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Speaker 1: It's the best Bits of the week with Morgan number two.

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Speaker 2: What's up y'all?

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Speaker 3: Happy weekend, So excited to be spending another fabulous Saturday

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Speaker 3: here with you all. This is the best Bitch just

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Speaker 3: the bits where I basically intro the best segments from

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Speaker 3: the show this week. But I want you guys to

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Speaker 3: go check out part one. That's always my favorite part

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Speaker 3: of doing this podcast. This weekend, I have Scuba Steve

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Speaker 3: on with me. We're sharing some life updates.

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Speaker 2: We're confessing the times that.

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Speaker 3: We have called nine one one, you know, because lunchbox

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Speaker 3: calls nine one one, and we're also sharing the most

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Speaker 3: recent time we hated being an adult. There's a lot

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Speaker 3: of fun conversations over there, so be sure to check

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Speaker 3: that out. Without further ado, let's get into it. On

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Speaker 3: the show this week, we shared a story about Caine

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Speaker 3: Brown who got hit on stage with a boot. This

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Speaker 3: just so happened to be in my hometown of Wichita, Kansas,

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Speaker 3: and my family was there at the concert when this happened.

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Speaker 3: I remember my dad calling me the next morning and

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Speaker 3: telling me everything that went down, and I was like,

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Speaker 3: what is going on? Then it was on TMZ, so

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Speaker 3: shout out Wichita for this story. Sorry, but Bobby texted

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Speaker 3: Kane to see what really went down and figure out

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Speaker 3: if there was like some confusion or if it was

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Speaker 3: like a bad thing that happened.

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Speaker 2: And Kane texted him back and let him know what

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Speaker 2: really went down.

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Speaker 3: He wanted to clear up all the confusion of this

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Speaker 3: boot getting thrown on stage and hitting him in the crotch.

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Speaker 4: Number seven, You got a message back from Kane Brown

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Speaker 4: because I text him earlier this morning. He was like, Hey,

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Speaker 4: why did that boot come flying at you on stage

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Speaker 4: at a concert and hit you right in your man junk?

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Speaker 4: And he said, according to kin, because I thought there's

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Speaker 4: no way that someone was angry and just chunked that

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Speaker 4: boot at him. He said, I told her I would

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Speaker 4: sign it. To wait one second, and I turned my back.

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Speaker 4: Once I turned around, she threw it and I hit

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Speaker 4: the highest note of my life. We heard it. I

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Speaker 4: thought it was something like that, like you probably had

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Speaker 4: an agreement to do it.

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Speaker 5: I chunked it up there, he did, go I.

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Speaker 1: Actually it's the best bits of the week. With Morgan.

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Speaker 3: Number two, the show shared some opinions they have this week,

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Speaker 3: but not just any opinions. They shared their opinions on

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Speaker 3: something small, very passionately, how they feel strongly about something

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Speaker 3: that is probably so irrelevant to most people. So this

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Speaker 3: is what this whole segment is about, is then confessing

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Speaker 3: they're very strong opinions on something small.

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Speaker 1: Number six.

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Speaker 4: It's rare to see movie Mike get upset about something.

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Speaker 6: Mike.

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Speaker 4: He never gets mad. He's just quiet the whole time.

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Speaker 4: Quiet Mike. Movie Mike, So what are you upset about?

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Speaker 7: They are remaking Mwana. The movie came out in twenty

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Speaker 7: sixteen and twenty twenty three. They're gonna do a live

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Speaker 7: action remake.

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Speaker 4: Is it really a straight remake? Though? If it's with

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Speaker 4: live action, it's a straight remake.

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Speaker 7: They're gonna make the exact same story, but with the

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Speaker 7: Rock in it as himself.

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Speaker 4: Well, I feel like it's different enough as live action though.

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Speaker 4: I've never seen Wuana Moana's great good movie. A great

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Speaker 4: song from it, how Far I'll Go? Yeah, I couldn't

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Speaker 4: sing that tolle.

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Speaker 8: Far?

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Speaker 4: And then have you ever heard what?

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Speaker 9: Wait?

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Speaker 4: I say?

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Speaker 5: Hold on?

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Speaker 4: What was that next part you did?

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Speaker 6: Oh?

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Speaker 5: I know that part? Yeah?

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Speaker 1: Yeah, that's cool.

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Speaker 5: Is that the one that is voice in it?

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Speaker 4: Yeah?

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Speaker 5: He plays Maui.

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Speaker 4: Okay, so who are they using as humans?

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Speaker 7: Well, so far they just have the rock.

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Speaker 4: Oh he's gonna be in it playing the same person, probably.

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Speaker 7: The same person, and the girl who is the voice

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Speaker 7: of Majana is going to be in it too, but

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Speaker 7: probably is not the right age to play Mowana.

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Speaker 5: Why are you so mad?

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Speaker 7: Because it hasn't even been ten years. It's been seven

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Speaker 7: years since the original one came out. I think you

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Speaker 7: cannot make a movie a remake until at least twenty years.

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Speaker 4: I just feel like the humans don't make it different.

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Speaker 5: I feel like it's lie.

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Speaker 1: But Disney is remaking everything right now.

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Speaker 7: Any big movie they have, they got to remake it.

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Speaker 5: It's seven years insane.

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Speaker 4: Okay, he has a very strong opinion on this. Yeah,

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Speaker 4: I really don't have a strong opinion on this, But

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Speaker 4: what is your strongest opinion about a very small issue?

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Speaker 10: Eddie, Leave Justin Haley Beaver alone, please, like seriously?

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Speaker 4: Like I want them to succeed.

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Speaker 10: And if the paparazzi and everyone starts taking video of

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Speaker 10: them at a concert, oh Justin was yeah, yes, oh

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Speaker 10: they're fighting again. Like, guys, we want their relationship to

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Speaker 10: left just because they're famous, doesn't mean we need to

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Speaker 10: be all up in their business. Stop, get back into

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Speaker 10: your life and your issues. Leave Justin and Haley alone.

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Speaker 4: Just dim specifically, not every celebrity come up mostly okay.

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Speaker 4: My first one is songs with sirens in them should

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Speaker 4: not be played on the radio. Don't know how annoying

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Speaker 4: it is. If there's a siren or something that sounds

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Speaker 4: like a cop car or ambulance and it's in a song,

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Speaker 4: You're like, oh God, oh god, God, got where is

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Speaker 4: it that? Don't no more. They have radio edits of

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Speaker 4: songs bad words, then they have radio edits of songs

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Speaker 4: have sirens in them. So that's my first one. Lunch butchers,

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Speaker 4: it's easy. Quit asking for tips everywhere we go. It

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Speaker 4: is so annoying. Anywhere you go to buy something, you

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Speaker 4: want to tip me. You go to the gas station,

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Speaker 4: you want to leave a tip. No, I don't want

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Speaker 4: to leave a tip. I'm just getting a Snickers bar.

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Speaker 4: So annoying. You don't have to leave a tip though,

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Speaker 4: I know, but.

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Speaker 5: It makes it. It makes it uncomfortable because you're like, man,

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Speaker 5: I'm not tipping you.

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Speaker 11: But that's quite the exaggeration. I've never been asked to

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Speaker 11: tip at the gas station.

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Speaker 4: First of all, they have a little tip jar there

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Speaker 4: that's a penny. Leave a penny ticket. That's for they

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Speaker 4: kids are set, dude, that's not a tip for the

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Speaker 4: person that's marking the register.

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Speaker 11: Like, if someone happens you need a penny, you leave.

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Speaker 4: It there, right, that's for build a home. That's home

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Speaker 4: for heroes brod.

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Speaker 5: Like stumps out. I literally pulled up in the drive

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Speaker 5: through the other day and the lady was like, would

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Speaker 5: you like to leave a tip? No, I meant the

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Speaker 5: drive through just give me my food.

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Speaker 4: That's a very strong opinion. I mean, what's your strong

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Speaker 4: opinion about a small issue.

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Speaker 11: Mine is that toilet paper should be over, not under.

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Speaker 11: And if I met someone's house and they have it under,

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Speaker 11: I'll even take it off and put it on correctly

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Speaker 11: because it should be over.

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Speaker 4: I wouldn't know if you switched it at our house

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Speaker 4: because I guess I don't care.

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Speaker 11: I assume anybody putting it under clearly doesn't care. And

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Speaker 11: now why I'm going to add them Because when it's under,

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Speaker 11: it fall it like rolls down, and it's when it's

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Speaker 11: over it just lays nicely on top and it doesn't

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Speaker 11: hang down.

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Speaker 4: But what if it's over. If it's over enough, it

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Speaker 4: does rolls back up.

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Speaker 11: You get it, just right.

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Speaker 4: Leave their toilet paper under, trust me.

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Speaker 5: Hey, Amy, leave their toilet paper alone.

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Speaker 4: No over, Okah, thank you, I have more. If someone

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Speaker 4: cheats with you, they'll cheat on you.

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Speaker 5: That's not always true.

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Speaker 4: That's true because they had they that's it.

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Speaker 11: Why do you say it's true?

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Speaker 4: Because if someone cheats with you, If you're like, I

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Speaker 4: met this guy and yeah, we got together. He cheated

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Speaker 4: on his girl, will be with me and now we're together,

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Speaker 4: you think all of a sudden you're the queen princess.

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Speaker 4: He's not gonna cheat on He obviously has shown that

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Speaker 4: if the right situation presents itself, he has the ability

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Speaker 4: to do it again. If he cheats with you, he's

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Speaker 4: probably gonna cheat on you, but he probably Well, everything's

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Speaker 4: probably in life. There are very few universal truths, and

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Speaker 4: most of the universal truths we know at times are

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Speaker 4: proven not to be universal truths at all. But I'm saying,

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Speaker 4: if he cheats on you, oh yeah, name something universal truths?

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Speaker 4: Water is okay? Drivers, No, No, that's not anyway. If

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Speaker 4: you tell me a time to be somewhere, and then

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Speaker 4: that's the agreed upon time. You you can't be late.

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Speaker 4: And also if you tell me a time that it's

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Speaker 4: agreed upon and it's even two weeks out, I don't

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Speaker 4: have to check back in with you to say I'm

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Speaker 4: going to be there at that time. We've already agreed

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Speaker 4: to it. Do you know how many times people are like, well,

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Speaker 4: I never heard from you, Yeah, nine days before we

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Speaker 4: said we were going to meet here at this time,

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Speaker 4: I didn't know. I had to come back in and do

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Speaker 4: it progress check nine days.

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Speaker 5: Yeah, is that a long time.

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Speaker 4: That's a real long you have to check in.

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Speaker 5: You think, yeah, okay.

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Speaker 4: But if it changes, call and say hey, we're not

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Speaker 4: on anymore, that's the change. The changes that that person's

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Speaker 4: not on anymore, you've got to call and make the change.

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Speaker 4: Otherwise it is there. It is set in stone.

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Speaker 5: It is the calendar.

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Speaker 11: You don't ever say, hey, we're still good for today,

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Speaker 11: double checking.

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Speaker 5: Oh, I mean, how long is it more than five days?

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Speaker 5: You got to make sure they're good to go.

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Speaker 4: We've said it, that's it. I don't schedule like I

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Speaker 4: have a content or a comedy show three months out

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Speaker 4: week of Hey, guys, theater. Still good for me to

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Speaker 4: show up. No, we set a date, but it's all

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Speaker 4: a contract to me. It's a human contract. Here's another one,

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Speaker 4: Cereal first than milk, any other way you're a stalker,

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Speaker 4: cycle killer. Yeah, good milk Cereal next one stop. You

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Speaker 4: should never refer to your pets as fur babies, creepy, weird.

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Speaker 4: Love it and it's you just filling a void. I

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Speaker 4: say it her babies. Yeah, what's the void that you

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Speaker 4: don't have a baby. No, it could be a baby,

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Speaker 4: could be friends, could be any connection at all.

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Speaker 5: You don't use the word literally.

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Speaker 4: If you don't mean literally, you don't have to say figuratively,

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Speaker 4: and you can do Hey, man, look at that he's

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Speaker 4: he's the biggest a mountain. But don't say he says

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Speaker 4: literally biggest amountain because literally actually shifts the whole meaning

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Speaker 4: of that. You would have to literally be that.

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Speaker 11: Ba it's part of the sarcasm.

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Speaker 4: It's not sarcasm, though, you're not being sarcastic by saying that.

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Speaker 4: That's like hype again hyperbole. Yeah, yeah, just say dang

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Speaker 4: you look at Eddie. He says he's gotten a skinny

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Speaker 4: as a bean pole. Yeah. Now, if I say that

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Speaker 4: that's okay, but if I go, he's literally as skinny

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Speaker 4: as a bean pole. That's actually an accurate about say.

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Speaker 4: I know that he's right about it, but obviously you

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Speaker 4: cannot give more than one hundred percent.

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Speaker 5: That's it.

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Speaker 4: That's the fullness. You can't do one hundred and ten,

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Speaker 4: you can't do two thirty, you can't do a thousand percent.

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Speaker 4: It is one hundred percent. That's the most maximum you

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Speaker 4: could ever give. One hundred all the way filled up

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Speaker 4: the end. You can't do one hundred and one, can't

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Speaker 4: do one hundred and twenty. It's one hundred percent. That's

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Speaker 4: at the end. Thank you.

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Speaker 11: When the Boston girls were in here, what they said

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Speaker 11: that your offer performance? I said one out of ten

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Speaker 11: and they were like eleven twelve, he's amazing. You didn't

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Speaker 11: you didn't correct them.

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Speaker 4: Because it's not a percentage, just not one hundred percent.

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Speaker 5: But it was one out of ten. Scale can't go

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Speaker 5: over ten.

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Speaker 4: But I don't care. They were talking about me, so

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Speaker 4: that was saying that you were No, I don't care.

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Speaker 4: They were saying I was better than a ten. So

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Speaker 4: why am I going to say, girls, I don't like that.

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Speaker 4: I will let that slide. Yes, Eddie, I have a situation.

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Speaker 5: Go ahead.

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Speaker 10: When you're like looking at like stock prices and numbers,

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Speaker 10: they say your returning investment was one hundred and ten percent.

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Speaker 4: That actually can't happen accurate. That's what I'm saying. That's

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Speaker 4: not a scale.

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Speaker 5: That's a good work.

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Speaker 11: I'm actually with Bobby.

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Speaker 5: It's not a scale.

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Speaker 4: That's a that's mathematics. If up till hundred percent is

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Speaker 4: this number of anything more than one hundred percent, it

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Speaker 4: gets into one oh five, one ten, It can be

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Speaker 4: three hundred percent of I've seen that before.

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Speaker 5: Much talking.

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Speaker 11: Hard sometimes when you have people on your side and

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Speaker 11: then they go say something like.

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Speaker 4: That, yes, I know right then your buddys turned full idiot.

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Speaker 4: Then you're like, well great now I'm right all right,

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Speaker 4: everybody good.

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Speaker 5: Yeah, I gave one hundred and ten percent on that SiGe.

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Speaker 4: And no clapping when the airplane lands and less there

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Speaker 4: was like some crazy turbulence and you almost died. I

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Speaker 4: love doing that though. It's so much fun.

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Speaker 11: Also, no jokes from the flight deck from the from

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Speaker 11: the pilot, like about you know, whether destination or kind

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Speaker 11: of flight or trivia?

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Speaker 4: Yeah, thank you? All all right, that's it small things.

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Speaker 4: We have strong opinion, Mike, Sorry about moan about that.

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Speaker 4: That's what I started with, all of a sudden yelling

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Speaker 4: at each other.

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Speaker 1: It's the best bits of the week with Morgan. Number two.

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Speaker 2: You may know the name Canine.

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Speaker 3: He called into our show a while back and he

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Speaker 3: shared a Bobby Bone Show theme song that he wrote,

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Speaker 3: and we'd play it sometimes at the beginning of our

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Speaker 3: additional show, the Post Show, and it was like an

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Speaker 3: introduction that was so hype and gave us so much energy. Well,

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Speaker 3: after him calling in and him doing that theme song,

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Speaker 3: we're like, well, why don't you come in studio. Bobby

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Speaker 3: invited him up and Canine flew in and he performed

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Speaker 3: the theme song live. It was such a fun, epic

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Speaker 3: moment to kind of conclude K nine who wrote us

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Speaker 3: this epic theme song.

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Speaker 1: Number five So Bobby Bones Show interviews.

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Speaker 5: In case you didn't know.

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Speaker 4: We met this guy on the phones. He called I

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Speaker 4: don't remember the first time we ever talked to him,

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Speaker 4: but then he said he was a rapper. His name

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Speaker 4: was K nine. Then we talked to him a bunch

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Speaker 4: and then he made a song for us, Ray, would

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Speaker 4: you play some of our K nine original that we

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Speaker 4: play on the Post show sometimes.

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Speaker 12: Oh Bobby, Oh Bobby, Oh Bobby Bobby. Oh boy, Oh Bobby,

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Speaker 12: Oh Bobby, Bobby boy Oh Bobby.

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Speaker 6: Bone show intro for Bobby going hard like a chilin

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Speaker 6: with my boy box.

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Speaker 5: And so he made this for us.

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Speaker 4: We played it all the time, and so we were like, dude,

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Speaker 4: if you ever come up to the studio, you have

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Speaker 4: a drive up from Florida, you can stop by always here.

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Speaker 4: Come on. Then we're gonna interview Canine, who I've never met.

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Speaker 4: I don't even know what he looks like. There's a

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Speaker 4: picture right in front of you, but that's yeah, and.

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Speaker 5: He's in the green room.

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Speaker 4: So let us talk to our caller, our friend, our

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Speaker 4: our rapper, Canine on the Bobby Bones Show. Now he

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Speaker 4: listens in Vero Beach, Florida on Wave ninety two point seven,

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Speaker 4: started listening to twenty nineteen. He's walking through right now.

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Speaker 8: What up?

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Speaker 4: Let's see right there, Canine? Sit? What do you got there?

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Speaker 6: Man?

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Speaker 4: I appreciate that. Oh man, thanks, I appreciate that. Look

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Speaker 4: at that?

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Speaker 13: All right?

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Speaker 4: You good?

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Speaker 11: I'm good man.

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Speaker 9: I'm nervous. I'm nervous, but I'm good.

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Speaker 4: What's been happening in the last few weeks, a few months.

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Speaker 9: Oh man, just been working, taking care of my family working.

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Speaker 4: Did you drive up here?

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Speaker 6: No, I flew, and I flew for the first time

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Speaker 6: in twelve years. I was so scared to fly, but

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Speaker 6: I did it. I conquered my fear. I'm here, baby,

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Speaker 6: let's go. Okay, I'm here.

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Speaker 4: We heard two in a few minutes. You're gonna bring

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Speaker 4: in a hype man. You brush your own hepe man

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Speaker 4: with you.

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Speaker 9: Yeah, hype man.

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Speaker 6: Nasty Nate back there. He's been my voice since we

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Speaker 6: were kids, and he's my hype man. Like if I

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Speaker 6: need to go to let's get it, that's my boy.

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Speaker 4: Like Nasty naighte or Nasty Nate, Nasty Nate, nasty night

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Speaker 4: like he's nasty. He's nast like nasty, like he didn't

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Speaker 4: smell good or like he just like nasty because when

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Speaker 4: he let whatever he does, he does it to the

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Speaker 4: furthest level.

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Speaker 9: Yeah, the second one, I would say, Yeah, I don't

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Speaker 9: know what would.

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Speaker 4: Be called like nasty name they're like stinky Sam. But

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Speaker 4: so and can I tell our listeners little bit about you?

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Speaker 4: So you're an aspiring rapper.

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Speaker 9: Yes, sir, I'm an aspiring rapper.

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Speaker 6: I write all types of music, but right now I've

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Speaker 6: been focusing more on like country rap, like hick hop

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Speaker 6: type stuff, and honestly, man, I'm looking for an opportunity.

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Speaker 6: I'm not looking for a handout. I'm trying to make it, baby,

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Speaker 6: so let's go. I'm looking for anything I can get

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Speaker 6: right now.

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Speaker 4: Who inspires you in the country music world that does

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Speaker 4: a bit of what you do or what you're trying

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Speaker 4: to do.

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Speaker 9: Honestly, I love Jelly Roll.

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Speaker 6: He used to be more of like a trap rapper

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Speaker 6: and now he's doing country, and that's kind of what

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Speaker 6: I'm trying to do because honestly, I used to live

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Speaker 6: the trap life and now I'm more of a dad.

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Speaker 6: I would say I'm more of a worker, so it

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Speaker 6: kind of doesn't It's not really like what I do anymore.

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Speaker 6: So like trap rapping I like to do, but it's

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Speaker 6: not really what I relate to anymore. It's more of

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Speaker 6: working hard and more country stuff.

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Speaker 9: To be honest. You have a son, right, yes, sir,

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Speaker 9: how old? He's about to be three in June.

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Speaker 4: Nice awesome.

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Speaker 9: And I have a beautiful wife. I love her.

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Speaker 6: She's at home right now taking care of my son.

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Speaker 6: I love you, baby, baby, he loves you. Hey, So

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Speaker 6: what's your job day to day?

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Speaker 5: Right now?

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Speaker 9: Right now? I pretty much just do labor.

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Speaker 6: Like I get up at five, I go to work

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Speaker 6: at six, I work till two, and it's just fight, grind, repeat, Baby.

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Speaker 4: You're getting it. You got a big you got flexing

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Speaker 4: the chain.

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Speaker 9: Flexing the chain. You know, I'm a Christian. I love God.

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Speaker 9: I want to thank God for being here.

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Speaker 8: Is that?

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Speaker 9: I mean?

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Speaker 4: It looks pretty shiny? Is that real?

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Speaker 9: Yeah? Yeah, this is real gold.

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Speaker 6: It's probably like my most expensive thing I have. So

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Speaker 6: you break it out often, no, only special events.

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Speaker 4: Okay, So and you know you do what you gotta

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Speaker 4: do here. But are we going to do the original

385
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Speaker 4: that the song that he wrote for the show. Is

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Speaker 4: that the plan?

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Speaker 9: Yeah?

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Speaker 4: Do you feel like you can do it?

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Speaker 9: I feel like I can do it.

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Speaker 5: You've been practicing, I've been practicing.

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Speaker 4: Yeah, all right, I'm gonna put you in a weird

392
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Speaker 4: spot like you knew, right, we knew you're gonna play right?

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Speaker 5: Yeah? Yeah, all right.

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Speaker 4: So everybody out there at K nine Underscore Florida, And

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Speaker 4: so what do you ever call this one? Do you

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Speaker 4: need you need nasty night in here for this bring

397
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Speaker 4: man bringing nasty? Yeah yeah, Oh, Nate doesn't look that nasty.

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Speaker 6: That's why he's a nasty Natenate looks like somebody that's

399
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Speaker 6: about to make a minus on a geography Quick, what

400
00:15:41,960 --> 00:15:42,440
Speaker 6: nasty night?

401
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Speaker 1: How's it going everybody?

402
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Speaker 4: And so you're Canine's hive guy?

403
00:15:45,680 --> 00:15:46,600
Speaker 9: Yeah, roll with him?

404
00:15:46,720 --> 00:15:48,400
Speaker 4: How'd you guys? How'd you guys come together?

405
00:15:48,880 --> 00:15:50,720
Speaker 5: We've known each other for years since school?

406
00:15:51,080 --> 00:15:56,040
Speaker 6: Like, uh, geometric glass in the neighborhood, trapping in the neighborhood.

407
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Speaker 9: You know how it is.

408
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Speaker 11: I have to know and excuse my ignorance, Canine, but

409
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Speaker 11: I don't know. You said you used to live the

410
00:16:01,800 --> 00:16:05,200
Speaker 11: trap life and you're trapping. I don't know what trap

411
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Speaker 11: life is.

412
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Speaker 6: Will you tell her what a traphouse like? Selling dope,

413
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Speaker 6: like hitting licks like and that would happen.

414
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Speaker 4: Like trap house, that's where they would all go down.

415
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Speaker 9: Well, it's not not you don't have to be necessarily

416
00:16:16,400 --> 00:16:18,040
Speaker 9: in a trap house, but like living the light.

417
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Speaker 4: No, no, but I'm saying that's what a trap house is.

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Speaker 4: That's kind of how it started. That's that's the root

419
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Speaker 4: of it. So trap house is where got it?

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Speaker 11: I got it, but I don't know what licking lips.

421
00:16:25,920 --> 00:16:27,280
Speaker 9: Hitting licks is like stealing.

422
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Speaker 5: Okay, I'm glad you learn.

423
00:16:30,320 --> 00:16:33,680
Speaker 11: Yeah, okay, good, You're not about that life anymore.

424
00:16:33,880 --> 00:16:35,600
Speaker 9: No, I ain't been arrested in five years, and I've

425
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Speaker 9: been drugged fore two years. Baby less, go.

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Speaker 4: Let's go Nasty Night? How nasty?

427
00:16:41,600 --> 00:16:43,560
Speaker 5: Are you not too nasty?

428
00:16:43,680 --> 00:16:46,240
Speaker 4: That's what I like to hear. Good, We're not gonna

429
00:16:46,240 --> 00:16:46,760
Speaker 4: be nasty in here?

430
00:16:48,200 --> 00:16:48,680
Speaker 5: All right here?

431
00:16:48,880 --> 00:16:51,160
Speaker 4: And you can they stand up at their mind? Can

432
00:16:51,200 --> 00:16:53,000
Speaker 4: they take their mic off the stand? Because I want

433
00:16:53,040 --> 00:16:55,720
Speaker 4: the true K nine and Nasty Nate?

434
00:16:55,800 --> 00:16:57,040
Speaker 5: Yeah, you got to give a show man.

435
00:16:57,520 --> 00:16:57,880
Speaker 14: Let's do it.

436
00:16:58,000 --> 00:17:01,400
Speaker 4: Yeah, Okay, Scuba Seed's then taking the mics. Okay, boom,

437
00:17:01,520 --> 00:17:05,640
Speaker 4: got it. Nasty Night's in his slides. Yeah, I'm just chilling,

438
00:17:05,800 --> 00:17:06,200
Speaker 4: just chilling.

439
00:17:06,320 --> 00:17:09,440
Speaker 5: Yeah all right.

440
00:17:09,720 --> 00:17:12,600
Speaker 4: K nine came o pants. By the way, he's got

441
00:17:12,720 --> 00:17:18,760
Speaker 4: a MIA Miami National Championship. Sure team ever, Okay, here

442
00:17:18,840 --> 00:17:21,080
Speaker 4: we go, right, would you just play a little bit

443
00:17:21,080 --> 00:17:22,640
Speaker 4: staking here it in their ears before we start?

444
00:17:22,920 --> 00:17:24,760
Speaker 5: Bobby, Can you guys hear this bit?

445
00:17:24,840 --> 00:17:25,000
Speaker 14: Yeah?

446
00:17:25,040 --> 00:17:25,639
Speaker 5: Yeah, turn it up?

447
00:17:26,400 --> 00:17:27,760
Speaker 12: Bobby, Oh, Bobby, oh, Bobby.

448
00:17:27,800 --> 00:17:29,240
Speaker 4: All right, right, le's chill for a second. All right,

449
00:17:29,280 --> 00:17:30,399
Speaker 4: here we go, legend gentlemen.

450
00:17:30,440 --> 00:17:31,920
Speaker 5: Here he is K nine.

451
00:17:32,200 --> 00:17:35,359
Speaker 4: Does the song have a name? Bobby Bone Show intro

452
00:17:35,760 --> 00:17:38,840
Speaker 4: Love It CA nine and Nasty Night, Bobby Bone Show intro.

453
00:17:38,920 --> 00:17:39,560
Speaker 4: Let's get Bobby.

454
00:17:39,640 --> 00:17:43,439
Speaker 12: Oh, Bobby, Oh, Bobby, Oh, Bobby, Oh, Bob, Bobby, Oh,

455
00:17:43,520 --> 00:17:45,080
Speaker 12: Bobby The Bone Show.

456
00:17:45,840 --> 00:17:47,720
Speaker 4: Oh Bobby, Oh, Bobby, Oh?

457
00:17:48,000 --> 00:17:52,560
Speaker 12: Oh bo Oh Bobby, Oh Bobby, Oh Bobby, Bobby, Oh, Bobby,

458
00:17:52,680 --> 00:17:58,800
Speaker 12: Oh Bobby, Oh Bobby, Bob Oh Bobby, Oh, Bobby, Oh Bobby, Bobby, Bobby, Bobby,

459
00:17:58,880 --> 00:18:02,520
Speaker 12: Oh Bobby, Bobby, Bobby, Oh, Bobby, Oh Bobby.

460
00:18:02,680 --> 00:18:06,760
Speaker 6: The Bobbing Bone Show intro for Bobby going hard like

461
00:18:06,880 --> 00:18:10,080
Speaker 6: I'm aiming and chilling with my boy box and producer

462
00:18:10,320 --> 00:18:13,560
Speaker 6: edit intro for the show When you know we all ready?

463
00:18:14,080 --> 00:18:15,880
Speaker 9: And two Incison Chugging.

464
00:18:15,640 --> 00:18:22,640
Speaker 6: Seltzer Scooper, Steve, Mike, The Bobby Bone Show.

465
00:18:24,040 --> 00:18:28,680
Speaker 12: Bobby Bobby, Bobby, Oh, Bobby, Oh Bobby, Bobby Bone Show,

466
00:18:28,920 --> 00:18:31,640
Speaker 12: Oh Bobby, Oh Bobby, Oh, Bobby, Oh, Bobby, Oh, Bob,

467
00:18:31,680 --> 00:18:32,160
Speaker 12: Oh Bobby.

468
00:18:32,440 --> 00:18:33,440
Speaker 5: That nice.

469
00:18:35,760 --> 00:18:38,200
Speaker 4: Say, First of all, you nailed at live, nailed at live,

470
00:18:39,280 --> 00:18:41,480
Speaker 4: Nasty Night. You are as nasty as I thought.

471
00:18:41,760 --> 00:18:45,080
Speaker 9: Yeah, I'm not the one that usually be on camera. Yeah,

472
00:18:45,200 --> 00:18:46,440
Speaker 9: so I'm a little nervous myself.

473
00:18:46,480 --> 00:18:47,600
Speaker 4: Yeah, you're running from anything?

474
00:18:47,640 --> 00:18:48,080
Speaker 7: Are you good?

475
00:18:48,240 --> 00:18:49,000
Speaker 1: No, I'm good.

476
00:18:50,520 --> 00:18:52,560
Speaker 4: Because if you're running, you need to you can do

477
00:18:52,560 --> 00:18:53,200
Speaker 4: it from the hallway.

478
00:18:53,800 --> 00:18:54,720
Speaker 11: We can blow them out.

479
00:18:54,920 --> 00:18:59,720
Speaker 4: Yeah, like that's funny, informant. We may make his voice

480
00:18:59,720 --> 00:19:03,080
Speaker 4: deep around Okay. I felt good about that.

481
00:19:03,480 --> 00:19:04,119
Speaker 5: I felt.

482
00:19:05,440 --> 00:19:10,040
Speaker 4: I mean nasty, quite nasty. Yeah, yeah, nasty. Now your

483
00:19:10,200 --> 00:19:14,840
Speaker 4: hype style seems I don't know, pretty chill, chill man.

484
00:19:14,880 --> 00:19:16,000
Speaker 5: I'm chill, laid back.

485
00:19:16,119 --> 00:19:18,320
Speaker 4: I'm more less, just here to calm his nerves, help

486
00:19:18,400 --> 00:19:21,520
Speaker 4: them out a little bit. Oh, like one of those dogs,

487
00:19:23,520 --> 00:19:25,760
Speaker 4: therapy dog. Yeah, I said, I felt that. What kind

488
00:19:25,760 --> 00:19:26,719
Speaker 4: of dog would you be? Nasty night?

489
00:19:27,200 --> 00:19:29,040
Speaker 9: Probably like a German shepherd.

490
00:19:30,440 --> 00:19:32,800
Speaker 11: Emotional support Yeah, okaynine.

491
00:19:32,880 --> 00:19:33,520
Speaker 5: What is your goal?

492
00:19:34,080 --> 00:19:35,320
Speaker 4: First of all, it's great to meet you. It's been

493
00:19:35,320 --> 00:19:36,800
Speaker 4: a long to meet you too. I'll be big fan,

494
00:19:36,880 --> 00:19:39,280
Speaker 4: Thank you very much. What is your goal with this performance?

495
00:19:39,320 --> 00:19:41,159
Speaker 4: You want somebody to hear you and think what I.

496
00:19:41,240 --> 00:19:43,240
Speaker 6: Just want someone to hear me and give me a shot. Man,

497
00:19:43,280 --> 00:19:45,480
Speaker 6: I'm looking for my shot. I'm hungrier than Joey chest

498
00:19:45,600 --> 00:19:47,520
Speaker 6: On for the July Baby, I'm hungry baby.

499
00:19:47,760 --> 00:19:49,240
Speaker 9: I want to eat it up. I want it. I

500
00:19:49,320 --> 00:19:51,120
Speaker 9: need it. I need a record deal, I need something.

501
00:19:51,200 --> 00:19:51,320
Speaker 12: Man.

502
00:19:51,680 --> 00:19:53,680
Speaker 6: I'm sick of working my butt off every day and

503
00:19:54,160 --> 00:19:56,040
Speaker 6: you know, making little money, Like I feel like I'm.

504
00:19:55,960 --> 00:19:56,399
Speaker 9: Better than that.

505
00:19:56,600 --> 00:19:59,359
Speaker 4: Amen. Amen. So here's the only advice I would give you.

506
00:19:59,359 --> 00:20:01,080
Speaker 4: From the first song that is nerve wrecking. You're in

507
00:20:01,080 --> 00:20:02,800
Speaker 4: the studio with all of us, all the lights, everything,

508
00:20:03,119 --> 00:20:04,840
Speaker 4: like you gotta own it. Just a little bit more

509
00:20:05,119 --> 00:20:06,520
Speaker 4: like a little more enters. You don't get to jump

510
00:20:06,520 --> 00:20:08,800
Speaker 4: around or anything, but just like a little bit more confidence.

511
00:20:09,400 --> 00:20:11,920
Speaker 4: You have a song though, you have an original song? Yeah,

512
00:20:11,920 --> 00:20:14,120
Speaker 4: I have Yeah, I mean so I have one here

513
00:20:15,040 --> 00:20:18,159
Speaker 4: it says audio it's but it's a bad word in

514
00:20:18,200 --> 00:20:21,160
Speaker 4: the song. What do you so it's fine?

515
00:20:21,600 --> 00:20:23,480
Speaker 5: Is he doing it live or is he just listening

516
00:20:23,520 --> 00:20:24,440
Speaker 5: to you?

517
00:20:24,640 --> 00:20:24,800
Speaker 12: Hear it?

518
00:20:24,880 --> 00:20:26,040
Speaker 5: Okay, cool, let me hear a little bit of this.

519
00:20:26,320 --> 00:20:28,399
Speaker 14: I just might get a set of golden drop of

520
00:20:28,480 --> 00:20:32,960
Speaker 14: mixtape where I had to give my straight Yeah, I

521
00:20:33,119 --> 00:20:34,440
Speaker 14: had to make a life change.

522
00:20:34,560 --> 00:20:37,200
Speaker 6: Fans came to my house trying to investigate.

523
00:20:38,760 --> 00:20:40,080
Speaker 5: We'll get the mess I made.

524
00:20:40,119 --> 00:20:42,840
Speaker 4: Don't take actually getting better though, that's crazy. Like one

525
00:20:42,880 --> 00:20:44,760
Speaker 4: of the first time we talked to you. Yeah, and

526
00:20:45,080 --> 00:20:48,120
Speaker 4: it's uh, we'll call it ship. He's got to get

527
00:20:48,119 --> 00:20:51,600
Speaker 4: a ship straight, yeah, which we cut, so it kind

528
00:20:51,640 --> 00:20:52,280
Speaker 4: of lost.

529
00:20:53,040 --> 00:20:54,359
Speaker 5: You're getting better, turned up some more.

530
00:20:55,520 --> 00:20:58,760
Speaker 14: No need to say things are going great. Got me

531
00:20:58,800 --> 00:21:02,280
Speaker 14: a clean slate, chasing day in my pocket's her way.

532
00:21:02,600 --> 00:21:03,600
Speaker 9: My mind is clear.

533
00:21:03,720 --> 00:21:07,200
Speaker 14: I just needed a break better than ever the world.

534
00:21:07,320 --> 00:21:10,200
Speaker 14: I've ondeva not much of a giver. I'm more of

535
00:21:10,320 --> 00:21:13,760
Speaker 14: a spread of sticking to the basics. No more crazy places,

536
00:21:13,960 --> 00:21:17,439
Speaker 14: no more core costs or for the last Avid Davis SMIKEE.

537
00:21:17,560 --> 00:21:19,320
Speaker 5: Guess you're like, no more core costs.

538
00:21:19,320 --> 00:21:21,000
Speaker 4: You clean it up a little bit because you got

539
00:21:21,080 --> 00:21:27,000
Speaker 4: your ship straight, all right. I don't even know what

540
00:21:27,119 --> 00:21:29,040
Speaker 4: to say here as far as like what you're trying

541
00:21:29,040 --> 00:21:31,359
Speaker 4: to do while you're here. Like, I know that Jelly

542
00:21:31,440 --> 00:21:32,359
Speaker 4: Roll's mom listens.

543
00:21:33,400 --> 00:21:36,439
Speaker 9: Hey, maybe she'll tell her sonsy me, you know, give me.

544
00:21:36,440 --> 00:21:39,639
Speaker 4: A shot and he's probably sleep. But you know, we

545
00:21:39,760 --> 00:21:43,359
Speaker 4: know jelly pretty good. So if jelly Roll's mom is listening,

546
00:21:43,520 --> 00:21:44,720
Speaker 4: would you say to her right now.

547
00:21:44,960 --> 00:21:49,320
Speaker 6: Hey, miss jelly Roll, it's Canine, you know, like I

548
00:21:49,440 --> 00:21:52,280
Speaker 6: told them, you know, I started from the bottom like Bobby,

549
00:21:52,320 --> 00:21:53,720
Speaker 6: and I'm trying to make it to the top.

550
00:21:53,800 --> 00:21:54,080
Speaker 9: Baby.

551
00:21:54,480 --> 00:21:57,080
Speaker 6: So if you can tell Jelly you got you know

552
00:21:57,160 --> 00:21:59,240
Speaker 6: someone that's hungry and is willing to do whatever it takes.

553
00:21:59,320 --> 00:22:01,000
Speaker 9: I'm that man, I'm canain. Let's go.

554
00:22:02,200 --> 00:22:06,080
Speaker 4: And also, if there're anybody you know works in a

555
00:22:06,359 --> 00:22:10,240
Speaker 4: record label publishing company and they're looking for something like

556
00:22:10,320 --> 00:22:11,240
Speaker 4: what you want to say to them?

557
00:22:11,800 --> 00:22:13,800
Speaker 6: Like I said before, I'm hungrier than Joey chesna on

558
00:22:13,880 --> 00:22:16,040
Speaker 6: on the fourth of July. So if you're not hungry,

559
00:22:16,080 --> 00:22:19,680
Speaker 6: he gets I'm hungrier than that, let's go. You freestyle

560
00:22:19,720 --> 00:22:21,560
Speaker 6: at all a little bit.

561
00:22:22,040 --> 00:22:23,480
Speaker 4: I'm not gonna ask you to do that now, but

562
00:22:23,800 --> 00:22:26,840
Speaker 4: you have a song that you do whenever you do

563
00:22:26,840 --> 00:22:28,119
Speaker 4: you perform, do you get to performed all?

564
00:22:28,280 --> 00:22:29,440
Speaker 9: I haven't performed in a while.

565
00:22:29,840 --> 00:22:31,399
Speaker 4: Do you have any of your songs that you know

566
00:22:31,480 --> 00:22:32,679
Speaker 4: that you could go appella right now?

567
00:22:33,280 --> 00:22:35,760
Speaker 6: I was born on the wrong side of the lake

568
00:22:36,400 --> 00:22:39,439
Speaker 6: back in West Kentucky, only a couple of teeth missing.

569
00:22:39,920 --> 00:22:41,119
Speaker 9: Mama, I'm so lucky.

570
00:22:41,320 --> 00:22:45,560
Speaker 6: Mug cooys from West Virginia, singing country roads, living off

571
00:22:45,720 --> 00:22:49,399
Speaker 6: the land like licking heads of toads. Mount and Mama

572
00:22:49,520 --> 00:22:52,560
Speaker 6: take my home to the place where I reside kick back,

573
00:22:52,640 --> 00:22:57,560
Speaker 6: drank whiskey, reminiscence on Who's Died, moonlight, porch lot, bud lot,

574
00:22:57,720 --> 00:23:00,919
Speaker 6: drunk fights, living with that hangover. We got work at

575
00:23:01,040 --> 00:23:04,200
Speaker 6: some ride. Sticking to my roots. But I used to

576
00:23:04,320 --> 00:23:07,440
Speaker 6: be a thug, hit licks, cook crystal. I used to

577
00:23:07,560 --> 00:23:10,000
Speaker 6: sell them drugs. But now I'm sticking with my job,

578
00:23:10,520 --> 00:23:13,720
Speaker 6: working nine to five, poor out some moonshine both my

579
00:23:13,840 --> 00:23:16,879
Speaker 6: uncles in pride. Is you with me today? Is you

580
00:23:17,040 --> 00:23:20,000
Speaker 6: reaching your fate? Do you got what it takes? Are

581
00:23:20,040 --> 00:23:21,080
Speaker 6: you pushing your weight?

582
00:23:21,480 --> 00:23:21,720
Speaker 9: Yeah?

583
00:23:22,160 --> 00:23:24,520
Speaker 4: Yeah, all right, right, we like that. Okay, here's a

584
00:23:24,560 --> 00:23:26,040
Speaker 4: imna say knew. First of all, great to meet you,

585
00:23:26,480 --> 00:23:28,040
Speaker 4: Like we've had a relationship on the phone for a

586
00:23:28,080 --> 00:23:29,680
Speaker 4: long time or you call them in the show. I've

587
00:23:29,720 --> 00:23:31,160
Speaker 4: always said if you can get up here, we're gonna

588
00:23:31,160 --> 00:23:33,840
Speaker 4: talk to you. So the fact that you're up here

589
00:23:33,880 --> 00:23:34,520
Speaker 4: is really cool for me.

590
00:23:34,840 --> 00:23:35,520
Speaker 9: Like I like that.

591
00:23:36,840 --> 00:23:42,280
Speaker 4: So secondly, I'm gonna tell you to keep crafting because

592
00:23:42,280 --> 00:23:44,800
Speaker 4: I don't think you're there yet, but I think if

593
00:23:44,800 --> 00:23:47,560
Speaker 4: you spend more time focused on it, you can get

594
00:23:47,600 --> 00:23:49,600
Speaker 4: closer to it, which you'll get somebody closer to you

595
00:23:49,760 --> 00:23:51,840
Speaker 4: to go, Hey, we'd like to give you an opportunity

596
00:23:52,040 --> 00:23:54,159
Speaker 4: because I don't think you're there yet, but I like

597
00:23:54,280 --> 00:23:56,159
Speaker 4: that you have a great work ethic, you have a

598
00:23:56,200 --> 00:23:59,159
Speaker 4: great story. That's two things you really can't replicate, right,

599
00:23:59,400 --> 00:24:00,800
Speaker 4: so you can have to learn to spend a little

600
00:24:00,840 --> 00:24:03,440
Speaker 4: time getting better at what you're doing. Putting it out,

601
00:24:03,600 --> 00:24:07,600
Speaker 4: release your songs, get on TikTok, get ready. Though it

602
00:24:07,640 --> 00:24:09,040
Speaker 4: doesn't matter what you put out, people are gonna have

603
00:24:09,080 --> 00:24:11,960
Speaker 4: good things and bad things to say. Getting Nate to

604
00:24:12,000 --> 00:24:15,480
Speaker 4: be a little a little more nasty Nate, nasty it up.

605
00:24:16,960 --> 00:24:19,320
Speaker 4: But that's it. Like, I'm proud of you for trying

606
00:24:19,880 --> 00:24:22,360
Speaker 4: to keep pushing and to stay clean. Like step one

607
00:24:22,520 --> 00:24:24,920
Speaker 4: is get all the big stuff right so then you

608
00:24:24,960 --> 00:24:27,040
Speaker 4: can do everything else. I feel like you've done that.

609
00:24:27,760 --> 00:24:29,560
Speaker 4: I feel pretty good amy anything you want to say

610
00:24:29,600 --> 00:24:30,159
Speaker 4: to K nine.

611
00:24:30,119 --> 00:24:32,880
Speaker 11: Well, yeah, so what's like you're leaving here, what's gonna

612
00:24:32,880 --> 00:24:34,399
Speaker 11: be the next thing that you're gonna do? Towards what

613
00:24:34,480 --> 00:24:36,000
Speaker 11: Bobby said, pers thing go.

614
00:24:36,960 --> 00:24:38,920
Speaker 6: I mean, I'm probably gonna go to the gym after this,

615
00:24:39,359 --> 00:24:42,280
Speaker 6: get a great pump with Nasty Nate, and then.

616
00:24:42,920 --> 00:24:45,439
Speaker 9: Honestly probably go home, hug my wife and hug my son.

617
00:24:45,480 --> 00:24:48,080
Speaker 9: I miss him. Tremendously and then probably get to work,

618
00:24:48,520 --> 00:24:50,960
Speaker 9: get a TikTok account, and you make a TikTok.

619
00:24:50,720 --> 00:24:53,200
Speaker 11: On the airplane. You go to TikTok making an.

620
00:24:53,119 --> 00:24:56,399
Speaker 4: Account and be like, all right, and just if if

621
00:24:56,440 --> 00:24:59,879
Speaker 4: you come up with some lines, yeah, you know, drop them,

622
00:25:00,840 --> 00:25:03,680
Speaker 4: do it into that. You're not gonna get response to everything, engagements.

623
00:25:03,680 --> 00:25:05,520
Speaker 4: I'll be great for everything, but just keep putting it

624
00:25:05,560 --> 00:25:06,440
Speaker 4: out over and over again.

625
00:25:06,800 --> 00:25:08,960
Speaker 5: Yes, sir, yes, Nasty Night. What are you trying to do?

626
00:25:09,280 --> 00:25:10,280
Speaker 4: What's so nasty about you?

627
00:25:10,960 --> 00:25:11,080
Speaker 13: Uh?

628
00:25:11,240 --> 00:25:11,560
Speaker 4: Nothing?

629
00:25:11,880 --> 00:25:12,359
Speaker 5: You a rapper?

630
00:25:12,600 --> 00:25:13,440
Speaker 9: No, not a rapper.

631
00:25:14,240 --> 00:25:16,680
Speaker 4: I'm going to school for personal training, so looking to

632
00:25:16,760 --> 00:25:18,000
Speaker 4: do that. Do you train him?

633
00:25:18,920 --> 00:25:21,160
Speaker 9: I try to, but he doesn't like to take the critique.

634
00:25:22,040 --> 00:25:23,359
Speaker 4: M that's tough.

635
00:25:24,160 --> 00:25:25,960
Speaker 11: But you're gonna have to be nine. You have to

636
00:25:26,000 --> 00:25:27,160
Speaker 11: be open to other critiques.

637
00:25:27,320 --> 00:25:29,440
Speaker 9: No, yeah, definitely on this journey, definitely.

638
00:25:29,560 --> 00:25:31,280
Speaker 4: Well, look, I've had a great time with you guys,

639
00:25:31,840 --> 00:25:33,919
Speaker 4: Nasty Night. Did did he just bring you up here

640
00:25:33,920 --> 00:25:34,360
Speaker 4: to hang out?

641
00:25:34,720 --> 00:25:34,880
Speaker 5: Yeah?

642
00:25:34,920 --> 00:25:36,639
Speaker 9: I just rode along just to hang out, keep the

643
00:25:36,680 --> 00:25:37,159
Speaker 9: company and.

644
00:25:37,160 --> 00:25:37,880
Speaker 5: Make sure he's good.

645
00:25:38,080 --> 00:25:42,600
Speaker 11: But he did the whenever he did this song, He's like, yeah,

646
00:25:44,600 --> 00:25:45,720
Speaker 11: so what I do with the idiots?

647
00:25:45,840 --> 00:25:46,040
Speaker 8: Yeah?

648
00:25:46,920 --> 00:25:52,040
Speaker 4: Yeah, nasty eddie, not the same thing. We don't call

649
00:25:52,119 --> 00:25:52,480
Speaker 4: you that for the.

650
00:25:52,480 --> 00:25:54,040
Speaker 5: Same reason, Zobby.

651
00:25:54,280 --> 00:25:56,240
Speaker 11: Maybe share with CA nine a tip.

652
00:25:56,200 --> 00:25:59,119
Speaker 4: For like you suggest your mouth guy.

653
00:25:59,240 --> 00:26:01,880
Speaker 11: Yeah, okay, okay, So you suggested he's got to carve

654
00:26:01,920 --> 00:26:04,320
Speaker 11: out time during the week to find it with a

655
00:26:04,359 --> 00:26:06,280
Speaker 11: full time job, a three year old of wife, So like,

656
00:26:06,440 --> 00:26:08,800
Speaker 11: what's a tip on how he can find that time?

657
00:26:08,960 --> 00:26:10,920
Speaker 4: Yeah? First of all, there is no such thing as

658
00:26:10,920 --> 00:26:13,800
Speaker 4: an excuse, because if you have one, nobody cares. So

659
00:26:14,040 --> 00:26:16,320
Speaker 4: you can have one, but it ain't gonna affect anything.

660
00:26:16,640 --> 00:26:18,800
Speaker 4: If you got fifteen minutes during your lunch break, if

661
00:26:18,800 --> 00:26:21,439
Speaker 4: you get an hour, take fifteen ride a little bit,

662
00:26:21,520 --> 00:26:23,280
Speaker 4: keep a notepad on you right in your phone. That's

663
00:26:23,320 --> 00:26:26,080
Speaker 4: what I do all the time. I'm constantly busy doing

664
00:26:26,119 --> 00:26:27,640
Speaker 4: different things. But if I got an idea, I jot

665
00:26:27,680 --> 00:26:29,879
Speaker 4: on my phone. So do stuff like that. You can

666
00:26:29,960 --> 00:26:32,399
Speaker 4: know fifteen minutes, turn your phone on record into it.

667
00:26:32,720 --> 00:26:33,080
Speaker 8: You got it.

668
00:26:33,600 --> 00:26:35,560
Speaker 4: Eventually, Maybe you can go do like a if they're

669
00:26:35,560 --> 00:26:39,440
Speaker 4: having like a local come out and open mic. Do

670
00:26:39,560 --> 00:26:41,879
Speaker 4: it there, Get in front of people, Be prepared for

671
00:26:41,960 --> 00:26:43,760
Speaker 4: people to cheer, prepared for people to laugh at you,

672
00:26:43,960 --> 00:26:45,760
Speaker 4: be prepared for everything. Because it's all going to happen.

673
00:26:46,119 --> 00:26:48,240
Speaker 4: So but you, nothing's going to happen, nothing get started

674
00:26:48,280 --> 00:26:50,920
Speaker 4: for you until you get started, yes, sir, all right, yeah,

675
00:26:50,960 --> 00:26:51,720
Speaker 4: but I'm proud of you.

676
00:26:52,400 --> 00:26:53,000
Speaker 9: I appreciate you.

677
00:26:53,200 --> 00:26:55,280
Speaker 6: Let me come up here, man, Like, honestly, this is

678
00:26:55,359 --> 00:26:57,000
Speaker 6: like something like I feel like would be in a movie.

679
00:26:57,080 --> 00:26:58,600
Speaker 6: Like I was a nobody at work. This is the

680
00:26:58,600 --> 00:26:59,959
Speaker 6: first time I've talked to you when I'm not at work.

681
00:27:00,400 --> 00:27:02,440
Speaker 6: I'm a nobody at work with a shove on my hand.

682
00:27:02,480 --> 00:27:02,960
Speaker 9: I call you.

683
00:27:03,320 --> 00:27:04,640
Speaker 6: I was like, man, you know, I got to hustle

684
00:27:04,720 --> 00:27:07,520
Speaker 6: my way, say something interesting, get through the call center.

685
00:27:07,800 --> 00:27:09,600
Speaker 6: Then when I get on the phone with Bobby'll be like, yeah,

686
00:27:09,640 --> 00:27:10,120
Speaker 6: I make music.

687
00:27:10,160 --> 00:27:12,639
Speaker 9: I'm K nine. So it happened. Now I'm here, Like,

688
00:27:13,000 --> 00:27:14,800
Speaker 9: God is real. I was meant to be here. This

689
00:27:14,920 --> 00:27:15,359
Speaker 9: is awesome.

690
00:27:15,440 --> 00:27:17,360
Speaker 4: So my favorite thing about the call center is it's

691
00:27:17,440 --> 00:27:22,360
Speaker 4: Abby with a phone from like nineteen ninety over there. Hey,

692
00:27:22,480 --> 00:27:24,520
Speaker 4: well I want to I be over so over so

693
00:27:24,640 --> 00:27:27,280
Speaker 4: I got on you want us over to Buddy? Yeah,

694
00:27:27,400 --> 00:27:30,720
Speaker 4: so you guys can follow K nine. It's at K

695
00:27:30,920 --> 00:27:35,639
Speaker 4: nine Underscore Florida. Well, I know I probably change that too,

696
00:27:35,680 --> 00:27:37,800
Speaker 4: K nine If you could change it. I mean it's

697
00:27:37,840 --> 00:27:40,600
Speaker 4: hard to just say, could you do like Florida? K nine?

698
00:27:40,920 --> 00:27:43,159
Speaker 4: Could you do like me? Anytime you gotta put an

699
00:27:43,200 --> 00:27:45,720
Speaker 4: underscore in there. It's just like what so work on

700
00:27:45,840 --> 00:27:47,800
Speaker 4: that too. Make it easy for people to find you.

701
00:27:48,040 --> 00:27:49,479
Speaker 4: Let us know when you change it. But right now

702
00:27:49,600 --> 00:27:53,080
Speaker 4: it is K nine. Underscore Florida and make your TikTok

703
00:27:53,160 --> 00:27:54,600
Speaker 4: name the exact same thing. Make sure you can have

704
00:27:54,680 --> 00:27:58,080
Speaker 4: them both, and then just start putting out there. All right, buddy, sir,

705
00:27:58,160 --> 00:27:59,360
Speaker 4: All right, there he is K nine.

706
00:28:02,560 --> 00:28:06,280
Speaker 1: It's the best Bits of the Week with Morgan number two.

707
00:28:09,240 --> 00:28:12,080
Speaker 3: Remember back in twenty twenty one, Lunchbox stood on a

708
00:28:12,080 --> 00:28:14,720
Speaker 3: street corner and a tourist bus drove by, and we

709
00:28:14,800 --> 00:28:17,480
Speaker 3: were trying to figure out if anybody would recognize Lunchbox

710
00:28:17,560 --> 00:28:21,280
Speaker 3: because he claimed he is so so famous. Well, nobody did,

711
00:28:21,520 --> 00:28:23,879
Speaker 3: And after that happened, he still couldn't let go of

712
00:28:23,920 --> 00:28:25,640
Speaker 3: the fact that he wasn't as famous as he thought.

713
00:28:25,840 --> 00:28:28,520
Speaker 3: So he put out a top twenty five most famous

714
00:28:28,600 --> 00:28:31,000
Speaker 3: list in Nashville, and of course he was on that list.

715
00:28:31,320 --> 00:28:33,680
Speaker 3: It's been a couple of years and a listener wanted

716
00:28:33,720 --> 00:28:35,880
Speaker 3: an update. He wanted to know what that list looks

717
00:28:35,960 --> 00:28:39,760
Speaker 3: like today. So Lunchbox shared his updated top twenty five

718
00:28:40,120 --> 00:28:43,520
Speaker 3: most famous people in Nashville list, and I hate to

719
00:28:43,560 --> 00:28:46,480
Speaker 3: break it to y'all, but Lunchbox himself has moved up the.

720
00:28:46,520 --> 00:28:48,000
Speaker 1: List number four.

721
00:28:48,200 --> 00:28:50,560
Speaker 4: This is a voicemail from Ben, who lives in Kansas.

722
00:28:51,240 --> 00:28:53,640
Speaker 8: He was watching clips from the line and watching Lunchbox

723
00:28:53,920 --> 00:28:57,360
Speaker 8: is most famous twenty five in Nashville, and he said

724
00:28:57,400 --> 00:29:00,320
Speaker 8: it conflectually, and we talked about an update. I'd love

725
00:29:00,360 --> 00:29:03,000
Speaker 8: to get an updated the list and see where he lands.

726
00:29:03,440 --> 00:29:04,400
Speaker 8: All right, thanks you all.

727
00:29:04,840 --> 00:29:06,600
Speaker 4: It's a never riending story with Lunchbox about how he

728
00:29:06,640 --> 00:29:08,760
Speaker 4: thinks he's very famous in town, and so he made

729
00:29:08,800 --> 00:29:10,640
Speaker 4: a list of the top twenty five most famous people

730
00:29:10,680 --> 00:29:14,280
Speaker 4: in Nashville and he falls somewhere on the list every time. He,

731
00:29:14,400 --> 00:29:16,240
Speaker 4: according to him, is actually the most famous person on

732
00:29:16,320 --> 00:29:21,360
Speaker 4: this show as well, over you, right over all of us,

733
00:29:21,720 --> 00:29:23,480
Speaker 4: at least before. I don't know how his new list is.

734
00:29:23,960 --> 00:29:25,280
Speaker 4: So do you want to do part of the list

735
00:29:25,440 --> 00:29:27,480
Speaker 4: right now? Yeah? You start at twenty five?

736
00:29:27,560 --> 00:29:29,080
Speaker 5: You want to start at twenty five, or you want

737
00:29:29,120 --> 00:29:29,640
Speaker 5: to start at one.

738
00:29:29,880 --> 00:29:31,720
Speaker 4: Well, no, I wouldn't want to start at one because

739
00:29:32,280 --> 00:29:32,960
Speaker 4: that's that Well.

740
00:29:32,880 --> 00:29:36,080
Speaker 5: I'm not number one. I'll tell you that. No, we

741
00:29:36,120 --> 00:29:38,240
Speaker 5: didn't think you were number one. Okay, so should we go?

742
00:29:38,640 --> 00:29:39,920
Speaker 5: Should we go twenty five.

743
00:29:40,360 --> 00:29:44,560
Speaker 4: To like ten fifteen today, top ten tomorrow? Okay, go

744
00:29:44,640 --> 00:29:45,400
Speaker 4: ahead twenty five?

745
00:29:45,560 --> 00:29:48,680
Speaker 5: I don't know if that's what you want to do. Why? Why? Okay?

746
00:29:48,880 --> 00:29:49,080
Speaker 9: Why?

747
00:29:49,360 --> 00:29:49,640
Speaker 5: Fine?

748
00:29:50,440 --> 00:29:51,440
Speaker 4: Okay, I guess we'll see.

749
00:29:51,560 --> 00:29:52,760
Speaker 11: He didn't have a why you say why?

750
00:29:53,160 --> 00:29:56,400
Speaker 4: He justld is he not in the top Well, what

751
00:29:56,520 --> 00:29:57,160
Speaker 4: do you want to do?

752
00:29:58,320 --> 00:29:58,440
Speaker 9: Well?

753
00:29:58,480 --> 00:29:58,840
Speaker 6: I mean.

754
00:30:00,360 --> 00:30:00,800
Speaker 5: Number one.

755
00:30:01,360 --> 00:30:02,560
Speaker 4: I feel like you're fighting for number one.

756
00:30:02,640 --> 00:30:04,800
Speaker 5: No no, no, no, no, no no, because I'm not

757
00:30:04,840 --> 00:30:07,080
Speaker 5: in the top ten. So I mean it's anti climatic

758
00:30:07,920 --> 00:30:08,600
Speaker 5: if we do it now.

759
00:30:08,720 --> 00:30:10,560
Speaker 4: No, we know you're not in the top ten. Okay,

760
00:30:10,640 --> 00:30:12,640
Speaker 4: we none of us ever thought you would be in

761
00:30:12,680 --> 00:30:15,000
Speaker 4: the top ten, even your own list, okay, just making sure.

762
00:30:15,080 --> 00:30:18,000
Speaker 4: But to be in the top twenty five, it's still ridiculous.

763
00:30:18,240 --> 00:30:20,719
Speaker 4: Go ahead, number twenty five. Let's go number one.

764
00:30:20,880 --> 00:30:22,480
Speaker 5: I feel like you want to know number twenty five.

765
00:30:22,480 --> 00:30:23,800
Speaker 4: Okay, I'm gonna kill.

766
00:30:25,360 --> 00:30:28,480
Speaker 5: We're going twenty five to what twenty five? Go knows?

767
00:30:28,840 --> 00:30:32,600
Speaker 5: Just go Keith Urban twenty five? Good, yeah, twenty five

768
00:30:33,080 --> 00:30:35,040
Speaker 5: Mitchell Tenpenny hold on.

769
00:30:35,080 --> 00:30:36,960
Speaker 4: You think Mitchell ten Penny is more famous than Keith Urban.

770
00:30:37,280 --> 00:30:39,800
Speaker 5: Yeah, he was opening for Luke Combs this weekend, so

771
00:30:40,440 --> 00:30:41,920
Speaker 5: I didn't see Keith Urban doing it.

772
00:30:42,000 --> 00:30:43,520
Speaker 4: He wouldn't open it for anybody's trying to do it.

773
00:30:43,600 --> 00:30:44,200
Speaker 4: He didn't see it.

774
00:30:44,240 --> 00:30:46,240
Speaker 5: Vega didn't see Keith Urban doing any I had twenty

775
00:30:46,280 --> 00:30:49,760
Speaker 5: three Jordan Davis. He's a newcomer to the list.

776
00:30:50,880 --> 00:30:54,120
Speaker 4: Nice job Jordan making the countdown this week. Graduates twenty two.

777
00:30:54,200 --> 00:30:56,400
Speaker 5: Well, I mean he's had a big year, he won

778
00:30:56,440 --> 00:31:03,160
Speaker 5: an award. I think Bailey Zimmerman. Oh, yep, he's everywhere,

779
00:31:03,200 --> 00:31:03,520
Speaker 5: a lot of.

780
00:31:03,600 --> 00:31:05,720
Speaker 4: Changing in the guards, more famous than Keith Urban. I

781
00:31:05,840 --> 00:31:07,400
Speaker 4: just have a problem with Urban at twenty five. I

782
00:31:07,480 --> 00:31:11,800
Speaker 4: think go Ahead number twenty one, Jelly Roll. It's selling

783
00:31:11,840 --> 00:31:12,440
Speaker 4: out everywhere.

784
00:31:12,680 --> 00:31:18,920
Speaker 5: Go Ahead number twenty Another newcomer, Cody Johnson, huge star

785
00:31:19,080 --> 00:31:20,520
Speaker 5: now right, did you agree?

786
00:31:20,600 --> 00:31:20,800
Speaker 8: Yeah?

787
00:31:20,880 --> 00:31:26,080
Speaker 4: Nineteen nineteen Kane Brown, you're still not on this list

788
00:31:26,200 --> 00:31:29,640
Speaker 4: and you're telling us you're still coming up? Yeah, I

789
00:31:29,720 --> 00:31:30,880
Speaker 4: mean we can do We should do this in two

790
00:31:30,920 --> 00:31:33,840
Speaker 4: parts all today. Yeah, let's just get this over with, right.

791
00:31:34,560 --> 00:31:35,480
Speaker 4: You're thinking, no, no, we can.

792
00:31:35,400 --> 00:31:42,480
Speaker 5: Week wait till tomorrow. Give me eighteen number eighteen lunchbos

793
00:31:43,720 --> 00:31:44,160
Speaker 5: let's go.

794
00:31:46,800 --> 00:31:48,520
Speaker 11: I don't know how does he determined.

795
00:31:48,200 --> 00:31:52,080
Speaker 4: Number eight You're more famous in your mind than Kane Brown,

796
00:31:52,320 --> 00:31:55,680
Speaker 4: Cody Johnson, Jordan Davis, and Keith Urban.

797
00:31:56,000 --> 00:31:57,920
Speaker 5: Yeah, so dumb.

798
00:31:59,640 --> 00:32:02,400
Speaker 4: What about you makes you more famous than those guys?

799
00:32:03,920 --> 00:32:04,960
Speaker 5: Just my ability?

800
00:32:05,160 --> 00:32:05,480
Speaker 4: What I do?

801
00:32:05,640 --> 00:32:07,920
Speaker 5: My talent, People know me, recognize me as what do

802
00:32:08,040 --> 00:32:08,280
Speaker 5: you do?

803
00:32:08,600 --> 00:32:10,440
Speaker 4: That's a good What is your talent? I'm asking you

804
00:32:10,520 --> 00:32:11,240
Speaker 4: to I talk on the.

805
00:32:11,320 --> 00:32:15,640
Speaker 5: Radio, my humor, my you know, bluntness, boldness, my ability

806
00:32:15,720 --> 00:32:18,120
Speaker 5: to talk to make people feel fun, laugh.

807
00:32:18,160 --> 00:32:19,400
Speaker 4: To make people feel fun.

808
00:32:19,480 --> 00:32:21,040
Speaker 5: Wow, that's like I put people in a good mood.

809
00:32:21,080 --> 00:32:21,920
Speaker 5: They hear me every morning.

810
00:32:22,080 --> 00:32:24,360
Speaker 4: Yeah, all right, let's just roll through the rest of these. Seventeen.

811
00:32:24,960 --> 00:32:29,360
Speaker 5: Reba McIntyre, she beat you by one. Yeah, I mean

812
00:32:29,440 --> 00:32:30,680
Speaker 5: she hadn't really been doing much lately.

813
00:32:30,840 --> 00:32:34,719
Speaker 4: She's on that show on ABC, that drama.

814
00:32:35,520 --> 00:32:36,520
Speaker 11: She's coming out with a book.

815
00:32:36,640 --> 00:32:38,440
Speaker 4: But it's not about it's not about what they're doing now.

816
00:32:38,680 --> 00:32:39,360
Speaker 4: It's famous.

817
00:32:39,520 --> 00:32:42,000
Speaker 5: It's general fame, That's what I'm saying. But they're kind

818
00:32:42,040 --> 00:32:43,320
Speaker 5: of starting to get forgotten about.

819
00:32:43,360 --> 00:32:43,720
Speaker 9: No, they're not.

820
00:32:43,800 --> 00:32:51,520
Speaker 4: Sixteen Garth Brooks, fifteen Bobby Bones Newcomers I will say

821
00:32:51,520 --> 00:32:52,640
Speaker 4: I don't want to have anything to do with this

822
00:32:53,720 --> 00:32:56,000
Speaker 4: or Reva or No, I don't need to do with it.

823
00:32:56,160 --> 00:32:58,040
Speaker 4: I don't have Bobby Bone. I would like to remove

824
00:32:58,080 --> 00:32:58,840
Speaker 4: myself from the list.

825
00:32:59,000 --> 00:33:01,240
Speaker 5: Know you can't remove yourself. It's just where you fall.

826
00:33:02,240 --> 00:33:05,400
Speaker 5: I looked at like Google searches things like that. Fourteen,

827
00:33:05,720 --> 00:33:11,120
Speaker 5: Thomas Rant thirteen, Kitty Chesney twelve, Dolly Parton eleven, Laney Wilson.

828
00:33:13,080 --> 00:33:14,120
Speaker 9: The Dolly and Laney thing.

829
00:33:14,160 --> 00:33:16,400
Speaker 4: Have a problem with this, that's ridiculous. I think we've

830
00:33:16,400 --> 00:33:19,480
Speaker 4: already determined have a problem with Dolly be behind anybody.

831
00:33:19,560 --> 00:33:20,320
Speaker 4: It's ridiculous.

832
00:33:20,360 --> 00:33:20,640
Speaker 6: Weird.

833
00:33:21,120 --> 00:33:23,120
Speaker 5: Uh, that's it. We'll stopped till the morrow. We're gonna

834
00:33:23,200 --> 00:33:23,480
Speaker 5: keep going.

835
00:33:24,720 --> 00:33:26,320
Speaker 4: It ain't worth waiting a day on ten.

836
00:33:27,560 --> 00:33:32,880
Speaker 5: Sam Hunt nine, Chris Stapleton eight, Jason al Dean seven,

837
00:33:33,160 --> 00:33:33,959
Speaker 5: Miranda Lambert.

838
00:33:34,880 --> 00:33:36,520
Speaker 4: By the way, this is Lunchbox is the most famous

839
00:33:36,560 --> 00:33:39,240
Speaker 4: people in Nashville right now. He put himself at number

840
00:33:39,320 --> 00:33:42,880
Speaker 4: eighteen yep above. He's more famous in his mind than

841
00:33:42,920 --> 00:33:45,840
Speaker 4: Cane Brown, Cody Johnson, Jelly Roll, Jordan Davis, Keith, Urban

842
00:33:46,040 --> 00:33:50,000
Speaker 4: go Ahead, number six, Tim McGraw okay five, Blake Shelton,

843
00:33:50,360 --> 00:33:52,240
Speaker 4: I don't mind all these I'm nailing it.

844
00:33:52,360 --> 00:33:53,560
Speaker 5: My list is great, that's not bad.

845
00:33:53,560 --> 00:33:54,000
Speaker 9: I don't mind.

846
00:33:54,000 --> 00:33:55,720
Speaker 5: I have not heard any argument on any Well, we're

847
00:33:55,720 --> 00:33:57,720
Speaker 5: trying to get over. Get over with number four, Luke

848
00:33:57,760 --> 00:34:02,760
Speaker 5: Bryan three, carry Under one, two, Luke Comb's one, Morgan Boom,

849
00:34:04,000 --> 00:34:06,160
Speaker 5: good job did Where would you disagree a lot?

850
00:34:06,240 --> 00:34:09,799
Speaker 4: It's hard to argue with when you got into top eight.

851
00:34:10,000 --> 00:34:10,840
Speaker 5: Pretty much nailed it.

852
00:34:11,400 --> 00:34:15,120
Speaker 4: But it's it's it's just a weird list. I think

853
00:34:15,239 --> 00:34:17,399
Speaker 4: Lady's killing it, but I can't put her in front

854
00:34:17,400 --> 00:34:21,360
Speaker 4: of Dolly or Garth or Reba. I think Lunchbox doesn't

855
00:34:21,360 --> 00:34:23,040
Speaker 4: deserve to be on the list, nor does myself.

856
00:34:23,840 --> 00:34:26,399
Speaker 5: I mean, who would you put in there? Who? See?

857
00:34:26,440 --> 00:34:29,759
Speaker 5: That's the thing. It's easy to criticize a list when you, oh,

858
00:34:29,920 --> 00:34:31,680
Speaker 5: you can't put that person there, But then who would

859
00:34:31,680 --> 00:34:31,960
Speaker 5: you put on?

860
00:34:32,040 --> 00:34:34,360
Speaker 4: Yeah? Who did you leave out? Was there anybody that

861
00:34:34,520 --> 00:34:35,719
Speaker 4: was that almost made the list?

862
00:34:36,239 --> 00:34:37,919
Speaker 5: No, it was tough to come up with twenty five.

863
00:34:41,320 --> 00:34:44,279
Speaker 4: What Dirk's Dirk's Bentley faith He had.

864
00:34:44,280 --> 00:34:45,040
Speaker 5: Been around for a while.

865
00:34:45,560 --> 00:34:47,399
Speaker 4: He had a song just go number one talking about

866
00:34:47,480 --> 00:34:47,920
Speaker 4: Faith Hill.

867
00:34:48,239 --> 00:34:50,719
Speaker 5: I mean is she still here? Yeah?

868
00:34:50,800 --> 00:34:54,680
Speaker 4: Yeah, she's married to Tim so's here and it's it's fame, right,

869
00:34:55,320 --> 00:35:01,080
Speaker 4: Tricia Trisia Year would come on, Eric Church, I haven't

870
00:35:01,120 --> 00:35:02,120
Speaker 4: heard from him in a minute.

871
00:35:03,160 --> 00:35:03,560
Speaker 5: You haven't.

872
00:35:03,840 --> 00:35:05,760
Speaker 4: No Darius, No one knows Darius.

873
00:35:05,880 --> 00:35:08,080
Speaker 5: I don't know where. I think Darius is in South Carolina,

874
00:35:08,120 --> 00:35:08,600
Speaker 5: just hang out.

875
00:35:08,640 --> 00:35:09,520
Speaker 4: Nope, he lives here now.

876
00:35:09,680 --> 00:35:13,880
Speaker 5: Oh see, there you go. Didn't know that, Marin. Did

877
00:35:13,920 --> 00:35:14,799
Speaker 5: you even think of these people?

878
00:35:16,280 --> 00:35:16,480
Speaker 4: Huh?

879
00:35:16,880 --> 00:35:18,879
Speaker 5: Didn't think they needed to be on the list.

880
00:35:19,280 --> 00:35:22,319
Speaker 4: Okay, So Lunchbox is at number eighteen on the list

881
00:35:22,400 --> 00:35:23,600
Speaker 4: of the most famous people in Nashville.

882
00:35:23,600 --> 00:35:25,640
Speaker 5: Okay, So did you have the arrow up? Er? Arrow down?

883
00:35:26,960 --> 00:35:27,839
Speaker 5: My arrow was up?

884
00:35:28,280 --> 00:35:29,200
Speaker 4: What were you last time?

885
00:35:29,560 --> 00:35:32,600
Speaker 5: I was like twenty something if I remember, So, what

886
00:35:32,719 --> 00:35:33,400
Speaker 5: have you done to go?

887
00:35:33,560 --> 00:35:33,680
Speaker 4: Oh?

888
00:35:33,719 --> 00:35:34,720
Speaker 5: I had an acting debut.

889
00:35:35,280 --> 00:35:36,960
Speaker 4: You didn't have a single line, and it was a

890
00:35:37,040 --> 00:35:37,719
Speaker 4: stage play.

891
00:35:38,000 --> 00:35:41,239
Speaker 5: It wasn't an acting debut. You did you did answer

892
00:35:41,280 --> 00:35:42,839
Speaker 5: my question. You didn't answer my question. You always say,

893
00:35:42,840 --> 00:35:44,600
Speaker 5: I don't answer your question. Wasn't an acting debut?

894
00:35:45,880 --> 00:35:49,160
Speaker 4: Questionable, no, no, no, go ahead. It wasn't a debut.

895
00:35:49,200 --> 00:35:51,160
Speaker 4: You did Friday in That Lights as an extra and

896
00:35:51,239 --> 00:35:53,439
Speaker 4: they cut your line and dubbed it over with somebody else.

897
00:35:53,560 --> 00:35:54,000
Speaker 5: That's true.

898
00:35:54,080 --> 00:35:55,640
Speaker 4: Yeah, so no, it was not acting.

899
00:35:55,800 --> 00:35:58,080
Speaker 11: That's the acting debut was talking about about.

900
00:35:57,880 --> 00:35:59,960
Speaker 5: The Well I forgot about my other acting debut.

901
00:36:00,040 --> 00:36:02,640
Speaker 4: What other one I'm talking about that he didn't have

902
00:36:02,640 --> 00:36:04,320
Speaker 4: a line, and then the other line he had a

903
00:36:04,320 --> 00:36:05,120
Speaker 4: fron light they cut it.

904
00:36:05,280 --> 00:36:07,840
Speaker 11: We're talking about both of the like maybe a.

905
00:36:07,880 --> 00:36:11,240
Speaker 4: Guy that's funny with his voice didn't have any voice lines. Interesting,

906
00:36:12,080 --> 00:36:13,400
Speaker 4: we'll get three you from moving up?

907
00:36:13,520 --> 00:36:15,120
Speaker 11: Well, he just you know what, guys, he makes people

908
00:36:15,160 --> 00:36:15,600
Speaker 11: feel funny.

909
00:36:15,760 --> 00:36:18,800
Speaker 4: It is like Amy and Eddie. Are we even close?

910
00:36:19,280 --> 00:36:26,760
Speaker 5: No, I had an acting debut, not fifty You ain't fifty.

911
00:36:26,920 --> 00:36:32,760
Speaker 4: No. Okay, if you did the whole population.

912
00:36:33,200 --> 00:36:33,920
Speaker 6: He might make it.

913
00:36:35,200 --> 00:36:37,000
Speaker 11: But so he just did country artists.

914
00:36:37,320 --> 00:36:39,480
Speaker 4: Anybody in Nashville Sheryl Crow didn't get on there.

915
00:36:39,760 --> 00:36:42,800
Speaker 5: But what about all the athletes and no Amy, this

916
00:36:42,960 --> 00:36:44,720
Speaker 5: is like the country music business.

917
00:36:44,840 --> 00:36:48,080
Speaker 4: Oh no, but it's you said Nashville Tannehill.

918
00:36:48,800 --> 00:36:51,560
Speaker 11: Okay, if there's country music business, I feel like there's

919
00:36:51,600 --> 00:36:52,880
Speaker 11: like because there's the label.

920
00:36:52,920 --> 00:36:55,719
Speaker 5: Presidents in the show don't know who Ryan Tannehill is.

921
00:36:55,960 --> 00:36:58,120
Speaker 4: So I would say ninety some people do.

922
00:36:58,520 --> 00:36:59,719
Speaker 5: If he walked in this room, you would not know

923
00:36:59,760 --> 00:37:01,319
Speaker 5: who he was, we'd have to tell you it's Ryan

924
00:37:01,360 --> 00:37:01,960
Speaker 5: Tannehill walking.

925
00:37:02,080 --> 00:37:05,080
Speaker 4: That's true. Yeah. I saw The True Food and I

926
00:37:05,160 --> 00:37:07,040
Speaker 4: was like, I think that's Ryan Tanner. You know him?

927
00:37:09,360 --> 00:37:11,480
Speaker 11: The other the guy from Hawaii looks like.

928
00:37:12,239 --> 00:37:15,359
Speaker 4: Yeah, but he doesn't play here anymore. Marcus Marrio, Yeah,

929
00:37:15,719 --> 00:37:16,600
Speaker 4: the guy from Hawaii.

930
00:37:16,680 --> 00:37:20,399
Speaker 5: She doesn't even know his name. Dan and oh good one.

931
00:37:21,239 --> 00:37:23,440
Speaker 5: They had to be together to be recognized.

932
00:37:23,960 --> 00:37:25,720
Speaker 4: Well, we appreciate that list, wouldn't you agree?

933
00:37:25,840 --> 00:37:27,839
Speaker 5: Like if they're separate, it's just like they're just two guys.

934
00:37:27,920 --> 00:37:30,840
Speaker 4: I don't think so. Now they're separate, they'd be just

935
00:37:30,920 --> 00:37:33,640
Speaker 4: one guy. You know what I'm saying, They're just two Like, oh,

936
00:37:33,680 --> 00:37:35,800
Speaker 4: that's just two dudes. When they're together, it's like, oh that's.

937
00:37:35,719 --> 00:37:36,279
Speaker 5: Dan and Shay.

938
00:37:36,440 --> 00:37:39,400
Speaker 4: Oh what about Charles Kelly Lady A, No, no, he

939
00:37:39,520 --> 00:37:41,200
Speaker 4: has to be with Lady h So they're only to get.

940
00:37:41,160 --> 00:37:42,000
Speaker 11: Ye Walker Hayes.

941
00:37:43,239 --> 00:37:45,239
Speaker 4: Come on, isn't this how this all started? With Walker

942
00:37:45,280 --> 00:37:46,920
Speaker 4: Hayes for lunch Box was like claiming he was more

943
00:37:46,960 --> 00:37:50,920
Speaker 4: famous than Walker hay thinks that's how this whole thing started. Right, Okay,

944
00:37:51,480 --> 00:37:52,879
Speaker 4: I'm done on that, but thank you for your list.

945
00:37:52,920 --> 00:37:54,239
Speaker 4: We'll check back in a month or so if someone

946
00:37:54,280 --> 00:37:54,680
Speaker 4: asked for it.

947
00:37:55,280 --> 00:37:58,000
Speaker 5: I mean, yeah, we can. I mean people can earn

948
00:37:58,040 --> 00:37:59,759
Speaker 5: their way back up on the list. People can drop

949
00:37:59,840 --> 00:38:02,040
Speaker 5: all if you just gotta get out there and do stuff.

950
00:38:02,719 --> 00:38:05,319
Speaker 5: I hear you. I mean yeah, I remember what it means.

951
00:38:05,360 --> 00:38:07,240
Speaker 5: I gotta go. I had a couple of videos go viral.

952
00:38:07,320 --> 00:38:09,120
Speaker 4: I mean, I mean you did when Jelly Roll's video

953
00:38:09,200 --> 00:38:11,160
Speaker 4: went viral of you in it, but you didn't even

954
00:38:11,160 --> 00:38:12,120
Speaker 4: get credited.

955
00:38:12,200 --> 00:38:14,680
Speaker 11: Oh he's talking about I was in Peyton Manning video.

956
00:38:14,800 --> 00:38:15,560
Speaker 5: Peyton Manning video.

957
00:38:16,040 --> 00:38:16,920
Speaker 4: You weren't even in that one.

958
00:38:17,160 --> 00:38:19,760
Speaker 5: My voice was That's probably what made it go viral.

959
00:38:21,840 --> 00:38:25,319
Speaker 1: It's the best bits of the week with Morgan. Number

960
00:38:25,360 --> 00:38:27,000
Speaker 1: two and.

961
00:38:27,040 --> 00:38:30,239
Speaker 3: Another chaotic Lunchbox segment that happened on the show this week.

962
00:38:30,440 --> 00:38:32,319
Speaker 3: We heard the audio from his nine one one call

963
00:38:32,400 --> 00:38:36,200
Speaker 3: when he saw a reckless driver slash drunk driver possibly

964
00:38:36,480 --> 00:38:38,600
Speaker 3: and he called nine one one to let him know

965
00:38:38,640 --> 00:38:40,879
Speaker 3: what was going on and he kept following the driver. Well,

966
00:38:40,920 --> 00:38:42,560
Speaker 3: we heard the whole call and what went down, and

967
00:38:42,719 --> 00:38:44,960
Speaker 3: let's just say it's pure chaos.

968
00:38:45,600 --> 00:38:46,239
Speaker 5: Number three.

969
00:38:46,480 --> 00:38:49,680
Speaker 4: Last week, Lunchbox told us he again called nine one one.

970
00:38:49,840 --> 00:38:51,719
Speaker 4: It's his favorite thing to do. And sometimes we're like,

971
00:38:51,920 --> 00:38:53,560
Speaker 4: you don't need to call nine one one for that.

972
00:38:54,040 --> 00:38:56,960
Speaker 4: This time, though, we felt like what you didn't while

973
00:38:57,000 --> 00:38:58,520
Speaker 4: you did it, like it made sense, So tell the

974
00:38:58,640 --> 00:38:59,319
Speaker 4: lesseners what you did.

975
00:38:59,520 --> 00:39:01,400
Speaker 5: So I was even a soccer game and there was

976
00:39:01,440 --> 00:39:03,040
Speaker 5: a white truck in front of me and it was

977
00:39:03,120 --> 00:39:05,880
Speaker 5: swerving all over the road, leaving the roadway, and I

978
00:39:05,960 --> 00:39:08,279
Speaker 5: was like, okay, this is obviously a drunk driver. So

979
00:39:08,440 --> 00:39:11,439
Speaker 5: I called nine to one one to report the drunk driver,

980
00:39:11,640 --> 00:39:14,440
Speaker 5: thinking okay, the police are coming, woo woo, pop them,

981
00:39:14,520 --> 00:39:17,160
Speaker 5: pull them over, cut them, stuff them, because definitely going

982
00:39:17,200 --> 00:39:18,919
Speaker 5: to the drunk tank. And then you follow him a little.

983
00:39:19,239 --> 00:39:20,719
Speaker 4: I did follow, okay, so I may I may have

984
00:39:20,760 --> 00:39:23,759
Speaker 4: gone the opposite direction where my house was. But he's

985
00:39:23,840 --> 00:39:25,920
Speaker 4: also changed this story a couple of times where he

986
00:39:26,000 --> 00:39:27,960
Speaker 4: said he may have passed an exit, but now he's

987
00:39:28,000 --> 00:39:29,920
Speaker 4: turned around, he's following right.

988
00:39:30,040 --> 00:39:31,880
Speaker 5: I mean they may have been going left, and so

989
00:39:32,000 --> 00:39:33,879
Speaker 5: I went left with him and then they took an exit.

990
00:39:34,040 --> 00:39:36,360
Speaker 4: Yes, so when you call nine one one, that's available

991
00:39:36,400 --> 00:39:39,319
Speaker 4: for anybody to get. So we have lunchboxes. Call two

992
00:39:39,400 --> 00:39:41,560
Speaker 4: nine one one so we can hear it. It's about

993
00:39:41,560 --> 00:39:43,640
Speaker 4: a minute long. And then lunchbox is a few things

994
00:39:43,719 --> 00:39:45,319
Speaker 4: to say afterward, right, yes, okay, go.

995
00:39:45,280 --> 00:39:47,280
Speaker 11: Ahead, Saturday, April Lights.

996
00:39:47,320 --> 00:39:50,359
Speaker 4: The time is nine pm, nine one one.

997
00:39:50,440 --> 00:39:51,360
Speaker 7: What's your emergency?

998
00:39:51,680 --> 00:39:54,719
Speaker 13: I guess, ma'am. I'm driving and there's white truck in

999
00:39:54,840 --> 00:39:57,120
Speaker 13: front of me. Is all over the road. I mean

1000
00:39:57,239 --> 00:39:59,960
Speaker 13: swerving left right, and I mean, I guess not swerving

1001
00:40:00,080 --> 00:40:03,000
Speaker 13: more drifting lane to lane where we're about to take

1002
00:40:03,080 --> 00:40:06,840
Speaker 13: exit three and we're gonna, oh no, we're gonna go

1003
00:40:07,000 --> 00:40:08,399
Speaker 13: to the left, so we're gonna go wait, wait.

1004
00:40:08,680 --> 00:40:09,520
Speaker 2: Are you following him?

1005
00:40:09,760 --> 00:40:11,759
Speaker 13: I don't think you should follow him? No, no, no, no,

1006
00:40:11,880 --> 00:40:13,600
Speaker 13: I'm not following This is this is the way I

1007
00:40:13,680 --> 00:40:15,640
Speaker 13: go home. It's it's just the same way, and he

1008
00:40:15,760 --> 00:40:18,000
Speaker 13: just happens to be taking the same exit and we're

1009
00:40:18,000 --> 00:40:18,560
Speaker 13: gonna we're.

1010
00:40:18,440 --> 00:40:19,040
Speaker 4: Doing the loop.

1011
00:40:19,160 --> 00:40:21,680
Speaker 13: We're gonna be doing the loopy loop. Don't follow him,

1012
00:40:21,719 --> 00:40:24,960
Speaker 13: if you can, just maybe try to get the license plate. Yeah,

1013
00:40:25,200 --> 00:40:28,120
Speaker 13: I mean yeah, I mean, oh man, he's just like

1014
00:40:28,680 --> 00:40:30,399
Speaker 13: this is the red lights. He's stopping at the red lights.

1015
00:40:30,400 --> 00:40:32,759
Speaker 13: But right off it like when he hits starts up,

1016
00:40:32,880 --> 00:40:35,160
Speaker 13: he starts swerving over the lane right away, like it's

1017
00:40:35,280 --> 00:40:38,120
Speaker 13: just like, oh my gosh, Okay.

1018
00:40:37,920 --> 00:40:39,200
Speaker 6: Well, thank you so much.

1019
00:40:39,280 --> 00:40:41,239
Speaker 10: Don't follow him, and if you can, can you like

1020
00:40:41,360 --> 00:40:42,719
Speaker 10: get off of the highway now?

1021
00:40:42,800 --> 00:40:45,759
Speaker 13: And yee, I mean, this is just the way I'm

1022
00:40:45,760 --> 00:40:47,560
Speaker 13: going home, my god, this is my way to my house.

1023
00:40:47,640 --> 00:40:49,080
Speaker 13: He just happens to be going the same way.

1024
00:40:49,360 --> 00:40:50,600
Speaker 11: Okay, I let the officers.

1025
00:40:50,680 --> 00:40:54,239
Speaker 13: No, all right, thank you so much for calling. All right, bye.

1026
00:40:54,520 --> 00:40:55,839
Speaker 4: Did you ever get the license plate?

1027
00:40:56,160 --> 00:40:58,279
Speaker 5: No, because I couldn't get close enough good the license plate.

1028
00:40:59,120 --> 00:41:02,080
Speaker 5: And you are lying, you well a little bit, a

1029
00:41:02,120 --> 00:41:04,399
Speaker 5: little bit, but you were lying.

1030
00:41:04,440 --> 00:41:05,400
Speaker 4: You aren't going in the direction.

1031
00:41:05,520 --> 00:41:08,279
Speaker 5: You're right, Okay, go ahead. But here's my thing. I

1032
00:41:08,320 --> 00:41:10,359
Speaker 5: felt like she was just annoyed with me the whole time.

1033
00:41:11,400 --> 00:41:12,800
Speaker 4: I felt like she was just like, I think she

1034
00:41:12,880 --> 00:41:14,719
Speaker 4: didn't want you to follow him because it could have

1035
00:41:14,800 --> 00:41:16,960
Speaker 4: ended bad for you. Let's say he sees you following him,

1036
00:41:17,000 --> 00:41:18,520
Speaker 4: turns around with gun and so i'd shoot at you,

1037
00:41:19,040 --> 00:41:22,360
Speaker 4: crashes into you, You crash trying to follow him, And

1038
00:41:22,480 --> 00:41:24,560
Speaker 4: I think she caught you in the lie too, so

1039
00:41:24,760 --> 00:41:26,920
Speaker 4: she's like not falling for that. And also you couldn't

1040
00:41:26,920 --> 00:41:28,600
Speaker 4: give her the license plate, so you really couldn't help

1041
00:41:28,640 --> 00:41:29,000
Speaker 4: her at all.

1042
00:41:29,520 --> 00:41:31,879
Speaker 5: No, No, but I told her Okay, we're exiting three,

1043
00:41:32,040 --> 00:41:35,480
Speaker 5: exit three doing the loopty Lou, and it's a white truck.

1044
00:41:35,560 --> 00:41:40,800
Speaker 5: I mean, I explained that what a loopti lou is

1045
00:41:40,800 --> 00:41:42,279
Speaker 5: for people that don't know, is when you exit and

1046
00:41:42,400 --> 00:41:45,600
Speaker 5: you circle back the loo. Yeah, you instead of hitting

1047
00:41:45,600 --> 00:41:47,200
Speaker 5: a stop while you go underneath the bridge and come

1048
00:41:47,280 --> 00:41:49,480
Speaker 5: back around so in a voids the stop. It's called

1049
00:41:49,520 --> 00:41:51,200
Speaker 5: a loopty Lou. Don't know if that's the technical term,

1050
00:41:51,239 --> 00:41:53,279
Speaker 5: but that's what I call it. And I just like

1051
00:41:53,440 --> 00:41:55,480
Speaker 5: her tone of voice to me was like she was

1052
00:41:55,520 --> 00:41:57,440
Speaker 5: annoyed that I called, Like I'm not supposed to call

1053
00:41:57,560 --> 00:41:59,120
Speaker 5: nine to one one for that. I don't know, but

1054
00:41:59,239 --> 00:42:01,640
Speaker 5: she didn't seem like, oh thanks for calling.

1055
00:42:01,840 --> 00:42:04,560
Speaker 4: You really couldn't give her anything. I think it's her frustration.

1056
00:42:05,600 --> 00:42:08,120
Speaker 4: You couldn't get her the license plate and you wouldn't

1057
00:42:08,160 --> 00:42:09,080
Speaker 4: stop following him.

1058
00:42:09,680 --> 00:42:11,400
Speaker 5: I was keeping a safe distance. Yeah, I hear you.

1059
00:42:11,800 --> 00:42:13,800
Speaker 4: I don't feel like she was annoyed. Annoyed though, do

1060
00:42:13,840 --> 00:42:15,879
Speaker 4: you like she could do nothing about it? He didn't

1061
00:42:15,920 --> 00:42:17,320
Speaker 4: give her enough information to do anything.

1062
00:42:17,440 --> 00:42:17,640
Speaker 9: Yeah.

1063
00:42:17,719 --> 00:42:19,800
Speaker 11: I feel like she was doing her job. But also

1064
00:42:20,360 --> 00:42:23,640
Speaker 11: it's her job to keep other people safe involved, so

1065
00:42:23,719 --> 00:42:25,759
Speaker 11: she was probably just that's what he's picking up. The

1066
00:42:25,880 --> 00:42:28,960
Speaker 11: vibe from her is like sir, but like.

1067
00:42:28,960 --> 00:42:30,719
Speaker 5: When I'm on stop doing it. Like when I watch TV,

1068
00:42:30,880 --> 00:42:33,360
Speaker 5: Like when I watch those dateline ones, right, they're like,

1069
00:42:33,800 --> 00:42:37,160
Speaker 5: stay on the phone, don't hang up until the officer arrives.

1070
00:42:37,480 --> 00:42:40,080
Speaker 5: This one, she's like, all right, thanks, And I'm like, well,

1071
00:42:40,120 --> 00:42:41,680
Speaker 5: does that always? Is that for a drunk driver?

1072
00:42:41,800 --> 00:42:41,960
Speaker 11: Though?

1073
00:42:42,000 --> 00:42:42,360
Speaker 5: I don't know.

1074
00:42:42,440 --> 00:42:45,000
Speaker 11: I think that's like if you're in a closet hiding

1075
00:42:45,080 --> 00:42:48,480
Speaker 11: from burglar, like try, yeah, like.

1076
00:42:48,560 --> 00:42:50,439
Speaker 4: Try to stay on so we can save your life

1077
00:42:50,520 --> 00:42:51,920
Speaker 4: because someone's in your house. I might kill you.

1078
00:42:52,680 --> 00:42:54,960
Speaker 5: Yeah, I'm just saying when I watch TV, and they

1079
00:42:55,080 --> 00:42:57,160
Speaker 5: always say don't hang up. And then she's like, Okay,

1080
00:42:57,200 --> 00:42:58,560
Speaker 5: thanks for calling. She's already ready to get off the

1081
00:42:58,560 --> 00:43:00,520
Speaker 5: phone and be like she's got something to be at

1082
00:43:00,640 --> 00:43:01,160
Speaker 5: or something like.

1083
00:43:01,320 --> 00:43:03,400
Speaker 4: Maybe she did, maybe she had another call Eddy, was

1084
00:43:03,440 --> 00:43:05,920
Speaker 4: you here there? I mean I think that you're right.

1085
00:43:06,120 --> 00:43:08,560
Speaker 10: He had no information for her and she got all

1086
00:43:08,600 --> 00:43:11,239
Speaker 10: the information she can possibly get from lunchbox. And then

1087
00:43:11,320 --> 00:43:13,279
Speaker 10: it's almost like his prank calls where he just doesn't

1088
00:43:13,320 --> 00:43:16,120
Speaker 10: stop talking. He starts stammering a lot, right, and so

1089
00:43:16,239 --> 00:43:18,600
Speaker 10: she's just like wrap it up. I gotta either get

1090
00:43:18,680 --> 00:43:20,200
Speaker 10: I mean, she's got to send the cops out there.

1091
00:43:20,280 --> 00:43:21,040
Speaker 4: One and two.

1092
00:43:21,160 --> 00:43:23,399
Speaker 10: She probably has like her phone lines are probably ringing

1093
00:43:23,400 --> 00:43:25,400
Speaker 10: for more calls, probably in a closet, and she's like,

1094
00:43:25,440 --> 00:43:26,040
Speaker 10: stay on the phone.

1095
00:43:26,040 --> 00:43:29,040
Speaker 5: I got this idiot. He's chasing a car, not chasing,

1096
00:43:29,920 --> 00:43:30,920
Speaker 5: not chasing following.

1097
00:43:31,320 --> 00:43:34,239
Speaker 4: You have no reason to be upset about the call. Yeah,

1098
00:43:34,280 --> 00:43:37,760
Speaker 4: after hearing it back, I would be a little more succinct.

1099
00:43:37,800 --> 00:43:39,239
Speaker 4: I would be a little more descriptive.

1100
00:43:39,480 --> 00:43:42,080
Speaker 5: I was trying to, but like whenever the guy was swerving,

1101
00:43:42,120 --> 00:43:45,000
Speaker 5: it would make me. I would get like I would

1102
00:43:45,320 --> 00:43:48,080
Speaker 5: like visually, like just as you're watching it live, you

1103
00:43:48,239 --> 00:43:50,880
Speaker 5: can't you can't not react. So it's like I'm in

1104
00:43:50,960 --> 00:43:53,600
Speaker 5: mid conversation when something happens, you like, you don't know

1105
00:43:53,640 --> 00:43:55,160
Speaker 5: how to describe it because it freaks you out.

1106
00:43:55,600 --> 00:43:57,439
Speaker 11: It probably freaks you out extra if you have kids

1107
00:43:57,440 --> 00:43:58,920
Speaker 11: in the car, Yeah.

1108
00:43:58,760 --> 00:43:59,319
Speaker 5: It probably does.

1109
00:43:59,719 --> 00:44:00,759
Speaker 4: Did you you have your kids in the car? Did

1110
00:44:00,800 --> 00:44:02,680
Speaker 4: you tell us that he did? Oh?

1111
00:44:02,719 --> 00:44:04,840
Speaker 5: No, no, yeah, yeah, but I told you I was

1112
00:44:04,880 --> 00:44:08,359
Speaker 5: maintaining a safe distance. Why are you chasing? They did?

1113
00:44:08,440 --> 00:44:10,840
Speaker 5: They asked me, why are you calling the police?

1114
00:44:11,160 --> 00:44:11,279
Speaker 4: Oh?

1115
00:44:11,360 --> 00:44:13,080
Speaker 5: You know, they're just they might be sick, they might

1116
00:44:13,160 --> 00:44:13,720
Speaker 5: need a doctor.

1117
00:44:14,280 --> 00:44:16,719
Speaker 4: I like a lot of lying going on. Okay, you

1118
00:44:16,760 --> 00:44:19,080
Speaker 4: have no reason to be upset. Okay, all good. You

1119
00:44:19,160 --> 00:44:21,600
Speaker 4: made a good call. Though. What I would say next

1120
00:44:21,640 --> 00:44:23,279
Speaker 4: time is be a little more prepared to try not

1121
00:44:23,360 --> 00:44:25,279
Speaker 4: to be so reactional to what's happening, so you can

1122
00:44:25,320 --> 00:44:26,400
Speaker 4: describe to her what's happening.

1123
00:44:26,440 --> 00:44:28,320
Speaker 5: Okay, okay, all right, And so next time I should

1124
00:44:28,320 --> 00:44:29,560
Speaker 5: have spikes, is what you're saying.

1125
00:44:30,520 --> 00:44:32,879
Speaker 4: But do you know what run ahead of them? I'm

1126
00:44:32,920 --> 00:44:34,239
Speaker 4: out there, No, not at all.

1127
00:44:35,760 --> 00:44:39,440
Speaker 1: It's the best Bits of the Week with Morgan. Number two.

1128
00:44:45,280 --> 00:44:47,360
Speaker 3: Megan Roney stopped by the studio this week. This was

1129
00:44:47,400 --> 00:44:50,120
Speaker 3: her first time in and she put on an awesome

1130
00:44:50,200 --> 00:44:51,480
Speaker 3: performance of two of her songs.

1131
00:44:51,640 --> 00:44:53,800
Speaker 2: But you can check out not on this podcast.

1132
00:44:53,880 --> 00:44:55,480
Speaker 3: We can't play the performances, but you can go to

1133
00:44:55,560 --> 00:44:57,719
Speaker 3: YouTube Bobby Bone Show and they're both up there and

1134
00:44:57,760 --> 00:45:01,400
Speaker 3: they're so great. She also answered listeners comfortable questions, and

1135
00:45:01,520 --> 00:45:04,480
Speaker 3: she talked about the inspiration behind her songwriting. Plus you

1136
00:45:04,560 --> 00:45:06,360
Speaker 3: get to hear some crazy thing that happened to me

1137
00:45:06,480 --> 00:45:09,440
Speaker 3: recently and why Megan Maroney is kind of involved. So

1138
00:45:10,200 --> 00:45:12,239
Speaker 3: it's just a lot going on here, but I love

1139
00:45:12,360 --> 00:45:14,160
Speaker 3: Megan and she was so awesome in the studio.

1140
00:45:14,320 --> 00:45:14,920
Speaker 15: So here you go.

1141
00:45:15,200 --> 00:45:18,360
Speaker 2: Here is Bobby's interview with Megan Maroney, number.

1142
00:45:18,160 --> 00:45:22,520
Speaker 1: Two, so Bobby Bones Show Interviews. In case you didn't know.

1143
00:45:22,840 --> 00:45:25,239
Speaker 4: Her name is Megan Maroney. You may have heard this

1144
00:45:25,360 --> 00:45:31,960
Speaker 4: song right here. Tennessee Orange yea born and raised in Georgia.

1145
00:45:32,239 --> 00:45:35,440
Speaker 4: She was at Uga studied to be an accountant, and

1146
00:45:35,560 --> 00:45:37,840
Speaker 4: she switched her major to do marketing and music business,

1147
00:45:38,320 --> 00:45:41,480
Speaker 4: and well then she started writing songs, and there she

1148
00:45:41,520 --> 00:45:45,239
Speaker 4: found out she was she loved songwriting. Now she's killing it.

1149
00:45:45,360 --> 00:45:47,920
Speaker 4: Her debut album, Lucky comes out on May fifth, and

1150
00:45:48,080 --> 00:45:51,000
Speaker 4: let's talk to her now here she is the Friday.

1151
00:45:50,680 --> 00:45:53,200
Speaker 15: Morning Conversation with Megan Maroney.

1152
00:45:53,280 --> 00:45:55,400
Speaker 4: Megan, how you been great? Good to see you.

1153
00:45:55,680 --> 00:45:56,239
Speaker 15: Good to see you.

1154
00:45:56,400 --> 00:45:58,400
Speaker 4: We haven't seen each other since probably like fall of

1155
00:45:58,520 --> 00:46:00,680
Speaker 4: last year, and I feel like since then it's been

1156
00:46:00,719 --> 00:46:01,399
Speaker 4: a rocket ship.

1157
00:46:01,560 --> 00:46:02,000
Speaker 8: Just to me.

1158
00:46:02,239 --> 00:46:03,200
Speaker 4: You're just crushing it.

1159
00:46:03,280 --> 00:46:03,440
Speaker 5: Now.

1160
00:46:03,560 --> 00:46:05,480
Speaker 4: Does the last five six months seem like a blur?

1161
00:46:06,800 --> 00:46:08,960
Speaker 15: Yeah? I don't even know what day it is today,

1162
00:46:09,120 --> 00:46:10,720
Speaker 15: but we're here and I'm excited.

1163
00:46:10,800 --> 00:46:13,920
Speaker 4: Yeah, congratulations, thank you. Yes, that's when you like are

1164
00:46:13,920 --> 00:46:15,560
Speaker 4: starting to make it when it's so blurry you can't

1165
00:46:15,560 --> 00:46:17,840
Speaker 4: even see what it is. Yeah, but you're you're blowing

1166
00:46:17,920 --> 00:46:20,359
Speaker 4: up a new album about to hit as well. Every

1167
00:46:20,400 --> 00:46:22,960
Speaker 4: time I look on Instagram, somebody's like, you know, got

1168
00:46:23,040 --> 00:46:25,080
Speaker 4: some Megan Maroni tea that I've already heard three times.

1169
00:46:25,120 --> 00:46:26,960
Speaker 4: Everybody just keeps posting it because they know people are

1170
00:46:27,040 --> 00:46:29,200
Speaker 4: like searching for your name and hashtags and stuff. So

1171
00:46:29,320 --> 00:46:30,360
Speaker 4: congratulations on all that.

1172
00:46:30,560 --> 00:46:31,319
Speaker 15: Thank you so much.

1173
00:46:31,480 --> 00:46:34,000
Speaker 4: How has Tennessee Orange been when you play a live

1174
00:46:34,400 --> 00:46:35,960
Speaker 4: does everybody just sing it like crazy?

1175
00:46:36,480 --> 00:46:36,680
Speaker 15: Yeah?

1176
00:46:36,840 --> 00:46:40,320
Speaker 16: I played my first festival this weekend, which was Tortuga,

1177
00:46:40,880 --> 00:46:43,240
Speaker 16: and I played the next from Nashville Stage.

1178
00:46:43,800 --> 00:46:44,719
Speaker 15: I think that's what it's called.

1179
00:46:44,760 --> 00:46:47,319
Speaker 16: And it was insane. It was the loudest I've ever

1180
00:46:47,600 --> 00:46:50,160
Speaker 16: heard people sing it, So it's awesome.

1181
00:46:50,960 --> 00:46:53,399
Speaker 4: Would you, for the sake of this show here, would

1182
00:46:53,440 --> 00:46:55,480
Speaker 4: you give us some Tennessee Orange? And this is how

1183
00:46:55,760 --> 00:46:57,520
Speaker 4: a long time ago, I was flipping through social media,

1184
00:46:57,760 --> 00:46:59,759
Speaker 4: I mean last fall before that, and I was like,

1185
00:47:00,000 --> 00:47:01,680
Speaker 4: this song's really good, Let's get Megan. She came over,

1186
00:47:01,760 --> 00:47:05,480
Speaker 4: we did an hour long Bobby cast and from that now,

1187
00:47:05,520 --> 00:47:07,799
Speaker 4: I think it's like thirteen this week on the chart

1188
00:47:07,840 --> 00:47:09,960
Speaker 4: and still flying up the chart. So here it is

1189
00:47:10,040 --> 00:47:11,960
Speaker 4: the song that kind of started it all. This version

1190
00:47:12,000 --> 00:47:18,040
Speaker 4: of you here is Megan Maroney, Tennessee Orange Nice Megan Moroney.

1191
00:47:17,680 --> 00:47:18,319
Speaker 5: He's not great.

1192
00:47:18,880 --> 00:47:20,480
Speaker 4: I have a lot of things to talk about with

1193
00:47:20,560 --> 00:47:23,239
Speaker 4: that in that song, specifically number one to be known

1194
00:47:23,719 --> 00:47:27,200
Speaker 4: by people for Tennessee. It's got to be weird when

1195
00:47:27,239 --> 00:47:30,439
Speaker 4: you're such a Georgia Bulldog fan, because if you don't

1196
00:47:30,560 --> 00:47:32,000
Speaker 4: just listen, if you have to listen to every part

1197
00:47:32,000 --> 00:47:33,800
Speaker 4: of the song to even know really what you're saying,

1198
00:47:33,800 --> 00:47:34,440
Speaker 4: because I bet you a.

1199
00:47:34,440 --> 00:47:35,960
Speaker 5: Lot of people just think you're a huge Tennessee fan.

1200
00:47:36,520 --> 00:47:37,759
Speaker 4: Yeah, you gotta be like I ain't.

1201
00:47:38,000 --> 00:47:39,080
Speaker 15: Yeah, no, not at all.

1202
00:47:39,920 --> 00:47:43,799
Speaker 4: And your whole bulldog contingent, They like, we can write

1203
00:47:43,800 --> 00:47:44,840
Speaker 4: it's a bulldog song now or what?

1204
00:47:46,080 --> 00:47:48,879
Speaker 16: Actually In one of my songs on my record, God

1205
00:47:48,920 --> 00:47:51,239
Speaker 16: plays a Gibson. I'm talking about God and I say

1206
00:47:51,320 --> 00:47:53,399
Speaker 16: this year, it's pretty clear he's a Georgia Bulldogs fan.

1207
00:47:53,640 --> 00:47:57,080
Speaker 15: You still get those in there, so we're still plugging Georgia.

1208
00:47:57,840 --> 00:47:59,640
Speaker 4: I was looking at the calendar. Tonight's the twenty first,

1209
00:47:59,680 --> 00:48:01,759
Speaker 4: and you'll be in Knoxville. You're gonna play that song

1210
00:48:01,800 --> 00:48:04,520
Speaker 4: in Knoxville where they're all crazy Tennessee fans where our

1211
00:48:04,560 --> 00:48:06,640
Speaker 4: shows on at Knoxville too, Like, they're probably gonna sing

1212
00:48:06,719 --> 00:48:08,799
Speaker 4: that back louder than any version of a crowd you've

1213
00:48:08,800 --> 00:48:09,680
Speaker 4: ever seen in your whole life.

1214
00:48:09,800 --> 00:48:11,600
Speaker 15: Yeah, I've never played in Knoxville.

1215
00:48:11,200 --> 00:48:12,640
Speaker 5: So they're nuts.

1216
00:48:13,320 --> 00:48:13,520
Speaker 6: Really.

1217
00:48:13,880 --> 00:48:16,360
Speaker 4: Yeah. I go over there and they sing right the

1218
00:48:16,400 --> 00:48:18,480
Speaker 4: top the whole time, and they beat us most of

1219
00:48:18,480 --> 00:48:21,520
Speaker 4: the times. They're nuts because they're just a very passionate group,

1220
00:48:21,560 --> 00:48:24,359
Speaker 4: which I can respect, right, and they're gonna look, they're

1221
00:48:24,360 --> 00:48:26,000
Speaker 4: gonna be foaming at the mouth for that song.

1222
00:48:26,080 --> 00:48:27,520
Speaker 5: You can play the first, middle, and the end.

1223
00:48:27,719 --> 00:48:31,560
Speaker 15: I am wearing a Tennessee jersey there, which.

1224
00:48:31,280 --> 00:48:33,759
Speaker 4: Leads me to a different thing. My wife and I

1225
00:48:34,000 --> 00:48:37,800
Speaker 4: are both rabid fans meet Arkansas razorbacks her Oklahoma sooners.

1226
00:48:37,960 --> 00:48:40,000
Speaker 4: Neither one of us will were the other people's still,

1227
00:48:40,120 --> 00:48:41,759
Speaker 4: and we've been married almost two years at this point.

1228
00:48:41,960 --> 00:48:42,319
Speaker 15: That's fair.

1229
00:48:42,440 --> 00:48:45,560
Speaker 4: I will never wear Oklahoma red or oh you, and

1230
00:48:45,640 --> 00:48:47,640
Speaker 4: she will never wear Arkansas. So the fact that you

1231
00:48:47,680 --> 00:48:49,480
Speaker 4: could even sing that song like, I commend to you know,

1232
00:48:49,800 --> 00:48:51,920
Speaker 4: true love song if you will, that is a true

1233
00:48:52,120 --> 00:48:55,440
Speaker 4: love song. By the way, Megan will be in Knoxville tonight,

1234
00:48:55,680 --> 00:48:59,200
Speaker 4: Eddie's addic in Georgia Indicator which is out near Atlanta

1235
00:48:59,360 --> 00:49:02,400
Speaker 4: tomorrow night, and then Fable Arkansas it kind of you

1236
00:49:02,480 --> 00:49:05,080
Speaker 4: know my neck next weekend the twenty seventh, and had

1237
00:49:05,120 --> 00:49:06,960
Speaker 4: he's working Missippi on the twenty eighth on the Pistol

1238
00:49:07,000 --> 00:49:10,560
Speaker 4: Made of Roses tour. The Pistol Made of Roses? Where

1239
00:49:10,600 --> 00:49:11,120
Speaker 4: did that come from?

1240
00:49:11,719 --> 00:49:13,719
Speaker 16: So that's a line in my song I Love Me,

1241
00:49:13,840 --> 00:49:16,279
Speaker 16: which is on the EP It just says I'm a

1242
00:49:16,320 --> 00:49:17,240
Speaker 16: pistol made roses.

1243
00:49:17,320 --> 00:49:18,600
Speaker 15: I don't keep up with the Joneses.

1244
00:49:19,200 --> 00:49:20,440
Speaker 4: Oh cool, it's got a ryme on it too.

1245
00:49:20,520 --> 00:49:22,400
Speaker 5: Yeah, you know what she did there.

1246
00:49:23,000 --> 00:49:26,440
Speaker 1: The Friday Morning conversation with Megan Maroney.

1247
00:49:26,239 --> 00:49:29,799
Speaker 4: Began a question for you. Your record comes out May fifth.

1248
00:49:29,840 --> 00:49:32,359
Speaker 4: It's called Lucky. You just put out Girl in the Mirror,

1249
00:49:32,360 --> 00:49:34,000
Speaker 4: which we're going to talk about in a second. But

1250
00:49:34,120 --> 00:49:36,840
Speaker 4: there's a song called I'm Not Pretty that's on the record.

1251
00:49:37,360 --> 00:49:40,600
Speaker 4: Will you explain kind of the premise of I'm Not Pretty?

1252
00:49:41,320 --> 00:49:44,280
Speaker 16: Yes, okay, So I kind of laid out in the lyrics,

1253
00:49:44,360 --> 00:49:47,200
Speaker 16: but what had happened was is it was like two

1254
00:49:47,239 --> 00:49:52,000
Speaker 16: am I'm awake, and so was my ex boyfriend's new girlfriend.

1255
00:49:52,360 --> 00:49:56,160
Speaker 16: She accidentally liked a photo from twenty sixteen from Panama City,

1256
00:49:56,840 --> 00:49:58,600
Speaker 16: and I'm sure she thought it's two am. There's no

1257
00:49:58,680 --> 00:50:02,200
Speaker 16: way she saw it. But obviously not only did I

1258
00:50:02,239 --> 00:50:03,840
Speaker 16: see it, I wrote a whole song about it. So

1259
00:50:04,640 --> 00:50:07,360
Speaker 16: I just thought it was funny because it's what it was,

1260
00:50:07,440 --> 00:50:09,440
Speaker 16: twenty twenty two. Then I'm like, twenty sixteen was a

1261
00:50:09,480 --> 00:50:11,200
Speaker 16: long time ago. Why are you digging that deep? It's

1262
00:50:11,239 --> 00:50:13,759
Speaker 16: got to be like she's trying to dig up something

1263
00:50:13,880 --> 00:50:17,000
Speaker 16: or something got to be right. Yeah, and so yeah,

1264
00:50:17,080 --> 00:50:19,200
Speaker 16: it's just a lighthearted song about that situation.

1265
00:50:19,480 --> 00:50:22,520
Speaker 4: I'd feel very lighthearted. I've heard lighthearted songs, you know.

1266
00:50:23,280 --> 00:50:24,480
Speaker 4: Let me play a clip of that, and I want

1267
00:50:24,480 --> 00:50:26,239
Speaker 4: to get into something specifically about that. Here is a

1268
00:50:26,280 --> 00:50:27,719
Speaker 4: little bit of I'm Not Pretty.

1269
00:50:27,719 --> 00:50:35,080
Speaker 16: Sows Holy Friends, Girlfriend's Girls.

1270
00:50:34,040 --> 00:50:37,520
Speaker 4: Graham, So Morgan, I don't know if you know Morgan.

1271
00:50:37,600 --> 00:50:40,120
Speaker 4: Here this is Morgan Morgan, Megan, Megan, Morgan, Morgan, Maga,

1272
00:50:41,760 --> 00:50:44,080
Speaker 4: So Morgan, this recently happened to you?

1273
00:50:44,280 --> 00:50:46,600
Speaker 2: Kind of Yeah, I'm straight up living this song.

1274
00:50:46,840 --> 00:50:51,200
Speaker 3: My ex boyfriend's new girlfriend and her friend, although not subtly,

1275
00:50:51,440 --> 00:50:53,960
Speaker 3: have been like trying to troll me in my dms

1276
00:50:54,320 --> 00:50:57,200
Speaker 3: go perfect as themselves as themselves, like you can click

1277
00:50:57,239 --> 00:50:58,399
Speaker 3: on their profile and it's them.

1278
00:50:58,520 --> 00:50:59,359
Speaker 11: Yeah, we checked them out.

1279
00:50:59,520 --> 00:51:00,879
Speaker 5: Well, how do I wait? I didn't.

1280
00:51:00,920 --> 00:51:03,600
Speaker 15: I thought they had like the dog Instagram or something.

1281
00:51:03,760 --> 00:51:05,440
Speaker 5: Yeah, I think like a burner.

1282
00:51:05,680 --> 00:51:08,400
Speaker 3: They nope, and I it must have been bad because

1283
00:51:08,400 --> 00:51:10,440
Speaker 3: then I got blocked by my ex on Instagram.

1284
00:51:10,520 --> 00:51:12,640
Speaker 2: I was like, something happened somewhere they sang to you.

1285
00:51:13,080 --> 00:51:15,040
Speaker 2: They were telling me that I need to fix my

1286
00:51:15,239 --> 00:51:17,280
Speaker 2: hair and I look fake and I'm very basic.

1287
00:51:17,400 --> 00:51:19,279
Speaker 4: My gosh, why would they do it on their own name?

1288
00:51:19,280 --> 00:51:21,680
Speaker 4: I'm not even like, why would they do that with

1289
00:51:21,719 --> 00:51:22,520
Speaker 4: their own accounts?

1290
00:51:22,960 --> 00:51:23,200
Speaker 11: Yeah?

1291
00:51:23,320 --> 00:51:24,480
Speaker 15: Oh, just like straight up.

1292
00:51:24,640 --> 00:51:26,600
Speaker 3: I don't know if they just had, you know, no

1293
00:51:27,160 --> 00:51:29,160
Speaker 3: filter with everything and they just didn't care.

1294
00:51:29,640 --> 00:51:32,160
Speaker 2: Maybe was it l No, it was like eight o'clock

1295
00:51:33,120 --> 00:51:35,439
Speaker 2: on a Thursday AM.

1296
00:51:36,440 --> 00:51:37,040
Speaker 4: So what did you do?

1297
00:51:37,160 --> 00:51:38,520
Speaker 5: Did you respond to them?

1298
00:51:38,800 --> 00:51:40,880
Speaker 3: I haven't, but I thought about it because I listened

1299
00:51:40,960 --> 00:51:44,080
Speaker 3: to Megan's song. It became after this happened, your song

1300
00:51:44,200 --> 00:51:44,960
Speaker 3: went on repeat.

1301
00:51:45,000 --> 00:51:47,360
Speaker 16: I was like, this is my life, your story and

1302
00:51:47,480 --> 00:51:51,120
Speaker 16: tag them right they want to, only it's only their

1303
00:51:51,160 --> 00:51:54,400
Speaker 16: tag like that, I may do that now that may

1304
00:51:54,440 --> 00:51:55,680
Speaker 16: be the response I have to you can.

1305
00:51:55,600 --> 00:52:00,600
Speaker 4: Blame me in your songwriting, Megan. I've feel like you

1306
00:52:01,080 --> 00:52:02,680
Speaker 4: and Luke come to somebody who does this really well.

1307
00:52:02,719 --> 00:52:04,760
Speaker 4: Like Luke Combs knows who he's singing to and about

1308
00:52:05,000 --> 00:52:07,440
Speaker 4: and why he's singing to them and about them and

1309
00:52:07,560 --> 00:52:09,200
Speaker 4: for them. I feel like you do this as well,

1310
00:52:09,280 --> 00:52:10,719
Speaker 4: Like you know who you're singing too, you know what

1311
00:52:10,760 --> 00:52:12,520
Speaker 4: you're singing about, and you know why you're singing it

1312
00:52:12,600 --> 00:52:14,920
Speaker 4: to them. When you're writing songs and you're like, this

1313
00:52:15,120 --> 00:52:17,360
Speaker 4: is exactly where I want to go because they will know,

1314
00:52:18,000 --> 00:52:20,440
Speaker 4: they'll feel it like this, you know, most of it

1315
00:52:20,480 --> 00:52:23,400
Speaker 4: feels like it's like, you know, women twenty thirties, like

1316
00:52:23,680 --> 00:52:25,600
Speaker 4: I feel that. Do you feel like that's accurate at all?

1317
00:52:25,880 --> 00:52:29,480
Speaker 16: Yeah? Definitely, I think And like when I'm writing songs

1318
00:52:29,560 --> 00:52:32,200
Speaker 16: like this, I went through that situation and I'm like,

1319
00:52:32,239 --> 00:52:34,680
Speaker 16: what would make me feel better? And I'm like taking

1320
00:52:34,800 --> 00:52:38,240
Speaker 16: this and having this song that makes girls feel confident,

1321
00:52:38,320 --> 00:52:40,880
Speaker 16: and it's like it happens everybody, so everybody gets it.

1322
00:52:40,920 --> 00:52:43,239
Speaker 16: And it's just like I could have gotten mad and

1323
00:52:43,320 --> 00:52:45,560
Speaker 16: said something, but I'm like, instead, I'm just gonna.

1324
00:52:45,360 --> 00:52:48,239
Speaker 4: Write this, which is like a bigger investment that pays

1325
00:52:48,239 --> 00:52:52,319
Speaker 4: off far greater, far later. One of my dear friends

1326
00:52:52,400 --> 00:52:54,600
Speaker 4: is Christian Bush, who is one half of sugar Land,

1327
00:52:54,920 --> 00:52:57,400
Speaker 4: And so how do you know Christian? And how did

1328
00:52:57,440 --> 00:52:58,160
Speaker 4: that get you here?

1329
00:52:58,840 --> 00:52:59,759
Speaker 15: So I went to you.

1330
00:53:00,320 --> 00:53:03,759
Speaker 16: Obviously I'm made that my whole personality. But I was

1331
00:53:03,800 --> 00:53:06,040
Speaker 16: an intern for him in the Music Business program, so

1332
00:53:06,200 --> 00:53:08,200
Speaker 16: him and his brother. I was a publishing intern.

1333
00:53:08,680 --> 00:53:09,560
Speaker 4: In Georgia and Atlanta.

1334
00:53:09,560 --> 00:53:11,920
Speaker 15: Georgia and Atlanta. Y'ad have to drive for maths to Atlanta.

1335
00:53:12,000 --> 00:53:15,399
Speaker 16: And I didn't really say anything about being I wasn't

1336
00:53:15,400 --> 00:53:17,560
Speaker 16: an aspiring songwriter because at that time I had written

1337
00:53:17,640 --> 00:53:20,800
Speaker 16: like two songs, So I didn't really say anything. And

1338
00:53:20,880 --> 00:53:23,040
Speaker 16: then once I moved, he had reached out and asked.

1339
00:53:23,040 --> 00:53:25,240
Speaker 16: So everything was going and stuff, and then he offered

1340
00:53:25,280 --> 00:53:25,560
Speaker 16: to help.

1341
00:53:25,640 --> 00:53:27,120
Speaker 4: So it's just that's crazy.

1342
00:53:27,200 --> 00:53:28,520
Speaker 5: From then I didn't even tell him.

1343
00:53:28,840 --> 00:53:30,360
Speaker 16: Well, I walked in and I saw a Grammy on

1344
00:53:30,400 --> 00:53:33,279
Speaker 16: the wall, and I was like, Okay, I'm not an

1345
00:53:33,320 --> 00:53:34,400
Speaker 16: aspiring songwriter.

1346
00:53:35,360 --> 00:53:37,520
Speaker 15: I'm an intern and I'm gonna go get your coffee.

1347
00:53:37,560 --> 00:53:37,680
Speaker 6: Now.

1348
00:53:38,080 --> 00:53:40,440
Speaker 4: When you won the CMT Award, do you have a

1349
00:53:40,480 --> 00:53:41,240
Speaker 4: speech planned already?

1350
00:53:41,480 --> 00:53:41,520
Speaker 3: No?

1351
00:53:42,040 --> 00:53:42,480
Speaker 4: You didn't.

1352
00:53:42,760 --> 00:53:45,480
Speaker 15: No, I was so scared. I was so scared. I

1353
00:53:45,520 --> 00:53:47,600
Speaker 15: didn't even when I got off stage, I was like,

1354
00:53:47,680 --> 00:53:49,279
Speaker 15: did I just speak English? I have no idea?

1355
00:53:49,800 --> 00:53:51,799
Speaker 4: So you you did not think you're gonna win at all?

1356
00:53:51,840 --> 00:53:54,359
Speaker 4: So you didn't even think about his speech? No, were

1357
00:53:54,400 --> 00:53:57,400
Speaker 4: you watching the mouth or they go like because you

1358
00:53:57,480 --> 00:53:59,560
Speaker 4: always know when the first like syllable, I do an,

1359
00:53:59,560 --> 00:54:01,319
Speaker 4: how much like they can say Bobby when they go claw.

1360
00:54:01,400 --> 00:54:02,680
Speaker 5: I'm like, dang it? What mean?

1361
00:54:02,920 --> 00:54:03,399
Speaker 13: Well? Yeah?

1362
00:54:03,480 --> 00:54:05,920
Speaker 16: The only reason I knew was because my manager was

1363
00:54:05,960 --> 00:54:07,800
Speaker 16: sitting next to me and she got up and was

1364
00:54:07,880 --> 00:54:08,800
Speaker 16: jumping and screaming.

1365
00:54:08,880 --> 00:54:11,760
Speaker 15: I couldn't hear an. I was just like, it feels

1366
00:54:11,760 --> 00:54:14,759
Speaker 15: like a blur. Really, I And when I saw videos.

1367
00:54:14,480 --> 00:54:17,880
Speaker 16: From like my friend's perspective, there were cameras like in

1368
00:54:17,920 --> 00:54:19,360
Speaker 16: front of my face the whole time. I don't know

1369
00:54:19,360 --> 00:54:21,040
Speaker 16: how I didn't see them, you know, like they were

1370
00:54:21,080 --> 00:54:22,040
Speaker 16: ready to get my reaction.

1371
00:54:22,760 --> 00:54:24,320
Speaker 15: And I was like, how did I miss that?

1372
00:54:24,440 --> 00:54:26,760
Speaker 5: They're literally right in front of her, the only person,

1373
00:54:26,840 --> 00:54:27,560
Speaker 5: and she didn't see that.

1374
00:54:27,600 --> 00:54:29,680
Speaker 15: I think I was a little starstruck by Parker McCollum.

1375
00:54:29,760 --> 00:54:33,400
Speaker 4: Honestly, that's funny. And how would you do it differently?

1376
00:54:33,480 --> 00:54:33,600
Speaker 11: Now?

1377
00:54:33,640 --> 00:54:36,719
Speaker 4: If you knew you go into the awards you're gonna win.

1378
00:54:36,760 --> 00:54:38,960
Speaker 4: They're get okay, you're gonna win, So we need you

1379
00:54:39,000 --> 00:54:41,160
Speaker 4: to be prepared. What would you do differently up on

1380
00:54:41,200 --> 00:54:41,960
Speaker 4: stage in your speech?

1381
00:54:43,000 --> 00:54:46,480
Speaker 15: I wouldn't say holy crap. I did say that that's embarrassing.

1382
00:54:47,040 --> 00:54:51,160
Speaker 16: But and also I like said something about my mom

1383
00:54:51,680 --> 00:54:53,800
Speaker 16: and her like driving me through the night, but I

1384
00:54:53,840 --> 00:54:55,640
Speaker 16: didn't explain that well, so everyone thought that my mom

1385
00:54:56,080 --> 00:54:59,080
Speaker 16: drove me to the CMT Awards overnight, but it was

1386
00:54:59,120 --> 00:54:59,600
Speaker 16: to the music.

1387
00:54:59,719 --> 00:55:02,680
Speaker 15: I just I couldn't think straight. So I'm surprised they

1388
00:55:02,719 --> 00:55:04,560
Speaker 15: even like said words.

1389
00:55:05,400 --> 00:55:08,279
Speaker 4: Meghan Marony is here if you don't mind, would you,

1390
00:55:08,600 --> 00:55:12,120
Speaker 4: because Lucky comes out on May fifth, and I mean,

1391
00:55:12,200 --> 00:55:14,520
Speaker 4: so you've already got four songs now, right, Tennessee Orange,

1392
00:55:14,560 --> 00:55:16,000
Speaker 4: I'm not pretty lucky. Girl in the Mirror, right, there

1393
00:55:16,040 --> 00:55:17,400
Speaker 4: was the four Girl in the Mirror just came out.

1394
00:55:17,560 --> 00:55:18,920
Speaker 4: Would you give us a little bit of Girl in

1395
00:55:18,920 --> 00:55:19,520
Speaker 4: the Mirror? Is that cool?

1396
00:55:19,600 --> 00:55:19,719
Speaker 9: Yes?

1397
00:55:19,800 --> 00:55:20,080
Speaker 5: All right?

1398
00:55:20,120 --> 00:55:23,360
Speaker 4: Here she is Megan Maroney. This is Girl in the Mirror.

1399
00:55:23,400 --> 00:55:28,800
Speaker 4: Bobby bone Chow, Meghan Marone, you're a crazy good songwriter.

1400
00:55:28,880 --> 00:55:31,360
Speaker 4: And you know you're crazy good songwriter. It's just we

1401
00:55:31,440 --> 00:55:32,960
Speaker 4: get to see everybody, the best of the best, the

1402
00:55:33,040 --> 00:55:35,760
Speaker 4: giants and the Land of Giants, and still like something

1403
00:55:35,760 --> 00:55:40,000
Speaker 4: about your songwriting, it's it's special. Yeah, it's really good.

1404
00:55:40,040 --> 00:55:42,359
Speaker 4: Obviously you're a great singer, but it's like a lot

1405
00:55:42,360 --> 00:55:44,120
Speaker 4: of people can sing, but it's like, how do you

1406
00:55:44,160 --> 00:55:45,880
Speaker 4: take your message and make sure it resonates in a

1407
00:55:45,960 --> 00:55:48,960
Speaker 4: way that and I'm not a girl in the mirror,

1408
00:55:49,120 --> 00:55:49,520
Speaker 4: and I'm.

1409
00:55:49,440 --> 00:55:50,040
Speaker 5: Like, I feel that.

1410
00:55:51,600 --> 00:55:51,920
Speaker 11: I get it.

1411
00:55:52,080 --> 00:55:54,719
Speaker 4: So really like, I know you're celebrated a lot now

1412
00:55:54,760 --> 00:55:58,640
Speaker 4: I get it, and you should be. But it's powerful stuff.

1413
00:55:58,680 --> 00:55:59,880
Speaker 4: You're really great songwriter.

1414
00:56:00,040 --> 00:56:00,279
Speaker 15: Thank you.

1415
00:56:00,440 --> 00:56:01,960
Speaker 4: So it's also not my first time to hear you

1416
00:56:02,400 --> 00:56:05,239
Speaker 4: because but look, it's awesome. I'm glad you came by.

1417
00:56:07,000 --> 00:56:09,200
Speaker 4: She's doing her Pistol Made Roses tour. We talked about

1418
00:56:09,200 --> 00:56:12,400
Speaker 4: a lot of those early shows and then she's in Geneva, Alabama,

1419
00:56:12,440 --> 00:56:15,000
Speaker 4: on the twenty ninth, but again tonight in Knoxville. All

1420
00:56:15,080 --> 00:56:17,680
Speaker 4: my Knoxville listeners, everybody out there. If there are any

1421
00:56:17,680 --> 00:56:19,440
Speaker 4: tickets left, I don't even know that there are. There

1422
00:56:19,440 --> 00:56:20,920
Speaker 4: probably aren't a lot of these shows are sold out,

1423
00:56:21,200 --> 00:56:24,960
Speaker 4: but go it's worth buying the scalper tickets. I don't

1424
00:56:25,000 --> 00:56:26,440
Speaker 4: know if that's true or not. I don't know it.

1425
00:56:30,160 --> 00:56:30,719
Speaker 5: Do you want to do?

1426
00:56:31,040 --> 00:56:34,040
Speaker 4: Let's do the awkward questions from listeners real quick. Five questions.

1427
00:56:34,040 --> 00:56:36,760
Speaker 4: Who's the most famous person that follows Megan Moroney on Instagram?

1428
00:56:37,440 --> 00:56:38,120
Speaker 15: Most famous?

1429
00:56:38,760 --> 00:56:40,279
Speaker 4: She's looking at somebody for help. It's like, it's like

1430
00:56:42,320 --> 00:56:45,120
Speaker 4: Stefani I just saw follows you on Instagram?

1431
00:56:46,480 --> 00:56:48,560
Speaker 5: What the heck is right? How did you not get that? Okay,

1432
00:56:48,600 --> 00:56:49,239
Speaker 5: here we go. Next?

1433
00:56:49,520 --> 00:56:52,759
Speaker 4: Who is the I heard her room yelling gas? Who

1434
00:56:52,880 --> 00:56:55,680
Speaker 4: is the last celebrity to DM? You guy? Your girl

1435
00:56:55,719 --> 00:56:57,719
Speaker 4: doesn't matter? Blue check mark? We'll call it a blue

1436
00:56:57,760 --> 00:57:02,839
Speaker 4: check mark. We have a uh can we phone mind

1437
00:57:02,960 --> 00:57:04,200
Speaker 4: your to your room?

1438
00:57:04,280 --> 00:57:04,400
Speaker 16: Here?

1439
00:57:04,760 --> 00:57:04,880
Speaker 14: Uh?

1440
00:57:04,960 --> 00:57:06,040
Speaker 4: The old dominion you guys?

1441
00:57:06,400 --> 00:57:09,480
Speaker 15: Oh yeah, Matt Ramsey just called me so well, you know,

1442
00:57:09,520 --> 00:57:09,920
Speaker 15: we'll count it.

1443
00:57:10,000 --> 00:57:13,160
Speaker 4: We'll count it. Does Meghan Roney get closed for free?

1444
00:57:13,600 --> 00:57:13,799
Speaker 15: Yes?

1445
00:57:14,320 --> 00:57:15,120
Speaker 4: Isn't it the best part?

1446
00:57:15,360 --> 00:57:15,520
Speaker 13: Yes?

1447
00:57:15,960 --> 00:57:16,720
Speaker 15: These boots for free?

1448
00:57:17,840 --> 00:57:18,479
Speaker 11: They're so cute?

1449
00:57:18,800 --> 00:57:19,800
Speaker 5: Yes and the best.

1450
00:57:20,000 --> 00:57:23,040
Speaker 4: Yeah, they're paid for the genes. Does Meghan Morony dye

1451
00:57:23,120 --> 00:57:23,520
Speaker 4: her hair?

1452
00:57:23,840 --> 00:57:24,320
Speaker 15: Of course?

1453
00:57:24,600 --> 00:57:27,120
Speaker 4: And finally, does Megan Moroney fabricate stories about exes? Have

1454
00:57:27,160 --> 00:57:28,200
Speaker 4: better stories about her songs?

1455
00:57:28,960 --> 00:57:31,280
Speaker 15: Fabricate stories about her exes.

1456
00:57:31,200 --> 00:57:33,720
Speaker 4: To have better stories about her songs. For songs, I

1457
00:57:33,760 --> 00:57:34,240
Speaker 4: think they meant.

1458
00:57:34,880 --> 00:57:36,240
Speaker 15: I think as a songwriter.

1459
00:57:37,800 --> 00:57:39,760
Speaker 16: Obviously not every single line is going to be true,

1460
00:57:39,840 --> 00:57:42,680
Speaker 16: but the core of these stories that I tell her true.

1461
00:57:43,200 --> 00:57:43,600
Speaker 9: I love it.

1462
00:57:43,680 --> 00:57:45,520
Speaker 4: There she is. Isn't she great?

1463
00:57:45,760 --> 00:57:45,920
Speaker 16: Yes?

1464
00:57:46,160 --> 00:57:47,160
Speaker 5: Yes, let's be honest.

1465
00:57:47,240 --> 00:57:49,200
Speaker 4: Isn't she great? The record comes out in May fifth.

1466
00:57:49,640 --> 00:57:52,600
Speaker 4: It's the debut album, but full album. We already we

1467
00:57:52,680 --> 00:57:55,680
Speaker 4: already have some good stuff. But the full album is

1468
00:57:55,720 --> 00:57:57,440
Speaker 4: coming out, and you guys check it out. We'll talk

1469
00:57:57,440 --> 00:57:59,040
Speaker 4: about it the day comes out. But it's called Lucky

1470
00:57:59,360 --> 00:58:00,960
Speaker 4: and that's congrats on everything.

1471
00:58:01,120 --> 00:58:01,440
Speaker 15: Thank you.

1472
00:58:01,520 --> 00:58:03,640
Speaker 4: Yeah, I'll see when the world spends back around and

1473
00:58:03,760 --> 00:58:05,480
Speaker 4: your back around. There she has Megan Maroni.

1474
00:58:05,520 --> 00:58:07,000
Speaker 13: Everybody I read it.

1475
00:58:08,880 --> 00:58:12,560
Speaker 1: It's the best bits of the week with Morgan number two.

1476
00:58:13,960 --> 00:58:16,400
Speaker 3: This unfortunately comes in at the number one spot for

1477
00:58:16,960 --> 00:58:19,600
Speaker 3: the sake of Amy is why I'm saying. Unfortunately. She

1478
00:58:19,840 --> 00:58:23,480
Speaker 3: was mistaken as Bobby's wife, Caitlyn's mom.

1479
00:58:23,600 --> 00:58:25,320
Speaker 2: I know, kind of confusing. Bobby's wife.

1480
00:58:25,400 --> 00:58:28,280
Speaker 3: Kaitlin and Amy were out running some errands and somebody

1481
00:58:28,320 --> 00:58:29,360
Speaker 3: thought that Amy was her mom.

1482
00:58:29,440 --> 00:58:30,320
Speaker 2: It was a whole situation.

1483
00:58:30,520 --> 00:58:32,600
Speaker 3: Amy was still pretty upset with it when she came

1484
00:58:32,640 --> 00:58:33,760
Speaker 3: into the show and talked about it.

1485
00:58:34,200 --> 00:58:35,440
Speaker 2: The guys are still giving.

1486
00:58:35,280 --> 00:58:37,560
Speaker 3: Her a hard time for all of this, so you

1487
00:58:37,640 --> 00:58:40,240
Speaker 3: can hear the story and the jokes that are probably

1488
00:58:40,320 --> 00:58:42,360
Speaker 3: going to come from this for months to come.

1489
00:58:42,560 --> 00:58:44,440
Speaker 2: So this is the bit you need to listen to

1490
00:58:44,560 --> 00:58:44,919
Speaker 2: this week.

1491
00:58:45,400 --> 00:58:45,960
Speaker 1: Number one.

1492
00:58:46,120 --> 00:58:47,680
Speaker 4: This is an awkward story, so I'll just let you

1493
00:58:47,760 --> 00:58:48,400
Speaker 4: kind of run with it.

1494
00:58:48,840 --> 00:58:49,960
Speaker 5: Where were you what were you doing?

1495
00:58:50,920 --> 00:58:54,040
Speaker 11: We were running errands and I was with Caitlin, your wife,

1496
00:58:54,040 --> 00:58:56,800
Speaker 11: who's you know, you're forty what three?

1497
00:58:57,040 --> 00:58:57,200
Speaker 8: Three?

1498
00:58:57,320 --> 00:58:57,400
Speaker 14: Now?

1499
00:58:57,560 --> 00:58:57,600
Speaker 12: No?

1500
00:58:57,840 --> 00:59:01,960
Speaker 11: And she's thirty one? Yes, okay, yeah, that's okay. So

1501
00:59:02,040 --> 00:59:07,080
Speaker 11: I'm about your age. I'm forty two. Where do I start?

1502
00:59:07,200 --> 00:59:07,960
Speaker 4: You should just say it?

1503
00:59:09,200 --> 00:59:12,080
Speaker 11: Okay, So we've been asked this before, like you should.

1504
00:59:11,800 --> 00:59:14,160
Speaker 4: Just say and then get to all the secondary staff.

1505
00:59:14,240 --> 00:59:18,280
Speaker 11: Later, a guy says, and my son, Stevenson, he's with us.

1506
00:59:18,360 --> 00:59:21,880
Speaker 11: We're just standing there. Oh, are y'all related? And I

1507
00:59:22,040 --> 00:59:25,720
Speaker 11: was like, we're like no, you know, thinking we've gotten

1508
00:59:25,720 --> 00:59:28,560
Speaker 11: them before, like our sisters whatever. I thought that's where

1509
00:59:28,640 --> 00:59:32,000
Speaker 11: maybe it would go. He said, Oh I thought that

1510
00:59:32,600 --> 00:59:33,320
Speaker 11: you were her mom?

1511
00:59:33,920 --> 00:59:34,200
Speaker 9: Wow?

1512
00:59:35,520 --> 00:59:44,360
Speaker 11: No, has anybody ever thought that you were her dad?

1513
00:59:44,560 --> 00:59:45,760
Speaker 5: Oh no exactly.

1514
00:59:46,080 --> 00:59:50,360
Speaker 4: Oh so like whether holding hands or something. I mean, also,

1515
00:59:50,520 --> 00:59:54,480
Speaker 4: let's be honest, I wear big glasses and it covers

1516
00:59:54,560 --> 00:59:56,920
Speaker 4: up like any aging in my eyes, it kind of

1517
00:59:56,960 --> 00:59:59,080
Speaker 4: covers up. So I got a little mask. We go ahead.

1518
01:00:00,240 --> 01:00:05,200
Speaker 11: I so, of course we were like what and then

1519
01:00:05,920 --> 01:00:07,680
Speaker 11: you know, Caitlyn tries to like help me out. She's like,

1520
01:00:07,720 --> 01:00:09,200
Speaker 11: oh my gosh, no, you would have had me when

1521
01:00:09,240 --> 01:00:12,080
Speaker 11: you were like eleven or something. He was, oh, yeah, yeah, yeah, yeah,

1522
01:00:12,520 --> 01:00:13,840
Speaker 11: you would have had to give him birth to when

1523
01:00:13,880 --> 01:00:17,800
Speaker 11: you were two. And I was like nice too, Well

1524
01:00:17,840 --> 01:00:18,479
Speaker 11: my mom did.

1525
01:00:18,440 --> 01:00:19,520
Speaker 4: Get pregnant at fifteen with me.

1526
01:00:19,760 --> 01:00:20,920
Speaker 5: Yeah, it's not crazy.

1527
01:00:22,800 --> 01:00:26,880
Speaker 11: I mean, I know, I still am like I don't know.

1528
01:00:28,080 --> 01:00:30,840
Speaker 11: I don't know what would why he would say that

1529
01:00:32,320 --> 01:00:34,880
Speaker 11: he was like my age too, He was like our

1530
01:00:34,960 --> 01:00:38,480
Speaker 11: age and he I don't get it. I don't know

1531
01:00:38,480 --> 01:00:40,080
Speaker 11: if he's trying to be funny or if he was

1532
01:00:40,400 --> 01:00:42,680
Speaker 11: being for real, but it just was like not, it

1533
01:00:42,720 --> 01:00:45,360
Speaker 11: did not. It still doesn't make sense to me, It doesn't.

1534
01:00:47,320 --> 01:00:47,720
Speaker 5: Very much.

1535
01:00:47,840 --> 01:00:50,720
Speaker 11: So Caitlyn sent me a text later She's like, he's blind,

1536
01:00:51,360 --> 01:00:53,480
Speaker 11: you know, like China is like somehow he's got to

1537
01:00:53,520 --> 01:00:54,120
Speaker 11: be and I'm like.

1538
01:00:55,840 --> 01:00:57,480
Speaker 4: So what do you guys think about it? Why do

1539
01:00:57,600 --> 01:00:59,680
Speaker 4: you think he said that it's easy, go ahead. He

1540
01:00:59,760 --> 01:01:00,600
Speaker 4: was on Kaitlyn.

1541
01:01:01,120 --> 01:01:03,000
Speaker 5: He was trying to tell Kaitlyn, man, you look hot.

1542
01:01:03,080 --> 01:01:09,760
Speaker 5: You look young and hot. Sorry, insault the friends, he

1543
01:01:09,800 --> 01:01:13,520
Speaker 5: can get the friend. It's it's what he was doing.

1544
01:01:13,560 --> 01:01:15,520
Speaker 5: He was looking at Kaitlyn saying, Hey, she's the hotty.

1545
01:01:15,560 --> 01:01:18,080
Speaker 5: I'm going for her. Her friend's gonna have to kick rocks.

1546
01:01:19,200 --> 01:01:20,800
Speaker 10: I think he has it mixed up. I think he

1547
01:01:20,920 --> 01:01:23,680
Speaker 10: was after Amy and he was like, hey, you're the mom.

1548
01:01:23,800 --> 01:01:25,760
Speaker 10: You're a mommy hotty, like.

1549
01:01:25,840 --> 01:01:28,840
Speaker 4: You look like a young mom. That's exactly what he

1550
01:01:28,960 --> 01:01:32,440
Speaker 4: was doing. I thought of that, mommy, mommy, haughty. How

1551
01:01:32,480 --> 01:01:34,000
Speaker 4: long have you have you thought about this a lot

1552
01:01:34,040 --> 01:01:34,400
Speaker 4: since then?

1553
01:01:35,200 --> 01:01:37,000
Speaker 11: Yeah, multiple times a day.

1554
01:01:38,640 --> 01:01:40,840
Speaker 4: How does it make you feel old?

1555
01:01:41,880 --> 01:01:44,640
Speaker 11: I don't know what else to say. I texted my

1556
01:01:44,720 --> 01:01:46,160
Speaker 11: face person right.

1557
01:01:46,080 --> 01:01:48,480
Speaker 5: After person surgery.

1558
01:01:54,200 --> 01:01:56,800
Speaker 11: You know, I jokingly sent to tags like I might

1559
01:01:56,960 --> 01:01:58,960
Speaker 11: need some more of that cream so.

1560
01:01:59,120 --> 01:02:02,040
Speaker 5: Then, but not really joking, because if you, senator, she

1561
01:02:02,040 --> 01:02:04,440
Speaker 5: wouldn't even know the story. So oh no.

1562
01:02:04,560 --> 01:02:06,400
Speaker 11: I sent in a group text because we all know

1563
01:02:06,440 --> 01:02:07,720
Speaker 11: the same people. And I sent a group text and

1564
01:02:07,760 --> 01:02:09,800
Speaker 11: I said well, someone just said I was Caitlin's mom,

1565
01:02:09,880 --> 01:02:11,479
Speaker 11: so gonna need some help.

1566
01:02:14,240 --> 01:02:16,240
Speaker 4: Like, so, this is what I would say to you.

1567
01:02:16,640 --> 01:02:21,720
Speaker 4: I would say, don't let one person's confusion inability to

1568
01:02:21,800 --> 01:02:26,000
Speaker 4: go up and talk to two attractive women. I mean,

1569
01:02:26,200 --> 01:02:29,280
Speaker 4: have this much dominance over your days. If it happened

1570
01:02:29,320 --> 01:02:33,000
Speaker 4: like three times in three months, I'd say, still, it

1571
01:02:33,040 --> 01:02:36,040
Speaker 4: doesn't matter, but at least you would know that they

1572
01:02:36,120 --> 01:02:37,920
Speaker 4: actually meant it. This guy was probably just trying to

1573
01:02:37,920 --> 01:02:40,040
Speaker 4: think of something to say, and he's like, oh god, I.

1574
01:02:40,000 --> 01:02:41,640
Speaker 1: Don't know what would just stop it?

1575
01:02:42,480 --> 01:02:45,640
Speaker 11: Then stop it? Are y'all related? We say no, stop there?

1576
01:02:46,200 --> 01:02:46,640
Speaker 5: I hear you.

1577
01:02:47,200 --> 01:02:49,479
Speaker 4: We say dumb things as guys, not even to women,

1578
01:02:49,720 --> 01:02:52,080
Speaker 4: to anybody, all the time trying to be funny. I

1579
01:02:52,160 --> 01:02:54,360
Speaker 4: think he just missed. I think he was trying.

1580
01:02:54,400 --> 01:02:57,800
Speaker 11: I wish I could I could find this person and

1581
01:02:58,000 --> 01:03:00,720
Speaker 11: see if he was trying to be funny or if

1582
01:03:00,760 --> 01:03:03,200
Speaker 11: you really thought I was her mom. I just can't

1583
01:03:03,280 --> 01:03:07,080
Speaker 11: imagine a place in which someone that I'm like ten

1584
01:03:07,200 --> 01:03:14,880
Speaker 11: years apart from basically that I shaking that eleven fine

1585
01:03:15,480 --> 01:03:16,520
Speaker 11: ten and a half, and.

1586
01:03:16,600 --> 01:03:18,280
Speaker 5: That cut deep, It cut deep. I can hear it.

1587
01:03:18,400 --> 01:03:21,240
Speaker 5: Named voices, Okay, let's say, Amy, if you want to

1588
01:03:21,280 --> 01:03:23,000
Speaker 5: make you feel better, we go on the street and

1589
01:03:23,000 --> 01:03:24,440
Speaker 5: we can ask people how old do you think she is?

1590
01:03:24,520 --> 01:03:30,320
Speaker 5: And I don't mind a lot of confidence exactly, it'll

1591
01:03:30,320 --> 01:03:30,680
Speaker 5: boost her.

1592
01:03:30,880 --> 01:03:31,600
Speaker 4: That's a great bit.

1593
01:03:32,320 --> 01:03:34,720
Speaker 11: So here's the thing. I love being forty two. I

1594
01:03:34,800 --> 01:03:37,360
Speaker 11: don't mind it. I don't mind getting older. It's just

1595
01:03:38,400 --> 01:03:41,720
Speaker 11: I've never ever ever been asked if I'm the mom

1596
01:03:41,800 --> 01:03:45,440
Speaker 11: of one of my friends, like ever so that was.

1597
01:03:45,760 --> 01:03:48,240
Speaker 4: A younger friend though, Amy, you younger, but.

1598
01:03:48,440 --> 01:03:51,000
Speaker 11: Not significantly younger.

1599
01:03:50,880 --> 01:03:52,960
Speaker 5: A whole decade. That's a long time.

1600
01:03:53,160 --> 01:03:56,600
Speaker 11: She's not so young that my friend Bobby can't be

1601
01:03:56,680 --> 01:03:59,439
Speaker 11: married to her. I mean that's the point, Like she's

1602
01:03:59,560 --> 01:04:03,640
Speaker 11: not you know, I'm a dude. Whatever, Okay, this is

1603
01:04:05,000 --> 01:04:09,360
Speaker 11: I'm gonna I would like to find this man. I

1604
01:04:09,720 --> 01:04:11,400
Speaker 11: remember what he looks like. I don't think I'll ever

1605
01:04:11,440 --> 01:04:13,840
Speaker 11: forget it. Bring a man as a guest and maybe

1606
01:04:14,000 --> 01:04:15,080
Speaker 11: just say hey, what.

1607
01:04:16,440 --> 01:04:18,120
Speaker 4: Well he's going to say the right thing now. But

1608
01:04:18,600 --> 01:04:20,120
Speaker 4: he's a great idea for a bit. We take you

1609
01:04:20,160 --> 01:04:22,800
Speaker 4: out with him and that he goes guess or age.

1610
01:04:22,840 --> 01:04:23,640
Speaker 4: If you get it right, you.

1611
01:04:23,680 --> 01:04:24,080
Speaker 9: Want it all.

1612
01:04:24,080 --> 01:04:26,560
Speaker 11: Okay, what range do you think I'll get like anywhere from.

1613
01:04:27,000 --> 01:04:30,240
Speaker 4: Twenty five to twenty eight fifty oh smart, clearly.

1614
01:04:30,080 --> 01:04:31,040
Speaker 5: Twenty five to twenty eight.

1615
01:04:31,360 --> 01:04:34,800
Speaker 4: Yeah, I'm sorry that happened to you. Don't give one

1616
01:04:34,840 --> 01:04:36,240
Speaker 4: person that much power over you, you know.

1617
01:04:36,360 --> 01:04:39,160
Speaker 11: It's like you say, sometimes nobody knows the colors like

1618
01:04:39,240 --> 01:04:41,720
Speaker 11: you can't see. We have no idea if we're seeing

1619
01:04:41,760 --> 01:04:44,400
Speaker 11: the same color blue or red or whatever.

1620
01:04:44,680 --> 01:04:45,520
Speaker 4: Age is different though.

1621
01:04:46,120 --> 01:04:47,200
Speaker 1: What if he has one of those.

1622
01:04:47,120 --> 01:04:51,120
Speaker 11: Filters where he sees people as like way old.

1623
01:04:51,120 --> 01:04:52,240
Speaker 5: He's tight to dumb.

1624
01:04:52,720 --> 01:04:56,880
Speaker 11: Just let it go water good, good, you're good at

1625
01:04:56,920 --> 01:04:58,640
Speaker 11: this moment, I have released it. I've let it go

1626
01:05:00,040 --> 01:05:02,919
Speaker 11: at all true, but I do. I don't want people

1627
01:05:02,960 --> 01:05:06,200
Speaker 11: to misunderstand the fact that I love my I'm looking

1628
01:05:06,240 --> 01:05:08,080
Speaker 11: forward to my forties. I love aging.

1629
01:05:08,280 --> 01:05:13,920
Speaker 4: It's fine, kind of bull crack, I do. I love

1630
01:05:14,000 --> 01:05:17,200
Speaker 4: it all good, All good is wipe your hands. You're

1631
01:05:17,240 --> 01:05:22,000
Speaker 4: done there, you go right? Yeah, you look great.

1632
01:05:22,120 --> 01:05:22,560
Speaker 5: Let me move on.

1633
01:05:22,640 --> 01:05:25,680
Speaker 4: You look great and young? Yeah wow, yeah, I'll make

1634
01:05:25,720 --> 01:05:26,920
Speaker 4: card make sure she can be in here.

1635
01:05:28,960 --> 01:05:32,640
Speaker 1: It's the best bits of the week with Morgan number two.

1636
01:05:33,800 --> 01:05:35,440
Speaker 2: All right, y'all, that's it for me this weekend.

1637
01:05:35,440 --> 01:05:37,880
Speaker 3: I've been excited to hang out with y'all again on

1638
01:05:38,000 --> 01:05:41,480
Speaker 3: another awesome Saturday or Sunday. Whenever you choose to hang

1639
01:05:41,520 --> 01:05:44,000
Speaker 3: out with me, be sure again to check out Best

1640
01:05:44,000 --> 01:05:47,200
Speaker 3: Bits Part one with Scuba Steve. This weekend, we also

1641
01:05:47,320 --> 01:05:50,240
Speaker 3: shared our strong opinions that we have on something small

1642
01:05:50,360 --> 01:05:53,439
Speaker 3: and mysteries we may have going on in our lives.

1643
01:05:53,440 --> 01:05:56,160
Speaker 3: So just a lot of fun stuff over there. Scuba's

1644
01:05:56,200 --> 01:05:58,880
Speaker 3: looking at me like what Yeah, even.

1645
01:05:58,720 --> 01:06:00,800
Speaker 2: It's a tease for him. I love y'all.

1646
01:06:01,080 --> 01:06:03,040
Speaker 3: Make sure you follow the show at Bobby Bone show

1647
01:06:03,120 --> 01:06:06,720
Speaker 3: on All the Things and me at Lobgirl Morgan also

1648
01:06:06,960 --> 01:06:09,480
Speaker 3: on All the Things. Literally I can't keep up these days,

1649
01:06:09,480 --> 01:06:12,080
Speaker 3: but they're all there, and I hope this weekend is

1650
01:06:12,120 --> 01:06:14,240
Speaker 3: a fun, safe, wonderful one for y'all.

1651
01:06:14,320 --> 01:06:14,960
Speaker 2: I'll see you later.

1652
01:06:15,120 --> 01:06:20,200
Speaker 1: Bye, Bobby Bone, Bobby Bones