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Speaker 1: Welcome please to Pod Meets World. Mister Bart Johnson. How

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Speaker 1: you doing, Hi everybody, Gosh, we're happy to have you.

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Speaker 2: Can I just tell you, guys how much I love

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Speaker 2: Boy Meets World. I know, I know, but like I

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Speaker 2: grew up with that. It was such a great show.

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Speaker 2: You guys love it. You guys are so good.

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Speaker 3: Thank you nice.

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Speaker 2: I love it, love it always like I auditioned for

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Speaker 2: the show like a million times when I was a youngster,

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Speaker 2: And did you really Oh my gosh, yes, but so much.

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Speaker 4: For oh, you know what, I keep all that stuff.

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Speaker 4: I will look it up.

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Speaker 2: That I know.

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Speaker 1: I want to know over the years, who who did

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Speaker 1: you audition to be? It has to be you know what.

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Speaker 1: I wonder if you auditioned to play Harley kai.

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Speaker 3: Ner hmmm, or mister Turner.

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Speaker 1: Mister Turner, he wouldn't have been old enough to be missed.

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Speaker 3: No, you wouldn't have been enough to be Turner. You're right,

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Speaker 3: he would have been Harley or one of the Poe.

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Speaker 1: Could have been maybe maybe the Adam Scott spot griff.

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Speaker 3: Yeah, okay, we're gonna have to find out who.

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Speaker 2: I don't remember if it was recurring or just a

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Speaker 2: guest spot I don't even back then, it was probably

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Speaker 2: just a guest spot.

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Speaker 5: So whatever guy was passing through.

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Speaker 2: Maybe a bully. I grew up getting bleied so much

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Speaker 2: in school because I was I was just skinny, little

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Speaker 2: and uh and then now I grew up to be

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Speaker 2: play a bully and people are like, I know your type.

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Speaker 2: I know we were liking school.

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Speaker 5: No justice in the world.

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Speaker 1: Exactly, that's not fair. Don't judge a book by its cover.

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Speaker 3: Yeah, exactly.

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Speaker 5: Please.

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Speaker 1: Well, we are here to talk to you about your

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Speaker 1: new podcast, which we are very excited about. Get your

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Speaker 1: Head in the Game, a limited podcast series celebrating high

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Speaker 1: school musical hosted by the man who coached it. That's right,

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Speaker 1: that's you.

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Speaker 4: Let's go.

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Speaker 1: What are you the most excited about?

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Speaker 2: I Kill I'm so so excited about this because you know,

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Speaker 2: I was like old enough to realize what a gift.

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Speaker 4: This job was.

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Speaker 2: You know, when this movie came along, it became such

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Speaker 2: a phenomenon, you know, and and it was just it's

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Speaker 2: been so special. And January marks twenty years. I can

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Speaker 2: believe that twenty years this great n it's not myself.

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Speaker 2: Wow did that happen?

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Speaker 3: God? The Wildcats would be having their twentieth high school reunion.

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Speaker 5: That's insane, that's crazy.

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Speaker 2: Yeah, you're right, yeah, twenty Yeah, like everybody's a million

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Speaker 2: years old. Now.

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Speaker 5: I realized this.

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Speaker 2: Morning that my son Wyatt is the age Zach Efron

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Speaker 2: was in real life when we did High School Musical one.

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Speaker 4: So I was like, such a big I got cast

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Speaker 4: on that job.

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Speaker 2: Well, first of all, I'm like, I'll do anything to

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Speaker 2: get this job, you know what, Like I will I

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Speaker 2: put gray in my hair. I did, like, I did

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Speaker 2: everything to get the job. And then once I got

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Speaker 2: the job, I'm like, I'm not old enough.

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Speaker 5: I'm off I'm so offended this, Yeah, that's as interesting.

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Speaker 2: So now yeah, so I'm like, finally at the age

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Speaker 2: of my character, I think, seems.

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Speaker 3: Well, that's not right.

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Speaker 1: The nostalgia for you and this movie is bigger now

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Speaker 1: than ever, especially on TikTok. You cannot go on TikTok

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Speaker 1: at all without hearing a Bart Johnson reference or a

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Speaker 1: high school musical reference. You are everywhere, my friend.

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Speaker 5: Did you crazy?

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Speaker 2: Funny You're saying that because I thought it was just

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Speaker 2: my algorithm, Like, hey, I see myself, you know, I

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Speaker 2: gotta say, it's such an honor, like I love it

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Speaker 2: so much, and like I've always kind of like leaned

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Speaker 2: into it because it's so fun.

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Speaker 5: And then you know, the comments, like I kind of feel.

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Speaker 2: Like I feel like I'm spoiled rotten because like I'll

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Speaker 2: get fifty thousand comments and like all of them are

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Speaker 2: so nice, and then.

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Speaker 5: Everyone while someone's like, move on, bro, Like what do

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Speaker 5: you think? Yah?

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Speaker 4: Why this is so fun?

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Speaker 3: Well, it would be social media if somebody wasn't being

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Speaker 3: a jerk.

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Speaker 5: Yeah, that's right. Someone's got feel isn't.

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Speaker 1: It's so funny that forty nine thousand people can tell you, man,

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Speaker 1: I love this content, Thank you so much for doing this.

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Speaker 3: You mean so much for me.

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Speaker 1: And one person goes move on, bro, and you spend

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Speaker 1: the rest of your day going, I mean I really

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Speaker 1: am a loser?

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Speaker 4: Yeah, what why do I do?

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Speaker 3: That?

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Speaker 5: A good response for this?

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Speaker 2: You know, it's a that's at the end of the day,

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Speaker 2: It's like life's about gratitude, right, Like just just address

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Speaker 2: everything with like fill your heart with gratitude on everything, man,

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Speaker 2: And then it's easy to like kind of like, oh, sky,

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Speaker 2: look sure, all right? These just yeah, maybe just.

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Speaker 1: These I'm so grateful that man's engaging with my time.

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Speaker 2: You know, I see those comments sometimes like, hey, you know,

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Speaker 2: at least you're talking like you're you're saying me things

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Speaker 2: about me, but atleas you're talking bomby, I appreciate exactly.

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Speaker 3: When they stopped saying mean things that you know you

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Speaker 3: no longer relevant. It's like nobody's nobody called me fat today?

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Speaker 3: What's wrong with me? Yeah?

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Speaker 4: Danielle?

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Speaker 3: Are you have you caught up on the high the

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Speaker 3: phenomenon that is high school musical? Have you seen any?

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Speaker 3: Or are some of them? No?

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Speaker 1: I never seen them?

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Speaker 3: You've never seen a high school musical? Okay, so this

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Speaker 3: is we're.

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Speaker 4: Gonna have to a single one.

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Speaker 1: I know I look twenty two, but I'm significantly I'm

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Speaker 1: significantly older than that, so.

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Speaker 5: It passed me by you have you are you millennial?

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Speaker 1: I mean I am, but I'm the last year of millennial.

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Speaker 1: I was born in eighty one.

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Speaker 3: Yeah, okay, So so then you know we're gonna have

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Speaker 3: to you know, you're going to need to start your

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Speaker 3: own podcast where you just watch d coms, because having

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Speaker 3: done that, now I am the I mean expert. And

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Speaker 3: until you have seen the joy that is zach Efron

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Speaker 3: singing to himself on a golf course and then looking

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Speaker 3: at himself his own reflection. Yes, but you don't know, heart,

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Speaker 3: You have no idea what true happiness is. Your children

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Speaker 3: know that none of that, None of it. I'm singing

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Speaker 3: by himself on a golf course and then stereo. I

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Speaker 3: will show up wherever you are and watch it with you.

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Speaker 1: Okay. I would like that.

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Speaker 5: We'll work through this.

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Speaker 1: I would love that. There's nothing I would enjoy more

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Speaker 1: actually than like a movie, than a than a like Caul.

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Speaker 1: We use someone's home theater, will fredell, you've got a

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Speaker 1: home theater. I do you invite us over and we'll

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Speaker 1: do it.

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Speaker 3: I would love to do it. They do it good.

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Speaker 3: I mean they're like the So I've only seen the

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Speaker 3: first two because we haven't recapped three or four yet.

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Speaker 3: Well three, I think we're hoping for a fourth. But

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Speaker 3: it's one of those things where the first one especially,

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Speaker 3: they're great, I mean, somebody like and the second one

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Speaker 3: somebody like Ashley Tisdale, with all respect to the great

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Speaker 3: Bart Johnson kind of steals this movie where she's so

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Speaker 3: good and play Sharpey and the character is so funny

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Speaker 3: and so good that it's really they don't take themselves

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Speaker 3: too seriously at times, they're a bit tongue in cheek.

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Speaker 3: They are really really funny. So fully think you should

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Speaker 3: watch the HSM.

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Speaker 5: I would call it.

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Speaker 1: Has it been fun watching the kids from the show

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Speaker 1: grow into their own wonderful, successful adult selves.

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Speaker 2: It's so fun to watch the kids like they were

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Speaker 2: so unaffected and they were just so grouded and sweet

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Speaker 2: and cool as ever, like no egos, and it's amazing, amazing,

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Speaker 2: So it's really cool to see them stay that way.

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Speaker 1: Well, that is so great. Do you think there's any

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Speaker 1: possibility those stars might be joining you on the podcast?

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Speaker 2: Oh gosh, yes, yes, I've talked. I've already spoken to

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Speaker 2: a few of them and they're like, oh.

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Speaker 5: Heck yeah, your anniversary.

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Speaker 2: And I feel we all have like a real sense

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Speaker 2: of gratitude for it, like the fans are evers, Like

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Speaker 2: the fans are the greatest. They are creating these tiktoks

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Speaker 2: and the bridge keeping it twenty years later. It's like

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Speaker 2: it's I swear it's bigger now than it was.

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Speaker 5: Twenty years ago.

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Speaker 1: Yeah, well, it deserves to be celebrated. We're very excited

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Speaker 1: for you. Get your head in the game. Starts August

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Speaker 1: twenty seventh, and we'll release every Wednesday on the Magical

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Speaker 1: Rewind podcast feed. So thank you bar Johnson for being

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Speaker 1: here with us. Always a pleasure to see you can't

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Speaker 1: wait to listen to the podcast.

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Speaker 5: Thanks for having me. I appreciate it.

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Speaker 3: Bye, Will Will have you?

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Speaker 1: Have you got any birthday presents yet?

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Speaker 3: I did. I got you birthday presents this morning, and

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Speaker 3: I got a wonderful button down shirt that I wanted.

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Speaker 3: And I got a new phone case, Wow, which I wanted.

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Speaker 3: Mine was all beaten to heck. And then my dog,

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Speaker 3: who gets me a present every year, though I think

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Speaker 3: it's the more I'm thinking about, I think it's probably

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Speaker 3: Susan doing most of the show. I don't know either.

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Speaker 1: My dog Sammy texted me and wanted ideas.

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Speaker 3: Okay, good, well, then it's your idea. But I've been

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Speaker 3: jokingly asking for something for years and was flatly denied

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Speaker 3: left and right and left, and then Sammy this year

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Speaker 3: ended up getting them for me. So I have my

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Speaker 3: first ever Crocs pair of Crocs.

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Speaker 5: Your wife, she will not except you having crocs, absolutely not.

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Speaker 5: But then this year, your dog Sammy.

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Speaker 1: Because Sammy said you can walk the dog in them.

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Speaker 1: You can walk me in them?

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Speaker 3: Well, so I well, Susan's like, I think there was

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Speaker 3: so funny the way she said it. She's like, I'm

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Speaker 3: so happy you like them. It's great. She's like, these

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Speaker 3: will be great for around the house.

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Speaker 4: If you step foot outside of the house in one

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Speaker 4: of these.

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Speaker 3: He said, it was so funny, though.

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Speaker 4: Are they comfortable?

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Speaker 5: I've never worn cross I never had either. I'm getting

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Speaker 5: used to. I didn't know. They're like knobby inside.

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Speaker 1: Like they're like, here's the thing this is gonna Sue

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Speaker 1: is going to absolutely hate me. But if you're going

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Speaker 1: for peak comfort, you have to wear your crocs with

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Speaker 1: socks because your feet will also get sweaty.

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Speaker 3: It already started like a half hours and then you

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Speaker 3: kind of.

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Speaker 1: Slosh around in them, which is a little gross.

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Speaker 3: Another question, what is what where do I do? Where

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Speaker 3: do I put this?

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Speaker 1: Okay? Either either like that the way you have it forward,

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Speaker 1: or if you wanted to if you wanted to feel

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Speaker 1: like it's more secure, like say you were walking Sammy,

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Speaker 1: you'd put it behind your heel to hold your foot

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Speaker 1: and more in place.

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Speaker 3: I haven't taken it to the security.

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Speaker 1: I can see you. You're still thinking about them. Also,

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Speaker 1: here's the fun part. We get to get you gibbits.

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Speaker 1: Gibbets are the things you can see all the holes

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Speaker 1: on the top. They make little charms.

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Speaker 5: I've never heard them. I've called something else. Are they

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Speaker 5: just called croc charms.

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Speaker 1: I've never heard crock charms are for the timu version

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Speaker 1: where because gibbets is like assigned to crocs. So it's

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Speaker 1: like Kleenex versus tissue. Okay, you can call them a

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Speaker 1: croc charm if you want, but if you want crocs

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Speaker 1: the croc ones, they're they're gibbets, And I just generally

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Speaker 1: call all the tissues cleanex, so I'm calling them all gibbets.

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Speaker 1: But they make them for everything. You could probably find

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Speaker 1: a magic the gathering gibbit. You could find a batmand

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Speaker 1: percent my kids have Batman gibbits, Superman Captain America. You

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Speaker 1: can even make custom ones. I could get you a

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Speaker 1: super fil Freedol gibbet. But so you can personalize your

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Speaker 1: cross so called you yet to talk to you out

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Speaker 1: of this.

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Speaker 3: I'm surprised your phone isn't ringing as we speak, and

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Speaker 3: she's on the way. She's probably like, there's a disturbing

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Speaker 3: a force.

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Speaker 1: So sorry, Susan, I love you so much, but I

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Speaker 1: need that. I have to inform my friend of his options. Here, Yes, and.

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Speaker 3: Socks, so I should wear?

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Speaker 5: Do I wear? Now?

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Speaker 3: Here's the thing, okay, cause the kiddos nowadays, and by that,

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Speaker 3: since I'm almost fifty, is anybody under forty right right?

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Speaker 3: They they're now it's like long socks, the small like

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Speaker 3: the little socks are out right right.

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Speaker 1: You want ankle socks at least at least ankle socks,

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Speaker 1: you know, mid calf socks. Yeah, okay, that's what the

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Speaker 1: kids are doing.

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Speaker 3: Pull it all the way up though.

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Speaker 1: Yeah, But I mean, you know, if you're wearing shorts,

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Speaker 1: maybe pick a lower mid calf sock. You don't necessarily

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Speaker 1: want them like all the way up to your knee,

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Speaker 1: because I know you have some that fully cover your calves.

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Speaker 3: I do.

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Speaker 1: That's too high?

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Speaker 3: Yeah? No, well I get it all from my dad.

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Speaker 3: So my father has worn the same dress socks since

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Speaker 3: nineteen fifty.

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Speaker 5: Different the garden they no, So I love that idea.

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Speaker 3: But they go all the way up to like his knee,

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Speaker 3: to the point where, since the mid seventies the man

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Speaker 3: has not had a hair on his leg from the

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Speaker 3: knee down, and he is unshaved, isn't It's simply because

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Speaker 3: he wears the lawyer socks every day for fifty years.

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Speaker 3: So there's not nary hair on that man's leg from

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Speaker 3: the knee down. Yeah, and so I just want to

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Speaker 3: know if that's going.

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Speaker 5: To the whole generation would be talking about the hair

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Speaker 5: on your father's legs?

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Speaker 4: Really, it's all.

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Speaker 1: Talk about That's how you know, we really have talked

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Speaker 1: about every subject.

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Speaker 3: Should we go back to prostitution in the valley.

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Speaker 5: To cut that Chadder's going to be a hint out there.

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Speaker 5: It's like the Redwood Shire episode were never released.

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Speaker 3: It's just it's never release.

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Speaker 4: A red Wood ever released.

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Speaker 3: It was so bad.

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Speaker 1: Didn't hear anything?

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Speaker 5: Was it the one where we sat in the living

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Speaker 5: room there and no one we took the walk? Yeah,

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Speaker 5: we released the one we sat in the living room,

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Speaker 5: we talked about having taken a walk, and then we

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Speaker 5: never released that episode.

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Speaker 3: So that that was the most amazing ghost we ever

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Speaker 3: saw in that golden cave.

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Speaker 4: Like, wait, what remember Troll?

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Speaker 5: That was crazy?

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Speaker 3: Answer these questions? Three to travel the Shire?

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Speaker 1: We welcome to Podley t World.

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Speaker 5: I'm Daniel Vish writers from aren't I.

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Speaker 3: Those are the three worst Irish ects?

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Speaker 1: Fully smacked into my record? Welcome to today's episode recap.

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Speaker 1: It is He's in six, episode twenty two, State of

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Speaker 1: the Unions. It originally aired May fourteenth. Sorry I'm laughing

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Speaker 1: because it's just so funny.

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Speaker 3: This episode.

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Speaker 1: Nineteen ninety nine. It's our season six finale. The synopsis.

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Speaker 1: While Corey stresses about his future marriage, mister Feenie gets engaged,

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Speaker 1: and Topega's parents reveal some shocking news.

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Speaker 3: They're different people who something you.

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Speaker 5: We're two different your parents and tomorrow will be different again.

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Speaker 3: Oh man, I am now a banker for some reason.

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Speaker 3: We'll get into it.

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Speaker 1: Okay, here, So it was directed by Jeff McCracken. It

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Speaker 1: was written by Barbie Feldman. My first question before I

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Speaker 1: jump into even your overall thoughts, will is this them

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Speaker 1: prepping for your Okay? So this is them for your spinoff?

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Speaker 5: Yep, this is it.

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Speaker 3: This is me leaving. This was they? I mean, you

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Speaker 3: can sell you can tell they wrote it in where

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Speaker 3: Eric's Eric's leaving and this is you know. I was

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Speaker 3: talking to Sue about it last night. It was a

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Speaker 3: strange confluence of events because TGIF seemed like it was

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Speaker 3: on the bubble. I don't know if Sabrina was still there.

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Speaker 3: They were going to be leaving. At this point, we

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Speaker 3: didn't know if we were going to get picked up.

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Speaker 3: So it seems to make sense that they didn't spin

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Speaker 3: Eric off because they're like, I don't think TGIF lasted

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Speaker 3: much longer.

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Speaker 1: Were you going to have a show on TGI?

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Speaker 3: I think so. I think what they wanted was to,

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Speaker 3: you know, kind of go from Boy Meets World to

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Speaker 3: the Eric Matthews Show, which is going to take place

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Speaker 3: in California.

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Speaker 5: But was that because Ben was going to leave? Because

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Speaker 5: that's what I remember. Ben was going to leave. Ben

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Speaker 5: got accepted the Stanford and the question was could Boy

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Speaker 5: Meets World exist without Ben? And that was where we

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Speaker 5: were at at this point, was like he had not

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Speaker 5: renegotiated his contract, so his contract was all of our

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Speaker 5: contracts were up at the end of their season. Yeah,

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Speaker 5: so they were hedging their bets and I think preparing

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Speaker 5: to have you do a spinoff, and I guess, but

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Speaker 5: we I remember them talking about like could there be

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Speaker 5: Boy Meets World without Boy and all of us being like,

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Speaker 5: probably not. But then I think considering it probably to

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Speaker 5: make a deal with Ben.

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Speaker 3: Our contracts were up between six and seven things, yeah,

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Speaker 3: between five and six, because don't you remember the thing

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Speaker 3: they told us rider was will get you and I

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Speaker 3: went in favored Nations and they said, will give you

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Speaker 3: this raise if you sign on for season seven. That

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Speaker 3: was the des.

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Speaker 5: So we were already signed on for season seven, but

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Speaker 5: Ben was not.

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Speaker 3: Ben was not.

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Speaker 2: Point.

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Speaker 5: At this point, they were saying that we might go

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Speaker 5: into season seven without Ben, which always I think was

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Speaker 5: a bluff. I think it was always amerciating tactic between

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Speaker 5: his team and the network or whoever, because I don't,

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Speaker 5: you know, how could you do Boy Mets World without Boy?

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Speaker 5: But I remember the conversation being like, oh well maybe

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Speaker 5: we could and whatever. Of course we didn't, and he

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Speaker 5: but he would. He postponed his his acceptance to Stanford

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Speaker 5: by a year, and that's how we got a seventh season. Wow. Yeah,

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Speaker 5: it's a very weird season six ender. I you know,

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Speaker 5: it's like not as much of a cliffhanger as the

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Speaker 5: other seasons. I don't know, very strange episode.

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Speaker 1: Yeah, Well, what are your overall thoughts other than very

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Speaker 1: strange episode?

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Speaker 5: Are there any?

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Speaker 1: Are there any laughs. I guess, I guess, I guess

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Speaker 1: Alan with the parents. He's before you know, he's him

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Speaker 1: doing impressions. Really got me.

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Speaker 3: Yes, me too, Rusty.

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Speaker 1: Rusty's so funny.

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Speaker 3: I actually paused on since we're talking about Rusty. I

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Speaker 3: paused on Rusty at one point and literally looked at

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Speaker 3: Sue and I was like, he's a ridiculously handsome man.

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Speaker 2: I know.

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Speaker 3: I At one point he's dressed for the wedding and

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Speaker 3: he looks towards camera and he's like he had what

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Speaker 3: my mom would have called movie star looks. It was like,

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Speaker 3: Rusty's a good looking dude. Yeah, and it was. It

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Speaker 3: was striking in this episode. It's like, my god, he's

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Speaker 3: very funny, but he's that's a good looking guy.

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Speaker 5: Since you're a little ridiculous. Everybody's huge hairy nineties yeah,

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Speaker 5: talking heads for some reason exactly.

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Speaker 3: But we also we had the conversation that we talked

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Speaker 3: about what it was between you and me writer. Wait,

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Speaker 3: remember it was like, I hope we were We talked

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Speaker 3: about it a couple of podcasts ago.

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Speaker 2: What do we love?

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Speaker 5: I hope we talk about wonderful love about Rachel. Like

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Speaker 5: moment was really nice. It was like the whole show

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Speaker 5: kind of was like, let's acknowledge this thing.

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Speaker 4: It was great.

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Speaker 5: It was really other than that, there was nothing I

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Speaker 5: liked about this.

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Speaker 3: I disagree. Here's how I would say it. I thought

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Speaker 3: this was a decent episode of television. None of this

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00:18:36,240 --> 00:18:39,919
Speaker 3: was Boy meets World characters right, like as just an

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Speaker 3: episode of TV. Family coming in, younger couple getting you know,

403
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Speaker 3: getting married, the older couple's breaking up, all that stuff

404
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Speaker 3: all great. It's not to Panga, it's not Corey, it's

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Speaker 3: not to Panga's parents.

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Speaker 5: Well also like Corey, I mean, Sean and Angela are

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Speaker 5: now like and it's like, well, what how about?

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Speaker 4: What what are the arcs here? Like I am, I'm

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Speaker 4: so confused as to like I mean, I.

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Speaker 3: Think they're trying to things up in case we didn't

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Speaker 3: get picked up for a season seven, just as much

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Speaker 3: as possible. If Fenie gets married, maybe Eric's gonna Leaven

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Speaker 3: thinking he's gonna find himself, Like I think.

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Speaker 1: Corey and Tapanga don't pick July, but end on a

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Speaker 1: very tearful note. There's no wrap up there, no, that's true.

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Speaker 4: And there's no tag like no, just kind of left

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Speaker 4: it hanging.

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Speaker 3: This was this to me again, as an episode of TV,

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Speaker 3: I thought we were all good. I thought the writing

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Speaker 3: was kind of decent. Again, it just wasn't especially Corey

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Speaker 3: and tapangas like, who is this to Panga again? No,

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Speaker 3: I know what the hell is going on? This is

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Speaker 3: not her family even close to being her family. So yeah,

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Speaker 3: it was a decent episode of TV that was not

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Speaker 3: not Boy Meets World.

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Speaker 1: He also was really I thought, I agree with you

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Speaker 1: that the episode itself, to me wasn't bad. It wasn't

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Speaker 1: a bad episode of TV at all. It wasn't even

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Speaker 1: really a bad episode of Boy Meets World. It was

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Speaker 1: a very heavy episode, a very tear feel filled episode

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Speaker 1: of Boy Meets World. But I did really love the

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Speaker 1: Sean and Eric conversation. I thought the feene lilable under

433
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Speaker 1: while that came out of nowhere that they were suddenly

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Speaker 1: getting married. And I'm not exactly sure why other than

435
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Speaker 1: it set up the idea that then we all were

436
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Speaker 1: going to be at a wedding and to Panga was

437
00:20:18,040 --> 00:20:21,480
Speaker 1: going to be sad because like why, Sorry, I'm just curious,

438
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Speaker 1: like why these two people in their sixties or seventies

439
00:20:26,440 --> 00:20:29,880
Speaker 1: are deciding now to get married, to get married as

440
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Speaker 1: quickly as humanly, none of their family inviting.

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Speaker 3: Just the people, just their neighbors, and they only serve

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Speaker 3: salad for one for one. That's always just a salad bar.

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Speaker 5: All we have is a salad, So that's weird.

444
00:20:47,640 --> 00:20:51,480
Speaker 1: But I am so like you said, Will, I'm so

445
00:20:52,320 --> 00:20:55,639
Speaker 1: sad by the idea that I have. I truly have

446
00:20:55,720 --> 00:20:58,879
Speaker 1: absolutely no idea who Topanga is any manner, Where did

447
00:20:58,960 --> 00:20:59,640
Speaker 1: this come from?

448
00:20:59,800 --> 00:20:59,840
Speaker 3: That?

449
00:21:00,000 --> 00:21:03,160
Speaker 1: And the reason she believes in marriage is only because

450
00:21:03,720 --> 00:21:07,359
Speaker 1: his parents are still together and her parents are still together.

451
00:21:07,680 --> 00:21:14,240
Speaker 1: And also if you don't see that your parents are

452
00:21:14,359 --> 00:21:21,000
Speaker 1: not happy, it's clear to anyone on the block from

453
00:21:21,280 --> 00:21:23,359
Speaker 1: that that they are not getting along well. And to

454
00:21:23,440 --> 00:21:28,400
Speaker 1: pick us a really smart person, obliving, just completely oblivious

455
00:21:28,520 --> 00:21:34,160
Speaker 1: and and also rude of them, so rude of them

456
00:21:34,680 --> 00:21:39,040
Speaker 1: the way like just either fate decide to fake it

457
00:21:39,160 --> 00:21:42,880
Speaker 1: and then actually fake it or say it's not fair

458
00:21:43,000 --> 00:21:44,879
Speaker 1: to fake it. We're gonna have to tell her this

459
00:21:45,000 --> 00:21:47,720
Speaker 1: news when we see her. But like the way it

460
00:21:47,800 --> 00:21:48,600
Speaker 1: all went down.

461
00:21:48,560 --> 00:21:51,160
Speaker 5: Is just it's a real waste of two really good

462
00:21:51,200 --> 00:21:54,400
Speaker 5: actors too, because I remember it, like I have great

463
00:21:54,440 --> 00:21:55,960
Speaker 5: memories of hanging out with them on the set, which

464
00:21:56,000 --> 00:21:57,760
Speaker 5: is funny because I wasn't in a single scene with them,

465
00:21:57,960 --> 00:21:59,520
Speaker 5: but I spent a lot of time, I think, hanging

466
00:21:59,520 --> 00:22:02,200
Speaker 5: out just because I loved them both so much and

467
00:22:02,400 --> 00:22:04,760
Speaker 5: as characters, like you say, they're actually just kind of

468
00:22:04,760 --> 00:22:07,679
Speaker 5: annoying and rude and like they're not likable, and it's.

469
00:22:07,560 --> 00:22:09,840
Speaker 4: Like you have two of the most likable people in

470
00:22:09,960 --> 00:22:10,680
Speaker 4: the little world.

471
00:22:11,160 --> 00:22:13,600
Speaker 5: He is so funny and everything he does, and he

472
00:22:13,720 --> 00:22:15,360
Speaker 5: is not allowed to be funny in this at all.

473
00:22:15,880 --> 00:22:17,879
Speaker 5: It's like it's just a complete way. She gets to

474
00:22:17,920 --> 00:22:20,280
Speaker 5: have some drama, but even that, it just never feels earned.

475
00:22:20,359 --> 00:22:22,200
Speaker 3: It's like, no, I don't know it, it's the whole

476
00:22:22,280 --> 00:22:25,439
Speaker 3: thing and it's just went now. Corey doesn't know if

477
00:22:25,440 --> 00:22:27,960
Speaker 3: they're supposed to be together forever and Tapang is sure

478
00:22:28,000 --> 00:22:28,159
Speaker 3: of it.

479
00:22:28,320 --> 00:22:29,800
Speaker 4: Do we know why they didn't come back?

480
00:22:31,119 --> 00:22:32,800
Speaker 1: They they do come back. They do one more, at

481
00:22:32,840 --> 00:22:33,760
Speaker 1: least one more episode.

482
00:22:34,000 --> 00:22:37,399
Speaker 5: Those two. They those two and they did two, and.

483
00:22:37,480 --> 00:22:39,399
Speaker 1: I think they wanted them for more. But I do

484
00:22:39,480 --> 00:22:40,160
Speaker 1: think they come back.

485
00:22:40,200 --> 00:22:41,600
Speaker 5: I don't think the only different.

486
00:22:41,480 --> 00:22:45,040
Speaker 3: Okay, it's different parents at the wedding. That's Marsha Cross and.

487
00:22:45,600 --> 00:22:48,680
Speaker 1: Oh my gosh, I think it's I think this is it.

488
00:22:48,840 --> 00:22:50,639
Speaker 5: I don't know it came I think I think right,

489
00:22:50,680 --> 00:22:52,560
Speaker 5: maybe right, because I do have memories, Like I said,

490
00:22:52,600 --> 00:22:53,840
Speaker 5: I have memories of hanging.

491
00:22:53,640 --> 00:22:55,159
Speaker 4: Out with them, and I was watching this and I

492
00:22:55,240 --> 00:22:57,000
Speaker 4: was like, but I'm not in a single scene with them.

493
00:22:57,040 --> 00:22:59,160
Speaker 4: How did I So? I thought maybe I was just hanging.

494
00:22:58,960 --> 00:23:01,320
Speaker 5: Out because I wanted to. But maybe right, maybe they're

495
00:23:01,359 --> 00:23:02,200
Speaker 5: in another episode.

496
00:23:02,520 --> 00:23:03,639
Speaker 4: But I just never got the story.

497
00:23:03,680 --> 00:23:05,119
Speaker 5: Do you guys ever get the story of why they

498
00:23:05,160 --> 00:23:06,520
Speaker 5: didn't come back or didn't think?

499
00:23:06,760 --> 00:23:08,520
Speaker 1: I think he was working. I think it was. I

500
00:23:08,560 --> 00:23:10,119
Speaker 1: also think it was like it was a because I

501
00:23:10,160 --> 00:23:12,440
Speaker 1: do remember there being a conversation about why they weren't

502
00:23:12,480 --> 00:23:16,040
Speaker 1: coming back, and it was either money, like they agreed

503
00:23:16,040 --> 00:23:18,399
Speaker 1: to come back, but they wanted significantly more money to

504
00:23:18,520 --> 00:23:21,600
Speaker 1: come back, or he was doing another one of them

505
00:23:21,720 --> 00:23:24,360
Speaker 1: was doing another job, and or they a little both

506
00:23:24,840 --> 00:23:27,640
Speaker 1: exactly like I'm working on something else, I'll do it. Yeah.

507
00:23:28,520 --> 00:23:30,679
Speaker 3: I think there's still together too.

508
00:23:31,080 --> 00:23:32,520
Speaker 1: Oh yeah, yeah, they're a real life couple.

509
00:23:32,720 --> 00:23:33,719
Speaker 5: I know they were married then.

510
00:23:33,760 --> 00:23:35,680
Speaker 3: I think they still are. It was then together thirties.

511
00:23:35,680 --> 00:23:38,399
Speaker 5: I wonder how that offer came about, Like somebody on

512
00:23:38,480 --> 00:23:39,760
Speaker 5: our writing staff knew them, or.

513
00:23:39,840 --> 00:23:42,639
Speaker 3: I think so, I think somebody knew them. Also, when

514
00:23:42,680 --> 00:23:44,239
Speaker 3: you want to hire a husband and wife and they

515
00:23:44,280 --> 00:23:46,960
Speaker 3: both get to work together, that's probably another like incentive

516
00:23:47,040 --> 00:23:49,760
Speaker 3: to do it. Yeah, and yeah, I remember, like you writer,

517
00:23:49,880 --> 00:23:52,560
Speaker 3: because from spinal tap and everything else, we were like

518
00:23:53,119 --> 00:23:54,480
Speaker 3: salivating to just talk.

519
00:23:56,280 --> 00:23:58,880
Speaker 1: Oh he had some and Mike so Michael had worked

520
00:23:58,880 --> 00:24:01,280
Speaker 1: with Michael had worked with Michael McKeon in the past

521
00:24:01,320 --> 00:24:01,880
Speaker 1: at some point.

522
00:24:02,119 --> 00:24:04,479
Speaker 3: Yeah, but yeah, we were just salivating to talk to him,

523
00:24:04,480 --> 00:24:07,080
Speaker 3: to get stories about like Christopher guest stories and you know,

524
00:24:07,400 --> 00:24:09,640
Speaker 3: oh man, it was so great and he was open

525
00:24:09,680 --> 00:24:11,120
Speaker 3: with everything. It was a lot of fun. He's also

526
00:24:11,240 --> 00:24:13,479
Speaker 3: sitcom Royalty. I mean he was on la Vernie Shirley

527
00:24:13,600 --> 00:24:14,119
Speaker 3: for years.

528
00:24:14,440 --> 00:24:14,680
Speaker 5: Really.

529
00:24:15,240 --> 00:24:17,400
Speaker 1: Oh yeah, Oh my gosh, she's amazing.

530
00:24:17,760 --> 00:24:20,120
Speaker 3: He's been It's it's yeah. Having him on the set

531
00:24:20,280 --> 00:24:23,240
Speaker 3: was He's one of, in my opinion, the coolest guest

532
00:24:23,240 --> 00:24:24,040
Speaker 3: stars we ever had.

533
00:24:24,200 --> 00:24:27,840
Speaker 5: Yeah, he was Lenny, right, was he Lenny or Squiggy?

534
00:24:28,040 --> 00:24:30,520
Speaker 3: No, he's not squeaky, was Leny? So David Lander must

535
00:24:30,520 --> 00:24:32,720
Speaker 3: have been Squiggy? Yes, oh yeah, it was. But he

536
00:24:33,280 --> 00:24:34,840
Speaker 3: walked on and it was just like, oh my god,

537
00:24:34,920 --> 00:24:37,560
Speaker 3: everything you've done is amazing and she was in Full

538
00:24:37,640 --> 00:24:39,359
Speaker 3: and Around, which is one of the greatest movies of

539
00:24:39,400 --> 00:24:41,280
Speaker 3: all times. You've never seen it with Gary Busey, It's

540
00:24:41,359 --> 00:24:41,760
Speaker 3: so good.

541
00:24:42,080 --> 00:24:46,560
Speaker 5: She's also in Superman three. Yeah, craziest Superman's great movie.

542
00:24:47,119 --> 00:24:49,119
Speaker 1: Well, let's jump into our guest stars. This is the

543
00:24:49,320 --> 00:24:52,200
Speaker 1: most accomplished group of actors to ever visit the set

544
00:24:52,280 --> 00:24:55,080
Speaker 1: of Boy Meets World in one week. We have two

545
00:24:55,240 --> 00:24:58,879
Speaker 1: time Emmy winner Bonnie Bartlett back as Dean Lila Blelander.

546
00:24:59,280 --> 00:25:01,920
Speaker 1: She's had a season six on Boy Meets World here

547
00:25:02,000 --> 00:25:04,400
Speaker 1: with a big storyline in the finale, and now her

548
00:25:04,520 --> 00:25:07,800
Speaker 1: and Bill Daniels will finally be surrounded by true talent,

549
00:25:08,240 --> 00:25:15,719
Speaker 1: not just are not just us. Michael McKeon is our

550
00:25:15,840 --> 00:25:20,200
Speaker 1: new Jedediah Lawrence. He accepts this repeatedly handed down honor,

551
00:25:20,320 --> 00:25:23,400
Speaker 1: but unlike his predecessors, he is a Hall of Fame

552
00:25:23,680 --> 00:25:27,080
Speaker 1: comedy legend. His almost fifty year career in Hollywood really

553
00:25:27,119 --> 00:25:30,160
Speaker 1: kicked off when he appeared on Happy Days is Lenny Kosnowski,

554
00:25:30,400 --> 00:25:32,720
Speaker 1: So there it is, yes, a comedic lead for the

555
00:25:32,760 --> 00:25:36,760
Speaker 1: resulting spin off, Lavernon Shirley Forever cementing himself as sitcom Royalty.

556
00:25:37,000 --> 00:25:40,600
Speaker 1: And also he played David Saint Hubbins in Spinal Tap,

557
00:25:40,800 --> 00:25:43,879
Speaker 1: a role he will revisit later this year in the

558
00:25:44,119 --> 00:25:45,920
Speaker 1: long awaited sequels.

559
00:25:46,080 --> 00:25:48,240
Speaker 3: I can't wait. It's one of the best movies ever.

560
00:25:48,760 --> 00:25:51,680
Speaker 1: If any guest star deserves too long of an explanation,

561
00:25:51,920 --> 00:25:56,399
Speaker 1: it's him. So let's start in movies. Clue, The Big Picture, Planes,

562
00:25:56,440 --> 00:26:00,440
Speaker 1: Trains and Automobiles, Airheads, The Brady Bunch movie, Conehead's Best Show,

563
00:26:00,560 --> 00:26:03,159
Speaker 1: A Mighty Wind, a movie that won him a Grammy

564
00:26:03,320 --> 00:26:06,440
Speaker 1: and snagged him an Oscar nomination. And now let's do

565
00:26:06,560 --> 00:26:11,240
Speaker 1: some TV dinosaurs with Michael Jacobs The Nanny Friends Saturday

566
00:26:11,280 --> 00:26:14,240
Speaker 1: Night Live as a cast member, Mister Show, The Simpsons

567
00:26:14,440 --> 00:26:19,080
Speaker 1: twice Primetime Glick, Homeland, The Good Place, Veep Grayson, Frankie

568
00:26:19,200 --> 00:26:23,080
Speaker 1: Rugrats's Grandpa, Lou Pickele, The Diplomat, where he recently played

569
00:26:23,080 --> 00:26:26,560
Speaker 1: the President, And most notably, he's had another career resurgence

570
00:26:26,880 --> 00:26:30,480
Speaker 1: as Chuck McGill on Better Call Saul, a role he

571
00:26:30,640 --> 00:26:34,800
Speaker 1: was Emmy nominated for. He also just finished a Broadway

572
00:26:34,920 --> 00:26:38,199
Speaker 1: run in the newest run of Glengarry Glenn Ross alongside

573
00:26:38,320 --> 00:26:42,480
Speaker 1: Bob Odenkirk, Kieren Culkin and Bill Burr, which sounds like

574
00:26:42,800 --> 00:26:44,439
Speaker 1: it was incredible.

575
00:26:44,640 --> 00:26:45,960
Speaker 3: Yeah, no kidding, jeez.

576
00:26:47,119 --> 00:26:49,200
Speaker 1: So you guys remember getting to hang out with him

577
00:26:49,320 --> 00:26:51,040
Speaker 1: and chat and writer. I guess at least you were

578
00:26:51,080 --> 00:26:53,359
Speaker 1: in the wedding scenes with him, So I wonder if

579
00:26:53,480 --> 00:26:56,480
Speaker 1: during blocking of some of the other wedding stuff you

580
00:26:56,560 --> 00:26:57,320
Speaker 1: got to sit around.

581
00:26:57,520 --> 00:27:01,239
Speaker 5: I just remember, you know, it was really we were

582
00:27:01,280 --> 00:27:03,240
Speaker 5: doing spinal tap to him all the whole weekend, and

583
00:27:03,320 --> 00:27:05,879
Speaker 5: we were ploting spinal tapped him. But then we also

584
00:27:06,160 --> 00:27:10,440
Speaker 5: spent a lot of time talking about Waiting for Gouvman,

585
00:27:10,920 --> 00:27:14,480
Speaker 5: and we he wasn't in Waiting for Guffman, but we

586
00:27:14,880 --> 00:27:16,840
Speaker 5: were quoting it to him. And I remember him in

587
00:27:16,880 --> 00:27:20,840
Speaker 5: a nett o'tool being like, uh, really impressed that we

588
00:27:21,200 --> 00:27:24,600
Speaker 5: cared because they didn't think that those movies were like

589
00:27:24,680 --> 00:27:26,440
Speaker 5: for younger people. They thought that they were you know.

590
00:27:26,560 --> 00:27:29,440
Speaker 5: And I remember we see us sitting there and going

591
00:27:29,680 --> 00:27:32,240
Speaker 5: a penny for your thoughts and like doing all the dances,

592
00:27:32,320 --> 00:27:34,920
Speaker 5: and and her being like he wrote that song, like

593
00:27:35,040 --> 00:27:36,840
Speaker 5: he wrote the music for Waiting for Go. So he

594
00:27:36,960 --> 00:27:39,240
Speaker 5: was a big part of govment. And I remember watching

595
00:27:39,280 --> 00:27:42,840
Speaker 5: the two of them being like really excited to find

596
00:27:42,880 --> 00:27:45,520
Speaker 5: out that those movies had actually reached a younger generation,

597
00:27:45,920 --> 00:27:47,920
Speaker 5: and I wouldn't be surprised if it played into like

598
00:27:48,119 --> 00:27:50,440
Speaker 5: them deciding to do Best in Show and like continue,

599
00:27:50,600 --> 00:27:52,720
Speaker 5: because I remember them being shocked, them being like, I

600
00:27:52,760 --> 00:27:55,239
Speaker 5: can't believe you guys know all of these quotes, all

601
00:27:55,280 --> 00:27:57,399
Speaker 5: these Spinal Tap, all these Waiting for Gum and we

602
00:27:57,440 --> 00:27:59,240
Speaker 5: were like, no, no, no, They're the greatest movies ever

603
00:27:59,320 --> 00:28:00,760
Speaker 5: made because we were obsessed with them back.

604
00:28:00,960 --> 00:28:02,240
Speaker 4: That's like I would say that.

605
00:28:02,400 --> 00:28:04,200
Speaker 5: I mean, I remember when Ben found out that I

606
00:28:04,240 --> 00:28:07,520
Speaker 5: had never seen Waiting for Goffman, like season two or whatever.

607
00:28:07,880 --> 00:28:10,880
Speaker 5: He made me go to his house, sat me down

608
00:28:11,000 --> 00:28:13,200
Speaker 5: and watched it, and then we would quote it constantly.

609
00:28:13,240 --> 00:28:15,320
Speaker 5: It was like one of our favorite go to things

610
00:28:15,400 --> 00:28:17,440
Speaker 5: on set was to quote Gouvment and I think when

611
00:28:17,440 --> 00:28:18,080
Speaker 5: they found.

612
00:28:17,880 --> 00:28:19,280
Speaker 4: That out it was like a it was a shock.

613
00:28:19,400 --> 00:28:21,320
Speaker 5: It was like, oh that wow, this is this is

614
00:28:21,400 --> 00:28:23,800
Speaker 5: resonated with people, and of course Best in Show came out.

615
00:28:23,880 --> 00:28:24,800
Speaker 5: Whatever to your.

616
00:28:24,960 --> 00:28:27,840
Speaker 3: Spinal Tap is one of the greatest comedies of all time. Yeah,

617
00:28:28,359 --> 00:28:31,159
Speaker 3: it's just absolutely part of One of my favorite quotes

618
00:28:31,160 --> 00:28:34,080
Speaker 3: ever was Rob Reiner said that he after he finished

619
00:28:34,119 --> 00:28:35,440
Speaker 3: the film, he was so proud of it and he

620
00:28:35,520 --> 00:28:39,160
Speaker 3: got a fan letter that said, mister Reiner, I love

621
00:28:39,200 --> 00:28:40,960
Speaker 3: your movie so much. I really think it's amazing. But

622
00:28:41,200 --> 00:28:42,880
Speaker 3: next time, if I can give you some criticism, you

623
00:28:42,920 --> 00:28:46,480
Speaker 3: should do do it about a more popular band. It's

624
00:28:46,520 --> 00:28:49,080
Speaker 3: like person didn't realize it was a fake band, fake band.

625
00:28:49,160 --> 00:28:51,960
Speaker 5: I got to see them in New York. Really yeah,

626
00:28:52,120 --> 00:28:54,160
Speaker 5: when after a Mighty Wind came out.

627
00:28:54,600 --> 00:28:56,680
Speaker 4: They it was before Mighty Wind came out.

628
00:28:56,680 --> 00:29:00,360
Speaker 5: Actually they performed in character spinal Tap, but they also

629
00:29:00,480 --> 00:29:03,040
Speaker 5: opened for themselves as the folk band from My god Win,

630
00:29:03,240 --> 00:29:04,880
Speaker 5: and it was before Mighty Win came out, So they

631
00:29:04,920 --> 00:29:07,680
Speaker 5: were riffing on their character, on these characters, and they

632
00:29:07,760 --> 00:29:09,320
Speaker 5: came out as this folk band and it took like

633
00:29:09,360 --> 00:29:11,200
Speaker 5: a second for all of us to realize, like, oh

634
00:29:11,280 --> 00:29:14,239
Speaker 5: my god, that's them in makeup and characters. Then they

635
00:29:14,440 --> 00:29:16,120
Speaker 5: came back out a spinal tap and did a show.

636
00:29:16,160 --> 00:29:18,320
Speaker 5: It was incredible, and of course they brought the stonehands

637
00:29:18,360 --> 00:29:20,440
Speaker 5: a little stone inge on the stage. Was perfect. Man,

638
00:29:20,520 --> 00:29:22,080
Speaker 5: it's so fun, so great.

639
00:29:23,040 --> 00:29:27,120
Speaker 1: Well, another big hitter a net O'Toole as Tapega's mom,

640
00:29:27,360 --> 00:29:30,440
Speaker 1: Rhiann and Lawrence. Her first acting gig was on My

641
00:29:30,600 --> 00:29:33,800
Speaker 1: Three Sons at just fifteen years old. A child actor

642
00:29:34,000 --> 00:29:37,360
Speaker 1: like Ourselves. She would appear on other classics like Gun Smoke,

643
00:29:37,560 --> 00:29:40,880
Speaker 1: Mod Squad, and Hawaii Five Oh, then turned to movies,

644
00:29:40,920 --> 00:29:43,160
Speaker 1: where she starred in the classic forty eight Hours and

645
00:29:43,440 --> 00:29:47,080
Speaker 1: played Lana Lang in Superman three, which would later pay

646
00:29:47,160 --> 00:29:50,720
Speaker 1: off when she played Martha Kent, Superman's mom for ten

647
00:29:50,920 --> 00:29:55,200
Speaker 1: years on Smallville. Their career highlights for Anette including the

648
00:29:55,320 --> 00:29:59,880
Speaker 1: Stephen king It TV movie Grey's Anatomy, The Kennedys of Massachusetts.

649
00:30:00,080 --> 00:30:03,200
Speaker 1: She was Emmy nominated for playing Rose Kennedy and she

650
00:30:03,520 --> 00:30:08,480
Speaker 1: also won that Oscar for a Mighty Wind Best Original Song,

651
00:30:09,000 --> 00:30:13,000
Speaker 1: and in real life she is Michael McKeon's wife. What

652
00:30:14,000 --> 00:30:14,520
Speaker 1: a couple.

653
00:30:14,880 --> 00:30:16,120
Speaker 3: Yeah, awesome.

654
00:30:16,880 --> 00:30:20,680
Speaker 1: And finally Earl Bowen as Minister. A veteran character and

655
00:30:20,800 --> 00:30:24,520
Speaker 1: voiceover actor. Bowen is definitely best recognized from his role

656
00:30:24,640 --> 00:30:26,120
Speaker 1: in the first three Terminator movies.

657
00:30:26,240 --> 00:30:28,320
Speaker 5: Ye, but also I remember seeing to talk this whole

658
00:30:28,320 --> 00:30:31,600
Speaker 5: week was legendary. He was conversations. I just sat with

659
00:30:31,720 --> 00:30:35,760
Speaker 5: him and talked about acting and Terminator movies for hours,

660
00:30:36,280 --> 00:30:37,640
Speaker 5: and I remember every one of the stories.

661
00:30:37,880 --> 00:30:40,280
Speaker 3: He was my smoking buddy. We would just sit outside

662
00:30:40,280 --> 00:30:42,800
Speaker 3: all day and he storis. I mean, it was like

663
00:30:42,840 --> 00:30:44,320
Speaker 3: Oh my god, I got to talk to this guy forever.

664
00:30:44,400 --> 00:30:46,080
Speaker 1: Yeah, this is where you're going to have to share

665
00:30:46,080 --> 00:30:46,880
Speaker 1: a story with us.

666
00:30:47,320 --> 00:30:49,120
Speaker 4: Well, yeah, so the terminator stuff.

667
00:30:49,120 --> 00:30:54,360
Speaker 5: I remember him telling me that the camera department was

668
00:30:54,480 --> 00:30:58,800
Speaker 5: so big, and James Cameron paid his camera department full

669
00:30:58,920 --> 00:31:02,560
Speaker 5: rates to always be available for whatever he wanted. So

670
00:31:02,680 --> 00:31:05,000
Speaker 5: that means that they had like multiple steady cam operators

671
00:31:05,000 --> 00:31:06,960
Speaker 5: who were getting paid like lots and lots of money

672
00:31:07,000 --> 00:31:09,320
Speaker 5: just sit around. And so he said he's never been

673
00:31:09,400 --> 00:31:11,480
Speaker 5: on a set that was that terminator too. He had

674
00:31:11,560 --> 00:31:14,040
Speaker 5: never been on a set where the director would just

675
00:31:14,160 --> 00:31:16,800
Speaker 5: be like, okay, walk into look at a scene and

676
00:31:16,920 --> 00:31:20,320
Speaker 5: be like I want this gear, this person, and then

677
00:31:20,640 --> 00:31:23,280
Speaker 5: the entire crew would just be ready and he would

678
00:31:23,280 --> 00:31:24,560
Speaker 5: just get to make it up on the spot or

679
00:31:24,640 --> 00:31:27,120
Speaker 5: change his mind, and they would have every option available,

680
00:31:27,160 --> 00:31:30,200
Speaker 5: every crane, every type of camera, every operator, and he

681
00:31:30,240 --> 00:31:32,160
Speaker 5: would just he was like it was insane and would

682
00:31:32,240 --> 00:31:34,960
Speaker 5: just they would shoot and then if camera didn't like it,

683
00:31:35,160 --> 00:31:36,520
Speaker 5: they'd come back the next day and do it a

684
00:31:36,560 --> 00:31:38,520
Speaker 5: different way with a different camera setup. And he was

685
00:31:38,600 --> 00:31:40,480
Speaker 5: like it was there because he was in the.

686
00:31:40,480 --> 00:31:41,160
Speaker 4: First movie too.

687
00:31:41,560 --> 00:31:44,040
Speaker 5: He was like talking about the difference between the first

688
00:31:44,080 --> 00:31:46,520
Speaker 5: movie where they were like low budget, gritty, is this

689
00:31:46,640 --> 00:31:49,040
Speaker 5: ever going to go anywhere? To the second movie, which

690
00:31:49,120 --> 00:31:50,920
Speaker 5: was just he said it was like the biggest set he'd.

691
00:31:50,760 --> 00:31:51,200
Speaker 2: Ever been on.

692
00:31:51,760 --> 00:31:53,960
Speaker 5: And then he would tell me Marlon Brando stories. I

693
00:31:54,000 --> 00:31:56,200
Speaker 5: don't know if he had worked with Brando, but he

694
00:31:56,520 --> 00:31:59,520
Speaker 5: I remember him telling me, I don't know, just these crazy,

695
00:31:59,560 --> 00:32:02,160
Speaker 5: you know, these quotes of Marlon Brando and how Brando

696
00:32:02,200 --> 00:32:04,360
Speaker 5: approached acting and it was great, Like it was.

697
00:32:04,400 --> 00:32:06,440
Speaker 3: Such a fun week. It was such a fun week

698
00:32:06,800 --> 00:32:08,320
Speaker 3: after week. Yeah, it was great.

699
00:32:08,680 --> 00:32:11,200
Speaker 1: Well. He was also in every TV show you can imagine,

700
00:32:11,280 --> 00:32:16,600
Speaker 1: including The Wilfredell Trifecta, Mash Family, Ties, and Seinfeld yep Wow.

701
00:32:17,160 --> 00:32:20,440
Speaker 1: He also appeared on alf which will come into play later.

702
00:32:20,640 --> 00:32:23,600
Speaker 1: Bowen appeared in movies like nine to five, eighteen Again,

703
00:32:23,720 --> 00:32:26,760
Speaker 1: Alien Nation, Naked Gun, thirty three and a third, Nutty

704
00:32:26,840 --> 00:32:32,840
Speaker 1: Professor two So many numbers. He sadly passed away in

705
00:32:32,960 --> 00:32:35,720
Speaker 1: twenty twenty three at the age of eighty one, but

706
00:32:35,880 --> 00:32:38,280
Speaker 1: the last half of his career was just filled with

707
00:32:38,400 --> 00:32:41,840
Speaker 1: impressive voiceover credits like World of Warcraft as the narrator,

708
00:32:42,200 --> 00:32:45,920
Speaker 1: The Secret of Monkey Island, Call of Duty, Dexter's Laboratory

709
00:32:46,080 --> 00:32:48,600
Speaker 1: and Joyn Kim possible.

710
00:32:48,920 --> 00:32:49,120
Speaker 3: Yep.

711
00:32:49,400 --> 00:32:51,760
Speaker 1: Does that make it the Wilfredell four?

712
00:32:52,600 --> 00:32:55,200
Speaker 3: Maybe? Yeah, he was. He was a legend. I mean,

713
00:32:55,280 --> 00:32:58,960
Speaker 3: he's one of those actors who was a which, unfortunately

714
00:32:58,960 --> 00:33:01,640
Speaker 3: in our business, is now disp hearing. Is the journeyman

715
00:33:01,680 --> 00:33:04,640
Speaker 3: actor who just was as solid as a rock. You

716
00:33:04,720 --> 00:33:06,280
Speaker 3: knew you could cast him, you knew he would be

717
00:33:06,280 --> 00:33:08,080
Speaker 3: able to handle whatever you put him in, and he

718
00:33:08,200 --> 00:33:10,480
Speaker 3: was in everything and made a wonderful career doing that,

719
00:33:10,600 --> 00:33:12,800
Speaker 3: and that doesn't exist anymore, and it's really sad.

720
00:33:13,040 --> 00:33:27,440
Speaker 1: Yeah, well, let's jump into our recap. We start in

721
00:33:27,480 --> 00:33:30,760
Speaker 1: the student union. Corey is reading a USA today when

722
00:33:30,840 --> 00:33:34,440
Speaker 1: Tapega runs in with some exciting news. Mister Rutherford called

723
00:33:34,480 --> 00:33:36,720
Speaker 1: from the banquet hall. They had a cancelation on July

724
00:33:36,920 --> 00:33:41,240
Speaker 1: fourth so they can get married on Independence Day. Corey

725
00:33:41,320 --> 00:33:46,360
Speaker 1: grins married on Independence Day? How ironic. Tepenga immediately asks,

726
00:33:46,560 --> 00:33:49,440
Speaker 1: you're not getting cold feet, are you? Corey comes clean

727
00:33:49,520 --> 00:33:52,480
Speaker 1: with some rare continuity. You know those terrible dreams I've

728
00:33:52,520 --> 00:33:52,920
Speaker 1: been having?

729
00:33:53,080 --> 00:33:54,720
Speaker 3: Well, did I miss something?

730
00:33:54,760 --> 00:33:56,280
Speaker 4: Why is he reading a USA today?

731
00:33:56,480 --> 00:33:59,800
Speaker 3: Because he woke up at a motel six this morning wait, what,

732
00:34:01,320 --> 00:34:02,640
Speaker 3: because that's what I have USA Today.

733
00:34:02,680 --> 00:34:04,440
Speaker 5: Why why don't we just have him read in a

734
00:34:04,480 --> 00:34:06,680
Speaker 5: paper like why is it a plant that it's actually

735
00:34:07,080 --> 00:34:09,719
Speaker 5: a real Like Corey could have been reading anything, right,

736
00:34:10,239 --> 00:34:12,440
Speaker 5: So was there some reason that our show decided to

737
00:34:12,520 --> 00:34:15,680
Speaker 5: like really focus on him reading a particular brand of

738
00:34:15,719 --> 00:34:16,280
Speaker 5: a newspaper?

739
00:34:16,719 --> 00:34:17,160
Speaker 3: Who knows?

740
00:34:17,560 --> 00:34:19,280
Speaker 5: No, not that I don't think strange.

741
00:34:19,640 --> 00:34:21,160
Speaker 1: I know I did think it when I thought I

742
00:34:21,280 --> 00:34:22,880
Speaker 1: was like USA Today.

743
00:34:22,719 --> 00:34:26,160
Speaker 5: We mark paps and our are we doctor paps and

744
00:34:26,280 --> 00:34:29,440
Speaker 5: our doctor sodas? And yet we chose to like there

745
00:34:29,560 --> 00:34:32,480
Speaker 5: was some reason, there was some like there's something.

746
00:34:32,440 --> 00:34:35,799
Speaker 1: Like the USA Today nineteen ninety nine. What's the storyline

747
00:34:35,800 --> 00:34:40,239
Speaker 1: of the USA Today negotiations with the synergy here? Come on,

748
00:34:40,600 --> 00:34:42,600
Speaker 1: did Mighty Ducks own USA Today?

749
00:34:42,840 --> 00:34:43,439
Speaker 5: Something weird?

750
00:34:44,520 --> 00:34:46,680
Speaker 3: That's what it is. Lobster everywhere in this episode again

751
00:34:46,680 --> 00:34:49,440
Speaker 3: by the way, over didn't see it once, never noticed everywhere.

752
00:34:50,640 --> 00:34:52,520
Speaker 5: Oh, actually, now that you say that, this is the

753
00:34:52,560 --> 00:34:55,080
Speaker 5: episode that Dedey told us about where I'm putting my

754
00:34:55,200 --> 00:34:58,520
Speaker 5: hand on Trina's hand and that was where she had

755
00:34:58,560 --> 00:34:59,680
Speaker 5: put the lobster right there.

756
00:34:59,560 --> 00:35:02,560
Speaker 3: And it was too close. But no, it's in the

757
00:35:02,640 --> 00:35:04,240
Speaker 3: first of all, it's in the opening shot when Topanga

758
00:35:04,280 --> 00:35:06,000
Speaker 3: goes in, it's right over his shoulder. Hey, Corey, what

759
00:35:06,080 --> 00:35:09,120
Speaker 3: are you blah blah blah. Then it's in the living room.

760
00:35:10,120 --> 00:35:12,000
Speaker 5: Because he told us a story when we saw her

761
00:35:12,080 --> 00:35:14,360
Speaker 5: back to Phoenix, she told us a story about the

762
00:35:15,000 --> 00:35:17,560
Speaker 5: time that she was most worried about the lobster being obvious,

763
00:35:17,800 --> 00:35:19,879
Speaker 5: and it was I think the wedding scene where I'm

764
00:35:19,920 --> 00:35:22,040
Speaker 5: trying to put my hand on Trina, where we're like

765
00:35:22,080 --> 00:35:24,560
Speaker 5: grabbing it from grabbing her hand, Apparently the lobster was

766
00:35:24,640 --> 00:35:25,279
Speaker 5: right underneath it.

767
00:35:25,280 --> 00:35:26,719
Speaker 4: So I wonder if that actually made it to the

768
00:35:26,760 --> 00:35:27,160
Speaker 4: screen or not.

769
00:35:27,400 --> 00:35:29,239
Speaker 3: I don't know, but we should definitely at some point

770
00:35:29,440 --> 00:35:32,000
Speaker 3: re shoot the Boy meets World opening theme song, opening

771
00:35:32,040 --> 00:35:34,080
Speaker 3: time of credits with the lobster like walking down the

772
00:35:34,120 --> 00:35:36,000
Speaker 3: street with us, and because he's in the show as

773
00:35:36,040 --> 00:35:36,400
Speaker 3: much as we.

774
00:35:36,480 --> 00:35:37,360
Speaker 5: Are, ship whatever.

775
00:35:39,080 --> 00:35:42,200
Speaker 1: So he says, you know those terrible dreams I've been having, well,

776
00:35:42,320 --> 00:35:45,680
Speaker 1: there don't get mad about marriage. There don't get mad

777
00:35:46,120 --> 00:35:49,920
Speaker 1: anti marriage dreams. You don't get mad. Don't come out

778
00:35:49,960 --> 00:35:52,880
Speaker 1: so well. For example, his dream from last night they

779
00:35:52,920 --> 00:35:55,200
Speaker 1: got married and ended up in the poorhouse. He knew

780
00:35:55,239 --> 00:35:56,839
Speaker 1: that's what it was because of a big sign out

781
00:35:56,880 --> 00:36:00,279
Speaker 1: front that read the Poorhouse. To make things worse, there

782
00:36:00,360 --> 00:36:04,439
Speaker 1: was an execution room called the Topanga Room. The executioner

783
00:36:04,719 --> 00:36:08,640
Speaker 1: was believe it or not, Topenga. He becomes even more manic,

784
00:36:08,880 --> 00:36:10,480
Speaker 1: and all of the chopped off heads in the head

785
00:36:10,520 --> 00:36:13,959
Speaker 1: basket were me. Topega is unamused. Are we getting married

786
00:36:14,080 --> 00:36:14,200
Speaker 1: or not?

787
00:36:15,200 --> 00:36:16,240
Speaker 5: And so is the audience.

788
00:36:18,239 --> 00:36:19,080
Speaker 2: What is it?

789
00:36:19,600 --> 00:36:21,600
Speaker 1: What is it about Topanga?

790
00:36:22,560 --> 00:36:22,600
Speaker 3: What?

791
00:36:24,400 --> 00:36:30,200
Speaker 1: What other than being extremely understanding through all of his

792
00:36:30,360 --> 00:36:36,160
Speaker 1: mishaps in the relationship, why why does he why would

793
00:36:36,239 --> 00:36:40,720
Speaker 1: why would he associate controlling weird marriage thing with Tapanga?

794
00:36:42,080 --> 00:36:45,279
Speaker 3: Yeah again, no, none of these can We don't know

795
00:36:45,320 --> 00:36:47,040
Speaker 3: any of these characters that are on screen right now.

796
00:36:47,840 --> 00:36:49,680
Speaker 3: I don't mind the characters that are there, but they're

797
00:36:49,680 --> 00:36:51,680
Speaker 3: not the characters that are Here's the y.

798
00:36:51,840 --> 00:36:54,319
Speaker 5: I'm looking at the shot. The lobster is right under

799
00:36:54,360 --> 00:36:59,320
Speaker 5: our hands in the flowers. That is, oh mos everywhere,

800
00:37:00,160 --> 00:37:02,560
Speaker 5: literally in the flowers, poking up out of the flowers,

801
00:37:02,680 --> 00:37:03,840
Speaker 5: right where our hands are touching.

802
00:37:04,280 --> 00:37:05,600
Speaker 4: It's a full on lobster.

803
00:37:05,719 --> 00:37:07,640
Speaker 5: And like this is where Detie was freaking out because

804
00:37:07,880 --> 00:37:10,319
Speaker 5: if they caught it in the monitors, like it would

805
00:37:10,320 --> 00:37:13,279
Speaker 5: be a big deal. But they didn't notice. Oh my god, it's.

806
00:37:13,719 --> 00:37:16,440
Speaker 3: It's The show starts with a two shot of Topanga

807
00:37:16,480 --> 00:37:17,560
Speaker 3: in the lobster right after Coury.

808
00:37:17,640 --> 00:37:21,360
Speaker 5: My gosh, yeah, it's this might be the most egregious

809
00:37:21,440 --> 00:37:23,200
Speaker 5: I've ever seen. That's incredible.

810
00:37:25,560 --> 00:37:26,920
Speaker 3: But yeah, I don't know who these people are.

811
00:37:27,040 --> 00:37:28,880
Speaker 1: I don't I don't know who this couple is, and

812
00:37:28,960 --> 00:37:30,839
Speaker 1: I don't know who these people are. It's very It's

813
00:37:30,840 --> 00:37:34,400
Speaker 1: sad to me because this I I don't know.

814
00:37:34,680 --> 00:37:36,719
Speaker 5: It's just generic, right, it's just like, well, here just

815
00:37:36,840 --> 00:37:39,560
Speaker 5: makes everything more like, like Will said, it's an episode

816
00:37:39,600 --> 00:37:41,799
Speaker 5: of another show in some way, it's just let's create

817
00:37:41,880 --> 00:37:44,720
Speaker 5: the situations we need and we'll just shoehorn the characters

818
00:37:44,760 --> 00:37:45,800
Speaker 5: into this situation.

819
00:37:46,160 --> 00:37:48,440
Speaker 1: I think what happened was, in the earlier seasons of

820
00:37:48,520 --> 00:37:55,040
Speaker 1: Boy Meets World, Corey was a character named Corey with

821
00:37:55,400 --> 00:38:01,160
Speaker 1: some inspiration and some moments of Michael Bacob next Michael

822
00:38:01,239 --> 00:38:05,959
Speaker 1: Jacob's miss sprinkled in, and then at some point, maybe

823
00:38:06,000 --> 00:38:10,680
Speaker 1: it's season five, there became no more Corey. Whatever we

824
00:38:10,760 --> 00:38:14,879
Speaker 1: had established as being Cory mostly got taken away, and now,

825
00:38:14,920 --> 00:38:17,800
Speaker 1: at least for especially season six, it's a it's just

826
00:38:18,560 --> 00:38:19,720
Speaker 1: straight Michael Jacobs.

827
00:38:20,040 --> 00:38:25,600
Speaker 3: Yeah. Yeah, but then who's Topanga because Topanga is completely different.

828
00:38:25,719 --> 00:38:27,359
Speaker 1: Topanga is stereotypical woman.

829
00:38:27,719 --> 00:38:34,920
Speaker 3: Yeah, it's like everyone generic woman, generic tensions for this guy. Yeah, correct,

830
00:38:35,040 --> 00:38:40,400
Speaker 3: And again I find it interesting that this change happened

831
00:38:40,440 --> 00:38:42,680
Speaker 3: with her character at a time on the show when

832
00:38:42,680 --> 00:38:44,600
Speaker 3: there were more women than ever in the right.

833
00:38:44,840 --> 00:38:46,920
Speaker 1: Yeah, I know, and I do think maybe it's just

834
00:38:47,120 --> 00:38:49,240
Speaker 1: a lot of a lot of the reins of Tapanga

835
00:38:49,320 --> 00:38:52,080
Speaker 1: may have been handed over and two people who weren't

836
00:38:52,120 --> 00:38:54,719
Speaker 1: there from the beginning and also needed to make it.

837
00:38:55,200 --> 00:39:00,359
Speaker 1: How does this character fit into Corey's world? And oh yeah,

838
00:39:00,600 --> 00:39:02,640
Speaker 1: I don't think it's I don't think it's an intentional

839
00:39:04,360 --> 00:39:08,800
Speaker 1: slight of the character, but it is. It did amount

840
00:39:08,840 --> 00:39:12,320
Speaker 1: to her not necessarily being as well as she was

841
00:39:12,360 --> 00:39:15,680
Speaker 1: such a great, wonderful defined character early on, and she

842
00:39:15,840 --> 00:39:17,719
Speaker 1: just kind of got a little bit dulled as the

843
00:39:17,800 --> 00:39:19,320
Speaker 1: years went on. And I don't think it was intentional.

844
00:39:19,320 --> 00:39:20,960
Speaker 1: I don't think anyone was trying to do that to her.

845
00:39:21,000 --> 00:39:22,640
Speaker 1: I think it just unfoiled what happened.

846
00:39:22,800 --> 00:39:24,080
Speaker 3: Yeah, but I mean, you look at some of the

847
00:39:24,160 --> 00:39:26,720
Speaker 3: greatest television shows in history, and first of all, we're

848
00:39:26,760 --> 00:39:28,880
Speaker 3: in rarefied air You have to keep in mind that

849
00:39:29,280 --> 00:39:32,120
Speaker 3: the number of television shows that actually went six or

850
00:39:32,160 --> 00:39:35,279
Speaker 3: seven years is really small. You're right, and the vast

851
00:39:35,400 --> 00:39:40,200
Speaker 3: majority of those, whether it's Friends or Seinfeld, whatever. As

852
00:39:40,280 --> 00:39:42,640
Speaker 3: they're trying to continue to have storylines for all these characters,

853
00:39:42,680 --> 00:39:44,520
Speaker 3: what tends to happen is the characters get to be

854
00:39:44,600 --> 00:39:48,359
Speaker 3: more heightened versions of themselves. So Ross is way more Ross,

855
00:39:48,600 --> 00:39:52,120
Speaker 3: Eric is way more Eric, but they stay true to themselves.

856
00:39:52,400 --> 00:39:56,400
Speaker 3: Mash cheers, the office, you name it. Dwight is a

857
00:39:56,480 --> 00:39:58,279
Speaker 3: much more heightened version of Dwight at the end than

858
00:39:58,320 --> 00:40:01,279
Speaker 3: he was, but he's still Dwight. To Panga is a

859
00:40:01,480 --> 00:40:05,680
Speaker 3: completely different human being. Yeah, I mean to the point

860
00:40:05,680 --> 00:40:08,399
Speaker 3: where now they've changed not only your parents, they Her

861
00:40:08,480 --> 00:40:09,640
Speaker 3: mother was never named Rhiannon.

862
00:40:09,800 --> 00:40:11,359
Speaker 1: It was Chloe, I know, Jeded.

863
00:40:11,719 --> 00:40:17,600
Speaker 5: But here's the hard question. Did that help her likability?

864
00:40:17,760 --> 00:40:19,680
Speaker 5: Which is why they did it right from season two,

865
00:40:19,800 --> 00:40:22,239
Speaker 5: the idea was like, let's soften this character. Let's not

866
00:40:22,320 --> 00:40:25,319
Speaker 5: make her weirder, extreme or outside. Let's make her more

867
00:40:26,040 --> 00:40:29,320
Speaker 5: the every woman, the girl of our of of the

868
00:40:29,440 --> 00:40:32,239
Speaker 5: boys dreams, right like, But here's what it doesn't help.

869
00:40:32,520 --> 00:40:36,160
Speaker 5: Does that help to Panga become more popular, more lovable

870
00:40:36,200 --> 00:40:37,080
Speaker 5: to most of America.

871
00:40:37,200 --> 00:40:42,040
Speaker 3: Like but he you know, Phoebe, Phoebe Buffet, great example.

872
00:40:41,760 --> 00:40:45,040
Speaker 1: That's what would have been Whatenga grew up to.

873
00:40:45,120 --> 00:40:49,480
Speaker 5: Okay, so exactly, okayeah Phoebe from friends, right, yeah, that's.

874
00:40:49,360 --> 00:40:50,879
Speaker 1: Who she would have been. She doesn't need to still

875
00:40:50,920 --> 00:40:53,240
Speaker 1: be she. I totally agree that we couldn't have Topanga

876
00:40:53,320 --> 00:40:56,719
Speaker 1: being like, give me your hand in every episode and

877
00:40:56,800 --> 00:40:59,520
Speaker 1: then channeling spirits and doing things on her head, but

878
00:40:59,680 --> 00:41:05,720
Speaker 1: like being a quirky, free spirit, animal rights activist weird

879
00:41:05,960 --> 00:41:10,319
Speaker 1: quote unquote, yeah, you know, far left, super woke, that's who.

880
00:41:10,560 --> 00:41:13,520
Speaker 1: That's probably who Tapanga would have been, and she probably

881
00:41:13,760 --> 00:41:19,680
Speaker 1: they could have maintained that essence while still letting her

882
00:41:19,760 --> 00:41:21,880
Speaker 1: be a person who could hang out with normal friends.

883
00:41:22,239 --> 00:41:25,960
Speaker 5: Right, you know, I agree, But isn't there what isn't

884
00:41:26,000 --> 00:41:29,400
Speaker 5: Tapanga successful? Like aren't you a beloved character? A beloved

885
00:41:29,400 --> 00:41:33,640
Speaker 5: Oh yeah right? So in some ways, like you know,

886
00:41:33,960 --> 00:41:35,799
Speaker 5: I agree, Like if I was in charge of Boy

887
00:41:35,840 --> 00:41:38,000
Speaker 5: Meets World, I would have kept too super interesting.

888
00:41:38,080 --> 00:41:41,080
Speaker 4: But would that have decreased the popularity of this couple?

889
00:41:41,120 --> 00:41:43,160
Speaker 5: Because I think part of the reason that people love

890
00:41:43,280 --> 00:41:46,240
Speaker 5: Corey and Topanga is that they project themselves into those characters.

891
00:41:46,440 --> 00:41:48,920
Speaker 3: Right, what do we get told all the time at

892
00:41:48,920 --> 00:41:50,680
Speaker 3: all our meet and greets and all the shows and everything.

893
00:41:50,760 --> 00:41:53,279
Speaker 3: People loved early to Panga, like how weird she was.

894
00:41:53,360 --> 00:41:55,560
Speaker 3: They dress like her, they do. That's the when people

895
00:41:55,600 --> 00:41:58,200
Speaker 3: talk about Topanga, it seems to me they keep talking

896
00:41:58,200 --> 00:42:00,800
Speaker 3: about the hippie Topanga and yeah, God, you made it

897
00:42:00,920 --> 00:42:02,480
Speaker 3: so easy for me to be the weird girl.

898
00:42:02,719 --> 00:42:04,360
Speaker 1: And people say to me all the time, there was

899
00:42:04,719 --> 00:42:08,560
Speaker 1: no one else like you on tession. Yes, that's only

900
00:42:08,840 --> 00:42:11,880
Speaker 1: in seasons one and two. The rest of the seasons

901
00:42:11,960 --> 00:42:16,560
Speaker 1: there's lots of you know, average on TV.

902
00:42:16,960 --> 00:42:19,600
Speaker 3: Who who Tipanga reminded me of back in the day

903
00:42:19,880 --> 00:42:23,000
Speaker 3: was Punky Brewster. There was the weirdness of the two

904
00:42:23,040 --> 00:42:26,279
Speaker 3: shoes and the multiple colored this and to the beat

905
00:42:26,320 --> 00:42:29,080
Speaker 3: of her own drum exactly, and I never, you know,

906
00:42:29,160 --> 00:42:32,560
Speaker 3: I think the Punky towards the end was still Punky Brewster, right,

907
00:42:32,600 --> 00:42:34,960
Speaker 3: I mean, it's still kind of weird where it had

908
00:42:35,000 --> 00:42:37,680
Speaker 3: Punky a regular girl. I know, That's what I'm saying.

909
00:42:38,719 --> 00:42:40,840
Speaker 5: I think we kind of like get it both ways

910
00:42:40,920 --> 00:42:44,880
Speaker 5: because we established a very interesting, unique, cool character and

911
00:42:44,960 --> 00:42:48,160
Speaker 5: still remember but still remember. But then in terms of

912
00:42:48,320 --> 00:42:51,239
Speaker 5: like as the show went on, it didn't appeal to that,

913
00:42:51,280 --> 00:42:54,160
Speaker 5: it didn't play into that. And so she was likable

914
00:42:54,200 --> 00:42:57,640
Speaker 5: in this more sort of generic like projectable way. Was

915
00:42:59,040 --> 00:43:00,600
Speaker 5: the nag. That's the thing.

916
00:43:00,680 --> 00:43:03,680
Speaker 3: She wasn't this wonderfully likable character. She became the m

917
00:43:04,480 --> 00:43:06,120
Speaker 3: and I can't believe you're going to do that, Corey

918
00:43:06,200 --> 00:43:08,319
Speaker 3: and rolling her eyes. And that's the thing. They didn't

919
00:43:08,360 --> 00:43:10,719
Speaker 3: make her the wonderful kind of amazing girl. They made

920
00:43:10,760 --> 00:43:14,680
Speaker 3: her the repository of look what women do to men, like,

921
00:43:14,840 --> 00:43:17,080
Speaker 3: oh my god, and that's what it kind of seems

922
00:43:17,120 --> 00:43:17,800
Speaker 3: like she's become.

923
00:43:18,360 --> 00:43:22,239
Speaker 5: Well, the intelligence and the type aa stuff, like you know,

924
00:43:22,719 --> 00:43:24,879
Speaker 5: there are aspects of Japanga's character that they do lean

925
00:43:25,000 --> 00:43:26,880
Speaker 5: into that aren't just that.

926
00:43:27,200 --> 00:43:30,399
Speaker 1: But right, yeah, we did that whole episode where she's

927
00:43:30,520 --> 00:43:33,720
Speaker 1: so cared about the family, Like she's obviously very loving.

928
00:43:33,800 --> 00:43:36,719
Speaker 1: They've deturing, still nurturing. Yeah, they've they've at least given

929
00:43:36,760 --> 00:43:39,239
Speaker 1: her that. But yeah, I mean, writer's definitely right that,

930
00:43:39,400 --> 00:43:44,080
Speaker 1: like it has not negatively impacted the legacy of the character,

931
00:43:44,320 --> 00:43:48,680
Speaker 1: that's for sure. The legacy of the character. Tapanga is

932
00:43:48,880 --> 00:43:52,440
Speaker 1: absolutely beloved, and no one on the planet is as

933
00:43:52,520 --> 00:43:54,040
Speaker 1: lucky as I am that I got to be the

934
00:43:54,080 --> 00:43:56,080
Speaker 1: person to bring her to life. Like I In no

935
00:43:56,239 --> 00:43:59,200
Speaker 1: way am I saying that, but I do. I do

936
00:43:59,400 --> 00:44:01,279
Speaker 1: just when I'm wanting the episode and I'm like, Okay,

937
00:44:01,320 --> 00:44:03,200
Speaker 1: here's what's going to be the thing that kicks it off,

938
00:44:03,360 --> 00:44:06,440
Speaker 1: this this big episode, and it's like, oh, this but

939
00:44:06,719 --> 00:44:08,560
Speaker 1: all of this is the first time we're hearing any

940
00:44:08,600 --> 00:44:11,520
Speaker 1: of this stuff, and it doesn't feel it doesn't feel authentic,

941
00:44:11,640 --> 00:44:14,200
Speaker 1: but which is a little bit disappointing. But I still

942
00:44:14,560 --> 00:44:16,319
Speaker 1: didn't think the episode of TV was bad.

943
00:44:16,840 --> 00:44:19,400
Speaker 5: Okay, on the flip side, we are out of wyey

944
00:44:19,480 --> 00:44:23,279
Speaker 5: Shawan era. We sure Honestly, it's been a long time

945
00:44:23,480 --> 00:44:25,200
Speaker 5: since I came back with it and had my daughter

946
00:44:25,920 --> 00:44:27,600
Speaker 5: at the baby, I have been.

947
00:44:27,600 --> 00:44:28,880
Speaker 4: Like mister positive.

948
00:44:29,840 --> 00:44:32,160
Speaker 1: They were really smart to put it back, because that's

949
00:44:32,160 --> 00:44:32,600
Speaker 1: what they were.

950
00:44:33,040 --> 00:44:35,080
Speaker 4: I was really getting old. Does it come back in

951
00:44:35,120 --> 00:44:35,719
Speaker 4: season seven?

952
00:44:35,800 --> 00:44:39,200
Speaker 5: What happened? I don't know, just generic dude from the

953
00:44:39,480 --> 00:44:40,960
Speaker 5: like they made sere generic.

954
00:44:41,480 --> 00:44:44,400
Speaker 3: I just hear them and I'm a surfer guy now,

955
00:44:44,600 --> 00:44:46,360
Speaker 3: and I think that was kind of my choice. But

956
00:44:46,360 --> 00:44:46,839
Speaker 3: I don't know where.

957
00:44:46,960 --> 00:44:49,080
Speaker 1: Well, you were going to California, you know, that's maybe

958
00:44:49,120 --> 00:44:49,680
Speaker 1: that's what it was.

959
00:44:49,719 --> 00:44:52,359
Speaker 5: I don't yeah, like I'm giving good advice to Eric.

960
00:44:52,480 --> 00:44:54,400
Speaker 5: Like Sean, it was great advice.

961
00:44:54,440 --> 00:44:57,960
Speaker 3: And my favorite end of the show was what we

962
00:44:58,040 --> 00:45:00,120
Speaker 3: talked about, you know, yeah, yeah.

963
00:45:01,000 --> 00:45:03,400
Speaker 1: Corey explains, Yeah, I'm just talking. But how are you

964
00:45:03,480 --> 00:45:07,160
Speaker 1: so sure about this? She mentions their parents they got

965
00:45:07,239 --> 00:45:09,440
Speaker 1: married young, and they love each other now more than

966
00:45:09,480 --> 00:45:12,600
Speaker 1: they ever did. Corey smiles, Yeah, my parents are still

967
00:45:12,640 --> 00:45:15,439
Speaker 1: having babies, which reminds Tapanga. By the way, my parents

968
00:45:15,480 --> 00:45:18,560
Speaker 1: are coming into town to discuss the wedding. Corey can't

969
00:45:18,560 --> 00:45:22,040
Speaker 1: believe he's just learning this. By the way, Captain Titanic,

970
00:45:22,239 --> 00:45:25,040
Speaker 1: the ship's in two pieces. Tapega wants to be able

971
00:45:25,080 --> 00:45:29,520
Speaker 1: to tell her parents they've set a date. Also, are

972
00:45:29,600 --> 00:45:31,720
Speaker 1: to Panga's parents rushing them to get married.

973
00:45:32,400 --> 00:45:35,279
Speaker 3: Maybe, but everybody loves a good Independence Day wedding.

974
00:45:36,800 --> 00:45:40,400
Speaker 1: Who doesn't. Corey looks even more afraid now, but Topanga

975
00:45:40,480 --> 00:45:42,960
Speaker 1: assures him that is normal than on cue. Phoenie and

976
00:45:43,000 --> 00:45:45,839
Speaker 1: Dean Bolander walk up hand in hand. Phoene asks if

977
00:45:45,840 --> 00:45:47,759
Speaker 1: they want to hear something, but before they can even

978
00:45:47,760 --> 00:45:50,960
Speaker 1: get an answer, Dean Bolander excitedly announces, Poenie and I

979
00:45:51,040 --> 00:45:54,000
Speaker 1: are getting married Sunday. The inmates let out a mild

980
00:45:54,200 --> 00:45:57,839
Speaker 1: cheer as the newly engaged couple leave, and Topanga and Corey,

981
00:45:57,920 --> 00:45:58,640
Speaker 1: you look excited.

982
00:45:58,920 --> 00:46:01,719
Speaker 3: But before, Phoenia, I have an etiquette question, because I

983
00:46:01,760 --> 00:46:06,320
Speaker 3: didn't go to college. Inappropriate matters, not at all. No

984
00:46:06,400 --> 00:46:08,640
Speaker 3: one cares that a professor and the dean are walking

985
00:46:08,680 --> 00:46:10,200
Speaker 3: hand in hand like through the student union with that

986
00:46:10,360 --> 00:46:12,520
Speaker 3: matter in any way. It doesn't right. I didn't think

987
00:46:12,560 --> 00:46:14,759
Speaker 3: so because it's college, but I wasn't sure. Yeah.

988
00:46:15,719 --> 00:46:18,040
Speaker 1: But before Phoene can get to the exit, Corey asks,

989
00:46:18,200 --> 00:46:21,000
Speaker 1: are you nervous with his future wife? Now out of earshot,

990
00:46:21,200 --> 00:46:25,239
Speaker 1: Phoene mouths and nods yes, yes, sir. And then we're

991
00:46:25,239 --> 00:46:27,359
Speaker 1: in the Matthew's kitchen. Phoenie and the Dean are sitting

992
00:46:27,400 --> 00:46:29,440
Speaker 1: at the kitchen table with Amy and Allan, discussing their

993
00:46:29,520 --> 00:46:32,719
Speaker 1: upcoming wedding. Lila explains it'll be a simple ceremony at

994
00:46:32,719 --> 00:46:34,880
Speaker 1: the Justice of the Peace, but Amy says they should

995
00:46:34,880 --> 00:46:38,040
Speaker 1: have their wedding here at the matthews house. Phoenie insists

996
00:46:38,160 --> 00:46:40,880
Speaker 1: that's not necessary, but Alan argues everyone will want to

997
00:46:40,880 --> 00:46:43,479
Speaker 1: be there. You can't rob them of that. Phoene can't

998
00:46:43,520 --> 00:46:46,920
Speaker 1: imagine anybody being interested in them. He's surprised Lilah's even

999
00:46:47,000 --> 00:46:49,840
Speaker 1: interested in them. The lovebirds look at each other lovingly,

1000
00:46:49,960 --> 00:46:53,839
Speaker 1: and Amy is overcome by romance. Oh my, Alan isn't

1001
00:46:53,880 --> 00:46:57,960
Speaker 1: as mushy? Oh boy. Then Corey bursts into the room,

1002
00:46:58,040 --> 00:47:04,160
Speaker 1: shouting big troubles in the hallway. Amy ignores his urgency

1003
00:47:04,719 --> 00:47:07,920
Speaker 1: and informs him that Feenie and Lila are getting married

1004
00:47:07,960 --> 00:47:10,879
Speaker 1: in their living room. Did anyone else notice that? She said,

1005
00:47:11,000 --> 00:47:14,040
Speaker 1: mister Feenie and Lila are Mary? And I was like,

1006
00:47:14,600 --> 00:47:16,880
Speaker 1: why don't you call him mister Feenie?

1007
00:47:17,160 --> 00:47:19,880
Speaker 3: You just call everybody.

1008
00:47:22,000 --> 00:47:22,640
Speaker 5: To everyone.

1009
00:47:23,120 --> 00:47:23,600
Speaker 3: That's great.

1010
00:47:25,000 --> 00:47:28,080
Speaker 1: So Cory scowls, I'm thrilled for you, Phoene, Now get

1011
00:47:28,120 --> 00:47:30,560
Speaker 1: out and take your chick with you. Alan asks if

1012
00:47:30,600 --> 00:47:33,560
Speaker 1: he's lost his mind. Corey simply responds, the in laws

1013
00:47:33,600 --> 00:47:37,360
Speaker 1: are coming. Everyone's facial expression quickly changes as Foenie declares,

1014
00:47:37,480 --> 00:47:40,000
Speaker 1: we're out of here. As Feoene leaves, he pats Corey

1015
00:47:40,080 --> 00:47:42,000
Speaker 1: on the cheek and says, in a weird baby voice,

1016
00:47:42,239 --> 00:47:43,480
Speaker 1: you're a good boy.

1017
00:47:44,440 --> 00:47:45,000
Speaker 3: Just like Fennie.

1018
00:47:45,080 --> 00:47:45,600
Speaker 5: What's going on?

1019
00:47:46,200 --> 00:47:46,760
Speaker 3: Just like Foenie?

1020
00:47:47,400 --> 00:47:49,399
Speaker 4: I mean, they all know that the in laws are coming.

1021
00:47:49,480 --> 00:47:52,040
Speaker 3: We've got to Becausega's parents are.

1022
00:47:52,000 --> 00:47:54,680
Speaker 1: So awful or is it just the idea it doesn't

1023
00:47:54,719 --> 00:48:02,200
Speaker 1: make anything sitcom so in laws, it's exactly that's exactly right.

1024
00:48:05,120 --> 00:48:08,359
Speaker 1: Corey slams the door and repeats himself big trouble. Amy

1025
00:48:08,400 --> 00:48:10,920
Speaker 1: tries to calm him down. It's just a Panga's parents.

1026
00:48:11,160 --> 00:48:13,080
Speaker 1: Corey is on a rampage. Well, I'm going in the

1027
00:48:13,120 --> 00:48:15,400
Speaker 1: living room quickly.

1028
00:48:15,440 --> 00:48:18,239
Speaker 3: It's such a weird. That actually made me laugh because

1029
00:48:18,239 --> 00:48:20,680
Speaker 3: it made no sense. It was just like, we have

1030
00:48:20,760 --> 00:48:22,560
Speaker 3: to move, we have to move scenes. We're going to

1031
00:48:22,600 --> 00:48:24,760
Speaker 3: go in the living room. I'm going in the like okay,

1032
00:48:25,040 --> 00:48:26,239
Speaker 3: we're just saying where we're going.

1033
00:48:26,320 --> 00:48:27,120
Speaker 5: Now, that's what he goes to do.

1034
00:48:28,320 --> 00:48:31,880
Speaker 3: I'm going to continue the scene upstairs like okay, and

1035
00:48:31,960 --> 00:48:33,960
Speaker 3: I'm gonna walk over here now and keep talking to you.

1036
00:48:34,360 --> 00:48:36,560
Speaker 1: Yeah, you better follow me if you want to hear

1037
00:48:36,640 --> 00:48:38,040
Speaker 1: me or see me with those cameras.

1038
00:48:39,280 --> 00:48:40,719
Speaker 3: Let's go over here, track me this way.

1039
00:48:41,560 --> 00:48:42,239
Speaker 5: Okay. Weird.

1040
00:48:43,680 --> 00:48:46,080
Speaker 1: So now we're in the living room, as he told us,

1041
00:48:46,160 --> 00:48:49,359
Speaker 1: Corey is frantically fluffing pillows when Amy and Allan now

1042
00:48:49,480 --> 00:48:53,800
Speaker 1: also carrying a baby basinette with them like wheeling.

1043
00:48:53,880 --> 00:48:55,560
Speaker 3: It behind his room room.

1044
00:48:56,040 --> 00:48:59,959
Speaker 1: So Corey says, they used to beat a Panga's parents.

1045
00:49:00,200 --> 00:49:02,320
Speaker 1: Now they're the in laws. Now they hate me.

1046
00:49:02,800 --> 00:49:06,279
Speaker 4: Alan asked, start this in the living room? Why in

1047
00:49:06,400 --> 00:49:06,840
Speaker 4: the kitchen?

1048
00:49:07,160 --> 00:49:10,040
Speaker 3: But why because would have been too long.

1049
00:49:10,280 --> 00:49:12,200
Speaker 1: We spend too much time in this episode in the

1050
00:49:12,239 --> 00:49:16,080
Speaker 1: living room because and Lila, okay, yeah, because then there's

1051
00:49:16,120 --> 00:49:18,480
Speaker 1: the wedding and all the scenes with the with the parents.

1052
00:49:18,600 --> 00:49:19,920
Speaker 1: It's just the whole episode would have been in the

1053
00:49:19,920 --> 00:49:20,319
Speaker 1: living room.

1054
00:49:20,320 --> 00:49:23,680
Speaker 3: So they this episode leaving one door and coming back

1055
00:49:23,680 --> 00:49:25,440
Speaker 3: a completely different door where I bet.

1056
00:49:25,320 --> 00:49:26,840
Speaker 5: You had something to do with having to dress the

1057
00:49:26,880 --> 00:49:28,360
Speaker 5: living room. I bet it was a timing thing. They

1058
00:49:28,400 --> 00:49:30,959
Speaker 5: were like, when can we what can we pre tape?

1059
00:49:31,000 --> 00:49:32,799
Speaker 5: And they had to break it up.

1060
00:49:34,920 --> 00:49:37,720
Speaker 1: Alan asks why, and Corey explains the same reason Grandma

1061
00:49:37,840 --> 00:49:41,440
Speaker 1: hates you. Alan gives an understanding nod. He gets it now,

1062
00:49:42,320 --> 00:49:43,279
Speaker 1: Corey Coyley.

1063
00:49:43,239 --> 00:49:45,200
Speaker 4: That's exactly what sorry, that's exactly what it is.

1064
00:49:45,320 --> 00:49:48,600
Speaker 5: It was that they gave Bill and Bonnie the day

1065
00:49:48,640 --> 00:49:51,799
Speaker 5: off so they could only be in a scene when

1066
00:49:51,840 --> 00:49:54,000
Speaker 5: the living room was dressed for the wedding, because they

1067
00:49:54,000 --> 00:49:55,839
Speaker 5: had to be in the wedding scene. So when we're

1068
00:49:55,960 --> 00:49:58,160
Speaker 5: to get them and have a day off. They put

1069
00:49:58,239 --> 00:50:00,000
Speaker 5: them in the kitchen instead of the living.

1070
00:49:59,880 --> 00:50:02,160
Speaker 1: Room them, so they gave them the pre tape, They

1071
00:50:02,480 --> 00:50:02,919
Speaker 1: got the pre.

1072
00:50:02,880 --> 00:50:04,640
Speaker 5: Tape day to do the wedding, and then they had

1073
00:50:04,680 --> 00:50:08,399
Speaker 5: the actual tape night off. That's right, because yeah, that's

1074
00:50:08,440 --> 00:50:10,520
Speaker 5: a really horrible way to like shoot.

1075
00:50:10,600 --> 00:50:12,719
Speaker 3: Yeah, okay, wait, do you think we would have then

1076
00:50:12,800 --> 00:50:14,560
Speaker 3: pre taped the student union at the beginning?

1077
00:50:15,560 --> 00:50:18,239
Speaker 5: Yeah, obviously we or they just wanted to get Bill

1078
00:50:18,280 --> 00:50:20,279
Speaker 5: and Bonnie out, But it's clear that they arranged it

1079
00:50:20,360 --> 00:50:22,840
Speaker 5: around their schedule in so I don't.

1080
00:50:22,719 --> 00:50:24,280
Speaker 1: Think it actually had to even do with their schedule

1081
00:50:24,280 --> 00:50:25,680
Speaker 1: as much as it probably just had to do with

1082
00:50:25,760 --> 00:50:28,520
Speaker 1: the logistics thing, for how are we going to shoot

1083
00:50:28,640 --> 00:50:29,520
Speaker 1: this many scenes?

1084
00:50:29,920 --> 00:50:31,319
Speaker 3: Yeah you could.

1085
00:50:31,560 --> 00:50:34,200
Speaker 5: They already had to shoot this part in the living room,

1086
00:50:34,640 --> 00:50:38,239
Speaker 5: so adding an extra two pages or three pages to

1087
00:50:38,360 --> 00:50:40,719
Speaker 5: this scene wouldn't have been the problem, except that this

1088
00:50:40,960 --> 00:50:41,440
Speaker 5: they wanted.

1089
00:50:41,680 --> 00:50:41,880
Speaker 3: It was.

1090
00:50:41,960 --> 00:50:45,360
Speaker 5: Oh, it was probably Michael McKinnon and Netta tools schedule,

1091
00:50:45,400 --> 00:50:46,680
Speaker 5: you know, because they're in the wedding scenes too.

1092
00:50:46,719 --> 00:50:49,640
Speaker 3: But what it also has to be logistic because aren't

1093
00:50:49,719 --> 00:50:54,720
Speaker 3: aren't the living room is now or the boys apartment

1094
00:50:54,920 --> 00:50:57,440
Speaker 3: is now where the living room used to be. So

1095
00:50:57,719 --> 00:51:00,600
Speaker 3: remember they because that once the living room away, that's

1096
00:51:00,640 --> 00:51:02,279
Speaker 3: where the boys apartment was, right.

1097
00:51:02,239 --> 00:51:05,000
Speaker 5: So the living they actually built the living room next

1098
00:51:05,040 --> 00:51:07,200
Speaker 5: to the audience, right you facing the audience. It was

1099
00:51:07,239 --> 00:51:08,759
Speaker 5: to the left of the audience where the.

1100
00:51:08,800 --> 00:51:11,280
Speaker 1: Old where the hallway is, like with the old hallway

1101
00:51:11,360 --> 00:51:12,120
Speaker 1: for the college.

1102
00:51:12,400 --> 00:51:14,200
Speaker 3: So yeah, they had so many sets. That's what a was.

1103
00:51:14,880 --> 00:51:19,360
Speaker 1: Also, though, I must say, in every show I've ever directed,

1104
00:51:19,480 --> 00:51:21,880
Speaker 1: where you find that there's a lot of scenes that

1105
00:51:21,960 --> 00:51:25,600
Speaker 1: take place in one place. Someone goes, we have to

1106
00:51:25,640 --> 00:51:27,000
Speaker 1: break this up? Can we where where else? Can we

1107
00:51:27,040 --> 00:51:28,319
Speaker 1: move this? Can we move this to the hallway? Can

1108
00:51:28,360 --> 00:51:30,600
Speaker 1: we move this? So whether or not it was based

1109
00:51:30,600 --> 00:51:33,640
Speaker 1: around trying to give someone a day off, which maybe

1110
00:51:33,760 --> 00:51:36,839
Speaker 1: if it's super easy, but considering both Bonnie and Bill

1111
00:51:37,000 --> 00:51:39,160
Speaker 1: are a big part of this episode, I doubt it

1112
00:51:39,280 --> 00:51:42,120
Speaker 1: was them, And considering Annette and Michael are a big

1113
00:51:42,160 --> 00:51:44,120
Speaker 1: part of this episode, I doubt anyone's like, let's give

1114
00:51:44,160 --> 00:51:46,040
Speaker 1: them a day off where we can. I think it's

1115
00:51:46,120 --> 00:51:50,000
Speaker 1: probably just logistics of we have to redress for a wedding,

1116
00:51:50,360 --> 00:51:53,600
Speaker 1: so we've got to get another or and or Also

1117
00:51:54,160 --> 00:51:56,640
Speaker 1: this whole episode would then take place in the living room.

1118
00:51:57,280 --> 00:51:58,720
Speaker 1: If you don't just give us at least.

1119
00:52:00,080 --> 00:52:02,040
Speaker 3: Came in with an attitude and you're like, I was like,

1120
00:52:02,200 --> 00:52:02,720
Speaker 3: I will.

1121
00:52:02,719 --> 00:52:05,080
Speaker 1: Not watch one more scene in the living room.

1122
00:52:05,080 --> 00:52:06,919
Speaker 3: That's changed. It changed.

1123
00:52:07,160 --> 00:52:09,920
Speaker 1: They listened to me, you know, whenever whenever I needed something,

1124
00:52:10,160 --> 00:52:15,360
Speaker 1: they listened. We remember Corey coyly ads and other reasons.

1125
00:52:15,680 --> 00:52:17,520
Speaker 1: Amy wants to know what he's talking about, so he

1126
00:52:17,560 --> 00:52:19,799
Speaker 1: starts his list. I'm the reason their daughter's not going

1127
00:52:19,840 --> 00:52:22,040
Speaker 1: to Yale. I'm also the reason their daughter's not living

1128
00:52:22,080 --> 00:52:24,360
Speaker 1: with them in Pittsburgh. He pulls two cards out of

1129
00:52:24,400 --> 00:52:26,200
Speaker 1: his pocket and hands them to his parents. This is

1130
00:52:26,239 --> 00:52:29,120
Speaker 1: why I made these, Amy reads aloud do's and don'ts

1131
00:52:29,200 --> 00:52:32,439
Speaker 1: for behavior around the in laws. Corey scoffs. You didn't

1132
00:52:32,480 --> 00:52:34,160
Speaker 1: think I was gonna let you be yourselves for this,

1133
00:52:34,320 --> 00:52:35,800
Speaker 1: did you? Alan frowns.

1134
00:52:36,160 --> 00:52:36,200
Speaker 3: No.

1135
00:52:36,480 --> 00:52:40,920
Speaker 1: Impressions, None, people love my impressions. Amy laughs. No one

1136
00:52:40,960 --> 00:52:43,960
Speaker 1: even knows when you're doing one. Alan accepts her words

1137
00:52:44,040 --> 00:52:47,440
Speaker 1: with defeat and walks away, sulking, why didn't he do

1138
00:52:47,719 --> 00:52:49,960
Speaker 1: a bad impression as a as a button to that,

1139
00:52:50,120 --> 00:52:52,040
Speaker 1: No one even knows when you're doing one. Why didn't

1140
00:52:52,080 --> 00:52:52,320
Speaker 1: he do?

1141
00:52:52,680 --> 00:52:52,719
Speaker 3: Like?

1142
00:52:53,160 --> 00:52:55,160
Speaker 1: Why didn't he say something in a weird voice, and

1143
00:52:55,239 --> 00:52:56,200
Speaker 1: everyone like was that.

1144
00:52:58,320 --> 00:53:01,239
Speaker 4: Donald Schwartz got don't you say I'll be back? You

1145
00:53:01,280 --> 00:53:02,440
Speaker 4: don't say who you are?

1146
00:53:02,800 --> 00:53:06,600
Speaker 3: Right exactly, you cannot have the wedding here.

1147
00:53:09,800 --> 00:53:12,560
Speaker 1: Then the baby starts to cry, and Amy sings, hush,

1148
00:53:12,640 --> 00:53:14,000
Speaker 1: little baby, real baby?

1149
00:53:14,880 --> 00:53:17,480
Speaker 3: Was it real baby? And then and they were close

1150
00:53:17,560 --> 00:53:17,799
Speaker 3: on her.

1151
00:53:18,080 --> 00:53:19,520
Speaker 1: It's not a real baby, it was.

1152
00:53:19,680 --> 00:53:22,440
Speaker 3: She's holding the baby in a single shot. Yes, we did,

1153
00:53:22,520 --> 00:53:25,840
Speaker 3: of course we did that. We we she's holding the

1154
00:53:25,880 --> 00:53:27,759
Speaker 3: baby in a single like there's no you can't see

1155
00:53:27,760 --> 00:53:30,240
Speaker 3: anybody else. So they obviously brought in with the blanket.

1156
00:53:30,840 --> 00:53:32,400
Speaker 5: The next one, that's where we had to break that.

1157
00:53:32,600 --> 00:53:33,120
Speaker 3: It was the baby.

1158
00:53:33,520 --> 00:53:34,719
Speaker 1: The baby wanted to be in the kitchen.

1159
00:53:34,880 --> 00:53:36,640
Speaker 3: The baby wanted to be in the kitchen. The baby's

1160
00:53:36,640 --> 00:53:41,320
Speaker 3: like the kitchen, the restless scene here. That was my

1161
00:53:41,400 --> 00:53:43,480
Speaker 3: baby impression, by the way, you guys, that's good.

1162
00:53:43,560 --> 00:53:48,000
Speaker 1: That's exactly what my kids. When she gets to the

1163
00:53:48,120 --> 00:53:50,439
Speaker 1: line mama is going to buy you a mockingbird, Corey

1164
00:53:50,560 --> 00:53:53,799
Speaker 1: promptly cuts in, No, she ain't ma, not tonight. Alan

1165
00:53:53,920 --> 00:53:56,759
Speaker 1: jumps up. You can't sing, He backtracks. I mean, you

1166
00:53:56,880 --> 00:53:58,719
Speaker 1: sing very well, but not tonight, because it's on the

1167
00:53:58,800 --> 00:54:02,239
Speaker 1: don't list like my rans. Then the doorbell rings and

1168
00:54:02,320 --> 00:54:05,040
Speaker 1: Corey lets out one of his signature shrieks, they're here.

1169
00:54:05,880 --> 00:54:08,120
Speaker 1: Amy assures him there's nothing to worry about, and Alan

1170
00:54:08,160 --> 00:54:11,359
Speaker 1: reminds him their daughter loves you. That's what's important. Corey

1171
00:54:11,480 --> 00:54:13,719
Speaker 1: knows something else that's important. They need to stick to

1172
00:54:13,760 --> 00:54:16,480
Speaker 1: the conversational topics that he has clearly written out for them.

1173
00:54:16,880 --> 00:54:21,240
Speaker 1: Alan reads his bridges and patio furniture, Amy sees hers,

1174
00:54:21,680 --> 00:54:26,400
Speaker 1: peaches and slipcovers. Corey demands that's it. Nothing else. Nobody

1175
00:54:26,440 --> 00:54:30,320
Speaker 1: says anything stupid Okay. Then he opens the door, revealing

1176
00:54:30,360 --> 00:54:33,800
Speaker 1: to Panga and her parents, played by two new actors.

1177
00:54:34,520 --> 00:54:35,520
Speaker 3: And that's what Corey says.

1178
00:54:35,560 --> 00:54:36,239
Speaker 5: Who are you?

1179
00:54:37,640 --> 00:54:39,600
Speaker 3: Cause you're not her parents?

1180
00:54:40,920 --> 00:54:45,520
Speaker 1: The exchangeable light hi, and then Corey blurts out, I'm sorry,

1181
00:54:45,560 --> 00:54:49,040
Speaker 1: your daughter gave up Yale for me to Panga ignores

1182
00:54:49,120 --> 00:54:53,879
Speaker 1: him and introduces or reintroduces, depending on how long you've

1183
00:54:53,920 --> 00:54:58,360
Speaker 1: watched the show, her parents, Jedediah and Rhiannon. Rhiannon responds

1184
00:54:58,400 --> 00:55:01,239
Speaker 1: to Corey's comment, it's okay, she's happy where she is.

1185
00:55:01,760 --> 00:55:05,080
Speaker 1: Jedediah sarcastically adds his two cents. Sure, what the hell?

1186
00:55:05,239 --> 00:55:07,880
Speaker 1: Four generations of Lawrence is at Yale or plenty.

1187
00:55:08,400 --> 00:55:12,760
Speaker 3: So now her dad, who was a luthier yep. Literally,

1188
00:55:12,960 --> 00:55:15,200
Speaker 3: now all of a sudden is one of these guys

1189
00:55:16,239 --> 00:55:19,520
Speaker 3: four generations at Yale and they changed her name. Why

1190
00:55:20,320 --> 00:55:22,759
Speaker 3: why do we need any of this? Why can't her

1191
00:55:22,880 --> 00:55:26,640
Speaker 3: name still be Chloe? It's already established? What are we

1192
00:55:26,880 --> 00:55:29,279
Speaker 3: doing this? To me? Was so I was like, wait,

1193
00:55:29,320 --> 00:55:33,000
Speaker 3: he's a like a banker guy who's a white collar

1194
00:55:33,080 --> 00:55:35,000
Speaker 3: and now he's gone the Yale.

1195
00:55:35,040 --> 00:55:35,879
Speaker 2: What the hell?

1196
00:55:36,760 --> 00:55:39,800
Speaker 3: It made no sense to me. Why couldn't it have

1197
00:55:39,880 --> 00:55:42,160
Speaker 3: been the same storyline with the guy who makes guitars

1198
00:55:42,200 --> 00:55:44,200
Speaker 3: for a living and he's a little bit crunchy, Like

1199
00:55:44,280 --> 00:55:46,480
Speaker 3: why why does it? I mean, oh, it made no

1200
00:55:46,600 --> 00:55:47,040
Speaker 3: sense to me.

1201
00:55:47,400 --> 00:55:50,520
Speaker 5: I know, actually, I mean that would have been great

1202
00:55:50,600 --> 00:55:53,960
Speaker 5: if like they were super hippie dippy and like, you know,

1203
00:55:54,239 --> 00:55:57,000
Speaker 5: tapanga had changed. And that was when the episode was about,

1204
00:55:57,120 --> 00:55:58,920
Speaker 5: is them being like our daughter is getting married and

1205
00:55:59,000 --> 00:56:01,680
Speaker 5: we don't care because we don't think marriage is that important. Yeah,

1206
00:56:01,800 --> 00:56:03,480
Speaker 5: there's tension, you know, interesting tension.

1207
00:56:03,480 --> 00:56:08,279
Speaker 3: As Michael McKeon is also an accomplished guitarist, he can

1208
00:56:08,400 --> 00:56:11,000
Speaker 3: play the guitar or what you cast the guy who

1209
00:56:11,080 --> 00:56:13,040
Speaker 3: actually plays guitar to be a banker? What are you

1210
00:56:13,120 --> 00:56:15,799
Speaker 3: doing like? It doesn't make any sense to me? Hmm.

1211
00:56:16,560 --> 00:56:19,200
Speaker 1: He lets out a fake laugh, and Corey nervously giggles

1212
00:56:19,280 --> 00:56:21,879
Speaker 1: right back. Alan breaks the tension and asks if they'd

1213
00:56:21,960 --> 00:56:24,919
Speaker 1: like to come in. They exchange handshakes and hugs shortly after,

1214
00:56:25,320 --> 00:56:27,439
Speaker 1: and then we're back in the student union. Eric lines

1215
00:56:27,480 --> 00:56:29,799
Speaker 1: up at the pool table to shoot the white ball

1216
00:56:30,040 --> 00:56:32,960
Speaker 1: into a basket. He makes the shot, then jumps up,

1217
00:56:33,040 --> 00:56:36,840
Speaker 1: exclaiming wu. Sean just entered in time to witness the

1218
00:56:36,840 --> 00:56:40,799
Speaker 1: whole thing and remarks, you just scratched on purpose. Eric shrugs, Yeah,

1219
00:56:40,920 --> 00:56:44,239
Speaker 1: well I'm a loser anyway. Hmmm. The audience lets out

1220
00:56:44,280 --> 00:56:47,000
Speaker 1: a sympathetic awe, while Sean gives him a weary look.

1221
00:56:47,440 --> 00:56:49,759
Speaker 1: After a long pause, he asks Eric if he wants

1222
00:56:49,800 --> 00:56:54,319
Speaker 1: to talk. Eric questions you and me? Sean ponders it, Yeah,

1223
00:56:54,800 --> 00:56:57,920
Speaker 1: can we do that? Eric admits I don't know, we

1224
00:56:58,080 --> 00:57:01,160
Speaker 1: never have before. This is allviously from you guys, having

1225
00:57:01,200 --> 00:57:03,520
Speaker 1: made this joke that you guys never get to work together.

1226
00:57:03,920 --> 00:57:06,400
Speaker 1: Does it feel silly now? Does it feel silly? It

1227
00:57:06,440 --> 00:57:07,840
Speaker 1: feels ridiculous, right, Yeah.

1228
00:57:08,040 --> 00:57:09,960
Speaker 3: Yeah, because we did a lot together.

1229
00:57:10,160 --> 00:57:11,640
Speaker 5: I mean, I was watching it.

1230
00:57:11,920 --> 00:57:12,960
Speaker 4: It feels ridiculous because of that.

1231
00:57:13,000 --> 00:57:15,080
Speaker 5: It just feels ridiculous to comment on it on the show,

1232
00:57:15,120 --> 00:57:18,200
Speaker 5: as if anybody else cares. It's like we cared as

1233
00:57:18,280 --> 00:57:20,400
Speaker 5: actors and we went to the Michael and said can

1234
00:57:20,440 --> 00:57:23,360
Speaker 5: we have a scene together? And so they wrote this scene.

1235
00:57:23,920 --> 00:57:25,360
Speaker 5: But why do you have to comment on it? Like

1236
00:57:25,400 --> 00:57:27,680
Speaker 5: why not just have Sean Nerreck spalk to each other.

1237
00:57:27,840 --> 00:57:30,240
Speaker 1: No one else feels like you guys haven't had scenes

1238
00:57:30,280 --> 00:57:34,200
Speaker 1: to know. No one watching the show feels like, nope,

1239
00:57:34,680 --> 00:57:36,320
Speaker 1: you guys, Like I do.

1240
00:57:36,560 --> 00:57:38,680
Speaker 5: Think the energy is a little weird. You don't think

1241
00:57:38,680 --> 00:57:39,360
Speaker 5: the energy is weird?

1242
00:57:39,400 --> 00:57:40,440
Speaker 3: Will between the two of us?

1243
00:57:40,600 --> 00:57:42,560
Speaker 5: Yeah, between our characters, I think it's.

1244
00:57:43,040 --> 00:57:45,480
Speaker 3: I think it's because Sean is not really Sean and

1245
00:57:45,600 --> 00:57:47,080
Speaker 3: Eric's not really Eric. That's what I mean. Mean.

1246
00:57:47,360 --> 00:57:50,560
Speaker 5: I feel like you end up pushing in this scene

1247
00:57:50,720 --> 00:57:52,880
Speaker 5: and I end up having to do like bring it back.

1248
00:57:53,120 --> 00:57:55,320
Speaker 5: So like when we're the we're like we're actually a

1249
00:57:55,400 --> 00:57:57,400
Speaker 5: source of energy in most other scenes, you know, And

1250
00:57:57,480 --> 00:57:59,640
Speaker 5: instead I have to like flatten to become more of

1251
00:57:59,680 --> 00:58:02,000
Speaker 5: a stray man. And you feel the urge to like

1252
00:58:02,280 --> 00:58:04,320
Speaker 5: keep making it fun. It's like it's a weird energy.

1253
00:58:04,800 --> 00:58:06,720
Speaker 5: There are still some nice moments, but it feels a

1254
00:58:06,760 --> 00:58:09,240
Speaker 5: little awkward and it's you know, it's also just like,

1255
00:58:10,120 --> 00:58:10,920
Speaker 5: I don't know, it's just like.

1256
00:58:12,440 --> 00:58:15,640
Speaker 3: I personally really liked the scene again watching two different

1257
00:58:15,720 --> 00:58:18,600
Speaker 3: actors as two different characters, right, But to me, it

1258
00:58:18,720 --> 00:58:20,760
Speaker 3: wasn't Sean and Eric. It was Will and Ryder kind

1259
00:58:20,800 --> 00:58:23,480
Speaker 3: of sitting there talking, and that's what I liked, But

1260
00:58:23,840 --> 00:58:26,600
Speaker 3: it wasn't I mean, Eric is so far, is already far,

1261
00:58:26,880 --> 00:58:29,920
Speaker 3: and Sean is now different again. So that's what I

1262
00:58:30,000 --> 00:58:32,160
Speaker 3: meant by like, I liked this as an episode of television,

1263
00:58:32,200 --> 00:58:33,680
Speaker 3: but I felt like I was watching you and I

1264
00:58:33,960 --> 00:58:35,160
Speaker 3: and that's why I like. But I also liked that

1265
00:58:35,200 --> 00:58:37,880
Speaker 3: the question was answered that we've talked about, which, which

1266
00:58:37,960 --> 00:58:38,240
Speaker 3: is good.

1267
00:58:38,640 --> 00:58:41,040
Speaker 1: I also felt like, because you guys thought that the

1268
00:58:41,120 --> 00:58:43,320
Speaker 1: reason you didn't work together all that often was because

1269
00:58:43,320 --> 00:58:46,080
Speaker 1: you kept making each other laugh, I did feel like

1270
00:58:46,160 --> 00:58:49,120
Speaker 1: there was a little bit of energy of Will trying

1271
00:58:49,240 --> 00:58:53,320
Speaker 1: to make Rider laugh and a writer really trying to

1272
00:58:53,400 --> 00:58:55,640
Speaker 1: keep it all together, to hold it together, and so

1273
00:58:55,760 --> 00:58:57,760
Speaker 1: that kind of is what felt like, maybe what you're

1274
00:58:57,760 --> 00:59:00,360
Speaker 1: picking up on is feeling him push, is trying to

1275
00:59:00,400 --> 00:59:02,480
Speaker 1: push your buttons to make you laugh.

1276
00:59:02,680 --> 00:59:04,680
Speaker 3: You kind of that whole thing to do to a

1277
00:59:04,760 --> 00:59:08,120
Speaker 3: fellow actor. It's like, I'm trying to make you break.

1278
00:59:08,520 --> 00:59:10,920
Speaker 5: Get through the scene though, breaking we know that, like

1279
00:59:11,040 --> 00:59:13,640
Speaker 5: that was a story. So what we're seeing is like

1280
00:59:14,000 --> 00:59:15,919
Speaker 5: the reality of me trying not to break.

1281
00:59:16,000 --> 00:59:17,080
Speaker 4: And yeah, it's just too fun.

1282
00:59:17,440 --> 00:59:20,400
Speaker 3: Yeah, yeah, I love the contents of the scene though,

1283
00:59:20,720 --> 00:59:22,960
Speaker 3: because I like this is the the thing that we've

1284
00:59:22,960 --> 00:59:25,040
Speaker 3: been asking is like, Okay, why do you love Rachel?

1285
00:59:25,160 --> 00:59:26,480
Speaker 3: And remember, I just wanted to.

1286
00:59:28,080 --> 00:59:29,720
Speaker 5: It would have been really nice to ask Corey, like

1287
00:59:29,840 --> 00:59:30,840
Speaker 5: why do you love Tabanga?

1288
00:59:31,080 --> 00:59:31,280
Speaker 3: Yeah?

1289
00:59:31,400 --> 00:59:32,600
Speaker 5: Right? Is it just a keeper?

1290
00:59:32,760 --> 00:59:34,360
Speaker 4: And to get her and not cheat over.

1291
00:59:36,200 --> 00:59:37,760
Speaker 3: So, but now I'm glad we had Like I'm so

1292
00:59:37,920 --> 00:59:40,280
Speaker 3: glad this discussion took place because it was one that

1293
00:59:40,440 --> 00:59:41,160
Speaker 3: needed to happen.

1294
00:59:41,920 --> 00:59:44,880
Speaker 1: So Sean points out, not in the last six years.

1295
00:59:45,520 --> 00:59:48,400
Speaker 1: Eric adds, not even that year we lived together. Sean

1296
00:59:48,440 --> 00:59:50,360
Speaker 1: says he forgot about that year. He wants to know

1297
00:59:50,400 --> 00:59:53,040
Speaker 1: when that was. Eric thinks about it and finally realizes

1298
00:59:53,440 --> 00:59:56,440
Speaker 1: it was just last year. They both nod. Baffled by

1299
00:59:56,480 --> 00:59:59,360
Speaker 1: the revelation, Eric begins to walk away, but Sean suggests

1300
00:59:59,400 --> 01:00:02,240
Speaker 1: that they talk and see what happens. Eric scoffs, what

1301
01:00:02,360 --> 01:00:04,800
Speaker 1: could you and I possibly have to talk about? Sean

1302
01:00:04,840 --> 01:00:08,120
Speaker 1: accepts his answer okay, and Eric quickly changes his mind

1303
01:00:08,160 --> 01:00:11,520
Speaker 1: and dramatically spills his guts. My life sucks, Shanny. He's

1304
01:00:11,560 --> 01:00:15,080
Speaker 1: lost his apartment, Rachel, Jack, and now Foene. He blames

1305
01:00:15,200 --> 01:00:17,240
Speaker 1: Jack for most of it, even Feene. For some reason.

1306
01:00:17,600 --> 01:00:19,840
Speaker 1: Sean gets it, I lost something that means more to

1307
01:00:19,960 --> 01:00:22,200
Speaker 1: me than any of that, and I managed to survive.

1308
01:00:22,880 --> 01:00:27,680
Speaker 1: Eric asks, you mean your dead dad. Sean sarcastically points

1309
01:00:27,680 --> 01:00:31,360
Speaker 1: out Eric's sensitivity. Eric thanks Sean for the compliment and

1310
01:00:31,400 --> 01:00:34,320
Speaker 1: which is and wishes Rachel saw it too. He loves her.

1311
01:00:34,960 --> 01:00:37,120
Speaker 1: Sean isn't buying it. Do you think the two of

1312
01:00:37,200 --> 01:00:41,280
Speaker 1: you would actually make a good couple? Eric breathlessly responds.

1313
01:00:41,080 --> 01:00:43,200
Speaker 3: She's so pretty, great question.

1314
01:00:43,920 --> 01:00:49,320
Speaker 1: Finally, Sean nods, but what about her attracts you? Spiritually?

1315
01:00:49,880 --> 01:00:53,400
Speaker 1: Eric says, again, she's so pretty. Sean asks about her

1316
01:00:53,400 --> 01:00:56,040
Speaker 1: personality now, and Eric starts with how pretty she is,

1317
01:00:56,120 --> 01:01:00,120
Speaker 1: and then also mentions how good she can walk. When

1318
01:01:00,160 --> 01:01:01,880
Speaker 1: he can't think of anything else, he just whinds go

1319
01:01:02,040 --> 01:01:05,360
Speaker 1: ask Jack he's the one who won her. Sean notices

1320
01:01:05,440 --> 01:01:07,560
Speaker 1: that Eric seems to care more about the competition with

1321
01:01:07,720 --> 01:01:10,880
Speaker 1: Jack than he cares about Rachel. Eric denies it, but

1322
01:01:11,000 --> 01:01:12,520
Speaker 1: immediately adds, I could have won that.

1323
01:01:12,640 --> 01:01:12,919
Speaker 2: I could.

1324
01:01:13,000 --> 01:01:18,080
Speaker 1: I swear he cheated. Sean wonders because dad died. Eric nods, yeah,

1325
01:01:18,080 --> 01:01:20,720
Speaker 1: he was grieving. Chicks totally dig people that are grieving.

1326
01:01:20,880 --> 01:01:22,240
Speaker 1: Don't get me wrong. I know it was your dad

1327
01:01:22,320 --> 01:01:24,320
Speaker 1: and everything, I really do, but I'm pretty sure it

1328
01:01:24,440 --> 01:01:28,560
Speaker 1: was a fix. Sean explains, I feel really good about

1329
01:01:28,560 --> 01:01:30,080
Speaker 1: my life right now because when I took off in

1330
01:01:30,120 --> 01:01:32,360
Speaker 1: my dad's trailer, I had a moment that made everything

1331
01:01:32,480 --> 01:01:35,240
Speaker 1: completely clear for me. As much as we wish it

1332
01:01:35,320 --> 01:01:38,640
Speaker 1: was nobody's angel, Sean reveals that it was when he

1333
01:01:38,880 --> 01:01:43,600
Speaker 1: was looking up into the night sky he saw stars, planets, galaxies.

1334
01:01:44,520 --> 01:01:47,560
Speaker 1: Eric assumes he must have felt so small. Shawn agrees,

1335
01:01:47,600 --> 01:01:49,320
Speaker 1: saying he felt like a speck who was here for

1336
01:01:49,440 --> 01:01:52,480
Speaker 1: one moment in time and then gone. So he decided

1337
01:01:52,520 --> 01:01:54,120
Speaker 1: that while he's here, he wants to be with his

1338
01:01:54,200 --> 01:01:57,200
Speaker 1: friends and the people that he loves. Because when I'm

1339
01:01:57,240 --> 01:02:00,160
Speaker 1: with you, guys, I don't feel that small. That's what

1340
01:02:00,160 --> 01:02:02,840
Speaker 1: I figured out Eric knows Sean had to find that

1341
01:02:02,920 --> 01:02:06,120
Speaker 1: out for himself, so now it's his turn. Eric tells

1342
01:02:06,120 --> 01:02:08,720
Speaker 1: Sean he's happy he came back, and Sean points out

1343
01:02:08,880 --> 01:02:10,960
Speaker 1: it was a great talk. Eric thinks they should do

1344
01:02:10,960 --> 01:02:13,840
Speaker 1: it again sometime, and then they cheers their soda bottles.

1345
01:02:13,920 --> 01:02:15,560
Speaker 3: See, I thought it was a night. I thought your

1346
01:02:15,600 --> 01:02:18,040
Speaker 3: speech is really nice, and the kind of not feeling

1347
01:02:18,080 --> 01:02:20,160
Speaker 3: small when you're with your friends. I loved all that.

1348
01:02:20,240 --> 01:02:20,960
Speaker 3: I thought that was great.

1349
01:02:21,480 --> 01:02:35,600
Speaker 1: It is great. And then we're in the Matthews living room.

1350
01:02:35,680 --> 01:02:38,000
Speaker 1: All four parents are chatting with each other while Topanga

1351
01:02:38,040 --> 01:02:40,840
Speaker 1: and Corey watch on from the kitchen door. Tapanga points

1352
01:02:40,880 --> 01:02:43,520
Speaker 1: out that they look like one big, happy family. She

1353
01:02:43,680 --> 01:02:46,600
Speaker 1: knows they're going to be okay. Corey takes all the credit,

1354
01:02:46,680 --> 01:02:48,880
Speaker 1: pointing out that his cards are working like a charm

1355
01:02:49,200 --> 01:02:51,000
Speaker 1: to Panga wants to know what he did, but Corey

1356
01:02:51,120 --> 01:02:53,439
Speaker 1: just shushes her. They re enter the gathering and Corey

1357
01:02:53,520 --> 01:02:56,680
Speaker 1: bows hello. He wants to know what they're talking about.

1358
01:02:56,840 --> 01:03:00,840
Speaker 1: Jedediah says there's nothing good on TV anymore. Obviously confused

1359
01:03:01,520 --> 01:03:07,000
Speaker 1: is television bridges or patio furniture? Dad, Jedediah elaborates the

1360
01:03:07,080 --> 01:03:09,280
Speaker 1: only good show that was ever on TV is ALF,

1361
01:03:09,520 --> 01:03:12,360
Speaker 1: which is funny because he was on it ye, which

1362
01:03:12,440 --> 01:03:14,200
Speaker 1: is something no one has ever said in real life.

1363
01:03:16,760 --> 01:03:19,919
Speaker 1: Alan laughs and Rhiannon reminds him that no one watches ALF.

1364
01:03:20,000 --> 01:03:23,040
Speaker 1: In fact, it's not even on TV anymore. Jedediah tells

1365
01:03:23,120 --> 01:03:26,800
Speaker 1: her that's his point, there's nothing good on TV. But

1366
01:03:26,960 --> 01:03:30,120
Speaker 1: Rihanna's got one. What about? And Jedediah finishes her sentence

1367
01:03:30,240 --> 01:03:33,000
Speaker 1: Ali mcbeill, I'll tell you what's wrong with it? She

1368
01:03:33,040 --> 01:03:35,040
Speaker 1: has no passion for the law, and she takes issue

1369
01:03:35,080 --> 01:03:38,440
Speaker 1: with her husband's comments on television in front of other people.

1370
01:03:39,160 --> 01:03:42,760
Speaker 1: Rhannon reminds him she's not even married. Jedediah emphasizes, and

1371
01:03:42,960 --> 01:03:48,760
Speaker 1: she never will be. Yikes, boys like a TV.

1372
01:03:48,960 --> 01:03:50,480
Speaker 3: It seems like a family shouldn't even have a TV.

1373
01:03:51,320 --> 01:03:55,600
Speaker 1: And yeah, yep, yep, yep. Alan butts in, remember when

1374
01:03:55,640 --> 01:03:59,360
Speaker 1: ALF was on Johnny Carson. Corey's eyes go wide. Oh no,

1375
01:04:00,560 --> 01:04:03,920
Speaker 1: Alan continues, nobody did it like Johnny and Corey knows

1376
01:04:03,960 --> 01:04:07,480
Speaker 1: where this is going. Alan transitions into a terrible Johnny

1377
01:04:07,520 --> 01:04:11,880
Speaker 1: Carson impression, despite Corey's earlier rules, but to our surprise,

1378
01:04:11,920 --> 01:04:15,200
Speaker 1: everyone breaks into laughter. Jedediah admits that was hideous, but

1379
01:04:15,320 --> 01:04:18,280
Speaker 1: encourages him to do another one. Alan slumps over. I

1380
01:04:18,360 --> 01:04:21,680
Speaker 1: don't really want to now. Rhannon scolds her husband. She

1381
01:04:21,760 --> 01:04:25,360
Speaker 1: thought Alan's Johnny Carson was fine. Sure enough. Alan is

1382
01:04:25,440 --> 01:04:29,160
Speaker 1: now confident enough for impression number two. Ed McMahon laughing

1383
01:04:29,280 --> 01:04:33,360
Speaker 1: and bellowing, you are correct, Sir. Corey watches on in horror.

1384
01:04:33,520 --> 01:04:37,040
Speaker 1: This is his actual nightmare. Jedediah assures rann And that

1385
01:04:37,200 --> 01:04:39,960
Speaker 1: he was only having a little fun. Then Tapega asks

1386
01:04:40,000 --> 01:04:43,160
Speaker 1: her dad to do his Johnny Carson impression, but Jedediah

1387
01:04:43,240 --> 01:04:45,640
Speaker 1: is focused on his wife. Why is it that everything

1388
01:04:45,760 --> 01:04:48,000
Speaker 1: I say you have to take the opposite point of view?

1389
01:04:48,560 --> 01:04:51,560
Speaker 1: Breaking the tension, Joshua begins to cry and Amy leaves

1390
01:04:51,600 --> 01:04:54,480
Speaker 1: to tend to him. Rhannon lowers her voice to her husband.

1391
01:04:54,640 --> 01:04:56,600
Speaker 1: I didn't mean to scold. I just thought you were

1392
01:04:56,640 --> 01:04:59,880
Speaker 1: being a little rude, He insists he wasn't being rude, rude,

1393
01:05:00,160 --> 01:05:03,440
Speaker 1: just how she chose to interpret it. On cue, Amy

1394
01:05:03,520 --> 01:05:06,720
Speaker 1: begins to sing Hush Little Baby to Joshua again, despite

1395
01:05:06,840 --> 01:05:10,560
Speaker 1: Corey's clear instructions. Corey runs over to freak out on her.

1396
01:05:11,080 --> 01:05:14,600
Speaker 1: As the singing continues, Alan begins to poorly impersonate Humphrey Bogart.

1397
01:05:14,880 --> 01:05:17,400
Speaker 1: Corey now looks to his dad, what the hell.

1398
01:05:17,280 --> 01:05:18,080
Speaker 3: Are you doing?

1399
01:05:21,520 --> 01:05:24,280
Speaker 1: M mid fight, Randon tells Jedediah to drop it, but

1400
01:05:24,360 --> 01:05:26,840
Speaker 1: he reminds her that dropping it doesn't make it go away.

1401
01:05:27,360 --> 01:05:29,720
Speaker 1: The room has now gone silent and everyone is staring

1402
01:05:29,760 --> 01:05:32,160
Speaker 1: at them. Alan tries to lighten the mood by asking

1403
01:05:32,200 --> 01:05:34,840
Speaker 1: Corey for some dessert, even resorting to his best Jack

1404
01:05:34,920 --> 01:05:37,720
Speaker 1: Benny voice when Topega jumps in. Her and Corey have

1405
01:05:37,760 --> 01:05:40,880
Speaker 1: an announcement to make, but Jedediah interrupts her. He's interested

1406
01:05:40,920 --> 01:05:42,959
Speaker 1: in what she has to say, but first he needs

1407
01:05:43,000 --> 01:05:44,560
Speaker 1: to take a walk for some fresh air.

1408
01:05:45,080 --> 01:05:49,040
Speaker 3: And to Pega picks up on none of us, none

1409
01:05:49,080 --> 01:05:50,280
Speaker 3: of this horrible.

1410
01:05:50,840 --> 01:05:55,720
Speaker 1: The smartest, the smartest person all you know. The feelings

1411
01:05:56,320 --> 01:05:59,080
Speaker 1: also so in tune with the people around her generally.

1412
01:05:59,360 --> 01:06:02,400
Speaker 3: The man literally stands up and walks out, and she

1413
01:06:02,640 --> 01:06:03,760
Speaker 3: still does right after she.

1414
01:06:03,760 --> 01:06:05,959
Speaker 1: Says she has an announcement to make. Yeah, yeah, sure, honey,

1415
01:06:06,000 --> 01:06:07,840
Speaker 1: I want to hear that, but first I'm gonna go take.

1416
01:06:07,720 --> 01:06:08,680
Speaker 5: A quick walk.

1417
01:06:09,000 --> 01:06:10,280
Speaker 3: Yeah it's so weird.

1418
01:06:10,880 --> 01:06:15,280
Speaker 1: It's so weird. Uh Rhanne and angrily mutters under her breath,

1419
01:06:15,320 --> 01:06:18,800
Speaker 1: and Topanga is concerned. Rhannon apologizes to everyone, then rushes

1420
01:06:18,840 --> 01:06:21,040
Speaker 1: out of the room, and Topega quickly follows behind her,

1421
01:06:21,520 --> 01:06:23,439
Speaker 1: with just the Matthews left in the living room. Corey

1422
01:06:23,480 --> 01:06:25,520
Speaker 1: has a bone to pick with his parents. You just

1423
01:06:25,640 --> 01:06:28,640
Speaker 1: couldn't stick to the cards, could you. And we're in

1424
01:06:28,640 --> 01:06:30,920
Speaker 1: the Matthew's kitchen. Topega asks her mom what's wrong, and

1425
01:06:31,040 --> 01:06:33,320
Speaker 1: Rhanna tries to blame it on being emotional because her

1426
01:06:33,360 --> 01:06:35,840
Speaker 1: little girl is getting married, but Tapega wants to know

1427
01:06:35,920 --> 01:06:38,280
Speaker 1: what's wrong with dad. Rhann and shakes her head. He

1428
01:06:38,360 --> 01:06:41,160
Speaker 1: and I have been together a long time. Topanga, ignoring

1429
01:06:41,200 --> 01:06:43,600
Speaker 1: the problems in her parents' marriage she just witnessed, says

1430
01:06:44,040 --> 01:06:46,200
Speaker 1: that's what she's been telling Corey to reassure him about

1431
01:06:46,200 --> 01:06:48,840
Speaker 1: their own longevity. Ryann and gently reminds her daughter that

1432
01:06:48,960 --> 01:06:51,440
Speaker 1: every relationship lives on its own. They don't need to

1433
01:06:51,520 --> 01:06:54,800
Speaker 1: use any other relationship as an example. Tapega agrees, but

1434
01:06:54,880 --> 01:06:57,360
Speaker 1: also stays in denial. It's going to be really hard

1435
01:06:57,440 --> 01:06:58,840
Speaker 1: for me and Corey to live up to you guys,

1436
01:06:58,880 --> 01:07:02,480
Speaker 1: but we're gonna try. Then, Jedediah returns through the back door,

1437
01:07:02,520 --> 01:07:05,120
Speaker 1: apologizing for walking out. He blames it on the long

1438
01:07:05,240 --> 01:07:07,040
Speaker 1: drive from Pittsburgh and to Pega greets him with a

1439
01:07:07,080 --> 01:07:09,840
Speaker 1: big hug. Pushing past the tension, she excitedly asks her

1440
01:07:09,880 --> 01:07:11,520
Speaker 1: parents if they're ready to head back into the living

1441
01:07:11,560 --> 01:07:13,880
Speaker 1: room and start planning the wedding. Her dad smiles and

1442
01:07:13,920 --> 01:07:17,160
Speaker 1: says yes, but once to Panga leaves, Rannon and Jedediah

1443
01:07:17,200 --> 01:07:19,840
Speaker 1: stay behind. Rhanna turns to him and, dripping with anger,

1444
01:07:20,240 --> 01:07:24,000
Speaker 1: asks if he got enough air. And then we're in

1445
01:07:24,120 --> 01:07:26,680
Speaker 1: Jack and Rachel's apartment. The lovebirds are sharing a cup

1446
01:07:26,720 --> 01:07:28,680
Speaker 1: with two straws as they cut along the couch. Nobody

1447
01:07:28,720 --> 01:07:35,880
Speaker 1: does this no anywhere on television, never anyway Rachel Rachel announces,

1448
01:07:35,960 --> 01:07:38,439
Speaker 1: I'm making spaghetti. You want to share it like Lady

1449
01:07:38,480 --> 01:07:42,000
Speaker 1: in the Tramp. Jack smirks, yeah, I'll be tramp unless

1450
01:07:42,040 --> 01:07:44,840
Speaker 1: you want to be. They return to their heavy makeout session,

1451
01:07:44,840 --> 01:07:47,000
Speaker 1: but it knock at the door interrupts them. Jack, annoyed

1452
01:07:47,080 --> 01:07:49,760
Speaker 1: Lee barks who is it? And we hear it's Eric.

1453
01:07:50,240 --> 01:07:53,040
Speaker 1: Rachel nervously responds just a second as she and Jack

1454
01:07:53,160 --> 01:07:55,400
Speaker 1: dart around the room to tidy up and separate themselves.

1455
01:07:55,880 --> 01:07:58,280
Speaker 1: Jack eventually answers the door and Eric happily greets them

1456
01:07:58,320 --> 01:08:00,520
Speaker 1: as he walks inside. He asks they've been up to

1457
01:08:00,560 --> 01:08:02,720
Speaker 1: and Jack casually mentions it's just been a normal night.

1458
01:08:03,080 --> 01:08:05,560
Speaker 1: Eric asks, so I'm not interrupting here, and Rachel and

1459
01:08:05,600 --> 01:08:08,160
Speaker 1: says no, no, we were just reading, and Jack adds

1460
01:08:08,440 --> 01:08:11,160
Speaker 1: the Bible. Eric jokes, that's good Bible joke.

1461
01:08:11,360 --> 01:08:12,000
Speaker 5: Bible job.

1462
01:08:13,160 --> 01:08:13,960
Speaker 3: They work read the.

1463
01:08:14,080 --> 01:08:17,240
Speaker 1: Bike because I came here to give you my blessing.

1464
01:08:17,520 --> 01:08:20,280
Speaker 1: They all burst into awkward laughter, and Eric continues, I'm

1465
01:08:20,320 --> 01:08:22,320
Speaker 1: not going to try to make you feel uncomfortable or bad,

1466
01:08:22,720 --> 01:08:25,839
Speaker 1: and then he notices their shared cup and screams two straws,

1467
01:08:26,600 --> 01:08:30,280
Speaker 1: but he quickly composes himself, it's okay, it's okay. And

1468
01:08:30,960 --> 01:08:33,519
Speaker 1: here's where I really noticed the lobster on the fridge.

1469
01:08:33,560 --> 01:08:35,320
Speaker 1: But it lives there. It just lives on the fridge.

1470
01:08:35,320 --> 01:08:36,559
Speaker 1: At least that one could be a magnet.

1471
01:08:36,720 --> 01:08:38,240
Speaker 3: Yeah right, that's one. That's it.

1472
01:08:38,600 --> 01:08:40,439
Speaker 1: That's it. That's one. One never bothers me.

1473
01:08:40,840 --> 01:08:41,400
Speaker 3: The one you get.

1474
01:08:42,439 --> 01:08:44,760
Speaker 1: Eric calmly continues, I just wanted to say that I

1475
01:08:44,840 --> 01:08:47,799
Speaker 1: am genuinely happy for both of you. Rachel is shocked,

1476
01:08:47,960 --> 01:08:50,840
Speaker 1: Oh isn't that nice. Jack, on the other hand, is

1477
01:08:50,880 --> 01:08:55,120
Speaker 1: suspicious why Eric explains, you remember how excited we were

1478
01:08:55,160 --> 01:08:57,599
Speaker 1: when she moved in. Jack says yes, and Rachel wonders,

1479
01:08:57,960 --> 01:09:00,320
Speaker 1: maybe this should just be between the between you two guys,

1480
01:09:00,680 --> 01:09:03,120
Speaker 1: but Eric asks her to stay. Remember how from the

1481
01:09:03,160 --> 01:09:06,439
Speaker 1: second we saw her we both wanted her. Jack smiles, Yeah.

1482
01:09:06,960 --> 01:09:10,280
Speaker 1: Rachel nervously giggles, I'm gonna leave now, but Eric is

1483
01:09:10,320 --> 01:09:13,600
Speaker 1: still determined she stick around. Eric reveals, well, I have

1484
01:09:13,720 --> 01:09:16,280
Speaker 1: been a fool this whole time. I've been sitting there

1485
01:09:16,320 --> 01:09:18,599
Speaker 1: thinking I'm so in love with Rachel, but I don't

1486
01:09:18,600 --> 01:09:20,960
Speaker 1: even know her. Just living in the same apartment with her,

1487
01:09:21,000 --> 01:09:22,800
Speaker 1: you know, wondering what she's gonna wear every day, or

1488
01:09:22,880 --> 01:09:24,840
Speaker 1: catching a whiff of the smell of her hair, or

1489
01:09:24,880 --> 01:09:28,240
Speaker 1: that cute funny laugh she's got. Rachel giggles and then realizes,

1490
01:09:28,400 --> 01:09:31,559
Speaker 1: oh you mean like that. Returning to form, Jack bro

1491
01:09:31,680 --> 01:09:34,680
Speaker 1: hugs Eric. Yeah, our lives were really turned upside down

1492
01:09:34,760 --> 01:09:35,920
Speaker 1: by this one. Eric.

1493
01:09:36,040 --> 01:09:38,840
Speaker 3: She looks like she's three feet taller than both of us.

1494
01:09:39,080 --> 01:09:39,320
Speaker 2: I know.

1495
01:09:40,120 --> 01:09:42,320
Speaker 1: Eric admits that once he moved out, he realized that

1496
01:09:42,400 --> 01:09:44,920
Speaker 1: the competition was the thing that was most exciting to him,

1497
01:09:45,080 --> 01:09:50,120
Speaker 1: and surprisingly Jack agrees. Rachel is obviously confused. Maybe even hurt,

1498
01:09:50,479 --> 01:09:54,439
Speaker 1: and Jack boasts I won that one. Rachel questions one what,

1499
01:09:54,960 --> 01:09:57,639
Speaker 1: and Jack explains, one you, but quickly tries to fix

1500
01:09:57,680 --> 01:10:00,280
Speaker 1: how that sounded. I mean I didn't want on you.

1501
01:10:00,760 --> 01:10:02,840
Speaker 1: I meant he's softly punched.

1502
01:10:03,600 --> 01:10:05,639
Speaker 5: I like the sentiment behind this, but it just don't

1503
01:10:05,640 --> 01:10:08,280
Speaker 5: believe that Jack would say this. No, it's not his character,

1504
01:10:08,360 --> 01:10:11,000
Speaker 5: you know, he would never brag about winning a girl

1505
01:10:11,240 --> 01:10:11,760
Speaker 5: over Eric.

1506
01:10:11,920 --> 01:10:14,599
Speaker 4: Like, no, his relationship with Eric is not this at

1507
01:10:14,640 --> 01:10:17,599
Speaker 4: all now. But I like that they're having this conversation.

1508
01:10:17,720 --> 01:10:19,280
Speaker 4: I like that he's having this really, you know.

1509
01:10:19,360 --> 01:10:22,200
Speaker 5: I but it's a weird It's a weirdly written moment for.

1510
01:10:22,479 --> 01:10:25,400
Speaker 3: The current character again, totally like.

1511
01:10:25,520 --> 01:10:28,479
Speaker 5: I feel like he would be sitting there realizing while

1512
01:10:28,600 --> 01:10:31,360
Speaker 5: Eric's talking, and then have like a breakdown after he

1513
01:10:31,520 --> 01:10:33,720
Speaker 5: left and be like, god, he's right. He would not

1514
01:10:33,840 --> 01:10:35,639
Speaker 5: be bragging about I want you, of course.

1515
01:10:35,760 --> 01:10:39,719
Speaker 1: No, nope, no, no, I completely agree. He softly punches

1516
01:10:39,760 --> 01:10:45,960
Speaker 1: her shoulder one you. Jack winces at his detrimental mistake,

1517
01:10:46,000 --> 01:10:47,880
Speaker 1: aus Eric makes his way to the door. I just

1518
01:10:47,960 --> 01:10:49,519
Speaker 1: came over here to tell you guys how happy I

1519
01:10:49,560 --> 01:10:51,360
Speaker 1: am for you. It feels so good to finally get

1520
01:10:51,400 --> 01:10:53,760
Speaker 1: it off my chest. He lets out a big sigh

1521
01:10:53,800 --> 01:10:56,759
Speaker 1: of relief and lovingly says goodbye. Now alone, The tension

1522
01:10:56,800 --> 01:10:59,439
Speaker 1: between Rachel and Jack is palpable. They give each other

1523
01:10:59,479 --> 01:11:02,320
Speaker 1: a soft smile, but the damage has been done. And

1524
01:11:02,400 --> 01:11:04,200
Speaker 1: then we're back in the Matthew's living room. To Penga

1525
01:11:04,240 --> 01:11:06,000
Speaker 1: says that while her parents are in town, they would

1526
01:11:06,080 --> 01:11:07,880
Speaker 1: love for everyone to see the wedding venue they have

1527
01:11:08,000 --> 01:11:10,880
Speaker 1: in mind. Amy admits we never actually had a hall.

1528
01:11:11,040 --> 01:11:14,160
Speaker 1: We eloped. Alan explains her folks didn't think I'd amount

1529
01:11:14,200 --> 01:11:15,519
Speaker 1: to anything, but I guess we showed them.

1530
01:11:15,640 --> 01:11:15,840
Speaker 3: Huh.

1531
01:11:16,160 --> 01:11:18,559
Speaker 1: He slings his arm around Amy, and she jokingly size,

1532
01:11:18,720 --> 01:11:22,120
Speaker 1: I guess they embrace twenty three years of happiness, a

1533
01:11:22,160 --> 01:11:24,640
Speaker 1: brand new baby, these babies getting married.

1534
01:11:24,520 --> 01:11:30,639
Speaker 5: And a wilderness store or what like what grocery journal,

1535
01:11:31,000 --> 01:11:33,120
Speaker 5: real estate split level on Oak Street?

1536
01:11:33,400 --> 01:11:37,280
Speaker 3: How old is Eric supposed to be? Twenty two?

1537
01:11:37,560 --> 01:11:38,559
Speaker 1: I was gonna say twenty two?

1538
01:11:38,840 --> 01:11:41,160
Speaker 3: Okay, so I figure they're married for like they're trying

1539
01:11:41,200 --> 01:11:42,519
Speaker 3: to set it up. They were married when they.

1540
01:11:42,479 --> 01:11:44,960
Speaker 1: Had air well, twenty three years of happiness. I would

1541
01:11:45,000 --> 01:11:48,960
Speaker 1: imagine that Jay, you graduate from high school. He's still

1542
01:11:48,960 --> 01:11:53,080
Speaker 1: in college, right, but only I don't know I've lost

1543
01:11:53,120 --> 01:11:53,439
Speaker 1: I don't know.

1544
01:11:53,720 --> 01:11:54,479
Speaker 3: I was trying to when did you?

1545
01:11:54,800 --> 01:11:57,080
Speaker 5: When did you graduate high school? Was that season five?

1546
01:11:57,400 --> 01:11:58,000
Speaker 3: In real life?

1547
01:11:58,680 --> 01:11:58,840
Speaker 5: Oh?

1548
01:12:00,479 --> 01:12:02,439
Speaker 1: As you didn't graduate high school?

1549
01:12:02,479 --> 01:12:06,000
Speaker 5: Will I did? Actually the Security Guy? When was The

1550
01:12:06,040 --> 01:12:08,320
Speaker 5: Security Guy episode? Because that's when you graduate high School's

1551
01:12:08,600 --> 01:12:09,080
Speaker 5: season five?

1552
01:12:09,120 --> 01:12:09,280
Speaker 3: Five?

1553
01:12:09,600 --> 01:12:11,040
Speaker 5: So you've Yeah, you're two years in college.

1554
01:12:11,080 --> 01:12:15,639
Speaker 3: Just means you're only twenty okay, Eric's I guess, yeah, okay,

1555
01:12:15,920 --> 01:12:19,799
Speaker 3: all right, twenty so Corey's still.

1556
01:12:19,640 --> 01:12:24,120
Speaker 1: Eighteen there nine our first year, first at prom, we

1557
01:12:24,200 --> 01:12:25,080
Speaker 1: were eighteen.

1558
01:12:24,840 --> 01:12:29,000
Speaker 3: Remember that's right, So you're nineteen okay, and Eric supposed

1559
01:12:29,000 --> 01:12:31,800
Speaker 3: to be at least two years old? Yeah, Eric, twenty one,

1560
01:12:31,840 --> 01:12:33,439
Speaker 3: twenty two, okay, just trying to figure it out.

1561
01:12:34,000 --> 01:12:38,360
Speaker 5: It's really important stuff to figure out. For twenty three years.

1562
01:12:38,880 --> 01:12:42,760
Speaker 1: Twenty eight, there's a big problem to Panga smiles at

1563
01:12:42,800 --> 01:12:46,080
Speaker 1: their love while Rhiannon and Jedediah's day awfully quiet. Tapanga

1564
01:12:46,120 --> 01:12:48,080
Speaker 1: asks her parents, what about you guys? Did grandma and

1565
01:12:48,120 --> 01:12:51,840
Speaker 1: grandpa think you'd make it? I clearly upset Ryannon admits, yeah,

1566
01:12:52,240 --> 01:12:57,800
Speaker 1: they thought we would make it, and that'll start she

1567
01:12:57,960 --> 01:13:00,360
Speaker 1: starts to tear up. They thought we'd be together forever.

1568
01:13:00,760 --> 01:13:04,840
Speaker 1: Jedediah says don't, but Rhiannon continues, so did I to

1569
01:13:04,920 --> 01:13:07,439
Speaker 1: peg is rightfully concerned. As her mom starts to break down.

1570
01:13:07,600 --> 01:13:11,400
Speaker 1: Rhannon just apologizes and Jedediah stands up. Not now to

1571
01:13:11,520 --> 01:13:14,040
Speaker 1: Pega asks her mom while she's why she's crying like this?

1572
01:13:14,439 --> 01:13:17,200
Speaker 1: She's scaring her. Rhannon admits I thought I could get

1573
01:13:17,240 --> 01:13:19,680
Speaker 1: through this, but I can't. I'm so sorry. Amy knows

1574
01:13:19,680 --> 01:13:21,840
Speaker 1: where this is going and stands up. It's time to

1575
01:13:21,880 --> 01:13:23,760
Speaker 1: feed the baby. Alan, why don't you come help me?

1576
01:13:24,240 --> 01:13:27,439
Speaker 1: Alan clueless? How could I help you feed the baby?

1577
01:13:28,560 --> 01:13:30,400
Speaker 1: I know so, Amy shoots.

1578
01:13:31,240 --> 01:13:36,240
Speaker 3: Episode Yeah, he's got all the funniest to dot's.

1579
01:13:34,960 --> 01:13:35,599
Speaker 1: The funny one.

1580
01:13:37,080 --> 01:13:37,559
Speaker 3: The baby.

1581
01:13:37,920 --> 01:13:40,599
Speaker 1: They quickly scurry out of the room. Corey stammers too,

1582
01:13:40,880 --> 01:13:43,160
Speaker 1: Maybe I should go too, Corey.

1583
01:13:43,439 --> 01:13:45,839
Speaker 4: I know Corey is useless in this episode.

1584
01:13:45,920 --> 01:13:48,600
Speaker 5: It's really too bad he's not.

1585
01:13:49,600 --> 01:13:52,639
Speaker 3: He's Would you rather be useless or oblivious? That's the question,

1586
01:13:52,680 --> 01:13:54,439
Speaker 3: because that's Corey and Topanga in this episode.

1587
01:13:55,320 --> 01:13:58,200
Speaker 1: But Jedediah insists Corey stay. He thinks maybe it will

1588
01:13:58,200 --> 01:14:01,479
Speaker 1: calm the situation. Then Ryanna and turns to Tapanga. Your

1589
01:14:01,560 --> 01:14:04,360
Speaker 1: father and I argue a lot Tapega reminds her mom

1590
01:14:04,680 --> 01:14:08,400
Speaker 1: that all married couples argue a lot, which I don't

1591
01:14:08,479 --> 01:14:12,240
Speaker 1: know where she got that to where she got that fact.

1592
01:14:13,120 --> 01:14:20,720
Speaker 1: All couples hit, all couples beat each other. Not no, actually.

1593
01:14:22,560 --> 01:14:27,320
Speaker 5: All couples have disagreements. Not everybody gets a agreed disagree

1594
01:14:27,479 --> 01:14:27,920
Speaker 5: of course.

1595
01:14:28,400 --> 01:14:32,080
Speaker 1: Of course, Rhiannon asks, haven't you ever wondered why we

1596
01:14:32,200 --> 01:14:34,559
Speaker 1: let you stay here when we moved to Pittsburgh. Corey

1597
01:14:34,640 --> 01:14:36,479
Speaker 1: finds a way to make it about him by blurting

1598
01:14:36,520 --> 01:14:40,639
Speaker 1: out because of me, but to Penga simultaneously answers, because

1599
01:14:40,640 --> 01:14:42,160
Speaker 1: you didn't want to take me away from my last

1600
01:14:42,240 --> 01:14:45,640
Speaker 1: year of high school. Corey chimes in, and me, but

1601
01:14:45,760 --> 01:14:48,160
Speaker 1: Topenga continues, because you didn't want to rip me away

1602
01:14:48,160 --> 01:14:52,920
Speaker 1: from my friends. Corey points to himself me. Rhiannon reveals,

1603
01:14:53,040 --> 01:14:54,720
Speaker 1: Dad and I thought we could work things out if

1604
01:14:54,720 --> 01:14:58,120
Speaker 1: we took some time by ourselves. So they thought it

1605
01:14:58,240 --> 01:14:59,280
Speaker 1: was Topenga's fault.

1606
01:15:01,640 --> 01:15:05,040
Speaker 5: Yeah, it's the kid that they had problem.

1607
01:15:05,360 --> 01:15:07,400
Speaker 1: I think maybe the fact that we have a daughter

1608
01:15:07,560 --> 01:15:11,200
Speaker 1: here is just do you think she could move to

1609
01:15:11,240 --> 01:15:11,840
Speaker 1: another city?

1610
01:15:12,560 --> 01:15:14,120
Speaker 3: That's why we let you go away.

1611
01:15:15,040 --> 01:15:16,439
Speaker 5: It's like, oh, it's.

1612
01:15:16,800 --> 01:15:20,320
Speaker 1: Weird to Penga stays in denial, work what out there's

1613
01:15:20,439 --> 01:15:23,200
Speaker 1: nobody like you too, you too are so in love.

1614
01:15:23,840 --> 01:15:27,479
Speaker 1: Her mom responds, people change. To Pega rushes to her dad,

1615
01:15:27,720 --> 01:15:28,960
Speaker 1: why is mom talking like this?

1616
01:15:29,240 --> 01:15:31,360
Speaker 3: I'm sorry, but the people change had me laugh because

1617
01:15:31,360 --> 01:15:34,440
Speaker 3: it's two different actors and just her going people change.

1618
01:15:34,280 --> 01:15:39,040
Speaker 5: Was like change, change might change, literally changed.

1619
01:15:42,720 --> 01:15:45,160
Speaker 1: We wanted to wait until after the wedding. To Pega

1620
01:15:45,240 --> 01:15:47,240
Speaker 1: can't bear to hear it, but he continues, we tried

1621
01:15:47,280 --> 01:15:49,160
Speaker 1: as hard as we and then to Penga shouts out,

1622
01:15:49,439 --> 01:15:53,600
Speaker 1: you guys will get through this. Rhiannon shouts marriage is

1623
01:15:53,800 --> 01:15:56,880
Speaker 1: not something to get through to Panga, that's not why

1624
01:15:56,960 --> 01:16:00,439
Speaker 1: I got married. Reality is finally said in for to Panga.

1625
01:16:00,600 --> 01:16:02,760
Speaker 1: She starts to cry and heads toward the kitchen. Her

1626
01:16:02,840 --> 01:16:05,519
Speaker 1: parents try to explain themselves but can't stop her. Corey

1627
01:16:05,600 --> 01:16:07,920
Speaker 1: is shocked, and Jedediah tells him maybe we just got

1628
01:16:08,000 --> 01:16:08,880
Speaker 1: married too young.

1629
01:16:09,520 --> 01:16:12,360
Speaker 3: Yikes, but also, what kind of partner doesn't go and

1630
01:16:12,439 --> 01:16:13,960
Speaker 3: run after your partner who just ran out of the

1631
01:16:14,040 --> 01:16:17,400
Speaker 3: room after hearing something horrible and crying? Corey go follow that.

1632
01:16:17,520 --> 01:16:20,920
Speaker 1: Benga Ryan and shakes her head and turns to Corey

1633
01:16:21,560 --> 01:16:24,040
Speaker 1: not you. This has nothing to do with you.

1634
01:16:25,120 --> 01:16:25,160
Speaker 3: You.

1635
01:16:26,640 --> 01:16:29,519
Speaker 1: Oh okay. Then we're in the Matthew's living room, where

1636
01:16:29,520 --> 01:16:33,360
Speaker 1: at George and Lila's wedding there are chairs and flowers everywhere,

1637
01:16:33,400 --> 01:16:36,040
Speaker 1: with a makeshift altered by the fireplace where Poene stands.

1638
01:16:36,280 --> 01:16:38,840
Speaker 1: Eric is at his side. Angela and Sean walk in,

1639
01:16:38,960 --> 01:16:41,920
Speaker 1: and Angela reminds him they are not here as a couple.

1640
01:16:42,080 --> 01:16:44,320
Speaker 5: She will see completely lost. What is the story at

1641
01:16:44,320 --> 01:16:44,679
Speaker 5: this point?

1642
01:16:46,200 --> 01:16:47,200
Speaker 4: No, just what is the story?

1643
01:16:47,439 --> 01:16:47,479
Speaker 3: Like?

1644
01:16:47,760 --> 01:16:48,840
Speaker 5: What are we like?

1645
01:16:49,520 --> 01:16:49,680
Speaker 3: Yes?

1646
01:16:51,040 --> 01:16:53,280
Speaker 5: Like, how did this episode begin? Because right now it

1647
01:16:53,320 --> 01:16:55,439
Speaker 5: seems like the most tension is for Topanga.

1648
01:16:56,200 --> 01:16:59,800
Speaker 1: Yes, gives us starting because Topanga wanted to book a

1649
01:16:59,840 --> 01:17:01,960
Speaker 1: way venue. She wanted to be able to tell her

1650
01:17:02,040 --> 01:17:04,360
Speaker 1: parents they had booked a date. The big announcement was

1651
01:17:04,400 --> 01:17:06,000
Speaker 1: going to be, we want you to come see the hall.

1652
01:17:06,040 --> 01:17:08,479
Speaker 1: We're getting married July fourth. So the conflict right now

1653
01:17:08,640 --> 01:17:12,280
Speaker 1: is that the conflict was between Corey and Topanga. He

1654
01:17:12,520 --> 01:17:15,640
Speaker 1: was a little like Independence Day and she's like, oh

1655
01:17:15,680 --> 01:17:18,320
Speaker 1: my god, are you getting cold feet? No, my parents

1656
01:17:18,360 --> 01:17:21,080
Speaker 1: are coming. Now the tension is the in laws are coming.

1657
01:17:21,240 --> 01:17:21,800
Speaker 1: They hate me.

1658
01:17:22,360 --> 01:17:26,479
Speaker 5: And then and then big yeah, okay, so we're supposed

1659
01:17:26,479 --> 01:17:29,400
Speaker 5: to be going into this scene with tension around to

1660
01:17:29,560 --> 01:17:31,680
Speaker 5: Panga's journey and.

1661
01:17:33,880 --> 01:17:36,800
Speaker 1: That this is also now I guess supposed to be

1662
01:17:37,200 --> 01:17:43,479
Speaker 1: that to Penga's dad just reinforced the seed that was

1663
01:17:43,560 --> 01:17:46,559
Speaker 1: already there in Corey's head that maybe they're rushing into

1664
01:17:46,640 --> 01:17:49,320
Speaker 1: this beca just look what happened to them. He just said,

1665
01:17:49,520 --> 01:17:52,800
Speaker 1: maybe we got married too young, and so that he

1666
01:17:53,000 --> 01:17:55,200
Speaker 1: that's been his concern, and so now they have to

1667
01:17:55,240 --> 01:17:57,560
Speaker 1: set up that Eric might leave and that Eric is

1668
01:17:57,640 --> 01:17:58,599
Speaker 1: leaving exactly.

1669
01:17:58,920 --> 01:18:01,360
Speaker 3: So yeah, that's the story writer.

1670
01:18:01,720 --> 01:18:02,479
Speaker 4: I know it's a lot.

1671
01:18:02,760 --> 01:18:09,639
Speaker 3: It's okay, I just a coming wedding Jedediah and Chloe

1672
01:18:09,760 --> 01:18:11,479
Speaker 3: ran and we're not coming in for Phoene's. But they

1673
01:18:11,560 --> 01:18:12,320
Speaker 3: just happened to be there.

1674
01:18:12,479 --> 01:18:14,759
Speaker 1: They were coming in to have some sort of planning

1675
01:18:14,800 --> 01:18:17,000
Speaker 1: for the wedding, right, gotcha, because I keep saying that

1676
01:18:17,120 --> 01:18:18,760
Speaker 1: to plan the wedding time. But you've got a wedding

1677
01:18:18,800 --> 01:18:22,240
Speaker 1: to plan, right, Okay. Angela and Sean walking walking, they

1678
01:18:22,280 --> 01:18:25,040
Speaker 1: are not together. Sean goes along with it. I know

1679
01:18:25,360 --> 01:18:27,880
Speaker 1: you reminded me three times in the car. Don't worry.

1680
01:18:28,000 --> 01:18:30,639
Speaker 1: The only feelings I have for you are friendly feelings.

1681
01:18:31,000 --> 01:18:33,559
Speaker 1: Angela reiterates it's a wedding, so she doesn't want him

1682
01:18:33,560 --> 01:18:37,360
Speaker 1: getting all sappy. Sean scoffs, am, I the sappy type. Then,

1683
01:18:37,439 --> 01:18:39,479
Speaker 1: on cue, Morgan walks down the stairs with a bouquet

1684
01:18:39,520 --> 01:18:42,160
Speaker 1: of flowers, and Sean gushes, oh, Morgan's.

1685
01:18:41,800 --> 01:18:44,240
Speaker 5: A flower girl, as Lindsay had a line in this episode.

1686
01:18:44,760 --> 01:18:46,120
Speaker 3: I don't think so. No, I don't think so.

1687
01:18:47,080 --> 01:18:50,800
Speaker 1: He turns to Angela and beggs, gimme Cissy. Meanwhile, up

1688
01:18:50,840 --> 01:18:53,439
Speaker 1: at the altar, Eric admits to Feenie, I'm really gonna

1689
01:18:53,439 --> 01:18:56,240
Speaker 1: miss you. Phoene responds, I'll miss you too, my boy,

1690
01:18:56,439 --> 01:18:58,880
Speaker 1: but i'll be back from Aruba in two weeks. Eric

1691
01:18:59,000 --> 01:19:01,920
Speaker 1: nervously clears his the throat. Yeah, I'm thinking of doing

1692
01:19:02,000 --> 01:19:04,559
Speaker 1: some traveling myself. Phoene gives him a look, and Eric

1693
01:19:04,640 --> 01:19:07,800
Speaker 1: quickly adds, don't worry, I'm not going to Aruba. Then

1694
01:19:07,840 --> 01:19:10,360
Speaker 1: he says, I love you, mister Feenie, and he gives

1695
01:19:10,400 --> 01:19:13,599
Speaker 1: Feenie a hug. Phoene smiles, I love you too, Eric,

1696
01:19:14,320 --> 01:19:16,880
Speaker 1: I'll see you when I get back. Eric tries to

1697
01:19:16,920 --> 01:19:21,160
Speaker 1: be reassuring, but there's something up. Yeah, i'll see you then.

1698
01:19:21,280 --> 01:19:23,600
Speaker 1: The wedding March begins to play, and everyone watches is

1699
01:19:23,680 --> 01:19:25,600
Speaker 1: Lilah walks down the stairs with character for.

1700
01:19:25,640 --> 01:19:27,439
Speaker 5: Fienie, Like the end of the show is that he

1701
01:19:27,479 --> 01:19:29,439
Speaker 5: won't say I love you, and yet he's already said

1702
01:19:29,479 --> 01:19:32,000
Speaker 5: it here, Like do you remember the final scene is yeah,

1703
01:19:32,280 --> 01:19:34,040
Speaker 5: tell us you love us, and he won't and he won't.

1704
01:19:34,040 --> 01:19:36,080
Speaker 4: For him to, the whole thing should be that, like

1705
01:19:36,240 --> 01:19:37,200
Speaker 4: even on his wedding day.

1706
01:19:37,400 --> 01:19:41,400
Speaker 5: Eric is like, uh, you know the sentimentality right now?

1707
01:19:41,960 --> 01:19:44,760
Speaker 3: Maybe he's thrown by my giant suit all of this

1708
01:19:45,160 --> 01:19:45,799
Speaker 3: is it possible?

1709
01:19:46,560 --> 01:19:48,920
Speaker 1: Everyone watches as Lila walks down the stairs with two

1710
01:19:49,000 --> 01:19:52,320
Speaker 1: white roses in hand. Eric's eyebrows raised as he nudges

1711
01:19:52,400 --> 01:19:55,040
Speaker 1: Phoenie with his elbow. This irritates Peene, who shows him

1712
01:19:55,040 --> 01:19:57,600
Speaker 1: away to his seat. Lila arrives at the altar and

1713
01:19:57,640 --> 01:20:00,840
Speaker 1: hands Feenie one of her roses. The Efficient begins his speech,

1714
01:20:00,880 --> 01:20:03,040
Speaker 1: and we see shots of the different couples around the room,

1715
01:20:03,280 --> 01:20:06,479
Speaker 1: at Amy and Allen kiss, Tapanga is crying, and Rhiannon

1716
01:20:06,479 --> 01:20:10,360
Speaker 1: and Jedediah look repulsed by one another. Feene recites his

1717
01:20:10,439 --> 01:20:13,760
Speaker 1: beautiful vows and Lylah follows with her own, admitting her

1718
01:20:13,800 --> 01:20:16,080
Speaker 1: only sadness as they met so late in life. We

1719
01:20:16,120 --> 01:20:18,880
Speaker 1: see Jack and Rachel, still with obviously tense body language.

1720
01:20:19,200 --> 01:20:21,840
Speaker 1: Then it's Sean and Angela on the stairs. Sean reaches

1721
01:20:21,880 --> 01:20:23,800
Speaker 1: for her hand twice, but she keeps pulling it away.

1722
01:20:24,120 --> 01:20:27,439
Speaker 1: Finally he puts an arm around her a lobster in

1723
01:20:27,479 --> 01:20:32,600
Speaker 1: the flowers. Finally he puts an arm around her and

1724
01:20:32,680 --> 01:20:36,040
Speaker 1: pulls her in. Angela smiles and allows it. The officiant

1725
01:20:36,080 --> 01:20:37,880
Speaker 1: asks the bride and groom if they each take each

1726
01:20:37,880 --> 01:20:40,439
Speaker 1: other till death do they part, and then declares George

1727
01:20:40,479 --> 01:20:43,439
Speaker 1: and Lylah husband and wife. They share their first kiss

1728
01:20:43,600 --> 01:20:47,960
Speaker 1: and everyone cheers to Panga is now silently bawling about

1729
01:20:47,960 --> 01:20:50,800
Speaker 1: her parents, who look truly miserable. On the other side

1730
01:20:50,800 --> 01:20:53,120
Speaker 1: of the room, Corey gives his fiance a kiss on

1731
01:20:53,200 --> 01:20:55,160
Speaker 1: the cheek and then darts out of the room as

1732
01:20:55,200 --> 01:20:58,400
Speaker 1: the kitchen phone rings. Now in the Matthew's kitchen, Corey

1733
01:20:58,479 --> 01:21:01,519
Speaker 1: answers the phone. It's mister rutherf Corey apologizes for not

1734
01:21:01,560 --> 01:21:03,479
Speaker 1: getting back to him yet about the banquet hall. He

1735
01:21:03,600 --> 01:21:05,240
Speaker 1: listens to mister Rutherford on the other end of the

1736
01:21:05,280 --> 01:21:07,400
Speaker 1: phone and opens the kitchen door to check on Topanga,

1737
01:21:07,400 --> 01:21:11,120
Speaker 1: who's still unraveling, so is her mom. Jedediah is unwilling

1738
01:21:11,160 --> 01:21:14,439
Speaker 1: to comfort her. Corey tells mister Rutherford that July isn't

1739
01:21:14,520 --> 01:21:18,120
Speaker 1: going to work because they're still thinking about it. He

1740
01:21:18,240 --> 01:21:20,160
Speaker 1: hangs up the phone and heads back over to Topanga.

1741
01:21:20,200 --> 01:21:22,760
Speaker 1: In the living room, Tapega is still sitting watching her

1742
01:21:22,840 --> 01:21:26,120
Speaker 1: parents devastated. She grabs Corey's hand and holds it for comfort,

1743
01:21:26,240 --> 01:21:32,120
Speaker 1: and we fade out on season six. Question why do

1744
01:21:32,240 --> 01:21:35,920
Speaker 1: you think Corey passed on the banquet hall without talking

1745
01:21:35,960 --> 01:21:36,919
Speaker 1: about it with Tapanga?

1746
01:21:37,200 --> 01:21:39,120
Speaker 5: Do you think answer a phone call in the middle

1747
01:21:39,120 --> 01:21:41,160
Speaker 5: of a wedding ceremony for Christ's sake?

1748
01:21:41,320 --> 01:21:41,519
Speaker 3: I know?

1749
01:21:42,120 --> 01:21:44,400
Speaker 1: But do we think the reason he said no on

1750
01:21:44,479 --> 01:21:49,360
Speaker 1: the July fourth date is because he's got called to

1751
01:21:49,439 --> 01:21:54,040
Speaker 1: me because of what Jedediah said to him, thank you?

1752
01:21:55,160 --> 01:21:58,600
Speaker 4: Or do you think doing it on behalth? Topanga?

1753
01:21:58,800 --> 01:21:58,920
Speaker 5: Right?

1754
01:21:58,920 --> 01:22:00,479
Speaker 3: Because the way he looks at that's how they were

1755
01:22:00,520 --> 01:22:02,120
Speaker 3: trying to sell it a plane as.

1756
01:22:02,040 --> 01:22:04,960
Speaker 5: If like she's doesn't seem like she's sure about getting

1757
01:22:05,000 --> 01:22:05,759
Speaker 5: married anymore.

1758
01:22:06,400 --> 01:22:10,160
Speaker 1: But there's no there's been no hint of that. We

1759
01:22:10,320 --> 01:22:11,639
Speaker 1: know that that's where this is going.

1760
01:22:12,040 --> 01:22:13,880
Speaker 5: Well, doesn't she have a whole thing about like, I

1761
01:22:14,479 --> 01:22:17,439
Speaker 5: believe in marriage because my parents. I believe in my parents, yes,

1762
01:22:17,960 --> 01:22:21,320
Speaker 5: But so when they're falling apart, I.

1763
01:22:21,320 --> 01:22:25,120
Speaker 1: Guess you could then assume. I wonder now if this

1764
01:22:25,280 --> 01:22:27,080
Speaker 1: is going to make her change her mind about us.

1765
01:22:27,200 --> 01:22:29,639
Speaker 1: But I guess fifty percent of the couples are still

1766
01:22:29,760 --> 01:22:33,519
Speaker 1: madly in love. They still have Corey's parents as the example.

1767
01:22:33,880 --> 01:22:35,880
Speaker 1: If that's what she's going to insist on. She also

1768
01:22:36,000 --> 01:22:39,680
Speaker 1: in no way has said to him, I'm not I'm

1769
01:22:39,720 --> 01:22:42,800
Speaker 1: not sure I can do this now, like my So

1770
01:22:42,920 --> 01:22:44,080
Speaker 1: there was a part of me that was like he

1771
01:22:44,280 --> 01:22:47,599
Speaker 1: tried to act as though with his glance to her,

1772
01:22:47,680 --> 01:22:49,879
Speaker 1: that he was doing it as a favor to Tapanga.

1773
01:22:50,360 --> 01:22:53,599
Speaker 1: But everything leading up to this point had been Topanga saying,

1774
01:22:53,640 --> 01:22:55,600
Speaker 1: I really want to get married, Let's do it on

1775
01:22:55,640 --> 01:22:56,280
Speaker 1: the fourth of July.

1776
01:22:56,520 --> 01:22:58,920
Speaker 3: The end. You know what the ending should have been.

1777
01:22:58,960 --> 01:23:01,320
Speaker 3: This is where the the idea of a cell phone

1778
01:23:01,920 --> 01:23:04,680
Speaker 3: changes the story, because what it should have been is

1779
01:23:05,000 --> 01:23:07,280
Speaker 3: Tapanga is sitting there, She's looking at her parents, looking

1780
01:23:07,320 --> 01:23:09,280
Speaker 3: at how wrecked they are, and she gets up and

1781
01:23:09,400 --> 01:23:11,439
Speaker 3: walks out of the wedding and walks into the kitchen.

1782
01:23:11,880 --> 01:23:15,320
Speaker 3: Her cell phone rings, and she says, no I don't know,

1783
01:23:15,439 --> 01:23:16,639
Speaker 3: we're not going to take the day.

1784
01:23:16,920 --> 01:23:18,519
Speaker 1: Right, But because they don't have a cell phone, I

1785
01:23:18,560 --> 01:23:20,080
Speaker 1: couldn't answer their phone.

1786
01:23:19,840 --> 01:23:22,360
Speaker 3: And you wouldn't answer their phone and you wouldn't do it.

1787
01:23:22,560 --> 01:23:26,160
Speaker 3: So that having a cell phone and having Topanga saying

1788
01:23:26,640 --> 01:23:28,800
Speaker 3: I'm not gonna we're not taking the date, that's what

1789
01:23:28,880 --> 01:23:31,679
Speaker 3: they would have gone for if and that would.

1790
01:23:31,479 --> 01:23:35,880
Speaker 1: Have saved the whole point. If Tapenga says, correct, July

1791
01:23:36,080 --> 01:23:37,960
Speaker 1: fourth will not work anymore.

1792
01:23:37,760 --> 01:23:40,800
Speaker 3: Yep, then it makes sense. But they're trying to do

1793
01:23:41,000 --> 01:23:44,679
Speaker 3: that with that, with making sense of it really should.

1794
01:23:44,479 --> 01:23:46,200
Speaker 4: Have just fade out on the wedding.

1795
01:23:46,439 --> 01:23:49,840
Speaker 5: Cut to that night, Corey into Panga sitting in the

1796
01:23:49,920 --> 01:23:54,040
Speaker 5: kitchen in the dark kitchen after the wedding, the winding down,

1797
01:23:54,200 --> 01:23:57,320
Speaker 5: and the phone rings and they answer it and she says,

1798
01:23:57,400 --> 01:23:59,439
Speaker 5: we're not ready, and he looks at her and we

1799
01:23:59,520 --> 01:24:01,679
Speaker 5: hold the sea and that's, oh God, what's gonna happen?

1800
01:24:01,880 --> 01:24:04,120
Speaker 5: Like that's how you me, That's how we watched her

1801
01:24:04,320 --> 01:24:06,439
Speaker 5: change her mind based on how that wedding went.

1802
01:24:06,720 --> 01:24:11,160
Speaker 1: Ye, yeah, yeah, that would have. And by the way,

1803
01:24:11,439 --> 01:24:13,280
Speaker 1: I think I would have loved the episode.

1804
01:24:13,760 --> 01:24:15,560
Speaker 3: Yeah, that's it if it ended on that would have

1805
01:24:15,600 --> 01:24:16,800
Speaker 3: been about Topanga's arc.

1806
01:24:16,840 --> 01:24:19,120
Speaker 5: It would have been if she went from Corey, we

1807
01:24:19,240 --> 01:24:20,960
Speaker 5: have to get married, We're so ready for each other

1808
01:24:21,040 --> 01:24:23,479
Speaker 5: to because of my parents' doubt, now I of doubt,

1809
01:24:23,800 --> 01:24:25,600
Speaker 5: and it would have been her storyline as opposed to

1810
01:24:25,680 --> 01:24:27,599
Speaker 5: like having to share it and like sort of pass

1811
01:24:27,680 --> 01:24:29,040
Speaker 5: the baton between her and Corey.

1812
01:24:28,920 --> 01:24:32,040
Speaker 1: Like her Yes. It would have saved everything because I

1813
01:24:33,120 --> 01:24:35,760
Speaker 1: I I like I said. It's not that I didn't

1814
01:24:35,840 --> 01:24:39,600
Speaker 1: like the episode I do. I just feel like the

1815
01:24:39,720 --> 01:24:43,120
Speaker 1: eight again. The agency of seeing how this changes for

1816
01:24:43,200 --> 01:24:46,200
Speaker 1: Tapanga Tobank has actually been at least this season. It's

1817
01:24:46,200 --> 01:24:48,360
Speaker 1: a little out of character, but Topank has been so sure,

1818
01:24:48,680 --> 01:24:50,880
Speaker 1: She's so sure that her and Corey are supposed to

1819
01:24:50,880 --> 01:24:52,800
Speaker 1: get married, Come on, Corey, and Corey is the one

1820
01:24:52,800 --> 01:24:54,760
Speaker 1: who's like, are we sure? Are we sure? Which is

1821
01:24:54,800 --> 01:24:57,479
Speaker 1: a totally out of character Corey thing. But at least

1822
01:24:57,600 --> 01:24:59,559
Speaker 1: this season, if we're just going to talk about continuity

1823
01:24:59,600 --> 01:25:02,880
Speaker 1: in this sea in, Corey's been unsure, Topenga has been

1824
01:25:02,960 --> 01:25:05,960
Speaker 1: sure if at the end of the episode to Penga says,

1825
01:25:06,920 --> 01:25:08,280
Speaker 1: I can't do this, and.

1826
01:25:08,400 --> 01:25:10,920
Speaker 5: Corey has gone to become more sure through the course

1827
01:25:10,920 --> 01:25:13,000
Speaker 5: of the Yes that's what it should have been have

1828
01:25:13,040 --> 01:25:15,200
Speaker 5: been that they reverse positions from where they start. Yeah.

1829
01:25:15,280 --> 01:25:17,680
Speaker 1: Yes, And if maybe we could have gotten to the

1830
01:25:17,720 --> 01:25:20,200
Speaker 1: divorce a little earlier and we could have seen Corey

1831
01:25:20,439 --> 01:25:24,080
Speaker 1: be there for Tapanga and Corey to realize this is

1832
01:25:24,160 --> 01:25:27,040
Speaker 1: all marriages, being there for each other in the hardest

1833
01:25:27,080 --> 01:25:29,040
Speaker 1: moments of our life. And no, there's no one in

1834
01:25:29,120 --> 01:25:31,560
Speaker 1: the world I want to do this with except you.

1835
01:25:31,840 --> 01:25:33,880
Speaker 1: I want to be I want to be there when

1836
01:25:33,920 --> 01:25:35,519
Speaker 1: you cry. I want to be there when you you know.

1837
01:25:35,640 --> 01:25:38,559
Speaker 1: I want to share the highs and the lows with you. Yes,

1838
01:25:38,640 --> 01:25:40,400
Speaker 1: I want to marry you and to Penga goes, I

1839
01:25:40,439 --> 01:25:41,080
Speaker 1: don't think I can.

1840
01:25:41,360 --> 01:25:41,559
Speaker 2: Yeah.

1841
01:25:41,880 --> 01:25:44,599
Speaker 3: That would have been great. And seeing your parents break

1842
01:25:44,680 --> 01:25:47,240
Speaker 3: up made me realize even more how much I'm in

1843
01:25:47,320 --> 01:25:48,400
Speaker 3: love with you and want to yes with you.

1844
01:25:48,640 --> 01:25:52,080
Speaker 1: Yes and for me and her made me realize maybe

1845
01:25:52,120 --> 01:25:52,840
Speaker 1: no one can make it.

1846
01:25:53,040 --> 01:25:54,479
Speaker 3: Yeah. That would have been great.

1847
01:25:55,120 --> 01:25:59,839
Speaker 1: And we fade out on season six, So as per usual,

1848
01:26:00,120 --> 01:26:02,960
Speaker 1: before we get into season seven, we will be having

1849
01:26:03,080 --> 01:26:06,840
Speaker 1: our season six draft and our annual visit with bra

1850
01:26:07,000 --> 01:26:11,040
Speaker 1: meets World. So get ready for the seventh and final

1851
01:26:11,200 --> 01:26:15,519
Speaker 1: season of Boy Meets World. Thank you all for joining

1852
01:26:15,600 --> 01:26:17,400
Speaker 1: us for this episode of Pod Meets World. As always,

1853
01:26:17,400 --> 01:26:19,479
Speaker 1: you can follow us on Instagram pod Meets World Show.

1854
01:26:19,760 --> 01:26:21,720
Speaker 1: You can send us your emails pod Meets World Show

1855
01:26:21,800 --> 01:26:26,120
Speaker 1: at gmail dot com, and we've got merch yello.

1856
01:26:27,920 --> 01:26:30,320
Speaker 3: Oh I'm sorry, did I just change everything and not

1857
01:26:30,439 --> 01:26:30,880
Speaker 3: explain it?

1858
01:26:34,640 --> 01:26:38,360
Speaker 1: Podmeets worldshow dot com. Birthday boys send us out.

1859
01:26:38,840 --> 01:26:42,640
Speaker 3: We love you all, pod dismissed. Pod Meets World is

1860
01:26:42,720 --> 01:26:46,120
Speaker 3: nheart podcast producer and hosted by Danielle Fischel, Wilfredell and

1861
01:26:46,280 --> 01:26:50,439
Speaker 3: Ryder Strong executive producers, Jensen Carp and Amy Sugarman, Executive

1862
01:26:50,439 --> 01:26:53,800
Speaker 3: in charge of production, Danielle Romo, producer and editor, Tara

1863
01:26:53,880 --> 01:26:57,599
Speaker 3: Sudbaksh producer, Maddie Moore, engineer and Boy Meets World super

1864
01:26:57,640 --> 01:27:00,280
Speaker 3: fan Easton Allen. Our theme song is by Kyle Morton

1865
01:27:00,320 --> 01:27:02,439
Speaker 3: of Typhoon and you can follow us on Instagram at

1866
01:27:02,479 --> 01:27:05,479
Speaker 3: Podmets World Show or email us at Podmets Worldshow at

1867
01:27:05,560 --> 01:27:06,400
Speaker 3: gmail dot com