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Speaker 1: He added that performative energy. If you out, you can

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Speaker 1: kind of get those lyrics, because you know everybody think

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Speaker 1: they gotta hop. You know everybody in the club, and

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Speaker 1: everyone can go ah, yeah exactly. I ain't like that,

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Speaker 1: but everybody can do that. No worry yet. Now, hey,

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Speaker 1: let's next to get hell. But's it not a bounce back?

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Speaker 1: Wake up?

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Speaker 2: Very more than by its not.

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Speaker 1: Our count stacks knew that as was real when.

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Speaker 3: I hit it.

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Speaker 4: Bounce back, hold up, yeah, getting checked, squirt sort, let's

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Speaker 4: next to get hell? But it not a bounce black boy,

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Speaker 4: I haven't broke his heal. Catch a checking bounce back.

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Speaker 4: He's out in l a X every week. I bounced back.

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Speaker 3: If you're a real wonder, you know how to bounce back.

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Speaker 1: This gay oh man, I feel like I haven't seen

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Speaker 1: any of you in so long.

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Speaker 3: Well it's been it's been a few days, like five

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Speaker 3: or so.

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Speaker 1: I saw you Sunday. Sunday, Yes, but today is Thursday. Uh,

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Speaker 1: today's twenty eighth, I believe March twenty eighth.

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Speaker 3: Yes, we are back.

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Speaker 1: We are back in the studio.

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Speaker 3: Landed this morning and sunny, or as my grandmother would say, beautiful.

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Speaker 1: Forty six degrees in raining outside right now.

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Speaker 3: I was a little nervous that my flight would be

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Speaker 3: delayed and I wouldn't get here on time. But I

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Speaker 3: made it.

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Speaker 1: I'm glad you made it. Like you got some son,

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Speaker 1: you got a little little color TV.

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Speaker 3: I was in the shade for the most part, but

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Speaker 3: I did step. I did have to step outside at

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Speaker 3: some point in Miami. You know, doesn't do it doesn't

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Speaker 3: do great with my complexion. I was out there. I

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Speaker 3: was on South Beach. I went to sow House.

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Speaker 1: Yell. So you go to every city and do the

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Speaker 1: same shit you do home, all right? You one of

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Speaker 1: those guys like you? You find what you know at home? Like, okay, yeah,

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Speaker 1: soul house here?

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Speaker 3: You're not wrong?

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Speaker 5: Is there?

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Speaker 1: Wait? Can I get a good beer? Like you? You

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Speaker 1: one of those guys.

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Speaker 3: Well, I'd never been to the soul house.

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Speaker 6: Miami.

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Speaker 3: One is different because they have like a section of

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Speaker 3: the beach, like cut off on South Beach, so you

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Speaker 3: can like go out and sit and like you know

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Speaker 3: that waitress, you.

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Speaker 5: Can scoff at the poor people that can't get through

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Speaker 5: the sand that you're on.

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Speaker 3: I don't know, man, South Beach is a pretty crazy

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Speaker 3: range of finances. I feel like I feel like there's

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Speaker 3: way more poor people in South Beach now than there's

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Speaker 3: rich people. I mean, things have shifted.

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Speaker 1: There's way more poor people in the world.

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Speaker 3: Like well, I mean, if you put it that way, yeah,

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Speaker 3: some of.

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Speaker 1: Those I can't argue that some of those people you

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Speaker 1: saw on South Beach they had condos.

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Speaker 3: Last year, Like even the Versace Mansion now like looks

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Speaker 3: a little bandoish. All of South Beach looks like nineteen

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Speaker 3: eighty five to me, they haven't really updated.

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Speaker 5: Shit, you stopped at another house on South Beach for

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Speaker 5: not on South Beach but in Miami.

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Speaker 6: Royd was even a house tour in Miami.

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Speaker 3: Well, I mean we can get to that. Should we

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Speaker 3: recap the DC Show.

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Speaker 1: First, thank you to everyone that came out to the

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Speaker 1: DC Show.

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Speaker 3: I'd like to properly talk to.

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Speaker 1: Thank you to everybody that came out to the DC

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Speaker 1: Show from the DMV area because it was people who

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Speaker 1: can't just say DC. It was people from all over Alltimore, Virginia.

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Speaker 3: Shout out to the We had our first fight, I

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Speaker 3: think the first fight ever in live podcasting history.

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Speaker 1: Yeah, we had we had the first fight.

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Speaker 3: We should check with a Guinness Book of World Records.

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Speaker 3: I think we did. We did something roundbreaking. Yeah that

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Speaker 3: no one thought. We thought fighting at an R and

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Speaker 3: B show was crazy.

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Speaker 1: Yeah. No, fighting at a podcast, a live podcast is

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Speaker 1: like next level. Like So here's how it happened. First

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Speaker 1: of all, rwand a little bit. The gentleman that was

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Speaker 1: on stage that ended up getting into the fight. He

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Speaker 1: was on stage shout out to Tequila Talk. They opened

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Speaker 1: for us in DC again, so he was on stage

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Speaker 1: with them, and he was talking whatever. We were off stage,

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Speaker 1: get ready to go on, waiting to go on. After

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Speaker 1: Tequila Talk got done with their set, and so the

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Speaker 1: gentleman got off. But you know, you can't really hear

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Speaker 1: what's going on stage, you can't hear the audience. So

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Speaker 1: he walks right up to me like, yo, mom, man,

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Speaker 1: they booed me. Man, they boomed me off the stage.

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Speaker 1: I looked at him. I was like, I didn't know

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Speaker 1: what they were doing. So I thought maybe he was

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Speaker 1: trying to rap spit some bars and they boot him.

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Speaker 1: I didn't know. I was like, damn, you know, I

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Speaker 1: just gave him the damn kid, like, yo, well you know,

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Speaker 1: hang in there. You know, I gave one of those

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Speaker 1: you know, I mean, keep your head up, Like, I

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Speaker 1: don't know what.

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Speaker 3: To say after rorry he bombs all the time on stage.

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Speaker 1: Yeah, So as he walks away from me to go

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Speaker 1: back out into the audience, he goes through the side door,

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Speaker 1: he says something that's very familiar if you're from the

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Speaker 1: hood and you know some shit is about to happen.

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Speaker 1: He said, all right, watch.

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Speaker 3: I'm gonna have canceled the show, but I ain't paying

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Speaker 3: one's walking to the card.

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Speaker 1: I'm like, I know what I watched me where I

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Speaker 1: come from, don't know what it means down here in

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Speaker 1: the DMV, right, So I'm like, okay. He was like,

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Speaker 1: all right, watch cool. So we going stay. You start

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Speaker 1: doing our set and as we're talking, we're talking about

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Speaker 1: the whole you know, Drake and his history of battle

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Speaker 1: rap and things like that. So we started talking about

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Speaker 1: Drake and Meek's battle and as we're talking about that

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Speaker 1: that maybe ten minutes. As we're talking about that, you

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Speaker 1: start seeing everybody getting up and kind of like because

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Speaker 1: the chairs were like foldle chairs, so you can move

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Speaker 1: the chairs, so like you see people getting up pushing chairs,

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Speaker 1: but everybody looks like they're looking at the ground. So

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Speaker 1: initially I thought maybe a rat ran in the venue.

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Speaker 3: But it was a little dark too, so we didn't

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Speaker 3: see in the yeah, because you can't really see.

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Speaker 1: But I'm seeing people run and they're looking at the ground,

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Speaker 1: So I'm like, oh, maybe somebody saw a rat running

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Speaker 1: through the venue. You know, people see a rat running

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Speaker 1: in the venue, they getting up, they moving out the way.

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Speaker 3: Yeah.

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Speaker 1: Then we learned the gentleman in the security guard on

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Speaker 1: the floor tussling. No did he so I think I

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Speaker 1: immediately said he must be a dream chaser, just try

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Speaker 1: to make fun of the whole Drake Meek situation we

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Speaker 1: were talking about. But we didn't think it was a

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Speaker 1: real fight. We thought, maybe, you know, somebody's just having words.

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Speaker 1: Oh no. Then most securities started to come and help

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Speaker 1: the other security guard, and as they were picking him

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Speaker 1: up off of his feet carrying him out, he was

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Speaker 1: still trying to swing on the security guard and then

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Speaker 1: he went on his ig live and.

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Speaker 3: Well, he broke free. I'll give him some credit. He

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Speaker 3: did break free for like a second and then was

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Speaker 3: quickly yoked up within out of the four or five

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Speaker 3: seconds after that, he gave a good attempt. We still

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Speaker 3: don't exactly know what started the entire security versus him beef.

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Speaker 1: I'm guessing he was maybe drunk and and you know,

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Speaker 1: it was bothering people sitting around him, being too loud,

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Speaker 1: belligerent and they had security come get him, and maybe

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Speaker 1: he didn't want security touch him. You know, don't touch me.

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Speaker 1: You know, they don't touch me, and you touch him,

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Speaker 1: you gotta fight after that. So I'm thinking it was

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Speaker 1: one of those. But the fact that it happened at

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Speaker 1: our show is insane.

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Speaker 5: Yeah, I was on Twitter and I refreshed the Twitter

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Speaker 5: feed just to see, like, okay, to see if the

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Speaker 5: show is going smoothly, and then it was like six

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Speaker 5: tweets in a row. They were like, Yeo, there's a fight.

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Speaker 5: They broke out, they swing and all that. I was like,

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Speaker 5: So then I screenshoted that, and I was like, what

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Speaker 5: the fuck.

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Speaker 6: Is going on?

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Speaker 5: List Man called me after the show because obviously you

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Speaker 5: guys still had to do the show, just like, what

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Speaker 5: the hell?

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Speaker 3: The show didn't really skip a beat and like that

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Speaker 3: just speaks to the DMV area. Everyone just kind of

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Speaker 3: moved out the way, yeah, and then just kept watching

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Speaker 3: the show, just kept watching the show, laughed, put their

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Speaker 3: chair back back. Put the chairs back, everybody sit down.

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Speaker 3: But but aside from that, it was a great show,

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Speaker 3: great crowd, great.

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Speaker 1: Go I was okay too. I was hoping a young

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Speaker 1: lady that bought her newborn son on stage when we

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Speaker 1: were there maybe two years ago. Yeah, I was hoping

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Speaker 1: she came back with her son so we could see

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Speaker 1: him being that being one, well, you know, he was

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Speaker 1: six he was six weeks when we met him. He

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Speaker 1: was only six weeks old. So I was hoping that

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Speaker 1: she came back, but.

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Speaker 3: He might be with a new family.

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Speaker 1: Though was anti black is funny. That's racist for calling

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Speaker 1: that maybe he's with the new family is crazy? All right,

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Speaker 1: that's sick.

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Speaker 3: I thought it was cool at the time, but now

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Speaker 3: that you have now that I'm just thinking about, like

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Speaker 3: having a six week old on it bringing to a

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Speaker 3: live show and on stage is kind of nuts.

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Speaker 1: Yeah, in retrospect, well we said that then we were

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Speaker 1: kind of shocked, and.

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Speaker 3: Just now it feels even weirder. It's different because you

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Speaker 3: have a bit germs. Everything that would just terrify me.

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Speaker 2: Was it weird that they were at this show, or

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Speaker 2: that they were on stage?

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Speaker 1: Matter of fact, and being on stage if she wasn't

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Speaker 1: at the show.

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Speaker 3: I think on stage was the safest place for her

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Speaker 3: to be.

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Speaker 1: That's true.

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Speaker 3: I'm actually glad she spent the entire show on that

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Speaker 3: couch with her baby. We have a fight breaks like,

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Speaker 3: all right, let's put her in this this show. What

204
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Speaker 3: if she's next to that fight with a six week old? True, yeah,

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Speaker 3: you bought your baby. Say we had mar she was

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Speaker 3: backstage in the green room.

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Speaker 1: Yeah, I'm not.

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Speaker 7: Talking about that show. We had Marshmallow outside pretty early.

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Speaker 3: That's true.

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Speaker 5: Oh, we're talking about that. That's still different though, because

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Speaker 5: we don't we're not in the ga.

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Speaker 2: Yeah.

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Speaker 3: I mean he sounded like he sounded like a dick

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Speaker 3: when he said it, but that would have been my replies.

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Speaker 1: Potentially, like no, because I know the show.

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Speaker 5: We want to together at Bowery, Like we were communicating

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Speaker 5: with all of the security ahead of times, scorted ahead

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Speaker 5: of time. We took an elevator up, like we're not

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Speaker 5: just dragging this fucking baby through a show. We were

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Speaker 5: pretty much delivered her to the VIP section and then

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Speaker 5: we waited for the whole venue to clear out, and

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Speaker 5: then we laughed like.

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Speaker 6: It was very nice.

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Speaker 2: He's right, it does sound pretentious, but you are right.

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Speaker 1: Kill me.

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Speaker 6: I'm an asshole.

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Speaker 3: I mean either way, the DC show was great. Crowd

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Speaker 3: crowd was amazing, and everyone that came on stage was cool.

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Speaker 3: Meet and rates were a lot of fun.

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Speaker 1: Had a lot of fun with the crowd. Man. Thank

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Speaker 1: you to everybody from the DMV area that came out

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Speaker 1: to the Howard Theater. Thank you to the staff at

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Speaker 1: the Howard Theater, thank you to security, and thank you

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Speaker 1: to the guy that got into a fight for giving us,

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Speaker 1: you know, the first fighting podcast live podcast history. I

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Speaker 1: think we gotta check it.

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Speaker 3: So I was kind of on like not really on

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Speaker 3: his side, per see, because I really didn't know what happened.

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Speaker 3: But you know, I have a temper and a problem

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Speaker 3: with authority, so I can understand some type of squabble

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Speaker 3: with security.

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Speaker 1: Yeah.

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Speaker 3: I've been in situations like that. The show continued on.

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Speaker 3: It's like he ruined the show. But then I get

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Speaker 3: back to the hotel and he's explaining the situation, which

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Speaker 3: again is fine, but he threw in a shot that

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Speaker 3: was like I think maybe I just got kicked out

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Speaker 3: because I was making everyone laugh more than the people

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Speaker 3: that were on stage. I'm like, you paid for a

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Speaker 3: ticket to come here, and you only gave us three

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Speaker 3: minutes to talk.

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Speaker 2: He said, Now I gotta spice this shit up a little.

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Speaker 3: Okay, I didn't get the shot. I don't think it

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Speaker 3: was necessary. Everybody you know he didn't get refunded.

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Speaker 1: He tagged me in it. Yeah, I think, he added,

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Speaker 1: that's how I find anything on social media with me,

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Speaker 1: and yeah, he tagged us out. I looked at it

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Speaker 1: for a second. I just laughed and and that was it.

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Speaker 1: But overall, great show, had a great time in DC.

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Speaker 1: Thank you to everybody.

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Speaker 3: Next day we went to Nucci's front porch.

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Speaker 1: Nucci. We did that.

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Speaker 3: We had the first podcast live fight, and then we

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Speaker 3: had the first podcast ever on the front porch with

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Speaker 3: our guy Nucci. That should be out very soon. But

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Speaker 3: it was fun to do that. Then I made the

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Speaker 3: biggest rookie move. I was almost embarrassed. I didn't think

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Speaker 3: I was gonna tell anyone I went to the wrong airport.

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Speaker 2: How embarrassing I didn't.

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Speaker 3: And this is I drive to d C. I think

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Speaker 3: I've flown into d C and out of d C

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Speaker 3: once or twice in my entire life. I only know

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Speaker 3: the greatest president of all time Ronald Reagan. That's the

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Speaker 3: only airport I know. I didn't know the like, that's

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Speaker 3: their LaGuardia. I didn't know they had a JFK like

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Speaker 3: the real airport. So I believe.

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Speaker 1: DA is that is Ronald Reagan. I believe, hey, Ronald

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Speaker 1: Reagan is the that's their international airport.

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Speaker 3: So that's the when I went to Apparently I needed

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Speaker 3: to go to the bigger airport, which is like Washington

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Speaker 3: International or.

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Speaker 5: Something Washington and D's Washington Duck or some shit.

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Speaker 1: Oh, dolls, dolls. That's in Maryland. I think Dallas Dulas Maryland.

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Speaker 3: Right, all right, so you guys are actually making me

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Speaker 3: feel better.

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Speaker 5: That now Dallas is Yeah, that's a that's big.

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Speaker 1: But that's in Maryland though.

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Speaker 3: Yeah, so I but all right, sometimes when you fly

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Speaker 3: out of NOWRK, it'll say NYC, even though you're not.

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Speaker 3: So I leave new She's get to the airport. I'm like, oh,

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Speaker 3: I'll be able to eat, chill for a second. Go

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Speaker 3: to the kiosk. Type in my low number to check

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Speaker 3: my bags, just in huge letters. I didn't even know

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Speaker 3: this existed in the kiosk. You are at the wrong airport.

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Speaker 5: Leave, Yeah, not that close to each other either.

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Speaker 3: No, oh, especially not on a Sunday with Sunday traffic.

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Speaker 6: Yeah.

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Speaker 3: I just made my flight to ruin my girl's birthday

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Speaker 3: while she had a screaming toddler with.

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Speaker 1: Her for an hour and afur that would have been.

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Speaker 3: Thank god, the two women that were there like held

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Speaker 3: it to the last minute so we could even check

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Speaker 3: our bags. I was like, oh, this is off to

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Speaker 3: an amazing start. It's me the worst fucking trip ever.

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Speaker 3: Were you on your Karen shit, You're like, hold that flight.

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Speaker 3: I didn't know. I didn't have time to do my

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Speaker 3: Karen shit. I was just in traffic being a Karen

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Speaker 3: to the Uber driver.

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Speaker 1: Oh god, oh god, I hate No.

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Speaker 3: No, he was really nice. He actually he was nice.

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Speaker 3: I'm not I don't want to snitch on him. I'm

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Speaker 3: not gonna say subertag. He had me take out the

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Speaker 3: stickers out his window so he could go to like

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Speaker 3: the regular drop off entrance and not the uber lyft one.

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Speaker 1: So he was nice.

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Speaker 3: Everyone looked out and it worked out.

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Speaker 1: Good because that would have been a whole nother story

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Speaker 1: had you missed that flight.

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Speaker 3: So next day he is actual birthday surpriser, Like with

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Speaker 3: this helicopter ride through Miami. Yeah, we're going up South

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Speaker 3: Beach doing the whole to like this is where the

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Speaker 3: Dolphins play, and like you know he's doing the whole

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Speaker 3: tour guide.

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Speaker 1: Shit. Yeah.

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Speaker 3: A few hours before that, I had refreshed my phone

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Speaker 3: to see that there happened to be a Homeland Security

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Speaker 3: raid at P Diddy's LA home and Miami home. So

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Speaker 3: I said over the little speaker thingy, hey, if we

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Speaker 3: have like a few minutes, I don't know if you're

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Speaker 3: allowed to do this, Like do you have free range

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Speaker 3: to fly anywhere? He's like, where do you want to go?

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Speaker 3: I was like, do you ever heard of Star Island?

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Speaker 3: He's like, yeah, I know exactly where that is. Why

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Speaker 3: do you want to go there?

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Speaker 1: He said?

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Speaker 3: I just want to check something out real quick. Veer's

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00:13:31,840 --> 00:13:36,040
Speaker 3: a left go over and I just see nothing but

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Speaker 3: fucking sirens, fucking Homeland Security covered over his crib over

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Speaker 3: Star Island. I'm like, oh, this shit is for real,

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Speaker 3: for real.

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Speaker 1: You thought it was just a timeline thing. It was.

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Speaker 3: It was still new at that point, like there hadn't

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Speaker 3: even been TMZ footage like that yet, So you had

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Speaker 3: and I just happened to have good timing. So you,

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Speaker 3: being a helicopter, you had the first footage of the

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Speaker 3: actually starl home. I did not send it to you.

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Speaker 5: Took you took a rope, he said, drop the rope here,

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Speaker 5: and you repelled down and you you got into the homeland,

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Speaker 5: guys like I got from here.

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Speaker 6: Pal.

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Speaker 3: It does go to show like how it is basive

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Speaker 3: helicopters where we're pulling a little closer.

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Speaker 1: I'll just be a fly on the walls right and

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Speaker 1: loud ass helicopter. Like it is loud ass helicopter. They'll

355
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Speaker 1: never know where.

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Speaker 3: Yeah, this is where I spend New Year's easy sorty,

357
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Speaker 3: just just lower it right there.

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Speaker 5: Yeah, I have clearance holding the rope with Amar in

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Speaker 5: his other hand.

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Speaker 1: Nasty times.

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Speaker 3: I mean, I don't know, does that make me weird?

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00:14:32,840 --> 00:14:34,880
Speaker 3: It was my first time ever in a helicopter. We

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Speaker 3: happened to be right next to Star Island.

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Speaker 6: It's pretty historic.

365
00:14:38,120 --> 00:14:39,720
Speaker 3: You know, you pay a lot of money for those things.

366
00:14:39,760 --> 00:14:43,480
Speaker 3: I thought I could give directions better than seeing bbls

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Speaker 3: from a farm. You think I was a Karen at

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Speaker 3: the airport. I was a Karen in the helicopter. So

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Speaker 3: I don't care what the wind is right now. I

370
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Speaker 3: have to go see Puffs out.

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Speaker 1: I don't care if it's a no flies. I don't

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Speaker 1: get us over there if we.

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Speaker 3: Get shot down. I was shocked that there wasn't more helicopters.

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Speaker 3: I think that's why we were like so early on

375
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Speaker 3: the whole thing. Hm. But it was interesting to watch.

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Speaker 1: Well, it was interesting to watch all of this unfold

377
00:15:06,200 --> 00:15:09,800
Speaker 1: as everyone knows, uh did the's homes and properties in

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Speaker 1: New York, LA and Miami were raided by Homeland Security

379
00:15:16,320 --> 00:15:21,640
Speaker 1: with that Monday? It was Monday, yes, Monday, and a

380
00:15:21,640 --> 00:15:25,560
Speaker 1: lot of reports have come out, you know, a lot

381
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Speaker 1: of people are speaking out about it. So here we

382
00:15:27,760 --> 00:15:30,680
Speaker 1: are to give our our take on all the information

383
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Speaker 1: that we have and all of the things that have

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Speaker 1: transpired over the last few days.

385
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Speaker 3: I mean, my biggest surprise, honestly, was not that the

386
00:15:38,120 --> 00:15:41,880
Speaker 3: cops or anyone rated Puff's crib like we all speculated.

387
00:15:41,920 --> 00:15:45,160
Speaker 3: After these reports were coming out. We didn't even know

388
00:15:45,160 --> 00:15:48,400
Speaker 3: if that little Rod thing was fully true. Some of

389
00:15:48,400 --> 00:15:49,960
Speaker 3: the paperwork a little funny in the light. But so

390
00:15:49,960 --> 00:15:52,320
Speaker 3: many people were coming out and not everything was getting

391
00:15:52,360 --> 00:15:56,080
Speaker 3: settlements and was talking about crimes. Wasn't shocking that he

392
00:15:56,160 --> 00:15:59,960
Speaker 3: may be arrested Homeland Security, though, rating three of your

393
00:16:00,080 --> 00:16:03,280
Speaker 3: houses to me is way crazier than I could have

394
00:16:03,280 --> 00:16:07,040
Speaker 3: ever expected. I could really see Puff getting arrested. Cool,

395
00:16:07,080 --> 00:16:10,800
Speaker 3: but Homeland Security with a report that it could be

396
00:16:10,840 --> 00:16:14,280
Speaker 3: for sex trafficking, Yeah, is fucking insane.

397
00:16:15,000 --> 00:16:18,320
Speaker 1: This is you know, I'm seeing people talk about it

398
00:16:19,200 --> 00:16:22,480
Speaker 1: online and you know, different platforms that are talking about it.

399
00:16:23,960 --> 00:16:29,280
Speaker 1: This this is something that we've never never seen in

400
00:16:29,320 --> 00:16:35,520
Speaker 1: our culture. I'm old enough to remember when the Feds

401
00:16:35,640 --> 00:16:44,600
Speaker 1: rated Uh never Land same. I remember what that felt like.

402
00:16:44,680 --> 00:16:47,320
Speaker 1: This is a little different though, because number one, this

403
00:16:47,400 --> 00:16:49,400
Speaker 1: is Uh, We're talking about one of the kings of

404
00:16:49,400 --> 00:16:53,960
Speaker 1: our culture, someone that we appointed and as one of

405
00:16:54,000 --> 00:16:56,400
Speaker 1: our kings of our culture, somebody that I'm old enough

406
00:16:56,400 --> 00:16:57,960
Speaker 1: to remember. A lot of y'all Land a little younger

407
00:16:57,960 --> 00:17:03,520
Speaker 1: than me. So y'all don't really understand the impact that

408
00:17:03,560 --> 00:17:08,280
Speaker 1: Puff has had on the culture per se. But this

409
00:17:08,359 --> 00:17:10,560
Speaker 1: is it doesn't get much in our culture. It doesn't

410
00:17:10,560 --> 00:17:13,520
Speaker 1: get much bigger than Diddy. We don't know. Puff's not arrested,

411
00:17:13,560 --> 00:17:16,760
Speaker 1: He's not under arrest. His lawyer release of statement saying

412
00:17:16,760 --> 00:17:18,400
Speaker 1: he is cooperating with the investigation.

413
00:17:21,640 --> 00:17:23,560
Speaker 3: It didn't appear that way at first. I mean, we

414
00:17:23,560 --> 00:17:26,640
Speaker 3: don't know the reports of his it's playing going from

415
00:17:26,800 --> 00:17:30,280
Speaker 3: LA to Antigua like he was. Then I saw some

416
00:17:30,560 --> 00:17:33,240
Speaker 3: report from like a reputable platform that was like he's

417
00:17:33,240 --> 00:17:36,520
Speaker 3: then gonna go to ky verday after that, like this

418
00:17:36,640 --> 00:17:38,080
Speaker 3: whole what's running plan?

419
00:17:38,480 --> 00:17:42,479
Speaker 1: That's that's what that's see. That's the dangerous part of

420
00:17:42,560 --> 00:17:45,960
Speaker 1: social media because verified checks.

421
00:17:45,720 --> 00:17:47,480
Speaker 3: You can buy now, so it doesn't really matter what

422
00:17:47,520 --> 00:17:49,560
Speaker 3: you said that verified.

423
00:17:49,520 --> 00:17:52,919
Speaker 1: And you know, puff could have had this vacation planned

424
00:17:52,960 --> 00:17:55,840
Speaker 1: for weeks. Sure, he could have had a family vacation

425
00:17:55,960 --> 00:17:58,680
Speaker 1: plan for weeks. He could have had business going on.

426
00:18:00,160 --> 00:18:01,960
Speaker 3: But if your house crated, are you still like, yeah,

427
00:18:02,040 --> 00:18:04,040
Speaker 3: let's go to Antigua for you know, little R and

428
00:18:04,200 --> 00:18:06,399
Speaker 3: R or do you pack up all your shit that

429
00:18:06,480 --> 00:18:10,960
Speaker 3: you have and run to that to van Eyes with

430
00:18:11,080 --> 00:18:11,920
Speaker 3: your computers?

431
00:18:12,240 --> 00:18:14,040
Speaker 5: But he wasn't even on the jet, So then the

432
00:18:14,119 --> 00:18:16,159
Speaker 5: question becomes what is he what did he puts on?

433
00:18:16,880 --> 00:18:19,160
Speaker 3: Well, that's why I wanted to file up with what

434
00:18:19,400 --> 00:18:21,880
Speaker 3: Maul had said with Homeland Security. They were either knew

435
00:18:21,880 --> 00:18:24,480
Speaker 3: exactly what they were looking for or trying to get

436
00:18:24,480 --> 00:18:27,240
Speaker 3: something not to go out to the public swear this

437
00:18:27,280 --> 00:18:29,800
Speaker 3: isn't me putting my tinfoil hat on. But when homeland

438
00:18:29,800 --> 00:18:33,040
Speaker 3: security is involved, yes, this could be some type of

439
00:18:33,080 --> 00:18:39,359
Speaker 3: way to make sure things are not grabbed by the

440
00:18:39,400 --> 00:18:43,800
Speaker 3: regular police state troopers. It does need to be in

441
00:18:43,920 --> 00:18:48,240
Speaker 3: their possession because, as we know, Puff rubbed shoulders with

442
00:18:48,320 --> 00:18:52,160
Speaker 3: a lot of people that have a lot to lose. Yeah,

443
00:18:52,200 --> 00:18:54,600
Speaker 3: and to know that Puff has cameras in every single

444
00:18:54,680 --> 00:18:59,600
Speaker 3: room of every single house, years and years of security footage.

445
00:18:59,680 --> 00:19:02,400
Speaker 3: Who know what's on the laptops. There's already been witnesses

446
00:19:02,440 --> 00:19:05,600
Speaker 3: talking about the party directly to the Feds. There could

447
00:19:05,600 --> 00:19:09,520
Speaker 3: also be a world that they were grabbing shit to

448
00:19:09,640 --> 00:19:12,479
Speaker 3: make sure it doesn't come out, and Puff may have

449
00:19:12,520 --> 00:19:16,840
Speaker 3: to be the face of the Downfall. He already has

450
00:19:16,840 --> 00:19:18,800
Speaker 3: too much nasty shit on his jacket. He's probably done

451
00:19:18,840 --> 00:19:21,399
Speaker 3: a lot of shit wrong. It's an easy target, and

452
00:19:21,440 --> 00:19:24,200
Speaker 3: he's rubbed shoulders with so many people that are outside

453
00:19:24,240 --> 00:19:29,200
Speaker 3: of this culture just in general, the Downfall, the fall guy,

454
00:19:29,560 --> 00:19:33,719
Speaker 3: that's right, because Holk life, I don't think, because of

455
00:19:33,720 --> 00:19:37,880
Speaker 3: course we saw nothing but conspiracies over the entire week.

456
00:19:40,080 --> 00:19:41,880
Speaker 3: Like we've said on this podcast, I personally think Puff

457
00:19:41,880 --> 00:19:43,639
Speaker 3: has done a lot of nasty shit that he needs

458
00:19:44,200 --> 00:19:48,000
Speaker 3: to pay the price for I don't know, just in

459
00:19:48,040 --> 00:19:52,000
Speaker 3: my gut feeling that he is in that pedophile ring

460
00:19:52,480 --> 00:19:54,640
Speaker 3: that everyone's put the Epstein shit is do I think

461
00:19:54,640 --> 00:19:58,320
Speaker 3: he's done some nasty sexual assault, borderline rape, disgusting things

462
00:19:58,359 --> 00:20:01,560
Speaker 3: with people of age, sure, and he needs to see

463
00:20:01,560 --> 00:20:04,920
Speaker 3: his day in court for those I don't know if

464
00:20:04,920 --> 00:20:06,960
Speaker 3: this is the pedophile thing that they're trying to make

465
00:20:07,400 --> 00:20:10,840
Speaker 3: this homeland security raid look like. I think there's been

466
00:20:10,880 --> 00:20:14,640
Speaker 3: some people he's been around that are into that type

467
00:20:14,640 --> 00:20:20,520
Speaker 3: of shiiti. There's two sides of the internet left right

468
00:20:20,640 --> 00:20:23,040
Speaker 3: saying the entire right if you even would watch some

469
00:20:23,119 --> 00:20:25,919
Speaker 3: of what Fox News was saying, everyone is convinced that

470
00:20:26,000 --> 00:20:28,399
Speaker 3: this is attached to the Obamas, the Epstein's, and the

471
00:20:28,400 --> 00:20:31,960
Speaker 3: pedophile ring. Well, that's what that's what that whole side is.

472
00:20:32,160 --> 00:20:32,720
Speaker 3: Believe everyone.

473
00:20:32,720 --> 00:20:37,200
Speaker 5: I think that's a ridiculous I think bolstering that is ridiculous.

474
00:20:37,240 --> 00:20:40,040
Speaker 5: Like they's very intensely they said it was for sex trafficking.

475
00:20:40,760 --> 00:20:45,640
Speaker 3: Now now, now most most people put sex trafficking with

476
00:20:45,640 --> 00:20:47,960
Speaker 3: with minors. That's what they typically go hand and hand with.

477
00:20:48,000 --> 00:20:51,479
Speaker 3: We're dealing with the media. The media is stupid. So

478
00:20:51,560 --> 00:20:56,000
Speaker 3: everyone's gonna think, especially these days, that Puff is under

479
00:20:56,000 --> 00:20:58,679
Speaker 3: accusations of sex trafficking with miners, because that's just what

480
00:20:58,720 --> 00:21:00,600
Speaker 3: people think these days now.

481
00:21:00,600 --> 00:21:02,320
Speaker 1: I don't think that a lot of people understand what

482
00:21:02,800 --> 00:21:08,440
Speaker 1: sex trafficking is, myself included. Well, sex trafficking literally can

483
00:21:08,480 --> 00:21:12,160
Speaker 1: be a red light. If I have a tour bus

484
00:21:13,359 --> 00:21:15,240
Speaker 1: and I have a show and we meet some women

485
00:21:15,320 --> 00:21:17,440
Speaker 1: at the show and we bring them on the tour

486
00:21:17,440 --> 00:21:20,200
Speaker 1: bus and you know, we have a show in DC

487
00:21:20,320 --> 00:21:22,680
Speaker 1: and we drive back to New York, hold them against

488
00:21:22,680 --> 00:21:26,720
Speaker 1: their will with will not hold them them. And then

489
00:21:26,760 --> 00:21:29,639
Speaker 1: now I have other friends in New York that I

490
00:21:29,680 --> 00:21:32,680
Speaker 1: introduced this girl to and it's like they have sex

491
00:21:32,720 --> 00:21:35,119
Speaker 1: with her, and it's like, you know, we may compensate her,

492
00:21:35,200 --> 00:21:38,520
Speaker 1: send a little wired transfer, you know whatever. Whatever, Yo,

493
00:21:38,560 --> 00:21:41,320
Speaker 1: we're going over here, come out hear me some like,

494
00:21:42,320 --> 00:21:45,080
Speaker 1: you know, because a lot of people think sex trafficking

495
00:21:45,119 --> 00:21:48,119
Speaker 1: is literally see a girl jogging down the street and

496
00:21:48,160 --> 00:21:49,879
Speaker 1: pull up in a white van, snatch her, throw in

497
00:21:49,880 --> 00:21:52,080
Speaker 1: the van and fucking like, that's not what it is.

498
00:21:52,119 --> 00:21:54,960
Speaker 1: That's that's a crime. That's a crime as well. But

499
00:21:55,040 --> 00:21:57,600
Speaker 1: it can also be as simple as there's a spectrum

500
00:21:57,640 --> 00:21:59,720
Speaker 1: of it. Get on my tour bus, we go to

501
00:21:59,760 --> 00:22:03,480
Speaker 1: another city and more of my friends. We all have

502
00:22:03,600 --> 00:22:04,480
Speaker 1: sex with each other.

503
00:22:04,440 --> 00:22:07,840
Speaker 3: Like Well believe one case that came out around the

504
00:22:07,880 --> 00:22:09,399
Speaker 3: Cassie time was well and I think she was in

505
00:22:09,400 --> 00:22:12,040
Speaker 3: Michigan or something, and she had photos of her and

506
00:22:12,520 --> 00:22:14,280
Speaker 3: Puff like in the studio, and I told the story

507
00:22:14,320 --> 00:22:17,679
Speaker 3: that Puff flew her out and then who's the president

508
00:22:17,720 --> 00:22:21,119
Speaker 3: of bat Boy half hear the two of them. I

509
00:22:21,119 --> 00:22:26,000
Speaker 3: guess raped her or something along those lines. That could

510
00:22:26,119 --> 00:22:28,800
Speaker 3: very well be with this rads for because she did

511
00:22:28,840 --> 00:22:32,760
Speaker 3: come out, name face, everything in evidence, and that could

512
00:22:32,760 --> 00:22:34,600
Speaker 3: be sex trafficking to what you're saying. I think that

513
00:22:34,720 --> 00:22:37,080
Speaker 3: flew her from Detroit wherever the fuck it was to

514
00:22:37,119 --> 00:22:39,679
Speaker 3: where they were and a sexual assault happened.

515
00:22:39,920 --> 00:22:42,720
Speaker 1: I think that this is this is a case of

516
00:22:42,800 --> 00:22:45,120
Speaker 1: there may have been because now we've learned that there

517
00:22:45,119 --> 00:22:47,720
Speaker 1: are cameras in the rooms. I think this may be

518
00:22:47,760 --> 00:22:50,480
Speaker 1: a case of some high profile people being on those

519
00:22:50,520 --> 00:22:56,919
Speaker 1: cameras having sex, sexual intercourse with whoever, and they just

520
00:22:56,960 --> 00:22:59,040
Speaker 1: could not risk that coming out. Like we know the

521
00:22:59,119 --> 00:23:02,560
Speaker 1: lawsuit that Little Rod has in place, and we know

522
00:23:02,600 --> 00:23:05,440
Speaker 1: the names that he has stated in those lawsuits. Those

523
00:23:05,440 --> 00:23:08,560
Speaker 1: are some very serious names. It doesn't get much bigger

524
00:23:08,600 --> 00:23:11,240
Speaker 1: than some of those names that in that lawsuit. So

525
00:23:11,280 --> 00:23:14,560
Speaker 1: when Homeland Security moves the way they did, that's one

526
00:23:14,600 --> 00:23:16,600
Speaker 1: of the highest levels of the government. That costs a

527
00:23:16,600 --> 00:23:20,919
Speaker 1: lot of money. Again, this is a tactical team that

528
00:23:20,960 --> 00:23:23,119
Speaker 1: went in. These are the same niggas that went and

529
00:23:23,119 --> 00:23:27,280
Speaker 1: got Osama. Like, this is that level of you know,

530
00:23:27,440 --> 00:23:31,200
Speaker 1: tactics and enforce. And you know, we're talking about Diddy's

531
00:23:31,200 --> 00:23:34,640
Speaker 1: houses with his kids. It's not like, uh, there were

532
00:23:34,640 --> 00:23:38,199
Speaker 1: any violent crimes. It's not like they would you know,

533
00:23:38,440 --> 00:23:42,000
Speaker 1: reports of it being grenades and guns and things like that.

534
00:23:42,160 --> 00:23:42,600
Speaker 4: Well, no, there was.

535
00:23:42,720 --> 00:23:44,200
Speaker 3: There was a lot of reports of did he having

536
00:23:44,359 --> 00:23:46,160
Speaker 3: illegal guns everywhere?

537
00:23:46,400 --> 00:23:48,520
Speaker 1: Well can well you can have guns in your home.

538
00:23:48,600 --> 00:23:51,600
Speaker 3: I think this was a little illegal guns crazy and

539
00:23:51,640 --> 00:23:54,920
Speaker 3: not illegal, but a lot of it was for show,

540
00:23:55,320 --> 00:23:58,199
Speaker 3: of course, as oh, this is definitely be clear, this

541
00:23:58,280 --> 00:24:00,800
Speaker 3: is this is definitely a show.

542
00:24:01,000 --> 00:24:04,520
Speaker 1: This is definitely a show of force, a show of

543
00:24:05,119 --> 00:24:08,119
Speaker 1: you know, you're Diddy, but stay in your place, Like

544
00:24:08,200 --> 00:24:11,320
Speaker 1: you're not bigger than the program, You're not bigger than

545
00:24:11,359 --> 00:24:11,800
Speaker 1: the system.

546
00:24:11,840 --> 00:24:13,800
Speaker 5: Okay, but what happens is okay, I get that, Like,

547
00:24:13,880 --> 00:24:15,639
Speaker 5: what do you guys think what's gonna happen to Diddy?

548
00:24:15,680 --> 00:24:18,199
Speaker 5: What is your prediction? Will he get arrested? What is

549
00:24:18,240 --> 00:24:21,600
Speaker 5: what are the ramifications? Will he flee pull A Russell?

550
00:24:21,720 --> 00:24:24,520
Speaker 1: I don't. I don't think he'll flee. I don't. I

551
00:24:24,520 --> 00:24:28,600
Speaker 1: don't think he'll flee. I do think he will be arrested.

552
00:24:29,480 --> 00:24:31,320
Speaker 1: I do think that he will be brought up on

553
00:24:32,680 --> 00:24:36,879
Speaker 1: some charges. But again, his lawyer released a statement saying

554
00:24:36,920 --> 00:24:41,120
Speaker 1: that he is cooperating. He is not holding them from

555
00:24:41,119 --> 00:24:45,720
Speaker 1: any part of their investigation. He's allowing them to search properties,

556
00:24:45,800 --> 00:24:46,840
Speaker 1: do whatever you know.

557
00:24:47,000 --> 00:24:49,920
Speaker 6: I mean, he can't even if he wanted to, He couldn't.

558
00:24:49,680 --> 00:24:52,400
Speaker 3: To answer your questions, direg I would have to say,

559
00:24:52,560 --> 00:24:56,359
Speaker 3: judging by the evidence that we know and the evidence

560
00:24:56,400 --> 00:24:58,320
Speaker 3: that we can just speculate because they did this, I

561
00:24:58,320 --> 00:25:01,119
Speaker 3: think Diddy's going to Samuel Bull this entire thing. I

562
00:25:01,160 --> 00:25:03,360
Speaker 3: think he's gonna take the whole show now well if

563
00:25:03,400 --> 00:25:05,600
Speaker 3: he I don't think. I don't think Puff is sitting

564
00:25:06,080 --> 00:25:07,960
Speaker 3: in jail for the rest of his life. I think

565
00:25:07,960 --> 00:25:11,600
Speaker 3: Puff has shown us that he's extremely selfish. I think

566
00:25:11,600 --> 00:25:14,439
Speaker 3: he would tell you he's extremely selfish. I don't think

567
00:25:14,480 --> 00:25:16,480
Speaker 3: Puff is not going to be around his kids. I

568
00:25:16,520 --> 00:25:19,439
Speaker 3: think he's taking the whole business down with him if

569
00:25:19,440 --> 00:25:19,960
Speaker 3: he has to go.

570
00:25:20,040 --> 00:25:21,399
Speaker 1: But that's the other side. He's not going to be

571
00:25:21,400 --> 00:25:22,960
Speaker 1: the fall guy for this. This is this is the

572
00:25:22,960 --> 00:25:24,600
Speaker 1: other side of this that I don't think people. That's

573
00:25:24,600 --> 00:25:31,800
Speaker 1: why people realizing and touching on Puff has maybe and

574
00:25:31,920 --> 00:25:35,400
Speaker 1: he's in the position now where he can really take

575
00:25:35,440 --> 00:25:39,960
Speaker 1: down a lot of people, a lot of powerful people.

576
00:25:39,960 --> 00:25:40,959
Speaker 6: It's the Epstein position.

577
00:25:42,600 --> 00:25:44,320
Speaker 1: Yeah, and then but then okay, so we're going to

578
00:25:44,400 --> 00:25:47,160
Speaker 1: go that route, you know, I do you know we've

579
00:25:47,160 --> 00:25:50,080
Speaker 1: seen that whole Epstein thing play out, right. I think

580
00:25:50,080 --> 00:25:52,920
Speaker 1: it's safe to say Epstein didn't he wasn't he didn't

581
00:25:52,960 --> 00:25:55,080
Speaker 1: kill himself. I don't think Epstein got that much more

582
00:25:55,160 --> 00:25:58,960
Speaker 1: was an integrity where it was death before dishonor like,

583
00:25:59,080 --> 00:26:01,560
Speaker 1: oh he was he didn't have the year he didn't have.

584
00:26:02,040 --> 00:26:05,879
Speaker 3: Now, just Leene whatever her name is, Klein Ali was

585
00:26:05,920 --> 00:26:08,560
Speaker 3: fucking name up. She's ten toes. That might that might

586
00:26:08,560 --> 00:26:09,480
Speaker 3: be the most solid.

587
00:26:09,200 --> 00:26:09,800
Speaker 1: Bitch on earth.

588
00:26:10,680 --> 00:26:11,400
Speaker 6: She really is.

589
00:26:12,240 --> 00:26:15,600
Speaker 1: But you know, either way, this diddy thing is is

590
00:26:15,640 --> 00:26:19,119
Speaker 1: gonna be a lot bigger than I think people think

591
00:26:19,800 --> 00:26:23,280
Speaker 1: it looks. This is, like I said, I've we've never seen.

592
00:26:23,359 --> 00:26:27,000
Speaker 1: I've never seen anything like Like the Michael Jackson thing was big,

593
00:26:28,480 --> 00:26:32,200
Speaker 1: but again, we never seen I never seen this though.

594
00:26:32,240 --> 00:26:38,840
Speaker 1: I've never seen kids in handcuffs on the lawn like

595
00:26:38,920 --> 00:26:41,440
Speaker 1: this is like, oh shit, like they're not fucking around.

596
00:26:41,480 --> 00:26:45,040
Speaker 1: They don't give a fuck about power, money status. This

597
00:26:45,200 --> 00:26:49,360
Speaker 1: is like, yo, crimes were committed here. Everybody get out

598
00:26:49,560 --> 00:26:51,200
Speaker 1: with tearing it through this house. We know what we're

599
00:26:51,200 --> 00:26:52,840
Speaker 1: looking for because they went in there. They know what

600
00:26:52,840 --> 00:26:57,160
Speaker 1: they were looking for. They were given information, they were

601
00:26:57,200 --> 00:26:59,320
Speaker 1: told this is here, that is there, this is where

602
00:26:59,320 --> 00:27:02,040
Speaker 1: it's at. This is where you can find this. I

603
00:27:02,080 --> 00:27:05,040
Speaker 1: believe they have everything, all information they need. I think

604
00:27:05,080 --> 00:27:07,320
Speaker 1: they just went to go get it for themselves. So

605
00:27:07,400 --> 00:27:11,880
Speaker 1: now they have it in custody and then now following that, Yes,

606
00:27:11,920 --> 00:27:14,399
Speaker 1: I do believe Puff will be brought up from charges

607
00:27:14,440 --> 00:27:18,399
Speaker 1: and arrested. But to Rory's point, I don't think that

608
00:27:19,040 --> 00:27:22,840
Speaker 1: Puff is going to allow himself to go down. If

609
00:27:22,880 --> 00:27:25,639
Speaker 1: this was indeed a ring like people are alluding to,

610
00:27:26,280 --> 00:27:30,840
Speaker 1: if this was a bunch of other elites involved, I

611
00:27:30,880 --> 00:27:35,920
Speaker 1: can't see Puff taking the blame or taking the fault

612
00:27:35,960 --> 00:27:38,359
Speaker 1: for this on his own. I think that he will

613
00:27:39,080 --> 00:27:42,440
Speaker 1: again like as lawyer said, cooperate with the investigation.

614
00:27:43,480 --> 00:27:47,680
Speaker 3: And we know Puff to be one extremely intelligent to

615
00:27:47,840 --> 00:27:50,359
Speaker 3: one of the most ruthless business people that we've ever

616
00:27:50,600 --> 00:27:54,160
Speaker 3: came across. I see a world where he has archived

617
00:27:54,200 --> 00:28:00,800
Speaker 3: all this footage of his peers in compromising situations for

618
00:28:00,880 --> 00:28:03,200
Speaker 3: blackmail purposes, and I think that's either going to bite

619
00:28:03,280 --> 00:28:05,960
Speaker 3: him in the ass or maybe be his ticket to walk.

620
00:28:07,359 --> 00:28:09,080
Speaker 3: I see a world where he does give everyone up.

621
00:28:09,480 --> 00:28:11,520
Speaker 3: But I also see a world where he could have

622
00:28:11,600 --> 00:28:15,679
Speaker 3: so much evidence against other people that they pull favor

623
00:28:15,720 --> 00:28:18,600
Speaker 3: for favor for favor, and let's all just bury all

624
00:28:18,600 --> 00:28:21,959
Speaker 3: of this. Let Puff do six months at you know,

625
00:28:21,960 --> 00:28:23,920
Speaker 3: one of the federal camps where they play tennis and

626
00:28:23,960 --> 00:28:26,520
Speaker 3: get you ice cream, and then it's he's back in

627
00:28:26,560 --> 00:28:29,120
Speaker 3: the streets. I see that option too. I mean, all

628
00:28:29,119 --> 00:28:31,520
Speaker 3: the blackmail he has may actually be his ticket out

629
00:28:31,560 --> 00:28:31,800
Speaker 3: of here.

630
00:28:32,280 --> 00:28:34,320
Speaker 1: Well, I mean that's another way to look at There's

631
00:28:34,320 --> 00:28:36,120
Speaker 1: a bunch of different ways to look at this thing.

632
00:28:36,359 --> 00:28:40,080
Speaker 1: But you know, what does this mean for our culture?

633
00:28:40,800 --> 00:28:42,680
Speaker 1: Because I feel like our culture is under attack as

634
00:28:42,680 --> 00:28:45,120
Speaker 1: of right now. I feel like there's a lot of

635
00:28:45,160 --> 00:28:47,920
Speaker 1: things that we're going to become privy to that's gonna

636
00:28:48,840 --> 00:28:53,440
Speaker 1: question our morals, question our our beliefs.

637
00:28:53,800 --> 00:28:56,360
Speaker 6: Under attack and what this is all self induced?

638
00:28:57,000 --> 00:28:59,560
Speaker 1: Well, no, when I say under attack, meaning like depending

639
00:28:59,600 --> 00:29:02,560
Speaker 1: on what footage they have, and what and and and

640
00:29:03,000 --> 00:29:05,120
Speaker 1: evidence that they have of what's been going on for

641
00:29:05,160 --> 00:29:10,320
Speaker 1: however many years, I think that this definitely, if it's

642
00:29:10,600 --> 00:29:14,400
Speaker 1: as bad as they're making it seem, this definitely puts

643
00:29:14,400 --> 00:29:17,160
Speaker 1: a nasty stain on our culture. Without a doubt, this

644
00:29:17,280 --> 00:29:20,040
Speaker 1: is one of the biggest figures we've ever had in

645
00:29:20,080 --> 00:29:20,600
Speaker 1: our culture.

646
00:29:21,280 --> 00:29:23,440
Speaker 2: Is it a stain or a light Yeah, honestly.

647
00:29:23,440 --> 00:29:24,680
Speaker 1: I mean if.

648
00:29:24,560 --> 00:29:25,760
Speaker 3: You look at everyone, customers, how.

649
00:29:25,720 --> 00:29:28,880
Speaker 1: You look at it, putting the light on it, exposing it.

650
00:29:29,680 --> 00:29:32,479
Speaker 1: But now, again, the information is what comes out of it,

651
00:29:32,840 --> 00:29:35,680
Speaker 1: Who did what, Who was involved? If it's some people

652
00:29:35,720 --> 00:29:37,880
Speaker 1: that we've looked up to and we've idolized, and we've

653
00:29:37,920 --> 00:29:40,240
Speaker 1: worked with, because we didn't even get to that part,

654
00:29:40,680 --> 00:29:43,440
Speaker 1: people that we've worked with, people that we've you know,

655
00:29:43,840 --> 00:29:46,160
Speaker 1: been next to him and been in business with for years.

656
00:29:47,160 --> 00:29:48,920
Speaker 1: If it comes out that they're doing some of these

657
00:29:48,960 --> 00:29:53,000
Speaker 1: wild and crazy things that are being alleged, I think

658
00:29:53,040 --> 00:29:56,520
Speaker 1: that changes a lot for the culture. That that completely

659
00:29:56,560 --> 00:29:59,120
Speaker 1: turns it on it on its ear, like, whoa, So

660
00:29:59,240 --> 00:30:01,240
Speaker 1: this is the things we you've been hearing is real,

661
00:30:02,400 --> 00:30:05,360
Speaker 1: Like the wild shit, the nasty shit, the abuse and

662
00:30:05,440 --> 00:30:07,240
Speaker 1: all of that that have been a LEDs over the years,

663
00:30:07,240 --> 00:30:10,880
Speaker 1: the whispering. So it's it's it's real. I think that

664
00:30:11,000 --> 00:30:14,240
Speaker 1: changes everything for our culture, without a doubt. I don't

665
00:30:14,240 --> 00:30:16,560
Speaker 1: think that there's any other way to look at it, Like,

666
00:30:16,680 --> 00:30:19,200
Speaker 1: how can it not? These are people that we appointed.

667
00:30:19,440 --> 00:30:21,440
Speaker 1: This is someone that we held up as one of

668
00:30:21,440 --> 00:30:25,440
Speaker 1: our kings. This is not this is Diddy were talking about, bro,

669
00:30:25,520 --> 00:30:27,840
Speaker 1: This is not no you know, just some guy that

670
00:30:27,960 --> 00:30:30,479
Speaker 1: just manages a couple of artists and has had some

671
00:30:30,520 --> 00:30:34,360
Speaker 1: good records, Like this is a mogul. This is somebody

672
00:30:34,400 --> 00:30:37,400
Speaker 1: that we've championed, somebody that we've looked to, you know,

673
00:30:38,000 --> 00:30:40,040
Speaker 1: as an example of the things and the places that

674
00:30:40,080 --> 00:30:42,800
Speaker 1: we can go coming from where we come from. So

675
00:30:42,840 --> 00:30:45,280
Speaker 1: for it to turn into something else that is now

676
00:30:45,760 --> 00:30:50,920
Speaker 1: abuse and trafficking and people being you know, taking advantage

677
00:30:50,920 --> 00:30:53,520
Speaker 1: of and women being you know, if it turns into that,

678
00:30:54,760 --> 00:30:56,240
Speaker 1: how can it not change the culture?

679
00:30:56,680 --> 00:30:57,440
Speaker 6: What would change?

680
00:30:58,280 --> 00:30:59,840
Speaker 1: I think every I think the way we look at

681
00:31:00,400 --> 00:31:03,600
Speaker 1: people that are in certain positions change. I think the

682
00:31:03,640 --> 00:31:06,960
Speaker 1: way that you know. I think the things that we

683
00:31:07,040 --> 00:31:11,840
Speaker 1: consume changes though, because I don't think that we are

684
00:31:12,520 --> 00:31:14,560
Speaker 1: no longer attracted to some of the things that we've

685
00:31:14,560 --> 00:31:17,600
Speaker 1: been attracted to, which is like partying and you know,

686
00:31:17,760 --> 00:31:19,400
Speaker 1: drugs and drinking.

687
00:31:19,080 --> 00:31:20,320
Speaker 6: And oh, I don't think that's good.

688
00:31:20,680 --> 00:31:22,160
Speaker 1: So I think that changes a lot. I think a

689
00:31:22,200 --> 00:31:24,400
Speaker 1: lot of people look at all of that shit totally different.

690
00:31:24,400 --> 00:31:26,160
Speaker 1: Like no, I'm not, I'm not a part of that.

691
00:31:26,240 --> 00:31:28,560
Speaker 3: But I feel like the amount of rappers that have

692
00:31:28,600 --> 00:31:31,320
Speaker 3: been died of gun violence nothing changed as far as

693
00:31:31,440 --> 00:31:34,280
Speaker 3: people's point of view on that. Like as a whole,

694
00:31:36,560 --> 00:31:39,400
Speaker 3: I just think how hip hop is viewed now. If

695
00:31:39,440 --> 00:31:42,200
Speaker 3: you look at all the news publications that have been

696
00:31:42,240 --> 00:31:45,040
Speaker 3: covering this for the past week, they've they don't cover

697
00:31:45,120 --> 00:31:48,240
Speaker 3: hip hop at all. Now, Like, has my pops texted

698
00:31:48,240 --> 00:31:50,800
Speaker 3: me about this puff shit? Like, Yo, you were you

699
00:31:50,800 --> 00:31:52,840
Speaker 3: ever at any of those parties? I'm like no, but

700
00:31:52,920 --> 00:31:55,280
Speaker 3: my dad doesn't hit me up about anything hip hop related.

701
00:31:55,640 --> 00:31:57,920
Speaker 3: This is across the world now hip hop is being

702
00:31:57,960 --> 00:31:59,560
Speaker 3: viewed as this. Now.

703
00:32:00,040 --> 00:32:01,840
Speaker 1: That's why I think. That's why I said it changes.

704
00:32:02,080 --> 00:32:04,000
Speaker 3: I just don't think it's that crazy because as opposed

705
00:32:04,000 --> 00:32:06,960
Speaker 3: to what culture, politics has this thing exactly.

706
00:32:08,120 --> 00:32:09,840
Speaker 1: Yeah, but that's not that's not that's.

707
00:32:09,680 --> 00:32:14,240
Speaker 5: Not everything it is our culture. Politics is not our culture. No,

708
00:32:14,400 --> 00:32:16,480
Speaker 5: like hip hop and this this is it, this is

709
00:32:16,520 --> 00:32:17,440
Speaker 5: we're seeing what it is.

710
00:32:18,760 --> 00:32:18,960
Speaker 6: Yep.

711
00:32:19,040 --> 00:32:21,280
Speaker 1: But this is why I said it changes the culture

712
00:32:21,560 --> 00:32:23,760
Speaker 1: because if that's what positive life was hip.

713
00:32:23,560 --> 00:32:27,640
Speaker 6: Hop looked in before this, by the way, like killing

714
00:32:27,680 --> 00:32:28,200
Speaker 6: each other.

715
00:32:28,160 --> 00:32:29,800
Speaker 1: I was looking at very it was looked at it

716
00:32:29,880 --> 00:32:32,640
Speaker 1: in a very positive light. Is somebody that comes from

717
00:32:32,840 --> 00:32:35,840
Speaker 1: somebody that comes from somebody that comes from the city

718
00:32:35,880 --> 00:32:38,920
Speaker 1: and the streets that did he comes from, going to college,

719
00:32:39,000 --> 00:32:41,320
Speaker 1: making his ways up in the ranks of the music business,

720
00:32:41,520 --> 00:32:45,040
Speaker 1: turning that into fashion, turning that into lifestyle, selling all

721
00:32:45,080 --> 00:32:47,080
Speaker 1: the things that he said, he made it. He made it.

722
00:32:47,120 --> 00:32:49,440
Speaker 1: He made it real intangible that Yo, I can come

723
00:32:49,480 --> 00:32:51,880
Speaker 1: from the streets and I can become this figure that

724
00:32:52,960 --> 00:32:55,040
Speaker 1: is at the top of the fucking culture, and I'm

725
00:32:55,280 --> 00:32:59,040
Speaker 1: employing people, I'm making people's dreams come true. I'm signing

726
00:32:59,040 --> 00:33:01,640
Speaker 1: people artists, and of course it changes everything.

727
00:33:01,680 --> 00:33:03,600
Speaker 3: What are you saying from inside the culture or outside?

728
00:33:03,600 --> 00:33:06,959
Speaker 3: Because outside, I don't think they've ever covered the positivity

729
00:33:07,000 --> 00:33:09,560
Speaker 3: of puff, that's at all I'm talking about the covering

730
00:33:09,600 --> 00:33:13,040
Speaker 3: the negative. Now to your point, I think within the culture, yeah,

731
00:33:13,040 --> 00:33:16,560
Speaker 3: Puff was one of representation of that in a positive light.

732
00:33:16,720 --> 00:33:19,360
Speaker 3: Now things look a little crazy, But outside of the culture,

733
00:33:19,360 --> 00:33:21,440
Speaker 3: I don't know. People are always going to find any

734
00:33:21,440 --> 00:33:22,360
Speaker 3: way to cover hip hop.

735
00:33:22,520 --> 00:33:26,280
Speaker 7: Yeah, negatively, since the beginning, it's always they.

736
00:33:25,960 --> 00:33:27,920
Speaker 3: And now you even see how they tried to flip this,

737
00:33:28,560 --> 00:33:31,960
Speaker 3: you know, attaching Puff to the Obama's attaching him to

738
00:33:32,000 --> 00:33:34,760
Speaker 3: the voter die campaign, and well, anybody is the Democratic

739
00:33:34,800 --> 00:33:36,280
Speaker 3: pond that anybody.

740
00:33:35,960 --> 00:33:38,720
Speaker 1: That's photo with or done business with.

741
00:33:38,880 --> 00:33:41,280
Speaker 5: Of course that's all higher person, the high level person

742
00:33:42,000 --> 00:33:44,840
Speaker 5: on the conspiracy tip there they say up next as

743
00:33:44,880 --> 00:33:45,880
Speaker 5: your your guy Jay.

744
00:33:46,240 --> 00:33:47,760
Speaker 6: How do you guys feel about that?

745
00:33:47,760 --> 00:33:48,960
Speaker 1: That was they've been saying.

746
00:33:49,040 --> 00:33:51,040
Speaker 3: They've been saying that Jay was up next for sixteen

747
00:33:51,080 --> 00:33:51,720
Speaker 3: years now.

748
00:33:51,560 --> 00:33:53,680
Speaker 6: But I'm just saying it's this is the day.

749
00:33:53,840 --> 00:33:56,560
Speaker 3: They also said Jay owns the same way owns an island,

750
00:33:56,600 --> 00:33:57,560
Speaker 3: so you know what that means.

751
00:33:57,760 --> 00:33:59,680
Speaker 1: Yeah, I was like, I feel the same way they've

752
00:33:59,680 --> 00:34:01,920
Speaker 1: been saying. And Jay and Beyonce have been up next

753
00:34:02,240 --> 00:34:04,880
Speaker 1: for doing dirty shit for at least sixteen seventeen years now.

754
00:34:06,280 --> 00:34:08,399
Speaker 1: But like I said, I think that anybody whose name

755
00:34:08,520 --> 00:34:11,240
Speaker 1: is that associated to Puff and working that close to Puff,

756
00:34:12,080 --> 00:34:13,960
Speaker 1: having a relationship with Puff over the years. I think

757
00:34:13,960 --> 00:34:15,880
Speaker 1: they're gonna everybody's name is going to be thrown in

758
00:34:15,960 --> 00:34:17,360
Speaker 1: at He's next, She's next.

759
00:34:17,239 --> 00:34:18,440
Speaker 2: Well speaking into who's nay?

760
00:34:18,480 --> 00:34:19,920
Speaker 3: Al Sharpton is a rat. I don't know why they

761
00:34:20,000 --> 00:34:22,040
Speaker 3: just don't go right after him. He'll tell it all,

762
00:34:22,239 --> 00:34:23,120
Speaker 3: A huge rat.

763
00:34:23,360 --> 00:34:23,959
Speaker 2: We well speak.

764
00:34:24,239 --> 00:34:26,080
Speaker 3: I was standing right next to him at a Puff party.

765
00:34:26,080 --> 00:34:27,960
Speaker 3: I was like, Al Sharpton's here, he was.

766
00:34:29,120 --> 00:34:31,240
Speaker 2: You just read it in telling that he's.

767
00:34:31,239 --> 00:34:33,040
Speaker 3: I'm sure there's a photo of Al Sharpton at that

768
00:34:33,080 --> 00:34:35,840
Speaker 3: party I was at. There was Revolt cameras everywhere. Nothing

769
00:34:35,920 --> 00:34:36,640
Speaker 3: was a secret.

770
00:34:37,040 --> 00:34:38,719
Speaker 6: Was one of those parties cameras here?

771
00:34:38,760 --> 00:34:40,280
Speaker 3: Yeah, I think it was. I think it was streaming

772
00:34:40,320 --> 00:34:42,480
Speaker 3: live Unrevolt. There was nothing happening at that party.

773
00:34:44,160 --> 00:34:47,440
Speaker 2: Krisha. If she's talking about up next.

774
00:34:47,320 --> 00:34:50,360
Speaker 3: You imagine like making like out of the Miami streets.

775
00:34:50,680 --> 00:34:52,560
Speaker 3: We've listened to City Girls. We know what they went through.

776
00:34:53,200 --> 00:34:55,200
Speaker 3: JT's been in jail like they you know, they had

777
00:34:55,320 --> 00:34:58,160
Speaker 3: a rough upbringing. Imagine finally getting out of that shit

778
00:34:58,520 --> 00:35:01,120
Speaker 3: and getting popped for moving coke for Puff.

779
00:35:01,719 --> 00:35:05,160
Speaker 1: Now, when I saw that, Uh, what's the white kid?

780
00:35:05,200 --> 00:35:08,000
Speaker 5: Paul was his name, his drug he used to play

781
00:35:08,040 --> 00:35:09,640
Speaker 5: for It was a shooter at Syracuse.

782
00:35:09,760 --> 00:35:12,759
Speaker 3: That boy could play practice footage. He should have got

783
00:35:12,800 --> 00:35:13,240
Speaker 3: more minutes.

784
00:35:13,400 --> 00:35:16,439
Speaker 1: When I when I saw him in his mug shot,

785
00:35:16,480 --> 00:35:18,520
Speaker 1: it took it on the white boy. I said, oh,

786
00:35:18,600 --> 00:35:22,480
Speaker 1: this is this is he's he's he's giving it up

787
00:35:22,520 --> 00:35:23,560
Speaker 1: in the back of the cop cars.

788
00:35:23,640 --> 00:35:26,000
Speaker 3: See, I find that offensive and racist.

789
00:35:26,920 --> 00:35:31,600
Speaker 1: Fine, like I said, he's giving he's giving it up.

790
00:35:31,840 --> 00:35:33,160
Speaker 1: That face, I know that face.

791
00:35:34,360 --> 00:35:36,520
Speaker 3: He looked a little scared. I don't know. We stayed

792
00:35:36,560 --> 00:35:38,840
Speaker 3: ten toes and I was gonna say yesterday, and.

793
00:35:38,840 --> 00:35:41,000
Speaker 1: I know a bunch of rats and service. You don't know.

794
00:35:41,120 --> 00:35:41,640
Speaker 1: Nobody is.

795
00:35:41,680 --> 00:35:43,400
Speaker 2: I know a bunch of rats in the Bronx.

796
00:35:43,400 --> 00:35:46,480
Speaker 1: That's a fact. That's I know facts. I'm not his

797
00:35:46,600 --> 00:35:49,719
Speaker 1: rats everywhere. Let's be clear that white niggas giving up.

798
00:35:50,000 --> 00:35:52,279
Speaker 1: Paul was his name, Brendan Paul was his name. Yeah,

799
00:35:52,280 --> 00:35:55,040
Speaker 1: it's two first names, man, two first names. You know,

800
00:35:55,080 --> 00:35:58,200
Speaker 1: Brendan Brendan Paul ain't standing tin toes. He and there

801
00:35:58,280 --> 00:36:02,719
Speaker 1: told I called my mom. It wasn't me, it's my bag. Yeah,

802
00:36:02,760 --> 00:36:06,200
Speaker 1: definitely Julian's bag. Oh my mom, it wasn't me, like

803
00:36:06,239 --> 00:36:08,880
Speaker 1: the drug Puff asked me to do it for him. Like,

804
00:36:08,920 --> 00:36:10,560
Speaker 1: I don't know, miss, I just wanted to be a

805
00:36:10,640 --> 00:36:12,120
Speaker 1: cool I wanted to be around.

806
00:36:11,800 --> 00:36:14,440
Speaker 3: The culture sometimes. I feel like those.

807
00:36:14,320 --> 00:36:16,920
Speaker 5: He's from Seattle too. Oh He's like, no, it's from Ohio.

808
00:36:17,120 --> 00:36:19,919
Speaker 5: Oh God, might I might hold it down?

809
00:36:20,080 --> 00:36:22,520
Speaker 1: Brendan Paul's not holding anything down. I can tell you that.

810
00:36:22,840 --> 00:36:26,040
Speaker 5: All the fuck he went to Brewster Academy in New Hampshire.

811
00:36:26,080 --> 00:36:28,240
Speaker 6: This guy is singing. He's saying before they got there.

812
00:36:28,160 --> 00:36:29,439
Speaker 3: Okay, hear me out, just quick.

813
00:36:29,480 --> 00:36:32,320
Speaker 1: He's hot. How homeless security got the infall He opened

814
00:36:32,320 --> 00:36:32,640
Speaker 1: the door.

815
00:36:33,080 --> 00:36:36,399
Speaker 3: Sometimes these guys that are not part of that world

816
00:36:36,480 --> 00:36:39,360
Speaker 3: and get into it late are the guys that actually

817
00:36:39,360 --> 00:36:41,400
Speaker 3: hold it down because they think this facade you have

818
00:36:41,480 --> 00:36:43,440
Speaker 3: to not Sin's. It's the people that have been in

819
00:36:43,440 --> 00:36:44,920
Speaker 3: the game for twenty years that give it up in

820
00:36:44,920 --> 00:36:46,920
Speaker 3: two fucking seconds because they know. This guy thinks he's

821
00:36:47,000 --> 00:36:48,560
Speaker 3: living in a movie. I think he and he's in

822
00:36:48,600 --> 00:36:51,160
Speaker 3: Miami giving Puff coke. He probably is sitting there like now,

823
00:36:51,160 --> 00:36:52,400
Speaker 3: I gotta hold it down for Puff.

824
00:36:52,600 --> 00:36:54,480
Speaker 1: He averaged point one points per game.

825
00:36:54,320 --> 00:36:56,320
Speaker 5: In college career ever, skip Bayless numbers.

826
00:36:56,440 --> 00:36:57,040
Speaker 1: He's snitching.

827
00:36:57,080 --> 00:36:57,680
Speaker 6: He's snitching.

828
00:36:58,280 --> 00:37:01,279
Speaker 5: He has nothing took five shit over the course of

829
00:37:01,320 --> 00:37:01,959
Speaker 5: his college career.

830
00:37:02,120 --> 00:37:03,920
Speaker 3: He can get balling in practice though that footage on

831
00:37:03,960 --> 00:37:06,920
Speaker 3: Twitter about practice, yeah, talking about practice.

832
00:37:06,920 --> 00:37:10,120
Speaker 7: I don't want to know how he got from SCU

833
00:37:10,200 --> 00:37:12,359
Speaker 7: basketball team into the position of.

834
00:37:12,440 --> 00:37:18,040
Speaker 3: Being two people have that doc by next Wednesday about

835
00:37:18,040 --> 00:37:20,319
Speaker 3: this now, so so, now let's put on out ten

836
00:37:20,400 --> 00:37:20,839
Speaker 3: foil hat.

837
00:37:20,880 --> 00:37:22,360
Speaker 5: And you got to keep a white boy clothes for

838
00:37:22,400 --> 00:37:24,600
Speaker 5: the drugs, like if anybody's gonna get jammed up with

839
00:37:24,600 --> 00:37:25,200
Speaker 5: the drugs.

840
00:37:25,239 --> 00:37:28,560
Speaker 1: Paul Brendan, Paul, you know, and you know what you know,

841
00:37:28,600 --> 00:37:32,120
Speaker 1: he keeps a white boy clothes Homeland Security. Who is

842
00:37:32,120 --> 00:37:34,520
Speaker 1: his white boy? Why was he allowed to just come

843
00:37:34,520 --> 00:37:37,680
Speaker 1: into Puff's crib and start supplying drugs and pills and

844
00:37:37,719 --> 00:37:38,160
Speaker 1: ship like that?

845
00:37:38,239 --> 00:37:39,160
Speaker 6: Probably Puffs type?

846
00:37:39,680 --> 00:37:40,160
Speaker 1: Who is he?

847
00:37:40,480 --> 00:37:42,799
Speaker 3: Okay, but do you think he'll really how much coke?

848
00:37:42,880 --> 00:37:46,719
Speaker 3: Do you really think he was caught with one too?

849
00:37:46,800 --> 00:37:50,359
Speaker 3: They really have actual evidence of he may end up

850
00:37:50,360 --> 00:37:53,399
Speaker 3: getting like a fucking misdemeanor where he wouldn't even need

851
00:37:53,400 --> 00:37:53,800
Speaker 3: to snitch.

852
00:37:53,840 --> 00:37:55,239
Speaker 1: I'm not no, no, no, no, no no.

853
00:37:55,560 --> 00:37:58,120
Speaker 3: When they say drug mule he was on a plane

854
00:37:58,160 --> 00:38:00,480
Speaker 3: with a little bit of coke in his pocket, got him.

855
00:38:00,719 --> 00:38:02,759
Speaker 3: But you don't know how much they've gotten more from

856
00:38:02,800 --> 00:38:04,000
Speaker 3: TSA and people haven't.

857
00:38:03,760 --> 00:38:05,719
Speaker 1: Done that, right, But you're over how much time?

858
00:38:05,760 --> 00:38:07,839
Speaker 3: Though, I don't think they were fire. I don't think

859
00:38:07,880 --> 00:38:09,680
Speaker 3: this guy was supplying bricks.

860
00:38:09,800 --> 00:38:12,160
Speaker 1: I just don't. He don't have to be supplying bricks.

861
00:38:13,000 --> 00:38:15,840
Speaker 1: I'm just saying, over how much time do you think? Okay,

862
00:38:15,840 --> 00:38:17,879
Speaker 1: put an a bowl in your bag right now. From

863
00:38:17,960 --> 00:38:18,800
Speaker 1: JFK to lax.

864
00:38:19,280 --> 00:38:22,680
Speaker 5: No, I mean, nothing really happens, honestly, Yeah, nothing really happens.

865
00:38:22,800 --> 00:38:26,120
Speaker 1: Yeah. Yeah, the checking like that, that's what's up. No,

866
00:38:26,280 --> 00:38:27,879
Speaker 1: but get caught with it. I'm not saying they checking

867
00:38:27,920 --> 00:38:30,879
Speaker 1: for Oh get caught that's a story. Yeah, he caught

868
00:38:30,920 --> 00:38:32,120
Speaker 1: with it. You see what happens.

869
00:38:32,160 --> 00:38:35,640
Speaker 3: Let's just see what happens, because we again, even like

870
00:38:35,719 --> 00:38:41,360
Speaker 3: the formidable news spots, just get little bits of police

871
00:38:41,360 --> 00:38:43,719
Speaker 3: reports and that is a fact. But then they run

872
00:38:43,760 --> 00:38:46,000
Speaker 3: with it in the title. We don't know this guy

873
00:38:46,040 --> 00:38:47,200
Speaker 3: was Diddy's drug mule.

874
00:38:47,280 --> 00:38:47,920
Speaker 6: This is crazy.

875
00:38:47,960 --> 00:38:49,640
Speaker 3: He may have been a round puff and just got

876
00:38:49,640 --> 00:38:50,279
Speaker 3: caught with some coke.

877
00:38:50,520 --> 00:38:53,520
Speaker 5: He started making beats during the pandemic. According to a

878
00:38:53,560 --> 00:38:56,440
Speaker 5: Facebook post in twenty twenty, and he eventually began how

879
00:38:56,480 --> 00:39:02,879
Speaker 5: do you do? He started producing for the Love Album.

880
00:39:01,360 --> 00:39:04,360
Speaker 1: Not understanding that album is so good. I don't who's

881
00:39:04,400 --> 00:39:06,799
Speaker 1: that Little Rod dude. I've never heard of him before this.

882
00:39:06,960 --> 00:39:08,840
Speaker 3: I had neither of He gets a lot of records

883
00:39:08,880 --> 00:39:11,080
Speaker 3: on the Love Album before that. I don't know.

884
00:39:11,239 --> 00:39:13,920
Speaker 1: These niggas is agents, man, Let's just go ahead and

885
00:39:13,960 --> 00:39:15,320
Speaker 1: say it. These niggas is an agent.

886
00:39:15,480 --> 00:39:15,600
Speaker 7: Bro.

887
00:39:16,280 --> 00:39:17,719
Speaker 1: These niggas have been placed.

888
00:39:17,800 --> 00:39:22,800
Speaker 3: That's what they said about Takashi, that these.

889
00:39:21,360 --> 00:39:23,000
Speaker 1: Niggas have been placed around Puff.

890
00:39:24,360 --> 00:39:27,600
Speaker 3: That's a real conspiracy. That that that is a new strategy.

891
00:39:27,680 --> 00:39:29,080
Speaker 3: I don't think this has been a strategy for a

892
00:39:29,080 --> 00:39:31,920
Speaker 3: long time. That they are taking musically inclined people and

893
00:39:31,960 --> 00:39:34,719
Speaker 3: placing them. That's the real industry plan. So when I

894
00:39:34,760 --> 00:39:37,240
Speaker 3: say the coaching attack, this is what I'm talking about.

895
00:39:37,239 --> 00:39:40,080
Speaker 1: Who is these niggas? Who is Little Rod? Who is

896
00:39:40,120 --> 00:39:43,719
Speaker 1: Brendan Paul? All of a sudden, these niggas got so

897
00:39:43,760 --> 00:39:47,480
Speaker 1: close to Puff where they start supplying drugs and chicks

898
00:39:48,239 --> 00:39:52,919
Speaker 1: and video and recording every Who are these niggas? How

899
00:39:52,960 --> 00:39:55,040
Speaker 1: did that come from?

900
00:39:55,080 --> 00:39:57,840
Speaker 3: Even this is a little far fetched from my tenfoil

901
00:39:57,880 --> 00:40:00,640
Speaker 3: last shiit like, I know. I don't think they scooped

902
00:40:00,719 --> 00:40:04,120
Speaker 3: up Brendan Paul as a not even a six man

903
00:40:04,160 --> 00:40:06,759
Speaker 3: off the Syracuse bench and was like, do you want

904
00:40:06,800 --> 00:40:10,439
Speaker 3: to join the FBI or the CIA. I just don't

905
00:40:10,440 --> 00:40:12,480
Speaker 3: think it went that way. I think there is a

906
00:40:12,480 --> 00:40:15,200
Speaker 3: world where that happens in other places. Let me see,

907
00:40:15,400 --> 00:40:17,879
Speaker 3: agents can speak a million different languages. They can. They're

908
00:40:17,920 --> 00:40:21,440
Speaker 3: fucking doing tricks with their guns, backflips, jumped down of planes.

909
00:40:21,440 --> 00:40:22,880
Speaker 3: I think they can learn how to play the keyboard

910
00:40:22,880 --> 00:40:25,480
Speaker 3: pretty fucking good. So I think there is a world

911
00:40:25,480 --> 00:40:28,480
Speaker 3: where agents, yes have great music taste to know how

912
00:40:28,480 --> 00:40:30,800
Speaker 3: to pick a sample. I just don't know if Brendan

913
00:40:30,800 --> 00:40:32,920
Speaker 3: Paul is the one. Maybe little Rod bro let me

914
00:40:32,920 --> 00:40:35,040
Speaker 3: tell you, hey, let me tell you something. I just

915
00:40:35,040 --> 00:40:36,680
Speaker 3: think he was talented. You don't think he was. I

916
00:40:36,719 --> 00:40:38,600
Speaker 3: don't think the CIA was like looking at his game

917
00:40:38,640 --> 00:40:40,280
Speaker 3: film and was like, that's our guy. To get puffed.

918
00:40:40,320 --> 00:40:42,920
Speaker 1: Bro Let me tell you something. We're gonna over the

919
00:40:42,920 --> 00:40:44,879
Speaker 1: next few weeks, we're gonna learn a lot of shit

920
00:40:45,000 --> 00:40:47,759
Speaker 1: that we didn't think was possible. What's this? And we're

921
00:40:47,760 --> 00:40:50,200
Speaker 1: gonna be sitting here like holy shit and that's what

922
00:40:50,200 --> 00:40:53,760
Speaker 1: I'm trying to say. When I mean, the culture looks

923
00:40:53,760 --> 00:40:55,760
Speaker 1: like it's under attack. This is one of our kings,

924
00:40:56,640 --> 00:40:58,400
Speaker 1: and this is how they did him. And this is

925
00:40:58,400 --> 00:41:00,200
Speaker 1: the technical team that they sent into his house and

926
00:41:00,280 --> 00:41:01,240
Speaker 1: put his kids in handcuffs.

927
00:41:01,320 --> 00:41:03,000
Speaker 2: And if he's guilty of all the things that they

928
00:41:03,000 --> 00:41:04,759
Speaker 2: say that he's jail.

929
00:41:05,080 --> 00:41:08,719
Speaker 1: He's not an If he's if puff sexually abused or

930
00:41:08,840 --> 00:41:11,120
Speaker 1: is guilty of any of these illegal crimes that they're

931
00:41:11,160 --> 00:41:14,880
Speaker 1: placing on them, I'm not here to cape for him.

932
00:41:15,360 --> 00:41:17,200
Speaker 1: You gotta you gotta wear that, you gotta, you gotta,

933
00:41:17,239 --> 00:41:21,360
Speaker 1: you gotta take that. But that's if he's guilty of

934
00:41:21,360 --> 00:41:23,120
Speaker 1: any of these things that he's being alleged up.

935
00:41:23,120 --> 00:41:26,520
Speaker 7: But we also have had this conversation, let's even if

936
00:41:26,520 --> 00:41:29,120
Speaker 7: this doesn't happen, when you're talking about the culture being

937
00:41:29,160 --> 00:41:31,799
Speaker 7: an attack and these stains and all, even if this

938
00:41:31,880 --> 00:41:35,759
Speaker 7: doesn't happen, and only the Cassie case happens, is that

939
00:41:35,920 --> 00:41:36,879
Speaker 7: or is that not enough?

940
00:41:37,000 --> 00:41:37,439
Speaker 1: It's enough?

941
00:41:37,480 --> 00:41:37,640
Speaker 5: You know?

942
00:41:37,840 --> 00:41:39,560
Speaker 1: Oh? No, like where we stood on that, we only

943
00:41:39,560 --> 00:41:41,759
Speaker 1: still one that the way we did because he settled out.

944
00:41:41,840 --> 00:41:43,960
Speaker 1: Had he not settled out, I don't you know what

945
00:41:43,960 --> 00:41:45,759
Speaker 1: I mean? And I know, you know, they settling out.

946
00:41:45,800 --> 00:41:47,680
Speaker 1: It's not an a mission of guilt on some level

947
00:41:47,680 --> 00:41:49,680
Speaker 1: with it, and some level of it is just saying, okay,

948
00:41:49,760 --> 00:41:52,080
Speaker 1: y'all take that, I'll take whatever. But all of those

949
00:41:52,160 --> 00:41:54,560
Speaker 1: charges in that loss, doubt all of it was nasty.

950
00:41:55,080 --> 00:41:57,319
Speaker 1: So if I'm guilty of one of those things, it's like, Yo,

951
00:41:57,480 --> 00:42:01,560
Speaker 1: that's bro, that's insane to have any of those allegations

952
00:42:01,560 --> 00:42:05,680
Speaker 1: on your jacket. What I'm saying is this though, sending

953
00:42:05,680 --> 00:42:10,680
Speaker 1: the tactical teams in to Diddy's properties, We've never seen

954
00:42:10,719 --> 00:42:12,920
Speaker 1: a tactical team run down on the Playboy mansion. And

955
00:42:13,000 --> 00:42:18,000
Speaker 1: I'm sure yeah, and I'm positive over however many years

956
00:42:18,239 --> 00:42:21,560
Speaker 1: that Playboy Mansion has been there, there's been underage girls

957
00:42:21,560 --> 00:42:24,359
Speaker 1: having sex, and there's been a lot of drugs being used.

958
00:42:24,440 --> 00:42:24,840
Speaker 1: I think.

959
00:42:26,239 --> 00:42:30,799
Speaker 3: Playboy sorry Jeffrey Epstein's Island with the grotto, Yes.

960
00:42:30,480 --> 00:42:31,440
Speaker 1: I'm more than positive.

961
00:42:31,520 --> 00:42:33,960
Speaker 7: I think if it was open, I think if it

962
00:42:34,080 --> 00:42:37,560
Speaker 7: was still open today, I feel like the times are

963
00:42:37,840 --> 00:42:40,839
Speaker 7: is what have changed or what have changed? Like all

964
00:42:40,880 --> 00:42:43,080
Speaker 7: of these things are now being looked at because we

965
00:42:43,160 --> 00:42:45,040
Speaker 7: live in a new world under a slight where it's like, yeah,

966
00:42:45,040 --> 00:42:47,440
Speaker 7: not only are these things illegal, They've always been illegal.

967
00:42:47,480 --> 00:42:48,360
Speaker 2: They're also wrong.

968
00:42:49,000 --> 00:42:51,879
Speaker 7: So I feel like Diddy has probably been if if

969
00:42:51,880 --> 00:42:54,040
Speaker 7: he's guilty of these things, he's been doing these things

970
00:42:54,040 --> 00:42:56,200
Speaker 7: for years, but now this is coming to Like I

971
00:42:56,239 --> 00:42:58,760
Speaker 7: think if the Playboy mansion was still up and running,

972
00:42:58,800 --> 00:42:59,920
Speaker 7: I think that the same thing.

973
00:43:00,280 --> 00:43:04,279
Speaker 3: So to the Cassie point, where did he could really

974
00:43:04,320 --> 00:43:09,120
Speaker 3: be fucked? I don't think NDA's qualified with criminal court.

975
00:43:09,239 --> 00:43:12,120
Speaker 3: If I settle out with you in a civil lawsuit

976
00:43:12,160 --> 00:43:14,440
Speaker 3: and I signed an NDA not to discuss it, I

977
00:43:14,480 --> 00:43:17,080
Speaker 3: don't think that NDA is valid in a court room.

978
00:43:18,360 --> 00:43:20,560
Speaker 1: Another thing that people didn't sell attention. She was talking

979
00:43:20,560 --> 00:43:24,080
Speaker 1: about him shooting people like it was crazy. Another thing

980
00:43:24,120 --> 00:43:26,200
Speaker 1: that people aren't paying attention to. And this whole thing

981
00:43:26,360 --> 00:43:30,360
Speaker 1: is his chief of staff just turned witness. Yeah, she

982
00:43:30,520 --> 00:43:32,880
Speaker 1: was named in a little rod suit and said she

983
00:43:32,960 --> 00:43:35,080
Speaker 1: was gonna be ten To's.

984
00:43:34,080 --> 00:43:40,320
Speaker 8: And now Christen Chris right Ethiopia. Yeah, this is Puff's

985
00:43:40,360 --> 00:43:44,560
Speaker 8: chief of staff, which means everything runs through her. She's singing,

986
00:43:46,280 --> 00:43:49,480
Speaker 8: his gis laying everything runs through her.

987
00:43:49,600 --> 00:43:50,239
Speaker 6: Never get her right.

988
00:43:52,320 --> 00:43:55,160
Speaker 1: So we can make memes and jokes and all that shit.

989
00:43:55,320 --> 00:43:57,319
Speaker 1: We're gonna start seeing and hearing some shit in the

990
00:43:57,320 --> 00:44:00,719
Speaker 1: next couple of weeks that he's going to really what

991
00:44:00,760 --> 00:44:03,160
Speaker 1: it is, fuck us up in how we feel and out.

992
00:44:03,280 --> 00:44:07,800
Speaker 1: It's gonna test. I'm telling you everybody, I know, a

993
00:44:07,840 --> 00:44:09,040
Speaker 1: lot of see a lot of people that on the

994
00:44:09,080 --> 00:44:11,279
Speaker 1: internet now and have these blogs, these platforms. They're not

995
00:44:11,400 --> 00:44:13,640
Speaker 1: old enough to really know the impact that Puff had

996
00:44:13,680 --> 00:44:16,439
Speaker 1: on the culture. A lot of these guys twenty five,

997
00:44:16,520 --> 00:44:20,920
Speaker 1: twenty six, twenty seven, like Puff has not dominated music

998
00:44:21,440 --> 00:44:25,520
Speaker 1: in a long time. I'm talking about from the nineties

999
00:44:26,160 --> 00:44:28,160
Speaker 1: and seeing what he did and what he built and

1000
00:44:28,200 --> 00:44:30,839
Speaker 1: how he came up to where he is today. I

1001
00:44:30,880 --> 00:44:33,399
Speaker 1: saw that. I watched that this is somebody that we've

1002
00:44:33,480 --> 00:44:38,359
Speaker 1: always held as Yo Puff is that nigga To see

1003
00:44:38,400 --> 00:44:42,200
Speaker 1: him now in this part of his life going through this, bro,

1004
00:44:42,320 --> 00:44:45,560
Speaker 1: this is this, This is disappointing, This is sad, This

1005
00:44:45,600 --> 00:44:49,279
Speaker 1: is this is a tragedy, This is like, this is

1006
00:44:49,400 --> 00:44:52,440
Speaker 1: this is really some shit that we only thought that

1007
00:44:52,480 --> 00:44:54,520
Speaker 1: we would see in a movie. This is movie shit.

1008
00:44:55,719 --> 00:44:57,320
Speaker 1: This is movie. This is the end of the movie

1009
00:44:57,480 --> 00:44:59,839
Speaker 1: where it all comes falling down and we find out

1010
00:44:59,840 --> 00:45:02,279
Speaker 1: that that that the uncle that we thought was the

1011
00:45:02,320 --> 00:45:08,600
Speaker 1: most stand up, honest, loving, caring, supportive person, did we

1012
00:45:08,600 --> 00:45:11,440
Speaker 1: think it's not that who thought about Like, am I tripping?

1013
00:45:11,800 --> 00:45:13,360
Speaker 1: I know I didn't well over the last couple of

1014
00:45:13,400 --> 00:45:15,480
Speaker 1: years I'm talking about I'm talking about from the beginning.

1015
00:45:15,560 --> 00:45:18,360
Speaker 5: But like in the slice of the music industry experience

1016
00:45:18,360 --> 00:45:22,280
Speaker 5: that I've had, I haven't heard anything good about him,

1017
00:45:22,760 --> 00:45:24,640
Speaker 5: and I'm not I haven't been in this shit forever,

1018
00:45:25,040 --> 00:45:26,719
Speaker 5: only like six years or so in but like it's

1019
00:45:26,760 --> 00:45:28,759
Speaker 5: just this doesn't surprise me.

1020
00:45:28,960 --> 00:45:31,319
Speaker 1: But that's what you just said. You've been in it

1021
00:45:31,400 --> 00:45:34,960
Speaker 1: six seven years we told I'm talking about going way

1022
00:45:35,040 --> 00:45:36,359
Speaker 1: back further than that, I know.

1023
00:45:36,400 --> 00:45:39,080
Speaker 6: But my point is, like then I would assume then

1024
00:45:39,239 --> 00:45:39,440
Speaker 6: that we.

1025
00:45:39,520 --> 00:45:42,839
Speaker 1: Heard was going We artists had their gripes with him,

1026
00:45:43,160 --> 00:45:45,480
Speaker 1: you know, not getting it, publishing and getting paid, things

1027
00:45:45,520 --> 00:45:48,360
Speaker 1: like that. A lot of people write that off to

1028
00:45:48,680 --> 00:45:49,359
Speaker 1: you signed that.

1029
00:45:49,360 --> 00:45:51,840
Speaker 3: Contract, and he became friends with most of them afterwards.

1030
00:45:51,840 --> 00:45:53,279
Speaker 1: You understand what I'm saying. So it's like a lot of

1031
00:45:53,320 --> 00:45:55,440
Speaker 1: that ship we had to dismiss because it's like, Okay,

1032
00:45:55,480 --> 00:45:57,000
Speaker 1: these same artists that felt that way, a lot of

1033
00:45:57,000 --> 00:45:59,120
Speaker 1: them are is cool with him now. A lot of

1034
00:45:59,160 --> 00:46:01,480
Speaker 1: them have even done with them again, you understand what

1035
00:46:01,480 --> 00:46:05,560
Speaker 1: I'm saying. So those type of things, was like, that's business,

1036
00:46:06,040 --> 00:46:08,600
Speaker 1: you know, they that's their thing. You signed that contract.

1037
00:46:09,000 --> 00:46:10,800
Speaker 1: You got to stand behind whatever you sign. Yes, a

1038
00:46:10,840 --> 00:46:12,400
Speaker 1: lot of these artists were young. They didn't really know

1039
00:46:12,400 --> 00:46:14,359
Speaker 1: how to read a contract, so you could say they

1040
00:46:14,360 --> 00:46:16,840
Speaker 1: were taking advantage of I get all of that, but

1041
00:46:16,880 --> 00:46:18,759
Speaker 1: at the end of the day, they signed that contract,

1042
00:46:19,640 --> 00:46:21,480
Speaker 1: and if all Puff was doing was going by what

1043
00:46:21,600 --> 00:46:24,640
Speaker 1: was in those contracts, yeah, it's still fucked up. They

1044
00:46:24,640 --> 00:46:27,719
Speaker 1: didn't know, but they signed a contract. I'm talking about

1045
00:46:27,719 --> 00:46:29,640
Speaker 1: all these things that came out in the last few

1046
00:46:29,719 --> 00:46:35,920
Speaker 1: years testing puffs character as far as sexual abuse and

1047
00:46:36,000 --> 00:46:39,520
Speaker 1: things like that. These things is something that we never

1048
00:46:39,560 --> 00:46:41,080
Speaker 1: saw happen in coming up.

1049
00:46:41,680 --> 00:46:44,279
Speaker 3: It's just crazy to like the arrogance you have to

1050
00:46:44,280 --> 00:46:48,319
Speaker 3: have of having the same practices in the new era.

1051
00:46:48,760 --> 00:46:52,279
Speaker 3: Like Cosby might have been the only one that didn't

1052
00:46:52,320 --> 00:46:54,680
Speaker 3: get out Scott free from back in the day because

1053
00:46:54,719 --> 00:46:57,440
Speaker 3: things were just accepted. They were completely they were completely

1054
00:46:57,440 --> 00:47:00,360
Speaker 3: fucking wrong. For sure. It's not an excuse. I'm not

1055
00:47:00,400 --> 00:47:03,839
Speaker 3: saying it was the times. It just people turned a

1056
00:47:03,840 --> 00:47:05,200
Speaker 3: blind eye to a lot of it. We even hear

1057
00:47:05,400 --> 00:47:08,920
Speaker 3: stories now, Quincy Jones tells crazy stories about that time

1058
00:47:09,640 --> 00:47:11,920
Speaker 3: Puff was taking shit that he was getting away with

1059
00:47:11,960 --> 00:47:15,960
Speaker 3: in the nineties to twenty twenty, like the type of

1060
00:47:16,120 --> 00:47:18,759
Speaker 3: arrogance you have to have going into that. So yeah,

1061
00:47:18,840 --> 00:47:21,960
Speaker 3: do I think there's probably some Homeland security plant or

1062
00:47:22,000 --> 00:47:24,520
Speaker 3: agents that were sent to puff, But you are the

1063
00:47:24,560 --> 00:47:28,040
Speaker 3: most vulnerable target when you're already doing crimes. They don't

1064
00:47:28,040 --> 00:47:31,880
Speaker 3: need to like plant too much here. Yeah, that's where

1065
00:47:32,120 --> 00:47:33,799
Speaker 3: that's where we have to find a middle ground with

1066
00:47:33,800 --> 00:47:35,680
Speaker 3: the conspiracy shit. Yeah, do I think he was probably

1067
00:47:35,760 --> 00:47:39,120
Speaker 3: target Sure, he has a lot of influence, He represents

1068
00:47:40,000 --> 00:47:44,319
Speaker 3: an entire culture, and from what we've seen publicly on

1069
00:47:44,360 --> 00:47:48,840
Speaker 3: the business side, he's been a great one. You're also

1070
00:47:49,200 --> 00:47:52,640
Speaker 3: committing crimes. You're so easy to plant an agent, Like

1071
00:47:53,480 --> 00:47:55,200
Speaker 3: how much conspiracy do we really need here?

1072
00:47:55,520 --> 00:47:58,319
Speaker 7: And I'm not even gonna and not even mentioning like

1073
00:47:58,360 --> 00:48:00,000
Speaker 7: a lot of people were bringing up back to Korea,

1074
00:48:00,160 --> 00:48:02,000
Speaker 7: a lot of people are bringing up things that she

1075
00:48:02,040 --> 00:48:04,440
Speaker 7: would tweet and things that her and Diddy would say.

1076
00:48:05,080 --> 00:48:08,480
Speaker 7: She's admitting this is not my man. He pays me

1077
00:48:08,600 --> 00:48:11,920
Speaker 7: every month. He's also peeing on me. You're admitting to

1078
00:48:12,120 --> 00:48:18,399
Speaker 7: being an escort. Y'all are talking about like prostitution's on.

1079
00:48:18,400 --> 00:48:21,880
Speaker 1: Music and on interviews, y'all on platform she's on platforms

1080
00:48:21,920 --> 00:48:22,640
Speaker 1: saying that she's a who.

1081
00:48:22,760 --> 00:48:24,719
Speaker 3: She's the realist rapper. She lives her rhymes more than

1082
00:48:24,760 --> 00:48:25,759
Speaker 3: any rapper we've ever seen.

1083
00:48:26,040 --> 00:48:28,160
Speaker 1: Like she said, straight up, I'm a whore. She said

1084
00:48:28,160 --> 00:48:31,160
Speaker 1: that out of her mouth, so you know, okay, cool.

1085
00:48:31,239 --> 00:48:33,120
Speaker 1: She she she's wearing it. She knows what she is.

1086
00:48:33,640 --> 00:48:34,399
Speaker 1: She's wearing that.

1087
00:48:35,400 --> 00:48:37,520
Speaker 7: But that's but what I'm saying is it's illegal. Y'all

1088
00:48:37,560 --> 00:48:40,400
Speaker 7: are brag. That's why when you say conspiracy and plants

1089
00:48:40,400 --> 00:48:43,040
Speaker 7: and all. This is like in the Arrogance Rory spoke to,

1090
00:48:43,160 --> 00:48:44,839
Speaker 7: y'all are bragging about it.

1091
00:48:44,880 --> 00:48:46,480
Speaker 3: To me with a high paid lawyer, that's a very

1092
00:48:46,520 --> 00:48:49,800
Speaker 3: easy one. That was that was crazy on the paperwork,

1093
00:48:49,800 --> 00:48:52,480
Speaker 3: just because it said young Miami name and fifty cents

1094
00:48:52,480 --> 00:48:55,880
Speaker 3: baby mother's name. It's very easy to clean up giving

1095
00:48:55,960 --> 00:48:58,000
Speaker 3: a woman a stipend per month, especially if it's a

1096
00:48:58,000 --> 00:49:00,560
Speaker 3: consistent amount dating her.

1097
00:49:00,640 --> 00:49:01,680
Speaker 1: This is my girlfriend.

1098
00:49:01,760 --> 00:49:04,200
Speaker 3: She could be a creative consultant. She's an artist. She's

1099
00:49:04,320 --> 00:49:07,759
Speaker 3: showing me the new way, my muse, Like that's us.

1100
00:49:08,200 --> 00:49:10,279
Speaker 3: We know for a fact, my mona, Lisa, it was

1101
00:49:10,960 --> 00:49:13,279
Speaker 3: straight up prostitution. But now when You're very easy with

1102
00:49:13,280 --> 00:49:14,080
Speaker 3: a lawyer to just kill.

1103
00:49:14,400 --> 00:49:16,319
Speaker 7: But they're saying and that if I'm not mistaken in

1104
00:49:16,320 --> 00:49:18,880
Speaker 7: the paperwork that you're she was in charge of recruiting

1105
00:49:18,920 --> 00:49:21,560
Speaker 7: other girls, that's yeah.

1106
00:49:21,680 --> 00:49:22,880
Speaker 6: Oh she's a job recruiter.

1107
00:49:23,120 --> 00:49:24,480
Speaker 1: Yeah, she's a job creator.

1108
00:49:24,560 --> 00:49:26,600
Speaker 6: LinkedIn, she is Diddy's LinkedIn.

1109
00:49:26,680 --> 00:49:27,520
Speaker 1: She went the job calls.

1110
00:49:27,560 --> 00:49:29,120
Speaker 6: She's recruiting other toilet seeds.

1111
00:49:29,200 --> 00:49:29,399
Speaker 1: Yeah.

1112
00:49:29,480 --> 00:49:32,680
Speaker 3: So when all right, a prostitution ring, when it is

1113
00:49:32,719 --> 00:49:36,000
Speaker 3: all consensual, is there even like much jail time there?

1114
00:49:36,040 --> 00:49:36,239
Speaker 5: Though?

1115
00:49:37,480 --> 00:49:40,040
Speaker 3: If I'm if I'm hiring a bunch of sex workers,

1116
00:49:40,040 --> 00:49:42,880
Speaker 3: that all if they get caught were like, yeah, it

1117
00:49:42,920 --> 00:49:47,560
Speaker 3: was consensual. I'll take the plea for being a prostitute.

1118
00:49:47,840 --> 00:49:50,680
Speaker 3: You see the bank records, whatever, can you get that

1119
00:49:50,840 --> 00:49:51,600
Speaker 3: much time for that?

1120
00:49:51,920 --> 00:49:54,319
Speaker 1: It's not even about the jail time for me. This

1121
00:49:54,480 --> 00:49:58,319
Speaker 1: is about reputation, legacy. This is bigger than jail time.

1122
00:49:58,760 --> 00:50:02,200
Speaker 1: This is this is Puff's legacy, This is his his reputation.

1123
00:50:02,560 --> 00:50:06,399
Speaker 1: If he does twenty months in prison, he can never

1124
00:50:06,480 --> 00:50:08,799
Speaker 1: come back and be welcomed into the culture the way

1125
00:50:08,840 --> 00:50:09,160
Speaker 1: he was.

1126
00:50:09,320 --> 00:50:12,120
Speaker 5: I don't think he'll be welcomed back. Well, he shouldn't

1127
00:50:12,120 --> 00:50:12,759
Speaker 5: be welcome back.

1128
00:50:13,680 --> 00:50:15,560
Speaker 3: High view of the culture and what they accept back in.

1129
00:50:15,840 --> 00:50:17,839
Speaker 1: That's no, this is this is not this is this

1130
00:50:17,960 --> 00:50:21,200
Speaker 1: is any defends any of them. That's this is what

1131
00:50:21,200 --> 00:50:24,680
Speaker 1: I'm saying. If any of this ship sticks, any of

1132
00:50:24,719 --> 00:50:28,120
Speaker 1: these allegations and they you know, investigate and find that, yes,

1133
00:50:28,160 --> 00:50:30,560
Speaker 1: they have charges to bring Diddy on and he ends

1134
00:50:30,600 --> 00:50:32,840
Speaker 1: up going to prison, he can't come back from this.

1135
00:50:34,120 --> 00:50:38,120
Speaker 1: It's over. But now Puffers in his fifties, you know whatever,

1136
00:50:38,239 --> 00:50:40,440
Speaker 1: like he can go somewhere and just you know, live

1137
00:50:40,480 --> 00:50:42,480
Speaker 1: out his life and just be the old guy. That's

1138
00:50:42,560 --> 00:50:45,280
Speaker 1: just you know, at one point was a mogul, and

1139
00:50:45,440 --> 00:50:46,879
Speaker 1: he's still gonna have a lot of money sold.

1140
00:50:47,440 --> 00:50:49,160
Speaker 5: It's still at the point where he can sail off

1141
00:50:49,160 --> 00:50:49,920
Speaker 5: into the sunset.

1142
00:50:50,000 --> 00:50:52,279
Speaker 1: Oh no, he's he's not going to be We're not

1143
00:50:52,280 --> 00:50:55,640
Speaker 1: going to see him panhandling. No, he won't. It's not

1144
00:50:55,680 --> 00:50:58,600
Speaker 1: gonna go there. He just sold his shares of revolt,

1145
00:50:59,440 --> 00:51:01,279
Speaker 1: made a nice you know, made a nice piece of

1146
00:51:01,320 --> 00:51:03,560
Speaker 1: change from that, and the e liquor.

1147
00:51:03,280 --> 00:51:07,520
Speaker 3: Company diagi Will paid him almost a billion dollars in

1148
00:51:07,560 --> 00:51:09,680
Speaker 3: their relationship. That is what I'm saying.

1149
00:51:09,840 --> 00:51:12,240
Speaker 1: Sixty million a year for seven sixteen years.

1150
00:51:12,160 --> 00:51:12,759
Speaker 3: Now something like that.

1151
00:51:12,880 --> 00:51:17,320
Speaker 1: Yeah, you know. I mean, it's not about the money again,

1152
00:51:17,360 --> 00:51:20,680
Speaker 1: this is about his legacy, which you know, depending on

1153
00:51:20,719 --> 00:51:23,360
Speaker 1: who you're talking to, is more important than your money.

1154
00:51:23,360 --> 00:51:28,600
Speaker 1: It's your legacy, it's your reputation, it's you know, it's

1155
00:51:28,600 --> 00:51:30,920
Speaker 1: how people view you. And I think that this is

1156
00:51:30,920 --> 00:51:33,919
Speaker 1: what Puff stands and is losing at the moment. He's

1157
00:51:33,960 --> 00:51:37,280
Speaker 1: losing his His legacy is being ruined, it's being tarnished.

1158
00:51:37,520 --> 00:51:41,399
Speaker 1: It'll never be looked at the same. But again, it's

1159
00:51:41,480 --> 00:51:46,560
Speaker 1: just an investigation. He's not under rest yet. Homeland Security

1160
00:51:46,640 --> 00:51:49,000
Speaker 1: is investigating. They went through his house. Whatever they were

1161
00:51:49,000 --> 00:51:50,759
Speaker 1: looking for, I'm assuming they found it. They have it,

1162
00:51:50,760 --> 00:51:54,400
Speaker 1: They have possession of it, whether it's videos of some

1163
00:51:54,480 --> 00:51:58,440
Speaker 1: high power people having sex, whatever it is, teams, he

1164
00:51:58,440 --> 00:52:00,360
Speaker 1: will have it soon because the motherfuckers get every ma.

1165
00:52:00,920 --> 00:52:04,319
Speaker 5: How do you feel about Uh? We're looking also at

1166
00:52:04,360 --> 00:52:07,719
Speaker 5: the change in history. More history is being made as

1167
00:52:07,760 --> 00:52:11,480
Speaker 5: our hip hop vernacular has now shifted. It used to

1168
00:52:11,520 --> 00:52:15,480
Speaker 5: be No Homo, and then it was Pause and now

1169
00:52:15,520 --> 00:52:16,280
Speaker 5: it's No Diddy.

1170
00:52:16,480 --> 00:52:17,520
Speaker 3: That's not going to last.

1171
00:52:17,960 --> 00:52:20,440
Speaker 5: I just feel like you guys are losing your staying power. No,

1172
00:52:20,520 --> 00:52:22,840
Speaker 5: that's because you could you know, Pause was your ship

1173
00:52:23,000 --> 00:52:24,040
Speaker 5: that's that's just a moment.

1174
00:52:24,080 --> 00:52:25,240
Speaker 6: I'm all in on No Diddy.

1175
00:52:25,360 --> 00:52:29,919
Speaker 3: Of course, you pause has outlasted me to the entire

1176
00:52:29,960 --> 00:52:30,840
Speaker 3: gay rights movement.

1177
00:52:31,000 --> 00:52:31,359
Speaker 6: Me too.

1178
00:52:33,000 --> 00:52:34,719
Speaker 1: You'll just say no me too.

1179
00:52:34,760 --> 00:52:38,560
Speaker 3: People that are our hope, like our homo, say no

1180
00:52:38,640 --> 00:52:40,080
Speaker 3: homo in paulse at this point.

1181
00:52:40,160 --> 00:52:45,720
Speaker 1: Yeah, No, that's not This is just very momentary. That's

1182
00:52:45,800 --> 00:52:46,839
Speaker 1: not No Didty is fun.

1183
00:52:47,600 --> 00:52:50,680
Speaker 3: It's just I will I Will reminds me too much

1184
00:52:50,680 --> 00:52:51,320
Speaker 3: of No Diddy.

1185
00:52:51,440 --> 00:52:52,600
Speaker 1: Yeah, like that, I just can't.

1186
00:52:52,880 --> 00:52:55,359
Speaker 5: I can't get into all. It just reminds me too

1187
00:52:55,400 --> 00:52:57,360
Speaker 5: much of that dig they're calling him the Diddler.

1188
00:52:57,600 --> 00:52:58,160
Speaker 3: The Diddler was.

1189
00:52:58,280 --> 00:53:01,120
Speaker 5: I mean, these are there's been some great I know.

1190
00:53:01,120 --> 00:53:04,200
Speaker 1: Social media has been having they've been having a bill

1191
00:53:04,320 --> 00:53:06,200
Speaker 1: day with this type of with this type of shit.

1192
00:53:06,520 --> 00:53:09,120
Speaker 3: And I'm not here to complain, Like it is weird

1193
00:53:09,160 --> 00:53:12,799
Speaker 3: that we take absolutely nothing seriously on social media. What

1194
00:53:12,880 --> 00:53:16,239
Speaker 3: I enjoyed, Like, these are crazy crimes and we're just

1195
00:53:16,280 --> 00:53:19,000
Speaker 3: making memes. But I'm here to laugh at them.

1196
00:53:19,040 --> 00:53:22,160
Speaker 1: Well, people make memes in crazy times. I understand it.

1197
00:53:22,200 --> 00:53:22,920
Speaker 1: I get it if.

1198
00:53:22,880 --> 00:53:26,000
Speaker 3: Fifty is still making memes while his baby mother is

1199
00:53:26,040 --> 00:53:27,560
Speaker 3: involved in the case. And I think we're all.

1200
00:53:27,440 --> 00:53:29,440
Speaker 1: Fifty one hundred percent new that girl was the sex work.

1201
00:53:29,560 --> 00:53:30,920
Speaker 3: I was gonna ask you you think he found out

1202
00:53:30,960 --> 00:53:32,640
Speaker 3: with the rest of us with that paperwork.

1203
00:53:32,400 --> 00:53:34,279
Speaker 1: He found out, which is why he's probably been going

1204
00:53:34,320 --> 00:53:36,640
Speaker 1: at puff as hard as he's been going. Yeah, but

1205
00:53:36,680 --> 00:53:38,000
Speaker 1: he didn't find out last night.

1206
00:53:38,640 --> 00:53:40,680
Speaker 3: Because it did take a weird turn a few years ago,

1207
00:53:41,360 --> 00:53:43,360
Speaker 3: like they always had back and forth, funny jabs, but

1208
00:53:43,400 --> 00:53:45,400
Speaker 3: you could tell they were always still cool. They were

1209
00:53:45,400 --> 00:53:48,000
Speaker 3: competing in the liquor shit. Then it did take a

1210
00:53:48,080 --> 00:53:49,520
Speaker 3: strange fucking turn, like.

1211
00:53:49,840 --> 00:53:54,080
Speaker 1: Yeah, it's it's it comes across as like, yo, what's

1212
00:53:54,160 --> 00:53:56,400
Speaker 1: up man, like cause you you be on it as

1213
00:53:56,400 --> 00:53:58,520
Speaker 1: soon as anything come out about this dude, it's on

1214
00:53:58,600 --> 00:54:02,319
Speaker 1: your page. It's a captions like like what's up, bro?

1215
00:54:02,400 --> 00:54:05,320
Speaker 1: And then now that this comes out, it's like, oh okay.

1216
00:54:05,480 --> 00:54:07,680
Speaker 3: But to me, all right, if I'm fifty, I would

1217
00:54:07,760 --> 00:54:11,400
Speaker 3: be upset, not for like emotional reasons per se, but

1218
00:54:11,480 --> 00:54:14,440
Speaker 3: like at that point you're doing sex work for the sport,

1219
00:54:14,960 --> 00:54:19,680
Speaker 3: Like I'm sure my child support covers your overhead. Man,

1220
00:54:20,280 --> 00:54:22,360
Speaker 3: I don't have to go be a sex worker.

1221
00:54:22,400 --> 00:54:23,920
Speaker 1: You've ever heard of the term. You can't turn a

1222
00:54:23,960 --> 00:54:26,600
Speaker 1: hole into a houseway.

1223
00:54:25,520 --> 00:54:27,640
Speaker 3: Fair, No, I get that. I'm not saying I'm not

1224
00:54:27,640 --> 00:54:30,920
Speaker 3: saying you should have wiped her. But the point is

1225
00:54:30,960 --> 00:54:33,840
Speaker 3: to get money, right, I'm sure fifty was giving her

1226
00:54:33,920 --> 00:54:35,440
Speaker 3: enough money where she didn't need to go be a

1227
00:54:35,440 --> 00:54:36,080
Speaker 3: sex worker.

1228
00:54:37,160 --> 00:54:39,040
Speaker 1: So did Ginger and Casino. That's true.

1229
00:54:39,120 --> 00:54:40,560
Speaker 3: Yeah for the sport, That's what I'm saying.

1230
00:54:40,600 --> 00:54:42,560
Speaker 1: Can sport can't turn a hole into a housewife.

1231
00:54:42,600 --> 00:54:43,520
Speaker 3: She's really into the life.

1232
00:54:43,719 --> 00:54:45,200
Speaker 1: People are who they are and you got to let

1233
00:54:45,239 --> 00:54:47,200
Speaker 1: them be who they are. It is what it is.

1234
00:54:48,200 --> 00:54:50,160
Speaker 1: And you know, if it's a consenting adult, it's a

1235
00:54:50,200 --> 00:54:52,600
Speaker 1: grown woman, and that that's the life she wants to live,

1236
00:54:52,640 --> 00:54:55,600
Speaker 1: and that's what she wants to do, then hey, that's

1237
00:54:55,800 --> 00:54:58,480
Speaker 1: that's on her weir, you know what I mean. But yeah,

1238
00:54:58,600 --> 00:55:00,480
Speaker 1: either way, I guess we got to just wait and

1239
00:55:00,520 --> 00:55:03,160
Speaker 1: see what else comes out of this. But again, I'm

1240
00:55:03,400 --> 00:55:06,000
Speaker 1: I'm just on the side of I think charges are coming.

1241
00:55:06,600 --> 00:55:09,239
Speaker 1: I think Puff will be placed under arrest. It's all

1242
00:55:09,320 --> 00:55:12,880
Speaker 1: about what comes out in the wash. What are we

1243
00:55:12,920 --> 00:55:13,399
Speaker 1: gonna learn.

1244
00:55:13,719 --> 00:55:15,520
Speaker 5: Do you think any other big OFFICI will go down

1245
00:55:15,640 --> 00:55:16,799
Speaker 5: or will this all fall on Ditty?

1246
00:55:18,560 --> 00:55:20,200
Speaker 1: I mean, they have the power to make it all

1247
00:55:20,239 --> 00:55:23,200
Speaker 1: fall on Diddy. Yeah, because again, you know, we've seen

1248
00:55:23,239 --> 00:55:26,040
Speaker 1: tactical teams go in this house and raid and take ship.

1249
00:55:26,480 --> 00:55:27,279
Speaker 1: What did they take?

1250
00:55:27,880 --> 00:55:30,080
Speaker 3: Yeah, it all falls on the evidence of what they're

1251
00:55:30,120 --> 00:55:32,040
Speaker 3: trying to either cover up or get out there.

1252
00:55:32,200 --> 00:55:33,160
Speaker 1: Yeah, like what did they take?

1253
00:55:33,760 --> 00:55:34,240
Speaker 3: Scenarios?

1254
00:55:36,040 --> 00:55:38,879
Speaker 2: They were looking for laptops, phones, camera.

1255
00:55:38,680 --> 00:55:40,480
Speaker 1: And I think and I think they found all of that.

1256
00:55:40,880 --> 00:55:43,080
Speaker 1: Oh for sure, I think they found all of that.

1257
00:55:43,239 --> 00:55:45,839
Speaker 1: I think they've gotten into the cloud and deleted all

1258
00:55:45,840 --> 00:55:49,080
Speaker 1: of that ship. Oh yeah, this is this is high

1259
00:55:49,160 --> 00:55:50,799
Speaker 1: level ship. We're not talking about a nigga that just

1260
00:55:50,840 --> 00:55:53,319
Speaker 1: got caught at a traffic stot with a gun in

1261
00:55:53,360 --> 00:55:55,759
Speaker 1: this car. No, this is high level. This is These

1262
00:55:55,800 --> 00:55:57,920
Speaker 1: are the motherfuckers that have the ability to delete your

1263
00:55:57,920 --> 00:56:01,680
Speaker 1: Social Security number. You never even roamed this earth as

1264
00:56:01,680 --> 00:56:04,080
Speaker 1: far as they're concerned. This is that level.

1265
00:56:04,520 --> 00:56:10,200
Speaker 3: So damarus. If Young Miami offered you pink cocaine at

1266
00:56:10,239 --> 00:56:12,400
Speaker 3: a party, Miami, would you partake?

1267
00:56:12,680 --> 00:56:13,080
Speaker 2: Probably?

1268
00:56:13,120 --> 00:56:14,000
Speaker 3: Yeah, probably would too.

1269
00:56:14,080 --> 00:56:17,760
Speaker 7: Yeah, if Young Miami offered me anything, I would probably.

1270
00:56:17,960 --> 00:56:18,160
Speaker 1: Yeah.

1271
00:56:18,320 --> 00:56:19,600
Speaker 3: I wouldn't want to fuck the vibe up.

1272
00:56:19,760 --> 00:56:20,600
Speaker 2: Yeah.

1273
00:56:22,160 --> 00:56:24,920
Speaker 5: Have you looked at Young Miami and if he's sad now,

1274
00:56:24,920 --> 00:56:25,719
Speaker 5: they'd make you do it.

1275
00:56:25,760 --> 00:56:26,200
Speaker 6: Anyway.

1276
00:56:26,960 --> 00:56:28,760
Speaker 5: True, I didn't know. You don't really have a choice.

1277
00:56:28,760 --> 00:56:30,239
Speaker 5: For the matter, you might as well pretend you have

1278
00:56:30,280 --> 00:56:30,759
Speaker 5: will power.

1279
00:56:31,160 --> 00:56:34,280
Speaker 3: Yeah, I have file paperwork on the little Rory instead.

1280
00:56:38,560 --> 00:56:41,960
Speaker 3: Outside of that, it's been a crazy fucking week in

1281
00:56:42,040 --> 00:56:45,439
Speaker 3: hip hop. You think this has been a wild what

1282
00:56:45,640 --> 00:56:48,600
Speaker 3: ten days? Not even not even like a week?

1283
00:56:49,200 --> 00:56:49,720
Speaker 1: Eight days?

1284
00:56:49,760 --> 00:56:50,120
Speaker 5: Maybe?

1285
00:56:50,360 --> 00:56:51,080
Speaker 1: Yeah? A week?

1286
00:56:51,480 --> 00:56:56,560
Speaker 3: Yeah, so a week ago today at midnight, at the

1287
00:56:56,640 --> 00:56:57,880
Speaker 3: stroke of midnight.

1288
00:56:58,000 --> 00:57:02,160
Speaker 1: Come on, tell the story. Make it like suspenseful. Got yeah, well,

1289
00:57:02,200 --> 00:57:04,440
Speaker 1: lower these lights in this motherfucker. Let's make it. Let's

1290
00:57:04,480 --> 00:57:05,400
Speaker 1: really make this a moment.

1291
00:57:06,160 --> 00:57:08,840
Speaker 3: Midnight did not stroke me. Just it just it was

1292
00:57:08,840 --> 00:57:09,320
Speaker 3: just midnight.

1293
00:57:09,360 --> 00:57:11,520
Speaker 1: No, but the clock struck struck midnight, right, But I

1294
00:57:12,040 --> 00:57:14,240
Speaker 1: have a digital clock though, so like it never struck,

1295
00:57:14,320 --> 00:57:16,800
Speaker 1: just changed nothing. I mean, I'm just want the clock

1296
00:57:16,880 --> 00:57:17,400
Speaker 1: used to strike.

1297
00:57:17,960 --> 00:57:18,720
Speaker 6: What do you used to like.

1298
00:57:19,000 --> 00:57:21,560
Speaker 3: Go off at at midnight or into noon or whatever?

1299
00:57:22,080 --> 00:57:24,440
Speaker 1: Because I wasn't high Sam showing my aging game. When

1300
00:57:24,480 --> 00:57:26,320
Speaker 1: I was in high school, we had like sun dials,

1301
00:57:26,480 --> 00:57:30,760
Speaker 1: like clocks like that, well sundials too, you had digital clocks. No,

1302
00:57:30,800 --> 00:57:34,240
Speaker 1: we didn't have regular class we had now regular clocks. Yeah,

1303
00:57:34,360 --> 00:57:36,800
Speaker 1: even in college we had regular clocks.

1304
00:57:36,280 --> 00:57:38,720
Speaker 5: Really, Yeah, I thought you had digital clocks well just

1305
00:57:38,720 --> 00:57:42,240
Speaker 5: because they didn't update those rooms, but nobody nobody use them.

1306
00:57:42,560 --> 00:57:46,160
Speaker 3: Yeah yeah, I mean we even had like chalkboards, only

1307
00:57:46,200 --> 00:57:48,680
Speaker 3: some rooms had the cool marker boards. Yeah, that was

1308
00:57:48,880 --> 00:57:52,320
Speaker 3: when things really got crazy. Yeah, well, anyways, when the

1309
00:57:52,360 --> 00:57:56,440
Speaker 3: clock struck midnight. Yeah, the Future Metro Booming album, we

1310
00:57:56,480 --> 00:58:00,840
Speaker 3: don't fucking trust you, you bitch ass rappers dropout say

1311
00:58:00,840 --> 00:58:01,240
Speaker 3: something else.

1312
00:58:02,640 --> 00:58:04,600
Speaker 1: That's weird that you would think that when he was

1313
00:58:04,600 --> 00:58:07,040
Speaker 1: home alone, he got that. Yeah, we don't trust you

1314
00:58:07,080 --> 00:58:08,560
Speaker 1: bitch ass niggas.

1315
00:58:09,120 --> 00:58:11,720
Speaker 3: That's what I said at my home. Hell, okay, I

1316
00:58:11,800 --> 00:58:15,200
Speaker 3: yelled at my girl and my baby. Metro dropped, just

1317
00:58:15,280 --> 00:58:19,680
Speaker 3: grabbed Damara and screamed the N word in their face. So,

1318
00:58:20,000 --> 00:58:21,800
Speaker 3: I mean, do we even need to give the full

1319
00:58:21,840 --> 00:58:23,680
Speaker 3: history of this, Like, at this point, it's a week old.

1320
00:58:23,720 --> 00:58:27,120
Speaker 3: Everyone knows Kendrick dist Cole, and Drake on the Metro

1321
00:58:27,200 --> 00:58:30,440
Speaker 3: and Future album. Yeah, since last Thursday, things have gotten

1322
00:58:30,480 --> 00:58:37,160
Speaker 3: even more interesting. Nav unfollowed Drake. Most important thing we

1323
00:58:37,200 --> 00:58:41,040
Speaker 3: saw that Ross unfollowed Drake also was playing the like

1324
00:58:41,120 --> 00:58:42,720
Speaker 3: that Kendrick diss in his car.

1325
00:58:42,840 --> 00:58:44,560
Speaker 1: Ross was my nigga. I love him one of my favorites,

1326
00:58:44,600 --> 00:58:45,320
Speaker 1: but that was corny.

1327
00:58:46,720 --> 00:58:51,280
Speaker 3: We'll get to that. Everyone did deep dives into other

1328
00:58:51,360 --> 00:58:54,160
Speaker 3: lyrics on the Future and Metro album. The intro in

1329
00:58:54,160 --> 00:58:57,320
Speaker 3: particular was saying Future was shooting at Drake over some girl,

1330
00:58:57,760 --> 00:59:02,040
Speaker 3: just some other sex worker in Miami. Does that mean

1331
00:59:02,120 --> 00:59:03,080
Speaker 3: should not put that on her?

1332
00:59:03,520 --> 00:59:04,360
Speaker 1: Yeah? Why you guys?

1333
00:59:04,920 --> 00:59:06,520
Speaker 5: Yeah, I'm saying you guys, why do you guys let

1334
00:59:06,560 --> 00:59:08,920
Speaker 5: horrores fuck up your whole You guys are damn you're

1335
00:59:08,920 --> 00:59:10,480
Speaker 5: pushing forty, you're almost billionaires.

1336
00:59:10,480 --> 00:59:12,520
Speaker 6: You're letting the fucking horror fuck your whole ship up?

1337
00:59:12,520 --> 00:59:14,040
Speaker 3: Are you saying that a whole?

1338
00:59:14,120 --> 00:59:16,200
Speaker 5: And you don't know if she's a whore, sex worker, woman,

1339
00:59:16,280 --> 00:59:19,920
Speaker 5: same thing, whatever, a stripper, she was a stripper. I'm

1340
00:59:19,920 --> 00:59:23,240
Speaker 5: not called that's come on, But yeah, sex work was fine,

1341
00:59:24,000 --> 00:59:27,000
Speaker 5: just any woman. It could be Oprah, Like, why are

1342
00:59:27,000 --> 00:59:29,200
Speaker 5: you letting a woman come about the principle?

1343
00:59:30,560 --> 00:59:33,320
Speaker 1: It's never about the principle. No, it's not, and it's not.

1344
00:59:33,440 --> 00:59:35,919
Speaker 1: A woman is not the reason why this is happening. Yeah,

1345
00:59:36,520 --> 00:59:36,920
Speaker 1: this is not.

1346
00:59:37,160 --> 00:59:38,200
Speaker 3: I think it's a part of it.

1347
00:59:38,200 --> 00:59:40,000
Speaker 6: It's a big part for Future and Drake.

1348
00:59:40,160 --> 00:59:42,640
Speaker 3: Let's look at Future in Drake's lyrics. I can easily

1349
00:59:42,640 --> 00:59:43,960
Speaker 3: see a woman dividing those two.

1350
00:59:44,360 --> 00:59:47,720
Speaker 1: This is not about a woman in between the Future

1351
00:59:47,720 --> 00:59:48,040
Speaker 1: and Drake.

1352
00:59:48,200 --> 00:59:50,640
Speaker 2: Are you gonna share with us what you think it's about.

1353
00:59:53,440 --> 00:59:56,320
Speaker 1: I just think it's literally goes back to uh uh,

1354
00:59:56,520 --> 01:00:00,439
Speaker 1: Drake and Metro this the beef issue with each other.

1355
01:00:00,960 --> 01:00:03,880
Speaker 1: I think that a woman. No, no, it's not over woman.

1356
01:00:04,320 --> 01:00:09,680
Speaker 1: I think that. I think that Future Metro obviously you

1357
01:00:09,680 --> 01:00:11,880
Speaker 1: know their family at this point, you know that's this guy.

1358
01:00:13,040 --> 01:00:14,880
Speaker 1: And I just think that a line is drawn in

1359
01:00:15,560 --> 01:00:20,280
Speaker 1: Futures clear on what side he's on. And I do

1360
01:00:20,320 --> 01:00:23,680
Speaker 1: think the album with twenty one Savage plays a big

1361
01:00:23,720 --> 01:00:24,760
Speaker 1: part in his somewhere too.

1362
01:00:25,000 --> 01:00:27,280
Speaker 3: So that was not sure where the conspiracy I saw

1363
01:00:27,360 --> 01:00:29,600
Speaker 3: on the internet, So you know, it's fair, like absolutely

1364
01:00:29,640 --> 01:00:33,760
Speaker 3: facts was there's some beef between Future and twenty one's camps,

1365
01:00:34,000 --> 01:00:37,840
Speaker 3: and there was some type of incident between two guys

1366
01:00:38,280 --> 01:00:41,600
Speaker 3: where a murder happened, and Future may have felt a

1367
01:00:41,600 --> 01:00:44,520
Speaker 3: way that Drake then and went and did an actual

1368
01:00:44,520 --> 01:00:45,640
Speaker 3: album with twenty one Savage.

1369
01:00:46,160 --> 01:00:51,520
Speaker 1: Well twenty one in Metro are still very very close.

1370
01:00:51,960 --> 01:00:54,560
Speaker 3: Yes, But apparently that was what the internet was saying

1371
01:00:55,040 --> 01:00:56,600
Speaker 3: was the nail in the coffin. I don't fucking know.

1372
01:00:56,640 --> 01:00:59,840
Speaker 3: I'm not in Atlanta either way, Jamara.

1373
01:00:59,680 --> 01:00:59,840
Speaker 5: She was.

1374
01:01:00,960 --> 01:01:03,280
Speaker 7: I was just saying, is there any way that, like,

1375
01:01:03,520 --> 01:01:05,240
Speaker 7: do you have any idea what it could possibly be

1376
01:01:05,320 --> 01:01:06,240
Speaker 7: about outside of them?

1377
01:01:06,320 --> 01:01:09,400
Speaker 1: I just I just think this is I do think

1378
01:01:09,440 --> 01:01:12,440
Speaker 1: a lot of some of it, some of it is personal.

1379
01:01:13,760 --> 01:01:15,280
Speaker 1: I'm not I don't think it's a woman, and I

1380
01:01:15,680 --> 01:01:18,959
Speaker 1: highly doubt it's a woman that is in between Drake

1381
01:01:19,000 --> 01:01:20,880
Speaker 1: and future. I don't know that they would allow that

1382
01:01:20,920 --> 01:01:25,120
Speaker 1: to happen. I don't these women have too many women

1383
01:01:25,320 --> 01:01:29,040
Speaker 1: for that to be the issue. But I think that

1384
01:01:29,120 --> 01:01:33,880
Speaker 1: this is just one of those situations where you know,

1385
01:01:34,160 --> 01:01:37,720
Speaker 1: the the top, the guy that has been on top

1386
01:01:38,360 --> 01:01:41,640
Speaker 1: for as long as he's been on top. This is

1387
01:01:41,720 --> 01:01:43,840
Speaker 1: this is people testing it, This is this is this.

1388
01:01:43,840 --> 01:01:47,440
Speaker 1: This is people saying, y'all think you're good, but I

1389
01:01:47,440 --> 01:01:49,600
Speaker 1: don't think you're that good. Okay.

1390
01:01:49,640 --> 01:01:53,640
Speaker 3: I can see that with say Kendrick. Of course they've

1391
01:01:53,640 --> 01:01:55,400
Speaker 3: been sending subs at each other back and forth, but

1392
01:01:55,400 --> 01:01:57,800
Speaker 3: I can definitely see Kendrick saying, all right, or this

1393
01:01:57,880 --> 01:01:59,840
Speaker 3: far into our careers, let's see who's the best for real,

1394
01:02:00,160 --> 01:02:01,880
Speaker 3: Let's not have any more to be I think that's

1395
01:02:01,880 --> 01:02:07,200
Speaker 3: healthy competition With the relationship we know Drake had with

1396
01:02:07,320 --> 01:02:10,800
Speaker 3: Future and has had with Ross, I'd like to know

1397
01:02:11,120 --> 01:02:16,000
Speaker 3: why everyone is now taking Metro's side. Something had to

1398
01:02:16,040 --> 01:02:16,520
Speaker 3: have happened.

1399
01:02:16,800 --> 01:02:17,200
Speaker 1: Mm hmm.

1400
01:02:17,280 --> 01:02:19,240
Speaker 3: There's no way. Ross, who they were supposed to do

1401
01:02:19,280 --> 01:02:23,840
Speaker 3: a joint project with, have collaborated for fifteen years, probably

1402
01:02:23,920 --> 01:02:27,080
Speaker 3: my two favorite collaborators in the last fifteen years. When

1403
01:02:27,120 --> 01:02:32,760
Speaker 3: they do records together, it's undeniable. Yeah, with no bit

1404
01:02:32,800 --> 01:02:35,840
Speaker 3: of information. Ross all of a sudden is vibing to

1405
01:02:35,960 --> 01:02:39,120
Speaker 3: Kendrick Lamar like that in his car, and Drake is

1406
01:02:39,160 --> 01:02:44,280
Speaker 3: inviting his ex girlfriend to the show, and like, yeah,

1407
01:02:44,600 --> 01:02:47,400
Speaker 3: I want to know what Drake did. Why is everyone

1408
01:02:47,520 --> 01:02:50,520
Speaker 3: now forming against him?

1409
01:02:50,880 --> 01:02:55,560
Speaker 1: I think this is again, this just feels like it's

1410
01:02:55,560 --> 01:02:59,400
Speaker 1: a elbow room, Like yo, I need that spot though

1411
01:02:59,440 --> 01:03:01,200
Speaker 1: you had that shit long enough, Like fuck out of it.

1412
01:03:01,280 --> 01:03:02,760
Speaker 1: Like I don't think you that dope, I don't think

1413
01:03:02,760 --> 01:03:05,560
Speaker 1: you that tough. I don't think you that I think.

1414
01:03:05,400 --> 01:03:07,720
Speaker 3: It's a lot of that would do that now. Ross

1415
01:03:07,800 --> 01:03:12,960
Speaker 3: is admittedly in more towards the end of his music career.

1416
01:03:12,960 --> 01:03:16,080
Speaker 3: He's clearly said he's moving on to other ventures music

1417
01:03:16,120 --> 01:03:18,600
Speaker 3: is not his main focus the farm. I can't see

1418
01:03:19,320 --> 01:03:21,800
Speaker 3: Ross now being like, I'm not going to be friends

1419
01:03:21,880 --> 01:03:25,120
Speaker 3: with somebody I've collaborated with for years for competition reasons.

1420
01:03:25,120 --> 01:03:26,720
Speaker 1: Oh no, I'm not saying. I'm not saying that for Ross.

1421
01:03:26,760 --> 01:03:29,720
Speaker 1: I'm saying as far as just like the whole future.

1422
01:03:29,800 --> 01:03:34,200
Speaker 3: Not I think it's something extremely personal. I think the

1423
01:03:34,240 --> 01:03:36,920
Speaker 3: woman that people are talking about has something to do

1424
01:03:36,960 --> 01:03:39,440
Speaker 3: with a long list of other shit. Well, I think

1425
01:03:39,440 --> 01:03:42,200
Speaker 3: when things were where things were a little questionable in

1426
01:03:42,240 --> 01:03:45,880
Speaker 3: their relationship as friends, somebody went and fucked somebody. It

1427
01:03:45,880 --> 01:03:47,480
Speaker 3: would have been cool if y'all was friends. But now

1428
01:03:47,480 --> 01:03:48,760
Speaker 3: it looks like you went and fucked that girl.

1429
01:03:49,200 --> 01:03:51,480
Speaker 1: Well, I'm I'm not listening. I don't know that any

1430
01:03:51,520 --> 01:03:53,200
Speaker 1: about something. I don't know that girl. But she did,

1431
01:03:53,920 --> 01:03:56,240
Speaker 1: you know, going to live and she spoke and she said,

1432
01:03:56,280 --> 01:03:58,120
Speaker 1: this has a whole bunch of nothing. This has nothing

1433
01:03:58,120 --> 01:04:00,760
Speaker 1: to do with me. Like, so you know, she has

1434
01:04:00,800 --> 01:04:04,479
Speaker 1: a boyfriend and it doesn't matter. I mean, you could

1435
01:04:04,480 --> 01:04:06,360
Speaker 1: possibly not matter. I mean, I just don't think that

1436
01:04:06,400 --> 01:04:07,320
Speaker 1: this is about a woman.

1437
01:04:07,400 --> 01:04:09,520
Speaker 5: The two of them gave at least a hint in

1438
01:04:09,560 --> 01:04:11,680
Speaker 5: some regard on the lyrics about you know, it's the

1439
01:04:11,720 --> 01:04:14,800
Speaker 5: same shit with the pillow talking. You're talking crazy about

1440
01:04:14,840 --> 01:04:16,720
Speaker 5: my name, with this girl that we're both sleeping with.

1441
01:04:16,800 --> 01:04:19,800
Speaker 6: It's all that shit. It's petty. Yeah, that's dumb.

1442
01:04:19,880 --> 01:04:21,480
Speaker 1: But I don't I don't see that. I mean, all

1443
01:04:21,480 --> 01:04:22,520
Speaker 1: of these dudes pillowtop.

1444
01:04:22,640 --> 01:04:26,920
Speaker 6: I think all this ship is wrestling. I think a

1445
01:04:26,960 --> 01:04:27,960
Speaker 6: lot of this ship is a show.

1446
01:04:28,000 --> 01:04:30,480
Speaker 1: I will say the Kendrick thing, the Kendricking.

1447
01:04:29,880 --> 01:04:32,800
Speaker 5: Firm that I can't I know it is. I can't

1448
01:04:32,840 --> 01:04:34,560
Speaker 5: get too far into it, but I know it is.

1449
01:04:34,720 --> 01:04:36,880
Speaker 3: I think there is a lot of I think there's

1450
01:04:36,920 --> 01:04:40,080
Speaker 3: a lot of wrestling between Kendrick and Cole. I think

1451
01:04:40,080 --> 01:04:43,000
Speaker 3: they probably have an amazing relationship and are super cool

1452
01:04:43,000 --> 01:04:44,720
Speaker 3: and this is a sport thing for them. Yes, I

1453
01:04:44,760 --> 01:04:48,280
Speaker 3: think there is a bit of animosity between Drake and

1454
01:04:48,360 --> 01:04:53,840
Speaker 3: Kendrick that's not all friendly competition. I think the future

1455
01:04:54,200 --> 01:04:57,520
Speaker 3: Ross Metro Drake thing is all fucking personal and there's

1456
01:04:57,560 --> 01:04:59,840
Speaker 3: some real shit behind the scenes between them. I think

1457
01:04:59,840 --> 01:05:03,560
Speaker 3: it's say mix back, and I think it's it's interesting too.

1458
01:05:04,240 --> 01:05:07,439
Speaker 1: I think it's well. First, let me say this, because

1459
01:05:07,480 --> 01:05:11,800
Speaker 1: I do. We spoke on the uh the uh Twitter spaces.

1460
01:05:11,520 --> 01:05:14,440
Speaker 6: About which is available on YouTube three hours of content.

1461
01:05:15,240 --> 01:05:17,640
Speaker 3: Which, by the way, get off our date please listen

1462
01:05:17,640 --> 01:05:20,120
Speaker 3: to it because it is great. I didn't realize how

1463
01:05:20,200 --> 01:05:24,960
Speaker 3: much of our listeners were like part of TD. There

1464
01:05:25,040 --> 01:05:28,000
Speaker 3: was people that have been like supporters that I've appreciated

1465
01:05:28,640 --> 01:05:30,960
Speaker 3: all the hours they've listened to this podcast in the

1466
01:05:30,960 --> 01:05:34,240
Speaker 3: comments like listen I love this podcast by Merch I

1467
01:05:34,240 --> 01:05:37,000
Speaker 3: go to shows, but the fact that Rory likes Drake,

1468
01:05:37,800 --> 01:05:39,480
Speaker 3: I don't think I could ever listen to this podcast again.

1469
01:05:40,200 --> 01:05:43,080
Speaker 1: What else you know? The widows out there? But I

1470
01:05:43,080 --> 01:05:47,360
Speaker 1: spoke to We talked about the record, and Drama asked

1471
01:05:47,360 --> 01:05:48,680
Speaker 1: me did I think the record was gonna go? And

1472
01:05:48,720 --> 01:05:49,960
Speaker 1: I was like, no, I don't think so. I think,

1473
01:05:50,000 --> 01:05:51,640
Speaker 1: you know, people are kind of move on quick from it.

1474
01:05:52,320 --> 01:05:55,360
Speaker 1: I quickly text Drama Sunday afternoon around one o'clock and

1475
01:05:55,480 --> 01:05:59,120
Speaker 1: was like, I was wrong. I apologize. Record is hard,

1476
01:05:59,160 --> 01:06:01,080
Speaker 1: This record is going to be. But see, like I

1477
01:06:01,120 --> 01:06:04,640
Speaker 1: told Drama, I was caught up on just Kendrick's lyrics

1478
01:06:04,640 --> 01:06:07,800
Speaker 1: and what he was saying. I didn't allow myself to

1479
01:06:07,840 --> 01:06:10,400
Speaker 1: listen get into the groove of just the music. Fuck

1480
01:06:10,440 --> 01:06:12,360
Speaker 1: what they're saying on it. Just the music, The way

1481
01:06:12,400 --> 01:06:16,880
Speaker 1: it moves the energy, and I was like, okay, I said, no,

1482
01:06:16,960 --> 01:06:19,440
Speaker 1: the music is there. And then I started listening to

1483
01:06:19,800 --> 01:06:23,640
Speaker 1: the cadence and the melody that Future had and said,

1484
01:06:23,640 --> 01:06:26,120
Speaker 1: oh no, this is this is this is they gonna

1485
01:06:26,120 --> 01:06:26,600
Speaker 1: shake ass?

1486
01:06:26,800 --> 01:06:28,280
Speaker 2: Is it giving back to back in the club?

1487
01:06:28,840 --> 01:06:30,360
Speaker 1: Yeah, it's giving back to back in the club.

1488
01:06:30,400 --> 01:06:30,760
Speaker 3: Absolutely.

1489
01:06:30,920 --> 01:06:31,080
Speaker 1: Yeah.

1490
01:06:31,080 --> 01:06:33,160
Speaker 7: I caught myself shaking ass to it like naturally, like

1491
01:06:33,200 --> 01:06:34,600
Speaker 7: not even knowing what I was listening to.

1492
01:06:34,680 --> 01:06:36,400
Speaker 1: And I was like, oh damn, it's gonna it's gonna go.

1493
01:06:36,440 --> 01:06:40,040
Speaker 1: That record is gonna go. So, you know, I apologize.

1494
01:06:40,040 --> 01:06:41,919
Speaker 1: I text Drama and he was like, you're a good man.

1495
01:06:43,520 --> 01:06:45,120
Speaker 1: He said. He was so surprised to hear me say

1496
01:06:45,120 --> 01:06:46,840
Speaker 1: that it wouldn't go. He was like, because Yo, that

1497
01:06:46,960 --> 01:06:51,400
Speaker 1: club was made that that record was made for the club. Yeah,

1498
01:06:51,400 --> 01:06:53,080
Speaker 1: fuck with Kendrick is saying on it and who he's

1499
01:06:53,120 --> 01:06:56,919
Speaker 1: going at the music of the song is not Kendrick's verse.

1500
01:06:57,400 --> 01:07:00,880
Speaker 3: You know, now, what Kendrick did you to really fucking well,

1501
01:07:00,880 --> 01:07:04,960
Speaker 3: there was not going to the vibe, you know, he added.

1502
01:07:05,000 --> 01:07:08,919
Speaker 1: He added, he added that performative energy, if you out

1503
01:07:09,040 --> 01:07:10,680
Speaker 1: you can kind of get those lyrics because you know

1504
01:07:10,680 --> 01:07:13,120
Speaker 1: everybody think they got to op. You know, everybody in a.

1505
01:07:13,800 --> 01:07:16,560
Speaker 3: And everyone can go ah, yeah exactly. I ain't like that,

1506
01:07:16,600 --> 01:07:18,280
Speaker 3: but everybody can do that.

1507
01:07:19,800 --> 01:07:20,880
Speaker 1: But that's why.

1508
01:07:22,320 --> 01:07:22,720
Speaker 3: His voice.

1509
01:07:22,720 --> 01:07:26,040
Speaker 1: All right. Yeah, So the record is we're not gonna

1510
01:07:26,080 --> 01:07:27,520
Speaker 1: I think that'll be one of the biggest songs of

1511
01:07:27,520 --> 01:07:27,920
Speaker 1: the summer.

1512
01:07:28,200 --> 01:07:29,040
Speaker 3: It'd probably be song.

1513
01:07:29,080 --> 01:07:31,720
Speaker 1: And I still have Fisher up there with cash Co

1514
01:07:31,840 --> 01:07:34,680
Speaker 1: Bands being song the summer, but this is definitely contenting.

1515
01:07:34,680 --> 01:07:37,440
Speaker 1: I heard Fish. I know you did. You're gonna hear

1516
01:07:37,440 --> 01:07:38,480
Speaker 1: Fisher everywhere.

1517
01:07:38,160 --> 01:07:39,600
Speaker 6: I was hanging with. I send you the video.

1518
01:07:39,600 --> 01:07:41,160
Speaker 5: I was hanging with Bos over the weekend and we

1519
01:07:41,160 --> 01:07:44,400
Speaker 5: were at my apartment, you know, same five am, post

1520
01:07:44,480 --> 01:07:47,000
Speaker 5: night hang sash and he because this is going to

1521
01:07:47,040 --> 01:07:48,280
Speaker 5: be the song in the summer, and it was that

1522
01:07:48,640 --> 01:07:49,880
Speaker 5: fucking played that damn song.

1523
01:07:49,920 --> 01:07:51,600
Speaker 1: I'm trying to tell you, man, it's just the energy,

1524
01:07:51,680 --> 01:07:54,560
Speaker 1: is the vibe. But back to this Drake ship. So

1525
01:07:54,600 --> 01:07:56,600
Speaker 1: I was I was talking to somebody because we were

1526
01:07:56,640 --> 01:07:59,720
Speaker 1: trying to figure out like, what what is this, what's

1527
01:07:59,720 --> 01:08:00,919
Speaker 1: happened and what's going on? Why?

1528
01:08:01,000 --> 01:08:01,160
Speaker 5: Now?

1529
01:08:01,200 --> 01:08:03,560
Speaker 1: What's going on with this ship? And he gave me

1530
01:08:03,600 --> 01:08:07,440
Speaker 1: a very interesting story which probably is applicable to situations.

1531
01:08:07,480 --> 01:08:10,000
Speaker 1: I've been in situations, You've been in Rory. I think

1532
01:08:10,000 --> 01:08:11,760
Speaker 1: we've all been in these type of situations. He said.

1533
01:08:13,160 --> 01:08:14,920
Speaker 1: He said he was talking to this guy that is

1534
01:08:14,960 --> 01:08:18,320
Speaker 1: like a wolf trainer. Right, yeah, it's like he trains

1535
01:08:18,360 --> 01:08:22,840
Speaker 1: wolves or whatever. So random, no real story. He's get

1536
01:08:22,840 --> 01:08:25,280
Speaker 1: into talking to Joe Rogan because we were trying to

1537
01:08:25,320 --> 01:08:28,479
Speaker 1: we were trying to figure out what's what's going on,

1538
01:08:28,520 --> 01:08:30,840
Speaker 1: like what's happening with this ship? Right, like what's going on?

1539
01:08:30,960 --> 01:08:35,240
Speaker 1: Like this is because this is not this is uh

1540
01:08:35,439 --> 01:08:39,160
Speaker 1: this this is the best of our this generation getting

1541
01:08:39,200 --> 01:08:41,960
Speaker 1: ready to collide like this is that.

1542
01:08:41,960 --> 01:08:44,200
Speaker 3: When they can for all the Dog's reference Now with

1543
01:08:44,240 --> 01:08:47,600
Speaker 3: the trainer, did you did you speak to Kendrick Lamars?

1544
01:08:47,640 --> 01:08:48,160
Speaker 3: Is that the guy?

1545
01:08:48,160 --> 01:08:48,519
Speaker 5: And no?

1546
01:08:48,640 --> 01:08:51,320
Speaker 1: Not that. So he said he was talking to a

1547
01:08:51,360 --> 01:08:53,160
Speaker 1: guy that trains wolves and he was like, yeah, he

1548
01:08:53,200 --> 01:08:54,400
Speaker 1: was thinking about buying some property.

1549
01:08:54,439 --> 01:08:57,160
Speaker 3: So he asked me, said, yool, what would I do?

1550
01:08:57,280 --> 01:09:01,040
Speaker 1: What would I do if I'm like in the woods

1551
01:09:01,320 --> 01:09:05,759
Speaker 1: on my property one night and like I spot a wolf,

1552
01:09:05,880 --> 01:09:07,720
Speaker 1: like I see a wolf, Like what should I do?

1553
01:09:08,080 --> 01:09:09,960
Speaker 1: Like what would I How can I make it out

1554
01:09:10,000 --> 01:09:13,160
Speaker 1: of that situation without being harmed? Like go inside, say

1555
01:09:13,200 --> 01:09:18,760
Speaker 1: your team Jacob So the dude, that's funny, said he said.

1556
01:09:20,120 --> 01:09:22,799
Speaker 1: He said, Well, if you happen to spot a wolf

1557
01:09:23,560 --> 01:09:27,640
Speaker 1: or lock eyes with a wolf at night, and you know,

1558
01:09:27,680 --> 01:09:29,400
Speaker 1: you can probably can't see the body, but you can

1559
01:09:29,439 --> 01:09:31,720
Speaker 1: see the wolf's eyes. You know, the eyes illuminate in

1560
01:09:31,760 --> 01:09:35,040
Speaker 1: the darkness, he said. If you lock eyes with a wolf,

1561
01:09:35,320 --> 01:09:39,120
Speaker 1: he said, either that's you're experiencing one of the rarest

1562
01:09:39,760 --> 01:09:43,400
Speaker 1: occurrences and a wolf has veered off from his pack

1563
01:09:43,479 --> 01:09:46,080
Speaker 1: and is traveling a night by hisself, which is something

1564
01:09:46,120 --> 01:09:47,680
Speaker 1: that rarely ever happens.

1565
01:09:47,360 --> 01:09:51,680
Speaker 3: And Kendrick did just leave his pack, or or.

1566
01:09:52,680 --> 01:09:55,040
Speaker 1: You're only seeing a wolf that made hisself want to

1567
01:09:55,040 --> 01:09:57,599
Speaker 1: be seen to you and you're surrounded by nine others

1568
01:09:57,600 --> 01:10:00,960
Speaker 1: and you just don't know where they're at. Okay, So

1569
01:10:01,040 --> 01:10:06,680
Speaker 1: I thought about that, and this was Friday or Saturday night,

1570
01:10:06,760 --> 01:10:11,960
Speaker 1: Friday night, and I'm like, damn, Like that's so that

1571
01:10:12,080 --> 01:10:17,080
Speaker 1: fits this because now you got Kendrick jumped out there

1572
01:10:17,160 --> 01:10:22,719
Speaker 1: right obviously. But then now it's niggas on following Drake.

1573
01:10:23,840 --> 01:10:26,200
Speaker 1: We don't know what's happening, and this guy is on

1574
01:10:26,240 --> 01:10:26,599
Speaker 1: this album.

1575
01:10:26,600 --> 01:10:29,800
Speaker 3: It's like everyone can now express the feelings that they've

1576
01:10:29,840 --> 01:10:32,519
Speaker 3: been trying to express for questions like oh you niggas

1577
01:10:32,520 --> 01:10:36,440
Speaker 3: have Oh you niggas have had me and your targets

1578
01:10:37,680 --> 01:10:38,759
Speaker 3: for a while now.

1579
01:10:38,880 --> 01:10:39,800
Speaker 1: But he's had given.

1580
01:10:41,200 --> 01:10:43,479
Speaker 3: Drake's been rapping about that for the last four albums

1581
01:10:43,479 --> 01:10:45,920
Speaker 3: that he's felt like this was happening.

1582
01:10:46,080 --> 01:10:49,519
Speaker 1: Yeah, and I sadly right, I said, damn, like that

1583
01:10:49,680 --> 01:10:54,439
Speaker 1: is so one person jumped out there and it's like, Okay,

1584
01:10:54,479 --> 01:10:57,559
Speaker 1: before I make a move, I need to understand that

1585
01:10:57,600 --> 01:10:58,640
Speaker 1: I may be surrounded.

1586
01:10:59,160 --> 01:11:00,920
Speaker 5: But look at the wolf that it took to make

1587
01:11:00,960 --> 01:11:03,120
Speaker 5: that move, the big dog.

1588
01:11:05,240 --> 01:11:06,440
Speaker 2: Nicle boom.

1589
01:11:06,840 --> 01:11:09,280
Speaker 1: Now what I what I take from that is because

1590
01:11:09,320 --> 01:11:11,320
Speaker 1: this goes back to the conversation we had on Spaces

1591
01:11:11,320 --> 01:11:12,840
Speaker 1: about everybody wanting Drake to.

1592
01:11:13,080 --> 01:11:16,200
Speaker 3: Is that sing Drake Drake is the l I don't know.

1593
01:11:16,479 --> 01:11:17,519
Speaker 1: I don't know what this is.

1594
01:11:17,680 --> 01:11:21,320
Speaker 5: That's Kendrick. You know that's Kendrick. That's that's yeah.

1595
01:11:21,040 --> 01:11:23,520
Speaker 1: Yeah, I don't know what. I don't know what what, Julie.

1596
01:11:24,080 --> 01:11:26,200
Speaker 5: I just wanted to see wolfs are pretty majestic. If

1597
01:11:26,200 --> 01:11:27,400
Speaker 5: you're looking at him from afar.

1598
01:11:27,360 --> 01:11:29,720
Speaker 3: That was pretty gay.

1599
01:11:29,200 --> 01:11:32,640
Speaker 1: So so now we're here where all these people are

1600
01:11:32,640 --> 01:11:35,840
Speaker 1: following Drake posting videos listening to the verse and this,

1601
01:11:35,880 --> 01:11:38,680
Speaker 1: that and the third whatever. So this speaks back to

1602
01:11:38,720 --> 01:11:40,880
Speaker 1: what I was saying, because everybody's like, nah, fuck that.

1603
01:11:41,080 --> 01:11:45,280
Speaker 1: Drake got to respond right now, I'm like, does he? Now,

1604
01:11:45,320 --> 01:11:48,280
Speaker 1: let's be clear, Kendrick got off in that verse. Still

1605
01:11:48,280 --> 01:11:52,760
Speaker 1: didn't say Drake's name. Just listen, please, we just listen.

1606
01:11:53,640 --> 01:11:54,519
Speaker 1: He didn't say his name.

1607
01:11:54,640 --> 01:11:55,400
Speaker 6: Oh come on, mam.

1608
01:11:55,680 --> 01:11:58,760
Speaker 1: Now the difference. The difference is the difference in him.

1609
01:11:58,920 --> 01:12:01,679
Speaker 1: And the pushing thing was push. It was coming from blood.

1610
01:12:01,800 --> 01:12:05,240
Speaker 1: He mentioned that man's family. He mentioned like push, you

1611
01:12:05,320 --> 01:12:09,120
Speaker 1: win right at it. What Kindrick did was kind of

1612
01:12:09,160 --> 01:12:13,080
Speaker 1: sort of like, okay, big three. You know, Mike Princely

1613
01:12:13,120 --> 01:12:13,960
Speaker 1: outlived Mike Jack.

1614
01:12:14,160 --> 01:12:17,479
Speaker 3: He had seven dog on tndras at the end for dogs.

1615
01:12:18,400 --> 01:12:20,760
Speaker 3: But that you say my album title, you're talking to me.

1616
01:12:20,720 --> 01:12:23,280
Speaker 1: Hold on, but that's did he Is that still anyway

1617
01:12:23,320 --> 01:12:24,439
Speaker 1: comparable to a push? It did?

1618
01:12:24,520 --> 01:12:24,760
Speaker 2: Okay?

1619
01:12:24,760 --> 01:12:26,759
Speaker 3: Well hold on, no, no, no, Actually this is way worse.

1620
01:12:29,040 --> 01:12:30,040
Speaker 1: About his kid bro.

1621
01:12:30,360 --> 01:12:35,000
Speaker 3: In the first uh Infrared, all he said was it

1622
01:12:35,080 --> 01:12:38,080
Speaker 3: was written by Quintin and then Drake jumped out the window,

1623
01:12:38,080 --> 01:12:40,040
Speaker 3: which is fine because Push had been shooting for a while.

1624
01:12:40,400 --> 01:12:43,080
Speaker 3: He said one actually, which I think when it comes

1625
01:12:43,080 --> 01:12:46,400
Speaker 3: to PUSH's standard of rapping, was a very weak bar

1626
01:12:46,520 --> 01:12:49,240
Speaker 3: on PUSH's bath. And then Drake jumped out the window

1627
01:12:49,240 --> 01:12:51,200
Speaker 3: with the duppy ship, said he'd make it ring on

1628
01:12:51,280 --> 01:12:54,000
Speaker 3: him like Virginia Williams said his wife's name, and then

1629
01:12:54,040 --> 01:12:59,000
Speaker 3: Push jumped out. This is weak compared to what Kendrick did, Drake.

1630
01:12:59,280 --> 01:13:02,320
Speaker 3: Drake is replying to all this other shits, replying to tweets.

1631
01:13:01,880 --> 01:13:06,280
Speaker 1: And and this, and not only that, and not only that.

1632
01:13:06,680 --> 01:13:09,080
Speaker 1: The push of ship was more personal from the gate anyway, facts,

1633
01:13:09,160 --> 01:13:11,240
Speaker 1: I agree. I agree, Kendrick. Shit, this is sport.

1634
01:13:11,320 --> 01:13:13,320
Speaker 5: This is this has here, this is just to do

1635
01:13:13,400 --> 01:13:13,800
Speaker 5: with music.

1636
01:13:13,840 --> 01:13:16,559
Speaker 3: Yeah, Kendrickie, this is sport. The push the ship was personal.

1637
01:13:18,200 --> 01:13:21,440
Speaker 1: But now people want Drake to jump out there immediately,

1638
01:13:21,720 --> 01:13:23,960
Speaker 1: and it's like, yeah, first of all though this first

1639
01:13:23,960 --> 01:13:26,519
Speaker 1: of all, he's on tour. Let's just start there. A

1640
01:13:26,600 --> 01:13:29,360
Speaker 1: nigga ain't going and writing a dish record and jumping

1641
01:13:29,360 --> 01:13:30,840
Speaker 1: in the boot while he's in the middle of the tour.

1642
01:13:30,920 --> 01:13:33,960
Speaker 1: That's not happening. When we got fucking takeover, we didn't

1643
01:13:33,960 --> 01:13:36,599
Speaker 1: get eat the for three months, so.

1644
01:13:36,520 --> 01:13:38,320
Speaker 3: It's like like nine months.

1645
01:13:38,439 --> 01:13:40,800
Speaker 1: So yeah, well, however long it was. It wasn't no

1646
01:13:41,080 --> 01:13:43,920
Speaker 1: right next to forty eight hours. We didn't get that.

1647
01:13:44,040 --> 01:13:45,200
Speaker 2: Yeah, but it was a different time.

1648
01:13:45,479 --> 01:13:47,960
Speaker 1: It ain't a nig he's on tour. It was a

1649
01:13:47,960 --> 01:13:49,880
Speaker 1: different time. You want this nigga to jump into a

1650
01:13:49,920 --> 01:13:52,599
Speaker 1: battle while he's on tour and didn't and didn't even get.

1651
01:13:52,439 --> 01:13:54,280
Speaker 3: His asked, but finished the album on tour.

1652
01:13:54,320 --> 01:13:56,200
Speaker 1: But listen, the album is different. You know that when

1653
01:13:56,200 --> 01:13:59,360
Speaker 1: it's harder when you got to get in battle more Rory,

1654
01:13:59,400 --> 01:14:02,160
Speaker 1: that's harder as a nigga that's a fucking megastar to

1655
01:14:02,160 --> 01:14:04,320
Speaker 1: get into battle mode to go as somebody. It's a

1656
01:14:04,360 --> 01:14:05,880
Speaker 1: whole difference. That's a whole different zone.

1657
01:14:05,880 --> 01:14:08,200
Speaker 7: You gotta be gonna act like Drake don't got fifty

1658
01:14:08,280 --> 01:14:11,240
Speaker 7: Kendrick bars and the fucking brain, because that's the way

1659
01:14:11,280 --> 01:14:12,200
Speaker 7: that Drake operates.

1660
01:14:12,720 --> 01:14:14,960
Speaker 1: Figure, all right, So if you think, all right, so

1661
01:14:15,000 --> 01:14:16,240
Speaker 1: let's just play Devil's Advocate.

1662
01:14:16,320 --> 01:14:19,400
Speaker 3: If you're if you're Drake, you got fifty Kendrick bars

1663
01:14:19,439 --> 01:14:19,840
Speaker 3: ready to go?

1664
01:14:19,920 --> 01:14:23,040
Speaker 1: Right? How many how many Drake bars you think Kendrick got.

1665
01:14:23,040 --> 01:14:25,000
Speaker 1: When Kendrick has had more time for you to sit

1666
01:14:25,080 --> 01:14:27,400
Speaker 1: down and he's not been on the road, Drake has

1667
01:14:27,400 --> 01:14:29,160
Speaker 1: did two tours in the last year and a half,

1668
01:14:29,520 --> 01:14:32,000
Speaker 1: three and a half albums. How many albums last few year?

1669
01:14:32,080 --> 01:14:34,760
Speaker 2: I think they both have nine years of nine ten

1670
01:14:34,840 --> 01:14:35,840
Speaker 2: years of fucking discs.

1671
01:14:35,960 --> 01:14:39,160
Speaker 1: I'm just saying as of as of recently, Kendrick has

1672
01:14:39,200 --> 01:14:41,880
Speaker 1: not been as busy as Drake. Correct, but it's not so,

1673
01:14:41,920 --> 01:14:44,320
Speaker 1: which means which means he would probably have more time

1674
01:14:44,360 --> 01:14:45,799
Speaker 1: to prep for a battle.

1675
01:14:45,880 --> 01:14:47,479
Speaker 3: Sure, and we notice it.

1676
01:14:48,400 --> 01:14:50,599
Speaker 1: So I'm telling you, I'm telling you I can understand

1677
01:14:50,600 --> 01:14:53,320
Speaker 1: why Drake isn't gonna respond as fast as people want

1678
01:14:53,360 --> 01:14:56,479
Speaker 1: him to because this is a whole different zone that

1679
01:14:56,520 --> 01:14:58,800
Speaker 1: he has to get into for it. This is Kendrick,

1680
01:14:58,880 --> 01:15:02,760
Speaker 1: Lamar we talking about anybody else that Drake has had

1681
01:15:02,800 --> 01:15:04,840
Speaker 1: words with and has gotten into it with. I don't

1682
01:15:04,880 --> 01:15:06,679
Speaker 1: think any of those dudes is on Kendrick level.

1683
01:15:06,840 --> 01:15:11,040
Speaker 3: No, So push is not so if you want to,

1684
01:15:11,080 --> 01:15:12,680
Speaker 3: if you want to, if you want to battle and

1685
01:15:12,720 --> 01:15:15,280
Speaker 3: you want it to go opponent though, who pushes a

1686
01:15:16,800 --> 01:15:18,519
Speaker 3: And at the time, you know, even though we want

1687
01:15:18,520 --> 01:15:20,760
Speaker 3: to rewrite history, pu'sh your rap like Kendrick at that

1688
01:15:20,800 --> 01:15:23,599
Speaker 3: time like Kendrick or what's your rap? As good as

1689
01:15:23,640 --> 01:15:26,519
Speaker 3: Kendrick probably not meek rap as good as Kendred. No,

1690
01:15:26,840 --> 01:15:28,840
Speaker 3: he has meek ever rapped as good as Kendrick. No.

1691
01:15:29,000 --> 01:15:30,680
Speaker 1: So is my statement correct in saying that this is

1692
01:15:30,720 --> 01:15:35,240
Speaker 1: the most deadliest rap opponent that Drake will ever stand

1693
01:15:35,240 --> 01:15:37,439
Speaker 1: in front of? Well, right now that he will stand

1694
01:15:37,439 --> 01:15:39,000
Speaker 1: in front of Yes, you're correct, all right, And so

1695
01:15:39,040 --> 01:15:45,080
Speaker 1: back to what I was saying, you sound like I'm stupid,

1696
01:15:45,120 --> 01:15:48,360
Speaker 1: Like wait, but there, I'm not saying you disagree, but

1697
01:15:48,360 --> 01:15:48,639
Speaker 1: you may.

1698
01:15:48,640 --> 01:15:51,080
Speaker 3: He was like, no, just to say, I don't know,

1699
01:15:51,200 --> 01:15:54,240
Speaker 3: like he hasn't battled anyone that has said.

1700
01:15:54,080 --> 01:15:56,280
Speaker 1: This would be his toughest opponent, is what I said.

1701
01:15:56,320 --> 01:15:58,479
Speaker 3: Okay, I'm sorry I misunderstood, like he had so to

1702
01:15:58,520 --> 01:15:59,679
Speaker 3: prepare any tough.

1703
01:15:59,520 --> 01:16:03,160
Speaker 1: Opponent, pay for your toughest opponent that takes a different

1704
01:16:03,160 --> 01:16:06,280
Speaker 1: type of preparation. Sure you want this dude to prep

1705
01:16:06,320 --> 01:16:08,639
Speaker 1: for that? Why he is still on the road doing

1706
01:16:08,680 --> 01:16:09,000
Speaker 1: the tour.

1707
01:16:09,160 --> 01:16:13,479
Speaker 3: I think two things can be true. I get Drake's

1708
01:16:13,960 --> 01:16:17,519
Speaker 3: perspective right now of taking time, because knowing Kendrick, he

1709
01:16:17,600 --> 01:16:21,040
Speaker 3: already has a full plan down to the last fucking

1710
01:16:21,080 --> 01:16:24,120
Speaker 3: hour day of how he is going to go about

1711
01:16:24,120 --> 01:16:26,800
Speaker 3: this battle. He jumped out the window at the exact

1712
01:16:26,840 --> 01:16:28,680
Speaker 3: time he wanted to, because he's prepared and ready to go.

1713
01:16:29,240 --> 01:16:30,840
Speaker 3: Drake has to look at that and be like, all right,

1714
01:16:30,880 --> 01:16:33,760
Speaker 3: I can't jump out the window right now because I

1715
01:16:33,800 --> 01:16:35,880
Speaker 3: know Kendrick is sitting with a clip ready to go,

1716
01:16:36,400 --> 01:16:39,080
Speaker 3: and he's been planning this for months. I'm just figuring

1717
01:16:39,080 --> 01:16:41,640
Speaker 3: out the same time everyone else did. I don't know

1718
01:16:41,680 --> 01:16:44,439
Speaker 3: if that's a full excuse though, just to throw that,

1719
01:16:44,800 --> 01:16:46,479
Speaker 3: And I think that's why Kendrick was so smart and

1720
01:16:46,520 --> 01:16:48,519
Speaker 3: the way he did it, but dull while he's on tour,

1721
01:16:48,840 --> 01:16:52,120
Speaker 3: it'll put the pressure on him. He's replied quick to

1722
01:16:52,280 --> 01:16:55,160
Speaker 3: everybody and then did the back to back shit. It's

1723
01:16:55,160 --> 01:16:58,080
Speaker 3: been fucking seven days where y'all at. We know Drake

1724
01:16:58,160 --> 01:17:00,800
Speaker 3: to reply extremely quickly. I think he replied to push

1725
01:17:00,840 --> 01:17:03,880
Speaker 3: within six hours. We know Drake to do that. He's

1726
01:17:03,920 --> 01:17:07,840
Speaker 3: gonna look crazy if he takes three months to do it.

1727
01:17:07,840 --> 01:17:09,479
Speaker 3: It's a good move by Kendrick. I don't think, and

1728
01:17:09,520 --> 01:17:12,160
Speaker 3: as a fan, I don't think any of us care

1729
01:17:12,200 --> 01:17:14,400
Speaker 3: that he's on tour. Fans don't give a shit about

1730
01:17:14,600 --> 01:17:17,639
Speaker 3: the stuff you're talking about. You're talking about real facts.

1731
01:17:17,720 --> 01:17:18,719
Speaker 1: Yeah, but the fans don't.

1732
01:17:18,920 --> 01:17:21,679
Speaker 3: We know that Kendrick. This is why Drake finally direct

1733
01:17:21,720 --> 01:17:23,719
Speaker 3: after they've been going back and forth for a decade.

1734
01:17:23,960 --> 01:17:25,599
Speaker 1: But this is why finally he did it.

1735
01:17:25,760 --> 01:17:28,000
Speaker 3: So, Drake, you've been shooting at Meghan for the last year,

1736
01:17:28,400 --> 01:17:29,559
Speaker 3: but now you're gonna be quiet.

1737
01:17:30,080 --> 01:17:32,439
Speaker 1: But this is why quiet this is. But this is

1738
01:17:32,479 --> 01:17:35,160
Speaker 1: why he is who he is and he's at where

1739
01:17:35,160 --> 01:17:38,040
Speaker 1: he's at because he's very calculated. Sure, he moves when

1740
01:17:38,040 --> 01:17:40,680
Speaker 1: he wants to move. So if you're saying, Okay, I'm

1741
01:17:40,680 --> 01:17:43,160
Speaker 1: great to battle one of the deadliest pins in hip

1742
01:17:43,160 --> 01:17:48,960
Speaker 1: hop that's prepared, that has been prepared for this, I

1743
01:17:49,200 --> 01:17:50,760
Speaker 1: didn't notice was coming. I didn't know he was gonna

1744
01:17:50,800 --> 01:17:52,720
Speaker 1: do this right now. I'm on fucking tour with Jake

1745
01:17:52,800 --> 01:17:57,080
Speaker 1: Cole and fucking Wayne like I didn't. My focus is here. Now.

1746
01:17:57,080 --> 01:17:59,919
Speaker 1: What I will say is, oh, Drake is gonna respond.

1747
01:18:01,240 --> 01:18:03,000
Speaker 1: But I thought it would have been lovely or would

1748
01:18:03,000 --> 01:18:05,440
Speaker 1: have been crazy? Is if he had at his disposal

1749
01:18:06,520 --> 01:18:10,200
Speaker 1: red button right now? Because to me, red button right

1750
01:18:10,240 --> 01:18:13,400
Speaker 1: now drops, that's that's one size fits all. That's addressing

1751
01:18:13,439 --> 01:18:16,280
Speaker 1: all these niggas. Y'all are following me. You acting funny,

1752
01:18:16,520 --> 01:18:20,080
Speaker 1: This nigga acting funny. Now Red button is that's that's

1753
01:18:20,160 --> 01:18:22,920
Speaker 1: applicable to whoever wanted to feel like it's about them.

1754
01:18:23,000 --> 01:18:25,360
Speaker 1: That's one size. I'm talking to all you niggas.

1755
01:18:25,360 --> 01:18:27,639
Speaker 3: But that's good. That was good at the time.

1756
01:18:28,560 --> 01:18:30,880
Speaker 1: No, I'm just I'm not saying you got to come.

1757
01:18:31,040 --> 01:18:32,920
Speaker 1: I'm not saying that's it. I'm not saying that's a

1758
01:18:33,160 --> 01:18:37,200
Speaker 1: that's a that's worthy of a response. I'm just saying,

1759
01:18:37,240 --> 01:18:39,760
Speaker 1: if he just had that to just drop, that was

1760
01:18:39,800 --> 01:18:42,880
Speaker 1: already recorded while I'm on the road, let me drop that.

1761
01:18:43,240 --> 01:18:45,960
Speaker 1: And then once this tour is done, I get into

1762
01:18:45,960 --> 01:18:49,080
Speaker 1: battle mode and and go at Kendrick. I think that

1763
01:18:49,080 --> 01:18:51,160
Speaker 1: that's a beautiful, a beautiful transition.

1764
01:18:51,600 --> 01:18:53,760
Speaker 3: Before we get to Cole, I will ask if Drake

1765
01:18:53,800 --> 01:18:57,200
Speaker 3: does reply and let's say three months and it's not

1766
01:18:57,240 --> 01:19:00,320
Speaker 3: a like a direct shot the way Duffy freestyle the

1767
01:19:00,320 --> 01:19:02,880
Speaker 3: way back to Back was and just gives us a

1768
01:19:02,880 --> 01:19:06,280
Speaker 3: song and there's eight bars that have to do with

1769
01:19:06,360 --> 01:19:11,680
Speaker 3: Kendrick and says ship like your DNA isn't humble or

1770
01:19:11,680 --> 01:19:14,720
Speaker 3: just something that's just like what this isn't even worth it?

1771
01:19:14,760 --> 01:19:15,679
Speaker 3: Is that an l to Drake?

1772
01:19:16,000 --> 01:19:18,679
Speaker 1: Yes, if he only has eight bars day, it's.

1773
01:19:18,600 --> 01:19:20,639
Speaker 3: A real like if it's a song, just a song

1774
01:19:20,680 --> 01:19:22,240
Speaker 3: that he puts out and happens to shoot.

1775
01:19:22,320 --> 01:19:24,560
Speaker 1: Oh yeah, Drake, Yeah, but a little bit. Yeah, but

1776
01:19:25,000 --> 01:19:27,080
Speaker 1: that's I don't I don't see that happening. I understand

1777
01:19:27,120 --> 01:19:29,559
Speaker 1: what you're saying. But no, if if to your to

1778
01:19:29,600 --> 01:19:32,160
Speaker 1: your question, if that's the response, then that's a loss.

1779
01:19:32,160 --> 01:19:32,559
Speaker 3: I agree.

1780
01:19:32,600 --> 01:19:37,519
Speaker 1: He has to. He has to. And this is and

1781
01:19:37,560 --> 01:19:40,000
Speaker 1: this is why what I'm saying is valid because I'm

1782
01:19:40,000 --> 01:19:42,840
Speaker 1: telling he has to turn it to somebody else. He

1783
01:19:43,080 --> 01:19:48,280
Speaker 1: This is not Drake songwriting ability, Drake pop megastar, Drake

1784
01:19:49,520 --> 01:19:52,559
Speaker 1: seventeen billion streams, all my all my projects have over

1785
01:19:52,600 --> 01:19:53,640
Speaker 1: a billions. This is not this.

1786
01:19:53,760 --> 01:19:55,880
Speaker 3: That shouldn't matter all of that and this this arena

1787
01:19:55,960 --> 01:19:56,240
Speaker 3: at all.

1788
01:19:56,640 --> 01:19:59,920
Speaker 1: That's that's why I'm saying he can't respond right now

1789
01:20:00,560 --> 01:20:04,200
Speaker 1: because with this is this is a whole different this

1790
01:20:04,200 --> 01:20:08,000
Speaker 1: this Drake has to go into a whole different mindset.

1791
01:20:08,320 --> 01:20:10,719
Speaker 1: He has to become a whole His energy has to change,

1792
01:20:11,040 --> 01:20:14,000
Speaker 1: He has to be a whole different person for this battle.

1793
01:20:14,520 --> 01:20:19,720
Speaker 1: Because this is we we know Kendrick has three or

1794
01:20:19,760 --> 01:20:23,519
Speaker 1: four ready for sure, So now Drake has to put

1795
01:20:23,560 --> 01:20:27,400
Speaker 1: himself in a position to where he has four, five,

1796
01:20:27,439 --> 01:20:28,240
Speaker 1: and six ready.

1797
01:20:28,479 --> 01:20:30,479
Speaker 3: I agree, he can't just record one put it out.

1798
01:20:30,640 --> 01:20:31,320
Speaker 1: He can't do it.

1799
01:20:31,920 --> 01:20:33,479
Speaker 3: And if him being on the road to him being

1800
01:20:33,680 --> 01:20:35,360
Speaker 3: can't play his hand too quick, he can't do that.

1801
01:20:35,479 --> 01:20:35,960
Speaker 1: Right now.

1802
01:20:36,040 --> 01:20:37,960
Speaker 3: I'm not mad that it's been seven days and he

1803
01:20:37,960 --> 01:20:39,519
Speaker 3: has a replied. I want to make that very clear.

1804
01:20:40,040 --> 01:20:44,640
Speaker 3: I just don't think we can go another two weeks.

1805
01:20:45,160 --> 01:20:47,080
Speaker 5: Yeah, we're still waiting for Jesus to come towards over.

1806
01:20:47,120 --> 01:20:50,360
Speaker 1: April fifth. The last show April fifth, I believe.

1807
01:20:50,520 --> 01:20:52,320
Speaker 6: I have no idea, but I the.

1808
01:20:52,360 --> 01:20:55,320
Speaker 3: Last show is April fifth. I believe he was in

1809
01:20:55,920 --> 01:20:59,320
Speaker 3: what for Lauderdale for like two shows of Wayne. I

1810
01:20:59,360 --> 01:21:03,920
Speaker 3: think maybe made one comment and then obviously put up

1811
01:21:03,960 --> 01:21:08,000
Speaker 3: that caption that was at everybody April sixteen that felt

1812
01:21:08,240 --> 01:21:11,320
Speaker 3: you know either at that point, No, those.

1813
01:21:11,160 --> 01:21:13,479
Speaker 5: Are all canceled show sorry, ry. April fifth is the

1814
01:21:13,560 --> 01:21:15,880
Speaker 5: last show. These remaining ones are canceled dates.

1815
01:21:16,000 --> 01:21:19,479
Speaker 1: April fifth is the last show. I say, we probably

1816
01:21:19,520 --> 01:21:20,880
Speaker 1: get a response.

1817
01:21:20,960 --> 01:21:25,599
Speaker 5: Of their makeup dates. It looks like, Okay, April's when

1818
01:21:25,600 --> 01:21:26,240
Speaker 5: he's done.

1819
01:21:26,360 --> 01:21:28,599
Speaker 1: So he's done mid April, he's done with the tour.

1820
01:21:29,880 --> 01:21:32,280
Speaker 3: He's had how many days off between four Lauderdale and

1821
01:21:33,360 --> 01:21:41,320
Speaker 3: Long Island a week. Yeah, that's time. I'm not mad

1822
01:21:41,360 --> 01:21:43,680
Speaker 3: at him coming out after April fifth. I don't think

1823
01:21:43,720 --> 01:21:47,160
Speaker 3: that's an l at all. But it can't go past that.

1824
01:21:48,439 --> 01:21:49,960
Speaker 3: It can't go past April fifth.

1825
01:21:49,960 --> 01:21:53,120
Speaker 1: Why we just said his tour is over April fifth,

1826
01:21:53,160 --> 01:21:55,240
Speaker 1: What are you talking about. He's got a whole week

1827
01:21:55,320 --> 01:21:57,960
Speaker 1: in between. Bro y'all not understanding what this is, bro y'all.

1828
01:21:58,040 --> 01:21:59,960
Speaker 1: Niggas just want to be entertained, and I get it. Yeah,

1829
01:22:00,160 --> 01:22:02,560
Speaker 1: but he's not gonna entertain y'all at the expense of

1830
01:22:02,640 --> 01:22:05,559
Speaker 1: him being fucking embarrassed in the battle. He's not doing that,

1831
01:22:05,760 --> 01:22:07,800
Speaker 1: So are you, niggas? Calm your fucking lawn shit. You'll

1832
01:22:07,800 --> 01:22:10,840
Speaker 1: only gonna listen to the battle for three days if

1833
01:22:10,840 --> 01:22:12,800
Speaker 1: you get his head smoke, y'all gonna be like, oh shit,

1834
01:22:12,840 --> 01:22:14,519
Speaker 1: he should have took his time. Then why he put

1835
01:22:14,520 --> 01:22:17,160
Speaker 1: it out? Yeah, like the fans are fucking crazy, Like

1836
01:22:17,200 --> 01:22:19,880
Speaker 1: you mad at somebody for taking his time to tail

1837
01:22:19,920 --> 01:22:21,920
Speaker 1: of some shit for a battle. But then if he

1838
01:22:22,000 --> 01:22:24,800
Speaker 1: responds too quick and loses and says, damn, but I

1839
01:22:24,840 --> 01:22:26,160
Speaker 1: was on toy and I'm like, well, you should have

1840
01:22:26,160 --> 01:22:27,080
Speaker 1: wait until you got off tour.

1841
01:22:27,160 --> 01:22:29,360
Speaker 7: Then Okay, I'm all some one in your exactly in

1842
01:22:29,400 --> 01:22:31,720
Speaker 7: your opinion, where not fucking i' might give you three

1843
01:22:31,960 --> 01:22:34,120
Speaker 7: three months, seven months in your opinion? What is the

1844
01:22:34,240 --> 01:22:37,760
Speaker 7: reasonable time frame for him to release this and it

1845
01:22:37,920 --> 01:22:40,080
Speaker 7: not take away from the value of the disc What

1846
01:22:40,200 --> 01:22:41,519
Speaker 7: is a reasonable time frame?

1847
01:22:41,600 --> 01:22:44,599
Speaker 1: As long as we get it by the summer, the summer,

1848
01:22:44,680 --> 01:22:47,160
Speaker 1: the summer, Yeah, you're giving them for you from March

1849
01:22:47,240 --> 01:22:48,880
Speaker 1: twenty second, shit, as long as we get it by

1850
01:22:48,920 --> 01:22:50,360
Speaker 1: the summer by June, I'm cool.

1851
01:22:51,400 --> 01:22:53,240
Speaker 2: So three months. Like then, I just say, don't say

1852
01:22:53,280 --> 01:22:53,960
Speaker 2: three months.

1853
01:22:54,520 --> 01:22:56,840
Speaker 3: Well that's his timeline, that's my timeline.

1854
01:22:56,920 --> 01:22:59,560
Speaker 1: Why I can't say three months? What's wrong with three months? Okay?

1855
01:23:00,080 --> 01:23:03,439
Speaker 5: Like I said, Tom's point in timeline or not, whenever

1856
01:23:03,479 --> 01:23:06,920
Speaker 5: the fuck Drake drops it, it's going to have the

1857
01:23:06,960 --> 01:23:08,960
Speaker 5: effect that, like it doesn't matter when.

1858
01:23:08,880 --> 01:23:12,920
Speaker 1: You people just want to be entertaining it now because

1859
01:23:12,920 --> 01:23:15,080
Speaker 1: we're used to getting everything now. And that's okay. And

1860
01:23:15,120 --> 01:23:17,840
Speaker 1: what I'm telling you is, this is not this is

1861
01:23:17,880 --> 01:23:19,080
Speaker 1: not just for entertainment.

1862
01:23:19,840 --> 01:23:22,760
Speaker 3: This legacy, I understand this. This this right here, this

1863
01:23:22,920 --> 01:23:25,280
Speaker 3: Drake Kendrick shit, this cold Kendrick ship.

1864
01:23:25,600 --> 01:23:28,320
Speaker 1: This is not just for entertainment. Yes, it's gonna be

1865
01:23:28,439 --> 01:23:30,680
Speaker 1: entertaining because these are the best of their time, These

1866
01:23:30,680 --> 01:23:33,519
Speaker 1: are the best of their generations. But this ain't just

1867
01:23:33,600 --> 01:23:35,479
Speaker 1: These dudes ain't sitting in the in the in their

1868
01:23:35,720 --> 01:23:38,840
Speaker 1: respective corners thinking like, oh, this is just gonna be fun.

1869
01:23:38,880 --> 01:23:41,760
Speaker 1: It's this call, bro, Niggas legacies is on the line,

1870
01:23:41,840 --> 01:23:45,080
Speaker 1: niggas where Niggas is out on that ladders on the line.

1871
01:23:45,439 --> 01:23:48,880
Speaker 1: It's a lot. This ain't just no, Yo, throw a

1872
01:23:48,920 --> 01:23:50,439
Speaker 1: shot at me and I'm gonna throw one back, and

1873
01:23:50,479 --> 01:23:51,920
Speaker 1: then you know, throw one at me and I'm gonna

1874
01:23:51,920 --> 01:23:53,840
Speaker 1: throw one back. This is like, no, nigga, I'm glad

1875
01:23:53,880 --> 01:23:54,800
Speaker 1: to take your head off.

1876
01:23:55,120 --> 01:23:57,640
Speaker 3: The only thing in the strategic part because again I'm

1877
01:23:57,640 --> 01:23:59,760
Speaker 3: speaking from the fan perspective. What I'm saying, so, yeah,

1878
01:23:59,760 --> 01:24:01,719
Speaker 3: we want want to be entertained, We want this quick.

1879
01:24:01,800 --> 01:24:04,080
Speaker 3: We live in an era where things happen back to

1880
01:24:04,080 --> 01:24:07,519
Speaker 3: back to back. No pin the fact that this record,

1881
01:24:08,000 --> 01:24:11,040
Speaker 3: maybe Song of the Summer, changes things, because I think

1882
01:24:11,120 --> 01:24:14,680
Speaker 3: Drake could have a great strategy of not replying for

1883
01:24:14,720 --> 01:24:18,160
Speaker 3: a while to prove to everyone how much that Metro

1884
01:24:18,280 --> 01:24:21,840
Speaker 3: album and the Future Shots didn't mean shit. Fucking Ross

1885
01:24:21,840 --> 01:24:24,519
Speaker 3: playing that shit in his car the Kendrick verse like

1886
01:24:24,560 --> 01:24:26,439
Speaker 3: it came and went, looked just like control it came

1887
01:24:26,479 --> 01:24:29,160
Speaker 3: and went. That could be a strategy. I don't think

1888
01:24:29,160 --> 01:24:31,200
Speaker 3: that's gonna work. When this song is not going to

1889
01:24:31,280 --> 01:24:35,000
Speaker 3: leave the charts. We're gonna hear this everywhere. That's where

1890
01:24:35,000 --> 01:24:38,800
Speaker 3: I don't think Drake from a strategy standpoint, can sit

1891
01:24:38,840 --> 01:24:41,360
Speaker 3: there and play the o'ur reply when I want to game.

1892
01:24:41,520 --> 01:24:44,559
Speaker 3: When anytime we walk outside in any setting, all of

1893
01:24:44,640 --> 01:24:46,479
Speaker 3: us are listening to this song.

1894
01:24:46,360 --> 01:24:48,880
Speaker 7: If the strippers are dance as it is, Drake gonna

1895
01:24:48,920 --> 01:24:50,000
Speaker 7: take his as he had.

1896
01:24:50,040 --> 01:24:52,400
Speaker 3: He had a point with story of added on. Anytime

1897
01:24:52,479 --> 01:24:53,840
Speaker 3: that gets brought up, he's like, when was the last

1898
01:24:53,880 --> 01:24:56,639
Speaker 3: time you listened to it? Like that cop out, which

1899
01:24:56,680 --> 01:24:58,360
Speaker 3: is He's right, we don't listen to that song, but

1900
01:24:58,400 --> 01:24:59,080
Speaker 3: it wasn't made for that.

1901
01:24:59,240 --> 01:25:01,160
Speaker 1: It was a reply in a battom.

1902
01:25:01,479 --> 01:25:04,040
Speaker 3: This is a joint that's never gone. This is Drake's

1903
01:25:04,080 --> 01:25:08,040
Speaker 3: strategy being used against him. That's where Meek looked insane.

1904
01:25:08,080 --> 01:25:09,920
Speaker 3: It was like, bro back to back's not going anywhere.

1905
01:25:09,920 --> 01:25:13,080
Speaker 3: You have to reply now, That's what I'm saying. Why

1906
01:25:13,080 --> 01:25:15,080
Speaker 3: he has to hurry up? He can't wait three months?

1907
01:25:15,600 --> 01:25:18,240
Speaker 3: This song is going to peak in the next two

1908
01:25:18,280 --> 01:25:19,920
Speaker 3: to three weeks and will not stop for the rest

1909
01:25:19,920 --> 01:25:20,360
Speaker 3: of the summer.

1910
01:25:20,760 --> 01:25:23,559
Speaker 1: But you know what, and this, like Julie just said,

1911
01:25:23,600 --> 01:25:27,000
Speaker 1: speaking to you know because again we got to look

1912
01:25:27,040 --> 01:25:31,559
Speaker 1: at all angles of this shit. If Drake drops a song,

1913
01:25:33,479 --> 01:25:36,679
Speaker 1: let's say he drops a EP right now, six songs,

1914
01:25:39,920 --> 01:25:43,040
Speaker 1: this removes all of this shit from his shit becomes

1915
01:25:43,120 --> 01:25:46,599
Speaker 1: number one immediately, like this future album I believe debut

1916
01:25:46,600 --> 01:25:47,400
Speaker 1: at number one this week.

1917
01:25:48,479 --> 01:25:49,960
Speaker 3: I did great numbers thanks to this.

1918
01:25:51,640 --> 01:25:54,439
Speaker 1: The album is okay, I'm just saying now, I don't

1919
01:25:54,439 --> 01:25:57,360
Speaker 1: think that's but do we think is it safe to

1920
01:25:57,360 --> 01:25:59,920
Speaker 1: say that it did great numbers because of the record?

1921
01:26:00,640 --> 01:26:02,240
Speaker 1: Because of that, because of that verse.

1922
01:26:04,200 --> 01:26:06,120
Speaker 3: So still somehow on the way this ship is attached

1923
01:26:06,120 --> 01:26:11,680
Speaker 3: to Drake, that just speaks to his influence and his power.

1924
01:26:11,479 --> 01:26:13,559
Speaker 2: Of course, but we ain't talking about influencing power.

1925
01:26:15,000 --> 01:26:18,800
Speaker 1: Listen Trump saying, no, this is what I'm saying. If

1926
01:26:18,840 --> 01:26:22,240
Speaker 1: he decides to go that route and speak to that,

1927
01:26:23,160 --> 01:26:24,720
Speaker 1: this is what I'm saying. All of this is just

1928
01:26:24,760 --> 01:26:28,360
Speaker 1: giving Drake the room to write and prepare for whatever

1929
01:26:28,400 --> 01:26:31,200
Speaker 1: however he's coming back. Because even though you having a

1930
01:26:31,280 --> 01:26:34,320
Speaker 1: number one song and the number one album debut, a

1931
01:26:34,400 --> 01:26:37,040
Speaker 1: number one that ship is still heavily attached to me.

1932
01:26:37,479 --> 01:26:39,040
Speaker 1: He did that with pushing it didn't really work.

1933
01:26:39,080 --> 01:26:41,280
Speaker 3: He ended the duffy free style with will send you

1934
01:26:41,280 --> 01:26:43,519
Speaker 3: an invoice for selling another twenty for you or whatever,

1935
01:26:43,560 --> 01:26:46,000
Speaker 3: and then even tried to play the meme game again

1936
01:26:46,080 --> 01:26:48,280
Speaker 3: like he did with me and posted on his Instagram

1937
01:26:48,280 --> 01:26:51,920
Speaker 3: and invoice the good music whatever the fuck? That backfired

1938
01:26:51,920 --> 01:26:52,880
Speaker 3: pretty fucking quickly.

1939
01:26:53,040 --> 01:26:55,120
Speaker 1: No, no, but this is this is a the fuck all

1940
01:26:55,160 --> 01:26:57,200
Speaker 1: of that I'm talking about. This album is number one debut.

1941
01:26:57,240 --> 01:26:59,320
Speaker 1: No when this song is number one right now?

1942
01:27:00,240 --> 01:27:02,360
Speaker 3: I just don't this ship is heavily even though that's

1943
01:27:02,400 --> 01:27:04,439
Speaker 3: a fact, you are correct, I just don't know how

1944
01:27:04,479 --> 01:27:09,000
Speaker 3: much weight that holds. In a reply record of he's like, yo,

1945
01:27:09,040 --> 01:27:11,720
Speaker 3: I major, your album go number one? Like, okay, that

1946
01:27:11,800 --> 01:27:17,080
Speaker 3: holds weight you're talking about You mentioned me it's got

1947
01:27:17,080 --> 01:27:18,080
Speaker 3: to be Rapps correctly.

1948
01:27:17,800 --> 01:27:19,760
Speaker 1: But you gotta understand it's not like kendricks.

1949
01:27:20,280 --> 01:27:22,639
Speaker 6: Album is you're playing. The future is applying to Kendrick.

1950
01:27:22,720 --> 01:27:23,640
Speaker 3: He's applying.

1951
01:27:25,320 --> 01:27:25,880
Speaker 1: What I'm saying.

1952
01:27:26,840 --> 01:27:30,240
Speaker 3: Everybody that's acting funny right now, everybody that's I got

1953
01:27:30,240 --> 01:27:32,080
Speaker 3: some switches to say, he is going at.

1954
01:27:32,000 --> 01:27:32,639
Speaker 1: All of these.

1955
01:27:34,320 --> 01:27:36,000
Speaker 3: Reference. There's no way he's not gonna do the Thano

1956
01:27:36,040 --> 01:27:37,280
Speaker 3: ship with all fucking fither.

1957
01:27:37,120 --> 01:27:38,680
Speaker 1: Bro, Which that's what you think. I said, what is

1958
01:27:38,720 --> 01:27:40,880
Speaker 1: he pre praying for? It's not just Kendrick, Bro, He's

1959
01:27:40,920 --> 01:27:43,320
Speaker 1: for all of these niggas. Niggas is showing their hand

1960
01:27:43,400 --> 01:27:45,760
Speaker 1: right now, like, oh, ship, you feel some type of

1961
01:27:45,800 --> 01:27:47,920
Speaker 1: way towards me too? Okay? So you oh you too?

1962
01:27:48,000 --> 01:27:49,400
Speaker 1: Like oh yeah, nigga's like Okay.

1963
01:27:49,560 --> 01:27:53,439
Speaker 7: Our conversation was specifically about responding and getting into a

1964
01:27:53,479 --> 01:27:56,160
Speaker 7: battle of words with Kendrick because I'm not giving you

1965
01:27:56,200 --> 01:27:58,519
Speaker 7: three months to reply to future in fucking Rick Ross.

1966
01:27:58,600 --> 01:28:00,479
Speaker 3: Yeah, but why y'all niggas don't even hair, But why

1967
01:28:00,560 --> 01:28:02,920
Speaker 3: y'all saying he got to respond that Cole got to

1968
01:28:02,960 --> 01:28:06,519
Speaker 3: respond right now, we're gonna get to him that I'm

1969
01:28:06,520 --> 01:28:07,640
Speaker 3: not hearing Cole's.

1970
01:28:07,360 --> 01:28:11,240
Speaker 1: Name, I'm not hearing niggas is not ringing up.

1971
01:28:12,800 --> 01:28:14,960
Speaker 3: I was just about to say, what the is Ja

1972
01:28:15,040 --> 01:28:15,639
Speaker 3: Cole's excuse?

1973
01:28:15,720 --> 01:28:19,040
Speaker 1: He's not about to say, I was.

1974
01:28:18,520 --> 01:28:21,559
Speaker 3: Is Jermaine Cole's excuse? Literally, he is back in North Carolina?

1975
01:28:21,600 --> 01:28:25,240
Speaker 1: Are you giving Jake up the list up? I said,

1976
01:28:25,320 --> 01:28:27,599
Speaker 1: how long are you giving Jake Cole to respond, and Roy.

1977
01:28:27,400 --> 01:28:30,280
Speaker 5: Said, look that little for the topics, the list for

1978
01:28:30,320 --> 01:28:32,519
Speaker 5: the top of Literally now you're saying Jake Cole's names

1979
01:28:32,520 --> 01:28:34,880
Speaker 5: out here, don't do that on the left.

1980
01:28:34,920 --> 01:28:36,360
Speaker 1: I just wanted to see where he was at, That's all.

1981
01:28:36,400 --> 01:28:37,760
Speaker 1: I just wanted to see where he was at, because

1982
01:28:38,240 --> 01:28:40,400
Speaker 1: to me, that's the nigga that niggas need to be

1983
01:28:40,439 --> 01:28:44,160
Speaker 1: talking about. How yes and no you have had something

1984
01:28:44,200 --> 01:28:46,200
Speaker 1: out if Drake.

1985
01:28:46,000 --> 01:28:48,280
Speaker 3: Needed to respond already what the cod needed to do

1986
01:28:48,360 --> 01:28:50,519
Speaker 3: that They've been passive, aggressively going out each other for

1987
01:28:50,520 --> 01:28:53,120
Speaker 3: a whole decade. Kendrick and Drake Cole just got caught

1988
01:28:53,200 --> 01:28:54,160
Speaker 3: up in that big.

1989
01:28:55,479 --> 01:28:58,559
Speaker 1: I'm not saying co started that Big Three ship.

1990
01:28:59,200 --> 01:29:05,200
Speaker 7: No, he we started it started that coldd start.

1991
01:29:04,400 --> 01:29:06,000
Speaker 1: With me in the week because I never.

1992
01:29:05,920 --> 01:29:08,439
Speaker 3: I never I refer to them as the Big Three.

1993
01:29:08,439 --> 01:29:12,519
Speaker 5: For I did pull the tapes. I always of this podcast.

1994
01:29:13,800 --> 01:29:16,479
Speaker 5: You've been playing Big Three since Roy's couch Wait.

1995
01:29:16,520 --> 01:29:20,080
Speaker 3: I started that Big Three ship the fans fan, so

1996
01:29:20,120 --> 01:29:21,479
Speaker 3: I said, I was not one of the fans that

1997
01:29:21,520 --> 01:29:22,000
Speaker 3: started that shit.

1998
01:29:22,040 --> 01:29:24,040
Speaker 1: Yeah, keep ting me pull of what tapes. I didn't

1999
01:29:24,040 --> 01:29:25,320
Speaker 1: start that ship either way.

2000
01:29:25,360 --> 01:29:28,559
Speaker 3: We all referred except for you to them as the

2001
01:29:28,560 --> 01:29:32,360
Speaker 3: Big Three. And then Cole, who pays attention to the internet,

2002
01:29:32,600 --> 01:29:34,640
Speaker 3: put it in a verse so it got solidified, and

2003
01:29:34,640 --> 01:29:35,960
Speaker 3: then Kendrick used it in a verse.

2004
01:29:40,479 --> 01:29:40,679
Speaker 1: List.

2005
01:29:40,760 --> 01:29:42,719
Speaker 3: I'm saying, Cole needs to reply so much.

2006
01:29:44,160 --> 01:29:46,559
Speaker 1: To respond, I just asked you that fourteen times. How

2007
01:29:46,640 --> 01:29:47,200
Speaker 1: much time this.

2008
01:29:47,280 --> 01:29:48,960
Speaker 6: Told you gotta fill up the air and his tires

2009
01:29:48,960 --> 01:29:49,800
Speaker 6: on his bike and some ship.

2010
01:29:49,840 --> 01:29:52,960
Speaker 1: First Cold got to respond. He got to respond by

2011
01:29:53,479 --> 01:29:56,040
Speaker 1: going to just got off tour. I said, Cole got

2012
01:29:56,040 --> 01:30:00,160
Speaker 1: to respond by next week. Sure, I agree, Cole will respond.

2013
01:30:00,280 --> 01:30:04,360
Speaker 9: Gotta respond by next week. But Drake is still on

2014
01:30:04,479 --> 01:30:08,160
Speaker 9: tour until the middle of April. He got from April

2015
01:30:08,240 --> 01:30:10,200
Speaker 9: to the summer. So what the fuck Drake get three

2016
01:30:10,240 --> 01:30:11,519
Speaker 9: months respond?

2017
01:30:12,080 --> 01:30:15,760
Speaker 1: Because because Cole is only responding to Kendrick, Drake is

2018
01:30:15,800 --> 01:30:18,360
Speaker 1: responding to all of these niggas that are acting funny

2019
01:30:18,600 --> 01:30:20,559
Speaker 1: and putting a side, drawing the line in the sand

2020
01:30:20,720 --> 01:30:21,800
Speaker 1: and obviously picking the side.

2021
01:30:21,840 --> 01:30:24,280
Speaker 3: So the extra he's on Drake's side. So there he's

2022
01:30:24,320 --> 01:30:25,280
Speaker 3: against all them too.

2023
01:30:25,360 --> 01:30:28,000
Speaker 7: So the extra eight weeks that you're giving Drake is

2024
01:30:28,520 --> 01:30:31,639
Speaker 7: not for the Kendrick, it's for future in them.

2025
01:30:32,280 --> 01:30:35,439
Speaker 1: Drake is just he's responding to all these top this

2026
01:30:35,479 --> 01:30:37,840
Speaker 1: ain't this ain't gonna be just for Kendrick. Kendrick is

2027
01:30:37,840 --> 01:30:40,040
Speaker 1: gonna be a part of it one thousand percent, but

2028
01:30:40,120 --> 01:30:42,600
Speaker 1: it's gonna be other niggas. That's that's that's it's like

2029
01:30:42,680 --> 01:30:44,680
Speaker 1: a bundle package. It's gonna be a lot of other

2030
01:30:44,760 --> 01:30:46,880
Speaker 1: niggas that's bundled into that, into those records as well,

2031
01:30:46,880 --> 01:30:48,040
Speaker 1: because it's gonna be more than one way.

2032
01:30:49,040 --> 01:30:51,800
Speaker 3: Is gonna be future more than anybody. To be honest,

2033
01:30:52,080 --> 01:30:55,759
Speaker 3: what I think future will be the focus of Drake's reply.

2034
01:30:55,920 --> 01:30:57,760
Speaker 3: I think the same way he was replying to push

2035
01:30:57,840 --> 01:31:00,000
Speaker 3: it but only focused on Kanye. I think he's gonna

2036
01:31:00,040 --> 01:31:03,840
Speaker 3: say a few words about Kendrick, some light ship, and then.

2037
01:31:03,760 --> 01:31:04,920
Speaker 1: Go in on well ship.

2038
01:31:05,000 --> 01:31:08,200
Speaker 5: His last fucking album was all about future. He's been

2039
01:31:08,280 --> 01:31:10,400
Speaker 5: talking about future. We just didn't know that.

2040
01:31:10,880 --> 01:31:12,920
Speaker 3: More entertaining though, because they sucked the same women and

2041
01:31:12,960 --> 01:31:15,720
Speaker 3: their friends like what people have.

2042
01:31:15,720 --> 01:31:22,320
Speaker 5: Been screenshot old lyrics and ship subscribe the records from

2043
01:31:22,320 --> 01:31:25,959
Speaker 5: the actual album. But we didn't know that that relationship

2044
01:31:26,040 --> 01:31:28,920
Speaker 5: with this fractured. I think, and I spoke a lot

2045
01:31:29,080 --> 01:31:33,000
Speaker 5: this weekend about it. I think Drake's going to talk

2046
01:31:33,080 --> 01:31:36,080
Speaker 5: most about Future because that the hip hop ships hip

2047
01:31:36,080 --> 01:31:39,120
Speaker 5: hop with Kendrick, it's for sport, it's the wrestling. Uh

2048
01:31:39,600 --> 01:31:42,760
Speaker 5: analogy with Future that was personal, And I think Drake

2049
01:31:42,840 --> 01:31:45,960
Speaker 5: feels embarrassed because over the course of Drake's career, He's

2050
01:31:46,000 --> 01:31:47,639
Speaker 5: constantly put people in positions to win.

2051
01:31:47,920 --> 01:31:50,360
Speaker 6: He's a constantly put people to take their career to

2052
01:31:50,439 --> 01:31:51,600
Speaker 6: the next level. He'd put it.

2053
01:31:51,640 --> 01:31:54,280
Speaker 5: He's stuck his neck out there for Future, took him

2054
01:31:54,320 --> 01:31:56,640
Speaker 5: on this tour to did the tape together, and now

2055
01:31:57,400 --> 01:31:59,720
Speaker 5: that seems to be gone. And I feel like Drake

2056
01:31:59,800 --> 01:32:02,680
Speaker 5: is tired of being used. He's historically been used by

2057
01:32:02,720 --> 01:32:06,200
Speaker 5: a lot of artists. He's also someone say artists. I

2058
01:32:06,240 --> 01:32:09,799
Speaker 5: think it goes both ways, but he's always been positioned

2059
01:32:09,920 --> 01:32:14,080
Speaker 5: a and I feel like he's just he's tired of

2060
01:32:14,240 --> 01:32:17,000
Speaker 5: this fucking cyclical bullshit and he can't trust anything.

2061
01:32:17,040 --> 01:32:18,639
Speaker 1: This is just a nigg This is just a product

2062
01:32:18,720 --> 01:32:20,679
Speaker 1: of you being too high for too long. The niggas

2063
01:32:20,720 --> 01:32:24,839
Speaker 1: wanting to see you fi. Yeah, all this for seventeen

2064
01:32:25,400 --> 01:32:29,600
Speaker 1: sixteen years, seventeen years almost yeah, you got seventeen projects,

2065
01:32:29,840 --> 01:32:32,960
Speaker 1: all of them over a billion streams like these are

2066
01:32:34,000 --> 01:32:37,880
Speaker 1: somebody sitting in the studio like man that nigga. He

2067
01:32:37,880 --> 01:32:39,760
Speaker 1: ain't tough as me, he ain't from the streets like me.

2068
01:32:40,320 --> 01:32:42,439
Speaker 1: Niggas is talking like that, so they gonna feel a

2069
01:32:42,439 --> 01:32:45,840
Speaker 1: way about this nigga's success. I think now people are

2070
01:32:45,880 --> 01:32:46,800
Speaker 1: just thoughting to just show it.

2071
01:32:47,120 --> 01:32:48,320
Speaker 2: Yeah, it's hate for sure.

2072
01:32:48,439 --> 01:32:51,040
Speaker 3: I just think that the Future replied. I think Drake

2073
01:32:51,080 --> 01:32:54,160
Speaker 3: has the battle scars of trying to really wrap on

2074
01:32:54,320 --> 01:32:58,599
Speaker 3: Duppy Freestyle and then being beaten in that battle based

2075
01:32:58,640 --> 01:33:01,759
Speaker 3: off gossip, and I think he has plenty of gossip

2076
01:33:02,240 --> 01:33:05,599
Speaker 3: about Future Hendrix. He knows what works in this era

2077
01:33:05,720 --> 01:33:10,439
Speaker 3: now because he he lost to gossip. I mean, Push

2078
01:33:10,439 --> 01:33:12,200
Speaker 3: still rapped, don't get me wrong. Push his push, but

2079
01:33:12,600 --> 01:33:15,400
Speaker 3: he lost to gossip. Yeah, and lost because he didn't reply.

2080
01:33:15,840 --> 01:33:17,280
Speaker 3: But he really tried to rap on Dubby, and I

2081
01:33:17,600 --> 01:33:19,640
Speaker 3: appreciate him for it. I don't think he's gonna go

2082
01:33:19,760 --> 01:33:20,960
Speaker 3: that route now. I think he's gonna go to the

2083
01:33:21,000 --> 01:33:23,840
Speaker 3: messy route and he's gonna expose Future for millions of

2084
01:33:23,880 --> 01:33:26,080
Speaker 3: fucking things, and he's gonna throw a few shots at

2085
01:33:26,160 --> 01:33:28,400
Speaker 3: Kendrick Cole. On the other hand, I have no idea

2086
01:33:28,439 --> 01:33:29,280
Speaker 3: how he's gonna approach this.

2087
01:33:30,600 --> 01:33:33,160
Speaker 1: That's why I'm mostly interested to see respond because we've

2088
01:33:33,240 --> 01:33:33,839
Speaker 1: never seen.

2089
01:33:34,080 --> 01:33:37,479
Speaker 3: The col and Kendrick thing is just for sport, So

2090
01:33:37,720 --> 01:33:40,120
Speaker 3: is the great line? What line can you and can

2091
01:33:40,200 --> 01:33:42,479
Speaker 3: you not cross? If we're just doing this for sport?

2092
01:33:42,720 --> 01:33:45,200
Speaker 3: If that's my friend or at least my associate, and

2093
01:33:45,280 --> 01:33:48,439
Speaker 3: we both agreed that this is just some back and

2094
01:33:48,560 --> 01:33:52,519
Speaker 3: forth fun for hip hop and for the culture. Can

2095
01:33:52,600 --> 01:33:55,719
Speaker 3: I really give a good battle if I hold back? Well,

2096
01:33:55,800 --> 01:33:57,360
Speaker 3: we all know both of them can rap really well.

2097
01:33:57,760 --> 01:33:59,519
Speaker 3: And would I be mad if just both of them

2098
01:33:59,560 --> 01:34:02,320
Speaker 3: rapped more and wrapped back and forth? Sure, but that's

2099
01:34:02,400 --> 01:34:05,680
Speaker 3: not really what dictates a rap battle. Now, you guys

2100
01:34:05,720 --> 01:34:09,720
Speaker 3: are just but with Call and Kendrick. Kendrick like, yeah,

2101
01:34:09,800 --> 01:34:12,840
Speaker 3: Kendrick dragged Cole into it with that verse, but he

2102
01:34:12,920 --> 01:34:16,800
Speaker 3: really didn't say shit about Cole. No, he didn't, so

2103
01:34:16,960 --> 01:34:19,080
Speaker 3: like I get it, he has to respond, but he

2104
01:34:19,200 --> 01:34:21,040
Speaker 3: really didn't do anything to Call in that verse.

2105
01:34:22,080 --> 01:34:25,800
Speaker 2: When it comes to the whole wrestling and first sport thing.

2106
01:34:26,360 --> 01:34:28,840
Speaker 7: Yes, all these people can go and can tell us,

2107
01:34:28,920 --> 01:34:30,519
Speaker 7: and they can tell their camps, and they can tell

2108
01:34:30,520 --> 01:34:33,120
Speaker 7: all these people always just for sport and behind the scenes,

2109
01:34:33,160 --> 01:34:35,640
Speaker 7: we're all really cool. But all of these niggas have

2110
01:34:35,800 --> 01:34:38,719
Speaker 7: egos and they all really do think that they're the best.

2111
01:34:39,040 --> 01:34:41,200
Speaker 1: So there's no just like, oh, but you could think

2112
01:34:41,200 --> 01:34:43,479
Speaker 1: you the best. But if I got seventeen billion streams,

2113
01:34:44,160 --> 01:34:44,840
Speaker 1: I am the best.

2114
01:34:46,320 --> 01:34:47,000
Speaker 3: I don't know, man.

2115
01:34:47,080 --> 01:34:47,559
Speaker 6: Oo ma.

2116
01:34:49,560 --> 01:34:54,519
Speaker 1: Taylor Taylor Swift better to battle. It depends on who

2117
01:34:54,560 --> 01:34:57,880
Speaker 1: you ask. But if Taylor Swift walked in the room

2118
01:34:57,880 --> 01:34:59,680
Speaker 1: and says she's the greatest artist in the world right now,

2119
01:35:00,600 --> 01:35:03,400
Speaker 1: I mean she is, who would you could frown at it.

2120
01:35:03,720 --> 01:35:05,960
Speaker 1: You could argue it if you want. It's gonna be

2121
01:35:06,000 --> 01:35:06,639
Speaker 1: a tough argument.

2122
01:35:06,880 --> 01:35:09,920
Speaker 5: There's two well, because now you're you're scoffing at either

2123
01:35:10,200 --> 01:35:12,720
Speaker 5: if you're focusing on analytics, and then you're bringing in

2124
01:35:12,800 --> 01:35:14,839
Speaker 5: the emotional personal preference.

2125
01:35:15,000 --> 01:35:18,479
Speaker 3: That's the difference between hip hop and every other genre.

2126
01:35:19,560 --> 01:35:21,559
Speaker 3: It's hard to argue. We can all feel that Beyonce

2127
01:35:21,720 --> 01:35:23,560
Speaker 3: is the better artist than Taylor Swift, but when you

2128
01:35:23,640 --> 01:35:26,559
Speaker 3: get down to it, Mike versus Prince, people could say

2129
01:35:26,560 --> 01:35:29,160
Speaker 3: they like Prince more, but look what Mike did. Numbers wise,

2130
01:35:29,240 --> 01:35:31,880
Speaker 3: He's the biggest Taylor right now, biggest artists in the

2131
01:35:31,920 --> 01:35:35,880
Speaker 3: world hip hop. Even though we care about numbers, we

2132
01:35:36,040 --> 01:35:38,439
Speaker 3: still have this battle. Shit there is no battle between

2133
01:35:38,840 --> 01:35:41,960
Speaker 3: Taylor and Beyonce. Aren't gonna put records back and forth

2134
01:35:42,000 --> 01:35:46,559
Speaker 3: to each other. The accolade shit disappears in a battle.

2135
01:35:46,760 --> 01:35:48,639
Speaker 3: That's why you get someone like a Push of Tea

2136
01:35:49,120 --> 01:35:51,599
Speaker 3: to battle Drake, the biggest artists in the fucking world

2137
01:35:52,120 --> 01:35:54,960
Speaker 3: where most of the world is going. Who exactly is

2138
01:35:55,000 --> 01:35:55,519
Speaker 3: pusha Tea?

2139
01:35:56,600 --> 01:35:56,800
Speaker 1: Yeah?

2140
01:35:56,840 --> 01:35:59,360
Speaker 3: But and because Jay don't understand that and hip hop,

2141
01:35:59,400 --> 01:36:02,720
Speaker 3: that shit doesn't matter. So I don't really care what

2142
01:36:03,120 --> 01:36:04,960
Speaker 3: anyone's accolades are in here. I just know that these

2143
01:36:05,000 --> 01:36:06,880
Speaker 3: three can rap really fucking well, and now it's time

2144
01:36:06,920 --> 01:36:11,240
Speaker 3: to prove it. Because one person said it's just me, okay,

2145
01:36:11,320 --> 01:36:16,479
Speaker 3: but not the rest of y'all. Right, he did say that, Fuck,

2146
01:36:16,520 --> 01:36:19,120
Speaker 3: the Big three is just big me. You're not bigger

2147
01:36:19,120 --> 01:36:22,200
Speaker 3: than that nigga you talking to Dog, You're not, but

2148
01:36:22,320 --> 01:36:25,040
Speaker 3: he's rapping. See I'm saying that's a difference, right, Graylors

2149
01:36:25,280 --> 01:36:27,680
Speaker 3: can say that and be right, and there's needs there.

2150
01:36:27,800 --> 01:36:30,759
Speaker 3: There'll be no reply because that's not the Culture's great culture.

2151
01:36:30,760 --> 01:36:32,960
Speaker 3: If a rapper says I'm better than you, I'm bigger

2152
01:36:33,000 --> 01:36:36,280
Speaker 3: than you, it's just me and he is your peer

2153
01:36:36,760 --> 01:36:43,280
Speaker 3: and your opponent. Yes, you have to reply, especially when

2154
01:36:43,280 --> 01:36:44,200
Speaker 3: you've already rapped people.

2155
01:36:44,760 --> 01:36:47,640
Speaker 1: A rapper is supposed to say he's the best like

2156
01:36:47,680 --> 01:36:50,240
Speaker 1: you said egos, ego and rapping hip hop, I'm the best,

2157
01:36:50,240 --> 01:36:54,040
Speaker 1: I'm the hottest nigga. Some niggas you respond to. And

2158
01:36:54,080 --> 01:36:55,960
Speaker 1: I think that's why Drake is going to respond to this,

2159
01:36:56,080 --> 01:37:01,000
Speaker 1: because Kendrick is undoubtedly one of those. But every nigga

2160
01:37:01,040 --> 01:37:02,519
Speaker 1: don't deserve a motherfucking response.

2161
01:37:02,560 --> 01:37:05,599
Speaker 3: That's not what I'm saying. Clear, I don't eve some niggas.

2162
01:37:05,600 --> 01:37:07,439
Speaker 3: You gotta look at me like if you feel like that.

2163
01:37:08,320 --> 01:37:12,320
Speaker 1: But but me responded to you, Me responded Drake responding

2164
01:37:12,360 --> 01:37:14,160
Speaker 1: to Push. It did more for Push his career than

2165
01:37:14,200 --> 01:37:17,120
Speaker 1: anything Push has ever done. That's a fact. No, that's

2166
01:37:17,160 --> 01:37:19,240
Speaker 1: not a fact. That was the biggest stage Push I

2167
01:37:19,360 --> 01:37:19,840
Speaker 1: ever been on.

2168
01:37:20,560 --> 01:37:24,320
Speaker 3: Did more for his career. Knows and grinding did more

2169
01:37:24,360 --> 01:37:24,840
Speaker 3: for his career.

2170
01:37:26,080 --> 01:37:27,760
Speaker 1: Didn't get it to a battle, a back and forth

2171
01:37:27,800 --> 01:37:30,080
Speaker 1: battle with the biggest artists, arguably the biggest artist, and

2172
01:37:30,360 --> 01:37:30,719
Speaker 1: I think.

2173
01:37:30,640 --> 01:37:31,040
Speaker 3: It was great.

2174
01:37:32,280 --> 01:37:36,240
Speaker 1: But to say to take away his entire career with

2175
01:37:37,240 --> 01:37:39,120
Speaker 1: I'm not I'm not taking his career. I'm saying that

2176
01:37:39,280 --> 01:37:43,200
Speaker 1: was the biggest moment of his career. That battle, he

2177
01:37:43,360 --> 01:37:46,320
Speaker 1: had more eyes ears on his music than ever in

2178
01:37:46,439 --> 01:37:46,880
Speaker 1: his life.

2179
01:37:47,560 --> 01:37:50,240
Speaker 3: That's a fact, okay, But he doesn't he doesn't get

2180
01:37:50,240 --> 01:37:53,880
Speaker 3: there with the huge moments, like he doesn't do festivals

2181
01:37:53,960 --> 01:37:55,080
Speaker 3: now because he.

2182
01:37:55,479 --> 01:37:57,880
Speaker 1: You missing what I'm saying. Was that the biggest moment

2183
01:37:57,920 --> 01:37:59,840
Speaker 1: of PUSH's career? Yes or no? Yes?

2184
01:38:00,200 --> 01:38:00,360
Speaker 6: Yes?

2185
01:38:00,840 --> 01:38:05,080
Speaker 1: Why the fun y'all keep making? Stop doing that.

2186
01:38:06,920 --> 01:38:07,080
Speaker 9: Bad?

2187
01:38:07,160 --> 01:38:09,960
Speaker 1: Why do you keep making me repeat myself? Bad, Julie?

2188
01:38:10,000 --> 01:38:10,639
Speaker 1: Why do you keep making?

2189
01:38:10,640 --> 01:38:12,040
Speaker 3: Because I think you need to. I think you need

2190
01:38:12,120 --> 01:38:14,919
Speaker 3: to add more to that sentence now music.

2191
01:38:14,800 --> 01:38:20,599
Speaker 1: Yes, that is Was that the biggest moment of PUSH's career?

2192
01:38:20,720 --> 01:38:21,080
Speaker 1: Yes or no?

2193
01:38:21,200 --> 01:38:23,400
Speaker 3: No? I think grinding was the biggest cool moment of

2194
01:38:23,479 --> 01:38:26,960
Speaker 3: his career. You don't even get that battle without grinding.

2195
01:38:27,040 --> 01:38:28,080
Speaker 1: I hear. That's what's up?

2196
01:38:28,320 --> 01:38:32,479
Speaker 3: Okay, But no, okay, So this nigga had eyes and

2197
01:38:32,960 --> 01:38:37,200
Speaker 3: attention on his career in music that moment, Like you think,

2198
01:38:37,360 --> 01:38:38,760
Speaker 3: let me ask you something. Y'all get the moment. As

2199
01:38:38,800 --> 01:38:40,840
Speaker 3: far as y'all.

2200
01:38:40,439 --> 01:38:41,960
Speaker 1: Niggas don't think that these artists.

2201
01:38:41,720 --> 01:38:43,519
Speaker 3: Has more eyes on them at the Louis vatand of

2202
01:38:43,840 --> 01:38:44,439
Speaker 3: live streams.

2203
01:38:44,520 --> 01:38:47,439
Speaker 1: Stop, y'all niggas, don't think that, y'all. Don't think that.

2204
01:38:47,600 --> 01:38:54,000
Speaker 1: These artists sit in studios offices and think, damn, how

2205
01:38:54,040 --> 01:38:57,120
Speaker 1: can I get this nigga's attention? How can I get

2206
01:38:57,680 --> 01:38:59,880
Speaker 1: how can I get him to say my name? Can

2207
01:38:59,920 --> 01:39:02,360
Speaker 1: I get that? For years to try to get niggas

2208
01:39:02,400 --> 01:39:05,960
Speaker 1: doing on every level. Niggas do it on podcasting, talk ship.

2209
01:39:07,840 --> 01:39:10,519
Speaker 1: Bitches do it when they're doing lashes. My lashes is

2210
01:39:10,560 --> 01:39:14,000
Speaker 1: the best bitches do when they selling bikinis on Instagram.

2211
01:39:14,880 --> 01:39:16,520
Speaker 1: My candles smell like my pussy.

2212
01:39:16,920 --> 01:39:19,920
Speaker 3: Like this is what if the top dog, If the

2213
01:39:20,120 --> 01:39:23,519
Speaker 3: top dog acknowledges you, whether it be negative or positive,

2214
01:39:24,040 --> 01:39:27,400
Speaker 3: if the top dog acknowledges you, that's a stat. It's

2215
01:39:27,479 --> 01:39:30,360
Speaker 3: a fucking stat, all right. So so would you say,

2216
01:39:30,640 --> 01:39:32,720
Speaker 3: especially when you won? I think that's where I think

2217
01:39:32,720 --> 01:39:40,040
Speaker 3: we're disconnected. Wait, wait, things lost? That's oo I lose.

2218
01:39:40,120 --> 01:39:43,680
Speaker 1: I think I just think is better than that. But

2219
01:39:45,560 --> 01:39:47,720
Speaker 1: I think I think Duppy is a better song than

2220
01:39:47,760 --> 01:39:49,519
Speaker 1: the story of That's what I'm saying. Okay, But then

2221
01:39:49,600 --> 01:39:51,360
Speaker 1: Drake went and sat in a barber chair with Lebron

2222
01:39:51,960 --> 01:39:55,960
Speaker 1: and that was you wish the lost? Well, that song

2223
01:39:56,040 --> 01:39:57,800
Speaker 1: that's to me, that's on the consumer. You wanted the

2224
01:39:57,840 --> 01:39:59,599
Speaker 1: biggest artists to respond in the way that you wanted

2225
01:39:59,640 --> 01:40:02,320
Speaker 1: him to the biggest artist in the world. Don't respond

2226
01:40:02,360 --> 01:40:03,720
Speaker 1: the way you want him to respond the way they

2227
01:40:03,720 --> 01:40:03,920
Speaker 1: want you.

2228
01:40:04,360 --> 01:40:05,600
Speaker 3: Brother, that's an elder me.

2229
01:40:05,680 --> 01:40:08,479
Speaker 1: That's a big I'm not saying it's not I'm just

2230
01:40:08,479 --> 01:40:09,760
Speaker 1: talking about the music that he.

2231
01:40:09,800 --> 01:40:12,400
Speaker 3: Said he was too mean and I didn't want to

2232
01:40:12,439 --> 01:40:13,840
Speaker 3: play anymore because he got too mean.

2233
01:40:14,000 --> 01:40:14,560
Speaker 1: He never said that.

2234
01:40:15,040 --> 01:40:15,240
Speaker 3: He did.

2235
01:40:15,360 --> 01:40:18,560
Speaker 1: He said he got mean. He said he said he

2236
01:40:18,760 --> 01:40:22,439
Speaker 1: was too mean. You did he say he was too good?

2237
01:40:23,040 --> 01:40:26,720
Speaker 3: He said talked about my friends medical issues, and he

2238
01:40:27,200 --> 01:40:29,120
Speaker 3: were really upset and it made me mad. So I

2239
01:40:29,280 --> 01:40:36,040
Speaker 3: was like, this isn't a battle anymore. See y'all niggas

2240
01:40:36,040 --> 01:40:37,439
Speaker 3: just be making it up. I'm just told my music.

2241
01:40:39,240 --> 01:40:42,320
Speaker 1: I'm not saying listen, I'm talking about music. I think

2242
01:40:42,439 --> 01:40:45,519
Speaker 1: Duppy Freestyle was a better song and better bars than

2243
01:40:45,560 --> 01:40:48,760
Speaker 1: the story. I agree with you, That's what I'm saying.

2244
01:40:48,800 --> 01:40:51,799
Speaker 3: I'm on record saying, okay, cool. But after someone replies

2245
01:40:51,880 --> 01:40:55,080
Speaker 3: and then you don't reply, but instead sit with Lebron

2246
01:40:55,439 --> 01:40:58,200
Speaker 3: in a barbershop that's not a barbershop, just a warehouse

2247
01:40:58,280 --> 01:41:02,160
Speaker 3: with Barbershollywood and you say, hey, I couldn't do it

2248
01:41:02,320 --> 01:41:05,439
Speaker 3: because like he was talking about Forty's medical condition and

2249
01:41:05,560 --> 01:41:07,120
Speaker 3: like all of us were in the studio, Like, you

2250
01:41:07,320 --> 01:41:09,519
Speaker 3: just took it way too far, man Like, Now, what

2251
01:41:10,200 --> 01:41:13,000
Speaker 3: that's what That's what he said. That's an l you lost.

2252
01:41:13,680 --> 01:41:15,800
Speaker 3: It's okay, you said, Drake is still the goat.

2253
01:41:15,880 --> 01:41:16,280
Speaker 1: He said, what.

2254
01:41:17,800 --> 01:41:21,439
Speaker 3: You took it too far? Man Like? No, this is

2255
01:41:21,439 --> 01:41:23,360
Speaker 3: what he said, Like what if someone like really beats

2256
01:41:23,400 --> 01:41:24,920
Speaker 3: your ass? That's what he said.

2257
01:41:25,040 --> 01:41:28,960
Speaker 1: He said, Drake really gonna beat Rory's.

2258
01:41:29,200 --> 01:41:31,320
Speaker 3: I've been I've been getting killed for taking his side,

2259
01:41:31,320 --> 01:41:33,519
Speaker 3: but I can be objective unlike every other fan on

2260
01:41:33,600 --> 01:41:36,000
Speaker 3: the fucking internet. Drake is a goat. He lost to

2261
01:41:36,040 --> 01:41:38,200
Speaker 3: push it. Now back to the original conversation. Do you

2262
01:41:38,280 --> 01:41:41,479
Speaker 3: think somebody's biggest, biggest point in their career is when

2263
01:41:41,520 --> 01:41:43,360
Speaker 3: they have the most eyes on them or the most

2264
01:41:43,439 --> 01:41:47,360
Speaker 3: numbers one is in the same Okay, So jay Z's

2265
01:41:47,360 --> 01:41:50,720
Speaker 3: biggest moment in his entire career is his New York song.

2266
01:41:51,439 --> 01:41:52,160
Speaker 3: That's what you're saying.

2267
01:41:52,200 --> 01:41:53,080
Speaker 1: That's his first number one.

2268
01:41:53,439 --> 01:41:55,639
Speaker 3: So that's the biggest moment in jay Z's career.

2269
01:41:57,479 --> 01:41:59,200
Speaker 1: If that's his first number one, I don't I'm not

2270
01:41:59,240 --> 01:42:01,200
Speaker 1: mad If somebody says that's his biggest.

2271
01:42:00,840 --> 01:42:03,560
Speaker 3: Moment, Okay, then that's where our disconnect here is do

2272
01:42:03,640 --> 01:42:05,639
Speaker 3: I think push that the most eyes on him ever?

2273
01:42:06,160 --> 01:42:08,800
Speaker 3: With story of add On? Yes, I don't think that's

2274
01:42:08,880 --> 01:42:12,439
Speaker 3: even remotely his biggest moment of his career.

2275
01:42:12,880 --> 01:42:16,280
Speaker 6: What's comparatively just I think.

2276
01:42:16,200 --> 01:42:20,400
Speaker 3: I think Jay would say Hard Knock Life was a

2277
01:42:20,600 --> 01:42:24,680
Speaker 3: way bigger moment in his career than h the New

2278
01:42:24,760 --> 01:42:25,880
Speaker 3: York song with leash Key, what.

2279
01:42:25,920 --> 01:42:28,560
Speaker 5: About selling out the Garden in the day, that was

2280
01:42:28,600 --> 01:42:29,160
Speaker 5: a big moment.

2281
01:42:29,439 --> 01:42:31,800
Speaker 3: Sure, But if we're just going off numbers and eyes

2282
01:42:31,880 --> 01:42:34,240
Speaker 3: being on you, then I don't know what's what. What's

2283
01:42:34,360 --> 01:42:38,680
Speaker 3: Kanye's biggest song the one with Little Pump? I don't know,

2284
01:42:38,960 --> 01:42:40,559
Speaker 3: because that's it to me. I think that's his number

2285
01:42:40,560 --> 01:42:44,200
Speaker 3: one song, Like, that's not the biggest. I just don't

2286
01:42:44,240 --> 01:42:46,960
Speaker 3: think eyes and numbers dictate the biggest moment in your career.

2287
01:42:47,680 --> 01:42:49,880
Speaker 1: I mean, I guess it's it's all optics, it's how

2288
01:42:49,920 --> 01:42:53,360
Speaker 1: you look at it. I do think that that helped

2289
01:42:53,400 --> 01:42:55,519
Speaker 1: push it in a major way, having that moment with

2290
01:42:55,640 --> 01:42:58,640
Speaker 1: Drake with the biggest r I'm not disagree in a

2291
01:42:58,680 --> 01:43:00,280
Speaker 1: major way. And I think that and I ain't that

2292
01:43:00,439 --> 01:43:02,479
Speaker 1: because we spoke about it. When we spoke to push it,

2293
01:43:04,360 --> 01:43:07,640
Speaker 1: Pusher inserted himself into that beef. Yeah, he's admitted that

2294
01:43:07,840 --> 01:43:11,840
Speaker 1: that's not that's not by coincidence that has done purpose.

2295
01:43:12,360 --> 01:43:14,320
Speaker 1: Back to what I'm saying, but he's from the school

2296
01:43:14,320 --> 01:43:16,439
Speaker 1: of I'm beefing with Wayne. You next to Wayne, everyone's

2297
01:43:16,439 --> 01:43:19,280
Speaker 1: getting shot, and then you end up being the biggest artist.

2298
01:43:19,479 --> 01:43:20,320
Speaker 3: I'm gonna keep shooting.

2299
01:43:20,320 --> 01:43:22,120
Speaker 1: I'm cool with that too, But I'm also cool with

2300
01:43:23,160 --> 01:43:26,200
Speaker 1: niggas sit around in these studios, in these offices and

2301
01:43:26,439 --> 01:43:32,479
Speaker 1: definitely definitely have meaning's about how can I get the

2302
01:43:32,560 --> 01:43:35,120
Speaker 1: attention or response or how can I have a moment

2303
01:43:35,200 --> 01:43:37,880
Speaker 1: with this art, because that's to me, that's just as

2304
01:43:37,880 --> 01:43:39,479
Speaker 1: big as getting a fucking feature from Drake.

2305
01:43:40,520 --> 01:43:42,720
Speaker 3: We know what that does for niggas career is Oh,

2306
01:43:42,800 --> 01:43:45,040
Speaker 3: I think a if Drake hopped on a Pusher record,

2307
01:43:45,520 --> 01:43:48,880
Speaker 3: it would not compare to the Light Gears, compared to

2308
01:43:48,920 --> 01:43:50,040
Speaker 3: them beefing. I agree with you there.

2309
01:43:50,160 --> 01:43:52,120
Speaker 1: So this is as close as we know. He's never

2310
01:43:52,160 --> 01:43:53,920
Speaker 1: gonna get a feature from Drake, No, of course not.

2311
01:43:54,479 --> 01:43:56,960
Speaker 1: So this is as close as it's gonna get. All

2312
01:43:57,040 --> 01:44:00,680
Speaker 1: I'm saying is this is the music business. A lot

2313
01:44:00,760 --> 01:44:03,400
Speaker 1: of this shit is just business. Sometimes it gets personal,

2314
01:44:04,479 --> 01:44:08,559
Speaker 1: sometimes it gets personal. A lot of the times it's business.

2315
01:44:08,640 --> 01:44:10,680
Speaker 1: It's niggas is trying to figure out, how can I

2316
01:44:10,760 --> 01:44:14,200
Speaker 1: elevate my brand? How can I get a different audience,

2317
01:44:15,040 --> 01:44:16,680
Speaker 1: How can I get in these rooms, how can I

2318
01:44:16,720 --> 01:44:18,799
Speaker 1: get on these stages, how can I get these verses.

2319
01:44:20,200 --> 01:44:22,720
Speaker 1: It's all business like we as the consumers and the

2320
01:44:22,800 --> 01:44:25,120
Speaker 1: fans like to sit back and think, it's oh nah,

2321
01:44:25,120 --> 01:44:26,400
Speaker 1: you know what I'm fuck it, it's beef, it's lit.

2322
01:44:26,479 --> 01:44:28,800
Speaker 1: It's all these niggas don't like you. These niggas be

2323
01:44:28,880 --> 01:44:31,599
Speaker 1: behind closed doors face timing for hours after dissing each

2324
01:44:31,640 --> 01:44:34,640
Speaker 1: other on songs. That's definitely this shit is business, man,

2325
01:44:34,680 --> 01:44:36,680
Speaker 1: this sit is. This shit is wrestling. A lot of

2326
01:44:36,720 --> 01:44:39,240
Speaker 1: this shit is wrestling. Sometimes the chair you get hit

2327
01:44:39,320 --> 01:44:42,519
Speaker 1: with in the back of your head hurt. But a

2328
01:44:42,600 --> 01:44:44,160
Speaker 1: lot of the times after the nigga hits you in

2329
01:44:44,200 --> 01:44:45,280
Speaker 1: the back of the head with the chair, you know

2330
01:44:45,320 --> 01:44:47,519
Speaker 1: what you do with y'all backstage? Damn, bro, I ain't

2331
01:44:47,720 --> 01:44:49,479
Speaker 1: I ain't going out. I didn't know that was gonna

2332
01:44:49,920 --> 01:44:53,559
Speaker 1: split your head open my bag. This shit is all sport,

2333
01:44:53,640 --> 01:44:56,000
Speaker 1: a lot of it. Sometimes it's personal. I think this

2334
01:44:56,120 --> 01:44:59,960
Speaker 1: situation is very interesting, Yeah, because there are personal relationships here.

2335
01:45:00,040 --> 01:45:00,760
Speaker 3: It's a mixed bag.

2336
01:45:01,320 --> 01:45:03,280
Speaker 1: A lot of these dudes have worked together, They've been

2337
01:45:03,320 --> 01:45:05,439
Speaker 1: on the road together, they know a lot of each

2338
01:45:05,479 --> 01:45:09,479
Speaker 1: other's secrets. These is when you get the best battles

2339
01:45:09,479 --> 01:45:11,200
Speaker 1: when I know you for real on a personal left.

2340
01:45:11,200 --> 01:45:14,840
Speaker 1: That's why I think that you think Russell gonna catch

2341
01:45:14,880 --> 01:45:16,920
Speaker 1: astray or not from.

2342
01:45:16,840 --> 01:45:20,559
Speaker 3: Future no Oh, I think he's big up from Drake.

2343
01:45:20,840 --> 01:45:23,880
Speaker 3: He might be in the video with Future Son.

2344
01:45:25,320 --> 01:45:26,519
Speaker 6: I mean, you know that's sick.

2345
01:45:27,439 --> 01:45:31,200
Speaker 1: Listen, man, it gets different when you know you just

2346
01:45:31,240 --> 01:45:33,080
Speaker 1: got to know your opponent, and which is why I'm

2347
01:45:33,120 --> 01:45:35,719
Speaker 1: saying it takes It's gonna take Drake longer to respond

2348
01:45:35,760 --> 01:45:37,600
Speaker 1: because he knows his opponents.

2349
01:45:37,240 --> 01:45:38,920
Speaker 6: Right, they're gonna make a dons And not.

2350
01:45:39,000 --> 01:45:42,960
Speaker 3: Only that, Like I said, it's niggas all over acting

2351
01:45:43,040 --> 01:45:45,160
Speaker 3: funny now. People that Drake probably was like what the

2352
01:45:45,200 --> 01:45:50,200
Speaker 3: fuck I did? Yeah, he was looking like Navna follow

2353
01:45:50,280 --> 01:45:51,000
Speaker 3: me the fuck?

2354
01:45:51,360 --> 01:45:53,479
Speaker 1: You know how crazy? If I'm Drake and I wake

2355
01:45:53,600 --> 01:45:56,280
Speaker 1: up from just tearing down the stage in Florida, me

2356
01:45:56,320 --> 01:45:58,719
Speaker 1: and Wayne and I wake up and see that nav

2357
01:45:58,880 --> 01:46:02,320
Speaker 1: unfollowed me. You know how crazy that is? Crazy that

2358
01:46:02,360 --> 01:46:04,080
Speaker 1: people let me see if Drake is still because Drake

2359
01:46:04,160 --> 01:46:05,560
Speaker 1: is a sick niggas he's still following that.

2360
01:46:06,400 --> 01:46:08,559
Speaker 6: Nah, I don't know. I was gonna say.

2361
01:46:08,560 --> 01:46:10,920
Speaker 5: I think Drake is so evil he'll make a Donnas

2362
01:46:10,960 --> 01:46:13,920
Speaker 5: and future son become best friends and put him into

2363
01:46:13,920 --> 01:46:15,000
Speaker 5: Donnas's next music video.

2364
01:46:15,040 --> 01:46:18,600
Speaker 3: I could see that too. I'm so conflicted because I

2365
01:46:18,680 --> 01:46:22,240
Speaker 3: think it's sick that fans like look at artists following

2366
01:46:22,640 --> 01:46:24,840
Speaker 3: pages and ship yeah and know when they don't follow,

2367
01:46:24,960 --> 01:46:27,200
Speaker 3: like how do y'all know that? But also it does

2368
01:46:27,280 --> 01:46:27,719
Speaker 3: me he's.

2369
01:46:27,600 --> 01:46:32,040
Speaker 1: Still following that. This thigga is sick man. You know

2370
01:46:32,120 --> 01:46:33,840
Speaker 1: how crazy I gotta be. I'm the biggest artist in

2371
01:46:33,880 --> 01:46:35,800
Speaker 1: the world and we know each other personally, and you

2372
01:46:35,840 --> 01:46:40,559
Speaker 1: will follow me and I'm still following you. Ross, I'm

2373
01:46:40,600 --> 01:46:43,519
Speaker 1: still following Rose okay, because I'm not well, He's kind

2374
01:46:43,560 --> 01:46:45,559
Speaker 1: of like Rory right on following because.

2375
01:46:45,360 --> 01:46:47,080
Speaker 3: To me, it's like when where that happens? Like that

2376
01:46:47,240 --> 01:46:51,000
Speaker 3: looks I'm an unfollowed you because now you unfollowed like

2377
01:46:51,040 --> 01:46:53,960
Speaker 3: I'm not. I'm not going through to find your names unfollowed.

2378
01:46:55,000 --> 01:46:57,000
Speaker 1: But if a nigga disc me and you and your car,

2379
01:46:57,360 --> 01:46:59,360
Speaker 1: you get pretty call bumping that ship now in your

2380
01:46:59,360 --> 01:47:01,519
Speaker 1: head and you are follow me. Oh yeah, you're getting

2381
01:47:01,560 --> 01:47:02,120
Speaker 1: a follow bro.

2382
01:47:03,240 --> 01:47:08,120
Speaker 3: Nah, that's just might comment under the the fucking video shit.

2383
01:47:08,360 --> 01:47:11,080
Speaker 3: He and like all your photos. Yeah, that's see, that's

2384
01:47:11,080 --> 01:47:12,840
Speaker 3: the whole that's a serial killer way of doing things.

2385
01:47:12,880 --> 01:47:14,800
Speaker 7: So who do y'all think is gonna have the better

2386
01:47:15,320 --> 01:47:19,280
Speaker 7: disc verse, the better response versus Cole? Or you think

2387
01:47:19,360 --> 01:47:21,040
Speaker 7: col gonna come on his because I'm a cold thing,

2388
01:47:21,120 --> 01:47:23,639
Speaker 7: y'all know I'm team Cole regardless y'all think Cold gonna

2389
01:47:23,640 --> 01:47:26,040
Speaker 7: come on his kumbay shit, And y'all have a place

2390
01:47:26,080 --> 01:47:28,559
Speaker 7: in hip hop and where the fucking mid.

2391
01:47:28,920 --> 01:47:30,439
Speaker 1: I mean, I think it'll get to that, but the

2392
01:47:30,600 --> 01:47:34,439
Speaker 1: first the first rounds is gonna be oh no, this

2393
01:47:34,600 --> 01:47:37,280
Speaker 1: is war like nigga. I'm at your neck like nigga.

2394
01:47:37,280 --> 01:47:39,200
Speaker 2: You could have came out tour if you asked nicely.

2395
01:47:40,800 --> 01:47:43,040
Speaker 3: Because I think that's what it ultimately comes down to.

2396
01:47:43,520 --> 01:47:46,080
Speaker 1: Yeah, I think that dud just got tired of looking

2397
01:47:46,080 --> 01:47:47,800
Speaker 1: at these niggas hug on stage every night.

2398
01:47:48,200 --> 01:47:50,040
Speaker 6: Kendrick and you Ganda kicking a soccer ball in the

2399
01:47:50,040 --> 01:47:51,920
Speaker 6: dirt yeah, Like I.

2400
01:47:51,960 --> 01:47:53,800
Speaker 1: Think Kendrick was just like, man, fuck that, I'm breaking

2401
01:47:53,840 --> 01:47:56,080
Speaker 1: up this little happy moment. Fuck that we lick, Nigga.

2402
01:47:56,160 --> 01:47:57,680
Speaker 3: I'm with you there. I don't think he wanted to

2403
01:47:57,680 --> 01:47:59,000
Speaker 3: be on that tour, but I know he was looking

2404
01:47:59,040 --> 01:48:00,640
Speaker 3: at his phone every night. I'm not saying that he

2405
01:48:00,720 --> 01:48:03,479
Speaker 3: wanted to be another speech in Tampa, but like it's

2406
01:48:03,560 --> 01:48:06,559
Speaker 3: like it's like, like Tampa really need to hear again.

2407
01:48:06,840 --> 01:48:09,320
Speaker 1: All this hugging ship y'all niggas is the Big three

2408
01:48:09,360 --> 01:48:11,439
Speaker 1: and all. It's just like, nah, fuck all that. Man,

2409
01:48:11,840 --> 01:48:13,720
Speaker 1: it's just me. I'm better Kendrick.

2410
01:48:13,800 --> 01:48:15,840
Speaker 3: For doing that. Like, as much as I listened, I

2411
01:48:16,040 --> 01:48:19,880
Speaker 3: everyone come together while together. Sometimes let's break Let's break

2412
01:48:19,960 --> 01:48:21,360
Speaker 3: up this love fest for a second.

2413
01:48:21,439 --> 01:48:23,800
Speaker 1: Let's keep it, let's keep it spoil like, let's let

2414
01:48:23,840 --> 01:48:25,479
Speaker 1: me see where your blade is at. Let me see

2415
01:48:25,560 --> 01:48:27,720
Speaker 1: how you let me see, nigga, because you've been on

2416
01:48:27,800 --> 01:48:29,479
Speaker 1: top for a while. But I don't think you really

2417
01:48:29,800 --> 01:48:31,160
Speaker 1: lit like I don't think you got it like that.

2418
01:48:31,640 --> 01:48:34,320
Speaker 1: I'm not mad at nobody doing that, but only if

2419
01:48:34,400 --> 01:48:37,840
Speaker 1: you're formidable. Kendrick is one of those. He has the

2420
01:48:37,960 --> 01:48:39,360
Speaker 1: right to feel that way. A lot of these other

2421
01:48:39,439 --> 01:48:41,360
Speaker 1: niggas that just got a couple of projects that nobody

2422
01:48:41,600 --> 01:48:43,240
Speaker 1: you can't say my name. I think I'm gonna respond

2423
01:48:43,280 --> 01:48:44,160
Speaker 1: to you, though, like cut it out.

2424
01:48:44,280 --> 01:48:45,880
Speaker 3: I think Cole is just gonna be the worst because

2425
01:48:45,920 --> 01:48:49,040
Speaker 3: he doesn't have the free range to cross the line.

2426
01:48:49,800 --> 01:48:51,840
Speaker 3: So I think he's in a box. That's just weird

2427
01:48:51,880 --> 01:48:53,719
Speaker 3: because I don't think he has any issue with Kendrick

2428
01:48:53,920 --> 01:48:56,479
Speaker 3: obviously doesn't have an issue with Drake, so he's just

2429
01:48:56,560 --> 01:49:00,760
Speaker 3: gonna have to rap really well show why he's really good. Kid.

2430
01:49:00,840 --> 01:49:02,040
Speaker 1: You gotta say these nigga's names.

2431
01:49:02,120 --> 01:49:04,439
Speaker 2: Why does that matter so much? What it is corny

2432
01:49:04,520 --> 01:49:06,000
Speaker 2: in this record when you say they name?

2433
01:49:06,080 --> 01:49:09,040
Speaker 1: What if you shoot? If you make this shot? Y'all

2434
01:49:09,120 --> 01:49:11,200
Speaker 1: too young man. Y'all niggas don't understand what it was

2435
01:49:11,200 --> 01:49:13,760
Speaker 1: when Hit him Up came on. To hear rapper going

2436
01:49:13,800 --> 01:49:17,240
Speaker 1: at a nigga like that was like to hear beans

2437
01:49:17,320 --> 01:49:19,760
Speaker 1: and kiss the way they went. You have to say

2438
01:49:19,800 --> 01:49:20,479
Speaker 1: your nigga's name.

2439
01:49:20,560 --> 01:49:21,000
Speaker 5: You have to.

2440
01:49:21,200 --> 01:49:23,320
Speaker 3: I actually thought it was even better when Jay mispronounced

2441
01:49:23,360 --> 01:49:27,320
Speaker 3: NAS's name knowing NAS's name, called him Naz. You have to,

2442
01:49:27,720 --> 01:49:28,600
Speaker 3: Like now I gotta fight you.

2443
01:49:29,080 --> 01:49:31,920
Speaker 1: You have to say his name. You have to like

2444
01:49:32,040 --> 01:49:34,080
Speaker 1: it's like, I get it. We know who he's talking to.

2445
01:49:34,280 --> 01:49:37,400
Speaker 1: All the dog references and you know we we know,

2446
01:49:37,720 --> 01:49:43,320
Speaker 1: we get it. Say that man's name Doog, but nigga

2447
01:49:43,400 --> 01:49:48,160
Speaker 1: Jamine like that, call him Jamaine, called Drake Aubrey, go

2448
01:49:48,360 --> 01:49:51,719
Speaker 1: there with it. I think Drake's reply is gonna surprise

2449
01:49:51,880 --> 01:49:54,360
Speaker 1: a lot of people. No, I think Drake is a

2450
01:49:54,479 --> 01:49:57,200
Speaker 1: very underrated rat on his own fucking but I think

2451
01:49:57,280 --> 01:49:59,599
Speaker 1: that kendrick second reply is going.

2452
01:49:59,600 --> 01:50:01,240
Speaker 3: To be It's true though a little crazy.

2453
01:50:01,360 --> 01:50:03,559
Speaker 1: Niggas know Drake is gonna put out a dope response

2454
01:50:03,600 --> 01:50:04,720
Speaker 1: and a dope song like have.

2455
01:50:04,800 --> 01:50:07,679
Speaker 3: You been on the Internet. No, it's very much split

2456
01:50:08,000 --> 01:50:13,200
Speaker 3: where there's the ovo and then everyone else that thinks

2457
01:50:13,280 --> 01:50:15,200
Speaker 3: Drake is overrated, not a rapper. I'm not one of

2458
01:50:15,200 --> 01:50:17,519
Speaker 3: those people. I think Drake is a very talented lyricist

2459
01:50:18,080 --> 01:50:19,880
Speaker 3: and I think he's going to surprise a lot of people.

2460
01:50:20,000 --> 01:50:24,840
Speaker 3: I just think that second Kendrick reply might be a

2461
01:50:24,960 --> 01:50:28,360
Speaker 3: little fucking crazy. It's just it's like, very crazy.

2462
01:50:28,400 --> 01:50:29,840
Speaker 1: That's just what happens when you just think he does

2463
01:50:29,880 --> 01:50:32,400
Speaker 1: like the second, people people not gonna never people hate

2464
01:50:32,439 --> 01:50:34,479
Speaker 1: you and people hate you publicly, but in private they

2465
01:50:34,520 --> 01:50:35,800
Speaker 1: love you because, like I said, at the end of

2466
01:50:35,840 --> 01:50:37,840
Speaker 1: the year, we look at anybody's top ten wrap up.

2467
01:50:38,640 --> 01:50:41,479
Speaker 1: None of you niggas had Kendrick in yet I have.

2468
01:50:41,880 --> 01:50:42,920
Speaker 1: But I always a top ten.

2469
01:50:43,080 --> 01:50:44,920
Speaker 3: No you didn't, I had, mister Morale, I think it's

2470
01:50:44,960 --> 01:50:46,600
Speaker 3: the number one album that I've listening to.

2471
01:50:46,960 --> 01:50:49,120
Speaker 6: No, Drake was all our number one, the number two.

2472
01:50:49,240 --> 01:50:50,599
Speaker 1: He's talking about the year, mister Morra.

2473
01:50:51,200 --> 01:50:53,599
Speaker 3: I'm not a Drake. Did you listen to our spaces?

2474
01:50:53,640 --> 01:50:55,120
Speaker 1: I didn't say you was a Drake hater. I'm not

2475
01:50:55,160 --> 01:50:55,720
Speaker 1: saying I was.

2476
01:50:55,720 --> 01:50:57,960
Speaker 3: The Drake at the always in my number one.

2477
01:50:58,120 --> 01:51:00,360
Speaker 1: A lot of these people just want to see people

2478
01:51:00,400 --> 01:51:02,040
Speaker 1: want to see Drake fall from the top spot.

2479
01:51:02,200 --> 01:51:03,920
Speaker 6: I get it, but you're not gonna let them all.

2480
01:51:04,320 --> 01:51:05,639
Speaker 1: It's not I ain't got nothing to do with this shit.

2481
01:51:05,680 --> 01:51:08,800
Speaker 1: I don't think I'm just listening to this show. Listen.

2482
01:51:09,240 --> 01:51:11,439
Speaker 1: I want to see this. I want front road tickets

2483
01:51:11,479 --> 01:51:14,040
Speaker 1: for this motherfucker. I want to see it. I just don't.

2484
01:51:14,120 --> 01:51:17,680
Speaker 1: I'm not saying that it has to happen tomorrow. Just

2485
01:51:17,760 --> 01:51:19,479
Speaker 1: let me know when it's on, when it's lit, nigga,

2486
01:51:19,520 --> 01:51:21,599
Speaker 1: and I'll beat there. I'm pulling up to see what's

2487
01:51:21,600 --> 01:51:24,640
Speaker 1: gonna happen. But fancy he got seventy two hours. You

2488
01:51:24,640 --> 01:51:26,680
Speaker 1: gotta do this. It's like, what why are we.

2489
01:51:26,720 --> 01:51:29,120
Speaker 3: Not putting this pressure on Rick Ross and nev You

2490
01:51:29,200 --> 01:51:32,120
Speaker 3: can't just unfollow him during this whole spat because you

2491
01:51:32,200 --> 01:51:35,599
Speaker 3: look cloud chasing. Now, now say something, I think, sit

2492
01:51:35,680 --> 01:51:38,240
Speaker 3: in your fucking mayback and listen to the song and

2493
01:51:38,360 --> 01:51:40,920
Speaker 3: unfollow Drake Ross say something.

2494
01:51:41,320 --> 01:51:42,840
Speaker 1: And that's one that I don't want to see, man,

2495
01:51:42,880 --> 01:51:45,519
Speaker 1: because them niggas make such great music together. I don't

2496
01:51:45,520 --> 01:51:47,160
Speaker 1: think they're gonna make I don't want to see that.

2497
01:51:47,400 --> 01:51:49,920
Speaker 7: All the memes with the fucking so hard to say

2498
01:51:49,960 --> 01:51:54,120
Speaker 7: goodbye to Yesterday, with like Future and Drake like, oh yeah,

2499
01:51:54,760 --> 01:51:57,640
Speaker 7: that is like a bad All the toxic niggas were

2500
01:51:57,960 --> 01:51:58,840
Speaker 7: fucking depressed.

2501
01:51:59,000 --> 01:52:01,000
Speaker 3: Everyone was really upset about the future and Drake one.

2502
01:52:01,080 --> 01:52:03,760
Speaker 3: I was very upset about Drake and Ross. That show

2503
01:52:03,840 --> 01:52:04,719
Speaker 3: me that Colass.

2504
01:52:04,760 --> 01:52:08,040
Speaker 1: I still want that album. I still want that Outum.

2505
01:52:07,800 --> 01:52:09,960
Speaker 3: What do you'll think of Ross? Like a proper Ross

2506
01:52:10,439 --> 01:52:13,200
Speaker 3: dis record looks like I know he dabbled with the

2507
01:52:13,240 --> 01:52:17,200
Speaker 3: fifty Ship. I'm aware it ain't gonna's this era Ross.

2508
01:52:17,439 --> 01:52:19,559
Speaker 3: What do y'all think of you can't out Luxury Drake,

2509
01:52:19,680 --> 01:52:21,200
Speaker 3: so it's not gonna be good. How can you talk

2510
01:52:21,200 --> 01:52:23,800
Speaker 3: about That's a really good point too. He could do

2511
01:52:23,880 --> 01:52:24,800
Speaker 3: that with other rappers, like.

2512
01:52:24,960 --> 01:52:26,360
Speaker 2: Yeah, you can't out Luxury Drake.

2513
01:52:26,960 --> 01:52:29,160
Speaker 3: He's had all the scallop dishes you've had.

2514
01:52:29,360 --> 01:52:32,720
Speaker 5: Yeah, Ross Drake battle is just an eat as much

2515
01:52:33,600 --> 01:52:35,160
Speaker 5: a Ross Drake stomach ishit.

2516
01:52:39,600 --> 01:52:41,240
Speaker 3: I do want to hear Ross get involved in this though.

2517
01:52:41,880 --> 01:52:44,160
Speaker 3: All right, what's Future gonna do? When does reply? Because

2518
01:52:44,160 --> 01:52:46,360
Speaker 3: a future? When is Dreamville first?

2519
01:52:46,800 --> 01:52:47,160
Speaker 5: This week?

2520
01:52:49,040 --> 01:52:49,479
Speaker 3: Next weekend?

2521
01:52:49,479 --> 01:52:50,760
Speaker 2: I don't worry about mine?

2522
01:52:50,800 --> 01:52:51,400
Speaker 1: Where about your?

2523
01:52:51,560 --> 01:52:51,840
Speaker 2: Can't?

2524
01:52:52,080 --> 01:52:52,280
Speaker 5: Yeah?

2525
01:52:52,360 --> 01:52:54,800
Speaker 3: My bad, I didn't even know you had motherfucking the

2526
01:52:54,880 --> 01:52:56,080
Speaker 3: Dreamville what's theate logo?

2527
01:52:56,920 --> 01:52:58,840
Speaker 1: D I ain't know you had the detail it on

2528
01:52:58,880 --> 01:53:01,240
Speaker 1: your lower back? My bad? Did big deed?

2529
01:53:01,400 --> 01:53:01,439
Speaker 3: No?

2530
01:53:01,600 --> 01:53:04,840
Speaker 1: I'm because I could definitely. I could definitely see Cold

2531
01:53:04,880 --> 01:53:06,599
Speaker 1: debuting it at at that show.

2532
01:53:06,640 --> 01:53:07,280
Speaker 3: I think so too.

2533
01:53:08,200 --> 01:53:08,760
Speaker 1: I could see that.

2534
01:53:09,760 --> 01:53:11,639
Speaker 6: I think Cole's got something already.

2535
01:53:12,240 --> 01:53:14,160
Speaker 1: I could see him. I could see him giving us

2536
01:53:14,240 --> 01:53:16,160
Speaker 1: the response on stage.

2537
01:53:16,280 --> 01:53:18,000
Speaker 3: I thought Drake might do that with one of these shows,

2538
01:53:18,040 --> 01:53:19,120
Speaker 3: but I could really see Cold do that.

2539
01:53:19,320 --> 01:53:21,599
Speaker 7: We had this com We've been having this conversation about

2540
01:53:21,680 --> 01:53:23,920
Speaker 7: Cole's next coming album, and how is his chance to

2541
01:53:24,000 --> 01:53:26,320
Speaker 7: solidify himself within the Big three and all of this, Like,

2542
01:53:26,680 --> 01:53:29,040
Speaker 7: I feel like this moment is also his moment to

2543
01:53:29,280 --> 01:53:31,960
Speaker 7: let motherfuckers know that, like, you're not the three of

2544
01:53:32,120 --> 01:53:34,640
Speaker 7: the Big three, you don't have to be with.

2545
01:53:35,000 --> 01:53:40,519
Speaker 3: Cole replies correctly and then drops the fall Off, which

2546
01:53:40,560 --> 01:53:42,720
Speaker 3: we've heard snippets that sound incredible. We know he's in

2547
01:53:43,080 --> 01:53:45,559
Speaker 3: the best shape he's ever been in. I think that's

2548
01:53:45,680 --> 01:53:49,400
Speaker 3: an even better way for Cold to solidify being number one.

2549
01:53:49,439 --> 01:53:52,760
Speaker 3: Listen that you replied and then put out an incredible

2550
01:53:53,120 --> 01:53:57,559
Speaker 3: rap album. Oh yeah, that's It's hard to debate anything

2551
01:53:57,600 --> 01:53:58,120
Speaker 3: at that point.

2552
01:53:58,320 --> 01:54:00,320
Speaker 7: Yeah, that's why it's like fun out this Kombay ship.

2553
01:54:00,320 --> 01:54:02,200
Speaker 7: You cool with Kendrick, You're cool with Drake? Nah, knock

2554
01:54:02,240 --> 01:54:03,360
Speaker 7: them niggas heads off?

2555
01:54:04,280 --> 01:54:04,519
Speaker 5: Do it?

2556
01:54:04,760 --> 01:54:06,439
Speaker 1: You want Cold to go? Ahead? Drake to both the

2557
01:54:06,800 --> 01:54:07,920
Speaker 1: fuck it? I'm number one.

2558
01:54:10,200 --> 01:54:11,840
Speaker 3: When was the last time we got a real dis

2559
01:54:11,960 --> 01:54:15,120
Speaker 3: record on an album. I'm not saying the way Future

2560
01:54:15,200 --> 01:54:19,840
Speaker 3: did that cryptic intro. I'm talking ether on a still Matt,

2561
01:54:19,960 --> 01:54:22,360
Speaker 3: don't say names no more, man, I could see Cole

2562
01:54:22,439 --> 01:54:25,080
Speaker 3: throwing in his response in the fall Off album, because

2563
01:54:25,080 --> 01:54:27,479
Speaker 3: I have not seen a reply to a rapper in

2564
01:54:27,560 --> 01:54:30,920
Speaker 3: quite some time, the way Ether was on Stillmatic. When

2565
01:54:31,000 --> 01:54:33,800
Speaker 3: was the last time we got that from from a

2566
01:54:35,200 --> 01:54:36,040
Speaker 3: a list rapper.

2567
01:54:36,120 --> 01:54:38,360
Speaker 1: Yeah, not the these drill niggas say each other's name. Yeah,

2568
01:54:38,720 --> 01:54:43,720
Speaker 1: that genre is that? The genre is name kill album.

2569
01:54:45,280 --> 01:54:50,840
Speaker 3: It's just dis record attendant. Just back it so it's

2570
01:54:51,120 --> 01:54:55,480
Speaker 3: just a cannabis album. Well yeah, well what were you?

2571
01:54:55,560 --> 01:54:55,800
Speaker 5: I think?

2572
01:54:56,120 --> 01:54:58,400
Speaker 3: I think Cole is still on the chopping block for

2573
01:54:58,560 --> 01:54:59,040
Speaker 3: time as well.

2574
01:54:59,160 --> 01:55:01,880
Speaker 7: What were your favorite Joe on the internet over this

2575
01:55:02,040 --> 01:55:04,560
Speaker 7: time frame? Because the jokes that Big Sean can't have

2576
01:55:04,640 --> 01:55:08,080
Speaker 7: a data himself have been like, I've been in tears.

2577
01:55:08,080 --> 01:55:08,800
Speaker 6: I feel so bad.

2578
01:55:08,960 --> 01:55:10,640
Speaker 1: We ain't even got Shawn's name on the docket.

2579
01:55:12,720 --> 01:55:15,520
Speaker 3: Put out a great single, a great freestyle.

2580
01:55:15,280 --> 01:55:17,480
Speaker 1: A great freestyle. Got his tiny desk lit right now?

2581
01:55:20,920 --> 01:55:23,520
Speaker 1: The use You don't even got big. You don't even

2582
01:55:23,560 --> 01:55:27,680
Speaker 1: got big. You don't even have Big Shawn's name. Fucking

2583
01:55:27,800 --> 01:55:30,640
Speaker 1: drake for the last three You don't have Shawn's name

2584
01:55:30,720 --> 01:55:32,720
Speaker 1: on the docket. Say something about the record.

2585
01:55:32,720 --> 01:55:33,160
Speaker 6: What's it called?

2586
01:55:33,200 --> 01:55:33,320
Speaker 1: Mall?

2587
01:55:33,360 --> 01:55:34,840
Speaker 5: What's the song calls? Did you listen to so much

2588
01:55:34,840 --> 01:55:36,160
Speaker 5: over the week. I don't listen to it so much.

2589
01:55:36,440 --> 01:55:38,840
Speaker 5: What's what's it called? I know because I've been listening

2590
01:55:38,920 --> 01:55:41,920
Speaker 5: to it. Something precise, cap impeccable.

2591
01:55:42,720 --> 01:55:42,840
Speaker 9: Right.

2592
01:55:43,480 --> 01:55:44,000
Speaker 3: I think.

2593
01:55:45,440 --> 01:55:46,600
Speaker 1: Y'all not doing Sean like that.

2594
01:55:46,920 --> 01:55:49,440
Speaker 7: They said, all the Diddy documents because Shawn's birthday is

2595
01:55:49,480 --> 01:55:51,040
Speaker 7: the precision.

2596
01:55:51,160 --> 01:55:53,080
Speaker 1: Here you go. All the Diddy ship.

2597
01:55:52,920 --> 01:55:55,200
Speaker 7: Came out on Big Sean birthday, and they said, damn,

2598
01:55:55,320 --> 01:55:57,040
Speaker 7: man can't have one day to himself.

2599
01:55:57,720 --> 01:55:58,640
Speaker 1: Y'all fucked up man.

2600
01:55:58,720 --> 01:56:02,000
Speaker 3: And Sean rapping draft right on his his freestyle rollout

2601
01:56:02,120 --> 01:56:02,840
Speaker 3: next day, did he?

2602
01:56:03,400 --> 01:56:07,080
Speaker 1: I mean, Sean got the tiny desk right now. He

2603
01:56:07,160 --> 01:56:08,800
Speaker 1: was about to have a week Yo. He thought he

2604
01:56:08,960 --> 01:56:11,800
Speaker 1: was going to have it. They said, they sent in

2605
01:56:11,880 --> 01:56:15,920
Speaker 1: the motherfucking Homeland Security to puff. It's like, God, damn,

2606
01:56:16,160 --> 01:56:18,080
Speaker 1: I just I just dropped in tiny.

2607
01:56:18,320 --> 01:56:20,280
Speaker 5: He need to get new crystals whatever crystals and ship

2608
01:56:20,320 --> 01:56:20,920
Speaker 5: he got in his crib.

2609
01:56:21,360 --> 01:56:21,960
Speaker 6: Swap him out.

2610
01:56:22,000 --> 01:56:23,640
Speaker 3: You know what? What's so fucked up is I love

2611
01:56:23,720 --> 01:56:25,600
Speaker 3: that Seawan has been talking about positive thinking for the

2612
01:56:25,720 --> 01:56:28,160
Speaker 3: last three years, but we may need to rework some

2613
01:56:28,240 --> 01:56:30,720
Speaker 3: of his thinking because it's not manifesting the way.

2614
01:56:30,560 --> 01:56:33,800
Speaker 1: He's exciting it. And he's putting out good music, he's.

2615
01:56:33,640 --> 01:56:37,160
Speaker 3: Putting out great music and Sean deserves his flowers. Even

2616
01:56:37,200 --> 01:56:39,480
Speaker 3: through the midst of this, I actually do think, like

2617
01:56:39,640 --> 01:56:43,840
Speaker 3: jokes aside, it may have helped him a bit because

2618
01:56:44,040 --> 01:56:47,600
Speaker 3: a lot of people now are saying his rollouts being

2619
01:56:47,600 --> 01:56:50,240
Speaker 3: stepped on. Let's talk about how great Big Sean is.

2620
01:56:51,080 --> 01:56:54,160
Speaker 3: So I think it's helped a bit. It's it's a yin.

2621
01:56:54,200 --> 01:56:57,320
Speaker 3: And yet when this dropped the Tiny Desk I was excited.

2622
01:56:57,320 --> 01:56:58,600
Speaker 3: I was like, Oh, great, that means we're going to

2623
01:56:58,600 --> 01:57:00,600
Speaker 3: get a Drake reply today. There's no way they're going

2624
01:57:00,640 --> 01:57:03,320
Speaker 3: to let Big Sean have a tiny desk day. We're

2625
01:57:03,360 --> 01:57:04,840
Speaker 3: gonna get a nine minute Drake song.

2626
01:57:04,880 --> 01:57:06,720
Speaker 1: Oh my god, man, that's so funny.

2627
01:57:06,880 --> 01:57:09,040
Speaker 2: I think Kendrick knew that Big Sean ship was coming

2628
01:57:09,120 --> 01:57:10,360
Speaker 2: and that's why, Yeah, he.

2629
01:57:10,440 --> 01:57:11,320
Speaker 6: Did a crazy method.

2630
01:57:11,320 --> 01:57:11,800
Speaker 1: I don't think it.

2631
01:57:11,920 --> 01:57:14,680
Speaker 3: I don't think Kendrick is that strategic, like as far

2632
01:57:14,760 --> 01:57:17,280
Speaker 3: as I want to make sure my big three disc

2633
01:57:17,320 --> 01:57:20,560
Speaker 3: goes out on the day Sean starts his rollout. But

2634
01:57:20,680 --> 01:57:24,640
Speaker 3: I think he saw the timing and was like, Metro,

2635
01:57:24,760 --> 01:57:27,120
Speaker 3: can you drop your album on this Friday as well

2636
01:57:28,160 --> 01:57:30,720
Speaker 3: the one before or after. I could see it. I

2637
01:57:30,800 --> 01:57:32,600
Speaker 3: think he waited to turn that verse in.

2638
01:57:32,840 --> 01:57:34,920
Speaker 7: So it landed on this Friday, and it just is

2639
01:57:35,000 --> 01:57:38,480
Speaker 7: so crazy because Sean had just mentioned a big three,

2640
01:57:38,640 --> 01:57:39,480
Speaker 7: like he had just.

2641
01:57:40,440 --> 01:57:43,200
Speaker 3: Six hours before. You know, he said, you're you're so

2642
01:57:43,400 --> 01:57:46,400
Speaker 3: cold big three. He said, I don't know. He said,

2643
01:57:46,440 --> 01:57:49,840
Speaker 3: I don't want to compete with your so cold big thing.

2644
01:57:49,880 --> 01:57:57,000
Speaker 3: I don't have the conversation that person. Absolutely do worry

2645
01:57:57,040 --> 01:57:59,880
Speaker 3: you won't compete with the big three. Go go humming

2646
01:57:59,920 --> 01:58:02,680
Speaker 3: your desk. Maybe I'm viewing his manifesting a little differently,

2647
01:58:03,440 --> 01:58:06,920
Speaker 3: poor Sean. Maybe he is the greatest manifesto of all

2648
01:58:07,040 --> 01:58:09,480
Speaker 3: time in his positive thinking, Well, no, you gotta have,

2649
01:58:09,600 --> 01:58:11,320
Speaker 3: you gotta have. I don't have the so I don't

2650
01:58:11,360 --> 01:58:13,960
Speaker 3: have the energy to compete with your so called big three.

2651
01:58:14,080 --> 01:58:16,600
Speaker 3: And then six hours later, Kendrick Lamar says, fuck the

2652
01:58:16,640 --> 01:58:21,440
Speaker 3: Big three, It's just me. Yeah, this, this theory might

2653
01:58:21,480 --> 01:58:23,800
Speaker 3: be worse than the jay Z stepping on all the

2654
01:58:23,880 --> 01:58:24,560
Speaker 3: knas releases.

2655
01:58:24,960 --> 01:58:26,480
Speaker 1: This is like when you're trying to break up a

2656
01:58:26,560 --> 01:58:28,480
Speaker 1: fight and a nigga punch you in your face.

2657
01:58:28,640 --> 01:58:32,520
Speaker 3: Yeah, like nah, it's just.

2658
01:58:32,520 --> 01:58:34,640
Speaker 1: Like yo, I'm trying this now. I'm trying to I'm

2659
01:58:34,680 --> 01:58:37,520
Speaker 1: trying to call for peace and I also get arrested. Yeah,

2660
01:58:37,800 --> 01:58:40,240
Speaker 1: and you get Pepper straight. It's like I was trying

2661
01:58:40,280 --> 01:58:41,560
Speaker 1: to trying to break it up. I was trying to

2662
01:58:41,600 --> 01:58:42,240
Speaker 1: break this ship up.

2663
01:58:42,320 --> 01:58:42,440
Speaker 5: Yo.

2664
01:58:42,600 --> 01:58:44,760
Speaker 2: That ship is so fucking funny.

2665
01:58:49,320 --> 01:58:52,960
Speaker 1: Shot the Big album come out, bro, Whenever Drake responds,

2666
01:58:53,120 --> 01:58:57,160
Speaker 1: I'll get this, like we're gonna get the Shawn album. Yeah,

2667
01:58:57,360 --> 01:59:02,240
Speaker 1: that day is when Shawn's album is dropping. That freestyle

2668
01:59:02,400 --> 01:59:06,040
Speaker 1: is really good. No, that's it's dope. It's dope. I

2669
01:59:06,120 --> 01:59:08,000
Speaker 1: don't know why people just have Big I think people

2670
01:59:08,080 --> 01:59:09,720
Speaker 1: trying to make it cool to not like Big Sean

2671
01:59:09,800 --> 01:59:11,280
Speaker 1: and just make jokes and memes out of him.

2672
01:59:11,280 --> 01:59:12,840
Speaker 7: But a lot of times because they tried to make

2673
01:59:12,880 --> 01:59:14,880
Speaker 7: it cool not to like Cole for fucking ten years.

2674
01:59:14,960 --> 01:59:16,520
Speaker 7: So like I'm happy is Shawn's turn.

2675
01:59:17,360 --> 01:59:21,280
Speaker 1: Turn, It's been his turn. I'm telling him to turn

2676
01:59:21,320 --> 01:59:25,680
Speaker 1: it off like this. Nigga's a nice guy. He's pretty

2677
01:59:25,720 --> 01:59:27,760
Speaker 1: cool and he can rap really well. Like he's a

2678
01:59:27,760 --> 01:59:30,120
Speaker 1: great turn off. The fucking hate's great.

2679
01:59:30,480 --> 01:59:33,720
Speaker 7: Music's great singles, like there's Big Shawn's stand Well. First

2680
01:59:33,720 --> 01:59:35,720
Speaker 7: of all, I got attack, like me and Rory both

2681
01:59:35,720 --> 01:59:37,160
Speaker 7: got attacked by Kendrick Stands.

2682
01:59:37,800 --> 01:59:38,560
Speaker 2: Fucking weekend.

2683
01:59:38,640 --> 01:59:39,000
Speaker 1: I didn't.

2684
01:59:39,160 --> 01:59:41,360
Speaker 7: I knew that Kendrick has stands, but you know, because

2685
01:59:41,440 --> 01:59:43,920
Speaker 7: Kendrick been like, you know, Hibernate, And I didn't know

2686
01:59:43,960 --> 01:59:46,120
Speaker 7: that these niggas were still active in the streets because

2687
01:59:46,160 --> 01:59:48,520
Speaker 7: they turned my fucking Twitter the fuck up. When all

2688
01:59:48,560 --> 01:59:51,360
Speaker 7: I tweeted was attacking Cole and album Mode. It was

2689
01:59:51,400 --> 01:59:52,880
Speaker 7: a bold move, that's all I tweeted. They've been on

2690
01:59:52,920 --> 01:59:54,800
Speaker 7: my ass ever since. But I went on TikTok and

2691
01:59:54,840 --> 01:59:57,200
Speaker 7: I made a TikTok talking about trying to help women

2692
01:59:58,080 --> 01:59:59,640
Speaker 7: get through this beef so they know what's going on

2693
01:59:59,720 --> 02:00:00,760
Speaker 7: so they can press their man.

2694
02:00:01,200 --> 02:00:04,040
Speaker 3: So you did what, so young Miami, Wait, what did

2695
02:00:04,080 --> 02:00:04,200
Speaker 3: you do?

2696
02:00:04,440 --> 02:00:06,560
Speaker 2: I made a TikTok for women who don't know hip hop.

2697
02:00:06,640 --> 02:00:08,520
Speaker 6: You're trying to give a step by step and I was.

2698
02:00:08,560 --> 02:00:10,200
Speaker 7: Like, Hey, if you don't know hip hop, but your

2699
02:00:10,240 --> 02:00:12,240
Speaker 7: man's in love with hip hop, he's probably jumping up

2700
02:00:12,240 --> 02:00:13,640
Speaker 7: and down right now. You want to know what's going on.

2701
02:00:14,000 --> 02:00:15,760
Speaker 7: This is what's going on. So I explained the Big

2702
02:00:15,840 --> 02:00:18,280
Speaker 7: Three beef in Layman's terms, right, real simple.

2703
02:00:18,960 --> 02:00:21,240
Speaker 1: I also mentioned I'm sure all that shit was wrong.

2704
02:00:21,440 --> 02:00:23,960
Speaker 1: I'm sure the Americas order saying they was like that

2705
02:00:24,080 --> 02:00:25,080
Speaker 1: ain't how that went, but.

2706
02:00:25,160 --> 02:00:28,000
Speaker 5: Okay, and here's how to throw a lob in two

2707
02:00:28,080 --> 02:00:31,640
Speaker 5: k anyway, one square anyway.

2708
02:00:32,120 --> 02:00:33,760
Speaker 7: I said that, but one of the things I mentioned,

2709
02:00:33,800 --> 02:00:35,240
Speaker 7: I said, so your man is either on one of

2710
02:00:35,280 --> 02:00:39,240
Speaker 7: their sides, or if he's one of those like odd

2711
02:00:39,360 --> 02:00:41,960
Speaker 7: hip hop fans, he's like, honestly, fuck the Big three.

2712
02:00:42,040 --> 02:00:44,800
Speaker 7: Big Sean belongs in the Big three. What I said

2713
02:00:44,840 --> 02:00:47,160
Speaker 7: that there were so many men in the comments, like

2714
02:00:47,240 --> 02:00:49,000
Speaker 7: Big Sean does belong in the Big three?

2715
02:00:49,320 --> 02:00:51,760
Speaker 1: Fuck Cole. It should be Kendrick, Drake and Sean.

2716
02:00:51,880 --> 02:00:53,520
Speaker 6: And I was like, that's comment.

2717
02:00:54,000 --> 02:00:54,760
Speaker 3: That's a lot, bro.

2718
02:00:55,320 --> 02:00:58,520
Speaker 1: They were Wilent. I'm like, y'all really believe this is.

2719
02:00:58,760 --> 02:01:01,480
Speaker 3: Sean wouldn't even say that his flowers. He's incredible.

2720
02:01:01,720 --> 02:01:04,200
Speaker 2: People love an underdog. Cole isn't an underdog anymore.

2721
02:01:04,280 --> 02:01:06,160
Speaker 3: So now he paid off his student loans. So it's like,

2722
02:01:06,200 --> 02:01:08,240
Speaker 3: what do we relate to? Yeah, yeah, I get it

2723
02:01:09,560 --> 02:01:11,240
Speaker 3: all right. So I did write that moment in DC,

2724
02:01:11,320 --> 02:01:12,640
Speaker 3: which I was explaining to them all on Meet and

2725
02:01:12,680 --> 02:01:16,080
Speaker 3: Greet of like Kia being the first girl that I've

2726
02:01:16,120 --> 02:01:18,600
Speaker 3: ever dated that like wasn't super into rap like that.

2727
02:01:19,120 --> 02:01:23,120
Speaker 3: So trying to explain what like was happening. Was one

2728
02:01:23,160 --> 02:01:25,400
Speaker 3: of the toughest things I've ever done, because she just

2729
02:01:25,480 --> 02:01:28,640
Speaker 3: kept asking, like, but why you're just in every video

2730
02:01:30,520 --> 02:01:34,360
Speaker 3: so like they they're attacking each other? Did someone say

2731
02:01:34,400 --> 02:01:35,880
Speaker 3: something wrong about the other one? I was like, well,

2732
02:01:35,920 --> 02:01:39,280
Speaker 3: not really. It was like subliminal sort of like She's like,

2733
02:01:39,400 --> 02:01:42,120
Speaker 3: so did someone say something about someone's family or like

2734
02:01:42,200 --> 02:01:44,560
Speaker 3: why would they want to attack? They all seem pretty

2735
02:01:44,560 --> 02:01:46,240
Speaker 3: successful and they have a lot of fans. Why would

2736
02:01:46,240 --> 02:01:49,560
Speaker 3: someone do that? I was like, Okay, you're making a

2737
02:01:49,640 --> 02:01:51,440
Speaker 3: valid point, but that's not how the shit goes.

2738
02:01:54,240 --> 02:01:54,520
Speaker 1: Logic.

2739
02:01:55,360 --> 02:01:57,240
Speaker 3: She was trying to She was like, wait, so Drake

2740
02:01:57,280 --> 02:01:59,560
Speaker 3: and Cole ar on tour, but then Kendrick just didn't

2741
02:01:59,560 --> 02:02:01,520
Speaker 3: he do Like didn't he break a record or something

2742
02:02:01,680 --> 02:02:03,640
Speaker 3: for his tour? I was like, yeah, yeah he did,

2743
02:02:04,600 --> 02:02:07,840
Speaker 3: So why would why would he be mad? I was like,

2744
02:02:08,000 --> 02:02:09,520
Speaker 3: I can't explain why he's mad.

2745
02:02:10,160 --> 02:02:12,640
Speaker 1: There's no explain have nothing. Yeah, no, there's no explain

2746
02:02:12,800 --> 02:02:15,200
Speaker 1: not to somebody that doesn't really follow the music and

2747
02:02:15,280 --> 02:02:18,040
Speaker 1: the artist, like because even if you do, it's still

2748
02:02:18,040 --> 02:02:19,720
Speaker 1: a lot of questions that you have. I don't know

2749
02:02:19,800 --> 02:02:22,320
Speaker 1: why these niggas isn't following Drake, I couldn't tell you, like, like,

2750
02:02:22,480 --> 02:02:24,920
Speaker 1: what the fuck happened? What bar was it?

2751
02:02:25,040 --> 02:02:25,080
Speaker 9: What?

2752
02:02:25,480 --> 02:02:26,240
Speaker 6: What bar was it?

2753
02:02:26,720 --> 02:02:27,440
Speaker 1: What bitch was it?

2754
02:02:27,640 --> 02:02:27,680
Speaker 9: Like?

2755
02:02:27,840 --> 02:02:28,400
Speaker 1: What the fuck?

2756
02:02:28,520 --> 02:02:28,560
Speaker 3: Like?

2757
02:02:28,680 --> 02:02:30,640
Speaker 1: And I'm following a nigga because he fucked the chick

2758
02:02:30,720 --> 02:02:32,360
Speaker 1: that you is beyond.

2759
02:02:32,520 --> 02:02:35,920
Speaker 3: I think that's just a laundry list of things that

2760
02:02:36,120 --> 02:02:38,680
Speaker 3: just being one of it. I don't know. I would

2761
02:02:38,760 --> 02:02:41,960
Speaker 3: like to know the messy part of my lie why they.

2762
02:02:41,960 --> 02:02:43,640
Speaker 1: Can get off of it. Where do y'all have? Who

2763
02:02:43,680 --> 02:02:46,400
Speaker 1: do you have being victorious coming out of all of this?

2764
02:02:46,520 --> 02:02:50,880
Speaker 1: Whenever it happens. Cole, I'm up.

2765
02:02:51,600 --> 02:02:54,600
Speaker 5: You know, I'm she waves her flag much harder than

2766
02:02:54,640 --> 02:02:55,880
Speaker 5: I do. But I'm I'm dream Bill.

2767
02:02:59,080 --> 02:03:01,640
Speaker 1: That's not true. That's not your Julian came out here.

2768
02:03:01,800 --> 02:03:03,480
Speaker 1: Julian came out here with Boss. Was just at your

2769
02:03:03,520 --> 02:03:04,880
Speaker 1: house thirty in the morning.

2770
02:03:05,400 --> 02:03:07,040
Speaker 7: Boss was in my house at five thirty in the morning.

2771
02:03:07,160 --> 02:03:09,560
Speaker 7: This is wrestling. But damn, I can't really talk about I.

2772
02:03:09,600 --> 02:03:12,480
Speaker 1: Can't trust me.

2773
02:03:14,120 --> 02:03:15,760
Speaker 3: We all know things too that we're not saying.

2774
02:03:15,960 --> 02:03:18,200
Speaker 1: I know you don't have to say I can't talk

2775
02:03:18,240 --> 02:03:18,560
Speaker 1: about it.

2776
02:03:18,960 --> 02:03:20,800
Speaker 6: Well, it's a podcast. I have to say something.

2777
02:03:20,880 --> 02:03:22,200
Speaker 1: Oh, I know a lot of shit that I can't

2778
02:03:22,200 --> 02:03:22,560
Speaker 1: talk about.

2779
02:03:22,840 --> 02:03:24,800
Speaker 5: Will Yeah, if I heard about a phone call you

2780
02:03:24,880 --> 02:03:27,040
Speaker 5: had that you can't talk with, didn't have any phone anyway?

2781
02:03:27,120 --> 02:03:28,440
Speaker 1: Else about it anyway?

2782
02:03:29,920 --> 02:03:33,240
Speaker 5: Break So you got Dreville, you're obviously taking Drake got cold.

2783
02:03:34,760 --> 02:03:37,480
Speaker 3: You're gonna be mad at me to find the winner.

2784
02:03:37,720 --> 02:03:38,240
Speaker 3: What does that mean?

2785
02:03:38,640 --> 02:03:40,360
Speaker 1: Out of all the records that we get, bars that

2786
02:03:40,440 --> 02:03:42,320
Speaker 1: we get, who you think the same way? You feel

2787
02:03:42,360 --> 02:03:44,720
Speaker 1: like pushing one the Drake shit, who you feel will

2788
02:03:44,760 --> 02:03:46,879
Speaker 1: come out of this being the victorious?

2789
02:03:46,920 --> 02:03:49,960
Speaker 3: If the three of them all participate in this battle

2790
02:03:50,720 --> 02:03:53,520
Speaker 3: not easy? Does he changes it all three of them?

2791
02:03:53,840 --> 02:03:54,280
Speaker 1: Three of them?

2792
02:03:56,280 --> 02:03:57,880
Speaker 3: It is not a fair question to ask. When he

2793
02:03:58,000 --> 02:04:00,640
Speaker 3: was just saying from engaged one to push battle because

2794
02:04:00,640 --> 02:04:03,400
Speaker 3: he sold more records, I have to ask the stipulations.

2795
02:04:04,000 --> 02:04:06,440
Speaker 1: I never said that he thinks that song was better.

2796
02:04:06,720 --> 02:04:08,240
Speaker 1: That's all I said. That's not what he said.

2797
02:04:08,280 --> 02:04:09,720
Speaker 2: He thinks Duffie's freestyle is better.

2798
02:04:10,400 --> 02:04:16,640
Speaker 3: Sorry, three of them participate in a rap battle. I'm

2799
02:04:16,680 --> 02:04:17,680
Speaker 3: taking Kendrick in the end.

2800
02:04:19,040 --> 02:04:20,840
Speaker 6: Okay, you're only saying that so they get out of

2801
02:04:20,840 --> 02:04:21,120
Speaker 6: your mention.

2802
02:04:21,320 --> 02:04:24,200
Speaker 3: No, I think Drake is gonna be a way bigger

2803
02:04:24,280 --> 02:04:27,960
Speaker 3: competitor and shock people much more than they think. That's

2804
02:04:28,040 --> 02:04:30,080
Speaker 3: all I'm saying. I think Kendrick is too prepared. I

2805
02:04:30,120 --> 02:04:32,080
Speaker 3: think he's been waiting on this. I think he's been

2806
02:04:32,280 --> 02:04:37,120
Speaker 3: clipped up wanting to say everything about Drake. He just

2807
02:04:37,160 --> 02:04:38,680
Speaker 3: needed a real excuse to do it. And I think

2808
02:04:38,760 --> 02:04:41,120
Speaker 3: Drake is going to reply, and then Kendrick is going

2809
02:04:41,200 --> 02:04:45,080
Speaker 3: to let out ten years of his thoughts, and I

2810
02:04:45,200 --> 02:04:46,640
Speaker 3: think he'll be the victory.

2811
02:04:46,640 --> 02:04:48,280
Speaker 1: Hey, y'all want Drake to respond to forty eight. I

2812
02:04:48,400 --> 02:04:49,960
Speaker 1: was knowing that a nigga got ten years of thoughts

2813
02:04:50,000 --> 02:04:50,560
Speaker 1: he about.

2814
02:04:50,360 --> 02:04:52,800
Speaker 2: The release, But Drake also has ten years of thoughts.

2815
02:04:53,040 --> 02:04:55,800
Speaker 1: He don't be thinking about that. But anyway, I got so.

2816
02:04:55,920 --> 02:04:59,320
Speaker 7: Now I'm not gonna let him get that shit off

2817
02:04:59,520 --> 02:05:04,080
Speaker 7: because everybody, especially real Drake fans, know how part of

2818
02:05:04,120 --> 02:05:06,400
Speaker 7: the reason that he even has the pushing, the push

2819
02:05:06,440 --> 02:05:09,200
Speaker 7: a fucking diss and the push of issues. Drake is

2820
02:05:09,200 --> 02:05:11,360
Speaker 7: a fan of hip hop. He's been a student of

2821
02:05:11,480 --> 02:05:13,800
Speaker 7: hip hop. He has looked up to all of these niggas,

2822
02:05:13,840 --> 02:05:15,840
Speaker 7: He admires all of these niggas, he listens to all

2823
02:05:15,840 --> 02:05:16,440
Speaker 7: of these niggas.

2824
02:05:16,560 --> 02:05:17,440
Speaker 1: He's very much involved.

2825
02:05:17,480 --> 02:05:19,120
Speaker 7: So we're not gonna sit around acting like Drake is

2826
02:05:19,160 --> 02:05:21,440
Speaker 7: just walking around on Aaron Drake like, I don't see

2827
02:05:21,480 --> 02:05:22,160
Speaker 7: none of these niggas.

2828
02:05:22,240 --> 02:05:23,360
Speaker 1: I don't see none of these niggas.

2829
02:05:23,440 --> 02:05:25,120
Speaker 7: No, he cares about what the fuck Kendrick has to

2830
02:05:25,120 --> 02:05:26,839
Speaker 7: say because he respect Kendricks.

2831
02:05:27,160 --> 02:05:29,960
Speaker 1: He respects Kendrick's fucking pen. So don't do that that

2832
02:05:30,080 --> 02:05:31,720
Speaker 1: he don't see. He don't care. He does see it.

2833
02:05:31,800 --> 02:05:33,400
Speaker 1: He does farm saying. I'm saying, I don't think that

2834
02:05:33,480 --> 02:05:36,200
Speaker 1: he has ten years worth of emotions directed towards.

2835
02:05:36,040 --> 02:05:38,560
Speaker 3: Him, not emotions, but he has some bards unlock them

2836
02:05:38,600 --> 02:05:40,240
Speaker 3: after hearing that.

2837
02:05:41,480 --> 02:05:44,560
Speaker 1: My early favorite is obviously Drake, only because he's battle tested.

2838
02:05:44,840 --> 02:05:47,760
Speaker 1: He's been favor favorite. The only only reason why I

2839
02:05:47,760 --> 02:05:51,480
Speaker 1: say early favorite is because that might delete later. Two

2840
02:05:51,520 --> 02:05:54,240
Speaker 1: shit that cold drop, I think that's the best I've

2841
02:05:54,240 --> 02:05:55,120
Speaker 1: ever heard. J cole Rap.

2842
02:05:55,720 --> 02:05:57,360
Speaker 5: I heard some more of those records that are on

2843
02:05:57,480 --> 02:05:59,959
Speaker 5: that shit that full bos in him record.

2844
02:06:00,360 --> 02:06:04,080
Speaker 1: Shit like I Wave that might delete later too. Shit is.

2845
02:06:05,760 --> 02:06:09,040
Speaker 3: They'll snippets sound insane likes.

2846
02:06:09,280 --> 02:06:11,640
Speaker 1: So that's what I'm saying. Like Drake is battle tested.

2847
02:06:11,680 --> 02:06:13,520
Speaker 1: We've seen him in this arena. We've seen him get

2848
02:06:13,560 --> 02:06:15,680
Speaker 1: into it with our rappers and go back and forth.

2849
02:06:15,680 --> 02:06:20,320
Speaker 1: We've seen that, so I'm taking him. But if Cole

2850
02:06:20,440 --> 02:06:23,320
Speaker 1: is rapping anything like he's rapping on, that might delete

2851
02:06:23,400 --> 02:06:26,400
Speaker 1: later two ship, and that's just tailored with names and ship,

2852
02:06:27,920 --> 02:06:28,920
Speaker 1: it could be a different outcome.

2853
02:06:29,040 --> 02:06:34,040
Speaker 3: I think if Cole was given the same grace of

2854
02:06:34,120 --> 02:06:37,240
Speaker 3: crossing the line that Drake and Kendrick will get, yes,

2855
02:06:37,320 --> 02:06:40,240
Speaker 3: I would. I would put Cole maybe at number one

2856
02:06:40,280 --> 02:06:42,760
Speaker 3: at this point in their careers. Like even how we

2857
02:06:42,800 --> 02:06:45,880
Speaker 3: were talking in Patreon hours before that, Kendrick should drop.

2858
02:06:46,240 --> 02:06:47,760
Speaker 3: Cole is in the best shape out of the three

2859
02:06:47,800 --> 02:06:50,880
Speaker 3: of them in my opinion right now. I just don't

2860
02:06:50,920 --> 02:06:53,000
Speaker 3: think he's going to cross the line because he has

2861
02:06:53,080 --> 02:06:55,200
Speaker 3: no reason to. So that's why I know. That's why

2862
02:06:55,240 --> 02:06:58,680
Speaker 3: I think he'll be number three and ole as far

2863
02:06:58,720 --> 02:06:59,440
Speaker 3: as this battle goes.

2864
02:06:59,520 --> 02:07:01,080
Speaker 1: He can't like I think he crossing the lines when

2865
02:07:01,120 --> 02:07:02,000
Speaker 1: they come to Kendrick.

2866
02:07:01,920 --> 02:07:04,240
Speaker 3: I think I think they're friends and I think no,

2867
02:07:04,320 --> 02:07:07,240
Speaker 3: they definitely, but that's something I'm crossing lines.

2868
02:07:07,560 --> 02:07:09,000
Speaker 2: He's all disrespectful ship.

2869
02:07:09,160 --> 02:07:11,240
Speaker 3: Yes, yeah, but you can cross. Was going to put

2870
02:07:11,280 --> 02:07:13,360
Speaker 3: out an amazing reply that just proves how good of

2871
02:07:13,400 --> 02:07:13,960
Speaker 3: a rapper is.

2872
02:07:14,240 --> 02:07:17,879
Speaker 5: What he's to you, what's crossing the line dirt revealing

2873
02:07:17,960 --> 02:07:18,720
Speaker 5: dirt or something that.

2874
02:07:18,960 --> 02:07:20,560
Speaker 1: I think if these niggas start doing ship that might

2875
02:07:20,600 --> 02:07:22,640
Speaker 1: suck up a niggas marriage and like that. Then it's like,

2876
02:07:22,680 --> 02:07:23,600
Speaker 1: all right, Well.

2877
02:07:23,560 --> 02:07:27,440
Speaker 7: If he calls Kendrick overrated or like said somebody exactly.

2878
02:07:27,320 --> 02:07:29,919
Speaker 1: He's definitely that might be the opening ball. Nigga, you overrated.

2879
02:07:30,760 --> 02:07:31,600
Speaker 1: Nobody want to hit.

2880
02:07:31,560 --> 02:07:32,640
Speaker 2: Him do that.

2881
02:07:32,960 --> 02:07:34,560
Speaker 3: If you think Cole will even go that far, then

2882
02:07:34,720 --> 02:07:36,200
Speaker 3: I think Cole is a contender for sure.

2883
02:07:36,320 --> 02:07:38,000
Speaker 1: I don't think he is.

2884
02:07:38,000 --> 02:07:39,560
Speaker 3: I think he's gonna tell us his story of how

2885
02:07:39,600 --> 02:07:41,160
Speaker 3: he did all that ships better than us.

2886
02:07:41,400 --> 02:07:41,600
Speaker 6: That's it.

2887
02:07:41,880 --> 02:07:43,200
Speaker 1: Got Jamaine fucked up.

2888
02:07:45,120 --> 02:07:47,960
Speaker 3: I have his like moral high ground fucked up.

2889
02:07:48,000 --> 02:07:48,040
Speaker 9: Like.

2890
02:07:48,120 --> 02:07:50,080
Speaker 3: I just think he's going to prove that he raps

2891
02:07:50,120 --> 02:07:52,240
Speaker 3: really well. We're going to this and he's not going

2892
02:07:52,320 --> 02:07:53,000
Speaker 3: to cross the line.

2893
02:07:53,040 --> 02:07:55,640
Speaker 1: We watched wrap, we watched battle rap all the time.

2894
02:07:55,760 --> 02:07:57,520
Speaker 1: Them niggas cross all lines.

2895
02:07:57,720 --> 02:07:58,280
Speaker 6: That's different.

2896
02:07:58,680 --> 02:08:01,400
Speaker 1: No, it's not. This is a battle. It's a battle.

2897
02:08:01,840 --> 02:08:02,960
Speaker 6: It's a commercial battle.

2898
02:08:03,160 --> 02:08:05,920
Speaker 1: Yeah, I don't know what commercial're talking about. These niggas

2899
02:08:05,960 --> 02:08:07,960
Speaker 1: is about to start talking very distrect. Drake is going

2900
02:08:08,000 --> 02:08:09,920
Speaker 1: to cross the line on Kendrick. Kendrick's gonna cross the

2901
02:08:09,920 --> 02:08:12,000
Speaker 1: line on Drake, and I think Cole is gonna be

2902
02:08:12,040 --> 02:08:14,760
Speaker 1: over there just wrapping really really well. You think like, hey, hey, hey,

2903
02:08:14,840 --> 02:08:16,840
Speaker 1: don't say that. You think that's gonna be cold stands

2904
02:08:16,840 --> 02:08:18,360
Speaker 1: in this whole thing. No, I just think he's gonna

2905
02:08:18,560 --> 02:08:21,520
Speaker 1: conna be right talking about Kendrick, Like, nigga, you dressed

2906
02:08:21,560 --> 02:08:23,400
Speaker 1: like a Haitian cab driver, Get out of here. He's

2907
02:08:23,400 --> 02:08:24,640
Speaker 1: gonna be all on that nigga's neck.

2908
02:08:24,720 --> 02:08:25,640
Speaker 3: That would be great.

2909
02:08:27,680 --> 02:08:28,600
Speaker 6: Kendrick so bad.

2910
02:08:29,000 --> 02:08:31,120
Speaker 1: Not me. I'm just did you see the picture he

2911
02:08:31,200 --> 02:08:32,040
Speaker 1: posted in the studio?

2912
02:08:32,280 --> 02:08:35,000
Speaker 3: Wait, when he was doing the Mexican burbies. No, when

2913
02:08:35,040 --> 02:08:38,040
Speaker 3: he had on y'all didn't see the picture outside in

2914
02:08:38,080 --> 02:08:39,840
Speaker 3: the studio? Fuck that he was in the studio.

2915
02:08:39,880 --> 02:08:43,200
Speaker 1: This nigga had on a butt like a college tucked

2916
02:08:43,240 --> 02:08:45,600
Speaker 1: in his jeans with some wild shoes on.

2917
02:08:45,720 --> 02:08:48,640
Speaker 3: Y'all didn't see that picture of Kendrick, Well, I thought

2918
02:08:48,680 --> 02:08:50,320
Speaker 3: that was photoshop. Well, who am I to talk because

2919
02:08:50,320 --> 02:08:54,120
Speaker 3: I'm definitely not the fashion guy. But three you have

2920
02:08:54,320 --> 02:08:56,760
Speaker 3: when you have pictures like that currently circulated, and none

2921
02:08:56,760 --> 02:08:58,040
Speaker 3: of them can really talk fashion.

2922
02:08:58,200 --> 02:09:00,800
Speaker 1: When you have pictures like that circulating, oh best believe

2923
02:09:00,800 --> 02:09:02,600
Speaker 1: I'm using one of those as like as a.

2924
02:09:02,600 --> 02:09:07,320
Speaker 5: Ball dissing his clothing. You think that's the Kendrick's cold respectfully,

2925
02:09:09,000 --> 02:09:11,640
Speaker 5: yes you can. Uh did you guys see while we

2926
02:09:11,720 --> 02:09:13,760
Speaker 5: were recording, Yeah, just threw his hat into the ring.

2927
02:09:14,440 --> 02:09:18,160
Speaker 5: He posted this, This is just just happened. I was

2928
02:09:18,240 --> 02:09:19,960
Speaker 5: going to read it off my phone, but he wants

2929
02:09:19,960 --> 02:09:20,240
Speaker 5: to read it.

2930
02:09:20,320 --> 02:09:22,680
Speaker 1: He says. Everyone knows I watched Kendrick on No More

2931
02:09:22,720 --> 02:09:24,920
Speaker 1: Parties in La everyone. I watched Drake at the Free

2932
02:09:24,960 --> 02:09:28,440
Speaker 1: Hoover concert. Everyone knows. I brought Adidas into this culture

2933
02:09:28,680 --> 02:09:31,960
Speaker 1: and I took them out everybody. Everyone knows a lot

2934
02:09:32,040 --> 02:09:35,280
Speaker 1: of Demna Virgil Jerry kim All worked for me. I

2935
02:09:35,400 --> 02:09:38,320
Speaker 1: may ease his dark fantasy Poblo graduation throwing eight o waights.

2936
02:09:38,600 --> 02:09:40,640
Speaker 1: I may run away devil in a new dress, Father

2937
02:09:40,680 --> 02:09:43,840
Speaker 1: stretch Well. Actually didn't Drake write there? But okay, I

2938
02:09:43,920 --> 02:09:46,320
Speaker 1: am the only person to come back. Ironically, I am

2939
02:09:46,360 --> 02:09:49,480
Speaker 1: the only person to come back to number one after cancellation.

2940
02:09:49,600 --> 02:09:51,800
Speaker 1: There was only one goat. I stand by me. My

2941
02:09:51,880 --> 02:09:55,480
Speaker 1: friends called me ya. He got a little tiny bit

2942
02:09:55,520 --> 02:09:55,960
Speaker 1: of a point.

2943
02:09:57,240 --> 02:09:59,360
Speaker 3: He has a point for why, because all of this

2944
02:09:59,560 --> 02:10:00,520
Speaker 3: is for the the most part, he.

2945
02:10:00,520 --> 02:10:02,240
Speaker 1: Has a point, but he don't. He don't wrap none

2946
02:10:02,360 --> 02:10:03,920
Speaker 1: better than none of the niggas we just talked about.

2947
02:10:03,920 --> 02:10:05,760
Speaker 3: That's the fact. He also was on drink Shams saying,

2948
02:10:05,760 --> 02:10:07,800
Speaker 3: could you imagine if I could have Drake?

2949
02:10:07,920 --> 02:10:08,040
Speaker 6: Right?

2950
02:10:08,160 --> 02:10:10,440
Speaker 1: All my rapplers? So what are we talking about?

2951
02:10:10,440 --> 02:10:12,680
Speaker 3: Like your, Cole and Drake are far better rappers than

2952
02:10:12,760 --> 02:10:13,200
Speaker 3: Kanye West.

2953
02:10:13,280 --> 02:10:16,240
Speaker 1: Kanye is one of the greatest. Kanye isould be the

2954
02:10:16,360 --> 02:10:20,280
Speaker 1: greatest producer not just music producer, close fashion.

2955
02:10:20,040 --> 02:10:22,680
Speaker 3: And probably has the best catalog in rap history.

2956
02:10:23,760 --> 02:10:26,640
Speaker 1: In that argument, yeah, we're not talking about that. I'm

2957
02:10:26,720 --> 02:10:31,200
Speaker 1: just when it comes to the pen, nah, yeah, is

2958
02:10:31,280 --> 02:10:35,000
Speaker 1: not those three? Sorry, No, he said it's big. He

2959
02:10:35,000 --> 02:10:36,760
Speaker 1: said it's big. Yay fuck y'all talking about it.

2960
02:10:37,040 --> 02:10:40,640
Speaker 3: I mean, yeah, it's Kanye fucking West. He's a cannot

2961
02:10:41,440 --> 02:10:43,280
Speaker 3: we don't even get Kendrick, Drake and Cole if we

2962
02:10:43,320 --> 02:10:45,600
Speaker 3: don't have Kanye West. He is the goat of this

2963
02:10:45,640 --> 02:10:46,080
Speaker 3: whole ship.

2964
02:10:46,320 --> 02:10:47,560
Speaker 1: Can't can't argue that at all.

2965
02:10:48,080 --> 02:10:50,680
Speaker 3: But it's kind of weird, like here we go with it,

2966
02:10:50,800 --> 02:10:53,320
Speaker 3: certain yourself, like yeah, we already know you a go

2967
02:10:53,480 --> 02:10:56,200
Speaker 3: yeah nigga, Like, ain't nobody saying you not but here,

2968
02:10:56,280 --> 02:10:57,880
Speaker 3: you know, I get it, man.

2969
02:10:58,240 --> 02:10:59,880
Speaker 1: You know, are those his peers?

2970
02:11:00,680 --> 02:11:00,720
Speaker 5: No?

2971
02:11:00,880 --> 02:11:03,360
Speaker 3: No, his kids, all three of them are.

2972
02:11:03,480 --> 02:11:07,120
Speaker 1: Yeah, that's what I He's on another level respectfully his kids.

2973
02:11:07,160 --> 02:11:10,880
Speaker 2: Did ye have a big three? Who was Yay's other two? Wayne?

2974
02:11:11,200 --> 02:11:11,760
Speaker 6: Wayne and.

2975
02:11:13,880 --> 02:11:19,040
Speaker 3: I don't know, definitely Wayne for sure, Payne. You're joking,

2976
02:11:19,120 --> 02:11:23,800
Speaker 3: but I mean, I mean Payne was a singer Nelly sort.

2977
02:11:23,600 --> 02:11:27,520
Speaker 5: Of even though it's kind of at the tail, but

2978
02:11:27,840 --> 02:11:30,360
Speaker 5: he not determined that that's what ended fifty. Fifty's run

2979
02:11:30,440 --> 02:11:33,320
Speaker 5: was so big, but it was it was so short, Yeah,

2980
02:11:33,400 --> 02:11:35,480
Speaker 5: because Kanye kind of that ended it.

2981
02:11:35,800 --> 02:11:37,680
Speaker 3: Kind I think this kind of speaks to Cole, Kendrick,

2982
02:11:37,720 --> 02:11:39,760
Speaker 3: and Drake as far as their run as the Big three.

2983
02:11:41,000 --> 02:11:42,760
Speaker 3: I don't know if there's been a Big three for

2984
02:11:42,880 --> 02:11:43,680
Speaker 3: that amount of time.

2985
02:11:44,600 --> 02:11:47,360
Speaker 7: Ever, we're still talking about them as the Big three,

2986
02:11:47,640 --> 02:11:50,000
Speaker 7: like years after what should have been their peaks, and

2987
02:11:50,240 --> 02:11:51,640
Speaker 7: Cole hasn't even hit his peak yet.

2988
02:11:52,080 --> 02:11:54,440
Speaker 3: Like Yay is an anomaly because he's outlet like always

2989
02:11:54,520 --> 02:11:56,480
Speaker 3: peers that he was competing with every year, whether it's

2990
02:11:57,480 --> 02:12:00,520
Speaker 3: fifty but yeah, but that's Wayne whatever, Like he's still

2991
02:12:01,320 --> 02:12:02,560
Speaker 3: that's not that's just not.

2992
02:12:02,680 --> 02:12:07,400
Speaker 1: Fair because he's you can't put fifty and Kanye next

2993
02:12:07,440 --> 02:12:12,000
Speaker 1: to each other because well they did Rolling Stone just artists,

2994
02:12:12,040 --> 02:12:15,000
Speaker 1: like it's two fifty is just rap. Kanye is so

2995
02:12:15,120 --> 02:12:15,880
Speaker 1: much bigger than.

2996
02:12:15,960 --> 02:12:18,920
Speaker 3: Well, that's why that happened. Graduation and Curtis like proved

2997
02:12:19,400 --> 02:12:20,720
Speaker 3: the shift in hip hop at that time.

2998
02:12:21,280 --> 02:12:23,640
Speaker 7: But then you could say that same thing, excuse me

2999
02:12:23,760 --> 02:12:26,600
Speaker 7: about Drake. Drake is not just raped, Drake is pop,

3000
02:12:26,800 --> 02:12:29,520
Speaker 7: Drake is sad. I said that already, Yeah.

3001
02:12:29,600 --> 02:12:32,520
Speaker 5: No, but but Kanye opened the door for that at

3002
02:12:32,600 --> 02:12:34,680
Speaker 5: least for that to go commercial and for younger guys

3003
02:12:34,720 --> 02:12:35,520
Speaker 5: to feel like they could do that.

3004
02:12:36,240 --> 02:12:40,160
Speaker 3: Yeah, of course, that's like, that's why I do we

3005
02:12:40,280 --> 02:12:43,480
Speaker 3: need that post from Kanye, Like we know that was

3006
02:12:43,520 --> 02:12:46,560
Speaker 3: just Kanye. I just do feel like Adida's into like

3007
02:12:46,640 --> 02:12:48,600
Speaker 3: drug dealers and maybe brought Adidas into the culture.

3008
02:12:48,640 --> 02:12:49,120
Speaker 7: But Kanye.

3009
02:12:49,160 --> 02:12:51,000
Speaker 1: You know how Kanye gets nervous when his name drops

3010
02:12:51,040 --> 02:12:54,280
Speaker 1: in the algorithms. He got that waited get right back

3011
02:12:54,320 --> 02:12:56,800
Speaker 1: at the top of that ship. So he just saw

3012
02:12:56,880 --> 02:12:59,000
Speaker 1: he just checked today and was like, wow, I'm training

3013
02:12:59,040 --> 02:13:02,440
Speaker 1: that number nineteen. No no, no, no, no, no, no, Bob,

3014
02:13:02,840 --> 02:13:05,400
Speaker 1: I do think he is high to me. Young Miami

3015
02:13:05,480 --> 02:13:06,160
Speaker 1: Trending high at me.

3016
02:13:06,240 --> 02:13:10,880
Speaker 3: No, no, no, no number seven feels no no no, that's.

3017
02:13:13,080 --> 02:13:14,800
Speaker 1: Let me drop my statue. She had.

3018
02:13:15,240 --> 02:13:15,520
Speaker 5: It was me.

3019
02:13:15,680 --> 02:13:18,880
Speaker 3: I snitched and it took a.

3020
02:13:18,880 --> 02:13:23,520
Speaker 1: Helicopter ride over the Star and to make sure my

3021
02:13:23,680 --> 02:13:26,240
Speaker 1: tax paying dollars are going to good use. Yeah, one

3022
02:13:26,280 --> 02:13:28,320
Speaker 1: of the odds. Rory never goes down to Miami.

3023
02:13:28,400 --> 02:13:29,680
Speaker 6: The one time you're down there.

3024
02:13:29,560 --> 02:13:31,640
Speaker 1: Home, I'm about to get raided. Now you're in the

3025
02:13:31,720 --> 02:13:33,160
Speaker 1: chop all over here.

3026
02:13:33,720 --> 02:13:35,240
Speaker 5: He got his hair all out. You look like the

3027
02:13:35,320 --> 02:13:41,680
Speaker 5: Syracuse Orange. Syracuse bangs Syracuse mule like a lego man.

3028
02:13:43,120 --> 02:13:43,720
Speaker 1: Syracuse.

3029
02:13:43,800 --> 02:13:46,000
Speaker 3: Me connected connected with some people that amaricson.

3030
02:13:46,160 --> 02:13:47,320
Speaker 1: He's the Syracuse mule.

3031
02:13:48,040 --> 02:13:49,880
Speaker 2: He bought me a Syracuse shirt the other day too.

3032
02:13:49,960 --> 02:13:51,440
Speaker 2: It ships starting to make sense.

3033
02:13:51,560 --> 02:13:53,840
Speaker 3: Yeah, he was in Syracuse the other day. No, I

3034
02:13:54,720 --> 02:13:56,680
Speaker 3: was thrifting and I found a Syracuse shirt.

3035
02:13:56,880 --> 02:13:58,920
Speaker 1: Oh, I thought you said he bought me something from

3036
02:13:58,960 --> 02:14:02,760
Speaker 1: Syracuse other day? What like were joking and we laughing, Well,

3037
02:14:02,800 --> 02:14:03,600
Speaker 1: what the fun going on?

3038
02:14:03,800 --> 02:14:04,840
Speaker 3: The Orange man?

3039
02:14:04,840 --> 02:14:09,880
Speaker 1: What that little bit man and your little fucking uh.

3040
02:14:10,640 --> 02:14:13,680
Speaker 1: I'm a i'm a i'm a what is it? Yeah,

3041
02:14:13,880 --> 02:14:16,800
Speaker 1: I'm a tope bag. Start checking out a Rory ass

3042
02:14:16,880 --> 02:14:18,680
Speaker 1: outfit that is r that's me.

3043
02:14:18,760 --> 02:14:22,360
Speaker 3: I'm just I'm an orange man, legitimately an orange man.

3044
02:14:22,920 --> 02:14:27,320
Speaker 3: The gang that this was a nasty sign.

3045
02:14:28,640 --> 02:14:29,000
Speaker 5: What is that?

3046
02:14:29,320 --> 02:14:30,760
Speaker 2: It's that genius.

3047
02:14:30,960 --> 02:14:34,280
Speaker 3: It's backwards though you can't say genius, and it was

3048
02:14:34,320 --> 02:14:36,680
Speaker 3: backwards up because you put everything upside down.

3049
02:14:38,280 --> 02:14:39,920
Speaker 1: Yeah, I'm trying to put it and you're trying to

3050
02:14:39,960 --> 02:14:41,640
Speaker 1: talk to me, my lingo.

3051
02:14:42,000 --> 02:14:43,000
Speaker 2: We got any voicemails?

3052
02:14:44,240 --> 02:14:45,800
Speaker 6: Yeah, you need voice quickly.

3053
02:14:45,840 --> 02:14:51,040
Speaker 3: Beyonce album Midnight, whoa the Saint Texas MA. I know

3054
02:14:51,120 --> 02:14:54,120
Speaker 3: you were kind of half joking, but I'm disappointed that

3055
02:14:54,640 --> 02:14:57,080
Speaker 3: jelly Roll is not on the feature list that Yeah

3056
02:14:57,120 --> 02:14:57,640
Speaker 3: put out today.

3057
02:14:57,640 --> 02:14:59,440
Speaker 1: I was I was really upset one to see jelly

3058
02:14:59,520 --> 02:15:01,760
Speaker 1: roll Man, jelly Roll and Beyonce. That would have been fire.

3059
02:15:01,880 --> 02:15:05,840
Speaker 3: I'm excited for the Miley Cyrus record. I'm hating on

3060
02:15:05,920 --> 02:15:11,640
Speaker 3: the Post Malone feature being on the just That list

3061
02:15:11,720 --> 02:15:13,640
Speaker 3: that they released today, but I'm probably gonna like it.

3062
02:15:14,480 --> 02:15:15,480
Speaker 1: Yeah, I'm not mad at Poet.

3063
02:15:15,480 --> 02:15:17,080
Speaker 6: I mean, Post doesn't make bad music.

3064
02:15:17,200 --> 02:15:17,640
Speaker 3: He doesn't.

3065
02:15:17,800 --> 02:15:20,840
Speaker 1: He doesn't make bad music. He tricked us though we

3066
02:15:20,960 --> 02:15:23,040
Speaker 1: thought we thought we thought Post was going somewhere else

3067
02:15:23,080 --> 02:15:26,440
Speaker 1: with his music when we first he was white iverson

3068
02:15:26,520 --> 02:15:28,720
Speaker 1: to this to what he is now, I kind of

3069
02:15:28,760 --> 02:15:31,400
Speaker 1: it's a whole different Oh, I agree with you. Yeah,

3070
02:15:31,440 --> 02:15:33,320
Speaker 1: he tricked us for like a day.

3071
02:15:34,800 --> 02:15:36,640
Speaker 5: After White I I was gonna say he went on

3072
02:15:36,920 --> 02:15:38,920
Speaker 5: rap record? Did he put out after that? That was it?

3073
02:15:39,480 --> 02:15:41,200
Speaker 1: I'm just saying the way we met him is not

3074
02:15:41,240 --> 02:15:42,360
Speaker 1: who the man he is today.

3075
02:15:42,920 --> 02:15:46,040
Speaker 3: Oh No, It's definitely some culture vulture points that could

3076
02:15:46,040 --> 02:15:46,800
Speaker 3: be brought up in that regard.

3077
02:15:46,920 --> 02:15:48,840
Speaker 1: I'm not gonna use that, but it's just a little funny.

3078
02:15:48,840 --> 02:15:49,320
Speaker 6: I'm not doing that.

3079
02:15:49,360 --> 02:15:51,400
Speaker 1: The post he raised that nigga, we thought he was like, Okay,

3080
02:15:51,400 --> 02:15:53,400
Speaker 1: he's gonna get into his wis Kalifa bag a little bit?

3081
02:15:54,040 --> 02:15:56,480
Speaker 3: Is that not one of the definitions of a creative

3082
02:15:56,480 --> 02:15:59,240
Speaker 3: culture vulture? You went into hip hop to then get hot,

3083
02:15:59,360 --> 02:16:01,000
Speaker 3: and then immediately he left to go do the music

3084
02:16:01,080 --> 02:16:02,840
Speaker 3: he wanted to do, and then he and then ship

3085
02:16:03,040 --> 02:16:05,000
Speaker 3: then shooting on hip hop in multiple interviews?

3086
02:16:05,400 --> 02:16:07,400
Speaker 1: Has he done a feature and with a hip hop Audisi?

3087
02:16:07,680 --> 02:16:12,400
Speaker 5: I was gonna say, with gratulations, that's a pop record,

3088
02:16:12,440 --> 02:16:16,680
Speaker 5: but sway let hip hop and that's who you brought up.

3089
02:16:17,360 --> 02:16:18,680
Speaker 1: He's hip Hop's not hip hop.

3090
02:16:19,040 --> 02:16:20,560
Speaker 3: He was that puff crib I'm.

3091
02:16:22,280 --> 02:16:24,240
Speaker 1: So were you You're out here throwing hooks?

3092
02:16:24,280 --> 02:16:25,080
Speaker 3: Yeah, because I'm hip hop?

3093
02:16:25,200 --> 02:16:27,440
Speaker 1: Yeah, but you gotta stop. But what you was doing it? Listen,

3094
02:16:27,840 --> 02:16:31,480
Speaker 1: we don't ask the right question. What the fun was

3095
02:16:31,520 --> 02:16:31,760
Speaker 1: you doing?

3096
02:16:31,960 --> 02:16:33,240
Speaker 5: Didn't you say you had a glass of wine and

3097
02:16:33,280 --> 02:16:33,879
Speaker 5: don't member ship?

3098
02:16:33,920 --> 02:16:35,160
Speaker 6: What didn't that happen at Puff's house?

3099
02:16:35,280 --> 02:16:37,560
Speaker 3: No? I was very coher in hipuffs house and he

3100
02:16:37,600 --> 02:16:38,000
Speaker 3: snuck in.

3101
02:16:38,560 --> 02:16:40,760
Speaker 6: You didn't break from the good bottles.

3102
02:16:40,959 --> 02:16:41,680
Speaker 1: He snuck in.

3103
02:16:41,920 --> 02:16:44,240
Speaker 3: How do you cannot sneak into Puff's house on New.

3104
02:16:44,240 --> 02:16:45,760
Speaker 6: Year's You can just bring some drugs.

3105
02:16:47,480 --> 02:16:48,600
Speaker 1: I can't know what it was.

3106
02:16:49,720 --> 02:16:50,800
Speaker 3: I came with no drugs.

3107
02:16:51,879 --> 02:16:56,920
Speaker 5: Name was on the list Beyonce album Tonight, Kavos and congratulations,

3108
02:16:57,000 --> 02:16:57,960
Speaker 5: Sorry that's a rapper.

3109
02:17:00,120 --> 02:17:02,360
Speaker 3: Post Malone is not hip hop, thank you.

3110
02:17:02,440 --> 02:17:12,720
Speaker 1: Julian Fonce record Tonight country record. Excited. I'm excited to

3111
02:17:12,720 --> 02:17:14,280
Speaker 1: hear it. I want to see what people do. I

3112
02:17:14,360 --> 02:17:15,960
Speaker 1: want to see what she did with this country album.

3113
02:17:16,080 --> 02:17:19,400
Speaker 7: All y'all going to listen with like an open ear? Yeah,

3114
02:17:19,800 --> 02:17:21,720
Speaker 7: not listening like, Oh, I don't like country music, but

3115
02:17:21,760 --> 02:17:22,600
Speaker 7: I gotta talk about.

3116
02:17:22,400 --> 02:17:23,880
Speaker 1: I like country, just like the country.

3117
02:17:25,280 --> 02:17:27,600
Speaker 3: Someone that listens to country all the time.

3118
02:17:27,520 --> 02:17:29,440
Speaker 1: Yeah, I'm not not banging it every day, but like,

3119
02:17:29,520 --> 02:17:31,640
Speaker 1: it's some country records that come on sometimes on the

3120
02:17:31,720 --> 02:17:33,320
Speaker 1: radio that I like, and I'm like, okay.

3121
02:17:33,440 --> 02:17:35,360
Speaker 3: I was kind of hoping for, you know, the country.

3122
02:17:35,400 --> 02:17:37,280
Speaker 1: We're in the store shopping somewhere and it comes on

3123
02:17:37,800 --> 02:17:39,880
Speaker 1: either got to know that record. It's a country record.

3124
02:17:40,120 --> 02:17:40,440
Speaker 1: I need.

3125
02:17:40,600 --> 02:17:43,640
Speaker 2: I need from her. I took my key into the

3126
02:17:43,840 --> 02:17:45,800
Speaker 2: side of his pretty little soup up.

3127
02:17:49,520 --> 02:17:51,000
Speaker 3: I think that's the vibe most of it's going to be.

3128
02:17:51,040 --> 02:17:53,280
Speaker 2: To be honest, I need that.

3129
02:17:53,920 --> 02:17:55,680
Speaker 1: Well, we'll see it's night at midnight.

3130
02:17:55,800 --> 02:17:57,640
Speaker 2: The sixteen carriages grow on you guys.

3131
02:17:58,520 --> 02:17:59,240
Speaker 3: Growing not.

3132
02:18:01,080 --> 02:18:02,920
Speaker 1: And Ma I liked it from New Gay. I didn't

3133
02:18:02,920 --> 02:18:04,240
Speaker 1: like what was the other record that she put out

3134
02:18:04,240 --> 02:18:06,600
Speaker 1: that the Texas Holder. I didn't. I didn't really that

3135
02:18:06,720 --> 02:18:08,280
Speaker 1: really wasn't. I ain't really you know, I mean get

3136
02:18:08,320 --> 02:18:10,040
Speaker 1: into that like that. But I like the uh so,

3137
02:18:10,120 --> 02:18:10,600
Speaker 1: what's your name? Was?

3138
02:18:10,680 --> 02:18:12,720
Speaker 3: I like, marriage is crazy? Yeah. The other one text

3139
02:18:12,800 --> 02:18:15,360
Speaker 3: hold him that was a little cheesy country to me.

3140
02:18:15,560 --> 02:18:18,400
Speaker 1: Oh, we gotta we gotta mention that fucking R and

3141
02:18:18,480 --> 02:18:20,199
Speaker 1: B tour of R and B toys. It's great to happen.

3142
02:18:20,720 --> 02:18:24,879
Speaker 1: Maxwell with Jazz Jazzmine Sullivan in October London and.

3143
02:18:25,160 --> 02:18:27,560
Speaker 3: Natas on that too, Right, she's on told with Chris

3144
02:18:27,600 --> 02:18:30,240
Speaker 3: I think, oh Chris, Okay, there's someone else that was

3145
02:18:30,240 --> 02:18:30,400
Speaker 3: on it.

3146
02:18:30,520 --> 02:18:32,879
Speaker 1: Either way, that's old bass. Yeah. So if you bring

3147
02:18:32,920 --> 02:18:35,520
Speaker 1: a girl, is that your girlfriend? Absolutely? You can't go

3148
02:18:35,600 --> 02:18:38,680
Speaker 1: see Maxwell with just anybody. You can't go listen to

3149
02:18:38,760 --> 02:18:41,480
Speaker 1: Jazmine sing live with just anybody. Okay, but that's somebody

3150
02:18:41,520 --> 02:18:42,040
Speaker 1: you care about.

3151
02:18:42,080 --> 02:18:44,280
Speaker 3: If you don't have a prospect, you go alone. No,

3152
02:18:44,440 --> 02:18:47,080
Speaker 3: you stay home, take that friend of benefit and take

3153
02:18:47,080 --> 02:18:49,959
Speaker 3: the girl you're fucking at the time. That's okay, you can,

3154
02:18:50,200 --> 02:18:53,160
Speaker 3: you can. But now if she start acting like your girlfriend,

3155
02:18:53,200 --> 02:18:53,760
Speaker 3: don't be mad.

3156
02:18:54,320 --> 02:18:56,760
Speaker 5: Oh mal, Remember we reiterate. You got to remind her

3157
02:18:56,840 --> 02:18:58,280
Speaker 5: that she's just your friend with benefits.

3158
02:18:58,560 --> 02:19:00,879
Speaker 1: Allright, good luck, you bag a.

3159
02:19:00,879 --> 02:19:01,600
Speaker 2: Bitch at the show.

3160
02:19:01,840 --> 02:19:04,080
Speaker 3: You have to encourage her to go on stage with Maxwell's.

3161
02:19:04,120 --> 02:19:05,440
Speaker 6: You got to her during the show.

3162
02:19:07,040 --> 02:19:08,720
Speaker 1: You know your day is coming at the podium, and

3163
02:19:08,760 --> 02:19:09,920
Speaker 1: I just want to I just want to make sure

3164
02:19:09,920 --> 02:19:12,279
Speaker 1: you have because you like to eloquently post these captions

3165
02:19:12,360 --> 02:19:14,040
Speaker 1: on your invisil ins page.

3166
02:19:14,440 --> 02:19:16,800
Speaker 7: You guys are making fun of his invisile ins like

3167
02:19:16,879 --> 02:19:22,480
Speaker 7: his invisible and things that he writes in this Patreon.

3168
02:19:23,080 --> 02:19:28,400
Speaker 7: In this Patreon description, he said that Rory and low

3169
02:19:28,480 --> 02:19:32,400
Speaker 7: Key were discussing which was more impactful to Dirk's career.

3170
02:19:32,560 --> 02:19:37,840
Speaker 7: In between billowing hookah clouds, in between billowing hookah clouds,

3171
02:19:37,920 --> 02:19:39,560
Speaker 7: we catch glimpses of Demeri.

3172
02:19:40,000 --> 02:19:41,320
Speaker 2: This is what he wrote in our patreon.

3173
02:19:41,920 --> 02:19:42,640
Speaker 6: That's for Patreon.

3174
02:19:42,680 --> 02:19:44,160
Speaker 5: That's behind the paywall if you want to go check

3175
02:19:44,200 --> 02:19:44,520
Speaker 5: that out.

3176
02:19:44,720 --> 02:19:49,520
Speaker 3: I I came off my vacation, so we did appear

3177
02:19:49,560 --> 02:19:54,280
Speaker 3: to be billowing, filled with air and swelling outwards. I've

3178
02:19:54,320 --> 02:20:00,520
Speaker 3: never heard that word in my life. What of moving

3179
02:20:00,640 --> 02:20:06,240
Speaker 3: or flowing outward with an adulting? You know I can't

3180
02:20:06,280 --> 02:20:06,760
Speaker 3: read motion?

3181
02:20:07,320 --> 02:20:09,800
Speaker 6: Did you know before this you just can't read?

3182
02:20:10,200 --> 02:20:12,160
Speaker 3: Okay, sorry, what do you want from me? Teach me

3183
02:20:12,240 --> 02:20:12,640
Speaker 3: to read them?

3184
02:20:12,680 --> 02:20:12,959
Speaker 6: All right?

3185
02:20:13,000 --> 02:20:16,039
Speaker 3: Hold on, everyone's just shiitting on me for not knowing

3186
02:20:16,040 --> 02:20:18,680
Speaker 3: how to read someone. Teach me to read them. Stop

3187
02:20:18,720 --> 02:20:20,880
Speaker 3: making fun of me. It's not that to be a

3188
02:20:20,959 --> 02:20:22,720
Speaker 3: part of the solution and not a part of the problem.

3189
02:20:22,800 --> 02:20:25,520
Speaker 7: Or he is dyslexic, it's not that he can't read dyslexic.

3190
02:20:26,120 --> 02:20:27,920
Speaker 7: Now you're just putting you see.

3191
02:20:28,120 --> 02:20:31,280
Speaker 1: You're not dyslexic? Are you dying?

3192
02:20:31,400 --> 02:20:33,080
Speaker 3: Just diagnosed me with ship? I should just.

3193
02:20:33,160 --> 02:20:36,200
Speaker 1: Diagnosed you with some ship. You tried to make it

3194
02:20:36,280 --> 02:20:38,480
Speaker 1: like nice, like don't worry, he's dyslexic.

3195
02:20:38,520 --> 02:20:40,959
Speaker 5: It's O wait, wait, wait, since we're talking about this mall,

3196
02:20:41,320 --> 02:20:44,040
Speaker 5: because you weren't here for this argument. What record was

3197
02:20:44,120 --> 02:20:46,520
Speaker 5: more impactful for Dirk's career? All my life or laugh

3198
02:20:46,600 --> 02:20:50,720
Speaker 5: now cry later that Drake? Yeah, you should know who

3199
02:20:50,720 --> 02:20:51,160
Speaker 5: we're talking to.

3200
02:20:51,480 --> 02:20:54,080
Speaker 1: That's just it's it's not just being this is a fact.

3201
02:20:54,280 --> 02:20:56,360
Speaker 1: To look at the numbers. It's like putting your product

3202
02:20:56,400 --> 02:21:05,960
Speaker 1: in target Julian music talk guys. Yeah, I'm done with

3203
02:21:06,040 --> 02:21:08,160
Speaker 1: I ain't gonna lie man till I hear motherfucking battle.

3204
02:21:08,200 --> 02:21:10,200
Speaker 1: I'm done with hip hop. I'm not downloading none of

3205
02:21:10,200 --> 02:21:13,160
Speaker 1: you niggas albums Country time right, I'm not streaming none

3206
02:21:13,200 --> 02:21:15,400
Speaker 1: of you niggas albums. I want to hear these niggas

3207
02:21:15,480 --> 02:21:18,360
Speaker 1: raping battle and then after that's old, I'll get back

3208
02:21:18,400 --> 02:21:20,400
Speaker 1: to download now. But none of you niggasdrop nothing into

3209
02:21:20,440 --> 02:21:21,160
Speaker 1: this battles.

3210
02:21:20,840 --> 02:21:24,560
Speaker 3: Over one quick question, does anyone not put out their

3211
02:21:24,640 --> 02:21:28,320
Speaker 3: reply because of the Beyonce album? Like to that to

3212
02:21:28,440 --> 02:21:28,760
Speaker 3: let that go?

3213
02:21:28,959 --> 02:21:29,480
Speaker 6: Big Sean.

3214
02:21:30,200 --> 02:21:31,840
Speaker 1: See, I think this is one of those rare cases

3215
02:21:31,879 --> 02:21:34,040
Speaker 1: with all of this ship Trump's Beyonce's album.

3216
02:21:34,160 --> 02:21:37,600
Speaker 3: I agree, because she's doing the country route. Yeah, this

3217
02:21:37,720 --> 02:21:40,480
Speaker 3: was Renaissance way different. Yeah, but she's doing the country ship.

3218
02:21:40,600 --> 02:21:43,160
Speaker 1: It's just like her beyond is trying something with this. Yeah,

3219
02:21:43,320 --> 02:21:46,959
Speaker 1: I think she's getting anyone creative bags. She know, she's

3220
02:21:47,000 --> 02:21:50,000
Speaker 1: a Texas girl. Obviously, the country route are there.

3221
02:21:50,280 --> 02:21:53,400
Speaker 2: Unless this ship hit, unless it's not true country and

3222
02:21:53,560 --> 02:21:53,920
Speaker 2: it hit.

3223
02:21:54,920 --> 02:21:57,280
Speaker 3: But even then, I still feel like when Beyonce don't

3224
02:21:57,320 --> 02:21:59,160
Speaker 3: hit though, no, no, no, it's gonna hit.

3225
02:21:59,280 --> 02:22:01,560
Speaker 7: Beyonce always hits. What y'all are saying is you think

3226
02:22:01,600 --> 02:22:04,200
Speaker 7: Beyonce is just trying something. When I say it's hit,

3227
02:22:04,360 --> 02:22:08,840
Speaker 7: I mean it hits the masses because something with Renaissance too.

3228
02:22:08,920 --> 02:22:11,879
Speaker 1: Yeah, but no, but trying something this is not. Beyonce

3229
02:22:12,040 --> 02:22:14,720
Speaker 1: is not a country artist. Obviously, She's from Texas. She

3230
02:22:14,760 --> 02:22:17,200
Speaker 1: has the roots, She's been to the rodeos growing up.

3231
02:22:17,280 --> 02:22:19,039
Speaker 1: She's you know, she has all of that in her back.

3232
02:22:19,120 --> 02:22:22,480
Speaker 1: She heard country music being around it, being around the culture, obviously,

3233
02:22:22,600 --> 02:22:25,520
Speaker 1: but she's a different type of artist. That's not her

3234
02:22:25,680 --> 02:22:28,280
Speaker 1: artist be back, this is like her putting on the hack,

3235
02:22:28,280 --> 02:22:30,080
Speaker 1: you really get into her roots trying a new sound.

3236
02:22:30,520 --> 02:22:32,560
Speaker 1: She just gave us the Renaissance who's new sounds on

3237
02:22:32,640 --> 02:22:34,720
Speaker 1: it dance, But that's even that closest to something Beyonce

3238
02:22:34,760 --> 02:22:35,240
Speaker 1: already did.

3239
02:22:35,400 --> 02:22:39,480
Speaker 3: And if Flying King didn't really count in my opinion,

3240
02:22:39,520 --> 02:22:42,000
Speaker 3: as a full Beyonce album, it has been so much time.

3241
02:22:42,040 --> 02:22:44,480
Speaker 3: Renaissance was like, all right, ship, let's stop what we're doing.

3242
02:22:44,720 --> 02:22:49,560
Speaker 1: But if if Cold, if a cold disc record drops

3243
02:22:49,640 --> 02:22:52,680
Speaker 1: the Saint Tonight, oh more people are gonna be told

3244
02:22:52,680 --> 02:22:55,240
Speaker 1: about that than this Beyonce album. And that's one of

3245
02:22:55,280 --> 02:22:56,960
Speaker 1: the rarest occasions. I agree with you.

3246
02:22:57,280 --> 02:23:00,320
Speaker 6: So Cole wouldn't do that to his aunt to who

3247
02:23:00,840 --> 02:23:02,760
Speaker 6: is TC this tt baby?

3248
02:23:03,520 --> 02:23:07,400
Speaker 1: Sure, they're like they're like six years. A part of that,

3249
02:23:07,680 --> 02:23:11,560
Speaker 1: not even less than that is Cole got to be

3250
02:23:11,560 --> 02:23:12,560
Speaker 1: at least thirty eight.

3251
02:23:13,840 --> 02:23:15,440
Speaker 3: Thirty nine. Actually, yeah, you're right. They might be the

3252
02:23:15,480 --> 02:23:15,959
Speaker 3: same age.

3253
02:23:16,280 --> 02:23:18,080
Speaker 2: He's thirty nine, yeah, and Benest.

3254
02:23:18,280 --> 02:23:22,359
Speaker 1: But she's girl three years older you talking about.

3255
02:23:22,120 --> 02:23:24,280
Speaker 7: In the industry, you know, But it's because but see

3256
02:23:24,320 --> 02:23:27,080
Speaker 7: that goes to show Beyonce and jay Z's age gap,

3257
02:23:27,200 --> 02:23:31,400
Speaker 7: because jay Z is definitely on He's not bro for Cole,

3258
02:23:31,480 --> 02:23:34,600
Speaker 7: He's definitely he's but Jay is fifty four exactly. But

3259
02:23:34,720 --> 02:23:38,440
Speaker 7: that's why when I say Auntie, Jay is uncle, so

3260
02:23:38,760 --> 02:23:41,360
Speaker 7: naturally Beyonce will be Auntie even though she's closer to

3261
02:23:41,480 --> 02:23:42,879
Speaker 7: Cole's age and she is Jay's.

3262
02:23:43,200 --> 02:23:44,000
Speaker 2: That was our point.

3263
02:23:44,080 --> 02:23:45,800
Speaker 6: Yeah, I was saying, more relationship, why not?

3264
02:23:46,120 --> 02:23:46,920
Speaker 2: Yeah not age one?

3265
02:23:47,000 --> 02:23:47,960
Speaker 1: Okay, gotcha? Yeah?

3266
02:23:48,640 --> 02:23:48,959
Speaker 7: All right?

3267
02:23:49,000 --> 02:23:51,800
Speaker 1: Well do we got some voicemails? Julian, You've got Mayle.

3268
02:23:51,879 --> 02:23:52,640
Speaker 6: Enough music talk.

3269
02:23:52,760 --> 02:23:56,760
Speaker 5: So we have a guy here that is tired of

3270
02:23:56,879 --> 02:23:59,760
Speaker 5: being the rebound and he wants to be taken seriously

3271
02:24:00,040 --> 02:24:02,840
Speaker 5: hm hmm outside of the bedroom, so let's give him some.

3272
02:24:03,440 --> 02:24:05,840
Speaker 1: I know he was doing it like that player outside

3273
02:24:05,840 --> 02:24:07,280
Speaker 1: of the bed when you want them to take you serious.

3274
02:24:07,640 --> 02:24:12,560
Speaker 1: What's good, guys said question for the mares.

3275
02:24:13,360 --> 02:24:17,160
Speaker 10: Uh, of course everybody can shive in. But I've always

3276
02:24:17,200 --> 02:24:20,560
Speaker 10: been the rebound dude, the girl, the guy that girls

3277
02:24:20,640 --> 02:24:24,199
Speaker 10: get with and you know, kind of making them feel

3278
02:24:24,200 --> 02:24:26,720
Speaker 10: good about themselves when they're trying to discover, reclaim their

3279
02:24:26,760 --> 02:24:29,800
Speaker 10: sexy and ship and always been told I get a

3280
02:24:29,840 --> 02:24:34,080
Speaker 10: good dick. What never being the dude that they stay

3281
02:24:34,200 --> 02:24:38,880
Speaker 10: with me, And now that I'm older, getting close to

3282
02:24:38,959 --> 02:24:41,240
Speaker 10: my thirties and ship trying to calm down and settle

3283
02:24:41,280 --> 02:24:45,080
Speaker 10: down with somebody finally one Susan kids and ship, Like,

3284
02:24:45,320 --> 02:24:49,680
Speaker 10: how do you go from being the du that everybody

3285
02:24:49,720 --> 02:24:52,320
Speaker 10: sleeps with to kind of feel better about themselves to

3286
02:24:52,520 --> 02:24:57,080
Speaker 10: like keeping somebody and finding that one? Of course, and

3287
02:24:57,200 --> 02:25:00,600
Speaker 10: your advice or jokes, I'm down for appreciate it.

3288
02:25:01,400 --> 02:25:03,600
Speaker 1: Well, first of all, maybe just not that deep, dude,

3289
02:25:04,040 --> 02:25:05,640
Speaker 1: but they sound like he deep in the well. I

3290
02:25:05,680 --> 02:25:08,600
Speaker 1: don't know what the good of fuck he's recording. But

3291
02:25:10,720 --> 02:25:12,680
Speaker 1: first of all, trying to settle down to your thirties

3292
02:25:13,680 --> 02:25:15,800
Speaker 1: that you just turning thirty, he's still twenty something.

3293
02:25:16,160 --> 02:25:20,560
Speaker 3: Yeah, fair, but all right, let's says someone though man

3294
02:25:21,000 --> 02:25:24,480
Speaker 3: cool as someone that wants to settle down in their

3295
02:25:24,560 --> 02:25:29,320
Speaker 3: thirties but has always been treated like a hoe. Can

3296
02:25:29,400 --> 02:25:32,880
Speaker 3: you turn a hoe into a house husband. I think

3297
02:25:32,920 --> 02:25:34,320
Speaker 3: a lot of girls might be just looking at him

3298
02:25:34,360 --> 02:25:38,000
Speaker 3: like you just the hoe. You're dense, there's not much here,

3299
02:25:39,240 --> 02:25:41,400
Speaker 3: you don't have much conversation. You're just good at fucking

3300
02:25:41,520 --> 02:25:42,320
Speaker 3: and you're attractive.

3301
02:25:42,400 --> 02:25:45,000
Speaker 1: And that's what we do to you when men, when

3302
02:25:45,120 --> 02:25:51,120
Speaker 1: men are whores. And you're trying to change that narrative

3303
02:25:51,120 --> 02:25:54,879
Speaker 1: about yourself. You have to completely rebrand every You got

3304
02:25:54,959 --> 02:25:56,840
Speaker 1: to stop buying your groceries at different stores.

3305
02:25:57,600 --> 02:25:59,160
Speaker 3: Yeah, the Toks and Target.

3306
02:25:59,240 --> 02:26:02,480
Speaker 1: You gotta start, motherfucker. You gotta change your wardrobe. Yeah,

3307
02:26:02,720 --> 02:26:04,520
Speaker 1: you gotta start wearing more suits.

3308
02:26:04,600 --> 02:26:07,720
Speaker 5: You gotta dress like what's his name, Correta Scott guy

3309
02:26:08,440 --> 02:26:09,240
Speaker 5: Jonathan Majors.

3310
02:26:10,200 --> 02:26:14,360
Speaker 1: You gotta have some slave boots. Yeah. Yeah. You gotta

3311
02:26:14,400 --> 02:26:16,600
Speaker 1: completely read. A lot of pea coats, a.

3312
02:26:16,640 --> 02:26:18,600
Speaker 3: Lot of morning affirmations on the ig.

3313
02:26:18,720 --> 02:26:20,320
Speaker 6: At least three coats I can touch the floor.

3314
02:26:20,400 --> 02:26:23,080
Speaker 1: You gotta start making get Ready with Me videos and

3315
02:26:23,240 --> 02:26:27,440
Speaker 1: show yourself at church. Church has definitely gotta start going

3316
02:26:27,440 --> 02:26:29,560
Speaker 1: to church. Gotta go to church, post a rose window

3317
02:26:29,600 --> 02:26:32,359
Speaker 1: every Sunday, giving.

3318
02:26:32,160 --> 02:26:33,600
Speaker 3: Back a lot of hashtag lunch back.

3319
02:26:33,640 --> 02:26:34,640
Speaker 1: You have to join a book club.

3320
02:26:36,440 --> 02:26:40,680
Speaker 3: But that's whole ship to me. Everything you're doing the book.

3321
02:26:40,440 --> 02:26:42,400
Speaker 1: Club, You gotta you gotta let the women know listen,

3322
02:26:43,040 --> 02:26:44,880
Speaker 1: give me the things to read to help me in

3323
02:26:44,959 --> 02:26:46,040
Speaker 1: this next level of my life.

3324
02:26:46,120 --> 02:26:47,000
Speaker 6: And suit for the soul.

3325
02:26:47,440 --> 02:26:49,480
Speaker 1: Yeah, I gotta feed. You gotta nourish your soul more.

3326
02:26:49,520 --> 02:26:52,000
Speaker 1: You gotta you gotta start fasting. You gotta do a

3327
02:26:52,040 --> 02:26:53,320
Speaker 1: lot of things as a man, to get that whole

3328
02:26:53,440 --> 02:26:53,920
Speaker 1: juice offie.

3329
02:26:54,000 --> 02:26:56,920
Speaker 3: But what happens when to your point earlier in the episode,

3330
02:26:57,000 --> 02:26:59,200
Speaker 3: like when a hoe is a hoe, you can't really

3331
02:26:59,280 --> 02:27:01,800
Speaker 3: change much of their DNA and who they are.

3332
02:27:01,920 --> 02:27:02,520
Speaker 1: But he's not it.

3333
02:27:02,560 --> 02:27:07,120
Speaker 3: This is my work what he was suggesting. He was, Yeah,

3334
02:27:07,120 --> 02:27:09,080
Speaker 3: I see, but I think he that could work for me.

3335
02:27:10,240 --> 02:27:10,879
Speaker 1: He's just a man.

3336
02:27:10,959 --> 02:27:13,160
Speaker 2: I think you're projecting on him. He said that he's

3337
02:27:13,200 --> 02:27:13,520
Speaker 2: in home.

3338
02:27:13,879 --> 02:27:16,760
Speaker 5: Well, okay, because I kind of relate to what he's saying,

3339
02:27:16,840 --> 02:27:18,520
Speaker 5: I think he became the I think you need a

3340
02:27:18,600 --> 02:27:21,000
Speaker 5: change the environment in which you're seeing these women. If

3341
02:27:21,040 --> 02:27:24,160
Speaker 5: you want to be taken seriously, start doing find a

3342
02:27:24,200 --> 02:27:26,520
Speaker 5: bitch and don't meet her up at midnight. Maybe do

3343
02:27:26,640 --> 02:27:29,280
Speaker 5: the coffee walk route, like have a day date, like

3344
02:27:29,400 --> 02:27:31,080
Speaker 5: have them see you as a person and not just

3345
02:27:31,160 --> 02:27:31,840
Speaker 5: as a fuck stick.

3346
02:27:31,920 --> 02:27:34,200
Speaker 3: And don't have don't have sex fucking a bunch of

3347
02:27:34,240 --> 02:27:36,280
Speaker 3: women that are coming out of relationships, like, have some

3348
02:27:36,360 --> 02:27:39,119
Speaker 3: accountability here, Yeah, why do I keep being treated this way?

3349
02:27:39,160 --> 02:27:42,640
Speaker 3: They just want to use me to get back on stuff.

3350
02:27:43,680 --> 02:27:45,400
Speaker 5: And also, yeah, don't try to wipe one of these

3351
02:27:45,400 --> 02:27:46,720
Speaker 5: girls that's fresh out of relationship.

3352
02:27:46,720 --> 02:27:47,880
Speaker 1: That's Oh, he's not sure to do that.

3353
02:27:48,000 --> 02:27:49,200
Speaker 3: He's just tired of being you.

3354
02:27:49,600 --> 02:27:53,720
Speaker 5: He wants to find something significant, find one, but don't

3355
02:27:53,760 --> 02:27:56,120
Speaker 5: find her. Don't make a girl you've been fucking at

3356
02:27:56,160 --> 02:27:58,520
Speaker 5: two am the longest over the course of last year,

3357
02:27:58,600 --> 02:27:59,080
Speaker 5: the one.

3358
02:27:59,520 --> 02:28:01,600
Speaker 3: He can't because they don't even want to fuck or

3359
02:28:01,720 --> 02:28:03,040
Speaker 3: talk to him unless it's to him.

3360
02:28:03,200 --> 02:28:04,600
Speaker 1: Man, go get a girl.

3361
02:28:04,840 --> 02:28:06,920
Speaker 7: You since you called and you said my name directly,

3362
02:28:07,040 --> 02:28:08,680
Speaker 7: let me tell you, go get a girlfriend.

3363
02:28:09,480 --> 02:28:10,400
Speaker 1: Go get a bitch.

3364
02:28:10,600 --> 02:28:12,640
Speaker 7: And this is not this is very I'm not being

3365
02:28:12,680 --> 02:28:14,320
Speaker 7: a girl's girl right now. This is not a pro

3366
02:28:14,440 --> 02:28:17,240
Speaker 7: woman's stance. This is actually very toxic. Go get one

3367
02:28:17,240 --> 02:28:18,760
Speaker 7: of them girls that fell in love with the dick,

3368
02:28:18,800 --> 02:28:20,040
Speaker 7: because I know you got at least one, but you

3369
02:28:20,080 --> 02:28:21,560
Speaker 7: ain't think about her because you ain't like her, like

3370
02:28:21,600 --> 02:28:25,680
Speaker 7: that wife her up, post it on Instagram, and all

3371
02:28:25,760 --> 02:28:28,280
Speaker 7: of these bitches who used to think of you as

3372
02:28:28,520 --> 02:28:31,880
Speaker 7: just a whole. Treat that bitch like she has sunshine

3373
02:28:31,920 --> 02:28:32,600
Speaker 7: coming out of her post.

3374
02:28:33,720 --> 02:28:34,440
Speaker 3: Use another girl.

3375
02:28:35,840 --> 02:28:38,200
Speaker 1: He didn't call me and asks how to be a

3376
02:28:38,240 --> 02:28:39,960
Speaker 1: good fucking guy. I'm not giving him.

3377
02:28:40,240 --> 02:28:42,400
Speaker 3: He wants result, he wants a relationship.

3378
02:28:42,920 --> 02:28:45,480
Speaker 1: I wish y'all would hush and let me talk.

3379
02:28:45,600 --> 02:28:49,600
Speaker 3: So just find some innocent woman and use her because

3380
02:28:49,640 --> 02:28:50,240
Speaker 3: he was used.

3381
02:28:52,600 --> 02:28:56,160
Speaker 7: He said he wants to know how to get women

3382
02:28:56,280 --> 02:28:58,280
Speaker 7: to stop looking at him like a fuck stick.

3383
02:28:58,480 --> 02:29:00,680
Speaker 2: He did not call me and say how does he have?

3384
02:29:00,840 --> 02:29:03,000
Speaker 2: How do I have a functioning healthy relationship?

3385
02:29:03,200 --> 02:29:04,840
Speaker 1: You didn't ask that. That's not what the fuck you

3386
02:29:04,959 --> 02:29:05,720
Speaker 1: asked for advice on.

3387
02:29:06,080 --> 02:29:08,800
Speaker 7: You want to know how to get women other women

3388
02:29:08,879 --> 02:29:11,160
Speaker 7: to stop looking at you like you are a whore

3389
02:29:11,400 --> 02:29:13,720
Speaker 7: and only good for your dick. The answer to that

3390
02:29:14,000 --> 02:29:17,280
Speaker 7: is is to go get a fucking girlfriend, post her

3391
02:29:17,360 --> 02:29:19,680
Speaker 7: on Instagram, treat her like sunshine comes out of her

3392
02:29:19,959 --> 02:29:22,160
Speaker 7: ears when she rises every day and when her head

3393
02:29:22,320 --> 02:29:24,680
Speaker 7: lifts from the fucking pillow, and a bunch of bitches

3394
02:29:24,720 --> 02:29:27,200
Speaker 7: will be in your d MS trying to be your

3395
02:29:27,280 --> 02:29:29,600
Speaker 7: next girlfriend. That is how you get bitches to stop

3396
02:29:29,640 --> 02:29:38,880
Speaker 7: looking at the trauma you like they're gonna try to

3397
02:29:38,920 --> 02:29:40,640
Speaker 7: fuck YouTube. If you want to just get a bit

3398
02:29:40,840 --> 02:29:42,680
Speaker 7: women want to fuck you based off the fact that

3399
02:29:42,760 --> 02:29:44,960
Speaker 7: you're treating another woman good like they like damn like

3400
02:29:45,040 --> 02:29:45,480
Speaker 7: what he like?

3401
02:29:45,560 --> 02:29:46,240
Speaker 1: I want some of that.

3402
02:29:46,400 --> 02:29:50,160
Speaker 7: It won't it won't just be about listen. What he

3403
02:29:50,240 --> 02:29:52,280
Speaker 7: needs to do is the next step is him getting

3404
02:29:52,280 --> 02:29:54,840
Speaker 7: in a healthy relationship. Again, he didn't call and ask

3405
02:29:54,920 --> 02:29:56,400
Speaker 7: for how to get in a healthy relationship.

3406
02:29:56,640 --> 02:29:57,200
Speaker 1: He wants to.

3407
02:29:57,280 --> 02:30:01,360
Speaker 9: Change himage to the fucking book club and wants to

3408
02:30:01,440 --> 02:30:02,400
Speaker 9: just relationship and the.

3409
02:30:02,440 --> 02:30:03,480
Speaker 3: Results that he wants.

3410
02:30:03,879 --> 02:30:05,440
Speaker 7: That's not gonna get you the results that you want,

3411
02:30:05,600 --> 02:30:08,240
Speaker 7: changing your groceries, changing your clothes, not you're just a

3412
02:30:08,360 --> 02:30:09,960
Speaker 7: dugged up whore, It doesn't matter.

3413
02:30:10,040 --> 02:30:13,160
Speaker 1: That's not gonna change store.

3414
02:30:13,280 --> 02:30:14,720
Speaker 7: You need to be known as the nigga that go

3415
02:30:14,840 --> 02:30:17,800
Speaker 7: crazy about his motherfucking girlfriend. Once you are that, then

3416
02:30:17,879 --> 02:30:20,560
Speaker 7: you can start exploring bitches that you want to be

3417
02:30:20,600 --> 02:30:23,000
Speaker 7: in a healthy relationship with because they have a point

3418
02:30:23,040 --> 02:30:25,280
Speaker 7: of reference. You don't have a point of reference right now.

3419
02:30:25,360 --> 02:30:27,480
Speaker 7: Why would anybody want to be in a fucking relationship

3420
02:30:27,520 --> 02:30:29,320
Speaker 7: with you when you don't have nothing to show?

3421
02:30:29,520 --> 02:30:31,080
Speaker 1: Oh, I know how to be in a relationship.

3422
02:30:31,440 --> 02:30:33,680
Speaker 3: Okay, so now you're on is something at that point,

3423
02:30:33,920 --> 02:30:37,160
Speaker 3: learn how to fucking do anything outside of fucking Learn

3424
02:30:37,240 --> 02:30:39,360
Speaker 3: to have a real conversation. What else do you do

3425
02:30:39,520 --> 02:30:40,240
Speaker 3: outside of fucking?

3426
02:30:40,320 --> 02:30:41,520
Speaker 1: How to do all of those things?

3427
02:30:41,560 --> 02:30:42,200
Speaker 3: How do we know that?

3428
02:30:44,040 --> 02:30:46,640
Speaker 2: I'm giving advanced information. So the beginner thing is.

3429
02:30:47,000 --> 02:30:48,519
Speaker 3: Learn how to carry a conversations.

3430
02:30:48,600 --> 02:30:49,879
Speaker 1: If you don't have a personality.

3431
02:30:50,120 --> 02:30:51,760
Speaker 7: You are a hope of mad long and you had

3432
02:30:51,840 --> 02:30:53,959
Speaker 7: mad personality and how to care a conversation.

3433
02:30:53,959 --> 02:30:55,800
Speaker 3: And that's why they all stayed. This is how the

3434
02:30:55,879 --> 02:30:57,800
Speaker 3: decent relationship. This is how the Kendrick and Cold.

3435
02:30:57,879 --> 02:31:01,560
Speaker 1: She is great to go. Not You was a hope

3436
02:31:01,600 --> 02:31:04,720
Speaker 1: for man long before you. Hey, Kenny, you was. This

3437
02:31:05,040 --> 02:31:07,840
Speaker 1: is about to go. Oh man, this is about to

3438
02:31:07,879 --> 02:31:09,840
Speaker 1: go a whole nother. I'm telling yall, y'all life and

3439
02:31:09,920 --> 02:31:13,679
Speaker 1: I no, you're not gonna let the Marriors do that because.

3440
02:31:13,920 --> 02:31:16,800
Speaker 5: His big when he respecting your wife, You're gonna have

3441
02:31:16,840 --> 02:31:19,200
Speaker 5: this poor man attracting women that he doesn't want. He

3442
02:31:19,320 --> 02:31:21,320
Speaker 5: wants to be in a relationship. He not only wants

3443
02:31:21,400 --> 02:31:23,520
Speaker 5: to not be a hoe, he wants to be in

3444
02:31:23,640 --> 02:31:24,720
Speaker 5: a real relationship.

3445
02:31:24,840 --> 02:31:27,520
Speaker 3: He's made that go get some fucking skills that people

3446
02:31:27,520 --> 02:31:28,800
Speaker 3: will think in a relationship.

3447
02:31:28,840 --> 02:31:31,080
Speaker 5: Don't don't drag a girl through that. Don't find like

3448
02:31:31,120 --> 02:31:34,400
Speaker 5: the six months agreed. And I'm saying ultimate pus these women.

3449
02:31:34,480 --> 02:31:36,120
Speaker 3: I think he may have an ego and think that

3450
02:31:36,200 --> 02:31:38,480
Speaker 3: these women really like him just because they think he's

3451
02:31:38,520 --> 02:31:40,920
Speaker 3: the best fuck they've ever had, or maybe he offers

3452
02:31:41,000 --> 02:31:43,480
Speaker 3: nothing but being dick and that's what they want to

3453
02:31:43,560 --> 02:31:46,600
Speaker 3: use it just what sounds like, Go learn some other skills, sir,

3454
02:31:46,760 --> 02:31:47,520
Speaker 3: what's his name, Evan?

3455
02:31:47,600 --> 02:31:48,440
Speaker 6: Go learn Mandarin?

3456
02:31:48,560 --> 02:31:50,959
Speaker 1: Evan. Yes, oh, you got to listen, Julian.

3457
02:31:50,959 --> 02:31:52,800
Speaker 3: At least you knows how to play fucking Batgamon. There's

3458
02:31:52,800 --> 02:31:55,640
Speaker 3: another conversation outside of fucking Go figure out some other

3459
02:31:55,680 --> 02:31:58,959
Speaker 3: ship where they're like, oh it's there could be another play.

3460
02:31:58,879 --> 02:32:01,560
Speaker 1: To this person. Yes, do that, but there's bad I know,

3461
02:32:01,840 --> 02:32:02,879
Speaker 1: mad whore god.

3462
02:32:02,840 --> 02:32:05,160
Speaker 3: Like Joss, there's another layer to it.

3463
02:32:05,640 --> 02:32:08,840
Speaker 1: Mad male horrs. They layers.

3464
02:32:10,520 --> 02:32:14,000
Speaker 2: Poor boss. I know male horse who have money, they

3465
02:32:14,120 --> 02:32:16,200
Speaker 2: have status, they have fun there.

3466
02:32:16,240 --> 02:32:18,119
Speaker 3: Money doesn't mean you can carry a conversation.

3467
02:32:17,879 --> 02:32:18,760
Speaker 1: Fun to be around.

3468
02:32:18,840 --> 02:32:21,080
Speaker 7: They have the horse I know, have the best conversation

3469
02:32:21,200 --> 02:32:23,160
Speaker 7: in the world. But they are whores and they know

3470
02:32:23,280 --> 02:32:25,240
Speaker 7: that they are horse. Women would love for them to

3471
02:32:25,320 --> 02:32:28,240
Speaker 7: be more, but they're horse. Once you're recognized as a

3472
02:32:28,280 --> 02:32:30,400
Speaker 7: whore in the streets and your small town or that

3473
02:32:30,440 --> 02:32:32,680
Speaker 7: you're a whore. Same thing with women, you have to

3474
02:32:32,720 --> 02:32:34,320
Speaker 7: get rid of that stay and they have to know

3475
02:32:34,440 --> 02:32:35,320
Speaker 7: you as that nigga.

3476
02:32:35,520 --> 02:32:38,880
Speaker 1: That's fe All you gotta do is get a bitch

3477
02:32:38,920 --> 02:32:40,920
Speaker 1: that can fight Once you get a girl that can fight,

3478
02:32:40,959 --> 02:32:42,760
Speaker 1: the mother bitch is gonna disappear. They're not gonna talk

3479
02:32:42,760 --> 02:32:48,440
Speaker 1: to you advice. Get a girl that knows how to

3480
02:32:48,520 --> 02:32:51,560
Speaker 1: fight publicly. So I'm telling you. You know a girl

3481
02:32:51,600 --> 02:32:53,039
Speaker 1: that sucked dick publicly? What's her name?

3482
02:32:53,160 --> 02:32:54,000
Speaker 3: Only fans, I.

3483
02:32:54,040 --> 02:32:56,200
Speaker 7: Said, I'm the only girl. I'm the only person on

3484
02:32:56,280 --> 02:32:58,760
Speaker 7: this podcast that sucks dick. I'm telling you how to

3485
02:32:58,879 --> 02:33:00,720
Speaker 7: get women to follow the ad publicly.

3486
02:33:00,800 --> 02:33:03,840
Speaker 6: That was a shot. That was a shot.

3487
02:33:04,240 --> 02:33:06,760
Speaker 1: I'm telling you to get woman because I just heard

3488
02:33:06,840 --> 02:33:08,080
Speaker 1: like it made you go to publicly.

3489
02:33:08,480 --> 02:33:12,320
Speaker 5: It may be toxic, okay, knowing he's the right.

3490
02:33:12,240 --> 02:33:15,000
Speaker 2: Word, I admit to it. Publicly, that's what I'm talking about.

3491
02:33:15,760 --> 02:33:24,439
Speaker 1: It might be toxic, breaking news jam a woman has before.

3492
02:33:25,760 --> 02:33:28,000
Speaker 7: Anyway, listen to me. I'm telling you you want to,

3493
02:33:28,000 --> 02:33:29,320
Speaker 7: but just stop looking at you like that. You got

3494
02:33:29,440 --> 02:33:30,640
Speaker 7: to give them another point of reference.

3495
02:33:30,720 --> 02:33:31,800
Speaker 1: Man, Get a girl that could fight.

3496
02:33:32,400 --> 02:33:32,640
Speaker 6: That's it.

3497
02:33:32,720 --> 02:33:35,480
Speaker 1: That's all. Most advice is so bad. I'm telling you.

3498
02:33:35,600 --> 02:33:38,760
Speaker 1: By I'll be thinking, I'm all right, I bet you

3499
02:33:38,760 --> 02:33:40,039
Speaker 1: if you get a girlfriend that could fight, he could

3500
02:33:40,040 --> 02:33:41,400
Speaker 1: be like yo, chicks, don't even talk to me.

3501
02:33:41,879 --> 02:33:44,520
Speaker 3: Get a girlfriend the whole to then go find one

3502
02:33:44,560 --> 02:33:47,480
Speaker 3: that's you, and.

3503
02:33:47,520 --> 02:33:49,160
Speaker 7: I bet a million dollars he can't get a girlfriend.

3504
02:33:49,160 --> 02:33:50,920
Speaker 7: It's just that the bitches that like him he don't want.

3505
02:33:51,600 --> 02:33:53,720
Speaker 5: That's a fact, isn't that how it always go? He's

3506
02:33:53,720 --> 02:33:55,400
Speaker 5: got to take care of something other than himself. I

3507
02:33:55,440 --> 02:33:58,880
Speaker 5: don't know if you have a pet, sir, but tell

3508
02:33:58,920 --> 02:34:00,160
Speaker 5: him to get a dog. In my case, it's so

3509
02:34:00,520 --> 02:34:02,080
Speaker 5: to get a goldfish. Get plants.

3510
02:34:02,400 --> 02:34:04,119
Speaker 1: Take care of plant.

3511
02:34:04,640 --> 02:34:06,080
Speaker 5: I'm gonna say, like, you need to be if you're

3512
02:34:06,120 --> 02:34:09,800
Speaker 5: if you're trying to unlearned, being selfish and just being

3513
02:34:10,200 --> 02:34:13,400
Speaker 5: being literally a dick to fuck and then leave, you

3514
02:34:13,560 --> 02:34:15,760
Speaker 5: need something that is in your life consistently to take

3515
02:34:15,760 --> 02:34:16,920
Speaker 5: care of other than yourself.

3516
02:34:17,320 --> 02:34:18,360
Speaker 6: Get plants first.

3517
02:34:18,600 --> 02:34:20,320
Speaker 5: And then obviously, when you bring a woman that matters

3518
02:34:20,360 --> 02:34:22,040
Speaker 5: in your life to your apartment, she sees plants.

3519
02:34:22,400 --> 02:34:23,040
Speaker 6: That's a good thing.

3520
02:34:23,200 --> 02:34:25,680
Speaker 3: So anytime you like run into somebody that's in a

3521
02:34:25,800 --> 02:34:27,560
Speaker 3: healthy marriage, the first thing they'd be like, well, I

3522
02:34:27,600 --> 02:34:31,240
Speaker 3: started with a ficus. You always do this ship. You

3523
02:34:31,360 --> 02:34:33,080
Speaker 3: do the same ship to me, it's different when I

3524
02:34:33,200 --> 02:34:38,680
Speaker 3: do it. It's cool, it's cool. I'm letting 'all know

3525
02:34:38,840 --> 02:34:41,120
Speaker 3: right now. When when Jermaine Cole decided to do it.

3526
02:34:41,160 --> 02:34:43,119
Speaker 3: It's could be a lot different than definitely wrapping about

3527
02:34:43,120 --> 02:34:43,720
Speaker 3: fcus plants.

3528
02:34:43,840 --> 02:34:44,640
Speaker 2: Oh my god.

3529
02:34:46,800 --> 02:34:49,040
Speaker 1: Yeah, all right, remember I said it.

3530
02:34:50,440 --> 02:34:53,360
Speaker 3: I'm even mad that Demeris tried to take a personal

3531
02:34:53,400 --> 02:34:58,000
Speaker 3: shot at me because I know how to carry conversation.

3532
02:34:58,040 --> 02:35:00,920
Speaker 3: She's no mad hoes that are good time. Those type

3533
02:35:00,959 --> 02:35:04,520
Speaker 3: of male hoes try to hide behind their vacations and

3534
02:35:04,600 --> 02:35:06,560
Speaker 3: their moneys, Like you don't really need to have a

3535
02:35:06,640 --> 02:35:08,320
Speaker 3: real conversation with a bitch when you take it to

3536
02:35:08,360 --> 02:35:11,000
Speaker 3: Turks Jersey City getting it in.

3537
02:35:12,560 --> 02:35:13,680
Speaker 6: Had a bitch in the path train.

3538
02:35:14,600 --> 02:35:17,000
Speaker 3: My personality got me here. I can never hide behind

3539
02:35:17,000 --> 02:35:20,160
Speaker 3: the money or the fucking vacation. I was sitting here

3540
02:35:22,240 --> 02:35:27,560
Speaker 3: these bitches liked Meky.

3541
02:35:27,600 --> 02:35:31,600
Speaker 1: There's so much trauma, so much, so much traumawks, so

3542
02:35:31,720 --> 02:35:33,640
Speaker 1: much trauma in the room. Why is it so much

3543
02:35:33,680 --> 02:35:34,560
Speaker 1: trauma in here? Yeah?

3544
02:35:34,720 --> 02:35:38,160
Speaker 3: I was a hoe with substance, alright. I've never been

3545
02:35:38,200 --> 02:35:40,160
Speaker 3: to the yr. I've only been to the heights.

3546
02:35:40,240 --> 02:35:41,640
Speaker 1: You got to own your honess, that's all.

3547
02:35:42,480 --> 02:35:44,800
Speaker 7: Yeah, And once you get a girlfriend and you've been

3548
02:35:44,840 --> 02:35:46,440
Speaker 7: with her for a while, your honers can get deleted.

3549
02:35:46,920 --> 02:35:48,320
Speaker 5: Did you ever a dated girl that used to put

3550
02:35:48,400 --> 02:35:51,000
Speaker 5: up women. Huh did you ever date a girl that

3551
02:35:51,080 --> 02:35:52,000
Speaker 5: used to fight other women?

3552
02:35:52,840 --> 02:35:54,480
Speaker 1: I had no choice. She was about to beat me up.

3553
02:35:58,040 --> 02:35:59,360
Speaker 1: It's either you're gonna give me this dick or youre

3554
02:35:59,360 --> 02:36:00,960
Speaker 1: gonna get put this to I said, well, I'm we

3555
02:36:01,080 --> 02:36:03,160
Speaker 1: bend over because I'm not getting knocked up the girl.

3556
02:36:03,920 --> 02:36:07,039
Speaker 3: Fuck that name Brandon, You and Evan are so cool.

3557
02:36:07,160 --> 02:36:08,120
Speaker 3: I just it's never happened.

3558
02:36:08,280 --> 02:36:09,920
Speaker 1: Yeah, man, got I gotta keep a girl like you

3559
02:36:09,920 --> 02:36:11,240
Speaker 1: gotta keep a girl in your roster that know how

3560
02:36:11,280 --> 02:36:11,480
Speaker 1: to fight.

3561
02:36:11,640 --> 02:36:13,840
Speaker 2: You can agree there, Well, you are not dating no

3562
02:36:13,920 --> 02:36:16,039
Speaker 2: women at your big age that know not now.

3563
02:36:16,240 --> 02:36:18,240
Speaker 1: I'm not dating I'm not looking to date a woman

3564
02:36:18,360 --> 02:36:19,240
Speaker 1: now that knows how to fight?

3565
02:36:19,360 --> 02:36:21,880
Speaker 3: Like wait what, I'm confused Why that's a quality that

3566
02:36:22,000 --> 02:36:25,280
Speaker 3: like there's like nice women that are wifey material that

3567
02:36:25,360 --> 02:36:26,240
Speaker 3: just happened to know how to fight.

3568
02:36:26,480 --> 02:36:28,360
Speaker 1: Yes, I'm wrong with that. I'm talking about the ones that,

3569
02:36:28,560 --> 02:36:32,960
Speaker 1: like I would look to fight it. That's like the

3570
02:36:33,040 --> 02:36:35,080
Speaker 1: ones that's like yo, what she said. She didn't say

3571
02:36:35,120 --> 02:36:38,920
Speaker 1: nothing like like yo, that woman didn't say anything to fight.

3572
02:36:39,840 --> 02:36:42,480
Speaker 1: It's like yo, Yeah, it's like yo, chill, bro were

3573
02:36:42,480 --> 02:36:46,400
Speaker 1: not no we're not doing no, but I've dated girls

3574
02:36:46,440 --> 02:36:49,840
Speaker 1: like that absolutely, but now headaches.

3575
02:36:50,080 --> 02:36:52,320
Speaker 3: But a lot of girls and women to other bitches,

3576
02:36:52,400 --> 02:36:53,800
Speaker 3: Oh my god, no, please me.

3577
02:36:54,200 --> 02:36:57,400
Speaker 5: I having meet people that aren't in the club or outside. Yeah,

3578
02:36:57,400 --> 02:36:59,400
Speaker 5: if you're going to the club still, like if you

3579
02:36:59,520 --> 02:37:00,680
Speaker 5: if you're thinking, I mean.

3580
02:37:01,400 --> 02:37:03,119
Speaker 3: How like how many women do you know that are

3581
02:37:03,120 --> 02:37:05,800
Speaker 3: all just getting out of relationships? You need to take

3582
02:37:05,800 --> 02:37:08,080
Speaker 3: some accountability of who you're surrounding yourself with.

3583
02:37:08,200 --> 02:37:10,000
Speaker 1: Yeah, he sounds like a jigglow. That's like trying to

3584
02:37:10,000 --> 02:37:10,400
Speaker 1: get out.

3585
02:37:10,320 --> 02:37:12,600
Speaker 2: The game evan sweetye.

3586
02:37:12,640 --> 02:37:15,680
Speaker 7: As long as you have personality and eventually you will

3587
02:37:15,720 --> 02:37:17,440
Speaker 7: find a woman that is into what you're into. But

3588
02:37:17,560 --> 02:37:19,360
Speaker 7: to get the stain off and stop being looked at

3589
02:37:19,400 --> 02:37:21,240
Speaker 7: as dick go wife one of them girls that's in

3590
02:37:21,280 --> 02:37:22,000
Speaker 7: your inbox.

3591
02:37:21,800 --> 02:37:23,960
Speaker 1: That he's gonna have to get a whore that is

3592
02:37:24,000 --> 02:37:25,680
Speaker 1: trying not to be a whore herself anymore.

3593
02:37:26,400 --> 02:37:27,920
Speaker 2: Oh, those are best relationships.

3594
02:37:28,040 --> 02:37:29,240
Speaker 6: This is not a former horror.

3595
02:37:29,720 --> 02:37:31,440
Speaker 1: He's gonna have to gut because then they could together.

3596
02:37:31,480 --> 02:37:33,840
Speaker 1: That could be like, Yo, I really want to fuck

3597
02:37:33,879 --> 02:37:35,080
Speaker 1: somebody else, but I'm not going to do it.

3598
02:37:35,160 --> 02:37:37,880
Speaker 5: It's like having a sponsor that's like when the couple

3599
02:37:37,920 --> 02:37:40,480
Speaker 5: that meets in rehab that always works out perfectly. It

3600
02:37:40,560 --> 02:37:42,840
Speaker 5: works out, they never hit the needle again.

3601
02:37:42,959 --> 02:37:45,879
Speaker 3: That's legitimately the take Care song by Drake and Rihanna.

3602
02:37:47,080 --> 02:37:49,040
Speaker 6: Hmmm, I not you've ben hurt by someone else.

3603
02:37:50,160 --> 02:37:52,000
Speaker 3: That entire song is both of us are host but

3604
02:37:52,000 --> 02:37:52,800
Speaker 3: at least we're good for you.

3605
02:37:52,959 --> 02:37:56,440
Speaker 7: I've asked about you, and Dave told me things I've

3606
02:37:56,480 --> 02:37:59,600
Speaker 7: asked about you, and so I still the same.

3607
02:38:03,240 --> 02:38:04,560
Speaker 1: Yeah, he needs to live.

3608
02:38:04,640 --> 02:38:07,440
Speaker 3: He needs to live to take care. So go find

3609
02:38:07,480 --> 02:38:09,080
Speaker 3: you a girl that you've heard some things, but you

3610
02:38:09,120 --> 02:38:11,360
Speaker 3: don't care. They don't get she's heard things about you

3611
02:38:11,480 --> 02:38:11,760
Speaker 3: as well.

3612
02:38:11,840 --> 02:38:13,080
Speaker 1: That's it's hard and I don't care.

3613
02:38:13,800 --> 02:38:17,080
Speaker 3: Here, we're just here for each other. What's life without

3614
02:38:17,080 --> 02:38:17,680
Speaker 3: the marriage is?

3615
02:38:18,879 --> 02:38:22,320
Speaker 1: Don't be so ashamed. I ain't gonna lie. I get it,

3616
02:38:22,400 --> 02:38:24,320
Speaker 1: but quoted the song, I get it. But if one

3617
02:38:24,360 --> 02:38:26,920
Speaker 1: of my homies wife wife a known whole, I'm laughing.

3618
02:38:29,280 --> 02:38:32,200
Speaker 3: I'm just cracking hold him, I don't how quickly do

3619
02:38:32,280 --> 02:38:36,240
Speaker 3: you tell him like that's wife. Nah, you shouldn't do that.

3620
02:38:37,040 --> 02:38:38,440
Speaker 3: As soon as I see him dating her.

3621
02:38:39,400 --> 02:38:41,360
Speaker 2: I mean, why she was horring depends.

3622
02:38:41,440 --> 02:38:43,720
Speaker 3: But sometimes you can't tell when your man's is like

3623
02:38:44,120 --> 02:38:46,440
Speaker 3: in that gray area of is he just fucking her?

3624
02:38:46,800 --> 02:38:48,800
Speaker 3: You asked about the wife it.

3625
02:38:48,879 --> 02:38:51,080
Speaker 1: Was show with you in short, Yeah, he's like, yo,

3626
02:38:51,200 --> 02:38:52,039
Speaker 1: do I ain't gonna lie?

3627
02:38:52,320 --> 02:38:52,920
Speaker 5: I like her?

3628
02:38:54,720 --> 02:38:54,959
Speaker 1: Really?

3629
02:38:55,040 --> 02:38:56,840
Speaker 3: Are you going to be old enough to just straight

3630
02:38:56,879 --> 02:38:58,200
Speaker 3: up to you? She's a whrse, sir.

3631
02:38:58,680 --> 02:39:01,000
Speaker 1: If you want of my like close friends, yeah, that's

3632
02:39:01,000 --> 02:39:02,160
Speaker 1: how we give it up to each other. Me and

3633
02:39:02,240 --> 02:39:04,240
Speaker 1: my close friends that grew up with you ain't none

3634
02:39:04,240 --> 02:39:06,560
Speaker 1: of that sugar coating shit. I agree, she's a whole.

3635
02:39:07,240 --> 02:39:08,640
Speaker 1: I don't know if you know that and not saying that,

3636
02:39:08,760 --> 02:39:10,320
Speaker 1: and what if he's said that was her past? I

3637
02:39:10,360 --> 02:39:14,320
Speaker 1: don't give But when niggas start giggling when you want

3638
02:39:14,320 --> 02:39:16,400
Speaker 1: her walk in the set, nigga, you can't be you

3639
02:39:16,520 --> 02:39:17,160
Speaker 1: can't be mad.

3640
02:39:17,400 --> 02:39:18,800
Speaker 3: What if he replies with how you know.

3641
02:39:20,440 --> 02:39:22,760
Speaker 1: How I don't know side I'm in the.

3642
02:39:22,800 --> 02:39:25,600
Speaker 3: Streets just trying to come up with scenario.

3643
02:39:25,720 --> 02:39:29,200
Speaker 1: You know how you how you don't know? That would

3644
02:39:29,200 --> 02:39:31,120
Speaker 1: be my rebuttal like how you don't that would sting?

3645
02:39:31,240 --> 02:39:33,760
Speaker 1: That would sing like nigga, How you don't know?

3646
02:39:33,800 --> 02:39:34,959
Speaker 3: I would just play to take care song?

3647
02:39:35,120 --> 02:39:37,120
Speaker 1: Yeah, like nigga. But you know have fun, do your thing.

3648
02:39:37,400 --> 02:39:40,039
Speaker 7: You know, niggas be wife and whoes they People always

3649
02:39:40,040 --> 02:39:41,920
Speaker 7: say you can't say horror to a housewife, But every

3650
02:39:41,959 --> 02:39:43,840
Speaker 7: night I know that wife the horror loved that horror.

3651
02:39:44,560 --> 02:39:47,840
Speaker 2: They had the best fun. That was his best relationship.

3652
02:39:48,640 --> 02:39:50,879
Speaker 1: Yeah, they do have good relationships until.

3653
02:39:50,680 --> 02:39:52,560
Speaker 7: They If she horror for money, if she's a horror

3654
02:39:52,600 --> 02:39:54,160
Speaker 7: for money, then I wouldn't trust her. But if she

3655
02:39:54,280 --> 02:39:56,080
Speaker 7: was a hole just because like she ain't.

3656
02:39:55,879 --> 02:39:58,160
Speaker 1: Know no better, she ain't.

3657
02:39:58,440 --> 02:40:01,600
Speaker 5: She's for having the She doesn't know no better, she

3658
02:40:01,640 --> 02:40:03,560
Speaker 5: didn't know any better. So you're saying she wasn't in

3659
02:40:03,640 --> 02:40:04,240
Speaker 5: it first you.

3660
02:40:04,240 --> 02:40:07,359
Speaker 1: Knew them seven niggas standing outside that door. You shouldn't

3661
02:40:07,360 --> 02:40:11,240
Speaker 1: have fucked the niggas seven seven as a cruise.

3662
02:40:11,280 --> 02:40:13,600
Speaker 6: Just show God.

3663
02:40:13,959 --> 02:40:17,480
Speaker 7: Okay, what's a lot so many what I'm talking about.

3664
02:40:17,520 --> 02:40:18,959
Speaker 7: That's not an extreme, like.

3665
02:40:20,120 --> 02:40:20,680
Speaker 1: That's a hole of me.

3666
02:40:21,440 --> 02:40:25,640
Speaker 3: Yeah, but that's a big if, like that's the gauge

3667
02:40:25,680 --> 02:40:28,760
Speaker 3: of hoe, then I only know angels. I don't think

3668
02:40:28,800 --> 02:40:29,560
Speaker 3: I've ever met a hope.

3669
02:40:30,440 --> 02:40:32,119
Speaker 1: You think you think you've ever been in a relationship

3670
02:40:32,120 --> 02:40:33,080
Speaker 1: with a girl that had a train round.

3671
02:40:33,879 --> 02:40:35,640
Speaker 3: I hope to god, I haven't.

3672
02:40:38,160 --> 02:40:39,000
Speaker 1: I'll put it good.

3673
02:40:39,160 --> 02:40:41,680
Speaker 3: I hadn't. I no knowledge, but the God that you know,

3674
02:40:42,480 --> 02:40:45,280
Speaker 3: that's all you can do. What you pray for, that's

3675
02:40:45,360 --> 02:40:48,520
Speaker 3: all you do. God, if you listened it, please don't

3676
02:40:48,840 --> 02:40:49,760
Speaker 3: Is there anything else you could do?

3677
02:40:49,840 --> 02:40:51,600
Speaker 6: You think you never broke bread with a train. Shake.

3678
02:40:53,400 --> 02:40:55,280
Speaker 3: I probably broke bread with a girl that's been trained

3679
02:40:55,280 --> 02:40:59,080
Speaker 3: before breaking bread. It's so like ate a meal with

3680
02:40:59,120 --> 02:41:00,680
Speaker 3: a girl that's had a train on her. Yes, I've

3681
02:41:00,680 --> 02:41:01,480
Speaker 3: probably done that before.

3682
02:41:02,920 --> 02:41:05,199
Speaker 1: Yeah, that crazy.

3683
02:41:05,240 --> 02:41:07,560
Speaker 6: You know trains ran on them?

3684
02:41:08,000 --> 02:41:10,840
Speaker 1: Yeah? Absolutely? Are you kidding me?

3685
02:41:11,120 --> 02:41:12,200
Speaker 6: Damned? I don't think I do.

3686
02:41:13,640 --> 02:41:14,880
Speaker 3: You probably do? You know?

3687
02:41:15,000 --> 02:41:18,040
Speaker 1: I mean, like knowingly, like I'm sure I do. I

3688
02:41:18,160 --> 02:41:20,080
Speaker 1: just don't know who of my I'm cool with a

3689
02:41:20,160 --> 02:41:21,680
Speaker 1: girl that had a train ran on her and she

3690
02:41:21,720 --> 02:41:23,040
Speaker 1: don't know that. I know she had her train ran

3691
02:41:23,080 --> 02:41:25,200
Speaker 1: on and I would never tell her that. I know that.

3692
02:41:25,760 --> 02:41:28,080
Speaker 3: I've never been in that position. I feel like all

3693
02:41:28,120 --> 02:41:30,080
Speaker 3: the girls I've known, they've known.

3694
02:41:30,160 --> 02:41:33,800
Speaker 1: I've known that. Now I was she was like the kabooth,

3695
02:41:33,920 --> 02:41:35,640
Speaker 1: she was with the train like she wasn't like she

3696
02:41:35,800 --> 02:41:38,240
Speaker 1: was you know, niggas, ain't. She wasn't drunk and pasted

3697
02:41:38,240 --> 02:41:42,000
Speaker 1: out niggas. No, I'm just saying like she knew, like

3698
02:41:42,120 --> 02:41:43,600
Speaker 1: she was just you know, she was in that moment

3699
02:41:43,640 --> 02:41:47,040
Speaker 1: in her life where she was just having fun. So yeah,

3700
02:41:47,120 --> 02:41:51,240
Speaker 1: it happens. But Evan, find a girl, stop hanging out

3701
02:41:51,320 --> 02:41:53,120
Speaker 1: wherever you hanging out at. You got to completely change

3702
02:41:53,120 --> 02:41:57,119
Speaker 1: your lifestyle. You got to completely change your energy. People

3703
02:41:57,240 --> 02:41:59,720
Speaker 1: only gonna treat you the way you treat yourself. So

3704
02:42:00,959 --> 02:42:03,360
Speaker 1: all right, Evan, well, good luck man. Hopefully you know

3705
02:42:03,560 --> 02:42:06,240
Speaker 1: you change your lifestyle, you start hanging out different places,

3706
02:42:06,600 --> 02:42:08,360
Speaker 1: people only gonna treat you the way you treat yourself.

3707
02:42:08,440 --> 02:42:10,920
Speaker 1: So you know, you got to change. You gotta change

3708
02:42:10,920 --> 02:42:12,400
Speaker 1: yourself if you want women to change the way they

3709
02:42:12,440 --> 02:42:14,560
Speaker 1: approach you and the energy that they approach you with.

3710
02:42:14,760 --> 02:42:17,160
Speaker 1: So call us back and let us know. Call us

3711
02:42:17,160 --> 02:42:18,640
Speaker 1: back in about two three months. Let us know what

3712
02:42:18,720 --> 02:42:19,200
Speaker 1: the update is.

3713
02:42:19,320 --> 02:42:22,360
Speaker 3: And always remember it's in the Bible. Only women can

3714
02:42:22,400 --> 02:42:25,600
Speaker 3: be host men can't. So you're actually an upstanding Book

3715
02:42:25,600 --> 02:42:30,560
Speaker 3: of David Believe. Yes, okay, Gottess, you're an upstanding Catholic man.

3716
02:42:30,760 --> 02:42:32,560
Speaker 3: Really at the end of the day, So don't don't

3717
02:42:32,560 --> 02:42:34,800
Speaker 3: beat yourself up over this. They're horse, you're not.

3718
02:42:36,959 --> 02:42:37,640
Speaker 1: No, he's a whore.

3719
02:42:42,480 --> 02:42:42,960
Speaker 3: They made him.

3720
02:42:43,160 --> 02:42:45,000
Speaker 1: He's a product of his environment. He's a product.

3721
02:42:45,160 --> 02:42:47,000
Speaker 3: It was like when Eve, you know, bit the apple

3722
02:42:47,040 --> 02:42:48,600
Speaker 3: and like try to get at him to ship.

3723
02:42:48,640 --> 02:42:50,560
Speaker 1: It's like black on black crime, Like we can only

3724
02:42:50,640 --> 02:42:51,960
Speaker 1: kill each other because we live next to ye. He

3725
02:42:52,040 --> 02:42:54,120
Speaker 1: was a straight a student until these horrors met him.

3726
02:42:55,280 --> 02:42:56,840
Speaker 3: It's like black black crime.

3727
02:42:57,040 --> 02:42:59,000
Speaker 1: Yeah, they say black and black crimes, but we live

3728
02:42:59,080 --> 02:43:00,640
Speaker 1: right here in the same WI else are we gonna

3729
02:43:00,680 --> 02:43:03,080
Speaker 1: kill a viscious cycle. It's a vicious cycle it is.

3730
02:43:05,280 --> 02:43:07,400
Speaker 1: Let's get the funk out of here, man. We'll talk

3731
02:43:07,440 --> 02:43:09,720
Speaker 1: to y'all soon. We had a lot of shit to

3732
02:43:09,760 --> 02:43:11,400
Speaker 1: talk about. We've been going for a few days, so

3733
02:43:11,720 --> 02:43:13,240
Speaker 1: that's what happens when you're going from the culture for

3734
02:43:13,240 --> 02:43:15,600
Speaker 1: a few days. Sh it happens. But we'll be back

3735
02:43:15,640 --> 02:43:17,600
Speaker 1: in a couple of days to talk to y'all. Enjoy

3736
02:43:17,640 --> 02:43:20,640
Speaker 1: your weekend, Be safe, be blessed. I'm that nigga. He's

3737
02:43:20,680 --> 02:43:23,520
Speaker 1: just ginger peace Worran now