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Speaker 1: Now I'm recording. Okay, great, why are you laughing?

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Speaker 2: This is actually look at how great we are three

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Speaker 2: two one and we're recording rolling.

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Speaker 3: No, we're I'm I'm laughing because we're instead of being

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Speaker 3: like old people that talk about their physical ailments all

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Speaker 3: the time, we're the middle aged people that talk about

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Speaker 3: their technological problems every time we start.

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Speaker 2: Got imagine when we're old and physically broken and also

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Speaker 2: can't operate any of the new technology, it's gonna be

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Speaker 2: just us in the old home analog style writing things

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Speaker 2: down on paper. You're like, look at those old folks

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Speaker 2: using paper and pen.

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Speaker 3: Yeah, how archaic, right right? Yeah? And I don't know

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Speaker 3: if you if you have like you show anxiety, Like

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Speaker 3: I still get anxiety and I always have to like

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Speaker 3: like sometimes I have to always pee, even though I

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Speaker 3: don't have to pee, I'll go pee, but then my

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Speaker 3: nose always runs like two minutes before I log in,

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Speaker 3: and I'm like, I just did my making. Yeah, I

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Speaker 3: get drippy nose and then I'm like, oh, I just

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Speaker 3: messed up my lipstick or my you know, concealer or

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Speaker 3: or whatever.

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Speaker 1: Fabulous. I wouldn't know that you you're leaking.

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Speaker 2: Like a sieve and uh that you have to pee.

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Speaker 3: You look, you look I'm just leaking out.

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Speaker 1: Of all or this. Wow that way. Yeah, I'm so

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Speaker 1: glad you said that. I'm so glad that that was you.

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Speaker 3: That was great. Yep, Hey, every now and then, I'll

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Speaker 3: just every now and a singer.

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Speaker 1: I appreciate it, I really do. No, you look fabulous.

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Speaker 1: I look blue. I mean, it's you.

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Speaker 3: You're a little smurf like I know.

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Speaker 1: But if I open it's just no.

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Speaker 3: Natural lighting because it's so overcast.

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Speaker 2: Well, there is some natural light, but then when I

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Speaker 2: open the thing, then it looks like like.

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Speaker 1: I'm standing in on of a train.

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Speaker 3: You know. It's just like Jody and headlights.

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Speaker 1: Yeah, exactly. We don't need that either. No, I can't

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Speaker 1: concentrate when it's that bright.

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Speaker 3: No, that's all right. It's doesn't matter how we look.

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Speaker 1: I mean I can't really concentrate regardless, it doesn't.

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Speaker 3: Matter how you look at You can't do That's right.

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Speaker 3: We're doing our best. We're doing our best. Yeah, we are.

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Speaker 3: We're finishing this two parter here to do our first

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Speaker 3: two parter. First two it was I had no idea

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Speaker 3: what was going to happen. Other than the fact that

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Speaker 3: I know Jesse comes back because otherwise the show can't

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Speaker 3: go on. But but I was like, I don't remember

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Speaker 3: any of this.

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Speaker 1: I didn't I remember the one where like Jesse.

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Speaker 2: It basically like went to do the motorcycle stunt, which

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Speaker 2: I feel like might be coming.

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Speaker 3: Up next season.

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Speaker 2: Oh, I don't remember, maybe later on the season, but

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Speaker 2: where he goes to do the motorcycle stunt and is like,

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Speaker 2: I'm going to jump off of the just to prove himself.

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Speaker 3: Right.

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Speaker 1: Yes, I thought that was what was coming next, and

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Speaker 1: then I was like, oh no, okay, so.

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Speaker 3: Yeah, no, it's they kind of build it up. They

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Speaker 3: build it up, and the payoff is like, well, of course,

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Speaker 3: of course he's gonna come back home. I mean, here

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Speaker 3: we go.

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Speaker 2: Spoiler alert for anyone who has seen an episode who

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Speaker 2: is wondering Jesse comes out. Yeah, and that's all the

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Speaker 2: time we have for today Funds.

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Speaker 1: Thanks so much, you guys. That was part two. Yeah,

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Speaker 1: well shall we shall we officially.

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Speaker 2: Start part two because I know everyone else is just

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Speaker 2: dying to know what happens.

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Speaker 3: Yeah, they're waiting with baited breath, So let's get into it.

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Speaker 2: It's only been thirty six years since they've found out

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Speaker 2: right figure out again.

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Speaker 3: Welcome back to how Rude Tannerito's I am Andrea Barber

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Speaker 3: and I'm Jodie Sweeten, and today we are discussing season

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Speaker 3: one episode twenty seven month Itch, Part two.

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Speaker 2: A seven month itch sounds really uncomfortable, it does. It

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Speaker 2: sounds like something you need to cream for.

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Speaker 3: Yeah, he needs some Greek cream or something for that.

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Speaker 1: Yeah, yeah, yes, slather yourself and yogurt if you have

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Speaker 1: a seven month inch.

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Speaker 3: So this episode originally aired on March eighteenth, nineteen eighty eight,

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Speaker 3: and it goes a little something like this. In the

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Speaker 3: second part of our first to be continued, Jesse wants

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Speaker 3: to get away from the family, so a fearful Stephanie

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Speaker 3: and DJ call and tell him Michelle is really sick,

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Speaker 3: so he'll rush home. It was directed by Russ Petronto.

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Speaker 1: Okay, wait, what that's different from part one? Though?

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Speaker 3: Right the director? No, it was Lee Shallatt who directed

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Speaker 3: the first part.

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Speaker 1: I know, That's what I'm saying. It's different. Part two

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Speaker 1: is directed by somebody else. That's how what a strange?

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Speaker 2: I mean, it's sickcom I guess it doesn't really matter,

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Speaker 2: but like it just feels weird to change change directors

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Speaker 2: mid ship or mid stream or whatever.

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Speaker 3: Yeah, and it is awkward. It is weird because she

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Speaker 3: directed the previous to the just one of the Guys

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Speaker 3: right and seven month Inch part one, So yeah, she

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Speaker 3: should have directed this one too.

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Speaker 1: Well, maybe this one was after we came back from

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Speaker 1: hiatus or something.

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Speaker 3: Lee was unavailable because she's late.

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Speaker 1: Yes, mister Russ Petranto was there.

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Speaker 3: Yep, he was there. And then the writing credit is

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Speaker 3: a little different. We have a story by Rob Edwards

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Speaker 3: and Russell Marcus and the teleplay is by Kim Weisakoff

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Speaker 3: and Lenny Rips. So for people who don't know, story

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Speaker 3: by means that that person or these people in this

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Speaker 3: case came up with the idea and wrote the treatment

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Speaker 3: for the script and then tell a play by means

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Speaker 3: they took that story and actually wrote the dialogue for

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Speaker 3: the Scott So, okay, they're being very specific now, and

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Speaker 3: who gets what credit? You know? Yeah, it matters.

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Speaker 2: All of a sudden, eighty eight March of eighty eight

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Speaker 2: came and it was like, nope, we need specificity.

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Speaker 3: Yes we want credit, dang it. Yes, So we have

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Speaker 3: two guest stars this week returning. Is Chelsea Noble as

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Speaker 3: girlfriend Samantha as we talked about last week. She's known

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Speaker 3: for growing pains and being Kirk Cameron's wife. I don't

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Speaker 3: know if we talked about last week she's that she's

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Speaker 3: John Stamos's ex girlfriend, or maybe she was.

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Speaker 2: We did, we did, so, I'm I I'm fascinated by

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Speaker 2: the timeline breakdown of this. Okay, okay, because they dated

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Speaker 2: until March of eighty eight, from like there was brief

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Speaker 2: only a few months. They dated from like December of

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Speaker 2: eighty seven to like March of eighty eight, according to

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Speaker 2: our notes yesterday.

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Speaker 1: Okay, this aired March of eighty eight.

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Speaker 3: Oh, so they were together the film.

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Speaker 2: He met Kirk when he was coming to the set

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Speaker 2: of Full House. So I'm like, yeah, yeah, what was

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Speaker 2: the what happened?

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Speaker 3: Yeah? What what happened? Did she see Kirk from across a

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Speaker 3: crowded stage and she was like I want him instead

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Speaker 3: of twice stage?

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Speaker 2: But like, was it the week that like Kirk was

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Speaker 2: on and and Chelsea was there visiting and then like

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Speaker 2: what you know what I mean, what came.

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Speaker 1: I'm not gonna starting rumors.

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Speaker 2: I don't starting rummors, but it's just I was like,

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Speaker 2: wait a minute. These aired in March and they dated

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Speaker 2: to me, so it was just an interesting uh.

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Speaker 3: Yeah time, I've never done a deep dive into the timelines.

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Speaker 3: Like I vaguely knew that John.

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Speaker 1: I was like, oh yeah, I just noticed it yesterday.

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Speaker 2: And then when reading about like you know, like them

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Speaker 2: talking about how they met Chelsea Kirker and she said, you.

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Speaker 1: Know, she saw him when he was coming to visit.

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Speaker 1: I was like, wait a minute.

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Speaker 3: So anyway, that's just in fascinating, fascinating.

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Speaker 1: Back to part two and what happens now.

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Speaker 3: Yes, well, we can't forget our second guest star, Gary Griffin.

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Speaker 3: Gary Griffin the one of the rippers. We love Gary.

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Speaker 3: He's in He's in so many I love Gary. He's

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Speaker 3: credited with ten episodes of full House, but I'm sure

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Speaker 3: he's in way more than that because he's scary.

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Speaker 1: He's always around me, He's always Yeah.

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Speaker 2: Gary Griffin was always there, very talented musician, and I

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Speaker 2: got to work with him recording stuff when we did

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Speaker 2: Fuller House.

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Speaker 3: Oh it was really fun. Oh yeah, he's the redheaded

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Speaker 3: ripper and he tried to convince me that I think

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Speaker 3: I've said this before that, he believes he is Uncle

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Speaker 3: Gary Gibbler. He thinks he's a Gibbler, right, he's a Gibbler. Alright,

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Speaker 3: I'll go with it. He's Uncle Lebranary Gibler, the Redheaded Ripper.

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Speaker 3: Say that five times fast.

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Speaker 1: Wow, that was red leather, yellow leather.

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Speaker 3: It was okay. So, just to very very briefly recap

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Speaker 3: last week's episode, Jesse has left a note to tell

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Speaker 3: the family that he needs to escape for a while

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Speaker 3: and he's not sure when or if he'll even be back.

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Speaker 3: Got it, everyone's upset, Okay, So we pick up from

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Speaker 3: where we left off in Jesse's bedroom. Dj and Stephanie

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Speaker 3: ask Danny and Joey where Uncle Jesse is, and Danny

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Speaker 3: asks the girls for privacy so he can talk to

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Speaker 3: Joey alone for a moment. So the girls leave and

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Speaker 3: Danny tells Joey that this is a very delicate situation,

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Speaker 3: so Danny better be the one to handle it. Joey asks, well, then,

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Speaker 3: what do you want me to do? Danny says, play dumb,

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Speaker 3: which Joey does. That's what he does best, right, Yeah,

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Speaker 3: So Danny opens the door and he finds the girl

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Speaker 3: are still standing there. Stephanie asks, did Uncle Jesse go somewhere?

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Speaker 3: Danny tells them that Jesse went on a little vacation.

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Speaker 3: The girls ask where, and Danny doesn't know what to say,

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Speaker 3: so he just passes this question to Joey. Joey makes

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Speaker 3: up a story that Jesse went on a vacation to

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Speaker 3: the desert. Why the desert because he loves hot sand

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Speaker 3: and the burning sun. He loves to sweat. All right, Okay,

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Speaker 3: I'll go with that. I would believe that if I was,

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Speaker 3: you know, six and eleven years old. So a little later,

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Speaker 3: while a little later, we are in the kitchen and

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Speaker 3: Joey is making strawberry yogurt banana pancakes just like Uncle

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Speaker 3: Jesse makes, except.

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Speaker 1: Strawberry yogurt banana pancakes.

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Speaker 3: That's a lot of flavor profiles in one.

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Speaker 1: I feel like I didn't see a hint of the

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Speaker 1: yogurt in these.

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Speaker 3: They look pretty plain to me, you know, Yeah, well, what.

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Speaker 1: Do I know? What do I know about pancake making?

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Speaker 3: I'm just saying right well, it ends up being an

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Speaker 3: epic fail. And because Stephanie's pancakes are soupy, DJ's pancakes

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Speaker 3: are rock hard and even Michelle makes a sour face

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Speaker 3: when she tries a pancake.

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Speaker 1: That was the best face to.

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Speaker 3: Yeah, I wonder what they put on that pancake to

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Speaker 3: kind of get her to make nothing.

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Speaker 1: Do you don't remember how those things tasted.

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Speaker 2: They're cold, first of all, like the cold fried chicken.

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Speaker 2: They're cold, like they are Frisbees. They're they're they make

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Speaker 2: them very like thick and dense so that they look fluffy,

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Speaker 2: but they're like hard, and they taste, you know, like

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Speaker 2: there's nothing in them, no syrup, there's no anything. So

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Speaker 2: they I just remember the taste of like it was

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Speaker 2: just kind of like burnt pancake dough, you know. So, yeah,

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Speaker 2: I get why she made the face because it's not Yeah,

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Speaker 2: it's not not exactly normal strawberry banana yogurt pancakes.

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Speaker 3: I'll tell you that they were hockey pucks. That's what

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Speaker 3: they want exactly. So the phone rings and Joey answers it.

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Speaker 3: Gladstone's International House of Flapjacks gets Jesse on the phone.

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Speaker 3: Everybody jumps up, clamoring for the phone. Jesse says that

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Speaker 3: he's skiing in Tahoe and hanging out with his buddies.

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Speaker 3: He doesn't know when he'll be back, so he wants

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Speaker 3: to give them the phone number of the cabin. Stephanie

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Speaker 3: takes the phone and asks Jesse if she can sleep

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Speaker 3: in his room which used to be her room, while

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Speaker 3: he's gone, and he says yes, all right.

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Speaker 1: Stuff is excited. She's like, great, I got my own room.

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Speaker 3: She gets her pink bunnies back. I know, I'm kind

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Speaker 3: of excited for stuff. So then we see some stock

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Speaker 3: footage of a generic cabin in snow.

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Speaker 2: By the way that it was because then you cut

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Speaker 2: to the inside and you're like, what how do.

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Speaker 1: These people get there? There's no there's no road.

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Speaker 2: It's like a fishing cabin that they show like out

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Speaker 2: in the middle of it. There's no road, there's no driveway,

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Speaker 2: no humanity motorcycle.

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Speaker 1: How Jesse get there? How do all these people get there?

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Speaker 1: So yeah, anyway, I was like, you're not at that cabin.

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Speaker 3: Like no, no, but you know, it's whatever was probably available,

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Speaker 3: and Frezin I was so out of character for John

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Speaker 3: that John was, yes, it's it's not his.

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Speaker 1: Opera ski, you know what I mean.

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Speaker 2: But like, but it was I was like, what is

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Speaker 2: what Jesse's gone from leather vests to hand knit cardgans.

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Speaker 1: Yeah, to like an ll bean catalog. It was a

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Speaker 1: very it was jarring.

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Speaker 3: It's a jar startling. I agree. So we're We're now

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Speaker 3: inside the cabin in Tahoe. Jesse's playing the guitar. He's

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Speaker 3: singing Love Machine, which he's saying a lot in the

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Speaker 3: previous episode as well. Part one. Jesse's with some some rippers,

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Speaker 3: some mullets, his girlfriend Samantha and some other.

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Speaker 1: Mullet lots of rippers, random hosts.

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Speaker 3: Yeah, yeah, yeah, just random pose and mullets, you know.

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Speaker 1: Random. It's what's that lonely island thing? Boats and house.

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Speaker 3: And they're dress they are dressed to the nine. It's

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Speaker 3: just they are like it's like a like.

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Speaker 1: An aspen, you know, ski resort here is great.

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Speaker 2: Uh.

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Speaker 3: The sunglasses inside.

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Speaker 2: That I was like, I couldn't tell who it was

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Speaker 2: to tell him, but the glasses because I think he

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Speaker 2: wore them last time too, that I saw.

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Speaker 1: That particular ripper.

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Speaker 2: Okay, also inside he's like, all right, you do that, bro.

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Speaker 3: They they want you to know that they're cool. They

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Speaker 3: have mullets, they have hand knit sweaters and they are cool. Man.

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Speaker 1: That's yep.

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Speaker 3: So Gary good old Uncle Gary. He wants to make

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Speaker 3: a toast to the return of Jesse, and Jesse adds

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Speaker 3: to his escape from Romper Room Jesse. Jesse announces that

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Speaker 3: once he gets back to San Francisco, he's going to

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Speaker 3: get his own place and start living life the way

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Speaker 3: he was born to live.

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Speaker 1: He's already lived that life, then.

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Speaker 3: I know, he tries for twenty four years, he's been

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Speaker 3: living that life, like you know, it's been what seven

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Speaker 3: months he's been Yeah, so he's.

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Speaker 2: Still obviously out running the death of the grief from

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Speaker 2: the death of his sister very parent.

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Speaker 3: Sure, Okay, let's go with that's.

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Speaker 1: It's very so far he's not dealing with it now.

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Speaker 3: In twenty episodes, he's grieved her exactly once. Like I

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Speaker 3: think he mostly just forgets.

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Speaker 1: They weren't that close.

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Speaker 2: I mean again, she looks nothing that Maybe she was

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Speaker 2: you know, a later edition or an earlier and they.

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Speaker 1: Weren't that close.

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Speaker 2: Maybe they didn't like each other. Yeah, maybe that's an

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Speaker 2: extra layer of resentment for Uncle Jesse's.

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Speaker 1: Like I didn't even like her. She was she was,

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Speaker 1: I hated her as a sister, and now I gotta come

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Speaker 1: raise her kids because.

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Speaker 3: She's no wonder he's bitter that you know what that makes?

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Speaker 1: Yeah, you know what?

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Speaker 2: Say changes it for the little add a little bit

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Speaker 2: of a backstory there, and all of a sudden.

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Speaker 3: Wow, wow, yeah this this I'm this This episode is

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Speaker 3: just coming into full clarity now I get it.

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Speaker 1: Anyway, back to the Rippers and Cardigan.

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Speaker 3: Back to the Rippers and the Cardians. So it's time

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Speaker 3: to hit the slopes. Jesse puts on ski pants, ski

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Speaker 3: boots which he doesn't even buckle, a scarf, a jacket, gloves,

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Speaker 3: a knit cap, ski goggles, and a fanny pack and

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Speaker 3: skis and poles like he's just put piling everything within

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Speaker 3: reach onto his body. And it is a hysterical physical comedy.

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Speaker 2: John is so funny, does a great physical comedy bit,

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Speaker 2: and it is very much like actually going skiing or snowboarding.

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Speaker 1: By the time you get all the stuff and get

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Speaker 1: to the thing, you're.

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Speaker 3: Like, oh, I got tired, right That that is the

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Speaker 3: sport is getting ready to go skiing. It's not the

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Speaker 3: actual skiing itself.

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Speaker 2: What if John's ever actually been skiing, We'll have to

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Speaker 2: ask him. Yeah, we'll have to ask John for Yeah,

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Speaker 2: I know, I don't peg John for a skier.

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Speaker 3: I don't either, being in the outdoors, being in the

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Speaker 3: cold gold Oh.

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Speaker 1: Yeah, col falling down not now, that's not him.

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Speaker 3: I'm gonna guess I'm gonna go with he's not a skier,

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Speaker 3: so Jesse, you know, like you said, he announces he's

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Speaker 3: too tired to ski, so will someone please break his

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Speaker 3: leg and put him in front of the fire again,

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Speaker 3: very just.

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Speaker 1: Cut to the chase, you know, basically how it happens.

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Speaker 3: Meanwhile, back in DJ's room, Danny is attempting to teach

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Speaker 3: DJ more guitar lessons. He starts strumming and singing a

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Speaker 3: hokey folk song called Froggy went a courtin He's just

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Speaker 3: the bomb is such a nerd singing.

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Speaker 2: He is such a nerd, but like he used to,

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Speaker 2: he used to make up songs to that same tune.

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Speaker 3: Really, oh yeah, I just remember, like.

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Speaker 2: I know that tune and I and for some reason

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Speaker 2: I wrote down like just hearing him play guitar, and

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Speaker 2: like sing, I just went I miss hearing Bob play.

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Speaker 1: Guitar because he would like he would, he would just

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Speaker 1: play guitar.

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Speaker 2: He was actually really good guitar player and sings very good,

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Speaker 2: but it was never the correct lyrics. It was always

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Speaker 2: like the mad libs of inappropriate song lyrics that he

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Speaker 2: had actually made up to whatever tune.

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Speaker 3: And he always like talks really fast or sings really fast,

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Speaker 3: so you have to like pay attention to what the

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Speaker 3: off color thing he's saying, yeah, yes, yeah, yeah, oh bob.

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Speaker 3: So Danny just keeps getting louder and louder until DJ

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Speaker 3: finally just yells at him to stop.

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Speaker 2: It was I was very reminiscent of ever trying to

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Speaker 2: teach your children something like I'm not arguing, yes you are, well,

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Speaker 2: you're arguing, Well, you're arguing with me this and you're

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Speaker 2: just like this sucks.

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Speaker 1: I don't.

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Speaker 3: It's they they argue. They spend a lot of time

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Speaker 3: arguing about arguing. It's like this is this is just

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Speaker 3: a waste of time. People, Yes, people. So DJ finally

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Speaker 3: gives up and says this would be way more fun

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Speaker 3: if Uncle Jesse were here, and Danny says, oh, that's

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Speaker 3: what this is about, isn't it. DJ points out that

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Speaker 3: all of uncle Jesse's clothes are gone. Is uncle Jesse

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Speaker 3: moving out?

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Speaker 1: Where Where did he put them? I don't know, because

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Speaker 1: where he.

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Speaker 3: Took his motorcycle yeah, he couldn't he where did you

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Speaker 3: pack up stuff? Where did he pack up all the

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Speaker 3: clothes because he rode his motorcycle. And then there's the

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Speaker 3: to the roadless cabin where there's no those streets, no sign.

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Speaker 2: And he had a cardigan that he's picked up from

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Speaker 2: somewhere and ski gear.

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Speaker 3: I don't know. Good question, good question. Well, so Danny

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Speaker 3: takes a big sigh and he decides to tell her

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Speaker 3: the truth that yes, Uncle Jesse is thinking about moving out.

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Speaker 3: DJ hates this. After her mom died, she never thought

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Speaker 3: she would like living in this house again, but then

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Speaker 3: things got better after Uncle Jesse and Joey moved in.

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Speaker 3: She doesn't want everything to change again.

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Speaker 2: This is actually a really sweet scene and like it

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Speaker 2: was like when they have the moment and he's like

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Speaker 2: you want the truth and she's just like yeah, Like

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Speaker 2: it was such a that was just such a tender

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Speaker 2: moment with them, like you know, and you're.

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Speaker 1: Like, oh man, this kid's just like not again, Like.

381
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Speaker 3: Yeah, no, it's I'm glad he was honest with her.

382
00:18:38,960 --> 00:18:41,240
Speaker 3: And like the first scene where he was just making

383
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Speaker 3: up stuff and trying to lead the girls astray with

384
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Speaker 3: this desert vacation thing. Yeah, I'm glad he was honest

385
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Speaker 3: with her. It was the right move. Yeah, she deserved

386
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Speaker 3: to know, even though it's not good news, she deserves

387
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Speaker 3: to know the truth. I agree. So we cut to

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Speaker 3: Jesse's room, where Michelle is helping Stephanie move move, move

389
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Speaker 3: back in. Yeah, I've wasted no time, right, Stephanie says, boy,

390
00:19:04,760 --> 00:19:07,840
Speaker 3: does this room bring back memories? And you're all of

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Speaker 3: your six years.

392
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Speaker 1: Of life so much, so many things.

393
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Speaker 3: Uh. DJ walks in with more stuffed animals, and Stephanie

394
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Speaker 3: remarks that it's kind of nice that they will each

395
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Speaker 3: have their own room for a couple of days. DJ

396
00:19:21,800 --> 00:19:23,719
Speaker 3: slips up and says, well, it might be more than

397
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Speaker 3: a couple of days. Steph realizes that something is wrong

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Speaker 3: and she wants to know what it is. And you're

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Speaker 3: so serious here, You're like so like you. I feel

400
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Speaker 3: like Stephanie knows that something's wrong and no one's telling

401
00:19:36,160 --> 00:19:38,679
Speaker 3: her what it is. Like you just right, you handle

402
00:19:38,720 --> 00:19:40,640
Speaker 3: that emotional beat very well.

403
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Speaker 1: Yeah, I was like, what is going on?

404
00:19:42,640 --> 00:19:45,040
Speaker 3: So DJ tells her the truth that Uncle Jesse is

405
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Speaker 3: thinking of moving out. Stephanie decides that they need to

406
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Speaker 3: do something about this. Because what if Uncle Jesse never

407
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Speaker 3: comes back. You know, I hate Uncle Jesse for doing

408
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Speaker 3: this to the girls.

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Speaker 1: This is so uncle Jesse. You don't just leave you

410
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Speaker 1: after everything that they've gone through.

411
00:20:01,400 --> 00:20:04,800
Speaker 3: Yeah, yeah, no, this was it all about himself. So

412
00:20:04,840 --> 00:20:07,720
Speaker 3: we have a sad commercial break. We come back and

413
00:20:07,760 --> 00:20:10,880
Speaker 3: the girls have hatched their plan on how to get

414
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Speaker 3: Jesse back. They're gonna call Jesse and convince him that

415
00:20:14,359 --> 00:20:19,240
Speaker 3: Michelle is very sick, so he'll come rushing back. So

416
00:20:19,320 --> 00:20:23,480
Speaker 3: dj calls the Tahoe cabin and Gary, the redheaded mullet ripper,

417
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Speaker 3: tells her that Jesse is still out skiing.

418
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Speaker 2: Well, can you imagine getting phones, sir? I didn't see

419
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Speaker 2: a phone.

420
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Speaker 1: That the telephone.

421
00:20:32,480 --> 00:20:36,520
Speaker 3: There's a telephone. There were no cell phones. Yeah right.

422
00:20:37,280 --> 00:20:38,840
Speaker 3: I don't know how that phone call went through. That's

423
00:20:38,880 --> 00:20:40,719
Speaker 3: a good point. That's a good point way up there

424
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Speaker 3: in the mountains. Another question is why why isn't everyone's skiing?

425
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Speaker 3: I feel like everyone is in the cabin.

426
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Speaker 2: Well everyone but but Jesse. But Jesse and Sammy don't

427
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Speaker 2: they both come in?

428
00:20:52,680 --> 00:20:55,360
Speaker 3: They both come in. Yeah, So why nobody else wanted

429
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Speaker 3: to ski?

430
00:20:57,560 --> 00:21:01,040
Speaker 1: They were busy with their mullets. Give each other.

431
00:21:01,080 --> 00:21:04,280
Speaker 2: You skied, but but Jesse's so terrible at it, and

432
00:21:04,440 --> 00:21:05,160
Speaker 2: he took.

433
00:21:05,000 --> 00:21:06,639
Speaker 1: Three times as long to come down the mountain. So

434
00:21:06,640 --> 00:21:07,960
Speaker 1: they've like come home changed.

435
00:21:08,040 --> 00:21:11,920
Speaker 2: Oh okay, they're playing more music, right, They've gone through,

436
00:21:12,080 --> 00:21:14,680
Speaker 2: you know, an entire album's worth of songs, and now

437
00:21:14,800 --> 00:21:15,760
Speaker 2: Jesse's coming back.

438
00:21:16,200 --> 00:21:20,720
Speaker 3: Got it? Got it? Okay. So Stephanie gets on the

439
00:21:20,720 --> 00:21:23,920
Speaker 3: phone and tells Gary that Michelle is coughing really bad,

440
00:21:24,080 --> 00:21:26,960
Speaker 3: and then they all try to fake cough and try

441
00:21:27,000 --> 00:21:28,840
Speaker 3: to convince Michelle to do this fake cough and.

442
00:21:28,880 --> 00:21:29,840
Speaker 1: She's so cute.

443
00:21:30,320 --> 00:21:32,600
Speaker 3: She sticks out her tongue like when the when the

444
00:21:32,680 --> 00:21:34,600
Speaker 3: dentists or the doctor is like, you know, stick your

445
00:21:34,640 --> 00:21:39,760
Speaker 3: tongue on act. That's exactly what she does. It's so funny.

446
00:21:40,040 --> 00:21:42,760
Speaker 3: So dj makes Gary promise to tell Jesse that Michelle

447
00:21:42,800 --> 00:21:45,360
Speaker 3: is very sick and Jesse's the only one who can

448
00:21:45,400 --> 00:21:48,359
Speaker 3: give her her cough medicine. Okay, so they've set this

449
00:21:48,480 --> 00:21:52,960
Speaker 3: plan in motion. Okay. Back at the ski cabin, everyone

450
00:21:53,040 --> 00:21:56,679
Speaker 3: is still sitting around singing. When Samantha comes back, she opens.

451
00:21:56,520 --> 00:21:59,040
Speaker 2: You imagine being on that trip and just like, guys,

452
00:21:59,160 --> 00:22:02,200
Speaker 2: shut up trying to sleep, I'm tired.

453
00:22:02,720 --> 00:22:03,480
Speaker 1: We stop singing.

454
00:22:03,520 --> 00:22:04,600
Speaker 3: They never stop singing.

455
00:22:04,640 --> 00:22:07,880
Speaker 2: No, they never never stop saying. It's just constantly singing. Yeah,

456
00:22:08,040 --> 00:22:09,199
Speaker 2: be like I'm trying to read a book here by

457
00:22:09,240 --> 00:22:11,960
Speaker 2: the fire, guys, can you please just keep it the

458
00:22:12,000 --> 00:22:13,160
Speaker 2: do wop outside on the.

459
00:22:13,200 --> 00:22:16,800
Speaker 3: To the patio there. Thanks. Anyway, there's no sleeping in

460
00:22:16,800 --> 00:22:17,280
Speaker 3: this cabin.

461
00:22:17,440 --> 00:22:18,159
Speaker 1: No, no sleeping.

462
00:22:18,960 --> 00:22:21,720
Speaker 3: So Samantha opens the front door and reveals a wind

463
00:22:21,760 --> 00:22:26,119
Speaker 3: blown Jesse covered in snow, and Jesse says, God, this

464
00:22:26,160 --> 00:22:27,840
Speaker 3: sport is really a pain in the butt.

465
00:22:28,880 --> 00:22:32,200
Speaker 2: That is John Stamen is that That is exactly how

466
00:22:32,200 --> 00:22:33,520
Speaker 2: I would expect him to react.

467
00:22:34,359 --> 00:22:37,119
Speaker 3: So Gary hands Jesse a guitar and they all start singing.

468
00:22:37,240 --> 00:22:41,800
Speaker 3: The boys are back in town. So so much singing,

469
00:22:42,000 --> 00:22:44,640
Speaker 3: so much singing. And as they sing, the camera pushes

470
00:22:44,680 --> 00:22:46,919
Speaker 3: in on a close up of Jesse's face.

471
00:22:47,119 --> 00:22:49,040
Speaker 1: Because otherwise you wouldn't know he's having an emotion.

472
00:22:49,160 --> 00:22:51,280
Speaker 3: Yeah, he's having an emotion. He's having and those our

473
00:22:51,280 --> 00:22:53,359
Speaker 3: cue that the emotions are bubbling and.

474
00:22:53,240 --> 00:22:56,239
Speaker 1: We're gonna go inside his head. That's why we're pushing in.

475
00:22:56,400 --> 00:23:02,399
Speaker 3: We're pushing in, and we dissolve to a flashback montage montage,

476
00:23:02,520 --> 00:23:06,160
Speaker 3: the music montage of all of Jesse's best moments with

477
00:23:06,280 --> 00:23:10,720
Speaker 3: Michelle set to the recording of Baby Love. This is

478
00:23:10,760 --> 00:23:12,720
Speaker 3: a great montage we see it.

479
00:23:12,760 --> 00:23:15,760
Speaker 2: Really is Jesse's Rocky's impressed that they use the Supremes.

480
00:23:16,080 --> 00:23:18,800
Speaker 3: Yeah, yeah, did they get chance for that? That must

481
00:23:18,800 --> 00:23:21,359
Speaker 3: have been very expreight. So we see Jesse rocking Michelle

482
00:23:21,400 --> 00:23:23,760
Speaker 3: in the rocking chair, trying to change her diaper in

483
00:23:23,800 --> 00:23:28,240
Speaker 3: the pilot episode, feeding Michelle, Michelle popping a wheelie on

484
00:23:28,320 --> 00:23:31,439
Speaker 3: her trike, and several other Jesse Michelle scenes that we

485
00:23:31,480 --> 00:23:34,880
Speaker 3: haven't even seen yet because they occur in future episodes.

486
00:23:35,400 --> 00:23:37,720
Speaker 1: Did it or was it just part of the montage

487
00:23:37,760 --> 00:23:38,879
Speaker 1: stuff like that?

488
00:23:38,960 --> 00:23:42,720
Speaker 2: Got I think they just they just shot extra footage

489
00:23:42,760 --> 00:23:45,440
Speaker 2: for that, Yeah, because they wouldn't have future episodes are.

490
00:23:45,400 --> 00:23:48,200
Speaker 3: Yeah, that's right, there's only one episode. There's one or

491
00:23:48,240 --> 00:23:49,200
Speaker 3: two episodes left.

492
00:23:49,200 --> 00:23:51,159
Speaker 2: You're oh, you're right, well, but no, I mean that

493
00:23:51,200 --> 00:23:53,359
Speaker 2: it's that, I mean, you wouldn't have the footage ahead

494
00:23:53,359 --> 00:23:55,720
Speaker 2: of time too, because usually But yeah, it's I think

495
00:23:55,720 --> 00:23:56,000
Speaker 2: they just.

496
00:23:56,000 --> 00:24:00,800
Speaker 3: Shot extra him reading to her on the stairwells. Oh okay,

497
00:24:00,800 --> 00:24:04,560
Speaker 3: it's yeah, very cute. See this bond, totally see this

498
00:24:05,080 --> 00:24:08,240
Speaker 3: genuine relationship between the two of them. We dissolved back

499
00:24:08,280 --> 00:24:12,040
Speaker 3: into the present moment, and Jesse suddenly halts the sing along.

500
00:24:12,600 --> 00:24:15,000
Speaker 3: He has to call home. He calls home and the

501
00:24:15,000 --> 00:24:17,520
Speaker 3: line is busy, so he decides he has to rush

502
00:24:17,560 --> 00:24:20,240
Speaker 3: back to her. Michelle needs me, he tells the group,

503
00:24:20,400 --> 00:24:23,280
Speaker 3: and he takes off. Okay, So back in the living room,

504
00:24:23,720 --> 00:24:26,960
Speaker 3: Danny and Joey are playing basketball with this hoop hanging

505
00:24:27,000 --> 00:24:29,639
Speaker 3: over the alcove? Has that always been there? Am I

506
00:24:29,720 --> 00:24:30,560
Speaker 3: just noticing that?

507
00:24:31,000 --> 00:24:33,520
Speaker 2: Her feel like, no, we've I think we've mentioned it before,

508
00:24:33,560 --> 00:24:34,600
Speaker 2: that they mentioned it before.

509
00:24:34,800 --> 00:24:37,840
Speaker 1: Maybe I think when Joey was living in the alcove

510
00:24:37,880 --> 00:24:39,040
Speaker 1: it was there. Maybe, I don't know.

511
00:24:39,720 --> 00:24:41,840
Speaker 2: So it is just you know, things randomly come and

512
00:24:41,840 --> 00:24:44,320
Speaker 2: go for you know, like for a seat or two.

513
00:24:44,440 --> 00:24:46,600
Speaker 3: Yeah, and then they're gone and then they're back. Okay,

514
00:24:46,680 --> 00:24:47,880
Speaker 3: so it's there they're playing.

515
00:24:47,880 --> 00:24:51,480
Speaker 2: They're playing basketball, right, not basketball outside in the backyard

516
00:24:51,480 --> 00:24:52,159
Speaker 2: because that's where the.

517
00:24:52,160 --> 00:24:54,240
Speaker 3: Cabin is, right exactly.

518
00:24:54,280 --> 00:24:58,840
Speaker 2: They didn't want the back yeah, yeah, the backyards that

519
00:24:58,920 --> 00:25:02,200
Speaker 2: we couldn't use to play bas because there was a

520
00:25:02,240 --> 00:25:06,640
Speaker 2: cabin in Reno or Tahoe or whatever, right, right, Yeah.

521
00:25:07,359 --> 00:25:10,120
Speaker 3: So Jesse rushes in, asking where's Michelle do I need

522
00:25:10,119 --> 00:25:13,400
Speaker 3: to give her cough medicine. Danny and Joey are confused.

523
00:25:13,440 --> 00:25:17,080
Speaker 3: What is he talking about? Michelle is fine. Jesse is

524
00:25:17,119 --> 00:25:20,719
Speaker 3: initially relieved that Michelle's okay, but now then he's ticked.

525
00:25:21,240 --> 00:25:23,800
Speaker 3: He's like, what, I drove four hours on my motorcycle

526
00:25:23,840 --> 00:25:26,160
Speaker 3: in the freezing cold behind a cattle truck and she's

527
00:25:26,240 --> 00:25:27,280
Speaker 3: not even sick.

528
00:25:28,400 --> 00:25:32,720
Speaker 1: How did you drive for four hours on a motorcycle?

529
00:25:34,119 --> 00:25:36,560
Speaker 3: Where's your studu with?

530
00:25:36,760 --> 00:25:37,760
Speaker 1: Like he came in with.

531
00:25:37,720 --> 00:25:41,480
Speaker 2: A saddle bag, like a motorcycle saddle bag. Okay, unless

532
00:25:41,520 --> 00:25:48,040
Speaker 2: he is Mary Poppins and can pull skis and cardigans

533
00:25:48,720 --> 00:25:50,879
Speaker 2: and like drop you know what. That's maybe what it is.

534
00:25:51,280 --> 00:25:55,320
Speaker 2: It's maybe Jesse's motorcycle. The little saddle bags on it

535
00:25:55,359 --> 00:25:58,680
Speaker 2: are magical and he can put more out of an

536
00:25:58,720 --> 00:26:04,920
Speaker 2: inflatable and a jukebox and things out of those saddle bags,

537
00:26:04,920 --> 00:26:06,160
Speaker 2: and that's how he travels.

538
00:26:06,200 --> 00:26:08,120
Speaker 3: That's the only thing that makes sense here is to

539
00:26:08,160 --> 00:26:11,760
Speaker 3: marry Mary Poppins. Saddle bags. Yeah, yeah, yeah, Okay, glad

540
00:26:11,760 --> 00:26:13,600
Speaker 3: we figured that out, and glad We're so glad we

541
00:26:13,600 --> 00:26:17,359
Speaker 3: figured that out. So the men figure out that, oh

542
00:26:17,400 --> 00:26:20,000
Speaker 3: it was the girls who called and set this plan

543
00:26:20,080 --> 00:26:23,840
Speaker 3: into motion. Danny says, Jesse, you know you really shook

544
00:26:23,880 --> 00:26:27,439
Speaker 3: them up when you left. Jesse is not apologetic. It

545
00:26:27,520 --> 00:26:31,160
Speaker 3: was something he had to do. He starts to I know.

546
00:26:31,440 --> 00:26:37,399
Speaker 2: Oh, bro, bro, bro, you've been here seven months and this,

547
00:26:37,720 --> 00:26:40,000
Speaker 2: I mean, I get, I get it's going from the

548
00:26:40,000 --> 00:26:42,120
Speaker 2: free wheeling and the thing and it's the adjustment, but.

549
00:26:42,040 --> 00:26:44,080
Speaker 1: It just this just feels fairy.

550
00:26:44,600 --> 00:26:47,800
Speaker 3: It's a lotish, it's it's it's a lot I absolutely agree,

551
00:26:47,800 --> 00:26:49,320
Speaker 3: and it just gets worse from here too.

552
00:26:50,760 --> 00:26:53,040
Speaker 1: He starts to Danny, I would have been like, shut up.

553
00:26:53,280 --> 00:26:56,280
Speaker 1: I was just my wife is dead. Your sister's dead,

554
00:26:56,320 --> 00:26:59,520
Speaker 1: do you remember. No, you're sad you're not getting to

555
00:26:59,560 --> 00:27:00,800
Speaker 1: go skiing. But like.

556
00:27:02,720 --> 00:27:05,439
Speaker 3: The situation, he is more concerned about getting laid than

557
00:27:05,440 --> 00:27:07,600
Speaker 3: he is about his dead sister or his nieces for

558
00:27:07,600 --> 00:27:10,720
Speaker 3: that matter. Like it is so self absorbed. Yeah, I

559
00:27:10,760 --> 00:27:13,159
Speaker 3: do not like this, this version of Jesse. I'm just

560
00:27:13,200 --> 00:27:13,840
Speaker 3: gonna be honest.

561
00:27:14,200 --> 00:27:14,400
Speaker 1: Yeah.

562
00:27:14,480 --> 00:27:18,480
Speaker 3: Yeah. So Jesse starts to storm out the door and Jesse,

563
00:27:18,840 --> 00:27:21,640
Speaker 3: uh no, Danny and Joey stop him and they're like, hey,

564
00:27:21,760 --> 00:27:25,320
Speaker 3: talk to us, just can we help you. Jesse says,

565
00:27:25,359 --> 00:27:29,119
Speaker 3: all his life he's done whatever He's wanted whenever he's wanted,

566
00:27:29,359 --> 00:27:32,880
Speaker 3: with whomever he wanted. He's never had to answer to anyone,

567
00:27:32,920 --> 00:27:35,720
Speaker 3: and he's had no one to worry about except himself.

568
00:27:35,760 --> 00:27:37,840
Speaker 1: Well, it's time to grow up, then, sir.

569
00:27:38,040 --> 00:27:40,360
Speaker 3: This is like narcissism, one on one right.

570
00:27:41,119 --> 00:27:43,000
Speaker 1: Like, I don't feel bad for you.

571
00:27:43,160 --> 00:27:47,760
Speaker 3: I don't feel bad at all. And he says, I'm sorry, guys,

572
00:27:47,760 --> 00:27:50,119
Speaker 3: I don't think this is where I want to be.

573
00:27:50,560 --> 00:27:51,679
Speaker 1: I'm getting that vibe.

574
00:27:52,800 --> 00:27:56,760
Speaker 3: Thank god for Joey, the unlikely voice of reason. He says, Okay, look,

575
00:27:57,440 --> 00:28:00,800
Speaker 3: maybe when you moved in you lost something, but look

576
00:28:00,920 --> 00:28:05,440
Speaker 3: at how much you've gained. Thank you, Joey. Yes, let's

577
00:28:05,520 --> 00:28:10,720
Speaker 3: focus on the positives and the family that he's created here. Yeah,

578
00:28:10,840 --> 00:28:13,720
Speaker 3: Danny tells Jesse. Before you moved into this house, the

579
00:28:13,760 --> 00:28:16,720
Speaker 3: girls were just your nieces. You'd stop by four times

580
00:28:16,760 --> 00:28:19,720
Speaker 3: a year to give them Birthday and Christmas presents. Do

581
00:28:19,760 --> 00:28:22,760
Speaker 3: you have any idea how important you are to those

582
00:28:22,800 --> 00:28:29,400
Speaker 3: three little girls? Yes, Danny, Yes, tell him lay it out. Yeah, absolutely.

583
00:28:29,960 --> 00:28:32,880
Speaker 3: Jesse needs a lesson in yes, how to think about

584
00:28:32,920 --> 00:28:36,280
Speaker 3: people other than himselves. So finally, this stops Jesse for

585
00:28:36,359 --> 00:28:39,880
Speaker 3: a moment. He's absorbing this. He takes a long beat

586
00:28:40,360 --> 00:28:42,920
Speaker 3: and then a smile slowly creeps onto his face and

587
00:28:42,960 --> 00:28:47,840
Speaker 3: he says, they do love me, don't they. Well, well, fellas,

588
00:28:47,840 --> 00:28:49,200
Speaker 3: can you blame them?

589
00:28:49,760 --> 00:28:51,960
Speaker 1: I want to punch him in the face because I

590
00:28:52,080 --> 00:28:53,320
Speaker 1: was like stop it.

591
00:28:53,520 --> 00:28:57,920
Speaker 3: Okay, So this was the height of my aggravation, like rage.

592
00:29:00,600 --> 00:29:01,960
Speaker 3: It's like, dude, you've lost me here.

593
00:29:02,120 --> 00:29:04,960
Speaker 2: Yeah, yeah, yeah, I mean it's I get it. They're

594
00:29:04,960 --> 00:29:06,840
Speaker 2: trying to have a character arc, but it's one of

595
00:29:06,840 --> 00:29:09,080
Speaker 2: those things where you're like, oh, this is.

596
00:29:09,440 --> 00:29:12,400
Speaker 1: It was probably it was written by.

597
00:29:14,360 --> 00:29:17,720
Speaker 2: Non family dudes maybe, and that was like they were

598
00:29:17,760 --> 00:29:19,760
Speaker 2: like if this happened to me, this is how.

599
00:29:20,120 --> 00:29:20,840
Speaker 1: Yeah, you know what I mean.

600
00:29:21,000 --> 00:29:25,320
Speaker 3: They're leaning into Jesse the Bachelor, that right character part,

601
00:29:25,360 --> 00:29:29,520
Speaker 3: but it gets it's it's coming off just too selfish,

602
00:29:30,200 --> 00:29:30,959
Speaker 3: too self absorbed.

603
00:29:30,960 --> 00:29:32,200
Speaker 1: Here well and I think too.

604
00:29:32,320 --> 00:29:32,520
Speaker 2: You know.

605
00:29:32,640 --> 00:29:33,800
Speaker 1: It's interesting watching the.

606
00:29:33,800 --> 00:29:37,160
Speaker 2: Episodes like Closer Together the way we do now and

607
00:29:37,320 --> 00:29:39,880
Speaker 2: as opposed to like week after week, Like sometimes you

608
00:29:40,000 --> 00:29:42,160
Speaker 2: watch like two episodes like part one and Part two

609
00:29:42,160 --> 00:29:44,640
Speaker 2: in a row and you're like, eh, like the somehow

610
00:29:44,640 --> 00:29:47,120
Speaker 2: the behavior is a little more compacted and you're like

611
00:29:47,680 --> 00:29:48,240
Speaker 2: it's too much.

612
00:29:48,320 --> 00:29:48,600
Speaker 1: Just stop.

613
00:29:48,680 --> 00:29:51,000
Speaker 2: Yeah, yeah, yeah, yeah, but we needed the seven days

614
00:29:51,040 --> 00:29:53,480
Speaker 2: to write write any cover a week in between. Yeah,

615
00:29:54,240 --> 00:29:58,520
Speaker 2: and then I could be dealt another blow of Jesse's self.

616
00:29:58,240 --> 00:30:03,200
Speaker 3: Centered absolutely absolute Well, but then Jesse thinks about it,

617
00:30:03,200 --> 00:30:07,479
Speaker 3: and he finally admits this profound thought. I think I'm

618
00:30:07,560 --> 00:30:10,840
Speaker 3: realizing that being part of this family is filling an

619
00:30:10,840 --> 00:30:14,520
Speaker 3: empty and empty space in my heart that I didn't

620
00:30:14,560 --> 00:30:18,120
Speaker 3: even know was there. And then there's a long, satisfying

621
00:30:18,160 --> 00:30:20,960
Speaker 3: emotional beat. It's kind of a quick turn, kind of

622
00:30:20,960 --> 00:30:23,080
Speaker 3: a little too fast for me, this turn.

623
00:30:24,440 --> 00:30:24,840
Speaker 1: I get that it.

624
00:30:25,360 --> 00:30:27,200
Speaker 3: It was still a very nice moment.

625
00:30:26,960 --> 00:30:31,520
Speaker 2: Though, Yes, nothing like a whiplash sitcom emotional moment when you're.

626
00:30:31,360 --> 00:30:34,080
Speaker 1: Like, everything's terrible, you know, well, you're right, yeah.

627
00:30:34,000 --> 00:30:37,479
Speaker 3: You're whoa, I've skew the violins just yeah, yeah, exactly.

628
00:30:37,600 --> 00:30:39,120
Speaker 1: We've got three minutes left.

629
00:30:39,200 --> 00:30:43,800
Speaker 3: Yeah, So Joey and Danny tell him to just take

630
00:30:43,840 --> 00:30:46,400
Speaker 3: time for himself whenever he needs to. They will do

631
00:30:46,440 --> 00:30:50,040
Speaker 3: whatever they can to make this work. So then Jesse

632
00:30:50,200 --> 00:30:53,640
Speaker 3: walks into his bedroom, which is dark. He throws his

633
00:30:53,960 --> 00:30:56,960
Speaker 3: jacket onto his bed, not realizing that Stephanie is asleep

634
00:30:57,040 --> 00:30:59,920
Speaker 3: in his bed. Jesse turns on the light and stuff,

635
00:31:00,000 --> 00:31:02,920
Speaker 3: and he pops up to give him a huge hug.

636
00:31:03,800 --> 00:31:06,120
Speaker 3: DJ runs in and also gives him a massive hug.

637
00:31:06,240 --> 00:31:10,440
Speaker 3: The girls are so happy that he's home. DJ asks

638
00:31:10,480 --> 00:31:14,520
Speaker 3: if he's here to stay. Jesse says he's not going anywhere.

639
00:31:14,760 --> 00:31:17,040
Speaker 3: He says, I'm always going to be your uncle, and

640
00:31:17,120 --> 00:31:19,400
Speaker 3: I'm always going to be there when you too need me,

641
00:31:19,640 --> 00:31:24,160
Speaker 3: and I'm always gonna love you two knuckleheads very very much.

642
00:31:25,160 --> 00:31:28,880
Speaker 3: I know. They all hug and pinky swear. It is

643
00:31:29,120 --> 00:31:31,560
Speaker 3: very sweet, so cute. It's cute. It does feel like

644
00:31:31,600 --> 00:31:34,280
Speaker 3: the end of the episode too. But there's one more scene. Yep,

645
00:31:34,720 --> 00:31:37,600
Speaker 3: we got one more in Michelle's bedroom a few minutes

646
00:31:37,680 --> 00:31:39,480
Speaker 3: later Jesse, where the lights are off.

647
00:31:40,000 --> 00:31:43,960
Speaker 1: Finally, well, there's a lamp on in the background, a

648
00:31:44,040 --> 00:31:44,560
Speaker 1: night light.

649
00:31:44,480 --> 00:31:47,840
Speaker 2: But finally the kid is asleep and the lights are

650
00:31:47,880 --> 00:31:49,479
Speaker 2: off and someone goes into wake her up.

651
00:31:49,680 --> 00:31:52,760
Speaker 3: Yes, well but except she's already awake.

652
00:31:52,800 --> 00:31:53,640
Speaker 1: This is so creepy.

653
00:31:53,680 --> 00:31:57,160
Speaker 3: He walks into the dark nursery and Michelle's she's standing

654
00:31:57,160 --> 00:31:59,880
Speaker 3: there like she's expect me to do.

655
00:32:00,640 --> 00:32:02,600
Speaker 2: Like you'd walk in and they'd be standing there in

656
00:32:02,640 --> 00:32:03,720
Speaker 2: the dark and you're like, oh my.

657
00:32:03,680 --> 00:32:05,240
Speaker 1: God, what are you doing, like.

658
00:32:05,200 --> 00:32:07,400
Speaker 3: How long have you been up like this and staring

659
00:32:07,440 --> 00:32:09,880
Speaker 3: at the door, just like get.

660
00:32:09,680 --> 00:32:11,120
Speaker 1: The side of the crab. Yeah, I get that.

661
00:32:11,480 --> 00:32:14,480
Speaker 3: It's true. It's true. It was a little jarring, but

662
00:32:14,560 --> 00:32:17,880
Speaker 3: it's very true to life. So Jesse gives her a

663
00:32:17,920 --> 00:32:20,320
Speaker 3: stuffed bear. The violin music.

664
00:32:20,120 --> 00:32:24,040
Speaker 1: Start the damn Bear. I'm sorry, I know, I keep

665
00:32:24,080 --> 00:32:24,440
Speaker 1: hanging up.

666
00:32:24,480 --> 00:32:26,960
Speaker 3: I think he stole it. You know, Stephanie had so

667
00:32:26,960 --> 00:32:29,120
Speaker 3: many stuffed animals on the bed, locked in the door.

668
00:32:29,640 --> 00:32:34,080
Speaker 2: Oh where did he put it? In that four hour motorcycle?

669
00:32:35,040 --> 00:32:38,520
Speaker 3: It's in the Mary Pid bags. I don't know, I

670
00:32:38,520 --> 00:32:44,040
Speaker 3: don't know. So the violin music starts. Jesse. He tells Michelle,

671
00:32:44,040 --> 00:32:46,080
Speaker 3: when I first came here, I thought I was just

672
00:32:46,080 --> 00:32:47,640
Speaker 3: going to move in for a few months, just to

673
00:32:47,640 --> 00:32:49,560
Speaker 3: help out and get on with my life. But you

674
00:32:49,600 --> 00:32:53,240
Speaker 3: know what, this is my life. This is where I'm

675
00:32:53,280 --> 00:32:56,640
Speaker 3: supposed to be right now. He puts her back in

676
00:32:56,640 --> 00:32:59,240
Speaker 3: the crab and asks her for a kiss. Michelle tries

677
00:32:59,320 --> 00:33:04,320
Speaker 3: to eat his out. Jesse laughs, The audience laughs, and

678
00:33:04,440 --> 00:33:08,040
Speaker 3: Jesse tells Michelle he loves her, and that is our show.

679
00:33:08,520 --> 00:33:11,000
Speaker 3: It's on a sweet note.

680
00:33:11,840 --> 00:33:13,400
Speaker 1: Hey, uncle Jesse's back.

681
00:33:13,480 --> 00:33:15,240
Speaker 3: He's redeemed himself slightly.

682
00:33:14,960 --> 00:33:18,360
Speaker 1: And slightly less self obsessed by the end of the.

683
00:33:18,720 --> 00:33:21,120
Speaker 3: It took a two parter, but he finally.

684
00:33:20,920 --> 00:33:28,640
Speaker 2: Took the driving through the freezing cold of Tahoe behind

685
00:33:28,680 --> 00:33:32,920
Speaker 2: a cattle truck with you know, only a light leather

686
00:33:33,080 --> 00:33:39,680
Speaker 2: jacket because you'd be freezing. Yeah, it's snowing outside and

687
00:33:39,720 --> 00:33:44,040
Speaker 2: you're wearing and you're on a motorcycle. It's like immediately

688
00:33:44,600 --> 00:33:47,200
Speaker 2: forty five degrees cooler as you're driving, Like it's.

689
00:33:47,160 --> 00:33:49,080
Speaker 3: The wind chill factors.

690
00:33:49,200 --> 00:33:52,320
Speaker 1: It's lucky he didn't get pneumonia, really, you know.

691
00:33:53,320 --> 00:33:56,080
Speaker 3: Very true. Yeah, that could have been disastrous.

692
00:33:56,200 --> 00:34:00,400
Speaker 1: But but no, But Jesse's back. He's realized he's in

693
00:34:00,440 --> 00:34:03,120
Speaker 1: the right spot at a moment.

694
00:34:03,960 --> 00:34:07,600
Speaker 3: I have and everywhere you look, oh tell me, tell me,

695
00:34:07,600 --> 00:34:08,640
Speaker 3: tell me, I have.

696
00:34:08,680 --> 00:34:11,040
Speaker 1: And it's kind of a deep dive everywhere you look.

697
00:34:11,360 --> 00:34:12,239
Speaker 3: I'm excited about this.

698
00:34:12,480 --> 00:34:14,839
Speaker 1: Oh, I have a couple, a couple. Oh, I have two,

699
00:34:14,920 --> 00:34:17,000
Speaker 1: like three, Oh, go for it, go for it. Yeah,

700
00:34:17,040 --> 00:34:21,400
Speaker 1: this was a big one. Okay, okay. So the first

701
00:34:21,600 --> 00:34:26,080
Speaker 1: one that I noticed is that, uh, there is the

702
00:34:26,120 --> 00:34:28,439
Speaker 1: oat boats box in the background. I saw that, Yeah,

703
00:34:28,440 --> 00:34:31,440
Speaker 1: in the kitchen prominently displayed. I love. They just keep

704
00:34:31,480 --> 00:34:32,799
Speaker 1: putting it oat boats like.

705
00:34:32,880 --> 00:34:34,959
Speaker 3: It's like a recurring character at this point.

706
00:34:37,120 --> 00:34:40,719
Speaker 2: But in the Danny DJ guitar scene when they're in

707
00:34:40,960 --> 00:34:44,920
Speaker 2: Stephan DJ's room, if you look on the back wall,

708
00:34:45,880 --> 00:34:49,680
Speaker 2: there is a dog poster, not the puppy, not the

709
00:34:49,719 --> 00:34:50,600
Speaker 2: Golden Retriever one.

710
00:34:51,120 --> 00:34:55,239
Speaker 1: There is a dog poster of a shar Pei. Oh oh,

711
00:34:55,560 --> 00:34:56,400
Speaker 1: do you remember?

712
00:34:57,160 --> 00:35:01,799
Speaker 2: Sharpays were the dogs that Bob Boyette always used to have,

713
00:35:01,800 --> 00:35:03,680
Speaker 2: And I seem to remember it. That's why, like that

714
00:35:03,760 --> 00:35:06,759
Speaker 2: we had one like as kind of a you know,

715
00:35:06,800 --> 00:35:08,560
Speaker 2: he always wanted like a shar Pei.

716
00:35:08,440 --> 00:35:10,120
Speaker 1: Something whatever in the background if you could.

717
00:35:10,120 --> 00:35:13,200
Speaker 2: But he always had shar Pei puppies, a cute little

718
00:35:13,239 --> 00:35:14,000
Speaker 2: wrinkly dog.

719
00:35:14,200 --> 00:35:15,480
Speaker 3: They were so wrinkly, and.

720
00:35:17,360 --> 00:35:18,680
Speaker 1: He had always had those.

721
00:35:19,040 --> 00:35:22,560
Speaker 2: But there is a shar Pei puppy poster that is

722
00:35:23,280 --> 00:35:26,080
Speaker 2: a sort of a reminiscent of that.

723
00:35:26,440 --> 00:35:28,840
Speaker 3: Yeah, it's like a little tribute to Yeah, Bob.

724
00:35:28,640 --> 00:35:30,719
Speaker 1: Was one of our executive producers at the time.

725
00:35:30,800 --> 00:35:35,359
Speaker 3: So I wonder if Bob Boyette and Jeff Franklin fought

726
00:35:35,400 --> 00:35:37,919
Speaker 3: over what type of what breed of dog to bring

727
00:35:37,960 --> 00:35:41,160
Speaker 3: in as comic because Jeff loves Golden Retrievers. Yeah, and

728
00:35:41,200 --> 00:35:43,880
Speaker 3: Bob Boyette loves Sharpei. So it's like, I wonder I

729
00:35:43,920 --> 00:35:44,239
Speaker 3: want to.

730
00:35:44,440 --> 00:35:47,760
Speaker 2: Yeah, but I think golden retrievers are probably easier to train.

731
00:35:48,440 --> 00:35:52,120
Speaker 2: I would assume truth are probably pretty Yeah. Very But

732
00:35:53,040 --> 00:35:58,160
Speaker 2: in another very important moment in that scene, if you

733
00:35:58,400 --> 00:36:03,120
Speaker 2: look on in the windowsill, like the little like where

734
00:36:03,160 --> 00:36:07,520
Speaker 2: that bench is on the floor, you will see a

735
00:36:07,560 --> 00:36:10,799
Speaker 2: pillow person sitting on the floor, just the top of.

736
00:36:10,760 --> 00:36:13,359
Speaker 1: It, just the top the little hair.

737
00:36:13,880 --> 00:36:16,960
Speaker 2: But DJ DJ's pillow person is there, and we have

738
00:36:17,040 --> 00:36:20,239
Speaker 2: not established it as like a thing yet.

739
00:36:20,320 --> 00:36:22,759
Speaker 3: No, she hasn't talked about the pillow person yet. Right,

740
00:36:22,840 --> 00:36:25,279
Speaker 3: it's just sort of in evidence right now. It's just

741
00:36:25,360 --> 00:36:28,600
Speaker 3: placed in the back. Oh, I did not notice.

742
00:36:28,280 --> 00:36:32,319
Speaker 1: That those are Those are my EVERYWAYO love it.

743
00:36:32,440 --> 00:36:36,080
Speaker 3: I just have I have one something that I am now.

744
00:36:36,200 --> 00:36:37,920
Speaker 3: Like you're caught up on the stuffed bear, I am

745
00:36:37,920 --> 00:36:41,600
Speaker 3: caught up on parrots. Like, Okay, there's so many parrots

746
00:36:41,600 --> 00:36:43,919
Speaker 3: in this house. There's the one in the living room,

747
00:36:44,080 --> 00:36:47,360
Speaker 3: in the alcove, there's the parrot painting in Joey's bathroom.

748
00:36:47,360 --> 00:36:51,120
Speaker 3: We've talked about that before. There's a stuffed two can

749
00:36:51,560 --> 00:36:55,160
Speaker 3: in DJ's room. In that little alcove where the pillow

750
00:36:55,200 --> 00:36:59,080
Speaker 3: person is and there's a light up neon parrot in

751
00:36:59,239 --> 00:37:02,719
Speaker 3: Jesse's room as well. Why are there so many parrots?

752
00:37:03,160 --> 00:37:03,839
Speaker 3: Like it's right by.

753
00:37:03,719 --> 00:37:07,719
Speaker 1: Their where parrots are popular, and I.

754
00:37:07,760 --> 00:37:13,160
Speaker 2: Don't know the sets parrots go with the Miami Vice

755
00:37:13,280 --> 00:37:15,799
Speaker 2: kind of vibe, which, by the way, when Steph makes

756
00:37:15,800 --> 00:37:19,600
Speaker 2: the joke about when DJ asks her about Alvin is

757
00:37:19,640 --> 00:37:22,799
Speaker 2: the best one an she shows that poster and I'm like,

758
00:37:22,840 --> 00:37:24,640
Speaker 2: oh my god, why are they dressed like Don Johnson?

759
00:37:24,920 --> 00:37:27,840
Speaker 2: And then Seth makes the joke about like, let's be

760
00:37:27,880 --> 00:37:31,240
Speaker 2: real without Alvin, they're just squirrels dressed up as Don Johnson,

761
00:37:31,280 --> 00:37:33,560
Speaker 2: where I was like, oh my god, I said, yeah.

762
00:37:33,480 --> 00:37:34,440
Speaker 1: That was such a joke.

763
00:37:35,840 --> 00:37:42,320
Speaker 3: Yes, that was a great delivery. That was so funny. Yeah,

764
00:37:42,360 --> 00:37:44,480
Speaker 3: So there's yeah, I don't know why there's a fascination

765
00:37:44,560 --> 00:37:45,399
Speaker 3: with parrots, so.

766
00:37:45,400 --> 00:37:49,000
Speaker 2: Lots of parrots, the mystery of the mystery of the parrots.

767
00:37:49,080 --> 00:37:51,919
Speaker 3: Yeah, I gotta know. And then in season seven there's

768
00:37:51,960 --> 00:37:54,080
Speaker 3: all there's a parrot that flies into the house.

769
00:37:54,280 --> 00:37:57,680
Speaker 1: So that's right, I had it on my shoulder. Yeah.

770
00:37:58,239 --> 00:38:00,799
Speaker 3: Yeah, so someone and someone on the right staff is

771
00:38:01,160 --> 00:38:04,600
Speaker 3: obsessed with parrots and turtles and bags and all sorts

772
00:38:04,640 --> 00:38:06,240
Speaker 3: of yeah, other things straight.

773
00:38:06,040 --> 00:38:07,320
Speaker 1: All sorts of strange creatures.

774
00:38:08,200 --> 00:38:11,040
Speaker 2: Huh okay, yeah, so I'm gonna I'm all right, let's

775
00:38:11,040 --> 00:38:12,560
Speaker 2: see if we notice anymore parrots.

776
00:38:13,120 --> 00:38:15,319
Speaker 1: I'm keeping it tally parrots popping up.

777
00:38:15,719 --> 00:38:17,640
Speaker 3: Yeah, all right, Well that's all I think.

778
00:38:17,680 --> 00:38:20,440
Speaker 1: That's that's all you got. That's all everywhere you look moments.

779
00:38:20,440 --> 00:38:23,799
Speaker 2: Well, thank you everybody for joining us for part two

780
00:38:24,760 --> 00:38:28,560
Speaker 2: of the seven month Itch, which if you have a

781
00:38:28,600 --> 00:38:29,799
Speaker 2: seven month pitch, please.

782
00:38:29,520 --> 00:38:33,560
Speaker 1: Go get that looked at. Yeah, if you have a

783
00:38:33,560 --> 00:38:34,759
Speaker 1: one month ititch, please.

784
00:38:34,520 --> 00:38:38,520
Speaker 3: Go get anything you can't get it a scene.

785
00:38:39,080 --> 00:38:40,720
Speaker 1: But thank you guys so much for listening. Again.

786
00:38:40,880 --> 00:38:43,719
Speaker 2: Make sure that you are reading and subscribing to the

787
00:38:43,719 --> 00:38:45,400
Speaker 2: podcast so you can get the new episodes when they

788
00:38:45,400 --> 00:38:48,920
Speaker 2: come out. We have minisodes coming up, we have guests

789
00:38:48,960 --> 00:38:51,560
Speaker 2: coming up, all kinds of more fun.

790
00:38:51,239 --> 00:38:52,440
Speaker 1: Episodes and surprises.

791
00:38:52,800 --> 00:38:55,359
Speaker 2: So you can also follow us on our Instagram at

792
00:38:55,360 --> 00:38:58,759
Speaker 2: how Rude Podcast. You can send us an email at

793
00:38:58,800 --> 00:39:01,640
Speaker 2: how rud podcast at email dot com. We'd love to

794
00:39:01,640 --> 00:39:04,200
Speaker 2: get your questions because we use those for minisodes.

795
00:39:05,080 --> 00:39:07,080
Speaker 1: We'd love to be corrected.

796
00:39:06,680 --> 00:39:09,719
Speaker 2: On anything that we've gotten wrong, because I'm sure, there's plenty,

797
00:39:10,480 --> 00:39:11,920
Speaker 2: and we just love to hear your comments and what

798
00:39:11,960 --> 00:39:13,719
Speaker 2: you guys are thinking of the show and what you

799
00:39:13,719 --> 00:39:16,600
Speaker 2: would love to hear about in some minisodes. So thanks

800
00:39:16,640 --> 00:39:19,040
Speaker 2: again for joining us for another week of how Rude

801
00:39:19,080 --> 00:39:22,120
Speaker 2: Tan Rito's And remember the house is full.

802
00:39:23,520 --> 00:39:27,480
Speaker 3: No no, no, god, this is all the small but

803
00:39:27,520 --> 00:39:30,160
Speaker 3: the house is full. There. That's it. There you go.

804
00:39:30,520 --> 00:39:32,360
Speaker 1: I set up with such confidence to going into it.

805
00:39:32,400 --> 00:39:35,000
Speaker 3: I was like, what you got over confident because you

806
00:39:35,040 --> 00:39:37,040
Speaker 3: did well last time, so you were like, I got

807
00:39:37,040 --> 00:39:40,200
Speaker 3: this and then it's okay, okay, sorry. I love it.

808
00:39:39,840 --> 00:39:42,000
Speaker 3: It's my it's my favorite part of every episode, waiting

809
00:39:42,000 --> 00:39:44,320
Speaker 3: to see how Jody messes up that out.

810
00:39:44,160 --> 00:39:46,680
Speaker 1: If my brain just checks out earlier or not.

811
00:39:48,080 --> 00:39:48,480
Speaker 2: Love it.

812
00:39:49,000 --> 00:39:49,839
Speaker 3: See you next time.