WEBVTT - The Wolf Family Murder PT 1

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<v Speaker 1>I'm Kate Winkler Dawson. I'm a journalist who's spent the

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<v Speaker 1>last twenty five years writing about true crime.

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<v Speaker 2>And I'm Paul Hols, a retired cold case investigator who's

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<v Speaker 2>worked some of America's most complicated cases and solve them.

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<v Speaker 1>Each week, I present Paul with one of history's most

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<v Speaker 1>compelling true crimes.

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<v Speaker 2>And I weigh in using modern forensic techniques to bring

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<v Speaker 2>new insights to old mysteries.

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<v Speaker 1>Together, using our individual expertise, we're examining historical true crime

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<v Speaker 1>cases through a twenty first century lens.

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<v Speaker 3>Some are solved and some are cold, very cold.

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<v Speaker 4>This is buried bones.

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<v Speaker 3>Hey, Kate, how's it going today?

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<v Speaker 1>It's going well, Paul, how's it going with you?

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<v Speaker 3>I'm doing pretty good. The weather's changing.

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<v Speaker 1>I know springtime?

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<v Speaker 3>Right?

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<v Speaker 1>Do you camp? And I asked this because haven't you

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<v Speaker 1>and I both had reservations a little bit about camping,

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<v Speaker 1>because of how many stories we've both been involved with

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<v Speaker 1>involving people being murdered at camp side. I know they're

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<v Speaker 1>going to be camp enthusiast who tell me to stop

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<v Speaker 1>saying stuff like that, But that's the facts. That's what

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<v Speaker 1>happens sometimes.

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<v Speaker 2>Yeah, you know, I've consulted on a fair number of

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<v Speaker 2>cases that involve people who are out camping, you know,

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<v Speaker 2>and of course a lot of bodies are recovered out

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<v Speaker 2>discovered by campers, you know, as they're out and about

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<v Speaker 2>doing their theme because it's in remote areas.

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<v Speaker 3>But you know, I wasn't a.

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<v Speaker 2>Big fan of camping, and then as I got into

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<v Speaker 2>the off roading and watching some of these YouTube videos

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<v Speaker 2>of these guys that will go on like you know,

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<v Speaker 2>week long trips and they're just out in the most

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<v Speaker 2>amazing places. They're isolated, gorgeous, you know, just nature and

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<v Speaker 2>sitting around a campfire. You know, each one of them

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<v Speaker 2>takes turns, you know, cooking up a meal and you know,

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<v Speaker 2>having a drink here and there and swapping stories.

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<v Speaker 3>And it was just like, yeah, that's really cool.

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<v Speaker 2>So I spent, oh, I guess, the last year really

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<v Speaker 2>building up my jeep for overlanding as well as acquiring

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<v Speaker 2>camping equipment. And I got out twice last year, but

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<v Speaker 2>I was doing so much travel, I wasn't able to

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<v Speaker 2>do a lot of it. But I'm hoping, you know,

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<v Speaker 2>now that the weather's changing, I'm hoping to you know,

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<v Speaker 2>find a good group out here in Colorado and get

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<v Speaker 2>out there and do some of this dispersed camping in

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<v Speaker 2>addition to the off roading aspects.

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<v Speaker 1>Well, not to be negative here, but are you going

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<v Speaker 1>to bring a weapon with you? Because I would absolutely

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<v Speaker 1>weapon after everything.

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<v Speaker 3>Let's just say that I'll be well protected.

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<v Speaker 1>Okay, very good? And is Cora like camping? And does

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<v Speaker 1>your wife like camping?

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<v Speaker 3>No?

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<v Speaker 2>And no, this is this is just me myself and

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<v Speaker 2>I Okay, all right.

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<v Speaker 1>I did not grow up camping. I mean I grew

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<v Speaker 1>up kind of on a farm. So I felt like

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<v Speaker 1>I was sort of camping just because we were out

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<v Speaker 1>in a rural area a lot, and we would stay

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<v Speaker 1>out very late, and so I was sort of what

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<v Speaker 1>do they call it now, like a sleep under you know,

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<v Speaker 1>like when your kid goes out until one in the

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<v Speaker 1>morning and you go pick them up and they don't

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<v Speaker 1>want to spend the night, but they want to stay

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<v Speaker 1>up really late with their friends. Yeah, so I would

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<v Speaker 1>sort of sleep under camp. We would just stay out

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<v Speaker 1>by the river pitch black as late as possible, but

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<v Speaker 1>we'd always sleep inside. So that's kind of my kind

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<v Speaker 1>of camping. Okay, but I'm I'm definitely willing to you know,

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<v Speaker 1>explore it a little bit more. But I do have

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<v Speaker 1>to say I always feel nervous if I can't have

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<v Speaker 1>a security system on an Airbnb or anywhere I am,

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<v Speaker 1>or a door person or something just you know, because

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<v Speaker 1>of the nature of the business that we're in.

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<v Speaker 2>Yeah, you know, with kind of the modern gadgets that

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<v Speaker 2>are out there, you know, you can somewhat set up

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<v Speaker 2>a perimeter, you know, around your campsite using you know,

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<v Speaker 2>motion detecting lights and alarms and stuff like that in

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<v Speaker 2>order to get at least you know, an alert that

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<v Speaker 2>something is happening out if you're in your in your

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<v Speaker 2>tent or like of course, the off road rigs often

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<v Speaker 2>have you know, we have tools, we have recovery gear,

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<v Speaker 2>you know, the cookwar stuff, and so there's a lot

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<v Speaker 2>of expense that goes into these supplies and they can

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<v Speaker 2>be targets when you're out hiking or if I take

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<v Speaker 2>my mountain bike out there, and so having some level

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<v Speaker 2>of security is something that I most certainly will have,

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<v Speaker 2>and so that that's something you may be unaware of,

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<v Speaker 2>you know.

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<v Speaker 3>My biggest fear.

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<v Speaker 2>Is is the the big creatures, particularly if I'm going

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<v Speaker 2>to be in an area with like a grizzly you know,

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<v Speaker 2>because you hear about some some of these campers being attacked,

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<v Speaker 2>because you know, in a lot of it is just

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<v Speaker 2>knowing what to do with your food and your food

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<v Speaker 2>waste and keeping it away from you know, where you

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<v Speaker 2>are sleeping, you know, where you know your vehicles are.

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<v Speaker 2>There's strategies to try to minimize encountering that wildlife, but

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<v Speaker 2>every now and then, maybe some things there's just something

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<v Speaker 2>you can't avoid.

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<v Speaker 1>Yeah, I get it. I don't know if any amount

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<v Speaker 1>of security is going to talk me into sleeping in

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<v Speaker 1>a tent, even with the burliest of men in other

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<v Speaker 1>tents around me, it still leaves me with a vulnerable feeling.

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<v Speaker 1>But that's okay. You know, I'm also someone who has

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<v Speaker 1>a dead bolt on the cottage here in my own backyard.

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<v Speaker 1>You should well, my stepfather said, you know, you don't

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<v Speaker 1>want to come home one day and find somebody living

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<v Speaker 1>in your cottage. And I said, why would they do that?

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<v Speaker 1>And he said, because it's a house and it's unlocked.

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<v Speaker 1>And I thought, okay, yeah, a point.

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<v Speaker 3>Yeah, no, that is a very real possibility.

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<v Speaker 1>Okay, Well, we're talking a little bit about security today.

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<v Speaker 1>In our episode, we are going to be in nineteen twenties,

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<v Speaker 1>North Dakota. We're back to the farm. Love it, love it,

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<v Speaker 1>love a good farm story. But you know what comes

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<v Speaker 1>with that we talk about that. What comes with that

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<v Speaker 1>is there is sometimes a lack of security, with the

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<v Speaker 1>exception of the gazillion guns that are around probably, but

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<v Speaker 1>you know, you're isolated and they're vulnerable, and so you know,

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<v Speaker 1>we have a family that is under attack. So Paul,

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<v Speaker 1>just before we get into the story, you know, we

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<v Speaker 1>always like to give listeners and viewers a little bit

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<v Speaker 1>of a warning. We are talking about the murders of

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<v Speaker 1>children here as well as parents. So I just want

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<v Speaker 1>everybody to be aware that there are some kids who

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<v Speaker 1>end up being the victims of murder in our story.

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<v Speaker 1>Let's go ahead and set the scene. So nineteen twenty

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<v Speaker 1>North Dakota. So we are kind of at the beginning

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<v Speaker 1>of prohibition, but we're in sort of, you know, a

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<v Speaker 1>very religious area of the country. We're on a farm.

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<v Speaker 1>So the farm is led by a man named Jacob Wolf.

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<v Speaker 1>He is the patriarch. He's forty one years old. He's

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<v Speaker 1>married to a woman named Biata and she is thirty

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<v Speaker 1>five years old. So they have a bunch of kids.

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<v Speaker 1>They have six daughters. I don't know if this is

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<v Speaker 1>a situation where Jacob really wanted a son and they

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<v Speaker 1>just kept going. But they're close together. The oldest is

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<v Speaker 1>twelve and the youngest is eight months old. And there's

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<v Speaker 1>a thirteen year old farm hand named Jacob and his

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<v Speaker 1>last name is Hoper and he's related to missus Wolfe's

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<v Speaker 1>side of the family. So this is April twenty fourth,

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<v Speaker 1>it's a Saturday, and this is a tiny community called

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<v Speaker 1>Turtle Lake, which is about sixty miles north of Bismarck.

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<v Speaker 1>I've never been to North Dakota. I've heard it's beautiful.

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<v Speaker 1>Have you been to North Dakota?

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<v Speaker 3>I have not actually never been.

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<v Speaker 1>Okay, So we're in Turtle Lake and the scene set

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<v Speaker 1>here is that there is a couple named John and

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<v Speaker 1>Jesse Kraft. They are driving south toward Turtle Lake. You know,

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<v Speaker 1>it's in the morning, Saturday morning, and on their way

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<v Speaker 1>toward this area, they passed by the Wolf's family farm.

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<v Speaker 1>So they're friends, their neighbors of these people. They think

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<v Speaker 1>there's something odd happening. This is historical context. This is

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<v Speaker 1>what's interesting, okay, And the reason they think something's wrong

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<v Speaker 1>is John says he had done the same route the

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<v Speaker 1>day before. It was a rainy day and a rainy night.

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<v Speaker 1>So the day that he passed by, there was laundry

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<v Speaker 1>hanging out on the lines that I presume missus Wolfe

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<v Speaker 1>had put out. Then it started raining sometime after John

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<v Speaker 1>had passed, and he thought she was going to go

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<v Speaker 1>and collect the laundry, as anybody would. Nobody wants dry

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<v Speaker 1>laundry out getting rained on. When he passes by the

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<v Speaker 1>family farm the next day with his wife, the laundry

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<v Speaker 1>is still hanging there, and it had been soaked all

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<v Speaker 1>day rain the day before, all night rain. So isn't

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<v Speaker 1>that interesting? I mean, that was what was alarming to

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<v Speaker 1>him was he thought, there's no way this is right.

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<v Speaker 1>I don't know if that's a kin today that somebody

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<v Speaker 1>having their windows on their car rolled down or I

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<v Speaker 1>don't know what that would be, but that was a

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<v Speaker 1>red flag for him.

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<v Speaker 2>Yeah, you know, that's interesting. I mean he's very observant,

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<v Speaker 2>you know, So he's noticing it in one direction, and

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<v Speaker 2>then the next day he noticed it's still up and

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<v Speaker 2>he's putting two and two together. So obviously this is

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<v Speaker 2>the era that you know we're talking about is that.

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<v Speaker 3>You know, for somebody like me, I wouldn't think.

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<v Speaker 2>About that, but they're living that that life, and they're

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<v Speaker 2>recognizing that's not right. It's almost like today, if you

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<v Speaker 2>see a window screen off of a front window of

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<v Speaker 2>a house, you know most of us would go, that

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<v Speaker 2>doesn't look right.

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<v Speaker 1>I think I probably told you this story before. I

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<v Speaker 1>interviewed a forensic psychologist who did a lot of interviewing

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<v Speaker 1>of a f suspects, victims and all of that, and

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<v Speaker 1>you know, I was asking her a story. I was

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<v Speaker 1>talking to her about a tenfold story where you know,

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<v Speaker 1>there's a man who murders his family and he had

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<v Speaker 1>been in the eighteen hundreds and he had been just

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<v Speaker 1>spouting off really negative things about the Catholics. They're gonna

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<v Speaker 1>kill everybody, all this stuff, which sounded to her to be,

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<v Speaker 1>you know, like schizophrenia or something, some sort of a mania.

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<v Speaker 1>So when I went to a historian with the Catholic

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<v Speaker 1>Church and I described what this man was saying, he said,

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<v Speaker 1>everybody said that about the Catholics in the eighteen hundreds.

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<v Speaker 1>That's not crazy, that's social context. That's exactly what happened.

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<v Speaker 1>So then when I talked to her again, the forensic psychologist.

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<v Speaker 1>She said, that's why you have to know that what's

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<v Speaker 1>crazy in one country. What you would think is, you know,

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<v Speaker 1>when they're saying stuff, you're going, well, that person has

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<v Speaker 1>to be insane, is not insane?

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<v Speaker 2>Yeah, you know, and I think that's one of the

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<v Speaker 2>things that I've learned because, you know, working the older cases,

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<v Speaker 2>part of developing an understanding of the cases is understanding

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<v Speaker 2>the area where the crime occurred at the time the

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<v Speaker 2>crime occurred, you know, forty years prior than today. But

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<v Speaker 2>you know, the types of cases that you're talking about,

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<v Speaker 2>we've had such dramatic changes in our society. You know,

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<v Speaker 2>that's early on. You do such a good job of

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<v Speaker 2>at least you know, when you say set the scene,

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<v Speaker 2>it's not just okay, this is where we're at. Well,

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<v Speaker 2>this is what's going on in history, this is this

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<v Speaker 2>you know world, And it helps me kind of start

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<v Speaker 2>assessing as you start getting into details of the case. Okay,

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<v Speaker 2>this is how they're thinking back in the day, just

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<v Speaker 2>like you did with the laundry on the clothesline.

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<v Speaker 1>Yeah, and you know, we have done stories about people

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<v Speaker 1>drowning in cisterns and wells we don't see a lot

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<v Speaker 1>of those these days, so you see that as a

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<v Speaker 1>murder weapon much more common. We've done a lot of

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<v Speaker 1>acts murder stories. Everybody had an axe because that's what

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<v Speaker 1>the wood was the fuel source for a lot of

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<v Speaker 1>these communities. So it's interesting to see how crime sort

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<v Speaker 1>of moves in sync with wherever we are. You know,

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<v Speaker 1>we know that an axe is available in everybody's household

0:12:09.320 --> 0:12:11.440
<v Speaker 1>in the eighteen hundred, So if somebody wants to go

0:12:11.480 --> 0:12:13.640
<v Speaker 1>and kill someone and wants to use a weapon there,

0:12:13.920 --> 0:12:16.000
<v Speaker 1>Sure there are kitchen knives, but you probably know where

0:12:16.000 --> 0:12:17.920
<v Speaker 1>to get an axe. So I don't know. I just

0:12:18.000 --> 0:12:20.240
<v Speaker 1>I always want to point out things like that, Like, okay,

0:12:20.280 --> 0:12:25.520
<v Speaker 1>so that's what made John very alarmed. Was this laundry

0:12:25.559 --> 0:12:29.319
<v Speaker 1>hanging outside that was getting soaked that no country woman

0:12:29.440 --> 0:12:32.120
<v Speaker 1>would have thought would be a good idea. So let

0:12:32.160 --> 0:12:34.600
<v Speaker 1>me tell you a little bit about the wolves. Jacob

0:12:34.679 --> 0:12:37.120
<v Speaker 1>is a very successful farmer. Like I said, he's forty one,

0:12:37.640 --> 0:12:41.120
<v Speaker 1>well liked in the community. No red flags with Jacob.

0:12:41.320 --> 0:12:45.200
<v Speaker 1>He's known for taking immaculate care of his farm and

0:12:45.520 --> 0:12:49.960
<v Speaker 1>he uses sort of the latest machinery. He is someone

0:12:50.120 --> 0:12:53.840
<v Speaker 1>who seems to be a loving father and a loving husband.

0:12:54.240 --> 0:12:58.360
<v Speaker 1>Sometimes we talk about these farmers who are jerks. They're

0:12:58.600 --> 0:13:03.760
<v Speaker 1>abusive there, you know, and that does not seem like Jacob.

0:13:04.080 --> 0:13:05.760
<v Speaker 1>There doesn't seem to be a lot of negative with

0:13:05.880 --> 0:13:10.000
<v Speaker 1>Jacob so far. But we'll see. John Craft, the neighbor,

0:13:10.200 --> 0:13:13.360
<v Speaker 1>pulls up to the wolf's farmhouse and looks around the

0:13:13.360 --> 0:13:17.080
<v Speaker 1>outside of the house. He hears pigs rooting around in

0:13:17.120 --> 0:13:19.560
<v Speaker 1>the barn, and he goes to check it out. And

0:13:19.640 --> 0:13:21.960
<v Speaker 1>when he gets to the barn, this is when this

0:13:22.080 --> 0:13:30.079
<v Speaker 1>story really starts to unravel. He sees three bodies, partially

0:13:30.160 --> 0:13:34.800
<v Speaker 1>uncovered by dirt and hay. The distribution of the bodies

0:13:34.880 --> 0:13:37.920
<v Speaker 1>is interesting. So there is Jacob the dad, and he

0:13:38.040 --> 0:13:40.960
<v Speaker 1>is dead. Two of his daughters, the nine year old

0:13:41.000 --> 0:13:43.680
<v Speaker 1>who is Maria, and the seven year old Edna, are

0:13:43.679 --> 0:13:47.840
<v Speaker 1>with him. Of course, John is very, very alarmed. So

0:13:48.040 --> 0:13:50.240
<v Speaker 1>if I were John, I would have then hopped in

0:13:50.280 --> 0:13:53.640
<v Speaker 1>my car and took off. He does not do that,

0:13:54.080 --> 0:13:56.080
<v Speaker 1>and I guess Jesse stays in the car his wife.

0:13:56.520 --> 0:14:01.160
<v Speaker 1>He decides to despite I'm sure, feeling very He goes

0:14:01.200 --> 0:14:05.280
<v Speaker 1>to the house and in the kitchen. When he walks in,

0:14:05.679 --> 0:14:09.480
<v Speaker 1>the table is set for a meal, but the chairs

0:14:09.600 --> 0:14:13.720
<v Speaker 1>are disturbed, and there's blood on the floor, and he

0:14:13.760 --> 0:14:16.800
<v Speaker 1>walks over. There's a trap door that goes to the

0:14:16.840 --> 0:14:20.400
<v Speaker 1>cellar that is in the kitchen, and this was very common, right,

0:14:20.480 --> 0:14:22.320
<v Speaker 1>I mean you could kind of like bring things easily

0:14:22.360 --> 0:14:24.240
<v Speaker 1>in and out of a trap door through the kitchen,

0:14:24.280 --> 0:14:27.680
<v Speaker 1>could store all your produce and everything. I will also

0:14:28.480 --> 0:14:31.680
<v Speaker 1>remind you that I have done many stories about people

0:14:31.680 --> 0:14:34.960
<v Speaker 1>being murdered and then shoved down a very similar trap

0:14:35.040 --> 0:14:39.520
<v Speaker 1>door into the basement area. So I'm sure he's aware

0:14:39.560 --> 0:14:42.280
<v Speaker 1>of there being some kind of a danger here.

0:14:42.800 --> 0:14:43.120
<v Speaker 3>Yeah.

0:14:43.280 --> 0:14:46.760
<v Speaker 2>Yeah, So there's blood on the floor in the kitchen, yep,

0:14:46.920 --> 0:14:50.800
<v Speaker 2>chairs are disturbed, as if maybe there was a struggle

0:14:50.800 --> 0:14:51.440
<v Speaker 2>in the kitchen.

0:14:52.040 --> 0:14:54.800
<v Speaker 3>But no body's in the kitchen, no, okay.

0:14:54.840 --> 0:14:57.760
<v Speaker 1>He walks over to the trap door that goes to

0:14:57.800 --> 0:15:01.000
<v Speaker 1>the cellar and when he looks down, so it's open.

0:15:01.160 --> 0:15:06.360
<v Speaker 1>He looks down and there are five more bodies. He

0:15:06.480 --> 0:15:11.160
<v Speaker 1>does not seem to go down to the cellar just yet.

0:15:11.480 --> 0:15:14.600
<v Speaker 1>He looks through the rest of the house. He goes

0:15:14.880 --> 0:15:18.640
<v Speaker 1>to a bedroom and there's a crib. And remember they

0:15:18.640 --> 0:15:21.400
<v Speaker 1>had an eight month old. She is there. Her name

0:15:21.440 --> 0:15:26.120
<v Speaker 1>is Emma. She's alive, she is freezing. She is soaked.

0:15:26.240 --> 0:15:28.040
<v Speaker 1>I think they had the windows open, and of course

0:15:28.080 --> 0:15:31.240
<v Speaker 1>it's been this cold rain, April rain, so she is

0:15:31.440 --> 0:15:34.480
<v Speaker 1>soaked and she is soiled, and she is very weak,

0:15:35.240 --> 0:15:39.480
<v Speaker 1>but she's alive. Police will later say they believe that

0:15:39.560 --> 0:15:42.840
<v Speaker 1>she had been on her own for two days with

0:15:42.920 --> 0:15:47.720
<v Speaker 1>no food, no nothing. So we've got five bodies. They

0:15:47.760 --> 0:15:50.640
<v Speaker 1>are a family of eight plus a farm hand. So

0:15:50.800 --> 0:15:55.240
<v Speaker 1>now the Crafts are terrified. Now they leave, They're done

0:15:55.240 --> 0:15:58.840
<v Speaker 1>exploring because I think they think everybody's accounted for. So

0:15:58.920 --> 0:16:01.400
<v Speaker 1>the only survivor is in eight month old and we

0:16:01.440 --> 0:16:05.600
<v Speaker 1>don't know why. Jesse Kraft, the wife, takes Emma. John

0:16:05.720 --> 0:16:09.240
<v Speaker 1>takes them both to the house and he drives to

0:16:09.280 --> 0:16:12.360
<v Speaker 1>the town of Turtle Lake where there's a phone. Because

0:16:12.360 --> 0:16:15.040
<v Speaker 1>it's nineteen twenty, especially kind of in this area, would

0:16:15.040 --> 0:16:17.200
<v Speaker 1>have been very surprising for anybody to have a phone

0:16:17.240 --> 0:16:19.920
<v Speaker 1>residentially unless they had a lot of money at this point.

0:16:20.080 --> 0:16:23.400
<v Speaker 1>So he goes, he finds a phone, and he calls

0:16:23.400 --> 0:16:26.760
<v Speaker 1>the sheriff's office in Washburn, North Dakota, which is about

0:16:26.760 --> 0:16:29.960
<v Speaker 1>twenty two miles away. And this is a good reminder

0:16:29.960 --> 0:16:33.360
<v Speaker 1>of the time period because there is, like I said,

0:16:33.400 --> 0:16:37.160
<v Speaker 1>almost no phones around, and then the closest law enforcement

0:16:37.320 --> 0:16:40.160
<v Speaker 1>is more than twenty miles away, so things are moving

0:16:40.240 --> 0:16:43.600
<v Speaker 1>in slow motion. These people are all dead. It probably

0:16:43.640 --> 0:16:46.160
<v Speaker 1>looked clear to John that they were all dead, and

0:16:46.200 --> 0:16:49.360
<v Speaker 1>they had been for a long time. But I mean,

0:16:49.480 --> 0:16:53.280
<v Speaker 1>lord knows how long it took from him discovering the

0:16:53.360 --> 0:16:57.720
<v Speaker 1>bodies for then law enforcement to come from Washburn to

0:16:57.760 --> 0:17:00.160
<v Speaker 1>be able to report to this. And that just seems like,

0:17:00.240 --> 0:17:04.040
<v Speaker 1>I mean, you know, nowadays, hopefully you have police responding

0:17:04.119 --> 0:17:07.120
<v Speaker 1>within minutes in some cases, and this.

0:17:07.200 --> 0:17:09.760
<v Speaker 2>Is very different now, you know, And I'm even thinking

0:17:10.200 --> 0:17:13.359
<v Speaker 2>within that sheriff's office. It's not like back in the

0:17:13.440 --> 0:17:18.320
<v Speaker 2>nineteen twenties they had a dispatch center. Yes, so you're

0:17:18.400 --> 0:17:23.160
<v Speaker 2>reliant upon probably an employee of the sheriff's office actually

0:17:23.240 --> 0:17:27.359
<v Speaker 2>being in the office and answering the phone, and then

0:17:27.840 --> 0:17:32.400
<v Speaker 2>they somehow have to communicate, you know, to the officers

0:17:33.000 --> 0:17:36.560
<v Speaker 2>the information, and now the officers have to respond. You know,

0:17:36.600 --> 0:17:39.439
<v Speaker 2>I don't know if the sheriff's office had you know,

0:17:39.560 --> 0:17:42.639
<v Speaker 2>beats spread across the county or not, or are they

0:17:42.680 --> 0:17:46.000
<v Speaker 2>all just centralized up there in Washburn and now they're

0:17:46.040 --> 0:17:48.560
<v Speaker 2>having to drive all the way from Washburn down to

0:17:48.840 --> 0:17:49.879
<v Speaker 2>the Turtle Lake area.

0:17:50.280 --> 0:17:52.320
<v Speaker 1>I don't know. I mean, I think we do have

0:17:52.400 --> 0:17:55.480
<v Speaker 1>quite a few officers responding, so there must have been,

0:17:55.880 --> 0:17:58.960
<v Speaker 1>you know, other places, but last twenty two miles is

0:17:59.000 --> 0:18:03.000
<v Speaker 1>the closest that tells you how isolated Turtle Lake was.

0:18:03.880 --> 0:18:06.280
<v Speaker 1>So we have a sheriff and I'm gonna say his

0:18:06.359 --> 0:18:09.600
<v Speaker 1>name once because this is one of those names. It's Scandinavian,

0:18:10.280 --> 0:18:14.480
<v Speaker 1>so it's Ula Steath and Rude. So he is actually

0:18:14.480 --> 0:18:17.399
<v Speaker 1>with the state's attorney for the county and they have

0:18:17.520 --> 0:18:20.720
<v Speaker 1>been traveling together to Bismarck, you know, on a case.

0:18:21.240 --> 0:18:24.719
<v Speaker 1>So when the sheriff gets the message, the state's attorneys

0:18:24.880 --> 0:18:27.119
<v Speaker 1>goes with him and they go to Turtle Lake. And

0:18:27.240 --> 0:18:31.200
<v Speaker 1>when the sheriff gets to the farmhouse, we know what happens. Boy,

0:18:31.320 --> 0:18:33.159
<v Speaker 1>I mean, I could say it's the media, but it's not.

0:18:33.200 --> 0:18:36.840
<v Speaker 1>The neighbors are everywhere. They're swarming this place, so it's

0:18:36.880 --> 0:18:40.760
<v Speaker 1>contamination city, you could tell, all over the place, and

0:18:40.800 --> 0:18:45.919
<v Speaker 1>they're there to help. But John says, it's okay. The

0:18:45.960 --> 0:18:48.840
<v Speaker 1>bodies are exactly where they were when I found them.

0:18:48.960 --> 0:18:52.480
<v Speaker 1>Nobody's touched the bodies, but people are trying to be helpful,

0:18:52.640 --> 0:18:55.280
<v Speaker 1>which doesn't surprise me. But you know therein was the

0:18:55.320 --> 0:18:58.399
<v Speaker 1>issue that we have is there's no coordinating off this

0:18:58.520 --> 0:19:01.119
<v Speaker 1>crime scene. I don't actually think that that ever does happen,

0:19:02.240 --> 0:19:04.399
<v Speaker 1>So you know already you have a little bit of

0:19:04.400 --> 0:19:06.920
<v Speaker 1>a danger of course, that things are going to get

0:19:07.400 --> 0:19:09.439
<v Speaker 1>ruined and not be able to use in court if

0:19:09.480 --> 0:19:10.920
<v Speaker 1>they can even track down who did this.

0:19:11.600 --> 0:19:16.919
<v Speaker 2>You know, my initial thoughts are because it's common to

0:19:17.119 --> 0:19:20.560
<v Speaker 2>have to deal with a level of crime scene contamination

0:19:21.000 --> 0:19:25.520
<v Speaker 2>just because of you know, family friends discovering let's say

0:19:25.680 --> 0:19:29.879
<v Speaker 2>the deceased in a residence, possibly moving the body or

0:19:30.000 --> 0:19:36.280
<v Speaker 2>checking bidles, first responders, officers, paramedics coming. You know, paramedics

0:19:36.320 --> 0:19:40.440
<v Speaker 2>can make a suicide look like a homicide just because

0:19:40.480 --> 0:19:44.000
<v Speaker 2>of their life saving measures. So it's normal to have

0:19:44.080 --> 0:19:46.639
<v Speaker 2>to When I first would arrive at a crime scene,

0:19:46.760 --> 0:19:49.879
<v Speaker 2>I'm asking, so what all has happened since the crime

0:19:50.000 --> 0:19:55.120
<v Speaker 2>scene was discovered, so I can take into account those activities.

0:19:55.560 --> 0:19:58.000
<v Speaker 2>But at a certain point, like in this case, where

0:19:58.040 --> 0:20:03.320
<v Speaker 2>you have multiple neighbors wandering around, you know, from my perspective,

0:20:03.760 --> 0:20:08.160
<v Speaker 2>it's really going to be the trampling of critical evidence

0:20:08.200 --> 0:20:12.880
<v Speaker 2>that could be interpreted to help understand what happened. As

0:20:12.920 --> 0:20:16.040
<v Speaker 2>well as in this day and age, evidence that potentially

0:20:16.119 --> 0:20:18.560
<v Speaker 2>could be used to solve the case that you know,

0:20:18.640 --> 0:20:23.640
<v Speaker 2>they've just completely obliterated, But it doesn't negate the possibility

0:20:23.640 --> 0:20:26.639
<v Speaker 2>of getting still good information, you know, from from the

0:20:26.680 --> 0:20:27.280
<v Speaker 2>crime scene.

0:20:27.720 --> 0:20:30.480
<v Speaker 1>And you're talking about two different crime scenes, I'm assuming

0:20:30.520 --> 0:20:33.520
<v Speaker 1>because we've got the kitchen the seller, you know, together,

0:20:33.800 --> 0:20:38.200
<v Speaker 1>and then we've got the barn. So somehow these three people,

0:20:38.240 --> 0:20:40.240
<v Speaker 1>these two little girls and their dad were in the

0:20:40.280 --> 0:20:42.320
<v Speaker 1>barn and then the rest of the family is in

0:20:42.359 --> 0:20:47.160
<v Speaker 1>the kitchen. So there's so much opportunity for condamnation.

0:20:47.440 --> 0:20:50.640
<v Speaker 2>Right, I wouldn't necessarily call it two different crime scenes,

0:20:51.080 --> 0:20:53.720
<v Speaker 2>you know, because I would I would be establishing a

0:20:53.760 --> 0:20:57.080
<v Speaker 2>crime scene perimeter that would encompass that entire you know,

0:20:57.440 --> 0:21:03.440
<v Speaker 2>at least residential aspects and the outlying grounds around where

0:21:03.240 --> 0:21:06.400
<v Speaker 2>these two you know, the barn and the family house

0:21:06.520 --> 0:21:11.399
<v Speaker 2>is at. But yes, within that perimeter you have where

0:21:11.440 --> 0:21:16.120
<v Speaker 2>the bodies are, but we don't know what's transpired yet,

0:21:16.280 --> 0:21:20.840
<v Speaker 2>you know, so you could have evidence anywhere within that perimeter,

0:21:21.160 --> 0:21:26.959
<v Speaker 2>so it really is one big crime scene.

0:21:27.280 --> 0:21:32.120
<v Speaker 1>Well, the sheriff immediately starts interviewing neighbors, figuring out when

0:21:32.240 --> 0:21:34.400
<v Speaker 1>was the last time they saw the wolves. That's where

0:21:34.400 --> 0:21:37.680
<v Speaker 1>they come up with the idea that Emma had been

0:21:37.680 --> 0:21:40.920
<v Speaker 1>by herself crying for two days. That was the last

0:21:40.920 --> 0:21:44.240
<v Speaker 1>time two days earlier, when I'm presuming Missus Wolf put

0:21:44.320 --> 0:21:47.040
<v Speaker 1>up that laundry. There was you know, the day when

0:21:47.080 --> 0:21:48.919
<v Speaker 1>it was raining, and then the next day when they

0:21:48.920 --> 0:21:52.920
<v Speaker 1>were discovered. So you know, she's alive and she's being

0:21:52.960 --> 0:21:57.240
<v Speaker 1>taken care of by Missus Kraft. But the sheriff and

0:21:57.359 --> 0:22:00.879
<v Speaker 1>the coroner put together a corner's jury, and we know

0:22:00.920 --> 0:22:03.960
<v Speaker 1>these are generally lay people who come in. Their job

0:22:04.080 --> 0:22:07.359
<v Speaker 1>is to try to establish cause of death. Right, Is

0:22:07.400 --> 0:22:09.560
<v Speaker 1>that kind of the simplified way of explaining it.

0:22:10.280 --> 0:22:13.960
<v Speaker 2>Yeah, you know, the coroner's jury or grand jury. This

0:22:14.040 --> 0:22:18.240
<v Speaker 2>is where now the corners puts on the findings and

0:22:18.440 --> 0:22:22.320
<v Speaker 2>lays out not only cause of death, but are looking

0:22:22.520 --> 0:22:27.040
<v Speaker 2>to the jurors to determined manner of death. You know,

0:22:27.200 --> 0:22:32.639
<v Speaker 2>are you dealing with you know, homicide, accidental, natural, et cetera.

0:22:33.040 --> 0:22:36.080
<v Speaker 1>Well, the corner's jury, you know, comes together and they're

0:22:36.240 --> 0:22:39.600
<v Speaker 1>gathering information, they're being updated. Let me tell you a

0:22:39.600 --> 0:22:42.080
<v Speaker 1>little bit about what the sheriff thinks, and then we

0:22:42.119 --> 0:22:45.000
<v Speaker 1>need to talk about how they died, and what the

0:22:45.000 --> 0:22:48.800
<v Speaker 1>sheriff thinks the sequencing is This sheriff immediately wonders if

0:22:48.840 --> 0:22:51.359
<v Speaker 1>this is a murder suicide, which was not going to

0:22:51.359 --> 0:22:54.280
<v Speaker 1>be unheard of in this time period certainly. I mean,

0:22:54.320 --> 0:22:57.040
<v Speaker 1>I have read so many accounts of murder suicides, a

0:22:57.119 --> 0:23:00.399
<v Speaker 1>husband's killing families or you know, killing their wives in

0:23:00.400 --> 0:23:03.760
<v Speaker 1>the nineteen twenties especially and then closer to the thirties,

0:23:03.760 --> 0:23:05.760
<v Speaker 1>as we're approaching the Great Depression, in the middle of

0:23:05.800 --> 0:23:09.080
<v Speaker 1>the Great Depression. So I understand that way of thinking.

0:23:09.440 --> 0:23:15.760
<v Speaker 1>Everybody died of gunshots. Everybody had been shot except the

0:23:15.760 --> 0:23:18.800
<v Speaker 1>three year old Martha. She had been hit with the

0:23:18.800 --> 0:23:25.800
<v Speaker 1>blunt end of a hatchet. So Martha was not with dad.

0:23:26.280 --> 0:23:29.360
<v Speaker 1>She was one of the people who was down in

0:23:29.400 --> 0:23:32.240
<v Speaker 1>the cellar, and everybody else had been shot. And I

0:23:32.280 --> 0:23:35.280
<v Speaker 1>can kind of give you more details about that, but

0:23:35.520 --> 0:23:39.920
<v Speaker 1>I can say that Jacob Hoefer is the fifth body.

0:23:40.280 --> 0:23:44.120
<v Speaker 1>That's the farm hand, and then there's the mom and

0:23:44.520 --> 0:23:48.640
<v Speaker 1>three girls. So there's the three girls in the basement

0:23:48.720 --> 0:23:50.560
<v Speaker 1>with the mom in the farm hand, and then the

0:23:50.560 --> 0:23:53.520
<v Speaker 1>two girls in the barn with the dad. And then

0:23:53.560 --> 0:23:57.199
<v Speaker 1>the survivor is the sixth daughter, the baby Okay, so

0:23:57.320 --> 0:24:00.080
<v Speaker 1>what do you think so far? I mean, that's a

0:24:00.080 --> 0:24:00.719
<v Speaker 1>lot of people.

0:24:01.800 --> 0:24:05.120
<v Speaker 2>Yeah, you know, right now, I really don't have enough

0:24:05.119 --> 0:24:06.800
<v Speaker 2>to be able to even.

0:24:06.640 --> 0:24:10.880
<v Speaker 3>Start thinking about what occurred. You know, you've got.

0:24:10.880 --> 0:24:15.200
<v Speaker 2>Of the eight homicide victims, seven are shot.

0:24:15.720 --> 0:24:16.120
<v Speaker 3>Right now.

0:24:16.160 --> 0:24:17.960
<v Speaker 2>I don't know is it just one gun that was

0:24:18.080 --> 0:24:20.159
<v Speaker 2>used or if we have multiple guns being used.

0:24:20.760 --> 0:24:22.320
<v Speaker 3>You have a three year old girl that's.

0:24:22.160 --> 0:24:27.400
<v Speaker 2>Being bludgeoned, and the bodies are distributed. You know, there's

0:24:27.480 --> 0:24:30.520
<v Speaker 2>two clusters. You have the father and two girls out

0:24:30.560 --> 0:24:32.919
<v Speaker 2>in the barn, and then you have the mother, the

0:24:32.960 --> 0:24:36.320
<v Speaker 2>farm hand, and three girls down in the basement. Because

0:24:36.359 --> 0:24:40.000
<v Speaker 2>we have these two separate clusters of victims, does that

0:24:40.160 --> 0:24:44.159
<v Speaker 2>indicate that these victims were let's say the father and

0:24:44.200 --> 0:24:47.040
<v Speaker 2>the two girls were out in the barn doing their

0:24:47.119 --> 0:24:50.720
<v Speaker 2>normal farming aspects, whatever that would have been out in

0:24:50.760 --> 0:24:54.320
<v Speaker 2>the barn at whatever particular time of day that this

0:24:54.600 --> 0:24:55.720
<v Speaker 2>the homicide occurred.

0:24:56.160 --> 0:24:59.200
<v Speaker 3>And then everybody else is inside the house. Is everybody

0:24:59.320 --> 0:25:00.960
<v Speaker 3>rounded up? You know?

0:25:01.000 --> 0:25:03.520
<v Speaker 2>And it sounds like there was some disturbance in the kitchen,

0:25:03.680 --> 0:25:07.680
<v Speaker 2>and is maybe the mother or the farm hand Jacob,

0:25:08.160 --> 0:25:12.400
<v Speaker 2>who's the oldest and is the male of this cluster,

0:25:13.000 --> 0:25:17.560
<v Speaker 2>you know, is their resistance by these two larger victims,

0:25:17.840 --> 0:25:20.040
<v Speaker 2>you know, and the offender or offenders had to now

0:25:20.760 --> 0:25:24.800
<v Speaker 2>you know, inflict some sort of control mechanism causing bleeding

0:25:24.840 --> 0:25:29.520
<v Speaker 2>in the kitchen before they're forced downstairs. Right now, I'm

0:25:29.600 --> 0:25:33.160
<v Speaker 2>assuming they're killed downstairs, but that is just an assumption

0:25:33.359 --> 0:25:38.080
<v Speaker 2>until I get more information. But it seems likely at

0:25:38.080 --> 0:25:42.160
<v Speaker 2>this point in time that the distribution of the bodies

0:25:42.680 --> 0:25:45.919
<v Speaker 2>possibly is an indication of the time of day in

0:25:46.000 --> 0:25:49.720
<v Speaker 2>which the homicide occurred, just because these people were doing

0:25:49.760 --> 0:25:53.000
<v Speaker 2>their normal, you know, routine, and that's when the offender

0:25:53.080 --> 0:25:54.440
<v Speaker 2>or the offenders attacked.

0:25:54.920 --> 0:25:59.000
<v Speaker 1>Well, I have two choices for you to go.

0:25:58.960 --> 0:26:01.800
<v Speaker 3>And the multiple choice it is it's which.

0:26:01.520 --> 0:26:03.800
<v Speaker 1>Door do you want? Do you want to hear about

0:26:03.840 --> 0:26:07.080
<v Speaker 1>the weapon and the fatal shots with all of these people,

0:26:07.240 --> 0:26:10.760
<v Speaker 1>or do you want to see a photo of the kitchen?

0:26:11.240 --> 0:26:15.320
<v Speaker 1>And I think an okay shot of the trap door

0:26:15.400 --> 0:26:17.560
<v Speaker 1>that shows some of the blood, a real photo.

0:26:17.840 --> 0:26:20.359
<v Speaker 3>You know, I love photos. Let me see the photo.

0:26:20.800 --> 0:26:22.760
<v Speaker 1>Okay, here we go. God, I thought you were gonna

0:26:22.760 --> 0:26:25.080
<v Speaker 1>I thought you usually liked to go right to the autopsies,

0:26:25.119 --> 0:26:27.879
<v Speaker 1>but see you should. This is where I get surprised.

0:26:28.280 --> 0:26:32.119
<v Speaker 1>You surprise me. Okay, now I've already kind of blown

0:26:32.160 --> 0:26:34.879
<v Speaker 1>it up, but if you want me to blow it

0:26:34.960 --> 0:26:35.680
<v Speaker 1>up more, I can.

0:26:35.720 --> 0:26:38.960
<v Speaker 2>Can you see it so, you know, one of the

0:26:39.000 --> 0:26:41.840
<v Speaker 2>things that that's kind of jumping out at me. And

0:26:42.160 --> 0:26:44.439
<v Speaker 2>I see where the trap door is, which is, you know,

0:26:44.560 --> 0:26:48.800
<v Speaker 2>towards the back of this photo, and it appears that

0:26:48.920 --> 0:26:53.560
<v Speaker 2>there's a doorway of some sort beyond where the trap

0:26:53.560 --> 0:26:58.240
<v Speaker 2>door is located. The two chairs that likely have been

0:26:58.800 --> 0:27:03.199
<v Speaker 2>pulled away from the table, most likely during crime scene processing.

0:27:03.440 --> 0:27:05.879
<v Speaker 2>That there appears to be a saw, the handle of

0:27:05.920 --> 0:27:10.000
<v Speaker 2>a saw on one of the chairs, and my suspicion

0:27:10.160 --> 0:27:14.360
<v Speaker 2>is is that that that may be something that individuals

0:27:14.400 --> 0:27:17.919
<v Speaker 2>involved in investigating the case used in order to be

0:27:18.000 --> 0:27:24.040
<v Speaker 2>able to gain greater access downstairs. They possibly saw through

0:27:24.160 --> 0:27:29.919
<v Speaker 2>some wood aspect of the door itself. But of note

0:27:30.359 --> 0:27:33.879
<v Speaker 2>in the foreground on the floor, now that I can

0:27:34.000 --> 0:27:37.159
<v Speaker 2>zoom in on the on the staining on the floor,

0:27:37.400 --> 0:27:40.000
<v Speaker 2>you know, of course, because it's black and white, I

0:27:40.040 --> 0:27:43.040
<v Speaker 2>can't say, you know, if this is like red staining

0:27:43.119 --> 0:27:46.159
<v Speaker 2>consistent with blood, but it has all the appearances of

0:27:46.240 --> 0:27:50.280
<v Speaker 2>being stains that are are on this floor. And one

0:27:50.320 --> 0:27:54.520
<v Speaker 2>of the stains is a long linear smear. Something is

0:27:54.560 --> 0:27:57.600
<v Speaker 2>being drug, most likely a body is being drug along

0:27:57.720 --> 0:28:01.880
<v Speaker 2>this floor towards the trap door. You know, like there's

0:28:01.920 --> 0:28:05.520
<v Speaker 2>a minor, you know, small pool of blood and it

0:28:05.600 --> 0:28:09.520
<v Speaker 2>might be like an area rug that's right on the floor,

0:28:09.600 --> 0:28:11.160
<v Speaker 2>right next to the kitchen table.

0:28:11.520 --> 0:28:13.159
<v Speaker 1>It's like burlap almost to me.

0:28:14.080 --> 0:28:17.159
<v Speaker 2>Yeah, you know, I would say it's it's it's a

0:28:17.160 --> 0:28:20.480
<v Speaker 2>fabric of some sort and there appears to be a

0:28:20.560 --> 0:28:27.080
<v Speaker 2>pool on it. There's some nondescript white clumps, which all

0:28:27.119 --> 0:28:30.560
<v Speaker 2>I can say is my speculation, considering that we have

0:28:30.760 --> 0:28:34.280
<v Speaker 2>a bludgeoning victim, the three year old girl, that those

0:28:34.320 --> 0:28:38.840
<v Speaker 2>white clumps could be brain matter, unfortunately, but I can't

0:28:38.840 --> 0:28:42.120
<v Speaker 2>say that for sure in this photo, but there's a

0:28:42.120 --> 0:28:47.800
<v Speaker 2>fair number of what appeared to be large drops drip patterns,

0:28:47.840 --> 0:28:51.360
<v Speaker 2>as well as maybe some contact transfers of some sort

0:28:51.360 --> 0:28:54.440
<v Speaker 2>of bloody objects, you know, touching the top of this.

0:28:55.240 --> 0:28:57.760
<v Speaker 2>So there is you know, if I'm right, and that's

0:28:57.880 --> 0:29:00.400
<v Speaker 2>that's brain matter that's on the floor there. Than the

0:29:00.440 --> 0:29:03.800
<v Speaker 2>three year old was hit with the hatchet upstairs and

0:29:03.840 --> 0:29:07.480
<v Speaker 2>then you know, taken downstairs. It appears that the trap

0:29:07.520 --> 0:29:10.680
<v Speaker 2>door has been removed, and I don't know if that

0:29:10.920 --> 0:29:14.040
<v Speaker 2>door was hinged in any capacity.

0:29:13.560 --> 0:29:15.360
<v Speaker 3>Or if it just literally lifted up.

0:29:16.160 --> 0:29:18.440
<v Speaker 2>But there is what appears to be a large dark

0:29:18.520 --> 0:29:22.440
<v Speaker 2>stain on the side that is facing the camera, you know,

0:29:22.480 --> 0:29:26.120
<v Speaker 2>and if that's if that's a blood stain, that would

0:29:26.120 --> 0:29:30.600
<v Speaker 2>be consistent with a blood pool, which would indicate that

0:29:30.840 --> 0:29:34.200
<v Speaker 2>somebody laid on that location after bleeding for a period

0:29:34.240 --> 0:29:34.680
<v Speaker 2>of time.

0:29:35.680 --> 0:29:37.040
<v Speaker 3>But it's disrupted.

0:29:37.080 --> 0:29:39.560
<v Speaker 2>It's right at the edge, and I can't see where

0:29:39.560 --> 0:29:40.400
<v Speaker 2>it matches up.

0:29:40.480 --> 0:29:41.480
<v Speaker 3>If there's any.

0:29:41.360 --> 0:29:44.280
<v Speaker 2>Stained area on the floor that would indicate that maybe

0:29:44.280 --> 0:29:47.280
<v Speaker 2>a bleeding victim was laying motionless for a period of time.

0:29:47.680 --> 0:29:51.920
<v Speaker 2>But yeah, there's definitely some bleeding that's occurring up here,

0:29:52.280 --> 0:29:58.400
<v Speaker 2>possibly indicative of either somebody was killed or severely incapacitated

0:29:58.760 --> 0:30:00.920
<v Speaker 2>before being taken downstairs.

0:30:01.000 --> 0:30:02.640
<v Speaker 3>And it's interesting, you.

0:30:02.600 --> 0:30:05.320
<v Speaker 2>Know, you got five bodies inside the residence, and all

0:30:05.360 --> 0:30:09.360
<v Speaker 2>five bodies are taken downstairs. So the offender took the

0:30:09.480 --> 0:30:13.000
<v Speaker 2>time in essence to hide the bodies. That may be

0:30:13.960 --> 0:30:18.280
<v Speaker 2>merely just to delay the discovery, even though the blood

0:30:18.280 --> 0:30:21.920
<v Speaker 2>staining would be alarming by anybody walking into this location.

0:30:22.320 --> 0:30:24.400
<v Speaker 1>Yeah, but he didn't put the door back on the

0:30:24.400 --> 0:30:27.320
<v Speaker 1>trap door because John Kraft said, when he walked in,

0:30:27.760 --> 0:30:30.000
<v Speaker 1>you know, he went over right over to the trap

0:30:30.040 --> 0:30:31.160
<v Speaker 1>door because it was open.

0:30:31.560 --> 0:30:34.280
<v Speaker 3>Yeah, you know, and that's that's significant.

0:30:34.360 --> 0:30:36.800
<v Speaker 2>And you know, I don't know if this basement has

0:30:37.200 --> 0:30:40.160
<v Speaker 2>another exit where he doesn't have to come back up

0:30:40.200 --> 0:30:44.400
<v Speaker 2>into the residence, or you know, he's you know, taking

0:30:44.400 --> 0:30:48.840
<v Speaker 2>the bodies downstairs. Maybe something disturbs him. And I'm just

0:30:48.960 --> 0:30:52.440
<v Speaker 2>using the heat pronoun and singular just as a matter

0:30:52.480 --> 0:30:55.920
<v Speaker 2>of convenience. But if the offender is taking the time

0:30:55.960 --> 0:30:59.640
<v Speaker 2>to hide the bodies downstairs, it is inconsistent to leave

0:30:59.680 --> 0:31:01.640
<v Speaker 2>the trap door up like that, for sure.

0:31:01.800 --> 0:31:04.600
<v Speaker 1>Yeah. Well, I thought he just maybe dumped them, like

0:31:04.720 --> 0:31:06.880
<v Speaker 1>from the he killed all these people and then pushed

0:31:06.880 --> 0:31:09.560
<v Speaker 1>their bodies, dragged them and pushed them down into it,

0:31:09.640 --> 0:31:11.400
<v Speaker 1>rather than placing them down. But what do you think

0:31:11.400 --> 0:31:11.800
<v Speaker 1>about that.

0:31:12.360 --> 0:31:14.720
<v Speaker 2>I'd have to see the distribution of the bodies. But

0:31:15.240 --> 0:31:18.520
<v Speaker 2>if that's what he's doing, it's still effort, right, It's

0:31:18.520 --> 0:31:21.960
<v Speaker 2>still time. You've got five bodies that he's purposely putting

0:31:22.000 --> 0:31:25.479
<v Speaker 2>down into this this hole in the floor in essence,

0:31:25.760 --> 0:31:29.160
<v Speaker 2>So why do the effort to do that and not

0:31:29.520 --> 0:31:32.160
<v Speaker 2>make further effort to cover up that may be where

0:31:32.960 --> 0:31:36.560
<v Speaker 2>you know, he he henks up something outside, there's a

0:31:36.600 --> 0:31:39.040
<v Speaker 2>noise outside, and he's going, got no shit, I got

0:31:39.080 --> 0:31:43.040
<v Speaker 2>to get out of here. Or his internal clock is

0:31:43.080 --> 0:31:46.000
<v Speaker 2>thinking this is taking too long, and he just he bails.

0:31:46.320 --> 0:31:49.960
<v Speaker 3>You know. So the photo itself is pretty high quality.

0:31:50.000 --> 0:31:52.200
<v Speaker 2>This is something I'd be able to throw into photoshop,

0:31:52.920 --> 0:31:56.000
<v Speaker 2>enhance it and probably be able to you know, get

0:31:56.040 --> 0:31:57.240
<v Speaker 2>more information out of it.

0:31:57.440 --> 0:32:01.320
<v Speaker 1>Yeah, it always surprises me, hows the photos can be,

0:32:01.440 --> 0:32:04.440
<v Speaker 1>you know, I mean American Sherlock. My book took place

0:32:04.480 --> 0:32:08.080
<v Speaker 1>between nineteen twenty and nineteen thirty three, and Oscar Heinrich

0:32:08.280 --> 0:32:12.200
<v Speaker 1>loved photography and he loved crime scene photography and it

0:32:12.360 --> 0:32:14.959
<v Speaker 1>just saved my bacon. Man, there's no better writing than

0:32:15.000 --> 0:32:16.719
<v Speaker 1>to be able to do it off of photographs. You

0:32:16.720 --> 0:32:20.040
<v Speaker 1>have all that description, and he had so much detail,

0:32:20.040 --> 0:32:22.280
<v Speaker 1>and he knew how to blow it up and present

0:32:22.360 --> 0:32:24.760
<v Speaker 1>it to you know, he would take pieces of sand

0:32:24.840 --> 0:32:27.600
<v Speaker 1>and blow them up so they almost look like boulders

0:32:27.680 --> 0:32:29.760
<v Speaker 1>and print them out and or you know, develop them

0:32:29.760 --> 0:32:33.040
<v Speaker 1>and take them to jury so that they could understand geology.

0:32:33.560 --> 0:32:36.400
<v Speaker 1>So photography is more advancing we think in this time period.

0:32:36.800 --> 0:32:39.320
<v Speaker 2>Now, for sure, it always is, you know, and they

0:32:39.360 --> 0:32:44.240
<v Speaker 2>were using very large format cameras and those you know,

0:32:44.320 --> 0:32:48.320
<v Speaker 2>the larger the format, you know, basically the higher the resolution.

0:32:48.600 --> 0:32:51.000
<v Speaker 2>You know, when you're dealing with this film based film

0:32:51.080 --> 0:32:53.480
<v Speaker 2>is amazing. You know, my entire crime scene career, all

0:32:53.520 --> 0:32:56.720
<v Speaker 2>I did was shoot film, whether it be thirty five

0:32:56.800 --> 0:32:59.520
<v Speaker 2>millimeter or I was doing you know, four x.

0:32:59.560 --> 0:33:00.920
<v Speaker 3>Five sheet film.

0:33:01.120 --> 0:33:05.280
<v Speaker 2>And you know, digital cameras even today, with the high

0:33:05.840 --> 0:33:09.400
<v Speaker 2>resolutions that you see, the high number of megapixels, they

0:33:09.440 --> 0:33:13.520
<v Speaker 2>can't touch what film can do because you're talking about

0:33:13.560 --> 0:33:17.600
<v Speaker 2>capturing light at the molecular level in film.

0:33:17.600 --> 0:33:20.560
<v Speaker 1>Well, I have one crappy photo for you, but I

0:33:20.600 --> 0:33:22.560
<v Speaker 1>don't think you're not going to need it to be good.

0:33:22.960 --> 0:33:25.120
<v Speaker 1>So look at the next one in that document that

0:33:25.160 --> 0:33:28.280
<v Speaker 1>I sent you, and it's the house. It's super isolated.

0:33:28.360 --> 0:33:29.960
<v Speaker 1>It just looks like dirt everywhere.

0:33:30.320 --> 0:33:32.120
<v Speaker 3>Yeah, so you know this is a photo.

0:33:32.200 --> 0:33:34.680
<v Speaker 2>It says it's outside of the Wolf House on the

0:33:34.760 --> 0:33:36.720
<v Speaker 2>day of the funeral, and there's a lot of people

0:33:36.720 --> 0:33:41.240
<v Speaker 2>wearing black, you know, kind of congregating in the foreground.

0:33:41.200 --> 0:33:42.560
<v Speaker 3>And the house itself.

0:33:42.880 --> 0:33:46.600
<v Speaker 2>It appears, at least the main part of the house

0:33:46.600 --> 0:33:50.160
<v Speaker 2>appears to be two storied. A main floor and then

0:33:50.240 --> 0:33:54.560
<v Speaker 2>maybe an attic that has a window in it, you know,

0:33:54.640 --> 0:33:58.960
<v Speaker 2>with the pitched roof kind of I've been inside old

0:33:59.000 --> 0:33:59.800
<v Speaker 2>houses like this.

0:34:00.080 --> 0:34:00.840
<v Speaker 3>You can go up into the.

0:34:00.840 --> 0:34:03.840
<v Speaker 2>Attic and you have to kind of duck down, and

0:34:03.960 --> 0:34:06.440
<v Speaker 2>the angle of the inside of the roof, you know,

0:34:06.480 --> 0:34:09.360
<v Speaker 2>the ceiling is angled with the angle of the roof

0:34:10.280 --> 0:34:14.319
<v Speaker 2>and then attached on the right hand side in the

0:34:14.320 --> 0:34:18.440
<v Speaker 2>photograph appears to be a small It almost looks like

0:34:18.480 --> 0:34:21.839
<v Speaker 2>an add on to this house single story. I don't

0:34:21.840 --> 0:34:23.920
<v Speaker 2>know if that would just be a single room or

0:34:23.920 --> 0:34:26.640
<v Speaker 2>if it's subdivided. It appears there might be a chimney

0:34:27.040 --> 0:34:30.120
<v Speaker 2>to that, so maybe a living space, a living area.

0:34:31.120 --> 0:34:35.320
<v Speaker 2>And then you know, right where these two structures join,

0:34:35.760 --> 0:34:39.279
<v Speaker 2>there's an entry way of some sort. It looks like

0:34:39.320 --> 0:34:42.040
<v Speaker 2>you walk in through a door. And this may be

0:34:42.360 --> 0:34:45.359
<v Speaker 2>like a little little foyer, sort of like a wet

0:34:45.440 --> 0:34:48.120
<v Speaker 2>room if you live in Colorado where I'm at, where

0:34:48.120 --> 0:34:51.239
<v Speaker 2>you can take your winter clothes off without bringing you know,

0:34:51.280 --> 0:34:54.720
<v Speaker 2>bringing all the you know, the snow and mud into

0:34:54.760 --> 0:34:59.480
<v Speaker 2>the inside of the house. But the surrounding area, for sure,

0:35:00.040 --> 0:35:02.520
<v Speaker 2>at least with what can be seen in this photograph,

0:35:02.680 --> 0:35:05.359
<v Speaker 2>just looks, you know, flat and dirt.

0:35:05.640 --> 0:35:08.160
<v Speaker 1>Flat and dirt. Now I have a theory about those

0:35:08.160 --> 0:35:11.080
<v Speaker 1>two rooms that you're talking about, because when I saw

0:35:11.120 --> 0:35:14.160
<v Speaker 1>this photo, this looked an awful lot like my grandparents

0:35:14.200 --> 0:35:17.919
<v Speaker 1>who were in Missouri had a root cellar. It wasn't

0:35:17.960 --> 0:35:21.000
<v Speaker 1>attached to their house, but the entryway looked very similar.

0:35:21.080 --> 0:35:24.560
<v Speaker 1>Where you walk in and it's above ground. You open

0:35:24.600 --> 0:35:27.480
<v Speaker 1>the door, and my grandmother, my granny was what I

0:35:27.480 --> 0:35:30.719
<v Speaker 1>called her, would line the shelves with empty cans and

0:35:30.760 --> 0:35:34.279
<v Speaker 1>empty glass bottles, but then you went underground and that's

0:35:34.320 --> 0:35:36.880
<v Speaker 1>where everything was. So I wonder if this is the

0:35:36.960 --> 0:35:39.960
<v Speaker 1>kitchen on the right hand side, okay, and the cellar

0:35:40.200 --> 0:35:43.960
<v Speaker 1>and the cellar entry attached, because that would kind of

0:35:44.320 --> 0:35:47.759
<v Speaker 1>make sense. I don't know if the kitchen would be

0:35:47.800 --> 0:35:50.719
<v Speaker 1>in the main part of the house, but I don't know.

0:35:50.960 --> 0:35:53.320
<v Speaker 1>It's hard to tell from any of these photos.

0:35:53.600 --> 0:35:56.439
<v Speaker 2>It looks like there's a chimney on both the main

0:35:56.600 --> 0:35:59.680
<v Speaker 2>house as well as this secondary structure, you know, and

0:36:00.040 --> 0:36:03.040
<v Speaker 2>there was that what appeared to be that wood burning oven.

0:36:03.239 --> 0:36:07.080
<v Speaker 2>So those chimneys would indicate where that oven is located at.

0:36:07.880 --> 0:36:11.280
<v Speaker 2>But yeah, I wouldn't dispute your thought on that at all.

0:36:11.480 --> 0:36:15.879
<v Speaker 2>It almost appears the main house. Those windows on the

0:36:16.000 --> 0:36:19.080
<v Speaker 2>first floor, there's a lot of distance between the bottom

0:36:19.120 --> 0:36:22.399
<v Speaker 2>of those windows and the ground, and so that might

0:36:22.520 --> 0:36:27.640
<v Speaker 2>be indicative of beneath theirs, where there's a the basement,

0:36:27.920 --> 0:36:30.000
<v Speaker 2>but I couldn't say that for sure.

0:36:30.280 --> 0:36:32.200
<v Speaker 1>Yeah, and I was going to go back up and look,

0:36:32.400 --> 0:36:36.680
<v Speaker 1>you can see windows in the kitchen area. It's just

0:36:36.719 --> 0:36:38.719
<v Speaker 1>hard to tell with this. I mean, it's you know,

0:36:38.960 --> 0:36:42.279
<v Speaker 1>we need many more photos. But the next photo is

0:36:42.280 --> 0:36:45.839
<v Speaker 1>a cutie Patuti baby baby Emma, who I will tie

0:36:45.880 --> 0:36:50.200
<v Speaker 1>in love looking at baby photos, even though to be honest,

0:36:50.520 --> 0:36:52.680
<v Speaker 1>you know, I am not a baby person. I mean,

0:36:52.680 --> 0:36:55.719
<v Speaker 1>I loved my own kids, but the older that my

0:36:55.840 --> 0:36:57.759
<v Speaker 1>kids got and the more self sufficient there were, the

0:36:57.840 --> 0:37:01.680
<v Speaker 1>more I seem to really appreciate them. But she's so

0:37:01.800 --> 0:37:04.799
<v Speaker 1>cute and she recovers and she ends up having a

0:37:04.920 --> 0:37:08.319
<v Speaker 1>very long, good life. But this is you know, this

0:37:08.360 --> 0:37:10.600
<v Speaker 1>is her. This is a photo looks like she's got

0:37:10.640 --> 0:37:12.120
<v Speaker 1>like a little rattle or something.

0:37:12.480 --> 0:37:12.719
<v Speaker 3>Yep.

0:37:12.920 --> 0:37:15.279
<v Speaker 1>So this next one is the last one I want

0:37:15.280 --> 0:37:17.279
<v Speaker 1>you to look at. And I am showing you this

0:37:17.320 --> 0:37:20.440
<v Speaker 1>image because number one, I think it is really interestingly

0:37:20.640 --> 0:37:25.560
<v Speaker 1>composed and it's clear, and it's startling to me, So

0:37:25.640 --> 0:37:28.560
<v Speaker 1>why don't you give me your impressions what you see here?

0:37:29.040 --> 0:37:30.640
<v Speaker 3>Well, you know, this is a photo.

0:37:31.080 --> 0:37:36.640
<v Speaker 2>It's showing eight caskets and then a large group of people,

0:37:37.640 --> 0:37:41.080
<v Speaker 2>you know, dressed mostly in dark except for appears there's

0:37:41.120 --> 0:37:42.640
<v Speaker 2>a few babies that are are.

0:37:42.520 --> 0:37:45.640
<v Speaker 3>In white, and then a building in.

0:37:45.600 --> 0:37:48.480
<v Speaker 2>The background to some sort you know, the caskets. What

0:37:48.640 --> 0:37:52.120
<v Speaker 2>you know kind of strikes me first is the two

0:37:52.200 --> 0:37:57.120
<v Speaker 2>caskets on either end are dark, and then the caskets

0:37:57.239 --> 0:38:01.759
<v Speaker 2>in the middle are all light assuming white or very

0:38:01.840 --> 0:38:06.439
<v Speaker 2>light colored. And then the two caskets towards the right,

0:38:06.480 --> 0:38:09.040
<v Speaker 2>the two white caskets towards the right next to the

0:38:09.200 --> 0:38:13.640
<v Speaker 2>large dark one are They're small. Obviously these are little children,

0:38:14.400 --> 0:38:17.440
<v Speaker 2>you know, so it's interesting they had to take the

0:38:17.480 --> 0:38:20.799
<v Speaker 2>time to display the caskets like this and then get

0:38:20.800 --> 0:38:24.120
<v Speaker 2>this group to pose for a photograph, and then have

0:38:24.160 --> 0:38:28.080
<v Speaker 2>a cameraman using film based photography to sit there and

0:38:28.120 --> 0:38:31.279
<v Speaker 2>probably take multiple photos of this. I'm not sure it

0:38:31.360 --> 0:38:35.040
<v Speaker 2>seems like an unusual photo to take, but you know,

0:38:35.160 --> 0:38:38.080
<v Speaker 2>I think the number of caskets, the size of the caskets,

0:38:38.520 --> 0:38:40.680
<v Speaker 2>it just indicates, you know, you know, this is a

0:38:40.680 --> 0:38:41.920
<v Speaker 2>whole family basically.

0:38:42.320 --> 0:38:45.520
<v Speaker 1>Yeah, and I think that this is a town of immigrants,

0:38:45.560 --> 0:38:50.080
<v Speaker 1>both like German and Russian, and so this is I think,

0:38:50.360 --> 0:38:53.040
<v Speaker 1>a very tight knit community. I don't know if I've

0:38:53.040 --> 0:38:55.880
<v Speaker 1>ever shown you any of the death photos that I've used,

0:38:55.920 --> 0:38:58.640
<v Speaker 1>the death ones, you know, where they take photographs of

0:38:58.760 --> 0:39:01.480
<v Speaker 1>people after they've died in they're in their caskets. I'm

0:39:01.480 --> 0:39:04.000
<v Speaker 1>actually surprised we didn't get any of those with this,

0:39:05.000 --> 0:39:08.200
<v Speaker 1>but that was such a tradition. Yeah, I think this

0:39:08.239 --> 0:39:12.000
<v Speaker 1>image is startling. I mean it shows the impact when

0:39:12.040 --> 0:39:14.279
<v Speaker 1>you look at all of these caskets and you just think,

0:39:14.320 --> 0:39:18.160
<v Speaker 1>of my god, somebody killed all of these people, right,

0:39:18.320 --> 0:39:21.000
<v Speaker 1>it's very sad and to see the tiny caskets. But

0:39:21.040 --> 0:39:24.960
<v Speaker 1>I've never actually seen male female designated caskets before. I

0:39:24.960 --> 0:39:27.399
<v Speaker 1>think that's what you're saying. It's a little odd, but.

0:39:27.360 --> 0:39:29.719
<v Speaker 2>Okay, you know, and I was even thinking, could that

0:39:29.800 --> 0:39:32.960
<v Speaker 2>be uh, you know, Jacob and his wife, you know,

0:39:33.120 --> 0:39:36.040
<v Speaker 2>the adults, the patriarch and matriarch at the family and

0:39:36.080 --> 0:39:39.640
<v Speaker 2>the dark caskets and then their kids. And I'm assuming

0:39:39.920 --> 0:39:42.000
<v Speaker 2>would the farm hand be in this? Would Jacob the

0:39:42.000 --> 0:39:43.160
<v Speaker 2>farmhand be part of this?

0:39:43.680 --> 0:39:45.760
<v Speaker 1>How many do we have we have eight people totaled,

0:39:45.920 --> 0:39:46.960
<v Speaker 1>you have eight caskets.

0:39:47.440 --> 0:39:50.359
<v Speaker 2>Yeah, so I think he's also included. And he's he's

0:39:50.400 --> 0:39:53.279
<v Speaker 2>a relative on the mother's side, if I remember you right,

0:39:53.440 --> 0:39:55.960
<v Speaker 2>say so, Yeah, so he's he's he's included as part

0:39:55.960 --> 0:39:56.520
<v Speaker 2>of the family.

0:39:56.880 --> 0:40:00.239
<v Speaker 1>Well, let's get out of the photograph area here, let's

0:40:00.239 --> 0:40:03.040
<v Speaker 1>get back to the story. So, you know, we don't

0:40:03.200 --> 0:40:05.719
<v Speaker 1>often get photographs, so I'm always grateful when we have them.

0:40:06.000 --> 0:40:06.520
<v Speaker 3>I am too.

0:40:06.719 --> 0:40:10.759
<v Speaker 1>Yeah, so the sheriff wonders if this is somehow, some

0:40:10.960 --> 0:40:14.680
<v Speaker 1>way murder suicide, and then we start getting information back

0:40:14.719 --> 0:40:18.680
<v Speaker 1>from the corner. So this was a shotgun and here's

0:40:18.880 --> 0:40:22.359
<v Speaker 1>who had which injuries. Jacob the dad, the forty one

0:40:22.440 --> 0:40:24.880
<v Speaker 1>year old. He was shot once with a shotgun at

0:40:24.920 --> 0:40:28.560
<v Speaker 1>close range from behind and to the side, and that

0:40:28.680 --> 0:40:31.480
<v Speaker 1>he was shot in the head, so kind of behind

0:40:31.560 --> 0:40:34.480
<v Speaker 1>and to the side. He had also been shot once

0:40:34.840 --> 0:40:38.080
<v Speaker 1>from a distance in the back. So I can just

0:40:38.160 --> 0:40:39.839
<v Speaker 1>tell you all of these, or you can comment on

0:40:39.880 --> 0:40:42.640
<v Speaker 1>each one. So one kind of the back of the head,

0:40:42.640 --> 0:40:45.799
<v Speaker 1>close range, one very far back but in the back.

0:40:45.880 --> 0:40:49.000
<v Speaker 2>Right, So this is this is Jacob, you know. And

0:40:49.080 --> 0:40:53.000
<v Speaker 2>of course when you start thinking about murder suicide, you know,

0:40:53.120 --> 0:40:56.719
<v Speaker 2>the most likely perpetrator of that within a family is

0:40:56.760 --> 0:41:01.799
<v Speaker 2>going to be the husband father. However, the location of

0:41:01.800 --> 0:41:05.919
<v Speaker 2>his shots, once in the back and towards the back

0:41:05.960 --> 0:41:08.080
<v Speaker 2>of his head, kind of to the back side of

0:41:08.120 --> 0:41:12.239
<v Speaker 2>his head, those locations suggest that somebody else shot him,

0:41:12.640 --> 0:41:15.680
<v Speaker 2>and so at this point in time, I don't believe

0:41:16.680 --> 0:41:21.360
<v Speaker 2>it's possible to conclude that Jacob shot himself with a shotgun.

0:41:21.440 --> 0:41:25.040
<v Speaker 2>And I'm assuming that the shotgun is a standard laying shotgun,

0:41:25.320 --> 0:41:29.239
<v Speaker 2>not you know, some super sowd off variant. You know,

0:41:29.280 --> 0:41:33.040
<v Speaker 2>that he would be able to potentially wield like a handgun,

0:41:33.840 --> 0:41:36.440
<v Speaker 2>So that's interesting, you know, I think that's one thing

0:41:36.480 --> 0:41:41.239
<v Speaker 2>I can conclude from that information is Jacob is a

0:41:41.320 --> 0:41:44.240
<v Speaker 2>victim and he is not the killer.

0:41:44.680 --> 0:41:47.239
<v Speaker 1>Yeah, and oftentimes we do have the patriarch of the

0:41:47.280 --> 0:41:49.640
<v Speaker 1>family as the killer, and it takes a while to

0:41:49.680 --> 0:41:53.680
<v Speaker 1>sort that out. So injuries in the barn, Maria who's nine,

0:41:53.719 --> 0:41:55.080
<v Speaker 1>has been shot in the back of the head at

0:41:55.120 --> 0:41:58.759
<v Speaker 1>close range. This was an interesting detail. Her hair was

0:41:58.840 --> 0:42:01.200
<v Speaker 1>singed so very close range.

0:42:01.239 --> 0:42:01.600
<v Speaker 2>Is that right?

0:42:01.719 --> 0:42:04.000
<v Speaker 1>Or does that matter? I mean, doesn't the shotgun singe

0:42:04.120 --> 0:42:06.800
<v Speaker 1>everything in sight? Is that the point?

0:42:07.239 --> 0:42:11.680
<v Speaker 2>You know, it's when you start talking about hair being singed.

0:42:12.880 --> 0:42:15.600
<v Speaker 2>The shotgun is close enough to which the hot gases

0:42:15.960 --> 0:42:18.279
<v Speaker 2>that come out of the end of the barrel. It's

0:42:18.360 --> 0:42:22.759
<v Speaker 2>not just the rounds. Whatever type of ammunition was used,

0:42:22.760 --> 0:42:24.960
<v Speaker 2>whether it be a bird shot, which is more like

0:42:25.040 --> 0:42:27.360
<v Speaker 2>your bebes, right, you have a whole bunch of little bebes,

0:42:27.960 --> 0:42:30.360
<v Speaker 2>or you have like what law enforcement uses, your double

0:42:30.400 --> 0:42:35.440
<v Speaker 2>ott buck, which is like nine marble sized rounds that

0:42:35.480 --> 0:42:39.839
<v Speaker 2>come out. And then sometimes we'll have a slug being used,

0:42:39.880 --> 0:42:41.760
<v Speaker 2>which is this very if it's like a twelve gage,

0:42:41.760 --> 0:42:46.120
<v Speaker 2>it's this very large single round, so that comes out.

0:42:46.160 --> 0:42:49.680
<v Speaker 2>But then you also have the gases that occur during

0:42:49.680 --> 0:42:53.400
<v Speaker 2>the combustion of the gunpowder. That's what forces you know,

0:42:53.560 --> 0:42:58.160
<v Speaker 2>the rounds out. Also you have unburnt gunpowder, and that's

0:42:58.160 --> 0:43:01.920
<v Speaker 2>what caused what you call stippling, how you see gunpowder.

0:43:01.320 --> 0:43:02.440
<v Speaker 3>Embedded in the skin.

0:43:03.280 --> 0:43:08.719
<v Speaker 2>And different guns at different distances will leave evidence of

0:43:08.760 --> 0:43:12.040
<v Speaker 2>the distance that they were from their target based on

0:43:12.400 --> 0:43:16.040
<v Speaker 2>whatever is present. A shotgun, of course, is going to

0:43:16.360 --> 0:43:19.920
<v Speaker 2>you know, project its hot gases out further than a handgun,

0:43:20.040 --> 0:43:22.560
<v Speaker 2>but not that much further, you know, So this is

0:43:22.600 --> 0:43:25.680
<v Speaker 2>telling me that this is a fairly close range shot.

0:43:25.719 --> 0:43:30.120
<v Speaker 2>I'm talking about within several feet again not knowing that

0:43:30.200 --> 0:43:33.040
<v Speaker 2>you know, the gauge of the shotgun and the rounds.

0:43:33.080 --> 0:43:36.960
<v Speaker 2>But shotguns are devastating weapons. So if you have a

0:43:37.120 --> 0:43:42.399
<v Speaker 2>reasonably close shot to somebody's head with a shotgun, these

0:43:42.440 --> 0:43:46.839
<v Speaker 2>heads are not in good shape, you know. So this

0:43:46.920 --> 0:43:50.480
<v Speaker 2>is a very ugly scene in all likelihood.

0:43:51.040 --> 0:43:54.440
<v Speaker 1>Okay, so now we know we've got Jacob who's been

0:43:54.480 --> 0:43:57.080
<v Speaker 1>shot with the shotgun at close range from behind back

0:43:57.080 --> 0:44:00.160
<v Speaker 1>of the head. And then we've got Maria and ednae

0:44:00.200 --> 0:44:02.440
<v Speaker 1>year old and the seven year old who were apparently

0:44:02.719 --> 0:44:04.840
<v Speaker 1>with him, shot in the back of the head at

0:44:04.880 --> 0:44:08.800
<v Speaker 1>close range. And then you know, we have more people

0:44:09.080 --> 0:44:10.200
<v Speaker 1>that we have to talk about.

0:44:10.960 --> 0:44:12.919
<v Speaker 2>Yeah, you know, so we got Jacob and the two

0:44:12.920 --> 0:44:16.040
<v Speaker 2>girls who are executed out in the barn. Very curious

0:44:16.080 --> 0:44:18.719
<v Speaker 2>to know, you know, what happened to the victims that

0:44:18.760 --> 0:44:20.800
<v Speaker 2>are found inside the house down in the basement.

0:44:21.520 --> 0:44:24.759
<v Speaker 1>I think this is such a big story that we're

0:44:24.800 --> 0:44:27.920
<v Speaker 1>going to need to address that in the next episode.

0:44:28.640 --> 0:44:31.520
<v Speaker 3>Okay, so you're going to make me wait a week then.

0:44:31.560 --> 0:44:33.480
<v Speaker 1>On an autopsy. I don't know if I've ever done

0:44:33.520 --> 0:44:38.800
<v Speaker 1>that before, able to tell you what happens next. But yeah,

0:44:38.960 --> 0:44:42.040
<v Speaker 1>this is a really intense story and with so many victims,

0:44:42.160 --> 0:44:46.000
<v Speaker 1>is one of the probably the largest number that we've had,

0:44:46.120 --> 0:44:48.960
<v Speaker 1>so I just want to make sure we take our time,

0:44:49.120 --> 0:44:52.240
<v Speaker 1>so I will talk to you about it more next week.

0:44:52.640 --> 0:44:54.279
<v Speaker 3>Okay, Well, I'm looking forward to it.

0:44:58.360 --> 0:45:00.440
<v Speaker 4>This has been an exactly right Pa production.

0:45:00.840 --> 0:45:03.759
<v Speaker 2>For our sources and show notes go to exactly Wrightmedia

0:45:03.840 --> 0:45:06.280
<v Speaker 2>dot com slash Buried Bones sources.

0:45:06.480 --> 0:45:08.799
<v Speaker 4>Our senior producer is Alexis Emosi.

0:45:09.120 --> 0:45:13.360
<v Speaker 2>Research by Maren mcclashan, Ali Elkin, and Kate Winkler Dawson.

0:45:13.640 --> 0:45:15.920
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0:45:16.200 --> 0:45:18.480
<v Speaker 3>Our theme song is by Tom Bryfogel.

0:45:18.719 --> 0:45:20.760
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0:45:21.000 --> 0:45:25.160
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0:45:25.440 --> 0:45:28.799
<v Speaker 1>You can follow Buried Bones on Instagram and Facebook at

0:45:28.920 --> 0:45:30.040
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0:45:30.520 --> 0:45:33.080
<v Speaker 2>Kate's most recent book, All That Is Wicked, a Gilded

0:45:33.080 --> 0:45:35.040
<v Speaker 2>Age story of murder and the race to decode the

0:45:35.120 --> 0:45:36.600
<v Speaker 2>criminal mind, is available

0:45:36.640 --> 0:45:40.920
<v Speaker 1>Now, and Paul's best selling memoir Unmasked, My life solving

0:45:40.960 --> 0:45:44.680
<v Speaker 1>America's Cold Cases is also available now