1
00:00:02,600 --> 00:00:16,560
Speaker 1: Radio Radio Radio Commies of Myth and Bullshit a radio

2
00:00:16,600 --> 00:00:23,560
Speaker 1: phonic novella Local Radio hosted by Malamocamore is welcome to

3
00:00:23,640 --> 00:00:27,240
Speaker 1: Season three of Local Radio. Look At a Radio is

4
00:00:27,280 --> 00:00:30,760
Speaker 1: a radio phonic novella archiving the brilliance and legacies of

5
00:00:30,800 --> 00:00:33,640
Speaker 1: women and firms of color. I'm Yosa and I'm Mala

6
00:00:33,880 --> 00:00:36,440
Speaker 1: and we are last Mammies of Myth and Bullshit, last

7
00:00:36,520 --> 00:00:40,800
Speaker 1: local radio radio phonic novela, which is just a really

8
00:00:40,800 --> 00:00:44,920
Speaker 1: really extra way of saying podcast. Our theme this season

9
00:00:45,040 --> 00:00:50,800
Speaker 1: is because spem revenge has never sounded so sweet. You

10
00:00:50,840 --> 00:00:57,560
Speaker 1: are tuned into Capitol Sino La, our first capitol and

11
00:00:57,640 --> 00:01:01,160
Speaker 1: as always, look At a Radio is recorded at Radio Espasio,

12
00:01:01,320 --> 00:01:04,600
Speaker 1: a community radio station hosted out of Espasio eight thirty

13
00:01:04,680 --> 00:01:07,360
Speaker 1: nine and Boil Heights. Thank you for joining us. Thank you,

14
00:01:07,400 --> 00:01:10,520
Speaker 1: thank you, thank you for tuning in once again. And

15
00:01:10,680 --> 00:01:12,880
Speaker 1: we have um some announcements we need to make. We

16
00:01:12,920 --> 00:01:15,319
Speaker 1: have some things we gotta say housekeeping before we get

17
00:01:15,319 --> 00:01:18,440
Speaker 1: into the gardener of our episode. Right usual, Yes, you know,

18
00:01:18,560 --> 00:01:21,480
Speaker 1: for your announcements, So we want to first we have

19
00:01:21,600 --> 00:01:23,200
Speaker 1: some major thank you as we want to thank our

20
00:01:23,240 --> 00:01:27,920
Speaker 1: locomotives Jess and Tony for contributing fifty dollars each to

21
00:01:28,000 --> 00:01:31,160
Speaker 1: our VENMO as a reminder. As you know, Look At

22
00:01:31,160 --> 00:01:33,800
Speaker 1: Thought a Radio is a passion project. We don't get

23
00:01:33,800 --> 00:01:37,680
Speaker 1: paid to record, um the audio is free, so it's

24
00:01:37,720 --> 00:01:41,160
Speaker 1: really important that you know the community does support the

25
00:01:41,200 --> 00:01:44,720
Speaker 1: work and if you feel so inclined, if you would

26
00:01:44,760 --> 00:01:47,319
Speaker 1: like to support the project, you can always venmo us

27
00:01:47,720 --> 00:01:51,200
Speaker 1: at look at a Dash Radio. Yeah, and you know,

28
00:01:51,280 --> 00:01:55,480
Speaker 1: every dollar really does count. Justin Tony's contributions literally paid

29
00:01:55,520 --> 00:01:58,120
Speaker 1: for our props and went towards set design for our

30
00:01:58,120 --> 00:02:00,600
Speaker 1: most recent photo shoots. If you have checked out the

31
00:02:00,640 --> 00:02:04,480
Speaker 1: flyer for season three our season three announcement on the Instagram,

32
00:02:04,600 --> 00:02:08,160
Speaker 1: it's so beautiful. Also, we want to thank Chava and

33
00:02:08,200 --> 00:02:11,880
Speaker 1: Michelle that did our photos and edited the fire for us.

34
00:02:11,919 --> 00:02:15,520
Speaker 1: So just know that your contributions go directly back into

35
00:02:15,600 --> 00:02:20,720
Speaker 1: local our radio production costs. Yes, thank you again, Justin Tony.

36
00:02:20,840 --> 00:02:24,359
Speaker 1: Your contributions literally paid for our most recent photo shoots,

37
00:02:24,360 --> 00:02:28,240
Speaker 1: so we appreciate you literally literally, so check out the venmo.

38
00:02:28,400 --> 00:02:32,440
Speaker 1: We appreciate you. We are also growing as a podcast

39
00:02:32,720 --> 00:02:35,359
Speaker 1: and it's super, super super exciting. We have a new

40
00:02:35,400 --> 00:02:38,720
Speaker 1: member of our team. Yes, we do so, as you know,

41
00:02:39,120 --> 00:02:42,240
Speaker 1: we actually put out a call and we received a

42
00:02:42,240 --> 00:02:46,840
Speaker 1: ton of applications for our digital media internship. And this

43
00:02:46,919 --> 00:02:50,520
Speaker 1: is our very first time hiring somebody on to work

44
00:02:50,520 --> 00:02:53,960
Speaker 1: on our team. UM, somebody that's outside of our immediate circle.

45
00:02:54,560 --> 00:02:57,760
Speaker 1: So we're super excited. UM. It was such a hard decision,

46
00:02:57,919 --> 00:03:00,520
Speaker 1: So first of all, thank you to every single one

47
00:03:00,520 --> 00:03:04,120
Speaker 1: of you that applied, Like know that we read your

48
00:03:04,200 --> 00:03:06,560
Speaker 1: resumes and we looked at all of your artwork and

49
00:03:06,600 --> 00:03:10,000
Speaker 1: all of your content with like so much love. UM,

50
00:03:10,040 --> 00:03:11,799
Speaker 1: And it was a really difficult decision, but we did

51
00:03:11,919 --> 00:03:16,760
Speaker 1: hire on our new intern. Her name is Alanis Alvarez

52
00:03:17,520 --> 00:03:19,760
Speaker 1: and um, she's from New York. She was born and

53
00:03:19,800 --> 00:03:24,160
Speaker 1: raised in South Florida, UM, going between Fort Lauderdale and Miami.

54
00:03:24,360 --> 00:03:27,680
Speaker 1: She was raised by two moms. UM, but staying in

55
00:03:27,720 --> 00:03:30,359
Speaker 1: touch with her biological family was like a modern family

56
00:03:30,400 --> 00:03:33,760
Speaker 1: episode that actually made you laugh and not crash. This

57
00:03:33,800 --> 00:03:37,760
Speaker 1: is according to her. She moved to New York for University,

58
00:03:37,760 --> 00:03:40,280
Speaker 1: where she studies political science and argues with a lot

59
00:03:40,280 --> 00:03:44,760
Speaker 1: of bros. We know what that's like that she also

60
00:03:45,640 --> 00:03:48,920
Speaker 1: teaches reproductive health to her local Latino community for the

61
00:03:48,960 --> 00:03:51,120
Speaker 1: past four years and love us every second of it.

62
00:03:51,440 --> 00:03:54,200
Speaker 1: She spent almost most of her time painting and is

63
00:03:54,240 --> 00:03:56,680
Speaker 1: likely to have coffee in her hand at any given time.

64
00:03:57,200 --> 00:04:00,360
Speaker 1: Family turned twenty two last November and she spent it

65
00:04:00,400 --> 00:04:03,320
Speaker 1: watching old rum comps and Sipo Chatta with her two

66
00:04:03,360 --> 00:04:06,320
Speaker 1: best buds. Sounds like the type of girl. Yeah, so

67
00:04:06,440 --> 00:04:09,080
Speaker 1: welcome aboard, Welcome Aboard. You can follow her on i

68
00:04:09,160 --> 00:04:13,680
Speaker 1: G and Twitter. Her handle is Alanie makes Art and UM,

69
00:04:13,680 --> 00:04:15,560
Speaker 1: Alaniz is going to be really doing a lot of

70
00:04:15,560 --> 00:04:18,839
Speaker 1: our visuals for the Instagram. So um, as you see

71
00:04:18,839 --> 00:04:21,920
Speaker 1: our Instagram grow and change and develop, we we can

72
00:04:21,960 --> 00:04:25,440
Speaker 1: thank Alanis for that. We also want to thank l

73
00:04:25,520 --> 00:04:29,320
Speaker 1: A Magazine, Thank you very much and Pamela Avila for

74
00:04:29,440 --> 00:04:32,359
Speaker 1: including look a Look at about our Radio for including

75
00:04:32,400 --> 00:04:36,080
Speaker 1: us in two different l A mag features in two

76
00:04:36,080 --> 00:04:39,400
Speaker 1: different list sicals, So thank you so much for having us. Yeah,

77
00:04:39,440 --> 00:04:43,640
Speaker 1: it was so incredible to enden with some really great

78
00:04:43,680 --> 00:04:46,599
Speaker 1: press coverage. UM. Two of the articles came out like

79
00:04:46,640 --> 00:04:49,279
Speaker 1: the last week of December, which was incredible, and the

80
00:04:49,279 --> 00:04:51,919
Speaker 1: first one was that Angelinos were rooting for in twenty nineteen,

81
00:04:52,480 --> 00:04:56,080
Speaker 1: and then one feature about Latinox podcast to subscribe to

82
00:04:56,400 --> 00:04:58,400
Speaker 1: that are based in l A and a lot of

83
00:04:58,400 --> 00:05:01,600
Speaker 1: our friends were on it, which was super super cool. Yeah. Um,

84
00:05:01,600 --> 00:05:05,080
Speaker 1: and we're featured in l ME three times. Yeah, you know,

85
00:05:05,440 --> 00:05:07,919
Speaker 1: bragging rights. I think I think like we can boast

86
00:05:07,960 --> 00:05:10,159
Speaker 1: a little bit, Yeah, a little bit. Yeah, And we

87
00:05:10,200 --> 00:05:13,520
Speaker 1: were also on for We were also Fords also Forks.

88
00:05:13,560 --> 00:05:17,039
Speaker 1: Also more announcements in that world coming right right. So,

89
00:05:17,480 --> 00:05:19,599
Speaker 1: also just a reminder, you know, we're going to plug it.

90
00:05:19,600 --> 00:05:21,720
Speaker 1: It is what it is. If you're a writer really

91
00:05:21,839 --> 00:05:24,160
Speaker 1: is interested in talking to us, please send us an

92
00:05:24,160 --> 00:05:26,920
Speaker 1: email at locals on our Radio at gmail dot com. Yeah,

93
00:05:26,960 --> 00:05:28,840
Speaker 1: I hit us up. Contact us. Email is the best

94
00:05:28,839 --> 00:05:31,560
Speaker 1: way to do it. Yes, thank you, thank you. So. Um.

95
00:05:31,680 --> 00:05:34,360
Speaker 1: One final announcement before we get into our gup beat

96
00:05:34,360 --> 00:05:37,240
Speaker 1: the Low, we are partnering with the Los Angeles Public

97
00:05:37,279 --> 00:05:41,880
Speaker 1: Library this year for their l A Maide series. We

98
00:05:42,000 --> 00:05:45,600
Speaker 1: will be bringing our Latin X tech podcasting one o

99
00:05:45,720 --> 00:05:49,120
Speaker 1: one workshops to the community. We're gonna be hosting free

100
00:05:49,160 --> 00:05:52,200
Speaker 1: podcasting one on one workshops at a ton like a

101
00:05:52,200 --> 00:05:54,880
Speaker 1: whole mess of different l A Public Library branches throughout

102
00:05:54,880 --> 00:05:57,800
Speaker 1: the city. Yeah, we're super excited. We're literally going to

103
00:05:57,880 --> 00:06:02,120
Speaker 1: be all over l A County. Um, facilitating these workshops

104
00:06:02,120 --> 00:06:04,440
Speaker 1: specifically for you if I mean, they're intended for all,

105
00:06:04,480 --> 00:06:09,840
Speaker 1: but we're really really excited to be facilitating. Uh, we're

106
00:06:09,880 --> 00:06:12,960
Speaker 1: with l A public library, Like we're l A girls

107
00:06:13,080 --> 00:06:15,560
Speaker 1: would like I grew up at the library, Like my

108
00:06:15,600 --> 00:06:17,680
Speaker 1: mom would take me there after school or somebody would

109
00:06:17,720 --> 00:06:20,840
Speaker 1: take me there after school. It was amazing. Yeah, and

110
00:06:20,880 --> 00:06:25,159
Speaker 1: I'm now I'm remembering. Uh, when I was in elementary school,

111
00:06:25,160 --> 00:06:27,359
Speaker 1: my mom started working at my elementary school, and she

112
00:06:27,440 --> 00:06:29,960
Speaker 1: was the librarian when she first started working there. So

113
00:06:30,000 --> 00:06:32,200
Speaker 1: every time I would get in trouble for like giving

114
00:06:32,200 --> 00:06:34,760
Speaker 1: my little boyfriend hickis or whatever. Like in the eighth grade,

115
00:06:35,360 --> 00:06:37,680
Speaker 1: I had this boyfriend named Levi, who I recently started

116
00:06:37,680 --> 00:06:40,680
Speaker 1: following again on Instagram anyway, so he was my first

117
00:06:40,680 --> 00:06:43,680
Speaker 1: little boyfriend named Levi. And um, whenever we would have

118
00:06:43,800 --> 00:06:46,320
Speaker 1: like school carnivals and stuff like you know, we would

119
00:06:46,360 --> 00:06:48,479
Speaker 1: be making out behind the church or whatever. But my

120
00:06:48,560 --> 00:06:50,839
Speaker 1: mother worked at the frigging school. So like I was

121
00:06:50,920 --> 00:06:54,600
Speaker 1: constantly getting in trouble and my mom was like Zoe,

122
00:06:55,200 --> 00:06:58,359
Speaker 1: like you can't do this, this is not doable. So anyways,

123
00:06:58,400 --> 00:07:02,080
Speaker 1: we love the library for all over things. Yes, I

124
00:07:02,240 --> 00:07:03,760
Speaker 1: remember when I was in high school, I used to

125
00:07:03,839 --> 00:07:07,600
Speaker 1: make out with a girl. Yes, because I went to

126
00:07:07,680 --> 00:07:10,000
Speaker 1: all girls school. It was like my intro to like

127
00:07:10,040 --> 00:07:12,080
Speaker 1: little queeries. That was a baby queer. We would make

128
00:07:12,160 --> 00:07:15,680
Speaker 1: up behind the libraries. So as you can see, libraries, librarians,

129
00:07:15,840 --> 00:07:18,120
Speaker 1: they've just had a really important place in our lives.

130
00:07:18,200 --> 00:07:20,080
Speaker 1: And that's why we can't wait for this. L A

131
00:07:20,160 --> 00:07:23,400
Speaker 1: made series so exciting and also getting recognized as like

132
00:07:23,640 --> 00:07:26,840
Speaker 1: l A bitches. Love it. It's amazing, Love it one

133
00:07:26,880 --> 00:07:30,000
Speaker 1: time for the l A bitch anyways, So we're gonna

134
00:07:30,560 --> 00:07:33,360
Speaker 1: be sharing those dates with you and those library branches

135
00:07:33,600 --> 00:07:36,680
Speaker 1: um in the future. We are We're gonna be you know.

136
00:07:36,720 --> 00:07:39,280
Speaker 1: We record here in boil Heights at EsPAS eighteen thirty

137
00:07:39,360 --> 00:07:42,760
Speaker 1: nine at Radio Spaso. We love Radio Spasio, love boil Heights,

138
00:07:42,800 --> 00:07:45,320
Speaker 1: and we will be hosting one of these podcasting workshops

139
00:07:45,360 --> 00:07:48,680
Speaker 1: at the Benjamin Franklin Library. So hopefully that's one way

140
00:07:48,680 --> 00:07:50,400
Speaker 1: that we can kind of give back to boil Heights

141
00:07:50,400 --> 00:07:54,280
Speaker 1: because h has given so much to us. We appreciate it, agreed,

142
00:07:54,880 --> 00:07:57,600
Speaker 1: So let's get into it. Let's get and chalk off

143
00:07:57,600 --> 00:08:03,800
Speaker 1: beats the law Lada blah. So in case you haven't

144
00:08:03,800 --> 00:08:07,000
Speaker 1: noticed yet. We want to talk about our actual photo

145
00:08:07,040 --> 00:08:10,680
Speaker 1: shoot that we have behind it, the flyer, why it

146
00:08:10,720 --> 00:08:14,600
Speaker 1: looks the way it does, like basically our theme. So

147
00:08:14,640 --> 00:08:19,760
Speaker 1: we want to talk about yeah, the yes, yeah. So um.

148
00:08:20,080 --> 00:08:22,960
Speaker 1: We on Friday for the launch of season three, we

149
00:08:23,040 --> 00:08:26,160
Speaker 1: posted a flyer and it's we're calling our season three

150
00:08:26,200 --> 00:08:31,720
Speaker 1: the theme, the energy, the mood, the vibe is right.

151
00:08:31,800 --> 00:08:34,480
Speaker 1: And so initially when we were thinking about our photo shoots,

152
00:08:34,520 --> 00:08:37,040
Speaker 1: we like to think about things conceptually, like what's the theme,

153
00:08:37,120 --> 00:08:40,000
Speaker 1: what are we going for? Right, So we were just

154
00:08:40,120 --> 00:08:42,680
Speaker 1: kind of like messing around on Pinterest and we started

155
00:08:42,720 --> 00:08:46,640
Speaker 1: looking at all these beautiful, like vintage like golden era

156
00:08:46,720 --> 00:08:51,119
Speaker 1: of Mexican cinema film posters, a lot of Maria Felix,

157
00:08:51,360 --> 00:08:55,240
Speaker 1: Dolores del Rio, and we started noticing a trend how

158
00:08:55,280 --> 00:08:58,920
Speaker 1: a lot of the posters had these really interesting sort

159
00:08:58,920 --> 00:09:01,920
Speaker 1: of like labels for women as being dangerous, as being

160
00:09:02,640 --> 00:09:06,160
Speaker 1: so for example, these are some of them, the vintage

161
00:09:06,240 --> 00:09:08,959
Speaker 1: film posters that we saw that kind of let us

162
00:09:08,960 --> 00:09:12,760
Speaker 1: down this path, right, one of them being love It.

163
00:09:13,440 --> 00:09:27,640
Speaker 1: There's one called Secret Vampiro Espars in Fearless. So they're

164
00:09:27,679 --> 00:09:29,720
Speaker 1: just we saw this theme like, oh, my God, Like

165
00:09:29,840 --> 00:09:33,200
Speaker 1: there's this obsession with like the dangerous woman, the evil woman,

166
00:09:34,160 --> 00:09:37,400
Speaker 1: the she devil like leading men astray or you know,

167
00:09:37,640 --> 00:09:41,080
Speaker 1: like entrapping them somehow making men be a moral or

168
00:09:41,320 --> 00:09:43,800
Speaker 1: something like that. And all these women are gorgeous and

169
00:09:43,880 --> 00:09:47,360
Speaker 1: they're like very essential and provocative in their photos or

170
00:09:47,400 --> 00:09:51,040
Speaker 1: they're drawing and they're in their devilish like seduction minister,

171
00:09:51,760 --> 00:09:53,680
Speaker 1: and you know we're all about that, Like I want

172
00:09:53,720 --> 00:09:56,760
Speaker 1: to morally corrupt every man on the planet blame me.

173
00:09:56,840 --> 00:10:00,680
Speaker 1: I want all the credit. Let's go sense. So we

174
00:10:00,800 --> 00:10:03,280
Speaker 1: really are like you know, because we do counter narrative

175
00:10:03,920 --> 00:10:07,199
Speaker 1: and look up pistemologies. For us, look up pistemologies is

176
00:10:07,240 --> 00:10:10,960
Speaker 1: all about counter narrative and taking these sorts of tropes

177
00:10:11,320 --> 00:10:14,280
Speaker 1: and digging deeper and looking at once beneath it. What

178
00:10:14,480 --> 00:10:18,559
Speaker 1: is the what is the nervousness about women being sexual? Right?

179
00:10:18,679 --> 00:10:21,120
Speaker 1: How can we flip these narratives on their head and

180
00:10:21,200 --> 00:10:24,360
Speaker 1: actually think about it? Well, what is this like from

181
00:10:24,400 --> 00:10:27,600
Speaker 1: the woman's perspective? Right? What does it mean to be

182
00:10:28,720 --> 00:10:32,880
Speaker 1: orta or a vampida? Even? Right? Like? What am I?

183
00:10:32,920 --> 00:10:35,120
Speaker 1: What am I taking from you? What do you believe

184
00:10:35,160 --> 00:10:38,680
Speaker 1: that I'm taking from you? Or that you're not getting right.

185
00:10:38,760 --> 00:10:42,080
Speaker 1: Why am I so bad for you or to you? Right?

186
00:10:42,160 --> 00:10:45,640
Speaker 1: Because that maybe I'm saying no absolutely, or maybe because

187
00:10:45,679 --> 00:10:48,600
Speaker 1: I'm taking all of your money because I deserve it

188
00:10:49,080 --> 00:10:52,840
Speaker 1: and it should be mine, I'll be That's that's cool.

189
00:10:52,880 --> 00:10:54,760
Speaker 1: I could live with that. I can own that. So,

190
00:10:54,840 --> 00:10:56,599
Speaker 1: you know, we want to explore the idea of the

191
00:10:56,679 --> 00:11:00,440
Speaker 1: dangerous woman, the dangerous fem and they're sort of an

192
00:11:00,559 --> 00:11:04,880
Speaker 1: escapism to to kind of embracing that that labeling. So

193
00:11:04,920 --> 00:11:10,320
Speaker 1: we're we'res And our tagline for this season from Revenge

194
00:11:10,640 --> 00:11:13,560
Speaker 1: never sounded so sweet, right, And I think the energy

195
00:11:13,600 --> 00:11:16,760
Speaker 1: behind that is um. So much of what we do

196
00:11:16,840 --> 00:11:19,679
Speaker 1: on Look At Radio on the podcast is that it's

197
00:11:19,679 --> 00:11:21,360
Speaker 1: a knowledge share, right. It's a way for us to

198
00:11:21,440 --> 00:11:24,680
Speaker 1: share resources, and that is one way for you to

199
00:11:24,679 --> 00:11:27,560
Speaker 1: stay safe in any part of your life, right, I

200
00:11:27,600 --> 00:11:30,080
Speaker 1: fear in an abusive relationship, if you're living in a

201
00:11:30,120 --> 00:11:34,080
Speaker 1: toxic home, having these resources can actually save your life. Right.

202
00:11:34,080 --> 00:11:38,320
Speaker 1: So knowing how to protect yourself right from defense, Knowing

203
00:11:38,360 --> 00:11:40,599
Speaker 1: how to save money right is also a way to

204
00:11:40,679 --> 00:11:44,240
Speaker 1: protect yourself. Knowing how to speak up right and actually

205
00:11:44,240 --> 00:11:46,360
Speaker 1: speak your mind. These are are things that have not

206
00:11:46,400 --> 00:11:49,880
Speaker 1: been afforded or taught to Latinas, especially growing up in

207
00:11:50,040 --> 00:11:53,000
Speaker 1: very Catholic hombs. I know, not all Latinas are Catholic,

208
00:11:53,360 --> 00:11:56,760
Speaker 1: but a lot of us are. UM. So that is

209
00:11:56,920 --> 00:11:59,400
Speaker 1: the mood, and that is a theme behind from revenge right.

210
00:11:59,679 --> 00:12:01,960
Speaker 1: Even live in your best life is revenge if it

211
00:12:02,000 --> 00:12:05,920
Speaker 1: can be revenge on your haters, revenge on your abuser,

212
00:12:06,480 --> 00:12:09,599
Speaker 1: you know, right. So UM. You know, we talk a

213
00:12:09,640 --> 00:12:14,160
Speaker 1: lot about survivor issues, especially in seventeen so much as

214
00:12:14,160 --> 00:12:18,280
Speaker 1: far as survivor disclosures, the me Too movement, the Time's

215
00:12:18,400 --> 00:12:21,240
Speaker 1: Up movement, We've talked a lot about that, UM, but

216
00:12:21,280 --> 00:12:25,120
Speaker 1: we've also talked about fem revenge right and fem revenge uh.

217
00:12:25,160 --> 00:12:27,760
Speaker 1: In previous cup etles, we've talked about like Rihanna and

218
00:12:27,840 --> 00:12:31,240
Speaker 1: Rihanna's music videos where she murders men, right, and she

219
00:12:32,320 --> 00:12:34,880
Speaker 1: murders her rapist, right, she murders men that have wronged her.

220
00:12:34,920 --> 00:12:38,480
Speaker 1: She's exacting revenge. So fem revenge never sounded so sweet.

221
00:12:38,520 --> 00:12:41,760
Speaker 1: It's almost a type of escapism, right, This idea that

222
00:12:41,800 --> 00:12:44,319
Speaker 1: we can imagine a world where we can actually fight back,

223
00:12:44,559 --> 00:12:47,400
Speaker 1: where we can defend ourselves, we can exact revenge on

224
00:12:47,480 --> 00:12:51,000
Speaker 1: the powers of the patriarchy rape culture much. He's more like,

225
00:12:51,240 --> 00:12:54,280
Speaker 1: if we look at these golden era of Mexican cinema

226
00:12:54,360 --> 00:12:58,000
Speaker 1: posters and we look at La, what was so perverse

227
00:12:58,040 --> 00:13:01,680
Speaker 1: about her? Right? Or was she us speaking back against

228
00:13:01,720 --> 00:13:06,679
Speaker 1: some bullshit? You know? So anyways, so that's the theme.

229
00:13:06,880 --> 00:13:08,840
Speaker 1: That's what we're gonna be talking about. We're gonna talk

230
00:13:09,000 --> 00:13:13,360
Speaker 1: more about this theme about Labiabla after our song break,

231
00:13:13,440 --> 00:13:15,720
Speaker 1: but before we get into our song break, we're gonna

232
00:13:15,720 --> 00:13:17,960
Speaker 1: bring back a fund segment that we've really only done

233
00:13:18,000 --> 00:13:23,040
Speaker 1: one time, done a handful of times, have we yes, Okay,

234
00:13:23,040 --> 00:13:26,800
Speaker 1: we have, I'm misremembering. Do you want to introduce the segment? Yeah,

235
00:13:26,880 --> 00:13:29,800
Speaker 1: So this is a kind of like sporadic segment that

236
00:13:29,840 --> 00:13:32,199
Speaker 1: we have and it's called Weird Things White Women Did

237
00:13:32,240 --> 00:13:34,960
Speaker 1: this Week. So we got one, luckily right before we

238
00:13:34,960 --> 00:13:38,439
Speaker 1: started recording, literally right before so as you know, we

239
00:13:38,520 --> 00:13:42,560
Speaker 1: recorded ball Hides at nine And we have noticed in

240
00:13:42,600 --> 00:13:47,320
Speaker 1: the past few months year maybe um, that on Saturdays

241
00:13:47,360 --> 00:13:50,600
Speaker 1: there are barrio tours, a lot a lot of barrio

242
00:13:50,679 --> 00:13:53,720
Speaker 1: tours literally though their tours of white people that will

243
00:13:53,760 --> 00:13:57,240
Speaker 1: walk around boil hides and get a tour of God

244
00:13:57,280 --> 00:13:59,960
Speaker 1: knows what they're saying. But that's what's happening. And they're

245
00:14:00,040 --> 00:14:04,360
Speaker 1: taking photos and they're maybe buying stuff. They're a la monaca,

246
00:14:04,559 --> 00:14:08,920
Speaker 1: they're getting they're covered. Yeah yeah, yeah that was last

247
00:14:10,640 --> 00:14:14,599
Speaker 1: sweet bread. So today today I was walking to my

248
00:14:14,720 --> 00:14:17,079
Speaker 1: car and then there was a group of white people,

249
00:14:17,520 --> 00:14:20,480
Speaker 1: like super white, like really white, and so I noticed

250
00:14:20,520 --> 00:14:23,040
Speaker 1: them right away. They stood out, and they stand out,

251
00:14:23,720 --> 00:14:25,920
Speaker 1: you know, and we know exactly why they're here the

252
00:14:25,960 --> 00:14:28,320
Speaker 1: second I see you know, you see them. So I

253
00:14:28,400 --> 00:14:29,840
Speaker 1: see them, and I was like, deal, So I look

254
00:14:29,840 --> 00:14:31,920
Speaker 1: at this over here, and I'm walking to my car,

255
00:14:32,000 --> 00:14:34,200
Speaker 1: and this white lady is taking pictures of the scenery.

256
00:14:34,640 --> 00:14:37,120
Speaker 1: And I'm part of the sceneries. I mean, this white

257
00:14:37,120 --> 00:14:41,440
Speaker 1: woman's pictures from her barrio touring boils. When they walked

258
00:14:41,480 --> 00:14:43,560
Speaker 1: by me, I gave them the fuse. I'm part of

259
00:14:43,640 --> 00:14:47,760
Speaker 1: the flora and the fauna. Now, so this has been

260
00:14:47,800 --> 00:14:49,840
Speaker 1: weird things white women did this week? Oh no, I

261
00:14:49,960 --> 00:14:53,560
Speaker 1: had one more. Always ahead, I always jump ahead. I'm

262
00:14:53,600 --> 00:14:57,120
Speaker 1: just so excited about everything. Tell them what happened recently. Okay,

263
00:14:57,240 --> 00:15:00,080
Speaker 1: So recently, I was speaking to a white woman and

264
00:15:00,560 --> 00:15:03,200
Speaker 1: and she was telling me about how hard her day

265
00:15:03,320 --> 00:15:05,200
Speaker 1: was she's like, oh, you know, like it's a really

266
00:15:05,240 --> 00:15:07,720
Speaker 1: stressful day today. And she literally said to me, she

267
00:15:07,840 --> 00:15:10,880
Speaker 1: was like, my help is out. My help is like

268
00:15:10,960 --> 00:15:13,080
Speaker 1: can't work today, so I have to do all these

269
00:15:13,120 --> 00:15:16,160
Speaker 1: things by myself, essentially picking up her kids from school

270
00:15:16,200 --> 00:15:20,040
Speaker 1: and like feeding them. The help was her quote, help

271
00:15:20,200 --> 00:15:22,480
Speaker 1: was busy. She's like, my help is out today because

272
00:15:22,480 --> 00:15:25,240
Speaker 1: she's getting a colonoscopy and like she said it to

273
00:15:25,320 --> 00:15:27,760
Speaker 1: me like that, and I'm like, bitch and she goes

274
00:15:27,840 --> 00:15:29,760
Speaker 1: and her daughters can't even come and help me. So

275
00:15:30,880 --> 00:15:32,240
Speaker 1: but the things that she had to do that we're

276
00:15:32,280 --> 00:15:34,240
Speaker 1: so exhausting. We're picking up her kids from school and

277
00:15:34,320 --> 00:15:36,960
Speaker 1: feeding them, and I'm like, witch, are you kidding me?

278
00:15:37,280 --> 00:15:39,280
Speaker 1: I was more upset that she literally referred to this

279
00:15:39,360 --> 00:15:42,560
Speaker 1: woman as help. She's like, my help, my help. So anyways,

280
00:15:42,760 --> 00:15:45,120
Speaker 1: this now, this has been a conclusion. This has been

281
00:15:45,160 --> 00:15:47,800
Speaker 1: weird things white women did this week. Thank you for listening,

282
00:15:48,320 --> 00:15:50,640
Speaker 1: Thank you for listening. So real quick look on what

283
00:15:50,840 --> 00:15:52,800
Speaker 1: is We're taking a moment to shout out one of

284
00:15:52,840 --> 00:15:56,400
Speaker 1: our new sponsors, Therapy for Latin x Molla. Can you

285
00:15:56,480 --> 00:15:58,040
Speaker 1: tell our look on what is a little bit about

286
00:15:58,080 --> 00:16:01,960
Speaker 1: Therapy for Latin X. Absolutely, we're so excited to be

287
00:16:02,120 --> 00:16:05,480
Speaker 1: working with Therapy for latin X. Therapy for latin X

288
00:16:05,720 --> 00:16:07,960
Speaker 1: uses the latest technology to make it as easy as

289
00:16:08,000 --> 00:16:11,680
Speaker 1: possible for people to find therapists, life coaches, emergency mental

290
00:16:11,720 --> 00:16:15,520
Speaker 1: health centers, and free or low cost community clinics. We

291
00:16:15,720 --> 00:16:18,880
Speaker 1: highly recommend checking out their online database here and look

292
00:16:18,920 --> 00:16:21,520
Speaker 1: at our radio. We are all about the glow up

293
00:16:21,600 --> 00:16:24,560
Speaker 1: about taking care of yourself, which includes going to therapy

294
00:16:24,960 --> 00:16:28,560
Speaker 1: and talking about mental health candidly. So where can people

295
00:16:28,640 --> 00:16:31,640
Speaker 1: find Therapy for latin X and all these amazing resources,

296
00:16:31,680 --> 00:16:34,600
Speaker 1: All these amazing resources can be found at Therapy for

297
00:16:34,720 --> 00:16:38,000
Speaker 1: latin x dot com. One of the hardest parts about

298
00:16:38,040 --> 00:16:40,520
Speaker 1: finding a therapist is where do I even begin? Where

299
00:16:40,560 --> 00:16:43,880
Speaker 1: do I start? This is the perfect way. Please check

300
00:16:43,920 --> 00:16:47,360
Speaker 1: out Therapy for latin x dot com. And we are

301
00:16:47,520 --> 00:16:51,440
Speaker 1: going back to our gardener, back to our back to

302
00:16:51,480 --> 00:16:55,640
Speaker 1: our regularly scheduled program regularly So we're gonna go into

303
00:16:55,720 --> 00:16:58,160
Speaker 1: our song break now and gather ourselves. And we're gonna

304
00:16:58,200 --> 00:17:05,800
Speaker 1: gather ourselves so or castera belly Rosa Rara and and

305
00:17:06,440 --> 00:17:11,600
Speaker 1: and and and and and and and and and and

306
00:17:12,040 --> 00:17:17,359
Speaker 1: and and and and and and and and and and

307
00:17:18,880 --> 00:17:27,080
Speaker 1: and Delly Rack and and and thelly ro and and

308
00:17:27,640 --> 00:17:34,040
Speaker 1: and Elly ra and and and and um from from

309
00:17:34,480 --> 00:17:44,359
Speaker 1: from from from from from from from of it and

310
00:17:44,600 --> 00:17:49,400
Speaker 1: little ship and we are back. We love a South

311
00:17:49,480 --> 00:17:55,320
Speaker 1: American queen. Yes, so that was Paloma Mommy new artists

312
00:17:55,359 --> 00:17:58,440
Speaker 1: for me? Yes, same here. And I love love love

313
00:17:58,800 --> 00:18:04,680
Speaker 1: like women Latinas that are doing like music urbana or

314
00:18:04,800 --> 00:18:09,520
Speaker 1: like pop in Spanish, because so much is dominated in

315
00:18:09,600 --> 00:18:12,120
Speaker 1: any language is dominated by men. So I love when

316
00:18:12,160 --> 00:18:15,000
Speaker 1: it's like new and young and like they're like breaking

317
00:18:15,040 --> 00:18:17,920
Speaker 1: into the scene. It's always really exciting for me to

318
00:18:18,000 --> 00:18:19,960
Speaker 1: see that, especially because I have a lot of the music.

319
00:18:20,000 --> 00:18:24,440
Speaker 1: I listened to it in Spanish right, absolutely, absolutely the

320
00:18:24,720 --> 00:18:27,040
Speaker 1: you know how I've been listening to a lot recently. Well.

321
00:18:27,119 --> 00:18:29,159
Speaker 1: The only CD that I carry in my car is

322
00:18:29,320 --> 00:18:32,720
Speaker 1: um of course, just because when you I want to

323
00:18:32,800 --> 00:18:37,720
Speaker 1: be angry and and sing about you and us. For

324
00:18:37,800 --> 00:18:40,840
Speaker 1: me it's baa. But I need some new fresh voices

325
00:18:41,200 --> 00:18:43,680
Speaker 1: in my repertoire. One time, Mom, I was home and

326
00:18:43,720 --> 00:18:44,920
Speaker 1: I don't know if we were going to record what

327
00:18:45,000 --> 00:18:47,040
Speaker 1: I texted Mala and I was like, my mom is playing,

328
00:18:47,640 --> 00:18:50,280
Speaker 1: which tells you what kind of mood. Yeah, and what

329
00:18:50,480 --> 00:18:54,240
Speaker 1: did my father DOA has been seeing about men being

330
00:18:54,280 --> 00:18:59,240
Speaker 1: trashed for many years, many many years. So um, coming

331
00:18:59,280 --> 00:19:03,640
Speaker 1: back into our theme, la bia blah, right, this is basically,

332
00:19:03,720 --> 00:19:06,560
Speaker 1: like we said, this conversation is an offshoot of like

333
00:19:06,680 --> 00:19:10,600
Speaker 1: look epistemologies, right, So we wanted to bring up um

334
00:19:10,840 --> 00:19:15,080
Speaker 1: sort of a song an example of that we can

335
00:19:15,200 --> 00:19:18,800
Speaker 1: unpack and find the counter narrative here. Well, I've noticed,

336
00:19:19,160 --> 00:19:21,480
Speaker 1: like I had, like I already said that I listened

337
00:19:21,480 --> 00:19:24,320
Speaker 1: to a lot of like nine point three, like Mega Latino,

338
00:19:24,480 --> 00:19:28,800
Speaker 1: like musica contemporary music that's in Spanish, and there's a

339
00:19:28,840 --> 00:19:33,040
Speaker 1: lot of like I guess like Neil or like pop.

340
00:19:33,320 --> 00:19:35,440
Speaker 1: There's just I don't even know, Like I'm not very

341
00:19:35,480 --> 00:19:38,359
Speaker 1: like genre specific, Like I don't really know what to

342
00:19:38,440 --> 00:19:40,280
Speaker 1: call it. But I've noticed that a lot of these

343
00:19:40,320 --> 00:19:43,399
Speaker 1: songs that are playing on the radio have this trope

344
00:19:43,440 --> 00:19:46,320
Speaker 1: of ladiya b la. And we're talking about these women,

345
00:19:46,960 --> 00:19:50,720
Speaker 1: but what's so like diabolic about them is that they

346
00:19:51,160 --> 00:19:54,159
Speaker 1: are very sexual, right, and that they're very confident, and

347
00:19:54,200 --> 00:19:56,639
Speaker 1: they're very comfortable, and they dress a certain way and

348
00:19:56,720 --> 00:20:00,000
Speaker 1: they like to have sex, right, and like maybe they're

349
00:20:00,040 --> 00:20:03,080
Speaker 1: hooking up with these men for the enjoyment and pleasure

350
00:20:03,200 --> 00:20:05,879
Speaker 1: of having sex, right, not necessarily that they are in

351
00:20:05,960 --> 00:20:07,879
Speaker 1: love or want to be in a relationship, right and

352
00:20:07,960 --> 00:20:11,080
Speaker 1: all of a sudden, that's like diabolical, right right, right, right,

353
00:20:11,200 --> 00:20:14,920
Speaker 1: right right right. That has been my general observation. And

354
00:20:14,960 --> 00:20:17,240
Speaker 1: then Mama pointed out, like we'll remember back in the day,

355
00:20:17,320 --> 00:20:21,320
Speaker 1: like Donald mar has that song and also has like

356
00:20:21,480 --> 00:20:27,280
Speaker 1: a DV like case with his former partner. Yeah, actually

357
00:20:27,359 --> 00:20:29,240
Speaker 1: like l A p. D came out he was living

358
00:20:29,240 --> 00:20:32,680
Speaker 1: in Silver Lake and Donald Marr was living in silver Yes, yes,

359
00:20:33,560 --> 00:20:34,960
Speaker 1: this was like a few years ago when this with

360
00:20:35,040 --> 00:20:37,000
Speaker 1: this case, but he has an open DV case. So

361
00:20:37,080 --> 00:20:41,520
Speaker 1: it's like these women la and their songs right and

362
00:20:41,760 --> 00:20:44,960
Speaker 1: are like and not not to say that like artists

363
00:20:45,000 --> 00:20:49,240
Speaker 1: are like very misogynistic. All men are misogynistic across genres,

364
00:20:49,280 --> 00:20:51,120
Speaker 1: across the board, you know what I mean. I don't

365
00:20:51,119 --> 00:20:52,520
Speaker 1: want to I don't want to talk about it in

366
00:20:52,560 --> 00:20:54,879
Speaker 1: that way where it sounds like, oh, yeah, is like

367
00:20:55,000 --> 00:20:58,960
Speaker 1: very misogynistic and harmful. No, all of it is archy

368
00:20:59,080 --> 00:21:01,440
Speaker 1: is it's it's across, it's across genres. I mean, I

369
00:21:01,560 --> 00:21:03,800
Speaker 1: think there's a lot of I can't give you any

370
00:21:04,160 --> 00:21:06,280
Speaker 1: song titles, right, now off the top of my head,

371
00:21:06,359 --> 00:21:08,520
Speaker 1: but I feel like there's a lot of country music

372
00:21:09,320 --> 00:21:12,240
Speaker 1: talking about these like evil wayward women. Oh my god,

373
00:21:12,400 --> 00:21:15,760
Speaker 1: there's so much mariachi music where he's sucking boo hoo

374
00:21:15,960 --> 00:21:20,320
Speaker 1: hoo about being wronged by some women. And I'm always

375
00:21:20,320 --> 00:21:22,520
Speaker 1: the question, always like what did what did you do?

376
00:21:23,680 --> 00:21:26,560
Speaker 1: Like what did you actually do? What did you do? No? No, no,

377
00:21:26,720 --> 00:21:30,080
Speaker 1: And it's really amazing listening. It's the same thing when

378
00:21:30,119 --> 00:21:32,960
Speaker 1: you hear men talk about, oh, my ex is crazy,

379
00:21:33,160 --> 00:21:36,320
Speaker 1: my ex is evil, my exes. I don't believe it.

380
00:21:36,800 --> 00:21:39,879
Speaker 1: I don't believe that ship. I don't believe that ships

381
00:21:40,520 --> 00:21:46,600
Speaker 1: every single stay right anyway. So, Okay, somebody that we

382
00:21:46,880 --> 00:21:48,960
Speaker 1: want to talk about that we haven't formally talked about

383
00:21:49,000 --> 00:21:50,639
Speaker 1: on the podcast, but we should, like we need to

384
00:21:50,680 --> 00:21:53,959
Speaker 1: talk about this person is Takashi six nine. If we're

385
00:21:53,960 --> 00:21:56,119
Speaker 1: gonna go around canceling people, I want to cancel this,

386
00:21:56,760 --> 00:21:59,520
Speaker 1: like actually, Satan, like, actually you want to talk about

387
00:21:59,560 --> 00:22:02,960
Speaker 1: the tas she six nine? I like, I just have

388
00:22:03,119 --> 00:22:05,919
Speaker 1: such a visceral reaction even to just the way he looks.

389
00:22:06,320 --> 00:22:08,600
Speaker 1: And then I've seen like his little antics in the

390
00:22:08,720 --> 00:22:10,639
Speaker 1: videos and things that he posts, and he's just he

391
00:22:10,760 --> 00:22:15,119
Speaker 1: grosses me out, like to my core, I don't understand

392
00:22:15,640 --> 00:22:19,120
Speaker 1: how the way that people are very enamored by him,

393
00:22:19,320 --> 00:22:22,159
Speaker 1: and I don't get it. He looks like like a

394
00:22:22,280 --> 00:22:24,840
Speaker 1: fur ball that like a clown coughed up and I'm

395
00:22:24,920 --> 00:22:28,320
Speaker 1: not with the ships. Right. So Takashi sixth Sin has

396
00:22:28,400 --> 00:22:31,440
Speaker 1: this song, right, has this song with Annuala, who is

397
00:22:31,560 --> 00:22:37,000
Speaker 1: a believe Puerto Rican is like, um, and it's just

398
00:22:37,440 --> 00:22:41,040
Speaker 1: it's amazing to me that these men willingly collab with

399
00:22:41,359 --> 00:22:44,640
Speaker 1: a known pedophile. You know, Annual is not the only

400
00:22:44,720 --> 00:22:46,719
Speaker 1: one that has collabed with him. But specifically, this song

401
00:22:46,800 --> 00:22:48,840
Speaker 1: that we're talking about is called Vive and we're not

402
00:22:48,960 --> 00:22:50,440
Speaker 1: playing the song for you. If you want to go

403
00:22:50,560 --> 00:22:53,680
Speaker 1: stream it on your own, go ahead. Um. But in

404
00:22:53,800 --> 00:22:59,960
Speaker 1: the song, he talks about ta she specifically says like Africa,

405
00:23:00,560 --> 00:23:02,840
Speaker 1: and then he also refers to this woman as like

406
00:23:04,760 --> 00:23:09,840
Speaker 1: I'm like, oh my god, okay, and then he says him,

407
00:23:10,640 --> 00:23:15,520
Speaker 1: I'm like, um, okay is actually Satan, right, and like

408
00:23:15,680 --> 00:23:17,680
Speaker 1: then he has the audacity to like all these this

409
00:23:17,840 --> 00:23:22,840
Speaker 1: one woman, whoever it is, right, this figurative woman, the audacity,

410
00:23:25,520 --> 00:23:29,560
Speaker 1: Lord Lord understand it. I do not understand it. And

411
00:23:30,359 --> 00:23:34,399
Speaker 1: It's really interesting too, because there's this cycle that happens

412
00:23:34,440 --> 00:23:39,399
Speaker 1: where you have abusive, toxic men who are recording artists

413
00:23:39,520 --> 00:23:43,160
Speaker 1: and again across genres, across the board, who are out here,

414
00:23:43,760 --> 00:23:48,600
Speaker 1: um demonstrably abusing women, being aggressive and violent towards women,

415
00:23:48,800 --> 00:23:51,680
Speaker 1: ruining women's lives. But then we support those artists, We

416
00:23:51,880 --> 00:23:54,879
Speaker 1: stream them, we pay their bills, we pay their lawyers

417
00:23:55,000 --> 00:23:57,160
Speaker 1: fees so that they can you know, go and attack

418
00:23:57,280 --> 00:24:00,399
Speaker 1: their victims, um, and that they can launch you know,

419
00:24:00,840 --> 00:24:04,040
Speaker 1: campaigns and things against their victims. So every stream you're

420
00:24:04,080 --> 00:24:07,240
Speaker 1: contributing to that, right, and then you're also contributing to

421
00:24:07,320 --> 00:24:10,000
Speaker 1: their ability to record more music. And then you have

422
00:24:10,160 --> 00:24:14,359
Speaker 1: other abusive men listening to their lyrics, feeling affirmed, singing along,

423
00:24:14,880 --> 00:24:18,480
Speaker 1: singing out loud, retweeting their lyrics. Takashi six nine is

424
00:24:18,520 --> 00:24:22,440
Speaker 1: really saying something here about how women can be okay,

425
00:24:22,480 --> 00:24:25,359
Speaker 1: But who is the fucking author, right and why? And

426
00:24:25,720 --> 00:24:27,760
Speaker 1: it's just it's just crazy to me. The cycle. This

427
00:24:27,920 --> 00:24:33,640
Speaker 1: is propaganda, This is patriarchal propaganda exact, and it must

428
00:24:33,680 --> 00:24:37,640
Speaker 1: be destroyed in in in a fire like ending, get

429
00:24:37,760 --> 00:24:44,040
Speaker 1: rid of it, yes, yeah right away. Yeah, when I

430
00:24:44,720 --> 00:24:47,200
Speaker 1: that's what really enables a lot of this, like the

431
00:24:47,320 --> 00:24:51,040
Speaker 1: mindset of these men, right, it really is enabling to them.

432
00:24:51,160 --> 00:24:54,320
Speaker 1: Like especially I think, like I know for myself, right

433
00:24:54,320 --> 00:24:56,000
Speaker 1: when I'm going through a breakup or I'm going through

434
00:24:56,040 --> 00:24:58,880
Speaker 1: something difficult where I'm set upset, Like I will play

435
00:24:58,920 --> 00:25:00,800
Speaker 1: a song and I wouldn't will affirm me, and I'm

436
00:25:00,800 --> 00:25:03,119
Speaker 1: like fuck that ship, Like yeah, be careful with me,

437
00:25:03,400 --> 00:25:05,320
Speaker 1: Like singing Cardi B. You know what I mean, all

438
00:25:05,359 --> 00:25:07,520
Speaker 1: the card all the Cardi B. Right, But it's not

439
00:25:08,840 --> 00:25:10,960
Speaker 1: violent against women, you know what I mean? Until Like

440
00:25:11,040 --> 00:25:12,960
Speaker 1: the violence against women that we see in the media

441
00:25:13,359 --> 00:25:17,080
Speaker 1: is also an indicator of the violence we see against

442
00:25:17,119 --> 00:25:20,640
Speaker 1: women on the daily. I'm interpersonal. It's very sinister too,

443
00:25:20,760 --> 00:25:24,840
Speaker 1: because if we think about abusive men making music that

444
00:25:25,160 --> 00:25:27,080
Speaker 1: is on the radio, that is on the internet, that

445
00:25:27,200 --> 00:25:29,879
Speaker 1: is streamed, if we think of it as propaganda, we

446
00:25:29,960 --> 00:25:32,399
Speaker 1: can really think about how sinister it is. Because music

447
00:25:32,560 --> 00:25:35,800
Speaker 1: is is a beautiful, wonderful thing that is created and

448
00:25:35,960 --> 00:25:39,720
Speaker 1: designed to be catchy and to be to get stuck

449
00:25:39,760 --> 00:25:43,080
Speaker 1: in your head. It is this song Vivid is incredibly catchy,

450
00:25:43,200 --> 00:25:45,520
Speaker 1: incredibly catchy. I heard it on the radio and I

451
00:25:45,640 --> 00:25:47,960
Speaker 1: was like, okay, and then I didn't even realize who

452
00:25:48,000 --> 00:25:50,040
Speaker 1: it was. And then I saw like on my card

453
00:25:50,119 --> 00:25:56,400
Speaker 1: said that. I was like, no way, that's so wild

454
00:25:56,440 --> 00:25:58,959
Speaker 1: to me because the exact not the exact same thing.

455
00:25:59,000 --> 00:26:01,119
Speaker 1: But I was listening to a song on the radio

456
00:26:01,240 --> 00:26:02,760
Speaker 1: and I was like, oh, this is a fucking bop

457
00:26:02,800 --> 00:26:04,399
Speaker 1: and I was like singing along and dancing to it.

458
00:26:04,720 --> 00:26:06,240
Speaker 1: And then my cousin was like, oh, yeah, this is

459
00:26:06,280 --> 00:26:09,439
Speaker 1: Takashi six nine, and I was like what, Yeah, Oh

460
00:26:09,520 --> 00:26:12,639
Speaker 1: my god. I felt tricked. I felt like bamboozl it

461
00:26:12,680 --> 00:26:15,560
Speaker 1: really a sinister like you said, because it's so catchy,

462
00:26:15,880 --> 00:26:17,840
Speaker 1: so catchy, and it's exactly like you said, a bop,

463
00:26:18,040 --> 00:26:20,480
Speaker 1: and then it almost makes you forget. It makes you forget,

464
00:26:20,520 --> 00:26:22,680
Speaker 1: and then it's like heavily auto tuned. I don't necessarily

465
00:26:22,720 --> 00:26:25,360
Speaker 1: know what this guy's voice even sounds like, right, That's

466
00:26:25,400 --> 00:26:27,000
Speaker 1: why I didn't. I don't even know with him. I

467
00:26:27,040 --> 00:26:29,720
Speaker 1: thought that Takashi was a rapper. Isn't he a rapper?

468
00:26:30,119 --> 00:26:31,600
Speaker 1: I guess I don't know, But in the song I

469
00:26:31,880 --> 00:26:34,560
Speaker 1: singing like he's actually singing in the song, which is

470
00:26:34,560 --> 00:26:36,200
Speaker 1: why I didn't even know it was him, which is

471
00:26:36,240 --> 00:26:39,040
Speaker 1: why I felt bamboogle like you said, right right, I

472
00:26:39,080 --> 00:26:41,399
Speaker 1: don't like it now, this is propaganda, right well. And

473
00:26:41,480 --> 00:26:45,960
Speaker 1: then this this Unweed guy, he got into some trouble

474
00:26:46,000 --> 00:26:50,600
Speaker 1: recently because he like said something on Instagram or has

475
00:26:50,640 --> 00:26:53,120
Speaker 1: a verse or something where he's kind of like makes

476
00:26:53,200 --> 00:26:56,280
Speaker 1: this really horrible comment about Hurricane Maria and like Puerto Rico,

477
00:26:56,359 --> 00:26:58,760
Speaker 1: Like he makes this like fucked up analogy, and then

478
00:26:58,800 --> 00:27:02,040
Speaker 1: he also says something like really homophobic. So I'm like, okay,

479
00:27:02,119 --> 00:27:03,680
Speaker 1: so both of these men need to be canceled, and

480
00:27:03,760 --> 00:27:05,680
Speaker 1: it makes sense why they also made a song together.

481
00:27:06,920 --> 00:27:09,119
Speaker 1: I'm not like, oh, canceled everybody, but I'm just like,

482
00:27:09,240 --> 00:27:11,680
Speaker 1: there are some people where it's like you can see

483
00:27:11,760 --> 00:27:15,200
Speaker 1: that they're homophobic and their pedophiles, and they're probably racist,

484
00:27:15,280 --> 00:27:19,000
Speaker 1: and you're probably most likely misogynistic. I don't need to

485
00:27:19,160 --> 00:27:21,480
Speaker 1: listen to that. I don't literally don't need I don't

486
00:27:21,480 --> 00:27:24,240
Speaker 1: need to support that type of artists, you know, especially

487
00:27:24,359 --> 00:27:28,440
Speaker 1: like you know, the Surviving R. Kelly documentary came out

488
00:27:28,920 --> 00:27:31,119
Speaker 1: within the past week or two, and that's not necessarily

489
00:27:31,200 --> 00:27:34,840
Speaker 1: like our community to know to comment upon. But but

490
00:27:35,119 --> 00:27:38,800
Speaker 1: we can't say you need to support survivors. Supporting survivors

491
00:27:38,880 --> 00:27:41,840
Speaker 1: needs not streaming these men are known abusers. If you're

492
00:27:41,880 --> 00:27:44,600
Speaker 1: streaming there, if you you are streaming their music, you

493
00:27:44,640 --> 00:27:47,399
Speaker 1: are literally putting money in their pockets and that money

494
00:27:47,840 --> 00:27:51,919
Speaker 1: will be used right to continue their abusive behavior. Right.

495
00:27:52,040 --> 00:27:55,440
Speaker 1: Just know that there's a direct correlation between listens and

496
00:27:56,080 --> 00:28:01,240
Speaker 1: their behavior, right, um and black survivors, Matt right, defend

497
00:28:01,280 --> 00:28:04,720
Speaker 1: black women, defend black girls, Black girls, black women, black

498
00:28:04,760 --> 00:28:07,320
Speaker 1: survivors matter. And I think that that's important to say,

499
00:28:07,480 --> 00:28:10,240
Speaker 1: you know, as a show of support of solidarity. And

500
00:28:10,480 --> 00:28:14,160
Speaker 1: we know our listeners are predominantly non black latinas right

501
00:28:14,280 --> 00:28:17,159
Speaker 1: and so um when we have conversations about women of

502
00:28:17,240 --> 00:28:21,280
Speaker 1: color and about you know, sisterhood, solidarity, fighting the patriarchy,

503
00:28:21,560 --> 00:28:24,560
Speaker 1: always so important to to make sure that we are

504
00:28:24,680 --> 00:28:28,159
Speaker 1: showing our support and our solidarity to black women, black fans,

505
00:28:28,320 --> 00:28:31,040
Speaker 1: right and creating that space within the conversation as well.

506
00:28:31,240 --> 00:28:32,920
Speaker 1: I wanted to take up space like let me talk

507
00:28:32,920 --> 00:28:35,000
Speaker 1: about it, but here let me pass the mic to

508
00:28:35,160 --> 00:28:37,399
Speaker 1: a black woman that's a survivor of black feom to survive.

509
00:28:37,600 --> 00:28:41,880
Speaker 1: So you know, Dream Hampton um Um, I think produced

510
00:28:42,240 --> 00:28:45,200
Speaker 1: the documentary series and some really heavy hitters on black

511
00:28:45,200 --> 00:28:47,680
Speaker 1: women who are very um like power users on Twitter

512
00:28:47,840 --> 00:28:52,280
Speaker 1: basically like, um, Mickey Candall I think was also involved

513
00:28:52,440 --> 00:28:56,200
Speaker 1: in the documentary and was in the documentary for years.

514
00:28:56,280 --> 00:28:58,560
Speaker 1: I've been following Mickey Candle for years. And then um

515
00:28:58,680 --> 00:29:04,480
Speaker 1: who else. Jamila mu also very very active on Twitter,

516
00:29:04,640 --> 00:29:07,960
Speaker 1: also contributed to the documentary. So go check out their work.

517
00:29:08,200 --> 00:29:12,720
Speaker 1: Um uh, they've been working on you know, this documentary

518
00:29:12,920 --> 00:29:16,760
Speaker 1: and on exploring what kind of damage R Kelly has

519
00:29:16,840 --> 00:29:19,320
Speaker 1: done for many years. Like these women have been in it,

520
00:29:19,480 --> 00:29:21,600
Speaker 1: like in the trenches on the ground, so they're the

521
00:29:21,640 --> 00:29:23,240
Speaker 1: ones to go and to look at their words and

522
00:29:23,280 --> 00:29:25,920
Speaker 1: their work around it, right, so we can see I

523
00:29:26,040 --> 00:29:28,400
Speaker 1: think there is a direct correlation. We can see what

524
00:29:29,800 --> 00:29:32,920
Speaker 1: not denouncing R Kelly has done. Right. So it's like

525
00:29:33,000 --> 00:29:35,440
Speaker 1: we literally have this opportunity with Tokashi six nine where

526
00:29:35,440 --> 00:29:37,880
Speaker 1: he's a young artist, right, he's literally only a few

527
00:29:37,920 --> 00:29:42,200
Speaker 1: years into his career, Like denouncing him now right because

528
00:29:42,240 --> 00:29:45,360
Speaker 1: he's a bit of files, actually has direct implications and

529
00:29:45,640 --> 00:29:48,760
Speaker 1: consequences as opposed to protecting this user the way R

530
00:29:48,840 --> 00:29:53,000
Speaker 1: Kelly was when you know, yeah, it's just unnecessary. We

531
00:29:53,080 --> 00:29:56,080
Speaker 1: can this is called prevention. This is called prevention. We

532
00:29:56,200 --> 00:29:58,720
Speaker 1: can put a fucking pin and it prevent it and

533
00:29:58,800 --> 00:30:00,920
Speaker 1: prevent more damage from being done. And that's the way

534
00:30:00,960 --> 00:30:02,360
Speaker 1: to do it. That's the only way to do it,

535
00:30:02,480 --> 00:30:05,840
Speaker 1: because the other way around, Like we can't let women

536
00:30:06,160 --> 00:30:11,160
Speaker 1: be UM fodder anymore. We will not be fodder anymore.

537
00:30:11,280 --> 00:30:14,560
Speaker 1: Funk that, Like our lives are too valuable. The careers

538
00:30:14,600 --> 00:30:16,960
Speaker 1: of these men are not worth it. These men are

539
00:30:17,000 --> 00:30:19,760
Speaker 1: not that great. The world will be okay without their music,

540
00:30:20,040 --> 00:30:26,600
Speaker 1: I promise you anyway. Anyways, um so I mean is

541
00:30:26,760 --> 00:30:30,479
Speaker 1: what as always you know, like you can find us

542
00:30:30,560 --> 00:30:33,840
Speaker 1: where you can find us on platform Instagram, Twitter, Facebook,

543
00:30:33,880 --> 00:30:36,080
Speaker 1: at look at that our radio, look at that Underscore

544
00:30:36,160 --> 00:30:40,240
Speaker 1: radio stream us stream us like subscribe comments, please le

545
00:30:40,280 --> 00:30:43,000
Speaker 1: go with you on Apple podcast. We are so close

546
00:30:43,040 --> 00:30:45,800
Speaker 1: to three D five stars. I want to get us there.

547
00:30:46,640 --> 00:30:49,040
Speaker 1: Help us get there. I have been monitoring it trying

548
00:30:49,080 --> 00:30:51,760
Speaker 1: to get us there to three And we do read

549
00:30:51,840 --> 00:30:54,200
Speaker 1: all the comments. We love our comments, yes we do.

550
00:30:55,000 --> 00:30:59,400
Speaker 1: Um we will be uh asking listeners look on mootus

551
00:30:59,440 --> 00:31:03,160
Speaker 1: for questions on our Instagram stories before we record, so

552
00:31:03,280 --> 00:31:05,760
Speaker 1: that we can get questions for Oloka. So follow us

553
00:31:05,800 --> 00:31:08,200
Speaker 1: on Instagram check out our stories because if you want

554
00:31:08,200 --> 00:31:12,120
Speaker 1: to submit questions, we'll probably be doing that there on

555
00:31:12,200 --> 00:31:17,160
Speaker 1: the stories, yes right, um, tune in on Spotify, write

556
00:31:17,160 --> 00:31:21,120
Speaker 1: Apple podcasts, SoundCloud, SoundCloud, audio boom, all of those places,

557
00:31:22,080 --> 00:31:25,080
Speaker 1: our website, look I thought our radio dot com. If

558
00:31:25,160 --> 00:31:27,560
Speaker 1: you have any requests as far as bringing us out

559
00:31:27,600 --> 00:31:31,560
Speaker 1: to a university to an event, email us there, um

560
00:31:32,400 --> 00:31:35,320
Speaker 1: look a thought o radio at gmail dot com. All

561
00:31:35,400 --> 00:31:37,080
Speaker 1: of it. Yeah, you know where to find us, where

562
00:31:37,120 --> 00:31:39,720
Speaker 1: to find where to find us. As always, we always

563
00:31:39,760 --> 00:31:42,520
Speaker 1: always always recommend that you love out loud, So if

564
00:31:42,560 --> 00:31:46,160
Speaker 1: you like this, please comment, like, share it. It really

565
00:31:46,520 --> 00:31:50,200
Speaker 1: also helps beat the algorithm on Instagram. Ye fun the algorithm.

566
00:31:50,360 --> 00:31:53,000
Speaker 1: Yeah it's yeah, we've noticed and a lot a lot

567
00:31:53,080 --> 00:31:56,520
Speaker 1: of active latin us on Instagram have noticed that the

568
00:31:56,560 --> 00:31:59,840
Speaker 1: algorithm has been sucking with their content. So show us

569
00:31:59,840 --> 00:32:02,720
Speaker 1: some enough catch you next time they see those