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Speaker 1: Well, I invited you here. I thought I made myself

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Speaker 1: perfectly clear. But you're a guest to my home. You

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Speaker 1: gotta come to me empty, And I said, no, guest,

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Speaker 1: your presences presents enough. I already had too much stuff,

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Speaker 1: So how did you dare.

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Speaker 2: To surbey me?

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Speaker 3: Welcome to I said, no gifts. I'm Bridger Wine girl.

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Speaker 3: We are in the backyard. It's eerily quiet, I think,

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Speaker 3: because it's a Saturday in the children aren't at school,

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Speaker 3: and the dump truck isn't driving by. By the time

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Speaker 3: you're hearing this, it'll be I think January ish, which

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Speaker 3: is historically kind of a bad time for me emotionally,

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Speaker 3: as the rains come to Los Angeles and threatened to

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Speaker 3: flood my home. So God only knows where I'll be

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Speaker 3: mentally once you're actually hearing this. But right now I'm

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Speaker 3: on top of the world. I've never I'm thriving, never

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Speaker 3: felt better outside of I still haven't figured out how

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Speaker 3: I'm going to use my buy one, get one free

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Speaker 3: salad coupon I have Until I have two more weeks,

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Speaker 3: I'll figure that out. Is there anything else I need?

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Speaker 3: All of this was necessary. Everything I've said so far

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Speaker 3: was necessary. For me to say, and I don't know

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Speaker 3: that there's anything, but I do have the mic and

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Speaker 3: I can do whatever I want. I think that's it

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Speaker 3: for my intro today. I do have the mic, and

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Speaker 3: I'm kind of just dragging you through it. I don't

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Speaker 3: know why I think we should get into the podcast.

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Speaker 3: I adore today's guest. I think she's so funny. It's

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Speaker 3: Hannah Pilkus. Hannah, Hello, welcome to I said, no gifts.

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Speaker 4: Look at this crisp day we're having.

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Speaker 3: It's so it's unseasonably warm.

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Speaker 2: It really is, and you know that's concerning. It is

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Speaker 2: concerning selfishly, I'm enjoying this on this on this ripe Saturday.

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Speaker 3: It's a fall kind of has come to Los Angeles

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Speaker 3: despite it being mid December.

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Speaker 2: If you drive about an hour north, there's like a

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Speaker 2: two mile radius of red leaves, the pumpkin patch. Oh

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Speaker 2: so to see this little trumpy there, so maybe avoid it,

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Speaker 2: but pretty leaves.

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Speaker 3: If you get five minutes outside of Los Angeles, it

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Speaker 3: gets trumpy.

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Speaker 2: It's true.

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Speaker 3: Don't realize that about California. There's not a wasteland.

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Speaker 2: It's a big state.

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Speaker 4: Yeah, so some might say a country within a country.

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Speaker 3: Yes, absolutely think about Just sit quietly and consider that first.

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Speaker 2: To ruminate on that for ten to twenty minutes. No,

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Speaker 2: that's it's such a nice day.

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Speaker 4: We can't.

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Speaker 2: We can't.

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Speaker 3: I once was outside of an Albertson's and got on occasion,

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Speaker 3: I'm outside in Albertson's wandering the parking latch. That's kind

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Speaker 3: of a lifestyle I lead. But someone approached me with

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Speaker 3: a clipboard and I usually say no to these people,

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Speaker 3: and somehow they convinced me to sign it. And then

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Speaker 3: I learned that they were trying to it was a

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Speaker 3: petition to break California into two states. That's one of

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Speaker 3: the worst people you can run into.

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Speaker 2: I didn't know that there were people outside with clipboards

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Speaker 2: doing bad thing. Yeah, I thought it was exclusively like

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Speaker 2: Habitat for Humanity or and you.

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Speaker 4: Know what I do, that's wicked.

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Speaker 2: I recently saw it plug we hold your nail, let's

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Speaker 2: hold face for that? Is that I fake that I'm

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Speaker 2: going through a breakup. As I passed by this, I

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Speaker 2: know so. And they're not going to approach if you're

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Speaker 2: because it's not that I don't want to donate, but

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Speaker 2: I will do that on my own time costed on Colorado.

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Speaker 3: Do you know what the worst for me is when

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Speaker 3: I just I try to be polite, I just say no,

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Speaker 3: thank you, and then they get mad at me and

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Speaker 3: they act like it's just like, don't make me get

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Speaker 3: into an altercation with you. We all know that what

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Speaker 3: you're doing is God bless you. But what you're doing

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Speaker 3: is annoying. You know that you're being annoying, right, And

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Speaker 3: I'm just being polite to trying to get away from you.

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Speaker 2: And you know, but like historically anger or guilting someone,

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Speaker 2: I'm like a lot of us have escaped our oppressed

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Speaker 2: pass to not be confronted with that. So I think

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Speaker 2: it just hits a core something.

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Speaker 3: Oh, it feels very bad.

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Speaker 4: But you succumbed for the bad cause.

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Speaker 3: Well, they must have been holding a gun or something.

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Speaker 3: I don't know how that happens.

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Speaker 4: I've heard that that's their new tactic.

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Speaker 2: It's just a gun point right to your head, all right,

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Speaker 2: I'm sure, oh man, And I don't know how I

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Speaker 2: discovered that.

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Speaker 3: The whole thing I have that unfolded. I must have

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Speaker 3: been right.

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Speaker 2: Did you get an email saying thank you so much?

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Speaker 2: We're currently underway sawing California in half. It's all thanks

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Speaker 2: to your twenty five dollars donation. You pushed us over

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Speaker 2: the limit. Yeah exactly.

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Speaker 4: It's a telethon and you were the final.

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Speaker 3: Oh man, yeah that was uh so, I'll never do

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Speaker 3: it again. Sure, they kind of ruined me for signing things.

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Speaker 2: I feel you there.

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Speaker 3: Yeah, I'm sorry to hear about your dog this morning.

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Speaker 2: Oh yeah, my dog is he's he's his name's Nathaniel,

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Speaker 2: very stoics. I know it's I guess crisp is the

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Speaker 2: word today. He's just a very serious dog. Considering that

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Speaker 2: he is too, I would say funny parents, But he's

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Speaker 2: never smiled. He's never He looks for loose trash on

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Speaker 2: this on the ground and he and he confronted some glass,

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Speaker 2: oh the rest, and ended up in his paw, his paw.

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Speaker 2: That's terrible, I know. So we tweezed it out and

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Speaker 2: and it's so hard with dogs. My friend took her

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Speaker 2: dog to the vet yesterday and I'm like, just I'm

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Speaker 2: throwing money at it. I'm like, save him, save him,

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Speaker 2: whatever it takes. It's kind of like getting your car fixed.

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Speaker 2: I don't mean to reduce to but it's like a language.

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Speaker 2: You're not familiar with.

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Speaker 3: And they're like, I can get you to do anything right.

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Speaker 2: They're like, we need to fix the sneezel hopper and

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Speaker 2: you're like, here's two grand I kill them right. I

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Speaker 2: don't want here, Yeah, I don't want my sneezel hopper broken.

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Speaker 2: So but but it was like, can we handle this

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Speaker 2: and not take him to the vet where they're like, all,

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Speaker 2: he's here, let's do an MRI. You know, of course,

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Speaker 2: what kind of dog is he? He's like a little

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Speaker 2: bit of Jack Russell, a little bit of Chihuahua, a

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Speaker 2: little bit of Gnome.

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Speaker 4: He kind of looks like a house elf combination.

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Speaker 2: You know.

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Speaker 4: I love the ears of their own personality.

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Speaker 2: Sometimes they're up and he could take flight, and sometimes

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Speaker 2: they're down and he's sulking, and.

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Speaker 3: It's really cute. A dog name with dignity. I think

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Speaker 3: that some people, when we're giving them a funny name.

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Speaker 4: Everyone's lost their dignity. They just naming dogs.

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Speaker 2: What did I My friend is fostering two dogs named

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Speaker 2: Voodoo and Abra Cadabra, and you know, some foul play

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Speaker 2: was happening there.

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Speaker 4: I don't trust whoever named their dogs.

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Speaker 2: What are you?

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Speaker 4: Ab You're yelling that at the dog.

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Speaker 3: Woodoo almost works. Sure, it's just you're not saying abracadabra

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Speaker 3: every time. I guess maybe you've shorten.

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Speaker 2: It to abby.

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Speaker 3: Oh that's cute, but then just name it abby.

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Speaker 2: Then just name it. And because so Nathaniel Nate Nate,

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Speaker 2: that's a that's a great name for when he's in trouble, Nathan.

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Speaker 2: You'll boys Nate Nate when he's been good boy.

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Speaker 3: I love that.

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Speaker 2: I like that.

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Speaker 3: How did he handle the glasping pulled from his paw?

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Speaker 2: He's so interesting because his nails have gotten have you

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Speaker 2: seen the witches? Oh?

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Speaker 4: His nails so long and.

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Speaker 2: Coiled, because try as we might, we can't cut them.

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Speaker 4: Did we pring them to modern? Bet they can't cut them?

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Speaker 2: Right? He turns into I mean, and that's where he's

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Speaker 2: a little house elf. I imagine if a house elf,

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Speaker 2: you're on me, and that is that I'm human cottage core.

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Speaker 2: But he will he'll defend his nails till the ends

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Speaker 2: of time and you'll see the teeth come out. But

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Speaker 2: with the nail with the glass. He's actually quite mild manner.

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Speaker 2: It's amazing. I guess he knew it was an emergency yeah,

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Speaker 2: he wanted it out. Yes, get this out of me now. Yeah.

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Speaker 3: Do you call that when you have something in your hand?

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Speaker 2: A splinter or a sliver?

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Speaker 4: I have never heard slipper.

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Speaker 3: This is crazy to me.

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Speaker 4: That's like remote. I call it a swapper.

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Speaker 2: What's a swamper a remote? It's my dad.

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Speaker 4: My dad's Dutch, and he's like, passle swapper a remote?

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Speaker 4: Like what is that troll?

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Speaker 2: Yes, a swamper, but nothing further from what that is.

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Speaker 2: It's a lander at least it's certainly not in a

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Speaker 2: swamp a swamper.

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Speaker 3: There's something wet or mushy about it, exactly.

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Speaker 2: It's very hard, heavy, there's no weird viscosity to it.

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Speaker 2: Swamper swamper? Okay, but sliver more on that. Wow, so

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Speaker 2: this is interesting. Yeah, I've always called old dog. It's

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Speaker 2: really disrespecting your dog you've just left in the car.

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Speaker 2: This is kind of yours.

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Speaker 4: Like, actually, there's more glass.

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Speaker 2: Get me away from the stock owner.

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Speaker 4: I want to go to get my mri.

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Speaker 2: After all, if you even cared a little, you would

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Speaker 2: have spent four grand on me. Yeah, sliver.

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Speaker 3: I grew up in Utah and my family always called

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Speaker 3: them slippers. Slip, and then I've yet, you know, like

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Speaker 3: I've had them in my hands since been in a

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Speaker 3: relationship with my boyfriend, and he makes fun of me

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Speaker 3: every time I say sliver.

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Speaker 2: He's a splinter, you say, like, did you I have

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Speaker 2: a sliver? I have a sliver, But that would make

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Speaker 2: me think cake.

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Speaker 4: I'm a sliver of something.

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Speaker 3: But when I think of it, when I say a

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Speaker 3: sliver of cake, I imagine, well, it's a tiny thing,

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Speaker 3: like it gets in your hand. I'd love to get

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Speaker 3: a little piece of cake in my hand.

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Speaker 2: You know what.

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Speaker 4: You raise a really good point.

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Speaker 3: I've kind of solved this issue.

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Speaker 4: Splinter. Actually what the fanatics? Yeah, what's going on there?

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Speaker 2: Splint?

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Speaker 4: Splint?

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Speaker 3: I think right, we're thinking it helps.

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Speaker 2: I think teeny, you're carrying a bindle and your hand,

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Speaker 2: your arms in one of those right off.

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Speaker 3: Or it's like on your there's a big piece of

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Speaker 3: wood holding your legs together.

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Speaker 2: We've gone so far back in time, no modern innovation.

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Speaker 2: In the back of a wagon exactly in a cond

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Speaker 2: of stoke a wagon splinter.

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Speaker 4: Okay, you know what, it should just.

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Speaker 3: Be sliver now, it should be sliver, Onalisa, have you

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Speaker 3: ever heard sliver?

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Speaker 5: Never in my life, my family.

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Speaker 3: So this is starts where I start to know that

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Speaker 3: there were some dark things happening in my family.

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Speaker 4: Because Sliver does sound like the name of a horror film.

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Speaker 2: I does Sliver. You've got like the substance, and the

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Speaker 2: sequel is Slivers. Sliver slie a little, but it keeps expanding.

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Speaker 3: The thing about splinter body horror.

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Speaker 2: The thing about slippers is there actually are. There's nothing

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Speaker 2: more horrific than like a splinter or a sliver that

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Speaker 2: just won't give It won't go away because you're like, oh, no,

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Speaker 2: where do we go? From?

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Speaker 4: Where do we go?

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Speaker 2: It's kind of like a popcorn kernel that's just hanging

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Speaker 2: on for dear life and then you yell loud enough

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Speaker 2: one day and like it finally releases its clutches. Yeah,

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Speaker 2: but it is Those are just such painful things. Yes,

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Speaker 2: I just have.

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Speaker 5: To say that Sliver is actually an erotic thriller from

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Speaker 5: nineteen ninety three starring Sharon Stone, Billy Baldwin and Tom

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Speaker 5: Bear Insure.

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Speaker 2: So you know it's erotic of Sharon Stone's in it

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Speaker 2: and sas and she's got a sliver and then listen, that's.

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Speaker 4: Also an innuendo.

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Speaker 2: Oh of course that's and I didn't want to bring

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Speaker 2: it up because you'd said my family. But the first

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Speaker 2: thing I thought was, well, okay, that's just the mission

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Speaker 2: sensor this part of the pod.

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Speaker 4: That's neither here nor there.

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Speaker 3: That's the first thing we censor on this podcast is

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Speaker 3: the word slip.

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Speaker 4: Everyone calls in. I was so on board until the

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Speaker 4: Sliver part.

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Speaker 3: I am discussed.

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Speaker 4: I listen to this with my family and my stoic dog.

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Speaker 3: Wow, I wonder could you give us a synopsis of

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Speaker 3: what happens in Sliver. I'm little very curious. What does

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Speaker 3: Sharon get up to in Sliver?

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Speaker 5: I'm going to read the first paragraph of the plot?

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Speaker 3: Okay, right.

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Speaker 5: Carly Norris, a beautiful book editor in deborce in her

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Speaker 5: mid thirties, moves into the exclusive New York City Sliver building,

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Speaker 5: but she creates other tenants, including Zeke, video game designer,

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Speaker 5: Jack a novelist, Vita, a fashion model who moonlights as

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Speaker 5: a call girl, and Gus, a professor of videography at

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Speaker 5: New York University. They tell Carley that she bears a

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Speaker 5: striking resemblance to Naomi Singer, the previous tenant of her

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Speaker 5: apartment who fell to her death.

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Speaker 2: From her balcony.

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Speaker 3: Oh, there's so many opportunities for erotic foul play.

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Speaker 4: Oh one dred percent. Did we think Sliver was gonna be?

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Speaker 2: I thought it was going to come into play in

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Speaker 2: a different way than the name of the apartments. If

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Speaker 2: I saw they're called the Sliver apartments, I'm looking ass

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Speaker 2: that's not true New York real estate. I'll move into

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Speaker 2: the like the slip gutter because they've got yeah, the slipper.

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Speaker 3: That's you know, that is the last thing I would

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Speaker 3: have guessed as far as slivers go. But maybe slippers

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Speaker 3: also come into play elsewhere.

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Speaker 2: In the movie.

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Speaker 3: Sure, maybe there's a real sliverness to her apartment.

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Speaker 4: Sliverness if you will.

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Speaker 2: What year was that?

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Speaker 4: It kind of sounds like ghosts.

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Speaker 2: It feels like a lot of movies in that time

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Speaker 2: were very supernatural, sexy.

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Speaker 3: Supernatural of course, and we're kind of coming back to

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Speaker 3: these sort of things. It's ben a fit like in

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Speaker 3: the last year, very sexy movie time.

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Speaker 4: God is it?

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Speaker 2: And it's very sexy old I say, older women in

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Speaker 2: what are these called?

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Speaker 4: You?

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Speaker 3: You've said publicly that anyone over twenty is an older woman.

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Speaker 2: Even though I'm so and censor that out because we

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Speaker 2: actually don't need that. In this pod, I'm using a.

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Speaker 4: Lot of retinals, So I'm whatever, in your.

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Speaker 2: High school, I'm high school guest, go swampers.

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Speaker 3: We should have a high school guest at some point,

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Speaker 3: what would that be.

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Speaker 2: I've been watching Is It Cake and one of the

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Speaker 2: contestants is eighteen, and I'm like, oh my gosh, you

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Speaker 2: can't help but be just so eighteen a chick. They

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Speaker 2: brought up a walkman and he's like, I don't know

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Speaker 2: what that is. I like that because you feel so

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Speaker 2: shamed for your sheer existence. You're like, I guess I

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Speaker 2: am old as fun. What were we talking about?

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Speaker 3: We were talking about, uh, sexy movies.

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Speaker 2: We were sexy movies and then oh, oh that they're back.

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Speaker 2: I think, like, you know, the Nicole Kidman dating the

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Speaker 2: much Younger And there's two movies in a row that

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Speaker 2: are that. Oh wait choes the Zaccha Front one. Oh

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Speaker 2: that's right where they This is my heart. This is

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Speaker 2: what I have a hard time with that movie. They

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Speaker 2: only give the little kisses and they're supposed to be

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Speaker 2: having sex and they're doing this.

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Speaker 4: I don't know about you.

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Speaker 2: But when I'm making woodpe my mouth's opening. Just so

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Speaker 2: this is a high Grandma, we're not doing Pecs' not

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Speaker 2: PEX for PEX for sex, not on the watch.

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Speaker 3: PEX do not happen during second No.

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Speaker 4: But then this next movie seems hot.

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Speaker 2: It's like the A two four.

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Speaker 3: Oh oh yeah, and they have the sky Ferira song.

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Speaker 2: Yeah. The whole thing is very dark and allurable purple tones.

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Speaker 2: It's kind of euphoria coated.

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Speaker 3: Yeah, the boss girl is going after the intern. I

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Speaker 3: think it's gonna be very sexy.

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Speaker 2: It looks really good, and we're not gonna be seeing

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Speaker 2: any pecks in that.

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Speaker 3: No, not a peck to be seen.

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Speaker 2: We're gonna, in fact, we're gonna go close your mouth

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Speaker 2: a little. They're gonna be swallowing exactly. And then it

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Speaker 2: is the substance. Then they actually he.

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Speaker 3: Just swallows her and he bursts out of her.

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Speaker 4: Yeah, they go for it a little too hard and

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Speaker 4: eat the other.

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Speaker 3: Oh man, what other movies were out this year that

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Speaker 3: were sexy? There was the tennis film Challengers. Challengers Queer

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Speaker 3: was also I didn't seem clear yet. It's very slow,

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Speaker 3: but in a good way, okay, but very sexy.

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Speaker 2: Very honestly, I'm fine with slow if it's sexy. Oh yeah,

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Speaker 2: it's arguably we all need to slow down. Think you're

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Speaker 2: sexier if we slow down.

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Speaker 3: Yeah, start with a peck. Yeah, killed from a peck.

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Speaker 2: Peck and okay, and let's write some erotica right now,

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Speaker 2: start with a peck and just keep it nice and slow.

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Speaker 3: He thought it was just going to be a peck

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Speaker 3: from Grandma.

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Speaker 4: I got a CBS erotica novel for fun ones. Oh

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Speaker 4: and what made me laugh so hard about it is,

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Speaker 4: first of all, they're always virgins.

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Speaker 2: It's always like the woman and she's a virgin at

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Speaker 2: twenty eight, And to me, that's just so tragic. One

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Speaker 2: of those books, huge dork. And the funniest thing is

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Speaker 2: anytime that they'd have sex, she'd be like, or the

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00:16:08,720 --> 00:16:11,360
Speaker 2: author would say, you know, he entered her with his

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Speaker 2: throbbing member and she sobbed, Like why is she always sobbing?

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Speaker 4: To me, that's the anti sexy, but she sobbed?

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Speaker 2: Does he pushed her against the wall? I'm like, but

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Speaker 2: she's enjoying it. I can't remember the last time. And

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Speaker 2: you know, I've had people say, like I cried at

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Speaker 2: the end of it. It was like so powerful, but sobbed.

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Speaker 3: That's like saying she weeped or bald.

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Speaker 4: Right, let's stop if she's sobbing, Let's take.

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Speaker 2: A beat, Let's find out what's happening emotional, Let's Netflix

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Speaker 2: and chill. Is everyone comfortable? Yeah, let's unpack some things

359
00:16:42,160 --> 00:16:45,040
Speaker 2: and then let's come back anyway. I highly recommend a

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Speaker 2: great book.

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Speaker 3: Have you read any more books in that category?

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Speaker 2: You know?

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Speaker 4: I haven't, but I am trying to get into like

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00:16:53,400 --> 00:16:54,240
Speaker 4: Fantasy smunt.

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00:16:54,480 --> 00:16:58,120
Speaker 3: Oh, yeah, because there's that very popular series.

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Speaker 2: Yeah, I'm trying to remember the name, but so many

367
00:17:00,040 --> 00:17:02,360
Speaker 2: friends have said it's it's all the things you want

368
00:17:02,520 --> 00:17:05,000
Speaker 2: escapism in a time like this. Oh, come on, I'm

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00:17:05,119 --> 00:17:06,879
Speaker 2: I mean California. If you heard California is gonna be

370
00:17:06,880 --> 00:17:11,439
Speaker 2: two states because of one donor uh And you got sexy,

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00:17:11,520 --> 00:17:14,280
Speaker 2: so you got escapism in like other worlds and you

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Speaker 2: got right hot. Yes.

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Speaker 3: Former guest of the show Blair Saki. I was following

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Speaker 3: her Instagram stories recently and she really went on a

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Speaker 3: journey with these books.

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Speaker 4: Yeah.

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00:17:22,920 --> 00:17:24,080
Speaker 3: I had the time of her life. I was like,

378
00:17:24,119 --> 00:17:24,919
Speaker 3: maybe it's time for me.

379
00:17:25,440 --> 00:17:25,640
Speaker 2: Yeah.

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00:17:25,960 --> 00:17:28,960
Speaker 3: Fairies are doing things and yeah, having the time of

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Speaker 3: their life.

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00:17:29,720 --> 00:17:32,240
Speaker 2: And they're in the forest and they're just rolling around

383
00:17:32,720 --> 00:17:35,800
Speaker 2: taking a bath among trees in that beautiful creed. They're

384
00:17:35,800 --> 00:17:38,600
Speaker 2: having taking a bath in a lily pad. I love that.

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00:17:39,119 --> 00:17:41,520
Speaker 3: Yeah, that's frogs everywhere.

386
00:17:41,640 --> 00:17:44,960
Speaker 2: Well, because what I when I when I wanted to

387
00:17:45,000 --> 00:17:47,919
Speaker 2: like get excited, what I would look up is people

388
00:17:48,080 --> 00:17:51,280
Speaker 2: genuinely having a connection with beautiful production designs.

389
00:17:52,560 --> 00:17:54,680
Speaker 4: That is something I've googled because.

390
00:17:54,480 --> 00:17:57,720
Speaker 2: I'm like, give me Sparta kiss and they've and they've

391
00:17:57,760 --> 00:17:58,920
Speaker 2: built a relationship.

392
00:17:58,960 --> 00:18:01,439
Speaker 4: I need an arc and I need like a gorgeous

393
00:18:01,520 --> 00:18:03,960
Speaker 4: cascading fountain or like a drape.

394
00:18:04,280 --> 00:18:07,119
Speaker 2: It really gets me going. A nice back, Give me

395
00:18:07,160 --> 00:18:10,400
Speaker 2: like a beautiful corset, give me gorgeous costume that's gonna

396
00:18:10,400 --> 00:18:11,280
Speaker 2: get nominated first.

397
00:18:11,359 --> 00:18:13,360
Speaker 3: I don't want to look at a dirty twin mattress.

398
00:18:13,600 --> 00:18:15,040
Speaker 4: No, I'm the opposite of that.

399
00:18:15,080 --> 00:18:18,120
Speaker 2: I really wanted to feel airbrushed, and the connection is important.

400
00:18:19,280 --> 00:18:22,400
Speaker 2: I need to feel like they've I guess I'm demisexual

401
00:18:22,440 --> 00:18:24,520
Speaker 2: in that way even when I'm watching things.

402
00:18:24,680 --> 00:18:27,520
Speaker 3: Yeah, we want those harlequtin romance to cover.

403
00:18:28,000 --> 00:18:31,200
Speaker 2: Sounds like it's kind of all those things.

404
00:18:31,240 --> 00:18:33,800
Speaker 3: Sounds exactly what we were all missing from Harry Potter.

405
00:18:34,480 --> 00:18:40,080
Speaker 2: Don't get me started. All that. Truly, the show's coming out,

406
00:18:40,080 --> 00:18:42,960
Speaker 2: and they were like, they auditioned thirty six thousand kids.

407
00:18:43,000 --> 00:18:47,119
Speaker 2: I'm like, really, you couldn't find three out of one hundred.

408
00:18:47,240 --> 00:18:49,840
Speaker 4: I just don't buy it. And you know they didn't

409
00:18:49,840 --> 00:18:50,600
Speaker 4: watch those tapes.

410
00:18:50,960 --> 00:18:52,840
Speaker 3: No, if they're not watching those self tapes.

411
00:18:53,000 --> 00:18:55,879
Speaker 2: No, there are all six thousand people submitted, is what

412
00:18:55,880 --> 00:18:59,080
Speaker 2: they should say. What are we talking about? So many

413
00:18:59,119 --> 00:19:00,840
Speaker 2: people leave it alone.

414
00:19:00,840 --> 00:19:02,400
Speaker 3: We've got new fantasy.

415
00:19:02,440 --> 00:19:05,720
Speaker 2: So that always drives me nuts is there's there's so

416
00:19:05,800 --> 00:19:08,719
Speaker 2: much fantasy smut that they could turn into shows, and

417
00:19:08,760 --> 00:19:12,639
Speaker 2: there's so much amazing original anything out there. I have

418
00:19:12,720 --> 00:19:15,240
Speaker 2: a hard time with the blank check remakes of things

419
00:19:15,400 --> 00:19:18,400
Speaker 2: because I'm not chomping at the bit to watch something

420
00:19:18,440 --> 00:19:19,120
Speaker 2: I've already seen.

421
00:19:19,400 --> 00:19:21,119
Speaker 3: No, no, no, no, especially if it was made it

422
00:19:21,119 --> 00:19:22,359
Speaker 3: within the last twenty years.

423
00:19:22,480 --> 00:19:23,560
Speaker 2: You see Gladiator two.

424
00:19:23,920 --> 00:19:25,480
Speaker 3: Not watching that it showed me nuts.

425
00:19:25,560 --> 00:19:28,159
Speaker 2: It's Gladiator one but kind of worse.

426
00:19:29,080 --> 00:19:32,200
Speaker 3: One of the an early sign of my homosexuality was

427
00:19:32,240 --> 00:19:35,080
Speaker 3: that I fell asleep during Gladiator and More Power Too.

428
00:19:35,160 --> 00:19:36,760
Speaker 3: I woke up from that movie and said, there's something

429
00:19:36,800 --> 00:19:38,200
Speaker 3: different about me, and.

430
00:19:38,160 --> 00:19:40,000
Speaker 2: You know, I fully support that. The only reason I

431
00:19:40,000 --> 00:19:42,840
Speaker 2: didn't fall asleep. Is because I was in Rome this

432
00:19:42,920 --> 00:19:45,320
Speaker 2: summer for my honeymoon. We went to the coliseum and

433
00:19:45,359 --> 00:19:47,600
Speaker 2: I go, you know, it will be fun to watch

434
00:19:47,680 --> 00:19:48,919
Speaker 2: the fictional version.

435
00:19:48,800 --> 00:19:50,440
Speaker 3: To see this in CG, but.

436
00:19:50,400 --> 00:19:52,160
Speaker 4: I watched it in four you know increments.

437
00:19:52,160 --> 00:19:54,680
Speaker 2: I watch it for thirty minutes, having to grony watch

438
00:19:54,720 --> 00:19:56,920
Speaker 2: another thirty. I mean, for all intents and purposes, that's

439
00:19:56,920 --> 00:19:59,399
Speaker 2: a nap. Yet it is like, let's go, you know,

440
00:19:59,760 --> 00:20:01,160
Speaker 2: eat and pasta come back.

441
00:20:01,400 --> 00:20:01,800
Speaker 4: But glad.

442
00:20:01,880 --> 00:20:04,360
Speaker 2: And also I'm just so the CGI of it all

443
00:20:04,480 --> 00:20:07,560
Speaker 2: is driving me so nuts these days. It's so jarring.

444
00:20:07,600 --> 00:20:10,520
Speaker 2: And I don't need to see sharks in the coliseum

445
00:20:10,760 --> 00:20:14,679
Speaker 2: phony baloney phony below. Well, actually that's real. The sharks

446
00:20:14,720 --> 00:20:18,359
Speaker 2: are real in the Colosseum. Somehow, they would fill it

447
00:20:18,400 --> 00:20:21,480
Speaker 2: with water and have like boat duels and they would

448
00:20:21,520 --> 00:20:23,200
Speaker 2: perfectly fair, perfectly fair.

449
00:20:23,440 --> 00:20:25,320
Speaker 4: Do I need the computerized shark?

450
00:20:25,400 --> 00:20:27,399
Speaker 3: If you're going to actually you have to build the

451
00:20:27,440 --> 00:20:29,560
Speaker 3: colosseum and fill it, build a minione and fill it

452
00:20:29,560 --> 00:20:29,840
Speaker 3: with one.

453
00:20:29,920 --> 00:20:30,720
Speaker 4: That's what I'm saying.

454
00:20:30,880 --> 00:20:33,959
Speaker 2: People need to start spending more millions of dollars to

455
00:20:34,080 --> 00:20:37,359
Speaker 2: actually build a colosseum. I don't want a single special

456
00:20:37,400 --> 00:20:40,560
Speaker 2: effect I don't really extras that are like, we've seen

457
00:20:40,640 --> 00:20:41,520
Speaker 2: that that's happening.

458
00:20:42,119 --> 00:20:44,159
Speaker 3: Yeah, they I know they've got a lake or something

459
00:20:44,160 --> 00:20:45,479
Speaker 3: in the back of one of these lots.

460
00:20:45,560 --> 00:20:49,959
Speaker 2: You know that they throw up a couple beams and

461
00:20:50,680 --> 00:20:52,720
Speaker 2: I just I'm such a practical effects lover.

462
00:20:52,960 --> 00:20:53,680
Speaker 3: We all are.

463
00:20:53,800 --> 00:20:57,360
Speaker 2: Yeah, call me crazy, but I'm very like late nineties

464
00:20:57,400 --> 00:21:00,880
Speaker 2: Cynthie fantasy where you know, you pad it painted backdrop

465
00:21:00,920 --> 00:21:04,000
Speaker 2: and you had to suspend bleek to a degree.

466
00:21:04,240 --> 00:21:06,320
Speaker 4: Give me, give me a chance to imagine.

467
00:21:06,400 --> 00:21:09,119
Speaker 3: Yes, let my brain work for a minute.

468
00:21:08,960 --> 00:21:11,439
Speaker 2: Start with a peck and just let us You know,

469
00:21:11,520 --> 00:21:13,200
Speaker 2: that's sort of like fantasy for play.

470
00:21:13,320 --> 00:21:16,000
Speaker 4: Let me. It's really just giving it all up.

471
00:21:16,560 --> 00:21:18,840
Speaker 3: Yes, all we need from CG is a pick.

472
00:21:19,400 --> 00:21:20,840
Speaker 2: That's what I'm Then the rest of.

473
00:21:22,560 --> 00:21:25,160
Speaker 3: The rest of it is leave it up to us.

474
00:21:25,400 --> 00:21:27,160
Speaker 4: Real sharks put everyone at risk.

475
00:21:27,520 --> 00:21:31,480
Speaker 2: One CGI shark. No, I think that. Yeah.

476
00:21:31,640 --> 00:21:34,120
Speaker 3: Even in the trailers of Gladiator too, I just thought, well,

477
00:21:34,119 --> 00:21:35,080
Speaker 3: that's not impressive to me.

478
00:21:35,160 --> 00:21:37,120
Speaker 2: That's literally just a video game with.

479
00:21:37,080 --> 00:21:39,800
Speaker 4: A lot of hot people, which look, that's what enticed me.

480
00:21:39,960 --> 00:21:40,200
Speaker 2: Right.

481
00:21:40,240 --> 00:21:41,840
Speaker 3: Of course, that draws you in, and.

482
00:21:41,760 --> 00:21:44,280
Speaker 2: You would think based off of my Google searches, but

483
00:21:44,359 --> 00:21:47,720
Speaker 2: there were no genuine connections. Okay, now single genuine, no

484
00:21:47,760 --> 00:21:50,840
Speaker 2: genuine connections. And the only woman in the film, she's

485
00:21:50,960 --> 00:21:55,119
Speaker 2: from the first Gladiator and all she really does is

486
00:21:55,160 --> 00:21:57,800
Speaker 2: like put her hood up and walk into like a

487
00:21:57,880 --> 00:22:01,040
Speaker 2: dark candlelight something and she's like no, and then she

488
00:22:01,160 --> 00:22:02,359
Speaker 2: like takes her hood down.

489
00:22:02,880 --> 00:22:05,040
Speaker 4: I was like, all she's done in this movie.

490
00:22:04,800 --> 00:22:07,480
Speaker 2: Is put her hood up and down and sort of

491
00:22:07,520 --> 00:22:09,960
Speaker 2: like Saunter, it's driving me.

492
00:22:10,040 --> 00:22:11,360
Speaker 4: And that's not character.

493
00:22:11,040 --> 00:22:16,000
Speaker 2: Development, but it is choreography. It's really good cho choreography. Really,

494
00:22:16,119 --> 00:22:19,359
Speaker 2: if it was a music video, we'd all be through. Yeah,

495
00:22:19,400 --> 00:22:23,359
Speaker 2: and it was dramatic. They're like slow, but she's pretty

496
00:22:23,440 --> 00:22:25,880
Speaker 2: much nonverbal other and I feel like the accent work

497
00:22:25,920 --> 00:22:28,000
Speaker 2: is all over the place in these Gladiator movies, right, No,

498
00:22:28,240 --> 00:22:30,840
Speaker 2: I think what they I think Denzel joined and I

499
00:22:30,840 --> 00:22:34,560
Speaker 2: think the director was like, hey, Denzel, what's up do you?

500
00:22:34,600 --> 00:22:36,200
Speaker 2: Would you be down to do an accent? And he

501
00:22:36,320 --> 00:22:37,760
Speaker 2: was like no, and he's like, all right, I don't

502
00:22:37,760 --> 00:22:40,000
Speaker 2: know where is my guy? And then he's just in

503
00:22:40,080 --> 00:22:44,440
Speaker 2: training day it's and then there's like Scottish accent, like

504
00:22:44,720 --> 00:22:47,640
Speaker 2: no one everyone Italian accent.

505
00:22:48,080 --> 00:22:49,800
Speaker 4: Everyone just chose their own.

506
00:22:49,960 --> 00:22:53,680
Speaker 2: Yeah, they all chat GPT accent and they it's hard.

507
00:22:53,680 --> 00:22:55,800
Speaker 4: It's so jarring. They're all into different universe.

508
00:22:55,920 --> 00:22:59,120
Speaker 3: I can't do that. No, just do. Imagine you're working

509
00:22:59,160 --> 00:23:01,879
Speaker 3: at a pizza parl or a Buka to Beppo.

510
00:23:02,320 --> 00:23:04,399
Speaker 2: That's what it was missing. Everyone needed to sound like

511
00:23:04,400 --> 00:23:10,800
Speaker 2: they were in a buabo a host how many It's

512
00:23:10,840 --> 00:23:12,720
Speaker 2: gonna be a long wait, really because I feel like

513
00:23:12,800 --> 00:23:14,680
Speaker 2: three quarters of the restaurant's empty.

514
00:23:15,280 --> 00:23:16,520
Speaker 4: No, it's still gonna be await.

515
00:23:17,080 --> 00:23:21,159
Speaker 3: Imagine you're a thirty five year old woman working in Riverside.

516
00:23:20,440 --> 00:23:25,240
Speaker 2: Exactly, and you're told to somehow keep Buka to Beppo cool,

517
00:23:25,480 --> 00:23:26,880
Speaker 2: so you don't ever seed anyone.

518
00:23:27,280 --> 00:23:29,440
Speaker 3: I think all of the Bukas are shutting down, are they?

519
00:23:29,560 --> 00:23:31,280
Speaker 3: I think a lot of them are going out of business.

520
00:23:31,320 --> 00:23:33,040
Speaker 4: I wonder what they're going to put in place of that.

521
00:23:33,080 --> 00:23:33,720
Speaker 4: In Pasadena?

522
00:23:33,720 --> 00:23:38,000
Speaker 2: Maybe an Alta, oh probably it always come at Alta

523
00:23:38,080 --> 00:23:41,479
Speaker 2: is kind of the new Halloween superstore. It is, and

524
00:23:41,520 --> 00:23:43,840
Speaker 2: it's I know, there's like makeup carried there that the

525
00:23:43,880 --> 00:23:47,200
Speaker 2: Sephora doesn't have. But there's something about I like walking

526
00:23:47,200 --> 00:23:48,879
Speaker 2: into a Sephora and spending rent.

527
00:23:50,080 --> 00:23:53,159
Speaker 3: I like that is Alta, the one that has almost

528
00:23:53,240 --> 00:23:56,240
Speaker 3: all Alta products. Yeah, okay, and then Sephora does it

529
00:23:56,240 --> 00:23:56,760
Speaker 3: all and it.

530
00:23:56,760 --> 00:23:58,560
Speaker 2: Kind of feels more like a CVS in that way

531
00:23:59,040 --> 00:24:02,119
Speaker 2: fora's got You know this model decided to start a

532
00:24:02,119 --> 00:24:05,480
Speaker 2: skincare line and you know, to your sugarn, it's good.

533
00:24:05,840 --> 00:24:07,720
Speaker 3: The celebrity had nothing better to do it.

534
00:24:07,880 --> 00:24:09,879
Speaker 2: Yeah, and was like I made this, and it's like

535
00:24:10,040 --> 00:24:12,200
Speaker 2: did you or did you do? Like three photo shoots

536
00:24:12,200 --> 00:24:17,320
Speaker 2: holding it? But really good serums.

537
00:24:15,880 --> 00:24:17,840
Speaker 3: I used a serum.

538
00:24:17,840 --> 00:24:19,639
Speaker 4: What do you think about these masks, the.

539
00:24:19,720 --> 00:24:22,200
Speaker 2: Led ones see Eliot that is a so you do

540
00:24:22,280 --> 00:24:23,440
Speaker 2: have like newborn baby skin.

541
00:24:23,600 --> 00:24:28,040
Speaker 3: So there, those are a scam. Yeah, I hate to

542
00:24:28,080 --> 00:24:29,120
Speaker 3: break it to everyone.

543
00:24:29,560 --> 00:24:30,480
Speaker 4: Those are a scam.

544
00:24:30,560 --> 00:24:33,639
Speaker 3: And yeah, let's both look at the camera. Those that

545
00:24:33,680 --> 00:24:37,520
Speaker 3: may or may not be used. The red light footage

546
00:24:38,119 --> 00:24:40,200
Speaker 3: thing is not. I mean, maybe it's doing something for

547
00:24:40,280 --> 00:24:41,640
Speaker 3: you emotionally.

548
00:24:41,480 --> 00:24:44,280
Speaker 2: And that's and you know what, sometimes the placebo is

549
00:24:44,440 --> 00:24:48,199
Speaker 2: enough to maybe help you what's it called cortisol or

550
00:24:48,240 --> 00:24:51,280
Speaker 2: maybe you're developing or less is pumping through you sat

551
00:24:51,359 --> 00:24:53,840
Speaker 2: therefore you are retaining your.

552
00:24:53,680 --> 00:24:55,600
Speaker 3: Youth bare minimum. It's forced rest.

553
00:24:56,320 --> 00:24:58,520
Speaker 2: Sure. I think a lot of this stuff psychosmatic. I

554
00:24:58,560 --> 00:25:01,440
Speaker 2: think it's like, yes, it's exactly. It's an hour where

555
00:25:01,440 --> 00:25:01,920
Speaker 2: you just have.

556
00:25:01,920 --> 00:25:03,760
Speaker 3: To be yeah, you have to just take it easy

557
00:25:03,840 --> 00:25:05,840
Speaker 3: and feel Have you used one before?

558
00:25:05,960 --> 00:25:08,639
Speaker 2: I haven't, But I actually to counter that, I'm seeing

559
00:25:08,680 --> 00:25:11,159
Speaker 2: people wearing it, like on the elliptical, and I'm like,

560
00:25:11,200 --> 00:25:15,760
Speaker 2: okayel like this is defeating the purpose. That's like terminator level. Right,

561
00:25:15,840 --> 00:25:18,960
Speaker 2: that's frightening, right, it's frightening. I've never used it because

562
00:25:18,960 --> 00:25:20,120
Speaker 2: it's four hundred and fifty dollars.

563
00:25:20,200 --> 00:25:20,800
Speaker 4: It's a four US.

564
00:25:20,880 --> 00:25:22,480
Speaker 3: Oh no, no, I can't.

565
00:25:22,560 --> 00:25:24,480
Speaker 2: I'm going to spend four hundred and fifty dollars total

566
00:25:24,640 --> 00:25:26,840
Speaker 2: getting like sixteen things. Of course.

567
00:25:27,119 --> 00:25:29,720
Speaker 3: Yeah, it's just layering, layering, layering.

568
00:25:29,400 --> 00:25:31,120
Speaker 2: I can't. It kind of feels like the vape where

569
00:25:31,160 --> 00:25:33,880
Speaker 2: you don't really know what it's doing and for all

570
00:25:33,880 --> 00:25:35,159
Speaker 2: we know, it's making you worse.

571
00:25:35,800 --> 00:25:38,480
Speaker 3: It really could be. Yeah, it's like it to me

572
00:25:38,720 --> 00:25:40,480
Speaker 3: is feeling a little bit like one of those in

573
00:25:40,520 --> 00:25:43,439
Speaker 3: the sixties, one of those machines that would shake you

574
00:25:43,520 --> 00:25:46,360
Speaker 3: for exercise, or like a waterbed or a water bed.

575
00:25:46,440 --> 00:25:48,600
Speaker 3: It's like these things that we will all look back

576
00:25:48,640 --> 00:25:49,680
Speaker 3: on to me like, of course it.

577
00:25:49,600 --> 00:25:51,680
Speaker 2: Was a fraud. It'll be like in a cranium game

578
00:25:51,720 --> 00:25:55,480
Speaker 2: where they're like in twenty twenty five, this fad hit

579
00:25:55,520 --> 00:25:59,159
Speaker 2: the market and we later learned was zapping everyone with

580
00:25:59,320 --> 00:26:03,119
Speaker 2: radiation like that is responsible for countless deaths. It's like,

581
00:26:03,359 --> 00:26:06,680
Speaker 2: have you guys seen final destination with the tanning bed?

582
00:26:06,800 --> 00:26:08,960
Speaker 3: It's that what happens in the tanning bed.

583
00:26:09,240 --> 00:26:11,919
Speaker 2: I think they tanned to get trapped in there. I

584
00:26:11,920 --> 00:26:15,399
Speaker 2: think that they roast like a land under a magnifying glass.

585
00:26:15,400 --> 00:26:17,800
Speaker 2: You would have to be in their days, and I

586
00:26:17,800 --> 00:26:19,880
Speaker 2: think that's the final destination of it all is it's

587
00:26:20,000 --> 00:26:21,200
Speaker 2: way it's hot, hot, hot.

588
00:26:21,440 --> 00:26:23,639
Speaker 3: I think you would die of dehydration before the lights

589
00:26:23,680 --> 00:26:24,159
Speaker 3: got to you.

590
00:26:24,720 --> 00:26:28,840
Speaker 2: Right. Well, and let's call them, let's write in that's

591
00:26:28,840 --> 00:26:30,639
Speaker 2: to our senator and that because that's what they we

592
00:26:30,680 --> 00:26:34,520
Speaker 2: need to write to our senators about that. That's the

593
00:26:34,560 --> 00:26:37,320
Speaker 2: most pressent. That's the most pressing thing in this political Wow.

594
00:26:37,600 --> 00:26:40,000
Speaker 2: I haven't heard cranium in a long time. I love

595
00:26:40,040 --> 00:26:41,800
Speaker 2: a good game ever played Cranium.

596
00:26:42,040 --> 00:26:43,479
Speaker 3: What a delightful game that is.

597
00:26:43,520 --> 00:26:46,240
Speaker 4: You got to keep the clay moist. Yeah, that's hard

598
00:26:46,280 --> 00:26:46,560
Speaker 4: to do.

599
00:26:46,720 --> 00:26:49,680
Speaker 3: That's ruined a lot of cranium board games.

600
00:26:49,720 --> 00:26:51,280
Speaker 4: Have too many small parts.

601
00:26:50,960 --> 00:26:51,760
Speaker 2: To keep track of.

602
00:26:52,000 --> 00:26:54,000
Speaker 3: You shouldn't have to have one that you keep wet.

603
00:26:54,920 --> 00:26:56,080
Speaker 2: That's true, that's true.

604
00:26:56,160 --> 00:26:57,880
Speaker 4: But you could always replace it with a play.

605
00:26:57,680 --> 00:27:00,440
Speaker 3: Though, right, But then you've got to are you getting

606
00:27:00,480 --> 00:27:02,359
Speaker 3: the play do or you're making the salt dough at home?

607
00:27:02,760 --> 00:27:02,960
Speaker 2: Right?

608
00:27:03,160 --> 00:27:04,720
Speaker 4: And sometimes they're very cryptic.

609
00:27:04,800 --> 00:27:07,959
Speaker 2: It's like, all right, sculpt the pentagon and you're like, okay,

610
00:27:08,000 --> 00:27:11,960
Speaker 2: I have thirty seconds. But I loved Cranium because I'm

611
00:27:12,000 --> 00:27:13,920
Speaker 2: not you know, I feel like it catered to each

612
00:27:14,000 --> 00:27:16,600
Speaker 2: type of thinker, like I'm not miss factoid, but I

613
00:27:16,640 --> 00:27:20,040
Speaker 2: am act out or pop culture. Such a good game,

614
00:27:20,119 --> 00:27:21,040
Speaker 2: it's a really good game.

615
00:27:21,200 --> 00:27:25,159
Speaker 3: I want to buy that. You should Cranium, reach Outaniumanium.

616
00:27:27,240 --> 00:27:28,680
Speaker 3: I wonder if they must still make it.

617
00:27:29,000 --> 00:27:29,360
Speaker 2: They do.

618
00:27:29,440 --> 00:27:31,399
Speaker 4: I just saw it at Romans. Yeah.

619
00:27:31,440 --> 00:27:34,000
Speaker 3: I love that way more than your quip lashes.

620
00:27:33,680 --> 00:27:36,240
Speaker 2: Your I What I like about it is it's variety.

621
00:27:36,280 --> 00:27:38,280
Speaker 2: I love a variety live show, and I love a

622
00:27:38,359 --> 00:27:41,720
Speaker 2: variety game because anything gets boring after a while. Even

623
00:27:41,760 --> 00:27:45,200
Speaker 2: Pictionary starts off hot. That's how you know you did

624
00:27:45,200 --> 00:27:48,040
Speaker 2: stick figure and then it's over ninety minutes.

625
00:27:48,280 --> 00:27:50,680
Speaker 3: Oh all die, we're bad artists.

626
00:27:50,800 --> 00:27:53,359
Speaker 2: Yeah, I care I'm such a bad artist, and I

627
00:27:53,400 --> 00:27:55,640
Speaker 2: get really activated.

628
00:27:55,119 --> 00:27:57,520
Speaker 4: If it's if I if I letting my team down.

629
00:27:57,600 --> 00:27:59,679
Speaker 3: Oh yeah, of course, you start to feel guilty, you

630
00:27:59,720 --> 00:28:03,760
Speaker 3: feel less than Yeah, it's a bad crictionary.

631
00:28:03,280 --> 00:28:05,240
Speaker 4: Feels like it caters to many different Now you.

632
00:28:05,240 --> 00:28:08,119
Speaker 3: Can fail three times and win once and sure like, Okay,

633
00:28:08,160 --> 00:28:09,000
Speaker 3: I'm still a person.

634
00:28:09,160 --> 00:28:13,760
Speaker 2: It's also an appropriate reasonably size board. Yes, yeah, it's

635
00:28:13,800 --> 00:28:15,080
Speaker 2: like a seventy minute game.

636
00:28:15,400 --> 00:28:18,600
Speaker 3: I feel like, Wow, I'm gonna get online after well, actually,

637
00:28:18,600 --> 00:28:20,240
Speaker 3: I'm gonna wait for this episode to release and see

638
00:28:20,280 --> 00:28:22,040
Speaker 3: if Cranium sends me a box.

639
00:28:21,880 --> 00:28:23,439
Speaker 2: That sounds like a good idea? Do you play? Like

640
00:28:23,520 --> 00:28:24,560
Speaker 2: D and D or those?

641
00:28:24,760 --> 00:28:26,920
Speaker 3: I want to play it so bad, but it's intimidating.

642
00:28:27,000 --> 00:28:29,359
Speaker 2: Do you play it? It's one of those things I'm

643
00:28:29,400 --> 00:28:31,320
Speaker 2: like if I love fantasy smut and I'm like such

644
00:28:31,320 --> 00:28:34,080
Speaker 2: a Jim Henson head, and I feel like I love

645
00:28:34,080 --> 00:28:36,480
Speaker 2: it in theory, but the patience required.

646
00:28:36,160 --> 00:28:37,440
Speaker 3: Oh so much patience.

647
00:28:37,440 --> 00:28:38,080
Speaker 2: It's overwhelming.

648
00:28:38,080 --> 00:28:41,640
Speaker 3: And I guess it's a welcoming community totally, but I'm like,

649
00:28:41,720 --> 00:28:43,800
Speaker 3: I might be the first person where they're like, we've

650
00:28:43,840 --> 00:28:44,959
Speaker 3: welcomed too many people.

651
00:28:45,120 --> 00:28:47,520
Speaker 2: I feel that there's a game store right by my

652
00:28:47,600 --> 00:28:50,280
Speaker 2: sister's apartment, and I'm one of those creepy people looking in,

653
00:28:50,440 --> 00:28:55,040
Speaker 2: like breathing into the glass, watching these collection of folks

654
00:28:55,040 --> 00:28:57,520
Speaker 2: have so much fun together playing it, and there's a

655
00:28:57,560 --> 00:28:58,600
Speaker 2: real joyousness.

656
00:28:59,280 --> 00:29:01,120
Speaker 4: But again, how do you like permeate?

657
00:29:01,240 --> 00:29:03,640
Speaker 2: How do you walk in as a brand new person

658
00:29:04,160 --> 00:29:05,360
Speaker 2: and ask them to explain new.

659
00:29:05,320 --> 00:29:07,480
Speaker 3: The rules and you've really are seeing each other naked.

660
00:29:07,520 --> 00:29:09,280
Speaker 2: I think it's very exposing.

661
00:29:09,360 --> 00:29:11,720
Speaker 4: What we need to do is probably build like a

662
00:29:11,800 --> 00:29:12,400
Speaker 4: virgin D.

663
00:29:12,440 --> 00:29:14,960
Speaker 3: And D right where everyone's pretty new and there's one

664
00:29:14,960 --> 00:29:18,160
Speaker 3: person who's just like slightly better as the dungeons. That's

665
00:29:18,160 --> 00:29:19,920
Speaker 3: what it is, and then the rest of us can

666
00:29:19,960 --> 00:29:21,000
Speaker 3: feel embarrassed together.

667
00:29:21,280 --> 00:29:24,920
Speaker 2: Yes, because otherwise I think it would be their patients

668
00:29:24,920 --> 00:29:28,960
Speaker 2: would dwindle, as would you. Yes, yeah, because they're four

669
00:29:29,080 --> 00:29:31,560
Speaker 2: five it's like a cricket game, like five hours of

670
00:29:31,680 --> 00:29:32,680
Speaker 2: cosplay five.

671
00:29:32,840 --> 00:29:36,800
Speaker 3: That's the other thing. Risk and uh Dungeons and Dragons

672
00:29:36,800 --> 00:29:38,440
Speaker 3: and like I just simply don't have the time.

673
00:29:38,520 --> 00:29:40,120
Speaker 4: Well, Risk is a long game.

674
00:29:40,320 --> 00:29:41,680
Speaker 3: Oh it'll go for days.

675
00:29:42,120 --> 00:29:45,040
Speaker 2: God, No, and Monopoly is pretty long. No one's ever

676
00:29:45,080 --> 00:29:48,440
Speaker 2: finished Monopoly? Has anyone ever finished Monopoly?

677
00:29:48,560 --> 00:29:52,360
Speaker 3: You? I just learned the budget for the Monopoly Go

678
00:29:52,680 --> 00:29:56,200
Speaker 3: on the phone was five hundred million dollars just for

679
00:29:56,240 --> 00:29:56,800
Speaker 3: the marketing.

680
00:29:57,600 --> 00:29:59,479
Speaker 2: What's the Monopoly Go for the phone?

681
00:30:00,080 --> 00:30:02,800
Speaker 3: I'm shocked you haven't heard of this. They're everywhere. Who

682
00:30:02,880 --> 00:30:05,719
Speaker 3: is buying it? No one wants to play Monopoly the

683
00:30:05,760 --> 00:30:06,280
Speaker 3: real thing?

684
00:30:06,800 --> 00:30:10,040
Speaker 2: You know where They nailed it though, the McDonald's back

685
00:30:10,040 --> 00:30:12,880
Speaker 2: in the day. Of course, I loved that and was

686
00:30:12,920 --> 00:30:16,160
Speaker 2: convinced if I bought enough Big Max I would fill

687
00:30:16,200 --> 00:30:16,760
Speaker 2: the bord up.

688
00:30:16,800 --> 00:30:18,960
Speaker 3: We all were. We were all hoping to win a

689
00:30:19,000 --> 00:30:19,640
Speaker 3: Dodge Viper.

690
00:30:20,880 --> 00:30:22,440
Speaker 4: The Dodge Viper of it all.

691
00:30:23,240 --> 00:30:26,800
Speaker 2: That was brilliant. Today I did pull up in a

692
00:30:27,000 --> 00:30:31,360
Speaker 2: very loud Dodge Viper. I got a muffler installed so

693
00:30:31,400 --> 00:30:33,960
Speaker 2: that I'm always really loud when I pulled up, roaring

694
00:30:35,480 --> 00:30:39,400
Speaker 2: and it's parking. I did not know Monopoly Go was

695
00:30:39,400 --> 00:30:41,480
Speaker 2: a game, And so what are you to play alone?

696
00:30:42,160 --> 00:30:43,959
Speaker 4: I get to play by yourself.

697
00:30:45,680 --> 00:30:49,080
Speaker 3: I think probably it's it seems like a real bottoming

698
00:30:49,280 --> 00:30:52,720
Speaker 3: out for somebody like I really feel, for whatever reason,

699
00:30:52,720 --> 00:30:54,840
Speaker 3: I'm really against this particular app.

700
00:30:55,080 --> 00:30:55,640
Speaker 2: I agree.

701
00:30:55,680 --> 00:30:57,840
Speaker 3: It's just like that five hundred million dollars could have

702
00:30:58,040 --> 00:30:59,880
Speaker 3: funded a lot of our television shows.

703
00:31:00,080 --> 00:31:03,160
Speaker 4: I agree. Have you another thing that feels like bottoming out?

704
00:31:03,200 --> 00:31:06,120
Speaker 2: There's like a compute a video game that's showing up

705
00:31:06,160 --> 00:31:08,920
Speaker 2: on Netflix where you can be in a Hallmark movie.

706
00:31:09,800 --> 00:31:12,720
Speaker 2: You can play you know the girl that moved from

707
00:31:12,760 --> 00:31:14,200
Speaker 2: the big city to the small.

708
00:31:13,960 --> 00:31:16,040
Speaker 4: Town to help, you know, her widowed parent.

709
00:31:16,240 --> 00:31:19,720
Speaker 3: And I'm sorry, I'm Hallmark has become self aware.

710
00:31:20,240 --> 00:31:23,600
Speaker 2: The Hallmark movie is they know that they're bad now?

711
00:31:23,720 --> 00:31:26,480
Speaker 4: Yeah, so I and they're tipped into the bit and

712
00:31:26,520 --> 00:31:27,200
Speaker 4: we can see it.

713
00:31:27,280 --> 00:31:27,520
Speaker 2: Yeah.

714
00:31:27,560 --> 00:31:31,680
Speaker 3: I wanted when they were fully embarrassing themselves, of course.

715
00:31:31,680 --> 00:31:34,040
Speaker 4: But now I'm like, I can smell that you're trying

716
00:31:34,040 --> 00:31:34,640
Speaker 4: to be cringe.

717
00:31:34,720 --> 00:31:38,320
Speaker 3: We're in ugly sweater territory where it's like, again, it's

718
00:31:38,360 --> 00:31:41,560
Speaker 3: not a thing anymore because you got a hold of it.

719
00:31:41,880 --> 00:31:45,280
Speaker 3: And so I'm I'm just watching old ones, yes, when

720
00:31:45,280 --> 00:31:48,800
Speaker 3: they were still pure, so pure. That can't happen again.

721
00:31:48,840 --> 00:31:51,960
Speaker 3: Another network has to rise up with not enough money

722
00:31:52,000 --> 00:31:55,440
Speaker 3: to know that it's doing wrong, right, And then yeah,

723
00:31:55,480 --> 00:31:58,840
Speaker 3: but the monopoly thing again, back to that just a bit.

724
00:31:58,920 --> 00:32:01,640
Speaker 3: Did you watch the documentary on that I bailed pretty quickly.

725
00:32:01,720 --> 00:32:02,680
Speaker 4: Was it a monopoly dog?

726
00:32:02,760 --> 00:32:05,160
Speaker 3: It was a whole scam about the McDonald The McDonald's

727
00:32:05,200 --> 00:32:10,280
Speaker 3: thing was ultimately being cheated by the people on the inside.

728
00:32:11,880 --> 00:32:13,680
Speaker 3: It should have been a more interesting documentary.

729
00:32:13,680 --> 00:32:16,360
Speaker 4: But Doctor the Century, people on the inside are.

730
00:32:17,880 --> 00:32:18,520
Speaker 3: The vipers.

731
00:32:18,640 --> 00:32:20,640
Speaker 2: Didn't they just say with the United Healthcare thing, it's

732
00:32:20,680 --> 00:32:23,240
Speaker 2: oh boy, yeah, we shouldn't go down that road.

733
00:32:24,360 --> 00:32:26,040
Speaker 3: What is that on your left arm there?

734
00:32:26,280 --> 00:32:29,560
Speaker 2: So this is a Labyrinth quote, But I was shooting

735
00:32:29,560 --> 00:32:32,880
Speaker 2: something and they have to cover my tattoo for it,

736
00:32:32,960 --> 00:32:35,200
Speaker 2: so now it's just the weird residue. But it says

737
00:32:35,240 --> 00:32:39,040
Speaker 2: the babe with the power, oh from Labyrinth, of course,

738
00:32:39,160 --> 00:32:42,200
Speaker 2: I love David Bowie was a big sexual awakening for me,

739
00:32:42,240 --> 00:32:48,840
Speaker 2: as was Jennifer Connelly. Yeah, yeah, yeah, it got covered

740
00:32:48,920 --> 00:32:51,680
Speaker 2: up and now is that's It's so amazing what they

741
00:32:51,680 --> 00:32:53,000
Speaker 2: can do with airbrush.

742
00:32:53,200 --> 00:32:55,560
Speaker 4: It starts off with this darker color and then they layer.

743
00:32:55,640 --> 00:32:59,800
Speaker 2: It's okay, it's like this like when my my friend

744
00:32:59,840 --> 00:33:02,680
Speaker 2: does drag and watching him do the makeup and the

745
00:33:02,840 --> 00:33:05,000
Speaker 2: science of it all, and that you start off with

746
00:33:05,040 --> 00:33:07,960
Speaker 2: a very dark line and then that blends. It's a

747
00:33:07,960 --> 00:33:12,840
Speaker 2: lot of uh color something, what's the an art color?

748
00:33:14,600 --> 00:33:17,600
Speaker 2: It's so extraordinary and that you can truly like change

749
00:33:17,600 --> 00:33:18,280
Speaker 2: the shape.

750
00:33:18,040 --> 00:33:20,440
Speaker 3: Of your nose right, Oh, it's amazing, like.

751
00:33:20,320 --> 00:33:22,320
Speaker 4: This, like gorgeous Cleopatra eye.

752
00:33:22,440 --> 00:33:25,080
Speaker 2: Yeah, I'm so impressed with I've never had the gift

753
00:33:25,320 --> 00:33:30,800
Speaker 2: of maidating, and I've done like the YouTube tutorials or

754
00:33:30,840 --> 00:33:33,280
Speaker 2: even at Sephora. I'm like, slow it down so I

755
00:33:33,320 --> 00:33:36,200
Speaker 2: can watch. And then still, I just had this trough

756
00:33:36,240 --> 00:33:39,440
Speaker 2: of loose makeup. The number I buy a blush and

757
00:33:39,480 --> 00:33:42,280
Speaker 2: within four days it's all over everything.

758
00:33:43,160 --> 00:33:46,200
Speaker 4: It's exploded. And I think there's two types of people.

759
00:33:46,480 --> 00:33:49,800
Speaker 2: I think there's the people with the really gorgeous makeup bag, yes,

760
00:33:50,040 --> 00:33:51,960
Speaker 2: not a stain in sight. And then I think there's

761
00:33:52,080 --> 00:33:55,560
Speaker 2: me who once maced herself because her mace got loose

762
00:33:55,600 --> 00:33:58,320
Speaker 2: in her makeup bag got on my blush and I'm

763
00:33:58,400 --> 00:34:01,600
Speaker 2: driving and you're driving doing your makeup and I like

764
00:34:01,680 --> 00:34:06,560
Speaker 2: home alone style, and I'd maced myself. So there's two

765
00:34:06,600 --> 00:34:08,959
Speaker 2: types of people. There's the people with a nice makeup

766
00:34:09,000 --> 00:34:11,319
Speaker 2: bag and the people who mace themselves because their purse

767
00:34:11,360 --> 00:34:12,040
Speaker 2: is an explosion.

768
00:34:12,120 --> 00:34:13,960
Speaker 3: I love a nice makeup bag where you hear the

769
00:34:14,000 --> 00:34:16,480
Speaker 3: clicking of all of the different makeups against each.

770
00:34:16,280 --> 00:34:19,320
Speaker 2: Other's kind amr Yeah.

771
00:34:19,239 --> 00:34:21,560
Speaker 3: Clicking and clacking. That's I think is very nice.

772
00:34:21,600 --> 00:34:22,440
Speaker 2: I don't really care.

773
00:34:22,320 --> 00:34:25,040
Speaker 4: To do my makeup, but I love the like looking

774
00:34:25,080 --> 00:34:26,040
Speaker 4: at makeup.

775
00:34:25,760 --> 00:34:29,640
Speaker 2: Oh all of it together, the possibility beautiful absolutely and

776
00:34:29,640 --> 00:34:32,640
Speaker 2: getting your makeup done or getting anyone like cutting your hair,

777
00:34:33,080 --> 00:34:36,120
Speaker 2: doing a thing that you absolutely can't do, and the

778
00:34:36,160 --> 00:34:37,360
Speaker 2: feeling the power.

779
00:34:37,600 --> 00:34:39,759
Speaker 3: We all could teach ourselves to cut our hair at home.

780
00:34:40,360 --> 00:34:42,480
Speaker 2: We could, but do we want to? I get a

781
00:34:42,520 --> 00:34:46,640
Speaker 2: little massage. Yeah, I lean back and is the temperature good?

782
00:34:47,520 --> 00:34:50,240
Speaker 2: I love that feeling. Well, do you know what a feeling?

783
00:34:50,280 --> 00:34:52,600
Speaker 2: I don't love? What? Tell me?

784
00:34:54,200 --> 00:34:54,920
Speaker 4: I'd love to know.

785
00:34:55,960 --> 00:34:59,239
Speaker 3: Well, you're gonna hear Hannah the podcast is called I

786
00:34:59,280 --> 00:35:03,000
Speaker 3: said no gift, and yeah, I was so excited to

787
00:35:03,040 --> 00:35:06,600
Speaker 3: have you here today. And I heard your car roar

788
00:35:06,680 --> 00:35:09,279
Speaker 3: into my neighborhood. I had to plug my ears, but

789
00:35:09,320 --> 00:35:12,880
Speaker 3: I was excited to have you here. And you know,

790
00:35:12,880 --> 00:35:16,480
Speaker 3: I thought we would just have a nice Saturday chat. Sure, sure, so,

791
00:35:16,600 --> 00:35:18,560
Speaker 3: And I know you've gotten emails. I know on at

792
00:35:18,600 --> 00:35:21,040
Speaker 3: Lisa has been calling you non stop to let you know.

793
00:35:21,160 --> 00:35:24,080
Speaker 2: Your podcast to not bring a gift right right, right,

794
00:35:24,160 --> 00:35:25,359
Speaker 2: delicently spelled out.

795
00:35:25,680 --> 00:35:30,000
Speaker 3: And so I was absolutely blown away when you came

796
00:35:30,040 --> 00:35:34,920
Speaker 3: into my backyard holding what is obviously clearly a gift.

797
00:35:34,920 --> 00:35:38,239
Speaker 2: Well, for all you know, that's my tote bag. You know,

798
00:35:38,400 --> 00:35:41,000
Speaker 2: that's that's where I keep my inhaler and all my makeup.

799
00:35:41,120 --> 00:35:42,480
Speaker 2: Probably you know that's where my mace is.

800
00:35:43,880 --> 00:35:46,600
Speaker 3: Your tote bag is a box with elves all over it.

801
00:35:46,800 --> 00:35:49,759
Speaker 4: And a card addressed to you.

802
00:35:50,400 --> 00:35:52,400
Speaker 3: Well, I guess I should ask, then is this a

803
00:35:52,440 --> 00:35:52,920
Speaker 3: gift for me?

804
00:35:53,080 --> 00:35:55,960
Speaker 2: It is? Okay, Well that's a gift for you. Should

805
00:35:55,960 --> 00:35:59,000
Speaker 2: I open it here? On the podcast? Yeah, I think

806
00:35:59,040 --> 00:36:06,640
Speaker 2: you ought to. It's as I says, there's something living

807
00:36:06,680 --> 00:36:11,880
Speaker 2: in there. There's a snake that up just that scene

808
00:36:11,880 --> 00:36:15,200
Speaker 2: from kill Bill, the way that I wrapped this and

809
00:36:15,480 --> 00:36:17,799
Speaker 2: stuffed it in there. I just want to warn you

810
00:36:17,840 --> 00:36:22,440
Speaker 2: it's shocking, shocking. It's sort of a Mary Poppins how

811
00:36:22,520 --> 00:36:24,040
Speaker 2: they're an umbrella in their situation.

812
00:36:24,160 --> 00:36:26,719
Speaker 3: Wonderful. Okay, so there's a little little card. I'm going

813
00:36:26,760 --> 00:36:30,120
Speaker 3: to open this up. Let's see here a lot of

814
00:36:30,160 --> 00:36:30,800
Speaker 3: tissue paper.

815
00:36:30,920 --> 00:36:34,040
Speaker 2: I think a box not filled with tissue paper is

816
00:36:34,080 --> 00:36:34,760
Speaker 2: such a waste.

817
00:36:34,840 --> 00:36:36,320
Speaker 3: Oh, it's a horrible idea.

818
00:36:36,400 --> 00:36:38,040
Speaker 4: A hollow if there's just a loose.

819
00:36:37,880 --> 00:36:41,640
Speaker 3: Given sliding around nothing, no, no care about me.

820
00:36:42,440 --> 00:36:44,600
Speaker 4: You don't care about you, never once scared about me.

821
00:36:44,960 --> 00:36:46,840
Speaker 3: You have low self a scene that you're trying to

822
00:36:46,840 --> 00:36:47,920
Speaker 3: make me have low selfish.

823
00:36:47,960 --> 00:36:49,680
Speaker 4: Why don't you take a look in the mirror, buddy.

824
00:36:51,480 --> 00:36:54,040
Speaker 3: Yeah, there's a lot of tissue here, So let's start.

825
00:36:55,040 --> 00:36:59,920
Speaker 2: And you're probably gonna need an explanation, okay, Okay, So

826
00:37:00,000 --> 00:37:03,520
Speaker 2: we're getting to some tissue. This is stuffed in.

827
00:37:03,480 --> 00:37:05,520
Speaker 4: Here, and I would say there's maybe a couple of gifts.

828
00:37:05,600 --> 00:37:09,160
Speaker 3: Okay, so I gotta be very careful, very ribbon.

829
00:37:09,320 --> 00:37:11,400
Speaker 2: What should I do here? And then I'm seeing a

830
00:37:11,440 --> 00:37:17,040
Speaker 2: lot of cotton very soon, My friends, this is incredible

831
00:37:17,200 --> 00:37:19,520
Speaker 2: and there are some things in the middle. It's a

832
00:37:19,600 --> 00:37:23,440
Speaker 2: two partner, Oh dazzling.

833
00:37:23,520 --> 00:37:28,799
Speaker 3: Okay. Okay, So now I found three little vials. Is

834
00:37:28,840 --> 00:37:29,480
Speaker 3: this everything?

835
00:37:30,239 --> 00:37:30,479
Speaker 2: Okay?

836
00:37:30,520 --> 00:37:31,799
Speaker 3: I just want to make sure because there's a lot

837
00:37:31,840 --> 00:37:32,439
Speaker 3: of cotton here.

838
00:37:33,239 --> 00:37:37,440
Speaker 2: Almost there's a surplus bloody it looks like a bloody bandage.

839
00:37:39,360 --> 00:37:40,960
Speaker 3: This was around your dog's paw.

840
00:37:42,280 --> 00:37:44,480
Speaker 2: I want to start by saying, this is a regift,

841
00:37:45,000 --> 00:37:47,360
Speaker 2: this is something that was very dear to me, okay,

842
00:37:47,360 --> 00:37:51,160
Speaker 2: and I'm passing. I'm so thrilled about this, and of

843
00:37:51,160 --> 00:37:52,799
Speaker 2: course I'm gonna need to explain to you what it is.

844
00:37:52,840 --> 00:37:55,439
Speaker 3: Okay, So they're three little vials. I mean they are

845
00:37:55,560 --> 00:37:59,239
Speaker 3: almost from an erotic fantasy because they're full of beautiful,

846
00:38:00,160 --> 00:38:00,960
Speaker 3: colorful glitter.

847
00:38:01,239 --> 00:38:03,080
Speaker 4: Now you know what, I don't think people are gifting

848
00:38:03,200 --> 00:38:03,799
Speaker 4: enough of what.

849
00:38:04,080 --> 00:38:09,920
Speaker 2: I don't think people are gifting enough magic, I think.

850
00:38:10,000 --> 00:38:11,440
Speaker 4: And I blessed all of those.

851
00:38:11,800 --> 00:38:14,440
Speaker 2: You blessed each one of them with different things.

852
00:38:14,719 --> 00:38:16,560
Speaker 4: The gift of spontaneity.

853
00:38:16,680 --> 00:38:18,919
Speaker 3: Okay, So which is which I'm holding the pink crack.

854
00:38:19,360 --> 00:38:20,920
Speaker 2: That's the gift of just magic.

855
00:38:21,040 --> 00:38:23,160
Speaker 3: Oh, this is pure mess, everyday magic.

856
00:38:23,280 --> 00:38:27,319
Speaker 2: Okay, So I should swallow sprinkle that over yourself or

857
00:38:27,360 --> 00:38:29,279
Speaker 2: something that you feel could use a little magic. A

858
00:38:29,280 --> 00:38:32,640
Speaker 2: piece of toast, piece of toast. You know, you're sitting

859
00:38:32,680 --> 00:38:36,520
Speaker 2: at your computer interior and you're deleting exterior, and you're deleting.

860
00:38:36,600 --> 00:38:39,360
Speaker 4: I need inspiration. I need a little magic. Sprinkle that

861
00:38:39,480 --> 00:38:40,120
Speaker 4: over your.

862
00:38:40,160 --> 00:38:43,719
Speaker 2: Twenty eighteen MacBook left just me, just me with a

863
00:38:43,719 --> 00:38:46,680
Speaker 2: MacBook that's overheating after fifteen minutes with a.

864
00:38:46,680 --> 00:38:49,480
Speaker 4: Cord that sparked the other day. I could use a

865
00:38:49,520 --> 00:38:51,600
Speaker 4: little magic, or maybe some money.

866
00:38:52,160 --> 00:38:54,399
Speaker 3: I finally had to get rid of my I tried

867
00:38:54,400 --> 00:38:56,960
Speaker 3: to stretch out a laptop about seven to eight years. Sure,

868
00:38:57,120 --> 00:38:59,560
Speaker 3: my MacBook was I think three or four years old.

869
00:38:59,560 --> 00:39:01,920
Speaker 3: But I got I was told I got the wrong model.

870
00:39:02,360 --> 00:39:04,160
Speaker 2: This thing, that's what it is. It's not that's a

871
00:39:04,200 --> 00:39:08,000
Speaker 2: decade old waffle iron. I know, if your MacBook's going,

872
00:39:08,960 --> 00:39:11,600
Speaker 2: then you have to get rid of that MacBook. My

873
00:39:13,160 --> 00:39:16,440
Speaker 2: MacBook needs one of those ports. It's so old.

874
00:39:16,640 --> 00:39:18,759
Speaker 3: Yeah, so I was a little upset. I finally had

875
00:39:18,800 --> 00:39:19,920
Speaker 3: to get a new one. But I can dump this

876
00:39:20,000 --> 00:39:20,479
Speaker 3: into here.

877
00:39:20,800 --> 00:39:23,560
Speaker 2: Yeah, try the magic first. So that's the gift of magic.

878
00:39:23,600 --> 00:39:23,839
Speaker 3: Okay.

879
00:39:23,880 --> 00:39:27,279
Speaker 2: The silver is the gift of the fiscal gift. Oh,

880
00:39:27,320 --> 00:39:29,959
Speaker 2: it's a fiscal gift. Sprinkle that over something that you'd

881
00:39:29,960 --> 00:39:34,359
Speaker 2: like an upgrade. I'm going to freebase this. Sure, it's

882
00:39:34,800 --> 00:39:37,439
Speaker 2: do with that what you will. Okay, And that could

883
00:39:37,440 --> 00:39:39,319
Speaker 2: more be in the abstract as well. If you've got

884
00:39:39,360 --> 00:39:41,040
Speaker 2: kind of a self worth thing going on, and I

885
00:39:41,040 --> 00:39:43,160
Speaker 2: don't need to kind of project that onto you. You're

886
00:39:43,200 --> 00:39:48,279
Speaker 2: giving abundance, you're giving glowy skin. Yes, but if there's

887
00:39:48,320 --> 00:39:50,920
Speaker 2: something that you feel needs a glow up, or you know,

888
00:39:51,040 --> 00:39:53,840
Speaker 2: maybe your car, you want a night's oar, sprinkle that

889
00:39:53,960 --> 00:39:54,359
Speaker 2: over that.

890
00:39:54,520 --> 00:39:56,359
Speaker 4: You might be you might be at a dealership soon.

891
00:39:56,440 --> 00:39:58,760
Speaker 3: Okay, put this in the gas tank or the battery

892
00:39:58,920 --> 00:39:59,400
Speaker 3: or whatever.

893
00:39:59,640 --> 00:40:01,439
Speaker 2: And this is and then and so what we haven't

894
00:40:01,440 --> 00:40:03,160
Speaker 2: gotten to this one? Now, this is that's the gift

895
00:40:03,200 --> 00:40:03,800
Speaker 2: of passion.

896
00:40:03,840 --> 00:40:06,279
Speaker 3: It's a midnight blue right after hours.

897
00:40:06,360 --> 00:40:09,040
Speaker 2: That's an after hours gift. That's you to speak easy

898
00:40:09,080 --> 00:40:11,239
Speaker 2: with a whiskey sour and you're kind of and you're

899
00:40:11,280 --> 00:40:13,879
Speaker 2: kind of shuffling, and you've got one cube wearing nothing

900
00:40:13,880 --> 00:40:17,200
Speaker 2: but and you've got to tassel and you're swirling it

901
00:40:17,280 --> 00:40:21,000
Speaker 2: and you're going hellos uh. That's the gift of passion.

902
00:40:21,719 --> 00:40:25,440
Speaker 3: Taking a small vial of a mysterious thing into a bar, I.

903
00:40:25,480 --> 00:40:28,720
Speaker 4: Can't recommend it in that no one's gonna ask any questions.

904
00:40:28,920 --> 00:40:31,480
Speaker 2: And put it on and and and put and sprinkle

905
00:40:31,520 --> 00:40:35,240
Speaker 2: it into your neighboring friends drinks. So the tay too

906
00:40:35,520 --> 00:40:37,000
Speaker 2: can have the gift of passion.

907
00:40:37,360 --> 00:40:38,680
Speaker 4: No one will ask any questions.

908
00:40:39,880 --> 00:40:42,640
Speaker 3: No, I these are the most charming little vials I've

909
00:40:42,680 --> 00:40:45,000
Speaker 3: ever seen. They really do look magical, I think.

910
00:40:45,280 --> 00:40:47,760
Speaker 2: And you know, it's like we were talking about psychosomatic

911
00:40:47,800 --> 00:40:51,000
Speaker 2: the led mask. Being psychosomatic, you know, being maybe just bullshit,

912
00:40:51,120 --> 00:40:53,880
Speaker 2: but makes you feel like you're slipping from the fountain

913
00:40:53,880 --> 00:40:56,839
Speaker 2: of youth. These vials to me, whether or not there's

914
00:40:56,880 --> 00:41:00,480
Speaker 2: actual magic in there, you might feel like the act

915
00:41:00,520 --> 00:41:02,400
Speaker 2: of doing it gives you the magic.

916
00:41:03,360 --> 00:41:03,799
Speaker 4: I think so.

917
00:41:04,080 --> 00:41:06,239
Speaker 2: I think we could all benefit from acting like we're

918
00:41:06,320 --> 00:41:09,840
Speaker 2: children more often. Absolutely right, It's like we have to

919
00:41:09,880 --> 00:41:12,719
Speaker 2: read the artist's way to have fun. Right.

920
00:41:12,920 --> 00:41:13,600
Speaker 3: No, I don't need that.

921
00:41:13,640 --> 00:41:15,920
Speaker 2: I just need to sprinkle glitter all over everything and

922
00:41:15,920 --> 00:41:21,200
Speaker 2: put that in people's drinks. No, I I just I

923
00:41:21,239 --> 00:41:23,520
Speaker 2: love a little magic. I love a little whimsy in

924
00:41:23,560 --> 00:41:24,239
Speaker 2: the acts.

925
00:41:24,280 --> 00:41:26,400
Speaker 3: See what are you doing to bring whimsy into your life?

926
00:41:26,560 --> 00:41:31,400
Speaker 2: Getting labyrinth tattoos? Watching, going to puppet shows? Oh do

927
00:41:31,440 --> 00:41:35,040
Speaker 2: you go to Bob Baker Love Bob Baker. Jim Henson

928
00:41:35,120 --> 00:41:40,160
Speaker 2: Studios is about to start doing live puppet whose They

929
00:41:40,200 --> 00:41:43,600
Speaker 2: we do like muppet type shows. This was just brought

930
00:41:43,600 --> 00:41:46,920
Speaker 2: to my they do muppet puppet improv. Wow. I know,

931
00:41:47,160 --> 00:41:52,480
Speaker 2: and I somehow I've been missing this, but things like that, right, Uh,

932
00:41:52,960 --> 00:41:56,200
Speaker 2: just I don't know. Go take some paints to the park.

933
00:41:57,320 --> 00:42:01,319
Speaker 2: Frolic frolic, absolutely fry that out for size. I saw

934
00:42:01,360 --> 00:42:03,279
Speaker 2: a video of someone skipping and they were like, it's

935
00:42:03,320 --> 00:42:05,040
Speaker 2: a way more efficient way to get around. Now.

936
00:42:05,120 --> 00:42:09,200
Speaker 4: Listen, am I gonna skip around the Albertsons? No?

937
00:42:09,680 --> 00:42:13,080
Speaker 3: Maybe after you sign a petition to get California two states.

938
00:42:13,080 --> 00:42:18,160
Speaker 2: You're skipping with glee. Yeah, I didn't want that. Okay,

939
00:42:18,280 --> 00:42:19,440
Speaker 2: let me hear the face of that.

940
00:42:20,200 --> 00:42:22,000
Speaker 3: Before we started recording, I tried to sell you a

941
00:42:22,000 --> 00:42:23,160
Speaker 3: lot of crypto.

942
00:42:23,080 --> 00:42:28,280
Speaker 2: Right, but ethereum's up right now, so I hear, couldn't

943
00:42:28,320 --> 00:42:31,880
Speaker 2: be me to invest in that. I come from a

944
00:42:31,920 --> 00:42:34,720
Speaker 2: lot of fiscal bad, bad choices.

945
00:42:36,120 --> 00:42:37,120
Speaker 4: Like mother, like daughter.

946
00:42:37,320 --> 00:42:41,520
Speaker 3: But and also with crypto, I mean, I mean, I

947
00:42:41,520 --> 00:42:43,680
Speaker 3: guess it is kind of in this category where you're

948
00:42:43,719 --> 00:42:44,360
Speaker 3: just believing.

949
00:42:44,840 --> 00:42:48,160
Speaker 2: But this doesn't crypto. You're right, you're oh, my god,

950
00:42:48,480 --> 00:42:49,719
Speaker 2: is crypto whimsical?

951
00:42:49,800 --> 00:42:52,480
Speaker 3: Crypto is whimsical? Maybe this is how we ruined crypto

952
00:42:52,520 --> 00:42:55,160
Speaker 3: because we make it a little bit more less bro

953
00:42:55,320 --> 00:42:56,960
Speaker 3: And then all those guys are scared. They're like, I

954
00:42:57,000 --> 00:42:57,960
Speaker 3: don't want to be whimsical.

955
00:42:59,280 --> 00:43:04,520
Speaker 2: Crypto is make believe I give you this money.

956
00:43:04,760 --> 00:43:08,560
Speaker 3: It's taken the money is already such a fictional concept

957
00:43:08,560 --> 00:43:10,040
Speaker 3: that we've all agreed to, and it's taken it to

958
00:43:10,080 --> 00:43:15,040
Speaker 3: a new level, to erotic fantasy level that is unsustainable.

959
00:43:15,120 --> 00:43:17,840
Speaker 4: It's all made up. But at least we can print dollars.

960
00:43:17,880 --> 00:43:20,319
Speaker 2: Yes, I can hold a dollar, right, I mean I

961
00:43:20,400 --> 00:43:21,240
Speaker 2: kind of need something.

962
00:43:21,360 --> 00:43:23,920
Speaker 3: I need liquidity, right, I need something that I can

963
00:43:23,960 --> 00:43:25,759
Speaker 3: throw in someone's face and say, this is all you

964
00:43:25,800 --> 00:43:26,280
Speaker 3: care about.

965
00:43:26,440 --> 00:43:30,239
Speaker 2: Here's that money I owe you. Yeah, you do that

966
00:43:30,280 --> 00:43:33,240
Speaker 2: at the after hours bar as you're swirling your tassel.

967
00:43:34,440 --> 00:43:36,760
Speaker 2: You know what that gift is. That's the gift of drama.

968
00:43:37,200 --> 00:43:40,680
Speaker 2: It's pure And I'm not talking about vander Pump Rules drama.

969
00:43:40,760 --> 00:43:43,760
Speaker 2: I'm talking about life, just having a bit more zest,

970
00:43:43,840 --> 00:43:46,040
Speaker 2: a bit doing everything, but just doing it a.

971
00:43:46,000 --> 00:43:49,440
Speaker 3: Bit extra extra extra. It feels like I feel like

972
00:43:49,480 --> 00:43:51,480
Speaker 3: a spray bottle of glitter would be a good self

973
00:43:51,560 --> 00:43:54,440
Speaker 3: defense tool. Sure, that adds a little extra fun to

974
00:43:54,880 --> 00:44:00,960
Speaker 3: the attack. You know, I love that, but but enjoy.

975
00:44:01,000 --> 00:44:05,000
Speaker 2: Yeah, africadabra. Sorry, I was talking to my dog. I

976
00:44:05,120 --> 00:44:07,879
Speaker 2: was trying to fetch my dog over there and may

977
00:44:07,920 --> 00:44:09,080
Speaker 2: see you at the same time.

978
00:44:09,680 --> 00:44:11,800
Speaker 4: I love a spray bottle of mace.

979
00:44:13,200 --> 00:44:15,879
Speaker 2: That feels again like something that I would that would

980
00:44:15,880 --> 00:44:19,279
Speaker 2: accidentally leak in my purse. Is that an option for me?

981
00:44:19,840 --> 00:44:23,520
Speaker 2: Just a yeah, listen, I'm sure that you could buy

982
00:44:23,600 --> 00:44:26,600
Speaker 2: just loose mace on the internet on the dark web,

983
00:44:27,760 --> 00:44:29,319
Speaker 2: go all the way to the dark ones, just get

984
00:44:29,360 --> 00:44:30,840
Speaker 2: a ziploc bag of mace.

985
00:44:32,760 --> 00:44:34,440
Speaker 3: Speaking of the dark web, I was just listening to

986
00:44:34,480 --> 00:44:35,839
Speaker 3: a podcast called The kill List.

987
00:44:35,880 --> 00:44:36,440
Speaker 2: Have you heard of this?

988
00:44:37,200 --> 00:44:42,280
Speaker 3: It's about hired killers that people hire on the dark web,

989
00:44:43,080 --> 00:44:46,120
Speaker 3: and apparently it turns out it's mostly a scam. Sure,

990
00:44:46,840 --> 00:44:48,280
Speaker 3: but this the theory.

991
00:44:48,360 --> 00:44:53,440
Speaker 2: Ashley Madison of Hitman kind of the guy who created

992
00:44:53,440 --> 00:44:57,279
Speaker 2: this podcast. He's like, well, what's happening is these people

993
00:44:57,280 --> 00:44:59,960
Speaker 2: are hiring a killer for thousands and thousands of dollars.

994
00:45:00,040 --> 00:45:02,279
Speaker 2: It's not happening, but because they're willing to put that

995
00:45:02,280 --> 00:45:04,560
Speaker 2: money forth, they're probably gonna end up killing their spouse.

996
00:45:04,760 --> 00:45:07,160
Speaker 2: Because it's almost always this one hundred percent.

997
00:45:07,400 --> 00:45:10,320
Speaker 3: It's like, kill my ex wife. Here's thirty thousand dollars,

998
00:45:10,400 --> 00:45:12,960
Speaker 3: and then the dark web goes away and right now

999
00:45:13,000 --> 00:45:13,880
Speaker 3: they're just embarrassed.

1000
00:45:13,960 --> 00:45:16,480
Speaker 2: How often is it actually like the ransom notes that

1001
00:45:16,480 --> 00:45:19,000
Speaker 2: are being like I'm watching that, Jean Benet, Oh there's

1002
00:45:19,040 --> 00:45:20,279
Speaker 2: a new one. There's a new one.

1003
00:45:20,280 --> 00:45:21,360
Speaker 4: There's no new information.

1004
00:45:21,480 --> 00:45:23,400
Speaker 3: Of course, that's how the Zodiac thing was.

1005
00:45:23,560 --> 00:45:26,680
Speaker 2: I hate how Netflix is doing three part series that

1006
00:45:26,760 --> 00:45:30,120
Speaker 2: need to be fifty minutes max, okause the first twenty

1007
00:45:30,120 --> 00:45:33,200
Speaker 2: minutes is a series of jump cuts of people going

1008
00:45:33,800 --> 00:45:36,120
Speaker 2: I've worked a long time in my field and I've

1009
00:45:36,160 --> 00:45:38,000
Speaker 2: never seen a case like this, And then it cuts

1010
00:45:38,040 --> 00:45:40,799
Speaker 2: to someone else, and you know, it's like journalist, I've

1011
00:45:40,800 --> 00:45:43,400
Speaker 2: written a lot of stories and in all my years,

1012
00:45:43,440 --> 00:45:47,120
Speaker 2: this story is the most hard hitting. Of course, over

1013
00:45:47,200 --> 00:45:49,320
Speaker 2: and over again for like eight to fifteen minutes.

1014
00:45:49,360 --> 00:45:50,640
Speaker 3: We've run out of true crimes.

1015
00:45:50,680 --> 00:45:54,160
Speaker 2: We've run out of true Can people be committing more crimes? Yeah,

1016
00:45:54,160 --> 00:45:56,359
Speaker 2: we've got to get so we can watch it and

1017
00:45:56,400 --> 00:46:01,880
Speaker 2: be spooked in our beds. No. I love true crime,

1018
00:46:02,160 --> 00:46:05,080
Speaker 2: and I'm sick of these these stretched out.

1019
00:46:05,000 --> 00:46:08,319
Speaker 3: These documentaries on Netflix are wasting all of our time.

1020
00:46:08,800 --> 00:46:09,000
Speaker 2: Yah.

1021
00:46:09,160 --> 00:46:11,399
Speaker 3: Just I don't know if you watched the recent Zodiac one,

1022
00:46:11,440 --> 00:46:17,000
Speaker 3: but I did. Absolute waste of everyone's time. No new information,

1023
00:46:17,080 --> 00:46:21,280
Speaker 3: of course, the new testimonials are also I'm like, sorry,

1024
00:46:21,320 --> 00:46:23,480
Speaker 3: I just think that I don't know that I believe this.

1025
00:46:23,640 --> 00:46:26,120
Speaker 2: Maybe they're banking on people that don't know about the story,

1026
00:46:26,160 --> 00:46:28,400
Speaker 2: the eighteen year olds that don't know what a walkman is,

1027
00:46:28,480 --> 00:46:33,040
Speaker 2: the people that didn't see National Inquire articles about Jean Benet. Right, well,

1028
00:46:33,120 --> 00:46:35,279
Speaker 2: just drag your old documentary at the top of the

1029
00:46:35,280 --> 00:46:39,200
Speaker 2: pile and showing I'm not saying I don't understand why

1030
00:46:39,239 --> 00:46:41,640
Speaker 2: we need a new one. Gosh, that's sort of the

1031
00:46:41,640 --> 00:46:44,799
Speaker 2: theme of this episode is you got a blank check?

1032
00:46:44,840 --> 00:46:46,480
Speaker 2: What are you gonna do the same thing.

1033
00:46:46,640 --> 00:46:48,440
Speaker 3: We're gonna talk about Jean Benet again.

1034
00:46:48,480 --> 00:46:50,799
Speaker 2: You're gonna do Gladiator and it's the same script. You're

1035
00:46:50,840 --> 00:46:53,080
Speaker 2: You're not fooling us, And add a couple of sharks.

1036
00:46:54,160 --> 00:46:56,800
Speaker 3: No, add some sharks to the Jean Benet story.

1037
00:46:56,960 --> 00:47:00,319
Speaker 2: That's okay. If you're gonna do a Jan Benet do over,

1038
00:47:00,560 --> 00:47:04,440
Speaker 2: add some sharks. Just it can be a loose theory.

1039
00:47:05,040 --> 00:47:07,680
Speaker 2: We've gotten every other theory. Maybe there was a two

1040
00:47:07,719 --> 00:47:12,040
Speaker 2: sharks in a trench coat that dressed a Santa Claus.

1041
00:47:12,239 --> 00:47:14,839
Speaker 2: That's what I'm saying. Yeah, that's yeah.

1042
00:47:15,120 --> 00:47:16,600
Speaker 3: Just I mean, if you're going to keep doing it,

1043
00:47:16,719 --> 00:47:18,560
Speaker 3: just bring up some new theories.

1044
00:47:18,600 --> 00:47:22,080
Speaker 2: It's so interesting that we as a society need crave

1045
00:47:22,239 --> 00:47:25,760
Speaker 2: watching the like It's like SPU's the most popular, always

1046
00:47:25,800 --> 00:47:29,280
Speaker 2: the most grizzly haunting stories that we gravitate towards.

1047
00:47:29,320 --> 00:47:29,799
Speaker 4: What is that?

1048
00:47:29,960 --> 00:47:32,840
Speaker 3: I think I feel like I've actually heard somebody. Somebody

1049
00:47:32,840 --> 00:47:36,200
Speaker 3: had a pretty succinct explanation of why this is, and

1050
00:47:36,280 --> 00:47:38,800
Speaker 3: I can't remember anything about it, but it was basically

1051
00:47:38,920 --> 00:47:42,719
Speaker 3: like a part of it is self protection, where you're like,

1052
00:47:42,760 --> 00:47:44,680
Speaker 3: you're you at least feel like you're learning how to

1053
00:47:44,719 --> 00:47:48,840
Speaker 3: keep yourself from that happening to you, Okay, And then

1054
00:47:49,560 --> 00:47:51,160
Speaker 3: I guess the rest of the rest of it were

1055
00:47:51,200 --> 00:47:52,400
Speaker 3: just freaks that tracks.

1056
00:47:52,400 --> 00:47:54,200
Speaker 2: Because when I was a kid, I would watch unsolved

1057
00:47:54,239 --> 00:47:58,439
Speaker 2: mysteries the most haunting of all. Oh, because and what's

1058
00:47:58,440 --> 00:48:00,400
Speaker 2: funny is in true crime in a way most of

1059
00:48:00,480 --> 00:48:02,759
Speaker 2: them are unsolved mystery, Yes, but it's the fact that

1060
00:48:02,760 --> 00:48:04,799
Speaker 2: they would end every episode and say, if you have

1061
00:48:04,880 --> 00:48:08,480
Speaker 2: any information on the whereabouts or any further information on

1062
00:48:08,520 --> 00:48:10,040
Speaker 2: this case, call this number.

1063
00:48:10,320 --> 00:48:12,480
Speaker 4: There was one about it was.

1064
00:48:12,480 --> 00:48:14,680
Speaker 2: A family that went to the Grand Canyon and they

1065
00:48:14,680 --> 00:48:16,719
Speaker 2: were intents and the parents were in a tent and

1066
00:48:16,760 --> 00:48:19,000
Speaker 2: the little kid was in a tent and apparate tent.

1067
00:48:19,400 --> 00:48:21,520
Speaker 2: I know, well rude, because it gets very cold there

1068
00:48:21,560 --> 00:48:24,759
Speaker 2: at night. Why weren't they all huddling together like three bears? Right?

1069
00:48:25,120 --> 00:48:27,279
Speaker 4: But that was their prerogative. Maybe they wanted to.

1070
00:48:27,440 --> 00:48:32,120
Speaker 2: Make some whoopee have meaningful sex in beautiful production design.

1071
00:48:33,200 --> 00:48:37,160
Speaker 2: But they cut a hole in the tent and they

1072
00:48:37,239 --> 00:48:39,399
Speaker 2: scooped the kid out, And it was one of those

1073
00:48:39,400 --> 00:48:41,680
Speaker 2: where there really was a kidnapper and they've never found

1074
00:48:41,760 --> 00:48:44,960
Speaker 2: the little girl. So I was convinced that someone was

1075
00:48:45,000 --> 00:48:48,440
Speaker 2: gonna cut me out of something, of course, and scoop

1076
00:48:48,480 --> 00:48:49,400
Speaker 2: me out naturally.

1077
00:48:49,920 --> 00:48:51,440
Speaker 3: And we don't think it was just the parents and

1078
00:48:51,520 --> 00:48:54,200
Speaker 3: they like it feels like a perfect excuse. While he

1079
00:48:54,239 --> 00:48:56,360
Speaker 3: was in a different tent. How could I mean, of

1080
00:48:56,400 --> 00:48:58,000
Speaker 3: course he got kidnapped.

1081
00:48:57,600 --> 00:49:01,279
Speaker 2: Right exactly. You were asking for that right. So often too,

1082
00:49:01,360 --> 00:49:04,200
Speaker 2: it's it's about wealth, right, like the Elizabeth Smart case,

1083
00:49:04,239 --> 00:49:06,080
Speaker 2: they there was a ransom situation.

1084
00:49:06,600 --> 00:49:09,640
Speaker 3: Smart. I grew up in Utah. Actually I can very

1085
00:49:09,640 --> 00:49:12,759
Speaker 3: specifically remember this happening in real time, like my uncle

1086
00:49:12,800 --> 00:49:15,680
Speaker 3: lived in the neighborhood, and like it was a horrible situation.

1087
00:49:16,840 --> 00:49:20,319
Speaker 3: That situation was not ransom. It was a lunatic, a

1088
00:49:20,400 --> 00:49:25,200
Speaker 3: religious fanatic who basically thought he was a prophet and

1089
00:49:25,520 --> 00:49:29,120
Speaker 3: was trying to create a new uh something or other

1090
00:49:29,719 --> 00:49:30,480
Speaker 3: with wives.

1091
00:49:30,680 --> 00:49:33,040
Speaker 2: Oh, it's so interesting that I gave you the gift

1092
00:49:33,040 --> 00:49:37,960
Speaker 2: of whimsy, and now we're talking about murder kidnapping gone

1093
00:49:37,960 --> 00:49:43,120
Speaker 2: too far deptour there, and I thought, whose imaginations got

1094
00:49:43,239 --> 00:49:47,399
Speaker 2: too big? Right? Right, if they just had.

1095
00:49:47,280 --> 00:49:49,759
Speaker 3: A creative outlet, they wouldn't be kidnapping and throwing their

1096
00:49:49,840 --> 00:49:50,840
Speaker 3: kids into the Grand Canyon.

1097
00:49:50,920 --> 00:49:54,040
Speaker 2: That's if they had had the pixie dust, right, things

1098
00:49:54,080 --> 00:49:56,960
Speaker 2: could have looked really different. It's not interesting as humans

1099
00:49:57,000 --> 00:49:59,520
Speaker 2: that It's like we started magic and we still have

1100
00:49:59,600 --> 00:50:02,960
Speaker 2: to skew to tragicy. Yes, we always just kind of

1101
00:50:03,120 --> 00:50:10,760
Speaker 2: slide right. Uh, it's good to see you, my Uh.

1102
00:50:10,840 --> 00:50:13,279
Speaker 3: The one unsolved mysteries that and this may have been

1103
00:50:13,280 --> 00:50:16,239
Speaker 3: a what was the other one called America's Must Wanted Sure,

1104
00:50:16,280 --> 00:50:18,320
Speaker 3: but this was must have been unsolved mysteries because.

1105
00:50:18,800 --> 00:50:19,840
Speaker 4: Probably he was more for kids.

1106
00:50:20,719 --> 00:50:24,640
Speaker 3: Why but I think it was like on Friday nights

1107
00:50:24,640 --> 00:50:26,920
Speaker 3: when your parents went out, and so that's.

1108
00:50:26,760 --> 00:50:29,440
Speaker 2: When you were turning guys, gather out and we're popping

1109
00:50:29,520 --> 00:50:30,680
Speaker 2: on in some mysteries.

1110
00:50:31,000 --> 00:50:33,759
Speaker 4: Put the candy and the popcorn and let's start this thing.

1111
00:50:34,920 --> 00:50:35,120
Speaker 2: Yeah.

1112
00:50:35,160 --> 00:50:37,120
Speaker 3: For me, the one that stood out and I can

1113
00:50:37,160 --> 00:50:39,560
Speaker 3: still remember was there was a guy that would call

1114
00:50:40,000 --> 00:50:42,719
Speaker 3: Pizza Hut and have a delivery to like an and

1115
00:50:42,760 --> 00:50:44,400
Speaker 3: it would end up being an empty field and the

1116
00:50:44,400 --> 00:50:45,400
Speaker 3: person would get murdered.

1117
00:50:46,239 --> 00:50:49,920
Speaker 2: Okay, spooky, who's delivering pizza to an empty field?

1118
00:50:50,000 --> 00:50:52,799
Speaker 3: Well, they didn't have the Google address to check out

1119
00:50:52,800 --> 00:50:54,120
Speaker 3: if it was an empty field or were.

1120
00:50:53,960 --> 00:50:56,360
Speaker 4: They printing a map quest out and they had to

1121
00:50:56,400 --> 00:50:57,279
Speaker 4: go that. You remember that?

1122
00:50:57,560 --> 00:50:59,279
Speaker 2: Oh yeah, and your mom meant to drop you off

1123
00:50:59,320 --> 00:51:01,600
Speaker 2: and she's like, what was west?

1124
00:51:02,200 --> 00:51:03,239
Speaker 4: It's a cloth act.

1125
00:51:03,280 --> 00:51:05,000
Speaker 3: I can't believe we survived through map Quest.

1126
00:51:05,040 --> 00:51:06,520
Speaker 2: And I know what I just did to your ear

1127
00:51:06,520 --> 00:51:09,320
Speaker 2: there with the sound I reached, I went into a

1128
00:51:09,600 --> 00:51:13,120
Speaker 2: I went into Ariana Grande and wicked head voice.

1129
00:51:12,560 --> 00:51:16,440
Speaker 3: I thought, blood rushing, and I want to apologize.

1130
00:51:16,520 --> 00:51:18,200
Speaker 4: And when I do that next time, we'll do like.

1131
00:51:19,719 --> 00:51:24,400
Speaker 2: What I think that was still probably peaking for someone

1132
00:51:24,440 --> 00:51:27,200
Speaker 2: that has a low registered voice, I can go astoundingly.

1133
00:51:27,520 --> 00:51:29,400
Speaker 3: It was a beautiful note you hit there. It's a

1134
00:51:29,480 --> 00:51:29,879
Speaker 3: high sea.

1135
00:51:32,040 --> 00:51:38,920
Speaker 2: There's been some confusion. I loved Wicked Yeah map Quest

1136
00:51:39,080 --> 00:51:40,840
Speaker 2: and I was like, that's a crazy case.

1137
00:51:41,360 --> 00:51:43,040
Speaker 3: Yeah, it was a It was a dark one where

1138
00:51:43,040 --> 00:51:45,719
Speaker 3: I guess all these pizza delivery people were vanishing and

1139
00:51:45,800 --> 00:51:48,000
Speaker 3: all they wanted was to take the pizza.

1140
00:51:47,840 --> 00:51:50,240
Speaker 2: And all they were probably doing was getting a summer

1141
00:51:50,320 --> 00:51:52,360
Speaker 2: gigah to go back to school.

1142
00:51:53,280 --> 00:51:53,920
Speaker 4: That sucks.

1143
00:51:54,120 --> 00:51:55,920
Speaker 2: Vanished vanished, And I don't think that.

1144
00:51:56,160 --> 00:51:58,880
Speaker 4: Murder is good, but that feels like an especially.

1145
00:51:58,520 --> 00:52:00,799
Speaker 3: Because this one was These people were trying to have

1146
00:52:00,800 --> 00:52:02,640
Speaker 3: fun and making a few extra bucks.

1147
00:52:02,440 --> 00:52:04,400
Speaker 2: Because it's so fun to deliver pizza.

1148
00:52:04,760 --> 00:52:06,879
Speaker 4: I'm always saying I'm loving doing that.

1149
00:52:07,719 --> 00:52:09,640
Speaker 3: I will say I've never delivered pizza. I had a

1150
00:52:09,640 --> 00:52:11,960
Speaker 3: friend who did deliver pizza, and we would go along

1151
00:52:12,000 --> 00:52:14,480
Speaker 3: with him on occasional fun. You get to listen to

1152
00:52:14,520 --> 00:52:16,360
Speaker 3: all your favorite music, you have the smell of pizza

1153
00:52:16,360 --> 00:52:19,440
Speaker 3: in the air. As a teenager, at least, it was

1154
00:52:19,480 --> 00:52:21,840
Speaker 3: a thrill. It's a very like teenage vibe.

1155
00:52:22,200 --> 00:52:24,120
Speaker 2: Joining along reminds me of I was in an uber

1156
00:52:24,160 --> 00:52:26,280
Speaker 2: the other day and there was just the uber driver's

1157
00:52:26,320 --> 00:52:28,440
Speaker 2: wife in the front seat and me in the back,

1158
00:52:28,480 --> 00:52:30,840
Speaker 2: and I thought, that's a choice. I wasn't mad at it.

1159
00:52:30,840 --> 00:52:33,120
Speaker 2: We had a really nice conversation. I learned about their love.

1160
00:52:33,200 --> 00:52:34,200
Speaker 2: But is that allowed.

1161
00:52:34,239 --> 00:52:37,799
Speaker 3: I don't know that that's legal in the uber world, right.

1162
00:52:37,880 --> 00:52:40,480
Speaker 2: I also had an uber driver watching the Disney movie

1163
00:52:40,520 --> 00:52:44,960
Speaker 2: Ice Princesses while driving me. They had an iPad propped up.

1164
00:52:45,600 --> 00:52:47,000
Speaker 2: iPad propped up, but.

1165
00:52:47,000 --> 00:52:48,280
Speaker 4: The phone was loose.

1166
00:52:48,960 --> 00:52:51,600
Speaker 2: The phone didn't have a magnet, but the iPad did,

1167
00:52:51,760 --> 00:52:54,200
Speaker 2: and they were watching a future film that might I

1168
00:52:54,280 --> 00:52:59,320
Speaker 2: add is gripping Michelle Trachtenberg, Kim Katrol.

1169
00:53:00,040 --> 00:53:02,800
Speaker 4: She's a demanding stage mom of the ice.

1170
00:53:03,719 --> 00:53:06,320
Speaker 2: It's but I thought, and I didn't even say anything,

1171
00:53:07,480 --> 00:53:10,440
Speaker 2: you can't. I let them drive me from Pasadena to

1172
00:53:10,520 --> 00:53:14,200
Speaker 2: West LA and we watched forty minutes in the freeway

1173
00:53:14,680 --> 00:53:15,799
Speaker 2: of ice princesses.

1174
00:53:16,000 --> 00:53:18,359
Speaker 3: If there's something bad happening in an uber or lyft

1175
00:53:18,400 --> 00:53:20,320
Speaker 3: and you comment on it, now, it's.

1176
00:53:20,120 --> 00:53:23,160
Speaker 2: Just going to get worse. That's exactly nothing will improve.

1177
00:53:23,239 --> 00:53:24,560
Speaker 4: And I the least confrontational.

1178
00:53:24,920 --> 00:53:26,279
Speaker 2: There could be a thumb in my soup and I

1179
00:53:26,320 --> 00:53:29,120
Speaker 2: would be like, Oh, it's probably it's probably my thumb.

1180
00:53:29,280 --> 00:53:31,600
Speaker 2: You know. It's so hard to ask for what you want.

1181
00:53:31,760 --> 00:53:33,439
Speaker 2: I've got a massage. I've got I get like one

1182
00:53:33,440 --> 00:53:36,279
Speaker 2: massage every two years, right, And it was way too hard,

1183
00:53:36,520 --> 00:53:39,840
Speaker 2: and I suffered in silence for I was like, is

1184
00:53:39,840 --> 00:53:42,600
Speaker 2: that And they even asked is that good? Yes? Awesome? Loving?

1185
00:53:44,000 --> 00:53:47,160
Speaker 2: You know what, get even deeper in there, whatever's fun

1186
00:53:47,200 --> 00:53:49,359
Speaker 2: for you. Let's grab another person to hop on top

1187
00:53:49,400 --> 00:53:53,560
Speaker 2: of me. Just have them jump up and down. It's

1188
00:53:53,600 --> 00:53:55,160
Speaker 2: so scary to us for what you want.

1189
00:53:55,280 --> 00:53:58,120
Speaker 3: Oh, it's terrifying. I'm so mad at it.

1190
00:53:58,280 --> 00:54:00,200
Speaker 2: When I like shop at the target or something thing

1191
00:54:00,200 --> 00:54:03,360
Speaker 2: and I'll skip it.

1192
00:54:03,560 --> 00:54:07,960
Speaker 3: You're not verble, No, I rarely speak up for myself.

1193
00:54:08,320 --> 00:54:09,360
Speaker 2: Why is it so hard?

1194
00:54:09,400 --> 00:54:10,719
Speaker 3: Well, it's kind of cozy not to.

1195
00:54:12,239 --> 00:54:15,720
Speaker 2: I should have given you the gift of bravery. Oh

1196
00:54:15,840 --> 00:54:17,000
Speaker 2: and given myself that.

1197
00:54:17,120 --> 00:54:21,160
Speaker 3: Right next appearance, bring a full bottle of right self confidence.

1198
00:54:21,160 --> 00:54:23,279
Speaker 2: But everyone, in a way is the cowardly lion. And

1199
00:54:23,760 --> 00:54:25,320
Speaker 2: I don't know why the Wicked.

1200
00:54:26,600 --> 00:54:29,080
Speaker 3: Your viper has a car wrap around it.

1201
00:54:29,120 --> 00:54:32,759
Speaker 2: That's a Wicked billboard. It's one of those rotating They

1202
00:54:32,880 --> 00:54:36,759
Speaker 2: paid me two hundred dollars to Wicked. Two dollars, just

1203
00:54:36,800 --> 00:54:39,160
Speaker 2: five hundred million and two hundred dollars.

1204
00:54:40,280 --> 00:54:42,920
Speaker 3: We have two hundred left. Find a lady with a viper.

1205
00:54:42,680 --> 00:54:46,680
Speaker 2: And my viper got nineteen people to see Wicked. They're like,

1206
00:54:46,719 --> 00:54:49,960
Speaker 2: it's so loud, that car so loud, it must be

1207
00:54:50,040 --> 00:54:55,040
Speaker 2: telling the truth. Oh man, well you didn't. Actually, I gave.

1208
00:54:54,880 --> 00:54:55,880
Speaker 4: You a two part gift.

1209
00:54:56,000 --> 00:54:57,520
Speaker 3: And wait, what's the second part?

1210
00:54:57,960 --> 00:55:01,280
Speaker 2: Will you threw it on the ground the cotton, that's

1211
00:55:01,360 --> 00:55:04,680
Speaker 2: a gift that's actually the main gift. It's a wig. Okay,

1212
00:55:04,840 --> 00:55:08,319
Speaker 2: so that is a gnomes that's a GNOME's beard. Oh

1213
00:55:09,560 --> 00:55:12,560
Speaker 2: that you're supposed to tie that around.

1214
00:55:12,560 --> 00:55:15,600
Speaker 3: Holding this up, it immediately becomes clear that it's a beer.

1215
00:55:15,680 --> 00:55:17,480
Speaker 2: Did you just think that was like tissue paper? I

1216
00:55:17,520 --> 00:55:21,160
Speaker 2: thought it was dirty cotton, And and you're not wrong.

1217
00:55:21,400 --> 00:55:22,120
Speaker 2: This looks like.

1218
00:55:22,080 --> 00:55:25,880
Speaker 3: A bandage from like a World War One hospital.

1219
00:55:26,280 --> 00:55:27,840
Speaker 4: Because so maybe it's dual purpose.

1220
00:55:28,760 --> 00:55:30,719
Speaker 2: When you get on your kind of Stoka wagon when

1221
00:55:30,719 --> 00:55:34,120
Speaker 2: you're injured, you can use that, but you can also.

1222
00:55:34,800 --> 00:55:38,520
Speaker 3: Full beer gnome old beer. I'll wear this until I

1223
00:55:38,560 --> 00:55:39,600
Speaker 3: sweat at least.

1224
00:55:39,800 --> 00:55:44,040
Speaker 2: Oh, I mean when this global winter we're having. Does

1225
00:55:44,040 --> 00:55:44,600
Speaker 2: this suit me?

1226
00:55:44,960 --> 00:55:46,280
Speaker 4: I think it's so good.

1227
00:55:47,239 --> 00:55:49,520
Speaker 2: You can you can take that into the bedroom and

1228
00:55:49,560 --> 00:55:51,959
Speaker 2: do with that what you will. You can walk around

1229
00:55:52,000 --> 00:55:55,400
Speaker 2: the grove wearing that and just bring joy to young kids.

1230
00:55:55,520 --> 00:55:58,040
Speaker 2: You can. You could also be Santa in that. It's

1231
00:55:58,080 --> 00:56:01,000
Speaker 2: a gift that keeps on any white beer man. You

1232
00:56:01,080 --> 00:56:04,240
Speaker 2: can be a white man. You can be a white

1233
00:56:04,239 --> 00:56:08,120
Speaker 2: bearded white man. Everyone's asking for more of those.

1234
00:56:08,640 --> 00:56:10,799
Speaker 3: I'm already sweating, but we'll keep it on for a

1235
00:56:10,880 --> 00:56:11,360
Speaker 3: bit longer.

1236
00:56:11,360 --> 00:56:14,920
Speaker 2: Where did this come from I was, and I'll show

1237
00:56:14,960 --> 00:56:18,719
Speaker 2: you a picture in a minute, or I won't. I

1238
00:56:18,920 --> 00:56:22,120
Speaker 2: was holding Yeah, I don't holding this. I'm developing a

1239
00:56:22,160 --> 00:56:25,399
Speaker 2: neck problem. Yeah, and you can and we get it now.

1240
00:56:25,480 --> 00:56:26,319
Speaker 4: You can always you can.

1241
00:56:26,360 --> 00:56:28,080
Speaker 2: I won't be offended if you take that off. You

1242
00:56:28,160 --> 00:56:31,440
Speaker 2: can wear it as a bib, a lobster bib. You

1243
00:56:31,480 --> 00:56:34,240
Speaker 2: can also wear that a red lobster or the crab

1244
00:56:34,280 --> 00:56:36,880
Speaker 2: shack and just get your your loose. I don't have

1245
00:56:36,920 --> 00:56:37,799
Speaker 2: to wear a shirt with this.

1246
00:56:37,880 --> 00:56:39,279
Speaker 3: I could wear this as kind of what are those

1247
00:56:39,320 --> 00:56:41,399
Speaker 3: things called. It's like a sort of top.

1248
00:56:41,520 --> 00:56:42,920
Speaker 2: Is this not a biby?

1249
00:56:43,440 --> 00:56:44,000
Speaker 4: A dicky?

1250
00:56:44,360 --> 00:56:45,120
Speaker 2: Uh?

1251
00:56:46,239 --> 00:56:49,080
Speaker 3: I mean, it's kind of a Christina Aguilera.

1252
00:56:49,600 --> 00:56:52,360
Speaker 4: Circa dirty era. It's just the front.

1253
00:56:52,520 --> 00:56:56,080
Speaker 3: I wear this with chaps, also made of color.

1254
00:56:56,120 --> 00:56:58,279
Speaker 2: Wear that with chaps, and then you do or do

1255
00:56:58,400 --> 00:57:00,399
Speaker 2: not send me a picture. It's totally a to you.

1256
00:57:00,800 --> 00:57:04,360
Speaker 3: It'll be a video. It'll be an hours.

1257
00:57:04,000 --> 00:57:06,719
Speaker 4: Long, at least a live photo that goes on way

1258
00:57:06,760 --> 00:57:07,200
Speaker 4: too long.

1259
00:57:07,520 --> 00:57:09,360
Speaker 2: I love the live photo that ends up in a

1260
00:57:09,480 --> 00:57:11,880
Speaker 2: nude at the very end, because you didn't know how.

1261
00:57:11,920 --> 00:57:13,480
Speaker 4: It's like a zoom and you didn't know the camera

1262
00:57:13,640 --> 00:57:16,440
Speaker 4: was on. I wasn't known this Halloween.

1263
00:57:16,600 --> 00:57:19,640
Speaker 2: Oh, and my cousin and I have a tradition. I

1264
00:57:19,640 --> 00:57:22,920
Speaker 2: go visit her in Atlanta because Atlanta's Halloween is is

1265
00:57:23,080 --> 00:57:26,480
Speaker 2: quintessential Halloween town, not picture.

1266
00:57:26,480 --> 00:57:27,720
Speaker 3: Atlanta is a Halloween town.

1267
00:57:27,840 --> 00:57:30,920
Speaker 2: Got porches, You've got crunchy leaves, You've got the parents

1268
00:57:30,960 --> 00:57:33,760
Speaker 2: are dressing up too. And something I will say is

1269
00:57:33,840 --> 00:57:36,160
Speaker 2: all the parents of the kids in Atlanta were hot.

1270
00:57:36,360 --> 00:57:37,440
Speaker 3: Oh interesting.

1271
00:57:37,520 --> 00:57:40,320
Speaker 2: I don't know if my biological clock is taking or something,

1272
00:57:40,360 --> 00:57:42,520
Speaker 2: but every mom and dad could get it.

1273
00:57:42,800 --> 00:57:44,000
Speaker 3: They were smoking hot.

1274
00:57:44,160 --> 00:57:47,000
Speaker 2: Well there, and they're dressing up in hot I'm talking

1275
00:57:47,080 --> 00:57:51,240
Speaker 2: like Likera suit. Oh, they're dressing up like the Incredibles.

1276
00:57:51,560 --> 00:57:53,120
Speaker 2: But if the Incredibles.

1277
00:57:52,760 --> 00:57:54,240
Speaker 3: People are pretty hot, couple.

1278
00:57:54,120 --> 00:57:57,040
Speaker 4: Kind of hot, right, they're wearing skin tight suits.

1279
00:57:57,160 --> 00:58:00,960
Speaker 2: Oh beautiful. But that's not in addition the parents being

1280
00:58:01,000 --> 00:58:05,240
Speaker 2: able to get it. The town is just gorgeous and

1281
00:58:05,280 --> 00:58:08,000
Speaker 2: the porches are gorgeous, and everyone goes all out. But

1282
00:58:08,240 --> 00:58:11,120
Speaker 2: with the tradition is that we I arrive and we

1283
00:58:11,160 --> 00:58:14,080
Speaker 2: give ourselves about four hours to like put a costume together,

1284
00:58:14,560 --> 00:58:18,240
Speaker 2: like we're a TLC show. And so yeah, so I

1285
00:58:18,280 --> 00:58:20,720
Speaker 2: took construction paper and I made the pointy hat and

1286
00:58:20,760 --> 00:58:23,800
Speaker 2: then I found mushroom stickers. And then I had this

1287
00:58:23,960 --> 00:58:27,959
Speaker 2: kind of like berries and cream shirt with a fun

1288
00:58:28,040 --> 00:58:34,680
Speaker 2: collar and overalls. And then she sewed. She's big into quilting,

1289
00:58:34,800 --> 00:58:36,920
Speaker 2: and I don't know why you need that for a quilt.

1290
00:58:37,440 --> 00:58:38,280
Speaker 4: The inside.

1291
00:58:38,640 --> 00:58:44,040
Speaker 3: Yeah, this is like the batting. That's the word, bring

1292
00:58:44,080 --> 00:58:44,720
Speaker 3: me the batching.

1293
00:58:45,040 --> 00:58:46,520
Speaker 4: The swivel, what is it?

1294
00:58:46,680 --> 00:58:47,320
Speaker 2: The swivel?

1295
00:58:47,440 --> 00:58:48,680
Speaker 4: What's the remote called?

1296
00:58:49,080 --> 00:58:51,160
Speaker 3: The swamper? The clicker?

1297
00:58:51,320 --> 00:58:51,480
Speaker 2: Oh?

1298
00:58:51,520 --> 00:58:52,720
Speaker 4: What do you call splinters?

1299
00:58:52,880 --> 00:58:53,240
Speaker 3: Sliver?

1300
00:58:53,400 --> 00:58:53,760
Speaker 4: Sliver?

1301
00:58:53,920 --> 00:58:56,240
Speaker 3: Sliver is a better word for a control than swamper.

1302
00:58:57,160 --> 00:58:57,880
Speaker 2: I think so too.

1303
00:58:58,000 --> 00:59:00,640
Speaker 3: It's more of a sliver, especially for Apple TV.

1304
00:59:00,960 --> 00:59:03,760
Speaker 2: But this is the inards of this is the quick

1305
00:59:03,800 --> 00:59:07,680
Speaker 2: gets under the skin and and so she made that

1306
00:59:07,720 --> 00:59:09,480
Speaker 2: for me and you're and it was a hot night.

1307
00:59:09,640 --> 00:59:11,640
Speaker 3: She whipped this up one hundred four hours.

1308
00:59:11,480 --> 00:59:14,200
Speaker 2: It's incredible. Put the ribbon around it. Do you have

1309
00:59:14,320 --> 00:59:16,640
Speaker 2: the gift of crafty handiness?

1310
00:59:16,680 --> 00:59:23,840
Speaker 3: Absolutely not. I was in a in The Ultimate craft.

1311
00:59:26,720 --> 00:59:28,480
Speaker 4: Is it cake or did they mount to TV?

1312
00:59:28,880 --> 00:59:29,160
Speaker 1: Both?

1313
00:59:29,280 --> 00:59:32,560
Speaker 3: That's a movie. I want to see a TV show starring.

1314
00:59:32,240 --> 00:59:35,760
Speaker 4: Shared Stone full frontal. Within the first.

1315
00:59:35,480 --> 00:59:39,560
Speaker 2: Two minutes, she's trying to mount a TV. She's doing

1316
00:59:39,600 --> 00:59:43,200
Speaker 2: it so sexy. The cameras mounted in the wall for

1317
00:59:43,200 --> 00:59:46,280
Speaker 2: some reason. Oh what were you saying?

1318
00:59:46,280 --> 00:59:47,800
Speaker 4: I'm so sorry. We deviated.

1319
00:59:48,440 --> 00:59:50,960
Speaker 2: God only knows well.

1320
00:59:51,040 --> 00:59:53,280
Speaker 4: Love a podcast for that love a deviation.

1321
00:59:53,720 --> 00:59:57,600
Speaker 3: We were talking about beards and cotton and slivers and

1322
00:59:57,800 --> 01:00:02,520
Speaker 3: sharing stone front fe Atlanta, And to me that actually

1323
01:00:02,640 --> 01:00:05,320
Speaker 3: kind of crafty handiness. Oh yeah, not crafty.

1324
01:00:05,640 --> 01:00:06,680
Speaker 2: Uh. I don't know.

1325
01:00:06,720 --> 01:00:08,800
Speaker 3: If you had to take sewing in middle school. I did,

1326
01:00:08,960 --> 01:00:12,920
Speaker 3: and homack I bombed me too. I was like a

1327
01:00:12,920 --> 01:00:15,240
Speaker 3: decent suit in other categories. I was like the student

1328
01:00:15,280 --> 01:00:17,040
Speaker 3: that the teacher felt bad for, like I had to

1329
01:00:17,040 --> 01:00:19,720
Speaker 3: stay after Oh what did you make? We had to

1330
01:00:19,760 --> 01:00:20,760
Speaker 3: make wind socks?

1331
01:00:21,360 --> 01:00:22,439
Speaker 4: What's a wind sock?

1332
01:00:22,560 --> 01:00:22,800
Speaker 2: Okay?

1333
01:00:22,840 --> 01:00:24,360
Speaker 3: So that even what it's called socks that.

1334
01:00:24,320 --> 01:00:27,680
Speaker 4: You ParaSail in. What's a wind sock? I know about

1335
01:00:27,720 --> 01:00:30,200
Speaker 4: a wind chime, I know about it.

1336
01:00:30,520 --> 01:00:31,760
Speaker 3: I know what a wind sock is.

1337
01:00:32,440 --> 01:00:32,680
Speaker 2: Okay.

1338
01:00:32,760 --> 01:00:36,160
Speaker 3: It's like a it's like a fabric tube, different colors

1339
01:00:36,200 --> 01:00:36,880
Speaker 3: that blows.

1340
01:00:36,760 --> 01:00:39,240
Speaker 2: The inflatable tube. Man, it's kind of.

1341
01:00:39,200 --> 01:00:42,400
Speaker 3: The predecessor of that thing. What is a wind sock

1342
01:00:42,520 --> 01:00:46,600
Speaker 3: for beautiful decor? Oh, it's not to wear, not to

1343
01:00:46,720 --> 01:00:48,720
Speaker 3: although it would make a slinky little costume.

1344
01:00:49,000 --> 01:00:52,920
Speaker 4: Okay, I like a compression sock, but the opposite.

1345
01:00:52,600 --> 01:00:57,600
Speaker 3: Imagine a what is the type of dress that, Yeah,

1346
01:00:57,600 --> 01:00:58,520
Speaker 3: you can imagine.

1347
01:00:58,200 --> 01:00:59,040
Speaker 4: Easy to call it that.

1348
01:01:00,960 --> 01:01:06,000
Speaker 2: What would you call it? A mobile of whimsy? Well,

1349
01:01:06,040 --> 01:01:09,280
Speaker 2: now with the personality as opposed to all these other

1350
01:01:09,520 --> 01:01:10,640
Speaker 2: lame fucking.

1351
01:01:10,440 --> 01:01:14,320
Speaker 3: Mobiles, well that's a rooshock.

1352
01:01:14,480 --> 01:01:17,120
Speaker 2: Welcome to earth Winds.

1353
01:01:17,560 --> 01:01:19,880
Speaker 3: I tried to make one with the Utah Jazz colors

1354
01:01:19,920 --> 01:01:24,520
Speaker 3: and failed miserably, and then missus whoever she was, basically

1355
01:01:24,560 --> 01:01:27,120
Speaker 3: had to take over the sewing machine for me. Oh,

1356
01:01:27,400 --> 01:01:29,280
Speaker 3: I think I was scared of getting my fingers sucked in.

1357
01:01:29,480 --> 01:01:30,200
Speaker 3: I think that's really.

1358
01:01:30,200 --> 01:01:31,960
Speaker 4: Fing machines are spooky.

1359
01:01:32,240 --> 01:01:35,000
Speaker 3: I mean, it's a final destination moment, it is.

1360
01:01:35,080 --> 01:01:37,400
Speaker 2: And they make it look so easy on Project Runway,

1361
01:01:37,440 --> 01:01:40,680
Speaker 2: but they're they're moving their hands around a needle that's

1362
01:01:40,680 --> 01:01:42,680
Speaker 2: puncturing over and over again.

1363
01:01:42,520 --> 01:01:45,040
Speaker 3: Over and there they've got their foot literally on the gas.

1364
01:01:45,160 --> 01:01:46,320
Speaker 2: I'm with you, it's spooky.

1365
01:01:46,480 --> 01:01:49,720
Speaker 3: Yeah, it's not for me. My mom ansister are both

1366
01:01:49,760 --> 01:01:52,240
Speaker 3: great quilters and sewers, but I didn't get that. I

1367
01:01:52,240 --> 01:01:54,400
Speaker 3: didn't get that ability me neither.

1368
01:01:54,480 --> 01:01:58,840
Speaker 2: And it's and I love art. I love to consume art.

1369
01:01:59,040 --> 01:02:02,240
Speaker 4: I like you know. I guess my trade is performance.

1370
01:02:01,760 --> 01:02:02,919
Speaker 3: Or performance if you will.

1371
01:02:03,520 --> 01:02:06,800
Speaker 2: I've been to wear a wig or kind of gnomes beer.

1372
01:02:06,960 --> 01:02:08,680
Speaker 3: A spiritual sewing machine.

1373
01:02:08,760 --> 01:02:12,919
Speaker 2: But the but the working with your hands. I also

1374
01:02:13,040 --> 01:02:14,320
Speaker 2: hated woodworking class.

1375
01:02:14,400 --> 01:02:16,640
Speaker 3: Oh, I mean, don't even get we started with that.

1376
01:02:16,880 --> 01:02:18,560
Speaker 2: And my brother in law is one of his an

1377
01:02:18,560 --> 01:02:20,560
Speaker 2: imagineer and he's one of those people who can just

1378
01:02:20,560 --> 01:02:21,920
Speaker 2: like whittle a walking stick.

1379
01:02:22,120 --> 01:02:25,040
Speaker 3: That was my dream job, to be an imagined imagineer.

1380
01:02:25,080 --> 01:02:26,000
Speaker 4: But you lacked a lot of this.

1381
01:02:26,160 --> 01:02:28,480
Speaker 3: I simply didn't have one of the skills.

1382
01:02:28,680 --> 01:02:31,520
Speaker 2: Yeah, you didn't even have one of them. They're like,

1383
01:02:31,560 --> 01:02:33,440
Speaker 2: you know what, we'll let us slide if you have

1384
01:02:33,560 --> 01:02:34,920
Speaker 2: even one of the skills.

1385
01:02:34,960 --> 01:02:37,400
Speaker 3: The one physics class I took in college was literally

1386
01:02:37,400 --> 01:02:39,000
Speaker 3: called how things work.

1387
01:02:39,640 --> 01:02:43,280
Speaker 2: So that's imagineering is crazy because in your head you're like, oh,

1388
01:02:43,360 --> 01:02:45,880
Speaker 2: someone just comes up with ideas. No, they need to

1389
01:02:45,880 --> 01:02:49,760
Speaker 2: be an architect, a physicist all around, greg yeh, which

1390
01:02:50,960 --> 01:02:52,440
Speaker 2: because you got to work with that person.

1391
01:02:52,800 --> 01:02:55,800
Speaker 3: Yeah, all of like most of those things don't usually converge.

1392
01:02:55,880 --> 01:02:57,680
Speaker 3: It's like usually you have a real math brain, but

1393
01:02:57,680 --> 01:03:00,160
Speaker 3: you're not creative, right, Yeah.

1394
01:03:00,000 --> 01:03:04,960
Speaker 2: It's like imagineers are physicists wearing Hawaiian shirts and you're like,

1395
01:03:05,160 --> 01:03:06,400
Speaker 2: some people can't have it all.

1396
01:03:06,880 --> 01:03:09,600
Speaker 3: Yes, I think they are probably one people that have

1397
01:03:09,720 --> 01:03:11,720
Speaker 3: it all the other. I mean, what you've nailed what

1398
01:03:11,720 --> 01:03:14,760
Speaker 3: an imagineer is, and I can't fit into that clothing.

1399
01:03:17,600 --> 01:03:19,760
Speaker 3: I would have been laughed out of the imagineer in college.

1400
01:03:19,840 --> 01:03:22,720
Speaker 2: I don't think Eddie Bauer is our journey. I don't

1401
01:03:22,720 --> 01:03:26,120
Speaker 2: think so. No, you're a dapper. You're dapper.

1402
01:03:27,000 --> 01:03:31,000
Speaker 3: Let's be honest. I'm simply too dapper. That's the only problem.

1403
01:03:31,880 --> 01:03:37,080
Speaker 2: Otherwise, you're so good at physics. Complete. That's the first interview,

1404
01:03:37,120 --> 01:03:39,200
Speaker 2: is they just they just have you mount to TV?

1405
01:03:39,720 --> 01:03:42,560
Speaker 2: The second interview is is a cake situation?

1406
01:03:43,440 --> 01:03:45,360
Speaker 4: They have to a hyper realistic cake?

1407
01:03:47,080 --> 01:03:48,200
Speaker 2: She would have to do? Yeah?

1408
01:03:48,680 --> 01:03:51,080
Speaker 3: Interesting, I need to get those imagineers on the line.

1409
01:03:51,080 --> 01:03:53,600
Speaker 3: I'm not happy with what they did with the Hollywood

1410
01:03:53,840 --> 01:03:54,640
Speaker 3: Tower of Terror.

1411
01:03:55,520 --> 01:03:58,360
Speaker 2: I haven't seen it yet. What do you like about it?

1412
01:03:58,640 --> 01:04:00,640
Speaker 3: They turned it into a marveling and it was a

1413
01:04:00,640 --> 01:04:03,000
Speaker 3: perfect ride. Did you ever go on it?

1414
01:04:03,480 --> 01:04:05,840
Speaker 2: Oh? I love the Okay, now I'm remembering. I love

1415
01:04:05,880 --> 01:04:07,800
Speaker 2: the Tower of Terror. Are you talking about now? It's

1416
01:04:07,800 --> 01:04:11,240
Speaker 2: Guardian to the Galaxy. I went on that ride and

1417
01:04:11,280 --> 01:04:14,000
Speaker 2: thought I was having a heart attack. You may, I

1418
01:04:14,040 --> 01:04:15,680
Speaker 2: think this is what a heart attack feels like. But

1419
01:04:15,800 --> 01:04:20,000
Speaker 2: how I who knew they could be so fun? Because

1420
01:04:20,000 --> 01:04:22,760
Speaker 2: you're because you're dip, you're dropping, dipping and dropping. It's

1421
01:04:22,760 --> 01:04:25,440
Speaker 2: because I took my focus pill that morning and then

1422
01:04:25,560 --> 01:04:27,680
Speaker 2: and then you're on a thing with the Oh that's

1423
01:04:27,360 --> 01:04:30,720
Speaker 2: a drop, and I'm already on my ten milligrams of

1424
01:04:30,720 --> 01:04:34,280
Speaker 2: AfterAll that I'm prescribed, just blasted on it. Yeah, I was.

1425
01:04:34,720 --> 01:04:36,840
Speaker 2: I think I'm having a heart attack, but I'm but

1426
01:04:36,880 --> 01:04:40,520
Speaker 2: I'm smiling ear to ear. I hear you, I hear you.

1427
01:04:40,600 --> 01:04:43,000
Speaker 2: I I have no frame of reference. I never saw

1428
01:04:43,040 --> 01:04:44,160
Speaker 2: the Tower of the Tower.

1429
01:04:43,960 --> 01:04:47,160
Speaker 3: Dude, they said with the Tower of Terror was unlike

1430
01:04:47,200 --> 01:04:51,040
Speaker 3: anything else on earth. Sure, it was so eerie and creepy.

1431
01:04:51,920 --> 01:04:53,960
Speaker 3: And then you got to go up and down and

1432
01:04:54,040 --> 01:04:55,880
Speaker 3: up and down you got to see I mean everything

1433
01:04:55,920 --> 01:04:56,840
Speaker 3: about it was so perfect.

1434
01:04:56,880 --> 01:05:00,600
Speaker 2: And now it's rock and roll because also story to

1435
01:05:00,640 --> 01:05:02,680
Speaker 2: get us to the Guardians of the Galaxy, it's a

1436
01:05:02,720 --> 01:05:07,680
Speaker 2: real it's a it's it's reaching, it's thin, it's a

1437
01:05:07,720 --> 01:05:08,560
Speaker 2: thin storyline.

1438
01:05:08,640 --> 01:05:11,640
Speaker 3: Yes, whereas the Hollywood Tower of Terror was, you're checking

1439
01:05:11,640 --> 01:05:14,200
Speaker 3: into a haunted hotel. Of course this is going to

1440
01:05:14,240 --> 01:05:15,640
Speaker 3: go wrong, right right, the.

1441
01:05:15,720 --> 01:05:17,840
Speaker 4: David S Pumpkins of spooky.

1442
01:05:17,800 --> 01:05:21,720
Speaker 3: Yes, it was. It was very spooky. And I'll never

1443
01:05:21,760 --> 01:05:25,200
Speaker 3: forgive them, and nor should you, and I have no

1444
01:05:25,320 --> 01:05:26,800
Speaker 3: reason to. And I never know where.

1445
01:05:26,680 --> 01:05:28,920
Speaker 2: Because it sounds like you love and you love aesthetic

1446
01:05:28,960 --> 01:05:30,720
Speaker 2: as well, you know where you need to go. Then

1447
01:05:31,200 --> 01:05:34,360
Speaker 2: it's called the Efteling. It's a theme park in Holland.

1448
01:05:34,720 --> 01:05:38,200
Speaker 2: It's the most incredible production design you've ever seen. What

1449
01:05:38,360 --> 01:05:41,880
Speaker 2: is this? Gnomes, trolls, goblins, which you know I'm about,

1450
01:05:42,080 --> 01:05:45,800
Speaker 2: of course. And there's a ride called and it's and

1451
01:05:45,840 --> 01:05:49,800
Speaker 2: it's really got a gorgeous ring to it. It's a

1452
01:05:49,880 --> 01:05:53,120
Speaker 2: dream flight and it's it's a seven minute experience and

1453
01:05:53,200 --> 01:05:57,400
Speaker 2: you go through a fairies a fairies land.

1454
01:05:57,600 --> 01:05:59,080
Speaker 3: I can't believe I've never heard of this.

1455
01:05:59,280 --> 01:06:02,120
Speaker 2: It's you got to go if you're ever going to Europe,

1456
01:06:02,200 --> 01:06:03,640
Speaker 2: definitely step passed through.

1457
01:06:03,720 --> 01:06:05,480
Speaker 3: And what is it called the Fling?

1458
01:06:05,640 --> 01:06:06,440
Speaker 2: How do you spell that?

1459
01:06:06,840 --> 01:06:08,800
Speaker 4: E F T E L I N G.

1460
01:06:09,000 --> 01:06:12,200
Speaker 2: I think it won an award, several awards for like

1461
01:06:12,360 --> 01:06:13,640
Speaker 2: best Ride.

1462
01:06:13,440 --> 01:06:16,360
Speaker 3: And I bet they have a bunch of delightful pastries.

1463
01:06:16,280 --> 01:06:20,439
Speaker 2: They oh gosh. They have Choco mel is, a better

1464
01:06:20,560 --> 01:06:23,400
Speaker 2: chocolate milk, and in the winter they have a hot

1465
01:06:23,480 --> 01:06:26,960
Speaker 2: chocomel with whipped cream and a candy cane. I'm going.

1466
01:06:26,960 --> 01:06:30,400
Speaker 2: And they have a fairytale village where they've recreated. Anton

1467
01:06:30,520 --> 01:06:34,040
Speaker 2: Peak is the illustrator and they approached him in like

1468
01:06:34,080 --> 01:06:36,720
Speaker 2: the forties or something because it used to just be

1469
01:06:36,880 --> 01:06:39,120
Speaker 2: like a park, and they said, would you want to

1470
01:06:39,160 --> 01:06:42,160
Speaker 2: create the illustrations and and bring this fairy tale village

1471
01:06:42,160 --> 01:06:44,439
Speaker 2: to life. It's the most whimsical thing you've ever seen.

1472
01:06:44,920 --> 01:06:48,280
Speaker 3: It's googling this as soon as the podcast. I'm the

1473
01:06:48,320 --> 01:06:49,720
Speaker 3: show up now, so.

1474
01:06:49,680 --> 01:06:51,440
Speaker 2: You can get to your googling and I can get

1475
01:06:51,480 --> 01:06:54,080
Speaker 2: to looking up people with a genuine connection.

1476
01:06:54,400 --> 01:06:56,720
Speaker 4: Beautiful production design. It's the weekend.

1477
01:06:56,760 --> 01:06:57,560
Speaker 2: Let me have my fun.

1478
01:06:58,280 --> 01:06:59,720
Speaker 3: Wow, this one's really delightful.

1479
01:06:59,800 --> 01:07:03,680
Speaker 2: It's great. That's my vacation. It's all practical. It's it's

1480
01:07:03,720 --> 01:07:06,440
Speaker 2: all you know. It's like the none of the rides.

1481
01:07:07,080 --> 01:07:09,720
Speaker 2: It's not about speed there, it's all about.

1482
01:07:09,840 --> 01:07:11,440
Speaker 3: Just the being in the moment.

1483
01:07:11,640 --> 01:07:13,520
Speaker 2: Yeah, vibes and world building.

1484
01:07:13,640 --> 01:07:16,200
Speaker 3: And now they could just get one elevator that drops,

1485
01:07:16,600 --> 01:07:17,040
Speaker 3: I hear you.

1486
01:07:17,240 --> 01:07:19,680
Speaker 2: They have something called Dance Macabre and I think in

1487
01:07:19,800 --> 01:07:24,360
Speaker 2: theory it's kind of that and very you know, gorgeous score,

1488
01:07:25,120 --> 01:07:28,520
Speaker 2: gorgeous production design. Okay, when are you there?

1489
01:07:29,080 --> 01:07:31,240
Speaker 4: I was there. I went on a belated honeymoon. I

1490
01:07:31,240 --> 01:07:32,040
Speaker 4: mean I've been a bunch.

1491
01:07:32,080 --> 01:07:33,760
Speaker 2: I've been going since I was like three or four,

1492
01:07:34,120 --> 01:07:36,320
Speaker 2: but I went most recently this summer with my husband,

1493
01:07:36,480 --> 01:07:39,400
Speaker 2: and it's I really feel like a five year old

1494
01:07:39,440 --> 01:07:41,400
Speaker 2: is your family from there? My dad's Dutch.

1495
01:07:42,040 --> 01:07:43,240
Speaker 4: That's why you said swamp.

1496
01:07:43,080 --> 01:07:46,040
Speaker 3: For oh, okay, so now we're getting we're unpeeling the

1497
01:07:46,120 --> 01:07:49,800
Speaker 3: layers here. So maybe they call it the swamper over there.

1498
01:07:49,800 --> 01:07:52,320
Speaker 2: They maybe that's what it is. They really well they

1499
01:07:52,400 --> 01:07:55,760
Speaker 2: you know what they call goosebumps antits, Oh.

1500
01:07:57,520 --> 01:08:00,400
Speaker 4: I don't like, which is like that's too small, that's.

1501
01:08:00,280 --> 01:08:02,640
Speaker 3: Way too small that I mean, that's my even.

1502
01:08:02,400 --> 01:08:03,400
Speaker 4: Ant it would be.

1503
01:08:03,480 --> 01:08:05,560
Speaker 2: So I mean that ant has had some work done

1504
01:08:05,640 --> 01:08:06,160
Speaker 2: and I've.

1505
01:08:05,960 --> 01:08:09,320
Speaker 4: Got some boldest ass bumps minor big.

1506
01:08:09,760 --> 01:08:12,440
Speaker 2: Yeah. They also call it goose pimples.

1507
01:08:12,520 --> 01:08:15,160
Speaker 3: Goose pimples. I've heard this, which kind of makes sense.

1508
01:08:15,200 --> 01:08:18,600
Speaker 3: It's like that gross chickens, right, Yeah, I think we

1509
01:08:18,720 --> 01:08:20,879
Speaker 3: kind of we should have left it alone.

1510
01:08:21,280 --> 01:08:22,240
Speaker 2: Yeah, don't touch it.

1511
01:08:22,320 --> 01:08:25,360
Speaker 3: Yeah, goose pimples him and tits bumps.

1512
01:08:25,439 --> 01:08:28,040
Speaker 4: You know it's it's an amal, it's you know, you

1513
01:08:28,080 --> 01:08:29,200
Speaker 4: can interpret.

1514
01:08:28,760 --> 01:08:30,599
Speaker 2: It however you wish. Yeah.

1515
01:08:30,720 --> 01:08:33,559
Speaker 3: Yeah, I was just on a trip with some friends.

1516
01:08:33,560 --> 01:08:35,320
Speaker 3: In one of the we were in Mexico City, and

1517
01:08:35,439 --> 01:08:41,280
Speaker 3: one ordered for breakfast eggs with ant caviar, which I guess,

1518
01:08:41,280 --> 01:08:43,200
Speaker 3: I mean, it makes sense. I guess you can see

1519
01:08:43,400 --> 01:08:44,160
Speaker 3: an ant egg.

1520
01:08:46,479 --> 01:08:48,800
Speaker 4: He's like eating a cricket.

1521
01:08:49,160 --> 01:08:52,040
Speaker 2: It's like eating a cricket. They say it's good protein

1522
01:08:52,200 --> 01:08:53,759
Speaker 2: wrap put it in chocolate.

1523
01:08:53,880 --> 01:08:54,040
Speaker 1: Right.

1524
01:08:54,040 --> 01:08:56,160
Speaker 3: You just have to get around if you. I think

1525
01:08:56,200 --> 01:09:00,720
Speaker 3: if you weren't told, that's always my problem, the mental sure.

1526
01:09:00,640 --> 01:09:03,720
Speaker 2: But the texture of a cricket. Wouldn't you kind of

1527
01:09:03,720 --> 01:09:06,519
Speaker 2: be like that's a bug. I don't know if you'd

1528
01:09:06,560 --> 01:09:07,719
Speaker 2: be like, it's shit chicken?

1529
01:09:07,880 --> 01:09:08,400
Speaker 4: Is it cake?

1530
01:09:08,760 --> 01:09:12,120
Speaker 2: I don't know if you I'm really pushing that. I've

1531
01:09:12,120 --> 01:09:14,720
Speaker 2: been realized, is it cake cake? You just got it

1532
01:09:15,040 --> 01:09:17,639
Speaker 2: a wicket? And is it ca? Yeah? And I am

1533
01:09:17,680 --> 01:09:20,040
Speaker 2: a new producer on this, trying to revive the show.

1534
01:09:21,560 --> 01:09:25,000
Speaker 2: They just had a holiday special They're back. Baby. Never

1535
01:09:25,080 --> 01:09:27,719
Speaker 2: went away, It never went on. I never watched the show.

1536
01:09:27,880 --> 01:09:29,640
Speaker 2: I don't know how many people did I felt like

1537
01:09:29,640 --> 01:09:33,240
Speaker 2: I had had enough after one TikTok or whatever. Sure,

1538
01:09:33,760 --> 01:09:39,080
Speaker 2: I think I just am always like mind blown that

1539
01:09:39,120 --> 01:09:42,840
Speaker 2: they pull it off right, that they make like a seashell.

1540
01:09:42,479 --> 01:09:47,519
Speaker 4: Cake or or a walkman cake. Anyway, we can move on.

1541
01:09:49,439 --> 01:09:54,000
Speaker 2: This episode was recorded in April of twenty twenty. Yeah, exactly,

1542
01:09:55,479 --> 01:09:57,360
Speaker 2: it does feel very twenty twenty Codd.

1543
01:09:57,520 --> 01:09:59,280
Speaker 3: Okay, Well, is there anything left to say about this

1544
01:09:59,280 --> 01:09:59,880
Speaker 3: gorgeous beer?

1545
01:10:00,760 --> 01:10:04,200
Speaker 2: I just hope that you experienced the same magic that

1546
01:10:04,320 --> 01:10:04,760
Speaker 2: I did.

1547
01:10:04,920 --> 01:10:07,519
Speaker 3: Well, this is I already am. I mean, this is

1548
01:10:07,600 --> 01:10:09,719
Speaker 3: a you know I feel.

1549
01:10:09,800 --> 01:10:10,120
Speaker 2: I mean.

1550
01:10:11,720 --> 01:10:14,760
Speaker 3: Wearing on just my arm for a good half hour.

1551
01:10:14,920 --> 01:10:17,920
Speaker 2: For a minute, I thought I was having perimenopause, and

1552
01:10:17,960 --> 01:10:20,360
Speaker 2: I'm in my early thirties, but I had a full

1553
01:10:20,400 --> 01:10:22,640
Speaker 2: he you were talking and I was I was like

1554
01:10:22,680 --> 01:10:26,360
Speaker 2: a Dolly clock. I was melting. But I'm back.

1555
01:10:27,120 --> 01:10:28,400
Speaker 4: I had a water and I'm back.

1556
01:10:28,800 --> 01:10:31,280
Speaker 3: I just read All Fours by Miranda July.

1557
01:10:31,360 --> 01:10:32,000
Speaker 2: Have you read that? Oh?

1558
01:10:32,040 --> 01:10:32,920
Speaker 4: I love Miranda July.

1559
01:10:32,960 --> 01:10:33,599
Speaker 2: I haven't read.

1560
01:10:33,479 --> 01:10:37,840
Speaker 3: Deals with this topic exactly periopause, And it makes me

1561
01:10:37,880 --> 01:10:41,160
Speaker 3: wonder if she goes to my same gym she described

1562
01:10:41,160 --> 01:10:42,599
Speaker 3: the gym described in this book.

1563
01:10:42,920 --> 01:10:45,040
Speaker 4: Uh, that's a very vivid description.

1564
01:10:45,200 --> 01:10:47,600
Speaker 3: Yeah, it's not that vivid of a description. It's just

1565
01:10:47,720 --> 01:10:50,800
Speaker 3: there's a certain couple of things. It's the gym in

1566
01:10:50,840 --> 01:10:52,519
Speaker 3: the book is in a basement, and it's run by

1567
01:10:52,520 --> 01:10:57,160
Speaker 3: a husband and wife team, and the character is in La. Okay,

1568
01:10:57,280 --> 01:10:59,719
Speaker 3: how many basement gyms run by husband and wife teams

1569
01:10:59,720 --> 01:11:00,720
Speaker 3: do you think there are in La?

1570
01:11:01,920 --> 01:11:02,000
Speaker 2: Not?

1571
01:11:02,240 --> 01:11:04,599
Speaker 4: Well, maybe a couple, but probably not many.

1572
01:11:04,960 --> 01:11:09,320
Speaker 2: Yeah, and are together. I love that they're deeply in love.

1573
01:11:09,360 --> 01:11:11,000
Speaker 4: They've got so they're probably just super fit.

1574
01:11:11,320 --> 01:11:14,320
Speaker 3: They're super fit, they have great taste in TV.

1575
01:11:14,400 --> 01:11:15,720
Speaker 4: They go to when they had go on a date.

1576
01:11:15,720 --> 01:11:18,040
Speaker 2: It's like a cryogenics chamber, they probably.

1577
01:11:18,360 --> 01:11:19,680
Speaker 4: Yeah, I love that for them.

1578
01:11:19,720 --> 01:11:22,840
Speaker 3: So I'm keeping my eyes out from Miranda. Okay, she

1579
01:11:23,000 --> 01:11:25,240
Speaker 3: might be there. I'm maybe for all I know, I

1580
01:11:25,360 --> 01:11:27,400
Speaker 3: was one of the characters in the book, I might

1581
01:11:27,439 --> 01:11:28,160
Speaker 3: as well assume.

1582
01:11:28,560 --> 01:11:31,120
Speaker 4: But is there a description of a dapper.

1583
01:11:32,000 --> 01:11:34,200
Speaker 3: Well, there's a character that she describes as someone who

1584
01:11:34,200 --> 01:11:35,680
Speaker 3: simply could not be an imagineer.

1585
01:11:36,200 --> 01:11:38,160
Speaker 2: So that's what it is, and looked no for it

1586
01:11:38,160 --> 01:11:41,800
Speaker 2: could definitely not mount the TV, definitely not.

1587
01:11:44,120 --> 01:11:44,920
Speaker 4: I gotta read that book.

1588
01:11:44,960 --> 01:11:47,800
Speaker 3: Okay, Well, I've got these beautiful magic glitters, which I'm

1589
01:11:47,840 --> 01:11:49,519
Speaker 3: so excited about. And I have this beard which can

1590
01:11:49,520 --> 01:11:50,879
Speaker 3: also be worn as a cute.

1591
01:11:50,720 --> 01:11:54,439
Speaker 2: Little top and a bib for crapshack bibe almost to anything.

1592
01:11:54,680 --> 01:11:58,360
Speaker 2: I'm always your crab run off our live shows.

1593
01:11:58,400 --> 01:12:01,000
Speaker 3: I've only had one piece of clothing acceptable for our

1594
01:12:01,000 --> 01:12:02,719
Speaker 3: live shows that's been given to me on the podcast,

1595
01:12:02,760 --> 01:12:05,080
Speaker 3: and I've been wearing it, and Okay, so now I'm

1596
01:12:05,120 --> 01:12:07,400
Speaker 3: starting to get a feeling this may come into play

1597
01:12:07,400 --> 01:12:09,920
Speaker 3: at some point that feels even more inappropriate than what

1598
01:12:10,000 --> 01:12:10,880
Speaker 3: I have been wearing.

1599
01:12:10,960 --> 01:12:13,240
Speaker 2: And if you there's just you know, if you want

1600
01:12:13,240 --> 01:12:15,880
Speaker 2: to if you it's a theme party, right theme, and

1601
01:12:16,000 --> 01:12:17,439
Speaker 2: you know they're like no future.

1602
01:12:17,560 --> 01:12:19,680
Speaker 4: There's just so many things this beard could be.

1603
01:12:20,400 --> 01:12:22,720
Speaker 2: And I just can't wait to see it pop up

1604
01:12:22,760 --> 01:12:25,960
Speaker 2: on your Instagram. Taxis Flourish. Can't wait to be stalking

1605
01:12:26,040 --> 01:12:27,920
Speaker 2: to be sure that you wear that at least once,

1606
01:12:28,320 --> 01:12:30,240
Speaker 2: or otherwise I'm gonna be really upset.

1607
01:12:30,520 --> 01:12:33,360
Speaker 3: It will be on at least on Instagram once. Okay,

1608
01:12:33,439 --> 01:12:35,360
Speaker 3: the listener, I feel like I never up top tell

1609
01:12:35,400 --> 01:12:37,760
Speaker 3: people that we have an Instagram. It's like the last

1610
01:12:37,760 --> 01:12:40,280
Speaker 3: thing I say in the credits of the podcast.

1611
01:12:40,600 --> 01:12:42,680
Speaker 2: Well, it's very sweet. But I guess I start my day.

1612
01:12:42,720 --> 01:12:44,679
Speaker 2: I look at your Instagram and I go, it's gonna

1613
01:12:44,680 --> 01:12:47,000
Speaker 2: be a good time to get going, And he said,

1614
01:12:47,000 --> 01:12:47,400
Speaker 2: no gifts.

1615
01:12:47,439 --> 01:12:48,160
Speaker 4: I'm bringing a gift.

1616
01:12:48,200 --> 01:12:51,360
Speaker 2: I have the strength. Well, I think we should play

1617
01:12:51,360 --> 01:12:54,000
Speaker 2: a game now, Okay, I love that on only what

1618
01:12:54,040 --> 01:12:54,200
Speaker 2: do you.

1619
01:12:54,200 --> 01:12:56,960
Speaker 3: Think should we play Gift Master? It's been a long time.

1620
01:12:57,439 --> 01:12:59,240
Speaker 3: I do think there are people that are mad. Okay,

1621
01:12:59,240 --> 01:13:01,280
Speaker 3: we're gonna play the game called Gift Master. I need

1622
01:13:01,280 --> 01:13:04,080
Speaker 3: to number between one and ten from you seven, Okay,

1623
01:13:04,160 --> 01:13:07,280
Speaker 3: I speaking to me do some light calculations to get

1624
01:13:07,320 --> 01:13:09,800
Speaker 3: out game pieces. So right now you can promote, recommend,

1625
01:13:09,880 --> 01:13:10,960
Speaker 3: do whatever you want with the mic.

1626
01:13:11,960 --> 01:13:14,600
Speaker 2: It's so funny. I am. If it's out in January,

1627
01:13:14,760 --> 01:13:16,920
Speaker 2: I'm I just started on a TV show. We can

1628
01:13:16,920 --> 01:13:19,040
Speaker 2: cut this out if it's not. But they haven't announced

1629
01:13:19,040 --> 01:13:22,040
Speaker 2: it yet, so I'm afraid to announce it. So I

1630
01:13:22,040 --> 01:13:25,800
Speaker 2: guess I'll just say I have a project coming and

1631
01:13:25,920 --> 01:13:27,920
Speaker 2: just keep an eye out for when I can announce it.

1632
01:13:28,040 --> 01:13:31,320
Speaker 2: You can follow me on Instagram at Hannah pilkis h

1633
01:13:31,400 --> 01:13:33,559
Speaker 2: A n n A h p I l k E

1634
01:13:33,720 --> 01:13:37,040
Speaker 2: s there on my Instagram, you can you can learn

1635
01:13:37,080 --> 01:13:39,679
Speaker 2: about the project I'm working on when I can talk

1636
01:13:39,720 --> 01:13:42,880
Speaker 2: about it. What if it doesn't exist, I never announce it.

1637
01:13:44,040 --> 01:13:44,720
Speaker 2: Keep teasing it.

1638
01:13:44,840 --> 01:13:46,000
Speaker 4: God, we keep going on that.

1639
01:13:46,040 --> 01:13:49,560
Speaker 2: I said, no gifts, podcasts in Hannah's and no announcement

1640
01:13:49,600 --> 01:13:52,240
Speaker 2: to be found that But honestly, that's a good way

1641
01:13:52,280 --> 01:13:54,919
Speaker 2: to keep people looking. Oh yeah, I've got a project

1642
01:13:54,960 --> 01:13:58,960
Speaker 2: coming out that I can't announce, but I will soon.

1643
01:13:59,080 --> 01:14:01,240
Speaker 4: But check in daily and like and comment.

1644
01:14:02,840 --> 01:14:06,040
Speaker 3: This is very sky fererra behavior. Actually, she's been put

1645
01:14:06,240 --> 01:14:08,160
Speaker 3: an album for the last I mean it's not her

1646
01:14:08,200 --> 01:14:09,600
Speaker 3: fault entirely, the.

1647
01:14:09,680 --> 01:14:12,400
Speaker 4: Rihanna of announcements. Yes, the Rihanna album.

1648
01:14:12,720 --> 01:14:16,160
Speaker 2: God, I love Rihanna and I would kill for another album.

1649
01:14:16,200 --> 01:14:17,599
Speaker 3: He's not putting out another album?

1650
01:14:17,680 --> 01:14:17,800
Speaker 1: Thing?

1651
01:14:18,000 --> 01:14:21,040
Speaker 3: Why why bother at this point? Unless she really just

1652
01:14:21,120 --> 01:14:22,439
Speaker 3: wants to is for fun?

1653
01:14:22,600 --> 01:14:23,679
Speaker 2: But she's so good?

1654
01:14:24,040 --> 01:14:24,960
Speaker 3: Yeah she knows that.

1655
01:14:25,040 --> 01:14:28,479
Speaker 2: But but but but why you're saying because she's a billionaire. Yeah,

1656
01:14:28,640 --> 01:14:30,320
Speaker 2: but isn't it for the art?

1657
01:14:30,800 --> 01:14:32,760
Speaker 3: But she has she has not. I mean, if she

1658
01:14:32,840 --> 01:14:34,960
Speaker 3: puts something out, she could lose a lot. What if

1659
01:14:35,000 --> 01:14:35,519
Speaker 3: it sucks?

1660
01:14:35,920 --> 01:14:38,519
Speaker 2: That's so true. It's almost like when the when enough

1661
01:14:38,560 --> 01:14:40,840
Speaker 2: time or your Ariana Grande and you just put out

1662
01:14:40,840 --> 01:14:42,840
Speaker 2: on an album every four to five months, and no one.

1663
01:14:42,680 --> 01:14:45,800
Speaker 3: Can keep tru got to put out. It takes the pressure.

1664
01:14:45,479 --> 01:14:48,200
Speaker 2: Off, that's true. When was her last album? It's oh,

1665
01:14:48,200 --> 01:14:51,640
Speaker 2: it's been twenty eighteen or something sixteen. Yeah, it's been

1666
01:14:51,760 --> 01:14:55,240
Speaker 2: eight years. Uh. Yeah.

1667
01:14:55,280 --> 01:14:58,479
Speaker 3: The pressure is so great on her now that it would.

1668
01:14:58,240 --> 01:15:00,479
Speaker 2: Have to do only you putting it on. Yes, I'm

1669
01:15:00,520 --> 01:15:07,960
Speaker 2: calling her days. I know what's gonna be your best announcement? Hey, yeah, Okay,

1670
01:15:07,960 --> 01:15:10,439
Speaker 2: this is how we play gift ester. I'm gonna name

1671
01:15:10,439 --> 01:15:13,559
Speaker 2: three celebrities and I'm going to name three gifts. Okay,

1672
01:15:13,600 --> 01:15:15,200
Speaker 2: you're going to tell me which gift you would give

1673
01:15:15,240 --> 01:15:18,080
Speaker 2: which celebrity and why. I love that some make perfect sense.

1674
01:15:18,160 --> 01:15:21,040
Speaker 3: Yes, okay, these are the celebrities we'll be playing with today.

1675
01:15:21,320 --> 01:15:25,920
Speaker 3: Number one is Lorraine Brocco. Who is that She plays

1676
01:15:26,479 --> 01:15:29,960
Speaker 3: Tony's therapist in The Sopranos. Okay, I know exactly The Sopranos.

1677
01:15:30,000 --> 01:15:33,680
Speaker 3: Of course, she plays doctor Jennifer Melfie. Okay, and she

1678
01:15:33,880 --> 01:15:38,479
Speaker 3: does a bunch of other stuff. Number two is Killian Murphy. Great,

1679
01:15:38,560 --> 01:15:41,760
Speaker 3: we all know Killian the Cheekbones for years, Yes, gorgeous,

1680
01:15:42,080 --> 01:15:45,960
Speaker 3: And number three is Joe Jonas. Okay, I can picture

1681
01:15:46,560 --> 01:15:51,439
Speaker 3: just a general Jonas. I don't know, Lorrain and Joe, Lorraine,

1682
01:15:51,520 --> 01:15:54,679
Speaker 3: Killian and Joe, and you'll be giving these gifts away.

1683
01:15:55,000 --> 01:15:59,160
Speaker 3: Number one is let's see a miniature fridge?

1684
01:15:59,520 --> 01:16:00,360
Speaker 2: Okay? Nice?

1685
01:16:00,880 --> 01:16:04,679
Speaker 3: Number two is a guest verse on the new single

1686
01:16:04,720 --> 01:16:09,040
Speaker 3: of a problematic wrapper, sure, tricky territory. And number three

1687
01:16:09,439 --> 01:16:12,519
Speaker 3: is the inability to trust.

1688
01:16:12,760 --> 01:16:14,240
Speaker 4: Okay, okay, I know what I'm gonna do.

1689
01:16:14,760 --> 01:16:18,439
Speaker 2: I'm gonna give the mini fridge to Killian because Lord knows,

1690
01:16:18,520 --> 01:16:23,479
Speaker 2: Killian's hydrating those cheekbones. That job is that cheekbones. I

1691
01:16:23,560 --> 01:16:26,000
Speaker 2: just think everyone always says drink water, and no one does.

1692
01:16:26,080 --> 01:16:28,559
Speaker 2: They would sooner spend six thousand dollars at Sephora than

1693
01:16:28,600 --> 01:16:30,519
Speaker 2: drink a bottle of water. Am I right?

1694
01:16:31,160 --> 01:16:34,240
Speaker 4: I'm a raisin. This is the most water I've.

1695
01:16:34,160 --> 01:16:36,800
Speaker 2: Drank in a day in months and months, and yet

1696
01:16:36,840 --> 01:16:38,320
Speaker 2: I'm still having heat flashes.

1697
01:16:38,520 --> 01:16:41,360
Speaker 3: You can kind of see him drinking from a straw.

1698
01:16:41,080 --> 01:16:43,760
Speaker 4: Too, totally definitely drinking from a.

1699
01:16:43,760 --> 01:16:49,200
Speaker 2: Sing off those cheekbones, and definitely heavy on spraying. Oh

1700
01:16:48,520 --> 01:16:52,360
Speaker 2: and you know what, also, gorgeous person, gorgeous skincare They

1701
01:16:52,360 --> 01:16:55,360
Speaker 2: say you should refrigerate your skincare so it doesn't go bad.

1702
01:16:55,479 --> 01:16:57,519
Speaker 2: Oh I didn't know this some of it at least.

1703
01:16:57,880 --> 01:17:01,519
Speaker 2: So we're giving Killian the fridge, keep all the things

1704
01:17:01,640 --> 01:17:03,360
Speaker 2: keeping killing looking aside, He's.

1705
01:17:03,200 --> 01:17:05,120
Speaker 3: Had all kinds of beautiful products in there.

1706
01:17:05,200 --> 01:17:07,800
Speaker 2: I think the problematic verse to Lorraine, because what a

1707
01:17:07,840 --> 01:17:12,280
Speaker 2: fun wild card. And you know, I think because so beloved,

1708
01:17:12,360 --> 01:17:12,840
Speaker 2: it would be.

1709
01:17:12,840 --> 01:17:16,840
Speaker 3: Fine, right, And she, like, at least fictionally, has a

1710
01:17:16,960 --> 01:17:20,040
Speaker 3: history of dealing with problematic characters. Sure, you know she

1711
01:17:20,160 --> 01:17:21,960
Speaker 3: really let Tony get things.

1712
01:17:22,280 --> 01:17:23,720
Speaker 4: Yeah, Oh my gosh.

1713
01:17:23,760 --> 01:17:27,240
Speaker 2: What is it with shows about therapists with no boundaries shrinking?

1714
01:17:27,880 --> 01:17:29,120
Speaker 4: I'm like, that's not right.

1715
01:17:29,479 --> 01:17:33,160
Speaker 3: I want a real boring therapist.

1716
01:17:31,280 --> 01:17:33,120
Speaker 4: Client with you.

1717
01:17:33,160 --> 01:17:37,840
Speaker 2: No, that's on healthy you beat up someone in front

1718
01:17:37,840 --> 01:17:41,519
Speaker 2: of your clients. No, it's unhealthy, and yet makes good

1719
01:17:41,560 --> 01:17:42,400
Speaker 2: for good entertainment.

1720
01:17:42,439 --> 01:17:44,120
Speaker 3: And we all knew she was falling for Tony. How

1721
01:17:44,120 --> 01:17:45,280
Speaker 3: could you not fall for Tony?

1722
01:17:45,320 --> 01:17:49,040
Speaker 2: How could you know Tony? Okay, this is a fun fact.

1723
01:17:49,160 --> 01:17:51,080
Speaker 2: I was a child actor and I was driving to

1724
01:17:51,080 --> 01:17:53,120
Speaker 2: a Law and Order audition, and I was at a

1725
01:17:53,160 --> 01:17:56,760
Speaker 2: stoplight in New York City and I waved through the

1726
01:17:56,760 --> 01:17:59,920
Speaker 2: window because I saw James Gandelfie and he rolled down

1727
01:17:59,920 --> 01:18:01,479
Speaker 2: the window and he was like, how's your day And

1728
01:18:01,520 --> 01:18:03,120
Speaker 2: I was like, I'm going to an audition and he goes,

1729
01:18:03,400 --> 01:18:06,280
Speaker 2: You're gonna do great, so sweet, and then we rolled

1730
01:18:06,320 --> 01:18:07,719
Speaker 2: up our windows and went about our lives.

1731
01:18:07,760 --> 01:18:09,360
Speaker 3: I've never heard a bad thing about him.

1732
01:18:09,400 --> 01:18:12,200
Speaker 2: Oh, No, one tells the salt of the earth sweet.

1733
01:18:12,280 --> 01:18:14,439
Speaker 2: And I was like eleven, and it just really meant

1734
01:18:14,439 --> 01:18:17,960
Speaker 2: a lot a person, Okay. And then the inability to

1735
01:18:18,000 --> 01:18:23,160
Speaker 2: trust Joe Jonas because Joe Jonas, Oh, because Nick Jonas

1736
01:18:23,200 --> 01:18:26,280
Speaker 2: has the jealous song. Oh, and Joe Jonas feels left

1737
01:18:26,320 --> 01:18:33,960
Speaker 2: out Joe Jonas jealous. No, I don't have brotherhood for

1738
01:18:34,000 --> 01:18:34,679
Speaker 2: a second.

1739
01:18:34,840 --> 01:18:36,400
Speaker 3: No way they would let each other's.

1740
01:18:36,479 --> 01:18:38,720
Speaker 2: In fact, I think that they it was like a

1741
01:18:38,760 --> 01:18:39,639
Speaker 2: Korean pop group.

1742
01:18:39,680 --> 01:18:41,839
Speaker 4: They're not real siblings. They were just put.

1743
01:18:41,640 --> 01:18:46,759
Speaker 2: Together they found very early on looking or they cloned

1744
01:18:46,800 --> 01:18:47,720
Speaker 2: one of them.

1745
01:18:48,320 --> 01:18:49,360
Speaker 4: They all look so alike.

1746
01:18:49,479 --> 01:18:51,160
Speaker 2: They really they're also teeny tiny.

1747
01:18:51,320 --> 01:18:52,960
Speaker 3: Yeah, that's why I can't really, I would never be

1748
01:18:53,000 --> 01:18:55,040
Speaker 3: able to separate them from each other. They kind of

1749
01:18:55,080 --> 01:18:55,800
Speaker 3: just blurred together.

1750
01:18:55,920 --> 01:18:58,000
Speaker 2: And that's why I'm saying, let's let one of them

1751
01:18:58,080 --> 01:19:01,080
Speaker 2: is not trusting, let's you know, let's link them even, right,

1752
01:19:01,200 --> 01:19:03,760
Speaker 2: You're so a meshed? Is it n meshed? Yeah?

1753
01:19:03,800 --> 01:19:04,599
Speaker 3: I think it's a meshed.

1754
01:19:04,600 --> 01:19:07,559
Speaker 2: Okay, well, because I said mshed, oh a meshed and

1755
01:19:07,680 --> 01:19:09,479
Speaker 2: meshed and they're so n meshed.

1756
01:19:10,479 --> 01:19:11,840
Speaker 4: I don't know if you're supposed to hit the end

1757
01:19:11,880 --> 01:19:13,879
Speaker 4: so hard they're so n meshed?

1758
01:19:14,720 --> 01:19:15,559
Speaker 2: Yeah? Does that?

1759
01:19:15,600 --> 01:19:16,719
Speaker 4: But that those are my answers.

1760
01:19:16,760 --> 01:19:19,920
Speaker 3: I think that's played. I think that's absolutely perfectly played.

1761
01:19:19,960 --> 01:19:22,160
Speaker 4: Do I get eliminated if I answered them wrong?

1762
01:19:22,360 --> 01:19:22,519
Speaker 2: No?

1763
01:19:22,640 --> 01:19:24,880
Speaker 3: This is more of a beautiful thought exercise. I wish

1764
01:19:24,880 --> 01:19:27,280
Speaker 3: you're kind of a good person for this actual Oh god,

1765
01:19:27,439 --> 01:19:29,960
Speaker 3: you're kind of the ideal candidate to give Killy and

1766
01:19:30,040 --> 01:19:31,360
Speaker 3: Murphia miniature fridge.

1767
01:19:31,880 --> 01:19:34,040
Speaker 2: Oh there is love and little mini Smeg fridge.

1768
01:19:34,280 --> 01:19:36,040
Speaker 3: Oh yeah, those are so classy looking.

1769
01:19:36,160 --> 01:19:37,240
Speaker 2: Is that Smeg or smag?

1770
01:19:37,360 --> 01:19:38,080
Speaker 3: Now that's Smeg?

1771
01:19:38,320 --> 01:19:43,800
Speaker 2: Thank you all right? En meshed Smeg Shmeg fridge. I

1772
01:19:43,840 --> 01:19:44,719
Speaker 2: think this is different.

1773
01:19:45,040 --> 01:19:46,120
Speaker 4: I got a Smeg fridge.

1774
01:19:46,160 --> 01:19:50,519
Speaker 3: Sorry, Okay, you played it perfectly, And now it's time

1775
01:19:50,600 --> 01:19:53,200
Speaker 3: for the final segment of the podcast. I said no

1776
01:19:53,320 --> 01:19:56,240
Speaker 3: emails people right into I said no gifts at gmail

1777
01:19:56,280 --> 01:19:59,960
Speaker 3: dot com and beg for answers. Okay, sure, my listener,

1778
01:20:00,160 --> 01:20:04,160
Speaker 3: their lives are tatters, tatters and ruins, and it's embarrassing

1779
01:20:04,200 --> 01:20:06,680
Speaker 3: for me as a host, but I uh, just you

1780
01:20:06,800 --> 01:20:10,080
Speaker 3: take what you can get it. And so they're write

1781
01:20:10,080 --> 01:20:12,080
Speaker 3: and begging. And I'll also tell the listener right now,

1782
01:20:12,120 --> 01:20:13,960
Speaker 3: if you want to send in suggestions for the gift

1783
01:20:14,040 --> 01:20:17,200
Speaker 3: or a cursor Gift Master game, the email is always

1784
01:20:17,280 --> 01:20:17,799
Speaker 3: the easiest.

1785
01:20:17,800 --> 01:20:20,519
Speaker 2: People. You've been begged so hard. I'm sure that you're

1786
01:20:20,600 --> 01:20:23,480
Speaker 2: dying to send a question, and is your life in tatters,

1787
01:20:23,880 --> 01:20:24,600
Speaker 2: then jump on.

1788
01:20:26,240 --> 01:20:27,760
Speaker 4: They're all losers.

1789
01:20:28,520 --> 01:20:32,080
Speaker 2: So if you want to join the bandwagon, do some

1790
01:20:32,200 --> 01:20:35,599
Speaker 2: free work. Honestly, that does get through to me begging.

1791
01:20:35,720 --> 01:20:37,920
Speaker 2: Oh yeah, I'm about to send it. I'm an hold

1792
01:20:38,000 --> 01:20:41,439
Speaker 2: on no listener.

1793
01:20:41,600 --> 01:20:43,439
Speaker 3: You can of course send them through Instagram, but you

1794
01:20:43,439 --> 01:20:46,120
Speaker 3: know I have to get into the doc. I'm taking screenshots.

1795
01:20:46,120 --> 01:20:50,000
Speaker 3: My life is becoming control. I've got enough on my plate.

1796
01:20:50,120 --> 01:20:50,360
Speaker 2: Gem.

1797
01:20:50,400 --> 01:20:51,799
Speaker 4: We're only for sliding in.

1798
01:20:52,560 --> 01:20:55,439
Speaker 3: If you want to hit on me, if you want

1799
01:20:55,439 --> 01:21:00,080
Speaker 3: to comment on my body or say something disgusting, get into.

1800
01:21:02,640 --> 01:21:04,800
Speaker 4: Answer for formal sad questions.

1801
01:21:07,200 --> 01:21:10,920
Speaker 3: Okay, we're gonna answer a question. Sure, great, This is

1802
01:21:10,960 --> 01:21:13,519
Speaker 3: Hello Bridger and mystery guest. That's a nice thing to

1803
01:21:13,560 --> 01:21:13,880
Speaker 3: call you.

1804
01:21:14,680 --> 01:21:20,000
Speaker 2: Although this question you were born mystery guest. Yeah, first name.

1805
01:21:24,120 --> 01:21:26,880
Speaker 3: Although this question may seem trivial and is definitely giving

1806
01:21:26,920 --> 01:21:30,559
Speaker 3: first world problems, I have to ask. I am the

1807
01:21:30,600 --> 01:21:32,680
Speaker 3: middle sibling on both sides of my family, so I

1808
01:21:32,720 --> 01:21:35,840
Speaker 3: acknowledge my middle child personality. I'm a middle child as well,

1809
01:21:35,880 --> 01:21:38,200
Speaker 3: so in the same boat here, I know that I

1810
01:21:38,200 --> 01:21:41,000
Speaker 3: have a tendency to feel slighted and less important than

1811
01:21:41,000 --> 01:21:44,400
Speaker 3: my older and younger siblings. I own that, especially when

1812
01:21:44,400 --> 01:21:46,400
Speaker 3: it comes to my older sister. Okay, here we go.

1813
01:21:46,920 --> 01:21:52,360
Speaker 2: She is a mar Marha Marsha Yeah, signed Jan Brady.

1814
01:21:53,640 --> 01:21:54,479
Speaker 4: I was like, oh my god.

1815
01:21:54,520 --> 01:21:59,600
Speaker 3: Really she is a very successful person with a magazine

1816
01:21:59,600 --> 01:22:03,280
Speaker 3: worthy family. Her social Oh, I'm seeing a typo here

1817
01:22:03,680 --> 01:22:05,600
Speaker 3: or social medial presence.

1818
01:22:06,080 --> 01:22:09,519
Speaker 4: She close the laptop. You can't proofread it.

1819
01:22:10,000 --> 01:22:13,840
Speaker 2: You don't care about writing into this podcast.

1820
01:22:12,960 --> 01:22:14,360
Speaker 4: Fizzles because it's eight years old.

1821
01:22:14,439 --> 01:22:16,599
Speaker 2: Oh, this looks like a newer one. This is brand new.

1822
01:22:16,920 --> 01:22:21,400
Speaker 3: Spoken her social media I'm editing as we go. Media

1823
01:22:21,600 --> 01:22:26,720
Speaker 3: presence is filled with beautiful photos and witty, slash sincere,

1824
01:22:26,880 --> 01:22:28,680
Speaker 3: slash well written captions.

1825
01:22:28,720 --> 01:22:29,520
Speaker 2: Oh.

1826
01:22:29,680 --> 01:22:32,759
Speaker 3: Since we are family and our children are of similar ages.

1827
01:22:32,800 --> 01:22:35,759
Speaker 3: We attend the same family gatherings and have camera albums

1828
01:22:35,800 --> 01:22:39,120
Speaker 3: full of the same photos. However, lately it seems like

1829
01:22:39,160 --> 01:22:42,600
Speaker 3: there is an unspoken race to post our pictures. She

1830
01:22:42,840 --> 01:22:45,559
Speaker 3: will often demand I sent her any pictures I have taken,

1831
01:22:45,920 --> 01:22:49,080
Speaker 3: and then and then kraft her Instagram posts with something

1832
01:22:49,160 --> 01:22:53,480
Speaker 3: hilarious and cute with pictures I have taken. In contrast,

1833
01:22:53,600 --> 01:22:56,880
Speaker 3: I also have cute sea photos, but I am not timely,

1834
01:22:57,320 --> 01:22:59,680
Speaker 3: I am not as active as she is, and have

1835
01:22:59,720 --> 01:23:02,200
Speaker 3: given up trying due to feeling like mine are a

1836
01:23:02,240 --> 01:23:04,280
Speaker 3: poor man's second hand picture post.

1837
01:23:05,520 --> 01:23:10,320
Speaker 2: Poor man's secondhand picture post. That's a verse poor man's

1838
01:23:10,320 --> 01:23:17,559
Speaker 2: secondhand picture posts. Let's send that to tish.

1839
01:23:15,200 --> 01:23:18,879
Speaker 3: It Also, it also looks like I have stolen her pictures,

1840
01:23:18,880 --> 01:23:20,639
Speaker 3: when in reality she has taken mine.

1841
01:23:21,120 --> 01:23:25,360
Speaker 2: So wild simply this is giving jonas.

1842
01:23:26,560 --> 01:23:30,640
Speaker 3: This is definite inability to trust. Yes, how do I

1843
01:23:30,680 --> 01:23:33,080
Speaker 3: tell her I am not interested in this photo album

1844
01:23:33,160 --> 01:23:35,760
Speaker 3: race and caption contest? And then I don't want her

1845
01:23:35,840 --> 01:23:37,559
Speaker 3: to constantly steal my pictures.

1846
01:23:37,800 --> 01:23:46,519
Speaker 2: I sibling, you're giving them to her. I don't take them.

1847
01:23:46,800 --> 01:23:49,920
Speaker 2: This is great, but I get it. Sib shit is

1848
01:23:50,080 --> 01:23:51,880
Speaker 2: no joke. Sibling stuff is real.

1849
01:23:52,400 --> 01:23:56,679
Speaker 3: I know it seems like a silly thing to be aggravated. Well, okay,

1850
01:23:56,760 --> 01:23:59,400
Speaker 3: I'm gonna read this verbatim. I know it seems like

1851
01:23:59,600 --> 01:24:02,920
Speaker 3: a thing be aggravated about. So we're missing and make

1852
01:24:02,960 --> 01:24:07,400
Speaker 3: an edit. Put that in there, do a little extra.

1853
01:24:07,600 --> 01:24:09,800
Speaker 2: Send it back to them with like the red red

1854
01:24:09,880 --> 01:24:13,280
Speaker 2: marks underlines, like it's like you're an editor for the

1855
01:24:13,280 --> 01:24:16,160
Speaker 2: New York Times. Thank you for your submission.

1856
01:24:17,479 --> 01:24:19,479
Speaker 4: Thank you for your submission. Here's where you went wrong.

1857
01:24:20,080 --> 01:24:23,000
Speaker 2: You missed one word. Okay, I know it seems like

1858
01:24:23,040 --> 01:24:25,400
Speaker 2: a silly thing to be aggravated about, but it's just

1859
01:24:25,439 --> 01:24:27,640
Speaker 2: another notch in the belt for all the of the

1860
01:24:27,680 --> 01:24:29,960
Speaker 2: other things she seems to do better than me. Please

1861
01:24:30,000 --> 01:24:31,040
Speaker 2: help Debbie.

1862
01:24:31,600 --> 01:24:35,080
Speaker 3: Okay, Debbie, Well you've been laughed out of the podcast.

1863
01:24:35,840 --> 01:24:40,760
Speaker 2: I think Debbie's got a delete Instagram. All meant to

1864
01:24:40,800 --> 01:24:43,599
Speaker 2: be on my friend got off, and you know, she's like,

1865
01:24:43,640 --> 01:24:47,479
Speaker 2: I'm not meant for this, I'm not meant for Everyone's like,

1866
01:24:47,920 --> 01:24:50,599
Speaker 2: She's like, it feels like a never ending rivalry between

1867
01:24:50,640 --> 01:24:53,639
Speaker 2: me and the rest of the Internet. Right, I gotta

1868
01:24:53,680 --> 01:24:55,720
Speaker 2: go live my life without feeling like I have to

1869
01:24:55,800 --> 01:24:58,200
Speaker 2: capture it. I really relate in terms of like, I'll

1870
01:24:58,200 --> 01:25:00,639
Speaker 2: go on trips, I'll see friends, I'll go do something epic,

1871
01:25:00,680 --> 01:25:02,840
Speaker 2: and I forget to take a picture because Sean for

1872
01:25:02,840 --> 01:25:06,200
Speaker 2: a bit, I'm present. But it is I get it.

1873
01:25:06,240 --> 01:25:08,160
Speaker 2: I feel like there's inherent pressure.

1874
01:25:08,360 --> 01:25:11,120
Speaker 3: Every therapist is the first I'm sure at first meeting

1875
01:25:11,120 --> 01:25:14,559
Speaker 3: they're telling people compare and despair. Yeah, get off of

1876
01:25:14,600 --> 01:25:17,679
Speaker 3: the but we're all trapped, right, especially if you rely

1877
01:25:17,880 --> 01:25:21,760
Speaker 3: on it professionally, right, gun to your head twenty four

1878
01:25:21,800 --> 01:25:22,679
Speaker 3: hours a day.

1879
01:25:22,840 --> 01:25:26,120
Speaker 2: Right, that's how they got to sign the petition. But

1880
01:25:26,320 --> 01:25:31,680
Speaker 2: I also think maybe their sister's better. Skidding, totally kidding, No.

1881
01:25:31,760 --> 01:25:33,880
Speaker 3: I think Debbie, I think you need to Okay, first

1882
01:25:33,920 --> 01:25:36,519
Speaker 3: of all, stop sending the pictures or put it. Let's

1883
01:25:36,520 --> 01:25:37,599
Speaker 3: be honest, let's put.

1884
01:25:37,439 --> 01:25:41,200
Speaker 2: A water mark. Yeah, let's do Uh.

1885
01:25:40,720 --> 01:25:42,120
Speaker 3: Who is that? What's the company?

1886
01:25:42,520 --> 01:25:43,520
Speaker 2: Uh?

1887
01:25:43,600 --> 01:25:47,880
Speaker 3: That's usually a watermark on the pictures. Getty, we get.

1888
01:25:48,640 --> 01:25:51,760
Speaker 2: And make it a hundred dollars to have to buy, yes,

1889
01:25:51,800 --> 01:25:56,680
Speaker 2: and then sue her. Sue this woman, children come.

1890
01:25:56,840 --> 01:26:00,439
Speaker 4: Take the firstborn style.

1891
01:26:04,240 --> 01:26:07,080
Speaker 3: Yeah. So that's one option. Okay, another option is there.

1892
01:26:07,160 --> 01:26:09,680
Speaker 3: You're clearly setting a little trap for her, which is

1893
01:26:09,960 --> 01:26:13,360
Speaker 3: send her the photo letter post first comment is I

1894
01:26:13,400 --> 01:26:14,000
Speaker 3: took this.

1895
01:26:15,160 --> 01:26:18,559
Speaker 2: And then say pin this, pin this, keep writing pin

1896
01:26:18,600 --> 01:26:22,360
Speaker 2: this until they pin it. Report and if they don't

1897
01:26:22,360 --> 01:26:26,960
Speaker 2: do in forty eight hours, report the picture for inappropriate content,

1898
01:26:28,439 --> 01:26:30,000
Speaker 2: and then you could you have the evidence, you can

1899
01:26:30,040 --> 01:26:32,040
Speaker 2: send it to Instagram. Look, I took it first, and

1900
01:26:32,240 --> 01:26:34,080
Speaker 2: to me, that feels healthy and balanced.

1901
01:26:34,880 --> 01:26:37,960
Speaker 3: Instagram will take you seriously. They take all of these.

1902
01:26:38,200 --> 01:26:40,240
Speaker 3: Any report they take seriously, of course.

1903
01:26:40,880 --> 01:26:47,439
Speaker 2: And meanwhile, whatever her name is, Heather is now her

1904
01:26:47,479 --> 01:26:50,000
Speaker 2: life is falling apart, and she's working even harder to

1905
01:26:50,080 --> 01:26:51,280
Speaker 2: keep up appearances.

1906
01:26:51,439 --> 01:26:54,639
Speaker 3: She's begging you for more photos. Suddenly you're charging her.

1907
01:26:54,960 --> 01:26:57,040
Speaker 3: You've started a little business of your own.

1908
01:26:57,960 --> 01:27:01,880
Speaker 2: Idea, Debbie, make your main photo verified check so that

1909
01:27:01,960 --> 01:27:06,160
Speaker 2: you look verified, and then talk about clout. I bet

1910
01:27:06,200 --> 01:27:09,000
Speaker 2: he doesn't have that. Heather doesn't have a check mark.

1911
01:27:09,120 --> 01:27:10,839
Speaker 3: Heather isn't gonna know head from tails.

1912
01:27:11,320 --> 01:27:13,200
Speaker 2: That's she is gonna be destroyed.

1913
01:27:14,560 --> 01:27:18,639
Speaker 3: No, Debbie, I think your problem is absolutely valid.

1914
01:27:18,760 --> 01:27:23,639
Speaker 2: Your sister wants you dead, and you have sister's gonna

1915
01:27:23,640 --> 01:27:25,840
Speaker 2: send an email in next week, next time.

1916
01:27:25,920 --> 01:27:28,960
Speaker 3: No, Debbie's gonna write under the name Heather, that's what's next,

1917
01:27:29,479 --> 01:27:31,479
Speaker 3: and she's gonna try to make Heather look like she

1918
01:27:31,640 --> 01:27:36,160
Speaker 3: has even more typos, right, and try to embarrass her. Right,

1919
01:27:36,360 --> 01:27:39,400
Speaker 3: Debbie has already unfortunately already kind of exposed herself in

1920
01:27:39,439 --> 01:27:40,200
Speaker 3: the biggest possible.

1921
01:27:40,200 --> 01:27:43,800
Speaker 2: It was very exposing. Yes, but you know what, I love, Debbie,

1922
01:27:43,880 --> 01:27:46,040
Speaker 2: and I get it. I get it. When I, my

1923
01:27:46,120 --> 01:27:49,200
Speaker 2: sister and I were kids, the running you know you

1924
01:27:49,400 --> 01:27:51,960
Speaker 2: that thing you would do to just go, I would say,

1925
01:27:51,960 --> 01:27:54,000
Speaker 2: we would say to each other, you think you're so cool,

1926
01:27:54,000 --> 01:27:57,439
Speaker 2: but you look so dumb. And to these days, to

1927
01:27:57,920 --> 01:27:59,880
Speaker 2: this day, those words haunt me, of course.

1928
01:28:00,840 --> 01:28:06,200
Speaker 3: Waking. Yeah, Debbie, you are in a bad situation, and

1929
01:28:06,520 --> 01:28:11,439
Speaker 3: we feel for you. Emancipate yourself from your sister who

1930
01:28:11,439 --> 01:28:15,640
Speaker 3: lives in another house, emancipate her children from her. Just

1931
01:28:15,680 --> 01:28:17,680
Speaker 3: do anything you can to kind of rougher up.

1932
01:28:18,479 --> 01:28:22,800
Speaker 2: Debbie. Have you seen the film Sliver? I think that's

1933
01:28:22,840 --> 01:28:26,040
Speaker 2: what you need to start there and just follow whatever

1934
01:28:26,080 --> 01:28:26,960
Speaker 2: you see in Slipper.

1935
01:28:27,240 --> 01:28:30,599
Speaker 3: That's right, Well, we answered the question perfectly, Debbie. Don't

1936
01:28:30,600 --> 01:28:32,840
Speaker 3: write back in unless your Heather.

1937
01:28:33,680 --> 01:28:34,879
Speaker 4: Debbie, don't write back.

1938
01:28:34,720 --> 01:28:37,200
Speaker 3: In looking forward to Heather's email.

1939
01:28:38,200 --> 01:28:40,240
Speaker 2: Do people ever write back to your response?

1940
01:28:40,840 --> 01:28:47,519
Speaker 3: On occasion? And I block report block of immediately change emails.

1941
01:28:48,640 --> 01:28:53,520
Speaker 4: No, you're like Chapel, No, don't interact.

1942
01:28:53,880 --> 01:28:54,880
Speaker 3: Chapel took that from me.

1943
01:28:55,600 --> 01:28:56,040
Speaker 2: That makes sense.

1944
01:28:56,120 --> 01:29:01,519
Speaker 3: Chapel wrote into me, and my response she goes, wait,

1945
01:29:01,600 --> 01:29:03,519
Speaker 3: you can do that. It's onto something here. We're gonna

1946
01:29:03,520 --> 01:29:08,759
Speaker 3: block everybody, chap will reach out. Well, I'm so happy

1947
01:29:08,760 --> 01:29:12,280
Speaker 3: to have these life changing serums and this beard which

1948
01:29:12,320 --> 01:29:13,160
Speaker 3: trying to become a cape.

1949
01:29:13,720 --> 01:29:15,720
Speaker 4: There's so many things you can do with it.

1950
01:29:15,800 --> 01:29:17,320
Speaker 3: I mean, my chest is covered in sweat.

1951
01:29:17,320 --> 01:29:22,880
Speaker 2: Now you look like like the superhero of comfort, flying

1952
01:29:22,880 --> 01:29:24,960
Speaker 2: through the class the tooth Fairy, and you just like

1953
01:29:25,000 --> 01:29:26,679
Speaker 2: make people's threat count higher.

1954
01:29:27,520 --> 01:29:30,439
Speaker 3: I'm cutting off the tooth Fairy and traffic right.

1955
01:29:30,680 --> 01:29:32,280
Speaker 4: You upgrade their temper pedis.

1956
01:29:32,600 --> 01:29:35,880
Speaker 3: Yeah. Well, I've had such a wonderful time with you.

1957
01:29:35,960 --> 01:29:39,200
Speaker 3: To thank you for being here, even despite a dog emergency.

1958
01:29:39,240 --> 01:29:44,320
Speaker 2: Oh yeah, of course, fuck that guy. I love my dog.

1959
01:29:45,120 --> 01:29:48,800
Speaker 3: Uh, listener, the podcast is over. I've got to you know,

1960
01:29:48,920 --> 01:29:50,439
Speaker 3: cool down, refresh my sad.

1961
01:29:50,600 --> 01:29:52,519
Speaker 2: No, I gotta change my shirt. Yeah, we've all got

1962
01:29:52,600 --> 01:29:54,160
Speaker 2: We're all gonna change right here in front.

1963
01:29:53,960 --> 01:29:55,000
Speaker 4: Of the cold swamper.

1964
01:29:55,080 --> 01:29:58,360
Speaker 3: Right now, there's a better use. Send this episode to

1965
01:29:58,400 --> 01:29:59,040
Speaker 3: your father when.

1966
01:29:58,880 --> 01:30:00,640
Speaker 2: You will I need to hear it.

1967
01:30:01,360 --> 01:30:10,120
Speaker 3: Yeah, listener, the episodes over, move on, I love you, goodbye.

1968
01:30:11,360 --> 01:30:14,920
Speaker 3: I said, No Gifts is an exactly right production. Our

1969
01:30:15,000 --> 01:30:18,160
Speaker 3: senior producer is on Alisa Nelson, and our episodes are

1970
01:30:18,240 --> 01:30:22,040
Speaker 3: beautifully mixed by Ben Holliday. The theme song is by

1971
01:30:22,120 --> 01:30:25,200
Speaker 3: Miracle Worker Amy Mann, and we couldn't do it without

1972
01:30:25,200 --> 01:30:28,840
Speaker 3: our booker, Patrick Cottner. You must follow the show on

1973
01:30:28,880 --> 01:30:31,320
Speaker 3: Instagram at I said no Gifts, that's where you're going

1974
01:30:31,360 --> 01:30:33,880
Speaker 3: to see pictures of all these wonderful gifts I'm getting.

1975
01:30:34,240 --> 01:30:37,519
Speaker 3: And don't you want to see the gifts I invit?

1976
01:30:37,640 --> 01:30:41,200
Speaker 2: Did you hear fun?

1977
01:30:41,320 --> 01:30:46,200
Speaker 1: A man myself perfectly clear? When you're a guest to Ma,

1978
01:30:49,080 --> 01:30:55,320
Speaker 1: you gotta come to me empty, And I said, no guests,

1979
01:30:55,439 --> 01:31:02,240
Speaker 1: your presences, presents, and I already had too much stuff,

1980
01:31:03,000 --> 01:31:06,120
Speaker 1: So how do you dare to surbey me