WEBVTT - I8A 4RE (S2 E20, “A Competitive Edge”)

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<v Speaker 1>With Jenny Garth and Tori Spelling. Hi you guys, welcome

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<v Speaker 1>to another episode of nine O two one O MG. Okay,

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<v Speaker 1>this is I'm the most excited right now because my

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<v Speaker 1>co host today is the one and only Iron Zering,

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<v Speaker 1>my boy bestie, Oh my gosh, Steve Sanders in the house.

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<v Speaker 1>I'm so excited you're on. This is amazing. You've been

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<v Speaker 1>doing this podcast for some time and it's just grown

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<v Speaker 1>in in uh numbers, and people are listening and like,

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<v Speaker 1>maybe you Mr calling, maybe you should have been a DJ.

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<v Speaker 1>Oh my now or is this are you a VJ?

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<v Speaker 1>Is this a video? This is a black just is

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<v Speaker 1>this is crazy. It's a whole new world. I'm a PJ,

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<v Speaker 1>a pod podcast. I don't know. Yeah, it's a whole

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<v Speaker 1>new world. It's you're a pod jock, a PJ. I'm

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<v Speaker 1>a PJ. Yes, I like that. I like that, and

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<v Speaker 1>you like wear pj's, so yeah, definitely, um so yeah,

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<v Speaker 1>I mean Jenny and I have been doing this now

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<v Speaker 1>we're on the second season obviously, um today we're talking

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<v Speaker 1>about episode twenty of the second season. It's so crazy

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<v Speaker 1>to watch the show back now because it's a whole

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<v Speaker 1>different ballgame. We all have kids. Um, all the lessons

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<v Speaker 1>we're seeing that happened on that show are well for us.

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<v Speaker 1>We like, I have teenagers, but we have you have

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<v Speaker 1>young kids. But it's gonna all have an eight major show. Um,

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<v Speaker 1>it's so true, right, Oh my gosh, and you have

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<v Speaker 1>two girls, man, so I think so obviously. So for

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<v Speaker 1>everyone listening, like, we didn't just play like best friends

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<v Speaker 1>on TV, we actually are best friends in our life

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<v Speaker 1>and we are kids are friends, and um, we have

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<v Speaker 1>a beauty business together, so we do a lot together. Um. So,

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<v Speaker 1>Sella just turned thirteen in June, and I'm not kidding.

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<v Speaker 1>I like when she the day she turned their teen,

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<v Speaker 1>she turned into a different human. I want to hear

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<v Speaker 1>something good. Everyone's telling me about horror stories when they

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<v Speaker 1>get older, and it's like, my, I'm already they're already

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<v Speaker 1>like giving me a hard time and sash talking. I mean,

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<v Speaker 1>they're still sweet angels. And you know, my oldest Mia,

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<v Speaker 1>she's you know, still a little kid, and I'm trying

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<v Speaker 1>to not just embrace that but encourage it to stick

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<v Speaker 1>around as long as possible. But my little one, Penna,

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<v Speaker 1>she's like, oh dad, we can't cut my nails like

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<v Speaker 1>what do you mean we can't cut your nails. It's like,

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<v Speaker 1>oh no, I'm growing my nails and I'm like, oh no,

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<v Speaker 1>we're not growing on nails. Chew me out out. It's

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<v Speaker 1>I know it well. Jen always said to me, because

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<v Speaker 1>obviously her kids are older, she was like, you're so

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<v Speaker 1>screwed when they become teenagers. And I was like, no,

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<v Speaker 1>it's easy, but it is. It's starting, and it's like,

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<v Speaker 1>it's crazy, it's hard to navigate. Who would have thought

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<v Speaker 1>Steve Sanders, I mean, you're such a great dad, but

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<v Speaker 1>who would would have fought it like Steve Sanders. He

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<v Speaker 1>just didn't seem like this is not Steve Sanders. I know.

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<v Speaker 1>But that's how people know us. We're always was a

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<v Speaker 1>good father from what we saw, I mean baby Maddie,

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<v Speaker 1>and he was caring and loving and devoted and the

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<v Speaker 1>complete antithesis of the way he was when we first

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<v Speaker 1>met him. He was a brash, obnoxious, rich kids spoiled, arrogant.

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<v Speaker 1>Look at me, I'm Sandra d here's a hundred dollars.

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<v Speaker 1>Once you just go get out of my way, you know.

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<v Speaker 1>And it was a nice arc from the beginning to

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<v Speaker 1>the end. Playing Steve. It really was. I mean, oh

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<v Speaker 1>my gosh, Steve did change so much. Wait, I know

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<v Speaker 1>the story, but our listeners don't. Can you talk us

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<v Speaker 1>through the story of getting Steve Sanders getting that role? Okay,

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<v Speaker 1>all right, so many people may know this, but U,

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<v Speaker 1>Manny don't. So let's go through one more time. I

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<v Speaker 1>was twenty six years old, went on audition for nine

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<v Speaker 1>oh two on Oh. I was out of college for

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<v Speaker 1>a couple of years already, and it was a tough time.

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<v Speaker 1>I had done a soap opera in New York City.

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<v Speaker 1>I was on guiding light for a couple of years

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<v Speaker 1>and that ended. And you know what usually would cover

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<v Speaker 1>me were commercials. I would like book a ton of

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<v Speaker 1>commercials every year and it would really pay all my

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<v Speaker 1>bills and it wouldn't be a problem. But this is

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<v Speaker 1>the first time since I scored a soap opera that

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<v Speaker 1>I wasn't working at all. It had been about a

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<v Speaker 1>year and a half since I had booked anything, and

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<v Speaker 1>I was having a tough time. I was living in Marstown,

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<v Speaker 1>New Jersey. I bought a condo with my soap opera money,

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<v Speaker 1>and I had my roommates, my friends from high school

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<v Speaker 1>living there with me, and paying rent. But at the

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<v Speaker 1>same time, I was starting to see the bottom of

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<v Speaker 1>the barrel, and you know, even second guessing whether I

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<v Speaker 1>should buy a pair of jeans at the gap for

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<v Speaker 1>forty bucks because it was tough. My father, who UH

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<v Speaker 1>school teacher UM and a guidance counselor, started off in music,

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<v Speaker 1>went to guidance, spent forty three years as a teacher,

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<v Speaker 1>never really made much money, but always was able to

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<v Speaker 1>take care of the family. When I told him I

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<v Speaker 1>was starting to you know here that distinct sucking sound

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<v Speaker 1>of a empty bank account, he said, all right, I'll

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<v Speaker 1>give you fifteen hundred dollars a month, uh for two

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<v Speaker 1>years and months, eighteen grand Considering my father was only

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<v Speaker 1>making forty five thousand dollars a year, that was a

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<v Speaker 1>lot of money. It may have been from savings, but

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<v Speaker 1>like I, I understood the value of that money and

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<v Speaker 1>how hard my father had worked for it. So I

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<v Speaker 1>was like, oh, all right, all right, But I was

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<v Speaker 1>desperate and anyway, so I took the check and I

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<v Speaker 1>put it in my wallet. I didn't rush to cash

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<v Speaker 1>it because I wanted to wait, and I was in

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<v Speaker 1>California at the time, and I had enough. I was

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<v Speaker 1>done with California. Everyone out there was just so superficial.

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<v Speaker 1>Everyone you know, everyone's in the entertainment industry, and it

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<v Speaker 1>was just difficult. So I went back to New Jersey

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<v Speaker 1>where I lived, and I told my agent, I don't

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<v Speaker 1>want to go back out to California. Really wasn't happy

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<v Speaker 1>out there. And it says, well, it's funny you're saying that,

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<v Speaker 1>because I have an audition for you. It's called the

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<v Speaker 1>Class of Beverly Hills, and if you get it, it it

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<v Speaker 1>shoots out in California. And I said, well, to be

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<v Speaker 1>out there, if I'm working, it's gonna be a much

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<v Speaker 1>different animal. So I'm doubt. I'm doubt. I had to

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<v Speaker 1>go into New York City to pick up the script.

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<v Speaker 1>There was no This is March and there's no internet,

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<v Speaker 1>there's no cell phones. Were still on VHS tape, the

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<v Speaker 1>DVD hasn't even been invented. My father is still driving

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<v Speaker 1>a car that has no We were past that eight

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<v Speaker 1>track tapes. It wasn't too much before that that they disappeared.

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<v Speaker 1>But drive in New York City to pick up the script,

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<v Speaker 1>and I remember the audition was on Lexington Avenue. No, No,

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<v Speaker 1>I had to pick up the script because they were

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<v Speaker 1>putting us on tape the next day. So I drive

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<v Speaker 1>into New York City and I go upstairs. There was

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<v Speaker 1>one flight to this big office, and nobody was there.

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<v Speaker 1>So I looked around and I see a sign in

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<v Speaker 1>a legal pad, which, by the way, has fifty lines

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<v Speaker 1>on the legal pettis fifty lines and they're all numbered.

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<v Speaker 1>And there are also fifty scripts waiting for actors to

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<v Speaker 1>come in pick one up. And there was a sign

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<v Speaker 1>that said take a sign in and take a script.

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<v Speaker 1>So I looked around, wondering if anybody was there, said hello,

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<v Speaker 1>and then someone in the back real sternly said just

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<v Speaker 1>sign in and take a script, as if I couldn't read,

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<v Speaker 1>or they were arrogant enough to think that I didn't

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<v Speaker 1>have any other questions, which really was where's the bathroom?

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<v Speaker 1>But anyway, so I looked at the sign in script,

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<v Speaker 1>and I looked at the scripts, and I looked at

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<v Speaker 1>the sign and I remember the eight hundred dollar check

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<v Speaker 1>and my father handing it to me, and I remember

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<v Speaker 1>not working and feeling desperate. I signed, I wrote my

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<v Speaker 1>name number one, I wrote ben over, and then I

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<v Speaker 1>grabbed all the scripts and got out of there as

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<v Speaker 1>quickly as I kind I'm running down LEXI to the avenue,

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<v Speaker 1>always scripts in my hand, waiting for somebody to put

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<v Speaker 1>a should hand on my shoulder, and never happened, and

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<v Speaker 1>oh my god. I got home. I ripped out the

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<v Speaker 1>scenes that I was going to do for to be

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<v Speaker 1>put on tape. Tim Hunter, the director of the pilot episode,

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<v Speaker 1>very profound, very prolific director um was shooting the pilot

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<v Speaker 1>and I had to be ready. I worked, shopped my scenes,

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<v Speaker 1>Kelly Taylor is the business bitch and all of Beverly Hills,

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<v Speaker 1>all that work shopped at the night before, got it

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<v Speaker 1>inside there so I could own it. And then I

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<v Speaker 1>went into the audition the next day and everyone that

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<v Speaker 1>was coming in for the part of Steve because they

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<v Speaker 1>were reading Steve's this day, Hey you got a script

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<v Speaker 1>were left when I got there and I asked for

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<v Speaker 1>a script to I mean, I had to, yeah, how

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<v Speaker 1>do you know the life? So I went in there

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<v Speaker 1>and UH delivered what I had intended. I mean, as

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<v Speaker 1>an actor, we are Victory is in the room. If

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<v Speaker 1>you deliver, if you prepare and accomplished what you set

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<v Speaker 1>out to do, then that's your win. You can't always

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<v Speaker 1>be the guy and I knew that, but I needed

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<v Speaker 1>a job, so I went in. I did what I did.

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<v Speaker 1>I don't really recommend it. I was kind of living

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<v Speaker 1>on the wrong side of the still in the gray line.

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<v Speaker 1>It didn't break any laws, but ethics. I acknowledge that

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<v Speaker 1>I was desperate. You know, desperate times called for desperate measures,

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<v Speaker 1>and I I did what I did. But in hindsight,

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<v Speaker 1>I think they hired the right fucking Steve Sanders clearly,

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<v Speaker 1>righty right like that wins a total Steve Sanders move. Um,

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<v Speaker 1>that's really where Steve and I separate, other than the

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<v Speaker 1>fact that we look like she's aging much more gracefully

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<v Speaker 1>than I am. But suffice it to say, that's how

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<v Speaker 1>it all went down, you know, that's how it went down.

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<v Speaker 1>I flew out, I got a screen test. I was

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<v Speaker 1>very excited, and I flew out to California. They put

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<v Speaker 1>me on a plane like two days later. I was

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<v Speaker 1>flying out there with two other actors. Both were reading

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<v Speaker 1>for Brandon and and Brenda and get on the ground

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<v Speaker 1>at L A X. They pick us up. They put

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<v Speaker 1>us at the high on sunset and it's like six

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<v Speaker 1>o'clock at night. I got to be at the executive

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<v Speaker 1>studios at Fox. At nine in the morning, I'm sitting

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<v Speaker 1>on my bed and I'm watching Cops and it was

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<v Speaker 1>an episode where some like rock stars grow brand got

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<v Speaker 1>a song and she's like in the corner of this

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<v Speaker 1>this hotel room just gotta bed spread over her head.

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<v Speaker 1>She's all embarrased, cops trying to talk to her. The

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<v Speaker 1>phone it down, and I'm looking at that bedspread and

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<v Speaker 1>I'm looking at the bed I'm sitting on back and

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<v Speaker 1>what it's the same Like got assaulted in the same hotel,

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<v Speaker 1>but I was daying in That's what I had to

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<v Speaker 1>go to sleep on. Great you wake up that. It

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<v Speaker 1>was just one of these crazy things I remember. So

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<v Speaker 1>the next morning, I wake up the hardest pounding. This

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<v Speaker 1>is a screen test. I'm going in. The executives are

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<v Speaker 1>gonna be there, Your dad's gonna be there. Peter Chernam

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<v Speaker 1>was there, Barry Diller was there. There was about ten

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<v Speaker 1>twelve executives in this room somewhere, even sitting on the

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<v Speaker 1>back of the couch, not just in the cushions, and

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<v Speaker 1>it was backed. Dowren Starr was there, and I knew

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<v Speaker 1>everyone that was in that room. I would read the

0:11:46.760 --> 0:11:50.080
<v Speaker 1>trade Favers. It's very important. You gotta know your industry.

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<v Speaker 1>You can't just think you're an actor and not know

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<v Speaker 1>what's going on. I knew every face in that room

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<v Speaker 1>from the Hollywood Reporter. And I'm sitting outside on the

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<v Speaker 1>floor outside the room the room, and there's a darker

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<v Speaker 1>complexed young man sitting next to me. There's a bigger,

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<v Speaker 1>blonde haired guy sitting next to me. The dude to

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<v Speaker 1>my right, it kind of looked like Italian. He was

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<v Speaker 1>also reading for Steve. There's me, and then there was

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<v Speaker 1>somebody that kind of looked like Michael Politz. No, no,

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<v Speaker 1>Michael Paul's Michael cutlass. You know, bigger blond wasn't cutlets

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<v Speaker 1>solf In any event. Before I had left the scene

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<v Speaker 1>of the crime, I put vassiline on my gums because

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<v Speaker 1>I had seen once in some interview with a miss

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<v Speaker 1>American Passion or whatever, that they put vassoline on their

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<v Speaker 1>gums so they get nervous. They can still talk like

0:12:58.920 --> 0:13:03.360
<v Speaker 1>freaking genius. My biggest problem was hotton mouth. I'd go

0:13:03.400 --> 0:13:06.160
<v Speaker 1>into a room and I'd be like, howat on I'm

0:13:06.200 --> 0:13:10.680
<v Speaker 1>all day? It's like, and I know you can fill

0:13:10.760 --> 0:13:13.240
<v Speaker 1>your tongue and your left hanging on your guns like

0:13:13.320 --> 0:13:16.240
<v Speaker 1>it's not cool. So I'm like, damn, let me try

0:13:16.280 --> 0:13:18.920
<v Speaker 1>the basselin. It feels like vasselin. I'm like, but a

0:13:18.960 --> 0:13:21.959
<v Speaker 1>little bit. I'm good. I'm good, So that wasn't a problem.

0:13:22.160 --> 0:13:25.880
<v Speaker 1>I'm sitting outside just trying to control my breathing, very

0:13:25.920 --> 0:13:28.400
<v Speaker 1>confident in my material. It was very prepared. It's always

0:13:28.400 --> 0:13:32.480
<v Speaker 1>important people be prepared. Sitting there, I'm really prepared, Just

0:13:32.520 --> 0:13:36.480
<v Speaker 1>trying to get my heart not pounding in my chest.

0:13:37.520 --> 0:13:42.600
<v Speaker 1>The Italian dude is sitting maybe five ft for me,

0:13:42.640 --> 0:13:46.360
<v Speaker 1>saying his lines out loud. Oh that's the worst, Like,

0:13:46.480 --> 0:13:49.760
<v Speaker 1>what the hell? I say, excuse me? Can you maybe

0:13:50.040 --> 0:13:53.000
<v Speaker 1>use your inside voice for that? Because I hear that

0:13:53.720 --> 0:13:55.400
<v Speaker 1>and I don't want to hear that. I'm here for

0:13:55.440 --> 0:13:57.400
<v Speaker 1>a job and I know you are, but let's be

0:13:57.480 --> 0:14:00.559
<v Speaker 1>respectful of each other's space and time and efforts that

0:14:00.679 --> 0:14:02.600
<v Speaker 1>have gotten us as far. So please, And he's like,

0:14:02.760 --> 0:14:07.320
<v Speaker 1>gave me some stink eye whatever. So I just chilled,

0:14:08.880 --> 0:14:12.000
<v Speaker 1>and then I look over at that the big guy,

0:14:12.120 --> 0:14:17.480
<v Speaker 1>and he's like down the hallway doing pushups. Oh you

0:14:17.520 --> 0:14:19.720
<v Speaker 1>know that guy. They're out there. Maybe the chicks don't

0:14:19.760 --> 0:14:22.880
<v Speaker 1>do that but like this dude was like busting out,

0:14:24.160 --> 0:14:26.360
<v Speaker 1>getting his push ups in for just get him piped,

0:14:26.360 --> 0:14:28.080
<v Speaker 1>get him in the right right state of mind, get

0:14:28.120 --> 0:14:33.800
<v Speaker 1>him in that peak state. The door opens and the

0:14:33.800 --> 0:14:36.480
<v Speaker 1>guy to my right gets called in, and I'm just

0:14:36.520 --> 0:14:39.400
<v Speaker 1>sitting there, but I can hear inside the damn room,

0:14:40.760 --> 0:14:46.760
<v Speaker 1>right yeah, and everybody's laughing. Everybody's laughing. It's not a

0:14:46.760 --> 0:14:49.800
<v Speaker 1>great sign when you're outside the door and they're laughing

0:14:49.800 --> 0:14:55.760
<v Speaker 1>at the dude. Who's your competition? Who? Like m laughing?

0:14:55.960 --> 0:14:58.560
<v Speaker 1>And he was in there for what seemed to be

0:14:59.400 --> 0:15:02.280
<v Speaker 1>and in ordinate amount of time compared to the material

0:15:02.320 --> 0:15:07.240
<v Speaker 1>that we were there to audition for it, so already like, chill, chill, chill,

0:15:07.560 --> 0:15:11.920
<v Speaker 1>It's okay. He comes out, The door opens, the divine

0:15:12.000 --> 0:15:15.240
<v Speaker 1>light shines. He walks out, He's got this look on

0:15:15.280 --> 0:15:17.400
<v Speaker 1>his face. He's not sure if he had brain surgery

0:15:17.480 --> 0:15:19.400
<v Speaker 1>or not. So I don't know if they were laughing

0:15:19.480 --> 0:15:23.120
<v Speaker 1>with him or laughing atam. So he becomes irrelevant in

0:15:23.200 --> 0:15:28.840
<v Speaker 1>my mind game because he's not he's not confident. I

0:15:28.920 --> 0:15:31.680
<v Speaker 1>are you ready? I said, yeah, let's do this. And

0:15:31.720 --> 0:15:33.360
<v Speaker 1>I stood up and I walked in the room, and

0:15:33.400 --> 0:15:38.040
<v Speaker 1>I was taken back because the room was packed and

0:15:38.200 --> 0:15:44.080
<v Speaker 1>I recognized Aaron, I recognized, you know, Barry Diller. Um,

0:15:44.160 --> 0:15:47.360
<v Speaker 1>Peter Chernon is in the room. Um, all these other

0:15:47.840 --> 0:15:51.640
<v Speaker 1>young execs that were there, Some had notepads. It was

0:15:53.040 --> 0:15:54.920
<v Speaker 1>there was no cameras at this point. This was your

0:15:55.400 --> 0:16:00.200
<v Speaker 1>live theatrical audition for the network. And already I'm starting

0:16:00.240 --> 0:16:04.760
<v Speaker 1>to feel my heart started town in my chest. And um,

0:16:04.960 --> 0:16:07.240
<v Speaker 1>the casting agent says, oh, this is Iron Jeering. He

0:16:07.240 --> 0:16:11.720
<v Speaker 1>flew all the way here from from New Jersey. Uh.

0:16:11.760 --> 0:16:14.680
<v Speaker 1>So ever, oh, welcome man. Your dad was so gracious

0:16:15.080 --> 0:16:17.000
<v Speaker 1>I and thanks so much for coming out here. I

0:16:17.040 --> 0:16:21.240
<v Speaker 1>can't wait to see what you brought us. So I said, okay,

0:16:21.320 --> 0:16:23.680
<v Speaker 1>well great. I want you all to pay close touching

0:16:23.680 --> 0:16:26.640
<v Speaker 1>because there's gonna be a quiz after this. He said

0:16:26.640 --> 0:16:30.280
<v Speaker 1>that it was just enough to break the ice. They

0:16:30.320 --> 0:16:32.280
<v Speaker 1>all laughed and as I'm just kidding. I'm just kidding.

0:16:32.960 --> 0:16:37.400
<v Speaker 1>But it eased me and it I think it made

0:16:37.520 --> 0:16:41.160
<v Speaker 1>me more accessible because I went out on a ledge

0:16:41.480 --> 0:16:47.120
<v Speaker 1>and was vulnerable for a moment before I delivered they

0:16:48.040 --> 0:16:57.480
<v Speaker 1>the material that made me Iron TVs. Iron Zeering. I

0:16:57.520 --> 0:17:01.600
<v Speaker 1>did my three scenes, I got some chuckles. I accomplished

0:17:01.600 --> 0:17:03.800
<v Speaker 1>what answered out too, I wasn't getting the left that

0:17:03.880 --> 0:17:06.520
<v Speaker 1>that first dude was getting. Wasn't in the room as

0:17:06.560 --> 0:17:09.960
<v Speaker 1>long as everybody, Aaron says, I stood up, shook man. Thanks.

0:17:10.200 --> 0:17:12.600
<v Speaker 1>Does everybody talk like that when they do? Aaron, thanks

0:17:12.640 --> 0:17:17.439
<v Speaker 1>so much for coming. You're nailing it. I mean some yeah, yeah,

0:17:17.480 --> 0:17:19.960
<v Speaker 1>everyone always tries to do his voice, but like you're

0:17:20.000 --> 0:17:24.679
<v Speaker 1>doing exactly gentleman, and like stood up and shook my

0:17:24.720 --> 0:17:26.960
<v Speaker 1>hand and his pipe in his mouth, so much for coming.

0:17:27.000 --> 0:17:30.200
<v Speaker 1>Did a great job. And by the way, people, that's

0:17:30.240 --> 0:17:33.119
<v Speaker 1>the kiss of death. When so his thanks for coming.

0:17:33.600 --> 0:17:35.400
<v Speaker 1>You want to hear that ship. You want to hear like, wow,

0:17:35.400 --> 0:17:38.439
<v Speaker 1>that was really awesome. You shed new light on stuff.

0:17:38.480 --> 0:17:42.240
<v Speaker 1>You really elevated the materials you want to hear When

0:17:42.240 --> 0:17:48.200
<v Speaker 1>you hear thanks are coming, it's like so so. Joanna

0:17:48.320 --> 0:17:51.600
<v Speaker 1>Ray was the casting director, Juanna Ray. Juanna Ray. Right,

0:17:52.040 --> 0:17:55.000
<v Speaker 1>she's the one who opened the door and the divine

0:17:55.119 --> 0:17:58.600
<v Speaker 1>light shone over her shoulders, made a silhoue edges a iron.

0:17:59.600 --> 0:18:06.280
<v Speaker 1>Are you you ready? I walked in but right, Joanna Ray,

0:18:06.680 --> 0:18:09.200
<v Speaker 1>So I said, well, listen to everybody, thanks so much

0:18:09.240 --> 0:18:11.119
<v Speaker 1>for this opportunity. I love the material I wish you

0:18:11.200 --> 0:18:13.639
<v Speaker 1>all the best, whether I'm playing a character or not.

0:18:13.720 --> 0:18:15.320
<v Speaker 1>This is gonna be a huge chin. Thank you. And

0:18:15.320 --> 0:18:20.400
<v Speaker 1>I walked out and as I passed the big guy,

0:18:20.840 --> 0:18:23.000
<v Speaker 1>you know, almost shoulder to shoulder as he was getting

0:18:23.000 --> 0:18:25.399
<v Speaker 1>called in, he looks at me as I had to go,

0:18:26.040 --> 0:18:32.600
<v Speaker 1>and I went like this. It went great. This is

0:18:32.640 --> 0:18:36.600
<v Speaker 1>a competitive business people. You gotta do everything you can

0:18:38.640 --> 0:18:42.760
<v Speaker 1>to stand out, and I don't I look back with

0:18:42.880 --> 0:18:47.159
<v Speaker 1>some I can't say I'm regretful for doing it. I

0:18:47.200 --> 0:18:49.879
<v Speaker 1>acknowledged that it wasn't the right thing to do to

0:18:50.119 --> 0:18:56.480
<v Speaker 1>take all those scripts, but you know, telling that guy

0:18:56.880 --> 0:18:58.600
<v Speaker 1>to mess with his head, try to shake him off

0:18:58.640 --> 0:19:01.360
<v Speaker 1>his game. You gotta do whatever it takes to stand out.

0:19:02.240 --> 0:19:05.000
<v Speaker 1>That's the story of how Steve Sanders, How I got

0:19:05.040 --> 0:19:07.240
<v Speaker 1>to play Steve Sanders. I got the part the next

0:19:07.240 --> 0:19:10.879
<v Speaker 1>morning and we started filming three days later. It was

0:19:10.920 --> 0:19:14.760
<v Speaker 1>the party scene up at that mansion in Beverly Hills.

0:19:15.560 --> 0:19:18.119
<v Speaker 1>Oh my gosh, it was the night scene. Was that

0:19:18.160 --> 0:19:22.879
<v Speaker 1>our first? Yeah? All nighter, all nighter, all nighter. Kelly

0:19:22.920 --> 0:19:26.680
<v Speaker 1>Taylor's the biggest bitch of all Beverly Hills. Blah blah blah,

0:19:26.720 --> 0:19:30.359
<v Speaker 1>Brian stealing my corvette some like being intoxicated and seeing

0:19:30.400 --> 0:19:33.240
<v Speaker 1>some kid with dreadlocks over me saying like there's a

0:19:33.280 --> 0:19:35.199
<v Speaker 1>spider on your head or whatever. I don't know what

0:19:35.240 --> 0:19:37.960
<v Speaker 1>I was talking about. It was just improving or away.

0:19:38.200 --> 0:19:40.720
<v Speaker 1>You did write a lot of that was improved. Those scenes.

0:19:40.840 --> 0:19:44.199
<v Speaker 1>Oh my, you were so good. It's just fun. It's

0:19:44.240 --> 0:19:55.359
<v Speaker 1>just fun. Hey guys, it's Janet Kramer. The I Heart

0:19:55.440 --> 0:19:58.800
<v Speaker 1>Radio Music Festival is back. Join us for the official

0:19:58.840 --> 0:20:02.240
<v Speaker 1>I Heart Radio Music Still pre Show podcast hosted by

0:20:02.280 --> 0:20:05.240
<v Speaker 1>me Janet Kramer. It's going to be a blast and

0:20:05.240 --> 0:20:08.320
<v Speaker 1>we will have all your favorite celebrities and artists joining,

0:20:08.400 --> 0:20:14.199
<v Speaker 1>such as Chrissy Mets, Debbie Gibson, Joey McIntyre, Donny Osmond, Degrees,

0:20:14.520 --> 0:20:18.119
<v Speaker 1>Teddy Mellencamp and so many more. Get your tickets today

0:20:18.160 --> 0:20:25.159
<v Speaker 1>at on location live dot com. Let's get lucky. So

0:20:25.320 --> 0:20:28.720
<v Speaker 1>you were number two going into the room. Is that

0:20:29.119 --> 0:20:32.040
<v Speaker 1>there's a theory out there that they always put the

0:20:32.080 --> 0:20:34.960
<v Speaker 1>one they want the most in the middle position. Do

0:20:35.000 --> 0:20:37.840
<v Speaker 1>you think that's true? I don't know. I you know,

0:20:37.840 --> 0:20:39.879
<v Speaker 1>I seldom in that casting position at the times that

0:20:39.920 --> 0:20:44.479
<v Speaker 1>I've produced and cast. Get in the room just whenever,

0:20:44.880 --> 0:20:48.960
<v Speaker 1>you know, I when you're seeing people for the first time.

0:20:49.480 --> 0:20:51.639
<v Speaker 1>I don't know. I mean, I don't know. It's not

0:20:51.760 --> 0:20:55.040
<v Speaker 1>what I've done in the past. So wait, you didn't

0:20:55.040 --> 0:20:58.000
<v Speaker 1>go back home then, No. I stayed out there because

0:20:58.000 --> 0:21:00.119
<v Speaker 1>they told me if you get the part that your

0:21:00.119 --> 0:21:03.199
<v Speaker 1>bags were gonna be starting shooting three days later. So

0:21:03.440 --> 0:21:05.320
<v Speaker 1>does someone have to ship your stuff out or you

0:21:05.359 --> 0:21:08.480
<v Speaker 1>brought everything? I brought a suitcase with me. We shot

0:21:08.520 --> 0:21:11.359
<v Speaker 1>the pilot in what twelve days? Ten days? Oh, that's right,

0:21:11.400 --> 0:21:14.920
<v Speaker 1>I'm thinking yeah. And then that was the end of that,

0:21:15.400 --> 0:21:22.680
<v Speaker 1>and I went home back to Jersey and the pilot

0:21:22.720 --> 0:21:27.159
<v Speaker 1>aired I think it's September, and we got trashed in

0:21:27.240 --> 0:21:32.159
<v Speaker 1>the press. We got such oh yeah, we got really

0:21:32.240 --> 0:21:38.840
<v Speaker 1>poorly reviewed. It was it was bad, and I thought, well, okay,

0:21:38.840 --> 0:21:40.960
<v Speaker 1>I got this under my belt, what's next because I

0:21:40.960 --> 0:21:43.880
<v Speaker 1>didn't think it was gonna go And then Fox picked

0:21:43.920 --> 0:21:46.360
<v Speaker 1>it up a couple of years after that. They were

0:21:46.400 --> 0:21:48.679
<v Speaker 1>ordering two seasons at a time for several years and

0:21:48.760 --> 0:21:50.480
<v Speaker 1>double ups and they couldn't get enough. And I know

0:21:50.600 --> 0:21:53.760
<v Speaker 1>two it's so true. We I just want to go back.

0:21:53.800 --> 0:21:55.720
<v Speaker 1>I want to ask you about because I remember this.

0:21:55.800 --> 0:21:59.240
<v Speaker 1>So there was a read through at my dad's house

0:21:59.840 --> 0:22:03.159
<v Speaker 1>I um, and I remember because my dad was between

0:22:03.160 --> 0:22:06.639
<v Speaker 1>my audition and and when we started shooting, we did

0:22:06.680 --> 0:22:09.520
<v Speaker 1>a read through with the finalized cast, right, So that

0:22:09.600 --> 0:22:13.200
<v Speaker 1>was the first day you met everybody? Everybody? Yeah, we

0:22:13.359 --> 0:22:15.040
<v Speaker 1>Gabrielle tells the story. Did you guys go out to

0:22:15.119 --> 0:22:18.960
<v Speaker 1>lunch afterwards? Or we did? We went to Chinchin on sunset.

0:22:19.240 --> 0:22:22.439
<v Speaker 1>It is my favorite. Sorry, yeah, I haven't eaten there

0:22:22.440 --> 0:22:26.240
<v Speaker 1>a hundred years, but it's still there. Um. And you know,

0:22:26.280 --> 0:22:30.119
<v Speaker 1>got to know Gabrielle Um, you know, very early on,

0:22:30.200 --> 0:22:32.240
<v Speaker 1>and I think at that table, I realized, Wow, this

0:22:32.320 --> 0:22:37.920
<v Speaker 1>is she's a nurturing soul. She's incredible and uh, I

0:22:38.040 --> 0:22:39.600
<v Speaker 1>was very happy to be working with her. This is

0:22:39.600 --> 0:22:42.479
<v Speaker 1>someone that's gonna have your back, you know. That's and

0:22:42.560 --> 0:22:47.320
<v Speaker 1>she's always been that steadfast voice of reason, mother hand

0:22:47.600 --> 0:22:50.520
<v Speaker 1>almost you know, to go on to be like the

0:22:50.560 --> 0:22:54.560
<v Speaker 1>president of Saga after it, no less. So what was

0:22:54.600 --> 0:22:57.800
<v Speaker 1>it like meeting Jason for the first time? Jesson was

0:22:57.920 --> 0:23:04.000
<v Speaker 1>nice guy, completely nice long hair, you know, smoking cigarettes

0:23:04.040 --> 0:23:09.159
<v Speaker 1>at the time, bit of reverence, but dashing, handsome, like great,

0:23:09.280 --> 0:23:11.400
<v Speaker 1>this is awesome. This kid, this is a good looking kid.

0:23:11.640 --> 0:23:14.639
<v Speaker 1>She's gonna die for him. It's gonna be awesome. I

0:23:14.680 --> 0:23:20.200
<v Speaker 1>hope you can act. Yeah, and he delivered in a

0:23:20.200 --> 0:23:24.600
<v Speaker 1>big way. Jason is the greatest he is so, I

0:23:24.600 --> 0:23:27.359
<v Speaker 1>mean when the show started, Brian was younger, so the guys,

0:23:27.440 --> 0:23:29.919
<v Speaker 1>like I feel like everyone was kind of separated on

0:23:29.960 --> 0:23:31.600
<v Speaker 1>set a little bit, like the guys hung out with

0:23:31.640 --> 0:23:33.760
<v Speaker 1>the guys, the girls, the girls, and then Brian kind

0:23:33.800 --> 0:23:38.280
<v Speaker 1>of was like navigating both worlds, feeling like the younger kid. Yeah. Well,

0:23:38.320 --> 0:23:41.760
<v Speaker 1>Brian right off the bat felt more like a younger

0:23:41.800 --> 0:23:43.719
<v Speaker 1>brother than me. I was ten years older than ten

0:23:43.800 --> 0:23:46.480
<v Speaker 1>years older than you too, So it's like it's kind

0:23:46.480 --> 0:23:50.280
<v Speaker 1>of hard to relate to a sixteen year old when

0:23:51.840 --> 0:23:56.439
<v Speaker 1>you're in Hollywood on like the number one show in

0:23:56.480 --> 0:23:57.959
<v Speaker 1>the world. It's not like you guys are gonna go

0:23:58.240 --> 0:24:03.480
<v Speaker 1>peeling around town together. So it's it was there was

0:24:03.680 --> 0:24:08.880
<v Speaker 1>a distinct divide, but it was only because the chronological

0:24:08.920 --> 0:24:12.199
<v Speaker 1>difference between us. As we've both gotten older, Brian and

0:24:12.240 --> 0:24:15.440
<v Speaker 1>I had you know that that divide is separated. Brian.

0:24:15.520 --> 0:24:17.919
<v Speaker 1>I love Brian. I would take bullets for Brian now,

0:24:18.000 --> 0:24:20.520
<v Speaker 1>one I'd get up and take another because Brian's the

0:24:20.520 --> 0:24:27.520
<v Speaker 1>greatest guy ever. It's true. Yeah, oh, my gosh. Um wait, okay,

0:24:27.560 --> 0:24:29.520
<v Speaker 1>so the show gets picked up. What was the first

0:24:29.680 --> 0:24:33.200
<v Speaker 1>When was the first time you got recognized out in public? Perceive?

0:24:34.040 --> 0:24:36.480
<v Speaker 1>I had my car shipped out. No, no, I drove

0:24:36.480 --> 0:24:40.200
<v Speaker 1>out when we got the pickup. I had plenty of time.

0:24:40.440 --> 0:24:43.960
<v Speaker 1>I drove out. I had an Accura Integra and the

0:24:44.040 --> 0:24:49.560
<v Speaker 1>license plates said E y E space A N. Because

0:24:49.600 --> 0:24:54.560
<v Speaker 1>I was sick of people calling me in the bane

0:24:54.600 --> 0:24:57.840
<v Speaker 1>of my existing story. I don't give it anymore. Call me.

0:24:57.880 --> 0:25:00.120
<v Speaker 1>I've been called worse than the end. I don't care anymore.

0:25:00.680 --> 0:25:04.840
<v Speaker 1>You don't know my name, okay whatever. My friends and

0:25:04.920 --> 0:25:08.320
<v Speaker 1>family know my name. So I'm driving. I drove out,

0:25:08.440 --> 0:25:11.440
<v Speaker 1>and I'm like driving around. We're like episode six or

0:25:11.440 --> 0:25:15.040
<v Speaker 1>episodes seven had already aired, and shows like gaining a popularity.

0:25:16.440 --> 0:25:21.760
<v Speaker 1>And then I got followed because people recognize me. And

0:25:21.800 --> 0:25:25.879
<v Speaker 1>then it validated from the license plate. So yeah, it

0:25:26.000 --> 0:25:28.960
<v Speaker 1>was like early like mid first season. And then I

0:25:28.960 --> 0:25:30.520
<v Speaker 1>had to get a new license plate because it was

0:25:32.160 --> 0:25:34.080
<v Speaker 1>it was stupid, and I knew it was stupid to

0:25:34.119 --> 0:25:37.200
<v Speaker 1>have my name on it license plate. That's so crazy.

0:25:37.240 --> 0:25:39.919
<v Speaker 1>You had that license plate. And then Steve's famous license

0:25:39.960 --> 0:25:44.639
<v Speaker 1>plate was I eate A Ferrari. Yeah, wait, did you

0:25:44.680 --> 0:25:46.480
<v Speaker 1>tell them the story of your license way? And that's

0:25:46.480 --> 0:25:50.800
<v Speaker 1>how they came up with that? No. Um. Tim Hunter

0:25:52.040 --> 0:25:53.879
<v Speaker 1>asked me if I had any ideas for a license

0:25:53.920 --> 0:25:56.159
<v Speaker 1>plate because he wanted to do a cool shot of

0:25:56.240 --> 0:26:00.040
<v Speaker 1>my Corvette pulling them right into frame, which was in

0:26:00.119 --> 0:26:04.760
<v Speaker 1>the opening titles. So a few weeks before I saw

0:26:04.800 --> 0:26:07.040
<v Speaker 1>a Porsche in New Jersey that said I ate a

0:26:07.200 --> 0:26:11.240
<v Speaker 1>four R E and I'm like, perfect. So that's where

0:26:11.320 --> 0:26:13.080
<v Speaker 1>that's where it came from. I told Tim, And like

0:26:13.320 --> 0:26:19.680
<v Speaker 1>two days later, I ate a Ferrari. Oh my gosh, iconic. Yeah,

0:26:19.720 --> 0:26:22.320
<v Speaker 1>that's so crazy. And I don't even have that license plate.

0:26:22.359 --> 0:26:25.720
<v Speaker 1>It exists in California. I think it's on a Corvette somewhere,

0:26:26.880 --> 0:26:29.080
<v Speaker 1>but I should not have that plate. You don't have it.

0:26:29.400 --> 0:26:31.800
<v Speaker 1>I don't, and I'm willing to go buy a used

0:26:32.440 --> 0:26:36.760
<v Speaker 1>nine Corvette just to have it on that car. It's like,

0:26:37.160 --> 0:26:39.840
<v Speaker 1>how do we find it? I don't know how we

0:26:39.920 --> 0:26:42.840
<v Speaker 1>find the d M d M V. Can there's ways.

0:26:42.880 --> 0:26:44.240
<v Speaker 1>I mean, if you know what the license plate is,

0:26:44.280 --> 0:26:48.080
<v Speaker 1>it can be tracked. We should look into that memorabilia.

0:26:48.240 --> 0:26:52.359
<v Speaker 1>You have memorabilia from the show at your house. Oh, yeah,

0:26:52.119 --> 0:26:55.119
<v Speaker 1>oh yes, yeah, what about you? I want to know

0:26:55.119 --> 0:26:57.879
<v Speaker 1>what you have at your house. You have any memorabilia

0:26:57.920 --> 0:27:01.320
<v Speaker 1>you got close clothes? No, okay, so I have a

0:27:01.359 --> 0:27:04.400
<v Speaker 1>couple of pieces of clothes, clothing. One a fan gave

0:27:04.440 --> 0:27:06.879
<v Speaker 1>me at a book signing, which was the lip dress

0:27:06.920 --> 0:27:10.320
<v Speaker 1>I wore. And then Darren Martin He's given me a

0:27:10.320 --> 0:27:13.639
<v Speaker 1>couple of pieces. But I didn't have anything from the show.

0:27:13.840 --> 0:27:16.640
<v Speaker 1>Originally I got the one. I think I took home

0:27:17.000 --> 0:27:19.359
<v Speaker 1>the glasses from David and Donna's wedding. They gave me.

0:27:21.359 --> 0:27:24.040
<v Speaker 1>That's nice. That's like, that's the nice keepsake. Do you

0:27:24.040 --> 0:27:26.520
<v Speaker 1>still have them? You know what my house looks like?

0:27:26.560 --> 0:27:31.240
<v Speaker 1>Do you think? I know? I think they're I don't

0:27:31.280 --> 0:27:35.760
<v Speaker 1>know where they are. Oh god, but you have one

0:27:35.800 --> 0:27:39.600
<v Speaker 1>of the many jukeboxes, right, yeah, I've got a jukebox

0:27:39.720 --> 0:27:44.040
<v Speaker 1>that was on the counter of the peach Pit and

0:27:44.240 --> 0:27:48.679
<v Speaker 1>uh walking out when they wrapped that set, everybody clapped

0:27:48.680 --> 0:27:50.000
<v Speaker 1>because it was the last time we were working in

0:27:50.040 --> 0:27:54.919
<v Speaker 1>the peach Pit and I uh, I literally had to

0:27:54.960 --> 0:27:57.199
<v Speaker 1>tear it off the counter because it was glued to

0:27:57.320 --> 0:28:02.320
<v Speaker 1>the four mica And I think I don't know who's

0:28:02.359 --> 0:28:04.240
<v Speaker 1>producing or whatever it was on set today. Where you

0:28:04.280 --> 0:28:07.080
<v Speaker 1>going with that? And I turned around like I'm We're

0:28:07.080 --> 0:28:11.359
<v Speaker 1>done right, I'm going home, Like well, what about what

0:28:11.440 --> 0:28:16.520
<v Speaker 1>are you doing? I'm like, I'm going home. Nobody said

0:28:16.520 --> 0:28:18.840
<v Speaker 1>anything else, and I turned her out and walked out

0:28:18.880 --> 0:28:22.280
<v Speaker 1>and kind of like game of Chicken with everybody, like,

0:28:22.400 --> 0:28:26.000
<v Speaker 1>who's gonna tell me? Put that down? Like I was

0:28:26.000 --> 0:28:28.080
<v Speaker 1>waiting for it. No one had the balls to say,

0:28:28.200 --> 0:28:32.080
<v Speaker 1>don't take it, so I just get walking. I see,

0:28:32.119 --> 0:28:35.320
<v Speaker 1>I wanted to do that. I was scared. Like my

0:28:35.440 --> 0:28:41.080
<v Speaker 1>last my last scene in the Beverly Beat, behind Steve's desk,

0:28:41.280 --> 0:28:47.160
<v Speaker 1>there was this bookcase that it It's a small bookcase,

0:28:47.280 --> 0:28:51.680
<v Speaker 1>maybe it's two ft across. The books inside it are

0:28:51.760 --> 0:28:56.400
<v Speaker 1>old leather bound, but it's fake the books. It's a facade.

0:28:56.440 --> 0:28:59.280
<v Speaker 1>You push on one side and it spins around to

0:28:59.360 --> 0:29:02.920
<v Speaker 1>a bar. It was the coolest like set piece ever.

0:29:04.520 --> 0:29:09.320
<v Speaker 1>Snurf that too, you know what? Yeah, yeah, you know what.

0:29:09.720 --> 0:29:13.000
<v Speaker 1>At the end of the day, you know, nobody, nobody

0:29:13.040 --> 0:29:15.240
<v Speaker 1>say anything. They wanted me to have it, you know,

0:29:15.320 --> 0:29:18.080
<v Speaker 1>they gave it to me. They I was called on

0:29:18.120 --> 0:29:21.840
<v Speaker 1>all this stuff. All this stuff, as you know, went

0:29:21.920 --> 0:29:25.760
<v Speaker 1>to auction before we ended. They came into every set. People.

0:29:25.760 --> 0:29:28.920
<v Speaker 1>They came into every set and took pictures with this

0:29:29.080 --> 0:29:32.880
<v Speaker 1>advanced camera that does a three sixty. I don't know,

0:29:32.920 --> 0:29:34.720
<v Speaker 1>maybe if you've ever looked at a real estate listing

0:29:34.720 --> 0:29:36.760
<v Speaker 1>where you can walk into a room and look. They

0:29:36.800 --> 0:29:41.760
<v Speaker 1>did that in every set, and literally everything was auctioned off.

0:29:42.040 --> 0:29:47.440
<v Speaker 1>Everything auctioned off. I don't remember that. I just mean

0:29:47.560 --> 0:29:50.920
<v Speaker 1>I remember the clothing was. Did you keep any wardrobe pieces?

0:29:51.240 --> 0:29:53.440
<v Speaker 1>I have some war room pieces yet, Oh my god, Steve,

0:29:53.640 --> 0:29:55.600
<v Speaker 1>I mean, can we talk about your wardrobe on the show?

0:29:56.240 --> 0:30:00.280
<v Speaker 1>I had a I had a couple silk shirts, you know,

0:30:00.360 --> 0:30:04.240
<v Speaker 1>really nice button down silk shirts that, um, we cut

0:30:04.320 --> 0:30:06.720
<v Speaker 1>the sleeves off just to make make it a little

0:30:07.000 --> 0:30:09.920
<v Speaker 1>edgy and arrogant and you know, proper for the time.

0:30:10.160 --> 0:30:13.920
<v Speaker 1>But like boys were cutting their shirts off and cut

0:30:13.960 --> 0:30:15.959
<v Speaker 1>them up. But like nobody cut a silk shirt up.

0:30:16.440 --> 0:30:19.080
<v Speaker 1>Steve Sanders did. But you know, it's pretty funny. I

0:30:19.120 --> 0:30:22.880
<v Speaker 1>still have that. It's green. Got another purple silk shirts.

0:30:22.960 --> 0:30:25.080
<v Speaker 1>Steve bore a lot of silk shirts buttoned up. To

0:30:25.160 --> 0:30:29.600
<v Speaker 1>hear what else do I have clothing? Was? Um, any

0:30:29.640 --> 0:30:32.360
<v Speaker 1>of your tank tops? You are a lot of tank

0:30:32.440 --> 0:30:38.840
<v Speaker 1>tops because you have a great body. Sorry. The tank tops, No,

0:30:39.160 --> 0:30:43.880
<v Speaker 1>that's that's another thing that's being in my existence, that

0:30:45.160 --> 0:30:51.440
<v Speaker 1>those tank tops. Oh God, which the crop ones. At

0:30:51.520 --> 0:30:57.760
<v Speaker 1>the time, it wasn't a thing. But man if I

0:30:57.840 --> 0:31:01.440
<v Speaker 1>could go back and change one look a couple of looks,

0:31:01.480 --> 0:31:05.640
<v Speaker 1>I would change no crop tops at all. As a

0:31:05.680 --> 0:31:07.320
<v Speaker 1>matter of fact, I made that joke when we did

0:31:07.400 --> 0:31:08.920
<v Speaker 1>b h N O two one oh, when I got

0:31:09.000 --> 0:31:12.160
<v Speaker 1>to speak to my younger self, I told him, don't

0:31:12.200 --> 0:31:14.280
<v Speaker 1>ever wear those shirts again, throw them out, trust me.

0:31:15.880 --> 0:31:21.000
<v Speaker 1>And then I think I think I wouldn't. I think

0:31:21.040 --> 0:31:23.120
<v Speaker 1>I'd go back and maybe you put a mirror in

0:31:23.160 --> 0:31:30.600
<v Speaker 1>my dressing room. Yeah, so I could like realize that, dude,

0:31:30.600 --> 0:31:33.440
<v Speaker 1>what are you buddying like my younger stuff? Maybe I

0:31:33.480 --> 0:31:35.800
<v Speaker 1>would have realized if I knew what I was doing,

0:31:36.360 --> 0:31:38.360
<v Speaker 1>that I was buttoning my shirts to the top just

0:31:38.480 --> 0:31:40.080
<v Speaker 1>to be I was looking for any way to set

0:31:40.560 --> 0:31:43.800
<v Speaker 1>Steve apart. Oh, it was a choice, it was. It

0:31:43.920 --> 0:31:47.920
<v Speaker 1>was an active choice. That was active choice. But it

0:31:48.040 --> 0:31:53.080
<v Speaker 1>was a choice too to create an air of of

0:31:54.120 --> 0:31:58.640
<v Speaker 1>distinction that he had for himself. You know that he

0:31:58.720 --> 0:32:01.960
<v Speaker 1>thought he was cool that he could do that and

0:32:02.040 --> 0:32:04.360
<v Speaker 1>no one else did it, So it kind of made him.

0:32:06.680 --> 0:32:11.080
<v Speaker 1>It was an arrogant move, so sort of it was

0:32:11.120 --> 0:32:13.640
<v Speaker 1>kind of an arrogant move, but I'm like, I'll just

0:32:13.720 --> 0:32:16.760
<v Speaker 1>own it whatever. As he grew and we got to

0:32:16.840 --> 0:32:21.280
<v Speaker 1>know him, that kind of changed when he was really

0:32:21.400 --> 0:32:23.920
<v Speaker 1>surrounded by the friends who helped mold Steve to who

0:32:24.000 --> 0:32:29.440
<v Speaker 1>he was. So it was old choice. Nobody was telling

0:32:29.440 --> 0:32:32.280
<v Speaker 1>me how to dress, what to do. But you know what,

0:32:32.560 --> 0:32:36.520
<v Speaker 1>everyone talks about Steve's outfits that are good. They're talking

0:32:36.560 --> 0:32:38.720
<v Speaker 1>about it, so that's a good thing. And we used

0:32:38.720 --> 0:32:41.240
<v Speaker 1>to bust Brian's balls about the shirts he would wear.

0:32:41.280 --> 0:32:46.160
<v Speaker 1>Everything looked like a damn awning, Like what kind of material?

0:32:46.240 --> 0:32:48.640
<v Speaker 1>As is that campus? What the hell are you wearing, Brian?

0:32:48.760 --> 0:32:52.840
<v Speaker 1>Is it? Oh yeah, oh yeah? And like and they'd

0:32:52.840 --> 0:32:58.640
<v Speaker 1>be stripes on it. And Diane remember dying and the wardrobe.

0:33:01.920 --> 0:33:06.880
<v Speaker 1>How don't see Brian? Oh my god, you addressed him

0:33:06.920 --> 0:33:16.400
<v Speaker 1>like like him? Do you seriously? Uh so funny. Anyway,

0:33:17.280 --> 0:33:20.239
<v Speaker 1>it was a choice for Brian too. Oh my gosh. Well,

0:33:20.280 --> 0:33:22.400
<v Speaker 1>it was just announced Brian's gonna be on Dancing with

0:33:22.480 --> 0:33:27.440
<v Speaker 1>the Stars, gonna tear up that dance floor. Brian can dance.

0:33:27.720 --> 0:33:30.960
<v Speaker 1>Brian's got rhythm. That dude can move. I don't care

0:33:31.200 --> 0:33:34.960
<v Speaker 1>what athletes they have out there there. Brian's got rhythm

0:33:35.080 --> 0:33:38.080
<v Speaker 1>he does, and Brian can move as good as anybody.

0:33:38.120 --> 0:33:39.720
<v Speaker 1>I'm I'm gonna bet on Brian. I'm gonna go to

0:33:39.840 --> 0:33:43.600
<v Speaker 1>Las Vegas and he's going to do great. Oh my gosh.

0:33:43.720 --> 0:33:45.720
<v Speaker 1>I mean, you know you were on Dancing with the Stars.

0:33:45.800 --> 0:33:48.280
<v Speaker 1>I came and watched you. Oh it was, it was

0:33:49.040 --> 0:33:52.560
<v Speaker 1>It was so difficult, it was so good. Well, thanks,

0:33:52.640 --> 0:33:55.120
<v Speaker 1>I made it to the semifinals. Did I learned a

0:33:55.160 --> 0:33:58.560
<v Speaker 1>few things and I had fun. You know, I raised

0:33:58.560 --> 0:34:02.400
<v Speaker 1>some money for charity, heard a few bucks myself, learned

0:34:02.440 --> 0:34:05.719
<v Speaker 1>some skills. I had a blast. I had a blast,

0:34:07.840 --> 0:34:11.279
<v Speaker 1>great workout. I lost. Wait, I got really thin, But

0:34:11.400 --> 0:34:15.360
<v Speaker 1>that's because all I wanted to do is rehearse. I

0:34:15.480 --> 0:34:18.239
<v Speaker 1>just wanted to because that's the way I learned, repetition.

0:34:19.520 --> 0:34:22.560
<v Speaker 1>So that's what it's all about for me. Okay, we're

0:34:22.560 --> 0:34:24.680
<v Speaker 1>gonna take a quick break. When we come back, we're

0:34:24.719 --> 0:34:26.600
<v Speaker 1>going to talk more about the episode and Isa, you

0:34:26.680 --> 0:34:28.120
<v Speaker 1>have the best story, so we want to hear some

0:34:28.160 --> 0:34:37.600
<v Speaker 1>more fun stories and memories. Hey, I'm Bethany, Joey Lens

0:34:37.760 --> 0:34:41.120
<v Speaker 1>I'm Hillary Burton Morgan and I'm Sophia Bush and we

0:34:41.239 --> 0:34:43.920
<v Speaker 1>are doing a virtual event in September in honor of

0:34:44.000 --> 0:34:47.400
<v Speaker 1>One Tree Hill Day, September twenty three, t H Day

0:34:47.480 --> 0:34:50.400
<v Speaker 1>for the O t H Fam and this podcast family

0:34:51.000 --> 0:34:53.719
<v Speaker 1>is going to be benefiting kind campaign with this event.

0:34:53.960 --> 0:34:56.160
<v Speaker 1>They worked to end bullying in schools and we just

0:34:56.320 --> 0:34:59.320
<v Speaker 1>love them. That's right. The Drama Queens are so excited

0:34:59.320 --> 0:35:01.279
<v Speaker 1>to hang out with you eyes on our very special day.

0:35:01.440 --> 0:35:04.200
<v Speaker 1>So all the information is going to go up on

0:35:04.480 --> 0:35:08.839
<v Speaker 1>looped live dot com. There is more information coming soon.

0:35:09.400 --> 0:35:12.200
<v Speaker 1>That's l O O p e d live dot com.

0:35:12.400 --> 0:35:14.560
<v Speaker 1>The Drama Queens are coming to you live from the

0:35:14.719 --> 0:35:18.280
<v Speaker 1>iconic Beverly Hilton Hotel. That's looped live dot com for tickets.

0:35:22.360 --> 0:35:24.839
<v Speaker 1>Should we jump into the episode. It's so fascinating hearing

0:35:24.920 --> 0:35:28.439
<v Speaker 1>stories from you that I forgot to talk about the episode. Okay,

0:35:28.480 --> 0:35:30.200
<v Speaker 1>let's talk about the episode. Oh my god. I could

0:35:30.200 --> 0:35:32.920
<v Speaker 1>listen to you tell stories all day long. You need

0:35:33.000 --> 0:35:35.959
<v Speaker 1>to write a book. I mean, you could write several books.

0:35:36.040 --> 0:35:39.000
<v Speaker 1>But like your stories. I love your stories so much

0:35:39.239 --> 0:35:43.040
<v Speaker 1>because you can visualize what's happening. You talk us through

0:35:43.120 --> 0:35:46.040
<v Speaker 1>every like you remember dates. You remember what people were wearing,

0:35:46.280 --> 0:35:49.760
<v Speaker 1>and that's a great story teller. Like, your stories remind

0:35:49.800 --> 0:35:53.360
<v Speaker 1>me how my dad used to tell stories. That's a

0:35:53.400 --> 0:35:57.680
<v Speaker 1>big compliment. Thanks, it's true. Maybe one day okay, Um

0:35:57.840 --> 0:36:02.000
<v Speaker 1>Season two, episode twenty, Competitive Edge. I had to put

0:36:02.040 --> 0:36:05.160
<v Speaker 1>on my glasses. They don't make my eyes look as

0:36:05.200 --> 0:36:09.759
<v Speaker 1>big as your glasses though, new glasses that she was

0:36:09.840 --> 0:36:12.720
<v Speaker 1>so funny when you guys were busting my cho Oh god,

0:36:13.640 --> 0:36:16.520
<v Speaker 1>you guys. So this time around when we did b

0:36:16.680 --> 0:36:18.680
<v Speaker 1>H nine or two and oh and we all were

0:36:18.719 --> 0:36:22.600
<v Speaker 1>back together, it was so amazing, but we all realized

0:36:22.600 --> 0:36:24.440
<v Speaker 1>that we all now had to wear glasses and we're like,

0:36:24.520 --> 0:36:26.799
<v Speaker 1>oh wow, look at this. We're all looking at our

0:36:26.960 --> 0:36:30.560
<v Speaker 1>our lines and we're all wearing the glasses. And irons

0:36:30.600 --> 0:36:34.919
<v Speaker 1>were the biggest of them all. Well oh my god,

0:36:35.480 --> 0:36:39.200
<v Speaker 1>but the like the CVS whatever, I'm losing glasses all

0:36:39.280 --> 0:36:41.480
<v Speaker 1>the time. I'm I don't even know my prescription was,

0:36:41.640 --> 0:36:46.839
<v Speaker 1>but it was huge still is. And Brian said Jake like, yeah,

0:36:46.960 --> 0:36:48.960
<v Speaker 1>he's like, you might want to rethink those glasses. And

0:36:48.960 --> 0:36:50.600
<v Speaker 1>I'm like why, I like the frames. I don't look

0:36:50.640 --> 0:36:54.560
<v Speaker 1>good and he's like, dude, you look like hercle did.

0:36:54.640 --> 0:36:57.440
<v Speaker 1>I do that, and he made fun of me, and

0:36:57.520 --> 0:36:59.480
<v Speaker 1>I'm like, shut up, Brian, And I asked you and

0:36:59.640 --> 0:37:03.000
<v Speaker 1>Jenny and you're like, oh yeah, you got big, big, big, big, big,

0:37:03.160 --> 0:37:07.080
<v Speaker 1>huge eyes. That's just no those you just and then

0:37:07.120 --> 0:37:09.520
<v Speaker 1>we went out to dinner and I made you put

0:37:09.560 --> 0:37:13.279
<v Speaker 1>the glasses on so I could see Tory. Should I

0:37:13.320 --> 0:37:15.160
<v Speaker 1>send you the picture. I've got a picture of you

0:37:15.239 --> 0:37:18.839
<v Speaker 1>and a picture of Jenny wearing my big eyeball glasses. Yes,

0:37:19.120 --> 0:37:23.200
<v Speaker 1>send me the picture. Oh my gosh, your eyes were

0:37:23.239 --> 0:37:27.120
<v Speaker 1>like this big and in your glasses. Yeah. The three

0:37:27.160 --> 0:37:28.719
<v Speaker 1>things I could send you from that night that are

0:37:28.920 --> 0:37:30.960
<v Speaker 1>very funny and you can share them if you want,

0:37:31.960 --> 0:37:33.600
<v Speaker 1>do it. Oh my god, we had so much fun

0:37:33.680 --> 0:37:38.359
<v Speaker 1>that night. We laughed so hard. Oh my gosh at

0:37:38.440 --> 0:37:42.719
<v Speaker 1>this episode. Okay, sorry, Okay, back on track. Here we

0:37:42.800 --> 0:37:46.520
<v Speaker 1>are Yes. Season two, episode twenty Competitive Edge air date

0:37:46.640 --> 0:37:52.680
<v Speaker 1>was January Synopsis. Brandon trades his reporter's pen for track

0:37:52.800 --> 0:37:57.640
<v Speaker 1>shoes until he smells a story he can't and shouldn't ignore,

0:37:58.080 --> 0:38:01.000
<v Speaker 1>and Brenda's minor accident turns major when the woman she

0:38:01.200 --> 0:38:04.920
<v Speaker 1>bumped claims whip lush. It was directed by David Carson.

0:38:05.280 --> 0:38:09.759
<v Speaker 1>Writers were Darren Starr, Charles Rosen, and Jonathan Robert starring us.

0:38:11.160 --> 0:38:13.200
<v Speaker 1>I know you remember this episode. I know you watched

0:38:13.239 --> 0:38:16.520
<v Speaker 1>it back, but you probably remember everything from it. What's interesting.

0:38:17.160 --> 0:38:21.000
<v Speaker 1>I watched the show when it aired. We weren't busy working.

0:38:21.480 --> 0:38:23.880
<v Speaker 1>I would come moments sleep. My mom would fill me

0:38:23.920 --> 0:38:26.120
<v Speaker 1>in on what was good, what was she didn't like

0:38:26.239 --> 0:38:29.960
<v Speaker 1>about my parts? Of course, it's only later when it

0:38:30.239 --> 0:38:32.719
<v Speaker 1>ended that I would see certain episodes. I have not

0:38:32.840 --> 0:38:35.640
<v Speaker 1>seen the entire episode and the entire series back front

0:38:35.680 --> 0:38:40.960
<v Speaker 1>to back. Same. So fill me in. Was that when

0:38:41.080 --> 0:38:44.960
<v Speaker 1>like there were steroids? Um okay, so Brandon. So Brandon

0:38:45.040 --> 0:38:48.400
<v Speaker 1>gets he's there to do a story, but he gets

0:38:49.080 --> 0:38:52.799
<v Speaker 1>onto the track team. You do you had a lot

0:38:52.840 --> 0:38:56.600
<v Speaker 1>of tanktops in this episode. The gun show was smoking,

0:38:57.080 --> 0:39:02.880
<v Speaker 1>just saying that embarrass you? No, but the way you

0:39:02.960 --> 0:39:06.359
<v Speaker 1>say that is just so funny. Oh my god, you're

0:39:06.400 --> 0:39:09.759
<v Speaker 1>hit the best body you still do? Um okay? So

0:39:10.040 --> 0:39:11.799
<v Speaker 1>the track team, Wait, did you have to do all

0:39:11.840 --> 0:39:16.879
<v Speaker 1>of your own stunts? What stunts? I don't know. You're

0:39:17.400 --> 0:39:21.360
<v Speaker 1>stunts jumping around? Really too, It's not like they were

0:39:21.400 --> 0:39:27.000
<v Speaker 1>having us fall off the top of the school. We

0:39:27.120 --> 0:39:29.759
<v Speaker 1>always wonder when they're scenes where there's like a fight,

0:39:30.960 --> 0:39:34.080
<v Speaker 1>Like there was one scene on campus where you're in

0:39:34.120 --> 0:39:36.239
<v Speaker 1>a fight. This is not this episode, but Jenny and

0:39:36.280 --> 0:39:38.640
<v Speaker 1>I were like, wait, that looks real Like it looked

0:39:38.680 --> 0:39:42.200
<v Speaker 1>like a major fight. The major stuff. We would have

0:39:42.280 --> 0:39:46.120
<v Speaker 1>stunt players come in to choreographic because people would get

0:39:46.160 --> 0:39:48.600
<v Speaker 1>thrown around and they didn't want to see us get

0:39:48.960 --> 0:39:54.560
<v Speaker 1>tossed to the ground. Um, it was a liability. You know.

0:39:54.600 --> 0:39:59.160
<v Speaker 1>They would write these these big scenes and they would

0:39:59.160 --> 0:40:02.319
<v Speaker 1>shoot him in a way that it would be maybe

0:40:02.400 --> 0:40:06.040
<v Speaker 1>Jason punching somebody or me punching and you'd see me

0:40:06.160 --> 0:40:09.480
<v Speaker 1>wind up to throw it, but you wouldn't see who

0:40:09.520 --> 0:40:11.800
<v Speaker 1>I was hitting because they would put a wig on somebody.

0:40:11.960 --> 0:40:16.759
<v Speaker 1>And you know, you just you can it can with

0:40:16.840 --> 0:40:20.080
<v Speaker 1>the magical Hollywood, you can fake it really. Yeah. With

0:40:20.320 --> 0:40:23.160
<v Speaker 1>editing it looked amazing. Yeah. And then but like falling

0:40:23.200 --> 0:40:25.120
<v Speaker 1>in on the ground, you can't really fake we're falling

0:40:25.160 --> 0:40:28.279
<v Speaker 1>into a fountain. Now, you can't really fake that that.

0:40:28.400 --> 0:40:32.720
<v Speaker 1>Some players do that well. The scenes always looked good. Um, okay,

0:40:32.800 --> 0:40:35.920
<v Speaker 1>so yes, this is the episode about steroids, which, um,

0:40:37.480 --> 0:40:40.160
<v Speaker 1>it's like an after school special. This is with cutlets.

0:40:41.520 --> 0:40:46.040
<v Speaker 1>That was his first episode. Michael Cutlets. So Michael Cutlets.

0:40:46.320 --> 0:40:49.600
<v Speaker 1>Who wait, what was his character's name? Oh my god,

0:40:49.640 --> 0:40:54.200
<v Speaker 1>I'm blinking out um Tony Miller. Yeah, Michael started with

0:40:54.400 --> 0:40:57.960
<v Speaker 1>us as a carpenter, building sets and scenes. And he

0:40:58.080 --> 0:40:59.840
<v Speaker 1>was the nicest guy. You know. I think he was

0:41:00.000 --> 0:41:02.120
<v Speaker 1>our age made my age at least, or a couple

0:41:02.160 --> 0:41:04.799
<v Speaker 1>of years older. And you know, we've seen him at lunch.

0:41:04.840 --> 0:41:07.480
<v Speaker 1>He's a nicer. Sky was an inspiring actor. One day

0:41:07.520 --> 0:41:09.960
<v Speaker 1>he got a chance and he booked the part of

0:41:10.120 --> 0:41:13.960
<v Speaker 1>Tony Miller Nuts and then all of a sudden, the

0:41:14.040 --> 0:41:16.040
<v Speaker 1>dude is building a set. I'm want to go with him.

0:41:17.440 --> 0:41:19.959
<v Speaker 1>It was great. We're also happy for him. It's such

0:41:20.000 --> 0:41:23.120
<v Speaker 1>a great journey. And now, oh my gosh, I a

0:41:23.239 --> 0:41:25.400
<v Speaker 1>huge Walking Dead fan, and when I saw him on

0:41:25.440 --> 0:41:27.600
<v Speaker 1>The Walking Dead, I was like, oh my god, are

0:41:27.640 --> 0:41:30.320
<v Speaker 1>you kidding me? Like just so proud of his journey.

0:41:30.800 --> 0:41:34.080
<v Speaker 1>He's done some great, great stuff. Really a talented actor.

0:41:36.520 --> 0:41:38.520
<v Speaker 1>I think I think he's going to be on our show,

0:41:38.920 --> 0:41:43.760
<v Speaker 1>on our podcast. So that's very exciting. So there's track

0:41:44.600 --> 0:41:48.279
<v Speaker 1>they want Steve to start taking steroids. What do you

0:41:48.320 --> 0:41:55.080
<v Speaker 1>remember from this? Not much, which is super rare. You guys,

0:41:55.120 --> 0:41:57.480
<v Speaker 1>I always talked on the show. How you remember even

0:41:57.560 --> 0:42:00.719
<v Speaker 1>more than me, like you remember details. But we were

0:42:00.719 --> 0:42:05.520
<v Speaker 1>talking about this other day. Episodes Tory we see Glad,

0:42:05.520 --> 0:42:07.560
<v Speaker 1>I don't even remember. That's how many we did see,

0:42:07.719 --> 0:42:10.239
<v Speaker 1>you know, the exactly really watched the series that we

0:42:10.320 --> 0:42:13.799
<v Speaker 1>were busy to work in it. My greatest memory from

0:42:13.840 --> 0:42:16.120
<v Speaker 1>that was being so happy for Michael Cutlets, who was

0:42:16.200 --> 0:42:18.759
<v Speaker 1>a hell of a nice guy who was, you know,

0:42:18.920 --> 0:42:21.600
<v Speaker 1>a struggling actor and like made it to the show.

0:42:22.160 --> 0:42:25.160
<v Speaker 1>That was like the biggest thing I think. I remember

0:42:25.239 --> 0:42:28.520
<v Speaker 1>that Steve wouldn't take the steroids. I don't think he

0:42:28.560 --> 0:42:33.520
<v Speaker 1>did take the steroids now, um, but I don't know

0:42:33.600 --> 0:42:36.359
<v Speaker 1>how it unfolded with the rest of the team going

0:42:36.440 --> 0:42:40.080
<v Speaker 1>down for taking those steroids. I don't either. I'm not

0:42:40.120 --> 0:42:42.560
<v Speaker 1>gonna lie though, whenever I see Steve and Kelly together,

0:42:42.680 --> 0:42:45.840
<v Speaker 1>I want them to get back together. Like watching it

0:42:45.960 --> 0:42:49.319
<v Speaker 1>new now as a fan this time around, I really

0:42:49.400 --> 0:42:52.480
<v Speaker 1>really like Kelly and Steve one in the heart, not

0:42:52.760 --> 0:42:55.319
<v Speaker 1>one on the chart. Hell. I just wish that they

0:42:55.440 --> 0:42:58.239
<v Speaker 1>had like rekindled and at least had one or two

0:42:58.280 --> 0:43:01.000
<v Speaker 1>episodes together again, just so we could really play that out.

0:43:02.760 --> 0:43:06.719
<v Speaker 1>Um well, they were good friends. That was nice. That's

0:43:06.760 --> 0:43:11.600
<v Speaker 1>what the relationship morphed into. And I think like they

0:43:12.120 --> 0:43:15.480
<v Speaker 1>were never destined to be together. You know, we never

0:43:15.520 --> 0:43:18.680
<v Speaker 1>really even so them together because that relationship ended for

0:43:18.800 --> 0:43:21.320
<v Speaker 1>the show started was the pre life of those two characters,

0:43:22.040 --> 0:43:26.040
<v Speaker 1>and in his genesis, it really just turned into tremendous

0:43:26.080 --> 0:43:30.200
<v Speaker 1>respect and appreciation. Kelly always knew that Steve was therefore

0:43:30.280 --> 0:43:33.319
<v Speaker 1>would crawl through broken glass to do whatever. He still

0:43:33.440 --> 0:43:37.600
<v Speaker 1>loved her, but accepted that this is not not going

0:43:37.640 --> 0:43:40.200
<v Speaker 1>to go any further. And you know, I think Kelly

0:43:40.280 --> 0:43:43.480
<v Speaker 1>really cared for Steve in that way, in that shame way.

0:43:44.440 --> 0:43:47.080
<v Speaker 1>So okay, So if you had to choose, because everyone,

0:43:47.239 --> 0:43:51.120
<v Speaker 1>you know, team Brandon, team Dylan, who would you have

0:43:51.200 --> 0:43:55.600
<v Speaker 1>seen Kelly ending up with? I mean, I mean, I

0:43:55.640 --> 0:43:57.160
<v Speaker 1>guess we kind of know who she ended up with,

0:43:57.320 --> 0:44:04.600
<v Speaker 1>but well, Kelly and Brandon and Brenda and Dylon, yeah, okay,

0:44:04.640 --> 0:44:11.760
<v Speaker 1>say yeah, I think so, and even Janet and Donna

0:44:11.960 --> 0:44:15.600
<v Speaker 1>and David. I mean, what an ancestuous group we were

0:44:15.680 --> 0:44:18.600
<v Speaker 1>to have grown up together and all married, Like what

0:44:18.840 --> 0:44:23.000
<v Speaker 1>the hell that's called the TV show? Yeah, they couldn't

0:44:23.000 --> 0:44:27.080
<v Speaker 1>afford to bring any more core characters in. Oh my god,

0:44:27.280 --> 0:44:31.120
<v Speaker 1>Janet Lindsey Price, who I still adore her and still

0:44:31.160 --> 0:44:35.480
<v Speaker 1>friends with her, like, I love her. Um, I loved them,

0:44:35.680 --> 0:44:37.920
<v Speaker 1>you know what, though, I'm just gonna go on record,

0:44:38.320 --> 0:44:41.920
<v Speaker 1>I really loved Stephen Claire together though. Yeah, that was

0:44:41.960 --> 0:44:44.520
<v Speaker 1>a fun. I don't know how many episodes we did together.

0:44:44.640 --> 0:44:48.080
<v Speaker 1>But Kathleen was great to work with. She's beautiful and

0:44:48.239 --> 0:44:51.960
<v Speaker 1>just brought that, you know, that elegance to whatever she

0:44:52.160 --> 0:44:55.760
<v Speaker 1>was doing. She had this like Audrey hepburn nous about

0:44:55.840 --> 0:44:57.719
<v Speaker 1>her that I always just like looked at her like,

0:44:57.760 --> 0:45:01.080
<v Speaker 1>oh my god, she's stunning and she was talented. You

0:45:01.160 --> 0:45:04.040
<v Speaker 1>guys were just really funny. I liked the humor of

0:45:04.160 --> 0:45:07.120
<v Speaker 1>Claire and Steve. Yeah, I got to have a lot

0:45:07.160 --> 0:45:10.560
<v Speaker 1>of fun. She was fun with her. Oh my gosh.

0:45:11.239 --> 0:45:13.600
<v Speaker 1>I loved whenever you did anything funny on the show.

0:45:13.719 --> 0:45:18.600
<v Speaker 1>I loved it. Love. There was an episode where when

0:45:18.640 --> 0:45:21.080
<v Speaker 1>we went to Palm Springs and Steve like hit on

0:45:21.920 --> 0:45:25.520
<v Speaker 1>l and he's making out with her and like finds

0:45:25.560 --> 0:45:30.040
<v Speaker 1>out that she's a guy, probably found out by Brails

0:45:33.239 --> 0:45:40.520
<v Speaker 1>and Um. Later she shows up dating the Chancellor and

0:45:40.600 --> 0:45:45.480
<v Speaker 1>we're yeah, oh yeah, but wait what L In a

0:45:45.640 --> 0:45:48.800
<v Speaker 1>later episode shows up and the Chancellor is all crazy.

0:45:49.880 --> 0:45:54.680
<v Speaker 1>Chancellor was Claire's father, and he's all excited about his

0:45:55.000 --> 0:46:01.960
<v Speaker 1>his new girlfriend. And there's a quick dinner that he

0:46:02.080 --> 0:46:05.640
<v Speaker 1>invites Claire and Steve too, And when we get invited

0:46:06.400 --> 0:46:09.759
<v Speaker 1>to to to the event, we go. Kathleen and I

0:46:09.840 --> 0:46:11.759
<v Speaker 1>are were like laughing, this is gonna be a really

0:46:11.760 --> 0:46:18.160
<v Speaker 1>funny scene. So we go and we're introduced to l

0:46:18.360 --> 0:46:22.320
<v Speaker 1>and there's a reveal and Steve, oh my god. And

0:46:22.719 --> 0:46:29.680
<v Speaker 1>all throughout dinner, Steve to tell Claire that that's that

0:46:29.960 --> 0:46:34.000
<v Speaker 1>she is him and that's not your father's being played here,

0:46:34.040 --> 0:46:37.040
<v Speaker 1>and she wouldn't have you do anything to wipe that

0:46:37.160 --> 0:46:39.879
<v Speaker 1>smile off my father's face. I will never ever talk

0:46:39.920 --> 0:46:42.239
<v Speaker 1>to you again. Just as they're serving us food at

0:46:42.280 --> 0:46:45.239
<v Speaker 1>the dinner plate and I said, well, tell me, does

0:46:45.320 --> 0:46:48.799
<v Speaker 1>your father prefer muscles or clams? And made it into

0:46:48.840 --> 0:46:51.839
<v Speaker 1>the show. It did. Oh my god. See now I'm

0:46:51.880 --> 0:46:54.000
<v Speaker 1>going to know the backstory when we get to that episode.

0:46:54.640 --> 0:46:57.920
<v Speaker 1>Oh so funny, so so funny. Okay, we're gonna take

0:46:57.920 --> 0:46:59.920
<v Speaker 1>a quick break when we come back. We're going to

0:47:00.320 --> 0:47:03.839
<v Speaker 1>do some fashion and our rapid fire game. Oh yeah,

0:47:15.880 --> 0:47:19.640
<v Speaker 1>so we had some fun fashion in this episode. Memorable standouts,

0:47:19.760 --> 0:47:23.359
<v Speaker 1>well for me at least where um Kelly's workout tea. UM.

0:47:23.440 --> 0:47:27.000
<v Speaker 1>Steve had some cutoff sleeves which you talked about. UM,

0:47:27.840 --> 0:47:30.840
<v Speaker 1>and Steve's the leather jackets. You remember the leather jacket

0:47:30.920 --> 0:47:34.680
<v Speaker 1>in this episode. I don't remember any of that fashion. Yeah,

0:47:34.880 --> 0:47:38.160
<v Speaker 1>your jacket was good. You should have kept that one. Um.

0:47:38.840 --> 0:47:41.719
<v Speaker 1>So did you have any favorite lines from this episode?

0:47:42.320 --> 0:47:45.279
<v Speaker 1>There were a lot of great lines, you know, if

0:47:45.360 --> 0:47:47.640
<v Speaker 1>there weren't, and I would try to improve something and

0:47:47.880 --> 0:47:51.239
<v Speaker 1>sometimes that would fall flat. Uh, more often than not.

0:47:51.920 --> 0:47:55.040
<v Speaker 1>There was one in this one. What did he say?

0:47:55.160 --> 0:47:56.880
<v Speaker 1>Said you know, she brings out the best of me

0:47:57.040 --> 0:48:00.399
<v Speaker 1>or something like that. That was really tender and hard felt.

0:48:00.480 --> 0:48:03.080
<v Speaker 1>So you know there was a plus one for Steve.

0:48:03.160 --> 0:48:08.560
<v Speaker 1>It wasn't a moment, but um, it was nice. There's one.

0:48:09.640 --> 0:48:15.480
<v Speaker 1>There's one line that really exemplifies Steve Sanders, and it's

0:48:16.560 --> 0:48:22.840
<v Speaker 1>I'm not spoiled, I'm privileged. That line comes back to

0:48:22.960 --> 0:48:26.879
<v Speaker 1>me when I think of Steve Sanders. Hey, we met him.

0:48:27.960 --> 0:48:32.799
<v Speaker 1>That's so true. That's such a good line. Yeah, it's great. Now,

0:48:33.239 --> 0:48:36.680
<v Speaker 1>before we go, we always play a rappid, rapid fire game.

0:48:36.960 --> 0:48:39.319
<v Speaker 1>If you do not want to play this. I understand

0:48:39.719 --> 0:48:42.839
<v Speaker 1>because it's very like it's it's our lives. But we've

0:48:42.880 --> 0:48:45.799
<v Speaker 1>all we Jenny and I have done it. Um who

0:48:45.960 --> 0:48:47.880
<v Speaker 1>is obviously you can say yourself, but who is your

0:48:47.880 --> 0:48:51.280
<v Speaker 1>favorite cast member? You know, I've grown to love everybody.

0:48:51.360 --> 0:48:54.600
<v Speaker 1>I think during the time we were filming, I hung

0:48:54.600 --> 0:48:56.520
<v Speaker 1>out with the guys. You girls did your own thing,

0:48:56.600 --> 0:48:59.400
<v Speaker 1>so I was closer with the guys. And then, you know,

0:48:59.680 --> 0:49:02.800
<v Speaker 1>as Brian, the age difference seemed to be less. It

0:49:02.960 --> 0:49:05.120
<v Speaker 1>was Brian, and then you know, the girls rose there.

0:49:05.400 --> 0:49:07.239
<v Speaker 1>I loved you guys too. It was a family. You

0:49:07.280 --> 0:49:08.800
<v Speaker 1>guys are all like family to me. So it's not

0:49:08.960 --> 0:49:11.040
<v Speaker 1>like your bump heads once in a while you get

0:49:11.120 --> 0:49:14.160
<v Speaker 1>over and you move on. It's the family. It's so true.

0:49:14.600 --> 0:49:17.279
<v Speaker 1>Like when we first started the show, you felt like

0:49:17.400 --> 0:49:19.320
<v Speaker 1>a big brother to me. Like all the guys, I

0:49:19.440 --> 0:49:22.160
<v Speaker 1>was just like, oh okay, I would hang with Brian,

0:49:22.320 --> 0:49:24.719
<v Speaker 1>but like you and Jason and Luke just seemed like

0:49:25.520 --> 0:49:27.560
<v Speaker 1>the cool kids, like the guys doing their own thing.

0:49:27.880 --> 0:49:30.000
<v Speaker 1>And then by the end of the series, you and

0:49:30.080 --> 0:49:31.840
<v Speaker 1>I were friends, like we would go out on the

0:49:31.880 --> 0:49:34.439
<v Speaker 1>weekends and hang out and we do our group things

0:49:34.520 --> 0:49:37.160
<v Speaker 1>like it was so cool, such a young girl when

0:49:37.239 --> 0:49:39.359
<v Speaker 1>we started. You know, I still look at you as

0:49:39.440 --> 0:49:43.400
<v Speaker 1>like a young star. You're getting there, you're getting there,

0:49:43.600 --> 0:49:48.640
<v Speaker 1>but like you know, but it was blossomed into a

0:49:48.719 --> 0:49:52.200
<v Speaker 1>mature woman and clearly you're not. You know, I don't

0:49:52.239 --> 0:49:53.839
<v Speaker 1>think of you as a young girl anymore. But it's

0:49:53.920 --> 0:49:56.520
<v Speaker 1>like we've gone through the fire together, you know. But

0:49:56.719 --> 0:49:59.040
<v Speaker 1>all started with at a very formative age where we

0:49:59.120 --> 0:50:02.840
<v Speaker 1>were so young. I knew Luke from New York, so

0:50:03.000 --> 0:50:05.520
<v Speaker 1>I had a previous relationship with Luke. We were friends

0:50:05.640 --> 0:50:08.600
<v Speaker 1>before the show started. That was nice, um, But yeah,

0:50:09.000 --> 0:50:12.759
<v Speaker 1>it became family. Work with somebody at that age long

0:50:12.920 --> 0:50:16.640
<v Speaker 1>enough you kind of you know the road map to

0:50:16.760 --> 0:50:19.040
<v Speaker 1>their journey, and if you're on it with them, then

0:50:19.960 --> 0:50:22.600
<v Speaker 1>you bond, and you bond his fan, You're stuck with

0:50:22.719 --> 0:50:27.640
<v Speaker 1>me for life. That's how it is. Okay, kiss Mary

0:50:27.800 --> 0:50:33.120
<v Speaker 1>or kicked to the curve? Character wise just characterized oh

0:50:33.239 --> 0:50:35.920
<v Speaker 1>are you gonna tell me? Or am I gonnap? No? Like? So,

0:50:36.840 --> 0:50:38.759
<v Speaker 1>based on the characters, who would you kiss, who would

0:50:38.760 --> 0:50:40.279
<v Speaker 1>you marry? And who would you kick to the curt

0:50:42.760 --> 0:50:47.640
<v Speaker 1>of the core, I'd marry them all? Good answer, absolutely,

0:50:49.160 --> 0:50:52.439
<v Speaker 1>marry them all. Are you kidding with the chicks. We'd

0:50:52.520 --> 0:50:55.520
<v Speaker 1>have like beautiful families together. The guys that I would marry,

0:50:55.520 --> 0:50:58.640
<v Speaker 1>it be we would take care of each other, but

0:50:58.719 --> 0:51:00.880
<v Speaker 1>they could be free to do whatever they wanted because

0:51:02.560 --> 0:51:06.760
<v Speaker 1>whatever good answer. And we know team Dylan, her team Brandon.

0:51:07.000 --> 0:51:10.640
<v Speaker 1>We know how what you said about that, that's you answered.

0:51:10.680 --> 0:51:16.120
<v Speaker 1>Everything else that's it. Um. One last thing, Uh, can

0:51:16.160 --> 0:51:18.480
<v Speaker 1>we talk really quick about our beauty business that we

0:51:18.560 --> 0:51:22.839
<v Speaker 1>do together? Because who would have thought that we would

0:51:22.840 --> 0:51:25.560
<v Speaker 1>be working together as actors and then thirty years later

0:51:25.800 --> 0:51:30.320
<v Speaker 1>we're now we have a global beauty business that we

0:51:30.480 --> 0:51:34.359
<v Speaker 1>run together, you know, as as actors. Every gigs at

0:51:34.360 --> 0:51:38.640
<v Speaker 1>a closing curtain. And it's tough out there, you know,

0:51:39.160 --> 0:51:42.120
<v Speaker 1>it's especially this last year year and a half, there's

0:51:42.280 --> 0:51:46.160
<v Speaker 1>been such a shutdown. I started digging this well before

0:51:46.200 --> 0:51:48.960
<v Speaker 1>I was thirsty. It got involved with the company that's

0:51:48.960 --> 0:51:53.439
<v Speaker 1>going on thirteen years ago and it's direct sales, it's

0:51:53.480 --> 0:51:57.319
<v Speaker 1>health and beauty products. Um. And my success comes from

0:51:57.760 --> 0:52:00.880
<v Speaker 1>helping others be successful. When I got you involved, you

0:52:00.960 --> 0:52:03.040
<v Speaker 1>had no idea what this was all about, but you

0:52:03.160 --> 0:52:08.160
<v Speaker 1>love the products. I've always believed that success unshared this failure.

0:52:08.360 --> 0:52:11.000
<v Speaker 1>And when I was young, and I know two and

0:52:11.080 --> 0:52:13.520
<v Speaker 1>oh that meant getting my shlubby buddies into the nightclub

0:52:13.640 --> 0:52:15.359
<v Speaker 1>with me. As I got older and more and more

0:52:15.440 --> 0:52:17.880
<v Speaker 1>mature and realized that I could spend that capital on

0:52:18.239 --> 0:52:20.719
<v Speaker 1>helping raise awareness to different charities and things like that,

0:52:20.800 --> 0:52:23.880
<v Speaker 1>and that's what I started, really understanding the value that

0:52:23.960 --> 0:52:27.560
<v Speaker 1>I could bring the different charities, and that was important

0:52:27.600 --> 0:52:30.759
<v Speaker 1>to me. Success unshared this failure. Well, how could I

0:52:30.800 --> 0:52:32.560
<v Speaker 1>help the charity If I put my name on her,

0:52:32.600 --> 0:52:37.120
<v Speaker 1>if I go, it'll raise interest and raise money and

0:52:37.520 --> 0:52:39.680
<v Speaker 1>money buy science and science, buy his life. It was

0:52:39.680 --> 0:52:42.040
<v Speaker 1>a good use of that capital with what we do

0:52:42.440 --> 0:52:46.319
<v Speaker 1>with the celebrity that I've earned, that you've earned. We've

0:52:46.400 --> 0:52:49.759
<v Speaker 1>created Team nine O two and oh, Team Tory, and

0:52:50.320 --> 0:52:53.120
<v Speaker 1>people use that to help market because people say, what

0:52:53.160 --> 0:52:55.879
<v Speaker 1>are you talking about? And we're very proactive. We worked

0:52:55.920 --> 0:53:00.280
<v Speaker 1>with the team, We go out, we we have bootcamp amps,

0:53:01.040 --> 0:53:04.080
<v Speaker 1>We travel with these people and they're what's so nice

0:53:04.200 --> 0:53:07.120
<v Speaker 1>is that we're paying the success forward, helping people put

0:53:07.160 --> 0:53:09.920
<v Speaker 1>food on the table, helping people pay down bills. Things

0:53:10.000 --> 0:53:13.560
<v Speaker 1>that were aspirational are now actual purchases for these people.

0:53:13.880 --> 0:53:16.359
<v Speaker 1>And it feels so good. Okay, so you can check

0:53:16.400 --> 0:53:19.719
<v Speaker 1>out our products at Beauty with Tory dot com and

0:53:20.160 --> 0:53:21.640
<v Speaker 1>it will stay on the site. If you want to

0:53:21.719 --> 0:53:24.400
<v Speaker 1>join us, UM, it'll say how you can become a

0:53:24.480 --> 0:53:27.120
<v Speaker 1>member of our team with us or joint team No

0:53:27.400 --> 0:53:31.040
<v Speaker 1>two on o dot com. Tory thanks the shameless plug, no,

0:53:31.520 --> 0:53:33.279
<v Speaker 1>I said, you know, I'm not I'm like not good

0:53:33.280 --> 0:53:35.600
<v Speaker 1>at like promoting my own stuff. I get embarrassed. But

0:53:35.880 --> 0:53:39.320
<v Speaker 1>it's really a business that we've grown together UM and

0:53:39.400 --> 0:53:42.160
<v Speaker 1>we do. We change lives daily. During a time when

0:53:42.400 --> 0:53:45.640
<v Speaker 1>people weren't working during the pandemic, this was a business

0:53:45.719 --> 0:53:47.920
<v Speaker 1>that I'm super grateful because it allowed me to bring

0:53:48.000 --> 0:53:50.560
<v Speaker 1>in money for my kids and for people around the

0:53:50.600 --> 0:53:53.680
<v Speaker 1>world to have something UM that they could keep going.

0:53:53.840 --> 0:53:55.560
<v Speaker 1>And it will, it'll keep going. It's a business we

0:53:55.600 --> 0:53:58.200
<v Speaker 1>can will to our kids. So we're grooming future beauty

0:53:58.960 --> 0:54:01.960
<v Speaker 1>business Boss Bay aids and we love it all right,

0:54:02.080 --> 0:54:06.160
<v Speaker 1>my friend, Thank you. This has been a pleasure than

0:54:06.719 --> 0:54:10.480
<v Speaker 1>the opportunity all the people that are watching your podcast, UM,

0:54:11.360 --> 0:54:13.440
<v Speaker 1>thanks for all the support over the years. I really

0:54:13.480 --> 0:54:16.880
<v Speaker 1>appreciate it. I really feel so blessed to be a

0:54:16.960 --> 0:54:21.160
<v Speaker 1>part of this project that continues to be UM so rewarding.

0:54:21.200 --> 0:54:23.440
<v Speaker 1>People tell me wherever I am. The big fans of

0:54:23.520 --> 0:54:28.959
<v Speaker 1>the show, and do I know playing and and Jenny

0:54:29.000 --> 0:54:31.640
<v Speaker 1>garr you know Jenny Garland. It's so nice. It's really

0:54:32.280 --> 0:54:35.560
<v Speaker 1>it's the gift that keeps on giving. I'm grateful. It's

0:54:35.640 --> 0:54:38.480
<v Speaker 1>so true. There you have it. We look forward to

0:54:38.560 --> 0:54:41.680
<v Speaker 1>working with you and sharing our products and paying it

0:54:41.800 --> 0:54:45.279
<v Speaker 1>forward to people everywhere. I love you and I love

0:54:46.760 --> 0:54:50.200
<v Speaker 1>baby Bye. That was so fun. Oh my gosh. I

0:54:50.600 --> 0:54:54.319
<v Speaker 1>loved having him on the show. I could just listen

0:54:54.400 --> 0:54:56.920
<v Speaker 1>to his stories all day long. Um, he'll have to

0:54:56.960 --> 0:55:01.120
<v Speaker 1>come back. Okay, next week episode you want. Everybody's talking

0:55:01.160 --> 0:55:03.360
<v Speaker 1>about it. It's going to be a really great I

0:55:03.480 --> 0:55:06.400
<v Speaker 1>love this episode. I actually remember a lot about this episode,

0:55:06.400 --> 0:55:08.640
<v Speaker 1>so it's gonna be really cool. Um, we will see

0:55:08.680 --> 0:55:11.719
<v Speaker 1>you next week. I love you guys. Bye.