1>the millionaire And I think that that's part of it too,

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<v Speaker 1>Like people think of Howard Hughes and they think of

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<v Speaker 1>Walt Disney, and they kind of they kind of bring

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<v Speaker 1>the two together in their mind into some um um

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<v Speaker 1>version of like an an eccentric billionaire from the past. Yeah,

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<v Speaker 1>and then there's those this whole thing too about Walt

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<v Speaker 1>Disney being like a guide in the wool futurists. Yes,

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<v Speaker 1>the real deal, And that's what we're really going to

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<v Speaker 1>talk about in this podcast now that we've swept the

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<v Speaker 1>urban myth out of the way, because that's the thing. Disney, um,

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<v Speaker 1>you know, mostly is known for Disney World, Mickey Mouse

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<v Speaker 1>maybe more becoming more affiliated with Pixar today and you know,

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<v Speaker 1>and some of these are great products, but the man

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<v Speaker 1>himself was was so much more interesting than any of

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<v Speaker 1>these one things and for a while was a really

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<v Speaker 1>powerful force, uh as far as futurist thinking goes, and

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<v Speaker 1>just in contemplating and just advocating how technology can can

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<v Speaker 1>shape the course of our future and and better everyone's life.

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<v Speaker 1>Well not it's just not just the future, but public opinion, um,

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<v Speaker 1>even even our government. And we'll talk a little bit

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<v Speaker 1>about that later, but um, you know, I mean this

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<v Speaker 1>is a guy who was an absolute optimist when it

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<v Speaker 1>when it comes to technology, and he kind of felt

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<v Speaker 1>like you could solve any problem with technology, you just

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<v Speaker 1>had to put it in place, so which you have

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<v Speaker 1>this guy with a lot of money, a lot of imagination,

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<v Speaker 1>and this absolute faith in the future right now. He

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<v Speaker 1>was born in NT one to give you a little um,

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<v Speaker 1>you know, time for nineteen o one through nineteen sixty six,

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<v Speaker 1>and he indeed started off with the whole animation thing, uh, drawing. Um.

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<v Speaker 1>I forget what the first character was, but it looked

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<v Speaker 1>at There are a couple of characters that he came

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<v Speaker 1>out with, one of which ended up getting taken away

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<v Speaker 1>from him due to to some rights issues. But then

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<v Speaker 1>he settled on nicky Um. But he was not he

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<v Speaker 1>was not really a gifted artist per se. I've heard

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<v Speaker 1>I've read some descriptions what they said. He could really

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<v Speaker 1>barely draw Mickey, you know, But but he had all

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<v Speaker 1>these ideas, you know, and he'd get this idea and

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<v Speaker 1>he'd be like, all right, here's Mickey, Let's get some

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<v Speaker 1>talented people to make this happen. Let's get some some

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<v Speaker 1>high end production stuff lined up, and will will produce

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<v Speaker 1>this thing. So he was he was big. I've also

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<v Speaker 1>seen that as one of his criticisms, that he was

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<v Speaker 1>more of an idea starter, you know, that someone that's like,

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<v Speaker 1>all right, guys, I got this idea for a party.

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<v Speaker 1>We're gonna have X, Y and Z go do it

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<v Speaker 1>and then I'll show up, you know, kind of a thing.

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<v Speaker 1>Um and he uh so he was, but he was

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<v Speaker 1>a big idea man. And he left the money stuff

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<v Speaker 1>to his brother Roy, who and there was also this

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<v Speaker 1>kind of older brother younger brother dynamic there because Walt

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<v Speaker 1>was the younger brother, so he was the wild imagination

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<v Speaker 1>kid and Roy was the older brother who looked after Walt. Okay,

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<v Speaker 1>so you've got the pragmatic part, you've got the kid

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<v Speaker 1>with moxie. Yeah. And apparently throughout I was reading about

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<v Speaker 1>this in the book Reality Land by this guy David Cone,

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<v Speaker 1>and it's a it's really good, but it goes into

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<v Speaker 1>a lot about that, Like there were basically like two

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<v Speaker 1>factions within Disney, uh for for for a long time,

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<v Speaker 1>and there was like Roy's guys and Waltz guys. Wow. Yeah,

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<v Speaker 1>this is like gangs. Yeah, it was like rival gangs,

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<v Speaker 1>one with calculators and the other, um, I don't know,

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<v Speaker 1>dream goggles. I was gonna dream goggles. That's nice standard

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<v Speaker 1>issue in corporate Disney back in the day. Yeah, Um,

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<v Speaker 1>but I mean it's interesting to look at it from

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<v Speaker 1>the historical perspective and realized that Disney was sort of

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<v Speaker 1>fed um on futurism from the get go or future

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<v Speaker 1>futuristic is m I guess that you could say there's

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<v Speaker 1>sort of a difference. UM. And you know, here's this

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<v Speaker 1>guy born in nineteen o one, as you say, died

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<v Speaker 1>in nineteen sixty six. He saw a tremendous amount of

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<v Speaker 1>progress and he again he had the imagination, he had

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<v Speaker 1>the moxie, he had a vehicle, Mickey, and he the

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<v Speaker 1>money to to do what he wanted to do. And

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<v Speaker 1>at the same time, you have all of these things

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<v Speaker 1>happening in in the United States concerning space race right right,

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<v Speaker 1>which is really sort of fueling his own ambition, not

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<v Speaker 1>to mention you know, national pride being part of this equation,

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<v Speaker 1>and you actually look at the timeline and you can

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<v Speaker 1>see where Disney is starting to think that he needs

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<v Speaker 1>to take this issue on himself. UM. And certainly it

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<v Speaker 1>was actually one of his animators who came up with

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<v Speaker 1>some of the ideas about space exploration as a topic.

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<v Speaker 1>But you know, he was a big proponent of of

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<v Speaker 1>UM making this sort of technology known to people, and

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<v Speaker 1>and really big into planning and designed to UM, which

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<v Speaker 1>which a part of that apparently came out of when

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<v Speaker 1>they when they established Disneyland in California. UM he began

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<v Speaker 1>to notice that, like they didn't really plan out hotel

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<v Speaker 1>arrangements and so like it went from after Disneyland was

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<v Speaker 1>built and went from there being like eighty available rooms

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<v Speaker 1>in the in the area surrounding area to just you know,

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<v Speaker 1>countless hotel to the point where they're they're having to

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<v Speaker 1>worry about skyscrapers rising up to where you don't really

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<v Speaker 1>have like the pristine because because they have the different

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<v Speaker 1>areas of Disneyland are are broken up to be like

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<v Speaker 1>periods of the past, and so there's gonna be a

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<v Speaker 1>skyscraper peering over, you know. And uh, and he wasn't

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<v Speaker 1>he wasn't happy with the city planning going going around

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<v Speaker 1>outside the park so part so he had this idea,

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<v Speaker 1>It's like, hey, well even if we start start fresh,

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<v Speaker 1>start new, then we'll plant everything out. And you know,

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<v Speaker 1>I have this idea that if you if you plan it,

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<v Speaker 1>if you design it enough, then then humans can do it.

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<v Speaker 1>You know, we can. We can we can start fresh,

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<v Speaker 1>and we can create a system that absolutely works well.

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<v Speaker 1>And that's what I really love about you know, part

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<v Speaker 1>of his vision is that you know, you employee technology

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<v Speaker 1>so that humans can have easier lives, they suffer less,

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<v Speaker 1>And that really is sort of the crux of UM

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<v Speaker 1>where he was coming from. But just to talk a

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<v Speaker 1>little bit more about the conditions during the nineteen fifties, UM,

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<v Speaker 1>because yeah, this is this is crucial. It's really big,

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<v Speaker 1>and you've got the space race is heating up. You've

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<v Speaker 1>anxieties about overpopulation, technology, atomic warfare, the environment. All of

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<v Speaker 1>these different problems are sorting or straightening and come up.

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<v Speaker 1>And again, space race really important because I think of

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<v Speaker 1>the timeline ninety seven fruit flies were launched into space

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<v Speaker 1>by the US UM and then in nineteen fifty seven,

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<v Speaker 1>ten years later, you have the first artificial satellite spot Nik. Okay, well,

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<v Speaker 1>and we know that was launched space by other than

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<v Speaker 1>USS ARE And this is important to to keep in

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<v Speaker 1>mind that, I mean, it's easy to forget even reading

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<v Speaker 1>about it, and in knowing you know about just how

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<v Speaker 1>polarized our ideas were during the Cold War. I mean,

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<v Speaker 1>this was a time where if you were if you

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<v Speaker 1>were if you were an American and and you knew

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<v Speaker 1>about the Cold War because there's also a huge chance

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<v Speaker 1>you were just preoccupied with everything else in life, and

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<v Speaker 1>you know, the lightening weren't reading all the papers. But

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<v Speaker 1>if you were, you were tuned into what the Cold

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<v Speaker 1>War was and what was going on, then you had

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<v Speaker 1>this very very stark, stark idea of what the Soviet

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<v Speaker 1>Union was. I mean, they were, uh, in many people's minds,

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<v Speaker 1>this great enemy that represented just tyranny and the loss

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<v Speaker 1>of the individual and the loss of freedom and and

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<v Speaker 1>uh and you know the kind of polarization you see

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<v Speaker 1>in uh in some of these uh, these fantasy works

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<v Speaker 1>that came out of out of Disney studios, right, and

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<v Speaker 1>so you know, to your point, then all of a sudden,

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<v Speaker 1>you see that, you know, the USSR is making big

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<v Speaker 1>strides here in the space race, especially this butt Nik

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<v Speaker 1>starts to freak everybody out on a national level. They

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<v Speaker 1>start to say, this is something that we need to

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<v Speaker 1>be doing as well. We need to have a space program.

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<v Speaker 1>So here you have Disney who began to produce TV

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<v Speaker 1>shows to help support the opening of Disneyland. Um so

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<v Speaker 1>a very smart move. Right a year in advance of

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<v Speaker 1>Disneyland opening, he starts to decide, okay, well, I've got

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<v Speaker 1>these four different parts of Disneyland that I really need

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<v Speaker 1>to get people on board with and and you know,

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<v Speaker 1>take the time and money to come in is at us.

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<v Speaker 1>So I'm going to promote promote Fantasyland, Frontier Land, adventure Land,

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<v Speaker 1>and tomorrow Land. And tomorrow Land. Is this sort of

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<v Speaker 1>like his brain child, right, And he's able to assemble

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<v Speaker 1>what he calls imagineers, which I kind of love. Um,

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<v Speaker 1>he's got a top animator, Walt Kimball, who actually pitched

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<v Speaker 1>the whole tomorrow Land to him. You've got rocket scientists

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<v Speaker 1>and other experts who get to craft space exploration futurist

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<v Speaker 1>programs that promote these technologies that the US hasn't fully

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<v Speaker 1>adopted yet. Just really fascinating. Oh and I had to

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<v Speaker 1>jump in there real quick talking about the different sections

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<v Speaker 1>of Disneyland. This is great quote where a parent was

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<v Speaker 1>like over the gates to Disneyland that said, here you

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<v Speaker 1>leave today and into the world of yesterday tomorrow in

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<v Speaker 1>fantasy And there was a promotional brochure that to the

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<v Speaker 1>park had nothing of the present, like nothing of the

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<v Speaker 1>present exists in Disneyland, which which is in a way

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<v Speaker 1>it's awesome because it's like, you know, it's like we're sold,

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<v Speaker 1>you know, forget about what you're facing right now. We're

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<v Speaker 1>just gonna focus on how awesome the past was and

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<v Speaker 1>how super awesome the future is going to be. But

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<v Speaker 1>it's also kind of like the most anti Buddhist statement

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<v Speaker 1>I could I could possibly imagine, because because you know,

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<v Speaker 1>the whole you know, like meditation, as we've we've spoken about,

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<v Speaker 1>you know, it's all about like, stop worrying about the past,

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<v Speaker 1>stop worrying about the future, and just live in the moment.

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<v Speaker 1>While Disney was like, stop living in the moment. Yeah,

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<v Speaker 1>come to this, don't be here now. Um. And actually

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<v Speaker 1>in the opening to uh when it opened, Disney said

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<v Speaker 1>to all who come to this happy place, welcome, Disneyland

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<v Speaker 1>is your land. He didn't really sound like this, but

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<v Speaker 1>here age relives fond memories of the past as you

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<v Speaker 1>spoke about, and here youth may savor the challenge and

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<v Speaker 1>promise of the future. Disneyland is dedicated to the ideals,

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<v Speaker 1>the dreams, and the hard facts that have created America,

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<v Speaker 1>with the hope that it will be it will be

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<v Speaker 1>a source of joint inspiration to all the world. So

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<v Speaker 1>you see these things coming out children future, this sort

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<v Speaker 1>of manifest destiny which is hidden a bit in in

0:11:57.040 --> 0:12:00.200
<v Speaker 1>his agenda, that comes out in Space X where shan

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<v Speaker 1>that certainly comes out in frontier Land when he talked

0:12:03.640 --> 0:12:07.480
<v Speaker 1>about David Crockett so uh so in a way, it

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<v Speaker 1>was kind of like and identifying that the the children,

0:12:11.280 --> 0:12:14.040
<v Speaker 1>the use of that day and age kind of had it.

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<v Speaker 1>We're facing this identity crisis of who they were. There

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<v Speaker 1>were all these different forces going on. There's all this

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<v Speaker 1>fear about the future, and he saying that hold on,

0:12:20.760 --> 0:12:22.719
<v Speaker 1>look at these past models. This is who you are,

0:12:22.800 --> 0:12:25.680
<v Speaker 1>this is your heritage. And then look at this model

0:12:25.920 --> 0:12:29.000
<v Speaker 1>of the future. This is what you can accomplish with technology.