WEBVTT - Nicolas Niarchos Exposes the Cobalt Gold Rush

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<v Speaker 1>I'm Alec Baldwin and you were listening to Here's the

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<v Speaker 1>Thing from My Heart Radio. There's been a lot of

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<v Speaker 1>talk about who should replace Daniel Craig now that he

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<v Speaker 1>is retiring as James Bond, and I think I have

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<v Speaker 1>found the perfect person. He's handsome, charming, brilliant and multi lingual.

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<v Speaker 1>His name is Nicholas ni ArkOS, and if only he

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<v Speaker 1>could put down his computer long enough to play the part.

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<v Speaker 1>Ni ArkOS is a journalist. His choice of unglamorous and

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<v Speaker 1>at times dangerous profession is all the more surprising when

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<v Speaker 1>you learn about his background. His grandfather, Stavros Niarchos, founded

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<v Speaker 1>the international shipping company ni ArkOS Limited. I first came

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<v Speaker 1>across ni ArkOS in The New Yorker magazine. His recent

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<v Speaker 1>piece Buried Dreams covers the exploitation of workers in the

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<v Speaker 1>cobalt mines in Central Africa. In his reporting, ni ArkOS

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<v Speaker 1>exposed the danger of us and exploitative conditions for the

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<v Speaker 1>workers in Congolese cobalt minds, many of whom are children,

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<v Speaker 1>as well as those that's down to profit handsomely off

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<v Speaker 1>the minds. In addition to being a reporter at large

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<v Speaker 1>at the New Yorker, New York coss work has appeared

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<v Speaker 1>in Time, the New York Times, and the Nation. I

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<v Speaker 1>think that all the places that I try and work

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<v Speaker 1>for require a sort of serious journalistic engagement. And that's

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<v Speaker 1>what I really seek for. When I look for a

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<v Speaker 1>publication to write for The New Yorker, I find the

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<v Speaker 1>fact checking process. I was a fact checker for for

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<v Speaker 1>for many years. I think that's a very engaging thing

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<v Speaker 1>to deal with. I like working directly with the fact checkers.

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<v Speaker 1>I liked being a fact checker, learning a great deal

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<v Speaker 1>about a subject, you know, for a couple of weeks,

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<v Speaker 1>and then and then sort of moving on. And actually

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<v Speaker 1>I found now as a reporter actually enhances my reporting.

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<v Speaker 1>It leads me down new alleys when I'm trying to

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<v Speaker 1>sort of verify things, to the kind of hundreds of

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<v Speaker 1>descience kind of thing. When you when you factor you

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<v Speaker 1>did it for how long? I did for five years? Actually,

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<v Speaker 1>well almost four years and eleven months. Did they confine

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<v Speaker 1>you to fact checking in a certain realm or did

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<v Speaker 1>you fact check a lot of different things? I fact

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<v Speaker 1>checked a lot of different things because I speak French

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<v Speaker 1>and Italian obviously, when there were stories which required those languages.

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<v Speaker 1>I would I would be sort of fact you were

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<v Speaker 1>the go to fact checker sometimes, Yeah, when you when

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<v Speaker 1>you would do the fact checking or I mean were

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<v Speaker 1>there once you enjoyed more like ones that were like

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<v Speaker 1>deep and intense and scientific or culture whatever, and did

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<v Speaker 1>you did you didn't love, You didn't love doing the

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<v Speaker 1>fact checking of the profile of some actress, or you

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<v Speaker 1>enjoyed all of it. I enjoyed all of it, you know. Listen.

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<v Speaker 1>I worked on a piece on TMZ by Nick Schmiddle,

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<v Speaker 1>which was a kind of investigative piece, and that was

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<v Speaker 1>a kind of crazy experience that was kind of so well,

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<v Speaker 1>I don't know, sort of more you know, kind of

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<v Speaker 1>input and sort of back and forth and lawyers and whatever.

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<v Speaker 1>Then most other pieces, you know, sometimes it would do

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<v Speaker 1>pieces on Iraq and Afghanistan and so on, and they

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<v Speaker 1>were quite less less lay in a stated how Darfy

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<v Speaker 1>or Harvey love them exactly exactly blash, But no, I

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<v Speaker 1>loved working with I mean the writers. They're a great

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<v Speaker 1>Patrick Keith, Sarah Stillman, Rachel I mean this this kind

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<v Speaker 1>of made Rebecca Mede. Rebecca was actually a sort of

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<v Speaker 1>wonderful early person I've fact checked quite quite early on

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<v Speaker 1>in my career there and then kind of ended up

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<v Speaker 1>sort of doing quite a lot with her, which was

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<v Speaker 1>quite fun. And we did a piece i remember on

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<v Speaker 1>adult and Cabano, and we just had like a lot

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<v Speaker 1>of back and forth with Dultri caban as people, and

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<v Speaker 1>it was just it was sort of hilarious because sometimes

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<v Speaker 1>you know, those sort of fashion stories and so on.

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<v Speaker 1>I mean, if you're talking with people in government and

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<v Speaker 1>so on, they kind of they have this attitude that, oh, well,

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<v Speaker 1>it's a story, it's going to go away, Whereas you know,

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<v Speaker 1>if it's a big fashion house and you know, this

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<v Speaker 1>is one of the few times that it appears in

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<v Speaker 1>The New Yorker, you know this year or in the

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<v Speaker 1>you know, in five years or whatever, they realized that

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<v Speaker 1>that's going to stick with the marketing for them. Yeah,

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<v Speaker 1>exactly a degree. Um well, I mean, I'm obviously in

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<v Speaker 1>every reader of The New Yorker. The thing I tend

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<v Speaker 1>to see when I when I was thinking about your

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<v Speaker 1>article and budgets and costs and things like that, is that,

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<v Speaker 1>you know, the magazine has obviously a menu in different articles.

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<v Speaker 1>There might be a profile, there might be you know,

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<v Speaker 1>there's obviously the shouts and murmurs and talk of the

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<v Speaker 1>town and so. But of the body of the pieces

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<v Speaker 1>that are not criticism or art or what have you,

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<v Speaker 1>there seems to be a limit, I would imagine of

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<v Speaker 1>the number of pieces that are this expansive, because it

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<v Speaker 1>must be expensive. Correct. You know, I started this piece

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<v Speaker 1>reporting it for as a book, and the first it

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<v Speaker 1>started as a as a sort of book reporting and

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<v Speaker 1>then and then kind of developed into New Yorker reporting.

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<v Speaker 1>So actually I funded some of it from my own money,

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<v Speaker 1>and then I used some of the New Yorker what

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<v Speaker 1>the New Yorker paid me to to sort of continue

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<v Speaker 1>the reporting. But actually, you know, this was a sort

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<v Speaker 1>of budget less piece at the beginning. You first became

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<v Speaker 1>aware of this when and how I first became aware

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<v Speaker 1>of this issue around cobalt mining because of somebody called

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<v Speaker 1>Dan Gutler. He is a mining billionaire who has sort

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<v Speaker 1>of made his wealth in the DRC, and he actually

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<v Speaker 1>made a lot of money. Buy he's from Israel. Originally

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<v Speaker 1>he came to DRC. It's a crazy story. Came when

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<v Speaker 1>he was about twenty three, and by the time he

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<v Speaker 1>was twenty six, he was in charge of the congo's

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<v Speaker 1>entire diamond export and then various sort of human rights

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<v Speaker 1>groups groups are like, wait, well, what's happening here. He

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<v Speaker 1>was very close to the ruling family and so he

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<v Speaker 1>was kind of booted off that and Congo said, look, listen,

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<v Speaker 1>look we've dealt with this problem. And suddenly it turned

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<v Speaker 1>out that he had a bunch of copper and cobalt

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<v Speaker 1>mines down in the south, which he seemed to be basically,

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<v Speaker 1>and this is very well documented by the Carter Center

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<v Speaker 1>and sort of human rights watching various other institutions, basically

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<v Speaker 1>he was selling them on for the ruling family to

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<v Speaker 1>finance their elections. So he had basically flipped the minds

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<v Speaker 1>and he became aware of him. How I became aware

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<v Speaker 1>of him. I have a very good friend of mine

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<v Speaker 1>who works in mining, and I was sort of casting

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<v Speaker 1>around for stories related to Africa, related to corruption and

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<v Speaker 1>so on, and he said, well, listen, I mean look,

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<v Speaker 1>no Risco exactly. And also actually Patrick Keith, who has

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<v Speaker 1>been a great sort of inspiration to me and I

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<v Speaker 1>worked with actually at the New Yorker, and you had

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<v Speaker 1>Alex Gibney on the show and he you know, they

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<v Speaker 1>collaborated on the opioid story acted to Patrick on the

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<v Speaker 1>street the other day with his family down in the village,

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<v Speaker 1>and I just said to myself, my god, I thought

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<v Speaker 1>they documented withal. So he'd done a piece on Bennie

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<v Speaker 1>stein Metz, who was a Israeli mining billionaire. I think

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<v Speaker 1>he's he's currently been arrested or he's on trial in Switzerland,

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<v Speaker 1>and he had basically taken control of an iron are

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<v Speaker 1>mine called Simon Do, which is in Guinea. And so

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<v Speaker 1>Patrick had done that story, and that was a kind

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<v Speaker 1>of great inspiration. And then I sort of went to Patrick,

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<v Speaker 1>and Patrick said, list and you should also follow the story.

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<v Speaker 1>It's a great idea. I've always wanted to do Gartler.

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<v Speaker 1>And then I arrived in Congo and I realized that

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<v Speaker 1>the Gartler story was very interesting, but it wasn't the

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<v Speaker 1>whole story. And actually what became more interested interesting to

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<v Speaker 1>me is the lives of these people. Just the hellish

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<v Speaker 1>existence of a cobalt minor, an artisanal cobalt minor have

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<v Speaker 1>to be preciser in the southern DRC. Now I read

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<v Speaker 1>the article and you become suspicious. So you become enlightened,

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<v Speaker 1>if you will, to the idea that huge swaths of

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<v Speaker 1>this continent are being exploited for these kinds of minerals,

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<v Speaker 1>and and and if I may say so, you'll let

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<v Speaker 1>you speak to this, not just the greatest hits like

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<v Speaker 1>petroleum based things, but these cobalts for lithium for modern technology, chips,

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<v Speaker 1>photovoltaic whatever they may be used for batteries, mostly correct

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<v Speaker 1>the lithium battery. It was it safe to say, you

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<v Speaker 1>talk about Guinea, you talk about d r C. Is

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<v Speaker 1>this happening all over Africa where these minerals exist, I mean, American, Israeli.

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<v Speaker 1>It doesn't matter pirates or when they're trying to grab

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<v Speaker 1>as much of it as they can. Well, it depends where.

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<v Speaker 1>Obviously some places are better regulated than others. Who's doing

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<v Speaker 1>a good job of regulating if you can say, I think,

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<v Speaker 1>for example, Zambia has had a better track record, although

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<v Speaker 1>now the sort of influx of Chinese wealth into Zambia

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<v Speaker 1>has sort of up ended some of that. And what

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<v Speaker 1>if he was seeking their copper as well. So it's

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<v Speaker 1>actually on the border with d r C. When I

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<v Speaker 1>was reporting some of this stuff, I actually flew to

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<v Speaker 1>Zambia to meet sort of renegade Congolese politician before he

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<v Speaker 1>was traveling back into the DRC. So yeah, no, it's

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<v Speaker 1>known as the Copper Belt, and it's it's a sort

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<v Speaker 1>of large the scene between the two countries exactly exactly.

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<v Speaker 1>And the other big one is coldtan actually, and that's

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<v Speaker 1>sort of been the focus of a lot of human

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<v Speaker 1>rights work because it is largely mined by sort of

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<v Speaker 1>army types and sort of war lords in the northeast

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<v Speaker 1>of the DRC. And coltan is used in capacitors, which

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<v Speaker 1>are sort of key for computers and batteries. That's also

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<v Speaker 1>been a big issue and people confuse that with cobalt,

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<v Speaker 1>and actually what's happening there is is slightly different from cobalt,

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<v Speaker 1>which is a kind of more of a mechanized, sort

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<v Speaker 1>of legitimized a type of trade. Well, the thing that

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<v Speaker 1>also struck me in terms of any story like this

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<v Speaker 1>with there's danger described to me what you had to

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<v Speaker 1>do in advanced security wise, you don't just land at

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<v Speaker 1>the airport and say in an uber and say take

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<v Speaker 1>me to you know, Cobal town. There must have been

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<v Speaker 1>a lot of preparatory steps you took and security steps took.

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<v Speaker 1>Give I'm assuming, and then talk about when you first

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<v Speaker 1>got there for the first time. What went on? Okay,

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<v Speaker 1>so yeah, the security steps. I mean, I've traveled to

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<v Speaker 1>quite a lot at this point of countries which sort

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<v Speaker 1>of have different complicated security profiles, At places like Yamen,

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<v Speaker 1>Western Sahara, in fact, this southern part of the d

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<v Speaker 1>r C. You know, there is the threat always of

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<v Speaker 1>randomized violence, but I, you know, had looked into it.

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<v Speaker 1>I've spoken to a couple of people who had been there.

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<v Speaker 1>I've spoken to a couple of journalists, and I don't

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<v Speaker 1>think there was a kind of threatening or kind of

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<v Speaker 1>looming threat. I wasn't particularly afraid that. You know, sometimes

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<v Speaker 1>traveling on the road at night, you'd be stopped at

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<v Speaker 1>roadblocks and there would be sort of policemen with guns

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<v Speaker 1>and they'll be drunk, and you know, then you get

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<v Speaker 1>a little bit nervous, and then we were sort of

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<v Speaker 1>held up in broad daylight. So I traveled with the

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<v Speaker 1>local journalist called Jeff Kazadi, who's a who's a wonderful

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<v Speaker 1>one a guy, and he's he's he was a great resource.

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<v Speaker 1>He worked as a translator. He was incredibly sort of

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<v Speaker 1>resourceful as well on on the ground, and he sort

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<v Speaker 1>of knew quite a few of the operators, and he

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<v Speaker 1>had worked with I believe CNN before and some other

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<v Speaker 1>journalists who had been down to do stories like this

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<v Speaker 1>or to do other types of stories in Southern DRC.

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<v Speaker 1>He works for a mining trade publication, so you know,

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<v Speaker 1>oftentimes he wanted to sort of look further into stories,

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<v Speaker 1>but because he works for an industry publication, it wasn't

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<v Speaker 1>the type of journalism that they were interested in. So

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<v Speaker 1>I contacted Jeff. I also contacted another journalist, ben Nyemba,

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<v Speaker 1>who who's based out of there, and he was interested

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<v Speaker 1>in this. So the first time I went, I went

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<v Speaker 1>with Jeff and Ben. We kind of thought about the

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<v Speaker 1>security risks and we discussed the different types of issues

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<v Speaker 1>along the road. Sometimes there were bandits and so on,

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<v Speaker 1>but usually if you're traveling in the daytime and you're

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<v Speaker 1>fairly safe along that road. So when I first arrived

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<v Speaker 1>in the South, I've been in Conshassa for a bit

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<v Speaker 1>and in many ways the South is much less hectic

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<v Speaker 1>lincl Chassa and I arrived on a local flight so

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<v Speaker 1>we didn't have to deal with customs. I stayed in

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<v Speaker 1>a sort of very downbeat hotel, which was an interesting

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<v Speaker 1>experience to say the least, there were a lot of

0:11:11.480 --> 0:11:13.520
<v Speaker 1>women coming in at night and leaving in the morning,

0:11:14.320 --> 0:11:20.280
<v Speaker 1>but afterwards everywhere, which is everywhere exactly. And then I

0:11:20.320 --> 0:11:24.000
<v Speaker 1>stayed the next two or three times I was there

0:11:24.040 --> 0:11:27.040
<v Speaker 1>in more kind of like hotels that sort of mining

0:11:27.080 --> 0:11:29.640
<v Speaker 1>execs had made their home. It was, you know, kind

0:11:29.640 --> 0:11:32.240
<v Speaker 1>of immediately there with people at the bar kind of

0:11:32.280 --> 0:11:34.559
<v Speaker 1>talking about their sort of the you know, the greatest

0:11:34.640 --> 0:11:38.240
<v Speaker 1>hits of you know, copper mines and cobalt mines, some

0:11:38.280 --> 0:11:41.280
<v Speaker 1>of the work that some of the useful work done there. Yeah,

0:11:41.320 --> 0:11:44.400
<v Speaker 1>and those are sort of like off the record chats usually,

0:11:44.559 --> 0:11:47.800
<v Speaker 1>but it helps you get get such a good sort

0:11:47.800 --> 0:11:49.720
<v Speaker 1>of context around this up. You know what else was

0:11:49.800 --> 0:11:55.120
<v Speaker 1>very useful useful is that I visited a mining conference

0:11:55.160 --> 0:11:57.920
<v Speaker 1>there as well and sort of met a lot of

0:11:57.960 --> 0:12:01.280
<v Speaker 1>people in the field. It was hosted by a South

0:12:01.320 --> 0:12:03.640
<v Speaker 1>African firm, but it was kind of visited by all

0:12:03.679 --> 0:12:06.000
<v Speaker 1>the sort of local potents and so on. It was

0:12:06.040 --> 0:12:09.719
<v Speaker 1>a sort of eye opening experience because people are very

0:12:09.720 --> 0:12:12.920
<v Speaker 1>aware of the problem of artisanal mining. And you have

0:12:13.000 --> 0:12:15.960
<v Speaker 1>to make the distinction between artisanal mining and industrial mining.

0:12:16.440 --> 0:12:19.720
<v Speaker 1>So artisanal mining is something somewhere between ten and thirty

0:12:19.760 --> 0:12:23.000
<v Speaker 1>percent of Congo's production every year. It really fluctuates depending

0:12:23.000 --> 0:12:25.920
<v Speaker 1>on you know, supply demands so on. And the rest

0:12:25.960 --> 0:12:28.640
<v Speaker 1>is industrial, which has done much in the way of

0:12:28.800 --> 0:12:31.800
<v Speaker 1>large mining firms anywhere else in the world. And do

0:12:31.880 --> 0:12:33.960
<v Speaker 1>the industrials want to put the artisanals out of work?

0:12:34.240 --> 0:12:37.960
<v Speaker 1>The industrials would probably prefer that the artisanals were not

0:12:38.200 --> 0:12:41.920
<v Speaker 1>there because there are serious human rights issues with some

0:12:42.040 --> 0:12:44.719
<v Speaker 1>of the artisanal minds, which with many of the artismal minds,

0:12:44.760 --> 0:12:49.240
<v Speaker 1>I would say some are led by cooperatives, and those

0:12:49.280 --> 0:12:52.320
<v Speaker 1>co operatives are sort of better about safety than other

0:12:52.400 --> 0:12:56.319
<v Speaker 1>sort of non coatrial co operative managed artisanal minds. However,

0:12:56.520 --> 0:12:59.760
<v Speaker 1>the big problem is that there's just been a huge

0:13:00.000 --> 0:13:02.360
<v Speaker 1>flux of people into that region. It's a gold rush.

0:13:02.480 --> 0:13:05.240
<v Speaker 1>It's a huge gold rush, and you really feel like

0:13:05.360 --> 0:13:07.400
<v Speaker 1>just people are arriving every day, that kind of thing.

0:13:07.400 --> 0:13:10.000
<v Speaker 1>There's a train that comes down from a place called

0:13:10.120 --> 0:13:13.040
<v Speaker 1>Mbuji Mai, which is in the middle of Congo, and

0:13:13.200 --> 0:13:15.920
<v Speaker 1>that is a place in which there used to be

0:13:15.960 --> 0:13:19.040
<v Speaker 1>a huge amount of diamond mining and that's been sort

0:13:19.040 --> 0:13:21.640
<v Speaker 1>of woefully mismanaged and the industry has kind of fallen

0:13:21.640 --> 0:13:23.600
<v Speaker 1>into pieces. So a lot of people who had some

0:13:23.720 --> 0:13:26.520
<v Speaker 1>mining experience and now sort of getting on that train

0:13:26.600 --> 0:13:29.440
<v Speaker 1>which goes through the sort of jungles and wilds of

0:13:29.520 --> 0:13:33.960
<v Speaker 1>Central Congo and comes to Lumumbashi and sort of people

0:13:34.000 --> 0:13:35.440
<v Speaker 1>are just sort of hanging off the side of that

0:13:35.480 --> 0:13:38.640
<v Speaker 1>train and it comes, you know, every two months or

0:13:38.720 --> 0:13:41.400
<v Speaker 1>something like that. Nobody really the the schedule basically works

0:13:41.440 --> 0:13:44.040
<v Speaker 1>on you know, whenever it's completely full, whenever they can

0:13:44.080 --> 0:13:46.640
<v Speaker 1>sort of get the engine running. And so with that,

0:13:46.960 --> 0:13:50.000
<v Speaker 1>you know, people come. And then the industrial mines are

0:13:50.040 --> 0:13:52.560
<v Speaker 1>sort of run by very few people, so they don't

0:13:52.600 --> 0:13:55.800
<v Speaker 1>have the capacity to observe resolve that labor force exactly.

0:13:55.880 --> 0:13:59.400
<v Speaker 1>They don't they can't hire. So yeah, I think they

0:13:59.559 --> 0:14:02.800
<v Speaker 1>arrived to participate in artisanal mining. Exactly. You arrived because

0:14:02.800 --> 0:14:04.320
<v Speaker 1>you think you're going to get rich and there's just

0:14:04.360 --> 0:14:06.840
<v Speaker 1>like a lot of stories about it and so on,

0:14:06.920 --> 0:14:09.400
<v Speaker 1>and you arrive and there's nothing to do apart from

0:14:09.520 --> 0:14:13.199
<v Speaker 1>artisanal mining basically, and people really exploit that they get

0:14:13.240 --> 0:14:16.679
<v Speaker 1>paid nothing. I mean, it's it's some people say that

0:14:16.720 --> 0:14:19.720
<v Speaker 1>there have been people who made lots and lots of money,

0:14:19.760 --> 0:14:22.640
<v Speaker 1>but I actually found that quite difficult to believe. After

0:14:22.800 --> 0:14:25.800
<v Speaker 1>spending two months there, I just so you went the

0:14:25.840 --> 0:14:27.560
<v Speaker 1>one on the one trip for two months. So I

0:14:27.560 --> 0:14:29.800
<v Speaker 1>went on one trip for a month, then I went

0:14:29.960 --> 0:14:32.720
<v Speaker 1>on another trip for ten days, and then I was

0:14:32.760 --> 0:14:35.040
<v Speaker 1>there for about almost a month the next time, so

0:14:35.400 --> 0:14:39.240
<v Speaker 1>two months. So when you arrive and you are in

0:14:39.280 --> 0:14:42.480
<v Speaker 1>the more decent hotel with people who seem to be

0:14:42.560 --> 0:14:44.640
<v Speaker 1>related to the whole enterprise, and you can church out

0:14:44.680 --> 0:14:46.880
<v Speaker 1>with him. Is the idea that when you arrive, you

0:14:46.960 --> 0:14:49.160
<v Speaker 1>don't go right into the belly of the beast and

0:14:49.200 --> 0:14:52.680
<v Speaker 1>go to where the artisanal mining is at full at

0:14:52.720 --> 0:14:55.040
<v Speaker 1>full throttle. You kind of work your way towards that is,

0:14:55.400 --> 0:14:57.000
<v Speaker 1>did you take a few days before you get into

0:14:57.000 --> 0:15:00.040
<v Speaker 1>the into the pits so to speak? Depends actually on

0:15:00.360 --> 0:15:02.360
<v Speaker 1>the different trips. On my second trip, I went straight

0:15:02.400 --> 0:15:04.920
<v Speaker 1>to the artisman mining because I spent a lot of time,

0:15:05.120 --> 0:15:07.480
<v Speaker 1>you know, talking with Seth Effricans about, you know, the

0:15:07.520 --> 0:15:10.000
<v Speaker 1>benefits of copper mining for the area. So you know,

0:15:10.080 --> 0:15:12.680
<v Speaker 1>I had all that material and I wanted to really

0:15:12.960 --> 0:15:16.360
<v Speaker 1>focus on the the artisanal miners, who were people that

0:15:16.440 --> 0:15:18.880
<v Speaker 1>sounded like they had not the right idea, but maybe

0:15:18.920 --> 0:15:21.080
<v Speaker 1>the better ideas about how this should be handled, what

0:15:21.120 --> 0:15:23.600
<v Speaker 1>should happen there for the greater good of everybody. So

0:15:23.680 --> 0:15:27.680
<v Speaker 1>there's a Catholic charity called Good Shepherd, called Ways, and

0:15:27.840 --> 0:15:32.080
<v Speaker 1>they've been incredibly sort of outspoken and sort of quite

0:15:32.080 --> 0:15:35.120
<v Speaker 1>sort of research focused as well around some of these issues.

0:15:35.480 --> 0:15:38.040
<v Speaker 1>They've put forward this plan which says, listen, you need

0:15:38.080 --> 0:15:41.120
<v Speaker 1>to develop other types of industry because you have to

0:15:41.200 --> 0:15:44.000
<v Speaker 1>understand this as like a as a cycle of which

0:15:44.040 --> 0:15:46.800
<v Speaker 1>corruption is only a part. There's also just the basic

0:15:46.840 --> 0:15:52.160
<v Speaker 1>fact of poverty and and need. So they have suggested

0:15:52.280 --> 0:15:56.640
<v Speaker 1>that agriculture would be a way of engaging the local population.

0:15:56.680 --> 0:15:59.000
<v Speaker 1>In fact, it's a very fertile region as well, and

0:15:59.120 --> 0:16:02.360
<v Speaker 1>something like ninety cent of Congo's food is imported, so

0:16:02.680 --> 0:16:06.160
<v Speaker 1>there's this kind of from other areas, from from Zambia,

0:16:06.200 --> 0:16:08.640
<v Speaker 1>from from other areas of the region. So there's this

0:16:08.720 --> 0:16:11.440
<v Speaker 1>kind and and import taxes are huge, and people are

0:16:11.480 --> 0:16:13.720
<v Speaker 1>making money every step of the way, and so on

0:16:13.720 --> 0:16:16.560
<v Speaker 1>and so forth, often not Congolese. So they say, listen,

0:16:16.560 --> 0:16:18.880
<v Speaker 1>why don't the Congolese grow their own food here? Why

0:16:18.880 --> 0:16:21.800
<v Speaker 1>don't people work on farms? And so I think that

0:16:21.800 --> 0:16:25.200
<v Speaker 1>that's a you know, there are large businesses that obviously

0:16:25.600 --> 0:16:28.560
<v Speaker 1>invested in this. I think that's actually something which would

0:16:28.600 --> 0:16:31.480
<v Speaker 1>be positive for them to do. So. There are also

0:16:31.560 --> 0:16:34.000
<v Speaker 1>some other groups like the Fair Cobalt Alliance, and then

0:16:34.040 --> 0:16:38.320
<v Speaker 1>there's another Chinese group. The u N doesn't have a

0:16:38.360 --> 0:16:40.960
<v Speaker 1>permanent presence, I don't think in con ways. Actually, a

0:16:41.000 --> 0:16:43.600
<v Speaker 1>lot of what they do in Congo is to do

0:16:43.640 --> 0:16:46.280
<v Speaker 1>with rebels in the north, and then they assisted with

0:16:46.480 --> 0:16:49.680
<v Speaker 1>war crimes tribunals in a city which was not too

0:16:49.720 --> 0:16:54.120
<v Speaker 1>far away. So they do mainly kind of like armed

0:16:54.160 --> 0:16:56.600
<v Speaker 1>conflict type stuff there. I didn't see any sort of

0:16:56.720 --> 0:16:59.400
<v Speaker 1>UN involvement, but I could you know, they could that

0:16:59.480 --> 0:17:01.440
<v Speaker 1>they could, Yeah, they could. They could be a UN

0:17:01.480 --> 0:17:03.880
<v Speaker 1>office that focuses on this, but it doesn't seem to

0:17:03.880 --> 0:17:07.200
<v Speaker 1>be a main priority because they're focused on, you know something,

0:17:07.240 --> 0:17:09.879
<v Speaker 1>what what year did you go there? I went and

0:17:10.160 --> 0:17:14.000
<v Speaker 1>right before the right before? How convenient for you? Wonderful?

0:17:14.320 --> 0:17:16.399
<v Speaker 1>And what is the national government? To the extent you

0:17:16.400 --> 0:17:18.720
<v Speaker 1>could you could ascertain when you're there, what's their position

0:17:18.720 --> 0:17:21.040
<v Speaker 1>of what's going on there? So the national government makes

0:17:21.119 --> 0:17:23.480
<v Speaker 1>kind of these overtures over and over again, saying we

0:17:23.560 --> 0:17:26.479
<v Speaker 1>can't have child labor whatever, and then the local government

0:17:26.480 --> 0:17:28.320
<v Speaker 1>will say the same thing, and they're like, we're cleaning

0:17:28.359 --> 0:17:30.280
<v Speaker 1>up the minds and then they used you know, these

0:17:30.359 --> 0:17:34.040
<v Speaker 1>kind of mind clean up activities in order to basically

0:17:34.119 --> 0:17:37.199
<v Speaker 1>sees more parts of the minds for themselves and you know,

0:17:37.400 --> 0:17:40.560
<v Speaker 1>kind of co opt local co operatives and so on.

0:17:40.600 --> 0:17:43.520
<v Speaker 1>And I document that in the piece. And at the

0:17:43.560 --> 0:17:46.040
<v Speaker 1>moment there's a bit of a power struggle happening down

0:17:46.080 --> 0:17:49.560
<v Speaker 1>in that region, and it's very unclear to me what's

0:17:49.560 --> 0:17:52.239
<v Speaker 1>actually happening in terms of like who's getting pieces of

0:17:52.240 --> 0:17:54.720
<v Speaker 1>the pie, But the fact is that it still continues. Actually,

0:17:54.720 --> 0:17:58.480
<v Speaker 1>I was speaking to a friend of mine who's a photographer,

0:17:58.560 --> 0:18:00.840
<v Speaker 1>Hugh can Sell a Cunningham who's done great, great work

0:18:01.040 --> 0:18:05.160
<v Speaker 1>and in the DRC. He was there last weekend and

0:18:05.240 --> 0:18:08.919
<v Speaker 1>he saw basically exactly the same condition. So it's not improving.

0:18:09.080 --> 0:18:11.240
<v Speaker 1>But I'm assuming for people who don't understand the way

0:18:11.280 --> 0:18:15.119
<v Speaker 1>these things work, it's that you have the corporate mining,

0:18:15.160 --> 0:18:18.400
<v Speaker 1>you have the industrial mining, which of course the government's

0:18:18.400 --> 0:18:20.080
<v Speaker 1>going to sanction that because they're gonna make a lot

0:18:20.080 --> 0:18:22.919
<v Speaker 1>of money. I'm assuming, just like the drug trade and

0:18:22.960 --> 0:18:25.880
<v Speaker 1>other parts of the world and South America for example,

0:18:26.119 --> 0:18:28.200
<v Speaker 1>they don't want it to go away. They can't make

0:18:28.200 --> 0:18:30.520
<v Speaker 1>a go away Beau. There'll be just so much illegal

0:18:30.560 --> 0:18:33.760
<v Speaker 1>activity and violence and bloodshed. Do they sit there and

0:18:33.800 --> 0:18:35.479
<v Speaker 1>say and they just write it off and say, well,

0:18:35.520 --> 0:18:37.760
<v Speaker 1>we have to tolerate a certain amount of artisanal mining

0:18:37.880 --> 0:18:40.719
<v Speaker 1>just to keep these people quiet and peaceful. Yeah, I mean,

0:18:40.800 --> 0:18:43.120
<v Speaker 1>I think I can make it go away. Yeah, I think.

0:18:43.400 --> 0:18:46.320
<v Speaker 1>Sometimes I'll say that, and sometimes they say, well, artismal

0:18:46.359 --> 0:18:49.520
<v Speaker 1>mining can't exist. And it was funny I interviewed the

0:18:49.560 --> 0:18:51.639
<v Speaker 1>governor at the time, and he basically said the same.

0:18:51.760 --> 0:18:53.600
<v Speaker 1>He said both of those things in the same interview.

0:18:53.800 --> 0:18:56.240
<v Speaker 1>So I don't think they really understood how to deal

0:18:56.280 --> 0:18:58.440
<v Speaker 1>with this problem. And and it is, it's a very

0:18:58.520 --> 0:19:00.760
<v Speaker 1>very complex issue. And I wouldn't say that I have

0:19:01.240 --> 0:19:03.520
<v Speaker 1>I have the answers, but I just don't think it's

0:19:03.560 --> 0:19:07.160
<v Speaker 1>being engaged with in a particularly robust manner. You also

0:19:07.200 --> 0:19:09.080
<v Speaker 1>have to think about that in terms of, you know,

0:19:09.560 --> 0:19:12.760
<v Speaker 1>the industrial minds which were brought many of them were

0:19:12.800 --> 0:19:15.600
<v Speaker 1>brought through this guy Gutler who's now in the U S. Actions.

0:19:15.600 --> 0:19:19.560
<v Speaker 1>There's actually Trump d sanctioned him for a bit who

0:19:19.600 --> 0:19:22.679
<v Speaker 1>knows why, and then and then he got re sanctioned.

0:19:22.880 --> 0:19:26.199
<v Speaker 1>And basically you have a system that relies on this

0:19:26.280 --> 0:19:30.200
<v Speaker 1>corruption and those funds are not going back to the people,

0:19:30.720 --> 0:19:33.320
<v Speaker 1>and then you have a situation in which, you know,

0:19:33.359 --> 0:19:35.160
<v Speaker 1>the minds are sold to big Western companies, and big

0:19:35.160 --> 0:19:38.359
<v Speaker 1>Western companies, you know, maybe don't participate directly in that,

0:19:38.440 --> 0:19:42.600
<v Speaker 1>but they work with people who are certainly questionable. Actually

0:19:42.640 --> 0:19:44.720
<v Speaker 1>it's not and forgive me a big Western companies has

0:19:44.760 --> 0:19:48.080
<v Speaker 1>not entirely correct a lot of Chinese companies. Actually, what

0:19:48.119 --> 0:19:50.840
<v Speaker 1>are the Chinese doing there? And how long have them in? Obviously, well,

0:19:50.840 --> 0:19:52.880
<v Speaker 1>when I think of China, I think of a place

0:19:52.920 --> 0:19:57.000
<v Speaker 1>that's obviously a vast a region of land and very

0:19:57.040 --> 0:20:00.879
<v Speaker 1>geologically and topographically and media at atically. What have you here?

0:20:00.880 --> 0:20:03.280
<v Speaker 1>I mean, it's a China sit enormous. They don't have

0:20:03.320 --> 0:20:06.679
<v Speaker 1>those resources in their own territory. So something like seventy

0:20:07.040 --> 0:20:09.560
<v Speaker 1>of the world's cobalt is actually in DRC. It's like

0:20:09.680 --> 0:20:13.399
<v Speaker 1>three point four million tons, which a huge, huge amount

0:20:13.480 --> 0:20:16.600
<v Speaker 1>of is that, And you know there are nickel mines

0:20:16.640 --> 0:20:19.560
<v Speaker 1>in Indonesia which also produced a cobalt as a byproduct.

0:20:19.600 --> 0:20:22.159
<v Speaker 1>And it's interesting if you look, one of China's biggest

0:20:22.160 --> 0:20:24.760
<v Speaker 1>battery manufacturers just bought one of the biggest nickel mines

0:20:24.800 --> 0:20:27.800
<v Speaker 1>in Indonesia. So they're really kind of making this resource

0:20:27.880 --> 0:20:31.880
<v Speaker 1>grab and they've understood how I think Ivan Glazenberg, who's

0:20:31.920 --> 0:20:33.840
<v Speaker 1>the head of Glencore, one of the big was the

0:20:33.840 --> 0:20:36.840
<v Speaker 1>head of Glencore, said this summer China Inc. Has realized

0:20:36.840 --> 0:20:39.400
<v Speaker 1>how important cobalt is and and they're they're kind of

0:20:39.760 --> 0:20:43.080
<v Speaker 1>starting to buy everything up. And where do Western manufacturers,

0:20:43.080 --> 0:20:45.000
<v Speaker 1>including the U S. Where do they get their cobalt from?

0:20:45.080 --> 0:20:47.520
<v Speaker 1>From the Chinese? From the Chinese, they're not buying their own, No,

0:20:47.600 --> 0:20:50.360
<v Speaker 1>they're not. They're not trying to develop that resource for themselves. Yeah,

0:20:50.480 --> 0:20:53.479
<v Speaker 1>BMW is is I think one of the few that

0:20:53.600 --> 0:20:56.840
<v Speaker 1>doesn't buy from the Chinese. They buy most of their

0:20:57.000 --> 0:20:59.800
<v Speaker 1>cobalt from a cobalt only mine in Morocco, but that's

0:20:59.800 --> 0:21:06.680
<v Speaker 1>where too small to supply the entire world. Journalist Nicolas

0:21:06.760 --> 0:21:10.680
<v Speaker 1>ni Arcos. If you like hearing about the inner workings

0:21:10.720 --> 0:21:13.760
<v Speaker 1>of some of the greatest journalistic outlets of our time,

0:21:14.320 --> 0:21:17.600
<v Speaker 1>check out my interview with New Yorker editor David Remnick.

0:21:18.280 --> 0:21:20.560
<v Speaker 1>The magazine is not the magazine if it doesn't have

0:21:20.600 --> 0:21:24.680
<v Speaker 1>a sense of humor. You're not in business to depress

0:21:24.760 --> 0:21:28.159
<v Speaker 1>the hell out of the reader unremittingly. It's like a

0:21:28.200 --> 0:21:31.800
<v Speaker 1>band having a set list. If you do everything, it's

0:21:31.840 --> 0:21:34.960
<v Speaker 1>all sixteenth notes from mentioning. So you got a divido

0:21:35.280 --> 0:21:37.800
<v Speaker 1>or will you sound like the Ramones? Although I've heard

0:21:37.800 --> 0:21:43.280
<v Speaker 1>of worse things. So you want some variation in tone, invoice,

0:21:43.600 --> 0:21:46.320
<v Speaker 1>and that's your responsibility, you feel, I feel all of

0:21:46.359 --> 0:21:51.119
<v Speaker 1>it's my responsibility. Here more of my conversation with David

0:21:51.119 --> 0:21:55.119
<v Speaker 1>Remnick in our archives that Here's the Thing dot org

0:21:55.760 --> 0:21:58.560
<v Speaker 1>after the break, Nicholas ni Archos and I talked about

0:21:58.600 --> 0:22:02.240
<v Speaker 1>his background and the big story he nearly broke in

0:22:02.359 --> 0:22:15.960
<v Speaker 1>high school. I'm Alec Baldwin and you were listening to

0:22:16.080 --> 0:22:19.480
<v Speaker 1>Here's the Thing. Nicholas ni Arcos, who could be living

0:22:19.520 --> 0:22:22.320
<v Speaker 1>a life of privilege instead can be found in the

0:22:22.359 --> 0:22:26.560
<v Speaker 1>Democratic Republic of the Congo reporting on human rights violations.

0:22:27.119 --> 0:22:29.960
<v Speaker 1>Ni Arcos grew up in London and came to the

0:22:30.080 --> 0:22:33.800
<v Speaker 1>United States to attend Yale. His family helped him develop

0:22:34.040 --> 0:22:37.760
<v Speaker 1>his interest in journalism. I grew up in the UK, London.

0:22:38.040 --> 0:22:40.880
<v Speaker 1>I was born in hand but we're born here. Your

0:22:40.880 --> 0:22:44.399
<v Speaker 1>father's Greek Greek. You're growing up in this famous family

0:22:44.760 --> 0:22:46.960
<v Speaker 1>and your father is obviously the son of the guy

0:22:46.960 --> 0:22:49.920
<v Speaker 1>that was the big dog there in the shipping business,

0:22:50.280 --> 0:22:52.920
<v Speaker 1>Stavros Niarchos. But what was it like in your home

0:22:53.000 --> 0:22:56.719
<v Speaker 1>and your family was where you ended up going into charism?

0:22:56.800 --> 0:23:00.200
<v Speaker 1>That was likely where everybody very interested in politic exce

0:23:00.240 --> 0:23:03.280
<v Speaker 1>and current affairs. And was your dad like rabid about that? Yeah,

0:23:03.320 --> 0:23:05.879
<v Speaker 1>my dad's sort of very interesting in current affairs. And

0:23:05.880 --> 0:23:09.000
<v Speaker 1>you know, my mom's family as well. My grandfather is

0:23:09.000 --> 0:23:12.719
<v Speaker 1>a writer, and my great grandparents many of them were

0:23:12.800 --> 0:23:16.280
<v Speaker 1>writers and travelers and many such things. And then actually

0:23:16.320 --> 0:23:20.760
<v Speaker 1>in high school, I did this anti school newspaper and

0:23:20.800 --> 0:23:24.040
<v Speaker 1>we actually ended up very very close to blowing the

0:23:24.080 --> 0:23:27.600
<v Speaker 1>lid on this kind of strange story where Chinese officials

0:23:27.600 --> 0:23:32.320
<v Speaker 1>were sort of paying this intermediary character to get their

0:23:32.400 --> 0:23:34.159
<v Speaker 1>kids into the school that I went to, which is

0:23:34.200 --> 0:23:36.679
<v Speaker 1>called Harrow. It's a kind of very stiff boarding school.

0:23:37.040 --> 0:23:39.679
<v Speaker 1>So we ended up almost writing the story and the

0:23:39.680 --> 0:23:42.600
<v Speaker 1>newspaper was shut down two years later the financial time.

0:23:42.720 --> 0:23:45.960
<v Speaker 1>Suddenly the guy has revealed to be somehow connected with

0:23:46.160 --> 0:23:49.840
<v Speaker 1>m I six and like one of the governors in

0:23:49.920 --> 0:23:53.159
<v Speaker 1>China basically was sort of taken down by it. And

0:23:53.400 --> 0:23:56.600
<v Speaker 1>this was kind of she jimping, kind of flexing his

0:23:56.680 --> 0:23:59.359
<v Speaker 1>muscles for the first time we had been so close

0:23:59.400 --> 0:24:01.600
<v Speaker 1>to doing that worry. You know, the only reason that

0:24:01.640 --> 0:24:03.800
<v Speaker 1>we didn't didn't run it was because the school had

0:24:03.840 --> 0:24:06.720
<v Speaker 1>basically said, like, you're not publishing this. So yeah, I

0:24:06.760 --> 0:24:08.440
<v Speaker 1>think that was the first time I really like saw

0:24:08.520 --> 0:24:11.640
<v Speaker 1>the power of journalism. And it was funny because they

0:24:11.720 --> 0:24:14.240
<v Speaker 1>banned that it was hard copying, and people sort of

0:24:14.280 --> 0:24:17.679
<v Speaker 1>hid it behind their notice boards in their dorm rooms

0:24:17.720 --> 0:24:19.800
<v Speaker 1>and then kind of passed it around, and you know,

0:24:19.920 --> 0:24:22.240
<v Speaker 1>by three days after publication, even though the school had

0:24:22.680 --> 0:24:25.080
<v Speaker 1>destroyed most of the copies, you know, everybody had read

0:24:25.080 --> 0:24:27.440
<v Speaker 1>it and it was this kind of great Athama at

0:24:27.440 --> 0:24:30.360
<v Speaker 1>the bar of journal star, a noble star. And your

0:24:30.400 --> 0:24:34.800
<v Speaker 1>mother is Irish English, she really I went to Dublin

0:24:35.000 --> 0:24:37.959
<v Speaker 1>once with my ex wife and my daughter and we

0:24:37.960 --> 0:24:41.480
<v Speaker 1>were there it was Christmas Eve and St. Stephen's Day

0:24:41.560 --> 0:24:44.240
<v Speaker 1>and we were staying at the Shelburne in because it

0:24:44.359 --> 0:24:47.160
<v Speaker 1>is the famous hotel. And they said to me, oh,

0:24:47.240 --> 0:24:50.520
<v Speaker 1>you've made a mistake now coming this week because everything's closed.

0:24:50.920 --> 0:24:54.800
<v Speaker 1>They said, this week everything's closed. Christmas Eve and Send

0:24:54.840 --> 0:24:58.280
<v Speaker 1>Stephen's Day, everything's closed, even the Guinness is closed. They said.

0:24:59.640 --> 0:25:02.439
<v Speaker 1>They were like, that's rare. I mean even the Guinness

0:25:02.440 --> 0:25:05.359
<v Speaker 1>factories closed, and we're like, well, my ship, what are

0:25:05.359 --> 0:25:07.720
<v Speaker 1>we going to do when we're here? So but you

0:25:07.720 --> 0:25:10.600
<v Speaker 1>you know, obviously when I saw your byline, then I

0:25:10.640 --> 0:25:12.840
<v Speaker 1>saw your name. You don't have to be my age

0:25:12.880 --> 0:25:16.200
<v Speaker 1>to know, you know, there are two great shipping families,

0:25:16.320 --> 0:25:19.800
<v Speaker 1>and yours just as recognizable to my generation as the

0:25:19.840 --> 0:25:22.480
<v Speaker 1>other one. But you lived in London and you first

0:25:22.520 --> 0:25:24.560
<v Speaker 1>came when you were born here. I grew up in London.

0:25:24.640 --> 0:25:26.080
<v Speaker 1>And when did you come back here to live? How

0:25:26.119 --> 0:25:27.960
<v Speaker 1>old were I came back here for college, go to school,

0:25:28.000 --> 0:25:30.080
<v Speaker 1>to go to school, and you decided to say, I

0:25:30.160 --> 0:25:31.679
<v Speaker 1>decided to stay. Why do you want to live here

0:25:31.680 --> 0:25:33.560
<v Speaker 1>and not from London? And the opposite, I want to

0:25:33.560 --> 0:25:34.960
<v Speaker 1>live in London and leave New York as soon as

0:25:35.880 --> 0:25:39.480
<v Speaker 1>I love London, I love New Yordon. You do, listen,

0:25:39.600 --> 0:25:41.399
<v Speaker 1>I feel like London. There's a you know, there's this

0:25:41.520 --> 0:25:44.240
<v Speaker 1>kind of idealized London of my sort of teenage years,

0:25:44.280 --> 0:25:47.360
<v Speaker 1>which had like a lot of kind of relaxed hangout places,

0:25:47.400 --> 0:25:50.280
<v Speaker 1>which is sort of shut down and it's easier for

0:25:50.280 --> 0:25:52.399
<v Speaker 1>you here. Well, no, it's just it's sort of become

0:25:52.480 --> 0:25:56.199
<v Speaker 1>it's become this kind of like very I don't know,

0:25:56.280 --> 0:25:59.720
<v Speaker 1>this kind of fake version of itself in a way,

0:25:59.760 --> 0:26:02.120
<v Speaker 1>and I feel like it's like a yeah, and it's

0:26:02.119 --> 0:26:05.399
<v Speaker 1>a lot of you know, like heritaging and like I

0:26:05.480 --> 0:26:08.919
<v Speaker 1>love these I want to live in a castle. I

0:26:08.960 --> 0:26:11.320
<v Speaker 1>watched The Crown and like, oh God, that would work

0:26:11.359 --> 0:26:13.480
<v Speaker 1>for me. I could live there. But when you finished

0:26:13.720 --> 0:26:15.960
<v Speaker 1>school you decided to stay here. And what were the

0:26:15.960 --> 0:26:18.320
<v Speaker 1>first job as you got in journalism? Um, so I

0:26:18.359 --> 0:26:21.199
<v Speaker 1>worked at the Nation. Described that experience. It was a

0:26:21.200 --> 0:26:23.679
<v Speaker 1>factory as an old friend of mine Katrina Katrina as well,

0:26:23.800 --> 0:26:26.200
<v Speaker 1>when when you talk about budgets, so the so the

0:26:26.280 --> 0:26:28.159
<v Speaker 1>Nation comes out, we were saying, that looks like a

0:26:28.160 --> 0:26:31.879
<v Speaker 1>college newspaper. Yeah, and that very very less expensive paper.

0:26:31.920 --> 0:26:35.080
<v Speaker 1>And so for the obviously they have their budgetary considerations,

0:26:35.200 --> 0:26:37.679
<v Speaker 1>but they're irreplaceable in terms of the reporting. Did you

0:26:37.760 --> 0:26:39.920
<v Speaker 1>enjoy that experience. It was a great experience. I worked

0:26:39.920 --> 0:26:42.960
<v Speaker 1>directly with Katrina as her fact checker and with her

0:26:43.280 --> 0:26:45.760
<v Speaker 1>late husband, Stephen Kern. And it was the time of

0:26:46.160 --> 0:26:49.600
<v Speaker 1>the Syrian chemical weapons and Obama's redline and so on,

0:26:49.640 --> 0:26:52.240
<v Speaker 1>and they were you know, I was called up on

0:26:52.240 --> 0:26:53.560
<v Speaker 1>a Sunday evening. I think this is one of my

0:26:53.600 --> 0:26:55.720
<v Speaker 1>first weeks there is caught up on a Sunday evening

0:26:55.760 --> 0:26:57.439
<v Speaker 1>and they were like, okay, you've got to be in

0:26:57.480 --> 0:27:00.879
<v Speaker 1>touch with the pc W, you know, four o'clock tomorrow

0:27:00.880 --> 0:27:03.920
<v Speaker 1>morning kind of thing. It was a fantastic experience. And

0:27:03.960 --> 0:27:06.919
<v Speaker 1>also the nation treats its interns very well, which was

0:27:06.960 --> 0:27:10.560
<v Speaker 1>something I hadn't necessarily always seen in the UK. And

0:27:10.760 --> 0:27:13.320
<v Speaker 1>you know, you were paid minimum wage. And there was

0:27:13.320 --> 0:27:15.880
<v Speaker 1>a kind of spirit of like community and activism there

0:27:16.080 --> 0:27:18.159
<v Speaker 1>which was which was really nice. And actually, by the

0:27:18.320 --> 0:27:21.879
<v Speaker 1>end of my time there, I had developed this story

0:27:22.040 --> 0:27:24.400
<v Speaker 1>based on a lead that I had gotten at journalism

0:27:24.440 --> 0:27:26.960
<v Speaker 1>school about this lawyer who had been wiretapped called Robert

0:27:27.000 --> 0:27:29.480
<v Speaker 1>Gottlieb and he was representing a guy called Addis mc

0:27:29.560 --> 0:27:33.919
<v Speaker 1>dungeon in and their conversations had been wiretapped by the FBI,

0:27:34.280 --> 0:27:36.719
<v Speaker 1>and that story hadn't been reported. So I sort of

0:27:36.920 --> 0:27:39.400
<v Speaker 1>reported that that out a little bit and then sort

0:27:39.440 --> 0:27:40.800
<v Speaker 1>of came to them and said list and I've been

0:27:40.840 --> 0:27:42.600
<v Speaker 1>working on this in my spare time, and they said

0:27:42.600 --> 0:27:45.120
<v Speaker 1>it sort of took a chance and published. Me. Looking

0:27:45.160 --> 0:27:47.120
<v Speaker 1>back on it, I mean, that's that's quite a sort

0:27:47.119 --> 0:27:50.280
<v Speaker 1>of bulls sort of risk taking. But I really appreciate

0:27:50.359 --> 0:27:52.520
<v Speaker 1>that because that was my first sort of big investigative

0:27:52.720 --> 0:27:55.800
<v Speaker 1>type magazine story. When you worked for the Guardian, did

0:27:55.800 --> 0:27:58.040
<v Speaker 1>you go back to the UK? No, So I've written

0:27:58.080 --> 0:28:00.359
<v Speaker 1>for The Guardian sort of independently as a free lancer,

0:28:00.359 --> 0:28:02.480
<v Speaker 1>and then I worked at the Guardian as a researcher,

0:28:02.640 --> 0:28:05.040
<v Speaker 1>Like right when I graduated college. What period of time

0:28:05.080 --> 0:28:07.840
<v Speaker 1>did you work with the Huffington Post. So I started

0:28:07.840 --> 0:28:10.720
<v Speaker 1>writing with the Afternoon Post in college and then I

0:28:10.800 --> 0:28:15.240
<v Speaker 1>kind of wrote for them for a year two ofterwards,

0:28:15.600 --> 0:28:19.720
<v Speaker 1>you know, for me finding sources, you know, sometimes I

0:28:19.760 --> 0:28:21.760
<v Speaker 1>read The Times and I think, well, there's the Times again.

0:28:22.280 --> 0:28:24.120
<v Speaker 1>And then sometimes they read the Times and I said,

0:28:24.160 --> 0:28:25.719
<v Speaker 1>this is not the Times anymore, you know. I mean

0:28:25.760 --> 0:28:28.719
<v Speaker 1>I get really really worried about their priorities, you know.

0:28:28.880 --> 0:28:31.199
<v Speaker 1>But The New Yorker has been for me, you know,

0:28:31.240 --> 0:28:33.320
<v Speaker 1>over the ark of many years, the most reliable in

0:28:33.440 --> 0:28:35.520
<v Speaker 1>terms of its integrity and what they cover in stories

0:28:35.560 --> 0:28:38.480
<v Speaker 1>they tell. And you had sent me the article from

0:28:38.840 --> 0:28:40.800
<v Speaker 1>John the Anderson, which I think which when I as

0:28:40.840 --> 0:28:43.240
<v Speaker 1>I was reading, I think I read this article when

0:28:43.280 --> 0:28:46.120
<v Speaker 1>when it first came out. Now, that article about South

0:28:46.160 --> 0:28:49.480
<v Speaker 1>America and I'd read other articles and books about the

0:28:49.520 --> 0:28:52.640
<v Speaker 1>work of the Nie and the uncontacted Indians and so forth.

0:28:53.080 --> 0:28:56.000
<v Speaker 1>You know, I would imagine for you that that and

0:28:56.240 --> 0:28:59.360
<v Speaker 1>writers like Anderson who write these broad and very complex pieces,

0:28:59.600 --> 0:29:02.320
<v Speaker 1>there's no shortage of stories for you to cover. I

0:29:02.320 --> 0:29:04.960
<v Speaker 1>mean you must be constantly having to make tough decisions

0:29:04.960 --> 0:29:06.520
<v Speaker 1>as to which ones you because when they come to you,

0:29:06.600 --> 0:29:08.400
<v Speaker 1>they don't sign, they ask you if you want to

0:29:08.400 --> 0:29:10.480
<v Speaker 1>do it? Correct, No, no, no, I was as a

0:29:10.480 --> 0:29:14.880
<v Speaker 1>freelance ipe pitch to place. Actually you pitched, okay, so

0:29:14.920 --> 0:29:17.200
<v Speaker 1>you you pitched to Remnick and his staff that you

0:29:17.200 --> 0:29:19.000
<v Speaker 1>want to do the piece based on your beginnings of

0:29:19.040 --> 0:29:23.040
<v Speaker 1>your book. But I would imagine again with the corner

0:29:23.080 --> 0:29:25.680
<v Speaker 1>copia of such stories that are out there, you must

0:29:25.720 --> 0:29:28.280
<v Speaker 1>be constantly wondering which one you want to do. Are

0:29:28.280 --> 0:29:30.239
<v Speaker 1>there are the many ideas you have for this kind

0:29:30.240 --> 0:29:33.040
<v Speaker 1>of thing? Absolutely, yeah, there there there are many ideas.

0:29:33.160 --> 0:29:36.120
<v Speaker 1>Part of it is also sort of editorial interest. I

0:29:36.160 --> 0:29:38.760
<v Speaker 1>was reading John Didion on Al Salvador last night, and

0:29:38.840 --> 0:29:40.719
<v Speaker 1>she was talking about when She Went, which I think

0:29:40.800 --> 0:29:44.000
<v Speaker 1>is two, and she talked about how it was a

0:29:44.040 --> 0:29:46.680
<v Speaker 1>period in which it was like phil and Hold and

0:29:46.800 --> 0:29:48.800
<v Speaker 1>so you know you'd value your story and then it

0:29:48.840 --> 0:29:50.960
<v Speaker 1>would be held by editors because you know, there wasn't

0:29:50.960 --> 0:29:53.080
<v Speaker 1>a huge amount of interest in Al Salvador. I've actually

0:29:53.120 --> 0:29:55.320
<v Speaker 1>seen that quite a lot with Yamen funny enough, which

0:29:55.360 --> 0:29:59.480
<v Speaker 1>is a conflict that's been going on since you know,

0:29:59.600 --> 0:30:02.280
<v Speaker 1>that's really something that's very, very difficult to get onto

0:30:02.280 --> 0:30:05.280
<v Speaker 1>people's radar. So it's actually also about getting those stories

0:30:05.360 --> 0:30:07.480
<v Speaker 1>onto editors radar. And there's a story that I want

0:30:07.520 --> 0:30:12.840
<v Speaker 1>to do about these complicated co operations between US forces

0:30:12.880 --> 0:30:15.920
<v Speaker 1>in Africa and local forces that have led to a

0:30:15.920 --> 0:30:19.200
<v Speaker 1>lot of civilian casualties and don't seem to be being

0:30:19.240 --> 0:30:22.080
<v Speaker 1>authorized on the highest level. But that's firstly a hard

0:30:22.120 --> 0:30:25.080
<v Speaker 1>story to like get rolling and to get sourced up.

0:30:25.120 --> 0:30:27.800
<v Speaker 1>So I'm trying to sort of bind more sources on that.

0:30:27.800 --> 0:30:30.560
<v Speaker 1>So if there any listeners, please get in touch. So

0:30:30.640 --> 0:30:33.720
<v Speaker 1>everywhere you go around the world, Africa, South America, whatever,

0:30:34.000 --> 0:30:37.880
<v Speaker 1>you see this exploitation for resources and from minerals, and

0:30:37.920 --> 0:30:40.560
<v Speaker 1>I'm just wondering if we'll ever see the day when

0:30:40.560 --> 0:30:42.600
<v Speaker 1>this country decides to come out on the right side

0:30:42.640 --> 0:30:44.760
<v Speaker 1>of that and try to prevent some of it. Like

0:30:44.880 --> 0:30:47.400
<v Speaker 1>we know what happened in in Equator. Just it's tragic.

0:30:47.440 --> 0:30:50.200
<v Speaker 1>It's tragic. Yeah, I mean, I think that there's there's

0:30:50.200 --> 0:30:53.640
<v Speaker 1>so much emphasis on sort of labor rights here. And

0:30:53.680 --> 0:30:56.400
<v Speaker 1>I listened to your show with Lumina Gonzalez and and

0:30:56.640 --> 0:30:58.760
<v Speaker 1>she know, she was talking about how, you know, people

0:30:58.760 --> 0:31:01.400
<v Speaker 1>getting the wave raging California and farms and things like that.

0:31:01.440 --> 0:31:03.120
<v Speaker 1>And I think that there is a lot of good

0:31:03.160 --> 0:31:06.160
<v Speaker 1>movement on that in the States. But somehow I feel

0:31:06.200 --> 0:31:10.440
<v Speaker 1>like we've just sort of exported all these issues and

0:31:10.440 --> 0:31:12.280
<v Speaker 1>and it's become this is a set of rules for us,

0:31:12.320 --> 0:31:14.880
<v Speaker 1>or a set of rules, Yeah, exactly, and that's kind

0:31:14.880 --> 0:31:21.600
<v Speaker 1>of become the sort of wages of globalization. Journalist Nicolas

0:31:21.680 --> 0:31:25.680
<v Speaker 1>ni Arcos. If you're enjoying this conversation, be sure to

0:31:25.800 --> 0:31:28.960
<v Speaker 1>subscribe to Here's the Thing on the I Heart Radio app,

0:31:29.040 --> 0:31:33.520
<v Speaker 1>Spotify or wherever you get your podcasts. When we come back,

0:31:33.960 --> 0:31:37.440
<v Speaker 1>Nicholas ni Arcos talks about some of the more challenging

0:31:37.480 --> 0:31:55.720
<v Speaker 1>aspects of his reporting in The Congo by Malic Baldwin,

0:31:55.960 --> 0:31:59.240
<v Speaker 1>and this is Here's the Thing Nicolas ni Arcos New

0:31:59.320 --> 0:32:03.600
<v Speaker 1>Yorker article or Buried Dreams exposed the way Cargolese cobalt

0:32:03.680 --> 0:32:07.520
<v Speaker 1>miners are exploited. In his reporting for the piece, he

0:32:07.600 --> 0:32:11.880
<v Speaker 1>witnessed many gut wrenching scenes. Yeah, I think the toughest

0:32:11.920 --> 0:32:14.400
<v Speaker 1>things that I saw were around the kids. You know

0:32:14.400 --> 0:32:16.280
<v Speaker 1>that you see a lot of kids with the former teas,

0:32:16.360 --> 0:32:20.600
<v Speaker 1>firstly because of the radioactive nature of the cobalt dust

0:32:20.760 --> 0:32:23.920
<v Speaker 1>heavy metals poisoning. In fact, actually this is something that

0:32:24.200 --> 0:32:26.120
<v Speaker 1>one of the fact checkers on the piece, Katie nud

0:32:26.200 --> 0:32:29.760
<v Speaker 1>Jim Badden, alerted me to the paternal exposure to some

0:32:29.840 --> 0:32:33.920
<v Speaker 1>of these materials is actually associated very heavily with birthday effects.

0:32:33.960 --> 0:32:37.560
<v Speaker 1>So that was very sad talking to parents, to wives

0:32:37.560 --> 0:32:41.320
<v Speaker 1>of people who had been killed in these landslides at mines.

0:32:41.920 --> 0:32:45.840
<v Speaker 1>And then obviously, you know, going to a school for

0:32:46.040 --> 0:32:49.200
<v Speaker 1>sort of kids who had been not actually run by

0:32:49.240 --> 0:32:52.240
<v Speaker 1>good shepherd, so kids who had been artisanal miners. And

0:32:52.280 --> 0:32:54.760
<v Speaker 1>then just like chatting with this kid Zicki, who's in

0:32:54.800 --> 0:32:57.560
<v Speaker 1>the piece as well. I mean he was working in

0:32:57.640 --> 0:33:00.719
<v Speaker 1>mind since he was three basically, and the sort of

0:33:00.760 --> 0:33:03.560
<v Speaker 1>pain and suffering, and then there was this moment where

0:33:03.560 --> 0:33:06.320
<v Speaker 1>I kind of you know, showed him my phone. I said, listen,

0:33:06.400 --> 0:33:08.560
<v Speaker 1>like the new iPhone is going for a thousand, two

0:33:08.600 --> 0:33:11.320
<v Speaker 1>hundred dollars and everybody there knows that it's going into batteries.

0:33:11.480 --> 0:33:13.800
<v Speaker 1>Something like fifty of the cobalt mine there just goes

0:33:14.080 --> 0:33:17.480
<v Speaker 1>into letting my own batteries. And I said to him, listen, like,

0:33:17.600 --> 0:33:19.160
<v Speaker 1>how do you feel about this? And he was just like,

0:33:19.640 --> 0:33:22.680
<v Speaker 1>I feel terrible. And I think he just had this

0:33:22.760 --> 0:33:25.880
<v Speaker 1>sort of moment of realization, which I really didn't want

0:33:25.880 --> 0:33:29.000
<v Speaker 1>to prompt, but he sort of thought, you know, how

0:33:29.040 --> 0:33:32.720
<v Speaker 1>can people sort of sanction such violence against people like me.

0:33:33.160 --> 0:33:35.080
<v Speaker 1>When Remnick was on the show, he said, the New

0:33:35.120 --> 0:33:38.080
<v Speaker 1>York Times is the weather. He wakes up in the

0:33:38.120 --> 0:33:39.440
<v Speaker 1>morning and the first thing he does is to read

0:33:39.480 --> 0:33:41.800
<v Speaker 1>the time of his whole entire media died. What's your

0:33:41.840 --> 0:33:43.760
<v Speaker 1>media died? When you're up in the morning, I would

0:33:43.760 --> 0:33:45.840
<v Speaker 1>say the Times as well. I like listening also to

0:33:45.880 --> 0:33:48.840
<v Speaker 1>the BBC Today program. That's such a good program, and

0:33:48.880 --> 0:33:51.480
<v Speaker 1>it's just very good to keep up with news from

0:33:51.480 --> 0:33:54.280
<v Speaker 1>the UK as well. No TV news, No, I don't

0:33:54.320 --> 0:33:56.280
<v Speaker 1>have a TV and I'm not one of those people,

0:33:58.400 --> 0:34:00.520
<v Speaker 1>you know. Actually, while I was in Africa, I really

0:34:00.680 --> 0:34:03.720
<v Speaker 1>you know, reporting actually in the Sahara and so on,

0:34:03.760 --> 0:34:06.960
<v Speaker 1>like most of the places you get France, fanc, France

0:34:07.000 --> 0:34:09.600
<v Speaker 1>twenty four, you know, everywhere, everywhere ago and I kind

0:34:09.600 --> 0:34:11.640
<v Speaker 1>of when I'm in Africa, I watched a lot of

0:34:11.680 --> 0:34:15.400
<v Speaker 1>France twenty four and r F which is Ra franc

0:34:15.560 --> 0:34:18.960
<v Speaker 1>at n and that's great as well. I mean they're

0:34:18.960 --> 0:34:22.200
<v Speaker 1>just that they're really like, I don't know, I find

0:34:22.360 --> 0:34:26.319
<v Speaker 1>that sort of French quality of journalism, maybe sometimes influenced

0:34:26.320 --> 0:34:29.239
<v Speaker 1>by French foreign policy, but actually they go very deep

0:34:29.239 --> 0:34:31.960
<v Speaker 1>into a lot of issues that I'm interested in. The

0:34:32.000 --> 0:34:35.360
<v Speaker 1>other publication that I wanted to mention is jeanne Frique,

0:34:35.400 --> 0:34:39.560
<v Speaker 1>which is a sort of I think it's France based,

0:34:39.560 --> 0:34:42.560
<v Speaker 1>where they cover lots of Africa, especially French speaking Africa,

0:34:43.040 --> 0:34:46.680
<v Speaker 1>in depth, and again often with a kind of French

0:34:46.719 --> 0:34:50.160
<v Speaker 1>twist or French foreign policy twist. What's the status of

0:34:50.200 --> 0:34:52.000
<v Speaker 1>the book at the moment. I'm in the middle of

0:34:52.160 --> 0:34:56.879
<v Speaker 1>writing it, reporting it, traveling. Yeah, exactly, when you come out.

0:34:57.880 --> 0:34:59.640
<v Speaker 1>I hope to work on it all of next year

0:34:59.680 --> 0:35:02.520
<v Speaker 1>and then the next year basically because you're doing other things,

0:35:02.600 --> 0:35:04.920
<v Speaker 1>because I'm doing other things and I'm also just doing

0:35:04.960 --> 0:35:07.520
<v Speaker 1>a lot of reporting on this as well. What's a

0:35:07.560 --> 0:35:09.959
<v Speaker 1>story you wouldn't tell what's a story that that people

0:35:10.000 --> 0:35:11.840
<v Speaker 1>suggested to you and your thought that's not from me?

0:35:12.239 --> 0:35:14.560
<v Speaker 1>If if you have, you've been asked to do profiles

0:35:14.600 --> 0:35:16.560
<v Speaker 1>of movie stars and things like that to get a

0:35:16.560 --> 0:35:19.400
<v Speaker 1>paycheck into work, and you that didn't interest you. What

0:35:19.480 --> 0:35:22.000
<v Speaker 1>don't you want to do? I think sort of gossip

0:35:22.200 --> 0:35:24.520
<v Speaker 1>and sort of crying into people's personal lives. I think

0:35:24.520 --> 0:35:28.160
<v Speaker 1>probably things that you also probably wouldn't like, so you

0:35:28.200 --> 0:35:30.920
<v Speaker 1>didn't know the half of it. Yeah. Now I'm not

0:35:31.000 --> 0:35:33.040
<v Speaker 1>saying this to be kind. And when you're this incredibly

0:35:33.120 --> 0:35:35.680
<v Speaker 1>smart guy and I loved your piece, I can't wait

0:35:35.680 --> 0:35:37.279
<v Speaker 1>for the book to come out. Do you have any

0:35:37.280 --> 0:35:40.759
<v Speaker 1>appetite for documentary film and filmmaking. I'd love to do

0:35:40.760 --> 0:35:44.280
<v Speaker 1>documentary film and filmmaking. Um. Actually, when I graduated from Columbia,

0:35:44.320 --> 0:35:48.000
<v Speaker 1>I went and made a mini doc about Roma gypsy

0:35:48.000 --> 0:35:52.120
<v Speaker 1>trumpet players in Serbia and Serbian nationals and that was

0:35:52.200 --> 0:35:54.720
<v Speaker 1>really a really, really fun experience. But you know, writing

0:35:54.719 --> 0:35:57.520
<v Speaker 1>has always been my first love. I feel like the

0:35:57.600 --> 0:36:00.680
<v Speaker 1>work you're doing, I mean, these stories are the stories

0:36:00.719 --> 0:36:03.799
<v Speaker 1>people need to hear. Where there was injustice like this

0:36:04.400 --> 0:36:07.319
<v Speaker 1>and where this there this exploitation. We have a set

0:36:07.320 --> 0:36:09.680
<v Speaker 1>of rules here in this country for our own and

0:36:09.719 --> 0:36:12.000
<v Speaker 1>there's things that we would never allowed. We'd be screaming

0:36:12.000 --> 0:36:15.360
<v Speaker 1>from the mountaintops if we had this radioactive situation and

0:36:15.440 --> 0:36:17.600
<v Speaker 1>children being contamn we and we have things like that

0:36:17.640 --> 0:36:20.160
<v Speaker 1>in this country now. But but when it is exposed,

0:36:20.160 --> 0:36:22.719
<v Speaker 1>when it is brought to light, I'll never forget, you know,

0:36:23.000 --> 0:36:24.919
<v Speaker 1>being a New Yorker. One of the things I loved

0:36:25.120 --> 0:36:27.839
<v Speaker 1>about being a New Yorker is the indignation and the

0:36:27.880 --> 0:36:31.520
<v Speaker 1>outrage are never packed away. People carry a little bottle

0:36:31.560 --> 0:36:34.920
<v Speaker 1>of it with them. And when the needles all washed

0:36:35.000 --> 0:36:36.960
<v Speaker 1>up and all the medical waste washed up on the

0:36:36.960 --> 0:36:39.279
<v Speaker 1>shores of New Jersey years ago, it was on the

0:36:39.320 --> 0:36:42.800
<v Speaker 1>front page of People Went insane. They're like the beaches

0:36:42.800 --> 0:36:45.040
<v Speaker 1>of New Jersey and all these families go there and

0:36:45.080 --> 0:36:47.640
<v Speaker 1>all this contamnity. I mean, people went nuts. And of

0:36:47.680 --> 0:36:51.960
<v Speaker 1>course writing books is is important, but that medium of

0:36:51.960 --> 0:36:54.520
<v Speaker 1>film is another layer that you should really really consider.

0:36:54.840 --> 0:36:56.560
<v Speaker 1>You know, I've written about aunt, I've written a boy.

0:36:56.800 --> 0:36:58.399
<v Speaker 1>I was a restaurant review while I was a fat

0:36:58.480 --> 0:37:00.480
<v Speaker 1>checker in the New Yorker. So I've did you review

0:37:00.520 --> 0:37:03.360
<v Speaker 1>restaurants for the Yoka in the city. How old you

0:37:03.400 --> 0:37:05.839
<v Speaker 1>do that two years. It was great and I did

0:37:05.840 --> 0:37:08.319
<v Speaker 1>Buzz as well. It was fun because you know at

0:37:08.320 --> 0:37:09.759
<v Speaker 1>the time, you know they would give you a couple

0:37:09.760 --> 0:37:11.960
<v Speaker 1>of hundred bucks to get to restaurants. And I did

0:37:12.040 --> 0:37:15.359
<v Speaker 1>Del Posto with Frank Bruney. Okay, we went to one

0:37:15.440 --> 0:37:17.880
<v Speaker 1>of his sittings and Marine doubts that would you like

0:37:17.960 --> 0:37:20.440
<v Speaker 1>to come with Frank and I and a fourth person.

0:37:20.760 --> 0:37:23.040
<v Speaker 1>He's going to review Del Posto And I said, okay,

0:37:23.400 --> 0:37:25.840
<v Speaker 1>here's the rules. He orders for everybody because he has

0:37:25.880 --> 0:37:27.279
<v Speaker 1>to eat everything on the menu. So the four of

0:37:27.280 --> 0:37:28.879
<v Speaker 1>you have to have what he tells you to eat,

0:37:29.320 --> 0:37:30.960
<v Speaker 1>and they're going to pass the plates or whatever you

0:37:30.960 --> 0:37:32.799
<v Speaker 1>can all sample, but he's going to do the order

0:37:32.920 --> 0:37:34.920
<v Speaker 1>because he must eat every item on the menu. He

0:37:34.920 --> 0:37:37.480
<v Speaker 1>goes back four and five times and baba ba and

0:37:37.480 --> 0:37:39.920
<v Speaker 1>and he he took me through the whole reality of

0:37:39.960 --> 0:37:42.120
<v Speaker 1>Frank's life. So what was it like, were you going

0:37:42.120 --> 0:37:43.920
<v Speaker 1>four and five times to a restaurant or no, no, no,

0:37:44.000 --> 0:37:46.640
<v Speaker 1>you go two times to the restaurant. Did they eventually

0:37:46.680 --> 0:37:49.400
<v Speaker 1>catch on who you were? No? Not ready, but one

0:37:49.440 --> 0:37:52.200
<v Speaker 1>of the best experienced experiences doing that. I went to

0:37:52.440 --> 0:37:55.200
<v Speaker 1>SMILEI Restaurant in Harlem, and then I came back after

0:37:55.239 --> 0:37:57.359
<v Speaker 1>the review. I live up in Harlem, so it kind

0:37:57.360 --> 0:38:00.480
<v Speaker 1>of was trying to rap Harlem restaurants. And I came

0:38:00.520 --> 0:38:02.279
<v Speaker 1>back after the review and there were like lines around

0:38:02.280 --> 0:38:04.839
<v Speaker 1>the block. It was great. It's really fun and it's

0:38:04.840 --> 0:38:06.840
<v Speaker 1>a wonderful place. I stand by my review. So that

0:38:06.920 --> 0:38:12.640
<v Speaker 1>was a nice moment. Do you identify as Greek, Irish, British, American,

0:38:13.280 --> 0:38:17.520
<v Speaker 1>a journalist or all of the above? All of the above,

0:38:17.560 --> 0:38:19.719
<v Speaker 1>But I I think that my Greek roots are very

0:38:19.800 --> 0:38:22.759
<v Speaker 1>very important to me, and I feel very very strongly that,

0:38:23.120 --> 0:38:26.080
<v Speaker 1>you know, Greece is a troubled place but also somewhere

0:38:26.080 --> 0:38:28.480
<v Speaker 1>where one can do a lot of good. I like

0:38:28.719 --> 0:38:32.279
<v Speaker 1>the spirit of Greeks and Greeks abroad and this kind

0:38:32.280 --> 0:38:37.200
<v Speaker 1>of journeying spirit. There's a poem by corsadovaf Is called Ithaca,

0:38:37.280 --> 0:38:39.840
<v Speaker 1>which is probably the most famous modern Greek poem, and

0:38:39.880 --> 0:38:42.520
<v Speaker 1>he talks about like hope as you set out for Ithaca,

0:38:42.760 --> 0:38:45.200
<v Speaker 1>so you're sort of setting out for coming back home

0:38:45.400 --> 0:38:48.960
<v Speaker 1>as Odysseus. You hope that your journey is a long one,

0:38:49.239 --> 0:38:50.920
<v Speaker 1>so you hope that you have this kind of like

0:38:51.120 --> 0:38:54.360
<v Speaker 1>journey which is full of adventures and cyclops and like

0:38:54.600 --> 0:38:57.640
<v Speaker 1>dragonians and so on. So I like that sort of aspect,

0:38:57.680 --> 0:38:59.840
<v Speaker 1>and I think I probably sort of see myself in

0:39:00.120 --> 0:39:07.440
<v Speaker 1>Mold as well. I suppose journalist Nicholas ni ArkOS. This

0:39:07.520 --> 0:39:12.040
<v Speaker 1>episode was produced by Kathleen Russo, Carrie Donohue, Maureen Hoban,

0:39:12.280 --> 0:39:17.800
<v Speaker 1>and Zach McNeice. Our engineer is Frank Imperial. I'm Alec Baldwin.

0:39:17.880 --> 0:39:20.920
<v Speaker 1>Here's the thing is brought to you by iHeart Radio