WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the best Bits of the week with Morgan number two.

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<v Speaker 2>What's up y'all?

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<v Speaker 3>Happy weekend, So excited to be spending another fabulous Saturday

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<v Speaker 3>here with you all. This is the best Bitch just

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<v Speaker 3>the bits where I basically intro the best segments from

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<v Speaker 3>the show this week. But I want you guys to

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<v Speaker 3>go check out part one. That's always my favorite part

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<v Speaker 3>of doing this podcast. This weekend, I have Scuba Steve

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<v Speaker 3>on with me. We're sharing some life updates.

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<v Speaker 2>We're confessing the times that.

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<v Speaker 3>We have called nine one one, you know, because lunchbox

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<v Speaker 3>calls nine one one, and we're also sharing the most

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<v Speaker 3>recent time we hated being an adult. There's a lot

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<v Speaker 3>of fun conversations over there, so be sure to check

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<v Speaker 3>that out. Without further ado, let's get into it. On

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<v Speaker 3>the show this week, we shared a story about Caine

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<v Speaker 3>Brown who got hit on stage with a boot. This

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<v Speaker 3>just so happened to be in my hometown of Wichita, Kansas,

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<v Speaker 3>and my family was there at the concert when this happened.

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<v Speaker 3>I remember my dad calling me the next morning and

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<v Speaker 3>telling me everything that went down, and I was like,

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<v Speaker 3>what is going on? Then it was on TMZ, so

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<v Speaker 3>shout out Wichita for this story. Sorry, but Bobby texted

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<v Speaker 3>Kane to see what really went down and figure out

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<v Speaker 3>if there was like some confusion or if it was

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<v Speaker 3>like a bad thing that happened.

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<v Speaker 2>And Kane texted him back and let him know what

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<v Speaker 2>really went down.

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<v Speaker 3>He wanted to clear up all the confusion of this

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<v Speaker 3>boot getting thrown on stage and hitting him in the crotch.

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<v Speaker 4>Number seven, You got a message back from Kane Brown

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<v Speaker 4>because I text him earlier this morning. He was like, Hey,

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<v Speaker 4>why did that boot come flying at you on stage

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<v Speaker 4>at a concert and hit you right in your man junk?

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<v Speaker 4>And he said, according to kin, because I thought there's

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<v Speaker 4>no way that someone was angry and just chunked that

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<v Speaker 4>boot at him. He said, I told her I would

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<v Speaker 4>sign it. To wait one second, and I turned my back.

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<v Speaker 4>Once I turned around, she threw it and I hit

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<v Speaker 4>the highest note of my life. We heard it. I

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<v Speaker 4>thought it was something like that, like you probably had

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<v Speaker 4>an agreement to do it.

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<v Speaker 5>I chunked it up there, he did, go I.

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<v Speaker 1>Actually it's the best bits of the week. With Morgan.

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<v Speaker 3>Number two, the show shared some opinions they have this week,

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<v Speaker 3>but not just any opinions. They shared their opinions on

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<v Speaker 3>something small, very passionately, how they feel strongly about something

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<v Speaker 3>that is probably so irrelevant to most people. So this

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<v Speaker 3>is what this whole segment is about, is then confessing

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<v Speaker 3>they're very strong opinions on something small.

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<v Speaker 1>Number six.

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<v Speaker 4>It's rare to see movie Mike get upset about something.

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<v Speaker 6>Mike.

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<v Speaker 4>He never gets mad. He's just quiet the whole time.

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<v Speaker 4>Quiet Mike. Movie Mike, So what are you upset about?

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<v Speaker 7>They are remaking Mwana. The movie came out in twenty

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<v Speaker 7>sixteen and twenty twenty three. They're gonna do a live

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<v Speaker 7>action remake.

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<v Speaker 4>Is it really a straight remake? Though? If it's with

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<v Speaker 4>live action, it's a straight remake.

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<v Speaker 7>They're gonna make the exact same story, but with the

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<v Speaker 7>Rock in it as himself.

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<v Speaker 4>Well, I feel like it's different enough as live action though.

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<v Speaker 4>I've never seen Wuana Moana's great good movie. A great

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<v Speaker 4>song from it, how Far I'll Go? Yeah, I couldn't

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<v Speaker 4>sing that tolle.

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<v Speaker 8>Far?

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<v Speaker 4>And then have you ever heard what?

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<v Speaker 9>Wait?

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<v Speaker 4>I say?

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<v Speaker 5>Hold on?

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<v Speaker 4>What was that next part you did?

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<v Speaker 6>Oh?

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<v Speaker 5>I know that part? Yeah?

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<v Speaker 1>Yeah, that's cool.

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<v Speaker 5>Is that the one that is voice in it?

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<v Speaker 4>Yeah?

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<v Speaker 5>He plays Maui.

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<v Speaker 4>Okay, so who are they using as humans?

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<v Speaker 7>Well, so far they just have the rock.

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<v Speaker 4>Oh he's gonna be in it playing the same person, probably.

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<v Speaker 7>The same person, and the girl who is the voice

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<v Speaker 7>of Majana is going to be in it too, but

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<v Speaker 7>probably is not the right age to play Mowana.

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<v Speaker 5>Why are you so mad?

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<v Speaker 7>Because it hasn't even been ten years. It's been seven

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<v Speaker 7>years since the original one came out. I think you

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<v Speaker 7>cannot make a movie a remake until at least twenty years.

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<v Speaker 4>I just feel like the humans don't make it different.

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<v Speaker 5>I feel like it's lie.

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<v Speaker 1>But Disney is remaking everything right now.

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<v Speaker 7>Any big movie they have, they got to remake it.

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<v Speaker 5>It's seven years insane.

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<v Speaker 4>Okay, he has a very strong opinion on this. Yeah,

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<v Speaker 4>I really don't have a strong opinion on this, But

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<v Speaker 4>what is your strongest opinion about a very small issue?

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<v Speaker 10>Eddie, Leave Justin Haley Beaver alone, please, like seriously?

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<v Speaker 4>Like I want them to succeed.

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<v Speaker 10>And if the paparazzi and everyone starts taking video of

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<v Speaker 10>them at a concert, oh Justin was yeah, yes, oh

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<v Speaker 10>they're fighting again. Like, guys, we want their relationship to

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<v Speaker 10>left just because they're famous, doesn't mean we need to

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<v Speaker 10>be all up in their business. Stop, get back into

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<v Speaker 10>your life and your issues. Leave Justin and Haley alone.

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<v Speaker 4>Just dim specifically, not every celebrity come up mostly okay.

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<v Speaker 4>My first one is songs with sirens in them should

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<v Speaker 4>not be played on the radio. Don't know how annoying

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<v Speaker 4>it is. If there's a siren or something that sounds

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<v Speaker 4>like a cop car or ambulance and it's in a song,

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<v Speaker 4>You're like, oh God, oh god, God, got where is

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<v Speaker 4>it that? Don't no more. They have radio edits of

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<v Speaker 4>songs bad words, then they have radio edits of songs

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<v Speaker 4>have sirens in them. So that's my first one. Lunch butchers,

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<v Speaker 4>it's easy. Quit asking for tips everywhere we go. It

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<v Speaker 4>is so annoying. Anywhere you go to buy something, you

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<v Speaker 4>want to tip me. You go to the gas station,

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<v Speaker 4>you want to leave a tip. No, I don't want

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<v Speaker 4>to leave a tip. I'm just getting a Snickers bar.

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<v Speaker 4>So annoying. You don't have to leave a tip though,

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<v Speaker 4>I know, but.

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<v Speaker 5>It makes it. It makes it uncomfortable because you're like, man,

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<v Speaker 5>I'm not tipping you.

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<v Speaker 11>But that's quite the exaggeration. I've never been asked to

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<v Speaker 11>tip at the gas station.

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<v Speaker 4>First of all, they have a little tip jar there

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<v Speaker 4>that's a penny. Leave a penny ticket. That's for they

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<v Speaker 4>kids are set, dude, that's not a tip for the

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<v Speaker 4>person that's marking the register.

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<v Speaker 11>Like, if someone happens you need a penny, you leave.

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<v Speaker 4>It there, right, that's for build a home. That's home

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<v Speaker 4>for heroes brod.

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<v Speaker 5>Like stumps out. I literally pulled up in the drive

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<v Speaker 5>through the other day and the lady was like, would

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<v Speaker 5>you like to leave a tip? No, I meant the

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<v Speaker 5>drive through just give me my food.

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<v Speaker 4>That's a very strong opinion. I mean, what's your strong

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<v Speaker 4>opinion about a small issue.

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<v Speaker 11>Mine is that toilet paper should be over, not under.

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<v Speaker 11>And if I met someone's house and they have it under,

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<v Speaker 11>I'll even take it off and put it on correctly

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<v Speaker 11>because it should be over.

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<v Speaker 4>I wouldn't know if you switched it at our house

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<v Speaker 4>because I guess I don't care.

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<v Speaker 11>I assume anybody putting it under clearly doesn't care. And

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<v Speaker 11>now why I'm going to add them Because when it's under,

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<v Speaker 11>it fall it like rolls down, and it's when it's

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<v Speaker 11>over it just lays nicely on top and it doesn't

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<v Speaker 11>hang down.

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<v Speaker 4>But what if it's over. If it's over enough, it

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<v Speaker 4>does rolls back up.

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<v Speaker 11>You get it, just right.

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<v Speaker 4>Leave their toilet paper under, trust me.

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<v Speaker 5>Hey, Amy, leave their toilet paper alone.

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<v Speaker 4>No over, Okah, thank you, I have more. If someone

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<v Speaker 4>cheats with you, they'll cheat on you.

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<v Speaker 5>That's not always true.

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<v Speaker 4>That's true because they had they that's it.

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<v Speaker 11>Why do you say it's true?

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<v Speaker 4>Because if someone cheats with you, If you're like, I

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<v Speaker 4>met this guy and yeah, we got together. He cheated

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<v Speaker 4>on his girl, will be with me and now we're together,

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<v Speaker 4>you think all of a sudden you're the queen princess.

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<v Speaker 4>He's not gonna cheat on He obviously has shown that

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<v Speaker 4>if the right situation presents itself, he has the ability

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<v Speaker 4>to do it again. If he cheats with you, he's

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<v Speaker 4>probably gonna cheat on you, but he probably Well, everything's

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<v Speaker 4>probably in life. There are very few universal truths, and

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<v Speaker 4>most of the universal truths we know at times are

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<v Speaker 4>proven not to be universal truths at all. But I'm saying,

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<v Speaker 4>if he cheats on you, oh yeah, name something universal truths?

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<v Speaker 4>Water is okay? Drivers, No, No, that's not anyway. If

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<v Speaker 4>you tell me a time to be somewhere, and then

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<v Speaker 4>that's the agreed upon time. You you can't be late.

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<v Speaker 4>And also if you tell me a time that it's

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<v Speaker 4>agreed upon and it's even two weeks out, I don't

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<v Speaker 4>have to check back in with you to say I'm

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<v Speaker 4>going to be there at that time. We've already agreed

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<v Speaker 4>to it. Do you know how many times people are like, well,

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<v Speaker 4>I never heard from you, Yeah, nine days before we

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<v Speaker 4>said we were going to meet here at this time,

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<v Speaker 4>I didn't know. I had to come back in and do

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<v Speaker 4>it progress check nine days.

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<v Speaker 5>Yeah, is that a long time.

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<v Speaker 4>That's a real long you have to check in.

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<v Speaker 5>You think, yeah, okay.

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<v Speaker 4>But if it changes, call and say hey, we're not

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<v Speaker 4>on anymore, that's the change. The changes that that person's

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<v Speaker 4>not on anymore, you've got to call and make the change.

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<v Speaker 4>Otherwise it is there. It is set in stone.

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<v Speaker 5>It is the calendar.

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<v Speaker 11>You don't ever say, hey, we're still good for today,

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<v Speaker 11>double checking.

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<v Speaker 5>Oh, I mean, how long is it more than five days?

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<v Speaker 5>You got to make sure they're good to go.

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<v Speaker 4>We've said it, that's it. I don't schedule like I

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<v Speaker 4>have a content or a comedy show three months out

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<v Speaker 4>week of Hey, guys, theater. Still good for me to

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<v Speaker 4>show up. No, we set a date, but it's all

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<v Speaker 4>a contract to me. It's a human contract. Here's another one,

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<v Speaker 4>Cereal first than milk, any other way you're a stalker,

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<v Speaker 4>cycle killer. Yeah, good milk Cereal next one stop. You

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<v Speaker 4>should never refer to your pets as fur babies, creepy, weird.

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<v Speaker 4>Love it and it's you just filling a void. I

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<v Speaker 4>say it her babies. Yeah, what's the void that you

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<v Speaker 4>don't have a baby. No, it could be a baby,

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<v Speaker 4>could be friends, could be any connection at all.

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<v Speaker 5>You don't use the word literally.

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<v Speaker 4>If you don't mean literally, you don't have to say figuratively,

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<v Speaker 4>and you can do Hey, man, look at that he's

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<v Speaker 4>he's the biggest a mountain. But don't say he says

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<v Speaker 4>literally biggest amountain because literally actually shifts the whole meaning

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<v Speaker 4>of that. You would have to literally be that.

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<v Speaker 11>Ba it's part of the sarcasm.

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<v Speaker 4>It's not sarcasm, though, you're not being sarcastic by saying that.

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<v Speaker 4>That's like hype again hyperbole. Yeah, yeah, just say dang

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<v Speaker 4>you look at Eddie. He says he's gotten a skinny

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<v Speaker 4>as a bean pole. Yeah. Now, if I say that

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<v Speaker 4>that's okay, but if I go, he's literally as skinny

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<v Speaker 4>as a bean pole. That's actually an accurate about say.

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<v Speaker 4>I know that he's right about it, but obviously you

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<v Speaker 4>cannot give more than one hundred percent.

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<v Speaker 5>That's it.

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<v Speaker 4>That's the fullness. You can't do one hundred and ten,

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<v Speaker 4>you can't do two thirty, you can't do a thousand percent.

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<v Speaker 4>It is one hundred percent. That's the most maximum you

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<v Speaker 4>could ever give. One hundred all the way filled up

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<v Speaker 4>the end. You can't do one hundred and one, can't

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<v Speaker 4>do one hundred and twenty. It's one hundred percent. That's

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<v Speaker 4>at the end. Thank you.

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<v Speaker 11>When the Boston girls were in here, what they said

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<v Speaker 11>that your offer performance? I said one out of ten

0:09:14.320 --> 0:09:16.320
<v Speaker 11>and they were like eleven twelve, he's amazing. You didn't

0:09:16.440 --> 0:09:17.440
<v Speaker 11>you didn't correct them.

0:09:17.320 --> 0:09:19.360
<v Speaker 4>Because it's not a percentage, just not one hundred percent.

0:09:19.400 --> 0:09:21.400
<v Speaker 5>But it was one out of ten. Scale can't go

0:09:21.400 --> 0:09:21.840
<v Speaker 5>over ten.

0:09:22.000 --> 0:09:24.360
<v Speaker 4>But I don't care. They were talking about me, so

0:09:24.520 --> 0:09:26.240
<v Speaker 4>that was saying that you were No, I don't care.

0:09:26.320 --> 0:09:27.719
<v Speaker 4>They were saying I was better than a ten. So

0:09:27.720 --> 0:09:29.280
<v Speaker 4>why am I going to say, girls, I don't like that.

0:09:29.640 --> 0:09:32.240
<v Speaker 4>I will let that slide. Yes, Eddie, I have a situation.

0:09:32.320 --> 0:09:32.640
<v Speaker 5>Go ahead.

0:09:32.679 --> 0:09:35.319
<v Speaker 10>When you're like looking at like stock prices and numbers,

0:09:35.320 --> 0:09:38.360
<v Speaker 10>they say your returning investment was one hundred and ten percent.

0:09:38.040 --> 0:09:41.040
<v Speaker 4>That actually can't happen accurate. That's what I'm saying. That's

0:09:41.080 --> 0:09:41.640
<v Speaker 4>not a scale.

0:09:42.240 --> 0:09:44.000
<v Speaker 5>That's a good work.

0:09:44.679 --> 0:09:45.800
<v Speaker 11>I'm actually with Bobby.

0:09:45.840 --> 0:09:46.640
<v Speaker 5>It's not a scale.

0:09:46.679 --> 0:09:49.560
<v Speaker 4>That's a that's mathematics. If up till hundred percent is

0:09:49.559 --> 0:09:51.360
<v Speaker 4>this number of anything more than one hundred percent, it

0:09:51.360 --> 0:09:52.800
<v Speaker 4>gets into one oh five, one ten, It can be

0:09:52.800 --> 0:09:54.520
<v Speaker 4>three hundred percent of I've seen that before.

0:09:55.440 --> 0:09:56.160
<v Speaker 5>Much talking.

0:09:57.720 --> 0:09:59.520
<v Speaker 11>Hard sometimes when you have people on your side and

0:09:59.520 --> 0:10:00.400
<v Speaker 11>then they go say something like.

0:10:00.400 --> 0:10:02.920
<v Speaker 4>That, yes, I know right then your buddys turned full idiot.

0:10:02.960 --> 0:10:06.160
<v Speaker 4>Then you're like, well great now I'm right all right,

0:10:06.240 --> 0:10:06.760
<v Speaker 4>everybody good.

0:10:06.840 --> 0:10:08.720
<v Speaker 5>Yeah, I gave one hundred and ten percent on that SiGe.

0:10:08.520 --> 0:10:12.640
<v Speaker 4>And no clapping when the airplane lands and less there

0:10:12.679 --> 0:10:14.920
<v Speaker 4>was like some crazy turbulence and you almost died. I

0:10:15.000 --> 0:10:16.680
<v Speaker 4>love doing that though. It's so much fun.

0:10:16.760 --> 0:10:19.400
<v Speaker 11>Also, no jokes from the flight deck from the from

0:10:19.400 --> 0:10:23.120
<v Speaker 11>the pilot, like about you know, whether destination or kind

0:10:23.120 --> 0:10:24.240
<v Speaker 11>of flight or trivia?

0:10:24.600 --> 0:10:27.680
<v Speaker 4>Yeah, thank you? All all right, that's it small things.

0:10:27.679 --> 0:10:29.960
<v Speaker 4>We have strong opinion, Mike, Sorry about moan about that.

0:10:29.960 --> 0:10:32.000
<v Speaker 4>That's what I started with, all of a sudden yelling

0:10:32.000 --> 0:10:32.520
<v Speaker 4>at each other.

0:10:33.880 --> 0:10:37.600
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

0:10:39.040 --> 0:10:40.439
<v Speaker 2>You may know the name Canine.

0:10:40.559 --> 0:10:42.520
<v Speaker 3>He called into our show a while back and he

0:10:42.559 --> 0:10:45.520
<v Speaker 3>shared a Bobby Bone Show theme song that he wrote,

0:10:45.520 --> 0:10:47.600
<v Speaker 3>and we'd play it sometimes at the beginning of our

0:10:47.880 --> 0:10:50.319
<v Speaker 3>additional show, the Post Show, and it was like an

0:10:50.360 --> 0:10:53.480
<v Speaker 3>introduction that was so hype and gave us so much energy. Well,

0:10:53.920 --> 0:10:56.120
<v Speaker 3>after him calling in and him doing that theme song,

0:10:56.160 --> 0:10:58.240
<v Speaker 3>we're like, well, why don't you come in studio. Bobby

0:10:58.280 --> 0:11:01.599
<v Speaker 3>invited him up and Canine flew in and he performed

0:11:01.679 --> 0:11:04.680
<v Speaker 3>the theme song live. It was such a fun, epic

0:11:04.760 --> 0:11:07.640
<v Speaker 3>moment to kind of conclude K nine who wrote us

0:11:07.640 --> 0:11:08.840
<v Speaker 3>this epic theme song.

0:11:09.320 --> 0:11:12.560
<v Speaker 1>Number five So Bobby Bones Show interviews.

0:11:12.760 --> 0:11:14.199
<v Speaker 5>In case you didn't know.

0:11:14.880 --> 0:11:18.240
<v Speaker 4>We met this guy on the phones. He called I

0:11:18.280 --> 0:11:20.160
<v Speaker 4>don't remember the first time we ever talked to him,

0:11:20.320 --> 0:11:21.959
<v Speaker 4>but then he said he was a rapper. His name

0:11:22.000 --> 0:11:23.920
<v Speaker 4>was K nine. Then we talked to him a bunch

0:11:23.960 --> 0:11:26.440
<v Speaker 4>and then he made a song for us, Ray, would

0:11:26.440 --> 0:11:28.600
<v Speaker 4>you play some of our K nine original that we

0:11:28.640 --> 0:11:30.120
<v Speaker 4>play on the Post show sometimes.

0:11:30.200 --> 0:11:38.200
<v Speaker 12>Oh Bobby, Oh Bobby, Oh Bobby Bobby. Oh boy, Oh Bobby,

0:11:38.200 --> 0:11:41.479
<v Speaker 12>Oh Bobby, Bobby boy Oh Bobby.

0:11:41.520 --> 0:11:46.920
<v Speaker 6>Bone show intro for Bobby going hard like a chilin

0:11:47.040 --> 0:11:48.079
<v Speaker 6>with my boy box.

0:11:48.160 --> 0:11:50.040
<v Speaker 5>And so he made this for us.

0:11:50.080 --> 0:11:51.880
<v Speaker 4>We played it all the time, and so we were like, dude,

0:11:51.920 --> 0:11:53.040
<v Speaker 4>if you ever come up to the studio, you have

0:11:53.040 --> 0:11:55.400
<v Speaker 4>a drive up from Florida, you can stop by always here.

0:11:55.800 --> 0:11:58.360
<v Speaker 4>Come on. Then we're gonna interview Canine, who I've never met.

0:11:58.400 --> 0:12:00.959
<v Speaker 4>I don't even know what he looks like. There's a

0:12:01.040 --> 0:12:03.680
<v Speaker 4>picture right in front of you, but that's yeah, and.

0:12:03.760 --> 0:12:04.600
<v Speaker 5>He's in the green room.

0:12:04.720 --> 0:12:07.760
<v Speaker 4>So let us talk to our caller, our friend, our

0:12:08.000 --> 0:12:13.199
<v Speaker 4>our rapper, Canine on the Bobby Bones Show. Now he

0:12:13.360 --> 0:12:16.520
<v Speaker 4>listens in Vero Beach, Florida on Wave ninety two point seven,

0:12:16.920 --> 0:12:19.839
<v Speaker 4>started listening to twenty nineteen. He's walking through right now.

0:12:20.440 --> 0:12:20.920
<v Speaker 8>What up?

0:12:24.000 --> 0:12:27.160
<v Speaker 4>Let's see right there, Canine? Sit? What do you got there?

0:12:27.400 --> 0:12:27.559
<v Speaker 6>Man?

0:12:27.640 --> 0:12:31.959
<v Speaker 4>I appreciate that. Oh man, thanks, I appreciate that. Look

0:12:31.960 --> 0:12:32.160
<v Speaker 4>at that?

0:12:32.800 --> 0:12:33.160
<v Speaker 13>All right?

0:12:34.000 --> 0:12:34.400
<v Speaker 4>You good?

0:12:35.040 --> 0:12:35.640
<v Speaker 11>I'm good man.

0:12:35.640 --> 0:12:37.120
<v Speaker 9>I'm nervous. I'm nervous, but I'm good.

0:12:38.040 --> 0:12:40.319
<v Speaker 4>What's been happening in the last few weeks, a few months.

0:12:40.360 --> 0:12:43.319
<v Speaker 9>Oh man, just been working, taking care of my family working.

0:12:43.559 --> 0:12:44.480
<v Speaker 4>Did you drive up here?

0:12:44.800 --> 0:12:47.199
<v Speaker 6>No, I flew, and I flew for the first time

0:12:47.240 --> 0:12:49.679
<v Speaker 6>in twelve years. I was so scared to fly, but

0:12:49.880 --> 0:12:52.320
<v Speaker 6>I did it. I conquered my fear. I'm here, baby,

0:12:52.400 --> 0:12:55.520
<v Speaker 6>let's go. Okay, I'm here.

0:12:55.640 --> 0:12:57.120
<v Speaker 4>We heard two in a few minutes. You're gonna bring

0:12:57.120 --> 0:12:58.400
<v Speaker 4>in a hype man. You brush your own hepe man

0:12:58.440 --> 0:12:58.559
<v Speaker 4>with you.

0:12:58.720 --> 0:12:59.240
<v Speaker 9>Yeah, hype man.

0:12:59.360 --> 0:13:01.640
<v Speaker 6>Nasty Nate back there. He's been my voice since we

0:13:01.640 --> 0:13:03.439
<v Speaker 6>were kids, and he's my hype man. Like if I

0:13:03.559 --> 0:13:05.920
<v Speaker 6>need to go to let's get it, that's my boy.

0:13:06.160 --> 0:13:09.839
<v Speaker 4>Like Nasty naighte or Nasty Nate, Nasty Nate, nasty night

0:13:09.960 --> 0:13:13.040
<v Speaker 4>like he's nasty. He's nast like nasty, like he didn't

0:13:13.040 --> 0:13:15.400
<v Speaker 4>smell good or like he just like nasty because when

0:13:15.400 --> 0:13:17.280
<v Speaker 4>he let whatever he does, he does it to the

0:13:18.520 --> 0:13:19.200
<v Speaker 4>furthest level.

0:13:19.400 --> 0:13:22.240
<v Speaker 9>Yeah, the second one, I would say, Yeah, I don't

0:13:22.240 --> 0:13:22.920
<v Speaker 9>know what would.

0:13:22.679 --> 0:13:25.880
<v Speaker 4>Be called like nasty name they're like stinky Sam. But

0:13:26.280 --> 0:13:28.040
<v Speaker 4>so and can I tell our listeners little bit about you?

0:13:28.120 --> 0:13:30.319
<v Speaker 4>So you're an aspiring rapper.

0:13:30.480 --> 0:13:32.439
<v Speaker 9>Yes, sir, I'm an aspiring rapper.

0:13:32.559 --> 0:13:35.079
<v Speaker 6>I write all types of music, but right now I've

0:13:35.080 --> 0:13:37.640
<v Speaker 6>been focusing more on like country rap, like hick hop

0:13:37.920 --> 0:13:41.600
<v Speaker 6>type stuff, and honestly, man, I'm looking for an opportunity.

0:13:41.679 --> 0:13:44.400
<v Speaker 6>I'm not looking for a handout. I'm trying to make it, baby,

0:13:44.480 --> 0:13:46.360
<v Speaker 6>so let's go. I'm looking for anything I can get

0:13:46.440 --> 0:13:46.720
<v Speaker 6>right now.

0:13:46.760 --> 0:13:49.000
<v Speaker 4>Who inspires you in the country music world that does

0:13:49.040 --> 0:13:50.600
<v Speaker 4>a bit of what you do or what you're trying

0:13:50.640 --> 0:13:50.800
<v Speaker 4>to do.

0:13:51.880 --> 0:13:53.400
<v Speaker 9>Honestly, I love Jelly Roll.

0:13:53.760 --> 0:13:55.360
<v Speaker 6>He used to be more of like a trap rapper

0:13:55.400 --> 0:13:57.160
<v Speaker 6>and now he's doing country, and that's kind of what

0:13:57.640 --> 0:14:00.600
<v Speaker 6>I'm trying to do because honestly, I used to live

0:14:00.679 --> 0:14:03.280
<v Speaker 6>the trap life and now I'm more of a dad.

0:14:03.520 --> 0:14:05.640
<v Speaker 6>I would say I'm more of a worker, so it

0:14:05.760 --> 0:14:08.400
<v Speaker 6>kind of doesn't It's not really like what I do anymore.

0:14:08.520 --> 0:14:10.960
<v Speaker 6>So like trap rapping I like to do, but it's

0:14:11.000 --> 0:14:12.839
<v Speaker 6>not really what I relate to anymore. It's more of

0:14:12.960 --> 0:14:15.439
<v Speaker 6>working hard and more country stuff.

0:14:15.440 --> 0:14:17.920
<v Speaker 9>To be honest. You have a son, right, yes, sir,

0:14:18.040 --> 0:14:19.800
<v Speaker 9>how old? He's about to be three in June.

0:14:20.240 --> 0:14:21.000
<v Speaker 4>Nice awesome.

0:14:21.200 --> 0:14:22.880
<v Speaker 9>And I have a beautiful wife. I love her.

0:14:22.920 --> 0:14:24.560
<v Speaker 6>She's at home right now taking care of my son.

0:14:24.640 --> 0:14:28.480
<v Speaker 6>I love you, baby, baby, he loves you. Hey, So

0:14:28.640 --> 0:14:29.800
<v Speaker 6>what's your job day to day?

0:14:29.880 --> 0:14:30.160
<v Speaker 5>Right now?

0:14:30.560 --> 0:14:32.080
<v Speaker 9>Right now? I pretty much just do labor.

0:14:32.280 --> 0:14:33.840
<v Speaker 6>Like I get up at five, I go to work

0:14:33.880 --> 0:14:37.880
<v Speaker 6>at six, I work till two, and it's just fight, grind, repeat, Baby.

0:14:38.240 --> 0:14:41.360
<v Speaker 4>You're getting it. You got a big you got flexing

0:14:41.400 --> 0:14:41.920
<v Speaker 4>the chain.

0:14:42.040 --> 0:14:44.640
<v Speaker 9>Flexing the chain. You know, I'm a Christian. I love God.

0:14:44.720 --> 0:14:46.120
<v Speaker 9>I want to thank God for being here.

0:14:47.440 --> 0:14:47.560
<v Speaker 8>Is that?

0:14:47.680 --> 0:14:47.880
<v Speaker 9>I mean?

0:14:47.920 --> 0:14:49.120
<v Speaker 4>It looks pretty shiny? Is that real?

0:14:49.280 --> 0:14:50.480
<v Speaker 9>Yeah? Yeah, this is real gold.

0:14:51.560 --> 0:14:54.280
<v Speaker 6>It's probably like my most expensive thing I have. So

0:14:54.520 --> 0:14:57.160
<v Speaker 6>you break it out often, no, only special events.

0:14:59.120 --> 0:15:01.640
<v Speaker 4>Okay, So and you know you do what you gotta

0:15:01.680 --> 0:15:05.000
<v Speaker 4>do here. But are we going to do the original

0:15:05.120 --> 0:15:07.160
<v Speaker 4>that the song that he wrote for the show. Is

0:15:07.200 --> 0:15:07.640
<v Speaker 4>that the plan?

0:15:07.840 --> 0:15:08.360
<v Speaker 9>Yeah?

0:15:08.440 --> 0:15:09.280
<v Speaker 4>Do you feel like you can do it?

0:15:09.360 --> 0:15:10.160
<v Speaker 9>I feel like I can do it.

0:15:10.240 --> 0:15:12.120
<v Speaker 5>You've been practicing, I've been practicing.

0:15:12.240 --> 0:15:13.920
<v Speaker 4>Yeah, all right, I'm gonna put you in a weird

0:15:13.960 --> 0:15:16.120
<v Speaker 4>spot like you knew, right, we knew you're gonna play right?

0:15:16.200 --> 0:15:17.160
<v Speaker 5>Yeah? Yeah, all right.

0:15:17.200 --> 0:15:21.640
<v Speaker 4>So everybody out there at K nine Underscore Florida, And

0:15:21.840 --> 0:15:23.680
<v Speaker 4>so what do you ever call this one? Do you

0:15:23.720 --> 0:15:26.280
<v Speaker 4>need you need nasty night in here for this bring

0:15:26.480 --> 0:15:32.440
<v Speaker 4>man bringing nasty? Yeah yeah, Oh, Nate doesn't look that nasty.

0:15:33.000 --> 0:15:36.400
<v Speaker 6>That's why he's a nasty Natenate looks like somebody that's

0:15:36.400 --> 0:15:41.520
<v Speaker 6>about to make a minus on a geography Quick, what

0:15:41.960 --> 0:15:42.440
<v Speaker 6>nasty night?

0:15:42.520 --> 0:15:43.600
<v Speaker 1>How's it going everybody?

0:15:43.800 --> 0:15:45.520
<v Speaker 4>And so you're Canine's hive guy?

0:15:45.680 --> 0:15:46.600
<v Speaker 9>Yeah, roll with him?

0:15:46.720 --> 0:15:48.400
<v Speaker 4>How'd you guys? How'd you guys come together?

0:15:48.880 --> 0:15:50.720
<v Speaker 5>We've known each other for years since school?

0:15:51.080 --> 0:15:56.040
<v Speaker 6>Like, uh, geometric glass in the neighborhood, trapping in the neighborhood.

0:15:56.080 --> 0:15:56.560
<v Speaker 9>You know how it is.

0:15:57.560 --> 0:16:00.120
<v Speaker 11>I have to know and excuse my ignorance, Canine, but

0:16:00.240 --> 0:16:01.760
<v Speaker 11>I don't know. You said you used to live the

0:16:01.800 --> 0:16:05.200
<v Speaker 11>trap life and you're trapping. I don't know what trap

0:16:05.280 --> 0:16:05.600
<v Speaker 11>life is.

0:16:05.680 --> 0:16:07.720
<v Speaker 6>Will you tell her what a traphouse like? Selling dope,

0:16:07.880 --> 0:16:11.000
<v Speaker 6>like hitting licks like and that would happen.

0:16:11.080 --> 0:16:13.520
<v Speaker 4>Like trap house, that's where they would all go down.

0:16:14.200 --> 0:16:16.320
<v Speaker 9>Well, it's not not you don't have to be necessarily

0:16:16.400 --> 0:16:18.040
<v Speaker 9>in a trap house, but like living the light.

0:16:18.120 --> 0:16:19.640
<v Speaker 4>No, no, but I'm saying that's what a trap house is.

0:16:19.680 --> 0:16:21.640
<v Speaker 4>That's kind of how it started. That's that's the root

0:16:21.680 --> 0:16:23.440
<v Speaker 4>of it. So trap house is where got it?

0:16:23.960 --> 0:16:26.040
<v Speaker 11>I got it, but I don't know what licking lips.

0:16:25.920 --> 0:16:27.280
<v Speaker 9>Hitting licks is like stealing.

0:16:27.600 --> 0:16:30.080
<v Speaker 5>Okay, I'm glad you learn.

0:16:30.320 --> 0:16:33.680
<v Speaker 11>Yeah, okay, good, You're not about that life anymore.

0:16:33.880 --> 0:16:35.600
<v Speaker 9>No, I ain't been arrested in five years, and I've

0:16:35.600 --> 0:16:37.480
<v Speaker 9>been drugged fore two years. Baby less, go.

0:16:37.640 --> 0:16:41.560
<v Speaker 4>Let's go Nasty Night? How nasty?

0:16:41.600 --> 0:16:43.560
<v Speaker 5>Are you not too nasty?

0:16:43.680 --> 0:16:46.240
<v Speaker 4>That's what I like to hear. Good, We're not gonna

0:16:46.240 --> 0:16:46.760
<v Speaker 4>be nasty in here?

0:16:48.200 --> 0:16:48.680
<v Speaker 5>All right here?

0:16:48.880 --> 0:16:51.160
<v Speaker 4>And you can they stand up at their mind? Can

0:16:51.200 --> 0:16:53.000
<v Speaker 4>they take their mic off the stand? Because I want

0:16:53.040 --> 0:16:55.720
<v Speaker 4>the true K nine and Nasty Nate?

0:16:55.800 --> 0:16:57.040
<v Speaker 5>Yeah, you got to give a show man.

0:16:57.520 --> 0:16:57.880
<v Speaker 14>Let's do it.

0:16:58.000 --> 0:17:01.400
<v Speaker 4>Yeah, Okay, Scuba Seed's then taking the mics. Okay, boom,

0:17:01.520 --> 0:17:05.640
<v Speaker 4>got it. Nasty Night's in his slides. Yeah, I'm just chilling,

0:17:05.800 --> 0:17:06.200
<v Speaker 4>just chilling.

0:17:06.320 --> 0:17:09.440
<v Speaker 5>Yeah all right.

0:17:09.720 --> 0:17:12.600
<v Speaker 4>K nine came o pants. By the way, he's got

0:17:12.720 --> 0:17:18.760
<v Speaker 4>a MIA Miami National Championship. Sure team ever, Okay, here

0:17:18.840 --> 0:17:21.080
<v Speaker 4>we go, right, would you just play a little bit

0:17:21.080 --> 0:17:22.640
<v Speaker 4>staking here it in their ears before we start?

0:17:22.920 --> 0:17:24.760
<v Speaker 5>Bobby, Can you guys hear this bit?

0:17:24.840 --> 0:17:25.000
<v Speaker 14>Yeah?

0:17:25.040 --> 0:17:25.639
<v Speaker 5>Yeah, turn it up?

0:17:26.400 --> 0:17:27.760
<v Speaker 12>Bobby, Oh, Bobby, oh, Bobby.

0:17:27.800 --> 0:17:29.240
<v Speaker 4>All right, right, le's chill for a second. All right,

0:17:29.280 --> 0:17:30.399
<v Speaker 4>here we go, legend gentlemen.

0:17:30.440 --> 0:17:31.920
<v Speaker 5>Here he is K nine.

0:17:32.200 --> 0:17:35.359
<v Speaker 4>Does the song have a name? Bobby Bone Show intro

0:17:35.760 --> 0:17:38.840
<v Speaker 4>Love It CA nine and Nasty Night, Bobby Bone Show intro.

0:17:38.920 --> 0:17:39.560
<v Speaker 4>Let's get Bobby.

0:17:39.640 --> 0:17:43.439
<v Speaker 12>Oh, Bobby, Oh, Bobby, Oh, Bobby, Oh, Bob, Bobby, Oh,

0:17:43.520 --> 0:17:45.080
<v Speaker 12>Bobby The Bone Show.

0:17:45.840 --> 0:17:47.720
<v Speaker 4>Oh Bobby, Oh, Bobby, Oh?

0:17:48.000 --> 0:17:52.560
<v Speaker 12>Oh bo Oh Bobby, Oh Bobby, Oh Bobby, Bobby, Oh, Bobby,

0:17:52.680 --> 0:17:58.800
<v Speaker 12>Oh Bobby, Oh Bobby, Bob Oh Bobby, Oh, Bobby, Oh Bobby, Bobby, Bobby, Bobby,

0:17:58.880 --> 0:18:02.520
<v Speaker 12>Oh Bobby, Bobby, Bobby, Oh, Bobby, Oh Bobby.

0:18:02.680 --> 0:18:06.760
<v Speaker 6>The Bobbing Bone Show intro for Bobby going hard like

0:18:06.880 --> 0:18:10.080
<v Speaker 6>I'm aiming and chilling with my boy box and producer

0:18:10.320 --> 0:18:13.560
<v Speaker 6>edit intro for the show When you know we all ready?

0:18:14.080 --> 0:18:15.880
<v Speaker 9>And two Incison Chugging.

0:18:15.640 --> 0:18:22.640
<v Speaker 6>Seltzer Scooper, Steve, Mike, The Bobby Bone Show.

0:18:24.040 --> 0:18:28.680
<v Speaker 12>Bobby Bobby, Bobby, Oh, Bobby, Oh Bobby, Bobby Bone Show,

0:18:28.920 --> 0:18:31.640
<v Speaker 12>Oh Bobby, Oh Bobby, Oh, Bobby, Oh, Bobby, Oh, Bob,

0:18:31.680 --> 0:18:32.160
<v Speaker 12>Oh Bobby.

0:18:32.440 --> 0:18:33.440
<v Speaker 5>That nice.

0:18:35.760 --> 0:18:38.200
<v Speaker 4>Say, First of all, you nailed at live, nailed at live,

0:18:39.280 --> 0:18:41.480
<v Speaker 4>Nasty Night. You are as nasty as I thought.

0:18:41.760 --> 0:18:45.080
<v Speaker 9>Yeah, I'm not the one that usually be on camera. Yeah,

0:18:45.200 --> 0:18:46.440
<v Speaker 9>so I'm a little nervous myself.

0:18:46.480 --> 0:18:47.600
<v Speaker 4>Yeah, you're running from anything?

0:18:47.640 --> 0:18:48.080
<v Speaker 7>Are you good?

0:18:48.240 --> 0:18:49.000
<v Speaker 1>No, I'm good.

0:18:50.520 --> 0:18:52.560
<v Speaker 4>Because if you're running, you need to you can do

0:18:52.560 --> 0:18:53.200
<v Speaker 4>it from the hallway.

0:18:53.800 --> 0:18:54.720
<v Speaker 11>We can blow them out.

0:18:54.920 --> 0:18:59.720
<v Speaker 4>Yeah, like that's funny, informant. We may make his voice

0:18:59.720 --> 0:19:03.080
<v Speaker 4>deep around Okay. I felt good about that.

0:19:03.480 --> 0:19:04.119
<v Speaker 5>I felt.

0:19:05.440 --> 0:19:10.040
<v Speaker 4>I mean nasty, quite nasty. Yeah, yeah, nasty. Now your

0:19:10.200 --> 0:19:14.840
<v Speaker 4>hype style seems I don't know, pretty chill, chill man.

0:19:14.880 --> 0:19:16.000
<v Speaker 5>I'm chill, laid back.

0:19:16.119 --> 0:19:18.320
<v Speaker 4>I'm more less, just here to calm his nerves, help

0:19:18.400 --> 0:19:21.520
<v Speaker 4>them out a little bit. Oh, like one of those dogs,

0:19:23.520 --> 0:19:25.760
<v Speaker 4>therapy dog. Yeah, I said, I felt that. What kind

0:19:25.760 --> 0:19:26.719
<v Speaker 4>of dog would you be? Nasty night?

0:19:27.200 --> 0:19:29.040
<v Speaker 9>Probably like a German shepherd.

0:19:30.440 --> 0:19:32.800
<v Speaker 11>Emotional support Yeah, okaynine.

0:19:32.880 --> 0:19:33.520
<v Speaker 5>What is your goal?

0:19:34.080 --> 0:19:35.320
<v Speaker 4>First of all, it's great to meet you. It's been

0:19:35.320 --> 0:19:36.800
<v Speaker 4>a long to meet you too. I'll be big fan,

0:19:36.880 --> 0:19:39.280
<v Speaker 4>Thank you very much. What is your goal with this performance?

0:19:39.320 --> 0:19:41.159
<v Speaker 4>You want somebody to hear you and think what I.

0:19:41.240 --> 0:19:43.240
<v Speaker 6>Just want someone to hear me and give me a shot. Man,

0:19:43.280 --> 0:19:45.480
<v Speaker 6>I'm looking for my shot. I'm hungrier than Joey chest

0:19:45.600 --> 0:19:47.520
<v Speaker 6>On for the July Baby, I'm hungry baby.

0:19:47.760 --> 0:19:49.240
<v Speaker 9>I want to eat it up. I want it. I

0:19:49.320 --> 0:19:51.120
<v Speaker 9>need it. I need a record deal, I need something.

0:19:51.200 --> 0:19:51.320
<v Speaker 12>Man.

0:19:51.680 --> 0:19:53.680
<v Speaker 6>I'm sick of working my butt off every day and

0:19:54.160 --> 0:19:56.040
<v Speaker 6>you know, making little money, Like I feel like I'm.

0:19:55.960 --> 0:19:56.399
<v Speaker 9>Better than that.

0:19:56.600 --> 0:19:59.359
<v Speaker 4>Amen. Amen. So here's the only advice I would give you.

0:19:59.359 --> 0:20:01.080
<v Speaker 4>From the first song that is nerve wrecking. You're in

0:20:01.080 --> 0:20:02.800
<v Speaker 4>the studio with all of us, all the lights, everything,

0:20:03.119 --> 0:20:04.840
<v Speaker 4>like you gotta own it. Just a little bit more

0:20:05.119 --> 0:20:06.520
<v Speaker 4>like a little more enters. You don't get to jump

0:20:06.520 --> 0:20:08.800
<v Speaker 4>around or anything, but just like a little bit more confidence.

0:20:09.400 --> 0:20:11.920
<v Speaker 4>You have a song though, you have an original song? Yeah,

0:20:11.920 --> 0:20:14.120
<v Speaker 4>I have Yeah, I mean so I have one here

0:20:15.040 --> 0:20:18.159
<v Speaker 4>it says audio it's but it's a bad word in

0:20:18.200 --> 0:20:21.160
<v Speaker 4>the song. What do you so it's fine?

0:20:21.600 --> 0:20:23.480
<v Speaker 5>Is he doing it live or is he just listening

0:20:23.520 --> 0:20:24.440
<v Speaker 5>to you?

0:20:24.640 --> 0:20:24.800
<v Speaker 12>Hear it?

0:20:24.880 --> 0:20:26.040
<v Speaker 5>Okay, cool, let me hear a little bit of this.

0:20:26.320 --> 0:20:28.399
<v Speaker 14>I just might get a set of golden drop of

0:20:28.480 --> 0:20:32.960
<v Speaker 14>mixtape where I had to give my straight Yeah, I

0:20:33.119 --> 0:20:34.440
<v Speaker 14>had to make a life change.

0:20:34.560 --> 0:20:37.200
<v Speaker 6>Fans came to my house trying to investigate.

0:20:38.760 --> 0:20:40.080
<v Speaker 5>We'll get the mess I made.

0:20:40.119 --> 0:20:42.840
<v Speaker 4>Don't take actually getting better though, that's crazy. Like one

0:20:42.880 --> 0:20:44.760
<v Speaker 4>of the first time we talked to you. Yeah, and

0:20:45.080 --> 0:20:48.120
<v Speaker 4>it's uh, we'll call it ship. He's got to get

0:20:48.119 --> 0:20:51.600
<v Speaker 4>a ship straight, yeah, which we cut, so it kind

0:20:51.640 --> 0:20:52.280
<v Speaker 4>of lost.

0:20:53.040 --> 0:20:54.359
<v Speaker 5>You're getting better, turned up some more.

0:20:55.520 --> 0:20:58.760
<v Speaker 14>No need to say things are going great. Got me

0:20:58.800 --> 0:21:02.280
<v Speaker 14>a clean slate, chasing day in my pocket's her way.

0:21:02.600 --> 0:21:03.600
<v Speaker 9>My mind is clear.

0:21:03.720 --> 0:21:07.200
<v Speaker 14>I just needed a break better than ever the world.

0:21:07.320 --> 0:21:10.200
<v Speaker 14>I've ondeva not much of a giver. I'm more of

0:21:10.320 --> 0:21:13.760
<v Speaker 14>a spread of sticking to the basics. No more crazy places,

0:21:13.960 --> 0:21:17.439
<v Speaker 14>no more core costs or for the last Avid Davis SMIKEE.

0:21:17.560 --> 0:21:19.320
<v Speaker 5>Guess you're like, no more core costs.

0:21:19.320 --> 0:21:21.000
<v Speaker 4>You clean it up a little bit because you got

0:21:21.080 --> 0:21:27.000
<v Speaker 4>your ship straight, all right. I don't even know what

0:21:27.119 --> 0:21:29.040
<v Speaker 4>to say here as far as like what you're trying

0:21:29.040 --> 0:21:31.359
<v Speaker 4>to do while you're here. Like, I know that Jelly

0:21:31.440 --> 0:21:32.359
<v Speaker 4>Roll's mom listens.

0:21:33.400 --> 0:21:36.439
<v Speaker 9>Hey, maybe she'll tell her sonsy me, you know, give me.

0:21:36.440 --> 0:21:39.639
<v Speaker 4>A shot and he's probably sleep. But you know, we

0:21:39.760 --> 0:21:43.359
<v Speaker 4>know jelly pretty good. So if jelly Roll's mom is listening,

0:21:43.520 --> 0:21:44.720
<v Speaker 4>would you say to her right now.

0:21:44.960 --> 0:21:49.320
<v Speaker 6>Hey, miss jelly Roll, it's Canine, you know, like I

0:21:49.440 --> 0:21:52.280
<v Speaker 6>told them, you know, I started from the bottom like Bobby,

0:21:52.320 --> 0:21:53.720
<v Speaker 6>and I'm trying to make it to the top.

0:21:53.800 --> 0:21:54.080
<v Speaker 9>Baby.

0:21:54.480 --> 0:21:57.080
<v Speaker 6>So if you can tell Jelly you got you know

0:21:57.160 --> 0:21:59.240
<v Speaker 6>someone that's hungry and is willing to do whatever it takes.

0:21:59.320 --> 0:22:01.000
<v Speaker 9>I'm that man, I'm canain. Let's go.

0:22:02.200 --> 0:22:06.080
<v Speaker 4>And also, if there're anybody you know works in a

0:22:06.359 --> 0:22:10.240
<v Speaker 4>record label publishing company and they're looking for something like

0:22:10.320 --> 0:22:11.240
<v Speaker 4>what you want to say to them?

0:22:11.800 --> 0:22:13.800
<v Speaker 6>Like I said before, I'm hungrier than Joey chesna on

0:22:13.880 --> 0:22:16.040
<v Speaker 6>on the fourth of July. So if you're not hungry,

0:22:16.080 --> 0:22:19.680
<v Speaker 6>he gets I'm hungrier than that, let's go. You freestyle

0:22:19.720 --> 0:22:21.560
<v Speaker 6>at all a little bit.

0:22:22.040 --> 0:22:23.480
<v Speaker 4>I'm not gonna ask you to do that now, but

0:22:23.800 --> 0:22:26.840
<v Speaker 4>you have a song that you do whenever you do

0:22:26.840 --> 0:22:28.119
<v Speaker 4>you perform, do you get to performed all?

0:22:28.280 --> 0:22:29.440
<v Speaker 9>I haven't performed in a while.

0:22:29.840 --> 0:22:31.399
<v Speaker 4>Do you have any of your songs that you know

0:22:31.480 --> 0:22:32.679
<v Speaker 4>that you could go appella right now?

0:22:33.280 --> 0:22:35.760
<v Speaker 6>I was born on the wrong side of the lake

0:22:36.400 --> 0:22:39.439
<v Speaker 6>back in West Kentucky, only a couple of teeth missing.

0:22:39.920 --> 0:22:41.119
<v Speaker 9>Mama, I'm so lucky.

0:22:41.320 --> 0:22:45.560
<v Speaker 6>Mug cooys from West Virginia, singing country roads, living off

0:22:45.720 --> 0:22:49.399
<v Speaker 6>the land like licking heads of toads. Mount and Mama

0:22:49.520 --> 0:22:52.560
<v Speaker 6>take my home to the place where I reside kick back,

0:22:52.640 --> 0:22:57.560
<v Speaker 6>drank whiskey, reminiscence on Who's Died, moonlight, porch lot, bud lot,

0:22:57.720 --> 0:23:00.919
<v Speaker 6>drunk fights, living with that hangover. We got work at

0:23:01.040 --> 0:23:04.200
<v Speaker 6>some ride. Sticking to my roots. But I used to

0:23:04.320 --> 0:23:07.440
<v Speaker 6>be a thug, hit licks, cook crystal. I used to

0:23:07.560 --> 0:23:10.000
<v Speaker 6>sell them drugs. But now I'm sticking with my job,

0:23:10.520 --> 0:23:13.720
<v Speaker 6>working nine to five, poor out some moonshine both my

0:23:13.840 --> 0:23:16.879
<v Speaker 6>uncles in pride. Is you with me today? Is you

0:23:17.040 --> 0:23:20.000
<v Speaker 6>reaching your fate? Do you got what it takes? Are

0:23:20.040 --> 0:23:21.080
<v Speaker 6>you pushing your weight?

0:23:21.480 --> 0:23:21.720
<v Speaker 9>Yeah?

0:23:22.160 --> 0:23:24.520
<v Speaker 4>Yeah, all right, right, we like that. Okay, here's a

0:23:24.560 --> 0:23:26.040
<v Speaker 4>imna say knew. First of all, great to meet you,

0:23:26.480 --> 0:23:28.040
<v Speaker 4>Like we've had a relationship on the phone for a

0:23:28.080 --> 0:23:29.680
<v Speaker 4>long time or you call them in the show. I've

0:23:29.720 --> 0:23:31.160
<v Speaker 4>always said if you can get up here, we're gonna

0:23:31.160 --> 0:23:33.840
<v Speaker 4>talk to you. So the fact that you're up here

0:23:33.880 --> 0:23:34.520
<v Speaker 4>is really cool for me.

0:23:34.840 --> 0:23:35.520
<v Speaker 9>Like I like that.

0:23:36.840 --> 0:23:42.280
<v Speaker 4>So secondly, I'm gonna tell you to keep crafting because

0:23:42.280 --> 0:23:44.800
<v Speaker 4>I don't think you're there yet, but I think if

0:23:44.800 --> 0:23:47.560
<v Speaker 4>you spend more time focused on it, you can get

0:23:47.600 --> 0:23:49.600
<v Speaker 4>closer to it, which you'll get somebody closer to you

0:23:49.760 --> 0:23:51.840
<v Speaker 4>to go, Hey, we'd like to give you an opportunity

0:23:52.040 --> 0:23:54.159
<v Speaker 4>because I don't think you're there yet, but I like

0:23:54.280 --> 0:23:56.159
<v Speaker 4>that you have a great work ethic, you have a

0:23:56.200 --> 0:23:59.159
<v Speaker 4>great story. That's two things you really can't replicate, right,

0:23:59.400 --> 0:24:00.800
<v Speaker 4>so you can have to learn to spend a little

0:24:00.840 --> 0:24:03.440
<v Speaker 4>time getting better at what you're doing. Putting it out,

0:24:03.600 --> 0:24:07.600
<v Speaker 4>release your songs, get on TikTok, get ready. Though it

0:24:07.640 --> 0:24:09.040
<v Speaker 4>doesn't matter what you put out, people are gonna have

0:24:09.080 --> 0:24:11.960
<v Speaker 4>good things and bad things to say. Getting Nate to

0:24:12.000 --> 0:24:15.480
<v Speaker 4>be a little a little more nasty Nate, nasty it up.

0:24:16.960 --> 0:24:19.320
<v Speaker 4>But that's it. Like, I'm proud of you for trying

0:24:19.880 --> 0:24:22.360
<v Speaker 4>to keep pushing and to stay clean. Like step one

0:24:22.520 --> 0:24:24.920
<v Speaker 4>is get all the big stuff right so then you

0:24:24.960 --> 0:24:27.040
<v Speaker 4>can do everything else. I feel like you've done that.

0:24:27.760 --> 0:24:29.560
<v Speaker 4>I feel pretty good amy anything you want to say

0:24:29.600 --> 0:24:30.159
<v Speaker 4>to K nine.

0:24:30.119 --> 0:24:32.880
<v Speaker 11>Well, yeah, so what's like you're leaving here, what's gonna

0:24:32.880 --> 0:24:34.399
<v Speaker 11>be the next thing that you're gonna do? Towards what

0:24:34.480 --> 0:24:36.000
<v Speaker 11>Bobby said, pers thing go.

0:24:36.960 --> 0:24:38.920
<v Speaker 6>I mean, I'm probably gonna go to the gym after this,

0:24:39.359 --> 0:24:42.280
<v Speaker 6>get a great pump with Nasty Nate, and then.

0:24:42.920 --> 0:24:45.439
<v Speaker 9>Honestly probably go home, hug my wife and hug my son.

0:24:45.480 --> 0:24:48.080
<v Speaker 9>I miss him. Tremendously and then probably get to work,

0:24:48.520 --> 0:24:50.960
<v Speaker 9>get a TikTok account, and you make a TikTok.

0:24:50.720 --> 0:24:53.200
<v Speaker 11>On the airplane. You go to TikTok making an.

0:24:53.119 --> 0:24:56.399
<v Speaker 4>Account and be like, all right, and just if if

0:24:56.440 --> 0:24:59.879
<v Speaker 4>you come up with some lines, yeah, you know, drop them,

0:25:00.840 --> 0:25:03.680
<v Speaker 4>do it into that. You're not gonna get response to everything, engagements.

0:25:03.680 --> 0:25:05.520
<v Speaker 4>I'll be great for everything, but just keep putting it

0:25:05.560 --> 0:25:06.440
<v Speaker 4>out over and over again.

0:25:06.800 --> 0:25:08.960
<v Speaker 5>Yes, sir, yes, Nasty Night. What are you trying to do?

0:25:09.280 --> 0:25:10.280
<v Speaker 4>What's so nasty about you?

0:25:10.960 --> 0:25:11.080
<v Speaker 13>Uh?

0:25:11.240 --> 0:25:11.560
<v Speaker 4>Nothing?

0:25:11.880 --> 0:25:12.359
<v Speaker 5>You a rapper?

0:25:12.600 --> 0:25:13.440
<v Speaker 9>No, not a rapper.

0:25:14.240 --> 0:25:16.680
<v Speaker 4>I'm going to school for personal training, so looking to

0:25:16.760 --> 0:25:18.000
<v Speaker 4>do that. Do you train him?

0:25:18.920 --> 0:25:21.160
<v Speaker 9>I try to, but he doesn't like to take the critique.

0:25:22.040 --> 0:25:23.359
<v Speaker 4>M that's tough.

0:25:24.160 --> 0:25:25.960
<v Speaker 11>But you're gonna have to be nine. You have to

0:25:26.000 --> 0:25:27.160
<v Speaker 11>be open to other critiques.

0:25:27.320 --> 0:25:29.440
<v Speaker 9>No, yeah, definitely on this journey, definitely.

0:25:29.560 --> 0:25:31.280
<v Speaker 4>Well, look, I've had a great time with you guys,

0:25:31.840 --> 0:25:33.919
<v Speaker 4>Nasty Night. Did did he just bring you up here

0:25:33.920 --> 0:25:34.360
<v Speaker 4>to hang out?

0:25:34.720 --> 0:25:34.880
<v Speaker 5>Yeah?

0:25:34.920 --> 0:25:36.639
<v Speaker 9>I just rode along just to hang out, keep the

0:25:36.680 --> 0:25:37.159
<v Speaker 9>company and.

0:25:37.160 --> 0:25:37.880
<v Speaker 5>Make sure he's good.

0:25:38.080 --> 0:25:42.600
<v Speaker 11>But he did the whenever he did this song, He's like, yeah,

0:25:44.600 --> 0:25:45.720
<v Speaker 11>so what I do with the idiots?

0:25:45.840 --> 0:25:46.040
<v Speaker 8>Yeah?

0:25:46.920 --> 0:25:52.040
<v Speaker 4>Yeah, nasty eddie, not the same thing. We don't call

0:25:52.119 --> 0:25:52.480
<v Speaker 4>you that for the.

0:25:52.480 --> 0:25:54.040
<v Speaker 5>Same reason, Zobby.

0:25:54.280 --> 0:25:56.240
<v Speaker 11>Maybe share with CA nine a tip.

0:25:56.200 --> 0:25:59.119
<v Speaker 4>For like you suggest your mouth guy.

0:25:59.240 --> 0:26:01.880
<v Speaker 11>Yeah, okay, okay, So you suggested he's got to carve

0:26:01.920 --> 0:26:04.320
<v Speaker 11>out time during the week to find it with a

0:26:04.359 --> 0:26:06.280
<v Speaker 11>full time job, a three year old of wife, So like,

0:26:06.440 --> 0:26:08.800
<v Speaker 11>what's a tip on how he can find that time?

0:26:08.960 --> 0:26:10.920
<v Speaker 4>Yeah? First of all, there is no such thing as

0:26:10.920 --> 0:26:13.800
<v Speaker 4>an excuse, because if you have one, nobody cares. So

0:26:14.040 --> 0:26:16.320
<v Speaker 4>you can have one, but it ain't gonna affect anything.

0:26:16.640 --> 0:26:18.800
<v Speaker 4>If you got fifteen minutes during your lunch break, if

0:26:18.800 --> 0:26:21.439
<v Speaker 4>you get an hour, take fifteen ride a little bit,

0:26:21.520 --> 0:26:23.280
<v Speaker 4>keep a notepad on you right in your phone. That's

0:26:23.320 --> 0:26:26.080
<v Speaker 4>what I do all the time. I'm constantly busy doing

0:26:26.119 --> 0:26:27.640
<v Speaker 4>different things. But if I got an idea, I jot

0:26:27.680 --> 0:26:29.879
<v Speaker 4>on my phone. So do stuff like that. You can

0:26:29.960 --> 0:26:32.399
<v Speaker 4>know fifteen minutes, turn your phone on record into it.

0:26:32.720 --> 0:26:33.080
<v Speaker 8>You got it.

0:26:33.600 --> 0:26:35.560
<v Speaker 4>Eventually, Maybe you can go do like a if they're

0:26:35.560 --> 0:26:39.440
<v Speaker 4>having like a local come out and open mic. Do

0:26:39.560 --> 0:26:41.879
<v Speaker 4>it there, Get in front of people, Be prepared for

0:26:41.960 --> 0:26:43.760
<v Speaker 4>people to cheer, prepared for people to laugh at you,

0:26:43.960 --> 0:26:45.760
<v Speaker 4>be prepared for everything. Because it's all going to happen.

0:26:46.119 --> 0:26:48.240
<v Speaker 4>So but you, nothing's going to happen, nothing get started

0:26:48.280 --> 0:26:50.920
<v Speaker 4>for you until you get started, yes, sir, all right, yeah,

0:26:50.960 --> 0:26:51.720
<v Speaker 4>but I'm proud of you.

0:26:52.400 --> 0:26:53.000
<v Speaker 9>I appreciate you.

0:26:53.200 --> 0:26:55.280
<v Speaker 6>Let me come up here, man, Like, honestly, this is

0:26:55.359 --> 0:26:57.000
<v Speaker 6>like something like I feel like would be in a movie.

0:26:57.080 --> 0:26:58.600
<v Speaker 6>Like I was a nobody at work. This is the

0:26:58.600 --> 0:26:59.959
<v Speaker 6>first time I've talked to you when I'm not at work.

0:27:00.400 --> 0:27:02.440
<v Speaker 6>I'm a nobody at work with a shove on my hand.

0:27:02.480 --> 0:27:02.960
<v Speaker 9>I call you.

0:27:03.320 --> 0:27:04.640
<v Speaker 6>I was like, man, you know, I got to hustle

0:27:04.720 --> 0:27:07.520
<v Speaker 6>my way, say something interesting, get through the call center.

0:27:07.800 --> 0:27:09.600
<v Speaker 6>Then when I get on the phone with Bobby'll be like, yeah,

0:27:09.640 --> 0:27:10.120
<v Speaker 6>I make music.

0:27:10.160 --> 0:27:12.639
<v Speaker 9>I'm K nine. So it happened. Now I'm here, Like,

0:27:13.000 --> 0:27:14.800
<v Speaker 9>God is real. I was meant to be here. This

0:27:14.920 --> 0:27:15.359
<v Speaker 9>is awesome.

0:27:15.440 --> 0:27:17.360
<v Speaker 4>So my favorite thing about the call center is it's

0:27:17.440 --> 0:27:22.360
<v Speaker 4>Abby with a phone from like nineteen ninety over there. Hey,

0:27:22.480 --> 0:27:24.520
<v Speaker 4>well I want to I be over so over so

0:27:24.640 --> 0:27:27.280
<v Speaker 4>I got on you want us over to Buddy? Yeah,

0:27:27.400 --> 0:27:30.720
<v Speaker 4>so you guys can follow K nine. It's at K

0:27:30.920 --> 0:27:35.639
<v Speaker 4>nine Underscore Florida. Well, I know I probably change that too,

0:27:35.680 --> 0:27:37.800
<v Speaker 4>K nine If you could change it. I mean it's

0:27:37.840 --> 0:27:40.600
<v Speaker 4>hard to just say, could you do like Florida? K nine?

0:27:40.920 --> 0:27:43.159
<v Speaker 4>Could you do like me? Anytime you gotta put an

0:27:43.200 --> 0:27:45.720
<v Speaker 4>underscore in there. It's just like what so work on

0:27:45.840 --> 0:27:47.800
<v Speaker 4>that too. Make it easy for people to find you.

0:27:48.040 --> 0:27:49.479
<v Speaker 4>Let us know when you change it. But right now

0:27:49.600 --> 0:27:53.080
<v Speaker 4>it is K nine. Underscore Florida and make your TikTok

0:27:53.160 --> 0:27:54.600
<v Speaker 4>name the exact same thing. Make sure you can have

0:27:54.680 --> 0:27:58.080
<v Speaker 4>them both, and then just start putting out there. All right, buddy, sir,

0:27:58.160 --> 0:27:59.360
<v Speaker 4>All right, there he is K nine.

0:28:02.560 --> 0:28:06.280
<v Speaker 1>It's the best Bits of the Week with Morgan number two.

0:28:09.240 --> 0:28:12.080
<v Speaker 3>Remember back in twenty twenty one, Lunchbox stood on a

0:28:12.080 --> 0:28:14.720
<v Speaker 3>street corner and a tourist bus drove by, and we

0:28:14.800 --> 0:28:17.480
<v Speaker 3>were trying to figure out if anybody would recognize Lunchbox

0:28:17.560 --> 0:28:21.280
<v Speaker 3>because he claimed he is so so famous. Well, nobody did,

0:28:21.520 --> 0:28:23.879
<v Speaker 3>And after that happened, he still couldn't let go of

0:28:23.920 --> 0:28:25.640
<v Speaker 3>the fact that he wasn't as famous as he thought.

0:28:25.840 --> 0:28:28.520
<v Speaker 3>So he put out a top twenty five most famous

0:28:28.600 --> 0:28:31.000
<v Speaker 3>list in Nashville, and of course he was on that list.

0:28:31.320 --> 0:28:33.680
<v Speaker 3>It's been a couple of years and a listener wanted

0:28:33.720 --> 0:28:35.880
<v Speaker 3>an update. He wanted to know what that list looks

0:28:35.960 --> 0:28:39.760
<v Speaker 3>like today. So Lunchbox shared his updated top twenty five

0:28:40.120 --> 0:28:43.520
<v Speaker 3>most famous people in Nashville list, and I hate to

0:28:43.560 --> 0:28:46.480
<v Speaker 3>break it to y'all, but Lunchbox himself has moved up the.

0:28:46.520 --> 0:28:48.000
<v Speaker 1>List number four.

0:28:48.200 --> 0:28:50.560
<v Speaker 4>This is a voicemail from Ben, who lives in Kansas.

0:28:51.240 --> 0:28:53.640
<v Speaker 8>He was watching clips from the line and watching Lunchbox

0:28:53.920 --> 0:28:57.360
<v Speaker 8>is most famous twenty five in Nashville, and he said

0:28:57.400 --> 0:29:00.320
<v Speaker 8>it conflectually, and we talked about an update. I'd love

0:29:00.360 --> 0:29:03.000
<v Speaker 8>to get an updated the list and see where he lands.

0:29:03.440 --> 0:29:04.400
<v Speaker 8>All right, thanks you all.

0:29:04.840 --> 0:29:06.600
<v Speaker 4>It's a never riending story with Lunchbox about how he

0:29:06.640 --> 0:29:08.760
<v Speaker 4>thinks he's very famous in town, and so he made

0:29:08.800 --> 0:29:10.640
<v Speaker 4>a list of the top twenty five most famous people

0:29:10.680 --> 0:29:14.280
<v Speaker 4>in Nashville and he falls somewhere on the list every time. He,

0:29:14.400 --> 0:29:16.240
<v Speaker 4>according to him, is actually the most famous person on

0:29:16.320 --> 0:29:21.360
<v Speaker 4>this show as well, over you, right over all of us,

0:29:21.720 --> 0:29:23.480
<v Speaker 4>at least before. I don't know how his new list is.

0:29:23.960 --> 0:29:25.280
<v Speaker 4>So do you want to do part of the list

0:29:25.440 --> 0:29:27.480
<v Speaker 4>right now? Yeah? You start at twenty five?

0:29:27.560 --> 0:29:29.080
<v Speaker 5>You want to start at twenty five, or you want

0:29:29.120 --> 0:29:29.640
<v Speaker 5>to start at one.

0:29:29.880 --> 0:29:31.720
<v Speaker 4>Well, no, I wouldn't want to start at one because

0:29:32.280 --> 0:29:32.960
<v Speaker 4>that's that Well.

0:29:32.880 --> 0:29:36.080
<v Speaker 5>I'm not number one. I'll tell you that. No, we

0:29:36.120 --> 0:29:38.240
<v Speaker 5>didn't think you were number one. Okay, so should we go?

0:29:38.640 --> 0:29:39.920
<v Speaker 5>Should we go twenty five.

0:29:40.360 --> 0:29:44.560
<v Speaker 4>To like ten fifteen today, top ten tomorrow? Okay, go

0:29:44.640 --> 0:29:45.400
<v Speaker 4>ahead twenty five?

0:29:45.560 --> 0:29:48.680
<v Speaker 5>I don't know if that's what you want to do. Why? Why? Okay?

0:29:48.880 --> 0:29:49.080
<v Speaker 9>Why?

0:29:49.360 --> 0:29:49.640
<v Speaker 5>Fine?

0:29:50.440 --> 0:29:51.440
<v Speaker 4>Okay, I guess we'll see.

0:29:51.560 --> 0:29:52.760
<v Speaker 11>He didn't have a why you say why?

0:29:53.160 --> 0:29:56.400
<v Speaker 4>He justld is he not in the top Well, what

0:29:56.520 --> 0:29:57.160
<v Speaker 4>do you want to do?

0:29:58.320 --> 0:29:58.440
<v Speaker 9>Well?

0:29:58.480 --> 0:29:58.840
<v Speaker 6>I mean.

0:30:00.360 --> 0:30:00.800
<v Speaker 5>Number one.

0:30:01.360 --> 0:30:02.560
<v Speaker 4>I feel like you're fighting for number one.

0:30:02.640 --> 0:30:04.800
<v Speaker 5>No no, no, no, no, no no, because I'm not

0:30:04.840 --> 0:30:07.080
<v Speaker 5>in the top ten. So I mean it's anti climatic

0:30:07.920 --> 0:30:08.600
<v Speaker 5>if we do it now.

0:30:08.720 --> 0:30:10.560
<v Speaker 4>No, we know you're not in the top ten. Okay,

0:30:10.640 --> 0:30:12.640
<v Speaker 4>we none of us ever thought you would be in

0:30:12.680 --> 0:30:15.000
<v Speaker 4>the top ten, even your own list, okay, just making sure.

0:30:15.080 --> 0:30:18.000
<v Speaker 4>But to be in the top twenty five, it's still ridiculous.

0:30:18.240 --> 0:30:20.719
<v Speaker 4>Go ahead, number twenty five. Let's go number one.

0:30:20.880 --> 0:30:22.480
<v Speaker 5>I feel like you want to know number twenty five.

0:30:22.480 --> 0:30:23.800
<v Speaker 4>Okay, I'm gonna kill.

0:30:25.360 --> 0:30:28.480
<v Speaker 5>We're going twenty five to what twenty five? Go knows?

0:30:28.840 --> 0:30:32.600
<v Speaker 5>Just go Keith Urban twenty five? Good, yeah, twenty five

0:30:33.080 --> 0:30:35.040
<v Speaker 5>Mitchell Tenpenny hold on.

0:30:35.080 --> 0:30:36.960
<v Speaker 4>You think Mitchell ten Penny is more famous than Keith Urban.

0:30:37.280 --> 0:30:39.800
<v Speaker 5>Yeah, he was opening for Luke Combs this weekend, so

0:30:40.440 --> 0:30:41.920
<v Speaker 5>I didn't see Keith Urban doing it.

0:30:42.000 --> 0:30:43.520
<v Speaker 4>He wouldn't open it for anybody's trying to do it.

0:30:43.600 --> 0:30:44.200
<v Speaker 4>He didn't see it.

0:30:44.240 --> 0:30:46.240
<v Speaker 5>Vega didn't see Keith Urban doing any I had twenty

0:30:46.280 --> 0:30:49.760
<v Speaker 5>three Jordan Davis. He's a newcomer to the list.

0:30:50.880 --> 0:30:54.120
<v Speaker 4>Nice job Jordan making the countdown this week. Graduates twenty two.

0:30:54.200 --> 0:30:56.400
<v Speaker 5>Well, I mean he's had a big year, he won

0:30:56.440 --> 0:31:03.160
<v Speaker 5>an award. I think Bailey Zimmerman. Oh, yep, he's everywhere,

0:31:03.200 --> 0:31:03.520
<v Speaker 5>a lot of.

0:31:03.600 --> 0:31:05.720
<v Speaker 4>Changing in the guards, more famous than Keith Urban. I

0:31:05.840 --> 0:31:07.400
<v Speaker 4>just have a problem with Urban at twenty five. I

0:31:07.480 --> 0:31:11.800
<v Speaker 4>think go Ahead number twenty one, Jelly Roll. It's selling

0:31:11.840 --> 0:31:12.440
<v Speaker 4>out everywhere.

0:31:12.680 --> 0:31:18.920
<v Speaker 5>Go Ahead number twenty Another newcomer, Cody Johnson, huge star

0:31:19.080 --> 0:31:20.520
<v Speaker 5>now right, did you agree?

0:31:20.600 --> 0:31:20.800
<v Speaker 8>Yeah?

0:31:20.880 --> 0:31:26.080
<v Speaker 4>Nineteen nineteen Kane Brown, you're still not on this list

0:31:26.200 --> 0:31:29.640
<v Speaker 4>and you're telling us you're still coming up? Yeah, I

0:31:29.720 --> 0:31:30.880
<v Speaker 4>mean we can do We should do this in two

0:31:30.920 --> 0:31:33.840
<v Speaker 4>parts all today. Yeah, let's just get this over with, right.

0:31:34.560 --> 0:31:35.480
<v Speaker 4>You're thinking, no, no, we can.

0:31:35.400 --> 0:31:42.480
<v Speaker 5>Week wait till tomorrow. Give me eighteen number eighteen lunchbos

0:31:43.720 --> 0:31:44.160
<v Speaker 5>let's go.

0:31:46.800 --> 0:31:48.520
<v Speaker 11>I don't know how does he determined.

0:31:48.200 --> 0:31:52.080
<v Speaker 4>Number eight You're more famous in your mind than Kane Brown,

0:31:52.320 --> 0:31:55.680
<v Speaker 4>Cody Johnson, Jordan Davis, and Keith Urban.

0:31:56.000 --> 0:31:57.920
<v Speaker 5>Yeah, so dumb.

0:31:59.640 --> 0:32:02.400
<v Speaker 4>What about you makes you more famous than those guys?

0:32:03.920 --> 0:32:04.960
<v Speaker 5>Just my ability?

0:32:05.160 --> 0:32:05.480
<v Speaker 4>What I do?

0:32:05.640 --> 0:32:07.920
<v Speaker 5>My talent, People know me, recognize me as what do

0:32:08.040 --> 0:32:08.280
<v Speaker 5>you do?

0:32:08.600 --> 0:32:10.440
<v Speaker 4>That's a good What is your talent? I'm asking you

0:32:10.520 --> 0:32:11.240
<v Speaker 4>to I talk on the.

0:32:11.320 --> 0:32:15.640
<v Speaker 5>Radio, my humor, my you know, bluntness, boldness, my ability

0:32:15.720 --> 0:32:18.120
<v Speaker 5>to talk to make people feel fun, laugh.

0:32:18.160 --> 0:32:19.400
<v Speaker 4>To make people feel fun.

0:32:19.480 --> 0:32:21.040
<v Speaker 5>Wow, that's like I put people in a good mood.

0:32:21.080 --> 0:32:21.920
<v Speaker 5>They hear me every morning.

0:32:22.080 --> 0:32:24.360
<v Speaker 4>Yeah, all right, let's just roll through the rest of these. Seventeen.

0:32:24.960 --> 0:32:29.360
<v Speaker 5>Reba McIntyre, she beat you by one. Yeah, I mean

0:32:29.440 --> 0:32:30.680
<v Speaker 5>she hadn't really been doing much lately.

0:32:30.840 --> 0:32:34.719
<v Speaker 4>She's on that show on ABC, that drama.

0:32:35.520 --> 0:32:36.520
<v Speaker 11>She's coming out with a book.

0:32:36.640 --> 0:32:38.440
<v Speaker 4>But it's not about it's not about what they're doing now.

0:32:38.680 --> 0:32:39.360
<v Speaker 4>It's famous.

0:32:39.520 --> 0:32:42.000
<v Speaker 5>It's general fame, That's what I'm saying. But they're kind

0:32:42.040 --> 0:32:43.320
<v Speaker 5>of starting to get forgotten about.

0:32:43.360 --> 0:32:43.720
<v Speaker 9>No, they're not.

0:32:43.800 --> 0:32:51.520
<v Speaker 4>Sixteen Garth Brooks, fifteen Bobby Bones Newcomers I will say

0:32:51.520 --> 0:32:52.640
<v Speaker 4>I don't want to have anything to do with this

0:32:53.720 --> 0:32:56.000
<v Speaker 4>or Reva or No, I don't need to do with it.

0:32:56.160 --> 0:32:58.040
<v Speaker 4>I don't have Bobby Bone. I would like to remove

0:32:58.080 --> 0:32:58.840
<v Speaker 4>myself from the list.

0:32:59.000 --> 0:33:01.240
<v Speaker 5>Know you can't remove yourself. It's just where you fall.

0:33:02.240 --> 0:33:05.400
<v Speaker 5>I looked at like Google searches things like that. Fourteen,

0:33:05.720 --> 0:33:11.120
<v Speaker 5>Thomas Rant thirteen, Kitty Chesney twelve, Dolly Parton eleven, Laney Wilson.

0:33:13.080 --> 0:33:14.120
<v Speaker 9>The Dolly and Laney thing.

0:33:14.160 --> 0:33:16.400
<v Speaker 4>Have a problem with this, that's ridiculous. I think we've

0:33:16.400 --> 0:33:19.480
<v Speaker 4>already determined have a problem with Dolly be behind anybody.

0:33:19.560 --> 0:33:20.320
<v Speaker 4>It's ridiculous.

0:33:20.360 --> 0:33:20.640
<v Speaker 6>Weird.

0:33:21.120 --> 0:33:23.120
<v Speaker 5>Uh, that's it. We'll stopped till the morrow. We're gonna

0:33:23.200 --> 0:33:23.480
<v Speaker 5>keep going.

0:33:24.720 --> 0:33:26.320
<v Speaker 4>It ain't worth waiting a day on ten.

0:33:27.560 --> 0:33:32.880
<v Speaker 5>Sam Hunt nine, Chris Stapleton eight, Jason al Dean seven,

0:33:33.160 --> 0:33:33.959
<v Speaker 5>Miranda Lambert.

0:33:34.880 --> 0:33:36.520
<v Speaker 4>By the way, this is Lunchbox is the most famous

0:33:36.560 --> 0:33:39.240
<v Speaker 4>people in Nashville right now. He put himself at number

0:33:39.320 --> 0:33:42.880
<v Speaker 4>eighteen yep above. He's more famous in his mind than

0:33:42.920 --> 0:33:45.840
<v Speaker 4>Cane Brown, Cody Johnson, Jelly Roll, Jordan Davis, Keith, Urban

0:33:46.040 --> 0:33:50.000
<v Speaker 4>go Ahead, number six, Tim McGraw okay five, Blake Shelton,

0:33:50.360 --> 0:33:52.240
<v Speaker 4>I don't mind all these I'm nailing it.

0:33:52.360 --> 0:33:53.560
<v Speaker 5>My list is great, that's not bad.

0:33:53.560 --> 0:33:54.000
<v Speaker 9>I don't mind.

0:33:54.000 --> 0:33:55.720
<v Speaker 5>I have not heard any argument on any Well, we're

0:33:55.720 --> 0:33:57.720
<v Speaker 5>trying to get over. Get over with number four, Luke

0:33:57.760 --> 0:34:02.760
<v Speaker 5>Bryan three, carry Under one, two, Luke Comb's one, Morgan Boom,

0:34:04.000 --> 0:34:06.160
<v Speaker 5>good job did Where would you disagree a lot?

0:34:06.240 --> 0:34:09.799
<v Speaker 4>It's hard to argue with when you got into top eight.

0:34:10.000 --> 0:34:10.840
<v Speaker 5>Pretty much nailed it.

0:34:11.400 --> 0:34:15.120
<v Speaker 4>But it's it's it's just a weird list. I think

0:34:15.239 --> 0:34:17.399
<v Speaker 4>Lady's killing it, but I can't put her in front

0:34:17.400 --> 0:34:21.360
<v Speaker 4>of Dolly or Garth or Reba. I think Lunchbox doesn't

0:34:21.360 --> 0:34:23.040
<v Speaker 4>deserve to be on the list, nor does myself.

0:34:23.840 --> 0:34:26.399
<v Speaker 5>I mean, who would you put in there? Who? See?

0:34:26.440 --> 0:34:29.759
<v Speaker 5>That's the thing. It's easy to criticize a list when you, oh,

0:34:29.920 --> 0:34:31.680
<v Speaker 5>you can't put that person there, But then who would

0:34:31.680 --> 0:34:31.960
<v Speaker 5>you put on?

0:34:32.040 --> 0:34:34.360
<v Speaker 4>Yeah? Who did you leave out? Was there anybody that

0:34:34.520 --> 0:34:35.719
<v Speaker 4>was that almost made the list?

0:34:36.239 --> 0:34:37.919
<v Speaker 5>No, it was tough to come up with twenty five.

0:34:41.320 --> 0:34:44.279
<v Speaker 4>What Dirk's Dirk's Bentley faith He had.

0:34:44.280 --> 0:34:45.040
<v Speaker 5>Been around for a while.

0:34:45.560 --> 0:34:47.399
<v Speaker 4>He had a song just go number one talking about

0:34:47.480 --> 0:34:47.920
<v Speaker 4>Faith Hill.

0:34:48.239 --> 0:34:50.719
<v Speaker 5>I mean is she still here? Yeah?

0:34:50.800 --> 0:34:54.680
<v Speaker 4>Yeah, she's married to Tim so's here and it's it's fame, right,

0:34:55.320 --> 0:35:01.080
<v Speaker 4>Tricia Trisia Year would come on, Eric Church, I haven't

0:35:01.120 --> 0:35:02.120
<v Speaker 4>heard from him in a minute.

0:35:03.160 --> 0:35:03.560
<v Speaker 5>You haven't.

0:35:03.840 --> 0:35:05.760
<v Speaker 4>No Darius, No one knows Darius.

0:35:05.880 --> 0:35:08.080
<v Speaker 5>I don't know where. I think Darius is in South Carolina,

0:35:08.120 --> 0:35:08.600
<v Speaker 5>just hang out.

0:35:08.640 --> 0:35:09.520
<v Speaker 4>Nope, he lives here now.

0:35:09.680 --> 0:35:13.880
<v Speaker 5>Oh see, there you go. Didn't know that, Marin. Did

0:35:13.920 --> 0:35:14.799
<v Speaker 5>you even think of these people?

0:35:16.280 --> 0:35:16.480
<v Speaker 4>Huh?

0:35:16.880 --> 0:35:18.879
<v Speaker 5>Didn't think they needed to be on the list.

0:35:19.280 --> 0:35:22.319
<v Speaker 4>Okay, So Lunchbox is at number eighteen on the list

0:35:22.400 --> 0:35:23.600
<v Speaker 4>of the most famous people in Nashville.

0:35:23.600 --> 0:35:25.640
<v Speaker 5>Okay, So did you have the arrow up? Er? Arrow down?

0:35:26.960 --> 0:35:27.839
<v Speaker 5>My arrow was up?

0:35:28.280 --> 0:35:29.200
<v Speaker 4>What were you last time?

0:35:29.560 --> 0:35:32.600
<v Speaker 5>I was like twenty something if I remember, So, what

0:35:32.719 --> 0:35:33.400
<v Speaker 5>have you done to go?

0:35:33.560 --> 0:35:33.680
<v Speaker 4>Oh?

0:35:33.719 --> 0:35:34.720
<v Speaker 5>I had an acting debut.

0:35:35.280 --> 0:35:36.960
<v Speaker 4>You didn't have a single line, and it was a

0:35:37.040 --> 0:35:37.719
<v Speaker 4>stage play.

0:35:38.000 --> 0:35:41.239
<v Speaker 5>It wasn't an acting debut. You did you did answer

0:35:41.280 --> 0:35:42.839
<v Speaker 5>my question. You didn't answer my question. You always say,

0:35:42.840 --> 0:35:44.600
<v Speaker 5>I don't answer your question. Wasn't an acting debut?

0:35:45.880 --> 0:35:49.160
<v Speaker 4>Questionable, no, no, no, go ahead. It wasn't a debut.

0:35:49.200 --> 0:35:51.160
<v Speaker 4>You did Friday in That Lights as an extra and

0:35:51.239 --> 0:35:53.439
<v Speaker 4>they cut your line and dubbed it over with somebody else.

0:35:53.560 --> 0:35:54.000
<v Speaker 5>That's true.

0:35:54.080 --> 0:35:55.640
<v Speaker 4>Yeah, so no, it was not acting.

0:35:55.800 --> 0:35:58.080
<v Speaker 11>That's the acting debut was talking about about.

0:35:57.880 --> 0:35:59.960
<v Speaker 5>The Well I forgot about my other acting debut.

0:36:00.040 --> 0:36:02.640
<v Speaker 4>What other one I'm talking about that he didn't have

0:36:02.640 --> 0:36:04.320
<v Speaker 4>a line, and then the other line he had a

0:36:04.320 --> 0:36:05.120
<v Speaker 4>fron light they cut it.

0:36:05.280 --> 0:36:07.840
<v Speaker 11>We're talking about both of the like maybe a.

0:36:07.880 --> 0:36:11.240
<v Speaker 4>Guy that's funny with his voice didn't have any voice lines. Interesting,

0:36:12.080 --> 0:36:13.400
<v Speaker 4>we'll get three you from moving up?

0:36:13.520 --> 0:36:15.120
<v Speaker 11>Well, he just you know what, guys, he makes people

0:36:15.160 --> 0:36:15.600
<v Speaker 11>feel funny.

0:36:15.760 --> 0:36:18.800
<v Speaker 4>It is like Amy and Eddie. Are we even close?

0:36:19.280 --> 0:36:26.760
<v Speaker 5>No, I had an acting debut, not fifty You ain't fifty.

0:36:26.920 --> 0:36:32.760
<v Speaker 4>No. Okay, if you did the whole population.

0:36:33.200 --> 0:36:33.920
<v Speaker 6>He might make it.

0:36:35.200 --> 0:36:37.000
<v Speaker 11>But so he just did country artists.

0:36:37.320 --> 0:36:39.480
<v Speaker 4>Anybody in Nashville Sheryl Crow didn't get on there.

0:36:39.760 --> 0:36:42.800
<v Speaker 5>But what about all the athletes and no Amy, this

0:36:42.960 --> 0:36:44.720
<v Speaker 5>is like the country music business.

0:36:44.840 --> 0:36:48.080
<v Speaker 4>Oh no, but it's you said Nashville Tannehill.

0:36:48.800 --> 0:36:51.560
<v Speaker 11>Okay, if there's country music business, I feel like there's

0:36:51.600 --> 0:36:52.880
<v Speaker 11>like because there's the label.

0:36:52.920 --> 0:36:55.719
<v Speaker 5>Presidents in the show don't know who Ryan Tannehill is.

0:36:55.960 --> 0:36:58.120
<v Speaker 4>So I would say ninety some people do.

0:36:58.520 --> 0:36:59.719
<v Speaker 5>If he walked in this room, you would not know

0:36:59.760 --> 0:37:01.319
<v Speaker 5>who he was, we'd have to tell you it's Ryan

0:37:01.360 --> 0:37:01.960
<v Speaker 5>Tannehill walking.

0:37:02.080 --> 0:37:05.080
<v Speaker 4>That's true. Yeah. I saw The True Food and I

0:37:05.160 --> 0:37:07.040
<v Speaker 4>was like, I think that's Ryan Tanner. You know him?

0:37:09.360 --> 0:37:11.480
<v Speaker 11>The other the guy from Hawaii looks like.

0:37:12.239 --> 0:37:15.359
<v Speaker 4>Yeah, but he doesn't play here anymore. Marcus Marrio, Yeah,

0:37:15.719 --> 0:37:16.600
<v Speaker 4>the guy from Hawaii.

0:37:16.680 --> 0:37:20.399
<v Speaker 5>She doesn't even know his name. Dan and oh good one.

0:37:21.239 --> 0:37:23.440
<v Speaker 5>They had to be together to be recognized.

0:37:23.960 --> 0:37:25.720
<v Speaker 4>Well, we appreciate that list, wouldn't you agree?

0:37:25.840 --> 0:37:27.839
<v Speaker 5>Like if they're separate, it's just like they're just two guys.

0:37:27.920 --> 0:37:30.840
<v Speaker 4>I don't think so. Now they're separate, they'd be just

0:37:30.920 --> 0:37:33.640
<v Speaker 4>one guy. You know what I'm saying, They're just two Like, oh,

0:37:33.680 --> 0:37:35.800
<v Speaker 4>that's just two dudes. When they're together, it's like, oh that's.

0:37:35.719 --> 0:37:36.279
<v Speaker 5>Dan and Shay.

0:37:36.440 --> 0:37:39.400
<v Speaker 4>Oh what about Charles Kelly Lady A, No, no, he

0:37:39.520 --> 0:37:41.200
<v Speaker 4>has to be with Lady h So they're only to get.

0:37:41.160 --> 0:37:42.000
<v Speaker 11>Ye Walker Hayes.

0:37:43.239 --> 0:37:45.239
<v Speaker 4>Come on, isn't this how this all started? With Walker

0:37:45.280 --> 0:37:46.920
<v Speaker 4>Hayes for lunch Box was like claiming he was more

0:37:46.960 --> 0:37:50.920
<v Speaker 4>famous than Walker hay thinks that's how this whole thing started. Right, Okay,

0:37:51.480 --> 0:37:52.879
<v Speaker 4>I'm done on that, but thank you for your list.

0:37:52.920 --> 0:37:54.239
<v Speaker 4>We'll check back in a month or so if someone

0:37:54.280 --> 0:37:54.680
<v Speaker 4>asked for it.

0:37:55.280 --> 0:37:58.000
<v Speaker 5>I mean, yeah, we can. I mean people can earn

0:37:58.040 --> 0:37:59.759
<v Speaker 5>their way back up on the list. People can drop

0:37:59.840 --> 0:38:02.040
<v Speaker 5>all if you just gotta get out there and do stuff.

0:38:02.719 --> 0:38:05.319
<v Speaker 5>I hear you. I mean yeah, I remember what it means.

0:38:05.360 --> 0:38:07.240
<v Speaker 5>I gotta go. I had a couple of videos go viral.

0:38:07.320 --> 0:38:09.120
<v Speaker 4>I mean, I mean you did when Jelly Roll's video

0:38:09.200 --> 0:38:11.160
<v Speaker 4>went viral of you in it, but you didn't even

0:38:11.160 --> 0:38:12.120
<v Speaker 4>get credited.

0:38:12.200 --> 0:38:14.680
<v Speaker 11>Oh he's talking about I was in Peyton Manning video.

0:38:14.800 --> 0:38:15.560
<v Speaker 5>Peyton Manning video.

0:38:16.040 --> 0:38:16.920
<v Speaker 4>You weren't even in that one.

0:38:17.160 --> 0:38:19.760
<v Speaker 5>My voice was That's probably what made it go viral.

0:38:21.840 --> 0:38:25.319
<v Speaker 1>It's the best bits of the week with Morgan. Number

0:38:25.360 --> 0:38:27.000
<v Speaker 1>two and.

0:38:27.040 --> 0:38:30.239
<v Speaker 3>Another chaotic Lunchbox segment that happened on the show this week.

0:38:30.440 --> 0:38:32.319
<v Speaker 3>We heard the audio from his nine one one call

0:38:32.400 --> 0:38:36.200
<v Speaker 3>when he saw a reckless driver slash drunk driver possibly

0:38:36.480 --> 0:38:38.600
<v Speaker 3>and he called nine one one to let him know

0:38:38.640 --> 0:38:40.879
<v Speaker 3>what was going on and he kept following the driver. Well,

0:38:40.920 --> 0:38:42.560
<v Speaker 3>we heard the whole call and what went down, and

0:38:42.719 --> 0:38:44.960
<v Speaker 3>let's just say it's pure chaos.

0:38:45.600 --> 0:38:46.239
<v Speaker 5>Number three.

0:38:46.480 --> 0:38:49.680
<v Speaker 4>Last week, Lunchbox told us he again called nine one one.

0:38:49.840 --> 0:38:51.719
<v Speaker 4>It's his favorite thing to do. And sometimes we're like,

0:38:51.920 --> 0:38:53.560
<v Speaker 4>you don't need to call nine one one for that.

0:38:54.040 --> 0:38:56.960
<v Speaker 4>This time, though, we felt like what you didn't while

0:38:57.000 --> 0:38:58.520
<v Speaker 4>you did it, like it made sense, So tell the

0:38:58.640 --> 0:38:59.319
<v Speaker 4>lesseners what you did.

0:38:59.520 --> 0:39:01.400
<v Speaker 5>So I was even a soccer game and there was

0:39:01.440 --> 0:39:03.040
<v Speaker 5>a white truck in front of me and it was

0:39:03.120 --> 0:39:05.880
<v Speaker 5>swerving all over the road, leaving the roadway, and I

0:39:05.960 --> 0:39:08.279
<v Speaker 5>was like, okay, this is obviously a drunk driver. So

0:39:08.440 --> 0:39:11.439
<v Speaker 5>I called nine to one one to report the drunk driver,

0:39:11.640 --> 0:39:14.440
<v Speaker 5>thinking okay, the police are coming, woo woo, pop them,

0:39:14.520 --> 0:39:17.160
<v Speaker 5>pull them over, cut them, stuff them, because definitely going

0:39:17.200 --> 0:39:18.919
<v Speaker 5>to the drunk tank. And then you follow him a little.

0:39:19.239 --> 0:39:20.719
<v Speaker 4>I did follow, okay, so I may I may have

0:39:20.760 --> 0:39:23.759
<v Speaker 4>gone the opposite direction where my house was. But he's

0:39:23.840 --> 0:39:25.920
<v Speaker 4>also changed this story a couple of times where he

0:39:26.000 --> 0:39:27.960
<v Speaker 4>said he may have passed an exit, but now he's

0:39:28.000 --> 0:39:29.920
<v Speaker 4>turned around, he's following right.

0:39:30.040 --> 0:39:31.880
<v Speaker 5>I mean they may have been going left, and so

0:39:32.000 --> 0:39:33.879
<v Speaker 5>I went left with him and then they took an exit.

0:39:34.040 --> 0:39:36.360
<v Speaker 4>Yes, so when you call nine one one, that's available

0:39:36.400 --> 0:39:39.319
<v Speaker 4>for anybody to get. So we have lunchboxes. Call two

0:39:39.400 --> 0:39:41.560
<v Speaker 4>nine one one so we can hear it. It's about

0:39:41.560 --> 0:39:43.640
<v Speaker 4>a minute long. And then lunchbox is a few things

0:39:43.719 --> 0:39:45.319
<v Speaker 4>to say afterward, right, yes, okay, go.

0:39:45.280 --> 0:39:47.280
<v Speaker 11>Ahead, Saturday, April Lights.

0:39:47.320 --> 0:39:50.359
<v Speaker 4>The time is nine pm, nine one one.

0:39:50.440 --> 0:39:51.360
<v Speaker 7>What's your emergency?

0:39:51.680 --> 0:39:54.719
<v Speaker 13>I guess, ma'am. I'm driving and there's white truck in

0:39:54.840 --> 0:39:57.120
<v Speaker 13>front of me. Is all over the road. I mean

0:39:57.239 --> 0:39:59.960
<v Speaker 13>swerving left right, and I mean, I guess not swerving

0:40:00.080 --> 0:40:03.000
<v Speaker 13>more drifting lane to lane where we're about to take

0:40:03.080 --> 0:40:06.840
<v Speaker 13>exit three and we're gonna, oh no, we're gonna go

0:40:07.000 --> 0:40:08.399
<v Speaker 13>to the left, so we're gonna go wait, wait.

0:40:08.680 --> 0:40:09.520
<v Speaker 2>Are you following him?

0:40:09.760 --> 0:40:11.759
<v Speaker 13>I don't think you should follow him? No, no, no, no,

0:40:11.880 --> 0:40:13.600
<v Speaker 13>I'm not following This is this is the way I

0:40:13.680 --> 0:40:15.640
<v Speaker 13>go home. It's it's just the same way, and he

0:40:15.760 --> 0:40:18.000
<v Speaker 13>just happens to be taking the same exit and we're

0:40:18.000 --> 0:40:18.560
<v Speaker 13>gonna we're.

0:40:18.440 --> 0:40:19.040
<v Speaker 4>Doing the loop.

0:40:19.160 --> 0:40:21.680
<v Speaker 13>We're gonna be doing the loopy loop. Don't follow him,

0:40:21.719 --> 0:40:24.960
<v Speaker 13>if you can, just maybe try to get the license plate. Yeah,

0:40:25.200 --> 0:40:28.120
<v Speaker 13>I mean yeah, I mean, oh man, he's just like

0:40:28.680 --> 0:40:30.399
<v Speaker 13>this is the red lights. He's stopping at the red lights.

0:40:30.400 --> 0:40:32.759
<v Speaker 13>But right off it like when he hits starts up,

0:40:32.880 --> 0:40:35.160
<v Speaker 13>he starts swerving over the lane right away, like it's

0:40:35.280 --> 0:40:38.120
<v Speaker 13>just like, oh my gosh, Okay.

0:40:37.920 --> 0:40:39.200
<v Speaker 6>Well, thank you so much.

0:40:39.280 --> 0:40:41.239
<v Speaker 10>Don't follow him, and if you can, can you like

0:40:41.360 --> 0:40:42.719
<v Speaker 10>get off of the highway now?

0:40:42.800 --> 0:40:45.759
<v Speaker 13>And yee, I mean, this is just the way I'm

0:40:45.760 --> 0:40:47.560
<v Speaker 13>going home, my god, this is my way to my house.

0:40:47.640 --> 0:40:49.080
<v Speaker 13>He just happens to be going the same way.

0:40:49.360 --> 0:40:50.600
<v Speaker 11>Okay, I let the officers.

0:40:50.680 --> 0:40:54.239
<v Speaker 13>No, all right, thank you so much for calling. All right, bye.

0:40:54.520 --> 0:40:55.839
<v Speaker 4>Did you ever get the license plate?

0:40:56.160 --> 0:40:58.279
<v Speaker 5>No, because I couldn't get close enough good the license plate.

0:40:59.120 --> 0:41:02.080
<v Speaker 5>And you are lying, you well a little bit, a

0:41:02.120 --> 0:41:04.399
<v Speaker 5>little bit, but you were lying.

0:41:04.440 --> 0:41:05.400
<v Speaker 4>You aren't going in the direction.

0:41:05.520 --> 0:41:08.279
<v Speaker 5>You're right, Okay, go ahead. But here's my thing. I

0:41:08.320 --> 0:41:10.359
<v Speaker 5>felt like she was just annoyed with me the whole time.

0:41:11.400 --> 0:41:12.800
<v Speaker 4>I felt like she was just like, I think she

0:41:12.880 --> 0:41:14.719
<v Speaker 4>didn't want you to follow him because it could have

0:41:14.800 --> 0:41:16.960
<v Speaker 4>ended bad for you. Let's say he sees you following him,

0:41:17.000 --> 0:41:18.520
<v Speaker 4>turns around with gun and so i'd shoot at you,

0:41:19.040 --> 0:41:22.360
<v Speaker 4>crashes into you, You crash trying to follow him, And

0:41:22.480 --> 0:41:24.560
<v Speaker 4>I think she caught you in the lie too, so

0:41:24.760 --> 0:41:26.920
<v Speaker 4>she's like not falling for that. And also you couldn't

0:41:26.920 --> 0:41:28.600
<v Speaker 4>give her the license plate, so you really couldn't help

0:41:28.640 --> 0:41:29.000
<v Speaker 4>her at all.

0:41:29.520 --> 0:41:31.879
<v Speaker 5>No, No, but I told her Okay, we're exiting three,

0:41:32.040 --> 0:41:35.480
<v Speaker 5>exit three doing the loopty Lou, and it's a white truck.

0:41:35.560 --> 0:41:40.800
<v Speaker 5>I mean, I explained that what a loopti lou is

0:41:40.800 --> 0:41:42.279
<v Speaker 5>for people that don't know, is when you exit and

0:41:42.400 --> 0:41:45.600
<v Speaker 5>you circle back the loo. Yeah, you instead of hitting

0:41:45.600 --> 0:41:47.200
<v Speaker 5>a stop while you go underneath the bridge and come

0:41:47.280 --> 0:41:49.480
<v Speaker 5>back around so in a voids the stop. It's called

0:41:49.520 --> 0:41:51.200
<v Speaker 5>a loopty Lou. Don't know if that's the technical term,

0:41:51.239 --> 0:41:53.279
<v Speaker 5>but that's what I call it. And I just like

0:41:53.440 --> 0:41:55.480
<v Speaker 5>her tone of voice to me was like she was

0:41:55.520 --> 0:41:57.440
<v Speaker 5>annoyed that I called, Like I'm not supposed to call

0:41:57.560 --> 0:41:59.120
<v Speaker 5>nine to one one for that. I don't know, but

0:41:59.239 --> 0:42:01.640
<v Speaker 5>she didn't seem like, oh thanks for calling.

0:42:01.840 --> 0:42:04.560
<v Speaker 4>You really couldn't give her anything. I think it's her frustration.

0:42:05.600 --> 0:42:08.120
<v Speaker 4>You couldn't get her the license plate and you wouldn't

0:42:08.160 --> 0:42:09.080
<v Speaker 4>stop following him.

0:42:09.680 --> 0:42:11.400
<v Speaker 5>I was keeping a safe distance. Yeah, I hear you.

0:42:11.800 --> 0:42:13.800
<v Speaker 4>I don't feel like she was annoyed. Annoyed though, do

0:42:13.840 --> 0:42:15.879
<v Speaker 4>you like she could do nothing about it? He didn't

0:42:15.920 --> 0:42:17.320
<v Speaker 4>give her enough information to do anything.

0:42:17.440 --> 0:42:17.640
<v Speaker 9>Yeah.

0:42:17.719 --> 0:42:19.800
<v Speaker 11>I feel like she was doing her job. But also

0:42:20.360 --> 0:42:23.640
<v Speaker 11>it's her job to keep other people safe involved, so

0:42:23.719 --> 0:42:25.759
<v Speaker 11>she was probably just that's what he's picking up. The

0:42:25.880 --> 0:42:28.960
<v Speaker 11>vibe from her is like sir, but like.

0:42:28.960 --> 0:42:30.719
<v Speaker 5>When I'm on stop doing it. Like when I watch TV,

0:42:30.880 --> 0:42:33.360
<v Speaker 5>Like when I watch those dateline ones, right, they're like,

0:42:33.800 --> 0:42:37.160
<v Speaker 5>stay on the phone, don't hang up until the officer arrives.

0:42:37.480 --> 0:42:40.080
<v Speaker 5>This one, she's like, all right, thanks, And I'm like, well,

0:42:40.120 --> 0:42:41.680
<v Speaker 5>does that always? Is that for a drunk driver?

0:42:41.800 --> 0:42:41.960
<v Speaker 11>Though?

0:42:42.000 --> 0:42:42.360
<v Speaker 5>I don't know.

0:42:42.440 --> 0:42:45.000
<v Speaker 11>I think that's like if you're in a closet hiding

0:42:45.080 --> 0:42:48.480
<v Speaker 11>from burglar, like try, yeah, like.

0:42:48.560 --> 0:42:50.439
<v Speaker 4>Try to stay on so we can save your life

0:42:50.520 --> 0:42:51.920
<v Speaker 4>because someone's in your house. I might kill you.

0:42:52.680 --> 0:42:54.960
<v Speaker 5>Yeah, I'm just saying when I watch TV, and they

0:42:55.080 --> 0:42:57.160
<v Speaker 5>always say don't hang up. And then she's like, Okay,

0:42:57.200 --> 0:42:58.560
<v Speaker 5>thanks for calling. She's already ready to get off the

0:42:58.560 --> 0:43:00.520
<v Speaker 5>phone and be like she's got something to be at

0:43:00.640 --> 0:43:01.160
<v Speaker 5>or something like.

0:43:01.320 --> 0:43:03.400
<v Speaker 4>Maybe she did, maybe she had another call Eddy, was

0:43:03.440 --> 0:43:05.920
<v Speaker 4>you here there? I mean I think that you're right.

0:43:06.120 --> 0:43:08.560
<v Speaker 10>He had no information for her and she got all

0:43:08.600 --> 0:43:11.239
<v Speaker 10>the information she can possibly get from lunchbox. And then

0:43:11.320 --> 0:43:13.279
<v Speaker 10>it's almost like his prank calls where he just doesn't

0:43:13.320 --> 0:43:16.120
<v Speaker 10>stop talking. He starts stammering a lot, right, and so

0:43:16.239 --> 0:43:18.600
<v Speaker 10>she's just like wrap it up. I gotta either get

0:43:18.680 --> 0:43:20.200
<v Speaker 10>I mean, she's got to send the cops out there.

0:43:20.280 --> 0:43:21.040
<v Speaker 4>One and two.

0:43:21.160 --> 0:43:23.399
<v Speaker 10>She probably has like her phone lines are probably ringing

0:43:23.400 --> 0:43:25.400
<v Speaker 10>for more calls, probably in a closet, and she's like,

0:43:25.440 --> 0:43:26.040
<v Speaker 10>stay on the phone.

0:43:26.040 --> 0:43:29.040
<v Speaker 5>I got this idiot. He's chasing a car, not chasing,

0:43:29.920 --> 0:43:30.920
<v Speaker 5>not chasing following.

0:43:31.320 --> 0:43:34.239
<v Speaker 4>You have no reason to be upset about the call. Yeah,

0:43:34.280 --> 0:43:37.760
<v Speaker 4>after hearing it back, I would be a little more succinct.

0:43:37.800 --> 0:43:39.239
<v Speaker 4>I would be a little more descriptive.

0:43:39.480 --> 0:43:42.080
<v Speaker 5>I was trying to, but like whenever the guy was swerving,

0:43:42.120 --> 0:43:45.000
<v Speaker 5>it would make me. I would get like I would

0:43:45.320 --> 0:43:48.080
<v Speaker 5>like visually, like just as you're watching it live, you

0:43:48.239 --> 0:43:50.880
<v Speaker 5>can't you can't not react. So it's like I'm in

0:43:50.960 --> 0:43:53.600
<v Speaker 5>mid conversation when something happens, you like, you don't know

0:43:53.640 --> 0:43:55.160
<v Speaker 5>how to describe it because it freaks you out.

0:43:55.600 --> 0:43:57.439
<v Speaker 11>It probably freaks you out extra if you have kids

0:43:57.440 --> 0:43:58.920
<v Speaker 11>in the car, Yeah.

0:43:58.760 --> 0:43:59.319
<v Speaker 5>It probably does.

0:43:59.719 --> 0:44:00.759
<v Speaker 4>Did you you have your kids in the car? Did

0:44:00.800 --> 0:44:02.680
<v Speaker 4>you tell us that he did? Oh?

0:44:02.719 --> 0:44:04.840
<v Speaker 5>No, no, yeah, yeah, but I told you I was

0:44:04.880 --> 0:44:08.359
<v Speaker 5>maintaining a safe distance. Why are you chasing? They did?

0:44:08.440 --> 0:44:10.840
<v Speaker 5>They asked me, why are you calling the police?

0:44:11.160 --> 0:44:11.279
<v Speaker 4>Oh?

0:44:11.360 --> 0:44:13.080
<v Speaker 5>You know, they're just they might be sick, they might

0:44:13.160 --> 0:44:13.720
<v Speaker 5>need a doctor.

0:44:14.280 --> 0:44:16.719
<v Speaker 4>I like a lot of lying going on. Okay, you

0:44:16.760 --> 0:44:19.080
<v Speaker 4>have no reason to be upset. Okay, all good. You

0:44:19.160 --> 0:44:21.600
<v Speaker 4>made a good call. Though. What I would say next

0:44:21.640 --> 0:44:23.279
<v Speaker 4>time is be a little more prepared to try not

0:44:23.360 --> 0:44:25.279
<v Speaker 4>to be so reactional to what's happening, so you can

0:44:25.320 --> 0:44:26.400
<v Speaker 4>describe to her what's happening.

0:44:26.440 --> 0:44:28.320
<v Speaker 5>Okay, okay, all right, And so next time I should

0:44:28.320 --> 0:44:29.560
<v Speaker 5>have spikes, is what you're saying.

0:44:30.520 --> 0:44:32.879
<v Speaker 4>But do you know what run ahead of them? I'm

0:44:32.920 --> 0:44:34.239
<v Speaker 4>out there, No, not at all.

0:44:35.760 --> 0:44:39.440
<v Speaker 1>It's the best Bits of the Week with Morgan. Number two.

0:44:45.280 --> 0:44:47.360
<v Speaker 3>Megan Roney stopped by the studio this week. This was

0:44:47.400 --> 0:44:50.120
<v Speaker 3>her first time in and she put on an awesome

0:44:50.200 --> 0:44:51.480
<v Speaker 3>performance of two of her songs.

0:44:51.640 --> 0:44:53.800
<v Speaker 2>But you can check out not on this podcast.

0:44:53.880 --> 0:44:55.480
<v Speaker 3>We can't play the performances, but you can go to

0:44:55.560 --> 0:44:57.719
<v Speaker 3>YouTube Bobby Bone Show and they're both up there and

0:44:57.760 --> 0:45:01.400
<v Speaker 3>they're so great. She also answered listeners comfortable questions, and

0:45:01.520 --> 0:45:04.480
<v Speaker 3>she talked about the inspiration behind her songwriting. Plus you

0:45:04.560 --> 0:45:06.360
<v Speaker 3>get to hear some crazy thing that happened to me

0:45:06.480 --> 0:45:09.440
<v Speaker 3>recently and why Megan Maroney is kind of involved. So

0:45:10.200 --> 0:45:12.239
<v Speaker 3>it's just a lot going on here, but I love

0:45:12.360 --> 0:45:14.160
<v Speaker 3>Megan and she was so awesome in the studio.

0:45:14.320 --> 0:45:14.920
<v Speaker 15>So here you go.

0:45:15.200 --> 0:45:18.360
<v Speaker 2>Here is Bobby's interview with Megan Maroney, number.

0:45:18.160 --> 0:45:22.520
<v Speaker 1>Two, so Bobby Bones Show Interviews. In case you didn't know.

0:45:22.840 --> 0:45:25.239
<v Speaker 4>Her name is Megan Maroney. You may have heard this

0:45:25.360 --> 0:45:31.960
<v Speaker 4>song right here. Tennessee Orange yea born and raised in Georgia.

0:45:32.239 --> 0:45:35.440
<v Speaker 4>She was at Uga studied to be an accountant, and

0:45:35.560 --> 0:45:37.840
<v Speaker 4>she switched her major to do marketing and music business,

0:45:38.320 --> 0:45:41.480
<v Speaker 4>and well then she started writing songs, and there she

0:45:41.520 --> 0:45:45.239
<v Speaker 4>found out she was she loved songwriting. Now she's killing it.

0:45:45.360 --> 0:45:47.920
<v Speaker 4>Her debut album, Lucky comes out on May fifth, and

0:45:48.080 --> 0:45:51.000
<v Speaker 4>let's talk to her now here she is the Friday.

0:45:50.680 --> 0:45:53.200
<v Speaker 15>Morning Conversation with Megan Maroney.

0:45:53.280 --> 0:45:55.400
<v Speaker 4>Megan, how you been great? Good to see you.

0:45:55.680 --> 0:45:56.239
<v Speaker 15>Good to see you.

0:45:56.400 --> 0:45:58.400
<v Speaker 4>We haven't seen each other since probably like fall of

0:45:58.520 --> 0:46:00.680
<v Speaker 4>last year, and I feel like since then it's been

0:46:00.719 --> 0:46:01.399
<v Speaker 4>a rocket ship.

0:46:01.560 --> 0:46:02.000
<v Speaker 8>Just to me.

0:46:02.239 --> 0:46:03.200
<v Speaker 4>You're just crushing it.

0:46:03.280 --> 0:46:03.440
<v Speaker 5>Now.

0:46:03.560 --> 0:46:05.480
<v Speaker 4>Does the last five six months seem like a blur?

0:46:06.800 --> 0:46:08.960
<v Speaker 15>Yeah? I don't even know what day it is today,

0:46:09.120 --> 0:46:10.720
<v Speaker 15>but we're here and I'm excited.

0:46:10.800 --> 0:46:13.920
<v Speaker 4>Yeah, congratulations, thank you. Yes, that's when you like are

0:46:13.920 --> 0:46:15.560
<v Speaker 4>starting to make it when it's so blurry you can't

0:46:15.560 --> 0:46:17.840
<v Speaker 4>even see what it is. Yeah, but you're you're blowing

0:46:17.920 --> 0:46:20.359
<v Speaker 4>up a new album about to hit as well. Every

0:46:20.400 --> 0:46:22.960
<v Speaker 4>time I look on Instagram, somebody's like, you know, got

0:46:23.040 --> 0:46:25.080
<v Speaker 4>some Megan Maroni tea that I've already heard three times.

0:46:25.120 --> 0:46:26.960
<v Speaker 4>Everybody just keeps posting it because they know people are

0:46:27.040 --> 0:46:29.200
<v Speaker 4>like searching for your name and hashtags and stuff. So

0:46:29.320 --> 0:46:30.360
<v Speaker 4>congratulations on all that.

0:46:30.560 --> 0:46:31.319
<v Speaker 15>Thank you so much.

0:46:31.480 --> 0:46:34.000
<v Speaker 4>How has Tennessee Orange been when you play a live

0:46:34.400 --> 0:46:35.960
<v Speaker 4>does everybody just sing it like crazy?

0:46:36.480 --> 0:46:36.680
<v Speaker 15>Yeah?

0:46:36.840 --> 0:46:40.320
<v Speaker 16>I played my first festival this weekend, which was Tortuga,

0:46:40.880 --> 0:46:43.240
<v Speaker 16>and I played the next from Nashville Stage.

0:46:43.800 --> 0:46:44.719
<v Speaker 15>I think that's what it's called.

0:46:44.760 --> 0:46:47.319
<v Speaker 16>And it was insane. It was the loudest I've ever

0:46:47.600 --> 0:46:50.160
<v Speaker 16>heard people sing it, So it's awesome.

0:46:50.960 --> 0:46:53.399
<v Speaker 4>Would you, for the sake of this show here, would

0:46:53.440 --> 0:46:55.480
<v Speaker 4>you give us some Tennessee Orange? And this is how

0:46:55.760 --> 0:46:57.520
<v Speaker 4>a long time ago, I was flipping through social media,

0:46:57.760 --> 0:46:59.759
<v Speaker 4>I mean last fall before that, and I was like,

0:47:00.000 --> 0:47:01.680
<v Speaker 4>this song's really good, Let's get Megan. She came over,

0:47:01.760 --> 0:47:05.480
<v Speaker 4>we did an hour long Bobby cast and from that now,

0:47:05.520 --> 0:47:07.799
<v Speaker 4>I think it's like thirteen this week on the chart

0:47:07.840 --> 0:47:09.960
<v Speaker 4>and still flying up the chart. So here it is

0:47:10.040 --> 0:47:11.960
<v Speaker 4>the song that kind of started it all. This version

0:47:12.000 --> 0:47:18.040
<v Speaker 4>of you here is Megan Maroney, Tennessee Orange Nice Megan Moroney.

0:47:17.680 --> 0:47:18.319
<v Speaker 5>He's not great.

0:47:18.880 --> 0:47:20.480
<v Speaker 4>I have a lot of things to talk about with

0:47:20.560 --> 0:47:23.239
<v Speaker 4>that in that song, specifically number one to be known

0:47:23.719 --> 0:47:27.200
<v Speaker 4>by people for Tennessee. It's got to be weird when

0:47:27.239 --> 0:47:30.439
<v Speaker 4>you're such a Georgia Bulldog fan, because if you don't

0:47:30.560 --> 0:47:32.000
<v Speaker 4>just listen, if you have to listen to every part

0:47:32.000 --> 0:47:33.800
<v Speaker 4>of the song to even know really what you're saying,

0:47:33.800 --> 0:47:34.440
<v Speaker 4>because I bet you a.

0:47:34.440 --> 0:47:35.960
<v Speaker 5>Lot of people just think you're a huge Tennessee fan.

0:47:36.520 --> 0:47:37.759
<v Speaker 4>Yeah, you gotta be like I ain't.

0:47:38.000 --> 0:47:39.080
<v Speaker 15>Yeah, no, not at all.

0:47:39.920 --> 0:47:43.799
<v Speaker 4>And your whole bulldog contingent, They like, we can write

0:47:43.800 --> 0:47:44.840
<v Speaker 4>it's a bulldog song now or what?

0:47:46.080 --> 0:47:48.879
<v Speaker 16>Actually In one of my songs on my record, God

0:47:48.920 --> 0:47:51.239
<v Speaker 16>plays a Gibson. I'm talking about God and I say

0:47:51.320 --> 0:47:53.399
<v Speaker 16>this year, it's pretty clear he's a Georgia Bulldogs fan.

0:47:53.640 --> 0:47:57.080
<v Speaker 15>You still get those in there, so we're still plugging Georgia.

0:47:57.840 --> 0:47:59.640
<v Speaker 4>I was looking at the calendar. Tonight's the twenty first,

0:47:59.680 --> 0:48:01.759
<v Speaker 4>and you'll be in Knoxville. You're gonna play that song

0:48:01.800 --> 0:48:04.520
<v Speaker 4>in Knoxville where they're all crazy Tennessee fans where our

0:48:04.560 --> 0:48:06.640
<v Speaker 4>shows on at Knoxville too, Like, they're probably gonna sing

0:48:06.719 --> 0:48:08.799
<v Speaker 4>that back louder than any version of a crowd you've

0:48:08.800 --> 0:48:09.680
<v Speaker 4>ever seen in your whole life.

0:48:09.800 --> 0:48:11.600
<v Speaker 15>Yeah, I've never played in Knoxville.

0:48:11.200 --> 0:48:12.640
<v Speaker 5>So they're nuts.

0:48:13.320 --> 0:48:13.520
<v Speaker 6>Really.

0:48:13.880 --> 0:48:16.360
<v Speaker 4>Yeah. I go over there and they sing right the

0:48:16.400 --> 0:48:18.480
<v Speaker 4>top the whole time, and they beat us most of

0:48:18.480 --> 0:48:21.520
<v Speaker 4>the times. They're nuts because they're just a very passionate group,

0:48:21.560 --> 0:48:24.359
<v Speaker 4>which I can respect, right, and they're gonna look, they're

0:48:24.360 --> 0:48:26.000
<v Speaker 4>gonna be foaming at the mouth for that song.

0:48:26.080 --> 0:48:27.520
<v Speaker 5>You can play the first, middle, and the end.

0:48:27.719 --> 0:48:31.560
<v Speaker 15>I am wearing a Tennessee jersey there, which.

0:48:31.280 --> 0:48:33.759
<v Speaker 4>Leads me to a different thing. My wife and I

0:48:34.000 --> 0:48:37.800
<v Speaker 4>are both rabid fans meet Arkansas razorbacks her Oklahoma sooners.

0:48:37.960 --> 0:48:40.000
<v Speaker 4>Neither one of us will were the other people's still,

0:48:40.120 --> 0:48:41.759
<v Speaker 4>and we've been married almost two years at this point.

0:48:41.960 --> 0:48:42.319
<v Speaker 15>That's fair.

0:48:42.440 --> 0:48:45.560
<v Speaker 4>I will never wear Oklahoma red or oh you, and

0:48:45.640 --> 0:48:47.640
<v Speaker 4>she will never wear Arkansas. So the fact that you

0:48:47.680 --> 0:48:49.480
<v Speaker 4>could even sing that song like, I commend to you know,

0:48:49.800 --> 0:48:51.920
<v Speaker 4>true love song if you will, that is a true

0:48:52.120 --> 0:48:55.440
<v Speaker 4>love song. By the way, Megan will be in Knoxville tonight,

0:48:55.680 --> 0:48:59.200
<v Speaker 4>Eddie's addic in Georgia Indicator which is out near Atlanta

0:48:59.360 --> 0:49:02.400
<v Speaker 4>tomorrow night, and then Fable Arkansas it kind of you

0:49:02.480 --> 0:49:05.080
<v Speaker 4>know my neck next weekend the twenty seventh, and had

0:49:05.120 --> 0:49:06.960
<v Speaker 4>he's working Missippi on the twenty eighth on the Pistol

0:49:07.000 --> 0:49:10.560
<v Speaker 4>Made of Roses tour. The Pistol Made of Roses? Where

0:49:10.600 --> 0:49:11.120
<v Speaker 4>did that come from?

0:49:11.719 --> 0:49:13.719
<v Speaker 16>So that's a line in my song I Love Me,

0:49:13.840 --> 0:49:16.279
<v Speaker 16>which is on the EP It just says I'm a

0:49:16.320 --> 0:49:17.240
<v Speaker 16>pistol made roses.

0:49:17.320 --> 0:49:18.600
<v Speaker 15>I don't keep up with the Joneses.

0:49:19.200 --> 0:49:20.440
<v Speaker 4>Oh cool, it's got a ryme on it too.

0:49:20.520 --> 0:49:22.400
<v Speaker 5>Yeah, you know what she did there.

0:49:23.000 --> 0:49:26.440
<v Speaker 1>The Friday Morning conversation with Megan Maroney.

0:49:26.239 --> 0:49:29.799
<v Speaker 4>Began a question for you. Your record comes out May fifth.

0:49:29.840 --> 0:49:32.359
<v Speaker 4>It's called Lucky. You just put out Girl in the Mirror,

0:49:32.360 --> 0:49:34.000
<v Speaker 4>which we're going to talk about in a second. But

0:49:34.120 --> 0:49:36.840
<v Speaker 4>there's a song called I'm Not Pretty that's on the record.

0:49:37.360 --> 0:49:40.600
<v Speaker 4>Will you explain kind of the premise of I'm Not Pretty?

0:49:41.320 --> 0:49:44.280
<v Speaker 16>Yes, okay, So I kind of laid out in the lyrics,

0:49:44.360 --> 0:49:47.200
<v Speaker 16>but what had happened was is it was like two

0:49:47.239 --> 0:49:52.000
<v Speaker 16>am I'm awake, and so was my ex boyfriend's new girlfriend.

0:49:52.360 --> 0:49:56.160
<v Speaker 16>She accidentally liked a photo from twenty sixteen from Panama City,

0:49:56.840 --> 0:49:58.600
<v Speaker 16>and I'm sure she thought it's two am. There's no

0:49:58.680 --> 0:50:02.200
<v Speaker 16>way she saw it. But obviously not only did I

0:50:02.239 --> 0:50:03.840
<v Speaker 16>see it, I wrote a whole song about it. So

0:50:04.640 --> 0:50:07.360
<v Speaker 16>I just thought it was funny because it's what it was,

0:50:07.440 --> 0:50:09.440
<v Speaker 16>twenty twenty two. Then I'm like, twenty sixteen was a

0:50:09.480 --> 0:50:11.200
<v Speaker 16>long time ago. Why are you digging that deep? It's

0:50:11.239 --> 0:50:13.759
<v Speaker 16>got to be like she's trying to dig up something

0:50:13.880 --> 0:50:17.000
<v Speaker 16>or something got to be right. Yeah, and so yeah,

0:50:17.080 --> 0:50:19.200
<v Speaker 16>it's just a lighthearted song about that situation.

0:50:19.480 --> 0:50:22.520
<v Speaker 4>I'd feel very lighthearted. I've heard lighthearted songs, you know.

0:50:23.280 --> 0:50:24.480
<v Speaker 4>Let me play a clip of that, and I want

0:50:24.480 --> 0:50:26.239
<v Speaker 4>to get into something specifically about that. Here is a

0:50:26.280 --> 0:50:27.719
<v Speaker 4>little bit of I'm Not Pretty.

0:50:27.719 --> 0:50:35.080
<v Speaker 16>Sows Holy Friends, Girlfriend's Girls.

0:50:34.040 --> 0:50:37.520
<v Speaker 4>Graham, So Morgan, I don't know if you know Morgan.

0:50:37.600 --> 0:50:40.120
<v Speaker 4>Here this is Morgan Morgan, Megan, Megan, Morgan, Morgan, Maga,

0:50:41.760 --> 0:50:44.080
<v Speaker 4>So Morgan, this recently happened to you?

0:50:44.280 --> 0:50:46.600
<v Speaker 2>Kind of Yeah, I'm straight up living this song.

0:50:46.840 --> 0:50:51.200
<v Speaker 3>My ex boyfriend's new girlfriend and her friend, although not subtly,

0:50:51.440 --> 0:50:53.960
<v Speaker 3>have been like trying to troll me in my dms

0:50:54.320 --> 0:50:57.200
<v Speaker 3>go perfect as themselves as themselves, like you can click

0:50:57.239 --> 0:50:58.399
<v Speaker 3>on their profile and it's them.

0:50:58.520 --> 0:50:59.359
<v Speaker 11>Yeah, we checked them out.

0:50:59.520 --> 0:51:00.879
<v Speaker 5>Well, how do I wait? I didn't.

0:51:00.920 --> 0:51:03.600
<v Speaker 15>I thought they had like the dog Instagram or something.

0:51:03.760 --> 0:51:05.440
<v Speaker 5>Yeah, I think like a burner.

0:51:05.680 --> 0:51:08.400
<v Speaker 3>They nope, and I it must have been bad because

0:51:08.400 --> 0:51:10.440
<v Speaker 3>then I got blocked by my ex on Instagram.

0:51:10.520 --> 0:51:12.640
<v Speaker 2>I was like, something happened somewhere they sang to you.

0:51:13.080 --> 0:51:15.040
<v Speaker 2>They were telling me that I need to fix my

0:51:15.239 --> 0:51:17.280
<v Speaker 2>hair and I look fake and I'm very basic.

0:51:17.400 --> 0:51:19.279
<v Speaker 4>My gosh, why would they do it on their own name?

0:51:19.280 --> 0:51:21.680
<v Speaker 4>I'm not even like, why would they do that with

0:51:21.719 --> 0:51:22.520
<v Speaker 4>their own accounts?

0:51:22.960 --> 0:51:23.200
<v Speaker 11>Yeah?

0:51:23.320 --> 0:51:24.480
<v Speaker 15>Oh, just like straight up.

0:51:24.640 --> 0:51:26.600
<v Speaker 3>I don't know if they just had, you know, no

0:51:27.160 --> 0:51:29.160
<v Speaker 3>filter with everything and they just didn't care.

0:51:29.640 --> 0:51:32.160
<v Speaker 2>Maybe was it l No, it was like eight o'clock

0:51:33.120 --> 0:51:35.439
<v Speaker 2>on a Thursday AM.

0:51:36.440 --> 0:51:37.040
<v Speaker 4>So what did you do?

0:51:37.160 --> 0:51:38.520
<v Speaker 5>Did you respond to them?

0:51:38.800 --> 0:51:40.880
<v Speaker 3>I haven't, but I thought about it because I listened

0:51:40.960 --> 0:51:44.080
<v Speaker 3>to Megan's song. It became after this happened, your song

0:51:44.200 --> 0:51:44.960
<v Speaker 3>went on repeat.

0:51:45.000 --> 0:51:47.360
<v Speaker 16>I was like, this is my life, your story and

0:51:47.480 --> 0:51:51.120
<v Speaker 16>tag them right they want to, only it's only their

0:51:51.160 --> 0:51:54.400
<v Speaker 16>tag like that, I may do that now that may

0:51:54.440 --> 0:51:55.680
<v Speaker 16>be the response I have to you can.

0:51:55.600 --> 0:52:00.600
<v Speaker 4>Blame me in your songwriting, Megan. I've feel like you

0:52:01.080 --> 0:52:02.680
<v Speaker 4>and Luke come to somebody who does this really well.

0:52:02.719 --> 0:52:04.760
<v Speaker 4>Like Luke Combs knows who he's singing to and about

0:52:05.000 --> 0:52:07.440
<v Speaker 4>and why he's singing to them and about them and

0:52:07.560 --> 0:52:09.200
<v Speaker 4>for them. I feel like you do this as well,

0:52:09.280 --> 0:52:10.719
<v Speaker 4>Like you know who you're singing too, you know what

0:52:10.760 --> 0:52:12.520
<v Speaker 4>you're singing about, and you know why you're singing it

0:52:12.600 --> 0:52:14.920
<v Speaker 4>to them. When you're writing songs and you're like, this

0:52:15.120 --> 0:52:17.360
<v Speaker 4>is exactly where I want to go because they will know,

0:52:18.000 --> 0:52:20.440
<v Speaker 4>they'll feel it like this, you know, most of it

0:52:20.480 --> 0:52:23.400
<v Speaker 4>feels like it's like, you know, women twenty thirties, like

0:52:23.680 --> 0:52:25.600
<v Speaker 4>I feel that. Do you feel like that's accurate at all?

0:52:25.880 --> 0:52:29.480
<v Speaker 16>Yeah? Definitely, I think And like when I'm writing songs

0:52:29.560 --> 0:52:32.200
<v Speaker 16>like this, I went through that situation and I'm like,

0:52:32.239 --> 0:52:34.680
<v Speaker 16>what would make me feel better? And I'm like taking

0:52:34.800 --> 0:52:38.240
<v Speaker 16>this and having this song that makes girls feel confident,

0:52:38.320 --> 0:52:40.880
<v Speaker 16>and it's like it happens everybody, so everybody gets it.

0:52:40.920 --> 0:52:43.239
<v Speaker 16>And it's just like I could have gotten mad and

0:52:43.320 --> 0:52:45.560
<v Speaker 16>said something, but I'm like, instead, I'm just gonna.

0:52:45.360 --> 0:52:48.239
<v Speaker 4>Write this, which is like a bigger investment that pays

0:52:48.239 --> 0:52:52.319
<v Speaker 4>off far greater, far later. One of my dear friends

0:52:52.400 --> 0:52:54.600
<v Speaker 4>is Christian Bush, who is one half of sugar Land,

0:52:54.920 --> 0:52:57.400
<v Speaker 4>And so how do you know Christian? And how did

0:52:57.440 --> 0:52:58.160
<v Speaker 4>that get you here?

0:52:58.840 --> 0:52:59.759
<v Speaker 15>So I went to you.

0:53:00.320 --> 0:53:03.759
<v Speaker 16>Obviously I'm made that my whole personality. But I was

0:53:03.800 --> 0:53:06.040
<v Speaker 16>an intern for him in the Music Business program, so

0:53:06.200 --> 0:53:08.200
<v Speaker 16>him and his brother. I was a publishing intern.

0:53:08.680 --> 0:53:09.560
<v Speaker 4>In Georgia and Atlanta.

0:53:09.560 --> 0:53:11.920
<v Speaker 15>Georgia and Atlanta. Y'ad have to drive for maths to Atlanta.

0:53:12.000 --> 0:53:15.399
<v Speaker 16>And I didn't really say anything about being I wasn't

0:53:15.400 --> 0:53:17.560
<v Speaker 16>an aspiring songwriter because at that time I had written

0:53:17.640 --> 0:53:20.800
<v Speaker 16>like two songs, So I didn't really say anything. And

0:53:20.880 --> 0:53:23.040
<v Speaker 16>then once I moved, he had reached out and asked.

0:53:23.040 --> 0:53:25.240
<v Speaker 16>So everything was going and stuff, and then he offered

0:53:25.280 --> 0:53:25.560
<v Speaker 16>to help.

0:53:25.640 --> 0:53:27.120
<v Speaker 4>So it's just that's crazy.

0:53:27.200 --> 0:53:28.520
<v Speaker 5>From then I didn't even tell him.

0:53:28.840 --> 0:53:30.360
<v Speaker 16>Well, I walked in and I saw a Grammy on

0:53:30.400 --> 0:53:33.279
<v Speaker 16>the wall, and I was like, Okay, I'm not an

0:53:33.320 --> 0:53:34.400
<v Speaker 16>aspiring songwriter.

0:53:35.360 --> 0:53:37.520
<v Speaker 15>I'm an intern and I'm gonna go get your coffee.

0:53:37.560 --> 0:53:37.680
<v Speaker 6>Now.

0:53:38.080 --> 0:53:40.440
<v Speaker 4>When you won the CMT Award, do you have a

0:53:40.480 --> 0:53:41.240
<v Speaker 4>speech planned already?

0:53:41.480 --> 0:53:41.520
<v Speaker 3>No?

0:53:42.040 --> 0:53:42.480
<v Speaker 4>You didn't.

0:53:42.760 --> 0:53:45.480
<v Speaker 15>No, I was so scared. I was so scared. I

0:53:45.520 --> 0:53:47.600
<v Speaker 15>didn't even when I got off stage, I was like,

0:53:47.680 --> 0:53:49.279
<v Speaker 15>did I just speak English? I have no idea?

0:53:49.800 --> 0:53:51.799
<v Speaker 4>So you you did not think you're gonna win at all?

0:53:51.840 --> 0:53:54.359
<v Speaker 4>So you didn't even think about his speech? No, were

0:53:54.400 --> 0:53:57.400
<v Speaker 4>you watching the mouth or they go like because you

0:53:57.480 --> 0:53:59.560
<v Speaker 4>always know when the first like syllable, I do an,

0:53:59.560 --> 0:54:01.319
<v Speaker 4>how much like they can say Bobby when they go claw.

0:54:01.400 --> 0:54:02.680
<v Speaker 5>I'm like, dang it? What mean?

0:54:02.920 --> 0:54:03.399
<v Speaker 13>Well? Yeah?

0:54:03.480 --> 0:54:05.920
<v Speaker 16>The only reason I knew was because my manager was

0:54:05.960 --> 0:54:07.800
<v Speaker 16>sitting next to me and she got up and was

0:54:07.880 --> 0:54:08.800
<v Speaker 16>jumping and screaming.

0:54:08.880 --> 0:54:11.760
<v Speaker 15>I couldn't hear an. I was just like, it feels

0:54:11.760 --> 0:54:14.759
<v Speaker 15>like a blur. Really, I And when I saw videos.

0:54:14.480 --> 0:54:17.880
<v Speaker 16>From like my friend's perspective, there were cameras like in

0:54:17.920 --> 0:54:19.360
<v Speaker 16>front of my face the whole time. I don't know

0:54:19.360 --> 0:54:21.040
<v Speaker 16>how I didn't see them, you know, like they were

0:54:21.080 --> 0:54:22.040
<v Speaker 16>ready to get my reaction.

0:54:22.760 --> 0:54:24.320
<v Speaker 15>And I was like, how did I miss that?

0:54:24.440 --> 0:54:26.760
<v Speaker 5>They're literally right in front of her, the only person,

0:54:26.840 --> 0:54:27.560
<v Speaker 5>and she didn't see that.

0:54:27.600 --> 0:54:29.680
<v Speaker 15>I think I was a little starstruck by Parker McCollum.

0:54:29.760 --> 0:54:33.400
<v Speaker 4>Honestly, that's funny. And how would you do it differently?

0:54:33.480 --> 0:54:33.600
<v Speaker 11>Now?

0:54:33.640 --> 0:54:36.719
<v Speaker 4>If you knew you go into the awards you're gonna win.

0:54:36.760 --> 0:54:38.960
<v Speaker 4>They're get okay, you're gonna win, So we need you

0:54:39.000 --> 0:54:41.160
<v Speaker 4>to be prepared. What would you do differently up on

0:54:41.200 --> 0:54:41.960
<v Speaker 4>stage in your speech?

0:54:43.000 --> 0:54:46.480
<v Speaker 15>I wouldn't say holy crap. I did say that that's embarrassing.

0:54:47.040 --> 0:54:51.160
<v Speaker 16>But and also I like said something about my mom

0:54:51.680 --> 0:54:53.800
<v Speaker 16>and her like driving me through the night, but I

0:54:53.840 --> 0:54:55.640
<v Speaker 16>didn't explain that well, so everyone thought that my mom

0:54:56.080 --> 0:54:59.080
<v Speaker 16>drove me to the CMT Awards overnight, but it was

0:54:59.120 --> 0:54:59.600
<v Speaker 16>to the music.

0:54:59.719 --> 0:55:02.680
<v Speaker 15>I just I couldn't think straight. So I'm surprised they

0:55:02.719 --> 0:55:04.560
<v Speaker 15>even like said words.

0:55:05.400 --> 0:55:08.279
<v Speaker 4>Meghan Marony is here if you don't mind, would you,

0:55:08.600 --> 0:55:12.120
<v Speaker 4>because Lucky comes out on May fifth, and I mean,

0:55:12.200 --> 0:55:14.520
<v Speaker 4>so you've already got four songs now, right, Tennessee Orange,

0:55:14.560 --> 0:55:16.000
<v Speaker 4>I'm not pretty lucky. Girl in the Mirror, right, there

0:55:16.040 --> 0:55:17.400
<v Speaker 4>was the four Girl in the Mirror just came out.

0:55:17.560 --> 0:55:18.920
<v Speaker 4>Would you give us a little bit of Girl in

0:55:18.920 --> 0:55:19.520
<v Speaker 4>the Mirror? Is that cool?

0:55:19.600 --> 0:55:19.719
<v Speaker 9>Yes?

0:55:19.800 --> 0:55:20.080
<v Speaker 5>All right?

0:55:20.120 --> 0:55:23.360
<v Speaker 4>Here she is Megan Maroney. This is Girl in the Mirror.

0:55:23.400 --> 0:55:28.800
<v Speaker 4>Bobby bone Chow, Meghan Marone, you're a crazy good songwriter.

0:55:28.880 --> 0:55:31.360
<v Speaker 4>And you know you're crazy good songwriter. It's just we

0:55:31.440 --> 0:55:32.960
<v Speaker 4>get to see everybody, the best of the best, the

0:55:33.040 --> 0:55:35.760
<v Speaker 4>giants and the Land of Giants, and still like something

0:55:35.760 --> 0:55:40.000
<v Speaker 4>about your songwriting, it's it's special. Yeah, it's really good.

0:55:40.040 --> 0:55:42.359
<v Speaker 4>Obviously you're a great singer, but it's like a lot

0:55:42.360 --> 0:55:44.120
<v Speaker 4>of people can sing, but it's like, how do you

0:55:44.160 --> 0:55:45.880
<v Speaker 4>take your message and make sure it resonates in a

0:55:45.960 --> 0:55:48.960
<v Speaker 4>way that and I'm not a girl in the mirror,

0:55:49.120 --> 0:55:49.520
<v Speaker 4>and I'm.

0:55:49.440 --> 0:55:50.040
<v Speaker 5>Like, I feel that.

0:55:51.600 --> 0:55:51.920
<v Speaker 11>I get it.

0:55:52.080 --> 0:55:54.719
<v Speaker 4>So really like, I know you're celebrated a lot now

0:55:54.760 --> 0:55:58.640
<v Speaker 4>I get it, and you should be. But it's powerful stuff.

0:55:58.680 --> 0:55:59.880
<v Speaker 4>You're really great songwriter.

0:56:00.040 --> 0:56:00.279
<v Speaker 15>Thank you.

0:56:00.440 --> 0:56:01.960
<v Speaker 4>So it's also not my first time to hear you

0:56:02.400 --> 0:56:05.239
<v Speaker 4>because but look, it's awesome. I'm glad you came by.

0:56:07.000 --> 0:56:09.200
<v Speaker 4>She's doing her Pistol Made Roses tour. We talked about

0:56:09.200 --> 0:56:12.400
<v Speaker 4>a lot of those early shows and then she's in Geneva, Alabama,

0:56:12.440 --> 0:56:15.000
<v Speaker 4>on the twenty ninth, but again tonight in Knoxville. All

0:56:15.080 --> 0:56:17.680
<v Speaker 4>my Knoxville listeners, everybody out there. If there are any

0:56:17.680 --> 0:56:19.440
<v Speaker 4>tickets left, I don't even know that there are. There

0:56:19.440 --> 0:56:20.920
<v Speaker 4>probably aren't a lot of these shows are sold out,

0:56:21.200 --> 0:56:24.960
<v Speaker 4>but go it's worth buying the scalper tickets. I don't

0:56:25.000 --> 0:56:26.440
<v Speaker 4>know if that's true or not. I don't know it.

0:56:30.160 --> 0:56:30.719
<v Speaker 5>Do you want to do?

0:56:31.040 --> 0:56:34.040
<v Speaker 4>Let's do the awkward questions from listeners real quick. Five questions.

0:56:34.040 --> 0:56:36.760
<v Speaker 4>Who's the most famous person that follows Megan Moroney on Instagram?

0:56:37.440 --> 0:56:38.120
<v Speaker 15>Most famous?

0:56:38.760 --> 0:56:40.279
<v Speaker 4>She's looking at somebody for help. It's like, it's like

0:56:42.320 --> 0:56:45.120
<v Speaker 4>Stefani I just saw follows you on Instagram?

0:56:46.480 --> 0:56:48.560
<v Speaker 5>What the heck is right? How did you not get that? Okay,

0:56:48.600 --> 0:56:49.239
<v Speaker 5>here we go. Next?

0:56:49.520 --> 0:56:52.759
<v Speaker 4>Who is the I heard her room yelling gas? Who

0:56:52.880 --> 0:56:55.680
<v Speaker 4>is the last celebrity to DM? You guy? Your girl

0:56:55.719 --> 0:56:57.719
<v Speaker 4>doesn't matter? Blue check mark? We'll call it a blue

0:56:57.760 --> 0:57:02.839
<v Speaker 4>check mark. We have a uh can we phone mind

0:57:02.960 --> 0:57:04.200
<v Speaker 4>your to your room?

0:57:04.280 --> 0:57:04.400
<v Speaker 16>Here?

0:57:04.760 --> 0:57:04.880
<v Speaker 14>Uh?

0:57:04.960 --> 0:57:06.040
<v Speaker 4>The old dominion you guys?

0:57:06.400 --> 0:57:09.480
<v Speaker 15>Oh yeah, Matt Ramsey just called me so well, you know,

0:57:09.520 --> 0:57:09.920
<v Speaker 15>we'll count it.

0:57:10.000 --> 0:57:13.160
<v Speaker 4>We'll count it. Does Meghan Roney get closed for free?

0:57:13.600 --> 0:57:13.799
<v Speaker 15>Yes?

0:57:14.320 --> 0:57:15.120
<v Speaker 4>Isn't it the best part?

0:57:15.360 --> 0:57:15.520
<v Speaker 13>Yes?

0:57:15.960 --> 0:57:16.720
<v Speaker 15>These boots for free?

0:57:17.840 --> 0:57:18.479
<v Speaker 11>They're so cute?

0:57:18.800 --> 0:57:19.800
<v Speaker 5>Yes and the best.

0:57:20.000 --> 0:57:23.040
<v Speaker 4>Yeah, they're paid for the genes. Does Meghan Morony dye

0:57:23.120 --> 0:57:23.520
<v Speaker 4>her hair?

0:57:23.840 --> 0:57:24.320
<v Speaker 15>Of course?

0:57:24.600 --> 0:57:27.120
<v Speaker 4>And finally, does Megan Moroney fabricate stories about exes? Have

0:57:27.160 --> 0:57:28.200
<v Speaker 4>better stories about her songs?

0:57:28.960 --> 0:57:31.280
<v Speaker 15>Fabricate stories about her exes.

0:57:31.200 --> 0:57:33.720
<v Speaker 4>To have better stories about her songs. For songs, I

0:57:33.760 --> 0:57:34.240
<v Speaker 4>think they meant.

0:57:34.880 --> 0:57:36.240
<v Speaker 15>I think as a songwriter.

0:57:37.800 --> 0:57:39.760
<v Speaker 16>Obviously not every single line is going to be true,

0:57:39.840 --> 0:57:42.680
<v Speaker 16>but the core of these stories that I tell her true.

0:57:43.200 --> 0:57:43.600
<v Speaker 9>I love it.

0:57:43.680 --> 0:57:45.520
<v Speaker 4>There she is. Isn't she great?

0:57:45.760 --> 0:57:45.920
<v Speaker 16>Yes?

0:57:46.160 --> 0:57:47.160
<v Speaker 5>Yes, let's be honest.

0:57:47.240 --> 0:57:49.200
<v Speaker 4>Isn't she great? The record comes out in May fifth.

0:57:49.640 --> 0:57:52.600
<v Speaker 4>It's the debut album, but full album. We already we

0:57:52.680 --> 0:57:55.680
<v Speaker 4>already have some good stuff. But the full album is

0:57:55.720 --> 0:57:57.440
<v Speaker 4>coming out, and you guys check it out. We'll talk

0:57:57.440 --> 0:57:59.040
<v Speaker 4>about it the day comes out. But it's called Lucky

0:57:59.360 --> 0:58:00.960
<v Speaker 4>and that's congrats on everything.

0:58:01.120 --> 0:58:01.440
<v Speaker 15>Thank you.

0:58:01.520 --> 0:58:03.640
<v Speaker 4>Yeah, I'll see when the world spends back around and

0:58:03.760 --> 0:58:05.480
<v Speaker 4>your back around. There she has Megan Maroni.

0:58:05.520 --> 0:58:07.000
<v Speaker 13>Everybody I read it.

0:58:08.880 --> 0:58:12.560
<v Speaker 1>It's the best bits of the week with Morgan number two.

0:58:13.960 --> 0:58:16.400
<v Speaker 3>This unfortunately comes in at the number one spot for

0:58:16.960 --> 0:58:19.600
<v Speaker 3>the sake of Amy is why I'm saying. Unfortunately. She

0:58:19.840 --> 0:58:23.480
<v Speaker 3>was mistaken as Bobby's wife, Caitlyn's mom.

0:58:23.600 --> 0:58:25.320
<v Speaker 2>I know, kind of confusing. Bobby's wife.

0:58:25.400 --> 0:58:28.280
<v Speaker 3>Kaitlin and Amy were out running some errands and somebody

0:58:28.320 --> 0:58:29.360
<v Speaker 3>thought that Amy was her mom.

0:58:29.440 --> 0:58:30.320
<v Speaker 2>It was a whole situation.

0:58:30.520 --> 0:58:32.600
<v Speaker 3>Amy was still pretty upset with it when she came

0:58:32.640 --> 0:58:33.760
<v Speaker 3>into the show and talked about it.

0:58:34.200 --> 0:58:35.440
<v Speaker 2>The guys are still giving.

0:58:35.280 --> 0:58:37.560
<v Speaker 3>Her a hard time for all of this, so you

0:58:37.640 --> 0:58:40.240
<v Speaker 3>can hear the story and the jokes that are probably

0:58:40.320 --> 0:58:42.360
<v Speaker 3>going to come from this for months to come.

0:58:42.560 --> 0:58:44.440
<v Speaker 2>So this is the bit you need to listen to

0:58:44.560 --> 0:58:44.919
<v Speaker 2>this week.

0:58:45.400 --> 0:58:45.960
<v Speaker 1>Number one.

0:58:46.120 --> 0:58:47.680
<v Speaker 4>This is an awkward story, so I'll just let you

0:58:47.760 --> 0:58:48.400
<v Speaker 4>kind of run with it.

0:58:48.840 --> 0:58:49.960
<v Speaker 5>Where were you what were you doing?

0:58:50.920 --> 0:58:54.040
<v Speaker 11>We were running errands and I was with Caitlin, your wife,

0:58:54.040 --> 0:58:56.800
<v Speaker 11>who's you know, you're forty what three?

0:58:57.040 --> 0:58:57.200
<v Speaker 8>Three?

0:58:57.320 --> 0:58:57.400
<v Speaker 14>Now?

0:58:57.560 --> 0:58:57.600
<v Speaker 12>No?

0:58:57.840 --> 0:59:01.960
<v Speaker 11>And she's thirty one? Yes, okay, yeah, that's okay. So

0:59:02.040 --> 0:59:07.080
<v Speaker 11>I'm about your age. I'm forty two. Where do I start?

0:59:07.200 --> 0:59:07.960
<v Speaker 4>You should just say it?

0:59:09.200 --> 0:59:12.080
<v Speaker 11>Okay, So we've been asked this before, like you should.

0:59:11.800 --> 0:59:14.160
<v Speaker 4>Just say and then get to all the secondary staff.

0:59:14.240 --> 0:59:18.280
<v Speaker 11>Later, a guy says, and my son, Stevenson, he's with us.

0:59:18.360 --> 0:59:21.880
<v Speaker 11>We're just standing there. Oh, are y'all related? And I

0:59:22.040 --> 0:59:25.720
<v Speaker 11>was like, we're like no, you know, thinking we've gotten

0:59:25.720 --> 0:59:28.560
<v Speaker 11>them before, like our sisters whatever. I thought that's where

0:59:28.640 --> 0:59:32.000
<v Speaker 11>maybe it would go. He said, Oh I thought that

0:59:32.600 --> 0:59:33.320
<v Speaker 11>you were her mom?

0:59:33.920 --> 0:59:34.200
<v Speaker 9>Wow?

0:59:35.520 --> 0:59:44.360
<v Speaker 11>No, has anybody ever thought that you were her dad?

0:59:44.560 --> 0:59:45.760
<v Speaker 5>Oh no exactly.

0:59:46.080 --> 0:59:50.360
<v Speaker 4>Oh so like whether holding hands or something. I mean, also,

0:59:50.520 --> 0:59:54.480
<v Speaker 4>let's be honest, I wear big glasses and it covers

0:59:54.560 --> 0:59:56.920
<v Speaker 4>up like any aging in my eyes, it kind of

0:59:56.960 --> 0:59:59.080
<v Speaker 4>covers up. So I got a little mask. We go ahead.

1:00:00.240 --> 1:00:05.200
<v Speaker 11>I so, of course we were like what and then

1:00:05.920 --> 1:00:07.680
<v Speaker 11>you know, Caitlyn tries to like help me out. She's like,

1:00:07.720 --> 1:00:09.200
<v Speaker 11>oh my gosh, no, you would have had me when

1:00:09.240 --> 1:00:12.080
<v Speaker 11>you were like eleven or something. He was, oh, yeah, yeah, yeah, yeah,

1:00:12.520 --> 1:00:13.840
<v Speaker 11>you would have had to give him birth to when

1:00:13.880 --> 1:00:17.800
<v Speaker 11>you were two. And I was like nice too, Well

1:00:17.840 --> 1:00:18.479
<v Speaker 11>my mom did.

1:00:18.440 --> 1:00:19.520
<v Speaker 4>Get pregnant at fifteen with me.

1:00:19.760 --> 1:00:20.920
<v Speaker 5>Yeah, it's not crazy.

1:00:22.800 --> 1:00:26.880
<v Speaker 11>I mean, I know, I still am like I don't know.

1:00:28.080 --> 1:00:30.840
<v Speaker 11>I don't know what would why he would say that

1:00:32.320 --> 1:00:34.880
<v Speaker 11>he was like my age too, He was like our

1:00:34.960 --> 1:00:38.480
<v Speaker 11>age and he I don't get it. I don't know

1:00:38.480 --> 1:00:40.080
<v Speaker 11>if he's trying to be funny or if he was

1:00:40.400 --> 1:00:42.680
<v Speaker 11>being for real, but it just was like not, it

1:00:42.720 --> 1:00:45.360
<v Speaker 11>did not. It still doesn't make sense to me, It doesn't.

1:00:47.320 --> 1:00:47.720
<v Speaker 5>Very much.

1:00:47.840 --> 1:00:50.720
<v Speaker 11>So Caitlyn sent me a text later She's like, he's blind,

1:00:51.360 --> 1:00:53.480
<v Speaker 11>you know, like China is like somehow he's got to

1:00:53.520 --> 1:00:54.120
<v Speaker 11>be and I'm like.

1:00:55.840 --> 1:00:57.480
<v Speaker 4>So what do you guys think about it? Why do

1:00:57.600 --> 1:00:59.680
<v Speaker 4>you think he said that it's easy, go ahead. He

1:00:59.760 --> 1:01:00.600
<v Speaker 4>was on Kaitlyn.

1:01:01.120 --> 1:01:03.000
<v Speaker 5>He was trying to tell Kaitlyn, man, you look hot.

1:01:03.080 --> 1:01:09.760
<v Speaker 5>You look young and hot. Sorry, insault the friends, he

1:01:09.800 --> 1:01:13.520
<v Speaker 5>can get the friend. It's it's what he was doing.

1:01:13.560 --> 1:01:15.520
<v Speaker 5>He was looking at Kaitlyn saying, Hey, she's the hotty.

1:01:15.560 --> 1:01:18.080
<v Speaker 5>I'm going for her. Her friend's gonna have to kick rocks.

1:01:19.200 --> 1:01:20.800
<v Speaker 10>I think he has it mixed up. I think he

1:01:20.920 --> 1:01:23.680
<v Speaker 10>was after Amy and he was like, hey, you're the mom.

1:01:23.800 --> 1:01:25.760
<v Speaker 10>You're a mommy hotty, like.

1:01:25.840 --> 1:01:28.840
<v Speaker 4>You look like a young mom. That's exactly what he

1:01:28.960 --> 1:01:32.440
<v Speaker 4>was doing. I thought of that, mommy, mommy, haughty. How

1:01:32.480 --> 1:01:34.000
<v Speaker 4>long have you have you thought about this a lot

1:01:34.040 --> 1:01:34.400
<v Speaker 4>since then?

1:01:35.200 --> 1:01:37.000
<v Speaker 11>Yeah, multiple times a day.

1:01:38.640 --> 1:01:40.840
<v Speaker 4>How does it make you feel old?

1:01:41.880 --> 1:01:44.640
<v Speaker 11>I don't know what else to say. I texted my

1:01:44.720 --> 1:01:46.160
<v Speaker 11>face person right.

1:01:46.080 --> 1:01:48.480
<v Speaker 5>After person surgery.

1:01:54.200 --> 1:01:56.800
<v Speaker 11>You know, I jokingly sent to tags like I might

1:01:56.960 --> 1:01:58.960
<v Speaker 11>need some more of that cream so.

1:01:59.120 --> 1:02:02.040
<v Speaker 5>Then, but not really joking, because if you, senator, she

1:02:02.040 --> 1:02:04.440
<v Speaker 5>wouldn't even know the story. So oh no.

1:02:04.560 --> 1:02:06.400
<v Speaker 11>I sent in a group text because we all know

1:02:06.440 --> 1:02:07.720
<v Speaker 11>the same people. And I sent a group text and

1:02:07.760 --> 1:02:09.800
<v Speaker 11>I said well, someone just said I was Caitlin's mom,

1:02:09.880 --> 1:02:11.479
<v Speaker 11>so gonna need some help.

1:02:14.240 --> 1:02:16.240
<v Speaker 4>Like, so, this is what I would say to you.

1:02:16.640 --> 1:02:21.720
<v Speaker 4>I would say, don't let one person's confusion inability to

1:02:21.800 --> 1:02:26.000
<v Speaker 4>go up and talk to two attractive women. I mean,

1:02:26.200 --> 1:02:29.280
<v Speaker 4>have this much dominance over your days. If it happened

1:02:29.320 --> 1:02:33.000
<v Speaker 4>like three times in three months, I'd say, still, it

1:02:33.040 --> 1:02:36.040
<v Speaker 4>doesn't matter, but at least you would know that they

1:02:36.120 --> 1:02:37.920
<v Speaker 4>actually meant it. This guy was probably just trying to

1:02:37.920 --> 1:02:40.040
<v Speaker 4>think of something to say, and he's like, oh god, I.

1:02:40.000 --> 1:02:41.640
<v Speaker 1>Don't know what would just stop it?

1:02:42.480 --> 1:02:45.640
<v Speaker 11>Then stop it? Are y'all related? We say no, stop there?

1:02:46.200 --> 1:02:46.640
<v Speaker 5>I hear you.

1:02:47.200 --> 1:02:49.479
<v Speaker 4>We say dumb things as guys, not even to women,

1:02:49.720 --> 1:02:52.080
<v Speaker 4>to anybody, all the time trying to be funny. I

1:02:52.160 --> 1:02:54.360
<v Speaker 4>think he just missed. I think he was trying.

1:02:54.400 --> 1:02:57.800
<v Speaker 11>I wish I could I could find this person and

1:02:58.000 --> 1:03:00.720
<v Speaker 11>see if he was trying to be funny or if

1:03:00.760 --> 1:03:03.200
<v Speaker 11>you really thought I was her mom. I just can't

1:03:03.280 --> 1:03:07.080
<v Speaker 11>imagine a place in which someone that I'm like ten

1:03:07.200 --> 1:03:14.880
<v Speaker 11>years apart from basically that I shaking that eleven fine

1:03:15.480 --> 1:03:16.520
<v Speaker 11>ten and a half, and.

1:03:16.600 --> 1:03:18.280
<v Speaker 5>That cut deep, It cut deep. I can hear it.

1:03:18.400 --> 1:03:21.240
<v Speaker 5>Named voices, Okay, let's say, Amy, if you want to

1:03:21.280 --> 1:03:23.000
<v Speaker 5>make you feel better, we go on the street and

1:03:23.000 --> 1:03:24.440
<v Speaker 5>we can ask people how old do you think she is?

1:03:24.520 --> 1:03:30.320
<v Speaker 5>And I don't mind a lot of confidence exactly, it'll

1:03:30.320 --> 1:03:30.680
<v Speaker 5>boost her.

1:03:30.880 --> 1:03:31.600
<v Speaker 4>That's a great bit.

1:03:32.320 --> 1:03:34.720
<v Speaker 11>So here's the thing. I love being forty two. I

1:03:34.800 --> 1:03:37.360
<v Speaker 11>don't mind it. I don't mind getting older. It's just

1:03:38.400 --> 1:03:41.720
<v Speaker 11>I've never ever ever been asked if I'm the mom

1:03:41.800 --> 1:03:45.440
<v Speaker 11>of one of my friends, like ever so that was.

1:03:45.760 --> 1:03:48.240
<v Speaker 4>A younger friend though, Amy, you younger, but.

1:03:48.440 --> 1:03:51.000
<v Speaker 11>Not significantly younger.

1:03:50.880 --> 1:03:52.960
<v Speaker 5>A whole decade. That's a long time.

1:03:53.160 --> 1:03:56.600
<v Speaker 11>She's not so young that my friend Bobby can't be

1:03:56.680 --> 1:03:59.439
<v Speaker 11>married to her. I mean that's the point, Like she's

1:03:59.560 --> 1:04:03.640
<v Speaker 11>not you know, I'm a dude. Whatever, Okay, this is

1:04:05.000 --> 1:04:09.360
<v Speaker 11>I'm gonna I would like to find this man. I

1:04:09.720 --> 1:04:11.400
<v Speaker 11>remember what he looks like. I don't think I'll ever

1:04:11.440 --> 1:04:13.840
<v Speaker 11>forget it. Bring a man as a guest and maybe

1:04:14.000 --> 1:04:15.080
<v Speaker 11>just say hey, what.

1:04:16.440 --> 1:04:18.120
<v Speaker 4>Well he's going to say the right thing now. But

1:04:18.600 --> 1:04:20.120
<v Speaker 4>he's a great idea for a bit. We take you

1:04:20.160 --> 1:04:22.800
<v Speaker 4>out with him and that he goes guess or age.

1:04:22.840 --> 1:04:23.640
<v Speaker 4>If you get it right, you.

1:04:23.680 --> 1:04:24.080
<v Speaker 9>Want it all.

1:04:24.080 --> 1:04:26.560
<v Speaker 11>Okay, what range do you think I'll get like anywhere from.

1:04:27.000 --> 1:04:30.240
<v Speaker 4>Twenty five to twenty eight fifty oh smart, clearly.

1:04:30.080 --> 1:04:31.040
<v Speaker 5>Twenty five to twenty eight.

1:04:31.360 --> 1:04:34.800
<v Speaker 4>Yeah, I'm sorry that happened to you. Don't give one

1:04:34.840 --> 1:04:36.240
<v Speaker 4>person that much power over you, you know.

1:04:36.360 --> 1:04:39.160
<v Speaker 11>It's like you say, sometimes nobody knows the colors like

1:04:39.240 --> 1:04:41.720
<v Speaker 11>you can't see. We have no idea if we're seeing

1:04:41.760 --> 1:04:44.400
<v Speaker 11>the same color blue or red or whatever.

1:04:44.680 --> 1:04:45.520
<v Speaker 4>Age is different though.

1:04:46.120 --> 1:04:47.200
<v Speaker 1>What if he has one of those.

1:04:47.120 --> 1:04:51.120
<v Speaker 11>Filters where he sees people as like way old.

1:04:51.120 --> 1:04:52.240
<v Speaker 5>He's tight to dumb.

1:04:52.720 --> 1:04:56.880
<v Speaker 11>Just let it go water good, good, you're good at

1:04:56.920 --> 1:04:58.640
<v Speaker 11>this moment, I have released it. I've let it go

1:05:00.040 --> 1:05:02.919
<v Speaker 11>at all true, but I do. I don't want people

1:05:02.960 --> 1:05:06.200
<v Speaker 11>to misunderstand the fact that I love my I'm looking

1:05:06.240 --> 1:05:08.080
<v Speaker 11>forward to my forties. I love aging.

1:05:08.280 --> 1:05:13.920
<v Speaker 4>It's fine, kind of bull crack, I do. I love

1:05:14.000 --> 1:05:17.200
<v Speaker 4>it all good, All good is wipe your hands. You're

1:05:17.240 --> 1:05:22.000
<v Speaker 4>done there, you go right? Yeah, you look great.

1:05:22.120 --> 1:05:22.560
<v Speaker 5>Let me move on.

1:05:22.640 --> 1:05:25.680
<v Speaker 4>You look great and young? Yeah wow, yeah, I'll make

1:05:25.720 --> 1:05:26.920
<v Speaker 4>card make sure she can be in here.

1:05:28.960 --> 1:05:32.640
<v Speaker 1>It's the best bits of the week with Morgan number two.

1:05:33.800 --> 1:05:35.440
<v Speaker 2>All right, y'all, that's it for me this weekend.

1:05:35.440 --> 1:05:37.880
<v Speaker 3>I've been excited to hang out with y'all again on

1:05:38.000 --> 1:05:41.480
<v Speaker 3>another awesome Saturday or Sunday. Whenever you choose to hang

1:05:41.520 --> 1:05:44.000
<v Speaker 3>out with me, be sure again to check out Best

1:05:44.000 --> 1:05:47.200
<v Speaker 3>Bits Part one with Scuba Steve. This weekend, we also

1:05:47.320 --> 1:05:50.240
<v Speaker 3>shared our strong opinions that we have on something small

1:05:50.360 --> 1:05:53.439
<v Speaker 3>and mysteries we may have going on in our lives.

1:05:53.440 --> 1:05:56.160
<v Speaker 3>So just a lot of fun stuff over there. Scuba's

1:05:56.200 --> 1:05:58.880
<v Speaker 3>looking at me like what Yeah, even.

1:05:58.720 --> 1:06:00.800
<v Speaker 2>It's a tease for him. I love y'all.

1:06:01.080 --> 1:06:03.040
<v Speaker 3>Make sure you follow the show at Bobby Bone show

1:06:03.120 --> 1:06:06.720
<v Speaker 3>on All the Things and me at Lobgirl Morgan also

1:06:06.960 --> 1:06:09.480
<v Speaker 3>on All the Things. Literally I can't keep up these days,

1:06:09.480 --> 1:06:12.080
<v Speaker 3>but they're all there, and I hope this weekend is

1:06:12.120 --> 1:06:14.240
<v Speaker 3>a fun, safe, wonderful one for y'all.

1:06:14.320 --> 1:06:14.960
<v Speaker 2>I'll see you later.

1:06:15.120 --> 1:06:20.200
<v Speaker 1>Bye, Bobby Bone, Bobby Bones