WEBVTT - George Hamilton

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<v Speaker 1>Hey, everyone, thanks for pulling up a chair. Today on

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<v Speaker 1>Table for two.

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<v Speaker 2>We're at the Sunset Tower in Hollywood, my favorite joint,

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<v Speaker 2>and this is Bruce Bosi.

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<v Speaker 1>Today.

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<v Speaker 2>Those are super glamorous, very special day because we're having

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<v Speaker 2>lunch with an icon, with someone who's been in the

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<v Speaker 2>business since literally the nineteen forties.

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<v Speaker 3>I'm gonna have the chop salad with the exactly.

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<v Speaker 1>The way you're DoD He's tan, he's charming, he has

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<v Speaker 1>so much charisma. He has started movies, television, Broadway. He's

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<v Speaker 1>published books, produced movies. He's been an entrepreneur.

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<v Speaker 3>I wish I could eat more of this, but I've

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<v Speaker 3>talked too much.

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<v Speaker 1>He is a very debonair, very funny, extremely charismatic George Hamilton.

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<v Speaker 2>So let me tell you, pull up a chair, grab

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<v Speaker 2>yourself a glass of rose, because we are gonna have

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<v Speaker 2>some good times today and hear some epic stories from

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<v Speaker 2>years gone by, and you'll be surprised. There's a future

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<v Speaker 2>for this eighty four year old. So stay with us

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<v Speaker 2>and we'll be right back. I'm Bruce Bosi and this

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<v Speaker 2>is my podcast Table for two. So mister Hamilton, thank

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<v Speaker 2>you for George, thank you for pulling up a chair

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<v Speaker 2>today on table for two. It's a big deal, and

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<v Speaker 2>I just wanted to sort of say so, you know,

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<v Speaker 2>many of my lunch dates are legends in the making,

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<v Speaker 2>legends to be if they're lucky enough to have the

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<v Speaker 2>fortitude to stick around. And we're sitting if you pulled

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<v Speaker 2>up a chair today with a gentleman who is an

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<v Speaker 2>iconic man, a true Hollywood superstar, your royalty in Hollywood.

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<v Speaker 2>You are what the definition of a movie star is.

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<v Speaker 2>You've had incredible career. Georgia started in movies, television. You've

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<v Speaker 2>hosted your own successful daytime talk show. You start on Broadway.

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<v Speaker 2>You've published two very successful books. You're a successful producer.

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<v Speaker 2>You're an entrepreneur, the skincare line, the tanning salons. You've

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<v Speaker 2>been the Grand Marshal of a parade. You've been a

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<v Speaker 2>reality television host.

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<v Speaker 1>You've been a.

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<v Speaker 2>Reality television star. You've had cigars named after you. You've

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<v Speaker 2>been a lover. You've married your father, a brother, a son,

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<v Speaker 2>and you in two thousand and nine were awarded the

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<v Speaker 2>two thousand, three hundred and eighty eighth Star on Hollywood

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<v Speaker 2>Boulevard Walker Fame. I am sitting with today a legend

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<v Speaker 2>mister George Hamilton, thank you for joining me today.

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<v Speaker 4>And I was married and divorced only one time you've

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<v Speaker 4>been record that is yeah, and remained a friend over

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<v Speaker 4>the years. And you know, I got I got a

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<v Speaker 4>star in Palm Springs, and I was, yeah, I thought,

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<v Speaker 4>that's a pretty amazing to get a star in Palm

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<v Speaker 4>spring And then I got a it's been there with

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<v Speaker 4>thirty forty years and now I got a note of

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<v Speaker 4>about it and needed repair. And they asked me, yeah,

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<v Speaker 4>ask me what I wanted to do about it? Maybe

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<v Speaker 4>running a repair service for stars literally and Bom Springs.

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<v Speaker 3>You gotta go down and fix it? Why not? You know,

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<v Speaker 3>you just don't want to. You don't want to leave

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<v Speaker 3>your star.

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<v Speaker 2>No, you have to keep that. So you are from Memphis, right,

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<v Speaker 2>born of Memphis. So you're younger than Elvis Presley. Did

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<v Speaker 2>you ever did you know him growing up? Did you

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<v Speaker 2>ever meet Elvis?

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<v Speaker 4>Never met him in Memphis in the in the beginning

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<v Speaker 4>when he started. I had already left Memphis and was

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<v Speaker 4>in Hollywood when he started. And I met the colonel,

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<v Speaker 4>and the colonel was the most extraordinary guy. I became

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<v Speaker 4>some of my best friend and under contract to MGM.

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<v Speaker 4>He had a sort of cook house. He liked it

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<v Speaker 4>because then the carnival, it was where all the people

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<v Speaker 4>met and he made his best deals. And he had

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<v Speaker 4>all the guys from Elvis's group, Sonny and Red and

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<v Speaker 4>Lamar and all the guys would come in and see

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<v Speaker 4>the colonel, and Elvis would come and go. But the

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<v Speaker 4>Colonel and Elvis were very much in a kind of

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<v Speaker 4>low key conversation all the time, and there would be

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<v Speaker 4>like a continuing of it. He would check in with

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<v Speaker 4>him and it would be kind of private conversations. I

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<v Speaker 4>would hear, and I would see the boys hanging out

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<v Speaker 4>with each other and with Elvis. The minute they were

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<v Speaker 4>walking in or they were leaving, they'd start a song,

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<v Speaker 4>a gospel song in tight harmony. And I think Elvis

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<v Speaker 4>in love that kind of it was kind of like

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<v Speaker 4>a grounding where.

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<v Speaker 3>His world was.

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<v Speaker 4>All the rest of it was kind of you know,

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<v Speaker 4>this is happening, but and he wasn't making a big

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<v Speaker 4>deal of it.

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<v Speaker 3>I was a very low key.

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<v Speaker 4>Guy, and I didn't I certainly knew him and talk

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<v Speaker 4>to him many times, but I don't think I ever

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<v Speaker 4>was close with Elvis. When I was going out with

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<v Speaker 4>Lyndon Johnson's daughter Linda, Elvis and him Priscilla, and in

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<v Speaker 4>different times we were all together, and I have some

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<v Speaker 4>pictures with Elvis were very interesting, but it was Elvis

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<v Speaker 4>was a totally gentleman, very considerate, very kind person.

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<v Speaker 2>That's the definite, Like if someone's describing you, that's how

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<v Speaker 2>one would describe you.

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<v Speaker 1>I feel. And do you think it has to do

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<v Speaker 1>with being a Southern Yeah.

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<v Speaker 4>I do think I've read something about you once you

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<v Speaker 4>said you the most important thing to use someone who's kind.

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<v Speaker 3>Yes, that's to me too. I was brought up that way.

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<v Speaker 3>I don't I'm not. I can.

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<v Speaker 4>I can have a funny line and it could be cutting,

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<v Speaker 4>but it's never unkind. I don't know how to be unkind.

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<v Speaker 4>And people will say, well, you know that shows weakness,

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<v Speaker 4>when you know it doesn't shows great strength.

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<v Speaker 3>Especially in this town.

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<v Speaker 4>I see people in the streets, you know, all messed

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<v Speaker 4>up all across this country now on all the drugs

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<v Speaker 4>that are just awful now, and just to be kind

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<v Speaker 4>helps so much in their world, just to acknowledge people.

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<v Speaker 2>When I see people you know who unfortunately are living

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<v Speaker 2>on the streets, they just want to be acknowledged these

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<v Speaker 2>It's like, you know, we're just all on this planet

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<v Speaker 2>together for this short period of time.

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<v Speaker 3>You know.

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<v Speaker 4>It's so true, And how we look at life determines

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<v Speaker 4>our success. And a lot of people think you have

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<v Speaker 4>to be tough and killing and crushing.

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<v Speaker 3>To get ahead.

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<v Speaker 4>I always resent that, and I always resist it. The

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<v Speaker 4>minute I realize I've got a plan, I hand it

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<v Speaker 4>over and let the universe head it.

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<v Speaker 3>It always finds a better way for me, and it

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<v Speaker 3>gives it to me in a way in which I

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<v Speaker 3>would least expect it. But it comes in perfect form

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<v Speaker 3>when it comes, may come three years later than my timing.

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<v Speaker 3>But I've let go of that all my life.

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<v Speaker 4>I never did in my mind something cheap or hurtful

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<v Speaker 4>to get ahead and a cost to someone else.

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<v Speaker 1>So if we kind of flip from Memphis, what brought

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<v Speaker 1>you to Hollywood.

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<v Speaker 4>Well, they were separate by years. My mother and brother

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<v Speaker 4>were the end of the war, come the Second World War.

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<v Speaker 4>The forties in this country were amazing. People were all

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<v Speaker 4>of a sudden seeing they were getting houses for the

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<v Speaker 4>first time under the gi Bill of Rights. People were

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<v Speaker 4>actually able to have something for a change. And I

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<v Speaker 4>don't know, I guess it was Rosevelt that brought that along.

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<v Speaker 4>And people were starting to settle down in these different

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<v Speaker 4>towns and countries and places, and America was becoming a

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<v Speaker 4>place to go and venture into and see now that

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<v Speaker 4>the war was over. And my mother and brother lived

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<v Speaker 4>in a little town called Blifeul, Arkansas. My grandfather was

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<v Speaker 4>the town doctor. My grandmother was a Christian science practitioner.

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<v Speaker 4>They were married and for years my grandfather had done

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<v Speaker 4>all these medical things in a small town, and my

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<v Speaker 4>grandmother has done all of this kind of Christian science

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<v Speaker 4>metaphysical thinking, and at the end of his life he

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<v Speaker 4>said that she had healed more than he had. My

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<v Speaker 4>mother decided that she had been in love with one

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<v Speaker 4>guy who was in a movie and his name was

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<v Speaker 4>Buddy Rogers, Butty Rogers and wings, and my mother just

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<v Speaker 4>this was the end all. And he arrived in his

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<v Speaker 4>plane in this little town where they had a huge

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<v Speaker 4>army base, air force base, and it was all wrapping

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<v Speaker 4>up and the war was over. My mother knew she

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<v Speaker 4>had to get out of this little town. But until then,

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<v Speaker 4>the best looking men on earth arrived in airplanes day

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<v Speaker 4>in this air force base. So my mother said, I'm

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<v Speaker 4>going to leave this place, and I'm going to go

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<v Speaker 4>to Hollywood because I have Betty Grabel's legs.

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<v Speaker 3>And my brother, my gay brother, said, I have Betty Gables.

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<v Speaker 3>I had a gay brother, and Bill was the most

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<v Speaker 3>amazing human being.

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<v Speaker 4>He taught me so much. He had the best taste

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<v Speaker 4>of anybody I ever knew. He was had an outrageous

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<v Speaker 4>sense of humor. And my mother and brother were joined together,

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<v Speaker 4>and he actually created this fatal my mother by dressing her,

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<v Speaker 4>and he had such amazing taste that he gave her

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<v Speaker 4>all of the little my mother great southern bell quality,

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<v Speaker 4>but she didn't have that killer, that look of fatale.

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<v Speaker 1>My brother just did that, and he knew what he dresses,

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<v Speaker 1>he styled.

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<v Speaker 3>He created her, He absolutely created He then said to

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<v Speaker 3>me at that.

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<v Speaker 4>Age, she said, we're going to California, and I'm taking

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<v Speaker 4>you and your other brother. We're going across country and

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<v Speaker 4>you get to see all of America.

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<v Speaker 3>That was perfect.

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<v Speaker 4>My little brother didn't know where he'd come from. Is

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<v Speaker 4>not like anybody else in the family. He's a person,

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<v Speaker 4>so so he said it in his own words. He's

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<v Speaker 4>so meticulous and so worried about what's going to happen.

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<v Speaker 4>That he'll read the label of an aspirin bottle for

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<v Speaker 4>all side effects, and we will leave for another country

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<v Speaker 4>with twelve dollars in our pocket.

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<v Speaker 3>We just don't. We just know that the universe is going.

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<v Speaker 4>To provide right exactly. So my mother and brother set out.

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<v Speaker 4>We bought a Lincoln Continental convertible. Yeah it was pea

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<v Speaker 4>green but had beige leather and beige top, and Lincolnenttal

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<v Speaker 4>convertible forty seven.

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<v Speaker 3>Them were apset doning, yes, dunning, and we you know,

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<v Speaker 3>they didn't drive all the well over they were you know,

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<v Speaker 3>four engines in them.

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<v Speaker 4>But we drove across country and we broke down somewhere

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<v Speaker 4>in Mexico, and in the mountains of Mexico. My mother

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<v Speaker 4>decided to take us short through Mexico. Yeah, if you

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<v Speaker 4>can believe that one, and we ended up in Acapusto,

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<v Speaker 4>but not before death almost because we brakes went out

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<v Speaker 4>of the mountains and ten thousand feet and my brother

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<v Speaker 4>was hyperventilating, and my mother was there saying, oh, we've

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<v Speaker 4>got to do something, and she.

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<v Speaker 3>Looked back at me and she said, well, you're all

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<v Speaker 3>I've got get out and find help.

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<v Speaker 4>That was now at that time, I was a little

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<v Speaker 4>like this is a little later I was I was

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<v Speaker 4>not seven, I was about ten, okay, and so at

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<v Speaker 4>and I had a field commission and I went out

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<v Speaker 4>and found I found another wrecker, actually was a garbage truck.

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<v Speaker 3>And I went and I put my mother and my

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<v Speaker 3>brother and my little brother in the garbage truck and

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<v Speaker 3>we drove to a Capulco, which was a hell of

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<v Speaker 3>a arrival in.

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<v Speaker 2>The garbage truck. Thank you that this is a movie.

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<v Speaker 2>The story you're talking about, like, what an adventure.

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<v Speaker 4>My brother was really a lovely human being and taught

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<v Speaker 4>me a lot, but he was always behind the scenes,

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<v Speaker 4>plotting and planning. My mother had all these different boyfriends

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<v Speaker 4>that all had fallen in love with her, and so

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<v Speaker 4>every town we go to, she said, oh.

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<v Speaker 3>He's divine, you know.

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<v Speaker 4>He went to Princeton and just gonna love him, and

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<v Speaker 4>we're gonna have dinner with him, and I were going

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<v Speaker 4>to find a father for all of us.

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<v Speaker 3>It's just gonna work beautifully. And I'd say, oh great.

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<v Speaker 4>We'd sit down and the guy would walk and he

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<v Speaker 4>was a complete alcoholic, a mess, and she said, oh

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<v Speaker 4>my god, he's let himself go.

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<v Speaker 3>We move on to the next town, right.

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<v Speaker 4>She was just outrageous, you know. And Bill would say, well,

0:12:14.520 --> 0:12:16.920
<v Speaker 4>you know, it's just not the thing to do the

0:12:16.960 --> 0:12:19.280
<v Speaker 4>way he did. He don't wear brown shoes after six o'clock.

0:12:21.400 --> 0:12:21.800
<v Speaker 1>Georgia.

0:12:21.920 --> 0:12:25.040
<v Speaker 2>Now we understand, like how you got such incredible style

0:12:25.160 --> 0:12:25.920
<v Speaker 2>and charisma.

0:12:26.120 --> 0:12:28.599
<v Speaker 1>I mean, this was to have a mom like that,

0:12:29.040 --> 0:12:29.400
<v Speaker 1>well it was.

0:12:29.679 --> 0:12:33.640
<v Speaker 4>It was a bizarre thing because Bill and Mom wanted

0:12:33.679 --> 0:12:37.160
<v Speaker 4>to entertain and know all the and they did because

0:12:37.640 --> 0:12:40.800
<v Speaker 4>you know, this swans that whole thing with Truman.

0:12:40.840 --> 0:12:41.800
<v Speaker 3>Capodi was at our.

0:12:41.720 --> 0:12:44.320
<v Speaker 4>House every night, really at Beriakman Place in New York,

0:12:44.400 --> 0:12:47.760
<v Speaker 4>and my brother when they ran out quite often they'd

0:12:47.800 --> 0:12:50.040
<v Speaker 4>run out of money and they wouldn't have any more

0:12:50.080 --> 0:12:54.079
<v Speaker 4>cabar in anymore cannopages. My brother would go back in

0:12:54.160 --> 0:12:57.440
<v Speaker 4>the kitchen and put together dog food on little ritz

0:12:57.520 --> 0:12:59.959
<v Speaker 4>crackers with an olive and people would eat.

0:13:00.280 --> 0:13:01.680
<v Speaker 3>And I said, Bill, you can't do it. He said,

0:13:01.679 --> 0:13:02.160
<v Speaker 3>they'd love it.

0:13:24.440 --> 0:13:26.040
<v Speaker 1>Welcome back to Table for two.

0:13:26.880 --> 0:13:29.960
<v Speaker 5>Our guest, George Hamilton has been a Hollywood fixture since

0:13:30.080 --> 0:13:33.319
<v Speaker 5>the nineteen fifties, but you might not know that being

0:13:33.360 --> 0:13:35.960
<v Speaker 5>a movie star was not his first choice for.

0:13:36.080 --> 0:13:39.960
<v Speaker 3>A career Hollywood. When we got to Hollywood.

0:13:40.160 --> 0:13:42.440
<v Speaker 1>Yeah, tell me like, you got to Hollywood and you're

0:13:42.679 --> 0:13:43.080
<v Speaker 1>how old?

0:13:43.160 --> 0:13:44.880
<v Speaker 3>Now, Well, I was about twelve.

0:13:44.960 --> 0:13:47.680
<v Speaker 4>Then it's your twelve, I guess in ten, eleven, twelve

0:13:47.720 --> 0:13:50.959
<v Speaker 4>in that time, and sometimes it seemed forever, but we

0:13:51.440 --> 0:13:54.760
<v Speaker 4>stopped in all these different towns. My mother thought that

0:13:54.840 --> 0:13:57.040
<v Speaker 4>Hollywood was where they were going to make it, and

0:13:57.120 --> 0:13:58.319
<v Speaker 4>then I realized something.

0:13:58.480 --> 0:13:58.880
<v Speaker 3>They were here.

0:13:59.080 --> 0:14:01.680
<v Speaker 4>We had houses all over, they'd had a little money

0:14:02.800 --> 0:14:06.400
<v Speaker 4>from they'd inherited with the death of my grandmother and grandfather,

0:14:07.040 --> 0:14:09.840
<v Speaker 4>and they were living the life they thought movie stars lived.

0:14:09.920 --> 0:14:13.040
<v Speaker 4>And they were I mean my mother there was nothing

0:14:13.080 --> 0:14:16.000
<v Speaker 4>to see Clark Gable at dinner with my mother. I mean,

0:14:16.040 --> 0:14:18.319
<v Speaker 4>these were things that, oh yeah, all the time. And

0:14:18.400 --> 0:14:20.000
<v Speaker 4>my mother knew all the movies stars.

0:14:20.040 --> 0:14:22.320
<v Speaker 1>Now was she pursuing the career or she just was

0:14:22.400 --> 0:14:22.680
<v Speaker 1>sort of.

0:14:22.920 --> 0:14:25.760
<v Speaker 4>So they were enamored from the first day they saw

0:14:25.800 --> 0:14:28.360
<v Speaker 4>a movie in her movie house and they saw themselves

0:14:28.440 --> 0:14:30.760
<v Speaker 4>in it, both of them. And my brother was pushing

0:14:30.840 --> 0:14:34.080
<v Speaker 4>my mother because he wanted it too, and neither one.

0:14:34.120 --> 0:14:38.000
<v Speaker 3>He was incredibly good looking, and I.

0:14:38.080 --> 0:14:40.240
<v Speaker 4>Wasn't fashionable to be gay in those days, and very

0:14:40.320 --> 0:14:45.120
<v Speaker 4>hard right and Bill and I I laughed a lot

0:14:45.280 --> 0:14:46.320
<v Speaker 4>of Bill's outrageous.

0:14:46.360 --> 0:14:49.480
<v Speaker 3>It's his sense of humor was so outrageous. And my

0:14:49.600 --> 0:14:52.760
<v Speaker 3>mother was this. She got a screen test and she

0:14:53.000 --> 0:14:55.040
<v Speaker 3>used Bill's lane, which was just a foolish thing.

0:14:55.280 --> 0:14:57.760
<v Speaker 4>She went and she had this screen test where one

0:14:57.840 --> 0:14:59.960
<v Speaker 4>of these guys was supposed to be like a Clark gay.

0:15:00.640 --> 0:15:03.880
<v Speaker 4>She was supposed to say she supposed to seduce him

0:15:03.920 --> 0:15:06.880
<v Speaker 4>on camera, and she was all right with that, except

0:15:06.960 --> 0:15:08.360
<v Speaker 4>she did say exactly what.

0:15:08.440 --> 0:15:12.600
<v Speaker 3>Billy told her. A gentleman doesn't wear brown shoes after

0:15:12.640 --> 0:15:16.040
<v Speaker 3>six o'clock. And that was the end of her career.

0:15:18.160 --> 0:15:21.080
<v Speaker 3>Thank you, thank you. It's very kind. But we're moving on.

0:15:21.480 --> 0:15:22.000
<v Speaker 1>We're moving on.

0:15:23.160 --> 0:15:26.560
<v Speaker 2>So when you get to Hollywood, you're going into your teens,

0:15:26.800 --> 0:15:29.880
<v Speaker 2>did you have a influence that you looked at like

0:15:29.960 --> 0:15:32.400
<v Speaker 2>a leading man that you were like, oh, and did

0:15:32.480 --> 0:15:35.400
<v Speaker 2>you have the itch you wanted to become an actor?

0:15:35.720 --> 0:15:37.640
<v Speaker 3>Brusle? You know what what got it for me? I

0:15:37.960 --> 0:15:40.120
<v Speaker 3>really wanted to be a doctor because my grandmother and

0:15:40.200 --> 0:15:43.120
<v Speaker 3>grandfather was and I thought there's a lot to this

0:15:43.440 --> 0:15:46.200
<v Speaker 3>medicine that doesn't people don't understand the mind. The power

0:15:46.240 --> 0:15:49.760
<v Speaker 3>of the mind is huge, and I thought I would

0:15:49.800 --> 0:15:52.000
<v Speaker 3>try to be an actor, but.

0:15:52.200 --> 0:15:54.680
<v Speaker 4>I thought, it's not possible the way they're doing it,

0:15:54.800 --> 0:15:56.720
<v Speaker 4>you know, just they're failing left and right, and yet

0:15:56.760 --> 0:16:00.240
<v Speaker 4>they're the darlings of the tomb. So years later I

0:16:00.400 --> 0:16:03.480
<v Speaker 4>decided I was getting out of school. I was seventeen,

0:16:04.040 --> 0:16:06.320
<v Speaker 4>and I thought, why don't I try that, just to

0:16:06.440 --> 0:16:10.440
<v Speaker 4>see if my idea is right. They wanted it too much,

0:16:11.200 --> 0:16:13.800
<v Speaker 4>and I figured out the way to handle Hollywood is

0:16:14.000 --> 0:16:16.880
<v Speaker 4>let them think you don't need them. So when I

0:16:17.000 --> 0:16:22.080
<v Speaker 4>went to MGM, an agent brought me in with ten guys,

0:16:22.600 --> 0:16:24.600
<v Speaker 4>and they were all kind of like a yellow dog

0:16:24.680 --> 0:16:28.720
<v Speaker 4>casting kanya. So I decided I'd rent a Rolls Royce

0:16:28.800 --> 0:16:31.000
<v Speaker 4>and get a chauffeur. And I got an old one

0:16:31.040 --> 0:16:34.480
<v Speaker 4>that was in nineteen thirty nine, Snack of Deville, built

0:16:34.520 --> 0:16:36.680
<v Speaker 4>for the King and Queen of England, and I rented

0:16:36.720 --> 0:16:39.720
<v Speaker 4>it for the day and got a dorman from a

0:16:39.840 --> 0:16:42.400
<v Speaker 4>restaurant with some braid on his shoulder and made him

0:16:42.480 --> 0:16:44.960
<v Speaker 4>drive it, and I said park it under the window

0:16:45.480 --> 0:16:49.240
<v Speaker 4>of Altrasconi, who was the casting director of MGM. And

0:16:49.320 --> 0:16:51.120
<v Speaker 4>so while I was standing with these ten guys and

0:16:51.160 --> 0:16:53.280
<v Speaker 4>then this agent was doing a bad job trying to

0:16:53.320 --> 0:16:55.520
<v Speaker 4>sell us, I kept going to the window, and I'd

0:16:55.520 --> 0:16:57.720
<v Speaker 4>look at my watch and I'd look out the window

0:16:57.720 --> 0:16:59.160
<v Speaker 4>and said, be right down, be right And I said,

0:16:59.160 --> 0:17:01.080
<v Speaker 4>what are you doing? I said, these cars downstairs and

0:17:01.120 --> 0:17:01.520
<v Speaker 4>I have to go.

0:17:01.880 --> 0:17:02.840
<v Speaker 3>This is what do you have to go for?

0:17:02.960 --> 0:17:05.200
<v Speaker 4>I said, well, mommy and I this is not for me.

0:17:05.280 --> 0:17:07.320
<v Speaker 4>I don't want to be an actor. I said, God,

0:17:07.400 --> 0:17:09.040
<v Speaker 4>I can make much more money in the family, but

0:17:09.080 --> 0:17:11.560
<v Speaker 4>I don't want to do this. And they said, well,

0:17:11.600 --> 0:17:13.000
<v Speaker 4>hold on a minute. I said, I'm sorry, must go,

0:17:13.119 --> 0:17:16.639
<v Speaker 4>shook hands with each boy and walked out. I was

0:17:16.720 --> 0:17:19.320
<v Speaker 4>called back an hour later and say, they want you back.

0:17:19.359 --> 0:17:21.000
<v Speaker 4>They want to talk to you again. I said, I'm

0:17:21.040 --> 0:17:23.040
<v Speaker 4>not working for any three hundred dollars a week. I

0:17:24.080 --> 0:17:26.639
<v Speaker 4>better trust about it than that. Anyway, I got my

0:17:27.760 --> 0:17:30.600
<v Speaker 4>first contract up to one thousand dollars and they were

0:17:30.720 --> 0:17:32.520
<v Speaker 4>not hired, no one else. And I said to my

0:17:32.600 --> 0:17:34.959
<v Speaker 4>mother and brother, the trick is you wanted it too much.

0:17:35.400 --> 0:17:38.080
<v Speaker 4>I pretended I didn't want it. I went under contract

0:17:38.160 --> 0:17:41.200
<v Speaker 4>the first day, you asked me. The first person I

0:17:41.280 --> 0:17:43.520
<v Speaker 4>saw walking on the lot was carry Grant.

0:17:43.680 --> 0:17:44.880
<v Speaker 1>Get out and I walked.

0:17:44.920 --> 0:17:47.119
<v Speaker 4>I said, mister Grant, how what do I do to

0:17:47.240 --> 0:17:48.840
<v Speaker 4>be like you. He said, why didn't you get a

0:17:48.920 --> 0:17:50.160
<v Speaker 4>good haircut.

0:17:52.600 --> 0:17:57.400
<v Speaker 3>That? And then I saw I saw fred as stair dancing,

0:17:57.560 --> 0:17:58.480
<v Speaker 3>and I thought, my god.

0:17:58.560 --> 0:18:01.160
<v Speaker 4>He said and I waited finish and I said, mister Stare,

0:18:01.359 --> 0:18:03.200
<v Speaker 4>can you give me any tips because I'm trying to

0:18:03.320 --> 0:18:07.720
<v Speaker 4>learn about acting and on. And he said, well, they

0:18:07.800 --> 0:18:09.520
<v Speaker 4>have a good tailor here, but there's a better one

0:18:09.560 --> 0:18:12.359
<v Speaker 4>in London that you might one day get. Told me

0:18:12.440 --> 0:18:14.960
<v Speaker 4>the name of the taylor. I thought, so far, I've

0:18:14.960 --> 0:18:17.920
<v Speaker 4>got a haircut in the tailor. And my first movie

0:18:18.960 --> 0:18:23.240
<v Speaker 4>at MGM was with Robert Mitchell. Now mitcham was just

0:18:23.600 --> 0:18:27.159
<v Speaker 4>sort of leisurely standing against the wall, I thought, But

0:18:27.280 --> 0:18:30.520
<v Speaker 4>then I realized that there's something else going on. He said,

0:18:30.560 --> 0:18:32.440
<v Speaker 4>say the lines that I men met the guy and

0:18:32.480 --> 0:18:35.600
<v Speaker 4>we were in a scene and they said, Mitch, say

0:18:35.640 --> 0:18:38.960
<v Speaker 4>the lines. Vincent Minelli said, say the lines, bitch, and

0:18:39.080 --> 0:18:41.400
<v Speaker 4>he said, I know the lines. I'm just too drunk

0:18:41.480 --> 0:18:41.840
<v Speaker 4>to say.

0:18:44.640 --> 0:18:47.320
<v Speaker 3>This is just Hollywood. So now he and I work

0:18:47.400 --> 0:18:50.119
<v Speaker 3>all day. He never misses the line. We finished around

0:18:50.160 --> 0:18:52.320
<v Speaker 3>seven o'clock and he said, we're going to the Sportsman's Love.

0:18:52.320 --> 0:18:55.280
<v Speaker 3>We're going to have a drink. I thought, okay. Four

0:18:55.320 --> 0:18:56.160
<v Speaker 3>o'clock in the morning.

0:18:56.200 --> 0:18:59.080
<v Speaker 4>I'm still drinking with Robert Mitchum and I said, mister Mitchell,

0:18:59.160 --> 0:19:00.719
<v Speaker 4>I've got to be on the set at seven o'clock

0:19:00.720 --> 0:19:03.600
<v Speaker 4>in the morning. He said, you know, you worry about

0:19:03.640 --> 0:19:06.080
<v Speaker 4>makeup and being in a wardrobe, he said, tell him

0:19:06.080 --> 0:19:08.360
<v Speaker 4>me put the wardrobe in a dressing room and get

0:19:08.400 --> 0:19:11.959
<v Speaker 4>a tan. Well for days, that was it. I had

0:19:12.000 --> 0:19:16.280
<v Speaker 4>a haircut, a suit, and a ten That's all I knew.

0:19:16.359 --> 0:19:19.280
<v Speaker 4>And that advice was that I never learned anything about acting.

0:19:19.359 --> 0:19:32.040
<v Speaker 4>That was another stuff they said to me at the studio.

0:19:32.119 --> 0:19:34.200
<v Speaker 4>This is the best part of okay, They said to

0:19:34.240 --> 0:19:38.440
<v Speaker 4>me at the studio. We want you to date only

0:19:38.520 --> 0:19:41.320
<v Speaker 4>the girls at MGM because we put a lot of

0:19:41.400 --> 0:19:45.159
<v Speaker 4>money in publicity for you people. And don't go to

0:19:45.280 --> 0:19:47.720
<v Speaker 4>Warner Brothers and ask what there's some beautiful girls. Don't

0:19:47.800 --> 0:19:48.800
<v Speaker 4>go to Warner Brothers.

0:19:48.880 --> 0:19:50.240
<v Speaker 1>Just stay with the MGM women.

0:19:50.520 --> 0:19:52.840
<v Speaker 3>So I found a list of them. They were about

0:19:52.880 --> 0:19:55.840
<v Speaker 3>seventy and I thought I could get through that in

0:19:55.880 --> 0:19:56.400
<v Speaker 3>a month ago.

0:20:00.160 --> 0:20:03.560
<v Speaker 4>So the next thing I would take, you know, sometimes

0:20:03.600 --> 0:20:06.200
<v Speaker 4>three a day, I'd make breakfast, lunch.

0:20:06.880 --> 0:20:08.320
<v Speaker 3>I was doing what the studio wanted.

0:20:08.840 --> 0:20:12.760
<v Speaker 4>So as it went on, I found out something that

0:20:12.920 --> 0:20:15.840
<v Speaker 4>was extraordinary. First of all, there were lots of parts,

0:20:16.480 --> 0:20:19.400
<v Speaker 4>but they weren't telling and the agents didn't have the knowledge.

0:20:19.760 --> 0:20:22.200
<v Speaker 4>They had no breakdowns. So the agents, I'm working on

0:20:22.320 --> 0:20:24.240
<v Speaker 4>something for you, Because it was always bullshit. You just

0:20:24.359 --> 0:20:26.760
<v Speaker 4>knew that the agent weren't going to come up with anything.

0:20:27.280 --> 0:20:29.080
<v Speaker 4>So I took it in my own hands, and I

0:20:29.240 --> 0:20:33.440
<v Speaker 4>found that there were script analysis and script breakdowns and

0:20:34.560 --> 0:20:37.840
<v Speaker 4>actual scripts in the memual cage, and that they made

0:20:37.880 --> 0:20:40.600
<v Speaker 4>them and they left them there and they didn't.

0:20:40.359 --> 0:20:41.240
<v Speaker 3>Go to the offices.

0:20:41.280 --> 0:20:44.479
<v Speaker 4>So for maybe several weeks sometimes nobody knew what they

0:20:44.520 --> 0:20:48.000
<v Speaker 4>were doing. I every week climbed the script cage on

0:20:48.080 --> 0:20:51.119
<v Speaker 4>the weekend and spent the weekend reading every script. I

0:20:51.160 --> 0:20:54.639
<v Speaker 4>knew every part that was in the movies at MGM.

0:20:55.800 --> 0:20:58.000
<v Speaker 4>So finally they'd say to me. The agent said, well,

0:20:58.000 --> 0:21:00.240
<v Speaker 4>you know there's nothing right now. Oh yes, there's one

0:21:00.320 --> 0:21:03.040
<v Speaker 4>in this is this wonderful movie called Light in the Piazza.

0:21:03.160 --> 0:21:06.199
<v Speaker 4>It's a movie of you know, well, you're not Italian,

0:21:06.280 --> 0:21:08.760
<v Speaker 4>I said, I'm an actor. Well we will find out

0:21:08.760 --> 0:21:12.160
<v Speaker 4>about that. We're not sure, but nonetheless, we don't see

0:21:12.200 --> 0:21:14.280
<v Speaker 4>you playing this role. I see me playing this role

0:21:14.359 --> 0:21:18.479
<v Speaker 4>I'm saying. So I found out the biggest secret. There

0:21:18.520 --> 0:21:23.080
<v Speaker 4>were about of those seventy girls in the contract, there

0:21:23.119 --> 0:21:27.520
<v Speaker 4>were at least two. Each major head of the studio

0:21:27.720 --> 0:21:31.639
<v Speaker 4>had maybe eight that were really not actresses. They were

0:21:31.680 --> 0:21:34.480
<v Speaker 4>there for certain other things, if you get my drift.

0:21:35.400 --> 0:21:39.320
<v Speaker 4>And they came in at lunchtime and serviced the gentleman.

0:21:39.520 --> 0:21:43.159
<v Speaker 4>The gentleman in question here. So I found out what

0:21:43.440 --> 0:21:46.120
<v Speaker 4>time they came because they came at the same time,

0:21:46.200 --> 0:21:50.000
<v Speaker 4>because the secretaries gave them time by taking up long lunches.

0:21:50.080 --> 0:21:52.040
<v Speaker 1>These the executives on the lot exactly.

0:21:52.480 --> 0:21:55.720
<v Speaker 3>So I would arrive in their offices, knock on the door.

0:21:56.200 --> 0:21:58.920
<v Speaker 3>Who is it. It's George Hewmen, can you come back?

0:22:01.080 --> 0:22:03.280
<v Speaker 3>Who is it? Can I just speak to him and

0:22:04.800 --> 0:22:05.240
<v Speaker 3>what is it?

0:22:05.359 --> 0:22:07.440
<v Speaker 4>And I would open the door and I would catch

0:22:07.480 --> 0:22:10.280
<v Speaker 4>them sometimes in FLAGRANTI.

0:22:09.960 --> 0:22:11.240
<v Speaker 3>He got to be He said, what are you doing?

0:22:11.320 --> 0:22:12.000
<v Speaker 3>What are you doing here?

0:22:12.000 --> 0:22:13.560
<v Speaker 4>I said, I'm just coming from an appointment we had

0:22:13.600 --> 0:22:15.440
<v Speaker 4>in the point, I didn't make any appointment with you,

0:22:15.720 --> 0:22:17.240
<v Speaker 4>I said, but but I have an appointment.

0:22:17.480 --> 0:22:18.080
<v Speaker 3>Well, come back.

0:22:18.600 --> 0:22:20.080
<v Speaker 4>And then he came out and say, you didn't see

0:22:20.080 --> 0:22:22.920
<v Speaker 4>anything you I said a little bit. I didn't something

0:22:23.000 --> 0:22:23.680
<v Speaker 4>I saw something.

0:22:25.119 --> 0:22:28.080
<v Speaker 1>Let me tell you, George very cunning well.

0:22:28.119 --> 0:22:30.080
<v Speaker 4>I was running the studio in my own way. You

0:22:30.200 --> 0:22:32.920
<v Speaker 4>were because I knew the parts. I could tell the

0:22:33.000 --> 0:22:35.119
<v Speaker 4>other actors. Not only could tell the other pipes, I

0:22:35.160 --> 0:22:37.800
<v Speaker 4>could sell them. So I was makingside money.

0:22:38.480 --> 0:22:42.000
<v Speaker 2>Because you would tell your cronies on the did you wow?

0:22:42.119 --> 0:22:44.840
<v Speaker 2>I mean how times have changed? I mean this was

0:22:44.960 --> 0:22:47.879
<v Speaker 2>you know, this was a small the studio system, and

0:22:47.960 --> 0:22:50.720
<v Speaker 2>you had to learn the system. I figured, acting is

0:22:50.760 --> 0:22:52.720
<v Speaker 2>the last thing I need. I need to know how

0:22:52.760 --> 0:23:07.040
<v Speaker 2>they work the system. Yes, was the studio system, which

0:23:07.080 --> 0:23:09.240
<v Speaker 2>eventually came to an end. And you should have probably

0:23:09.520 --> 0:23:11.760
<v Speaker 2>one of the last people in. You know, you were

0:23:11.960 --> 0:23:14.440
<v Speaker 2>such a young buck and you had to learn everything,

0:23:14.520 --> 0:23:16.200
<v Speaker 2>the dance classes and like you said, you know, you

0:23:16.280 --> 0:23:17.320
<v Speaker 2>had access to all this stuff.

0:23:17.560 --> 0:23:20.200
<v Speaker 1>Looking back, was it a fun time or was it

0:23:20.600 --> 0:23:23.800
<v Speaker 1>a good time? Or how does it settle with you?

0:23:24.080 --> 0:23:27.879
<v Speaker 4>It's interesting because I felt that my mother and brother failed.

0:23:28.400 --> 0:23:30.920
<v Speaker 4>I took the position that no matter what happened, I

0:23:31.119 --> 0:23:34.200
<v Speaker 4>was going to try it and pretend I didn't need it,

0:23:34.680 --> 0:23:38.320
<v Speaker 4>and pretend it wasn't that important. It was important to me.

0:23:38.440 --> 0:23:40.920
<v Speaker 4>Once I got in, I thought, I don't want to fail.

0:23:41.680 --> 0:23:44.800
<v Speaker 4>But the minute I started showing I cared about it,

0:23:46.200 --> 0:23:48.560
<v Speaker 4>it was not as often it as it was. It's

0:23:48.600 --> 0:23:51.520
<v Speaker 4>a strange thing. You think the things you care about

0:23:51.600 --> 0:23:54.359
<v Speaker 4>and you willing to do everything for to get are

0:23:54.400 --> 0:23:56.000
<v Speaker 4>the things you get. It's not the way it works.

0:23:56.520 --> 0:24:00.399
<v Speaker 3>I'm sorry to say it, but you know, I remember Manelli,

0:24:00.520 --> 0:24:02.480
<v Speaker 3>I proposed nothing. But Monelli, I was going to tell

0:24:02.480 --> 0:24:04.760
<v Speaker 3>you this before, was saying to George. Prepared.

0:24:05.280 --> 0:24:07.920
<v Speaker 4>He came over and George proparved this young intense actor

0:24:07.960 --> 0:24:11.440
<v Speaker 4>who was getting big movies like Breakfast at Tiffany. He

0:24:11.520 --> 0:24:15.639
<v Speaker 4>said to George, he said, George, I know you are

0:24:15.680 --> 0:24:20.040
<v Speaker 4>a seething volcano inside and you were about to explode it,

0:24:20.359 --> 0:24:22.840
<v Speaker 4>but I have to tell you there is nothing happening

0:24:22.880 --> 0:24:26.560
<v Speaker 4>on your face. Well George was just crushed right. And

0:24:27.119 --> 0:24:29.760
<v Speaker 4>and this guy on the news guy was there and

0:24:29.840 --> 0:24:33.960
<v Speaker 4>he he you know, journalist, Harrison Carrol. And he said

0:24:34.000 --> 0:24:38.760
<v Speaker 4>to him, he said, George, are you becoming a movie

0:24:38.840 --> 0:24:39.880
<v Speaker 4>stars at what you're doing?

0:24:39.960 --> 0:24:42.200
<v Speaker 3>He said, I'm an actor. And he turned to me,

0:24:42.280 --> 0:24:44.040
<v Speaker 3>said you're an actor. I said, no, I'm a movie.

0:24:47.000 --> 0:24:48.280
<v Speaker 1>I would have been said the same thing.

0:24:48.440 --> 0:24:51.280
<v Speaker 3>It was just the fun of it. I loved. I

0:24:51.520 --> 0:24:54.359
<v Speaker 3>always loved the joke of all of it. Even if

0:24:54.400 --> 0:24:55.320
<v Speaker 3>I was it, I liked it.

0:25:16.400 --> 0:25:18.120
<v Speaker 1>Thanks for joining us on Table for two.

0:25:18.880 --> 0:25:22.320
<v Speaker 5>Few people have better stories than George Hamilton, from his

0:25:22.480 --> 0:25:26.720
<v Speaker 5>time dating President Lyndon Johnson's daughter to his life from

0:25:26.800 --> 0:25:30.200
<v Speaker 5>Palm Beach. I feel lucky that George has sat down

0:25:30.280 --> 0:25:33.160
<v Speaker 5>with me today to share some of his incredible tales.

0:25:34.520 --> 0:25:36.400
<v Speaker 3>People will say, what are you doing next week?

0:25:36.440 --> 0:25:38.320
<v Speaker 4>And they say, you know it's going to be bad weather,

0:25:38.480 --> 0:25:41.240
<v Speaker 4>and we're thinking about going to such and such or somewhere,

0:25:41.240 --> 0:25:43.560
<v Speaker 4>And I'd say, I don't know, but I'll figure it out.

0:25:43.640 --> 0:25:44.840
<v Speaker 3>And then I'd get five or.

0:25:44.840 --> 0:25:47.959
<v Speaker 4>Six invitations, sometimes to different towns and countries.

0:25:48.640 --> 0:25:50.959
<v Speaker 3>Or my favorite is to go out to the airport.

0:25:51.040 --> 0:25:54.159
<v Speaker 1>Yea three or four You got to really listen to this,

0:25:54.960 --> 0:25:55.880
<v Speaker 1>the three or four.

0:25:57.359 --> 0:25:57.800
<v Speaker 3>Aviation.

0:25:58.119 --> 0:26:01.159
<v Speaker 4>Yeah, out there at the airport and I walk in

0:26:01.320 --> 0:26:04.639
<v Speaker 4>with my two suitcases and newspaper, and I don't know

0:26:04.680 --> 0:26:06.560
<v Speaker 4>how long I'm going to be because first of all,

0:26:06.640 --> 0:26:08.600
<v Speaker 4>I don't have a flight. I just go out there

0:26:08.960 --> 0:26:10.760
<v Speaker 4>to see if any of the people I know or

0:26:11.320 --> 0:26:14.440
<v Speaker 4>know of are going somewhere I might be invited, So

0:26:14.560 --> 0:26:17.720
<v Speaker 4>I take along newspaper put my feet up invariably, and

0:26:18.160 --> 0:26:20.480
<v Speaker 4>I could tell you the names of maybe five of

0:26:20.560 --> 0:26:24.159
<v Speaker 4>the most important businessmen in the world come through that

0:26:24.240 --> 0:26:28.560
<v Speaker 4>airport every day. So I'm always sitting there having a coffee.

0:26:28.840 --> 0:26:31.160
<v Speaker 4>They have a very expensive coffee machine. I've never seen

0:26:31.200 --> 0:26:33.639
<v Speaker 4>the equal up. It's phenomen It's anything you like and

0:26:33.760 --> 0:26:35.240
<v Speaker 4>give you a massage at the same time.

0:26:36.760 --> 0:26:38.919
<v Speaker 3>So I'm always drinking coffee.

0:26:38.920 --> 0:26:41.240
<v Speaker 4>I'm so wired by the time I'm ready to go,

0:26:41.720 --> 0:26:44.040
<v Speaker 4>and I'm just hopeful someone and I'll say, where are

0:26:44.040 --> 0:26:46.040
<v Speaker 4>you going there? So we're going to Paris. We have

0:26:46.119 --> 0:26:48.480
<v Speaker 4>to stop in London for a couple of hours and

0:26:48.560 --> 0:26:51.720
<v Speaker 4>we're going to Paris. Oh god, I'm trying to get there.

0:26:52.240 --> 0:26:54.159
<v Speaker 4>I'm actually trying to get to London and Paris. And

0:26:54.760 --> 0:26:58.280
<v Speaker 4>you're going where London Paris? Well, why don't you come

0:26:58.320 --> 0:26:59.879
<v Speaker 4>with us. I'm waiting for my plane. It's too but

0:27:00.080 --> 0:27:02.080
<v Speaker 4>there late where that I don't know. I think they're

0:27:02.119 --> 0:27:06.760
<v Speaker 4>in Gander. In Gander, Yeah, they had some sort of

0:27:06.840 --> 0:27:09.359
<v Speaker 4>a problem, some kind of weather problem.

0:27:09.520 --> 0:27:11.280
<v Speaker 3>Well, come on to snow problem. We've got it. We

0:27:11.400 --> 0:27:14.000
<v Speaker 3>got extra stuff for him. You know, you've got the

0:27:14.040 --> 0:27:15.440
<v Speaker 3>food he brought the caviar and all that.

0:27:15.560 --> 0:27:17.440
<v Speaker 4>Yeah, yeah, yeah, And I go right on the plane,

0:27:17.480 --> 0:27:20.080
<v Speaker 4>sit down and and people, I mean practically have my.

0:27:20.119 --> 0:27:23.159
<v Speaker 3>Massage and I do it all the time. This is

0:27:23.200 --> 0:27:25.600
<v Speaker 3>brilliant it for myself. You know you are going to

0:27:25.640 --> 0:27:25.840
<v Speaker 3>run it.

0:27:26.280 --> 0:27:27.760
<v Speaker 1>Nobody on this planet could do that.

0:27:27.840 --> 0:27:29.360
<v Speaker 3>But oh, I think it's sick great.

0:27:37.960 --> 0:27:39.080
<v Speaker 1>Was there ever a time that you put yourself in

0:27:39.080 --> 0:27:40.280
<v Speaker 1>a situation that you're like, Okay.

0:27:40.119 --> 0:27:42.159
<v Speaker 4>I'm in over my head here right this is I

0:27:42.280 --> 0:27:45.040
<v Speaker 4>was over my head from the day and went most

0:27:45.080 --> 0:27:47.280
<v Speaker 4>of its bend over my head. I don't think it's

0:27:47.359 --> 0:27:50.199
<v Speaker 4>fun to swim and shallow water. Yeah, I've always liked

0:27:50.280 --> 0:27:52.639
<v Speaker 4>to be figuring it out as I go.

0:27:53.280 --> 0:27:56.800
<v Speaker 1>What was the most exciting moment in the deep end

0:27:56.880 --> 0:27:57.640
<v Speaker 1>of the pool?

0:27:57.720 --> 0:28:00.600
<v Speaker 4>There's too many things. There's so many things that people listen.

0:28:00.720 --> 0:28:02.159
<v Speaker 4>There was a rumor for a while that I was

0:28:02.200 --> 0:28:05.720
<v Speaker 4>in the CIA. This was all over town, people saying,

0:28:06.040 --> 0:28:09.280
<v Speaker 4>we know you're in the CIA. Why and well, I'd

0:28:09.280 --> 0:28:11.000
<v Speaker 4>gone out with the daughter of the president.

0:28:11.720 --> 0:28:12.359
<v Speaker 1>I wanted to ask you.

0:28:12.560 --> 0:28:16.280
<v Speaker 3>And Johnson was an extraordinary man. He did not like

0:28:16.359 --> 0:28:19.760
<v Speaker 3>the idea. He was all right initially, but he didn't

0:28:19.800 --> 0:28:20.320
<v Speaker 3>like the idea.

0:28:20.359 --> 0:28:22.879
<v Speaker 4>When he found out that I was sole support for

0:28:23.040 --> 0:28:25.720
<v Speaker 4>my family and I was deferred from the draft. Now

0:28:25.800 --> 0:28:29.680
<v Speaker 4>this is Vietnam, and I got it very clear it's

0:28:29.680 --> 0:28:32.120
<v Speaker 4>about time for him to join up. And I thought,

0:28:32.160 --> 0:28:34.199
<v Speaker 4>why should I be bullied into going when I am

0:28:34.280 --> 0:28:35.440
<v Speaker 4>sole support for my family.

0:28:35.440 --> 0:28:36.320
<v Speaker 3>I'm taking care of him.

0:28:36.880 --> 0:28:40.080
<v Speaker 4>But this went on, and it got to a point

0:28:40.120 --> 0:28:42.560
<v Speaker 4>where I got a call from Linda Johnson's office the

0:28:42.600 --> 0:28:43.560
<v Speaker 4>White House said.

0:28:43.360 --> 0:28:45.320
<v Speaker 3>He'd like to see me at the LBJ ranch and

0:28:45.360 --> 0:28:45.960
<v Speaker 3>I flew down.

0:28:46.440 --> 0:28:49.680
<v Speaker 4>We were arriving in King Air, his King Air, and

0:28:49.840 --> 0:28:55.240
<v Speaker 4>below was Lincoln Continental convertible going about stall speed of

0:28:55.280 --> 0:28:55.760
<v Speaker 4>the airplane.

0:28:55.800 --> 0:28:57.760
<v Speaker 3>But it must have been ninety miles an hour down

0:28:57.840 --> 0:28:59.240
<v Speaker 3>the road right beneath us.

0:28:59.280 --> 0:29:03.680
<v Speaker 4>And we we land and Lindon Johnson says, Linda's with me,

0:29:03.760 --> 0:29:08.400
<v Speaker 4>and he says, get in, Georgie. I get in, and

0:29:08.560 --> 0:29:12.040
<v Speaker 4>I get into a Lincolnonmental convertible but the top down

0:29:12.480 --> 0:29:14.640
<v Speaker 4>and he hands me a thirty o six and he's

0:29:14.680 --> 0:29:18.280
<v Speaker 4>got a twenty twenty at Winchester, and I'm thinking to myself,

0:29:18.920 --> 0:29:21.320
<v Speaker 4>I'm six inches from the head of the President of

0:29:21.360 --> 0:29:22.840
<v Speaker 4>the United States with a gun.

0:29:23.600 --> 0:29:25.520
<v Speaker 3>This is where I get it. They'll find me all over,

0:29:25.600 --> 0:29:26.600
<v Speaker 3>paint all over the car.

0:29:27.520 --> 0:29:30.560
<v Speaker 4>And we went riding in the in the in the

0:29:31.080 --> 0:29:33.320
<v Speaker 4>car for a little while, hunting, and all of a

0:29:33.360 --> 0:29:35.320
<v Speaker 4>sudden he says, there's one, get him, get him. I'm

0:29:35.320 --> 0:29:37.400
<v Speaker 4>looking there's a deer, and I don't know what to do.

0:29:37.600 --> 0:29:39.280
<v Speaker 4>I last thing I want to do is fire a

0:29:39.400 --> 0:29:42.160
<v Speaker 4>gun in the car. So I jumped out and shot

0:29:42.400 --> 0:29:44.440
<v Speaker 4>and I think I hit it, and then it ran

0:29:44.520 --> 0:29:46.640
<v Speaker 4>over here, and ran over there and ran back. Finally

0:29:46.680 --> 0:29:48.960
<v Speaker 4>it fell a secret Service. Get up, they pick him up.

0:29:49.680 --> 0:29:52.320
<v Speaker 4>They put him on the truck. We go again, get in, George,

0:29:52.520 --> 0:29:55.000
<v Speaker 4>go again, another one and he turns to me and

0:29:55.080 --> 0:29:57.880
<v Speaker 4>I get it. And he turns to me and he says, damn,

0:29:57.920 --> 0:30:01.760
<v Speaker 4>you're regular Daniel Boone. Now, all of a sudden I

0:30:01.880 --> 0:30:06.959
<v Speaker 4>see him turning around talking to me, and he's relieving himself. Now,

0:30:07.000 --> 0:30:09.400
<v Speaker 4>where do you look right when you got the President

0:30:09.440 --> 0:30:12.080
<v Speaker 4>of the United States relieving himself with may I say,

0:30:12.200 --> 0:30:13.800
<v Speaker 4>I didn't see, but I hear the rumor.

0:30:16.120 --> 0:30:18.200
<v Speaker 1>This is next level. I mean I would have looked.

0:30:18.400 --> 0:30:33.280
<v Speaker 4>Well, you can't, you just can't. I'm very patriotic. My

0:30:33.400 --> 0:30:35.560
<v Speaker 4>mother and brother. As things went on, time went on.

0:30:36.360 --> 0:30:39.360
<v Speaker 4>My brother wanted more than life to give me, and

0:30:39.480 --> 0:30:42.600
<v Speaker 4>I didn't understand this. He wanted to give me a

0:30:42.760 --> 0:30:47.840
<v Speaker 4>house in Beverly Hills, and I never understood why a particularly,

0:30:48.040 --> 0:30:51.240
<v Speaker 4>I ended up buying a house that was thirty nine rooms.

0:30:52.240 --> 0:30:54.320
<v Speaker 4>It's one of the largest house. Second house built in

0:30:54.360 --> 0:30:55.440
<v Speaker 4>Beverly Hills still there.

0:30:56.240 --> 0:31:00.479
<v Speaker 3>It was a house that the mayor built Sylvie's Faulding,

0:31:01.760 --> 0:31:04.440
<v Speaker 3>and it had a tunnel. And I found out the

0:31:04.520 --> 0:31:05.720
<v Speaker 3>tunnel ran from that.

0:31:05.880 --> 0:31:09.280
<v Speaker 4>House to Pickfair, which was the house that Mary Pickford

0:31:09.440 --> 0:31:13.000
<v Speaker 4>and Buddy Rogers learned together. So when my mother thought

0:31:13.080 --> 0:31:16.160
<v Speaker 4>she was going to marry Buddy Rogers from this little town,

0:31:16.760 --> 0:31:19.840
<v Speaker 4>all that trip across country for them to be movie

0:31:19.880 --> 0:31:23.200
<v Speaker 4>stars and didn't work. Then my going out to Hollywood

0:31:23.440 --> 0:31:27.600
<v Speaker 4>and connecting, they figured they were going to at least

0:31:27.960 --> 0:31:30.760
<v Speaker 4>let Mary Pickford know that they were there.

0:31:30.920 --> 0:31:32.040
<v Speaker 3>They had arrived.

0:31:31.840 --> 0:31:34.640
<v Speaker 4>Because Buddy was going to marry my mother and he

0:31:34.800 --> 0:31:37.360
<v Speaker 4>married Mary Pickford, America's sweetheart instead.

0:31:37.440 --> 0:31:38.120
<v Speaker 3>It broke her heart.

0:31:38.320 --> 0:31:40.640
<v Speaker 4>Wow, every man she ever went out with, most of

0:31:40.720 --> 0:31:43.480
<v Speaker 4>the motivations, all the guys that she went were for

0:31:43.600 --> 0:31:46.160
<v Speaker 4>one reason. That was to get us father, get us

0:31:46.640 --> 0:31:49.040
<v Speaker 4>someone to be ahead of the family. But her heart

0:31:49.160 --> 0:31:51.120
<v Speaker 4>was broken because Buddy Rogers. So when we got out

0:31:51.160 --> 0:31:54.240
<v Speaker 4>there California and I looking for her house, my brother

0:31:54.320 --> 0:31:58.160
<v Speaker 4>and mother maneuvered me into buying this particular house and

0:31:58.600 --> 0:32:02.400
<v Speaker 4>it was Douglas Fairbanks house and Mary Pickford. They wanted

0:32:02.520 --> 0:32:04.240
<v Speaker 4>Mary Pickford to know they were in town.

0:32:04.920 --> 0:32:05.680
<v Speaker 3>I bought the house.

0:32:05.840 --> 0:32:11.000
<v Speaker 4>My brother decorated incordibles, Savonnerie carpets and goldblas and seb

0:32:11.120 --> 0:32:13.440
<v Speaker 4>vases never seen. All my money was going to this

0:32:13.600 --> 0:32:17.000
<v Speaker 4>day and we had an invitation for Mary Pickford to

0:32:17.040 --> 0:32:20.080
<v Speaker 4>have dinner and she came in drinking Scotch and milk,

0:32:20.640 --> 0:32:23.560
<v Speaker 4>and she had little gold ringlets and a little close hat,

0:32:24.360 --> 0:32:27.560
<v Speaker 4>drunk out of her head with Buddy Rogers. And Mary

0:32:27.640 --> 0:32:32.440
<v Speaker 4>Pickford says, Tom, your mother and my husband have been

0:32:32.480 --> 0:32:36.120
<v Speaker 4>in love for years. They're probably and they had gone

0:32:36.160 --> 0:32:39.000
<v Speaker 4>into the kitchen. They're probably in there having their way

0:32:39.080 --> 0:32:41.240
<v Speaker 4>with each other. Now, she says to me, And you

0:32:41.400 --> 0:32:43.880
<v Speaker 4>want to be an actor? I said, well, I'm just starting.

0:32:44.240 --> 0:32:49.000
<v Speaker 4>She said, well, we're going to do a improvisation. I'm

0:32:49.040 --> 0:32:50.400
<v Speaker 4>going to have a heart attack and I'm going to

0:32:50.440 --> 0:32:52.280
<v Speaker 4>fall in your arms and you're going to give me

0:32:52.640 --> 0:32:56.440
<v Speaker 4>mouth to mouth or suscitation, And I thought, is.

0:32:56.480 --> 0:32:58.600
<v Speaker 3>This am I having out of body kids?

0:32:59.040 --> 0:33:01.600
<v Speaker 4>It's one hundred years old, and she's I've got her

0:33:01.640 --> 0:33:03.360
<v Speaker 4>in my arms and she wants to have mouth and

0:33:03.440 --> 0:33:06.640
<v Speaker 4>mouth resuscitation, just as I have her in my arms,

0:33:06.680 --> 0:33:09.480
<v Speaker 4>and she collapses. Buddy and my mother walk out of

0:33:09.520 --> 0:33:11.680
<v Speaker 4>the kitchen and he says, Oh, for Christ's sake, Mary,

0:33:11.760 --> 0:33:12.720
<v Speaker 4>you do this all the time.

0:33:12.960 --> 0:33:13.520
<v Speaker 3>Not get off.

0:33:15.560 --> 0:33:20.240
<v Speaker 2>Oh, Like the personalities are I mean, you're talking silent

0:33:20.320 --> 0:33:20.800
<v Speaker 2>film starts.

0:33:20.880 --> 0:33:21.720
<v Speaker 3>We weren't so silent.

0:33:21.880 --> 0:33:23.200
<v Speaker 1>They were not so silent.

0:33:23.560 --> 0:33:25.880
<v Speaker 2>So I mean, here you are. You've experienced Hollywood in

0:33:25.920 --> 0:33:28.360
<v Speaker 2>the fifties and the sixties and the seventies and eighties.

0:33:28.120 --> 0:33:29.840
<v Speaker 3>I mean, and the forties and the forties.

0:33:30.240 --> 0:33:32.840
<v Speaker 1>Is there a period of time that you look back?

0:33:32.920 --> 0:33:36.240
<v Speaker 2>So that was in your world the golden time, the

0:33:36.320 --> 0:33:38.880
<v Speaker 2>best time, because to me always the seventies seems so.

0:33:39.560 --> 0:33:42.120
<v Speaker 4>I would have thought so, because that's when I had

0:33:42.200 --> 0:33:47.240
<v Speaker 4>some sort of Hollywood fame in movies. It came to

0:33:47.360 --> 0:33:49.680
<v Speaker 4>a point where the studios were pushing you and you.

0:33:49.680 --> 0:33:51.960
<v Speaker 3>Were getting lots of work and you're making money, and

0:33:52.440 --> 0:33:55.080
<v Speaker 3>it was very glamorous, But it was never as glamorous

0:33:55.160 --> 0:33:58.920
<v Speaker 3>as the forties. Really that was those were real movie stars.

0:33:59.000 --> 0:34:02.720
<v Speaker 4>Yeah, people like Glorias Swanson used to come and stay

0:34:02.720 --> 0:34:05.560
<v Speaker 4>at the house with me. She knew the house because

0:34:05.600 --> 0:34:08.080
<v Speaker 4>she'd been in it many times. She felt comfortable in

0:34:08.120 --> 0:34:11.520
<v Speaker 4>the house. But she would come in her roles and

0:34:11.640 --> 0:34:14.960
<v Speaker 4>immediately once she was there, she took all of that off.

0:34:15.480 --> 0:34:17.840
<v Speaker 4>She just became part of our family. She brought her

0:34:18.000 --> 0:34:20.799
<v Speaker 4>She loved health food, so she always was doing health

0:34:20.880 --> 0:34:23.520
<v Speaker 4>food and she would stay for weeks. And to hear

0:34:23.719 --> 0:34:27.879
<v Speaker 4>Gloria Swanson tell about silent movies and stuff, it was extraordinary.

0:34:28.320 --> 0:34:30.080
<v Speaker 4>So I had all of that input, and in a

0:34:30.160 --> 0:34:33.640
<v Speaker 4>strange way, I didn't really want to be in the

0:34:33.760 --> 0:34:36.160
<v Speaker 4>period that I entered. I wanted to be in the

0:34:36.200 --> 0:34:40.080
<v Speaker 4>one before. So I played that character. And then then

0:34:40.080 --> 0:34:42.360
<v Speaker 4>all of a sudden, I found myself enormously out of

0:34:42.480 --> 0:34:45.080
<v Speaker 4>date because not even the James Dean was in it

0:34:45.239 --> 0:34:48.400
<v Speaker 4>more was in anymore. But then I found myself in

0:34:48.480 --> 0:34:51.520
<v Speaker 4>a movie with dressing in a very kind of well

0:34:51.680 --> 0:34:54.479
<v Speaker 4>like al Pacino and al and I became the best

0:34:54.520 --> 0:34:56.880
<v Speaker 4>of friends. I just love how and we were I

0:34:56.960 --> 0:35:00.200
<v Speaker 4>played the lawyer and God followed the three and what

0:35:00.320 --> 0:35:02.279
<v Speaker 4>did I do? I dressed like they did in the

0:35:02.360 --> 0:35:05.960
<v Speaker 4>twenties and thirty hours movie that would have thought have

0:35:06.040 --> 0:35:08.440
<v Speaker 4>been street violent and everything in its own way. But

0:35:08.719 --> 0:35:11.400
<v Speaker 4>Francis knew how to marry those cultures together.

0:35:11.600 --> 0:35:11.759
<v Speaker 2>You know.

0:35:11.840 --> 0:35:13.360
<v Speaker 3>He was an amazing when they call me.

0:35:14.960 --> 0:35:16.480
<v Speaker 4>I got a call one day and they said the

0:35:17.320 --> 0:35:20.239
<v Speaker 4>Francis Coppler would like you to come in and meet

0:35:20.280 --> 0:35:23.920
<v Speaker 4>with him for a Godfather three. And I took a

0:35:23.960 --> 0:35:25.880
<v Speaker 4>deep breath and I said, now you tell Bob Evans

0:35:26.360 --> 0:35:28.200
<v Speaker 4>to stop trying to play jokes on the other time.

0:35:28.239 --> 0:35:31.319
<v Speaker 3>It's not funny. And I hung out. They called me back.

0:35:31.320 --> 0:35:33.120
<v Speaker 4>I said, this is not Bob Evans's office, this is

0:35:33.200 --> 0:35:35.479
<v Speaker 4>France's office, and he'd like to see you. And I said,

0:35:35.600 --> 0:35:37.160
<v Speaker 4>what are they going to do? Why would they want

0:35:37.239 --> 0:35:39.239
<v Speaker 4>me and the Godfather? I said, they want to make

0:35:39.239 --> 0:35:44.440
<v Speaker 4>a musical. He said, well, it's the part that Bobby

0:35:44.480 --> 0:35:47.520
<v Speaker 4>Devau was playing and he's not coming back. And it's

0:35:47.600 --> 0:35:50.600
<v Speaker 4>a different kind of lawyer. I said, what kind of lawyer?

0:35:50.600 --> 0:35:52.560
<v Speaker 4>And they said it was kind of like a palm beach.

0:35:52.719 --> 0:35:55.560
<v Speaker 4>I heard that word, mister fix that. I said, I'm

0:35:55.600 --> 0:35:55.960
<v Speaker 4>your man.

0:36:00.080 --> 0:36:03.759
<v Speaker 2>I mean, I remember very elegant in Godfather three, you

0:36:03.840 --> 0:36:05.360
<v Speaker 2>know it was perfectly guys.

0:36:05.680 --> 0:36:08.040
<v Speaker 4>Well, that's why I wanted to do that, because I

0:36:08.400 --> 0:36:11.680
<v Speaker 4>saw the different eras up against each other, just in

0:36:11.760 --> 0:36:15.239
<v Speaker 4>a certain way. It was a very interesting. I asked France, said,

0:36:15.280 --> 0:36:17.160
<v Speaker 4>what am I doing, Francis, are you writing lines?

0:36:17.239 --> 0:36:17.359
<v Speaker 3>Very?

0:36:17.480 --> 0:36:18.120
<v Speaker 4>What are you doing?

0:36:18.160 --> 0:36:20.839
<v Speaker 3>He said, never be further than three feet from now?

0:36:21.520 --> 0:36:21.960
<v Speaker 3>I said why?

0:36:22.040 --> 0:36:23.960
<v Speaker 4>He said, You're a protector. You hang on every word

0:36:24.040 --> 0:36:26.320
<v Speaker 4>he's saying. You wonder what he's saying. You go correct it,

0:36:26.440 --> 0:36:28.320
<v Speaker 4>you know. I said, okay, And I said, well what

0:36:28.440 --> 0:36:30.399
<v Speaker 4>I do? Just look very intense, look at his hair,

0:36:30.600 --> 0:36:33.080
<v Speaker 4>count the strands of hair. So finally he's lying in

0:36:33.160 --> 0:36:34.680
<v Speaker 4>the street. He's been shot, and I got it his

0:36:34.800 --> 0:36:37.160
<v Speaker 4>head in my hands, and I say, I think you're going.

0:36:37.200 --> 0:36:40.600
<v Speaker 3>Bauld drove out racing.

0:36:42.360 --> 0:36:44.800
<v Speaker 1>Holly was a tough town. You don't sustain like you

0:36:44.960 --> 0:36:46.600
<v Speaker 1>have what like what is the magic?

0:36:46.840 --> 0:36:49.319
<v Speaker 4>But I think by the very nature of knowing at

0:36:49.440 --> 0:36:53.960
<v Speaker 4>least what those different eras were, yeah, I also learned

0:36:53.960 --> 0:36:59.160
<v Speaker 4>about them and realized that I wasn't particularly up to date.

0:36:59.880 --> 0:37:03.759
<v Speaker 4>And in a strange way, Hollywood always loops back and

0:37:04.320 --> 0:37:09.160
<v Speaker 4>brings an actor or an era up to date, incorporates

0:37:09.239 --> 0:37:11.960
<v Speaker 4>it by making it by an out of date thing

0:37:12.080 --> 0:37:17.600
<v Speaker 4>becoming in date again and it's a great history maker.

0:37:17.680 --> 0:37:19.839
<v Speaker 4>And once you visit, I mean you look at even

0:37:19.880 --> 0:37:24.480
<v Speaker 4>the movie that you know just won you have you

0:37:24.600 --> 0:37:28.480
<v Speaker 4>have an amazing era of history there. That was frightening,

0:37:28.560 --> 0:37:31.920
<v Speaker 4>one of the biggest decisions ever made. But that period

0:37:32.000 --> 0:37:35.600
<v Speaker 4>has become very interesting to this world again. But we

0:37:35.760 --> 0:37:38.480
<v Speaker 4>often do that because that has the power to do that,

0:37:38.960 --> 0:37:41.040
<v Speaker 4>and sometimes they just collect you along the way.

0:37:41.360 --> 0:37:43.839
<v Speaker 3>I'd wear Gane just as much as.

0:37:43.760 --> 0:37:47.800
<v Speaker 4>I'd wear a suit made by Paulo Matron or my

0:37:48.480 --> 0:37:53.120
<v Speaker 4>guys in England, Madison Shepard. But I kind of always

0:37:53.160 --> 0:37:56.960
<v Speaker 4>studied all that stuff because I think it's not enough

0:37:57.080 --> 0:37:59.759
<v Speaker 4>to be important in one ear. You got to go

0:37:59.840 --> 0:38:00.960
<v Speaker 4>the distance across all.

0:38:01.200 --> 0:38:01.399
<v Speaker 1>Yeah.

0:38:01.520 --> 0:38:04.040
<v Speaker 2>I think, you know, one of the things the sustainability

0:38:04.280 --> 0:38:07.440
<v Speaker 2>of someone in an industry, certainly like Hollywood, is you

0:38:07.560 --> 0:38:09.839
<v Speaker 2>have to have the interests like you do, lean into

0:38:09.960 --> 0:38:12.239
<v Speaker 2>understanding it, like the curiosity.

0:38:12.760 --> 0:38:15.399
<v Speaker 4>Well maybe that maybe I just couldn't. Maybe it took

0:38:15.440 --> 0:38:17.440
<v Speaker 4>me all this time to learn the act. Maybe I

0:38:17.440 --> 0:38:20.239
<v Speaker 4>didn't know how to act into no right. But you know,

0:38:20.400 --> 0:38:23.120
<v Speaker 4>I think one of the things in life is I

0:38:23.239 --> 0:38:26.480
<v Speaker 4>have never been able to take myself seriously. I take

0:38:26.960 --> 0:38:30.120
<v Speaker 4>the job, I take the situation, I kind of get

0:38:30.239 --> 0:38:32.680
<v Speaker 4>the joke, and I try my best.

0:38:32.560 --> 0:38:33.960
<v Speaker 3>To always lighten up.

0:38:34.040 --> 0:38:37.440
<v Speaker 4>I don't like giant ego, and I will find a

0:38:37.520 --> 0:38:40.640
<v Speaker 4>way to be self deprecating if I can. And people

0:38:40.719 --> 0:38:42.640
<v Speaker 4>didn't think it's because you're not good. They buy your

0:38:42.680 --> 0:38:45.520
<v Speaker 4>act even better. When you do that, you can hurt yourself.

0:38:46.320 --> 0:38:48.080
<v Speaker 3>A lot of people said you should get more serious.

0:38:48.320 --> 0:38:50.120
<v Speaker 3>I hate serious actors.

0:38:50.080 --> 0:38:51.960
<v Speaker 1>Because you can hurt yourself because if they start to

0:38:52.239 --> 0:38:54.080
<v Speaker 1>not take you as seriously. You know.

0:38:54.160 --> 0:38:56.160
<v Speaker 2>I relate to that comment because one of the things

0:38:56.160 --> 0:38:58.839
<v Speaker 2>I always tried to have when I was at work

0:38:59.080 --> 0:39:02.440
<v Speaker 2>was have fun. People who work with you look at

0:39:02.440 --> 0:39:04.480
<v Speaker 2>you having fun, think you're not really working, and you're like, no,

0:39:04.800 --> 0:39:05.280
<v Speaker 2>I'm working.

0:39:05.400 --> 0:39:07.319
<v Speaker 1>I'm here, I'm doing. But I'm also going to choose

0:39:07.360 --> 0:39:08.000
<v Speaker 1>to have fun.

0:39:08.560 --> 0:39:12.239
<v Speaker 2>And so therefore, and I think not being self deprecating

0:39:12.360 --> 0:39:14.600
<v Speaker 2>is again a way to survive.

0:39:15.400 --> 0:39:19.279
<v Speaker 1>Yeah, all the Michigoth that's around us, I agree.

0:39:19.600 --> 0:39:21.720
<v Speaker 4>And I think that they think you're not good because

0:39:21.760 --> 0:39:24.080
<v Speaker 4>of that. Yeah, And I don't care as long as

0:39:24.120 --> 0:39:26.759
<v Speaker 4>I'm having fun at this. Yeah, it's a very very

0:39:26.840 --> 0:39:29.640
<v Speaker 4>it's a very short lived The odds are for me

0:39:29.760 --> 0:39:31.640
<v Speaker 4>to have been in this now to being eighty four

0:39:31.719 --> 0:39:35.040
<v Speaker 4>years old, it's crazy. I don't think anyone would given

0:39:35.080 --> 0:39:35.520
<v Speaker 4>me odds.

0:39:45.920 --> 0:39:47.480
<v Speaker 1>I wish you could see. Your head of hair is

0:39:47.600 --> 0:39:48.800
<v Speaker 1>beautiful and you're smart.

0:39:48.800 --> 0:39:52.000
<v Speaker 2>I mean everything about your radiates. So if anyone is doubting,

0:39:52.040 --> 0:39:56.080
<v Speaker 2>but the resident, they're good.

0:39:56.880 --> 0:39:57.839
<v Speaker 1>They're really good.

0:39:58.000 --> 0:39:58.040
<v Speaker 3>No.

0:39:58.200 --> 0:40:01.359
<v Speaker 4>But you know it's strange because Vincent Camby just went

0:40:01.440 --> 0:40:03.480
<v Speaker 4>on about me one time. He said, Georgian has always

0:40:03.520 --> 0:40:06.279
<v Speaker 4>been too much. His hair has been so black that

0:40:06.440 --> 0:40:08.840
<v Speaker 4>oil even looks spills.

0:40:08.520 --> 0:40:11.800
<v Speaker 3>Off of it. That goes on and just just rip me.

0:40:12.880 --> 0:40:14.400
<v Speaker 3>And I'm reading it at the top. I'm going to

0:40:14.480 --> 0:40:17.359
<v Speaker 3>do a one man show. You all decided to do that. God,

0:40:17.400 --> 0:40:21.719
<v Speaker 3>this is news and Michael Einstein and are working together. Wow,

0:40:21.760 --> 0:40:23.879
<v Speaker 3>So that should be fine. You'll do it in New York,

0:40:24.080 --> 0:40:28.080
<v Speaker 3>you'll do it in different places. We've written already the

0:40:28.160 --> 0:40:31.520
<v Speaker 3>first draft of this and and I'm going from here

0:40:31.600 --> 0:40:34.000
<v Speaker 3>to go into a rehearsal on it. So it's very

0:40:34.239 --> 0:40:35.040
<v Speaker 3>it's very interesting.

0:40:35.080 --> 0:40:38.640
<v Speaker 2>It's a huge news at table on table for two

0:40:38.719 --> 0:40:40.640
<v Speaker 2>because I was one of the questions that I was

0:40:40.680 --> 0:40:42.880
<v Speaker 2>going to ask you, is like, with such an iconic

0:40:43.600 --> 0:40:46.759
<v Speaker 2>career and you've done so many things, what's up next?

0:40:47.360 --> 0:40:51.040
<v Speaker 2>That that is like hitting right on the nose. It's

0:40:51.080 --> 0:40:53.399
<v Speaker 2>like what I think we all would love to see

0:40:54.120 --> 0:40:56.520
<v Speaker 2>and clearly what you should do well.

0:40:56.520 --> 0:40:58.040
<v Speaker 4>I think the first thing would be to do a

0:40:58.280 --> 0:41:01.560
<v Speaker 4>Soto documentary sort maybe about what we talked about today

0:41:01.560 --> 0:41:04.960
<v Speaker 4>in your life and that kind of stuff, and be

0:41:05.040 --> 0:41:07.400
<v Speaker 4>able to bring all this new stuff into it so

0:41:08.239 --> 0:41:10.480
<v Speaker 4>it's old fashioned and yet it's up to day.

0:41:10.640 --> 0:41:11.480
<v Speaker 3>Yeah. I like that.

0:41:11.840 --> 0:41:15.160
<v Speaker 2>I like that you are such an elegant man, and

0:41:15.280 --> 0:41:18.080
<v Speaker 2>you are so you've had such a life, and I

0:41:18.239 --> 0:41:20.880
<v Speaker 2>love that it ain't nearly wrapping up.

0:41:20.920 --> 0:41:23.040
<v Speaker 1>You're not an eighty four year old. That's like done.

0:41:23.360 --> 0:41:24.960
<v Speaker 3>But there's an old thing. You finally get your head

0:41:24.960 --> 0:41:28.640
<v Speaker 3>together and your ass is falling apart. That's true. Why

0:41:28.840 --> 0:41:32.480
<v Speaker 3>it sounds, but you really can the things that you

0:41:33.040 --> 0:41:36.840
<v Speaker 3>find the most difficult in your old age are the

0:41:37.040 --> 0:41:38.560
<v Speaker 3>very things that keep you the youngest.

0:41:39.120 --> 0:41:42.120
<v Speaker 2>That's very insightful. So just to sort of dig a

0:41:42.160 --> 0:41:43.640
<v Speaker 2>little Deepersue give me an example, Well.

0:41:43.680 --> 0:41:45.759
<v Speaker 4>Talking about you're in an amazing shape, you go to

0:41:45.880 --> 0:41:47.560
<v Speaker 4>the gym. The last thing in the world to do

0:41:47.680 --> 0:41:48.799
<v Speaker 4>is to give it up when you're older.

0:41:48.960 --> 0:41:50.440
<v Speaker 3>Right, you do that more. Right.

0:41:51.040 --> 0:41:53.760
<v Speaker 1>You make very very important point.

0:41:53.840 --> 0:41:55.799
<v Speaker 2>I think the thing that I have done, as I've

0:41:56.280 --> 0:41:58.759
<v Speaker 2>committed to, let's say, the exercise piece of my life,

0:41:58.800 --> 0:42:01.120
<v Speaker 2>it has changed. I don't live the heavy weights anymore,

0:42:01.640 --> 0:42:05.000
<v Speaker 2>incorporated pilates or some wellness things. But you have to

0:42:05.320 --> 0:42:09.520
<v Speaker 2>keep you lean in more as you age because like

0:42:09.760 --> 0:42:11.080
<v Speaker 2>you know, and look, there are things that hurt, like

0:42:11.120 --> 0:42:13.719
<v Speaker 2>my knee hurts. I'm a niscus surgery on my lower back.

0:42:13.760 --> 0:42:17.359
<v Speaker 2>But you figure out how to manage that well.

0:42:17.440 --> 0:42:19.719
<v Speaker 3>But you can constantly look it over. For instance, if

0:42:19.719 --> 0:42:21.840
<v Speaker 3>you knee hurts, there's the reason the knee hurts.

0:42:21.680 --> 0:42:21.759
<v Speaker 4>But.

0:42:23.320 --> 0:42:26.440
<v Speaker 3>Generally protected by a muscle, So you build that muscle

0:42:26.719 --> 0:42:29.799
<v Speaker 3>specific above it if it's your If for instance, your

0:42:29.840 --> 0:42:32.880
<v Speaker 3>back is hurting quite often, it's the core. Yeah, you

0:42:33.080 --> 0:42:35.200
<v Speaker 3>start working on the core wor right, and then you

0:42:35.320 --> 0:42:37.840
<v Speaker 3>decide where it's the lower or the upper quadrants. And

0:42:38.320 --> 0:42:40.359
<v Speaker 3>you can do that in a chair while you're sitting. Yeah,

0:42:40.640 --> 0:42:41.960
<v Speaker 3>people think you have to be in a gym.

0:42:42.480 --> 0:42:43.960
<v Speaker 1>Right, No, you don't know.

0:42:44.560 --> 0:42:47.040
<v Speaker 4>I'm just walking and you can have walking is great,

0:42:47.600 --> 0:42:50.280
<v Speaker 4>but people are trying to overdo these eight thousand steps

0:42:50.320 --> 0:42:50.719
<v Speaker 4>a day or.

0:42:50.719 --> 0:42:54.920
<v Speaker 2>Whatever, constantly looking at their wrists monitor like, oh okay.

0:42:54.800 --> 0:42:56.040
<v Speaker 3>They get lost in those things.

0:42:56.120 --> 0:43:00.920
<v Speaker 4>It's the all around in movement. My just keep saying

0:43:01.080 --> 0:43:03.680
<v Speaker 4>stand all the time. I'll be in bed and it says.

0:43:05.680 --> 0:43:10.800
<v Speaker 2>Three in the morning, Stan, you get out, No, I do. George,

0:43:10.840 --> 0:43:13.400
<v Speaker 2>it is amazing to see you if you look amazing.

0:43:13.480 --> 0:43:15.080
<v Speaker 2>Thank you for taking the time to have lunch with me,

0:43:15.719 --> 0:43:18.919
<v Speaker 2>and I hope all of you have enjoyed this lunch

0:43:19.000 --> 0:43:20.879
<v Speaker 2>that George and I have had here and do it again.

0:43:21.239 --> 0:43:33.000
<v Speaker 1>Thanks for joining us. Table for two with Bruce Bosi

0:43:33.160 --> 0:43:37.280
<v Speaker 1>is produced by iHeartRadio seven three seven Park and Airmail.

0:43:37.520 --> 0:43:41.200
<v Speaker 1>Our executive producers are Bruce Bosi and Nathan King. Our

0:43:41.280 --> 0:43:45.399
<v Speaker 1>supervising producer and editor is Dylan Fagan. Table for two

0:43:45.800 --> 0:43:49.680
<v Speaker 1>is researched and written by Jack Sullivan. Our sound engineers

0:43:49.719 --> 0:43:53.879
<v Speaker 1>are Meil B. Klein, Jess Crainich, Evan Taylor, and Jesse Funk.

0:43:54.520 --> 0:43:57.960
<v Speaker 1>Our music supervisor is Randall Poster. Our talent booking is

0:43:58.000 --> 0:44:02.440
<v Speaker 1>done by Jane Sarkin. To social media manager is Gracie Wiener.

0:44:02.960 --> 0:44:09.160
<v Speaker 2>Special thanks to Amy Sugarman, Uni Scherer, Kevin Yuvane, Bobby Bauer, Alison,

0:44:09.200 --> 0:44:12.640
<v Speaker 2>Kanter Graber, Barbara Jen, Jeff Klein, and the staff at

0:44:12.680 --> 0:44:16.440
<v Speaker 2>the Tower Bar in the world famous Sunset Tower Hotel

0:44:16.960 --> 0:44:17.680
<v Speaker 2>in Hollywood.

0:44:18.080 --> 0:44:23.320
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple podcast,

0:44:23.880 --> 0:44:26.920
<v Speaker 1>or wherever you listen to your favorite shows.