WEBVTT - Chutzpah vs. Chutzpah

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<v Speaker 1>Pushkin heads up. In this episode, I interview an old

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<v Speaker 1>school guy from New York who drops a lot of

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<v Speaker 1>f bombs. Just so you're aware, say your name the

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<v Speaker 1>way in Israeli would say Melia Vital and say my

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<v Speaker 1>name is Millia Vital in hebrewal, my name is Malcolm Glodwell.

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<v Speaker 1>You're listening to Revisionist History, my podcast about things overlooked

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<v Speaker 1>and misunderstood. So far in season four, i've talked about

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<v Speaker 1>grand themes, huge issues. This episode is about something very

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<v Speaker 1>specific a word. The word I'm interested in is hutzpah.

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<v Speaker 1>I decided I would like to examine the phenomenon of footspot.

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<v Speaker 1>Since Millie is my neighbor and in Israeli, she has

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<v Speaker 1>agreed to help this teach Coushia Malcolm how to say

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<v Speaker 1>this word appropriately. First of all, are we doing are

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<v Speaker 1>we doing that kind of thing in the throat that

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<v Speaker 1>so many the gutt do I have to the.

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<v Speaker 2>Soft I think we have a closer to Arabic. It's

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<v Speaker 2>deeper in the throat and there's a lot more contact

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<v Speaker 2>of the soft palate.

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<v Speaker 1>It's really deeper. Yeah, so so softer, not not a

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<v Speaker 1>whole but footspa.

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<v Speaker 2>No, who the this. Okay, So the sound is right,

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<v Speaker 2>it is deep, but the vowel is not whole. It's

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<v Speaker 2>who who.

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<v Speaker 1>Yeah.

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<v Speaker 2>In Hebrew there's only I A E O. There's no diphthongs,

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<v Speaker 2>and there's no awe in there's no book and book right,

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<v Speaker 2>there's only woo. So you understand what I'm talking to myself.

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<v Speaker 2>For me, it's very clear, because sadly I worked on

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<v Speaker 2>it so hard. But okay, so it's not hootspa. Yeah,

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<v Speaker 2>just like it's not Milli, it's meally Meali e oh ooh,

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<v Speaker 2>so it's who. H's the team who, not who who? Yes,

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<v Speaker 2>that's better enough. Who.

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<v Speaker 1>It strikes me that there is a lot of Hootspa

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<v Speaker 1>in the world at the moment, and that maybe it

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<v Speaker 1>would be useful to find out something more about it.

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<v Speaker 1>So I started with Millie and the first thing she

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<v Speaker 1>told me is that there isn't one hood spot. There's

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<v Speaker 1>actually two, the American version and the Israeli version. Hootspa

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<v Speaker 1>I knew, but not this other one.

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<v Speaker 2>Hoots Spa not bad, but it's not a paw.

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<v Speaker 1>Yeah, it's baa.

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<v Speaker 2>It's a bottle that doesn't exist sexually in England. Now

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<v Speaker 2>you've got to have the say, you gotta say certain Yeah,

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<v Speaker 2>he's hit the second syllable.

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<v Speaker 1>Bats it.

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<v Speaker 2>There's a lot of air coming out of the mouth.

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<v Speaker 1>And he said, why so when? Uh? But in America,

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<v Speaker 1>the accidents on the first syllable yeah hots right, huts

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<v Speaker 1>ba and huts ba and they are worlds apart and

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<v Speaker 1>maybe our hoods. But problem is that we've confused the two.

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<v Speaker 1>When I was in Los Angeles a little while back,

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<v Speaker 1>I went to see a Hollywood legend named Al Ruddy.

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<v Speaker 1>Tall guy, lean close to ninety. He lives up in

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<v Speaker 1>the canyons of Beverly Hills, one of those nineteen sixties

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<v Speaker 1>houses perched on a hillside that looks like something off

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<v Speaker 1>the set of a James Bond movie. I had a

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<v Speaker 1>specific reason to go and see Ruddy, But Ruddy is

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<v Speaker 1>the kind of person that when he starts talking, specific

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<v Speaker 1>reasons go out the window.

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<v Speaker 3>I was born in Canada. Also, now that I know

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<v Speaker 3>everything about you, I was born in Montreal. I know.

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<v Speaker 1>I saw that.

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<v Speaker 3>Yeah, I went to Montreal and then my mother, my

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<v Speaker 3>mother snuck over the border with she divorced with three kids.

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<v Speaker 3>We stuck over the border in New York. My mother

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<v Speaker 3>said when they asked you junior and Junior highway you

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<v Speaker 3>were born, saying, oh, no, what do you look like?

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<v Speaker 3>A fucking mor I don't know where the fuck I'm born?

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<v Speaker 3>You quit.

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<v Speaker 1>Already was the middle child.

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<v Speaker 3>So I was the one that worked harder for everything.

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<v Speaker 3>I avercat because I had an oldest sister who was beautiful,

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<v Speaker 3>and my brother, who was the baby. I was a

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<v Speaker 3>schmuck in the middle, right, So I was always working harder.

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<v Speaker 3>But I decided, and I learned it early, and it

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<v Speaker 3>was it was actually a blessing, you know. I said,

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<v Speaker 3>you know, I better learn how to take care of myself.

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<v Speaker 3>No one's going to open the fucking doors for me anyone.

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<v Speaker 3>I gotta do it.

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<v Speaker 1>Al Ruddy way, we all right away meant going to

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<v Speaker 1>Brooklyn Tech, then bouncing around working at a gas station,

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<v Speaker 1>studying architecture at USC, and winding up with a job

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<v Speaker 1>as a computer programmer at the Rand Corporation think tank

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<v Speaker 1>in Santa Monica. While he's working at Rand, Ruddy meets

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<v Speaker 1>an unemployed actor named Bernie Fine.

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<v Speaker 3>So I tell Bernie, why don't I'm not Bernie? What

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<v Speaker 3>the fuck they have they're not to write at a

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<v Speaker 3>half hour show it's a one liner. It's the simplest

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<v Speaker 3>format that the one act could break the high point

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<v Speaker 3>and he resolve in an act too.

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<v Speaker 1>So on the side, the two of them start to

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<v Speaker 1>write a television pilot, a comedy set in a prison,

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<v Speaker 1>not just any prison, a Nazi prisoner of war camp,

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<v Speaker 1>and the comic leads are the head of the prison,

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<v Speaker 1>Colonel Klink, and a prison guard, Sergeant Schultz, whose signature

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<v Speaker 1>line is I know nothing, I see nothing, I hear nothing. Somehow,

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<v Speaker 1>Ruddy gets the script to an agent named Mike Levy,

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<v Speaker 1>and Levy gets them a pitch meeting with CBS. This

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<v Speaker 1>was the mid nine teen sixties when CBS was known

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<v Speaker 1>as a Tiffany Network. It was the most prestigious television

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<v Speaker 1>broadcaster in the world, intellectual high class. Its president was

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<v Speaker 1>the legendary William Paley.

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<v Speaker 3>I'm sitting opposite William S. Paley, who fucking owns CBS.

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<v Speaker 3>The whole room, CBS guys and me and Mike is

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<v Speaker 3>that Mike discussed a show called Hogan's Heroes, Bill Pelley's

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<v Speaker 3>across the table, and Mikey says, I find the idea

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<v Speaker 3>of Nazis doing comedies. Those were totally reprehensible.

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<v Speaker 1>Mike Leavy, the agent looks over at Ruddy.

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<v Speaker 3>You tell him he blown away. Don't know what to

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<v Speaker 3>say is oh, I'll have him tell you about it.

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<v Speaker 3>He points to me. I never saw a fucking thing, right,

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<v Speaker 3>I acted out the whole show idiotic. I'm jumping up

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<v Speaker 3>and down. I know nothing but machine guns, and Bill

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<v Speaker 3>Paley starts like he can't stop laughing. I swear to

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<v Speaker 3>cross before I know it, the Paul romas clapping on

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<v Speaker 3>the other side, So he got through and I thought

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<v Speaker 3>it was Bill Pelly stands up. He says, I don't

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<v Speaker 3>know if I can ever buy that show, but I said,

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<v Speaker 3>I just want to commend you that that's one of

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<v Speaker 3>the funniest things I've ever heard.

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<v Speaker 1>Hogan's Heroes runs for six seasons from nineteen sixty five

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<v Speaker 1>to nineteen seventy one. The show wins two Emmys, has

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<v Speaker 1>a huge following, and makes CBS a fortune.

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<v Speaker 3>Oh, I say nothing. I was not here. I did

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<v Speaker 3>not even get up this morning.

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<v Speaker 1>Now, since our topic is hutzba, let us break this down.

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<v Speaker 1>A computer programmer named al Ruddy, who is Jewish, has

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<v Speaker 1>his agent, who is Jewish, set up a meeting with

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<v Speaker 1>Bill Paley, who is Jewish about a comedy starring two Nazis,

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<v Speaker 1>and Paley says, I'm Jewish, I'm not interested. But then Ruddy,

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<v Speaker 1>who is never who sold a screenplay before in his life,

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<v Speaker 1>convinces him it's actually a great idea. And by the way,

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<v Speaker 1>the lead Nazi in Hogan's Heroes, Colonel Klink, is played

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<v Speaker 1>by Werner Klemperer, Jewish whose family fled Nazi Germany in

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<v Speaker 1>nineteen thirty five, and the prison guard, Sergeant Schultz is

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<v Speaker 1>played by John Banner, Jewish who fled Europe in nineteen

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<v Speaker 1>thirty nine. The word hutzpa refers to audacity. This is audacious.

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<v Speaker 1>Ruddy would go on to write The Longest Yard, starring

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<v Speaker 1>Burt Reynolds, and Walker Texas Ranger starring Chuck Norris. He

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<v Speaker 1>was one of the producers on the two thousand and

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<v Speaker 1>four film Million Dollar Baby, which won a handful of oscars.

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<v Speaker 1>I could go on and now, sitting with him in

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<v Speaker 1>his kitchen as he wheeled his wheelchair back and forth

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<v Speaker 1>to emphasize the highlight of each of his stories, I

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<v Speaker 1>realized what Al Ruddy is. He is hutzpa. But this

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<v Speaker 1>is a very specific kind of hutzpa.

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<v Speaker 3>Right.

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<v Speaker 1>Remember this show is being made only twenty years after

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<v Speaker 1>the Nazis stopped terrorizing Europe.

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<v Speaker 3>This camp clink, this camp is a black page in

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<v Speaker 3>the glorious history.

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<v Speaker 4>Is a sad right, which I shall report when I

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<v Speaker 4>get back to Berlin.

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<v Speaker 1>Paley admired Ruddy for the way he behaves. He rewarded him.

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<v Speaker 1>If you and Bernie Fine were not Jewish, could you

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<v Speaker 1>have gotten away with it?

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<v Speaker 3>Didn't that to It didn't even enter my mind in

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<v Speaker 3>those says yeah, no, and no one asks. No one

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<v Speaker 3>knew that, no one, There was never an issue.

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<v Speaker 1>It's funny Ruddy didn't brazenly set out to violate social norms.

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<v Speaker 1>It didn't occur to him that there was a social

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<v Speaker 1>norm to violate. In America. This is what is meant

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<v Speaker 1>by hutzba, but not in Israel. Houts ba is a

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<v Speaker 1>whole different matter.

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<v Speaker 2>Hutzpa.

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<v Speaker 1>Hootspa.

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<v Speaker 2>Oh, you also don't say hutzpa like with this sort

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<v Speaker 2>of curl to it, like a cute kind of hootspa.

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<v Speaker 2>It's hot spot, you say, like it's a hot spot,

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<v Speaker 2>like what a what an insult? It's it's edgy and bitter.

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<v Speaker 2>It's not like she's got so much hootspot. That's a

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<v Speaker 2>totally different word. It has the connotation I would say

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<v Speaker 2>is like it's a hot spot, like someone who's someone

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<v Speaker 2>who has no care about anyone else's life or feelings,

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<v Speaker 2>or like if your child is rude to you. If

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<v Speaker 2>I say to Benjamin it's it's this is like as

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<v Speaker 2>low as it gets. He actually wants like teared up

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<v Speaker 2>when I said that, I could see his face like shocked. Yeah,

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<v Speaker 2>he knows what it means, like no manners or no

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<v Speaker 2>or no regard to someone else's feelings or condition. That

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<v Speaker 2>would be the spa.

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<v Speaker 1>Yeah, one word, two very different meanings, and we've been

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<v Speaker 1>conflating the two. I'll get into the consequences when we

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<v Speaker 1>come back. Let's do a second Hutzpa k study involving

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<v Speaker 1>an exact contemporary of Al Ruddies.

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<v Speaker 5>I'm not sure how to introduce my next guest. He's

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<v Speaker 5>a businessman with leads the most colorful life. His name

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<v Speaker 5>has been in the paper, is a great deal lately,

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<v Speaker 5>and I just met him backstage, but I'm anxious to

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<v Speaker 5>meet him further. We welcome, please, mister Joseph COLUMBOO.

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<v Speaker 1>In the late nineteen sixties, and early nineteen seventies, Colombo

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<v Speaker 1>began making the rounds of talk shows and news programs

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<v Speaker 1>in New York City. Invariably, the interview would begin with

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<v Speaker 1>the question of what Joseph Columbo did for a living,

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<v Speaker 1>and invariably his answer would be the same. Here he

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<v Speaker 1>is on the Dick Cavit Show in April of nineteen

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<v Speaker 1>seventy one, explain.

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<v Speaker 5>What you do for a living, as if I had

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<v Speaker 5>never met you.

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<v Speaker 6>Well, I'm a real estate salesman, and I own a

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<v Speaker 6>piece of a funeral home, and and that wasn't meant

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<v Speaker 6>to be now, funny, Vick.

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<v Speaker 1>You may have noticed, by the way, there's a lot

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<v Speaker 1>of Dick Caviot in this season of Provision is History.

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<v Speaker 1>I love Dick Cabot.

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<v Speaker 6>And anything I can do to iron a living, honestly

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<v Speaker 6>and sincerely, I hope so cause and an a florist,

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<v Speaker 6>and I own a piece of a cut room in

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<v Speaker 6>New York that we cut material for dresses.

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<v Speaker 3>Ah.

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<v Speaker 6>Yeah, it's a cut room. And with all these things

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<v Speaker 6>put together, I iron eleven. Yeah, and I worked very

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<v Speaker 6>hard at it, very honest and sincely.

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<v Speaker 1>Colombo's media tour was to promote an organization he had

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<v Speaker 1>started called the Italian American Civil Rights League.

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<v Speaker 6>Well, we believe that we are escape goats. We have

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<v Speaker 6>been labeled and stigmatized, and I maintain and I'll keep

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<v Speaker 6>saying that it's each and every Italian American throu the

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<v Speaker 6>United States that there is a conspiracy against.

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<v Speaker 1>I asked the writer Nick Peleggie about him. Maybe you

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<v Speaker 1>remember Pelgi from our fourth of July episode earlier this season,

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<v Speaker 1>and what was he like?

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<v Speaker 7>From everything I hear and I've seen him speak on

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<v Speaker 7>occasion and live in rooms with him, he was as

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<v Speaker 7>mild and calm and relaxed as you can imagine. He

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<v Speaker 7>was like a dry good salesman.

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<v Speaker 1>Pledge grew up with Colombo in benson Hurst, Brooklyn.

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<v Speaker 7>He came up with this idea of the Italian American

0:13:42.876 --> 0:13:46.636
<v Speaker 7>Civil Rights League. There are prebus was that Italians were

0:13:46.636 --> 0:13:50.356
<v Speaker 7>being stigmatized by the mafia, that there was really no

0:13:50.476 --> 0:13:53.836
<v Speaker 7>such thing as the mafia, but the media was going

0:13:53.876 --> 0:13:57.516
<v Speaker 7>after Italian Americans and denying us our right place in

0:13:57.556 --> 0:14:01.196
<v Speaker 7>the world, and we would be prejudiced against getting good

0:14:01.316 --> 0:14:04.516
<v Speaker 7>jobs or because the New York Times couldn't stop writing

0:14:04.516 --> 0:14:05.276
<v Speaker 7>the word mafia.

0:14:06.156 --> 0:14:10.156
<v Speaker 1>Now, what was Joe Colombo's real job. Aside from running

0:14:10.156 --> 0:14:13.436
<v Speaker 1>a funeral home and a cut shop and selling real estate,

0:14:14.236 --> 0:14:17.356
<v Speaker 1>he was a big time mafia don the Profaci family.

0:14:17.956 --> 0:14:21.716
<v Speaker 1>Old man Giuseppe Prafacci dies in nineteen sixty two. Colombo

0:14:21.756 --> 0:14:29.956
<v Speaker 1>takes over the organization. American Jews had The Anti Defamation

0:14:30.116 --> 0:14:33.356
<v Speaker 1>League formed in nineteen thirteen to combat the long history

0:14:33.356 --> 0:14:37.796
<v Speaker 1>of antisemitism around the world. African Americans start the NAACP

0:14:37.876 --> 0:14:41.036
<v Speaker 1>in nineteen oh nine because black people were being openly

0:14:41.236 --> 0:14:46.316
<v Speaker 1>and ruthlessly deny their civil rights. The Italian American Civil

0:14:46.396 --> 0:14:49.356
<v Speaker 1>Rights League was started by a mobster upset that the

0:14:49.396 --> 0:14:58.156
<v Speaker 1>media was calling him a mobster. In April of nineteen seventy,

0:14:58.436 --> 0:15:01.156
<v Speaker 1>Columbo and a group of his associates started picketing the

0:15:01.196 --> 0:15:05.636
<v Speaker 1>Manhattan headquarters of the FBI. That protest eventually grows to

0:15:05.716 --> 0:15:08.996
<v Speaker 1>five thousand people. They come up with a logo in

0:15:09.116 --> 0:15:13.356
<v Speaker 1>evoking Christopher Columbus, the greatest Italian immigrant of them all.

0:15:13.996 --> 0:15:17.076
<v Speaker 1>By the summer of nineteen seventy they have forty five

0:15:17.196 --> 0:15:20.956
<v Speaker 1>thousand dues paying members. They throw themselves a big benefit

0:15:21.036 --> 0:15:25.396
<v Speaker 1>concert in Madison Square Garden, starring, of course, Frank Sinatra.

0:15:26.196 --> 0:15:29.716
<v Speaker 1>They go after Alka Seltzer for their most famous TV commercial,

0:15:30.076 --> 0:15:33.356
<v Speaker 1>in which an Italian man, overseen by his doting wife,

0:15:33.596 --> 0:15:35.956
<v Speaker 1>eats one too many spicy meatballs.

0:15:36.556 --> 0:15:39.516
<v Speaker 7>Sometimes you eat more than you should and when it's spicy.

0:15:39.556 --> 0:15:43.636
<v Speaker 5>Besides, Mamma Mia, do you need alca seltzer as.

0:15:43.436 --> 0:15:49.196
<v Speaker 1>Italians eating meatballs, according to Joe Colombo, perpetuates harmful stereotypes

0:15:49.396 --> 0:15:50.276
<v Speaker 1>about Italians.

0:15:50.516 --> 0:15:53.276
<v Speaker 3>Mom of me, that's a spicy meat board.

0:15:56.436 --> 0:15:59.876
<v Speaker 1>Here's my favorite story involving Joe Colombo. In the late

0:15:59.956 --> 0:16:02.796
<v Speaker 1>nineteen sixties, Johnny Carson was the king of late night

0:16:02.836 --> 0:16:05.836
<v Speaker 1>TV and one of the most famous television personalities in

0:16:05.876 --> 0:16:10.636
<v Speaker 1>the country. According to his former attorney Bushkin, Carson was

0:16:10.676 --> 0:16:13.356
<v Speaker 1>out drinking one night at Jilly's, a bar in Manhattan

0:16:13.396 --> 0:16:16.596
<v Speaker 1>run by a close friend of Frank Sinatra's Jilly Rizzo.

0:16:17.156 --> 0:16:19.796
<v Speaker 1>This is Bushkin telling the story on the Artie Lang

0:16:19.876 --> 0:16:20.836
<v Speaker 1>Show a few years ago.

0:16:21.156 --> 0:16:24.156
<v Speaker 8>It was on I think fifty second and eighth, a

0:16:24.236 --> 0:16:27.676
<v Speaker 8>famous watering hole, and Johnny was in there one night

0:16:27.716 --> 0:16:28.436
<v Speaker 8>with McMahon.

0:16:28.716 --> 0:16:34.236
<v Speaker 1>Johnny being Johnny Carson, McMahon being his sidekick, Ed McMahon.

0:16:33.796 --> 0:16:37.076
<v Speaker 8>And they try to pick up the wrong girls happened

0:16:37.116 --> 0:16:40.876
<v Speaker 8>to be the wife and sister of a well known

0:16:41.636 --> 0:16:43.716
<v Speaker 8>mafioso type of character.

0:16:44.156 --> 0:16:46.036
<v Speaker 3>Who was not sensitive about stuff, like.

0:16:46.316 --> 0:16:51.876
<v Speaker 1>Not happy, irritated, you might say. Carson ends up being

0:16:51.916 --> 0:16:54.676
<v Speaker 1>thrown down the stairs at Jilly's. He's so banged up

0:16:54.796 --> 0:16:57.436
<v Speaker 1>there's no way he can go on television. Then he

0:16:57.516 --> 0:16:59.996
<v Speaker 1>learns that the mobster in question has put out a

0:17:00.036 --> 0:17:01.236
<v Speaker 1>contract on his life.

0:17:01.636 --> 0:17:05.156
<v Speaker 8>What happened was they went looking for Johnny. Johnny holed

0:17:05.236 --> 0:17:07.796
<v Speaker 8>up in the apartment at U N Plaza.

0:17:08.236 --> 0:17:11.876
<v Speaker 1>He's hiding out. He takes the week off work. He's petrified.

0:17:12.356 --> 0:17:17.956
<v Speaker 1>So what happens Joe Colombo makes a deal with Carson's network, NBC.

0:17:18.316 --> 0:17:21.276
<v Speaker 8>The Columbus Day Parade was about to come up. It

0:17:21.396 --> 0:17:24.636
<v Speaker 8>was like three weeks away and no network who would

0:17:24.636 --> 0:17:27.356
<v Speaker 8>agree to cover it then, because they knew it was

0:17:27.396 --> 0:17:30.916
<v Speaker 8>the five families of New York that were sponsoring this

0:17:30.996 --> 0:17:34.556
<v Speaker 8>parade to make the Italian Americans look, you know. So

0:17:34.676 --> 0:17:38.356
<v Speaker 8>Carson's hiding out and a deal was struck. If NBC

0:17:38.516 --> 0:17:42.836
<v Speaker 8>covers the parade, they let Carson go. So that year,

0:17:42.956 --> 0:17:45.916
<v Speaker 8>NBC is the only network that covered the parade.

0:17:46.196 --> 0:17:47.116
<v Speaker 3>Carson gets.

0:17:48.556 --> 0:17:52.196
<v Speaker 1>Oh, and what happens the following year, nineteen seventy one,

0:17:52.716 --> 0:17:56.636
<v Speaker 1>when Joe Columbo stages the second, even more elaborate Columbus

0:17:56.676 --> 0:17:59.916
<v Speaker 1>Day event, intended to show the world that the Italian

0:17:59.956 --> 0:18:03.516
<v Speaker 1>American community of New York is peaceful and law abiding.

0:18:04.596 --> 0:18:05.676
<v Speaker 1>Someone shoots him.

0:18:05.996 --> 0:18:06.476
<v Speaker 3>That's right.

0:18:06.516 --> 0:18:08.636
<v Speaker 7>They had the first one a Columbus Circle. In the

0:18:08.676 --> 0:18:11.196
<v Speaker 7>second one, he shot Joe Colombo. I mean, it's just insane.

0:18:11.556 --> 0:18:14.716
<v Speaker 1>But you couldn't make this up, like oh at the

0:18:15.516 --> 0:18:16.036
<v Speaker 1>grants too.

0:18:16.196 --> 0:18:18.996
<v Speaker 7>They could have done at any location in the city

0:18:19.356 --> 0:18:21.716
<v Speaker 7>besides Columbus Circle.

0:18:22.356 --> 0:18:25.036
<v Speaker 3>But in the middle of a rally.

0:18:24.956 --> 0:18:29.436
<v Speaker 1>Of a rally intended to whitewash the Italian American community,

0:18:29.516 --> 0:18:32.236
<v Speaker 1>somebody offs the guy trying to whitewash that. What I

0:18:32.276 --> 0:18:37.116
<v Speaker 1>mean is this is hootsba all over the place. But

0:18:37.236 --> 0:18:39.556
<v Speaker 1>it's not Al Ruddy's kind of hoods. But is it

0:18:39.996 --> 0:18:42.996
<v Speaker 1>Having a Jewish actor play a Nazi prison guard who

0:18:43.116 --> 0:18:46.436
<v Speaker 1>runs around saying in the middle of the Holocaust, I

0:18:46.516 --> 0:18:50.076
<v Speaker 1>know nothing, I hear nothing, I see nothing in a

0:18:50.156 --> 0:18:55.156
<v Speaker 1>primetime television sitcom is well, it's kind of amazing. But

0:18:55.276 --> 0:18:59.916
<v Speaker 1>Joe Colombo, mob boss starting the Italian American Civil Rights League,

0:19:00.316 --> 0:19:03.676
<v Speaker 1>this is hutsba on a whole other level. For goodness sake,

0:19:04.036 --> 0:19:07.116
<v Speaker 1>At the time he was shot, Colombo was under federal

0:19:07.156 --> 0:19:10.876
<v Speaker 1>indictment on charges of controlling a ten million dollar a

0:19:10.996 --> 0:19:17.036
<v Speaker 1>year gambling syndicate. This is not audacity, This is shamelessness,

0:19:17.556 --> 0:19:28.556
<v Speaker 1>the other kind of hutzba hutzpah. In the Book of Genesis,

0:19:28.996 --> 0:19:32.076
<v Speaker 1>there is a famous passage where the prophet Abraham speaks

0:19:32.076 --> 0:19:35.956
<v Speaker 1>to God about the moral outrages in Sodom and Gomorrah.

0:19:36.436 --> 0:19:40.236
<v Speaker 1>God wants to destroy both cities, but Abraham says, wait,

0:19:40.636 --> 0:19:43.476
<v Speaker 1>what if there are fifty righteous people in Sodom and Gomorrah?

0:19:44.116 --> 0:19:46.996
<v Speaker 1>Will you really sweep those cities away and not spare

0:19:47.036 --> 0:19:50.116
<v Speaker 1>them for the sake of those fifty righteous people. So

0:19:50.236 --> 0:19:54.236
<v Speaker 1>the Lord says, okay, if you can find fifty righteous men,

0:19:54.476 --> 0:19:58.676
<v Speaker 1>I will spare the cities. Abraham then says, what if

0:19:58.716 --> 0:20:01.636
<v Speaker 1>there are only forty five righteous men? You wouldn't want

0:20:01.636 --> 0:20:05.156
<v Speaker 1>to kill forty five perfectly innocent men for the sake

0:20:05.196 --> 0:20:08.236
<v Speaker 1>of five at the margin, and God says, you're right,

0:20:08.356 --> 0:20:11.436
<v Speaker 1>let's sake it forty five, to which Abraham responds, why

0:20:11.476 --> 0:20:14.876
<v Speaker 1>not thirty? I mean same logic. God says, okay, they

0:20:14.956 --> 0:20:18.796
<v Speaker 1>keep going. In the end, Abraham gets him down to ten.

0:20:20.796 --> 0:20:24.756
<v Speaker 1>Abraham is being very Israeli. Here, Israel is what is

0:20:24.756 --> 0:20:28.196
<v Speaker 1>called a low power distance culture, meaning that it's a

0:20:28.236 --> 0:20:31.436
<v Speaker 1>place where there is very little respect for hierarchy or

0:20:31.596 --> 0:20:36.756
<v Speaker 1>formality in social interaction. France is the opposite kind of place,

0:20:37.276 --> 0:20:40.916
<v Speaker 1>a high power distance culture. Nobody just calls up God

0:20:40.996 --> 0:20:44.236
<v Speaker 1>directly in France. In France, Abraham would have had to

0:20:44.276 --> 0:20:48.196
<v Speaker 1>file an application with the Department of Divine Communication, wait

0:20:48.276 --> 0:20:51.076
<v Speaker 1>three months for an appointment, then present some kind of

0:20:51.116 --> 0:20:53.956
<v Speaker 1>formal legal writ on behalf of the righteous of Gomorrah.

0:20:54.916 --> 0:21:01.356
<v Speaker 1>Not in Israel. Here's another example of low power distance

0:21:01.396 --> 0:21:04.836
<v Speaker 1>at work in Israel. It's the word new n you.

0:21:05.916 --> 0:21:09.876
<v Speaker 1>New is what linguists call a reactive token, word used

0:21:09.876 --> 0:21:13.556
<v Speaker 1>in conversation by the party that's doing the listening. Uh

0:21:13.636 --> 0:21:17.956
<v Speaker 1>huh is a reactive token, so is really? The point

0:21:18.196 --> 0:21:22.396
<v Speaker 1>of a reactive token is to signal involvement without claiming

0:21:22.396 --> 0:21:26.476
<v Speaker 1>the floor from the speaker. I understand, I'm interested, keep going.

0:21:27.156 --> 0:21:31.876
<v Speaker 1>But new is an unusual reactive token because it's not neutral.

0:21:32.236 --> 0:21:35.836
<v Speaker 1>It's not I'm listening. It means hurry up, get to

0:21:35.916 --> 0:21:42.036
<v Speaker 1>the point. New new now is new polite in virtually

0:21:42.076 --> 0:21:44.596
<v Speaker 1>all cultures in the world. Of course, the answer would

0:21:44.596 --> 0:21:48.756
<v Speaker 1>be No. New is not some gentle conversational nudge. It's

0:21:48.756 --> 0:21:53.476
<v Speaker 1>a hijacking. The listener is interrupting the speaker in order

0:21:53.556 --> 0:21:56.676
<v Speaker 1>to control the pace of the narrative. But in Israel

0:21:57.076 --> 0:22:01.236
<v Speaker 1>this is not necessarily true. The Israeli linguist Isle Maschler

0:22:01.516 --> 0:22:06.676
<v Speaker 1>has written extensively on new. She says quote. By exhibiting

0:22:06.756 --> 0:22:10.396
<v Speaker 1>their impatience with the movement towards the climax of a story,

0:22:10.916 --> 0:22:13.356
<v Speaker 1>to the point of taking the liberty of controlling the

0:22:13.396 --> 0:22:18.756
<v Speaker 1>flow of another's discourse, hearers can show maximal involvement in

0:22:18.836 --> 0:22:22.436
<v Speaker 1>the narrative, meaning we in Israel have no need to

0:22:22.476 --> 0:22:25.676
<v Speaker 1>beat around the bush with neutral reactive tokens. We're a

0:22:25.716 --> 0:22:29.916
<v Speaker 1>tiny country with zero power distance. What happens tell me

0:22:30.236 --> 0:22:33.836
<v Speaker 1>I can't wait any longer. In Abraham's argument with God,

0:22:34.116 --> 0:22:38.436
<v Speaker 1>Abraham talks God down very methodically, fifty righteous men to

0:22:38.516 --> 0:22:42.276
<v Speaker 1>forty five to forty to thirty to twenty, and then ten,

0:22:42.756 --> 0:22:45.516
<v Speaker 1>and surely, right around the forty mark, when it would

0:22:45.516 --> 0:22:48.876
<v Speaker 1>have been obvious to any omniscient entity where Abraham was going.

0:22:49.436 --> 0:22:52.836
<v Speaker 1>God must have interrupted. No, I love you, Abraham, you

0:22:52.956 --> 0:22:54.916
<v Speaker 1>know that there is no need to drag.

0:22:54.716 --> 0:22:55.276
<v Speaker 3>This out.

0:22:58.036 --> 0:23:00.676
<v Speaker 1>My friend Milly says that since coming to America, she

0:23:00.756 --> 0:23:03.636
<v Speaker 1>has struggled with the transition to a land of excessive

0:23:03.676 --> 0:23:07.356
<v Speaker 1>social nicety, like this past winter when she was dealing

0:23:07.436 --> 0:23:08.476
<v Speaker 1>with her children's school.

0:23:09.116 --> 0:23:11.476
<v Speaker 2>If I say, for example, you know, can we have

0:23:11.636 --> 0:23:15.036
<v Speaker 2>less snow days? Like even if there's a snow day, like,

0:23:15.036 --> 0:23:17.756
<v Speaker 2>can't you just leave the school open? I'm just asking.

0:23:18.276 --> 0:23:21.236
<v Speaker 2>My husband says, that's hot spot, Like you don't think

0:23:21.276 --> 0:23:23.396
<v Speaker 2>about what their point of view is. You don't think

0:23:23.396 --> 0:23:25.356
<v Speaker 2>about what the teachers have to do to get to school,

0:23:25.356 --> 0:23:27.356
<v Speaker 2>you don't think about their safety, you don't think about

0:23:27.356 --> 0:23:30.516
<v Speaker 2>the other kids. I'm not true, but I just want

0:23:30.516 --> 0:23:32.636
<v Speaker 2>to know the like why can't I just ask the question?

0:23:32.756 --> 0:23:35.156
<v Speaker 1>So that's you know, Yes, Let's say you were in

0:23:35.196 --> 0:23:38.956
<v Speaker 1>Israel and the same scenario. I mean, I realize it's

0:23:38.956 --> 0:23:41.396
<v Speaker 1>not snow days in Israel. But suppose you're making the

0:23:41.436 --> 0:23:45.356
<v Speaker 1>same request at the school and I am the principal

0:23:45.396 --> 0:23:47.236
<v Speaker 1>of the school and you're asked, I would like you

0:23:47.276 --> 0:23:49.676
<v Speaker 1>to ask me, as an ISRAELI ask me why the

0:23:49.716 --> 0:23:50.876
<v Speaker 1>school can't stay over more?

0:23:51.156 --> 0:23:55.316
<v Speaker 2>Say excuse me, you know my kids at home, I

0:23:55.356 --> 0:23:57.316
<v Speaker 2>don't have the time to take care of them. They

0:23:57.316 --> 0:23:59.836
<v Speaker 2>need to be inside the school. You need to keep

0:23:59.876 --> 0:24:02.156
<v Speaker 2>the school open so I can leave my kids there.

0:24:02.196 --> 0:24:04.316
<v Speaker 2>And everybody else agrees with me. You want me to ask,

0:24:04.316 --> 0:24:06.036
<v Speaker 2>I'm going to get twenty people who agree with me.

0:24:06.196 --> 0:24:09.756
<v Speaker 2>Do you want to This would be like not and

0:24:10.076 --> 0:24:11.676
<v Speaker 2>this would be very nice, by the way.

0:24:11.516 --> 0:24:14.916
<v Speaker 1>And the principle in Israel would respond her.

0:24:17.196 --> 0:24:21.036
<v Speaker 2>Excuse me, I'm not working for you. I'm running a school.

0:24:21.676 --> 0:24:24.956
<v Speaker 2>I have a long way to come from home. Driving

0:24:24.996 --> 0:24:30.236
<v Speaker 2>in the snow is not easy, so please. And also

0:24:30.476 --> 0:24:33.676
<v Speaker 2>there's also insurance and all things that you don't think about,

0:24:33.996 --> 0:24:36.996
<v Speaker 2>So please, you know what, call me later after I

0:24:37.116 --> 0:24:39.716
<v Speaker 2>put my own kids down, and we'll talk on the phone. Okay,

0:24:39.916 --> 0:24:42.716
<v Speaker 2>this would be the conversation. She wouldn't hate me. She

0:24:42.756 --> 0:24:45.516
<v Speaker 2>would just like continue arguing with me, and then she'll

0:24:45.516 --> 0:24:48.196
<v Speaker 2>tell me to shut up. But you wouldn't like here.

0:24:48.316 --> 0:24:50.836
<v Speaker 2>They don't even like answer my email.

0:24:50.876 --> 0:25:00.796
<v Speaker 1>It's so embarrassing. So we have two very different scenarios here, HOOTSPA.

0:25:01.596 --> 0:25:04.716
<v Speaker 1>That's already convincing Bill Pelly to green light Hogan's heroes,

0:25:05.236 --> 0:25:08.596
<v Speaker 1>and Israeli would look at that and say, already's just

0:25:08.636 --> 0:25:13.116
<v Speaker 1>being direct. So what But Joe Colombo starting the Italian

0:25:13.156 --> 0:25:16.636
<v Speaker 1>American Civil Rights League. That is not Abraham arguing with

0:25:16.716 --> 0:25:19.596
<v Speaker 1>God to save the righteous of Sodom and Gomorrah. That

0:25:19.756 --> 0:25:23.036
<v Speaker 1>is not new. That is not why can't the schools

0:25:23.036 --> 0:25:26.076
<v Speaker 1>stay open on a snow day? That is an uffront.

0:25:26.796 --> 0:25:30.036
<v Speaker 1>It's not the I do something and i'm you know,

0:25:30.076 --> 0:25:33.476
<v Speaker 1>a dog has no who's ba right, a dog that's good?

0:25:33.516 --> 0:25:36.436
<v Speaker 2>That was not bad, getting very close, very close.

0:25:36.596 --> 0:25:39.876
<v Speaker 1>But the thing that's distinctive about this is the person

0:25:40.236 --> 0:25:43.796
<v Speaker 1>who is completely unencumbered by shame exactly.

0:25:43.436 --> 0:25:45.036
<v Speaker 2>Well, shame has nothing to do with it. They don't.

0:25:45.436 --> 0:25:48.436
<v Speaker 2>They're so beyond shame. They don't even see they don't

0:25:48.476 --> 0:25:52.076
<v Speaker 2>even see you to feel shame. It's their point of view,

0:25:52.116 --> 0:25:54.236
<v Speaker 2>without any regard to anyone.

0:25:53.996 --> 0:26:01.116
<v Speaker 1>Else's life, without regard to anyone else's life. Remember that,

0:26:09.356 --> 0:26:12.036
<v Speaker 1>not long after I spoke with Milli Avatol, there was

0:26:12.076 --> 0:26:14.596
<v Speaker 1>a hearing in front of three federal judges at a

0:26:14.636 --> 0:26:17.996
<v Speaker 1>courthouse in San Francisco. It was about the treatment of

0:26:18.116 --> 0:26:22.196
<v Speaker 1>migrant children detained at the border. At issue was whether

0:26:22.236 --> 0:26:25.956
<v Speaker 1>the conditions under which the children were being held violated

0:26:26.036 --> 0:26:30.036
<v Speaker 1>a previous legal commitment made by the government to provide

0:26:30.476 --> 0:26:34.996
<v Speaker 1>safe and sanitary conditions in detention centers. The Department of

0:26:35.156 --> 0:26:38.716
<v Speaker 1>Justice sent an attorney, Sarah Fabian, to make the case

0:26:38.716 --> 0:26:41.596
<v Speaker 1>that the government was in compliance with the safe and

0:26:41.636 --> 0:26:46.636
<v Speaker 1>sanitary standard. Her principal argument was that the term safe

0:26:46.636 --> 0:26:50.196
<v Speaker 1>and sanitary didn't have an explicit definition.

0:26:50.676 --> 0:26:53.996
<v Speaker 4>And that's any number of things might fall under those categories.

0:26:54.196 --> 0:26:58.036
<v Speaker 1>That's Fabian, And this is one of the judges, Marcia Burzon.

0:26:58.556 --> 0:27:02.676
<v Speaker 9>Yes, but sleep surely does. Right. You can't be safe

0:27:03.236 --> 0:27:06.476
<v Speaker 9>and sanitary or safe as a human being if you

0:27:06.516 --> 0:27:10.036
<v Speaker 9>can't sleep well. An you sent in your breeze, it

0:27:10.036 --> 0:27:13.396
<v Speaker 9>doesn't say anything about sleeping, so therefore there's nothing in

0:27:13.436 --> 0:27:14.956
<v Speaker 9>here about being able to sleep.

0:27:15.556 --> 0:27:19.276
<v Speaker 1>The children, it turned out, didn't have beds or blankets

0:27:19.676 --> 0:27:22.276
<v Speaker 1>or in some cases even room to lie down. So

0:27:22.396 --> 0:27:25.236
<v Speaker 1>Burzon wonders, how is that not a violation of the

0:27:25.276 --> 0:27:27.596
<v Speaker 1>agreement to provide decent living conditions?

0:27:28.316 --> 0:27:31.916
<v Speaker 4>And Fabian answers, I think the concern there is, your honor.

0:27:32.036 --> 0:27:35.476
<v Speaker 4>The court finding that sleep, for example, falls under is

0:27:35.556 --> 0:27:39.276
<v Speaker 4>relevant to a finding of no safe and sanitary conditions.

0:27:39.316 --> 0:27:43.116
<v Speaker 4>It is one thing, but the ultimate conclusion is safe

0:27:43.156 --> 0:27:45.756
<v Speaker 4>and sanitary is a singular category in the agreement.

0:27:46.756 --> 0:27:49.116
<v Speaker 1>You probably need to be a lawyer to understand what

0:27:49.156 --> 0:27:51.916
<v Speaker 1>Fabian is saying. And I'm not a lawyer, so I'm

0:27:51.956 --> 0:27:54.276
<v Speaker 1>going to have to guess. The government's argument goes like

0:27:54.316 --> 0:27:58.476
<v Speaker 1>this sleep is one thing safe and sanitary or another.

0:27:58.916 --> 0:28:01.596
<v Speaker 1>If the agreement had meant for sleep to fall under

0:28:01.596 --> 0:28:05.236
<v Speaker 1>the requirement of safe and sanitary, it would have said so.

0:28:05.276 --> 0:28:10.036
<v Speaker 1>Then Judge William Fletcher chimes in, maybe sleep wasn't explicitly

0:28:10.076 --> 0:28:13.996
<v Speaker 1>part of the safe and sanitary definition because it's too obvious.

0:28:14.756 --> 0:28:18.356
<v Speaker 10>I mean, it may be that they don't get super

0:28:18.436 --> 0:28:23.036
<v Speaker 10>thread counts Egyptian linens. I get that, but the testimony

0:28:23.196 --> 0:28:27.756
<v Speaker 10>that the district judge believed was it's really cold. In fact,

0:28:27.836 --> 0:28:30.476
<v Speaker 10>it gets colder when we complain about is being cold.

0:28:30.876 --> 0:28:34.556
<v Speaker 10>We're sports to sleep crowded with the lights on all

0:28:34.636 --> 0:28:37.836
<v Speaker 10>night long, and all you to put us on is

0:28:37.836 --> 0:28:41.076
<v Speaker 10>the concrete floor with an aluminum Lincoln. I mean, no

0:28:41.116 --> 0:28:44.676
<v Speaker 10>one would argue that this is secure and sanitary.

0:28:44.756 --> 0:28:47.276
<v Speaker 4>Yer, And I think what I'm arguing is that the

0:28:47.716 --> 0:28:51.756
<v Speaker 4>way that the district cart reached the conclusion was to

0:28:51.876 --> 0:28:56.596
<v Speaker 4>say these these specific items, and I think I will acknowledge.

0:28:56.596 --> 0:28:59.436
<v Speaker 4>I think sleep is the more difficult end of what

0:28:59.476 --> 0:29:00.076
<v Speaker 4>I'm arguing.

0:29:00.716 --> 0:29:03.996
<v Speaker 1>Sleep is the more difficult end of what I'm arguing.

0:29:04.516 --> 0:29:07.716
<v Speaker 10>You think cold all night long, lights on all night,

0:29:07.756 --> 0:29:09.836
<v Speaker 10>now sleep on the concrete, and you got an aluminum

0:29:09.876 --> 0:29:12.716
<v Speaker 10>foil blanket. I think I find that inconceivable that the

0:29:12.756 --> 0:29:16.156
<v Speaker 10>government would say that that is safe and sanitary.

0:29:16.316 --> 0:29:20.836
<v Speaker 1>From sleeping blankets. The discussion moved on to toothpaste, toothbrushes,

0:29:21.236 --> 0:29:21.756
<v Speaker 1>and soap.

0:29:22.556 --> 0:29:25.756
<v Speaker 10>It wasn't you know, a high class milled soap. It

0:29:25.876 --> 0:29:28.956
<v Speaker 10>was soap, and that sounds all that's part of safe

0:29:28.956 --> 0:29:29.676
<v Speaker 10>and sanitary?

0:29:30.356 --> 0:29:31.956
<v Speaker 3>Are are you disagreeing with that?

0:29:33.436 --> 0:29:36.716
<v Speaker 4>I'm What I'm disagreeing with is that the court ultimately

0:29:36.796 --> 0:29:37.836
<v Speaker 4>concluded these things.

0:29:38.236 --> 0:29:47.356
<v Speaker 1>Yes, she was disagreeing with that. All of this went

0:29:47.396 --> 0:29:50.476
<v Speaker 1>on for some time. I would encourage you to listen

0:29:50.476 --> 0:29:53.036
<v Speaker 1>to the full hearing for yourself, since if you are

0:29:53.036 --> 0:29:56.436
<v Speaker 1>an American, it was your government, paid for by your

0:29:56.476 --> 0:30:00.596
<v Speaker 1>tax dollars, that was doing the arguing, and ask yourself

0:30:01.436 --> 0:30:07.036
<v Speaker 1>how did it come to this? There are a thousand answers, obviously,

0:30:07.676 --> 0:30:09.596
<v Speaker 1>but maybe one of them is it. Over the years,

0:30:09.676 --> 0:30:13.836
<v Speaker 1>our moral vocabulary has become impoverished, which is a problem

0:30:14.156 --> 0:30:17.436
<v Speaker 1>because you cannot make sense of things that you cannot describe,

0:30:17.956 --> 0:30:22.716
<v Speaker 1>and lumping together audacity and shamelessness creates a loophole large

0:30:22.796 --> 0:30:31.356
<v Speaker 1>enough to drive a tank through. One last question, what

0:30:31.516 --> 0:30:35.756
<v Speaker 1>happens when Hutsba and huts Bah go head to head

0:30:36.276 --> 0:30:39.836
<v Speaker 1>when they meet each other in the field of battle? Well,

0:30:40.156 --> 0:30:44.876
<v Speaker 1>it happened famously in nineteen seventy. Already at that point

0:30:44.956 --> 0:30:48.236
<v Speaker 1>was working at Paramount Pictures. That was the era when

0:30:48.356 --> 0:30:51.676
<v Speaker 1>Robert Evans was the head of production at Paramount, and

0:30:51.716 --> 0:30:54.436
<v Speaker 1>the studio was on maybe the greatest run of any

0:30:54.556 --> 0:31:00.036
<v Speaker 1>studio ever, Love Story, Three Days of the Condor, Rosemary's Baby, Chinatown,

0:31:00.516 --> 0:31:04.636
<v Speaker 1>on and on. Already, in typical Alreaddy fashion, had just

0:31:04.716 --> 0:31:07.516
<v Speaker 1>talked himself into a big job there as a producer

0:31:08.236 --> 0:31:11.436
<v Speaker 1>a reporter to do a piece on him. He asked, Ruddy,

0:31:11.996 --> 0:31:15.516
<v Speaker 1>after you did Hogan's Heroes, what did you do next?

0:31:16.236 --> 0:31:19.036
<v Speaker 3>Oh? No, that's all I did. That's it. He puts

0:31:19.036 --> 0:31:21.436
<v Speaker 3>the pedal. Can I go off the rekler for a

0:31:21.436 --> 0:31:24.196
<v Speaker 3>second with you? He said, how the fuck did you

0:31:24.196 --> 0:31:27.756
<v Speaker 3>get in here? I know guys can't get in that

0:31:27.836 --> 0:31:31.556
<v Speaker 3>gate who been here twenty years? Kick in? I said, listen,

0:31:32.276 --> 0:31:34.556
<v Speaker 3>neither were off the rugged. I had no idea what

0:31:34.596 --> 0:31:37.996
<v Speaker 3>the fector. I've never developed a screenplay. I did one

0:31:38.076 --> 0:31:41.476
<v Speaker 3>half hour show. Okay, I'm the dumbest guy on this

0:31:41.556 --> 0:31:43.956
<v Speaker 3>lot at the moment. I won't be for long, but

0:31:44.156 --> 0:31:45.236
<v Speaker 3>just don't write in the art of me.

0:31:45.836 --> 0:31:50.716
<v Speaker 1>Still with the Hootspa. Around this time, Paramount, almost by accident,

0:31:51.036 --> 0:31:53.276
<v Speaker 1>got the film rights to a novel by a writer

0:31:53.396 --> 0:31:58.356
<v Speaker 1>named Mario Puzo. The novel was The Godfather. No One

0:31:58.356 --> 0:32:01.236
<v Speaker 1>had high hopes for the movie since the mobster genre

0:32:01.316 --> 0:32:03.996
<v Speaker 1>scene played out, so they gave it to the new

0:32:04.076 --> 0:32:07.596
<v Speaker 1>guy ready to produce, in hopes he could bring it

0:32:07.636 --> 0:32:13.116
<v Speaker 1>in on time and underby. Almost immediately, trouble began with

0:32:13.156 --> 0:32:19.796
<v Speaker 1>the Godfather project, trouble from Joe Colombo because Colombo was

0:32:19.836 --> 0:32:23.476
<v Speaker 1>not at all happy about the movie. They were death threats,

0:32:23.956 --> 0:32:28.356
<v Speaker 1>union problems, shady guys followed Ruddy around the window of

0:32:28.396 --> 0:32:31.836
<v Speaker 1>his car was smashed. The corporate headquarters of the company

0:32:31.836 --> 0:32:35.636
<v Speaker 1>that owned Paramount had to be evacuated twice because of

0:32:35.716 --> 0:32:39.876
<v Speaker 1>bomb threats, and then the Italian American Civil Rights League

0:32:40.036 --> 0:32:42.276
<v Speaker 1>called up Ruddy's boss, Robert Evans.

0:32:42.676 --> 0:32:46.476
<v Speaker 3>The Lee called Bob Evans up and threatened him, we

0:32:46.516 --> 0:32:48.556
<v Speaker 3>didn't want that movie. He made if that movie made,

0:32:48.956 --> 0:32:52.316
<v Speaker 3>someone's gonna get height. So Bob called me, will you

0:32:52.316 --> 0:32:55.036
<v Speaker 3>go see the sky to your columb These people are crazy.

0:32:55.556 --> 0:32:59.556
<v Speaker 1>Ruddy calls up the Godfather's author Mario Puzzo, says, come

0:32:59.596 --> 0:33:00.756
<v Speaker 1>with me to meet Joe Colombo.

0:33:01.156 --> 0:33:04.236
<v Speaker 3>He said, out, are you crazy? You don't understand I

0:33:04.276 --> 0:33:07.116
<v Speaker 3>write about those people. I never want to be involved,

0:33:07.716 --> 0:33:10.836
<v Speaker 3>and you'd be very careful, he evolved, because these are

0:33:10.876 --> 0:33:13.436
<v Speaker 3>not people you can tour with. The bullshit you're gonna

0:33:13.476 --> 0:33:15.476
<v Speaker 3>get in a lot of trouble. So to answer your question,

0:33:15.676 --> 0:33:17.396
<v Speaker 3>I am not like I'm gonna go up tell him

0:33:17.436 --> 0:33:18.436
<v Speaker 3>you don't even know me.

0:33:19.036 --> 0:33:22.316
<v Speaker 1>So Ruddy says, okay, I'll do it myself. He goes

0:33:22.356 --> 0:33:25.236
<v Speaker 1>to the offices of the Italian American Civil Rights League,

0:33:25.596 --> 0:33:28.036
<v Speaker 1>meets up with Colombo and his guys Brooklyn.

0:33:28.116 --> 0:33:30.276
<v Speaker 3>To Brooklyn, looks like half of them are on parole,

0:33:30.316 --> 0:33:32.796
<v Speaker 3>you know, with the lump under of the jacket.

0:33:32.996 --> 0:33:36.076
<v Speaker 1>They tell him they don't want the movie made. It's

0:33:36.116 --> 0:33:40.516
<v Speaker 1>bad for the Italians. Ruddy responds, you know what, I'll

0:33:40.556 --> 0:33:43.236
<v Speaker 1>let you read the script. Come to the Paramount office

0:33:43.236 --> 0:33:47.276
<v Speaker 1>in New York. Colombo shows up with three henchmen. Ruddy

0:33:47.436 --> 0:33:49.956
<v Speaker 1>hands in the script. It's one hundred and fifty five

0:33:50.036 --> 0:33:50.676
<v Speaker 1>pages long.

0:33:50.836 --> 0:33:54.756
<v Speaker 3>He puts on thervent flank. My classes goes the page.

0:33:54.796 --> 0:33:57.636
<v Speaker 3>When his sister looks at for about five minutes, what

0:33:57.756 --> 0:34:00.636
<v Speaker 3>does this mean? Fade in as well. The screen's black

0:34:00.676 --> 0:34:03.116
<v Speaker 3>and event I said, I raise, there's no way the

0:34:03.156 --> 0:34:07.396
<v Speaker 3>guy's going to page Oh, I can't read with these glasses.

0:34:08.036 --> 0:34:10.276
<v Speaker 1>I'm mafia boss is not going to work his way

0:34:10.396 --> 0:34:13.676
<v Speaker 1>through one hundred and fifty five page script. The whole

0:34:13.756 --> 0:34:16.196
<v Speaker 1>point of being a mafia boss is that you don't

0:34:16.276 --> 0:34:18.356
<v Speaker 1>have to read things that are one hundred and fifty

0:34:18.396 --> 0:34:22.236
<v Speaker 1>five pages. Mafia bossays, do not have to do the

0:34:22.316 --> 0:34:25.756
<v Speaker 1>fine print, the letter of the law, or chapter and verse.

0:34:26.356 --> 0:34:28.796
<v Speaker 1>Those are for the people who have chosen not to

0:34:28.916 --> 0:34:32.076
<v Speaker 1>live a life of crime. Colombo hands the script to

0:34:32.156 --> 0:34:36.276
<v Speaker 1>one of his henchmen, a guy named Caesar. But Caesar's

0:34:36.316 --> 0:34:38.636
<v Speaker 1>not going to read it either, is he. Caesar's not

0:34:38.716 --> 0:34:41.556
<v Speaker 1>in the business of giving notes. Caesar's muscle.

0:34:41.996 --> 0:34:46.796
<v Speaker 3>Here's why me, but my script or over my desk. Finally,

0:34:46.836 --> 0:34:52.316
<v Speaker 3>Jill gets pissed Offiqus slester it on my desk? Do

0:34:52.396 --> 0:34:55.636
<v Speaker 3>we like this guy? Yeah? I like her? That's just

0:34:55.796 --> 0:34:59.116
<v Speaker 3>a really fuck, it's print for So, I said, well,

0:34:59.156 --> 0:35:00.556
<v Speaker 3>what do you what do you want? Where do you live?

0:35:00.836 --> 0:35:02.916
<v Speaker 3>He said, would you take the word mafia out of

0:35:02.956 --> 0:35:03.396
<v Speaker 3>the movie.

0:35:04.156 --> 0:35:07.636
<v Speaker 1>What Colombo doesn't realize because he hasn't read the script,

0:35:08.196 --> 0:35:10.716
<v Speaker 1>is it the word mafia is barely in the script.

0:35:11.236 --> 0:35:12.196
<v Speaker 1>It only appears once.

0:35:12.716 --> 0:35:16.196
<v Speaker 3>So I crossed the word mafia. I said, Joe, I'm

0:35:16.196 --> 0:35:18.156
<v Speaker 3>gonna do this. I'm gonna take this out of the movie.

0:35:18.276 --> 0:35:19.916
<v Speaker 3>He didn't know how many times it was ill is

0:35:19.996 --> 0:35:23.276
<v Speaker 3>he to promise? Shook his hand. I made a deal

0:35:23.716 --> 0:35:26.436
<v Speaker 3>that nobody could have made. No one read this way plan.

0:35:27.116 --> 0:35:30.076
<v Speaker 1>From that moment on, all trouble with the movie ceased.

0:35:30.836 --> 0:35:34.556
<v Speaker 1>It's why The Godfather got made. Hoots Ba is a

0:35:34.596 --> 0:35:37.316
<v Speaker 1>bunch of violent mobsters threatening to shut down a movie

0:35:37.716 --> 0:35:42.556
<v Speaker 1>because it depicts them as violent mobsters. HUTSBA is tricking

0:35:42.636 --> 0:35:44.676
<v Speaker 1>them because they're too lazy to read the script.

0:35:45.156 --> 0:35:48.156
<v Speaker 2>It's so difficult, Malcolm, I'd bite my tongue all the time.

0:35:49.196 --> 0:35:51.476
<v Speaker 1>It's not easy. It's not easy for you to be

0:35:51.516 --> 0:35:54.276
<v Speaker 1>over here in this politeness.

0:35:54.636 --> 0:35:58.316
<v Speaker 2>I'm basically living ten percent of my personality because I

0:35:58.436 --> 0:35:59.276
<v Speaker 2>have to be i'man.

0:36:01.116 --> 0:36:04.716
<v Speaker 1>Mealy wants to be direct she's not a bully, and

0:36:04.836 --> 0:36:07.516
<v Speaker 1>I wonder can we even tell the difference anymore?

0:36:09.156 --> 0:36:09.796
<v Speaker 3>It's not good.

0:36:10.196 --> 0:36:12.556
<v Speaker 2>It's not good. It's it's a very thick street. I'm

0:36:12.556 --> 0:36:15.756
<v Speaker 2>a desert person having to deal with yah snow.

0:36:20.276 --> 0:36:23.676
<v Speaker 1>Revisionous History is produced by Mela Bell and Jacob Smith

0:36:23.996 --> 0:36:28.756
<v Speaker 1>with Camille Baptista. Our editor is Julia Barton. Flon Williams

0:36:28.916 --> 0:36:32.516
<v Speaker 1>is our engineer. Fact checking by Beth Johnson. Original music

0:36:32.596 --> 0:36:37.396
<v Speaker 1>by Luis Gara. Special thanks to Carl Migliori, heater Feine,

0:36:37.996 --> 0:36:43.956
<v Speaker 1>Maggie Taylor, Maya Knigg and Jacob Weisberg. Revisious History is

0:36:44.116 --> 0:37:01.516
<v Speaker 1>brought to you by Pushkin Industries. I'm Malcolm Godlaw, so

0:37:01.676 --> 0:37:04.476
<v Speaker 1>wait say again me me Melli.

0:37:04.636 --> 0:37:08.116
<v Speaker 2>It's a flat elka. If the tongue is flat, the

0:37:08.276 --> 0:37:10.676
<v Speaker 2>snow all l.

0:37:12.676 --> 0:37:12.956
<v Speaker 3>MILLI.

0:37:13.796 --> 0:37:19.516
<v Speaker 2>So that's melli and it's not avial. It's a vital vital.

0:37:19.956 --> 0:37:23.036
<v Speaker 2>There's the other difference is also the ta. It doesn't

0:37:23.076 --> 0:37:26.396
<v Speaker 2>have a sort of air to it, so it's not it's.

0:37:28.076 --> 0:37:28.276
<v Speaker 1>Ah.

0:37:28.876 --> 0:37:30.556
<v Speaker 2>So do you hear the difference or is it just

0:37:30.636 --> 0:37:30.676
<v Speaker 2>me