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Speaker 1: Okay, and just like that, podcast starts now and just

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Speaker 1: like that, Um, Hi everybody, and welcome to Stradio lab Um,

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Speaker 1: the only podcast that is not about what it says.

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Speaker 1: It's about George. How the hell is it going? Off

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Speaker 1: the bat? You have your sexy bead voice making a comeback.

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Speaker 1: Sexy Bead voice is back. We are. You are in

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Speaker 1: on the bedside, handing me a coffee and saying about

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Speaker 1: it's a new one. I hope you like. It's eleven

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Speaker 1: am on a Sunday for anyone at home, and wow, wow, wow,

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Speaker 1: that is one of the earliest times you could record

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Speaker 1: a podcast. Eleven am on Sundays and may anyways earlier

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Speaker 1: than six am on a tube. Noon is noon on Sunday,

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Speaker 1: but eleven am is eight am. And I'm I'm I'm here,

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Speaker 1: I'm present, I'm ready, and I'm hoping this sort of

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Speaker 1: um jolt of morning will produce something new inside of me.

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Speaker 1: I did notice you are drinking a Lemon Line gator again.

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Speaker 1: I am drinking another Lemon Lione Gatorade. And I can't

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Speaker 1: believe you brought it up, because I really thought, you know,

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Speaker 1: we've already discussed it. I thought I could fly under

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Speaker 1: the radar. You thought wrong, my friend. Yeah, I had

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Speaker 1: a Lemon Lione gatorade. But it's finished now, so you are,

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Speaker 1: I assume hungover, just a little tastefully it's Sunday and

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Speaker 1: just tastefully. Not it's not painful, it's more, um, just

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Speaker 1: a little loopy. I would say I'm a little loopy

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Speaker 1: as well. I've been in the habit now of ordering

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Speaker 1: a DJSIF after dinner. And let me tell you something.

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Speaker 1: It does wonders for feeling like ship the day after. Wow,

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Speaker 1: it really adds to the feeling. It really, it really

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Speaker 1: at the feeling. Yeah, you I feel have been you

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Speaker 1: know you're talking before we started recording about holiday parties.

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Speaker 1: I feel like you've really been hitting them hard. Last weekend.

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Speaker 1: I would say I have never felt so popular in

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Speaker 1: my life this weekend. On the other hand, I have

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Speaker 1: not gone to any um, but last weekend it really

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Speaker 1: was one after the other. I almost wore my new

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Speaker 1: Corday suit to one, as you know, but then I

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Speaker 1: decided not to. Um, oh you didn't wear it. Well.

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Speaker 1: First of all, you know, at this point our listeners

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Speaker 1: will have listened to our previous episode where Max Witter

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Speaker 1: tries to gaslight me into thinking it was a bad

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Speaker 1: idea to order a suit on Cyber Monday. And what

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Speaker 1: I have to say to him and to any other

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Speaker 1: haters is that it actually fit me perfectly. But I

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Speaker 1: don't know if it looks good. I hate when that happens.

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Speaker 1: And so the thing with this shuit is that it

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Speaker 1: is it doesn't have padding. So I wear it and

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Speaker 1: I looked in the mirror. I still have my own body. Yeah,

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Speaker 1: when your clothes show the real you, Yeah, I want

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Speaker 1: them to hire it, return them. Yeah, that's the whole point.

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Speaker 1: So I think I still think I like it and

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Speaker 1: I'm going to wear it. But it wasn't the you know,

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Speaker 1: home run that I that I perhaps thought it would

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Speaker 1: be when I was on the J Creu website on

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Speaker 1: you know, like a couple of mondays ago. How long

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Speaker 1: do you think it will have to sit in your

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Speaker 1: closet for you to feel ready to wear it? No,

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Speaker 1: I you know what, I think I'm gonna wear it.

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Speaker 1: I think I'm gonna test that out when I'm home

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Speaker 1: around family, you know, in a safe space, break it in,

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Speaker 1: break it in, and then come back and be ready

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Speaker 1: to wear it. Let's say for a Martin Luther King

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Speaker 1: Day party. Yeah, which is always huge every year New

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Speaker 1: York City. I mean, the inmates are rolling in. Let

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Speaker 1: me tell you I did. We went to a holiday

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Speaker 1: party together only last weekend, and you know, I will

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Speaker 1: say it was one of those parties where I knew

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Speaker 1: very few people and I got there insanely early, um,

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Speaker 1: which is deeply embarrassing. And I guess I'm only telling

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Speaker 1: this as sort of a I'm sorry. I'm I'm publicly

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Speaker 1: apologizing for arriving so early and texting you hurry. Yeah,

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Speaker 1: that's right. You detect me that. It's interesting because during

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Speaker 1: that party, I would say, you were being so charming,

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Speaker 1: and you know, the zingers were coming out, you were

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Speaker 1: meeting new people, you had somebody things to say, and

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Speaker 1: yet I could sense an underlying sense of anxiety. Yeah.

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Speaker 1: I was in I was in my nerves. I was

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Speaker 1: going nervous mode. Yeah. I think meeting a full room

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Speaker 1: of new people, it was kind of like, hold on,

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Speaker 1: I don't have any real anchor. And so that was

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Speaker 1: do you feel like I was getting like you could

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Speaker 1: look at me from across the room and I could

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Speaker 1: kind of make you know, like the what's that movie

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Speaker 1: Frances Hot, where the friends look at each other across

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Speaker 1: the room and they and they were like, okay, we're okay. Yeah.

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Speaker 1: I did feel that and it took you know, I

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Speaker 1: did feel like baby bird vibes. I felt like I

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Speaker 1: needed you there for like the first hour and a half.

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Speaker 1: And then you were like, okay, I'm gonna go. And

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Speaker 1: I was like I'm gonna be okay, like I can

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Speaker 1: fly all on my own. I raised you, and then

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Speaker 1: then you were able to go off to college. Yeah,

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Speaker 1: set me free. I was. I was a ladybird. Wow. Yeah, wow.

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Speaker 1: I can't believe you were two separate. Write a girlwig movie. Yeah,

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Speaker 1: you know, she's a beacon, a beacon. I love women filmmakers,

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Speaker 1: little women, little women, little women filmmakers, little women filmmakers.

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Speaker 1: They have to be as tiny as possible. Can I tell?

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Speaker 1: When I saw Little Women, I cried, start to finish.

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Speaker 1: I started crying at the music at the intro. And

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Speaker 1: I don't know why it was so weird. Um, you

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Speaker 1: know that this is interesting. I um, I like Little

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Speaker 1: Women a lot, and in fact, I know our guest

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Speaker 1: did as well. But it I you know it period

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Speaker 1: pieces I struggle with really say that what what about them?

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Speaker 1: The fact that people are wearing costumes, It's like difficult,

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Speaker 1: It's difficult for me to step into the fantasy. Wow

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Speaker 1: even okay, So like a period piece that takes place

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Speaker 1: in like old times, but what about like one that's

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Speaker 1: in the seventies? Does that take you almost more so

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Speaker 1: like the idea of Madmen, how everyone is dressed like that.

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Speaker 1: I'm like, is it Halloween? Sure? Sure, sure, it's so

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Speaker 1: like although I'll say, like Ladybird, I was able to

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Speaker 1: enter into that time was early. I felt I felt

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Speaker 1: right at home. What takes me out of it is

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Speaker 1: the cars when they have like cars from the past.

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Speaker 1: I'm like, wait, how did you get that? Like did

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Speaker 1: you build that? Did you buy it on eBay? What happened? Yeah?

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Speaker 1: I kind of get lost in the logistics of it too,

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Speaker 1: which means like that I think I have that issue

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Speaker 1: with a lot of entertainment where I'm like, god, this

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Speaker 1: must have been really difficult to shoot, or like I

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Speaker 1: hope that like where does the actor end in the

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Speaker 1: stunt double begin? And you know what, obviously you know

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Speaker 1: we both work in the entertainment industry, so for us,

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Speaker 1: it's work for us watching a movie. That's why, oh

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Speaker 1: my god, watching a movie is work. I mean, opening

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Speaker 1: HBO Max, you might as well be clocking in. We

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Speaker 1: actually go to HBO Max through plosity. We have to

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Speaker 1: like first put in our employee number and then it

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Speaker 1: takes us to the homepage. Little Women. For me, I

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Speaker 1: watched Little Women. I say, do I need to step in?

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Speaker 1: You know? Am I needed anywhere? It's hard to me

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Speaker 1: to watch a Little Women because every single role I'm like, yeah,

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Speaker 1: I audition for that exactly. And I was gonna be

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Speaker 1: the Laura durn Park yeah, and I was gonna be Joe.

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Speaker 1: And they're like, too, You're too hot, and so I

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Speaker 1: couldn't be. They told both of us who were too

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Speaker 1: hot for every role. They were like, you're supposed to

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Speaker 1: be wholesome and you're just giving sex. Get so distracted

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Speaker 1: because they're going to be um winking it in the

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Speaker 1: middle of the movie theater, I actually take it, so

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Speaker 1: I take it back. Like Little Women, I was able

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Speaker 1: to enter the fantasy. I just somehow I was not

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Speaker 1: and I did cry, but I was not emotionally impacted

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Speaker 1: as much as I thought I would be. Unlike let's say,

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Speaker 1: a movie like Wild I never saw a Wild. Wild is, obviously,

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Speaker 1: as everyone knows, one of my favorite movies. I've watched

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Speaker 1: around seven times. That's crazy to me. I know, I know,

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Speaker 1: I think we've talked about this, but yeah, it is.

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Speaker 1: Um Wild has this like extended final sequence which I

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Speaker 1: don't want to ruin, but like it's not the biggest

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Speaker 1: boy in the world, but she as she's hiking, she

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Speaker 1: runs into this like young boy, and then that takes

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Speaker 1: her into like a whole memory in her own mind,

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Speaker 1: and then she like finishes the trail and there's voiceover

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Speaker 1: that's like talking about like what's going to happen for

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Speaker 1: the rest of her life. And basically that fifteen minutes sequence,

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Speaker 1: it's like the boy shows up. I start crying and

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Speaker 1: I don't stop crying until the end credits. Wow. Anyway,

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Speaker 1: I mean, we gotta watch Wild. Do you know what

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Speaker 1: I saw recently that I felt was so emotionally manipulative?

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Speaker 1: What did you ever have you seen? Come on? Come on? No,

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Speaker 1: have you seen twenty Century Women? Have you seen Beginners? Oh?

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Speaker 1: My god? Only half? Okay, so it's the same director.

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Speaker 1: It's suddenly you have to see every single It's unbelievable

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Speaker 1: that suddenly you have to see every movie. Don't you think,

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Speaker 1: like on average that every person you meet now has

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Speaker 1: seen more movies than like five years ago. It is

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Speaker 1: so difficult. I don't know how people watch all these movies.

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Speaker 1: It's almost like not to get political, but there's something, um,

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Speaker 1: there's something neoliberal about it, where you're like, why have

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Speaker 1: you consumed so many things? Like what are you trying

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Speaker 1: to prove? George this is a genius. It is absolutely

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Speaker 1: neo liberal. It's someone pretending they're doing work by watching

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Speaker 1: them because they're like, well, yes, I'm educating myself. I'm

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Speaker 1: watching a movie. It's like, actually, you're not, you're watching entertainment.

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Speaker 1: You're watching a movie. Like, shut up, shut up, get

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Speaker 1: over it. Everyone is literally being brainwashed by you know,

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Speaker 1: the d n C, MSNBC. Like I could go the

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Speaker 1: Post podcast once. I love it. Yeah, yeah, yeah. Here's

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Speaker 1: what I'll say, in terms of people that have brainwashed

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Speaker 1: me through me listening to hours and hours of them speak.

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Speaker 1: Should we bring in our guest. I think that would

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Speaker 1: be a really really smart I think she will have

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Speaker 1: some incredible opinions on this. This is you know, I'll

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Speaker 1: say I'll say this for me as a list if

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Speaker 1: I was if I was someone listening, I would perhaps

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Speaker 1: call this the crossover event of the millennia. Wow, that's me,

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Speaker 1: that's I think. If I'm putting myself in the position

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Speaker 1: of an average listener listening to this, that's probably the

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Speaker 1: thought it would have. What do you think? Yeah, I

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Speaker 1: think it's is important. I think Sorry, I'm choking on

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Speaker 1: cream cheese. I think if you are not excited about

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Speaker 1: what is about to happen, you need to educate yourself

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Speaker 1: and um potentially learn something, and not by watching a movie.

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Speaker 1: Podcasts the real work. That's right, Yeah, exactly right. Listening

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Speaker 1: to podcasts is the real work. Oh yeah, because they're

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Speaker 1: boring and annoying. Um, let's bring in our guests. Okay,

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Speaker 1: please please put your arms open for the one and

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Speaker 1: only Lindsay Webber. How dare you talk about Little Women

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Speaker 1: with me? Sign politely? That was the most painful thirty

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Speaker 1: seconds of my entire podcasting career was having to sit

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Speaker 1: there and watch you banter about my favorite movie. It's

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Speaker 1: on my favorite movie, one of my favorite uh. I P.

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Speaker 1: It's first time second, it's one of the all time

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Speaker 1: ips iconic i P is Little Women for me just

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Speaker 1: truly one of the best I p s there is.

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Speaker 1: There is something about Little Women that is almost marvel

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Speaker 1: SA for girls, and one of them powers is death.

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Speaker 1: So that's really I don't see any Marvel superhero being

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Speaker 1: like I die every time and that's important to the narrative.

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Speaker 1: You know, I've never seen any of those Marvel movies,

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Speaker 1: but I'm just I'm just assume from what I understand,

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Speaker 1: people do die, but then they're brought back to life

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Speaker 1: through like some kind of time warp in the next week. Yeah,

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Speaker 1: there no rules brought back like gender come back. That

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Speaker 1: can't come back, Like, there's no you know, you can't

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Speaker 1: suddenly have one division and then Beth comes back. Yeah,

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Speaker 1: you can't get scarlet fever and then come back or

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Speaker 1: something with like better vision. I don't know. I don't

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Speaker 1: know anything about Marvel, like truly don't. Speaking of watching

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Speaker 1: no movies, um, well that's because you're resisting that neo

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Speaker 1: liberal order by not watch movies. Yeah, it's true. It's rebellion. Okay,

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Speaker 1: nineties Little Women versus most recent Little Women, it's like

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Speaker 1: the most impossible. Yeah, just no, it's nineties. I mean,

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Speaker 1: I'm like poisoned by my nostalgia. I'm I'm destroyed by it.

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Speaker 1: I mean, everything about that movie is like important to me.

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Speaker 1: If I had to even intellectually describe why, it would

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Speaker 1: be just it would be nothing. It would make no sense.

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Speaker 1: It's all like emotion and the score and the acting

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Speaker 1: and who cares and uhlrie so hot and da dada.

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Speaker 1: But it's like only from my thirteen year old perspective

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Speaker 1: that that is the movie in the whole world. It's

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Speaker 1: also just such a trip watching because so many of

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Speaker 1: those actors went on to become huge Yeah, I mean

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Speaker 1: the foresight. How did they know? Even Susan Sarandon as

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Speaker 1: Marmie was a huge get. Yeah, you know before before

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Speaker 1: she of course um singlehandedly elected drunk she was in

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Speaker 1: a little she would go to do incredible things. You know. Um,

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Speaker 1: here is something insane. I've never watched the nineties Little Women, really,

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Speaker 1: have you? Yeah? I used to love it as a kid. Yeah,

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Speaker 1: I am a little Women's stand. I remember the way

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Speaker 1: Christian Bale talks, and you know, I'm I'm I'm of

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Speaker 1: course a huge curst of done stand. And I still

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Speaker 1: haven't watched. Oh, she's extremely good in it. No one

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Speaker 1: compares She's so good that, like usually they have the

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Speaker 1: actress play herself young and old, like they did with

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Speaker 1: Florence p and the new one. Kirsten was so good

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Speaker 1: that they couldn't even she had to be just the

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Speaker 1: young Amy. She could not be the old really said

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Speaker 1: you are you are too annoying. You must say the young.

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Speaker 1: They had a different actress played the older one. Wait,

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Speaker 1: who was beth Um Claire Danes one of her most

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Speaker 1: iconic crying you know, they're all remember that time we

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Speaker 1: are like Claire names it's funny like that was a

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Speaker 1: big culture moment. I looked at Vulture during that like

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Speaker 1: conversation and it was like extremely annoying. It was like, okay,

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Speaker 1: we get it. She cries, Oh yeah, you guys were

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Speaker 1: really leading the conversation. And Claire Danes crying. The amount

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Speaker 1: of gifts that I made that were like Claire Janes

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Speaker 1: crying like in the scene in the scene, but that

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Speaker 1: was like the original cry scene is when she dies.

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Speaker 1: You know that of Homeland. I did have such a

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Speaker 1: kind of there was an unadulterated joy I felt when

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Speaker 1: watching that show that whose politics are very bad. I

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Speaker 1: think um in retrospect, but there was something about it

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Speaker 1: that was like, what's she going to do next? One

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Speaker 1: of my my co host who's sadly not here, one

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Speaker 1: of his greatest things that he loves to talk about

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Speaker 1: is how good Homeland was all the way through, which

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Speaker 1: I find fascinating. It's like, no one in American culture.

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Speaker 1: We we we accept that Homeland season one was great

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Speaker 1: and we love talking about it, but nobody watched it

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Speaker 1: after that. We how dare you even implied that that

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Speaker 1: was the thing that people watched all the way through?

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Speaker 1: You know, no, it's true, it's true. But he did

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Speaker 1: Homeland for me. I didn't. I didn't watch it season

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Speaker 1: one when everyone was addicted, and then as a people

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Speaker 1: were like, oh it's bad now, I was like, oh,

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Speaker 1: thank god, now I don't have to get into it.

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Speaker 1: I was so grateful. That's how I feel about Succession.

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Speaker 1: People are like, it's not so good this season, and

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Speaker 1: I'm like, great, never watching it. Incredible too. I can't

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Speaker 1: believe you've what a relief never watched it to Here's

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Speaker 1: what I'm like. Twitter must suck for you, right, yeah

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Speaker 1: every day? And I'm so happy. Yeah, whereas we you know,

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Speaker 1: we can engage in such a positive way, but I

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Speaker 1: do feel like but that's what That's what stopped me

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Speaker 1: was because once I was behind, I was like, I

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Speaker 1: can't possibly catch up. I would have to spend so

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Speaker 1: much time racing. And then I just got overwhelmed and

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Speaker 1: I said I'd rather watch something else, and I watched

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Speaker 1: like season four of Selling Sense. There is something so

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Speaker 1: liberating about deciding we're going to opt out of a

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Speaker 1: cultural moment. I thought that was Queen's gam It. I

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Speaker 1: felt that way with Squid Game and most Netflix shows,

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Speaker 1: you can sort of be like it really, I mean,

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Speaker 1: squid Game great one to sit out. Yes, I'm sorry, like,

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Speaker 1: no offense to everyone involved. I'm sure they're all stars.

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Speaker 1: Offense to everyone involved. Netflix. It's actually sad because like

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Speaker 1: then there are good things on Netflix and they have

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Speaker 1: to coexist with the Queen's Gambit. It's awful just making

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Speaker 1: something so beautiful and then Netflix buys it and you

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Speaker 1: get a bi zillion dollars, But then it has to

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Speaker 1: be there next to like some documentary that like was

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Speaker 1: made on YouTube for fifty cents. You know, like that's

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Speaker 1: just no one deserves that, you know, Yeah, we work

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Speaker 1: so hard, we worked so hard, and we're open to

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Speaker 1: a partnership, but that would be something we would keep

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Speaker 1: in mind. Mind right, I'd love them to pay me.

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Speaker 1: But I just want to say how I would feel secret.

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Speaker 1: I have to ask you something because you mentioned your

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Speaker 1: co host. Um, is he set? But he is not

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Speaker 1: invited to this particular episode. Okay, so what's funny is

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Speaker 1: that he's not. But I don't want you to be

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Speaker 1: offended by that. Okay. He We both are doing guest

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Speaker 1: spots on podcast this weekend, but the one that he's

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Speaker 1: on is called the Queer Quadrant, so I would say

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Speaker 1: we're all in the same great technically, he is doing

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Speaker 1: a very similar podcast they talk about I Think Game,

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Speaker 1: and I was like, how about you take that one

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Speaker 1: and I'll take I'll take this I do just in

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Speaker 1: my defense in case Bobby's listening, which I doubt he is.

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Speaker 1: He's not. I was like, I just I feel like

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Speaker 1: I have now met you many times, and I've been

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Speaker 1: infect with your apartment, and I feel like I know

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Speaker 1: you well and the process of getting you on the

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Speaker 1: pots started months ago, whereas Bobby I only met once,

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Speaker 1: very briefly, and that and in fact, when I talked

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Speaker 1: to you, you were talking about how difficult it is

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Speaker 1: to have two people on a podcast, and we were like, oh,

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Speaker 1: that's better to have one person, blah blah. So I

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Speaker 1: was like, it makes sense for the first person from

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Speaker 1: who weekly to do the pod to be Lindsay. But

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Speaker 1: once again, for all the Bobby heads out there, it's

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Speaker 1: not personal. And like we and I love I love

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Speaker 1: both co hosts. Sequelly, no, you like me more, That's okay,

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Speaker 1: But I I stand by the fact that four people

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Speaker 1: on a podcast is absolute chaos. Like it is. It

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Speaker 1: is almost mean to do that to your listener, to

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Speaker 1: have four people on a podcast. It's just it's not

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Speaker 1: especially that's my staff. You just I don't understand how

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Speaker 1: that's supposed to be consumed, you know, by just a

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Speaker 1: simple listener, especially at eleven am. Like we wouldn't have

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Speaker 1: not been able to Yeah, that would have been rough.

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Speaker 1: I do feel maybe you're pointing something out that, like

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Speaker 1: it would be fun to sort of push the boundaries

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Speaker 1: of how many guests we can have on a single

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Speaker 1: podcast of a single time. That's the most amazing. Potentially

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Speaker 1: eight people in a room, all of little mix, that

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Speaker 1: would be I mean, just you just hired an editor.

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Speaker 1: I'd love to see them take on this. You're like,

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Speaker 1: welcome to the team. Hon, here's a person. Funny if

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Speaker 1: like our goal with the editor was like to ruin

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Speaker 1: his life, Like he was like, I'm so excited to

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Speaker 1: work with you. Guys love the pod. We're like, yeah,

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Speaker 1: you sucking better. It's literally a reality show. We're like,

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Speaker 1: if you're going to be an editor, you're gonna need

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Speaker 1: to handle really difficult tasks. Different m P three's, yeah,

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Speaker 1: all of different. It's gonna be a different kind of file.

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Speaker 1: One is an three, one is an M for A,

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Speaker 1: and one is the video and another one is is

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Speaker 1: in DVD form you joke, but like this is my

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Speaker 1: whole life, Like I'm cringing thinking about all these things

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Speaker 1: that could happen, you know, because we edit the pod

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Speaker 1: and it's, uh, it's hard. It's hardly. Although we love

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Speaker 1: all our guests, nothing but respective all of ours a

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Speaker 1: functional podcast, no guests, no guests, lindsay, how would you

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Speaker 1: feel about doing our first segment? Oh, I'm so excited. Okay, good,

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Speaker 1: we have some good ones for you, I hope um. Lindsay,

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Speaker 1: our first segment is called straight Shooters, and in this segment,

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Speaker 1: we gauge your familiarity with and complicity and straight culture

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Speaker 1: by asking this series of nonsensical, rapid fire questions wherein

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Speaker 1: you have to choose one thing out of many um.

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Speaker 1: And the one rule is you can't ask any follow

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Speaker 1: up questions about how it works. Do you copy? Yeah,

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Speaker 1: I'm ready. No, I I am straight. But I also

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Speaker 1: really got a good infusion of straight culture because yesterday

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Speaker 1: I went to the gym and I walked through Santa

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Speaker 1: coln after and when I tell you the Santa's first,

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Speaker 1: it's like sixty five degrees yesterday for some reason, we're

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Speaker 1: in hell. But the Santa's were drunk, they were naked,

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Speaker 1: A lot of them were like startless, just not wearing clothes. Um.

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Speaker 1: And I felt at the same time, I was repulsed,

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Speaker 1: but I was also literally so happy that the Santa's

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Speaker 1: were back. And then I felt guilt for feeling happy

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Speaker 1: about the Santas, and I was like, I've never felt

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Speaker 1: more emotion, Like I really felt so extraordinarily moved by

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Speaker 1: Santa col this year, and I'm still suffering from that realization. Lindsay,

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Speaker 1: I I completely agree with you. I think full justice

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Speaker 1: for Santa Con. I I think these people, they the

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Speaker 1: straight worst people you've ever met deserve to get in

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Speaker 1: little costumes and go be stupid with each other. I also,

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Speaker 1: you forget how popular it is too, and then you're surrounded. Yeah.

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Speaker 1: I my first year in New York, like was just

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Speaker 1: like walking around when like Santa con happened around me

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Speaker 1: and I was like, this is I thought it was magical.

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Speaker 1: I was like, look at all these stupid Santas. This

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Speaker 1: is fun. But especially like post pandemic, I'm just our

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Speaker 1: post whatever pandemic. I'm like, Wow, the Santa's are back, baby,

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Speaker 1: New York is back. We're all here. And then literally

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Speaker 1: one of them, I think called me a bit and

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Speaker 1: I was like, wow, I love New York. I live

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Speaker 1: in heaven. That is very sexy. I don't think he

404
00:23:11,440 --> 00:23:13,480
Speaker 1: called me a bit, but some drunk Santa was like

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Speaker 1: bitch to like walking by a bunch of women, and

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Speaker 1: I was one of the women. Bitch to women in general. Yeah,

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00:23:20,440 --> 00:23:23,760
Speaker 1: and I was like, wow, this is awful. I'm so

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Speaker 1: happy they can do it, you know. Yeah. Thing with

409
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Speaker 1: Santa Santa kN is like sometimes you think maybe you'll

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Speaker 1: interact with them and it'll be fun, and then they'll

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Speaker 1: respond with like the most insane thing you've ever heard,

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Speaker 1: and you're like, oh, wow, you're you should be in prison, right,

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Speaker 1: I think that's right, Like you look, don't touch you know,

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00:23:39,640 --> 00:23:42,080
Speaker 1: like it's very much like it's a it's a it's

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Speaker 1: a present culture. Don't try to like, don't try to

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Speaker 1: enter it. Yeah, exactly. But I loved walking through it.

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Speaker 1: I felt like I was an interactive theater, you know,

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Speaker 1: I was. It was around me. Yes, yeah, I mean yeah,

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Speaker 1: it's it's honestly more well conceived than than a lot

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Speaker 1: of interactive true, and that actually gives me an idea

421
00:24:04,960 --> 00:24:08,960
Speaker 1: for an interaction. I mean that should be interesting. Um

422
00:24:09,040 --> 00:24:16,600
Speaker 1: well sorry. In fact, my first is Santa Con or

423
00:24:19,520 --> 00:24:23,960
Speaker 1: Santa Con for sure. Okay, being a bride or being

424
00:24:24,000 --> 00:24:28,080
Speaker 1: a ride or Die? Oh, being a ride or Die?

425
00:24:28,640 --> 00:24:36,960
Speaker 1: Kids by MGMT or Sleepyhead by Passion Pit Wow. Um,

426
00:24:37,000 --> 00:24:42,480
Speaker 1: definitely kids by MGMT for sure. Um. Man splaining man

427
00:24:42,600 --> 00:24:51,120
Speaker 1: spreading or manipulating manipulating man really funny if you tried

428
00:24:51,160 --> 00:24:53,960
Speaker 1: to make manipulating happen as like a man spreading and

429
00:24:54,000 --> 00:24:55,760
Speaker 1: then everyone was like, no, that's that's like how the

430
00:24:55,800 --> 00:24:57,359
Speaker 1: word is, like it doesn't work, and you were like,

431
00:24:57,480 --> 00:25:02,439
Speaker 1: it sounds like you're manipulating. You're a man. Ay Um okay,

432
00:25:02,480 --> 00:25:06,720
Speaker 1: Lindsay raw Denham or a little more personal parentheses raw

433
00:25:06,840 --> 00:25:13,640
Speaker 1: by Lindsay Lohan. Oh wow, a little more personal parentheses

434
00:25:13,760 --> 00:25:17,760
Speaker 1: raw by Lindsey Lohan. Okay, putting a man on the

435
00:25:17,800 --> 00:25:24,120
Speaker 1: moon or putting a bun in the oven. Well, since

436
00:25:24,119 --> 00:25:28,720
Speaker 1: the first never happened. Putting a bun, she really came

437
00:25:28,760 --> 00:25:34,480
Speaker 1: with opinion, Okay. Lindsey McLamore winning a Grammy for Same

438
00:25:34,600 --> 00:25:38,400
Speaker 1: Love or Meryl Streep winning an Oscar for the Iron Lady.

439
00:25:38,560 --> 00:25:45,080
Speaker 1: Oh my god, Um Jesus, how do you even? I guess?

440
00:25:45,119 --> 00:25:50,240
Speaker 1: I guess Meryl. I guess Meryl? Okay. Tweeting about liking succession,

441
00:25:50,560 --> 00:25:56,480
Speaker 1: tweeting about hating succession, or reading an entire book. I

442
00:25:56,600 --> 00:25:58,640
Speaker 1: love to say reading a book, but I simply don't

443
00:25:58,680 --> 00:26:02,680
Speaker 1: do that either. So um, the liking a tweet about succession,

444
00:26:02,760 --> 00:26:06,280
Speaker 1: like as if I'm watching I'm like, yeah, Kindle, I

445
00:26:07,280 --> 00:26:09,320
Speaker 1: would love to jump into your brain and like read

446
00:26:09,320 --> 00:26:13,600
Speaker 1: Twitter as someone that doesn't know anything about it felt

447
00:26:13,640 --> 00:26:16,760
Speaker 1: about game. People would post that photo of that like

448
00:26:17,119 --> 00:26:20,240
Speaker 1: giant doll, and I'd be like okay, Yeah, I'd be

449
00:26:20,240 --> 00:26:22,160
Speaker 1: like okay, I get it. I pretty much understand what's

450
00:26:22,200 --> 00:26:24,560
Speaker 1: going on. People would literally be like, you know, she

451
00:26:24,600 --> 00:26:31,239
Speaker 1: knows the t and I'd be like retweet wow. I

452
00:26:31,280 --> 00:26:33,320
Speaker 1: always feel like it's it's a safe bent to just

453
00:26:33,400 --> 00:26:39,400
Speaker 1: like choose any either female character or female presenting doll

454
00:26:40,640 --> 00:26:43,120
Speaker 1: and then just post a picture. That's what people When

455
00:26:43,119 --> 00:26:47,639
Speaker 1: people talk about what's her face, Sarah's shift or whatever,

456
00:26:47,680 --> 00:26:51,399
Speaker 1: they're like shif like yeah, girl or whatever, like whatever

457
00:26:51,560 --> 00:26:53,520
Speaker 1: whatever they're saying. I'm like, I could not tell you

458
00:26:53,520 --> 00:26:56,159
Speaker 1: what this character is like based on the reaction to this,

459
00:26:57,119 --> 00:27:00,359
Speaker 1: I don't think she's like the way that people describe. Somehow,

460
00:27:00,400 --> 00:27:03,959
Speaker 1: it's become completely acceptable to just like for truly like

461
00:27:04,040 --> 00:27:07,439
Speaker 1: straight like for anyone to just post like, well, the

462
00:27:07,480 --> 00:27:10,200
Speaker 1: one thing she's gonna do is have a giant ass,

463
00:27:10,240 --> 00:27:17,439
Speaker 1: and then people are like whoa, like what, Well, to

464
00:27:17,480 --> 00:27:22,760
Speaker 1: be fair, she's got every single episode and somebody who

465
00:27:22,760 --> 00:27:27,280
Speaker 1: watches she she has and you know that is a

466
00:27:27,280 --> 00:27:29,000
Speaker 1: big part of her character. I would say, I feel

467
00:27:29,000 --> 00:27:31,960
Speaker 1: like they're like really trying to show it off. God,

468
00:27:32,080 --> 00:27:34,920
Speaker 1: I do love her. This is like when I feel

469
00:27:34,920 --> 00:27:38,560
Speaker 1: about her, it's a very like the most base instincts

470
00:27:38,600 --> 00:27:40,560
Speaker 1: of like a gay man. Come out where I'm like,

471
00:27:40,960 --> 00:27:45,200
Speaker 1: every time she's on screen, I'm like, okay, Mama, get

472
00:27:45,240 --> 00:27:48,000
Speaker 1: what's yours darling. I mean, well, she's like an absolute

473
00:27:48,040 --> 00:27:50,480
Speaker 1: idiot on the show. Like I feel like, sorry, we

474
00:27:50,480 --> 00:27:53,360
Speaker 1: can't do this, we can't do this. I'm so sorry. First,

475
00:27:53,680 --> 00:27:57,040
Speaker 1: first we bring up little Women when she's silenced. Now

476
00:27:57,080 --> 00:27:59,280
Speaker 1: we're bringing up succession when she is allowed to speak.

477
00:27:59,600 --> 00:28:03,040
Speaker 1: I love this. I absolutely crave this. I love this. Please,

478
00:28:03,280 --> 00:28:06,360
Speaker 1: I'm just the fiction, the fan fiction in my mind

479
00:28:06,400 --> 00:28:09,600
Speaker 1: of what this show is about. It's just stunning. And actually, honestly,

480
00:28:09,920 --> 00:28:11,680
Speaker 1: I'm not tooting my own horn, but I bet I'm

481
00:28:11,680 --> 00:28:14,000
Speaker 1: writing a better show in my like, my fantasy of

482
00:28:14,040 --> 00:28:16,600
Speaker 1: what this is is better than that you are because

483
00:28:16,800 --> 00:28:19,840
Speaker 1: something that people I feel like so much of it

484
00:28:19,880 --> 00:28:23,399
Speaker 1: is literally like essentially nothing happens. It's like people yelling

485
00:28:23,600 --> 00:28:27,240
Speaker 1: like funk off at one another. So I'm sure you

486
00:28:27,280 --> 00:28:30,480
Speaker 1: are you can imagine like a better corporate intrigue scenario.

487
00:28:30,760 --> 00:28:32,840
Speaker 1: But speaking of television, I'm like, this is one of

488
00:28:32,840 --> 00:28:34,639
Speaker 1: the topics that I'm like, let's just get into it

489
00:28:34,680 --> 00:28:37,240
Speaker 1: right from the beginning. Well, in speaking of HBO. Speaking

490
00:28:37,240 --> 00:28:41,560
Speaker 1: of HBO, HBO, I mean I can't stop thinking about it.

491
00:28:41,640 --> 00:28:44,400
Speaker 1: I really it's this is huge for us as a culture.

492
00:28:44,680 --> 00:28:48,320
Speaker 1: Completely agree, it's incredible. Sam texted me, in fact, and

493
00:28:48,400 --> 00:28:52,880
Speaker 1: I never got back. He never responded, never like nothing

494
00:28:53,000 --> 00:28:57,719
Speaker 1: but Sam, it says red, but no response. You have

495
00:28:57,760 --> 00:29:02,040
Speaker 1: read receipts on? No, I keeps you didn't know. Oh

496
00:29:02,080 --> 00:29:08,120
Speaker 1: my god, the word that is akord. I literally at

497
00:29:08,160 --> 00:29:09,880
Speaker 1: some point Matthew told me I had them turn on,

498
00:29:09,960 --> 00:29:11,720
Speaker 1: and then I was like what, And then I turned

499
00:29:11,760 --> 00:29:13,680
Speaker 1: them off, and then I was under the impression that

500
00:29:13,720 --> 00:29:17,200
Speaker 1: since then they've been turned off. No. There are so

501
00:29:17,240 --> 00:29:19,479
Speaker 1: many cases in which I've been like, sorry, I just

502
00:29:19,480 --> 00:29:24,320
Speaker 1: saw this and it probably has already said red. Yeah. Incredible,

503
00:29:24,720 --> 00:29:27,920
Speaker 1: what a realization. God, I cannot. Why has it so

504
00:29:28,000 --> 00:29:32,160
Speaker 1: difficult to not have red receipts on? Struggled with for

505
00:29:32,280 --> 00:29:35,479
Speaker 1: years everything the easiest thing. No one else has this

506
00:29:35,520 --> 00:29:38,440
Speaker 1: issue except for you. Oh my god. Okay, well I'm

507
00:29:38,440 --> 00:29:40,320
Speaker 1: going to turn them off today anyway. The point is

508
00:29:40,360 --> 00:29:43,160
Speaker 1: the text was, despite the obvious painful parts of it,

509
00:29:43,320 --> 00:29:48,600
Speaker 1: just like that dot dot dot, I'm all in, Oh exactly,

510
00:29:48,600 --> 00:29:50,960
Speaker 1: I mean that could not. That could not. I have

511
00:29:51,040 --> 00:29:55,920
Speaker 1: agreed so much, it's like I felt joy I felt sadness.

512
00:29:56,120 --> 00:29:59,560
Speaker 1: I felt I was crying. I was like, why am I?

513
00:29:59,600 --> 00:30:01,920
Speaker 1: Why am I songing through this show? Like what? I

514
00:30:01,920 --> 00:30:04,640
Speaker 1: thought this was a comedy, you know, And still I

515
00:30:04,680 --> 00:30:08,520
Speaker 1: felt like the girls are back, everyone's back. The random

516
00:30:08,600 --> 00:30:10,520
Speaker 1: character from season two is back. I don't know why.

517
00:30:13,040 --> 00:30:15,560
Speaker 1: Susan Sharon. I thought that was so genius. I love

518
00:30:16,040 --> 00:30:20,560
Speaker 1: the New York like um cinematic universe being back. Like

519
00:30:20,600 --> 00:30:23,760
Speaker 1: I was like, yes, exactly, I want this version of

520
00:30:23,760 --> 00:30:27,120
Speaker 1: New York is back. It was incredible, Like, right, it's

521
00:30:27,120 --> 00:30:30,320
Speaker 1: funny that they tried so hard to like make everything.

522
00:30:31,000 --> 00:30:34,320
Speaker 1: I feel like they're they're like, okay, it's updated, blah blah.

523
00:30:34,480 --> 00:30:37,320
Speaker 1: And yet Carrie's closet is the size of Madison Square Garden,

524
00:30:37,520 --> 00:30:40,920
Speaker 1: like it's only gotten bigger. The apartment does take me

525
00:30:40,960 --> 00:30:44,320
Speaker 1: out of it. No, it's it's incredible. They're they're richer

526
00:30:44,680 --> 00:30:48,480
Speaker 1: than than we even remembered. Like seriously, like we they

527
00:30:48,520 --> 00:30:51,080
Speaker 1: always were kind of just generally rich and didn't have

528
00:30:51,120 --> 00:30:53,600
Speaker 1: to worry about anything and never took the subway, etcetera, etcetera.

529
00:30:53,920 --> 00:30:57,160
Speaker 1: Now the wealth is just incredible, Like it's just they

530
00:30:57,160 --> 00:30:59,040
Speaker 1: don't even give a ship anymore to try and pretend

531
00:30:59,600 --> 00:31:01,840
Speaker 1: Miranda took the subway in one of the episodes, and

532
00:31:01,880 --> 00:31:05,840
Speaker 1: I was like, I've never seen any of these women underground.

533
00:31:05,920 --> 00:31:09,600
Speaker 1: This is incredible. I absolutely love it. Well because that's

534
00:31:09,600 --> 00:31:13,080
Speaker 1: because Miranda is middle class. Well, now that you can,

535
00:31:13,080 --> 00:31:14,920
Speaker 1: I guess, like use your credit card to swipe in,

536
00:31:15,000 --> 00:31:19,240
Speaker 1: maybe she was like, finally have to pay. To be

537
00:31:19,360 --> 00:31:23,240
Speaker 1: completely fair, the tap to pay is so easy. I

538
00:31:23,280 --> 00:31:26,080
Speaker 1: absolutely love it. Yes, we love tech. The best thing

539
00:31:26,160 --> 00:31:28,920
Speaker 1: that's ever happened in New York in the past year.

540
00:31:29,360 --> 00:31:32,080
Speaker 1: So here's what I realized the other day is that

541
00:31:32,200 --> 00:31:34,600
Speaker 1: Kim Cattrall of course said no to the Sex and

542
00:31:34,640 --> 00:31:38,000
Speaker 1: City reboot in favor of doing How I Met Your

543
00:31:38,040 --> 00:31:42,000
Speaker 1: Mother reboot and the Queerest Folk reboot. Isn't that interesting?

544
00:31:42,240 --> 00:31:44,080
Speaker 1: Oh I didn't think. I did not think of it

545
00:31:44,120 --> 00:31:46,680
Speaker 1: that way. It's like an entire cottage, like there's no

546
00:31:46,800 --> 00:31:49,720
Speaker 1: there are no options anywhere that aren't reboots. Well, also,

547
00:31:49,840 --> 00:31:53,920
Speaker 1: she chose reboots that she wasn't in over the one

548
00:31:53,960 --> 00:31:56,880
Speaker 1: that she was in, which is funny. That is funny,

549
00:31:56,880 --> 00:31:59,200
Speaker 1: and I think and honestly I think she I don't

550
00:31:59,240 --> 00:32:01,160
Speaker 1: know about How I Met Your Mother. Although I support

551
00:32:01,240 --> 00:32:05,720
Speaker 1: Hillary Duff, who is going to be the star, but

552
00:32:05,760 --> 00:32:08,960
Speaker 1: where's folks. I do feel like Kim Cattrall would fit

553
00:32:09,040 --> 00:32:11,040
Speaker 1: in great and I don't know what exactly she's going

554
00:32:11,120 --> 00:32:13,280
Speaker 1: to do, but but I'm excited to see it. I mean,

555
00:32:13,320 --> 00:32:16,480
Speaker 1: I think people want Kim Cantrall as Samantha, which I love.

556
00:32:16,600 --> 00:32:18,560
Speaker 1: And she's like, I will not be giving you that.

557
00:32:18,600 --> 00:32:21,480
Speaker 1: I'll be giving maybe Samantha asked characters on other shows

558
00:32:21,480 --> 00:32:23,240
Speaker 1: and you'll have to be watching those, And to that,

559
00:32:23,320 --> 00:32:26,920
Speaker 1: I say sure. But I also felt like, um, even

560
00:32:26,920 --> 00:32:29,600
Speaker 1: though I knew intellectually that she wasn't in the show

561
00:32:29,680 --> 00:32:32,120
Speaker 1: for a very specific reason, when she was mentioned and

562
00:32:32,160 --> 00:32:34,560
Speaker 1: talked about on the show, I felt so moved. I

563
00:32:34,640 --> 00:32:37,200
Speaker 1: was like, where is she? Why won't she come hang

564
00:32:37,240 --> 00:32:39,360
Speaker 1: out with her friends? And that's the power of the

565
00:32:39,440 --> 00:32:44,160
Speaker 1: show and I don't understand. It's just incredible. It's working

566
00:32:44,200 --> 00:32:46,239
Speaker 1: for me in such a big way. And the way

567
00:32:46,320 --> 00:32:50,120
Speaker 1: they're dealing with Samantha is like I feel so correct,

568
00:32:50,360 --> 00:32:52,960
Speaker 1: Like it's just like, yeah, that is kind of real.

569
00:32:53,680 --> 00:32:56,440
Speaker 1: Like you falling out of touch with a friend, do

570
00:32:56,480 --> 00:32:59,120
Speaker 1: you think that, Yeah, what if your friend decided not

571
00:32:59,160 --> 00:33:01,200
Speaker 1: to use you as a publist, what would you do? Well?

572
00:33:01,240 --> 00:33:07,640
Speaker 1: I ve to London. Yeah, we've all dealt with this

573
00:33:07,680 --> 00:33:09,880
Speaker 1: in our lives. You know, your friend says, I need

574
00:33:09,920 --> 00:33:12,640
Speaker 1: a new publicist. This is the New York experience we have.

575
00:33:12,840 --> 00:33:15,520
Speaker 1: I mean we have certainly I have been fired by

576
00:33:15,600 --> 00:33:20,360
Speaker 1: friends in the past. Um and I hold on to

577
00:33:20,480 --> 00:33:22,600
Speaker 1: it every day. If my friend fired me as a

578
00:33:22,600 --> 00:33:24,960
Speaker 1: publicist and her main job was podcast, I don't know

579
00:33:25,000 --> 00:33:27,920
Speaker 1: how offended I would be, like it happens. I mean,

580
00:33:27,960 --> 00:33:31,040
Speaker 1: I also I'm sorry, but like, I don't understand why

581
00:33:31,160 --> 00:33:34,600
Speaker 1: she fired her, Like is the argument that you don't

582
00:33:34,640 --> 00:33:37,440
Speaker 1: need a publicist if you're doing podcasting. We never got

583
00:33:37,480 --> 00:33:40,440
Speaker 1: this backstory. I have to say, based on how it

584
00:33:40,520 --> 00:33:42,640
Speaker 1: looks like, it looks like Harry is kind of flopping

585
00:33:42,720 --> 00:33:44,960
Speaker 1: left and right in her podcasting career. So I honestly

586
00:33:45,000 --> 00:33:49,520
Speaker 1: think she would do well with having a publicist. Why

587
00:33:49,600 --> 00:33:51,560
Speaker 1: is carry on a podcast? I mean, as we're on

588
00:33:51,600 --> 00:33:53,880
Speaker 1: a podcast about this, this is actually a great place

589
00:33:53,880 --> 00:33:56,040
Speaker 1: to talk about this. Why is carry on a podcast?

590
00:33:56,080 --> 00:33:58,320
Speaker 1: So I'm a little confused. Is she trying to is

591
00:33:58,360 --> 00:34:02,160
Speaker 1: she trying out to be a permanent host of that show?

592
00:34:03,400 --> 00:34:05,520
Speaker 1: We don't like. I thought it was like a regular

593
00:34:05,880 --> 00:34:09,640
Speaker 1: sort of guest it's kind of how I okay, they're

594
00:34:09,680 --> 00:34:12,440
Speaker 1: like a round table, it's like a round table podcast

595
00:34:13,000 --> 00:34:16,600
Speaker 1: or whatever, and carry is one of the talking heads.

596
00:34:18,120 --> 00:34:22,760
Speaker 1: Are yeah, well, I mean that's the part that hurt. Obviously,

597
00:34:23,000 --> 00:34:28,080
Speaker 1: that part was so bad. I have to say, I

598
00:34:28,120 --> 00:34:30,840
Speaker 1: am not as all in as you two appear to be.

599
00:34:32,239 --> 00:34:34,680
Speaker 1: I would say, I'm I'm more all in the average person.

600
00:34:34,800 --> 00:34:38,400
Speaker 1: Like I I was like, I reject the premise that

601
00:34:38,480 --> 00:34:42,920
Speaker 1: it's like, you know, completely bad. I don't. I'm gonna

602
00:34:43,000 --> 00:34:48,680
Speaker 1: keep watching, but I do think. Okay, so I'll say this.

603
00:34:48,760 --> 00:34:50,799
Speaker 1: When it started and there was that line about how

604
00:34:50,840 --> 00:34:54,000
Speaker 1: like Miranda stepped on her son's semen, a lot of

605
00:34:54,000 --> 00:34:55,959
Speaker 1: people were grossed out by that, I was like, this

606
00:34:56,120 --> 00:34:59,080
Speaker 1: is Sex and the City dialogue, Like we need more

607
00:34:59,080 --> 00:35:01,319
Speaker 1: of this, like and so if there had been more,

608
00:35:01,560 --> 00:35:04,920
Speaker 1: because honestly, what was missing was the sex. And I

609
00:35:05,000 --> 00:35:06,880
Speaker 1: understand if the three of them don't want to have

610
00:35:07,000 --> 00:35:10,279
Speaker 1: explicit sex scenes anymore. I mean they're like, you know,

611
00:35:10,560 --> 00:35:13,000
Speaker 1: oh you missed when Big jerked it before he died,

612
00:35:13,040 --> 00:35:15,920
Speaker 1: Well he didn't. He barely did that. He like I know,

613
00:35:15,960 --> 00:35:19,160
Speaker 1: I was like, he was like, come here, come here,

614
00:35:19,160 --> 00:35:22,759
Speaker 1: your kid. I don't know what about that didn't work

615
00:35:22,840 --> 00:35:25,400
Speaker 1: for you, it certainly worked for the rest. If there

616
00:35:25,480 --> 00:35:28,719
Speaker 1: was just before his death. If Big Head shown as

617
00:35:28,760 --> 00:35:32,640
Speaker 1: full erect penis and jerked off to completion on camera,

618
00:35:32,920 --> 00:35:37,560
Speaker 1: then I agree with you. We're missing a like pitter

619
00:35:37,640 --> 00:35:40,520
Speaker 1: patter of the old show that makes this show seem

620
00:35:40,600 --> 00:35:43,000
Speaker 1: like the movies, which is like, thank you for saying

621
00:35:43,000 --> 00:35:45,920
Speaker 1: that a problem because those aren't good. Yes, I mean

622
00:35:45,960 --> 00:35:48,640
Speaker 1: I think it's because sorry they I think it's because

623
00:35:48,680 --> 00:35:50,919
Speaker 1: they had a lot to like figure out in these

624
00:35:50,920 --> 00:35:52,960
Speaker 1: first two. They had to like set up all the

625
00:35:53,000 --> 00:35:55,399
Speaker 1: things that you were asking, like where Samantha, what happened

626
00:35:55,440 --> 00:35:58,960
Speaker 1: to big blah blah. I hope I think that it

627
00:35:59,000 --> 00:36:02,640
Speaker 1: gets back to like it's silly self because I also

628
00:36:02,680 --> 00:36:04,600
Speaker 1: agree that it's like it doesn't feel like the old

629
00:36:04,600 --> 00:36:06,560
Speaker 1: TV show. It doesn't feel like Sensen City like it

630
00:36:06,600 --> 00:36:09,360
Speaker 1: needs to be, like, you know, downtown Miranda was shining

631
00:36:09,360 --> 00:36:12,759
Speaker 1: your shoes uptown Samantha was like getting shined by I

632
00:36:12,800 --> 00:36:18,240
Speaker 1: don't like whatever. Yeah, like that's like what we need,

633
00:36:18,360 --> 00:36:20,359
Speaker 1: you know, And I do think that they want to

634
00:36:20,400 --> 00:36:23,400
Speaker 1: give us that become in the that she steps on

635
00:36:23,560 --> 00:36:26,239
Speaker 1: is like the beginning, you know, that's the they want

636
00:36:26,239 --> 00:36:30,000
Speaker 1: that for us. I have so much faith I believe.

637
00:36:31,200 --> 00:36:34,399
Speaker 1: I have to believe it's it's the new religion. Yeah,

638
00:36:35,160 --> 00:36:39,640
Speaker 1: we need to need it. I also felt like watching it,

639
00:36:39,920 --> 00:36:44,880
Speaker 1: just the sheer time passing between like the nineties and

640
00:36:45,040 --> 00:36:48,759
Speaker 1: now was like just destroying me in a way that

641
00:36:49,000 --> 00:36:51,839
Speaker 1: like Boyhood Found Dead, I was like getting the same

642
00:36:52,760 --> 00:36:56,879
Speaker 1: to be like just like dealing with Aging Steve's death.

643
00:36:57,160 --> 00:36:59,960
Speaker 1: I was like, this hurts me, This hurts me. It's

644
00:37:00,000 --> 00:37:03,239
Speaker 1: it's a real way, like I feel life and how

645
00:37:03,280 --> 00:37:06,879
Speaker 1: small it is just by watching the show and it

646
00:37:06,920 --> 00:37:10,359
Speaker 1: feels dark, moving but yeah, it's moving, no it. I

647
00:37:10,400 --> 00:37:13,480
Speaker 1: think it is honest. And I also think frankly, like

648
00:37:13,880 --> 00:37:16,000
Speaker 1: a lot of people complain about like the cringe elements,

649
00:37:16,040 --> 00:37:18,480
Speaker 1: It's like that to me is the most authentic part

650
00:37:18,520 --> 00:37:20,840
Speaker 1: because Sex and City was always cringe. It was always

651
00:37:20,840 --> 00:37:23,919
Speaker 1: dealing with something like you know, it's like carry dates

652
00:37:23,920 --> 00:37:26,640
Speaker 1: a bisexual blah blah. But like it's always dealing with

653
00:37:26,760 --> 00:37:32,520
Speaker 1: quote unquote like current you know, you know, cultural questions

654
00:37:32,520 --> 00:37:34,799
Speaker 1: and like the most cringe way possible. Like, so it

655
00:37:34,960 --> 00:37:39,960
Speaker 1: is very on brand for Miranda to like completely you know, yes,

656
00:37:40,239 --> 00:37:42,960
Speaker 1: each ship in that interaction she has with the professor

657
00:37:43,120 --> 00:37:46,439
Speaker 1: and at Columbia or whatever, and Carrie was a sex writer.

658
00:37:46,520 --> 00:37:48,759
Speaker 1: But her whole point was that she was trying things

659
00:37:48,760 --> 00:37:51,759
Speaker 1: that offended her. Her whole bit was like I went

660
00:37:51,800 --> 00:37:54,960
Speaker 1: to a swingers club and like that was crazy, and

661
00:37:54,960 --> 00:37:58,080
Speaker 1: like you know, that was like her perspective. Her perspective

662
00:37:58,200 --> 00:38:01,720
Speaker 1: was not of how being experienced anything. It was about

663
00:38:01,760 --> 00:38:04,880
Speaker 1: putting herself into situation. So like when she's like big,

664
00:38:04,880 --> 00:38:07,000
Speaker 1: like have you jerked it in public? Like that was

665
00:38:07,040 --> 00:38:09,239
Speaker 1: like really actually a pure example of what her old

666
00:38:09,280 --> 00:38:11,879
Speaker 1: column was for those of us who you know, read

667
00:38:11,920 --> 00:38:15,200
Speaker 1: every issue at the Star. No, I think that the

668
00:38:15,239 --> 00:38:21,520
Speaker 1: three current stars are like politically conservative, whereas I think

669
00:38:21,680 --> 00:38:25,400
Speaker 1: Samantha was the one that was like adventurous. So if

670
00:38:25,400 --> 00:38:28,560
Speaker 1: you're going to take Samantha out, that means I mean,

671
00:38:28,560 --> 00:38:31,600
Speaker 1: to be honest, I'm like the three characters is the

672
00:38:31,719 --> 00:38:33,319
Speaker 1: three characters that they add. I mean it's like the

673
00:38:33,320 --> 00:38:37,480
Speaker 1: professor of the podcaster and each girl gets a friend.

674
00:38:37,640 --> 00:38:40,759
Speaker 1: That's the crazy thing about this is they give everyone

675
00:38:40,800 --> 00:38:43,040
Speaker 1: a friend. Of course it's a person of color. And

676
00:38:43,080 --> 00:38:46,040
Speaker 1: they're like and I don't yes, and I don't want

677
00:38:46,080 --> 00:38:48,000
Speaker 1: to get in, like it is not my place to

678
00:38:48,360 --> 00:38:50,640
Speaker 1: critique this, but like the fact that they literally gave

679
00:38:50,760 --> 00:38:54,239
Speaker 1: each white woman a woman of color friend, like it

680
00:38:54,280 --> 00:39:00,280
Speaker 1: could have been a little less obvious. Yeah, yeah, yeah, anyway,

681
00:39:00,320 --> 00:39:02,760
Speaker 1: But I but none of them, I guess. I guess

682
00:39:03,000 --> 00:39:07,560
Speaker 1: Chay is like sexual and sex positive. But but none

683
00:39:07,560 --> 00:39:10,240
Speaker 1: of those women give Samantha to me, Like I wanted

684
00:39:10,320 --> 00:39:13,440
Speaker 1: one of them, And yeah, I wanted one of them

685
00:39:13,440 --> 00:39:15,600
Speaker 1: to get more of a Samantha energy. I think there's

686
00:39:15,600 --> 00:39:19,600
Speaker 1: a woman that hasn't come yet who carries friend, Yes,

687
00:39:20,160 --> 00:39:24,640
Speaker 1: carries friend, who I think is her realtorn. Is this

688
00:39:24,719 --> 00:39:27,920
Speaker 1: woman who I think is the Samantha that they are

689
00:39:28,000 --> 00:39:31,879
Speaker 1: trying to But maybe Brady is the Samantha since he's

690
00:39:31,880 --> 00:39:34,960
Speaker 1: the only one fucking he really is. The way they

691
00:39:35,040 --> 00:39:37,279
Speaker 1: drive that home and they're like in the living room

692
00:39:37,320 --> 00:39:42,600
Speaker 1: and hearing him like knock on the wall, him making

693
00:39:42,640 --> 00:39:45,440
Speaker 1: out at the piano recital, I was like, what, we

694
00:39:46,000 --> 00:39:48,680
Speaker 1: get it. You don't have to have this, like that

695
00:39:48,840 --> 00:39:52,560
Speaker 1: is so unreasonable. Yeah, no, making out at the piano recitle.

696
00:39:52,600 --> 00:39:55,359
Speaker 1: And then when and then when Miranda like calls him out,

697
00:39:55,400 --> 00:39:58,040
Speaker 1: he's like, don't sex shame us. It's like, okay, like

698
00:39:58,120 --> 00:40:04,680
Speaker 1: stunning just in so stupid wait, okay, so let's lindsay

699
00:40:04,760 --> 00:40:06,720
Speaker 1: you brought us Sex and the City as your topic

700
00:40:07,200 --> 00:40:09,120
Speaker 1: and you know, technically and just like that, it's sort

701
00:40:09,120 --> 00:40:12,280
Speaker 1: of a it's maybe even a different topic. But um,

702
00:40:12,719 --> 00:40:16,000
Speaker 1: like what why did you bring us Sex and the

703
00:40:16,120 --> 00:40:20,719
Speaker 1: City today as a straight topic? Well you asked for like, yeah,

704
00:40:20,840 --> 00:40:23,040
Speaker 1: like a straight I just feel like Sex in the

705
00:40:23,120 --> 00:40:27,120
Speaker 1: City is very straight, and I do think that there

706
00:40:27,160 --> 00:40:29,960
Speaker 1: are arguments to the contrary, but they're wrong. You know,

707
00:40:30,960 --> 00:40:34,239
Speaker 1: it is. It is a heterosexual New York City. You know,

708
00:40:34,320 --> 00:40:38,200
Speaker 1: it is Santa Con it is, it is. It is

709
00:40:38,239 --> 00:40:41,560
Speaker 1: everything that I feel like we don't engage in, but

710
00:40:41,640 --> 00:40:44,520
Speaker 1: it exists. It's the undercurrent. But Sex and the City

711
00:40:44,600 --> 00:40:47,360
Speaker 1: was able to take that and serve it up on

712
00:40:47,360 --> 00:40:49,719
Speaker 1: a plate and we ate it because we're like, we

713
00:40:49,760 --> 00:40:52,320
Speaker 1: love this. But I do think that Sex City is

714
00:40:52,360 --> 00:40:55,560
Speaker 1: ultimately very straight, you know, not just because they're all

715
00:40:55,560 --> 00:40:59,160
Speaker 1: straight kind yeah in the original Yeah, No, it's it's

716
00:40:59,200 --> 00:41:02,400
Speaker 1: like a vision of sexnessity. It's it's also like in

717
00:41:02,480 --> 00:41:05,640
Speaker 1: ways that we probably don't even realize, like the way

718
00:41:05,680 --> 00:41:09,520
Speaker 1: we conceptualize what it means to be an adult in

719
00:41:10,080 --> 00:41:12,200
Speaker 1: trying to live like some kind of glamorous life in

720
00:41:12,200 --> 00:41:18,000
Speaker 1: the Big City is all from Sex City. Yes, we're

721
00:41:18,000 --> 00:41:21,000
Speaker 1: all doing like Sex and the City cosplay at this

722
00:41:21,080 --> 00:41:27,240
Speaker 1: point in our lives, which is insane. Uh and actually

723
00:41:27,280 --> 00:41:29,640
Speaker 1: thinking about that makes me feel crazy. But like even

724
00:41:29,680 --> 00:41:31,920
Speaker 1: when like Miranda moves to Brooklyn and it's like a

725
00:41:32,000 --> 00:41:34,600
Speaker 1: huge plot line. When I moved to Brooklyn, I felt

726
00:41:34,600 --> 00:41:36,440
Speaker 1: the plot line and I was like, whoa, my life

727
00:41:36,520 --> 00:41:39,279
Speaker 1: is like folding in on itself. Wow. I mean to

728
00:41:39,320 --> 00:41:42,000
Speaker 1: be honest, it's hard to be podcasting now that and

729
00:41:42,160 --> 00:41:44,680
Speaker 1: just like that as part of like has podcasting in

730
00:41:44,719 --> 00:41:46,680
Speaker 1: it because I'm like, oh no, oh no, oh no,

731
00:41:46,760 --> 00:41:53,120
Speaker 1: I sound like Sarah Ramirez character like this, I'm really like, oh, like,

732
00:41:53,600 --> 00:41:56,359
Speaker 1: who's the Chay of this podcast? Everything every word I'm

733
00:41:56,360 --> 00:41:58,840
Speaker 1: saying feels like scripted in a weird way. Now. I'm like,

734
00:41:58,880 --> 00:42:02,000
Speaker 1: oh no, I need to figure out different cadence or something.

735
00:42:03,200 --> 00:42:07,440
Speaker 1: Woke moment woke moment that was one of the more

736
00:42:07,480 --> 00:42:12,040
Speaker 1: psycho elements of that episode, Like who has the sound buttons?

737
00:42:12,040 --> 00:42:14,760
Speaker 1: They're like that was like very like shock Jock Morning

738
00:42:14,760 --> 00:42:18,120
Speaker 1: Show again straight culture, but it was also like what

739
00:42:18,360 --> 00:42:21,120
Speaker 1: is this? What does that mean? Like what is a

740
00:42:21,120 --> 00:42:23,520
Speaker 1: woke moment in the context of this show. They were

741
00:42:23,640 --> 00:42:27,279
Speaker 1: using it pretty whenever they felt like it, like, what

742
00:42:27,360 --> 00:42:30,040
Speaker 1: are the politics of that show? Even like who I

743
00:42:30,080 --> 00:42:32,680
Speaker 1: know that? Yes, exactly? This is this is my question.

744
00:42:32,760 --> 00:42:35,160
Speaker 1: It's like, what is that show? It's like because it's

745
00:42:35,200 --> 00:42:40,719
Speaker 1: kind of like a hodgepodge of like various words and

746
00:42:41,239 --> 00:42:45,319
Speaker 1: kind of characters or or not prototype the word like

747
00:42:45,400 --> 00:42:49,880
Speaker 1: archetypes that that you would imagine exists in podcasting, right,

748
00:42:50,080 --> 00:42:52,759
Speaker 1: it felt like the show was like her being like

749
00:42:52,960 --> 00:42:56,920
Speaker 1: pegging exactly, and it's like it was just like it's like,

750
00:42:57,040 --> 00:43:00,440
Speaker 1: what's the like, what is our point here? We're just

751
00:43:00,640 --> 00:43:03,520
Speaker 1: saying things, We're just saying sexually. Well, yes, And it

752
00:43:03,600 --> 00:43:07,319
Speaker 1: was also unclear whether or not, so is it a

753
00:43:07,360 --> 00:43:11,839
Speaker 1: woke podcast where she's like sex positive and she you know,

754
00:43:11,920 --> 00:43:16,840
Speaker 1: calls out Carrie for being a you know, boring white

755
00:43:17,040 --> 00:43:19,880
Speaker 1: person or is it a shock as you said, or

756
00:43:19,920 --> 00:43:23,440
Speaker 1: is it like or they're like the non binary Joe

757
00:43:23,560 --> 00:43:27,960
Speaker 1: Rogan and which is a good That is a good

758
00:43:28,000 --> 00:43:30,560
Speaker 1: concept And I wouldn't prefer it honestly if it was that,

759
00:43:30,680 --> 00:43:33,400
Speaker 1: And I do think it's leaning more towards that. Yeah,

760
00:43:34,600 --> 00:43:39,000
Speaker 1: fascinating because fascinating, Yeah, I mean, we don't know that's

761
00:43:39,000 --> 00:43:41,680
Speaker 1: what's so Also, another amazing thing on Sex City is

762
00:43:41,719 --> 00:43:44,120
Speaker 1: what are their politics? The best part about Sex and

763
00:43:44,120 --> 00:43:47,120
Speaker 1: the City for me is that we know that Cynthia

764
00:43:47,239 --> 00:43:53,799
Speaker 1: Nixon ran for mayor govern Okay, thank you governor, and

765
00:43:53,920 --> 00:43:58,200
Speaker 1: so we know that like seeps into my mind when

766
00:43:58,200 --> 00:43:59,840
Speaker 1: I watch, And I also know that she's gay, So

767
00:43:59,880 --> 00:44:04,160
Speaker 1: I'm like, what's gonna go? Like Miranda and Cynthia are

768
00:44:04,200 --> 00:44:07,320
Speaker 1: like the same to me now, and I cannot take

769
00:44:07,920 --> 00:44:11,160
Speaker 1: that apart. So now I'm like watching that being like

770
00:44:11,440 --> 00:44:14,919
Speaker 1: what's going to happen here? Right? And like, well, don't

771
00:44:14,920 --> 00:44:17,400
Speaker 1: you think they're going to make her cheat on Steve

772
00:44:17,480 --> 00:44:24,000
Speaker 1: with Chase? Are you kidding? Like it's very clear dumb

773
00:44:24,400 --> 00:44:27,920
Speaker 1: having a nervous breakdown. She's having a midlife crisis that

774
00:44:27,960 --> 00:44:31,160
Speaker 1: will be solved by yeah. I mean also like, okay,

775
00:44:31,200 --> 00:44:32,960
Speaker 1: so we need to go. I want to like talk

776
00:44:32,960 --> 00:44:35,600
Speaker 1: a little bit more about the original. But like the

777
00:44:35,640 --> 00:44:40,560
Speaker 1: fact that Miranda, on her way to class orders alcohol

778
00:44:40,640 --> 00:44:44,440
Speaker 1: at like ten am, that was a little oh yes,

779
00:44:46,239 --> 00:44:48,600
Speaker 1: Like that was a little much for me to drop

780
00:44:48,719 --> 00:44:51,440
Speaker 1: to be like getting off the train at Columbia like

781
00:44:51,520 --> 00:44:53,839
Speaker 1: my new life and it's going straight to a bar.

782
00:44:53,920 --> 00:44:57,680
Speaker 1: At ten a m. I felt it was really that

783
00:44:57,760 --> 00:44:59,880
Speaker 1: was crazy to throw that in for us because we

784
00:45:00,040 --> 00:45:02,560
Speaker 1: you were there to see the girlies living their best

785
00:45:02,600 --> 00:45:06,319
Speaker 1: lives in the Twilight Year, just kidding in the best

786
00:45:06,400 --> 00:45:10,160
Speaker 1: years of their life, just joking at so mean and um,

787
00:45:10,600 --> 00:45:15,560
Speaker 1: we had to encounter alcoholism and I mean, your body deteriorating,

788
00:45:16,040 --> 00:45:21,359
Speaker 1: your husband's dying. Um, you know what Charlotte's thing. Oh,

789
00:45:21,480 --> 00:45:24,280
Speaker 1: Charlotte's thing is that her child is in some way queer.

790
00:45:24,280 --> 00:45:27,160
Speaker 1: We're not sure yet if it's you know, if it

791
00:45:27,160 --> 00:45:31,400
Speaker 1: has to do with sexuality or gender identity, but something's

792
00:45:31,440 --> 00:45:34,680
Speaker 1: something's up. When she teared up at Chase comedy show,

793
00:45:34,800 --> 00:45:37,680
Speaker 1: I cried, I was like, losing my ship. This show

794
00:45:37,800 --> 00:45:40,160
Speaker 1: has a power on me that I it's embarrassing. I

795
00:45:40,200 --> 00:45:42,960
Speaker 1: was like, I can't believe a more emotional watching fucking

796
00:45:43,040 --> 00:45:47,840
Speaker 1: Kristen Davis sob at a comedy show like this is

797
00:45:47,840 --> 00:45:53,120
Speaker 1: insane episode. Do you have screeners? Do you have screeners?

798
00:45:54,280 --> 00:45:56,920
Speaker 1: I do? I do. I'm sorry, I'm sorry that in

799
00:45:56,920 --> 00:45:59,680
Speaker 1: the next season. I mean, I had cut that. So

800
00:45:59,680 --> 00:46:04,080
Speaker 1: how many episodes I've seen? Four? I got three and

801
00:46:04,120 --> 00:46:06,799
Speaker 1: four they're all mixing into one. Sorry and three and four,

802
00:46:06,840 --> 00:46:10,279
Speaker 1: they go to Chase, so it's I think it's not

803
00:46:10,800 --> 00:46:15,440
Speaker 1: and Chase like Chase like be yourself, Like that's their comedy,

804
00:46:15,440 --> 00:46:18,960
Speaker 1: which their comedy is like not comedy. Love this com

805
00:46:19,080 --> 00:46:23,160
Speaker 1: you absolutely love this comedy. You're gonna die. It's like Ninette,

806
00:46:23,239 --> 00:46:26,480
Speaker 1: but there's no like twist. It's just like, yeah, everyone

807
00:46:26,680 --> 00:46:33,480
Speaker 1: here is great and be yourself and love family accepts me. No,

808
00:46:33,760 --> 00:46:37,520
Speaker 1: they're like they're like non binary, Um, what's her face?

809
00:46:37,640 --> 00:46:43,520
Speaker 1: Who's the no? Like like Abby Wander, who's Abby? Glenn

810
00:46:43,520 --> 00:46:46,880
Speaker 1: and Doyle like they're they're like they're like a like

811
00:46:46,920 --> 00:46:51,120
Speaker 1: a comedy version. It's very it's a very strange comedy

812
00:46:51,160 --> 00:46:54,000
Speaker 1: because they're making jokes, but the jokes are like inspiring

813
00:46:54,200 --> 00:46:58,360
Speaker 1: and like about being yourself. You know, all right, it

814
00:46:58,440 --> 00:47:02,120
Speaker 1: sounds sounds well. I love the fact. I mean it

815
00:47:02,200 --> 00:47:05,400
Speaker 1: is also a very Charlotte to be inspired by, like

816
00:47:06,200 --> 00:47:11,040
Speaker 1: a inspirational stand up comedy routine. Yes, yes, I hope

817
00:47:11,080 --> 00:47:13,520
Speaker 1: each one of the girls has sex with Chay and

818
00:47:13,560 --> 00:47:15,759
Speaker 1: it does something different for each and every one of

819
00:47:15,800 --> 00:47:20,560
Speaker 1: them would be a great I right, like cha makes

820
00:47:20,560 --> 00:47:23,560
Speaker 1: me feel weird, that whole thing. But if Cha is

821
00:47:23,640 --> 00:47:26,560
Speaker 1: like the tool that all the girls have to have

822
00:47:26,600 --> 00:47:28,600
Speaker 1: sex with Ja and that's like the that's part of

823
00:47:28,640 --> 00:47:30,680
Speaker 1: the show. I'm like, that's great. I think that would

824
00:47:30,719 --> 00:47:33,719
Speaker 1: be really nice. I mean anything for anyone to have sex. Also,

825
00:47:33,760 --> 00:47:37,440
Speaker 1: Sara Amiraz very very hot and like has just like

826
00:47:37,800 --> 00:47:40,839
Speaker 1: a really um hot energy to me. I always felt

827
00:47:40,880 --> 00:47:44,160
Speaker 1: like that way, even with Craizon Anatomy when they're on Grasonatomy.

828
00:47:44,200 --> 00:47:46,360
Speaker 1: I remember being like, because they hooked up with like

829
00:47:46,400 --> 00:47:50,080
Speaker 1: thee with George, and I remember being like, George was

830
00:47:50,120 --> 00:47:51,560
Speaker 1: the one that I was really into, and so I

831
00:47:51,600 --> 00:47:53,880
Speaker 1: was like, oh, yeah, this is very hot. Yeah, and

832
00:47:53,920 --> 00:47:56,800
Speaker 1: that actor is gay. And also Sarah mill Mira's is

833
00:47:56,880 --> 00:47:59,480
Speaker 1: most iconic for their role in You've Got Mail. Do

834
00:47:59,520 --> 00:48:02,319
Speaker 1: you know the I'm talking about at Bars Do Not?

835
00:48:02,719 --> 00:48:05,800
Speaker 1: Where he goes to Tom Hanks goes to z Bars

836
00:48:05,840 --> 00:48:09,280
Speaker 1: and runs into Meg Ryan and they're at the checkout

837
00:48:09,400 --> 00:48:15,560
Speaker 1: and she can't She's trying to check out and it's like, uhms,

838
00:48:15,600 --> 00:48:19,439
Speaker 1: goes get in another line you know that he says

839
00:48:19,480 --> 00:48:22,040
Speaker 1: happy that he pays for her, and then he says

840
00:48:22,040 --> 00:48:26,680
Speaker 1: happy Thanksgiving and and she says happy Thanksgiving back, Happy

841
00:48:26,680 --> 00:48:29,320
Speaker 1: Thanksgiving back or sorry they say happy Thanksgiving Back? Do

842
00:48:29,680 --> 00:48:31,080
Speaker 1: you know this far, I'm not doing a good job

843
00:48:31,120 --> 00:48:33,560
Speaker 1: describing it. I mean, I'm like, I'm like, I do

844
00:48:33,640 --> 00:48:35,279
Speaker 1: know this, I do know this part. I guess I

845
00:48:35,320 --> 00:48:39,200
Speaker 1: didn't realize that's who that was. How old are they? Like,

846
00:48:39,280 --> 00:48:43,000
Speaker 1: they're young? I guess, yeah, okay, interesting, they're young. But yeah,

847
00:48:43,000 --> 00:48:45,440
Speaker 1: they play the checkout person at Z bars in that

848
00:48:45,480 --> 00:48:47,600
Speaker 1: scene where they run into each other and it's credit

849
00:48:47,600 --> 00:48:49,719
Speaker 1: card only in the line, which is stressful, as any

850
00:48:49,760 --> 00:48:53,600
Speaker 1: New Yorker knows. You know, Tony Winner, Oh really wow?

851
00:48:54,200 --> 00:49:00,279
Speaker 1: Sara yea Tony Winner. Um okay, wait, So so we

852
00:49:00,480 --> 00:49:02,960
Speaker 1: back to nineties Sex in the City. Oh my god,

853
00:49:03,080 --> 00:49:04,640
Speaker 1: how can you even compare to the new one? It

854
00:49:04,680 --> 00:49:06,040
Speaker 1: makes it seem like we love the new one more

855
00:49:06,080 --> 00:49:08,320
Speaker 1: than the old one, which is hilarious. Also, I just

856
00:49:08,360 --> 00:49:11,040
Speaker 1: want to say I completely agree with your assessment that

857
00:49:11,120 --> 00:49:13,239
Speaker 1: it is more like the movies and the TV show,

858
00:49:13,520 --> 00:49:15,560
Speaker 1: and so I like it in the same way. I mean,

859
00:49:15,600 --> 00:49:17,839
Speaker 1: the second movie is a bigger topic which we cannot

860
00:49:17,880 --> 00:49:22,480
Speaker 1: get into it. But like, yes, the marginally was like

861
00:49:23,239 --> 00:49:25,759
Speaker 1: it was like, oh, how fun to be with these

862
00:49:25,840 --> 00:49:28,560
Speaker 1: ladies in this format, like and and it was it

863
00:49:28,680 --> 00:49:30,799
Speaker 1: was like exactly as good as it needed to be.

864
00:49:30,920 --> 00:49:33,000
Speaker 1: It was fun, It had its jokes, like, it had

865
00:49:33,040 --> 00:49:37,520
Speaker 1: the you know whatever, like Samantha with sushi on her

866
00:49:38,080 --> 00:49:40,479
Speaker 1: And to me, that's what I'm getting out of this,

867
00:49:41,239 --> 00:49:44,799
Speaker 1: out of this one, which is fine. I'm glad that

868
00:49:44,840 --> 00:49:47,239
Speaker 1: it's a series because it means that eventually maybe we'll

869
00:49:47,239 --> 00:49:49,520
Speaker 1: get a few episodes that are just like the standard

870
00:49:49,640 --> 00:49:51,959
Speaker 1: A plot, B plot, C plot of it all. We want,

871
00:49:52,040 --> 00:49:54,960
Speaker 1: we crave that, we need, you know, we need that.

872
00:49:55,600 --> 00:50:00,040
Speaker 1: But it is almost too shiny and too too I

873
00:50:00,120 --> 00:50:02,280
Speaker 1: was in twenty one to give us that. It's hard

874
00:50:02,360 --> 00:50:06,279
Speaker 1: to replicate that TV like we we can't. I don't

875
00:50:06,280 --> 00:50:08,720
Speaker 1: know if we can do that, Like it doesn't exist.

876
00:50:09,040 --> 00:50:11,080
Speaker 1: It even looks insane. You know, if you compare it

877
00:50:11,120 --> 00:50:15,000
Speaker 1: to the old one, they're so glossy. Yeah, so lindsay,

878
00:50:15,160 --> 00:50:17,680
Speaker 1: in terms of the original for which one were you?

879
00:50:18,040 --> 00:50:20,120
Speaker 1: My god? Well, the I think the best part about

880
00:50:20,320 --> 00:50:22,240
Speaker 1: Sex and the City is that everybody was a carry

881
00:50:22,360 --> 00:50:26,520
Speaker 1: until they weren't. And that's like the realization that carry

882
00:50:26,719 --> 00:50:30,440
Speaker 1: was not perfect and not like the kind of neutral

883
00:50:30,520 --> 00:50:34,160
Speaker 1: one is like the process of getting old and realizing

884
00:50:34,200 --> 00:50:37,279
Speaker 1: that you're not that is amazing, I think, because like

885
00:50:37,520 --> 00:50:39,919
Speaker 1: everyone's like I'm the writer, like I'm the main star,

886
00:50:40,000 --> 00:50:42,480
Speaker 1: I'm the heir, I'm the protagonist, I'm the main character.

887
00:50:42,840 --> 00:50:45,359
Speaker 1: And it's like whoa, like you're not And also she's

888
00:50:45,360 --> 00:50:49,640
Speaker 1: annoying and I love that about the Wait. So lindsay, then,

889
00:50:50,080 --> 00:50:51,960
Speaker 1: which one did you identify as like when you were

890
00:50:52,000 --> 00:50:54,960
Speaker 1: younger and watching the show. I think I'm like I, well,

891
00:50:55,000 --> 00:50:56,680
Speaker 1: I thought I was a Carry because I'm like I'm

892
00:50:56,719 --> 00:50:59,600
Speaker 1: a writer, but I think now I think I'm a

893
00:50:59,680 --> 00:51:03,000
Speaker 1: moran In with like a like a chaos shark, you know,

894
00:51:03,280 --> 00:51:07,640
Speaker 1: like I think I'm I think I'm like Dour with

895
00:51:07,680 --> 00:51:12,760
Speaker 1: like a type a streak. I still think of myself

896
00:51:12,800 --> 00:51:15,319
Speaker 1: as a Carry, if I'm being completely honest, I do too.

897
00:51:15,520 --> 00:51:19,080
Speaker 1: My god, you're the main character. Oh god, but here's

898
00:51:19,080 --> 00:51:22,520
Speaker 1: what I'll say, like not to not to give myself

899
00:51:22,520 --> 00:51:25,839
Speaker 1: too much credit, but like I almost feel like I

900
00:51:25,719 --> 00:51:28,600
Speaker 1: identify with Carry because of her flaws more than because

901
00:51:28,640 --> 00:51:31,680
Speaker 1: she's like the main character. Like I'm like I see

902
00:51:31,800 --> 00:51:35,240
Speaker 1: like she is like sometimes a bad friend and sometimes

903
00:51:35,239 --> 00:51:39,000
Speaker 1: a bad girlfriend, and like has complete delusions of grander

904
00:51:39,040 --> 00:51:42,960
Speaker 1: and like is actually way less compelling than she thinks

905
00:51:42,960 --> 00:51:46,680
Speaker 1: she's like. She it's almost like she has main character syndrome,

906
00:51:46,760 --> 00:51:50,839
Speaker 1: and she's she often runs into the fact that, like,

907
00:51:51,600 --> 00:51:53,960
Speaker 1: she can't just act like the main character all the time.

908
00:51:54,040 --> 00:51:55,719
Speaker 1: Kind of. I don't know, I feel like I I

909
00:51:55,760 --> 00:52:01,799
Speaker 1: almost I like relate to the allusions. No, that's a

910
00:52:01,840 --> 00:52:04,560
Speaker 1: great I think that's a great take because that's what

911
00:52:05,080 --> 00:52:08,200
Speaker 1: I love. Okay, not again, not the talking about the reboot.

912
00:52:08,239 --> 00:52:11,279
Speaker 1: I love that the reboot has the history of us

913
00:52:11,360 --> 00:52:13,920
Speaker 1: coming to this realization, and the writers who are essentially

914
00:52:14,000 --> 00:52:18,399
Speaker 1: writing Sex and the City fan friction are taking from

915
00:52:18,600 --> 00:52:22,160
Speaker 1: years and years of people saying, oh, Carry is not

916
00:52:22,280 --> 00:52:25,960
Speaker 1: actually great, Carry is flawed and working it into this

917
00:52:26,160 --> 00:52:29,279
Speaker 1: version of Carry, and that to me is just the

918
00:52:29,320 --> 00:52:32,080
Speaker 1: metaverse of it all. I love it so much. I

919
00:52:32,120 --> 00:52:35,240
Speaker 1: do feel, you know, we have to address that. Um.

920
00:52:35,280 --> 00:52:39,840
Speaker 1: You know Sex and City gay men are obsessed with it. Um.

921
00:52:39,880 --> 00:52:44,200
Speaker 1: I think, yeah, how do we reconcile it being a

922
00:52:44,239 --> 00:52:49,680
Speaker 1: straight show? Well, I mean what I mean, can you

923
00:52:49,719 --> 00:52:52,879
Speaker 1: believe that they two gay men characters had to marry

924
00:52:52,920 --> 00:52:58,200
Speaker 1: each other? That's offensive, not just but then like to happen,

925
00:52:58,200 --> 00:52:59,800
Speaker 1: I mean it was just a different time, like to

926
00:53:00,040 --> 00:53:03,200
Speaker 1: have the opening scene of that second movie be Liesam

927
00:53:03,200 --> 00:53:07,080
Speaker 1: and Nelly doing single Ladies for an we can't The

928
00:53:07,120 --> 00:53:10,759
Speaker 1: second movie is we just cannot talk about The second

929
00:53:10,800 --> 00:53:13,239
Speaker 1: movie is not Cannon. We don't recognize it. Actually, it's

930
00:53:13,320 --> 00:53:16,680
Speaker 1: just it's not part of the legacy. It's gone, and

931
00:53:16,760 --> 00:53:19,799
Speaker 1: yet it should be in a museum. It is like

932
00:53:19,880 --> 00:53:22,000
Speaker 1: the most shocked and piece of media I've ever seen

933
00:53:22,040 --> 00:53:25,600
Speaker 1: about completely like it really is. And it didn't age.

934
00:53:25,640 --> 00:53:27,359
Speaker 1: It's not that it didn't age well. It wasn't. It

935
00:53:27,360 --> 00:53:32,440
Speaker 1: didn't age well day two. It's very true. Yes, um,

936
00:53:32,800 --> 00:53:36,919
Speaker 1: for many reasons? Can you write? Can you imagine every

937
00:53:36,920 --> 00:53:39,880
Speaker 1: reason there can be? Being like a woman that loves

938
00:53:39,880 --> 00:53:42,600
Speaker 1: sex and the city. It's opening day of sexon City too.

939
00:53:42,800 --> 00:53:45,160
Speaker 1: You are so excited you and your girlfriends are going

940
00:53:45,239 --> 00:53:47,799
Speaker 1: to the theater and you sit there and watch them

941
00:53:48,520 --> 00:53:52,440
Speaker 1: like go to the Middle East and like be offensive

942
00:53:52,600 --> 00:53:57,840
Speaker 1: in a million different ways? Can you imagine? I would

943
00:53:57,920 --> 00:54:00,239
Speaker 1: like to your life. I would like to defend one halter,

944
00:54:00,719 --> 00:54:04,360
Speaker 1: which is that I'm sorry, but Lawrence of my Labia

945
00:54:04,719 --> 00:54:12,719
Speaker 1: is an iconic everything need we need it in this

946
00:54:12,760 --> 00:54:16,160
Speaker 1: new show? I think the Lawrence of I was literally

947
00:54:16,200 --> 00:54:18,239
Speaker 1: talking about this with someone. I was like, what this

948
00:54:18,360 --> 00:54:21,799
Speaker 1: needs is just the pinch a Lawrence of my laby. Yeah,

949
00:54:21,840 --> 00:54:23,680
Speaker 1: I mean that, but that's like what you're but that's

950
00:54:23,680 --> 00:54:27,200
Speaker 1: actually a good The Samantha of it all is missing,

951
00:54:27,239 --> 00:54:30,040
Speaker 1: and that is actually a good example of that. It's like,

952
00:54:30,120 --> 00:54:33,279
Speaker 1: who is going to say that bullshit? You know? Um,

953
00:54:33,320 --> 00:54:36,880
Speaker 1: I saw a tweet that was like, um, sorry to quote,

954
00:54:36,880 --> 00:54:38,680
Speaker 1: I truly do not remember who this was, but it

955
00:54:38,719 --> 00:54:41,400
Speaker 1: was like, if Samantha was there, she'd be like, she'd

956
00:54:41,400 --> 00:54:43,440
Speaker 1: like cheer Carry up by being like, honey, no one

957
00:54:43,480 --> 00:54:45,920
Speaker 1: likes a widow with wrinkle lines or something, you know,

958
00:54:45,960 --> 00:54:48,560
Speaker 1: like something like that, and it's like sure, yeah, like

959
00:54:49,040 --> 00:54:50,960
Speaker 1: it is true that neither of the other two will

960
00:54:51,000 --> 00:54:53,800
Speaker 1: say that to Carry, and then that will like that

961
00:54:54,080 --> 00:54:56,239
Speaker 1: I can so easily imagine like Samantha trying to like

962
00:54:56,320 --> 00:54:58,400
Speaker 1: force Carry to get back in the game and like

963
00:54:59,080 --> 00:55:01,080
Speaker 1: making her go out with someone and then Carry like

964
00:55:01,239 --> 00:55:03,040
Speaker 1: bursting into tears because you think is a big and

965
00:55:03,040 --> 00:55:05,200
Speaker 1: like that being like a whole you know. I mean

966
00:55:05,239 --> 00:55:08,960
Speaker 1: when in the original when Miranda's dad dies or mom

967
00:55:09,160 --> 00:55:12,239
Speaker 1: dies or something, they like, there's an episode about how

968
00:55:12,360 --> 00:55:14,560
Speaker 1: none of them can handle brief Well, like that was

969
00:55:14,600 --> 00:55:16,319
Speaker 1: like part of it, and you get a taste of

970
00:55:16,360 --> 00:55:18,680
Speaker 1: like what Samantha would be like which is exactly like that,

971
00:55:18,800 --> 00:55:21,600
Speaker 1: like useless, like not helpful at all, but also like

972
00:55:21,640 --> 00:55:24,319
Speaker 1: helpful in her own way, you know, and it's she

973
00:55:24,480 --> 00:55:26,480
Speaker 1: is missing, And I think that's why they like subed

974
00:55:26,520 --> 00:55:28,759
Speaker 1: Ince Stanford. They're like this has to be like the

975
00:55:28,760 --> 00:55:31,719
Speaker 1: Samantha character because like in this new version he's like

976
00:55:31,840 --> 00:55:33,800
Speaker 1: very mean, which I love, Like I absolutely love that

977
00:55:33,840 --> 00:55:36,799
Speaker 1: he's an asshole, but like it is definitely picking up

978
00:55:36,840 --> 00:55:39,520
Speaker 1: the slack for no Samantha. Yeah, so sad. There is

979
00:55:39,560 --> 00:55:42,640
Speaker 1: something about the game, like Mario Cantone and r I P.

980
00:55:43,280 --> 00:55:47,600
Speaker 1: Willie Carson, where their characters in the original were so

981
00:55:48,600 --> 00:55:51,239
Speaker 1: like I don't even want to say offensive, but like

982
00:55:51,400 --> 00:55:56,000
Speaker 1: so kind of cart cartoonist. What am I trying to say,

983
00:55:56,160 --> 00:55:59,239
Speaker 1: Like just so deeply, like they affected how I thought

984
00:55:59,239 --> 00:56:02,120
Speaker 1: of gay men and such a it's such an intense way,

985
00:56:02,520 --> 00:56:05,960
Speaker 1: and then of course the back you know then reconsidering

986
00:56:06,000 --> 00:56:08,400
Speaker 1: that as like someone in my early twenties whatever. Like

987
00:56:08,520 --> 00:56:11,399
Speaker 1: there's there's such loaded characters that I can't even deal

988
00:56:11,440 --> 00:56:13,440
Speaker 1: with them trying to make them like more complex, like

989
00:56:13,480 --> 00:56:15,520
Speaker 1: it is I have done too much internal work to

990
00:56:15,600 --> 00:56:19,399
Speaker 1: now to deal with them like being fully fledged three

991
00:56:19,400 --> 00:56:22,520
Speaker 1: dimensional characters and being married and that's why it's so

992
00:56:23,440 --> 00:56:26,000
Speaker 1: that's why a reboot is so annoying because it's like

993
00:56:26,480 --> 00:56:29,360
Speaker 1: we all agreed that that was like an offensive moment

994
00:56:29,440 --> 00:56:31,319
Speaker 1: and like we need to move. That was like not

995
00:56:31,400 --> 00:56:34,279
Speaker 1: a great vibe. But then like the writers who are

996
00:56:34,280 --> 00:56:36,840
Speaker 1: writing this are like, no, we're gonna like redeem and

997
00:56:36,880 --> 00:56:39,759
Speaker 1: then you it like fox everything up and you're just

998
00:56:39,800 --> 00:56:42,640
Speaker 1: like let it. Let's like bring in a new person

999
00:56:42,760 --> 00:56:46,080
Speaker 1: or something like that. We don't need to redeem these people. Yeah,

1000
00:56:46,080 --> 00:56:48,480
Speaker 1: there's no way to do the reboot without engaging with

1001
00:56:48,560 --> 00:56:52,759
Speaker 1: like the meta textual elements as people say. You know,

1002
00:56:52,840 --> 00:56:54,640
Speaker 1: it's like and someone was saying this about like the

1003
00:56:55,080 --> 00:56:58,440
Speaker 1: new Matrix, they were like, oh, like, Lana Waikowski is

1004
00:56:58,480 --> 00:57:01,239
Speaker 1: definitely going to address the fact that the term red

1005
00:57:01,280 --> 00:57:03,560
Speaker 1: pilled has now changed me. Like it's going to be

1006
00:57:03,600 --> 00:57:06,440
Speaker 1: something about how like people people in the all right

1007
00:57:06,480 --> 00:57:09,000
Speaker 1: don't understand what the red pill, which I think it's

1008
00:57:09,040 --> 00:57:11,120
Speaker 1: like I understand, and if I were her, I would

1009
00:57:11,120 --> 00:57:13,120
Speaker 1: want to do that too, But like then it takes

1010
00:57:13,120 --> 00:57:15,000
Speaker 1: you out of it because suddenly it's about like the

1011
00:57:15,040 --> 00:57:17,480
Speaker 1: cultural narrative of the Matrix or a second city and

1012
00:57:17,520 --> 00:57:21,640
Speaker 1: not like the story itself. Sometimes I think the like

1013
00:57:22,360 --> 00:57:24,560
Speaker 1: all the cringe e moments they're giving us in the

1014
00:57:24,600 --> 00:57:28,520
Speaker 1: first two episodes are like almost a bone, like give

1015
00:57:28,600 --> 00:57:31,480
Speaker 1: us something to like hate on, so that like we

1016
00:57:32,360 --> 00:57:34,200
Speaker 1: like feel smart because they know that we're going to

1017
00:57:34,280 --> 00:57:36,400
Speaker 1: hate on something. So it's like just hate on the

1018
00:57:36,440 --> 00:57:39,360
Speaker 1: stuff that sucks and then like the other stuff. I mean,

1019
00:57:39,360 --> 00:57:43,200
Speaker 1: it is a bold move to begin with like such

1020
00:57:43,240 --> 00:57:46,959
Speaker 1: a sad storyline, ye like not just to kill off someone,

1021
00:57:47,000 --> 00:57:49,920
Speaker 1: but then not even almost. I mean, okay, I'll say this,

1022
00:57:50,120 --> 00:57:54,120
Speaker 1: like there is a world in which, for instance, Big,

1023
00:57:54,880 --> 00:57:57,160
Speaker 1: like they made it into a joke, Big died while

1024
00:57:57,200 --> 00:57:59,680
Speaker 1: he was masturbating or something like the old Sex and

1025
00:57:59,720 --> 00:58:01,760
Speaker 1: the city would do something like that. And then it's

1026
00:58:01,800 --> 00:58:04,920
Speaker 1: like right, like it would open with like, oh, so

1027
00:58:04,960 --> 00:58:07,840
Speaker 1: sad that Big already had died. He has been dead

1028
00:58:07,960 --> 00:58:12,640
Speaker 1: for a while now, like he died in a freak

1029
00:58:13,840 --> 00:58:17,080
Speaker 1: or something and he cheated and we need him, like

1030
00:58:17,120 --> 00:58:19,040
Speaker 1: it would have given us a better Now we have

1031
00:58:19,160 --> 00:58:23,120
Speaker 1: like a depressed grieving widow carry and we're supposed to

1032
00:58:23,160 --> 00:58:26,480
Speaker 1: be like get back into it, carry like funk a senator,

1033
00:58:26,520 --> 00:58:30,160
Speaker 1: you know, or whatever she's going to do. She's gonna

1034
00:58:30,200 --> 00:58:35,400
Speaker 1: suck a senator. That would be huge, but that's you're right,

1035
00:58:35,480 --> 00:58:39,640
Speaker 1: like would have made it as dramatic. And we now

1036
00:58:39,680 --> 00:58:43,920
Speaker 1: we love like our peak TV. We're like prestige. Carry's

1037
00:58:43,920 --> 00:58:46,440
Speaker 1: got a sob in a shower over like a dead

1038
00:58:46,600 --> 00:58:50,080
Speaker 1: big like that is like that's TV's fault. That's our

1039
00:58:50,600 --> 00:58:54,120
Speaker 1: error's fault, not their fault, I think. But I think

1040
00:58:54,120 --> 00:58:56,280
Speaker 1: what the old one did well is like it really

1041
00:58:56,520 --> 00:58:59,520
Speaker 1: was a comedy first, like it was people and they

1042
00:58:59,520 --> 00:59:01,760
Speaker 1: would like do things kind of like for the joke,

1043
00:59:01,880 --> 00:59:04,440
Speaker 1: so to speak. And then that actually made the moments

1044
00:59:04,440 --> 00:59:08,920
Speaker 1: that were more um dramatic, hit more because it was

1045
00:59:08,960 --> 00:59:11,880
Speaker 1: so rare like or when they would have like I

1046
00:59:11,880 --> 00:59:13,560
Speaker 1: don't know. There were a few storylines that I felt

1047
00:59:13,600 --> 00:59:15,600
Speaker 1: were like well done. For instance, when Carrie asked to

1048
00:59:15,600 --> 00:59:17,920
Speaker 1: borrow money from Charlotte, I was like, this is like

1049
00:59:18,320 --> 00:59:21,240
Speaker 1: a real adult problem that I could imagine, like real

1050
00:59:21,320 --> 00:59:24,720
Speaker 1: New York City adults having to navigate and you could

1051
00:59:24,760 --> 00:59:28,360
Speaker 1: see both of their sides and and and like and

1052
00:59:28,480 --> 00:59:31,400
Speaker 1: that felt you know, when when you're so used to

1053
00:59:31,400 --> 00:59:34,200
Speaker 1: like Samantha being like you know I did that this morning,

1054
00:59:34,320 --> 00:59:37,200
Speaker 1: Like then you know it's like it gives you something

1055
00:59:37,240 --> 00:59:42,240
Speaker 1: to chew on. Yeah, but the show the show was about,

1056
00:59:42,320 --> 00:59:44,520
Speaker 1: the show is really I mean honestly, the show is

1057
00:59:44,560 --> 00:59:48,439
Speaker 1: like first and foremost about like friendship, and therefore, like,

1058
00:59:48,760 --> 00:59:51,400
Speaker 1: what's maybe the coolest thing about the reboot is that

1059
00:59:51,480 --> 00:59:54,560
Speaker 1: they lose they lose the closest one of their closest friends,

1060
00:59:54,680 --> 00:59:58,520
Speaker 1: and like that's ship that happens and you don't even

1061
00:59:58,520 --> 01:00:01,240
Speaker 1: see it coming, and then when it happens, you're like, wow,

1062
01:00:01,280 --> 01:00:03,400
Speaker 1: I can't believe I was so close with that person

1063
01:00:03,440 --> 01:00:06,600
Speaker 1: that I'm no longer close with what a weird vibe,

1064
01:00:06,720 --> 01:00:10,320
Speaker 1: what an adult feeling? And it happens to everyone, and

1065
01:00:10,400 --> 01:00:12,520
Speaker 1: maybe they should like just dig into that, like digging

1066
01:00:12,520 --> 01:00:14,240
Speaker 1: into that. I mean, I know that they don't really

1067
01:00:14,240 --> 01:00:16,400
Speaker 1: want to touch that anymore because they don't want to

1068
01:00:16,400 --> 01:00:19,400
Speaker 1: deal with her anymore, but like that's the most interesting

1069
01:00:19,400 --> 01:00:21,880
Speaker 1: thing that happened in the first two episodes was like

1070
01:00:21,920 --> 01:00:24,760
Speaker 1: whoa like the lady being like, where's your other one?

1071
01:00:24,760 --> 01:00:26,600
Speaker 1: Did she die? And then being like she moved to

1072
01:00:26,640 --> 01:00:28,800
Speaker 1: London and it's like that she was like what you know,

1073
01:00:28,960 --> 01:00:34,360
Speaker 1: really like what happened? That was really funny? Actually, it

1074
01:00:34,400 --> 01:00:36,120
Speaker 1: was like I just assumed that everyone. If I don't

1075
01:00:36,120 --> 01:00:40,040
Speaker 1: see them, they're dead. I was like, that is that's amazing,

1076
01:00:40,840 --> 01:00:43,040
Speaker 1: mits Von, I think that was what's her? I think

1077
01:00:43,040 --> 01:00:45,880
Speaker 1: that was her? I forget one of the d characters

1078
01:00:45,880 --> 01:00:48,200
Speaker 1: in that show was like she dead, the one who

1079
01:00:48,200 --> 01:00:54,720
Speaker 1: married Nathan Lane, right, and he died of COVID. I think, oh,

1080
01:00:54,760 --> 01:00:58,760
Speaker 1: you're right. If we're talking about the reboot, which we

1081
01:00:58,800 --> 01:01:01,680
Speaker 1: cannot help ourselves in it, we it's just too interesting

1082
01:01:01,680 --> 01:01:05,520
Speaker 1: to not talk about it. I thought it was so tasteful.

1083
01:01:06,160 --> 01:01:10,160
Speaker 1: The way they don't with COVID is that weird? You did? Wow?

1084
01:01:10,200 --> 01:01:14,160
Speaker 1: Are you mad at me? Oh? Didn't? No? No No, no,

1085
01:01:14,160 --> 01:01:17,760
Speaker 1: no, no no no, please say more. Well. I just felt

1086
01:01:17,440 --> 01:01:21,200
Speaker 1: like most shows are ignoring it, or if they're dealing

1087
01:01:21,280 --> 01:01:23,680
Speaker 1: with it, it's in like an annoying way. And they

1088
01:01:23,760 --> 01:01:25,040
Speaker 1: were kind of dealing with it in a way where

1089
01:01:25,040 --> 01:01:27,160
Speaker 1: I'm like, yeah, like they're kind of dealing with it

1090
01:01:27,200 --> 01:01:30,600
Speaker 1: in a post COVID way, which is not inherently true,

1091
01:01:30,680 --> 01:01:33,840
Speaker 1: but like it makes sense a little bit where it's like, yeah,

1092
01:01:33,960 --> 01:01:36,800
Speaker 1: that was like a weird two years and that they're

1093
01:01:36,880 --> 01:01:39,120
Speaker 1: kind of dealing with it like that in a way

1094
01:01:39,160 --> 01:01:41,720
Speaker 1: that I'm like, yeah, that's kind of right. I think

1095
01:01:43,480 --> 01:01:46,920
Speaker 1: that's active they're having, like we were we sound like

1096
01:01:47,000 --> 01:01:48,600
Speaker 1: that or we will sound like that. Oh my god,

1097
01:01:48,600 --> 01:01:50,960
Speaker 1: I hope we do. But that is accurate. You're right.

1098
01:01:51,280 --> 01:01:54,320
Speaker 1: It is weird though, because it's like I keep thinking

1099
01:01:54,640 --> 01:01:56,640
Speaker 1: that the way that they're dealing with COVID is the

1100
01:01:56,680 --> 01:01:58,760
Speaker 1: way that people who don't need to deal with COVID

1101
01:01:58,760 --> 01:02:02,480
Speaker 1: are dealing with COVID, Like are clearly so like over it.

1102
01:02:02,560 --> 01:02:05,360
Speaker 1: Also because they don't have to deal with it, because

1103
01:02:05,360 --> 01:02:07,720
Speaker 1: they're in a place where they're like not having you

1104
01:02:07,720 --> 01:02:09,360
Speaker 1: know what I mean, they can just go back to brunch,

1105
01:02:09,680 --> 01:02:12,320
Speaker 1: which like you catch yourself feeling like that, you know,

1106
01:02:12,400 --> 01:02:15,439
Speaker 1: because you have to. And that's the most realistic thing

1107
01:02:15,640 --> 01:02:17,480
Speaker 1: is that they wouldn't have to deal with it. Yeah,

1108
01:02:17,960 --> 01:02:19,320
Speaker 1: it is weird to talk about it and not have

1109
01:02:19,400 --> 01:02:21,560
Speaker 1: like a single mask, Like it's like, well you would

1110
01:02:21,560 --> 01:02:23,240
Speaker 1: have a mask that you bring time kind of an

1111
01:02:23,240 --> 01:02:27,800
Speaker 1: imagining that it just takes place and like like you know,

1112
01:02:28,400 --> 01:02:31,080
Speaker 1: like it's just as like, okay, it takes place when

1113
01:02:31,120 --> 01:02:33,240
Speaker 1: we no longer wear masks or whatever. I don't know

1114
01:02:33,280 --> 01:02:37,560
Speaker 1: when that would be right, because you know, it's not

1115
01:02:37,760 --> 01:02:40,240
Speaker 1: now because if they went to the recital they'd be

1116
01:02:40,280 --> 01:02:43,080
Speaker 1: wearing like everybody would be wearing masks. Even if they

1117
01:02:43,160 --> 01:02:45,080
Speaker 1: weren't wearing masks, well, that would be even weirder. If

1118
01:02:45,120 --> 01:02:46,959
Speaker 1: they were it' and then everybody else was, that would

1119
01:02:46,960 --> 01:02:48,880
Speaker 1: be a problem. It also just makes you miss Samantha

1120
01:02:48,880 --> 01:02:51,720
Speaker 1: Morgause you're like Samantha would have like some crazy take

1121
01:02:51,760 --> 01:02:55,680
Speaker 1: on COVID. She would use the mask because like in sexs,

1122
01:02:56,080 --> 01:02:59,120
Speaker 1: Like my god, she would say like why I don't

1123
01:02:59,160 --> 01:03:02,000
Speaker 1: need to wear a mask. I've caught every st either

1124
01:03:02,280 --> 01:03:04,240
Speaker 1: is like I don't know what's this thing gonna do

1125
01:03:04,360 --> 01:03:07,640
Speaker 1: to me? Like she ridiculous. I also think like Samantha

1126
01:03:07,680 --> 01:03:11,120
Speaker 1: would like get canceled for partying during the pandemic, Like

1127
01:03:15,080 --> 01:03:18,320
Speaker 1: Samanth that like caught in dimes square like at some

1128
01:03:18,440 --> 01:03:22,560
Speaker 1: underground party. Oh my god, I miss her. She would

1129
01:03:22,560 --> 01:03:25,800
Speaker 1: show her vaccine card and then show like her STI

1130
01:03:25,920 --> 01:03:30,960
Speaker 1: test results being negative, like Samantha would have a fake

1131
01:03:31,720 --> 01:03:35,960
Speaker 1: would be like with a person administering the vaccine. Oh yeah,

1132
01:03:36,360 --> 01:03:38,120
Speaker 1: she would definitely have sex with and she'd be like,

1133
01:03:38,200 --> 01:03:42,000
Speaker 1: oh yeah, I have the shot. I got a double injection.

1134
01:03:44,600 --> 01:03:48,760
Speaker 1: He boosted me all night. Oh my god, we need this,

1135
01:03:49,440 --> 01:03:54,080
Speaker 1: I know. I mean I said, yeah, it's you feel

1136
01:03:54,120 --> 01:03:56,600
Speaker 1: that there. I don't know, I feel the sadness of

1137
01:03:56,600 --> 01:03:59,360
Speaker 1: her missing in a way that's kind of nice. Like

1138
01:03:59,640 --> 01:04:02,720
Speaker 1: when the note came that was just like love Samantha

1139
01:04:03,200 --> 01:04:07,920
Speaker 1: tears dying. I can't help it down my cheeks actual

1140
01:04:07,960 --> 01:04:12,320
Speaker 1: tears actually true, but not breath myself. She set the flowers.

1141
01:04:12,560 --> 01:04:15,400
Speaker 1: They look good, they look beautiful. Why was their funeral?

1142
01:04:15,640 --> 01:04:19,280
Speaker 1: Why was the funeral at like some freaking copa? What

1143
01:04:19,320 --> 01:04:21,120
Speaker 1: was that? What? Where were we? What was again? The

1144
01:04:21,120 --> 01:04:24,120
Speaker 1: funeral felt first movie to me, Like it felt like

1145
01:04:24,120 --> 01:04:27,160
Speaker 1: a scene out of the First Oh my god, I

1146
01:04:27,160 --> 01:04:30,120
Speaker 1: can't believe she had big funeral at like like I

1147
01:04:30,240 --> 01:04:34,880
Speaker 1: kia show room, like emptied, like what was that? What? What? Like? Why?

1148
01:04:34,160 --> 01:04:37,000
Speaker 1: I couldn't And then she was like they were there

1149
01:04:37,080 --> 01:04:39,560
Speaker 1: was like an attempt at like old sex city humor

1150
01:04:39,600 --> 01:04:41,720
Speaker 1: when she was like, thank God for these lesbians, and

1151
01:04:41,720 --> 01:04:46,160
Speaker 1: it's like, okay, well almost you know, the funeral was

1152
01:04:46,160 --> 01:04:49,240
Speaker 1: planned by two lesbians and that's why there were folding

1153
01:04:49,320 --> 01:04:52,760
Speaker 1: chairs in a big white room, everyone being like it's

1154
01:04:52,800 --> 01:04:56,240
Speaker 1: so tasteful. I thought it was really funny. It was like, well,

1155
01:04:56,240 --> 01:04:59,720
Speaker 1: it's nothing. It's the absence of any choice. Okay, so

1156
01:04:59,800 --> 01:05:02,760
Speaker 1: it's a white thing. It was literally it was literally

1157
01:05:02,760 --> 01:05:04,880
Speaker 1: like in Willy Wonka where they go into like the

1158
01:05:04,920 --> 01:05:08,040
Speaker 1: Mike TV area where like a little kid gets zapped

1159
01:05:08,040 --> 01:05:10,280
Speaker 1: in and it's like that. It was like it was

1160
01:05:10,440 --> 01:05:14,840
Speaker 1: honestly insane looking. I just could not believe it. Again,

1161
01:05:15,600 --> 01:05:20,840
Speaker 1: interactive theater piece right there is like that funeral how

1162
01:05:20,880 --> 01:05:26,080
Speaker 1: they had their friends coffee shop. They should definitely that, Like, yeah,

1163
01:05:26,160 --> 01:05:28,960
Speaker 1: that would be so funny. I would absolutely big funeral

1164
01:05:29,600 --> 01:05:31,480
Speaker 1: and you can take it selfie with the coffin with

1165
01:05:31,520 --> 01:05:37,520
Speaker 1: the Samantha Flowers, Samantha Flowers. That's really good. This is

1166
01:05:37,560 --> 01:05:40,439
Speaker 1: all great. I mean we need to we need to

1167
01:05:40,480 --> 01:05:43,600
Speaker 1: start on these projects. All three of us would be

1168
01:05:43,680 --> 01:05:46,920
Speaker 1: great additions. So that right, I'll say it. I have

1169
01:05:47,000 --> 01:05:50,800
Speaker 1: to agree. I think, really, I don't understand why we're

1170
01:05:50,840 --> 01:05:53,440
Speaker 1: not there. I have so many good ideas. A genuine,

1171
01:05:53,440 --> 01:05:56,400
Speaker 1: genuine dream is to like be two lines on a

1172
01:05:56,440 --> 01:05:58,959
Speaker 1: sexon City thing, like the fact that there's a sexon

1173
01:05:59,000 --> 01:06:02,600
Speaker 1: City reboot, like please let me be you know, the

1174
01:06:02,600 --> 01:06:05,200
Speaker 1: host of the comedy show, could you know what I mean?

1175
01:06:05,360 --> 01:06:09,120
Speaker 1: You like already, aren't you already? Like in the conversations

1176
01:06:09,160 --> 01:06:11,360
Speaker 1: for these types of roles like I could see you,

1177
01:06:11,960 --> 01:06:14,080
Speaker 1: I would not be surprised that you just showed up

1178
01:06:14,120 --> 01:06:16,760
Speaker 1: as some sort of like comedy friend of Chase at

1179
01:06:16,800 --> 01:06:19,520
Speaker 1: the bar, Hey want to drink like that? How are

1180
01:06:19,520 --> 01:06:21,840
Speaker 1: you not even? Why are you not involved in this?

1181
01:06:21,920 --> 01:06:24,920
Speaker 1: And here's I'm hoping you know it's I feel so

1182
01:06:24,960 --> 01:06:27,040
Speaker 1: honored for you to even say that I could potentially

1183
01:06:27,040 --> 01:06:29,520
Speaker 1: be a part of such conversations. And I really hope

1184
01:06:29,560 --> 01:06:32,640
Speaker 1: that is. I hope there's a meeting happening tomorrow at

1185
01:06:32,640 --> 01:06:37,160
Speaker 1: eleven am. Where are you kidding? Producer is googling like

1186
01:06:37,960 --> 01:06:41,120
Speaker 1: gay act, gay comedian New York and your name is

1187
01:06:41,160 --> 01:06:44,400
Speaker 1: like at least in the top five or ten. And

1188
01:06:44,880 --> 01:06:50,480
Speaker 1: I don't understand you weren't called in for that for sure. Okay,

1189
01:06:51,440 --> 01:06:53,160
Speaker 1: I'm sorry. I keep trying to bring us back. We

1190
01:06:53,200 --> 01:06:56,320
Speaker 1: do need to, I guess reps. Yeah, I feel like

1191
01:06:56,360 --> 01:06:58,720
Speaker 1: I want to do like one last question or something

1192
01:06:58,760 --> 01:07:01,280
Speaker 1: about the original, like, because I want to give people

1193
01:07:01,760 --> 01:07:04,200
Speaker 1: something about the original. What do you think, Sam? I

1194
01:07:04,760 --> 01:07:06,840
Speaker 1: guess we also don't have to. I mean, we've given

1195
01:07:06,880 --> 01:07:09,760
Speaker 1: them a lot about it, and just like that, I think,

1196
01:07:10,120 --> 01:07:12,080
Speaker 1: I mean, there's a lot to talking about about the original,

1197
01:07:12,160 --> 01:07:16,000
Speaker 1: but it's hard because the context has changed. Well now

1198
01:07:16,040 --> 01:07:20,440
Speaker 1: it's now it's like, it's just weird to have watched

1199
01:07:20,520 --> 01:07:23,760
Speaker 1: the original as like I watched the original when I

1200
01:07:23,800 --> 01:07:26,400
Speaker 1: was not the right age, right like, if any and

1201
01:07:26,440 --> 01:07:28,680
Speaker 1: if anything, it's made it more dangerous because it seeped

1202
01:07:28,720 --> 01:07:31,920
Speaker 1: into my subconscious and made me more of a straight person.

1203
01:07:32,080 --> 01:07:36,600
Speaker 1: But what is great about this one is that I'm

1204
01:07:36,680 --> 01:07:38,360
Speaker 1: closer to the right age that I should have been

1205
01:07:38,400 --> 01:07:41,880
Speaker 1: when I was watching the original, maybe to have a

1206
01:07:41,880 --> 01:07:45,360
Speaker 1: actually good nuanced perspective on what these women are doing

1207
01:07:45,400 --> 01:07:47,480
Speaker 1: in the city that I live in, living lives that

1208
01:07:47,520 --> 01:07:50,840
Speaker 1: are like weirdly adjacent to mine, not adjacent, but you

1209
01:07:50,840 --> 01:07:53,320
Speaker 1: know what I mean, Like that could be magically adjacent

1210
01:07:53,360 --> 01:07:55,960
Speaker 1: to mine. And that is weird because now I'm like,

1211
01:07:57,080 --> 01:07:59,320
Speaker 1: I'm too young now, and I was too young then,

1212
01:07:59,400 --> 01:08:01,920
Speaker 1: I'm never going to be the right age to consume

1213
01:08:01,960 --> 01:08:10,400
Speaker 1: this responsibly. Responsibly, Yeah, it's yeah, I don't know to

1214
01:08:10,480 --> 01:08:14,480
Speaker 1: get into like, yeah, this is it's too it's too deep,

1215
01:08:14,880 --> 01:08:17,080
Speaker 1: like to get into our relationships with sex and the

1216
01:08:17,120 --> 01:08:21,160
Speaker 1: city right now. It's like that's that's a whole extra episode.

1217
01:08:22,560 --> 01:08:25,759
Speaker 1: We've discussed that many other times on the pot Yeah,

1218
01:08:25,880 --> 01:08:28,559
Speaker 1: I'm sure, I think ultimately though, like we have to

1219
01:08:28,600 --> 01:08:33,400
Speaker 1: agree that Sex and City is straight cultural. It's straight culture,

1220
01:08:33,560 --> 01:08:39,200
Speaker 1: but it's straight female culture that like felt new and

1221
01:08:39,240 --> 01:08:42,160
Speaker 1: like is it is insanely straight. But I think maybe

1222
01:08:42,160 --> 01:08:44,639
Speaker 1: that's why gay men like it. It's because like finally

1223
01:08:44,640 --> 01:08:48,280
Speaker 1: we can sexualize men. Yes, it comes back around, it

1224
01:08:48,360 --> 01:08:52,040
Speaker 1: comes back around. Well, it's about straight womanhood. Like it's

1225
01:08:52,080 --> 01:08:54,920
Speaker 1: like about like what it means to be a woman,

1226
01:08:57,800 --> 01:09:00,960
Speaker 1: which is like what gay men want. Right, Okay, that's

1227
01:09:01,040 --> 01:09:05,880
Speaker 1: fascinating right, Like that, it's like I think about all

1228
01:09:05,920 --> 01:09:09,080
Speaker 1: like the drag queens that are doing versions of these women,

1229
01:09:09,200 --> 01:09:12,120
Speaker 1: and it's almost like this is like a version of

1230
01:09:12,720 --> 01:09:16,679
Speaker 1: epitome of womanhood in some way or like these women

1231
01:09:16,960 --> 01:09:21,240
Speaker 1: especially because they're archetypes of different types of like very

1232
01:09:21,320 --> 01:09:25,400
Speaker 1: specific personalities of women like business woman like you know,

1233
01:09:26,680 --> 01:09:28,920
Speaker 1: I don't know what the other is, like crude war

1234
01:09:29,240 --> 01:09:33,800
Speaker 1: or whatever, like virgin woman or you know, and then

1235
01:09:33,840 --> 01:09:41,479
Speaker 1: like business horror virgin and main character and writer, main character. Right,

1236
01:09:41,560 --> 01:09:45,040
Speaker 1: and like that's fascinating, right, Like that's so interesting to

1237
01:09:45,120 --> 01:09:49,559
Speaker 1: me in a way. Um, should we do our final set?

1238
01:09:49,600 --> 01:09:51,000
Speaker 1: I think we should do our finals, Like oh, my

1239
01:09:51,080 --> 01:09:55,240
Speaker 1: god insane to even suggest. Yeah. So our final segment

1240
01:09:55,400 --> 01:09:57,880
Speaker 1: is called Shoutouts, and in it we pay homage to

1241
01:09:58,360 --> 01:10:01,400
Speaker 1: a classic street tradition, giving a shout out to anything

1242
01:10:01,400 --> 01:10:04,760
Speaker 1: we enjoy. Imagine it's two thousand one. You're in Times

1243
01:10:04,760 --> 01:10:07,000
Speaker 1: Square at TRL shouting out to squad back home, but

1244
01:10:07,080 --> 01:10:12,200
Speaker 1: about anything you can think of? Um, George, do you

1245
01:10:12,240 --> 01:10:16,479
Speaker 1: have one? Sure? I can, I'll go. Okay, what's uh,

1246
01:10:16,920 --> 01:10:19,720
Speaker 1: bores and business women. I want to give a quick

1247
01:10:19,760 --> 01:10:25,839
Speaker 1: shout out to Christmas markets. That's right outdoor Christmas markets.

1248
01:10:25,880 --> 01:10:28,960
Speaker 1: I'm talking the Union Square Christmas Market. I'm talking about

1249
01:10:29,120 --> 01:10:32,360
Speaker 1: other ones potentially in your hometowns or cities you might

1250
01:10:32,400 --> 01:10:35,120
Speaker 1: live in as listeners, all across this great nation in world.

1251
01:10:35,920 --> 01:10:38,519
Speaker 1: The other day I had some time to kill before

1252
01:10:38,520 --> 01:10:42,160
Speaker 1: a showing of Paul Thomas Anderson's Liquorice Pizza and I,

1253
01:10:42,000 --> 01:10:43,880
Speaker 1: and I said, I'm going to go into the Union

1254
01:10:43,920 --> 01:10:46,559
Speaker 1: Square Christmas Market and really see what's I've been here,

1255
01:10:46,880 --> 01:10:48,479
Speaker 1: And let me tell you something. I was like a

1256
01:10:48,560 --> 01:10:51,679
Speaker 1: kidmake candy store. I got so in the Christmas spirit.

1257
01:10:52,040 --> 01:10:55,559
Speaker 1: I bought two separate mediocre food items and I almost

1258
01:10:55,600 --> 01:11:00,799
Speaker 1: bought this, Like everything there was not something I would purchase,

1259
01:11:00,880 --> 01:11:03,400
Speaker 1: but I was so happy to be in its vicinity.

1260
01:11:03,520 --> 01:11:06,479
Speaker 1: I'm talking pieces of wood that are etched in different phrases.

1261
01:11:06,520 --> 01:11:10,200
Speaker 1: I'm talking about novelty prints where Disney princesses are giving

1262
01:11:10,200 --> 01:11:16,000
Speaker 1: the middle finger. I'm talking about personalized key chains, mugs, plates,

1263
01:11:16,040 --> 01:11:19,240
Speaker 1: all kinds of kitchen items. Really, and all of these

1264
01:11:19,280 --> 01:11:21,479
Speaker 1: things put me in such a great mood and so

1265
01:11:21,600 --> 01:11:23,800
Speaker 1: in the Christmas spirit, and I thought, you know what,

1266
01:11:23,920 --> 01:11:26,760
Speaker 1: I am so happy that we can, finally, after this

1267
01:11:26,880 --> 01:11:31,360
Speaker 1: punishing pandemic, which is of course over, really get together

1268
01:11:31,400 --> 01:11:34,519
Speaker 1: as one and celebrate the birth of Christ. And that's

1269
01:11:34,520 --> 01:11:39,280
Speaker 1: all I would say about that. Um, that's beautiful, and

1270
01:11:39,439 --> 01:11:45,400
Speaker 1: I think inspires me UM to maybe be a little trite.

1271
01:11:46,040 --> 01:11:49,519
Speaker 1: What's up, listeners, UM, I just want to give a huge,

1272
01:11:49,800 --> 01:11:54,240
Speaker 1: big old shout out to um. The Charlie Brown Christmas Soundtrack.

1273
01:11:54,760 --> 01:12:01,280
Speaker 1: This fucking album changed my life. I can put the

1274
01:12:01,360 --> 01:12:06,240
Speaker 1: Charlie Brown Christmas Album on and just uh get completely

1275
01:12:06,240 --> 01:12:10,360
Speaker 1: into the holiday spirit. I feel classy, I feel wistful,

1276
01:12:10,560 --> 01:12:14,680
Speaker 1: I feel joy, I get every single emotion. Oh and

1277
01:12:14,720 --> 01:12:17,920
Speaker 1: I even want to dance a little because, oh that

1278
01:12:17,920 --> 01:12:21,880
Speaker 1: that boppy little jazz does speak to me. It's the

1279
01:12:21,920 --> 01:12:24,960
Speaker 1: best album. It's the only Christmas music that um I

1280
01:12:25,040 --> 01:12:30,160
Speaker 1: don't get annoyed by, and it works in every single occasion, driving, partying,

1281
01:12:30,280 --> 01:12:33,679
Speaker 1: thinking you can put on the Charlie Brown Christmas soundtrack

1282
01:12:33,760 --> 01:12:42,519
Speaker 1: and just live your beautiful life. XO XO Sam. Wow,

1283
01:12:42,560 --> 01:12:44,479
Speaker 1: you know this is going to be I'm realizing I'm

1284
01:12:44,479 --> 01:12:46,240
Speaker 1: trying to do the math in my head. I think

1285
01:12:46,280 --> 01:12:49,920
Speaker 1: this will be like our Christmas episode, like the Wanted before.

1286
01:12:50,880 --> 01:12:55,559
Speaker 1: Oh wow, I love that. That's so funny, perfect, Lindsay

1287
01:12:55,600 --> 01:12:59,559
Speaker 1: take it away. Okay, I have a sex city themed one.

1288
01:13:00,080 --> 01:13:06,679
Speaker 1: Fat Okay, Hey, you disgusting New Yorkers. Have you heard

1289
01:13:06,720 --> 01:13:10,000
Speaker 1: of pick up and drop off laundry service? Let me

1290
01:13:10,040 --> 01:13:12,200
Speaker 1: tell you this is the best thing about living in

1291
01:13:12,200 --> 01:13:14,960
Speaker 1: New York. You can have somebody come get your dirty,

1292
01:13:15,040 --> 01:13:18,479
Speaker 1: disgusting laundry, clean it for you, fold it, and then

1293
01:13:18,520 --> 01:13:20,600
Speaker 1: return it to you the next day. I don't know

1294
01:13:20,640 --> 01:13:24,120
Speaker 1: where else you can have that happen. That is truly iconic. Literally,

1295
01:13:24,120 --> 01:13:25,800
Speaker 1: when I moved to l A, I realized they didn't

1296
01:13:25,840 --> 01:13:27,800
Speaker 1: have that there or I couldn't find it, and I said,

1297
01:13:27,880 --> 01:13:30,759
Speaker 1: I'm moving back, and I can't live in this city

1298
01:13:30,760 --> 01:13:33,759
Speaker 1: without this service. And let me tell you, when they

1299
01:13:33,800 --> 01:13:36,160
Speaker 1: give it back to you, it's wrapped in plastic. It's beautiful,

1300
01:13:36,240 --> 01:13:38,679
Speaker 1: it's clean. You don't have to do it yourself. Wow,

1301
01:13:38,720 --> 01:13:40,720
Speaker 1: the best city in the world, Big apple, baby, Take

1302
01:13:40,720 --> 01:13:43,800
Speaker 1: a bite. Take a bite. Take a bite. You know

1303
01:13:43,840 --> 01:13:49,120
Speaker 1: I've never done that. What, Oh my god, say I

1304
01:13:49,160 --> 01:13:51,320
Speaker 1: forgot to be cool this. It's not even that expensive,

1305
01:13:51,840 --> 01:13:54,559
Speaker 1: just the drop off. I've never done anything that isn't

1306
01:13:54,640 --> 01:13:56,800
Speaker 1: me personally doing my own laundry. Oh my god. You

1307
01:13:56,880 --> 01:14:01,559
Speaker 1: have to treat yourself, love your It's not expensive. It's

1308
01:14:01,600 --> 01:14:05,280
Speaker 1: really not expensive. It's the greatest luxury. Like it makes

1309
01:14:05,320 --> 01:14:07,720
Speaker 1: life so much better. You have to do it, I know,

1310
01:14:08,240 --> 01:14:11,920
Speaker 1: do you um drop it off or do they come

1311
01:14:12,200 --> 01:14:15,680
Speaker 1: pick it up? No, they come pick it and they

1312
01:14:15,720 --> 01:14:17,880
Speaker 1: bring it back to me. So you drop it off

1313
01:14:17,880 --> 01:14:21,679
Speaker 1: at like a laundry mat and they okay. Yeah. I

1314
01:14:21,760 --> 01:14:23,720
Speaker 1: used to be really against it, and then Misha was

1315
01:14:23,760 --> 01:14:26,160
Speaker 1: always doing it and I was like, fine, I'll try it.

1316
01:14:26,200 --> 01:14:28,840
Speaker 1: And I was like, oh wow, it's amazing. You know

1317
01:14:28,880 --> 01:14:31,360
Speaker 1: how you have those things, You have those things where

1318
01:14:31,360 --> 01:14:34,280
Speaker 1: you're like, I don't know why. It's like things that

1319
01:14:34,360 --> 01:14:37,559
Speaker 1: you think of as like not bougie, but like that.

1320
01:14:37,640 --> 01:14:40,200
Speaker 1: You think of as like something like a spoiled person

1321
01:14:40,240 --> 01:14:42,400
Speaker 1: would do that you liked you, You think that would

1322
01:14:42,400 --> 01:14:45,559
Speaker 1: be expensive beyond your means, And I promise you it

1323
01:14:45,680 --> 01:14:50,200
Speaker 1: is not. It is not unless you're doing laundry constantly fascinating.

1324
01:14:50,240 --> 01:14:52,680
Speaker 1: I mean it truly, like takes so yesterday I did

1325
01:14:52,680 --> 01:14:54,640
Speaker 1: three loads of laundry, unfolded each of them, and it

1326
01:14:54,720 --> 01:14:57,519
Speaker 1: took truly all day. Oh you gotta drop it off.

1327
01:14:58,160 --> 01:15:02,320
Speaker 1: Forget that again. That and the argument is that what

1328
01:15:02,640 --> 01:15:04,960
Speaker 1: girls always say to me is, oh, not all my clothes,

1329
01:15:05,000 --> 01:15:08,120
Speaker 1: they like, don't treat them. Well, okay, then you fucking

1330
01:15:08,160 --> 01:15:12,360
Speaker 1: washed your beautiful clothes yourself and give them your sheets,

1331
01:15:12,360 --> 01:15:16,360
Speaker 1: your towels, your whatever, those things like it's fine, just

1332
01:15:16,600 --> 01:15:19,720
Speaker 1: will save you so much time. Well, you know what,

1333
01:15:19,800 --> 01:15:22,280
Speaker 1: I'm ready, And I hope there's a Sex and City

1334
01:15:22,479 --> 01:15:24,880
Speaker 1: storyline about all of them doing laundry. Oh my god.

1335
01:15:25,160 --> 01:15:28,640
Speaker 1: If I was in the writer's room, ye would be

1336
01:15:28,640 --> 01:15:32,040
Speaker 1: a season long arc. You know, I'd bring it up

1337
01:15:32,439 --> 01:15:34,800
Speaker 1: once again. Samantha would sleep with the guy picking up

1338
01:15:34,840 --> 01:15:37,840
Speaker 1: her laundry, like, who's going to do that? Great? And

1339
01:15:37,920 --> 01:15:40,320
Speaker 1: she would mess up the honestly the best relationship and

1340
01:15:40,360 --> 01:15:42,320
Speaker 1: she'd say, Oh, now, who's gonna do my laundry? I

1341
01:15:42,320 --> 01:15:45,200
Speaker 1: can't give this guy my dirty laundry. You know. Wow,

1342
01:15:45,200 --> 01:15:48,400
Speaker 1: it writes itself exactly. Or she would then give him

1343
01:15:48,400 --> 01:15:50,120
Speaker 1: like her new dirty laundry and it would have like

1344
01:15:50,280 --> 01:15:52,639
Speaker 1: come stains from a different guy, and then that's how

1345
01:15:52,640 --> 01:15:59,920
Speaker 1: he would find out he was cheating on her. Look great,

1346
01:16:00,000 --> 01:16:02,040
Speaker 1: when she comes back to the show, we can enter

1347
01:16:02,080 --> 01:16:04,479
Speaker 1: the writer's room with these ideas. Here's a question, do

1348
01:16:04,520 --> 01:16:05,960
Speaker 1: you sorry? I know we need to go, but do

1349
01:16:06,000 --> 01:16:09,200
Speaker 1: you think like there is literally any chance this will

1350
01:16:09,280 --> 01:16:11,360
Speaker 1: be a huge hit and then Kim Control will want

1351
01:16:11,400 --> 01:16:14,920
Speaker 1: to come back? Okay? Yes, I always said no, but

1352
01:16:15,080 --> 01:16:17,720
Speaker 1: Bobby keeps saying yes, and actually we have a big

1353
01:16:17,720 --> 01:16:19,960
Speaker 1: fight about it. So I am like still like there's

1354
01:16:20,000 --> 01:16:23,000
Speaker 1: no way, because there's the bad blood is so bad.

1355
01:16:23,479 --> 01:16:27,040
Speaker 1: But money, money talks, So maybe I don't know, you

1356
01:16:27,120 --> 01:16:29,960
Speaker 1: say I also think. I think yes. I think they're

1357
01:16:30,080 --> 01:16:33,839
Speaker 1: clearly they could have killed her off and they're clearly

1358
01:16:33,880 --> 01:16:35,960
Speaker 1: not and they're leaving the door open, certainly left the

1359
01:16:35,960 --> 01:16:39,679
Speaker 1: door open intentionally. Yes, yes, And I think I think

1360
01:16:39,720 --> 01:16:42,360
Speaker 1: it's really possible that she comes back. I mean it

1361
01:16:42,400 --> 01:16:46,519
Speaker 1: would be it would be the ultimate switch eru on

1362
01:16:46,680 --> 01:16:49,320
Speaker 1: us as a culture. Can you imagine the scene, like

1363
01:16:49,360 --> 01:16:53,200
Speaker 1: the first scene of season two, her coming back me crying,

1364
01:16:53,240 --> 01:16:56,080
Speaker 1: I wouldn't I will not stop crying. I would lose

1365
01:16:56,120 --> 01:16:59,280
Speaker 1: my ship. It's just so hard because the reason why

1366
01:16:59,320 --> 01:17:03,120
Speaker 1: she's not there so nasty, like, like she really hates

1367
01:17:04,400 --> 01:17:09,639
Speaker 1: everyone is right, and hates her more than a billion

1368
01:17:09,760 --> 01:17:12,000
Speaker 1: billion dollars. That's what's the craziest thing. She hates her

1369
01:17:12,000 --> 01:17:14,720
Speaker 1: more than money, a lot of money. And that's like,

1370
01:17:15,000 --> 01:17:18,360
Speaker 1: you know, that's like true hatred. Right, And everyone loves Sarah,

1371
01:17:18,400 --> 01:17:20,759
Speaker 1: Like on the show, they're all like, thank you our savior,

1372
01:17:20,880 --> 01:17:24,759
Speaker 1: executive producer. And also I love I love Sarah's. Jessica

1373
01:17:24,800 --> 01:17:27,519
Speaker 1: Parker is one of my favorite celebrities ever. She seems

1374
01:17:27,520 --> 01:17:28,920
Speaker 1: like she actually has a kind of good head on

1375
01:17:28,960 --> 01:17:30,960
Speaker 1: her shoulders. You know that when she works at her store,

1376
01:17:31,040 --> 01:17:33,559
Speaker 1: she literally puts she like gets on her knees and

1377
01:17:33,600 --> 01:17:38,400
Speaker 1: puts shoes on. Customers heard that somewhere. Imagine her putting

1378
01:17:38,400 --> 01:17:40,559
Speaker 1: a shoe on. You also like friends with good people

1379
01:17:40,840 --> 01:17:46,280
Speaker 1: like and her Instagram is not cringing. She she also

1380
01:17:46,720 --> 01:17:49,200
Speaker 1: is a big reader, like I feel like she's she

1381
01:17:49,240 --> 01:17:51,519
Speaker 1: knows about books in theater. You can read when a

1382
01:17:51,600 --> 01:17:55,120
Speaker 1: woman can read. Obviously, we love like a New York gal.

1383
01:17:55,280 --> 01:17:58,040
Speaker 1: She's always like talking about New York ship. Wait, Lindsay,

1384
01:17:58,160 --> 01:18:01,160
Speaker 1: I literally this is on a hundred percent serious requests.

1385
01:18:01,320 --> 01:18:04,120
Speaker 1: You and I should go see her and Matthew Roderick

1386
01:18:04,320 --> 01:18:08,080
Speaker 1: doing that in Plaza suite. Okay, So here's the thing.

1387
01:18:08,120 --> 01:18:10,599
Speaker 1: Tickets that are like four hundred dollars. So it's like

1388
01:18:10,840 --> 01:18:13,000
Speaker 1: it's a joke that I'm not sure that we're willing

1389
01:18:13,040 --> 01:18:15,600
Speaker 1: to like go through with, but I think we I

1390
01:18:15,640 --> 01:18:19,080
Speaker 1: think of via various pr strings, maybe we can figure

1391
01:18:19,120 --> 01:18:20,479
Speaker 1: out how to get free patents and go, and we

1392
01:18:20,520 --> 01:18:23,160
Speaker 1: should go. I'm I'm like, I really want to know.

1393
01:18:23,160 --> 01:18:26,519
Speaker 1: I would love to see her live acting. That would

1394
01:18:26,520 --> 01:18:29,760
Speaker 1: actually be stunning, it would be amazing. Yeah, I'm with

1395
01:18:29,880 --> 01:18:34,519
Speaker 1: Matthew Roderick, who's a great actor. Well, folks, what's her

1396
01:18:34,520 --> 01:18:37,360
Speaker 1: Who's what's her son's name again? James Wilkie, James Wilkie,

1397
01:18:37,600 --> 01:18:40,280
Speaker 1: and she has twins, twins. We'll shout out to the

1398
01:18:40,280 --> 01:18:43,680
Speaker 1: whole family. Yeah, we love you and and we like

1399
01:18:43,760 --> 01:18:47,400
Speaker 1: and raising our cosmos to the whole cast, to the

1400
01:18:47,439 --> 01:18:50,120
Speaker 1: whole Kim Cattrall, we are open to welcoming you back

1401
01:18:50,160 --> 01:18:54,160
Speaker 1: into a live Yeah, please let love in and forgiveness, um,

1402
01:18:54,200 --> 01:18:56,439
Speaker 1: and I hope you can work through whatever beef you have.

1403
01:18:56,680 --> 01:18:59,920
Speaker 1: Great cheers, ladies, Cheers ladies in New York to live,

1404
01:19:00,160 --> 01:19:05,160
Speaker 1: labels and love, to labels and love. Goodbye lovers. Um,

1405
01:19:05,160 --> 01:19:07,480
Speaker 1: but lindsay, thank you so much for doing the podcast.

1406
01:19:07,560 --> 01:19:09,040
Speaker 1: It was great to have you. Oh my god, it

1407
01:19:09,120 --> 01:19:10,519
Speaker 1: was such a thrill to be here. Thank you for

1408
01:19:10,600 --> 01:19:12,840
Speaker 1: letting me talk more about sex and the city. Uh

1409
01:19:12,880 --> 01:19:16,200
Speaker 1: and so it goes. What's it called? And just like that. Nevertheless,

1410
01:19:16,240 --> 01:19:16,799
Speaker 1: she persisted