WEBVTT - Emily Kuroda & Ted Rooney from Stars Hollow

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<v Speaker 1>I am all in again.

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<v Speaker 2>Oh, I am all in again with Scott Patterson an

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<v Speaker 2>iHeartRadio podcast.

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<v Speaker 3>Hey everybody, Scott Patterson, I am all in podcast.

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<v Speaker 1>iHeartRadio.

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<v Speaker 3>iHeart Podcast, iHeartMedia. One to eleven productions. One on one

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<v Speaker 3>interview live at Warner Brothers Studios on the day of

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<v Speaker 3>the big event, December eighteenth, live podcast in front of

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<v Speaker 3>thousands of super fans, and I am joined by the

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<v Speaker 3>illustrious Emily Carota. Missus Kim is in the house. How

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<v Speaker 3>are you, Emily, I'm good.

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<v Speaker 4>Thank you for inviting me, sir.

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<v Speaker 1>Excited, You're very welcome. Excited. Can you feel the energy

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<v Speaker 1>here today?

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<v Speaker 4>Yeah, it's crazy, It's like twenty years ago.

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<v Speaker 1>It's so great.

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<v Speaker 2>Yeah.

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<v Speaker 5>Great.

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<v Speaker 3>So tell us about, if you don't mind, your first

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<v Speaker 3>introduction to Gilmore Girls, the script. Do you remember getting

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<v Speaker 3>the script, reading the script, your reaction to it.

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<v Speaker 1>Yes. When I read.

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<v Speaker 6>When I got the script, I thought I really liked

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<v Speaker 6>missus Kim because she wasn't stereotypical. But yeah, I thought,

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<v Speaker 6>I'm so used to like using an accent and everything.

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<v Speaker 6>So when I went in to meet Amy, I did

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<v Speaker 6>my Korean accent. She goes, wait a minute, what are

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<v Speaker 6>you doing, And I said, uh, Korean accent? She goes, no, no, no,

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<v Speaker 6>she didn't have an accent.

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<v Speaker 4>Really, and yeah, because it was great.

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<v Speaker 6>So Amy was like breaking all the stereotypes from the

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<v Speaker 6>get go, right, I was right, I said, this is

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<v Speaker 6>a good show.

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<v Speaker 1>Why so, but you got the accent in.

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<v Speaker 6>No, the accent as actually, she goes, but but you

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<v Speaker 6>do kind of talk like a general.

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<v Speaker 3>Okay, so it wasn't really an accent, no, so it

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<v Speaker 3>was removed it and purposes, gotcha, gotcha, that's how her

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<v Speaker 3>mind works.

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<v Speaker 1>Right, sure, sure, short short.

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<v Speaker 3>Working with Amy, right, dream come dream you know that right,

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<v Speaker 3>being directed by her saying her words, Dan's words. Yeah,

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<v Speaker 3>I mean really special, right, we got very lucky.

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<v Speaker 6>And really fast and word perfect.

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<v Speaker 1>Yeah, I know.

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<v Speaker 5>I know.

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<v Speaker 3>They asked me all the time if I well, how

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<v Speaker 3>much we got to improv?

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<v Speaker 1>And I just laugh. I said, what's that?

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<v Speaker 3>Well, when you have somebody that good writing, you don't

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<v Speaker 3>need to improv, you know, but you can.

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<v Speaker 4>Kind of tell because the product was so good.

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<v Speaker 6>Yeah, and I think it was because she had such

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<v Speaker 6>strict standards.

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<v Speaker 1>Right, So let's get into that.

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<v Speaker 3>Why do you think it has stood the test of

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<v Speaker 3>time the way it has and continues to grow.

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<v Speaker 6>It's one of the best shows around. I don't know

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<v Speaker 6>exactly was it's because it's based on reality too. I

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<v Speaker 6>think it's not catering to Oh, I think the audience

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<v Speaker 6>will like this. It's it's real stories that comes from

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<v Speaker 6>it all started from her, her heart, and I think

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<v Speaker 6>we all felt that, and I think the audience feels it, right.

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<v Speaker 3>Yeah, very personal stories that she lived or can relate

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<v Speaker 3>to and wanted to write about. She must have had

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<v Speaker 3>an interesting upbringing in the valley, huh. I tell you

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<v Speaker 3>those that Sherman clan, you know, be a fly on

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<v Speaker 3>the wall there. I understand her father, Alan Sherman was

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<v Speaker 3>was a top comedian. Oh, that's right, and the house

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<v Speaker 3>was filled with all of the leading comedians of the day,

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<v Speaker 3>you know. So she developed a sense of humor in

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<v Speaker 3>that way. And boy, it's just what a sense of

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<v Speaker 3>humor that is. I mean, the wit, and that's what

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<v Speaker 3>I love about the show so much. Tell us about

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<v Speaker 3>your experience watching the episodes. You watch the episodes, what's

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<v Speaker 3>your what's your behavior towards the show? Do you actually

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<v Speaker 3>consume the show?

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<v Speaker 6>Yeah, it's a there's always a little things that I've

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<v Speaker 6>missed the first time, and you catch the second time,

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<v Speaker 6>you know, right. The humor was interesting because we couldn't

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<v Speaker 6>sit on it. We couldn't you know. Amy would just say,

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<v Speaker 6>just barrel through it, you know, so you couldn't do

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<v Speaker 6>normally like in a sitcom. You'd pause and you'd say

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<v Speaker 6>the gagline and then it would get a response. But

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<v Speaker 6>the style of the show was so different because we

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<v Speaker 6>would just barrel through and either the audience gid it

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<v Speaker 6>or they didn't.

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<v Speaker 1>Right, I don't care, right, right, right?

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<v Speaker 3>Who'd you love working with the most? Not that I'm

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<v Speaker 3>asking you to pick a favorite, but what I mean,

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<v Speaker 3>working with Keiko must have been a real pleasure. I

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<v Speaker 3>find her one of the most unsung, underappreciated actresses in

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<v Speaker 3>this town. I thought she was just incredibly skilled. Yes, uh,

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<v Speaker 3>and she worked very deep, Lee and Uh tell us

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<v Speaker 3>about working with Keiko.

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<v Speaker 4>Oh, Keiko is a dream.

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<v Speaker 6>By the second season, I didn't have to work because

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<v Speaker 6>we had built this like for her wedding or when

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<v Speaker 6>I kicked out of the house.

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<v Speaker 4>You know, I just I was so moved. I didn't

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<v Speaker 4>have to do any preparation.

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<v Speaker 6>Because she became like a daughter to me because everything

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<v Speaker 6>she does is so honest and real right yeah, not

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<v Speaker 6>pushed right yea.

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<v Speaker 1>And working with Lauren what was that?

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<v Speaker 6>Like? I love Lauren, She's so quick. Yeah. One time

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<v Speaker 6>I was late. They said we're ahead of schedule. So

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<v Speaker 6>I came in and I found out they had rehearsed

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<v Speaker 6>without me. So we get so, I, you know, get

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<v Speaker 6>through a makeup and everything, and then I show up

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<v Speaker 6>on set and she goes, just shoot it. Emily's got it,

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<v Speaker 6>and we did and then I went home. But she

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<v Speaker 6>was like she had total trust in all of us,

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<v Speaker 6>I think, and brilliant.

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<v Speaker 3>What's what's your impression of Adam Brodie? I know you

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<v Speaker 3>worked really great scenes with him.

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<v Speaker 6>Yeah, here, I don't know. He was one of my favorites.

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<v Speaker 6>And plus he played the guitar so well.

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<v Speaker 1>Oh did he? I did not know?

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<v Speaker 3>Yeah, oh really he's a guitar player.

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<v Speaker 4>Okay, got a lot of musicians on this show.

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<v Speaker 3>Yeah, we do.

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<v Speaker 1>Huh Yeah. So what are you working on now?

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<v Speaker 6>I'm doing a workshop in New York in a couple

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<v Speaker 6>of weeks and then a show in the Bay Area.

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<v Speaker 3>Oh great, great, Greg, Well, good luck with that. Listen,

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<v Speaker 3>thanks for stopping by, And I think it's time to

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<v Speaker 3>get ready to go out on stage. We're getting We're

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<v Speaker 3>getting pretty close there. The troops are gathering out there.

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<v Speaker 3>There's thousands of them. My god, I just walked from

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<v Speaker 3>the diner to here, which is you know this used

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<v Speaker 3>to be the old cake shop, right, Wasn't this a

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<v Speaker 3>cake shop set?

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<v Speaker 1>Okay?

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<v Speaker 3>So it was like a mob scene out of just fantastic.

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<v Speaker 3>It's fantastic. The fans are great. Anyway, thanks for coming by.

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<v Speaker 3>I'll see you out on stage in a minute.

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<v Speaker 1>Okay, Thank you, Ted Rooney.

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<v Speaker 3>Ladies and gentlemen, Maury is in the house. What's your

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<v Speaker 3>favorite food?

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<v Speaker 5>Oh boy, a Dues fast food on Sandy Boulevard in Portland, Oregon.

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<v Speaker 5>This is my second plug. Three years ago on your show,

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<v Speaker 5>I plugged Dues and the owner thanked me so much.

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<v Speaker 3>Tell us about your first experience with Gilmore Girls. You

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<v Speaker 3>got the script you read it? Was it an audition

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<v Speaker 3>and an offer of what happened? How'd you get the show?

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<v Speaker 4>How did we get to fall in love with more?

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<v Speaker 1>Oh?

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<v Speaker 5>My goodness. I read my one page that I got,

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<v Speaker 5>which was it says Maury plays the piano. Okay, so

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<v Speaker 5>that was me my preparation for the audition was to

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<v Speaker 5>play the piano, which I'm a hack, and so I

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<v Speaker 5>came into the room with no lines and they laughed,

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<v Speaker 5>and I think that's what booked it, because they saw

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<v Speaker 5>me standing next to Sally Struthers and they laughed, and

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<v Speaker 5>then they sat me down to the piano and I

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<v Speaker 5>played a little bit and they said say this and

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<v Speaker 5>say that, and I said this and that, and that

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<v Speaker 5>was it. I walked out of there and I went

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<v Speaker 5>to Mexico's one week tour of Mexico, and back then

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<v Speaker 5>didn't have cell phones. My pager went off and I

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<v Speaker 5>went to a phone and they said, we've been calling

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<v Speaker 5>you for two days. Man, you've got to come back

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<v Speaker 5>up here and shoot an episode of And so I

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<v Speaker 5>left my three week tour of Mexico and shot the

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<v Speaker 5>first episode I was in, and flew back down and

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<v Speaker 5>finished the vacation.

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<v Speaker 1>Great story.

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<v Speaker 3>You know, there's a movie like that where the guy

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<v Speaker 3>goes away and everybody starts in the business starts calling

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<v Speaker 3>and we've lost several messages.

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<v Speaker 5>We really need to talk to you. We'd love to

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<v Speaker 5>make it able to get amped up as the messages go.

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<v Speaker 3>To tell you did you get more money as a

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<v Speaker 3>result of that you have a little more clout going

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<v Speaker 3>into the negotiation.

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<v Speaker 5>I was just happy to be there, Scot. I was

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<v Speaker 5>hired from my you know, my skinny build and my height.

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<v Speaker 5>I'm glad to have done it. I'm so lucky to

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<v Speaker 5>just show up in my you know, with my hat

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<v Speaker 5>and my sunglasses and stand there next to Sally.

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<v Speaker 3>And I always envied you because you got to work

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<v Speaker 3>with Sally all the time, right.

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<v Speaker 5>Yeah, Sally and our friends and we actually went to

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<v Speaker 5>the same high school in Portland or right yeah, Grand

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<v Speaker 5>High School, and she was the big star because of

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<v Speaker 5>all in the family in the seventies when I was

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<v Speaker 5>still a kid, she was the big star that came

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<v Speaker 5>out of Grand High School. So the first day on

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<v Speaker 5>the set was kind of special because I sat down

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<v Speaker 5>next to her in the director's chairs and I said

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<v Speaker 5>something about she said something, oh, it's so hot here,

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<v Speaker 5>and I'm like, yeah, I know now, like the summer

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<v Speaker 5>is in Portland. She goes, h are you at Rooney's son?

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<v Speaker 5>And that was her favorite teacher in high school, my dad,

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<v Speaker 5>So he had my dad. She had my dad in

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<v Speaker 5>math class, and she remembered she put Rooney together and

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<v Speaker 5>she realized at Rooney's son. Yeah, so tell us what

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<v Speaker 5>it's like working with her. I just think she's brilliant.

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<v Speaker 5>I think she's the best actress out there. Oh well,

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<v Speaker 5>she can do anything. She's amazing. She's got the energy

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<v Speaker 5>and the humor. But she also was kind of my caretaker.

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<v Speaker 5>She kind of looked after me and made sure that

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<v Speaker 5>I you know, yeah, she's real sweetheart. You needed looking

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<v Speaker 5>after I did well. I would always forget to put

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<v Speaker 5>my glasses on, and so she in my mind at that,

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<v Speaker 5>and actually no, she actually.

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<v Speaker 1>Was like, take your glasses off.

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<v Speaker 5>Your eyes are so beautiful, don't they won't notice?

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<v Speaker 1>Take your glasses off?

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<v Speaker 5>And then some way to come by, Ted, could you

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<v Speaker 5>put your glasses on? Please?

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<v Speaker 1>So it's always positive with her, isn't it.

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<v Speaker 3>It's just like super sunny and great and laughter and

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<v Speaker 3>she just lots of stories.

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<v Speaker 1>She makes you happy to be.

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<v Speaker 5>She's a bit of that, you know. Uh, comes from

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<v Speaker 5>that old school in vaudeville kind of training and lots

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<v Speaker 5>of stories, So lots of Hollywood stories. There was always

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<v Speaker 5>some good story I could get.

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<v Speaker 1>What's your most memorable guild more moment.

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<v Speaker 5>With because for a couple of reasons, but because me

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<v Speaker 5>and Babbett were on It's It's early on, and we

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<v Speaker 5>have a little romantic moment on the steps there and

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<v Speaker 5>in front of our house, the house they built for us,

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<v Speaker 5>and they finished the interior and everything amazing thing. We

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<v Speaker 5>had a little moment, a little romantic moment, and Sam

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<v Speaker 5>Phillips wrote the music specifically for that moment. So when

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<v Speaker 5>I met Sam Phillips at the Christmas party that year,

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<v Speaker 5>she said, I wrote that for you guys, And I

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<v Speaker 5>was like, because she had been one of my favorite

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<v Speaker 5>singer songwriters for twenty years and it was phenomenal to

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<v Speaker 5>have a writer like that. Right, the backs led the

0:11:18.120 --> 0:11:20.960
<v Speaker 5>sound for a little kiss moment like that. Yeah, so

0:11:21.000 --> 0:11:21.720
<v Speaker 5>that was very special.

0:11:21.840 --> 0:11:26.160
<v Speaker 1>Right? Who else did you love working with the most?

0:11:28.200 --> 0:11:30.200
<v Speaker 5>Every once in when I'd see Sean and we would

0:11:30.240 --> 0:11:33.880
<v Speaker 5>talk about theater, you know. Yeah, by the way, I'm sorry,

0:11:34.400 --> 0:11:36.880
<v Speaker 5>I'm not Kirk. I wish I could be here. But

0:11:37.040 --> 0:11:40.040
<v Speaker 5>where is Sean? Why he shot that Walmart commercial with

0:11:40.080 --> 0:11:40.560
<v Speaker 5>you guys?

0:11:41.679 --> 0:11:43.800
<v Speaker 1>Yes, where is he? Sean?

0:11:44.160 --> 0:11:47.920
<v Speaker 3>He's off in Guardians of the Galaxy.

0:11:48.160 --> 0:11:51.000
<v Speaker 1>Yeah, like Marvel movies. Yeah.

0:11:51.040 --> 0:11:53.240
<v Speaker 5>Well we were both two kind of oddball, skinny guys,

0:11:53.240 --> 0:11:55.760
<v Speaker 5>and so I think we kind of hit it off right.

0:11:56.000 --> 0:12:01.800
<v Speaker 3>Yeah, yeah, two eccentric characters delivering the humor for the

0:12:01.840 --> 0:12:06.040
<v Speaker 3>fan base. You get recognized a lot. It is weird

0:12:06.960 --> 0:12:08.360
<v Speaker 3>us about that. It is so weird.

0:12:08.440 --> 0:12:10.600
<v Speaker 5>Well, on the plane over, my son is so is

0:12:10.640 --> 0:12:14.000
<v Speaker 5>with me. He was so embarrassed because this woman just

0:12:14.000 --> 0:12:16.840
<v Speaker 5>stood there. I don't know where she came from, but.

0:12:16.880 --> 0:12:19.000
<v Speaker 4>Are you Ted Rooney?

0:12:20.240 --> 0:12:23.959
<v Speaker 5>Yes? And so she was, you know, gushing there and

0:12:24.240 --> 0:12:27.400
<v Speaker 5>stopping traffic in the island. One of the one of

0:12:27.440 --> 0:12:30.320
<v Speaker 5>the attendants had to make her sit down, and she

0:12:30.640 --> 0:12:32.880
<v Speaker 5>while she was focused on was me and the fact

0:12:32.920 --> 0:12:34.720
<v Speaker 5>that she was going to be here too at the event.

0:12:34.800 --> 0:12:36.840
<v Speaker 5>So she was so thrilled about it. And that's it's

0:12:36.880 --> 0:12:40.920
<v Speaker 5>just a little weird. On a red eye to Chicago,

0:12:41.400 --> 0:12:43.480
<v Speaker 5>it was two in the morning and I was finding

0:12:43.480 --> 0:12:45.760
<v Speaker 5>some place to sleep out of sleeping bag and three

0:12:45.840 --> 0:12:49.040
<v Speaker 5>Australian girls come out of nowhere. The place is empty

0:12:49.559 --> 0:12:54.600
<v Speaker 5>and there they're rabid fans. You know, I've the Australian girls.

0:12:54.640 --> 0:12:55.400
<v Speaker 5>They come in three.

0:12:56.679 --> 0:12:59.959
<v Speaker 1>What is that? What's going on with that? I've had

0:13:00.160 --> 0:13:02.480
<v Speaker 1>extra nights you deean, you two.

0:13:03.320 --> 0:13:07.840
<v Speaker 3>It's always always always a strands in threes usually yeah.

0:13:07.920 --> 0:13:12.000
<v Speaker 5>Ah, yeah, it's good to take advantage of the opportunity. Yeah,

0:13:13.559 --> 0:13:15.120
<v Speaker 5>smart guy.

0:13:16.040 --> 0:13:21.720
<v Speaker 1>Does that mean we have a hecklor off stage? He's

0:13:21.880 --> 0:13:25.560
<v Speaker 1>actually been loving and speaking here.

0:13:26.080 --> 0:13:31.199
<v Speaker 5>Got in Uh yeah, what placement.

0:13:31.320 --> 0:13:34.000
<v Speaker 1>I'll look at that. Yeah, I got one. Yeah.

0:13:34.360 --> 0:13:37.280
<v Speaker 5>This is a gift to the cast about twenty years

0:13:37.640 --> 0:13:40.319
<v Speaker 5>gifts every year. You know, I thought i'd wear that.

0:13:40.520 --> 0:13:42.480
<v Speaker 3>I used to wear that stuff to the gym, the

0:13:42.480 --> 0:13:45.480
<v Speaker 3>hoodies and all that. I didn't care i'd get laughed at.

0:13:45.520 --> 0:13:47.560
<v Speaker 3>But then I you know, I dropped the weights on

0:13:47.600 --> 0:13:49.280
<v Speaker 3>my foot and leaving tears, you know that.

0:13:49.280 --> 0:13:53.160
<v Speaker 1>Kind of thing. Ted, it's been a blast. We got

0:13:53.200 --> 0:13:53.800
<v Speaker 1>to get back.

0:13:53.640 --> 0:13:56.480
<v Speaker 3>Out on the live stage now to do that. I

0:13:56.520 --> 0:13:58.400
<v Speaker 3>think they're you know, they're giving us the signal.

0:13:58.520 --> 0:14:03.439
<v Speaker 5>I did want to mention tell Yes, twenty one Theater, Portland,

0:14:03.440 --> 0:14:05.520
<v Speaker 5>Oregon is my theater company that I started up three

0:14:05.600 --> 0:14:08.000
<v Speaker 5>years ago. We're thriving and we do great work. And

0:14:08.280 --> 0:14:10.439
<v Speaker 5>I just had to mention that I live in Portland, Oregon.

0:14:10.640 --> 0:14:11.439
<v Speaker 1>Thank fantastic.

0:14:11.480 --> 0:14:13.600
<v Speaker 3>Go see Ted at the twenty one to ten Theater.

0:14:14.040 --> 0:14:17.440
<v Speaker 3>He's a fantastic guy, a fantastic actor. Thank you for

0:14:17.480 --> 0:14:18.520
<v Speaker 3>your time, my friends.

0:14:18.880 --> 0:15:02.880
<v Speaker 5>On Stuy see out there, buddy, all right.

0:14:51.120 --> 0:14:52.120
<v Speaker 1>Everybody off again.

0:14:52.200 --> 0:14:56.280
<v Speaker 3>Follow us on Instagram at I Am all In Podcast,

0:14:56.360 --> 0:15:10.440
<v Speaker 3>and email us at Gilmore at iHeartRadio dot com.