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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Hi, Welcome to another episode of the Blackout Tests podcast.

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Speaker 2: I'm your host Rod, joined us always by my co

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Speaker 2: host Karen, and we are live on a Wednesday, A

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Speaker 2: recap Wednesday, if you will, Yes.

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Speaker 1: But before we get started on the recap, because I

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Speaker 1: know that's what y'all came here for, I have some

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Speaker 1: announcements for the congregation. First of all, we are asking

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Speaker 1: our audience. We know we have some really, really super

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Speaker 1: talented people out there, so we're asking people who can

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Speaker 1: make beats and things like that. We're looking for new

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Speaker 1: beats for guests.

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Speaker 2: Not just beats though, No, I want songs. I want okay,

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Speaker 2: short songs.

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Speaker 1: I want clips.

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Speaker 2: I want like ten fifteen second because we want to

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Speaker 2: do like intros and we want to replace some of

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Speaker 2: the copyrighting music that we use for our intros with

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Speaker 2: like songs and ship from listeners. So we would love

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Speaker 2: y'all to submit your songs. Okay, Now they must be

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Speaker 2: relevant to the show. Don't just submit me some shit

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Speaker 2: you put on SoundCloud three years ago trying to make it. No,

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Speaker 2: we need short jingles that can be for guest the

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Speaker 2: race that we can use for fucking with black peoples. Yeah,

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Speaker 2: so LGBTQ News so we like, we would like those

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Speaker 2: type of jingles and ideas. We think it would be

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Speaker 2: fun and also keep us from getting sued. So we're

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Speaker 2: just trying to think forward to the future so that

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Speaker 2: we can continue to have our fun segments and stuff.

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Speaker 1: So if you're.

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Speaker 2: Listening, you're talented, we got some ideas. Submit them, even

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Speaker 2: if they're bad. We'll play it on the show. We'll

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Speaker 2: make jokes about, oh this is bad or whatever, and

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Speaker 2: we may still even use it. But we would like

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Speaker 2: to do that, you know, to get some some good

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Speaker 2: jingles for you know, maybe like black capitalism and you know,

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Speaker 2: play amongst yourselves. You guys, listen to the show and

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Speaker 2: we'll just try to make this announcement every so often

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Speaker 2: so that we can get some of our talented people

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Speaker 2: some spotlight out there.

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Speaker 1: So submit your to your music. We'd love to do that. Yes,

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Speaker 1: And the second announcement, which is done the last announcements,

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Speaker 1: if you are fans of Keith and the Girl, you

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Speaker 1: can get a free month of VIP over at Keith

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Speaker 1: and the Girl using the code tbg WT. Just so

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Speaker 1: you know we love keeping the Girl Keith and him

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Speaker 1: loves us, and so we want you guys to know

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Speaker 1: that if you are a fan of Keithing the Girl

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Speaker 1: and you're like, I want to go premium, I don't know.

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Speaker 1: You know, you got questions, they're gonna give you a

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Speaker 1: whole month free with using the code tbg w T.

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Speaker 1: That's all you gotta do.

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Speaker 2: And you know, if you're a crossover fan between both

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Speaker 2: of us, you know we won't spoil anything. But that's

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Speaker 2: some excited announcements coming up. It is with the blackout

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Speaker 2: Tips and Keith and the Girl. So we help you

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Speaker 2: guys appreciate that. Now let's get to what many of

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Speaker 2: you came here to do. Okay, Oh hold on, wait,

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Speaker 2: hold on, it was the second and last announcement, but

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Speaker 2: not really.

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Speaker 1: Oh yes, govern yourselfs accordingly. That's what I want to

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Speaker 1: tell the congregation, to govern themselves accordingly to the announcements

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Speaker 1: just made.

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Speaker 3: All right, there's a day the Lord may, but not

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Speaker 3: to day for you to try it.

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Speaker 2: Yes, shout out to our homies over there at what's

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Speaker 2: the tea?

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Speaker 1: Come on, come on. If I'm gonna make the announcements,

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Speaker 1: I got to do it correctly, the real what's the tea?

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Speaker 2: But yes, we are here to recap the scary show

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Speaker 2: that many of y'all are scared to watch. Okay, that

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Speaker 2: some of y'all have to listen to us to filter

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Speaker 2: it through so you won't be so scared.

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Speaker 3: Many of y'all are confused by and you know, what

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Speaker 3: the fuck just happened?

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Speaker 1: Aha?

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Speaker 2: Rod, Can you please tell me what you think is

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Speaker 2: going down now? Of course we are not book readers. Okay,

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Speaker 2: we don't listen to any other podcasts that recap this.

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Speaker 1: We don't.

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Speaker 2: We don't know any writers, so this is just our

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Speaker 2: interpretation of what we already watched.

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Speaker 1: Yeah, we're just going through the ride like everybody else.

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Speaker 2: But we're gonna recap love Craft Country episode number four,

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Speaker 2: a History of Violence, and it was directed by Victoria Mahoney.

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Speaker 2: Of course, Misha Green tell a play and story about

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Speaker 2: Wes Taylor.

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Speaker 1: Karen.

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Speaker 2: Before we get into this breakdown, what did you think

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Speaker 2: about the episode in general?

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Speaker 1: I enjoyed it, I loved it. I had a ball.

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Speaker 1: It was a lot of twists, a lot of turns,

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Speaker 1: a lot of what the fuck why did you do

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Speaker 1: that happening? Were you confused?

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Speaker 2: Throughout the episode, I saw a lot of people were

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Speaker 2: confused a lot. No, I wasn't confused because I have theories,

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Speaker 2: speculations and uh and and all kinds of answers and stuff.

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Speaker 2: And I think watching it the second time really helps. Like,

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Speaker 2: even if you're not watching this to recap it, like

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Speaker 2: I do, y'all, I can't imagine only.

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Speaker 1: Watching these episodes once.

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Speaker 3: You can't pick up all this shit.

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Speaker 1: There's a lot of shit in these episodes.

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Speaker 3: But yeah, so I love this episode.

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Speaker 2: And yeah, the ending just like threw me for a loop,

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Speaker 2: but I feel like, you know, we'll see more more

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Speaker 2: to come out of that. Yeah, but uh yeah, let's

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Speaker 2: get into the breakdown now. The way I had to

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Speaker 2: break it down this week, I broke it into two segments. Okay,

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Speaker 2: this is one of those good old two segment reviews.

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Speaker 1: Okay.

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Speaker 2: So one of one of the reviews is Letty Montrass

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Speaker 2: and Tick's Adventure. Okay, like that's that's that's his own segment, okay.

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Speaker 2: And then the other one is just Christina Braithwhite and Ruby.

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Speaker 1: And that's its own segment as well.

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Speaker 2: So we're gonna go with that one first because that's

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Speaker 2: the shorter one, even though you know, we know how

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Speaker 2: we do, y'all, we are verbos. But we're gonna do

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Speaker 2: that one first and then get into the rest. So

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Speaker 2: this stars kind of with Christina Christina Braithwhite, the white

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Speaker 2: woman with the Bentley is driving her bentley through town

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Speaker 2: speeding to bitch better.

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Speaker 3: Have my money.

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Speaker 2: Playing as a soundtrack by Rihanna. Yes, now one, I

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Speaker 2: thought this scene was dope. I didn't mind the musical

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Speaker 2: choice or whatever. But I've seen a lot of debate.

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Speaker 2: What do you think about the idea of having these

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Speaker 2: modern songs score this time? What do you call these

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Speaker 2: pieces this historic time piece?

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Speaker 1: You know, it doesn't bother me, you know, because it's

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Speaker 1: it's a story that of their interpretation that they're telling.

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Speaker 1: And they never said that we're gonna quote unquote everything

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Speaker 1: we're gonna do is gonna stick to the time quote unquote,

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Speaker 1: Like they never promised that. But a lot of people

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Speaker 1: make the assumption that if you're gonna do this, you

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Speaker 1: need to play music, because you know, a lot of

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Speaker 1: that stuff has been more historic stuff, like they presented

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Speaker 1: these these works of arts and these masterpieces that have

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Speaker 1: been very groundbreaking for the black community, and a lot

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Speaker 1: of stuff that people embrace and this is blackness blah

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Speaker 1: blah blah, which is fine. So for me, it doesn't

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Speaker 1: bother me at all, Like I'm not holding them to

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Speaker 1: the standard of everything has got to be, you know,

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Speaker 1: doing this timeframe of everything has got to be. I'm like,

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Speaker 1: just tell your story.

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Speaker 3: Yeah, I don't think it bothers me.

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Speaker 2: Also, but I also did enjoy Underground, where in Underground there.

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Speaker 1: Was a lot of.

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Speaker 2: Like current music, but obviously you're talking about a historic

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Speaker 2: throwback time, so you're you know, you're looking at like

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Speaker 2: a slave escaping and then they're playing like Kanye Wests

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Speaker 2: New Slave or something, and I actually love those images.

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Speaker 2: But also I hold hip hop in such such a

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Speaker 2: high reverence, like the music of my people, because this

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Speaker 2: is you know, not that other rock and roll is

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Speaker 2: the blues is all this stuff is too, But like

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Speaker 2: hip hop feels like our domain in a way, and

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Speaker 2: to to you know, not to get too deep, but

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Speaker 2: the reclamation of HP Lovecraft material with these black people's

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Speaker 2: story being like scored by like our era of hip hop,

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Speaker 2: I don't know, it makes a statement to me that

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Speaker 2: it's jarring on purpose, agree, And I like that.

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Speaker 3: I like feeling jarred.

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Speaker 2: I like looking and going, man, this is Rihanna in

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Speaker 2: the middle of this fucking like old timey.

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Speaker 1: So like thing.

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Speaker 3: So I don't know. I think I really like.

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Speaker 2: It, but it had to grow on me because because

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Speaker 2: it's just off putting at first, but much like Underground,

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Speaker 2: I loved it.

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Speaker 1: So all right, back to the history of violence is

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Speaker 1: break it down.

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Speaker 2: So she pulls up. Christina pulls up to Letty's crib

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Speaker 2: with that pitch better have My Money soundtrack. The way

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Speaker 2: they filmed it, it's almost like she was playing it

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Speaker 2: in the car, like I expect her to have to

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Speaker 2: turn it off when she opened the door, like boom

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Speaker 2: and the old school eight traps gonna pomp out. Because

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Speaker 2: let's be honest, if they would have had that old

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Speaker 2: timing music, it wouldn't have felt the same, you know,

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Speaker 2: she would have been driving down the street with the music.

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Speaker 2: I don't even know if they had music in cars

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Speaker 2: back then, but who knows, well what kind of record

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Speaker 2: player some shit she was.

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Speaker 3: I like to singer. I like the singing and the

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Speaker 3: ring and the spring I like to sing her like.

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Speaker 3: It wouldn't have been the same, you know, So.

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Speaker 1: That music not funny. The song kind of had more authority,

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Speaker 1: like she was coming with a purpose.

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Speaker 2: And so Christina gets out I always dressed in gray

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Speaker 2: into the nines or whatever, like she don't, and she

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Speaker 2: pulls up at the crib, goes knocks.

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Speaker 3: On the door of Letty's house, which I always like.

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Speaker 2: The one thing I wish they had shown in this

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Speaker 2: was the neighbors, because every time they show that house,

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Speaker 2: they always show like the white neighbors looking. I would

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Speaker 2: have loved to see the white neighbors and what they

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Speaker 2: thought of Christina Braith, white rich ass knocking on the black.

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Speaker 1: People's house in the neighborhood.

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Speaker 3: Come on, but she tried.

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Speaker 2: She comes and knocks on the door of the Winthrop

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Speaker 2: estate and Letty opens the door, and she's basically like, yeah,

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Speaker 2: so I just wanted to come in, and she is

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Speaker 2: blocked by an invisible barrier, the same invisible barrier apparently

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Speaker 2: that the priestess last week when she made the blood

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Speaker 2: marks out of goat blood.

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Speaker 3: She somehow erected this protective barrier to keep people out.

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Speaker 2: And I don't know what the fuck Christina is, but

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Speaker 2: I know what she isn't allowed up in that house.

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Speaker 2: She ran smacking to that invisible barrier. Now we know

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Speaker 2: in visible barriers exist in this world because when they

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Speaker 2: try to drive that car out of it, she creates them, right,

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Speaker 2: she creates them. But she apparently was blocked by herself

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Speaker 2: from entering the house. And it made me think, could

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Speaker 2: Letty have invited her in? And if she could, is

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Speaker 2: this once again a reference to vampires possibility?

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Speaker 1: Possibility? And also I think the barrier was a formal

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Speaker 1: protection that the to protect the black people in the house,

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Speaker 1: like you know what I'm saying, Like it was like

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Speaker 1: oh no, no, no, no, no, you know, unless you

222
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Speaker 1: invite it, unless you are basically human, you can't come

223
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Speaker 1: in here.

224
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Speaker 2: Maybe yeah, I don't know, like maybe evil spirits, magical things, preachers, monsters.

225
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Speaker 1: I think anything that's a non human Yeah.

226
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Speaker 2: Because we know it evicted the ghost, but like, you

227
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Speaker 2: know what else, you know, like could a dog come in?

228
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Speaker 2: I was a dog could come in, so like probably

229
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Speaker 2: monster's spirits and apparently maybe wizards, which is I don't know.

230
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Speaker 2: But so she was not allowed in and Letty did

231
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Speaker 2: not invite her in, and she Christina put together right

232
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Speaker 2: away from the mark, Oh so you had the you

233
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Speaker 2: evicted hero basically.

234
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Speaker 3: Like this house was haunted.

235
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Speaker 2: She knew it was haunted because Christina be knowing a

236
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Speaker 2: lot of shit she don't be copping to.

237
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Speaker 1: And she was like, so you evicted herom and she

238
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Speaker 1: was like uh.

239
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Speaker 2: And then Letty put together in that moment, it wasn't

240
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Speaker 2: my mama's money.

241
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Speaker 1: You gave me that money? Yeah, yeah, because I really

242
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Speaker 1: do believe that she believed her mama gave her that money.

243
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Speaker 1: That's why everybody was surprised. This was like Mama didn't

244
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Speaker 1: have no goddamn money. Like this don't make no sense.

245
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Speaker 1: Letty put it together.

246
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Speaker 2: I also liked that they don't play with shit like

247
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Speaker 2: that where it takes forever, like Letty, Letty just sharp

248
00:12:50,600 --> 00:12:51,079
Speaker 2: as a whip.

249
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Speaker 3: I don't know.

250
00:12:51,880 --> 00:12:53,880
Speaker 1: Yeah, that's why I'm seeing you, Like, why else the

251
00:12:53,880 --> 00:12:55,160
Speaker 1: fuck are you here? Right?

252
00:12:55,280 --> 00:12:59,760
Speaker 2: And then uh, Christina then said. And then Letty realizes

253
00:12:59,800 --> 00:13:03,440
Speaker 2: that Ristina wants something in the house. And Christina points

254
00:13:03,440 --> 00:13:07,880
Speaker 2: out that, you know, just because Tick has the blood of.

255
00:13:09,400 --> 00:13:11,600
Speaker 1: Titus breath White, it don't make him special.

256
00:13:12,160 --> 00:13:13,079
Speaker 3: And she kind of.

257
00:13:13,760 --> 00:13:17,320
Speaker 2: Manipulates and uses this like to get in She's trying

258
00:13:17,360 --> 00:13:20,160
Speaker 2: to get in Letty's head on some like you don't

259
00:13:20,240 --> 00:13:22,640
Speaker 2: need to be frozen out from this power and this

260
00:13:22,679 --> 00:13:26,200
Speaker 2: pursuit of magic and all this shit just because.

261
00:13:25,880 --> 00:13:28,800
Speaker 3: You're a woman or you don't have the.

262
00:13:28,679 --> 00:13:31,960
Speaker 2: Blood of Titus. Like this pursuit of power is just

263
00:13:32,040 --> 00:13:35,760
Speaker 2: about pursuit of power period, which makes sense for Christina's

264
00:13:35,960 --> 00:13:38,839
Speaker 2: character because Christina's been frozen out of power because she's

265
00:13:38,840 --> 00:13:43,120
Speaker 2: a woman. Yes, so she's appealing to these marginalized people,

266
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Speaker 2: whether they be a black man like Tick, a black

267
00:13:46,040 --> 00:13:48,600
Speaker 2: woman like Letty. I think she tries to get in

268
00:13:48,640 --> 00:13:51,360
Speaker 2: their head to be like, well, you should want to

269
00:13:51,400 --> 00:13:54,400
Speaker 2: get this power because fuck it. And there's and it's

270
00:13:54,440 --> 00:13:57,120
Speaker 2: interesting because in this world where there's been wizards and

271
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Speaker 2: magic and ancient sect of the older don and shit,

272
00:14:01,160 --> 00:14:03,320
Speaker 2: ain't nobody ever tried to help black people with these powers.

273
00:14:03,960 --> 00:14:06,480
Speaker 2: Black people are just as much a tool that are

274
00:14:06,640 --> 00:14:11,440
Speaker 2: means to an end as any hammer, any item in

275
00:14:11,480 --> 00:14:11,880
Speaker 2: that house.

276
00:14:12,000 --> 00:14:16,280
Speaker 1: And it's one of those things too, to where she's like, uh, bitch,

277
00:14:16,320 --> 00:14:19,000
Speaker 1: I know you manipulating me into something like I'm just

278
00:14:19,040 --> 00:14:21,160
Speaker 1: not going too far. You all, no matter what, you're

279
00:14:21,160 --> 00:14:21,720
Speaker 1: still white.

280
00:14:23,640 --> 00:14:26,000
Speaker 2: And so she basically says, you know, Tick ain't special,

281
00:14:26,360 --> 00:14:28,800
Speaker 2: as she says, you know, Tick tried to kill me

282
00:14:28,840 --> 00:14:29,320
Speaker 2: this morning.

283
00:14:29,640 --> 00:14:31,360
Speaker 3: You can't just go around killing white people.

284
00:14:31,960 --> 00:14:34,240
Speaker 1: Uh. He tried to kill me at the realtist office.

285
00:14:34,320 --> 00:14:36,320
Speaker 2: And if you would have been successful, that would have

286
00:14:36,360 --> 00:14:39,400
Speaker 2: put you in danger because if I get killed and

287
00:14:39,680 --> 00:14:42,080
Speaker 2: at the fucking real estate office and he leave, you know,

288
00:14:42,240 --> 00:14:45,240
Speaker 2: leaves town, whatever the fuck, they gonna come looking for you,

289
00:14:46,160 --> 00:14:50,040
Speaker 2: like they you know, this is the one person this

290
00:14:50,160 --> 00:14:51,280
Speaker 2: black man sold the house.

291
00:14:51,120 --> 00:14:52,080
Speaker 1: Too, is your ass?

292
00:14:52,200 --> 00:14:55,760
Speaker 2: So Tick out here operating without even checking in with you,

293
00:14:55,800 --> 00:14:58,280
Speaker 2: and shit, and your life is on the line, so

294
00:14:58,320 --> 00:15:00,360
Speaker 2: you might want to check him before he starts acting

295
00:15:00,360 --> 00:15:03,400
Speaker 2: too recklessly. And then she says, you know, there's an

296
00:15:03,560 --> 00:15:07,440
Speaker 2: oralery in this house and I want that, and Letty's like,

297
00:15:07,760 --> 00:15:08,520
Speaker 2: what's a ray?

298
00:15:08,880 --> 00:15:10,640
Speaker 1: Right? Was the same question.

299
00:15:11,160 --> 00:15:13,280
Speaker 3: An orry apparently is a model.

300
00:15:13,000 --> 00:15:17,880
Speaker 2: Solar system, which we noticed that in the house during

301
00:15:17,880 --> 00:15:22,520
Speaker 2: the party when Hippolyta was looking at that ship it

302
00:15:22,640 --> 00:15:26,720
Speaker 2: was gold, yeah, and it was you know, uh, and

303
00:15:26,760 --> 00:15:29,680
Speaker 2: so we saw Hippolyta looking at that ship, but that

304
00:15:29,800 --> 00:15:31,480
Speaker 2: was the last time we saw it, so we know

305
00:15:31,560 --> 00:15:34,040
Speaker 2: it was it was in the house at least.

306
00:15:34,240 --> 00:15:35,880
Speaker 1: Yeah, it might be in the house, but we know

307
00:15:36,200 --> 00:15:38,040
Speaker 1: it was in the house at that you know.

308
00:15:38,040 --> 00:15:40,040
Speaker 2: At some point, right, that's why she showed up, and

309
00:15:40,120 --> 00:15:42,600
Speaker 2: Letty basically told her get the fuck out off of

310
00:15:42,640 --> 00:15:46,440
Speaker 2: my porch, you know, even though you know, Christina's basically like, look,

311
00:15:46,480 --> 00:15:49,280
Speaker 2: you should be trying to pursue these pages so that

312
00:15:49,360 --> 00:15:51,640
Speaker 2: you can get you know, break, get getting to the

313
00:15:51,720 --> 00:15:54,400
Speaker 2: order of Dawn or whatever, get the power. That's not important,

314
00:15:54,560 --> 00:15:56,520
Speaker 2: and Letty is just like, get the fuck out of

315
00:15:56,560 --> 00:15:56,960
Speaker 2: my house.

316
00:15:57,120 --> 00:15:59,680
Speaker 1: Out of my name. My name is owned the house.

317
00:16:00,080 --> 00:16:04,240
Speaker 2: It's Leddy fucking Lewis on the on the lease now stairway. Uh,

318
00:16:04,280 --> 00:16:09,600
Speaker 2: you're roboten. I'm roboting, all right, robot chicken, all right,

319
00:16:09,600 --> 00:16:11,200
Speaker 2: before the technical difficulties.

320
00:16:11,400 --> 00:16:12,120
Speaker 1: Where were we?

321
00:16:13,840 --> 00:16:15,720
Speaker 3: Oh yeah, So Christina had to get the fuck off

322
00:16:15,720 --> 00:16:16,560
Speaker 3: of the porch.

323
00:16:16,960 --> 00:16:19,320
Speaker 1: Because Letdy was like, my name's on his house, bitch.

324
00:16:19,600 --> 00:16:21,560
Speaker 2: Yeah, I swear they write Letty like she came out

325
00:16:21,560 --> 00:16:24,480
Speaker 2: of twenty twenty, Like, ah, I'm like, did black people

326
00:16:24,560 --> 00:16:25,520
Speaker 2: talk like this back then?

327
00:16:25,640 --> 00:16:26,080
Speaker 3: I don't know.

328
00:16:26,320 --> 00:16:30,160
Speaker 1: She was sessin so uh yeah.

329
00:16:30,200 --> 00:16:33,280
Speaker 2: On the street, Christina plays hide and seek with some

330
00:16:33,400 --> 00:16:37,240
Speaker 2: kids later on, and she says it's her first time

331
00:16:37,280 --> 00:16:39,840
Speaker 2: playing hide and seek, and we know she's a grown

332
00:16:39,880 --> 00:16:44,680
Speaker 2: ass woman, but She also is like a person as

333
00:16:44,680 --> 00:16:46,240
Speaker 2: a member of a coat that grew up on her.

334
00:16:46,280 --> 00:16:49,200
Speaker 1: Weird the state actually believe she was telling the truth?

335
00:16:49,280 --> 00:16:51,000
Speaker 1: Is why does that make sound? I like, yeah, I

336
00:16:51,040 --> 00:16:52,720
Speaker 1: could see her not knowing how to play hide and

337
00:16:52,760 --> 00:16:54,440
Speaker 1: seek because she probably never played nothing.

338
00:16:54,840 --> 00:16:59,840
Speaker 2: Yeah that makes sense. So she, uh, she plays the game.

339
00:17:00,040 --> 00:17:01,880
Speaker 2: The little kid gets mad at her because he's like.

340
00:17:01,800 --> 00:17:05,480
Speaker 3: You're supposed to be out, and she's like the game.

341
00:17:05,720 --> 00:17:06,680
Speaker 3: She was like my first time.

342
00:17:06,800 --> 00:17:08,960
Speaker 2: She just ran around his ass like fuck you, lonig

343
00:17:09,080 --> 00:17:11,680
Speaker 2: and went and tagged the tree and it was nothing

344
00:17:11,720 --> 00:17:15,480
Speaker 2: but her and kids, which is so interesting because then

345
00:17:15,560 --> 00:17:18,600
Speaker 2: two cops roll up to her and they're like, you know,

346
00:17:18,680 --> 00:17:21,400
Speaker 2: Ms Braith White, you know, you know, you can come

347
00:17:21,400 --> 00:17:22,000
Speaker 2: with us now.

348
00:17:22,520 --> 00:17:25,920
Speaker 1: And uh. She ends up riding with the cops who

349
00:17:25,960 --> 00:17:29,080
Speaker 1: take her uh to a.

350
00:17:30,600 --> 00:17:35,920
Speaker 2: Building that uh Captain Lancaster, who was the same police

351
00:17:35,920 --> 00:17:39,879
Speaker 2: officer that we saw in the on the rough ride

352
00:17:39,920 --> 00:17:40,520
Speaker 2: with Letty.

353
00:17:41,119 --> 00:17:43,320
Speaker 1: Yeah, and they took her in through like the back

354
00:17:43,440 --> 00:17:45,679
Speaker 1: underground railroad. I'm like, the hell is this? She like,

355
00:17:45,840 --> 00:17:48,160
Speaker 1: they taking her through the back, She's pressing buttons while

356
00:17:48,280 --> 00:17:51,360
Speaker 1: went walls opening. I was like, what else they taking her? Yeah?

357
00:17:51,400 --> 00:17:53,920
Speaker 2: She wasn't a superpower, which I would be nervous for her.

358
00:17:53,960 --> 00:17:55,720
Speaker 2: But I was like, oh, they're not. They're not gonna

359
00:17:55,720 --> 00:17:56,240
Speaker 2: fuck with her.

360
00:17:56,640 --> 00:18:00,240
Speaker 1: But she's a white Torman. But yeah.

361
00:18:00,280 --> 00:18:05,080
Speaker 2: So they took her to like, you know, the some

362
00:18:05,240 --> 00:18:09,040
Speaker 2: fraternal lounge looking thing, like some type of fraternal order,

363
00:18:09,680 --> 00:18:11,800
Speaker 2: because you know, all these motherfuckers in some type.

364
00:18:11,560 --> 00:18:13,040
Speaker 1: Of cold ass bullshit.

365
00:18:13,840 --> 00:18:18,040
Speaker 2: And so, uh, she comes in and sees the officer

366
00:18:18,119 --> 00:18:22,280
Speaker 2: land Caster chilling in his office, still dressing his police

367
00:18:22,320 --> 00:18:23,800
Speaker 2: in the farm because it didn't look like the police

368
00:18:23,840 --> 00:18:26,440
Speaker 2: station wherever they took her. It was like a fucking lounge,

369
00:18:27,600 --> 00:18:30,639
Speaker 2: and he was pissed. He was basically like, what the

370
00:18:30,640 --> 00:18:32,320
Speaker 2: fuck are you doing in my city without telling me?

371
00:18:33,160 --> 00:18:37,440
Speaker 2: And so I'm like, oh, this is not the allyship

372
00:18:37,640 --> 00:18:43,280
Speaker 2: I was thinking. And Christina is like, uh. Before she

373
00:18:43,320 --> 00:18:45,840
Speaker 2: even really starts talking to him, she looks in a

374
00:18:45,920 --> 00:18:48,439
Speaker 2: closet and we don't see what she can see, but

375
00:18:48,480 --> 00:18:51,400
Speaker 2: there's some dude in a closet moaning like he being

376
00:18:51,480 --> 00:18:52,320
Speaker 2: tortured or some shit.

377
00:18:52,400 --> 00:18:54,160
Speaker 1: I don't know what was going on in that closet.

378
00:18:54,680 --> 00:18:55,679
Speaker 1: It didn't sound.

379
00:18:55,440 --> 00:18:58,359
Speaker 3: Too good, No, it did not like it didn't. Now,

380
00:18:58,400 --> 00:19:02,240
Speaker 3: it wasn't like painful street. It was like the kind

381
00:19:02,240 --> 00:19:03,120
Speaker 3: of morning.

382
00:19:02,840 --> 00:19:06,359
Speaker 2: You would do if you like sprained your ankle and

383
00:19:06,400 --> 00:19:09,320
Speaker 2: then someone left you in a dark closet. Like it

384
00:19:09,359 --> 00:19:12,119
Speaker 2: wasn't like someone was in there with hot pokers sticking

385
00:19:12,119 --> 00:19:13,439
Speaker 2: them in your asshole or something.

386
00:19:13,480 --> 00:19:17,399
Speaker 1: Okay, Like, I don't know why I got that. Well,

387
00:19:17,480 --> 00:19:19,960
Speaker 1: it just god like a pleasure moan. I've been listening

388
00:19:20,000 --> 00:19:22,800
Speaker 1: to the medium Pompcorn a little too much.

389
00:19:24,359 --> 00:19:27,320
Speaker 2: But yeah, whatever it was, it was like painful, but

390
00:19:27,480 --> 00:19:31,560
Speaker 2: not like excruciating pain right at any rate. She's just

391
00:19:31,600 --> 00:19:34,240
Speaker 2: looked at us Solf casually like, oh, okay, we grossed

392
00:19:34,240 --> 00:19:38,120
Speaker 2: the niggas today or whatever, and then she tells him

393
00:19:38,280 --> 00:19:40,480
Speaker 2: I went to Harm's house and I was surprised to

394
00:19:40,480 --> 00:19:42,800
Speaker 2: see some negroes living there.

395
00:19:44,840 --> 00:19:46,320
Speaker 3: She's like, I went to get the ax.

396
00:19:46,600 --> 00:19:50,040
Speaker 2: I went to get the ry because you know, the

397
00:19:50,080 --> 00:19:52,600
Speaker 2: Oriry is the key to unlocking the time machine.

398
00:19:52,680 --> 00:19:56,560
Speaker 3: I'm like, what the fuck is having it on this show.

399
00:19:57,240 --> 00:19:58,159
Speaker 3: It's a time machine.

400
00:19:58,920 --> 00:19:59,960
Speaker 1: It's a time machine.

401
00:20:00,119 --> 00:20:02,680
Speaker 2: Okay, so we got tom She's the Ori is the

402
00:20:02,760 --> 00:20:04,199
Speaker 2: key to that somehow.

403
00:20:04,960 --> 00:20:07,399
Speaker 1: And she claimed.

404
00:20:07,000 --> 00:20:08,919
Speaker 2: To be surprised that these black people have moved in,

405
00:20:09,000 --> 00:20:11,800
Speaker 2: but we know that they moved in with her money.

406
00:20:11,880 --> 00:20:14,080
Speaker 2: She knew she playing both sides.

407
00:20:14,320 --> 00:20:17,320
Speaker 1: Yes, she's slick, she is slick as fun.

408
00:20:17,440 --> 00:20:19,760
Speaker 3: She knew. She was like, you dragged me.

409
00:20:20,240 --> 00:20:22,680
Speaker 1: She didn't say this, but her thing was like, oh, oh,

410
00:20:22,800 --> 00:20:25,080
Speaker 1: you dragged me in here. What about the negroes up

411
00:20:25,119 --> 00:20:26,320
Speaker 1: at that house? Right?

412
00:20:27,200 --> 00:20:29,240
Speaker 2: And she's like, I'm surprised you let that happen on

413
00:20:29,320 --> 00:20:29,840
Speaker 2: your watch.

414
00:20:30,359 --> 00:20:31,280
Speaker 1: Come on your watch.

415
00:20:31,560 --> 00:20:35,160
Speaker 2: And it's interesting because it wasn't necessarily a racial thing

416
00:20:35,240 --> 00:20:37,680
Speaker 2: of you let black people move in as much as

417
00:20:37,840 --> 00:20:40,880
Speaker 2: is this supposed to be your town and your branch

418
00:20:40,960 --> 00:20:43,520
Speaker 2: of whatever the fuck Koch wee in right?

419
00:20:43,720 --> 00:20:45,359
Speaker 1: See, you knew I was here. You should have known

420
00:20:45,400 --> 00:20:46,480
Speaker 1: that they moved into that house.

421
00:20:46,600 --> 00:20:50,720
Speaker 2: But not just that, but you're you're supposed to have

422
00:20:50,800 --> 00:20:53,879
Speaker 2: this under your jurisdiction. You know that that house and

423
00:20:53,920 --> 00:20:57,399
Speaker 2: the things that belong in it are important. So you

424
00:20:57,680 --> 00:21:00,840
Speaker 2: letting some people move in and get the property that

425
00:21:00,920 --> 00:21:04,679
Speaker 2: you feel is rightfully your your section, your sector of

426
00:21:04,720 --> 00:21:07,480
Speaker 2: the like you fucked up, don't look at me.

427
00:21:08,119 --> 00:21:08,960
Speaker 1: And so.

428
00:21:10,280 --> 00:21:14,120
Speaker 2: He was like, uh, first of all, that orry belongs

429
00:21:14,160 --> 00:21:15,880
Speaker 2: to us, So you trying to show up and get

430
00:21:15,880 --> 00:21:19,000
Speaker 2: that shit? Nah player, And she was like, well, last

431
00:21:19,000 --> 00:21:21,520
Speaker 2: time I checked, did I miss your initiation because your

432
00:21:21,520 --> 00:21:23,280
Speaker 2: ass ain't in the order either, And.

433
00:21:23,200 --> 00:21:25,719
Speaker 1: He was like, like, you ain't get pleased then, and

434
00:21:25,760 --> 00:21:28,440
Speaker 1: he went to that white man word. You know, they

435
00:21:28,480 --> 00:21:29,240
Speaker 1: love that word.

436
00:21:30,000 --> 00:21:32,359
Speaker 3: It's like, listen, last time I checked, you had a cunt,

437
00:21:33,040 --> 00:21:33,639
Speaker 3: your cunt, and.

438
00:21:33,880 --> 00:21:35,800
Speaker 1: They love that. Boy, that's they go to.

439
00:21:36,080 --> 00:21:39,000
Speaker 2: Ain't even back then, huh. But anyway, he was like,

440
00:21:39,480 --> 00:21:42,119
Speaker 2: you gotta cunt. You can't be a fucking member of

441
00:21:42,160 --> 00:21:46,000
Speaker 2: the order. And she was like, oh, well, fuck you

442
00:21:46,040 --> 00:21:49,240
Speaker 2: to then, and he was like, even if you find

443
00:21:49,240 --> 00:21:53,600
Speaker 2: the pages, you ass out. So then we cut away

444
00:21:53,600 --> 00:21:57,240
Speaker 2: from this storyline. It just ends abruptly there and.

445
00:21:57,160 --> 00:22:00,000
Speaker 1: We see my girl, my fame, my problematic favorite.

446
00:22:00,000 --> 00:22:05,439
Speaker 2: At this point, Ruby Ruby is saying, I mean Ruby

447
00:22:05,440 --> 00:22:09,520
Speaker 2: walks into the Marshall Field Company dressed fly as hell.

448
00:22:09,800 --> 00:22:12,359
Speaker 1: That is a fine ass woman. She is so fine

449
00:22:12,760 --> 00:22:13,320
Speaker 1: and big.

450
00:22:14,480 --> 00:22:19,320
Speaker 2: But yeah, she she walks into this this store address

451
00:22:19,400 --> 00:22:24,080
Speaker 2: to the tea's looking like a rich black woman okay

452
00:22:24,840 --> 00:22:28,600
Speaker 2: and well put together, and she looks around and sees

453
00:22:28,640 --> 00:22:30,000
Speaker 2: a black woman working there.

454
00:22:31,040 --> 00:22:32,359
Speaker 3: Now, if you remember the.

455
00:22:32,280 --> 00:22:36,840
Speaker 2: Party episode, keep calling to the party episode like it

456
00:22:36,880 --> 00:22:39,720
Speaker 2: wasn't a fucking exorcism, Like remember the party.

457
00:22:39,800 --> 00:22:40,560
Speaker 1: It was so fun.

458
00:22:40,680 --> 00:22:43,040
Speaker 3: It's like and then you know the ghat tried to

459
00:22:43,080 --> 00:22:43,399
Speaker 3: kill him.

460
00:22:43,800 --> 00:22:48,520
Speaker 2: But if you remember the episode with the Haunted house, basically.

461
00:22:49,960 --> 00:22:53,240
Speaker 1: She uh she.

462
00:22:53,800 --> 00:22:56,520
Speaker 2: Ruby said that she was trying to get a job

463
00:22:56,560 --> 00:23:00,400
Speaker 2: at Marshall Fields to become like a colored cell girl,

464
00:23:01,480 --> 00:23:03,680
Speaker 2: and that she heard they were hiring colored girls while black.

465
00:23:03,760 --> 00:23:05,800
Speaker 2: So when she comes in and sees there's a black

466
00:23:05,800 --> 00:23:09,800
Speaker 2: woman already behind the counter working as a sales girl,

467
00:23:10,800 --> 00:23:13,240
Speaker 2: the immediate bonus shrinkage.

468
00:23:13,560 --> 00:23:16,120
Speaker 1: Yeah, she had an application in her hand and everything.

469
00:23:16,240 --> 00:23:17,520
Speaker 1: She was trying to hide it.

470
00:23:18,280 --> 00:23:21,000
Speaker 2: She was like a blackademic watching Jessica Krug get a

471
00:23:21,000 --> 00:23:21,560
Speaker 2: book award.

472
00:23:21,640 --> 00:23:23,600
Speaker 1: Okay, she like this.

473
00:23:24,040 --> 00:23:27,680
Speaker 2: Again much and so but she was a real black

474
00:23:27,720 --> 00:23:29,880
Speaker 2: woman though, that was behind the counter, and she even

475
00:23:30,400 --> 00:23:32,560
Speaker 2: came over and tried to help, like can I help you,

476
00:23:32,560 --> 00:23:34,600
Speaker 2: blah blah blah, And then Ruby kind of asked a

477
00:23:34,640 --> 00:23:37,480
Speaker 2: few questions to basically find out this woman just got

478
00:23:37,480 --> 00:23:42,240
Speaker 2: this job yesterday. She applied on a whim, making Ruby

479
00:23:42,280 --> 00:23:44,880
Speaker 2: even more fears because Letty was the one that talked

480
00:23:44,880 --> 00:23:47,479
Speaker 2: her out of it. And then they fell out and

481
00:23:47,920 --> 00:23:50,160
Speaker 2: I don't think Ruby lives at the house no more.

482
00:23:50,680 --> 00:23:51,360
Speaker 1: She doesn't y'all.

483
00:23:51,359 --> 00:23:53,840
Speaker 2: I was talking to someone online who was like, yeah,

484
00:23:53,880 --> 00:23:55,679
Speaker 2: it was you know, we'll they'll talk.

485
00:23:55,520 --> 00:23:57,000
Speaker 3: About when she gets home. I was like, I don't

486
00:23:57,000 --> 00:23:57,960
Speaker 3: think Ruby lived there.

487
00:23:58,160 --> 00:23:58,639
Speaker 1: She doesn't.

488
00:23:58,760 --> 00:24:01,760
Speaker 3: Yeah, she moved down. That looked like a moving out fight.

489
00:24:02,160 --> 00:24:04,960
Speaker 1: Oh yeah, she packed her bags and she left.

490
00:24:05,040 --> 00:24:07,160
Speaker 3: It ain't too many arguments.

491
00:24:07,160 --> 00:24:09,240
Speaker 2: They're end, will fuck you and then I'll see you

492
00:24:09,320 --> 00:24:10,359
Speaker 2: later on for dinner.

493
00:24:10,440 --> 00:24:11,720
Speaker 1: Like that was a peace.

494
00:24:11,920 --> 00:24:12,120
Speaker 3: Yeah.

495
00:24:12,119 --> 00:24:15,440
Speaker 1: And when lady was talking to the photographer lady, the

496
00:24:15,680 --> 00:24:17,840
Speaker 1: interview lady, she was saying, yeah, I'm doing this and

497
00:24:17,920 --> 00:24:19,680
Speaker 1: out of my sister. Her sister wasn't there.

498
00:24:20,000 --> 00:24:22,359
Speaker 2: Yeah, yeah that's what I thought. But you know, like

499
00:24:22,400 --> 00:24:25,760
Speaker 2: I said, people kind of say things online and I'm like, oh,

500
00:24:26,720 --> 00:24:28,920
Speaker 2: not from what I've been gathering, to the context clues

501
00:24:28,920 --> 00:24:32,520
Speaker 2: I've been seeing. So she basically finds out this black

502
00:24:32,560 --> 00:24:34,440
Speaker 2: woman got the job that she wanted.

503
00:24:35,840 --> 00:24:38,080
Speaker 1: And she's sad.

504
00:24:39,000 --> 00:24:43,000
Speaker 2: So then later on back to Christina, we see her

505
00:24:43,080 --> 00:24:45,400
Speaker 2: drive her Bentley to wherever place she's staying in town,

506
00:24:45,840 --> 00:24:48,800
Speaker 2: no doubt, probably one of their many houses or some shit.

507
00:24:48,840 --> 00:24:49,760
Speaker 1: They look rich as fuck.

508
00:24:50,000 --> 00:24:53,239
Speaker 2: Come and so she pulls her car in there and

509
00:24:53,760 --> 00:24:56,639
Speaker 2: walks in and we see two dudes sitting in a

510
00:24:56,680 --> 00:25:00,000
Speaker 2: car staking out the joint, just like they are clear

511
00:25:00,359 --> 00:25:03,480
Speaker 2: watching her. We don't know who they are, necessarily, but

512
00:25:03,520 --> 00:25:07,919
Speaker 2: they're watching her, which makes sense because you know that

513
00:25:08,800 --> 00:25:11,879
Speaker 2: she's not supposed to be in town according to without

514
00:25:11,880 --> 00:25:14,720
Speaker 2: telling you, so they know she's in town, they're probably

515
00:25:14,720 --> 00:25:17,760
Speaker 2: watching her. So she walks in out of the car

516
00:25:17,840 --> 00:25:22,679
Speaker 2: into the house. Maybe ten seconds go by, William walks out.

517
00:25:22,560 --> 00:25:23,040
Speaker 1: Of the house.

518
00:25:23,240 --> 00:25:25,800
Speaker 2: Now, William is the dude from the episode one and

519
00:25:25,880 --> 00:25:30,879
Speaker 2: two who people ask what she was. He her boyfriend,

520
00:25:31,440 --> 00:25:35,120
Speaker 2: Christina's boyfriend, and at first Letty thought he was the butler.

521
00:25:35,160 --> 00:25:40,040
Speaker 3: He's also blonde, blue eyed, at wearing gray and he

522
00:25:40,200 --> 00:25:42,240
Speaker 3: walks out and he.

523
00:25:42,160 --> 00:25:46,080
Speaker 2: Walks directly up to them to the cops car and

524
00:25:46,280 --> 00:25:47,879
Speaker 2: I mean, to the car with the two dudes, and

525
00:25:48,080 --> 00:25:49,880
Speaker 2: when they get out, he.

526
00:25:49,800 --> 00:25:51,080
Speaker 1: Whoops the ass.

527
00:25:53,920 --> 00:25:56,280
Speaker 2: Like I guess you can do that when you're white,

528
00:25:57,040 --> 00:26:00,040
Speaker 2: because it turns out they were police officers, and he

529
00:26:00,080 --> 00:26:03,880
Speaker 2: basically whooped their ass and told them listen, stop following Christina.

530
00:26:04,600 --> 00:26:08,840
Speaker 2: She don't like being followed, okay, And I'm gonna get

531
00:26:08,920 --> 00:26:11,320
Speaker 2: up out of here because I got a date to

532
00:26:11,359 --> 00:26:14,359
Speaker 2: go to and I'm already about to be late, and

533
00:26:14,440 --> 00:26:16,240
Speaker 2: he left at the whooping.

534
00:26:16,280 --> 00:26:18,200
Speaker 1: The ass left him in the street too.

535
00:26:18,440 --> 00:26:20,800
Speaker 2: Yeah, he beat their ass up, like just the nineteen

536
00:26:20,920 --> 00:26:25,200
Speaker 2: forties white man, tough guy like listen, buster, your only

537
00:26:25,200 --> 00:26:30,360
Speaker 2: thing shit with the bam yeah poof, like whooped they ass?

538
00:26:30,480 --> 00:26:34,480
Speaker 1: Wow. Cos the was like, this is why we shoot blacks.

539
00:26:35,000 --> 00:26:38,840
Speaker 2: Yeah, I'm gonna go, Hanson, get back in the car.

540
00:26:38,920 --> 00:26:41,640
Speaker 2: Let's go find some blacks to shoot some innocent blacks.

541
00:26:41,920 --> 00:26:44,280
Speaker 2: I'm mad now, that'll make me feel better. I have

542
00:26:44,400 --> 00:26:46,960
Speaker 2: to take in the ass whooping by a white man. Oh,

543
00:26:47,040 --> 00:26:50,800
Speaker 2: let's go find some black kids playing hopscotch. So then

544
00:26:51,119 --> 00:26:53,919
Speaker 2: we cut the Ruby, who's in a bar and she

545
00:26:54,080 --> 00:26:54,920
Speaker 2: is singing.

546
00:26:54,600 --> 00:26:55,720
Speaker 1: The goddamn blues.

547
00:26:57,119 --> 00:26:59,520
Speaker 2: Yes, you sing all the blues, and it's like the

548
00:26:59,560 --> 00:27:02,480
Speaker 2: blue blues that's ever blued, Okay, And it.

549
00:27:02,400 --> 00:27:04,639
Speaker 1: Wasn't like when we see it the first time singing.

550
00:27:04,760 --> 00:27:07,920
Speaker 1: She was like, no, this is like the blues blues.

551
00:27:08,040 --> 00:27:10,399
Speaker 2: It was just her and a guitar and a dress

552
00:27:11,160 --> 00:27:14,240
Speaker 2: and just like that, just woe is me, down on

553
00:27:14,320 --> 00:27:18,399
Speaker 2: my luck. And when she sang them blues and got done,

554
00:27:18,680 --> 00:27:23,160
Speaker 2: nobody clapped, nobody paused, nobody gave her no money, and

555
00:27:23,480 --> 00:27:26,320
Speaker 2: she's finished that, she said, well, fuck y'all too.

556
00:27:27,920 --> 00:27:30,560
Speaker 1: She is the best. Oh, she's the best.

557
00:27:31,359 --> 00:27:34,000
Speaker 2: And so she goes to the bar and the dudes like,

558
00:27:34,320 --> 00:27:36,600
Speaker 2: you know, you want to drink and she's like, I

559
00:27:36,640 --> 00:27:39,040
Speaker 2: can't afford no drinks, Like you see, I ain't making

560
00:27:39,040 --> 00:27:41,600
Speaker 2: no money tonight, and he's like, no, it's not. It's

561
00:27:41,640 --> 00:27:44,080
Speaker 2: on that gentleman down there at the end of the bar,

562
00:27:44,480 --> 00:27:49,800
Speaker 2: who's at the end of the bar, William William white

563
00:27:49,800 --> 00:27:52,560
Speaker 2: ass is in this colored bar in a fly suit,

564
00:27:53,320 --> 00:27:54,479
Speaker 2: looking like a snack.

565
00:27:55,040 --> 00:27:56,600
Speaker 3: I believe that's what the ladies call him.

566
00:27:57,840 --> 00:28:03,399
Speaker 2: And he comes over to her and while she's drinking

567
00:28:04,160 --> 00:28:09,400
Speaker 2: and he's like, you know, I hope you don't mind

568
00:28:09,400 --> 00:28:13,520
Speaker 2: paying for them drinks, and she was like, you didn't

569
00:28:13,520 --> 00:28:16,320
Speaker 2: come over oh, And she was like, well, if you paying,

570
00:28:16,840 --> 00:28:18,520
Speaker 2: then I guess you could see. He was like, mam,

571
00:28:18,600 --> 00:28:20,480
Speaker 2: I sit here. She was like, if you're paying, you

572
00:28:20,480 --> 00:28:23,000
Speaker 2: can do whatever you want. And he's looking at her

573
00:28:23,040 --> 00:28:25,840
Speaker 2: like word and she was like, I hope I know

574
00:28:25,880 --> 00:28:27,960
Speaker 2: you didn't come over here hoping I was modest, did

575
00:28:28,000 --> 00:28:30,600
Speaker 2: you nah? That's not what you white boys come over

576
00:28:30,640 --> 00:28:33,160
Speaker 2: here to the dark side for. But I can buy

577
00:28:33,160 --> 00:28:34,800
Speaker 2: my own drinks. So you're gonna have to do a

578
00:28:34,840 --> 00:28:36,000
Speaker 2: bit more to impress me.

579
00:28:36,320 --> 00:28:38,840
Speaker 1: And so it sounds like people have approached her before.

580
00:28:39,360 --> 00:28:42,720
Speaker 2: Now see that was very common back in the day.

581
00:28:43,040 --> 00:28:44,560
Speaker 2: See this is one of the tricks that the white

582
00:28:44,640 --> 00:28:47,280
Speaker 2: man did to us. You know, hate to make it

583
00:28:47,320 --> 00:28:47,600
Speaker 2: get so.

584
00:28:47,680 --> 00:28:48,360
Speaker 1: Woke right quick.

585
00:28:48,440 --> 00:28:52,800
Speaker 2: But one of the things white people did historically the

586
00:28:52,840 --> 00:28:56,200
Speaker 2: black women black especially white men, is that they made

587
00:28:56,240 --> 00:29:02,320
Speaker 2: black women sound like lascivious harlots. Basically like they would

588
00:29:02,360 --> 00:29:04,160
Speaker 2: just jump on your dick and fuck you.

589
00:29:04,280 --> 00:29:05,280
Speaker 1: And it was just nothing.

590
00:29:05,440 --> 00:29:08,160
Speaker 2: You know, many light skinned children born because some white

591
00:29:08,200 --> 00:29:10,920
Speaker 2: man said this, black women just came on to me

592
00:29:11,040 --> 00:29:14,440
Speaker 2: like a savage. Meanwhile, we know in history like they

593
00:29:14,480 --> 00:29:18,440
Speaker 2: were sexually assaulting black women. But in addition to just that,

594
00:29:18,560 --> 00:29:20,520
Speaker 2: one of the biggest slights they did, and this happened in.

595
00:29:20,520 --> 00:29:21,360
Speaker 1: Chicago a lot.

596
00:29:22,760 --> 00:29:27,240
Speaker 2: The what was the book that I read last year

597
00:29:27,320 --> 00:29:33,160
Speaker 2: Tony Morrison Jazz Tony Morrison Jazz highlights this as well. Basically,

598
00:29:33,240 --> 00:29:37,640
Speaker 2: they saw colored women, black women as sex workers no

599
00:29:37,720 --> 00:29:38,560
Speaker 2: matter your position.

600
00:29:39,080 --> 00:29:41,600
Speaker 3: One of the reasons respectability.

601
00:29:40,840 --> 00:29:44,000
Speaker 2: For women is so high for black women, and it's

602
00:29:44,000 --> 00:29:47,440
Speaker 2: so much like stockings and dress and undergarments and this

603
00:29:47,640 --> 00:29:51,320
Speaker 2: and hat and fanciness is because you wanted to present

604
00:29:51,360 --> 00:29:56,560
Speaker 2: yourself as a fancy lady who is above reproach, so

605
00:29:56,600 --> 00:29:58,920
Speaker 2: that they would like almost churched up, so they would

606
00:29:58,920 --> 00:30:02,160
Speaker 2: not approach you. Because white men felt that there were

607
00:30:02,400 --> 00:30:05,000
Speaker 2: no black women they were bound to after respect sexually,

608
00:30:05,280 --> 00:30:08,960
Speaker 2: they were proposition black women openly in public all the time,

609
00:30:09,480 --> 00:30:11,280
Speaker 2: like you can be going about your day, going to work.

610
00:30:11,560 --> 00:30:13,840
Speaker 2: They would be like, hey, trying to make twenty dollars.

611
00:30:13,880 --> 00:30:17,720
Speaker 2: They felt there was any black woman. So the idea

612
00:30:17,840 --> 00:30:21,760
Speaker 2: of of a white man looking money like him coming

613
00:30:21,840 --> 00:30:24,760
Speaker 2: to town, coming to the black part of town, paying

614
00:30:24,800 --> 00:30:27,720
Speaker 2: for some black women's drinks he put his own and

615
00:30:27,880 --> 00:30:29,600
Speaker 2: basically saying like I'm trying.

616
00:30:29,360 --> 00:30:30,120
Speaker 1: To fuck.

617
00:30:31,400 --> 00:30:34,520
Speaker 2: That was not such a foreign concept. Now, what I

618
00:30:34,520 --> 00:30:39,200
Speaker 2: thought was interesting here is that when Ruby points out that, hey,

619
00:30:39,760 --> 00:30:41,880
Speaker 2: you're not the first white dude to try this shit. Mmm,

620
00:30:43,000 --> 00:30:46,160
Speaker 2: like you know, like this is the thing because jurisdiction wise,

621
00:30:46,200 --> 00:30:49,440
Speaker 2: a white segregation was not black people don't go to

622
00:30:49,480 --> 00:30:50,880
Speaker 2: the white part of town, White people don't go to

623
00:30:50,920 --> 00:30:51,520
Speaker 2: black part of town.

624
00:30:51,560 --> 00:30:53,680
Speaker 3: It was black people not allowed in the white part

625
00:30:53,720 --> 00:30:54,000
Speaker 3: of town.

626
00:30:54,200 --> 00:30:56,840
Speaker 1: White people go wherever the fuck they want anywhere? So

627
00:30:57,080 --> 00:30:58,680
Speaker 1: and what also would happened?

628
00:30:58,760 --> 00:31:01,320
Speaker 2: And this happened in Chicago, but also Memphis many other

629
00:31:01,360 --> 00:31:04,800
Speaker 2: black places where segregation was heavy. What happens is the

630
00:31:04,840 --> 00:31:07,479
Speaker 2: black part of town becomes the den of iniquity, It

631
00:31:07,480 --> 00:31:11,480
Speaker 2: becomes the criminalized part of town because white men do

632
00:31:11,520 --> 00:31:13,240
Speaker 2: the crime, go there for crime.

633
00:31:13,840 --> 00:31:15,440
Speaker 3: So if you want to gamble, you go to.

634
00:31:15,400 --> 00:31:17,520
Speaker 2: The black place. You want to get prostitutes, you go

635
00:31:17,520 --> 00:31:19,120
Speaker 2: to the black place. You want to drink, you go

636
00:31:19,160 --> 00:31:20,640
Speaker 2: to the black place. You don't do it on your

637
00:31:20,720 --> 00:31:22,800
Speaker 2: side of town if you can avoid it, you know,

638
00:31:23,000 --> 00:31:26,479
Speaker 2: and you go do the dirty, disrespectful things to black people,

639
00:31:26,800 --> 00:31:29,280
Speaker 2: and then you go Black people are dirty and disrespectful

640
00:31:29,320 --> 00:31:30,720
Speaker 2: and criminal, aren't they wash.

641
00:31:30,720 --> 00:31:32,600
Speaker 1: Your hands and going back home? Right?

642
00:31:32,840 --> 00:31:37,120
Speaker 2: So much of the history of our nation and white

643
00:31:37,840 --> 00:31:40,720
Speaker 2: inner cities and black parts of town are considered bad,

644
00:31:41,000 --> 00:31:43,680
Speaker 2: dangerous and the wrong side of the tracks is literally

645
00:31:43,720 --> 00:31:47,160
Speaker 2: white people outsourcing their crime into blackness.

646
00:31:47,520 --> 00:31:49,480
Speaker 1: They still do that today. They come to the black

647
00:31:49,480 --> 00:31:51,600
Speaker 1: study the town to buy the drugs and then going

648
00:31:51,720 --> 00:31:54,280
Speaker 1: back to the suburbs so.

649
00:31:56,280 --> 00:31:59,160
Speaker 2: They we get back. Sorry for that tangent, you know

650
00:31:59,160 --> 00:32:02,880
Speaker 2: what I mean? Right, I hate to do y'all like that,

651
00:32:03,040 --> 00:32:05,200
Speaker 2: you know what I mean. But it was just this

652
00:32:05,280 --> 00:32:09,440
Speaker 2: is what we do here the black Okay, it ain't

653
00:32:09,480 --> 00:32:12,680
Speaker 2: never gonna eat that simple, all right, We're gonna have

654
00:32:12,720 --> 00:32:24,960
Speaker 2: to get a little bit woke every time. Okay, Okay,

655
00:32:25,000 --> 00:32:29,080
Speaker 2: we can't help it. It's not on purpose, but yeah,

656
00:32:29,160 --> 00:32:33,200
Speaker 2: so uh, he basically tries to, uh you know, says,

657
00:32:33,400 --> 00:32:35,600
Speaker 2: you know, let me bodies get these drinks, and she

658
00:32:35,600 --> 00:32:37,040
Speaker 2: gives them the like it's gonna take mored of some

659
00:32:37,200 --> 00:32:38,600
Speaker 2: drinks to get up in this.

660
00:32:38,840 --> 00:32:42,520
Speaker 1: Yeah, he won't let me buy you a drink. Uh.

661
00:32:42,760 --> 00:32:45,160
Speaker 2: But then he looks at her, not like he's reposted

662
00:32:45,160 --> 00:32:48,320
Speaker 2: at all, not like he's upset with her, but it's

663
00:32:48,320 --> 00:32:50,640
Speaker 2: like his search history got ebony bb w's in it,

664
00:32:50,720 --> 00:32:51,560
Speaker 2: if you know what I'm saying.

665
00:32:52,080 --> 00:32:55,600
Speaker 3: He gave her that look like, uh, that ain't girl,

666
00:32:55,680 --> 00:32:56,840
Speaker 3: That ain't nothing.

667
00:32:56,960 --> 00:32:59,880
Speaker 1: Some drinks shit, And he says.

668
00:33:00,320 --> 00:33:03,120
Speaker 2: Because she's like, uh, you know, I could change your

669
00:33:03,160 --> 00:33:03,880
Speaker 2: life forever.

670
00:33:05,000 --> 00:33:08,040
Speaker 1: Which many a cat that is said to us showed it. Okay,

671
00:33:08,080 --> 00:33:12,280
Speaker 1: come on, many a cat that is, and some eight

672
00:33:12,520 --> 00:33:14,000
Speaker 1: and some was Stacey Adams.

673
00:33:14,920 --> 00:33:16,360
Speaker 3: Yeah, there ain't nothing black.

674
00:33:16,520 --> 00:33:19,680
Speaker 2: Every black woman's heard that, and some you ain't got

675
00:33:19,760 --> 00:33:20,880
Speaker 2: to be white to tell that lie.

676
00:33:21,360 --> 00:33:23,200
Speaker 3: And then and by the way, many of them do

677
00:33:23,320 --> 00:33:24,120
Speaker 3: change your life forever.

678
00:33:24,200 --> 00:33:28,440
Speaker 2: Okay, children, okay, come on, uh, court, you gotta go

679
00:33:28,480 --> 00:33:28,880
Speaker 2: to court.

680
00:33:29,840 --> 00:33:32,600
Speaker 3: You know, child's apport payment.

681
00:33:32,760 --> 00:33:36,000
Speaker 1: They can fu your wife up. Okay, jail.

682
00:33:36,200 --> 00:33:39,400
Speaker 2: Okay, I watched for a moment, do uh And she says,

683
00:33:39,480 --> 00:33:41,040
Speaker 2: you know, it's not the first time white boy made

684
00:33:41,040 --> 00:33:45,000
Speaker 2: an offer to make a kept woman. And she was like, well,

685
00:33:45,040 --> 00:33:47,160
Speaker 2: I you know, I'm not saying that. She said, or

686
00:33:47,240 --> 00:33:49,560
Speaker 2: promise the world to try to sleep with her. And

687
00:33:49,600 --> 00:33:52,320
Speaker 2: he says, well, what if it's a promise I can keep?

688
00:33:54,520 --> 00:33:57,360
Speaker 2: And that's the arrangement. That's the origin of seeking arrangement

689
00:33:57,400 --> 00:34:01,040
Speaker 2: dot com. Okay, that was the first sugar baby that

690
00:34:01,120 --> 00:34:03,880
Speaker 2: we watched. It Black history happen right there.

691
00:34:04,800 --> 00:34:07,440
Speaker 1: He can don't listen to will.

692
00:34:07,440 --> 00:34:10,959
Speaker 3: People say, come you know he was walking at John

693
00:34:11,000 --> 00:34:15,080
Speaker 3: b for sure. They don't know about.

694
00:34:14,800 --> 00:34:16,360
Speaker 1: Girl is all right?

695
00:34:21,000 --> 00:34:24,439
Speaker 3: But Ruby later, you know, we cut away, come back.

696
00:34:24,560 --> 00:34:29,480
Speaker 2: Ruby is drunk and she you know, you know, she

697
00:34:29,600 --> 00:34:32,720
Speaker 2: drunk because she was telling this white man the unfiltered,

698
00:34:32,800 --> 00:34:36,920
Speaker 2: unbridled truth. Okay, she was just telling him. It was

699
00:34:37,000 --> 00:34:40,080
Speaker 2: like she was just complaining to one of her girlfriends

700
00:34:40,120 --> 00:34:44,200
Speaker 2: down at the beauty s line because she was like, listen, uh,

701
00:34:44,760 --> 00:34:47,359
Speaker 2: you know, I tried to get this job in Marshall Fields,

702
00:34:47,640 --> 00:34:49,960
Speaker 2: but then a black woman already had the job, and

703
00:34:50,080 --> 00:34:50,880
Speaker 2: I ain't get.

704
00:34:50,719 --> 00:34:54,480
Speaker 1: It, and fucking Letty's lying ass is the reason I

705
00:34:54,480 --> 00:34:54,920
Speaker 1: ain't get it.

706
00:34:54,960 --> 00:34:57,000
Speaker 2: And he was like, well, why don't you just go

707
00:34:57,360 --> 00:35:00,440
Speaker 2: back and apply for the job, and she was like, Nigga,

708
00:35:00,560 --> 00:35:04,719
Speaker 2: it's one hundred and three employees at Marshall Field and

709
00:35:04,760 --> 00:35:06,840
Speaker 2: it's never gonna be two colored women.

710
00:35:07,120 --> 00:35:09,760
Speaker 3: Okay, one of them is the quota.

711
00:35:10,120 --> 00:35:10,799
Speaker 1: That is it.

712
00:35:10,880 --> 00:35:13,440
Speaker 3: That's the most they gonna ever have. Period.

713
00:35:13,640 --> 00:35:15,759
Speaker 1: For the fact that she knew how many employees was

714
00:35:15,760 --> 00:35:18,000
Speaker 1: that meant that she actually did her due diligence.

715
00:35:18,320 --> 00:35:21,960
Speaker 2: So then she said, uh, but if I she was like,

716
00:35:22,040 --> 00:35:25,000
Speaker 2: it was like, I was born in this like race

717
00:35:25,880 --> 00:35:28,880
Speaker 2: that I can never get ahead in as a black person.

718
00:35:28,960 --> 00:35:31,680
Speaker 2: I'm just fighting to survive. But if I was born

719
00:35:31,719 --> 00:35:33,760
Speaker 2: in your shoes, I wouldn't even have to run.

720
00:35:35,200 --> 00:35:38,040
Speaker 1: Come on, mm hmm, we needn't have to fucking run.

721
00:35:38,520 --> 00:35:39,080
Speaker 1: You love it?

722
00:35:39,320 --> 00:35:43,440
Speaker 3: Okay, She's out there trying to tell y'all the unbridled.

723
00:35:43,040 --> 00:35:46,520
Speaker 2: Black truth that we live every goddamn day like this show.

724
00:35:46,680 --> 00:35:49,640
Speaker 3: I know it can be preachy message, but it'd be

725
00:35:49,680 --> 00:35:52,160
Speaker 3: all time, Okay, it'd be dead on time when she

726
00:35:52,200 --> 00:35:52,799
Speaker 3: said that shit.

727
00:35:54,360 --> 00:35:57,879
Speaker 1: So then, uh, he he was just.

728
00:35:57,880 --> 00:36:03,480
Speaker 3: Looking at her like a motherfucking like just a hamhk.

729
00:36:03,560 --> 00:36:05,359
Speaker 1: You know what I'm saying, Just like he was like

730
00:36:05,520 --> 00:36:06,920
Speaker 1: apple pie.

731
00:36:07,160 --> 00:36:10,120
Speaker 3: He was just looking at her like.

732
00:36:09,640 --> 00:36:11,520
Speaker 1: Like like a pumpkin pie.

733
00:36:11,520 --> 00:36:14,120
Speaker 3: Like salt and pepper grit.

734
00:36:14,320 --> 00:36:16,879
Speaker 1: You know what I'm saying. Just oh, he was one

735
00:36:16,920 --> 00:36:19,000
Speaker 1: to sop her up. You know, you know that look

736
00:36:19,080 --> 00:36:21,120
Speaker 1: that people be man be having sometimes.

737
00:36:21,520 --> 00:36:23,359
Speaker 2: Well he was like, girl, I don't give a fuck

738
00:36:23,680 --> 00:36:27,880
Speaker 2: about that racism I'm trying to give. I'm trying to

739
00:36:27,920 --> 00:36:29,840
Speaker 2: desegregate other Johnna today.

740
00:36:30,680 --> 00:36:31,040
Speaker 3: Okay.

741
00:36:31,120 --> 00:36:33,200
Speaker 2: You know what I'm saying, Like, let's go ahead and

742
00:36:33,239 --> 00:36:34,719
Speaker 2: cross the color line.

743
00:36:34,560 --> 00:36:39,520
Speaker 1: And trying to smash all theotatoes. Okay, like trying.

744
00:36:40,640 --> 00:36:43,160
Speaker 2: Okay, I'll try to get some gravy in my mash

745
00:36:43,200 --> 00:36:45,919
Speaker 2: potatoes right now. If you know what I'm saying, girl,

746
00:36:46,120 --> 00:36:50,239
Speaker 2: Like this is fuck racism. Okay, black lives matter to me.

747
00:36:51,160 --> 00:36:53,520
Speaker 1: He was like, an, I stir your coffee.

748
00:36:53,560 --> 00:36:56,320
Speaker 2: Come on now, I brought all of the cream and

749
00:36:56,440 --> 00:36:58,719
Speaker 2: she said, you better stop looking at me like that.

750
00:36:59,360 --> 00:37:02,320
Speaker 3: It ain't happening, and white boy, and guess what.

751
00:37:03,840 --> 00:37:07,400
Speaker 2: It was happening. It did happen, Yes, she did. She

752
00:37:07,520 --> 00:37:08,239
Speaker 2: fucked that man.

753
00:37:08,480 --> 00:37:09,000
Speaker 1: Okay.

754
00:37:09,280 --> 00:37:11,879
Speaker 2: They went back to what I assume is the same

755
00:37:11,960 --> 00:37:14,120
Speaker 2: managine Christina Braith White was staying at.

756
00:37:15,280 --> 00:37:17,799
Speaker 1: At first, I thought it was le It ain't.

757
00:37:18,000 --> 00:37:19,680
Speaker 3: I know, it ain't Ruby's boyding house.

758
00:37:20,480 --> 00:37:22,839
Speaker 1: It's not. Initially that's what I thought, but I was like, nah,

759
00:37:22,920 --> 00:37:24,960
Speaker 1: I can't be Yeah, So I don't know.

760
00:37:25,040 --> 00:37:25,640
Speaker 3: I think it was.

761
00:37:25,840 --> 00:37:28,759
Speaker 1: I think it was. I think it was wherever they

762
00:37:28,800 --> 00:37:30,480
Speaker 1: were staying. I think it was.

763
00:37:31,080 --> 00:37:35,239
Speaker 2: Now it's supposed to be Christina's boyfriend. They must got

764
00:37:35,239 --> 00:37:37,240
Speaker 2: some open relationship rules or something.

765
00:37:38,000 --> 00:37:40,040
Speaker 1: I don't think it's her boyfriend.

766
00:37:40,440 --> 00:37:41,120
Speaker 3: I don't either.

767
00:37:42,000 --> 00:37:45,360
Speaker 1: I think it's somebody that she's in khoots with to

768
00:37:45,480 --> 00:37:46,359
Speaker 1: get the shit done.

769
00:37:46,520 --> 00:37:49,120
Speaker 2: Oh, I think she in cahoots Karen. Okay, And we'll

770
00:37:49,160 --> 00:37:51,279
Speaker 2: get to that in a second. We're almost done with

771
00:37:51,320 --> 00:37:55,000
Speaker 2: the story. So they smashed and they come in the house.

772
00:37:55,160 --> 00:37:58,000
Speaker 2: She cuts her hand on like a vase or something,

773
00:37:58,640 --> 00:38:04,480
Speaker 2: and this nigga hand and lick the blood off, so

774
00:38:04,640 --> 00:38:09,239
Speaker 2: you know, he eat ass. Okay, oh ass, you know, like,

775
00:38:09,360 --> 00:38:12,200
Speaker 2: come on, you start with that. I mean, what are

776
00:38:12,200 --> 00:38:15,759
Speaker 2: the limits? I mean, it's some Odell the Sky. It's

777
00:38:15,760 --> 00:38:18,000
Speaker 2: from Odell Beckham Junior shit happening up in there.

778
00:38:18,160 --> 00:38:24,000
Speaker 1: Okay. So Blakefield boss eat tomorrow. Okay. So then.

779
00:38:25,320 --> 00:38:28,200
Speaker 2: He licks the blood off of her, and then, uh,

780
00:38:29,239 --> 00:38:33,000
Speaker 2: it made me think also vampire rules. This is another

781
00:38:33,640 --> 00:38:37,880
Speaker 2: vampire rule moment where it's like, you know, licking the blood, man, like,

782
00:38:37,960 --> 00:38:42,040
Speaker 2: that's some vampire shit. And this is colored blood in

783
00:38:42,080 --> 00:38:43,560
Speaker 2: the nineteen twenties or whatever.

784
00:38:43,560 --> 00:38:43,839
Speaker 1: The fuck.

785
00:38:43,920 --> 00:38:46,520
Speaker 2: This is not no regular blood, like you know, how

786
00:38:46,560 --> 00:38:49,040
Speaker 2: savage you gotta be to be like, I don't give

787
00:38:49,040 --> 00:38:51,400
Speaker 2: a fuck, Okay, I will catch Because they didn't know

788
00:38:51,440 --> 00:38:54,320
Speaker 2: nothing about medicine back then, he's like, oh catch diabetes.

789
00:38:54,320 --> 00:38:57,239
Speaker 1: I don't give a fuck. I'm into this. Yeah. And

790
00:38:57,320 --> 00:39:03,080
Speaker 1: the and the music that they were playing, I was thinking,

791
00:39:03,280 --> 00:39:05,719
Speaker 1: I mean, I knew she was drunk, but I was thinking, oh,

792
00:39:05,840 --> 00:39:08,200
Speaker 1: she might be underneath for spell. Like I really because

793
00:39:08,239 --> 00:39:10,440
Speaker 1: the music that they were playing reminds me of some

794
00:39:10,520 --> 00:39:13,600
Speaker 1: of the dombos, like a true blood type of music, which.

795
00:39:13,640 --> 00:39:17,879
Speaker 2: You know, another thing vampires can do. Put you under

796
00:39:17,880 --> 00:39:18,360
Speaker 2: that spell.

797
00:39:18,560 --> 00:39:21,600
Speaker 1: Okay, because that music. I was like, she might be

798
00:39:21,680 --> 00:39:24,520
Speaker 1: unneth for I didn't even notice the music, but yeah,

799
00:39:24,560 --> 00:39:26,960
Speaker 1: like like the music was talking about put a spell

800
00:39:27,000 --> 00:39:29,880
Speaker 1: on you. I was like, hmm, sound like she underneath

801
00:39:30,080 --> 00:39:32,160
Speaker 1: some type of a trance.

802
00:39:31,840 --> 00:39:33,360
Speaker 3: Or vampire charm.

803
00:39:33,640 --> 00:39:37,240
Speaker 2: They can charm their victims, that's the thing they do, Okay,

804
00:39:37,320 --> 00:39:39,760
Speaker 2: so maybe she got charmed because I have a theory.

805
00:39:39,800 --> 00:39:44,960
Speaker 2: So anyway, he smashed them cheeks. They she opened up

806
00:39:45,000 --> 00:39:47,640
Speaker 2: his shirt and he had some markings on his chest

807
00:39:47,880 --> 00:39:50,120
Speaker 2: that I don't know what, like it was like some

808
00:39:50,160 --> 00:39:55,400
Speaker 2: cold shit. And then he smashed other colored cakes smither rings.

809
00:39:55,480 --> 00:39:57,799
Speaker 2: He integrated them cakes, y'all okay, And.

810
00:39:58,440 --> 00:40:03,319
Speaker 1: I liked it because you rarely see big girls like

811
00:40:03,400 --> 00:40:06,120
Speaker 1: get it like that, like you normally see like you know,

812
00:40:06,360 --> 00:40:09,600
Speaker 1: smaller women. But you know, he was like, look, I

813
00:40:09,640 --> 00:40:10,799
Speaker 1: don't discriminate, and.

814
00:40:10,760 --> 00:40:16,080
Speaker 2: Them things was sitting okay, so like you could tell

815
00:40:16,120 --> 00:40:18,879
Speaker 2: they did whatever the CGI work is, like, it wasn't

816
00:40:18,920 --> 00:40:22,000
Speaker 2: no disrespectful a lot of shit, And you know it's

817
00:40:22,080 --> 00:40:25,160
Speaker 2: kind of the same, you know, like it's funny as

818
00:40:25,160 --> 00:40:26,200
Speaker 2: graphic as the show is.

819
00:40:26,239 --> 00:40:26,959
Speaker 1: The sex is PG.

820
00:40:27,080 --> 00:40:29,480
Speaker 2: Thirteen, It is you know what I mean, Like the

821
00:40:29,520 --> 00:40:31,399
Speaker 2: sex is like oh, we're not gonna show you too much,

822
00:40:31,440 --> 00:40:32,600
Speaker 2: but it was enough.

823
00:40:32,800 --> 00:40:36,760
Speaker 1: Okay anyway, and then it's.

824
00:40:36,640 --> 00:40:39,920
Speaker 2: Like they like, I swear, it's like the camera pandoay

825
00:40:39,960 --> 00:40:43,280
Speaker 2: for one second, we came back, everybody clothes gone. I'm like, god, damn,

826
00:40:43,960 --> 00:40:45,560
Speaker 2: that was quick. This is I didn't even get a

827
00:40:45,600 --> 00:40:48,560
Speaker 2: chance to get my dig out what is happening? But nah,

828
00:40:48,560 --> 00:40:52,080
Speaker 2: it was So this is my theory. Now, I'm sure.

829
00:40:52,120 --> 00:40:55,000
Speaker 1: I'm like I said, I don't listen to other reviews.

830
00:40:55,000 --> 00:40:55,959
Speaker 1: I don't really read much.

831
00:40:56,280 --> 00:40:59,160
Speaker 2: This is my theory, but I'm I feel like everyone

832
00:40:59,200 --> 00:41:01,240
Speaker 2: should be having this because I feel like the clues

833
00:41:01,239 --> 00:41:03,680
Speaker 2: are here. It doesn't sound like Karen's with me on this,

834
00:41:03,840 --> 00:41:07,080
Speaker 2: but I think Christina and William are the same fucking person.

835
00:41:08,719 --> 00:41:12,560
Speaker 3: We never seen them together, so that they both had

836
00:41:12,680 --> 00:41:13,520
Speaker 3: scene together.

837
00:41:13,400 --> 00:41:13,880
Speaker 1: Not once.

838
00:41:14,239 --> 00:41:19,040
Speaker 2: They both have that blond hair, blue eyes. They both

839
00:41:19,080 --> 00:41:22,840
Speaker 2: were wearing that that gray the part where she walked

840
00:41:22,840 --> 00:41:25,440
Speaker 2: in the house and literally ten seconds later this nigga

841
00:41:25,480 --> 00:41:27,880
Speaker 2: walked out the house with them. People asked, got in

842
00:41:27,960 --> 00:41:32,440
Speaker 2: the same car and drove off something like something's up, Like,

843
00:41:32,640 --> 00:41:34,719
Speaker 2: I don't know if it's.

844
00:41:34,360 --> 00:41:37,240
Speaker 1: Like or he if not, that he her slave.

845
00:41:39,080 --> 00:41:40,359
Speaker 3: Yeah, I mean that's your theory.

846
00:41:40,400 --> 00:41:43,200
Speaker 2: But my my theory, I think they're the same person.

847
00:41:43,200 --> 00:41:46,360
Speaker 2: I think she is some magic shit, like, yes, she

848
00:41:46,400 --> 00:41:49,120
Speaker 2: can't do that. Maybe she a vampire because you know

849
00:41:49,239 --> 00:41:50,799
Speaker 2: vampires can change shape.

850
00:41:52,000 --> 00:41:54,319
Speaker 1: Though you know how vampires bite people, and like that

851
00:41:54,360 --> 00:41:56,840
Speaker 1: person is like you're underning greed. I don't know.

852
00:41:56,920 --> 00:41:58,120
Speaker 3: I know what you're trying to say.

853
00:41:58,320 --> 00:42:00,360
Speaker 2: I want to be very specific, but I'm trying to

854
00:42:00,400 --> 00:42:03,200
Speaker 2: say I think it's the same fucking person. I think

855
00:42:03,200 --> 00:42:06,600
Speaker 2: there's a reason that they look like that blond hair,

856
00:42:06,840 --> 00:42:11,239
Speaker 2: blue eyes, gray suit, dry the same car he survived,

857
00:42:11,400 --> 00:42:12,520
Speaker 2: and she survived.

858
00:42:12,200 --> 00:42:15,600
Speaker 3: The mother fucking collapse the other goddamn mansion.

859
00:42:15,880 --> 00:42:17,600
Speaker 1: They both survived, right, Yeah.

860
00:42:17,560 --> 00:42:21,759
Speaker 3: They we never see them together. Something is up.

861
00:42:21,880 --> 00:42:26,120
Speaker 2: And it makes sense because to me, because Christina is manipulated.

862
00:42:26,480 --> 00:42:31,600
Speaker 2: She she's manipulated Tick and she's manipulated Letty and now

863
00:42:31,640 --> 00:42:33,719
Speaker 2: she's looking at Ruby, I think she's just trying to

864
00:42:33,719 --> 00:42:35,600
Speaker 2: find a way up in that fucking house to get

865
00:42:35,600 --> 00:42:36,360
Speaker 2: to that orary.

866
00:42:37,120 --> 00:42:40,280
Speaker 3: And she will try anything, right.

867
00:42:40,239 --> 00:42:42,520
Speaker 1: She was like, since let him won't lit it, I'll

868
00:42:42,520 --> 00:42:44,240
Speaker 1: get you to get me into that house.

869
00:42:44,360 --> 00:42:46,680
Speaker 2: Now I could be wrong, you know, maybe the twins

870
00:42:46,840 --> 00:42:48,720
Speaker 2: brothers underling.

871
00:42:48,400 --> 00:42:51,240
Speaker 1: Like you said, but something about the way they're.

872
00:42:51,080 --> 00:42:56,239
Speaker 2: Playing it feels like we supposed to know that that's

873
00:42:56,600 --> 00:42:59,120
Speaker 2: that's one person, you know what I'm saying.

874
00:42:59,239 --> 00:43:01,560
Speaker 3: And maybe next week we'll see them niggas hold their hands.

875
00:43:01,600 --> 00:43:03,960
Speaker 2: I'll be like, oh, I was wrong. But some don't

876
00:43:03,960 --> 00:43:05,399
Speaker 2: feel right about that shit, you.

877
00:43:05,320 --> 00:43:08,600
Speaker 3: Know, because remember when remember.

878
00:43:08,200 --> 00:43:12,520
Speaker 2: When they were at the mansion and William was escorting

879
00:43:12,520 --> 00:43:16,640
Speaker 2: them and they asked where Montrouss was and he said

880
00:43:17,160 --> 00:43:20,799
Speaker 2: he went with the lawyer, AKA, I guess Christina to

881
00:43:21,160 --> 00:43:26,040
Speaker 2: Boston or some shit, and that, you know, it's like, well,

882
00:43:26,040 --> 00:43:28,239
Speaker 2: where's she at? You know, and then we see her

883
00:43:28,280 --> 00:43:32,080
Speaker 2: at night, but we don't see William again. And remember

884
00:43:32,080 --> 00:43:33,880
Speaker 2: what William said to them when they sat down in

885
00:43:33,960 --> 00:43:36,920
Speaker 2: that table and when it was Mantrost, I mean when

886
00:43:36,920 --> 00:43:39,319
Speaker 2: it was George and Tick, when they sat down at

887
00:43:39,360 --> 00:43:41,480
Speaker 2: the table with the cold to eat.

888
00:43:41,840 --> 00:43:43,920
Speaker 1: He was like, just because.

889
00:43:44,280 --> 00:43:47,760
Speaker 2: That like, just because they don't want you here doesn't

890
00:43:47,800 --> 00:43:50,120
Speaker 2: mean you don't belong here. And that feels like something

891
00:43:50,200 --> 00:43:53,080
Speaker 2: Christina would say, because Christina is this person that's been

892
00:43:53,120 --> 00:43:56,160
Speaker 2: boxed out of power but feels like she belongs in power.

893
00:43:56,400 --> 00:43:58,520
Speaker 2: And just because I'm a woman, don't mean I don't

894
00:43:58,520 --> 00:44:01,200
Speaker 2: belong like these motherfucking power don't belong to me.

895
00:44:01,520 --> 00:44:04,719
Speaker 1: Yeah, because it's one of those things too, where Christina

896
00:44:04,840 --> 00:44:08,640
Speaker 1: is like Christina basically knows everything but just can't join.

897
00:44:08,719 --> 00:44:11,440
Speaker 2: It's like if she was a man, they would be

898
00:44:11,480 --> 00:44:13,399
Speaker 2: more than happy to embrace her.

899
00:44:13,920 --> 00:44:16,239
Speaker 1: Like she knows the rules, the regulation, probably because the

900
00:44:16,280 --> 00:44:19,160
Speaker 1: daddy taught her the rules, the regulations, how she's supposed

901
00:44:19,160 --> 00:44:22,320
Speaker 1: to go to order of things, Like she actually knows

902
00:44:22,360 --> 00:44:23,560
Speaker 1: how the shit is ran.

903
00:44:24,239 --> 00:44:27,799
Speaker 2: Yeah, so something is up and she the manipulation he

904
00:44:27,920 --> 00:44:32,040
Speaker 2: was running down on Ruby, which apparently worked to some extent.

905
00:44:32,760 --> 00:44:36,480
Speaker 2: Definitely made me be like fuck, like this is this

906
00:44:36,560 --> 00:44:39,120
Speaker 2: is Christina's way of getting in the house somehow, Like

907
00:44:39,160 --> 00:44:43,000
Speaker 2: this is not clean, and I feel like they've they've

908
00:44:44,040 --> 00:44:47,399
Speaker 2: like Christina's just trying to get a wedge between everybody

909
00:44:47,600 --> 00:44:49,280
Speaker 2: to find a way to get to the power.

910
00:44:49,320 --> 00:44:50,439
Speaker 3: She don't care about any of them.

911
00:44:50,840 --> 00:44:53,840
Speaker 1: Yeah, no, No, I don't know. I don't she doesn't

912
00:44:53,880 --> 00:44:54,359
Speaker 1: care at all.

913
00:44:54,640 --> 00:44:56,440
Speaker 3: So that's the end of that story. But that's how

914
00:44:56,480 --> 00:44:56,840
Speaker 3: I feel.

915
00:44:56,880 --> 00:44:58,680
Speaker 2: I will see I might be wrong, Like I said,

916
00:44:58,960 --> 00:45:01,279
Speaker 2: didn't read the book, don't know none of this ship

917
00:45:02,000 --> 00:45:02,239
Speaker 2: you know.

918
00:45:02,520 --> 00:45:06,520
Speaker 1: Yeah, or either. It could be she learned a duplication spell,

919
00:45:06,680 --> 00:45:09,319
Speaker 1: almost like navratod it does you know, like you know

920
00:45:09,560 --> 00:45:11,560
Speaker 1: maybe something like that, you know, could be.

921
00:45:11,560 --> 00:45:15,880
Speaker 2: Man, she knows so much, she herself could be you know,

922
00:45:16,440 --> 00:45:19,719
Speaker 2: all speculation work. But you know what I'm saying, all

923
00:45:19,760 --> 00:45:23,800
Speaker 2: speculation welcome. But the reason I feel so strongly is

924
00:45:23,840 --> 00:45:25,319
Speaker 2: that we've never seen him at the same time.

925
00:45:25,520 --> 00:45:25,920
Speaker 1: Correct.

926
00:45:26,200 --> 00:45:27,520
Speaker 2: You see what I'm saying, Because even if you go

927
00:45:27,560 --> 00:45:29,319
Speaker 2: on in a duplication spell, then we will see you

928
00:45:29,360 --> 00:45:29,960
Speaker 2: at the same time.

929
00:45:30,080 --> 00:45:30,279
Speaker 3: You know.

930
00:45:30,320 --> 00:45:33,160
Speaker 2: Now you can see him and his clone. So something

931
00:45:33,239 --> 00:45:34,040
Speaker 2: is up with this ship.

932
00:45:34,120 --> 00:45:34,359
Speaker 1: Man.

933
00:45:34,520 --> 00:45:35,239
Speaker 3: I don't trust this.

934
00:45:35,360 --> 00:45:37,600
Speaker 2: I don't trust her, and I feel like this white

935
00:45:37,600 --> 00:45:39,640
Speaker 2: man ain't nothing but her Now. I don't know how

936
00:45:39,719 --> 00:45:42,000
Speaker 2: Ruby gonna feel she found out she fucked Christina. But

937
00:45:42,160 --> 00:45:45,719
Speaker 2: we'll get to that ridge women a crossing the town. Uh,

938
00:45:45,880 --> 00:45:50,440
Speaker 2: let's get the let a Montrosse and Tick. So we

939
00:45:50,480 --> 00:45:54,400
Speaker 2: started this episode with Montross sitting in the house, sipping

940
00:45:54,440 --> 00:45:58,400
Speaker 2: on that brown liquor, shirtless on his couch. That's a

941
00:45:58,440 --> 00:46:00,359
Speaker 2: position no black man ever wants to being.

942
00:46:01,239 --> 00:46:02,799
Speaker 3: Now, but that brown it.

943
00:46:02,719 --> 00:46:06,720
Speaker 2: Wasn't that, and it wasn't it wasn't that sexy sexy drinking.

944
00:46:06,800 --> 00:46:09,239
Speaker 2: It was that motherfucking trailer park shit. Shout out to

945
00:46:09,280 --> 00:46:09,880
Speaker 2: Rick and Morty.

946
00:46:10,480 --> 00:46:12,000
Speaker 1: Uh, it was was that.

947
00:46:12,400 --> 00:46:15,160
Speaker 2: It was that motherfucking like babbling to yourself in a

948
00:46:15,200 --> 00:46:17,560
Speaker 2: stupid probably pitched your pants drinking.

949
00:46:17,400 --> 00:46:19,640
Speaker 1: Laid out partly been there for who knows how long.

950
00:46:19,800 --> 00:46:24,080
Speaker 2: Like drinking to medicate, Yes, yes, drinking, drinking your words.

951
00:46:23,800 --> 00:46:24,839
Speaker 1: Away right, Like.

952
00:46:25,280 --> 00:46:28,640
Speaker 2: So, he was listening to a broadcast about the impending

953
00:46:28,840 --> 00:46:32,160
Speaker 2: nuclear war, and then in his brain we started hearing

954
00:46:32,280 --> 00:46:36,000
Speaker 2: like seeing clips of like hearing audio clips of what

955
00:46:36,360 --> 00:46:39,359
Speaker 2: we assume to be his inner monologue. And it's him

956
00:46:39,400 --> 00:46:41,959
Speaker 2: looking at old pictures of George and Dora and Tick.

957
00:46:42,560 --> 00:46:46,040
Speaker 2: And then there's a montage of memories and voices and

958
00:46:46,440 --> 00:46:52,960
Speaker 2: it's like his uh, whatever happened in Tulsa, it's George's death,

959
00:46:53,960 --> 00:46:59,040
Speaker 2: it's his father abusing him, like it's just all this

960
00:46:59,200 --> 00:47:00,840
Speaker 2: negative ship his head.

961
00:47:01,239 --> 00:47:04,600
Speaker 3: And he's sitting there and.

962
00:47:05,520 --> 00:47:10,040
Speaker 2: The broadcast says something like, you know, if the if

963
00:47:10,080 --> 00:47:13,080
Speaker 2: the United States doesn't get rid of its new clear stockpile,

964
00:47:13,680 --> 00:47:16,160
Speaker 2: then it will be the beginning dawn of a new

965
00:47:16,200 --> 00:47:19,640
Speaker 2: age or some shit. And he says to himself, ain't

966
00:47:19,640 --> 00:47:21,879
Speaker 2: shit knew about it? Why he keep cooking up death

967
00:47:21,920 --> 00:47:24,560
Speaker 2: for the rest of us to eat. And then he

968
00:47:24,600 --> 00:47:27,640
Speaker 2: looks into the Book Bylaws and Precepts of the Order

969
00:47:27,640 --> 00:47:30,800
Speaker 2: of the Ancient Dawn, which is the book that George

970
00:47:31,200 --> 00:47:33,280
Speaker 2: had when they were at the mansion.

971
00:47:34,560 --> 00:47:35,839
Speaker 1: It's the same fucking book.

972
00:47:35,960 --> 00:47:38,919
Speaker 2: So apparently George kept that book and must have given

973
00:47:38,960 --> 00:47:41,840
Speaker 2: it to Montross before they escaped the mansion.

974
00:47:43,040 --> 00:47:46,920
Speaker 1: And so there's a.

975
00:47:46,160 --> 00:47:47,719
Speaker 2: Form or so, I don't know what you call it,

976
00:47:47,719 --> 00:47:50,560
Speaker 2: but there's some text in the beginning. It says, Adam

977
00:47:50,680 --> 00:47:54,000
Speaker 2: named named the animals and creatures.

978
00:47:54,600 --> 00:47:55,400
Speaker 3: E fucked.

979
00:47:55,800 --> 00:47:59,520
Speaker 1: I guess fucked. U fucked Adam, and I don't know,

980
00:47:59,600 --> 00:48:00,520
Speaker 1: fuck that everything up.

981
00:48:01,320 --> 00:48:06,640
Speaker 2: God brought forth monsters, monsters devoured God smites eve.

982
00:48:06,880 --> 00:48:10,520
Speaker 1: That was the writing, which is interesting.

983
00:48:10,200 --> 00:48:12,960
Speaker 2: Because I didn't know they was just saying fuck like

984
00:48:12,960 --> 00:48:15,919
Speaker 2: that in nineteen twenty Okay, these people was wrong, all right.

985
00:48:17,680 --> 00:48:21,719
Speaker 2: And so the broadcast on the radio goes, and the

986
00:48:21,760 --> 00:48:24,400
Speaker 2: only way for us to defeat the Red the Russians

987
00:48:24,880 --> 00:48:27,920
Speaker 2: is for us to destroy their stockpile in the nineteen

988
00:48:27,960 --> 00:48:36,520
Speaker 2: twenties broadcaster, and this gives him an epiphany in his mind.

989
00:48:36,600 --> 00:48:37,800
Speaker 2: This is the nuclear.

990
00:48:37,400 --> 00:48:38,520
Speaker 1: Weapon white people got.

991
00:48:38,440 --> 00:48:42,440
Speaker 2: Magic and the weapons and shit, and his black family

992
00:48:42,520 --> 00:48:44,120
Speaker 2: is in the middle of this and they can't they

993
00:48:44,200 --> 00:48:47,440
Speaker 2: can't possibly fight all this shit off, and so he

994
00:48:47,520 --> 00:48:52,160
Speaker 2: takes the book and he burns it, essentially destroying the

995
00:48:52,239 --> 00:48:57,440
Speaker 2: nuclear stockpile. That is this this magical weapon that these

996
00:48:57,440 --> 00:49:00,239
Speaker 2: white people will So he burned the shit down, all

997
00:49:01,520 --> 00:49:06,239
Speaker 2: burned it down, and then he said, smells like Tusa,

998
00:49:08,120 --> 00:49:12,359
Speaker 2: which of course is extremely deep. Okay, y'all smells like

999
00:49:12,440 --> 00:49:18,320
Speaker 2: Tusa trying to take Okay, because we know Tulsa burned

1000
00:49:18,480 --> 00:49:20,919
Speaker 2: all of y'all watch Watchmen, so y'all know.

1001
00:49:21,719 --> 00:49:23,920
Speaker 1: May not be surprised if they show us something that

1002
00:49:24,040 --> 00:49:27,399
Speaker 1: happened there, like that's some period of time doing the show.

1003
00:49:28,280 --> 00:49:30,440
Speaker 1: I feel like we gotta get that because they.

1004
00:49:32,400 --> 00:49:33,879
Speaker 2: You know, I don't know if it can be as

1005
00:49:33,880 --> 00:49:37,239
Speaker 2: good as Watchman's version of it, because that shit was.

1006
00:49:38,719 --> 00:49:41,280
Speaker 2: But they got to give us what happened in Tulsa

1007
00:49:41,320 --> 00:49:42,640
Speaker 2: because it's not.

1008
00:49:42,719 --> 00:49:45,720
Speaker 1: Like they survived, so something happened while they were there.

1009
00:49:46,200 --> 00:49:49,120
Speaker 2: Yeah, and now we see why Montros must be drinking

1010
00:49:49,120 --> 00:49:53,120
Speaker 2: out of goddamn time because he's an alcoholic. And you know,

1011
00:49:53,160 --> 00:49:55,200
Speaker 2: at first I thought he was reading I thought he

1012
00:49:55,239 --> 00:49:58,360
Speaker 2: was reading the count of money crystal again or whatever,

1013
00:49:58,880 --> 00:50:02,520
Speaker 2: but uh not, he was reading that fucking coat book

1014
00:50:02,560 --> 00:50:03,719
Speaker 2: and then burned it all down.

1015
00:50:05,440 --> 00:50:07,680
Speaker 1: Then we cut the safe Negro travels.

1016
00:50:09,480 --> 00:50:13,120
Speaker 2: Well, we see Hippolyta is talking to her father about

1017
00:50:13,680 --> 00:50:15,719
Speaker 2: the oray she took that shit.

1018
00:50:17,200 --> 00:50:19,720
Speaker 1: I don't know how the hell she snuck that past

1019
00:50:19,760 --> 00:50:22,960
Speaker 1: everybody she lowered out the window. I mean, I mean,

1020
00:50:23,000 --> 00:50:25,799
Speaker 1: did it fold. I mean, I don't see how she

1021
00:50:25,920 --> 00:50:27,040
Speaker 1: got that past everybody.

1022
00:50:27,160 --> 00:50:29,080
Speaker 2: I guess when the klan is burning across in your

1023
00:50:29,080 --> 00:50:30,960
Speaker 2: front yard, you don't see too much going out the.

1024
00:50:30,960 --> 00:50:33,880
Speaker 1: Back because oh yeah, because I forgot your everybody's in

1025
00:50:33,880 --> 00:50:34,560
Speaker 1: the front of the house.

1026
00:50:34,640 --> 00:50:37,279
Speaker 2: I also, like, first of all, I know a lot

1027
00:50:37,280 --> 00:50:39,080
Speaker 2: of black women don't like this is a compliment, but

1028
00:50:39,120 --> 00:50:42,880
Speaker 2: I mean this literally, that must be a strong black woman.

1029
00:50:43,080 --> 00:50:46,759
Speaker 3: That shit look heavy. I'm like, what the fuck is

1030
00:50:46,800 --> 00:50:47,480
Speaker 3: she just had to.

1031
00:50:47,440 --> 00:50:48,640
Speaker 1: Sit in the office gold.

1032
00:50:49,200 --> 00:50:52,960
Speaker 2: And also she just took it like it's not yours,

1033
00:50:51,920 --> 00:50:55,479
Speaker 2: it's you in someone else's house and you took that shit.

1034
00:50:55,800 --> 00:50:58,160
Speaker 2: That doesn't feel very authentic, very black at all.

1035
00:50:58,440 --> 00:51:01,359
Speaker 1: That feels like thievery Yeah, because she tied them lining

1036
00:51:01,360 --> 00:51:01,600
Speaker 1: to her.

1037
00:51:02,120 --> 00:51:05,520
Speaker 2: Yeah, I guess, I don't know. She just it's Leddy's house.

1038
00:51:05,560 --> 00:51:08,680
Speaker 2: She just really just took letty shit. I don't I

1039
00:51:08,719 --> 00:51:10,440
Speaker 2: guess it was calling to her because we know she

1040
00:51:10,640 --> 00:51:15,759
Speaker 2: is a fiend for some motherfucking solar lunar stargaze and shit.

1041
00:51:16,000 --> 00:51:18,480
Speaker 1: I think it was called aside. I think it was

1042
00:51:19,560 --> 00:51:21,480
Speaker 1: because it was just so much shit happening to she

1043
00:51:21,600 --> 00:51:23,560
Speaker 1: because I thought that she was gonna get attacked when

1044
00:51:23,600 --> 00:51:28,640
Speaker 1: she walked into that room and apparently the thing just

1045
00:51:28,760 --> 00:51:30,040
Speaker 1: drew her in and.

1046
00:51:30,040 --> 00:51:31,719
Speaker 2: She's talking to her father on the phone and she's

1047
00:51:31,719 --> 00:51:34,960
Speaker 2: basically saying, I got this ry, but it's not to

1048
00:51:35,080 --> 00:51:38,440
Speaker 2: our solar system, but because it has two sons that

1049
00:51:38,520 --> 00:51:43,240
Speaker 2: look like they're in a constant eclipse, or maybe it's

1050
00:51:43,320 --> 00:51:45,440
Speaker 2: not a clip, maybe it is just two sons in

1051
00:51:45,480 --> 00:51:48,600
Speaker 2: this universe. And he was like, well, wherever it's from,

1052
00:51:48,640 --> 00:51:50,680
Speaker 2: it can't be from our I mean, it can't be

1053
00:51:50,680 --> 00:51:52,919
Speaker 2: from our universe because there's no solar system like that.

1054
00:51:53,600 --> 00:51:55,560
Speaker 1: And she's also a guy.

1055
00:51:55,440 --> 00:51:57,719
Speaker 3: Comes over and was like, what you're working on here?

1056
00:51:57,800 --> 00:52:01,120
Speaker 2: And uh, you know, it's one of those work small

1057
00:52:01,160 --> 00:52:03,759
Speaker 2: talk motherfuckers, because he wasn't interested.

1058
00:52:03,680 --> 00:52:07,560
Speaker 1: No, not at all of the Yeah, she called her daddy,

1059
00:52:07,560 --> 00:52:10,920
Speaker 1: who's a part of the Astronomy Black Astronomy Club. He

1060
00:52:11,000 --> 00:52:12,880
Speaker 1: he know one of them members of the club.

1061
00:52:12,960 --> 00:52:14,240
Speaker 3: You know, they have a lot of clubs.

1062
00:52:14,239 --> 00:52:17,760
Speaker 2: Back then, everybody was in the club, the Negro Astronomers United.

1063
00:52:18,239 --> 00:52:21,120
Speaker 1: Uh. But yes. One of the things that was interesting though,

1064
00:52:21,360 --> 00:52:22,400
Speaker 1: is she.

1065
00:52:22,000 --> 00:52:24,840
Speaker 2: She says it's supposed to be moving, and so the

1066
00:52:24,880 --> 00:52:27,640
Speaker 2: aurea is broken and she needs a way to like

1067
00:52:27,800 --> 00:52:30,359
Speaker 2: fix it. And he and the guy who came over,

1068
00:52:30,400 --> 00:52:34,680
Speaker 2: who I think is the same dude from Atlanta, if

1069
00:52:34,719 --> 00:52:37,480
Speaker 2: I'm not mistaken, at least he looked like him. I

1070
00:52:37,480 --> 00:52:40,200
Speaker 2: don't know if y'all remember him, but he was like

1071
00:52:42,120 --> 00:52:43,400
Speaker 2: working at the wing place.

1072
00:52:47,960 --> 00:52:51,839
Speaker 1: Don't let me now man. Ah, Yes, that dude, I

1073
00:52:51,840 --> 00:52:54,480
Speaker 1: think it was him. I don't know what I.

1074
00:52:54,480 --> 00:52:57,319
Speaker 3: Do anyway if that was him, Yo, brother, you keep

1075
00:52:57,320 --> 00:52:57,760
Speaker 3: a job.

1076
00:52:58,560 --> 00:52:59,239
Speaker 1: I don't blame him.

1077
00:52:59,320 --> 00:53:00,319
Speaker 3: That nigga keep it job.

1078
00:53:00,360 --> 00:53:03,480
Speaker 2: He on motherfucking Queen Sugar too as a parole guy

1079
00:53:04,200 --> 00:53:06,960
Speaker 2: like that, nigga keep a job. Love to see it, Okay,

1080
00:53:07,440 --> 00:53:11,480
Speaker 2: secure that bag, anything to stay off of them nineteen hour.

1081
00:53:11,400 --> 00:53:13,040
Speaker 1: Days over at Tyler Perry Place. Okay.

1082
00:53:14,120 --> 00:53:18,680
Speaker 2: So then so so he comes over and it's that

1083
00:53:18,800 --> 00:53:19,600
Speaker 2: work small talk.

1084
00:53:19,520 --> 00:53:20,840
Speaker 1: Shit because he was not interested.

1085
00:53:20,880 --> 00:53:23,480
Speaker 3: He was like, well, arm sure anything broken?

1086
00:53:23,520 --> 00:53:23,880
Speaker 1: Got a key?

1087
00:53:23,880 --> 00:53:25,560
Speaker 3: All right, you have a good one. I'm going I'm out.

1088
00:53:28,040 --> 00:53:29,560
Speaker 2: I didn't know this shit was gonna turn into a

1089
00:53:29,640 --> 00:53:31,560
Speaker 2: motherfucking work conversation.

1090
00:53:31,120 --> 00:53:34,440
Speaker 1: About five o'clock, right trying to go home.

1091
00:53:34,960 --> 00:53:38,399
Speaker 2: So she he said, you'll find a key. And then

1092
00:53:38,960 --> 00:53:42,719
Speaker 2: at the south Side Colored Library, Letty bart is in

1093
00:53:42,960 --> 00:53:50,719
Speaker 2: hot off of her conversation that she had with uh Catherine, No,

1094
00:53:51,080 --> 00:53:55,680
Speaker 2: what was her name, uh Christina. So her and Christina

1095
00:53:55,719 --> 00:53:57,920
Speaker 2: had this conversation. She told, get the fuck off my porch.

1096
00:53:58,280 --> 00:54:01,759
Speaker 2: But she let her know tick Is was gonna kill her.

1097
00:54:02,719 --> 00:54:03,600
Speaker 1: And Tick is.

1098
00:54:03,560 --> 00:54:07,359
Speaker 2: Fucking acting reckless and could have got could have got

1099
00:54:07,480 --> 00:54:10,839
Speaker 2: Letty fucked up. And so she goes to the library

1100
00:54:10,920 --> 00:54:14,120
Speaker 2: because Letty is so smart. She fucking goes to the

1101
00:54:14,160 --> 00:54:16,120
Speaker 2: library because she's like, I know this nigga gonna be

1102
00:54:16,120 --> 00:54:19,080
Speaker 2: looking for books to try to find how to get

1103
00:54:19,120 --> 00:54:22,160
Speaker 2: them pages in the house and shit to get into

1104
00:54:22,160 --> 00:54:22,880
Speaker 2: the vault.

1105
00:54:23,040 --> 00:54:25,399
Speaker 3: So she goes to the library and guess who's in there?

1106
00:54:25,600 --> 00:54:28,880
Speaker 2: Tick and Letty look like the kind of nigga that

1107
00:54:29,000 --> 00:54:31,240
Speaker 2: definitely yell fights in the library.

1108
00:54:32,120 --> 00:54:39,160
Speaker 1: Yes, her whole vibe is she is like above whisper right,

1109
00:54:39,320 --> 00:54:40,120
Speaker 1: her whole.

1110
00:54:39,920 --> 00:54:42,000
Speaker 2: Vibe is when you tell her to shut she look

1111
00:54:42,040 --> 00:54:45,680
Speaker 2: at you real mean, like she talking movies all that

1112
00:54:45,719 --> 00:54:49,520
Speaker 2: shit like and not regularly talking movies on the phone.

1113
00:54:50,360 --> 00:54:53,160
Speaker 1: Like she's that kind of person that just extra put

1114
00:54:53,160 --> 00:54:54,479
Speaker 1: the background on all bright.

1115
00:54:54,960 --> 00:54:57,840
Speaker 2: You know, love her as a heroine of a TV show,

1116
00:54:57,960 --> 00:55:00,240
Speaker 2: would hate to hang around this person in real life.

1117
00:55:00,800 --> 00:55:03,600
Speaker 2: Definitely gonna make a problem when you go to the

1118
00:55:03,600 --> 00:55:07,280
Speaker 2: motherfucking restaurant, you know what I mean. Like, Letty's definitely

1119
00:55:07,280 --> 00:55:10,640
Speaker 2: gonna be that one. So attitude, right, the first one

1120
00:55:10,719 --> 00:55:14,480
Speaker 2: to be like, well, I don't understand why. You know,

1121
00:55:14,560 --> 00:55:17,040
Speaker 2: we got to sit outside just playing season inside You're like, oh,

1122
00:55:17,040 --> 00:55:23,240
Speaker 2: here we go. So then Letty said, uh, basically sees

1123
00:55:23,320 --> 00:55:25,839
Speaker 2: Tick and she's like, what the fuck?

1124
00:55:25,920 --> 00:55:26,120
Speaker 1: Tick?

1125
00:55:26,560 --> 00:55:27,720
Speaker 3: You was gonna kill this woman?

1126
00:55:29,440 --> 00:55:34,800
Speaker 1: And he's like, Tick is very much like goddamn please.

1127
00:55:34,880 --> 00:55:36,840
Speaker 3: Like he's in the library, he's trying to.

1128
00:55:38,760 --> 00:55:41,080
Speaker 2: Right, he's trying to calm her down, but he turned

1129
00:55:41,120 --> 00:55:44,239
Speaker 2: into a whisper fight. Well, she's like, you know, what

1130
00:55:44,280 --> 00:55:45,920
Speaker 2: the fuck are you doing? You're gonna kill this woman.

1131
00:55:46,360 --> 00:55:48,680
Speaker 2: You wasn't even gonna tell me. And then she looks

1132
00:55:48,719 --> 00:55:50,759
Speaker 2: over Caesar's bag, it's packed. She's like, then you was

1133
00:55:50,760 --> 00:55:51,359
Speaker 2: gonna leave?

1134
00:55:51,600 --> 00:55:52,400
Speaker 1: Like what?

1135
00:55:52,560 --> 00:55:54,080
Speaker 3: She just gonna go back to Florida at the killing

1136
00:55:54,080 --> 00:55:55,839
Speaker 3: the motherfucker? What's wrong with you? She talking about all

1137
00:55:55,840 --> 00:55:58,040
Speaker 3: this shit loud, by the way, loud of shit.

1138
00:55:58,880 --> 00:56:03,879
Speaker 2: And my person that I connected with this episode, this

1139
00:56:03,960 --> 00:56:08,000
Speaker 2: little boy that was in that motherfucking scene, he stole

1140
00:56:08,120 --> 00:56:09,240
Speaker 2: the scene, he did.

1141
00:56:09,400 --> 00:56:11,160
Speaker 3: He was in there try and read Journey to the

1142
00:56:11,200 --> 00:56:11,920
Speaker 3: Center of the Earth.

1143
00:56:12,120 --> 00:56:15,960
Speaker 2: Kids like come on, and you know another Black history

1144
00:56:16,000 --> 00:56:19,760
Speaker 2: timeout moment. A lot of these libraries for colored kids

1145
00:56:20,000 --> 00:56:21,600
Speaker 2: did not let you take them books home.

1146
00:56:22,640 --> 00:56:23,560
Speaker 1: Oh they didn't.

1147
00:56:23,840 --> 00:56:25,879
Speaker 3: Right, You couldn't check them books out in a.

1148
00:56:25,800 --> 00:56:27,879
Speaker 1: Lot of these cases. Oh so you had to read

1149
00:56:27,880 --> 00:56:29,759
Speaker 1: it while you were You had to read the shit

1150
00:56:29,800 --> 00:56:30,319
Speaker 1: while you was there.

1151
00:56:30,400 --> 00:56:33,680
Speaker 2: Now, I don't know that that's the case for this library,

1152
00:56:33,680 --> 00:56:36,719
Speaker 2: but this was the case in many black libraries. They

1153
00:56:36,719 --> 00:56:38,719
Speaker 2: gave you a lot less books, a lot less applies,

1154
00:56:38,920 --> 00:56:41,480
Speaker 2: sometimes hand me down, you know, from the white people.

1155
00:56:41,840 --> 00:56:43,960
Speaker 1: And of course you couldn't take the shit home.

1156
00:56:44,280 --> 00:56:47,240
Speaker 3: So my point is, this kid looked like nigga.

1157
00:56:47,360 --> 00:56:50,560
Speaker 2: I have until six pm to read as much of

1158
00:56:50,600 --> 00:56:53,680
Speaker 2: this Journey to the Center of the Earth as I can.

1159
00:56:53,840 --> 00:56:56,520
Speaker 2: And right now they only a quarter to the center

1160
00:56:56,600 --> 00:56:58,520
Speaker 2: of the earth, and you're slowing.

1161
00:56:58,160 --> 00:57:03,319
Speaker 3: Me down with your whisper fight. Yes, like that little boy.

1162
00:57:03,880 --> 00:57:06,720
Speaker 2: Man, listen, I have never connected with a character so fast.

1163
00:57:06,719 --> 00:57:09,400
Speaker 2: In my wife, I was like, they are annoying, and

1164
00:57:09,440 --> 00:57:11,440
Speaker 2: I'm watching the show for them, and I'm still like,

1165
00:57:11,600 --> 00:57:14,719
Speaker 2: a take this shit outside and let motherfuckers read in peace.

1166
00:57:14,600 --> 00:57:15,840
Speaker 1: May y'all in the library.

1167
00:57:15,880 --> 00:57:18,920
Speaker 2: And my niggas, damn you was your inside voice. You know,

1168
00:57:18,960 --> 00:57:21,200
Speaker 2: that little kid be following the rules, all.

1169
00:57:21,160 --> 00:57:23,760
Speaker 1: The rules, the whole monitor and everything.

1170
00:57:23,960 --> 00:57:24,200
Speaker 3: You know.

1171
00:57:24,760 --> 00:57:28,240
Speaker 2: He's like, damn, man, I just they can't grow up

1172
00:57:28,280 --> 00:57:30,400
Speaker 2: to be a black Republican and shit the niggers.

1173
00:57:30,400 --> 00:57:32,080
Speaker 3: God damn, I ain't.

1174
00:57:31,840 --> 00:57:33,800
Speaker 1: Even fucking of that for me. Since I was a kid, we.

1175
00:57:33,800 --> 00:57:35,840
Speaker 2: Only had one library and I never got to read

1176
00:57:35,920 --> 00:57:37,680
Speaker 2: shit black people in there, all right, you know, not

1177
00:57:37,800 --> 00:57:38,600
Speaker 2: the goddamn time.

1178
00:57:39,080 --> 00:57:42,440
Speaker 3: And now my name is Herman Kane rest in peace.

1179
00:57:42,480 --> 00:57:44,840
Speaker 1: Oh no. So then.

1180
00:57:46,360 --> 00:57:49,560
Speaker 2: She basically they get into this fight and Tick didn't

1181
00:57:49,560 --> 00:57:51,600
Speaker 2: tell Leeddie about the house because he didn't want to

1182
00:57:51,600 --> 00:57:54,760
Speaker 2: scare Letty because he knew that Christina gave her the money.

1183
00:57:55,000 --> 00:57:56,800
Speaker 2: And she's like you knew all this time, you didn't

1184
00:57:56,840 --> 00:57:59,760
Speaker 2: tell me shit. She's pissed rightfully, and he lets her

1185
00:57:59,760 --> 00:58:02,160
Speaker 2: know that Christina can't be killed because she's like, well,

1186
00:58:02,200 --> 00:58:03,240
Speaker 2: then why didn't you kill her?

1187
00:58:03,600 --> 00:58:04,400
Speaker 3: If you went to killer?

1188
00:58:04,520 --> 00:58:05,120
Speaker 1: What happened?

1189
00:58:05,240 --> 00:58:05,520
Speaker 3: Yeah?

1190
00:58:05,440 --> 00:58:07,000
Speaker 1: Why why aren't you accomplish it?

1191
00:58:07,120 --> 00:58:08,760
Speaker 2: He's like, she got some kind of spell where you

1192
00:58:08,840 --> 00:58:11,480
Speaker 2: can't even fucking kill her, Like, I froze, I'm just

1193
00:58:11,520 --> 00:58:15,600
Speaker 2: holding the gun like her father had the invulnerability spell.

1194
00:58:15,680 --> 00:58:19,240
Speaker 2: Now she got it, and so I need to find

1195
00:58:19,440 --> 00:58:22,840
Speaker 2: the pages so that I can find a way to

1196
00:58:22,960 --> 00:58:28,080
Speaker 2: get the spell to protect us from Christina with like,

1197
00:58:28,360 --> 00:58:31,479
Speaker 2: so or give us some weapons against Christina something, because

1198
00:58:31,560 --> 00:58:36,080
Speaker 2: right now she's too powerful and we're basically in her sights,

1199
00:58:37,160 --> 00:58:37,640
Speaker 2: which is a.

1200
00:58:37,600 --> 00:58:40,000
Speaker 3: Strange loop, is a wicked loop if you think about it.

1201
00:58:40,520 --> 00:58:46,160
Speaker 2: The breath Whites trying to use tick, which is Christina's idea,

1202
00:58:47,120 --> 00:58:51,920
Speaker 2: led them on this path to taking them looking for

1203
00:58:52,360 --> 00:58:55,120
Speaker 2: the missing pages of the Book of Adam, which is

1204
00:58:55,120 --> 00:59:00,080
Speaker 2: what Christina wants. So like May playing out along, she

1205
00:59:00,280 --> 00:59:02,320
Speaker 2: is on some other ship dog like she on some

1206
00:59:02,400 --> 00:59:03,560
Speaker 2: next level chess match.

1207
00:59:03,600 --> 00:59:05,040
Speaker 1: She was like, I'm gonna look for it, but I'm

1208
00:59:05,200 --> 00:59:07,400
Speaker 1: also get y'all to look for us, so we both looking.

1209
00:59:07,160 --> 00:59:10,240
Speaker 2: For it as of right now, she has everyone doing

1210
00:59:10,480 --> 00:59:11,800
Speaker 2: what she wants them to do.

1211
00:59:12,120 --> 00:59:12,560
Speaker 1: She does.

1212
00:59:12,640 --> 00:59:15,000
Speaker 2: And this is a woman that basically killed her father

1213
00:59:15,120 --> 00:59:18,960
Speaker 2: without having to lift the finger, right, so you know

1214
00:59:19,120 --> 00:59:22,080
Speaker 2: this is some other ship and they're playing a deadly

1215
00:59:22,160 --> 00:59:24,640
Speaker 2: game with a with a woman that's.

1216
00:59:24,560 --> 00:59:27,920
Speaker 1: Very powerful and cunning. Uh. But Tickets frustrated.

1217
00:59:27,960 --> 00:59:30,080
Speaker 2: He's been reading all the books. He's at a dead

1218
00:59:30,120 --> 00:59:33,000
Speaker 2: fucking end. And lady tells him, you need to go

1219
00:59:33,040 --> 00:59:35,480
Speaker 2: talk to your daddy. Cause he's like, I think I

1220
00:59:35,520 --> 00:59:37,240
Speaker 2: need to go back to Artam and she's like, and

1221
00:59:37,280 --> 00:59:38,560
Speaker 2: do what look in the rubble.

1222
00:59:39,000 --> 00:59:40,040
Speaker 1: She's like, they.

1223
00:59:40,160 --> 00:59:42,360
Speaker 3: Teaching colored boys paleontology in the army.

1224
00:59:42,400 --> 00:59:42,640
Speaker 2: Now.

1225
00:59:43,800 --> 00:59:45,600
Speaker 1: She loves you ain't gonna find shit up there.

1226
00:59:45,680 --> 00:59:47,919
Speaker 2: She loves roasting that nigga about being in the army. Boy,

1227
00:59:48,920 --> 00:59:50,320
Speaker 2: she's almost worse than montreals.

1228
00:59:51,320 --> 00:59:52,680
Speaker 1: But yeah, he was like.

1229
00:59:54,960 --> 00:59:58,040
Speaker 2: No, and just like Lee, like stay out of this,

1230
00:59:58,160 --> 01:00:02,120
Speaker 2: go back home. This is is not your thing, you know,

1231
01:00:02,240 --> 01:00:03,840
Speaker 2: And no, I don't want to talk to my daddy,

1232
01:00:03,840 --> 01:00:05,880
Speaker 2: blah blah blah, And so.

1233
01:00:07,160 --> 01:00:09,320
Speaker 1: He goes to close the book after she leaves.

1234
01:00:09,600 --> 01:00:13,600
Speaker 2: You know, because they stay fighting, and he realizes that

1235
01:00:14,240 --> 01:00:17,000
Speaker 2: Mantross recently checked out the book that he's using the

1236
01:00:17,080 --> 01:00:20,720
Speaker 2: research called The American Guide, and he cusses like shit,

1237
01:00:20,840 --> 01:00:25,480
Speaker 2: and the little boy goes sh he was pissed. I

1238
01:00:25,640 --> 01:00:26,560
Speaker 2: fuck with that little boy.

1239
01:00:26,680 --> 01:00:31,959
Speaker 1: I am just trying to read SuperM bbue number three.

1240
01:00:32,880 --> 01:00:35,280
Speaker 2: The fuck though, He's like, I'm trying to read this

1241
01:00:35,360 --> 01:00:38,800
Speaker 2: book that Disney's gonna make it to a rock movie,

1242
01:00:39,080 --> 01:00:42,400
Speaker 2: uh in a in a hundred years. Can y'all just leave?

1243
01:00:42,520 --> 01:00:43,760
Speaker 2: Can y'all just get the fuck out.

1244
01:00:43,880 --> 01:00:46,960
Speaker 1: I'm just trying to read the god damn great gas bitch, okay,

1245
01:00:47,000 --> 01:00:47,840
Speaker 1: and I got it with.

1246
01:00:47,800 --> 01:00:50,640
Speaker 2: Your bullshit, okay, right now, this nigga is just okay,

1247
01:00:50,680 --> 01:00:52,520
Speaker 2: he not even close to great because y'all won't let

1248
01:00:52,520 --> 01:00:56,480
Speaker 2: me fucking finish the book. So then he leaves and

1249
01:00:56,560 --> 01:00:59,400
Speaker 2: Tick ends up going to the bar to look for

1250
01:00:59,440 --> 01:01:03,360
Speaker 2: his daddy the water and hole where where Montross hangs

1251
01:01:03,360 --> 01:01:09,240
Speaker 2: out apparently, and Letty is already in there talking to

1252
01:01:09,320 --> 01:01:13,200
Speaker 2: Montross and before he can get over there, Tree which

1253
01:01:13,240 --> 01:01:16,480
Speaker 2: is the nigga that lied on his dick, which great

1254
01:01:16,560 --> 01:01:19,320
Speaker 2: casting that nigga look like he on his dick like

1255
01:01:19,400 --> 01:01:24,400
Speaker 2: in regular life. But he's there, and he's also the

1256
01:01:24,400 --> 01:01:26,840
Speaker 2: one who told him to go to the back and

1257
01:01:26,960 --> 01:01:31,280
Speaker 2: catch the saloon owner getting a blow drot from a man.

1258
01:01:31,360 --> 01:01:32,960
Speaker 1: Because he thought that shit was cute.

1259
01:01:33,120 --> 01:01:38,160
Speaker 2: So he's like day in the back, like looking at

1260
01:01:38,360 --> 01:01:41,200
Speaker 2: looking at Tick walk by with that same smirk on

1261
01:01:41,240 --> 01:01:45,960
Speaker 2: his face, and so they go in the back. Montrials

1262
01:01:45,960 --> 01:01:49,560
Speaker 2: basically tries to discourage ticking Letty like, look, y'all stupid,

1263
01:01:49,800 --> 01:01:52,320
Speaker 2: y'all motherfucker gonna get killed. Y'all don't know shit about

1264
01:01:52,320 --> 01:01:54,880
Speaker 2: these white people. So what Christina told you, which is

1265
01:01:54,880 --> 01:01:57,760
Speaker 2: why we need to just stop this whole thing is

1266
01:01:58,160 --> 01:02:02,520
Speaker 2: crazy and y'all stupid. He's like, and my man, I

1267
01:02:02,520 --> 01:02:04,240
Speaker 2: gotta give my man, Michael K.

1268
01:02:04,320 --> 01:02:06,840
Speaker 1: Williams all the dap okay because Michael K.

1269
01:02:06,960 --> 01:02:10,960
Speaker 2: Williams played a good ass hush nigga, my massive listening slave.

1270
01:02:11,160 --> 01:02:11,560
Speaker 1: Donnye.

1271
01:02:11,560 --> 01:02:15,000
Speaker 3: Though he had that good that good like stop this

1272
01:02:15,040 --> 01:02:16,920
Speaker 3: foolish now thrown from around here.

1273
01:02:17,000 --> 01:02:18,080
Speaker 1: You know he got that good boy.

1274
01:02:18,240 --> 01:02:20,400
Speaker 2: He interrupted, these white folks being white, no one of

1275
01:02:20,440 --> 01:02:22,800
Speaker 2: you too sweet on each other, foolish crazy, go well together.

1276
01:02:23,240 --> 01:02:25,760
Speaker 3: I'm like, he's so good at that ship. And then

1277
01:02:25,760 --> 01:02:27,760
Speaker 3: he was like, y'all have got one lodge gunning for

1278
01:02:27,880 --> 01:02:29,720
Speaker 3: you want the other thudy four? And they was like,

1279
01:02:29,720 --> 01:02:33,920
Speaker 3: how you knowing thirty four? How you know like you

1280
01:02:34,040 --> 01:02:34,760
Speaker 3: letting that slip?

1281
01:02:35,520 --> 01:02:35,600
Speaker 2: Ye?

1282
01:02:35,960 --> 01:02:38,320
Speaker 3: Did you learning that one slip player?

1283
01:02:38,400 --> 01:02:38,840
Speaker 1: Okay?

1284
01:02:40,040 --> 01:02:42,400
Speaker 2: And so he was like, you know, it's like when

1285
01:02:42,400 --> 01:02:46,640
Speaker 2: the pastor be giving a sermon in church and they

1286
01:02:46,680 --> 01:02:48,320
Speaker 2: fuck up and let you know that they fuck with

1287
01:02:48,400 --> 01:02:49,280
Speaker 2: secular music too.

1288
01:02:49,920 --> 01:02:51,240
Speaker 1: That's that's how he slipped up.

1289
01:02:51,280 --> 01:02:53,160
Speaker 2: It was real like he ain't mean too, but he

1290
01:02:53,200 --> 01:02:56,800
Speaker 2: got so passionate and he's like, you know, ain't God

1291
01:02:57,360 --> 01:03:05,120
Speaker 2: is the only one that can make you jump jump Okay,

1292
01:03:05,280 --> 01:03:08,760
Speaker 2: somebody say jump jump Chris Cross will making no.

1293
01:03:09,360 --> 01:03:10,280
Speaker 1: Jesus will make you.

1294
01:03:10,760 --> 01:03:13,520
Speaker 2: Okay, y'all, y'all see passing, See you driving down the

1295
01:03:13,520 --> 01:03:16,760
Speaker 2: street listening to that secular stuff when you should be

1296
01:03:16,840 --> 01:03:17,760
Speaker 2: listening to God.

1297
01:03:17,880 --> 01:03:21,800
Speaker 1: Okay, you make me wanna lead the one I'm went, No,

1298
01:03:21,920 --> 01:03:23,919
Speaker 1: the one I'm went is jump now.

1299
01:03:24,240 --> 01:03:26,600
Speaker 2: And the one I'm went it's gonna always be by

1300
01:03:26,600 --> 01:03:30,240
Speaker 2: my side, okay' The only that ursuer that's.

1301
01:03:30,080 --> 01:03:32,560
Speaker 3: Up in here is the one passing around these places.

1302
01:03:32,600 --> 01:03:35,040
Speaker 2: Now, go ahead and get that around there, little nigga, Like.

1303
01:03:37,720 --> 01:03:41,440
Speaker 3: He slipped so so fast. It's like the thirty four

1304
01:03:41,480 --> 01:03:41,840
Speaker 3: other house.

1305
01:03:41,840 --> 01:03:43,880
Speaker 2: I was saying, damn, it's thirty five of these cold

1306
01:03:43,880 --> 01:03:47,360
Speaker 2: little houses, this cold, deep deep in the scientology.

1307
01:03:47,360 --> 01:03:49,720
Speaker 3: Man, I'm telling you allegedly.

1308
01:03:50,920 --> 01:03:52,840
Speaker 1: Watch movies, don't find me.

1309
01:03:54,280 --> 01:03:55,120
Speaker 3: And so then.

1310
01:03:56,840 --> 01:03:58,280
Speaker 1: They're like, uh.

1311
01:03:58,360 --> 01:04:00,480
Speaker 2: He tells Tick basically get the fuck out of here,

1312
01:04:00,560 --> 01:04:02,960
Speaker 2: and he goes, well, fuck you did, dad, and leaves.

1313
01:04:03,240 --> 01:04:06,960
Speaker 2: But then Letty shames them into helping. But I was

1314
01:04:07,040 --> 01:04:08,560
Speaker 2: heard that shame never works.

1315
01:04:08,880 --> 01:04:10,760
Speaker 3: I heard that, dude, this is what I was.

1316
01:04:10,720 --> 01:04:11,080
Speaker 1: Heard, So.

1317
01:04:12,560 --> 01:04:13,919
Speaker 3: I heard shame never works.

1318
01:04:13,960 --> 01:04:17,600
Speaker 2: But she basically said, you know, you really know all

1319
01:04:17,640 --> 01:04:19,400
Speaker 2: this shit, and you're gonna let your son go out

1320
01:04:19,400 --> 01:04:22,120
Speaker 2: here chasing his tail and this dangerous ass white woman

1321
01:04:22,160 --> 01:04:25,160
Speaker 2: after him because you know you're not gonna stop. And

1322
01:04:25,240 --> 01:04:26,680
Speaker 2: now see where your son gets it.

1323
01:04:26,760 --> 01:04:28,720
Speaker 1: You're a real asshole. And I'm like, damn.

1324
01:04:28,800 --> 01:04:31,320
Speaker 2: She she shaded both of them at the same time,

1325
01:04:31,480 --> 01:04:32,280
Speaker 2: at the same time.

1326
01:04:32,680 --> 01:04:34,400
Speaker 1: And so then he's.

1327
01:04:34,200 --> 01:04:38,840
Speaker 3: Like, wait, you got family in Boston, and she was.

1328
01:04:38,840 --> 01:04:42,360
Speaker 1: Like uh, And it stopped because they going to Boston, y'all.

1329
01:04:43,480 --> 01:04:46,080
Speaker 3: And then we see that safe Negro travels.

1330
01:04:46,200 --> 01:04:48,600
Speaker 2: They ain't got no car, so guess where they had

1331
01:04:48,640 --> 01:04:51,880
Speaker 2: to go they had to go to Hippolta to get.

1332
01:04:51,680 --> 01:04:55,840
Speaker 1: The damn car, and they was like.

1333
01:04:55,800 --> 01:04:57,840
Speaker 2: They need an excuse. They like, we going to Boston

1334
01:04:57,880 --> 01:05:01,280
Speaker 2: and Woody, we need to use the car. And there's

1335
01:05:01,320 --> 01:05:05,480
Speaker 2: a tense back and forth, very comical between taking Letty

1336
01:05:06,240 --> 01:05:10,480
Speaker 2: packing the car. You know this this is it's very moonlighting,

1337
01:05:10,760 --> 01:05:14,120
Speaker 2: like all this argument back and forth, and then my

1338
01:05:14,280 --> 01:05:17,240
Speaker 2: trouts comes over and says, what is flasking hand?

1339
01:05:18,000 --> 01:05:19,120
Speaker 3: This is not my fault.

1340
01:05:20,480 --> 01:05:23,640
Speaker 2: And apparently D and hipho Rita are going on the

1341
01:05:23,640 --> 01:05:24,080
Speaker 2: trip too.

1342
01:05:24,520 --> 01:05:26,680
Speaker 1: Yeah, She's like the fuck no, last time y'all took

1343
01:05:26,680 --> 01:05:29,200
Speaker 1: this car, my husband's dead. I am going with y'all.

1344
01:05:29,240 --> 01:05:30,280
Speaker 1: Fuck y'all plans.

1345
01:05:30,520 --> 01:05:33,560
Speaker 2: Yeah, it's interesting because did you think her coming was

1346
01:05:33,640 --> 01:05:37,040
Speaker 2: like out of suspicion? Because her whole thing was her

1347
01:05:37,080 --> 01:05:40,000
Speaker 2: and D want to go to this museum and it's

1348
01:05:40,040 --> 01:05:45,920
Speaker 2: got these great astrology and stargazing scientific like displays. And

1349
01:05:45,960 --> 01:05:49,000
Speaker 2: I do genuinely believe that she is into that stuff,

1350
01:05:49,000 --> 01:05:53,360
Speaker 2: and so is D. So I couldn't tell, to be honest,

1351
01:05:53,400 --> 01:05:55,760
Speaker 2: if she was going out of like I know, y'all

1352
01:05:55,840 --> 01:05:57,680
Speaker 2: niggas up to something, or she was going out of

1353
01:05:57,720 --> 01:06:01,200
Speaker 2: some like what y'all said, this is y'all cover story,

1354
01:06:01,560 --> 01:06:04,320
Speaker 2: y'all going to this museum. Well, guess the fuck what

1355
01:06:04,840 --> 01:06:06,560
Speaker 2: I'm going to the museum or whatever? You know.

1356
01:06:06,720 --> 01:06:08,560
Speaker 1: I think it's a combination of both. I think she

1357
01:06:08,680 --> 01:06:10,800
Speaker 1: was interested, but I also do think she was like,

1358
01:06:11,160 --> 01:06:15,200
Speaker 1: y'all not gonna take this vehicle without me. We we

1359
01:06:15,240 --> 01:06:17,960
Speaker 1: are gonna go because y'all have literally boxed me out.

1360
01:06:18,000 --> 01:06:19,640
Speaker 1: You won't tell me the truth, you keep me in

1361
01:06:19,640 --> 01:06:22,600
Speaker 1: the dark. We're going to find out what's happening.

1362
01:06:22,680 --> 01:06:24,560
Speaker 2: And she know they're up to something because of that

1363
01:06:24,760 --> 01:06:28,280
Speaker 2: last episode when she was questioning, now, my my thing

1364
01:06:28,360 --> 01:06:30,040
Speaker 2: was Letty and them they ain't going the shop.

1365
01:06:29,800 --> 01:06:32,720
Speaker 3: And see the orry because I feel like Leeddy would

1366
01:06:32,720 --> 01:06:33,120
Speaker 3: have been like.

1367
01:06:33,760 --> 01:06:36,600
Speaker 1: This from must went in. They didn't.

1368
01:06:37,160 --> 01:06:42,360
Speaker 2: Uh So, then apparently d and and Hippolyta are coming

1369
01:06:44,040 --> 01:06:47,400
Speaker 2: and they're going to the museum. And as soon as

1370
01:06:47,440 --> 01:06:51,320
Speaker 2: they get ready to pull off, motherfucking Tree comes out

1371
01:06:51,360 --> 01:06:55,440
Speaker 2: of nowhere and he's like, I need to go to Philly,

1372
01:06:56,360 --> 01:06:58,400
Speaker 2: but if y'all give me a ride to Boston, I

1373
01:06:58,400 --> 01:07:03,800
Speaker 2: could save my you know, save some bus fare on

1374
01:07:03,840 --> 01:07:05,840
Speaker 2: the ticket and just end up going from Boston to

1375
01:07:05,840 --> 01:07:09,920
Speaker 2: Philly on the bus and they let him go. Hippolyta

1376
01:07:10,080 --> 01:07:12,480
Speaker 2: says he can go tickets like fuck this, Nigga, No,

1377
01:07:12,920 --> 01:07:15,880
Speaker 2: And Hippo Lota is like, you know, George always said

1378
01:07:15,920 --> 01:07:18,320
Speaker 2: we can fit the whole South side of Chicago in,

1379
01:07:18,400 --> 01:07:18,760
Speaker 2: would it?

1380
01:07:19,120 --> 01:07:19,360
Speaker 3: Yeah?

1381
01:07:19,400 --> 01:07:21,240
Speaker 1: I mean I don't know. I kind of think does

1382
01:07:21,280 --> 01:07:25,520
Speaker 1: she plan that? Does she had that nigga come along

1383
01:07:26,000 --> 01:07:28,480
Speaker 1: just to have an extra person in there?

1384
01:07:29,120 --> 01:07:29,640
Speaker 3: I don't think.

1385
01:07:29,720 --> 01:07:32,600
Speaker 2: I don't know why she would though that's true, nothing

1386
01:07:32,640 --> 01:07:34,880
Speaker 2: about Tree and Hippolyta seen to go together at all.

1387
01:07:34,920 --> 01:07:36,800
Speaker 3: I think that Nigga is a bum ass nigga that.

1388
01:07:36,800 --> 01:07:40,520
Speaker 1: Want to ride because and seeing him pulling out, Yeah,

1389
01:07:40,760 --> 01:07:42,640
Speaker 1: like I don't like that nigga.

1390
01:07:43,200 --> 01:07:47,520
Speaker 2: Anyway, they end up going to they arrive at the

1391
01:07:47,640 --> 01:07:50,760
Speaker 2: museum in Boston. Did Hippolyta go off to look at

1392
01:07:50,760 --> 01:07:53,120
Speaker 2: the Light of the Universe exhibit and agree to meet

1393
01:07:53,200 --> 01:07:54,840
Speaker 2: up at the lobby in two hours?

1394
01:07:55,080 --> 01:07:56,040
Speaker 3: That was one of the reason I.

1395
01:07:56,040 --> 01:07:58,920
Speaker 2: Wasn't sure why she went, Like, I wasn't sure that

1396
01:07:58,960 --> 01:08:01,960
Speaker 2: she was going to keep an eye on them, because

1397
01:08:01,960 --> 01:08:04,680
Speaker 2: I thought, well, in this case, this is when you

1398
01:08:04,720 --> 01:08:06,840
Speaker 2: don't leave them alone because you know whatever's going on

1399
01:08:07,000 --> 01:08:09,880
Speaker 2: is gonna happen in this museum, and she was like, Nope,

1400
01:08:09,880 --> 01:08:11,880
Speaker 2: me and Hippolyta going out to look at this exhibit.

1401
01:08:12,040 --> 01:08:15,280
Speaker 3: So like, I don't know, I don't know. Yeah, I

1402
01:08:15,280 --> 01:08:15,560
Speaker 3: don't know.

1403
01:08:15,600 --> 01:08:17,160
Speaker 1: How suspicious or not suspicious.

1404
01:08:17,200 --> 01:08:21,040
Speaker 2: She really is, not that she won't become more suspicious,

1405
01:08:21,080 --> 01:08:24,280
Speaker 2: but it just made me feel like she's not really

1406
01:08:24,600 --> 01:08:27,519
Speaker 2: like they're not really on her shit list yet they're

1407
01:08:27,560 --> 01:08:30,880
Speaker 2: just kind of on some like I think y'all might

1408
01:08:30,920 --> 01:08:33,040
Speaker 2: be hiding more than you're saying, but I still loved

1409
01:08:33,080 --> 01:08:37,759
Speaker 2: y'all and trust y'all to an extent. Yeah, at least

1410
01:08:38,200 --> 01:08:40,600
Speaker 2: later in the episode something else happens, but at this

1411
01:08:40,680 --> 01:08:44,000
Speaker 2: point it didn't. It felt more like she still does

1412
01:08:44,040 --> 01:08:47,120
Speaker 2: fuck with them. Because I thought she was gonna be

1413
01:08:47,120 --> 01:08:48,760
Speaker 2: on something. Y'all ain't leaving my site, and that was

1414
01:08:48,800 --> 01:08:51,080
Speaker 2: gonna be how she got in on the mystery. But

1415
01:08:51,160 --> 01:08:53,040
Speaker 2: she really went off to go do museum shit. She

1416
01:08:53,120 --> 01:08:54,480
Speaker 2: was like, oh, I love the stars.

1417
01:08:54,800 --> 01:08:56,519
Speaker 1: Yeah, she was like, I might not trust y'all, but

1418
01:08:56,840 --> 01:08:59,280
Speaker 1: I actually really did come like we're not spending all

1419
01:08:59,360 --> 01:09:03,800
Speaker 1: this money for enough. So uh she goes uh there.

1420
01:09:03,960 --> 01:09:06,320
Speaker 2: Montross goes off to meet up with a security dude

1421
01:09:06,439 --> 01:09:09,840
Speaker 2: that he knows. Uh, Ticking Letty discuss possible locations of

1422
01:09:09,920 --> 01:09:12,400
Speaker 2: the vault, and then Tree comes his fucking third wheel

1423
01:09:12,520 --> 01:09:17,080
Speaker 2: ass long like, hey, we're gonna see some dinosaurs. And

1424
01:09:17,080 --> 01:09:20,479
Speaker 2: they're like, no that, we're not here for that. And

1425
01:09:20,520 --> 01:09:23,479
Speaker 2: he's like, or like, go do that ship yourself, and

1426
01:09:23,479 --> 01:09:26,200
Speaker 2: he was like, all names got be here for three offics.

1427
01:09:26,439 --> 01:09:28,280
Speaker 3: We're gonna see some dinosaurs.

1428
01:09:27,960 --> 01:09:33,639
Speaker 2: Like this nigga, And then Tick walks off and let

1429
01:09:33,680 --> 01:09:35,960
Speaker 2: because him and Letty are still kind of beefing, and

1430
01:09:36,000 --> 01:09:38,320
Speaker 2: so now it's Tree and Letty by themselves and he's like,

1431
01:09:38,720 --> 01:09:39,120
Speaker 2: you know what.

1432
01:09:39,080 --> 01:09:43,439
Speaker 3: They call me Tree, don't you? And she was like no,

1433
01:09:43,640 --> 01:09:44,160
Speaker 3: why is that?

1434
01:09:44,320 --> 01:09:48,160
Speaker 2: And he's like, cause most men got two legs, I

1435
01:09:48,200 --> 01:09:48,880
Speaker 2: got a tree.

1436
01:09:50,280 --> 01:09:56,400
Speaker 1: I was terrible ass. Yeah, it was pretty Uh, I

1437
01:09:56,439 --> 01:09:58,639
Speaker 1: wanted to go boom boom.

1438
01:09:59,400 --> 01:10:03,800
Speaker 2: Yeah, it's pretty pathetic. Definitely a cat daddy line.

1439
01:10:04,280 --> 01:10:07,320
Speaker 1: Yes, you know, the sentence was too early. All he

1440
01:10:07,439 --> 01:10:08,720
Speaker 1: needed was the bluetooth in his deal.

1441
01:10:09,120 --> 01:10:12,439
Speaker 2: Yeah, the white get out of the white man was

1442
01:10:12,479 --> 01:10:17,320
Speaker 2: ready to motherfucking make somebody a kept woman. Black man

1443
01:10:17,400 --> 01:10:18,879
Speaker 2: just talking met I got a big dick.

1444
01:10:19,840 --> 01:10:21,639
Speaker 1: Come on. It was pretty disgusting.

1445
01:10:24,400 --> 01:10:27,559
Speaker 2: Uh, but you know he but he seemed like the

1446
01:10:27,640 --> 01:10:30,519
Speaker 2: type as well to be that type of dude, you

1447
01:10:30,560 --> 01:10:36,280
Speaker 2: know what I mean, Like as soon as they got along, yes,

1448
01:10:39,600 --> 01:10:44,519
Speaker 2: just creepy as hell.

1449
01:10:46,560 --> 01:10:49,720
Speaker 3: You get around that one.

1450
01:10:48,760 --> 01:10:50,800
Speaker 1: Looks so uh.

1451
01:10:50,880 --> 01:10:56,120
Speaker 2: She was like, uh, Seymour completely disarmed the whole tree ship.

1452
01:10:57,160 --> 01:10:59,040
Speaker 2: She hit that nigga with that Seymour because it's no

1453
01:10:59,120 --> 01:11:00,479
Speaker 2: cool people name Seymour.

1454
01:11:01,439 --> 01:11:04,240
Speaker 1: Okay, like, and I know Seymour.

1455
01:11:03,960 --> 01:11:07,639
Speaker 2: From from my show Little Shopping Cars, but let's be real,

1456
01:11:07,760 --> 01:11:11,920
Speaker 2: Seymour wasn't cool, Okay for a fucking abusive ass. Dennis

1457
01:11:11,920 --> 01:11:14,439
Speaker 2: was cool, and the Seymour, Seymour is a loser name.

1458
01:11:15,280 --> 01:11:18,680
Speaker 2: So yeah, she was like, well, Seymour, is that why

1459
01:11:18,760 --> 01:11:22,639
Speaker 2: you told people that, uh we fucked in high school?

1460
01:11:23,400 --> 01:11:28,880
Speaker 2: And he like, oh oh somebody said so he immediately

1461
01:11:28,880 --> 01:11:33,479
Speaker 2: knows that tick told that he be lying on this dick. Uh.

1462
01:11:33,640 --> 01:11:36,680
Speaker 2: Did Hippolyta go off to that exhibit and they look

1463
01:11:36,720 --> 01:11:39,000
Speaker 2: in the stars and there's a there's a comment named

1464
01:11:39,040 --> 01:11:45,320
Speaker 2: Harris Chariot that apparently Hippolyta named it, but she didn't

1465
01:11:45,320 --> 01:11:48,240
Speaker 2: get credit because she's a black girl, and they gave

1466
01:11:48,280 --> 01:11:52,760
Speaker 2: it to the like daughter of an astronaut in Sweden

1467
01:11:53,040 --> 01:11:58,080
Speaker 2: named Lucy Studebaker, like a like a contest yeah, named

1468
01:11:58,120 --> 01:12:00,640
Speaker 2: Nancy Studebaker. So she got the credit it because a

1469
01:12:00,680 --> 01:12:03,640
Speaker 2: black girl couldn't get it. And D was like, you

1470
01:12:03,640 --> 01:12:07,000
Speaker 2: should have fought that, mama, And I'm like, look at

1471
01:12:07,000 --> 01:12:11,600
Speaker 2: the generational you know, like the difference in our generations,

1472
01:12:11,680 --> 01:12:14,280
Speaker 2: you know, even back then, like you know, the children,

1473
01:12:14,400 --> 01:12:18,160
Speaker 2: all the ones that go, we can change this, you know,

1474
01:12:18,360 --> 01:12:19,680
Speaker 2: and they are the ones that change it.

1475
01:12:20,640 --> 01:12:22,760
Speaker 1: But she's like, well, we both know the truth and

1476
01:12:22,760 --> 01:12:25,720
Speaker 1: that's enough. And D was like mm hmm, and she

1477
01:12:25,840 --> 01:12:27,639
Speaker 1: yelled out, my mama named that.

1478
01:12:27,640 --> 01:12:31,800
Speaker 2: That's Harri's that's Harr's cherriot. My mama named it And

1479
01:12:31,920 --> 01:12:33,479
Speaker 2: She's like, and now they know the truth too.

1480
01:12:34,240 --> 01:12:36,960
Speaker 1: And I was like, just gonna bring it to it

1481
01:12:37,000 --> 01:12:38,679
Speaker 1: in my eye, the truth too.

1482
01:12:39,080 --> 01:12:41,880
Speaker 3: Message the museum God says.

1483
01:12:42,280 --> 01:12:45,320
Speaker 2: A white woman says that Titus Braith White, who got

1484
01:12:45,320 --> 01:12:49,400
Speaker 2: all these artifacts in the museum, apparently got all those

1485
01:12:49,479 --> 01:12:53,080
Speaker 2: artifacts in exchange for teaching the savage tribes, you know,

1486
01:12:53,200 --> 01:12:58,639
Speaker 2: civilizing them, and shit, y'all if you think that happened,

1487
01:12:59,560 --> 01:13:03,080
Speaker 2: come on, come on, y'all, you know this nigga went

1488
01:13:03,160 --> 01:13:06,080
Speaker 2: and killed and scammed and stole that shit.

1489
01:13:06,280 --> 01:13:08,839
Speaker 1: Right, Some people that had their own culture minding their business.

1490
01:13:09,080 --> 01:13:11,120
Speaker 2: It makes me go back to I think episode one

1491
01:13:11,200 --> 01:13:14,120
Speaker 2: or two two, Episode two where they talked about Tyjus

1492
01:13:14,120 --> 01:13:16,400
Speaker 2: Braith White and how kind he was to a slaves.

1493
01:13:17,000 --> 01:13:21,080
Speaker 2: White people love a kind lie, don't they to protect

1494
01:13:21,080 --> 01:13:21,880
Speaker 2: the brutal truth?

1495
01:13:21,960 --> 01:13:26,040
Speaker 1: They love a happy slave, don't they? They love slave?

1496
01:13:26,200 --> 01:13:28,679
Speaker 1: How you happy? You have no freedoms of no rights.

1497
01:13:28,760 --> 01:13:34,360
Speaker 2: He liberated the artifacts from the indigenous peoples. Okay, they

1498
01:13:34,439 --> 01:13:38,679
Speaker 2: wasn't doing nothing but keeping them and you know, using them.

1499
01:13:38,600 --> 01:13:42,240
Speaker 3: For sacred traditions. So he had to, you know, he

1500
01:13:42,320 --> 01:13:43,360
Speaker 3: had to go freedom.

1501
01:13:43,120 --> 01:13:46,519
Speaker 2: Artifacts from him, cut off a few hands and shit,

1502
01:13:46,760 --> 01:13:50,960
Speaker 2: you know, as one does when making friends. Tree gets

1503
01:13:50,960 --> 01:13:53,160
Speaker 2: mad at tick causim a hater for letting let him

1504
01:13:53,160 --> 01:13:56,160
Speaker 2: know he lied about fucking her, and then he based.

1505
01:13:55,920 --> 01:13:57,720
Speaker 3: Like, I know what it's about.

1506
01:13:58,320 --> 01:14:01,920
Speaker 1: You mad because I told you to go out back.

1507
01:14:02,080 --> 01:14:07,360
Speaker 2: When dude was getting his dick suck and tikets like

1508
01:14:07,439 --> 01:14:09,679
Speaker 2: preoccupied because he's trying to figure out where the fuck

1509
01:14:09,720 --> 01:14:10,560
Speaker 2: the location.

1510
01:14:10,760 --> 01:14:11,880
Speaker 1: That's that man business.

1511
01:14:12,000 --> 01:14:13,920
Speaker 2: Well, he's also trying to figure out what the door

1512
01:14:14,120 --> 01:14:16,960
Speaker 2: is for the vault in the thing, and he thinks

1513
01:14:16,960 --> 01:14:19,760
Speaker 2: he found it, and so he's looking at the displays

1514
01:14:19,800 --> 01:14:22,000
Speaker 2: and figuring it out. He's like, what's the door? And

1515
01:14:22,040 --> 01:14:26,080
Speaker 2: then he goes uh. Tree is like, uh you mad

1516
01:14:26,120 --> 01:14:29,080
Speaker 2: about that? And he's like, nah, they don't concern me.

1517
01:14:29,800 --> 01:14:32,439
Speaker 2: And then Trees like, or does it?

1518
01:14:33,840 --> 01:14:36,519
Speaker 3: And he's like, no, nigga, ain't gay. I think the

1519
01:14:36,560 --> 01:14:36,960
Speaker 3: term he.

1520
01:14:36,960 --> 01:14:39,320
Speaker 1: Used a sissy, which obviously nineteen twenty you.

1521
01:14:39,280 --> 01:14:42,360
Speaker 3: Know, but he's like nah.

1522
01:14:42,479 --> 01:14:47,160
Speaker 2: And he's like, well, you know your daddy then got

1523
01:14:47,200 --> 01:14:51,960
Speaker 2: real close with the owner, so maybe it is your business.

1524
01:14:53,360 --> 01:14:56,599
Speaker 3: You ain't heard from me, asked nigga. God, I hate him.

1525
01:14:57,000 --> 01:15:00,439
Speaker 1: He starts messing so basically trying to apply that Montross

1526
01:15:00,520 --> 01:15:00,840
Speaker 1: is gay.

1527
01:15:01,479 --> 01:15:04,800
Speaker 2: And Montross comes over at this time and he's just

1528
01:15:05,200 --> 01:15:08,360
Speaker 2: went away and came back with this security guard, which

1529
01:15:08,479 --> 01:15:09,639
Speaker 2: now Tick is looking.

1530
01:15:09,400 --> 01:15:10,320
Speaker 1: At like hmm.

1531
01:15:10,439 --> 01:15:11,960
Speaker 3: Did he like are they gay?

1532
01:15:12,080 --> 01:15:15,160
Speaker 2: Did they go off and do some sexual favorite type

1533
01:15:15,200 --> 01:15:19,320
Speaker 2: shit like what's happening with my daddy? And he even

1534
01:15:19,360 --> 01:15:21,040
Speaker 2: asked him, how do you know that guy? He's like,

1535
01:15:21,040 --> 01:15:23,880
Speaker 2: he's just a friend from the bar. And he's like, oh,

1536
01:15:23,960 --> 01:15:26,320
Speaker 2: he gonna leave it the place and guarded tonight. You

1537
01:15:26,360 --> 01:15:28,360
Speaker 2: gonna let us sit it through the back door. And

1538
01:15:28,960 --> 01:15:30,600
Speaker 2: we only got two hours to the next shift, So

1539
01:15:30,640 --> 01:15:32,960
Speaker 2: we need to figure out what the door is, and

1540
01:15:33,680 --> 01:15:34,559
Speaker 2: Ticks like, I think.

1541
01:15:34,400 --> 01:15:35,480
Speaker 1: I figured it out.

1542
01:15:35,600 --> 01:15:40,760
Speaker 2: And so later they come back Letty Montross and Tick,

1543
01:15:41,040 --> 01:15:43,280
Speaker 2: no d no Hippolyta, and no tree.

1544
01:15:44,320 --> 01:15:47,519
Speaker 3: They sneak in with flashlights into the museum and.

1545
01:15:49,920 --> 01:15:53,120
Speaker 1: They get it to shine hold on.

1546
01:15:53,200 --> 01:15:54,760
Speaker 2: Actually, before we get to this, I just want to

1547
01:15:54,760 --> 01:16:01,400
Speaker 2: say I find it interested if Montross is gay. It

1548
01:16:01,560 --> 01:16:05,880
Speaker 2: puts a completely different spin on everything we've learned about

1549
01:16:05,920 --> 01:16:09,760
Speaker 2: Tick and his heritage. Because we know that George is

1550
01:16:10,000 --> 01:16:14,680
Speaker 2: possibly his real father. So what if he had this

1551
01:16:14,800 --> 01:16:18,639
Speaker 2: child with this woman somehow out of wed lot whatever,

1552
01:16:19,400 --> 01:16:22,720
Speaker 2: and George is like, the responsible right thing to do

1553
01:16:22,840 --> 01:16:25,080
Speaker 2: is to have someone look after this child and after

1554
01:16:25,120 --> 01:16:27,880
Speaker 2: this woman, and he asked Montross to do it.

1555
01:16:28,400 --> 01:16:29,800
Speaker 3: And Montross, who.

1556
01:16:30,000 --> 01:16:34,000
Speaker 2: Is you know, this gay man having a you know,

1557
01:16:34,200 --> 01:16:37,080
Speaker 2: obviously live a secret life at that period of time,

1558
01:16:38,000 --> 01:16:40,720
Speaker 2: you know, and a man who's experienced physical abuse as

1559
01:16:40,760 --> 01:16:42,840
Speaker 2: a child and all this shit, and he takes it

1560
01:16:42,880 --> 01:16:44,880
Speaker 2: out on his son and all that stuff.

1561
01:16:44,920 --> 01:16:46,920
Speaker 1: I wonder if that could be some of it. I

1562
01:16:46,960 --> 01:16:49,479
Speaker 1: don't know. George might be angry. Did he feel like

1563
01:16:49,520 --> 01:16:51,360
Speaker 1: he was forced into something? Yeah?

1564
01:16:51,439 --> 01:16:51,880
Speaker 3: Not just that.

1565
01:16:52,000 --> 01:16:55,600
Speaker 2: But that's part of Ticks like origin story is you

1566
01:16:55,640 --> 01:16:58,519
Speaker 2: know his father, like his father is not his father,

1567
01:16:58,680 --> 01:17:00,160
Speaker 2: and then it's like out of a sense of due

1568
01:17:00,200 --> 01:17:03,640
Speaker 2: to your obligation that he raised Tick, you know.

1569
01:17:03,960 --> 01:17:08,960
Speaker 1: And I still do think that there's some some form

1570
01:17:08,960 --> 01:17:11,880
Speaker 1: of caring, you know, you know, because like I do care,

1571
01:17:12,040 --> 01:17:14,760
Speaker 1: but I'm also hurt and broken and going through my

1572
01:17:14,800 --> 01:17:16,040
Speaker 1: own shit too. Yeah.

1573
01:17:16,080 --> 01:17:19,200
Speaker 2: It's just m something about that because it puts montross

1574
01:17:19,200 --> 01:17:21,479
Speaker 2: in less. Not that it's ever okay to hit your

1575
01:17:21,560 --> 01:17:22,920
Speaker 2: kid and all this shit, but I mean it was

1576
01:17:22,960 --> 01:17:24,040
Speaker 2: nineteen twenty.

1577
01:17:23,840 --> 01:17:26,320
Speaker 3: But anyway, it puts Montrossen.

1578
01:17:26,320 --> 01:17:29,479
Speaker 2: It's more sympathetic, like I think than the one even

1579
01:17:29,479 --> 01:17:33,720
Speaker 2: with just the abuse staging. But like, what if you

1580
01:17:33,840 --> 01:17:36,200
Speaker 2: put him in that light of he did this out

1581
01:17:36,200 --> 01:17:38,639
Speaker 2: of some obligation to take care of essentially his nephew.

1582
01:17:40,360 --> 01:17:42,080
Speaker 1: So that's what I'm saying. It's still some form of

1583
01:17:42,080 --> 01:17:43,080
Speaker 1: because it's still family.

1584
01:17:43,320 --> 01:17:45,240
Speaker 3: Yeah, it wouldn't be interesting anyway.

1585
01:17:45,400 --> 01:17:47,360
Speaker 2: I have no like I said, didn't read the book,

1586
01:17:47,400 --> 01:17:49,920
Speaker 2: don't listen to shows, but it just made me think

1587
01:17:49,960 --> 01:17:51,840
Speaker 2: about that if they were heading towards that. All right,

1588
01:17:51,960 --> 01:17:54,880
Speaker 2: So back to this story, h the sneaking to the.

1589
01:17:54,920 --> 01:17:55,599
Speaker 3: Museum at night.

1590
01:17:55,640 --> 01:17:58,920
Speaker 2: They do some tricks, some all motherfucking like tune Raiterer

1591
01:17:59,439 --> 01:18:01,680
Speaker 2: fucking right, there is a lost arc shit with the

1592
01:18:01,680 --> 01:18:03,920
Speaker 2: moonlight to figure out the spot to open up the

1593
01:18:03,960 --> 01:18:05,040
Speaker 2: door that opened up.

1594
01:18:05,040 --> 01:18:05,960
Speaker 3: The door opens up.

1595
01:18:05,840 --> 01:18:11,439
Speaker 2: A motherfucking h underground cavern where they got a rope

1596
01:18:11,479 --> 01:18:15,320
Speaker 2: down into and climb down this rope and Tick gets

1597
01:18:15,360 --> 01:18:17,160
Speaker 2: down there, and just in case you didn't read the

1598
01:18:17,200 --> 01:18:19,479
Speaker 2: book earlier, goes, this is some journey to the center

1599
01:18:19,479 --> 01:18:22,439
Speaker 2: of the Earth type shit, which I don't think niggas

1600
01:18:22,439 --> 01:18:24,479
Speaker 2: talk like this in nineteen twenty, but I'll accept it.

1601
01:18:24,600 --> 01:18:24,960
Speaker 1: We do.

1602
01:18:25,160 --> 01:18:27,280
Speaker 3: We're doing cool hard ship with black people.

1603
01:18:27,800 --> 01:18:31,799
Speaker 1: It's fine, right, And so.

1604
01:18:33,600 --> 01:18:38,160
Speaker 2: They end up, you know, shimmying down like he Shimmy's

1605
01:18:38,160 --> 01:18:41,280
Speaker 2: down the rope. First, there's three different paths they gotta

1606
01:18:41,320 --> 01:18:43,320
Speaker 2: do this whole thing, like, which path do we take?

1607
01:18:44,120 --> 01:18:44,280
Speaker 1: Uh?

1608
01:18:44,360 --> 01:18:47,840
Speaker 2: He realizes they need the map from upstairs. Letty breaks

1609
01:18:47,880 --> 01:18:50,720
Speaker 2: the fucking display and rips the map off and then

1610
01:18:50,880 --> 01:18:54,160
Speaker 2: runs like just Shimmy's down the rope the whole time

1611
01:18:54,200 --> 01:18:56,519
Speaker 2: with be like wait, Mantross being like, but we said

1612
01:18:56,560 --> 01:18:59,599
Speaker 2: we wouldn't break nothing like Letty is just like fuck

1613
01:18:59,680 --> 01:19:04,519
Speaker 2: y'all possible white man basically come on, and so.

1614
01:19:05,280 --> 01:19:07,000
Speaker 1: That's what I ain't nobody else gonna do what I'll

1615
01:19:07,000 --> 01:19:07,240
Speaker 1: do it.

1616
01:19:07,560 --> 01:19:10,400
Speaker 3: Yeah, Letty's hold steeze is impossible white man.

1617
01:19:10,479 --> 01:19:13,040
Speaker 2: Like, she's always out in front, always running headlong in

1618
01:19:13,080 --> 01:19:18,800
Speaker 2: the danger all this shit. So my favorite part about

1619
01:19:18,800 --> 01:19:21,200
Speaker 2: this is coming down the rope. Montross climbed down that

1620
01:19:21,280 --> 01:19:22,960
Speaker 2: rope in the oldest, blackest way.

1621
01:19:23,040 --> 01:19:25,160
Speaker 1: He climbed out a rope like my black ass I've

1622
01:19:25,200 --> 01:19:25,759
Speaker 1: ever seen.

1623
01:19:25,800 --> 01:19:28,920
Speaker 2: He was cooning so good, just like the rest of

1624
01:19:28,960 --> 01:19:32,599
Speaker 2: this episode is basically them cooning, and they coon so good.

1625
01:19:32,720 --> 01:19:35,799
Speaker 3: But Michael K. Williams stole the show with his cooning.

1626
01:19:36,280 --> 01:19:38,120
Speaker 3: Like he came down there, he was like, oh goddamn,

1627
01:19:38,160 --> 01:19:40,320
Speaker 3: oh my angles my back.

1628
01:19:40,560 --> 01:19:42,559
Speaker 1: And hit that ground. I was like, yep, that sounded

1629
01:19:42,600 --> 01:19:43,679
Speaker 1: like me, right.

1630
01:19:43,880 --> 01:19:49,200
Speaker 2: So he uh he Shimmy's down the rope or whatever

1631
01:19:49,800 --> 01:19:53,559
Speaker 2: falls down all this shit. They figure out they need

1632
01:19:53,600 --> 01:19:56,800
Speaker 2: to take the North Tunnel because uh, you know he

1633
01:19:56,960 --> 01:19:59,200
Speaker 2: Montross was like, it's the West Tunnel that he went

1634
01:19:59,240 --> 01:20:01,880
Speaker 2: to get Guyana and he found all this shit. And

1635
01:20:01,960 --> 01:20:06,080
Speaker 2: Letty's like, but according to the museum, god, I didn't

1636
01:20:06,120 --> 01:20:08,120
Speaker 2: read all them books, but the god says they did

1637
01:20:08,160 --> 01:20:10,880
Speaker 2: renovations at eighteen oh three, and he's like, oh, that

1638
01:20:11,040 --> 01:20:15,240
Speaker 2: he founded the order at them three years after that,

1639
01:20:15,320 --> 01:20:16,160
Speaker 2: so maybe you're right.

1640
01:20:16,560 --> 01:20:18,920
Speaker 3: And so they end up taking the tunnel, you.

1641
01:20:18,800 --> 01:20:22,160
Speaker 2: Know, showing that he has read some shit m hm,

1642
01:20:22,439 --> 01:20:25,240
Speaker 2: showing that he read some shit, and also showing that

1643
01:20:25,439 --> 01:20:29,240
Speaker 2: Letty is useful even though she ain't read all that shit.

1644
01:20:30,160 --> 01:20:32,760
Speaker 2: So then they walk down the North Tunnel. Tick takes

1645
01:20:32,760 --> 01:20:35,080
Speaker 2: a lamp and follows them. Twenty minutes down the pathway.

1646
01:20:35,120 --> 01:20:37,400
Speaker 2: At the tunnel, they reach a long gas chasm that

1647
01:20:37,520 --> 01:20:39,160
Speaker 2: only has a plank to walk across.

1648
01:20:39,760 --> 01:20:42,880
Speaker 3: And I mean when I say plank, it's a plank,

1649
01:20:43,240 --> 01:20:44,479
Speaker 3: but it's really.

1650
01:20:44,360 --> 01:20:45,120
Speaker 1: A balance being.

1651
01:20:45,720 --> 01:20:50,080
Speaker 2: Yes, this shit is like over one hundred yards over

1652
01:20:50,160 --> 01:20:54,120
Speaker 2: a chasm that is pitch black. At some point it's

1653
01:20:54,120 --> 01:20:56,240
Speaker 2: so dark in there you can't see the rest of

1654
01:20:56,280 --> 01:20:56,639
Speaker 2: the planet.

1655
01:20:57,479 --> 01:21:00,559
Speaker 1: So they need to walk across this thing. They tie

1656
01:21:00,640 --> 01:21:01,120
Speaker 1: some knots.

1657
01:21:01,200 --> 01:21:06,000
Speaker 2: We get a we get another black message moment because

1658
01:21:06,000 --> 01:21:09,599
Speaker 2: they started tying them super slave knots, and she's like, well,

1659
01:21:09,640 --> 01:21:10,599
Speaker 2: you learn how not like.

1660
01:21:10,520 --> 01:21:11,280
Speaker 3: This the military.

1661
01:21:11,720 --> 01:21:14,040
Speaker 2: It's like no, And then Marchar's like learning from me.

1662
01:21:14,800 --> 01:21:18,840
Speaker 2: We won our ancestors was living on the farm. He

1663
01:21:18,880 --> 01:21:21,320
Speaker 2: had towed the horses together, all the animals, and if

1664
01:21:21,320 --> 01:21:24,200
Speaker 2: one animal ever got away, he get beat well. He

1665
01:21:24,240 --> 01:21:27,599
Speaker 2: walked off that plantation on June teenh not a mark

1666
01:21:27,640 --> 01:21:30,599
Speaker 2: on them. None of the animals ever got away. And

1667
01:21:30,640 --> 01:21:33,519
Speaker 2: that's just not we tying on you right now, super

1668
01:21:33,520 --> 01:21:34,080
Speaker 2: slave knot.

1669
01:21:36,120 --> 01:21:39,040
Speaker 1: So he ain't gonna find out he was not talking

1670
01:21:39,080 --> 01:21:41,920
Speaker 1: the truth. He was like, what you talking about? Inter

1671
01:21:42,080 --> 01:21:46,960
Speaker 1: generational knots? Yeah, Dick was like, uh, what's she talking about?

1672
01:21:46,040 --> 01:21:47,880
Speaker 1: He got out there, didn't it.

1673
01:21:49,080 --> 01:21:51,960
Speaker 2: They run, so then they run into like halfway through

1674
01:21:51,960 --> 01:21:54,080
Speaker 2: the things, she stops, even though she got the row

1675
01:21:54,120 --> 01:21:55,400
Speaker 2: because she's like, y'all gonna be able to pull me

1676
01:21:55,479 --> 01:21:58,439
Speaker 2: up or whatever. She stops and they're like, hold on

1677
01:21:58,439 --> 01:22:02,719
Speaker 2: them coming and shit, and apparently there's some tune Raider

1678
01:22:02,760 --> 01:22:03,599
Speaker 2: type shit happening.

1679
01:22:04,120 --> 01:22:04,479
Speaker 1: Whatever.

1680
01:22:04,560 --> 01:22:08,280
Speaker 2: Motherfucking swinging blades from the ceiling on the path of

1681
01:22:08,360 --> 01:22:10,840
Speaker 2: this fucking balance beam to where you have to like

1682
01:22:11,120 --> 01:22:12,400
Speaker 2: jump ahead a couple of.

1683
01:22:12,400 --> 01:22:14,280
Speaker 3: Feet to make sure you don't die.

1684
01:22:15,360 --> 01:22:18,519
Speaker 2: So she does that, and then the second because after

1685
01:22:18,600 --> 01:22:20,640
Speaker 2: untied the knots and all this shit, the second she

1686
01:22:20,760 --> 01:22:23,960
Speaker 2: does that, the motherfucking plank starts disappearing from the other

1687
01:22:24,000 --> 01:22:25,280
Speaker 2: side on some magic shit.

1688
01:22:27,400 --> 01:22:31,519
Speaker 1: So then man Trials has to jump like hey, like

1689
01:22:31,880 --> 01:22:35,679
Speaker 1: hey y'all, hey, something's wrong here, because it just starts

1690
01:22:35,760 --> 01:22:38,679
Speaker 1: all of a sudden. This depends almost like time Ice

1691
01:22:38,760 --> 01:22:39,240
Speaker 1: is eating it.

1692
01:22:39,560 --> 01:22:42,880
Speaker 3: Yeah, and it's basically like Mantrials look like he wanted

1693
01:22:42,880 --> 01:22:44,719
Speaker 3: to be like, well, I could just head back and.

1694
01:22:46,520 --> 01:22:50,200
Speaker 2: Back the way I came, good luck, but instead Tick says, no,

1695
01:22:50,320 --> 01:22:53,120
Speaker 2: come with me, like jump just you're gonna have to jump,

1696
01:22:53,160 --> 01:22:56,400
Speaker 2: And so he throws Tick the bag first, and Tick

1697
01:22:56,479 --> 01:22:57,120
Speaker 2: drops the bag.

1698
01:22:57,200 --> 01:22:58,760
Speaker 3: Tick, And I'm like, this is what.

1699
01:22:58,720 --> 01:23:01,320
Speaker 2: Happened when your abuse father and you never play catch

1700
01:23:01,320 --> 01:23:01,760
Speaker 2: with your son.

1701
01:23:04,160 --> 01:23:06,799
Speaker 1: Take it to what I call them motherfucking brick hands,

1702
01:23:07,200 --> 01:23:10,439
Speaker 1: Like when you're playing basketball and you thought right at

1703
01:23:10,479 --> 01:23:13,680
Speaker 1: somebody's hands and their hands so hard down cuff the

1704
01:23:13,720 --> 01:23:15,880
Speaker 1: ball just bounce off. He hit it with their brick hands.

1705
01:23:15,920 --> 01:23:17,000
Speaker 1: I was like, the hell is this?

1706
01:23:17,200 --> 01:23:19,640
Speaker 2: Yeah, that was some Nazi Muhammad type shit going on.

1707
01:23:19,840 --> 01:23:23,400
Speaker 2: And so he drops the motherfucking bag, uh, you know,

1708
01:23:25,439 --> 01:23:27,479
Speaker 2: and he dropped, he dropped.

1709
01:23:27,280 --> 01:23:29,160
Speaker 1: He does the secure the bag, he drops the bag.

1710
01:23:29,280 --> 01:23:30,960
Speaker 3: No, he drops I fumbled the bag.

1711
01:23:31,320 --> 01:23:33,479
Speaker 1: Yes, he did. All the way off the cliffs, and

1712
01:23:33,520 --> 01:23:34,920
Speaker 1: then of course Montross is like.

1713
01:23:35,200 --> 01:23:39,080
Speaker 2: You better catch me one and he jumps and like

1714
01:23:39,080 --> 01:23:40,920
Speaker 2: I said, the coon was so great, he catches on

1715
01:23:41,320 --> 01:23:41,719
Speaker 2: his feet.

1716
01:23:41,800 --> 01:23:42,040
Speaker 1: They do.

1717
01:23:42,200 --> 01:23:43,880
Speaker 2: They just closed up on their feet. His feet is

1718
01:23:43,880 --> 01:23:46,559
Speaker 2: off slipping on the bar shit. And then they basically

1719
01:23:46,600 --> 01:23:49,799
Speaker 2: had to book it across and jump across the whole

1720
01:23:50,040 --> 01:23:54,639
Speaker 2: platform because it's disappearing faster and faster behind them. They

1721
01:23:54,680 --> 01:23:56,960
Speaker 2: get to the other side, and it's not just the

1722
01:23:57,040 --> 01:24:01,479
Speaker 2: other side. There's a fucking puzzle, right, so they're.

1723
01:24:01,280 --> 01:24:03,880
Speaker 1: Looking at this closed door with the ship eating up

1724
01:24:03,880 --> 01:24:04,479
Speaker 1: behind them.

1725
01:24:04,520 --> 01:24:07,240
Speaker 2: The puzzle has buttons that have to be pushing a

1726
01:24:07,240 --> 01:24:12,400
Speaker 2: certain order, and they're like and they like, uh, they're

1727
01:24:12,400 --> 01:24:15,360
Speaker 2: designed to look like something and Adam and Eve and

1728
01:24:15,400 --> 01:24:17,920
Speaker 2: monsters and shit, and it's all that thing I read

1729
01:24:17,960 --> 01:24:20,719
Speaker 2: in the beginning where it's like, you know, Adam named

1730
01:24:20,920 --> 01:24:23,960
Speaker 2: he fucked got it so under the threat of death

1731
01:24:24,120 --> 01:24:27,160
Speaker 2: man Tross, as the fucking plank is disappearing, he's the

1732
01:24:27,200 --> 01:24:31,799
Speaker 2: furthest one out is yelling like, you know, Adam named

1733
01:24:32,320 --> 01:24:36,320
Speaker 2: Eve fucked and you know, monsters devoured all this shit.

1734
01:24:36,920 --> 01:24:41,760
Speaker 2: And once they press those buttons, that's when it's like, okay,

1735
01:24:42,760 --> 01:24:45,360
Speaker 2: they made it in the safe. He's like, you see me, boy,

1736
01:24:45,360 --> 01:24:47,040
Speaker 2: I jump like yes, said, oh it's even got shit

1737
01:24:47,080 --> 01:24:50,320
Speaker 2: on me, Like I said, the couna was off the charts.

1738
01:24:50,960 --> 01:24:56,400
Speaker 2: It was fantastic, right, And so they get in and

1739
01:24:56,680 --> 01:24:59,360
Speaker 2: Tick is bleeding and seems kind of annoyed with Letty's

1740
01:24:59,360 --> 01:25:00,360
Speaker 2: concern bleeding.

1741
01:25:00,400 --> 01:25:02,320
Speaker 1: He's like, I know, God, damn it, let it get

1742
01:25:02,320 --> 01:25:02,600
Speaker 1: off me.

1743
01:25:03,160 --> 01:25:05,400
Speaker 2: And then they walking down the woman they walk in

1744
01:25:05,439 --> 01:25:09,320
Speaker 2: the cavern and water is rising. And that's when there

1745
01:25:09,360 --> 01:25:11,400
Speaker 2: was a sign when they first walked down the walk

1746
01:25:11,520 --> 01:25:13,439
Speaker 2: down the tunnel that says something like.

1747
01:25:13,840 --> 01:25:16,360
Speaker 1: The tide will rise or.

1748
01:25:16,080 --> 01:25:16,720
Speaker 3: Something like that.

1749
01:25:16,800 --> 01:25:18,479
Speaker 1: Yeah, And it was actually up on the celin when

1750
01:25:18,960 --> 01:25:21,280
Speaker 1: Ticky went down there by himself. She was reading it

1751
01:25:21,320 --> 01:25:24,080
Speaker 1: and let it just decided the funk what you're reading.

1752
01:25:24,800 --> 01:25:27,080
Speaker 2: Yeah, And so basically once they get on that side,

1753
01:25:27,120 --> 01:25:29,880
Speaker 2: they realize the water is filling up this cavern. They

1754
01:25:30,520 --> 01:25:32,479
Speaker 2: and it's gonna do it until they drown or they

1755
01:25:32,479 --> 01:25:36,759
Speaker 2: find his treasure or whatever. And Tick is trudging ahead angrily,

1756
01:25:36,840 --> 01:25:39,559
Speaker 2: way ahead of everybody, and letting in Montross telling him

1757
01:25:39,600 --> 01:25:43,320
Speaker 2: to slow down, and he turns around and he's mad

1758
01:25:43,400 --> 01:25:46,840
Speaker 2: because Montross obviously knows a lot about the sons of Adam,

1759
01:25:47,160 --> 01:25:49,720
Speaker 2: and he's not telling them, like he told them the

1760
01:25:49,760 --> 01:25:53,680
Speaker 2: combination to the door, and how did he fucking know

1761
01:25:53,760 --> 01:25:56,160
Speaker 2: that right? And he only told them under threat of

1762
01:25:56,200 --> 01:25:58,840
Speaker 2: fucking death. And he's like, you're you're not with us

1763
01:25:58,880 --> 01:26:02,280
Speaker 2: on this mission. You really gonna get us killed out here,

1764
01:26:02,439 --> 01:26:06,080
Speaker 2: and you're holding back? And then Montross, it meant like,

1765
01:26:06,320 --> 01:26:09,559
Speaker 2: I am holding back because George, when he died, he

1766
01:26:09,640 --> 01:26:11,920
Speaker 2: gave me that book, but he also told me to

1767
01:26:11,960 --> 01:26:15,360
Speaker 2: protect our family, and this is me protecting y'all like

1768
01:26:15,439 --> 01:26:15,920
Speaker 2: I would.

1769
01:26:16,280 --> 01:26:17,760
Speaker 3: He was like, why are you even down here with us?

1770
01:26:17,760 --> 01:26:20,760
Speaker 2: He was like, cause your dumb ass, don't stop pursuing

1771
01:26:20,760 --> 01:26:23,840
Speaker 2: this motherfucking these pages. He's like, if you would stop

1772
01:26:23,920 --> 01:26:26,040
Speaker 2: going after the vault, I wouldn't even be down here,

1773
01:26:26,120 --> 01:26:28,320
Speaker 2: Like I just want you all to be safe. Stop

1774
01:26:28,439 --> 01:26:33,080
Speaker 2: fuck the shit. And so while they arguing about it,

1775
01:26:33,680 --> 01:26:37,240
Speaker 2: Letty walks into a floating corpse because apparently dead bodies

1776
01:26:37,240 --> 01:26:39,960
Speaker 2: are down here and it's one of the courts of

1777
01:26:40,200 --> 01:26:44,240
Speaker 2: those neighbors who snuck into their house and got killed

1778
01:26:44,760 --> 01:26:48,800
Speaker 2: and got killed by the ghost. And I remember when

1779
01:26:48,800 --> 01:26:50,519
Speaker 2: we watched this and we saw that at the bottom

1780
01:26:50,520 --> 01:26:52,320
Speaker 2: of the cavern. I said, I don't think they put

1781
01:26:52,320 --> 01:26:56,719
Speaker 2: them bodies down there, and she was shocked. She didn't

1782
01:26:56,760 --> 01:26:59,240
Speaker 2: sound like, you know them bodies we put down here.

1783
01:27:00,200 --> 01:27:01,960
Speaker 2: Now she could have just been shocked that it was

1784
01:27:01,960 --> 01:27:06,400
Speaker 2: showing up in fucking Boston, so it could be that

1785
01:27:06,479 --> 01:27:08,320
Speaker 2: she did put the bodies down there, but she was

1786
01:27:08,360 --> 01:27:09,960
Speaker 2: just like, why the fuck will we be in a cave?

1787
01:27:10,400 --> 01:27:11,320
Speaker 1: They staying in Boston.

1788
01:27:11,320 --> 01:27:13,320
Speaker 2: But she seemed like she didn't even know them bodies.

1789
01:27:13,840 --> 01:27:15,679
Speaker 2: She's like, it look like my neighbor. Like she didn't

1790
01:27:15,680 --> 01:27:17,920
Speaker 2: say it, like it is it's them. I know them

1791
01:27:18,000 --> 01:27:22,960
Speaker 2: faces anywhere anyway. So that's when I was like, what

1792
01:27:23,040 --> 01:27:25,840
Speaker 2: the fuck is happening? Like is this some type of

1793
01:27:25,840 --> 01:27:29,960
Speaker 2: freaky portal shit happening in this cave? It's another dimension,

1794
01:27:30,320 --> 01:27:33,000
Speaker 2: like this shit go across the earth, like we know

1795
01:27:33,080 --> 01:27:37,320
Speaker 2: they didn't walk twenty minutes and across a plank and

1796
01:27:37,360 --> 01:27:40,240
Speaker 2: they was back in motherfucking Chicago. That didn't happen, not

1797
01:27:40,320 --> 01:27:44,280
Speaker 2: from Boston, a fifteen hour drive at the time. So

1798
01:27:45,720 --> 01:27:50,360
Speaker 2: they realized that Epstein, the doctor, Hiram Epstein, the guy

1799
01:27:50,360 --> 01:27:53,919
Speaker 2: who owned the house Letty's old house, was chasing Tydus's

1800
01:27:54,000 --> 01:27:56,840
Speaker 2: pages too, trying to if he was a member of

1801
01:27:56,840 --> 01:27:59,719
Speaker 2: the colt trying to find this evidence of these missing

1802
01:27:59,760 --> 01:28:03,720
Speaker 2: page of the Book of Adam and that might he

1803
01:28:03,800 --> 01:28:06,240
Speaker 2: might have died down there in them caves, like maybe

1804
01:28:06,280 --> 01:28:09,679
Speaker 2: that's how he died. And Tick tries to say, Letty

1805
01:28:09,720 --> 01:28:13,280
Speaker 2: and mantrials back because they find the elevator that goes

1806
01:28:13,320 --> 01:28:16,759
Speaker 2: into their house, and he's like, y'all go, there's too dangerous.

1807
01:28:16,800 --> 01:28:20,040
Speaker 2: I'll do the rest, and she gets pissed. She's like,

1808
01:28:20,160 --> 01:28:23,519
Speaker 2: it didn't just get dangerous, it's being dangerous. Your father

1809
01:28:23,600 --> 01:28:26,800
Speaker 2: got kidnapped, I got killed, I died. This is not

1810
01:28:27,000 --> 01:28:28,480
Speaker 2: just happening to you.

1811
01:28:28,479 --> 01:28:29,040
Speaker 3: You're not the.

1812
01:28:29,000 --> 01:28:32,720
Speaker 1: Center of the fucking universe. And then she storms off

1813
01:28:32,760 --> 01:28:36,479
Speaker 1: cause she's like, I'm tired of you leave me out now,

1814
01:28:36,720 --> 01:28:39,479
Speaker 1: you know, acting like you're the only one that has

1815
01:28:39,560 --> 01:28:42,000
Speaker 1: been impacted by this, and like you have to do

1816
01:28:42,040 --> 01:28:43,000
Speaker 1: this alone, all right.

1817
01:28:43,040 --> 01:28:46,799
Speaker 2: It's like looking at Ice Cubes ultimatum for Black America

1818
01:28:46,920 --> 01:28:48,840
Speaker 2: and then going what about black women And he's like,

1819
01:28:48,880 --> 01:28:51,719
Speaker 2: I didn't think of that, Like, oh, we should probably

1820
01:28:51,720 --> 01:28:52,680
Speaker 2: have put a section on.

1821
01:28:52,720 --> 01:28:55,880
Speaker 3: Here under that women are people, you know, yes, we

1822
01:28:55,960 --> 01:29:00,439
Speaker 3: do know Thiggas is kind of self absorbed, and he.

1823
01:29:00,400 --> 01:29:02,720
Speaker 2: Thinks, because he has his blood that this is like

1824
01:29:02,800 --> 01:29:04,760
Speaker 2: his legacy and this is his mission and he's in

1825
01:29:04,800 --> 01:29:07,400
Speaker 2: this alone. She's like, you're not in this alone. We

1826
01:29:07,560 --> 01:29:10,200
Speaker 2: all have something on the line. I'm in this the house.

1827
01:29:10,240 --> 01:29:11,360
Speaker 2: This woman won'ts.

1828
01:29:13,040 --> 01:29:13,759
Speaker 1: So then.

1829
01:29:15,320 --> 01:29:21,280
Speaker 3: The water keeps rising. They arrive at a door.

1830
01:29:21,520 --> 01:29:25,000
Speaker 2: Letty's in the league. Man Trial's tails tick to apologize

1831
01:29:25,000 --> 01:29:29,000
Speaker 2: to Letty while while she's there, and he's like, you know,

1832
01:29:30,560 --> 01:29:32,280
Speaker 2: he was like, I don't think that's gonna work, pops

1833
01:29:32,360 --> 01:29:35,479
Speaker 2: or whatever. He's like, well, uh, you know, it's like

1834
01:29:35,760 --> 01:29:38,600
Speaker 2: your mom used to you know, used your mom was

1835
01:29:38,640 --> 01:29:39,679
Speaker 2: a piece of work too, or whatever.

1836
01:29:39,720 --> 01:29:42,200
Speaker 3: And he's like, well, she navigated around you pretty good.

1837
01:29:42,200 --> 01:29:43,400
Speaker 1: And he's like, yeah, she did.

1838
01:29:43,680 --> 01:29:44,120
Speaker 3: She did.

1839
01:29:45,120 --> 01:29:47,679
Speaker 2: You know, your grandmama told me you need a song

1840
01:29:47,760 --> 01:29:50,200
Speaker 2: that reminds you of your woman, so that whenever you fight,

1841
01:29:50,600 --> 01:29:53,080
Speaker 2: you just singing that song to yourself and by the

1842
01:29:53,120 --> 01:29:56,200
Speaker 2: time you through, you know she you know, she'll be

1843
01:29:56,280 --> 01:29:58,519
Speaker 2: over it or some shit like some old black people.

1844
01:30:00,240 --> 01:30:02,720
Speaker 1: Yeah, you know, black people are advice and shit, that's

1845
01:30:02,760 --> 01:30:03,479
Speaker 1: not true at all.

1846
01:30:04,439 --> 01:30:07,400
Speaker 2: They get to a door and the door has an

1847
01:30:07,520 --> 01:30:10,400
Speaker 2: arm hanging out of it like someone hand got stuck

1848
01:30:10,439 --> 01:30:12,000
Speaker 2: in it, and then they had to cut their arm

1849
01:30:12,040 --> 01:30:13,240
Speaker 2: off to escape or some shit.

1850
01:30:14,200 --> 01:30:15,800
Speaker 3: And so they yanked the.

1851
01:30:15,840 --> 01:30:19,040
Speaker 2: Arm out and then stick and then Tick has to

1852
01:30:19,040 --> 01:30:22,280
Speaker 2: stick his hand inside the door while wearing the ring

1853
01:30:23,800 --> 01:30:27,720
Speaker 2: and the ring they got in episode one, and it

1854
01:30:27,760 --> 01:30:30,519
Speaker 2: takes his blood and then it opens the door. Now

1855
01:30:30,560 --> 01:30:33,800
Speaker 2: what I'm thinking is they already said Hero may have

1856
01:30:33,880 --> 01:30:37,280
Speaker 2: died down there or something. Right, that ghost, the white

1857
01:30:37,280 --> 01:30:39,680
Speaker 2: ghost Doctor, it was missing an arm.

1858
01:30:41,120 --> 01:30:43,040
Speaker 1: I went back and watched it. So he was trying

1859
01:30:43,120 --> 01:30:45,479
Speaker 1: to get in there and can he coudn't, right, and

1860
01:30:45,600 --> 01:30:47,680
Speaker 1: maybe that is how he died or at least lost his.

1861
01:30:47,760 --> 01:30:52,080
Speaker 2: Arm, because that ghost only had one arm, and it

1862
01:30:52,200 --> 01:30:54,160
Speaker 2: was the right arm that was missing when I went

1863
01:30:54,200 --> 01:30:54,760
Speaker 2: and looked at it.

1864
01:30:55,000 --> 01:30:56,719
Speaker 1: Okay, and that makes sense.

1865
01:30:57,120 --> 01:31:02,320
Speaker 2: Yeah, And so because it's Ti Titus's blood and Tick

1866
01:31:02,600 --> 01:31:06,320
Speaker 2: they are able to get in the room. And this

1867
01:31:06,400 --> 01:31:09,559
Speaker 2: is amazing camera working all this ship. So they go

1868
01:31:09,760 --> 01:31:13,200
Speaker 2: and the room is full of mummafied what appear to

1869
01:31:13,240 --> 01:31:18,280
Speaker 2: be like either Native Americans or uh indigenous people or

1870
01:31:18,280 --> 01:31:20,519
Speaker 2: some laying you know, they could be Mayans, They could have.

1871
01:31:20,479 --> 01:31:21,360
Speaker 1: Been a lot of stuff, but.

1872
01:31:23,439 --> 01:31:26,160
Speaker 2: Just a room full of these corpses that have been

1873
01:31:26,200 --> 01:31:30,760
Speaker 2: mammafied and still wearing their like garb and shit.

1874
01:31:31,920 --> 01:31:32,080
Speaker 1: Uh.

1875
01:31:32,120 --> 01:31:33,479
Speaker 2: They go to get a piece of paper off a

1876
01:31:33,520 --> 01:31:37,719
Speaker 2: table and a motherfucking corpse reanimates just get.

1877
01:31:37,680 --> 01:31:39,320
Speaker 1: Up and start screaming and moving.

1878
01:31:39,439 --> 01:31:41,960
Speaker 2: That ship was on some piers of the Caribbean ship.

1879
01:31:42,080 --> 01:31:44,400
Speaker 2: It just came back to life. It came back to

1880
01:31:44,439 --> 01:31:49,400
Speaker 2: life like slow and engross and then uh and then

1881
01:31:49,439 --> 01:31:52,240
Speaker 2: and then it started looking good because like titties popped

1882
01:31:52,240 --> 01:31:53,800
Speaker 2: down and ship and then it was like it was

1883
01:31:54,200 --> 01:31:56,840
Speaker 2: it was a lot. Okay, It's like confusing feelings in

1884
01:31:56,840 --> 01:31:59,400
Speaker 2: the room. It's like this is a ghost. Is a

1885
01:31:59,439 --> 01:32:00,759
Speaker 2: monster's gonna kill everybody?

1886
01:32:00,920 --> 01:32:03,679
Speaker 1: Oh, boobish, Oh what's happening?

1887
01:32:04,080 --> 01:32:07,599
Speaker 2: This is a pretty ghost, you know, like because at

1888
01:32:07,600 --> 01:32:09,639
Speaker 2: this point, I just think everything on the show gonna

1889
01:32:09,680 --> 01:32:12,479
Speaker 2: kill him. I was like they about to get killed

1890
01:32:12,479 --> 01:32:15,960
Speaker 2: by a whole woman over here or whatever.

1891
01:32:16,040 --> 01:32:16,439
Speaker 1: And so.

1892
01:32:18,360 --> 01:32:22,960
Speaker 2: At the time, the courts reanimates and turns of human form,

1893
01:32:23,680 --> 01:32:26,760
Speaker 2: and they started speaking a language that no one can

1894
01:32:26,840 --> 01:32:33,639
Speaker 2: understand in the room except Tick, and the reanimated person

1895
01:32:34,760 --> 01:32:37,240
Speaker 2: who we find we get her name later as Jahima,

1896
01:32:38,960 --> 01:32:41,719
Speaker 2: can also understand Tick but not the other two.

1897
01:32:43,120 --> 01:32:45,160
Speaker 3: So something about Tick, whether.

1898
01:32:44,960 --> 01:32:48,519
Speaker 2: It's blood because if you remember episode one when the

1899
01:32:48,520 --> 01:32:51,120
Speaker 2: Princess of Mars spoke to him and it was some

1900
01:32:51,720 --> 01:32:56,800
Speaker 2: other language, he understood that shit too, So maybe Tick

1901
01:32:56,920 --> 01:33:01,320
Speaker 2: can understand this language when he hears it spoken. I

1902
01:33:01,320 --> 01:33:05,360
Speaker 2: don't know if he can read it. Yeah, but it

1903
01:33:05,439 --> 01:33:08,639
Speaker 2: was just interesting that, you know, because I mean maybe

1904
01:33:08,640 --> 01:33:11,320
Speaker 2: it's a magic thing, maybe because he has that blood

1905
01:33:11,400 --> 01:33:15,840
Speaker 2: or I don't know. So he basically plays like interpreter

1906
01:33:16,920 --> 01:33:19,880
Speaker 2: through this and this exchange and.

1907
01:33:19,920 --> 01:33:25,720
Speaker 3: Basically it's, uh, there's her name is Yohima.

1908
01:33:25,600 --> 01:33:33,920
Speaker 2: Merrol Kati, and uh She's like, yeah, I can sense

1909
01:33:33,960 --> 01:33:37,719
Speaker 2: that you related to Titus breath White, this evil ass motherfucker.

1910
01:33:38,000 --> 01:33:40,200
Speaker 2: And he's like, no, I'm not related, but we're not

1911
01:33:40,320 --> 01:33:44,360
Speaker 2: family like it. So she was like uh and then

1912
01:33:44,479 --> 01:33:49,200
Speaker 2: Mantrials blurts out, what are you because uh, she has

1913
01:33:50,000 --> 01:33:54,800
Speaker 2: uh breast and a penis, and so he's just like

1914
01:33:54,920 --> 01:33:56,439
Speaker 2: an interview on the Breakfast Club.

1915
01:33:56,520 --> 01:33:59,840
Speaker 1: Okay, he just he yeah.

1916
01:34:00,160 --> 01:34:04,680
Speaker 2: He of course obviously nineteen twenties like all the you know,

1917
01:34:05,040 --> 01:34:08,320
Speaker 2: all that stuff is you know, if this nigga, like

1918
01:34:08,320 --> 01:34:09,600
Speaker 2: I don't even know if they had a word for

1919
01:34:09,640 --> 01:34:13,439
Speaker 2: trends at the time, or you know, at least in

1920
01:34:13,720 --> 01:34:16,879
Speaker 2: a lot of communities or whatever, at least not anything

1921
01:34:16,920 --> 01:34:18,439
Speaker 2: that would have been not offensive now.

1922
01:34:19,040 --> 01:34:24,200
Speaker 1: But so he what.

1923
01:34:24,200 --> 01:34:26,519
Speaker 3: I like is that Tick asked who are you?

1924
01:34:26,680 --> 01:34:31,679
Speaker 2: After this, like she can't understand what Montre said anyway,

1925
01:34:31,960 --> 01:34:34,040
Speaker 2: but he goes who are you? And that's when she says,

1926
01:34:34,120 --> 01:34:39,559
Speaker 2: Jahima Maracotti a woman, a man, two spirit with two

1927
01:34:39,640 --> 01:34:44,639
Speaker 2: spirit is an actual designation, like a lot of First

1928
01:34:44,680 --> 01:34:48,320
Speaker 2: Nations people and stuff use that to because trans people

1929
01:34:48,360 --> 01:34:51,679
Speaker 2: have existed in every culture since like the dawn of time,

1930
01:34:52,320 --> 01:34:54,960
Speaker 2: and that's one of the ways that it's described in

1931
01:34:56,040 --> 01:34:59,040
Speaker 2: a lot of like Indigenous people culture they call it

1932
01:34:59,080 --> 01:34:59,599
Speaker 2: two spirit.

1933
01:34:59,680 --> 01:35:01,040
Speaker 1: Yeah.

1934
01:35:01,439 --> 01:35:04,680
Speaker 2: So uh and the same thing with you know, we

1935
01:35:04,720 --> 01:35:07,160
Speaker 2: talked about it with Indian people, like there's there and

1936
01:35:07,200 --> 01:35:10,800
Speaker 2: there's reverence that people had, like your magical you uh,

1937
01:35:11,280 --> 01:35:13,559
Speaker 2: you know, I don't know how people feel about that,

1938
01:35:13,640 --> 01:35:15,920
Speaker 2: but you know, there's like a reverend certain coulches have

1939
01:35:16,120 --> 01:35:18,160
Speaker 2: for it as opposed to what we do, which is

1940
01:35:18,680 --> 01:35:22,320
Speaker 2: admonished people and bandon you know, banish them and fucking

1941
01:35:22,360 --> 01:35:27,679
Speaker 2: torture and all the shit. But yeah, so she's basically

1942
01:35:27,680 --> 01:35:33,880
Speaker 2: been trapped there she was taking well. She volunteered to

1943
01:35:33,920 --> 01:35:36,599
Speaker 2: help Titus back in the day because he had this

1944
01:35:36,600 --> 01:35:38,599
Speaker 2: Book of Adam and all the ship. She could read

1945
01:35:38,600 --> 01:35:40,960
Speaker 2: the symbols and she was gonna help translate them. But

1946
01:35:41,000 --> 01:35:43,479
Speaker 2: then she was like, they were so greedy, the people

1947
01:35:43,600 --> 01:35:45,719
Speaker 2: just they wanted and they want. You never met people

1948
01:35:45,720 --> 01:35:49,800
Speaker 2: that hungered like that before, And she said, once she

1949
01:35:49,840 --> 01:35:53,679
Speaker 2: saw what he really was, just you know, vile man,

1950
01:35:53,840 --> 01:35:55,640
Speaker 2: she said, I'm not gonna help you no more. But

1951
01:35:55,680 --> 01:35:59,240
Speaker 2: then he promised, I'll reunite you with your people if

1952
01:35:59,280 --> 01:36:02,599
Speaker 2: you continue to help me, So she's like, okay, And

1953
01:36:02,640 --> 01:36:06,280
Speaker 2: his reuniting her with her people was killing her people, mama,

1954
01:36:06,320 --> 01:36:09,320
Speaker 2: finding them, putting them in that vault, and then sticking

1955
01:36:09,360 --> 01:36:10,080
Speaker 2: her ass in there.

1956
01:36:11,920 --> 01:36:17,040
Speaker 1: That's what the fuck he did. A monster, which is

1957
01:36:17,080 --> 01:36:18,439
Speaker 1: what Tick said. He was a monster.

1958
01:36:18,479 --> 01:36:19,920
Speaker 2: I'm sorry for what he did to you, he said,

1959
01:36:19,960 --> 01:36:22,599
Speaker 2: but I need your help to stop others like him

1960
01:36:22,960 --> 01:36:24,880
Speaker 2: from her my people. And she says, I'm not gonna

1961
01:36:24,880 --> 01:36:27,400
Speaker 2: help you because I don't know your spirit, which kind

1962
01:36:27,400 --> 01:36:30,719
Speaker 2: of made sense. The last time she tried to help somebody,

1963
01:36:30,760 --> 01:36:33,040
Speaker 2: she got stuck in the fucking thing for a hundred years.

1964
01:36:33,080 --> 01:36:39,760
Speaker 2: Like I'm good, you know, and so with that, and

1965
01:36:39,800 --> 01:36:42,040
Speaker 2: I'm only saying she heard because that's how they referred

1966
01:36:42,040 --> 01:36:44,840
Speaker 2: to on the show. So I don't know if you know,

1967
01:36:45,080 --> 01:36:47,439
Speaker 2: there's like I don't want to offend anybody, but that

1968
01:36:47,600 --> 01:36:49,400
Speaker 2: was how the character was referred to. It she heard,

1969
01:36:50,520 --> 01:36:53,439
Speaker 2: And so with that, she has a seat at the

1970
01:36:53,479 --> 01:36:56,559
Speaker 2: table and like, I ain't helping, And then my Trials

1971
01:36:56,600 --> 01:36:58,640
Speaker 2: is like, well fuck that, grab the pages, like let's go.

1972
01:36:58,840 --> 01:37:01,960
Speaker 2: But then all hell breaks and the motherfucking windows at

1973
01:37:01,960 --> 01:37:04,880
Speaker 2: the top water has now feeled that shit and it

1974
01:37:04,920 --> 01:37:10,000
Speaker 2: starts crackings right, and oh, I forgot to mention when

1975
01:37:10,040 --> 01:37:13,240
Speaker 2: the door opened, it didn't open like the door in

1976
01:37:13,280 --> 01:37:15,000
Speaker 2: front of them, and opened the door in the ceiling.

1977
01:37:15,360 --> 01:37:18,040
Speaker 2: So they climbed up a ladder so they were going

1978
01:37:18,160 --> 01:37:20,799
Speaker 2: upper level. So now everything below them must be flooded

1979
01:37:20,840 --> 01:37:23,439
Speaker 2: because all the shit above them is flooded. So they

1980
01:37:23,520 --> 01:37:26,080
Speaker 2: basically have to get out, swim back to the elevator.

1981
01:37:27,600 --> 01:37:30,679
Speaker 2: Yohima comes with it. Yohima comes with them. They get

1982
01:37:30,680 --> 01:37:34,320
Speaker 2: into the elevator, we get some back and forth, they lose.

1983
01:37:34,120 --> 01:37:36,479
Speaker 1: Some paper, the papers they came for.

1984
01:37:37,040 --> 01:37:39,640
Speaker 3: Let he swims out and gets them because.

1985
01:37:39,400 --> 01:37:42,280
Speaker 2: Apparently shout out to all these negroes don't how to swim.

1986
01:37:42,320 --> 01:37:46,160
Speaker 2: Come on, Okay, that's the real MVP. Okay, this back

1987
01:37:46,160 --> 01:37:48,240
Speaker 2: when they wouldn't le us use their pools. Okay, this

1988
01:37:48,280 --> 01:37:52,360
Speaker 2: is a feat. All these niggas can swam. So she

1989
01:37:52,439 --> 01:37:55,080
Speaker 2: gets the paper, comes back to the elevator. They start

1990
01:37:55,160 --> 01:37:59,000
Speaker 2: riding the elevator up. The water starts flowing out of it,

1991
01:37:59,240 --> 01:38:05,840
Speaker 2: and when it comes through, Tick kisses Letty and I

1992
01:38:05,920 --> 01:38:08,559
Speaker 2: just want to know, what is this medium shirt budget

1993
01:38:08,600 --> 01:38:09,080
Speaker 2: on this show?

1994
01:38:10,000 --> 01:38:13,120
Speaker 1: Yes? He let him medium shirt, don't he okay with

1995
01:38:13,280 --> 01:38:14,240
Speaker 1: his nipple showing?

1996
01:38:14,400 --> 01:38:18,479
Speaker 2: Yes, he like, listen through, you got anything tighter? I

1997
01:38:18,520 --> 01:38:21,360
Speaker 2: feel like that's how he shopped. Like they're like, sir,

1998
01:38:21,439 --> 01:38:22,920
Speaker 2: here's a here's a medium.

1999
01:38:22,960 --> 01:38:24,360
Speaker 1: You got anything a little tighter than this?

2000
01:38:25,520 --> 01:38:27,080
Speaker 3: You got anything just a little?

2001
01:38:28,080 --> 01:38:28,439
Speaker 2: You know what?

2002
01:38:28,520 --> 01:38:30,320
Speaker 3: I can't see all my aerolas.

2003
01:38:31,720 --> 01:38:32,040
Speaker 1: Uh.

2004
01:38:32,280 --> 01:38:36,640
Speaker 2: So they kiss all wet and everything in the in

2005
01:38:36,720 --> 01:38:40,000
Speaker 2: the elevator. He asks Yohima, are you okay? And she

2006
01:38:40,360 --> 01:38:42,160
Speaker 2: goes and answer him, and she just lets out a

2007
01:38:42,200 --> 01:38:46,519
Speaker 2: screen like like a shrill sound like a siren almost,

2008
01:38:46,920 --> 01:38:48,840
Speaker 2: and it won't stop, and so he gives her a

2009
01:38:48,920 --> 01:38:54,680
Speaker 2: right hook just knocks her ass out, which was extremely

2010
01:38:54,720 --> 01:39:01,240
Speaker 2: weird and I didn't see it coming. I'm sure there

2011
01:39:01,320 --> 01:39:03,360
Speaker 2: have been many things pieces written about the end of

2012
01:39:03,360 --> 01:39:07,120
Speaker 2: this episode, you know, but yeah, he knocked her ass out,

2013
01:39:08,400 --> 01:39:13,200
Speaker 2: and Hippolyta and d at this time are heading back

2014
01:39:13,280 --> 01:39:15,040
Speaker 2: and D's like, how do they get back to Chicago

2015
01:39:15,960 --> 01:39:20,520
Speaker 2: without Woody And She's like, I don't know, baby.

2016
01:39:20,479 --> 01:39:21,240
Speaker 1: Not my concern.

2017
01:39:21,320 --> 01:39:23,360
Speaker 2: They wouldn't there when I left, Like, I guess they

2018
01:39:23,360 --> 01:39:25,760
Speaker 2: already called us, And well, my guess is that she

2019
01:39:25,880 --> 01:39:27,559
Speaker 2: was concerned. They called her and told her we back

2020
01:39:28,040 --> 01:39:31,280
Speaker 2: were back in Chicago at some point, because.

2021
01:39:30,960 --> 01:39:32,760
Speaker 3: You know, I don't think she would have left them that.

2022
01:39:32,920 --> 01:39:34,439
Speaker 1: You know, that's her family. She loved them.

2023
01:39:35,000 --> 01:39:38,360
Speaker 2: But she sees the atlas and the atlas has all

2024
01:39:38,400 --> 01:39:41,519
Speaker 2: these drawings on it that D drew, but it also

2025
01:39:41,600 --> 01:39:44,800
Speaker 2: has this red crayon line I guess of where they

2026
01:39:45,160 --> 01:39:51,800
Speaker 2: thought Ardam was, and uh, she stops the car and basically.

2027
01:39:51,520 --> 01:39:54,719
Speaker 1: Sheby where did you get that from?

2028
01:39:54,960 --> 01:39:57,479
Speaker 2: Right, turns the car around, and had she's going to

2029
01:39:57,520 --> 01:40:00,200
Speaker 2: go to Artem two because she still don't feel right

2030
01:40:00,240 --> 01:40:02,920
Speaker 2: about what happened to George, and I think she's looking

2031
01:40:02,920 --> 01:40:03,960
Speaker 2: to solve that mystery.

2032
01:40:04,479 --> 01:40:05,759
Speaker 1: And it makes me wonder if she's.

2033
01:40:05,600 --> 01:40:08,599
Speaker 2: Gonna get there and find that mansion.

2034
01:40:09,280 --> 01:40:11,080
Speaker 1: I bet you's all put back together again.

2035
01:40:11,240 --> 01:40:13,639
Speaker 2: That's what I was thinking. I was telling you on Sunday.

2036
01:40:13,680 --> 01:40:15,280
Speaker 2: I was like, I don't know what would be more shocking.

2037
01:40:15,360 --> 01:40:20,400
Speaker 2: She finds the dilapidated mansion and maybe can put together

2038
01:40:20,439 --> 01:40:23,120
Speaker 2: that something bad happened there, because you kind of almost

2039
01:40:23,160 --> 01:40:25,679
Speaker 2: needed to be fucked up for her to to get

2040
01:40:25,680 --> 01:40:29,200
Speaker 2: there and be like they lied, Look at what the

2041
01:40:29,200 --> 01:40:29,879
Speaker 2: fuck happened.

2042
01:40:31,520 --> 01:40:33,960
Speaker 3: Maybe even that racist woman could be alive. I don't know,

2043
01:40:34,840 --> 01:40:35,759
Speaker 3: the one with the dogs.

2044
01:40:36,000 --> 01:40:37,839
Speaker 1: I mean, there's so many race people on the show.

2045
01:40:37,800 --> 01:40:39,479
Speaker 3: But uh, I don't know.

2046
01:40:39,520 --> 01:40:41,160
Speaker 2: It just made me think, like she gonna head up

2047
01:40:41,160 --> 01:40:43,920
Speaker 2: there and saw, well, just get more clues that something

2048
01:40:43,960 --> 01:40:47,519
Speaker 2: happened with George, or like you said, I don't know

2049
01:40:47,560 --> 01:40:49,000
Speaker 2: what would be cooler if she went up there and

2050
01:40:49,000 --> 01:40:51,360
Speaker 2: the mansion was just back like it never left.

2051
01:40:51,800 --> 01:40:54,280
Speaker 1: I think I think the magic gonna This is not prediction.

2052
01:40:54,400 --> 01:40:57,000
Speaker 1: I think the magic gonna be back like it was before.

2053
01:40:57,640 --> 01:41:03,560
Speaker 1: I think that she's going to get some answer, you

2054
01:41:03,600 --> 01:41:07,080
Speaker 1: know what I mean, something that causes her to question things.

2055
01:41:07,520 --> 01:41:11,400
Speaker 1: You know, maybe it's something as fucked up as her

2056
01:41:11,479 --> 01:41:15,200
Speaker 1: going through like the sundown towns where those sheriffs and.

2057
01:41:15,160 --> 01:41:16,599
Speaker 3: Shit has see the sun.

2058
01:41:16,960 --> 01:41:21,679
Speaker 2: Sundowntown would only prove that they were telling the truth

2059
01:41:22,640 --> 01:41:25,960
Speaker 2: because they told her the sheriff shot him and that's

2060
01:41:26,160 --> 01:41:28,680
Speaker 2: how he died. So if you go to the Sundowntown,

2061
01:41:28,680 --> 01:41:31,240
Speaker 2: it's like, oh, this is what they said happened, you

2062
01:41:31,240 --> 01:41:32,800
Speaker 2: see what I'm saying. So I feel like she got

2063
01:41:32,800 --> 01:41:36,120
Speaker 2: to see something magical to make her be like, nah,

2064
01:41:36,120 --> 01:41:36,960
Speaker 2: they lied, you.

2065
01:41:36,880 --> 01:41:39,880
Speaker 1: See what I'm saying. Or either it's something where uh,

2066
01:41:41,320 --> 01:41:43,640
Speaker 1: something similar to them her and did get somewhere and

2067
01:41:43,680 --> 01:41:45,679
Speaker 1: end up seeing creatures or some shit like that.

2068
01:41:45,880 --> 01:41:48,080
Speaker 2: Man, Yeah, it's gonna have to be something, because like

2069
01:41:48,080 --> 01:41:50,559
Speaker 2: I said, it's gotta be something magical else. And if

2070
01:41:50,600 --> 01:41:52,839
Speaker 2: you just go up there the man just put together

2071
01:41:53,320 --> 01:41:57,000
Speaker 2: the fucking Sundowntown is intact, then you just driving up

2072
01:41:57,040 --> 01:41:58,760
Speaker 2: there and confirming their story, then you're just gonna come

2073
01:41:58,760 --> 01:42:00,800
Speaker 2: back to Chicago like, oh, they the truth. And I

2074
01:42:00,800 --> 01:42:03,080
Speaker 2: feel like the way the story is going, she got

2075
01:42:03,080 --> 01:42:05,160
Speaker 2: to be the one who finds out they was lying.

2076
01:42:05,280 --> 01:42:07,120
Speaker 1: Yeah, I know. So I think that even if she

2077
01:42:07,360 --> 01:42:10,320
Speaker 1: does go through the Sundowntown, there could be something where

2078
01:42:10,439 --> 01:42:13,439
Speaker 1: somebody drops something that says something about them something that

2079
01:42:13,560 --> 01:42:16,479
Speaker 1: just don't sit right for her, or either uh, you know,

2080
01:42:16,640 --> 01:42:19,760
Speaker 1: she who knows they may have bought people back to life,

2081
01:42:19,800 --> 01:42:21,960
Speaker 1: you never know, and she asked a question and they

2082
01:42:22,040 --> 01:42:24,040
Speaker 1: be like, you know, we don't remember them, or who

2083
01:42:24,080 --> 01:42:26,519
Speaker 1: are you talking about, like something like that, or you know,

2084
01:42:26,600 --> 01:42:29,559
Speaker 1: you never know where they're gonna go with this big one.

2085
01:42:29,560 --> 01:42:33,080
Speaker 2: We'll see, man, because I think like there's only so

2086
01:42:33,200 --> 01:42:34,960
Speaker 2: much you can do with that, you know what I'm saying,

2087
01:42:34,960 --> 01:42:37,000
Speaker 2: Like like she can't go to those white people town

2088
01:42:37,160 --> 01:42:40,160
Speaker 2: where they a sundowntown where they killed, you know, kill

2089
01:42:40,240 --> 01:42:42,960
Speaker 2: black people and be like, I got questions I'm gonna be,

2090
01:42:43,000 --> 01:42:44,880
Speaker 2: I'm a detective, Like they ain't even gonna respect that.

2091
01:42:45,000 --> 01:42:48,000
Speaker 2: So it's like like they wouldn't even let them eat,

2092
01:42:48,280 --> 01:42:48,960
Speaker 2: you know what I'm saying.

2093
01:42:49,080 --> 01:42:50,120
Speaker 3: So I think she.

2094
01:42:50,080 --> 01:42:51,240
Speaker 1: Got to see something magical.

2095
01:42:51,560 --> 01:42:54,519
Speaker 2: It's the only way to make to make this character's

2096
01:42:54,560 --> 01:42:55,760
Speaker 2: trip up there worthwhile.

2097
01:42:55,840 --> 01:42:58,000
Speaker 1: Yeah, And that's even even if she gets back to

2098
01:42:58,040 --> 01:42:59,840
Speaker 1: the house, so like she might not even get that.

2099
01:43:00,280 --> 01:43:02,599
Speaker 1: She might go in that direction and see other things

2100
01:43:02,640 --> 01:43:04,880
Speaker 1: that it might take her, you know, somewhere else, but

2101
01:43:05,000 --> 01:43:06,720
Speaker 1: she'd be like, you know what, I'm gonna go back

2102
01:43:06,720 --> 01:43:08,680
Speaker 1: and acting what the fuck is this or something that

2103
01:43:08,760 --> 01:43:11,040
Speaker 1: she can physically take back with her and be like,

2104
01:43:11,280 --> 01:43:12,200
Speaker 1: what the fuck is this?

2105
01:43:13,120 --> 01:43:14,880
Speaker 2: Yeah, I just think you don't find that unless you

2106
01:43:14,920 --> 01:43:18,439
Speaker 2: go to that castle and it's fucked up somehow, you know,

2107
01:43:18,520 --> 01:43:20,920
Speaker 2: unless unless she goes up there and literally finds George alive.

2108
01:43:20,960 --> 01:43:23,720
Speaker 2: But she says she saw the body, so you know,

2109
01:43:23,880 --> 01:43:27,600
Speaker 2: I can't see that happening. But yeah, I think you

2110
01:43:27,840 --> 01:43:30,400
Speaker 2: I think something magical. She got to go see some

2111
01:43:30,439 --> 01:43:30,960
Speaker 2: magical shit.

2112
01:43:31,000 --> 01:43:34,599
Speaker 3: That's all I'm gonna say, because because because.

2113
01:43:34,439 --> 01:43:37,000
Speaker 2: I feel like she going up there because she is

2114
01:43:37,080 --> 01:43:40,160
Speaker 2: suspicious and that shit. Like That's why I said. I

2115
01:43:40,280 --> 01:43:44,080
Speaker 2: wasn't sure if when she went up there, if she

2116
01:43:44,280 --> 01:43:47,680
Speaker 2: was actually feeling suspicious, because I thought she really went like,

2117
01:43:47,880 --> 01:43:51,360
Speaker 2: oh no, it's cool, you know. And then but she

2118
01:43:51,520 --> 01:43:54,120
Speaker 2: just had this underneath the surface the whole time, and

2119
01:43:54,120 --> 01:43:55,960
Speaker 2: when she saw that Atlas, it went right back to

2120
01:43:56,000 --> 01:43:59,000
Speaker 2: like these line motherfuckers, something's up, you know.

2121
01:43:59,520 --> 01:44:03,479
Speaker 1: But and I hope that her and her baby safe

2122
01:44:03,479 --> 01:44:06,080
Speaker 1: because it was three of them niggas and they went

2123
01:44:06,080 --> 01:44:07,880
Speaker 1: through a lot like it's just you and a child.

2124
01:44:08,000 --> 01:44:10,120
Speaker 1: No way they're killing them kid, the kids. I mean, no, no, no, no,

2125
01:44:10,280 --> 01:44:12,040
Speaker 1: not that they kill nom, but but it's just for

2126
01:44:12,080 --> 01:44:14,479
Speaker 1: the fact that it's something where I'm like, Okay, this

2127
01:44:14,520 --> 01:44:16,280
Speaker 1: could be very dangerous for both of you.

2128
01:44:16,400 --> 01:44:18,280
Speaker 3: Yeah, it might get quote unquote scary.

2129
01:44:18,760 --> 01:44:20,280
Speaker 1: Yeah, that's what I mean. They're gonna be fine.

2130
01:44:20,400 --> 01:44:22,720
Speaker 2: I just and plus the story they need them to

2131
01:44:22,760 --> 01:44:25,680
Speaker 2: find out, Like if plus maybe we'll it'll give her

2132
01:44:25,720 --> 01:44:27,600
Speaker 2: more motivation. Maybe she finds a key to.

2133
01:44:27,600 --> 01:44:30,000
Speaker 3: The orry up there, something something.

2134
01:44:30,640 --> 01:44:32,280
Speaker 2: I just need something to happen with her, because I

2135
01:44:32,280 --> 01:44:34,439
Speaker 2: don't want the whole season of her just being suspicious

2136
01:44:34,479 --> 01:44:37,240
Speaker 2: of not finding out shit. So hopefully we get something

2137
01:44:37,240 --> 01:44:40,400
Speaker 2: out of that, all right, So she does go back

2138
01:44:40,439 --> 01:44:44,800
Speaker 2: to our then last scene taking Montrials think think, Yohema

2139
01:44:44,920 --> 01:44:48,240
Speaker 2: has an attachment enchantment, but she can't speak outside the

2140
01:44:48,320 --> 01:44:50,120
Speaker 2: vault and that's why.

2141
01:44:50,280 --> 01:44:51,840
Speaker 1: The siren noise start coming out of her.

2142
01:44:51,880 --> 01:44:54,920
Speaker 2: Ticks like, well, we can just teach her English, and

2143
01:44:54,960 --> 01:44:57,400
Speaker 2: he thinks the secrets that Titus his pages will help

2144
01:44:57,439 --> 01:45:00,760
Speaker 2: decipher a way to break the spell eventually, and man

2145
01:45:00,840 --> 01:45:02,799
Speaker 2: Trous is like, you know, it gives him a compliment

2146
01:45:02,880 --> 01:45:05,680
Speaker 2: like you know, boy, you did good in spite of me,

2147
01:45:05,800 --> 01:45:09,000
Speaker 2: and your mom would be proud and he's like, you know,

2148
01:45:09,120 --> 01:45:12,080
Speaker 2: almost like thank you, dad, and he goes off and

2149
01:45:12,200 --> 01:45:20,479
Speaker 2: Montross goes in the room with with Yohima and he

2150
01:45:20,520 --> 01:45:23,439
Speaker 2: pulls out a knife and says I'm sorry and slices

2151
01:45:23,479 --> 01:45:25,320
Speaker 2: her throat and that's the end of the episode. I

2152
01:45:25,360 --> 01:45:29,200
Speaker 2: did not I did not see that coming. What I

2153
01:45:29,280 --> 01:45:30,479
Speaker 2: was not motherfucking ready.

2154
01:45:30,560 --> 01:45:33,080
Speaker 1: No. And that's when I was like, oh, he knows more.

2155
01:45:33,520 --> 01:45:35,680
Speaker 2: I should have known when he was acting cool. I

2156
01:45:35,680 --> 01:45:39,240
Speaker 2: should have known something was up with this motherfucker.

2157
01:45:39,080 --> 01:45:40,040
Speaker 1: Like it's something.

2158
01:45:40,080 --> 01:45:40,519
Speaker 3: It's like.

2159
01:45:42,080 --> 01:45:45,479
Speaker 1: She would have been the key to whatever they were doing.

2160
01:45:45,479 --> 01:45:47,519
Speaker 1: And I think he knew that. He was like, no,

2161
01:45:47,600 --> 01:45:48,320
Speaker 1: you can't live.

2162
01:45:48,680 --> 01:45:52,320
Speaker 2: I feel like he did that shit to sabotage whatever

2163
01:45:52,360 --> 01:45:56,080
Speaker 2: they like. He still is on some we got sabotage

2164
01:45:56,120 --> 01:45:58,479
Speaker 2: this ship because I think that's gonna protect you all

2165
01:45:58,520 --> 01:46:00,920
Speaker 2: and the ultimate thing. But I couldn't see him taking

2166
01:46:00,960 --> 01:46:03,000
Speaker 2: somebody's life. I did not see that coming.

2167
01:46:04,439 --> 01:46:06,479
Speaker 1: And I personally think that this is gonna cause a

2168
01:46:06,560 --> 01:46:08,519
Speaker 1: riff because it's only three of them in that goddamn

2169
01:46:08,520 --> 01:46:10,479
Speaker 1: house and it's gotta be a riff.

2170
01:46:10,600 --> 01:46:11,360
Speaker 3: That's an evil shit.

2171
01:46:11,479 --> 01:46:14,280
Speaker 1: They're gonna be like the fuck is this? Two things

2172
01:46:14,320 --> 01:46:17,920
Speaker 1: gonna happen either by the time tomorrow come with their

2173
01:46:17,960 --> 01:46:22,639
Speaker 1: time m he's gonna be gone, which would make sense,

2174
01:46:23,600 --> 01:46:25,320
Speaker 1: or either they're gonna wake up and all of them

2175
01:46:25,320 --> 01:46:28,280
Speaker 1: gonna fall out. I see because because other than that,

2176
01:46:28,320 --> 01:46:30,200
Speaker 1: it make because it's only three of them and two

2177
01:46:30,240 --> 01:46:31,519
Speaker 1: of them know that they didn't do it.

2178
01:46:32,080 --> 01:46:34,720
Speaker 3: Unless he's I don't think it's gonna be a murder mystery.

2179
01:46:34,479 --> 01:46:38,400
Speaker 1: No, because the only thing he could say is that

2180
01:46:38,439 --> 01:46:40,439
Speaker 1: she tried to kill herself. If they're not gonna buy it.

2181
01:46:40,439 --> 01:46:42,400
Speaker 2: Yeah, I don't even think he gonna lie. I think

2182
01:46:42,400 --> 01:46:43,200
Speaker 2: he's just gonna be.

2183
01:46:43,120 --> 01:46:45,160
Speaker 1: Like I did it, Like that's true because I'm trying.

2184
01:46:45,160 --> 01:46:46,040
Speaker 3: I'm trying to save y'all.

2185
01:46:46,360 --> 01:46:49,000
Speaker 1: Back to that, I'm trying to protect the family. And

2186
01:46:49,120 --> 01:46:53,240
Speaker 1: initially I did not think that was gonna happen, and

2187
01:46:53,360 --> 01:46:55,560
Speaker 1: not just funny my mind when I was like, is

2188
01:46:55,960 --> 01:46:58,240
Speaker 1: he gonna like sexually assault for or something like that.

2189
01:46:58,320 --> 01:47:01,360
Speaker 1: That's initially when my mind went. I was like, the

2190
01:47:01,400 --> 01:47:03,800
Speaker 1: way he's creeping in there, it don't feel right, Like

2191
01:47:03,840 --> 01:47:05,160
Speaker 1: I didn't know what he was gonna do, but I

2192
01:47:05,200 --> 01:47:05,600
Speaker 1: was like, this.

2193
01:47:05,720 --> 01:47:08,719
Speaker 2: Don't feel it definitely felt predatory when he was doing

2194
01:47:10,000 --> 01:47:13,880
Speaker 2: now I will say obviously. I mean, I'm sure many

2195
01:47:13,920 --> 01:47:16,000
Speaker 2: many walk people have written about it as shit already,

2196
01:47:17,000 --> 01:47:19,320
Speaker 2: and on the show with this many black people and

2197
01:47:19,479 --> 01:47:22,599
Speaker 2: so many like woke topics and shit seeing a trans

2198
01:47:22,680 --> 01:47:26,439
Speaker 2: person of color like have violence committed against them on screen,

2199
01:47:26,560 --> 01:47:28,440
Speaker 2: not just the punch but slice.

2200
01:47:28,160 --> 01:47:29,000
Speaker 1: Of a throw at the end.

2201
01:47:29,960 --> 01:47:31,639
Speaker 2: I'm sure there's a lot of people that were very

2202
01:47:31,640 --> 01:47:34,679
Speaker 2: triggered by that and like, what the fuck. I don't

2203
01:47:34,680 --> 01:47:36,160
Speaker 2: know what's gonna happen in the future, So I don't

2204
01:47:36,160 --> 01:47:38,720
Speaker 2: know if this character is gonna, you know, end up

2205
01:47:38,760 --> 01:47:40,960
Speaker 2: being okay or anything.

2206
01:47:41,040 --> 01:47:42,840
Speaker 1: I don't know. We got magic and all types of

2207
01:47:42,840 --> 01:47:43,240
Speaker 1: stuff in this.

2208
01:47:43,280 --> 01:47:47,360
Speaker 2: World, very shocking image in a world of shocking images.

2209
01:47:47,720 --> 01:47:49,960
Speaker 2: Like you know, it's kind of hard because I know

2210
01:47:50,040 --> 01:47:52,680
Speaker 2: people were like, you know, like fuck this, you know,

2211
01:47:52,720 --> 01:47:54,240
Speaker 2: fuck this show for this and all this stuff. I

2212
01:47:54,280 --> 01:47:56,880
Speaker 2: saw a couple of people felt that way, which is

2213
01:47:56,920 --> 01:47:59,120
Speaker 2: interesting because the show is so full.

2214
01:47:58,920 --> 01:48:01,400
Speaker 1: Of black race trauma already.

2215
01:48:02,240 --> 01:48:05,200
Speaker 2: You know, they keep foreshadowing something gonna happen with Emmett

2216
01:48:05,200 --> 01:48:09,280
Speaker 2: till we saw him again in this episode. So I

2217
01:48:09,280 --> 01:48:11,360
Speaker 2: don't know, man, But if anybody you know wasn't cool

2218
01:48:11,400 --> 01:48:13,679
Speaker 2: with it, I totally understand. I'm not like I didn't

2219
01:48:13,680 --> 01:48:16,240
Speaker 2: write this shit, so I never feel this need.

2220
01:48:16,000 --> 01:48:19,440
Speaker 3: To be like I'm defending it, you niggas is being Nope.

2221
01:48:19,400 --> 01:48:22,200
Speaker 2: Like if you didn't like it, totally get it, totally

2222
01:48:22,240 --> 01:48:22,599
Speaker 2: get it.

2223
01:48:22,800 --> 01:48:23,839
Speaker 3: Not here to tell.

2224
01:48:23,680 --> 01:48:26,240
Speaker 2: You you need to like it, like it and totally

2225
01:48:26,320 --> 01:48:29,640
Speaker 2: understand if you're out, but yet like going for that

2226
01:48:29,680 --> 01:48:32,200
Speaker 2: shocking ending definitely, like that was one of the first

2227
01:48:32,200 --> 01:48:35,120
Speaker 2: things I thought was like, damn, the trans person got killed,

2228
01:48:35,200 --> 01:48:37,280
Speaker 2: like you know, not just that, but.

2229
01:48:37,200 --> 01:48:38,720
Speaker 3: Also when we see.

2230
01:48:40,479 --> 01:48:43,800
Speaker 2: Yahima right like they make a point out of showing

2231
01:48:43,880 --> 01:48:46,599
Speaker 2: us that she's naked and has a penis and breast

2232
01:48:47,120 --> 01:48:50,040
Speaker 2: right there in front of everything, like like it's very like,

2233
01:48:50,560 --> 01:48:52,680
Speaker 2: this is the purpose of this character, you know what

2234
01:48:52,680 --> 01:48:53,040
Speaker 2: I mean?

2235
01:48:54,320 --> 01:48:56,000
Speaker 3: And I also saw people went and found.

2236
01:48:55,800 --> 01:48:58,679
Speaker 2: The actress who portrays her, who was like I am

2237
01:48:58,880 --> 01:49:02,960
Speaker 2: too spirit I am uh, you know, indigenous person or whatever.

2238
01:49:03,000 --> 01:49:05,240
Speaker 2: So like, you know, I don't know if it's a

2239
01:49:05,240 --> 01:49:08,240
Speaker 2: casting issue as much as it's just like we didn't

2240
01:49:08,280 --> 01:49:11,480
Speaker 2: appreciate this representation. I don't know that that speaks for everybody,

2241
01:49:11,520 --> 01:49:13,840
Speaker 2: but just when we do these reviews, I like to

2242
01:49:13,920 --> 01:49:17,880
Speaker 2: at least encapsulate some of the critique even if it's

2243
01:49:17,920 --> 01:49:20,760
Speaker 2: not like, if it didn't ruin my enjoyment of the show,

2244
01:49:20,760 --> 01:49:23,519
Speaker 2: I'm not That doesn't mean it's not valid that it

2245
01:49:23,600 --> 01:49:26,760
Speaker 2: ruined someone's enjoyment of the show. So and it did

2246
01:49:26,800 --> 01:49:31,120
Speaker 2: feel kind of egregious and like maybe they will have

2247
01:49:31,160 --> 01:49:33,000
Speaker 2: a point for it, but you know, in a world

2248
01:49:33,200 --> 01:49:37,960
Speaker 2: we know trans women of color and well, not a

2249
01:49:37,960 --> 01:49:40,800
Speaker 2: black person in this case, but trans women of color

2250
01:49:41,120 --> 01:49:44,720
Speaker 2: are you know, highly highly having violence.

2251
01:49:44,400 --> 01:49:46,720
Speaker 1: Against them and death and all the shit.

2252
01:49:46,920 --> 01:49:50,400
Speaker 2: Is kind of like one of those like, man, is

2253
01:49:49,680 --> 01:49:52,360
Speaker 2: this is it worth it to use this trope in

2254
01:49:52,400 --> 01:49:56,680
Speaker 2: your show? You you hope that they ecquit themselves, but

2255
01:49:56,840 --> 01:49:58,559
Speaker 2: as artists, you make choices.

2256
01:49:59,040 --> 01:50:00,679
Speaker 3: Same thing happened with Pos when.

2257
01:50:00,520 --> 01:50:04,680
Speaker 2: Candy was killed as a dark skinned trans woman, and

2258
01:50:04,720 --> 01:50:07,439
Speaker 2: a lot of people just were pissed about it. And

2259
01:50:08,040 --> 01:50:10,280
Speaker 2: you know, but I understood when the right what the

2260
01:50:10,280 --> 01:50:13,360
Speaker 2: writers felt and what the directors felt about that choice,

2261
01:50:13,840 --> 01:50:15,519
Speaker 2: and it was like, you know, it's your you know

2262
01:50:15,560 --> 01:50:17,519
Speaker 2: you're gonna make choices that people are gonna be pissed

2263
01:50:17,520 --> 01:50:20,040
Speaker 2: off about sometimes and it is what it is.

2264
01:50:20,280 --> 01:50:23,479
Speaker 1: Yeah, And also it's one of those things to where

2265
01:50:24,560 --> 01:50:27,799
Speaker 1: the whole show has been trauma trauma, trauma, trauma, trauma,

2266
01:50:28,439 --> 01:50:30,400
Speaker 1: you know, and I don't mean it in a bad way. Yes,

2267
01:50:30,439 --> 01:50:32,960
Speaker 1: we've had funny modes, but the whole show is like

2268
01:50:33,040 --> 01:50:36,719
Speaker 1: these white people like it. It's a show full of trauma.

2269
01:50:37,800 --> 01:50:39,800
Speaker 1: It doesn't excuse it, and it's one of those things

2270
01:50:39,800 --> 01:50:42,080
Speaker 1: where people are allowed to feel the way that they feel.

2271
01:50:42,520 --> 01:50:45,000
Speaker 1: But like I said, also, the whole show is full

2272
01:50:45,040 --> 01:50:47,920
Speaker 1: of trauma, and nobody has a problem with certain traumas

2273
01:50:47,960 --> 01:50:50,280
Speaker 1: until this a trauma that they're uncomfortable.

2274
01:50:50,320 --> 01:50:52,679
Speaker 2: Well, you know what, you know what tho that there's

2275
01:50:52,720 --> 01:50:55,320
Speaker 2: a lot of people that are listening to our review

2276
01:50:55,320 --> 01:50:57,439
Speaker 2: because they can't handle that when it's.

2277
01:50:57,320 --> 01:51:01,080
Speaker 3: Just the trauma about race. Agree, So you know, it's.

2278
01:51:00,920 --> 01:51:04,760
Speaker 2: Just different people have different tolerance levels and nothing. You know,

2279
01:51:04,800 --> 01:51:07,160
Speaker 2: different people upset about different tropes. I'm sure they got

2280
01:51:07,160 --> 01:51:10,120
Speaker 2: a lot of feedback on this one. So, like I said,

2281
01:51:10,160 --> 01:51:13,000
Speaker 2: and that ending definitely shocked the fuck out of me

2282
01:51:13,720 --> 01:51:17,320
Speaker 2: and like, honestly like it, honestly just like took my

2283
01:51:17,360 --> 01:51:18,040
Speaker 2: breath away from her.

2284
01:51:18,120 --> 01:51:19,280
Speaker 1: I was like, what the fuck?

2285
01:51:20,000 --> 01:51:22,200
Speaker 3: I don't even know that bringing.

2286
01:51:21,880 --> 01:51:25,040
Speaker 2: This character back can necessarily undo the shock of that moment,

2287
01:51:25,880 --> 01:51:29,439
Speaker 2: But I guess we'll find out how to explain this shit.

2288
01:51:30,840 --> 01:51:31,839
Speaker 3: Next week or whatever.

2289
01:51:32,560 --> 01:51:35,240
Speaker 1: And it may be, this is my prediction, it may

2290
01:51:35,280 --> 01:51:42,880
Speaker 1: be something where her spirit ends up talking to Tick

2291
01:51:42,960 --> 01:51:44,160
Speaker 1: and telling Tick what happened.

2292
01:51:44,720 --> 01:51:46,840
Speaker 3: Right, Yeah, I don't know, but this is.

2293
01:51:46,800 --> 01:51:50,720
Speaker 1: In my prediction where because and he gonna be like,

2294
01:51:50,800 --> 01:51:52,720
Speaker 1: I know you did it. Like he just gonna be

2295
01:51:52,840 --> 01:51:54,519
Speaker 1: like he gonna see it and be like, I know

2296
01:51:54,560 --> 01:51:55,000
Speaker 1: you did it.

2297
01:51:55,000 --> 01:51:57,840
Speaker 3: What are you looking forward to next week? Oh?

2298
01:51:58,000 --> 01:52:02,160
Speaker 1: Just see what's gonna happen with Ruber. That's gonna be

2299
01:52:02,240 --> 01:52:05,760
Speaker 1: really interesting because sound like she's gonna find out the

2300
01:52:05,840 --> 01:52:11,679
Speaker 1: magic is real Ruby. I wouldn't be surprising if Ruby

2301
01:52:11,680 --> 01:52:12,679
Speaker 1: becomes a big villain.

2302
01:52:13,439 --> 01:52:16,400
Speaker 2: This is also the first episode that I believe is

2303
01:52:16,439 --> 01:52:20,479
Speaker 2: not solely written just by Misha Green. So the story

2304
01:52:20,520 --> 01:52:25,240
Speaker 2: for this episode is by Wes Taylor. So you know,

2305
01:52:25,360 --> 01:52:28,080
Speaker 2: I don't I don't know. This is gonna be an

2306
01:52:28,080 --> 01:52:32,920
Speaker 2: interesting one. So it looks like he's he is gay,

2307
01:52:33,360 --> 01:52:35,960
Speaker 2: So I don't know if he I mean, you can

2308
01:52:36,000 --> 01:52:39,759
Speaker 2: still have, you know, issues with trans people and shouldn't

2309
01:52:39,800 --> 01:52:42,680
Speaker 2: be gay, so you can. I don't know how what

2310
01:52:42,720 --> 01:52:44,400
Speaker 2: the feedback, Like I said, I stay kind of out

2311
01:52:44,400 --> 01:52:46,360
Speaker 2: of the community of people talking about this because I

2312
01:52:46,479 --> 01:52:49,559
Speaker 2: just I find that to be you know, no matter

2313
01:52:49,640 --> 01:52:51,200
Speaker 2: how much I like a show, I just find.

2314
01:52:51,040 --> 01:52:54,920
Speaker 3: Community to be a lot of work. But yeah, it's

2315
01:52:54,920 --> 01:52:55,680
Speaker 3: gonna be interesting to.

2316
01:52:55,640 --> 01:52:57,439
Speaker 2: See how people take this shit, because, like I said,

2317
01:52:57,439 --> 01:53:00,880
Speaker 2: it was a lot for me. Next week I'm looking

2318
01:53:01,000 --> 01:53:06,599
Speaker 2: forward to, uh yeah, absolutely Ruby, What the fuck is up.

2319
01:53:06,560 --> 01:53:08,080
Speaker 1: With Christina and William?

2320
01:53:08,280 --> 01:53:11,680
Speaker 3: Are they the same person? Are they a fucking vampire?

2321
01:53:12,920 --> 01:53:15,120
Speaker 2: You know, I wouldn't be shocked because if the father

2322
01:53:15,400 --> 01:53:19,600
Speaker 2: had a more like uh not invulnerability and couldn't be

2323
01:53:19,640 --> 01:53:23,679
Speaker 2: harmed or whatever, and he had to be ancient, and.

2324
01:53:23,560 --> 01:53:26,360
Speaker 1: If his daughter knows that, how old is she? For real?

2325
01:53:27,080 --> 01:53:28,519
Speaker 1: You know? So I don't know.

2326
01:53:28,560 --> 01:53:30,960
Speaker 2: There's a lot of stuff going on that I am

2327
01:53:31,000 --> 01:53:31,639
Speaker 2: interested in.

2328
01:53:32,800 --> 01:53:34,160
Speaker 1: Storylines I want to get back to.

2329
01:53:34,200 --> 01:53:37,320
Speaker 2: And of course, Hippolytta and d what are they gonna

2330
01:53:37,320 --> 01:53:41,040
Speaker 2: find up there in artem because oh my god, like,

2331
01:53:41,040 --> 01:53:43,040
Speaker 2: like I can't tell what would be what would be

2332
01:53:43,040 --> 01:53:45,639
Speaker 2: more intriguing if like it would be such a head

2333
01:53:45,840 --> 01:53:47,920
Speaker 2: tip trip if they went up there and it's literally,

2334
01:53:48,000 --> 01:53:50,120
Speaker 2: like you said, they go to the town, it's racist,

2335
01:53:50,120 --> 01:53:52,280
Speaker 2: they go to the mansion, it's back you know, like

2336
01:53:52,439 --> 01:53:54,840
Speaker 2: that's almost more scarier than if they go up there

2337
01:53:54,840 --> 01:53:58,280
Speaker 2: and it's fucking you know, monsters and the mansions dilapidated.

2338
01:53:58,360 --> 01:54:02,120
Speaker 1: So and I could see it being like that because

2339
01:54:02,200 --> 01:54:04,800
Speaker 1: Christina is the type of person she always cleaned her

2340
01:54:04,840 --> 01:54:07,720
Speaker 1: tracks like all the like she because you know how

2341
01:54:07,760 --> 01:54:10,439
Speaker 1: when they went through, they was like, this is a rebuild.

2342
01:54:11,000 --> 01:54:13,719
Speaker 1: It probably could have been something with the house crumbled,

2343
01:54:13,720 --> 01:54:17,160
Speaker 1: and they literally rebuilt it from scratch like the original Crumble.

2344
01:54:17,200 --> 01:54:20,080
Speaker 1: And they rebuilt it from scratch like that, just from Crumble,

2345
01:54:20,160 --> 01:54:22,160
Speaker 1: and they're gonna turn around and rebuild it like like

2346
01:54:22,320 --> 01:54:23,479
Speaker 1: rebuild it up again.

2347
01:54:23,560 --> 01:54:26,320
Speaker 2: And I'm also looking forward to seeing like these black

2348
01:54:26,439 --> 01:54:30,200
Speaker 2: characters enter into this world of magic and what does

2349
01:54:30,240 --> 01:54:33,320
Speaker 2: it change about them? Yeah, because it's changed a lot

2350
01:54:33,360 --> 01:54:39,280
Speaker 2: about Tick, Mantross and Letty already, but d Ruby and

2351
01:54:40,000 --> 01:54:42,440
Speaker 2: Hippolyta don't know this shit is real yet.

2352
01:54:43,360 --> 01:54:47,040
Speaker 1: It's gonna be interesting to see how they interact with

2353
01:54:47,280 --> 01:54:50,560
Speaker 1: those three once they beat up again after they found

2354
01:54:50,680 --> 01:54:51,480
Speaker 1: these things out.

2355
01:54:51,800 --> 01:54:54,800
Speaker 2: So yeah, I'm looking forward to all that stuff. And

2356
01:54:54,920 --> 01:54:57,800
Speaker 2: also just this week's review, great stuff.

2357
01:54:57,840 --> 01:54:58,040
Speaker 1: Care.

2358
01:54:58,520 --> 01:55:00,360
Speaker 2: I love how you stuck to your guns and you

2359
01:55:00,440 --> 01:55:02,920
Speaker 2: have like these ideas and stuff about where things are.

2360
01:55:02,840 --> 01:55:06,440
Speaker 3: Going, and very vocal about them and stuff. I like that,

2361
01:55:06,840 --> 01:55:07,520
Speaker 3: so keep it up.

2362
01:55:07,560 --> 01:55:10,600
Speaker 1: Yeah, I'm trying to be I really really really enjoyed

2363
01:55:10,640 --> 01:55:13,520
Speaker 1: this show, and it's I think it's gonna be a

2364
01:55:13,560 --> 01:55:16,840
Speaker 1: really fun rider. I don't know where they're taking me,

2365
01:55:17,080 --> 01:55:21,120
Speaker 1: which is actually the funniest part of the ride. Uh,

2366
01:55:21,160 --> 01:55:25,680
Speaker 1: And so I am really looking forward to see what's happening. Like,

2367
01:55:26,880 --> 01:55:30,160
Speaker 1: I think the biggest thing is they might not even

2368
01:55:30,240 --> 01:55:31,360
Speaker 1: cover this episode.

2369
01:55:32,000 --> 01:55:37,120
Speaker 2: Is what the Like, Yeah, I mean right, they gotta

2370
01:55:37,200 --> 01:55:39,360
Speaker 2: they gotta cover that right away. There's no way you

2371
01:55:39,360 --> 01:55:42,200
Speaker 2: can do a character can't do something that fucking evil.

2372
01:55:42,240 --> 01:55:45,760
Speaker 2: And then you just be like, anyway two weeks later, like, no,

2373
01:55:46,360 --> 01:55:47,160
Speaker 2: what the fuck.

2374
01:55:47,080 --> 01:55:51,400
Speaker 1: We're gonna we need to address this? Yeah, like I would.

2375
01:55:51,960 --> 01:55:53,960
Speaker 1: I don't know. I hope it's a I hope it

2376
01:55:54,000 --> 01:55:54,840
Speaker 1: was a dream or something.

2377
01:55:54,920 --> 01:55:58,160
Speaker 2: I was not anyway, but yeah, I just you did

2378
01:55:58,160 --> 01:56:00,320
Speaker 2: a great job this week and stuff. And also that,

2379
01:56:00,440 --> 01:56:02,040
Speaker 2: you know, it's like when I review shit with Justin

2380
01:56:02,080 --> 01:56:05,200
Speaker 2: and sometimes I'm like, you know, no, wait, that's gonna happen,

2381
01:56:05,200 --> 01:56:07,680
Speaker 2: But then when it happens, like god, damn, you knew

2382
01:56:08,280 --> 01:56:11,000
Speaker 2: you know, because I don't know everything. You know, this

2383
01:56:11,080 --> 01:56:13,160
Speaker 2: ain't insecure. I'm not secretly in the writer's room. I

2384
01:56:13,200 --> 01:56:15,240
Speaker 2: don't know what the fuck is happening. This ship is

2385
01:56:15,280 --> 01:56:17,320
Speaker 2: dealing with ghosts and all kinds of shit I don't

2386
01:56:17,360 --> 01:56:20,160
Speaker 2: read about or like TV shows I don't watch. So

2387
01:56:20,960 --> 01:56:23,280
Speaker 2: all right, that's it. Thank y'all so much for listening.

2388
01:56:23,800 --> 01:56:27,600
Speaker 2: Appreciate y'all in the chat. Hopefully crowdcast is working on

2389
01:56:27,680 --> 01:56:32,720
Speaker 2: that thing where that we were talking about with the emails,

2390
01:56:32,760 --> 01:56:35,080
Speaker 2: and hopefully our volume wasn't too messed up. It felt

2391
01:56:35,080 --> 01:56:37,160
Speaker 2: like it was all over the place looking at my thing.

2392
01:56:37,200 --> 01:56:39,320
Speaker 2: I'm gonna work on getting that back to normal.

2393
01:56:39,880 --> 01:56:42,400
Speaker 3: So all right, y'all, until next time, I love you,

2394
01:56:42,520 --> 01:56:43,160
Speaker 3: I love you.

2395
01:56:43,160 --> 01:56:43,360
Speaker 1: Wow.