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Speaker 1: Hey, it's the world's most dangerous morning to show the

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Speaker 1: Breakfast Club. I go by the name of Charlamage and

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Speaker 1: God hit the Yeo's Red yo yo yo yo yo yo.

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Speaker 2: Yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo Yo.

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Speaker 3: Yeah, I can't throw myself and out of you. But

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Speaker 3: guess what day it is?

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Speaker 4: Guess what day it is?

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Speaker 3: Yes, indeed, man, I guess I'm the only one here

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Speaker 3: at the moment. He's on vacation, all right. He's gonna

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Speaker 3: be gone for a couple of days. And he's gonna

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Speaker 3: be gone for a couple of days.

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Speaker 1: I have no idea what justice Lauren should be coming

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Speaker 1: in here at any moment, but we have an amazing

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Speaker 1: show for you today. Marlon Walliams will be joining us

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Speaker 1: this morning. Marlon Walliams has a new movie coming out

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Speaker 1: this Friday. It's actually a Jordan Peel film called Him.

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Speaker 1: It is a sports hard movie. So he'll be joining

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Speaker 1: us to talk to us about that. And who knows me.

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Speaker 1: I don't know what Lauren got playing for the latest. Man,

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Speaker 1: We're just gonna have an amazing show a Teslin figure

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Speaker 1: will be up next with Front Page News, which will

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Speaker 1: be about thirty seconds.

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Speaker 3: So what's the song we're about to play, right, Chris Brown?

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Speaker 1: Play Chris Brown for thirty seconds, and then we're gonna

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Speaker 1: come back and talk to test. It's the World's Most

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Speaker 1: Dangerous Morning short of Breakfast Club, and it's time for

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Speaker 1: Front Page Nos.

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Speaker 5: Good morning, Charlemagne. I'm glad to join you in the

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Speaker 5: coffin this morning.

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Speaker 1: It's the Black Mothership. Don't ever get it fed Uphip.

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Speaker 1: Good morning, Tesler, figure out, how are you good?

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Speaker 6: Good morning, I'm doing well, Charlemagne. To God, let me

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Speaker 6: get straight into it. I know we need to talk

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Speaker 6: about a lot well. Yesterday, Tyler Robinson, the man accused

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Speaker 6: of murdering Charlie Kirk, appeared briefly before judge by video

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Speaker 6: from jail. Let's take a listen to the formal charges.

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Speaker 7: Tyler Robinson is charged with aggravated murder, felony, discharge of

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Speaker 7: a firearm, two counts of obstruction of justice, two counts

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Speaker 7: of witness tampering, and committing a crime in the presence

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Speaker 7: of a child. Authority say their evidence includes text messages

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Speaker 7: between Robinson and his roommate.

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Speaker 8: Roommate, you are the man who did it, right, Robinson?

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Speaker 8: I am, I am, I'm sorry.

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Speaker 3: Roommate.

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Speaker 8: Why Robinson? Why did I do it?

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Speaker 3: Roommate?

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Speaker 8: Yeah, Robinson, I had enough of his hatred. Some hate

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Speaker 8: can't be negotiated out.

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Speaker 9: Now.

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Speaker 6: The FBI said that Robinson used the chat app discord

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Speaker 6: to tell at least twenty friends that he shot Kirk,

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Speaker 6: So the FBI is questioning those individuals. And speaking of

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Speaker 6: questioning Charlemagne, Democrats brought FBI Director Cash Matael before Congress

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Speaker 6: yesterday to question him about his inconsistencies during the investigation,

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Speaker 6: and Senator Corey Booker basically reminded Patel that he too

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Speaker 6: might be fired.

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Speaker 5: Let's listen to what he had to say.

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Speaker 10: Donald Trump has shown us in his first term and

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Speaker 10: in this term, he is not.

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Speaker 3: Loyal to people like you.

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Speaker 11: He will cut you loose because maybe the last time

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Speaker 11: I have a hearing with you, because I don't think

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Speaker 11: you're long.

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Speaker 3: What they mad about? What they med at Cash Mattel about?

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Speaker 3: What was that?

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Speaker 6: Yeah, well they mad at him because he had the inconsistencies.

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Speaker 6: Remember he's said, first we got the guy, you know,

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Speaker 6: we got him in custody, and then he went back

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Speaker 6: and said they didn't have him in custody, and then

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Speaker 6: today I'm gonna bring you more of that tomorrow. Today

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Speaker 6: they're going to get into ask him more questions about

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Speaker 6: the f SCEN files. So they're going to ask him

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Speaker 6: a ton of different things. It's not just focused on

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Speaker 6: Charlie Kirk as f Sein Fowls is Charlie Kirk. Also

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Speaker 6: of the resources they've been diverting to, you know, a

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Speaker 6: lot of the ice, you know, ice ice, and a

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Speaker 6: lot of sudden that they're spending on that.

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Speaker 5: So they're going to question on a number of different things.

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Speaker 5: And so we'll be talking about that.

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Speaker 6: If we got a couple of seconds, I do want

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Speaker 6: to talk about a couple of things Charlemagne that we

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Speaker 6: did not know about Tyler Robinson.

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Speaker 5: His DNA was found on the trigger of the rifle.

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Speaker 6: The prosecutor said that he wrote in the text that

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Speaker 6: he spent more than a week on planning to kill Kirk.

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Speaker 6: Prosecutors also said that he has not revealed a clear

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Speaker 6: motive at this time, so they still have not landed

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Speaker 6: on a motive. But again, like you heard in the clip,

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Speaker 6: they said he's had enough of his hate.

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Speaker 1: I tell you one thing else about Tyler Robinson. I

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Speaker 1: don't care what they tell you. You ain't got no rights. Okay,

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Speaker 1: everything they telling you in court right now about right

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Speaker 1: the council and write the remains silent and right to

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Speaker 1: a publican speedy jury trial. No no, no, they already

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Speaker 1: picked and choose what they gonna do to you, you

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Speaker 1: fried bro.

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Speaker 6: Yeah, it's gonna be interesting to see all twenty people

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Speaker 6: that will see if they'll be getting in and cut

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Speaker 6: cooperating with the FBI as well. But at seven o'clock,

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Speaker 6: I want to tell you about the LA Police Department.

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Speaker 5: They're released a.

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Speaker 6: Report on how many projectiles were fired during the gym protests.

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Speaker 6: And I want to tell you about the youngest neuroscience

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Speaker 6: student in history.

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Speaker 5: So I see you as seven.

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Speaker 3: All right, Thank you, Tess.

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Speaker 1: Next up, get it off your chest one hundred and

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Speaker 1: five eighty five, one oh five to one. If you

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Speaker 1: want to call up here and tell us why you're blessed,

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Speaker 1: you can do that. If you want to call up

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Speaker 1: here and get something off your chest that's that's bothering you,

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Speaker 1: you can do that too. It's the world's most dangerous

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Speaker 1: morning show to Breakfast Club, the Breakfast Club.

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Speaker 12: Wake up, wake up, this is your time to get

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Speaker 12: it off your chest. And man of Black, we want

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Speaker 12: to hear from you on the Breakfast Blast.

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Speaker 3: Good morning. Who's in?

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Speaker 10: What's going on?

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Speaker 3: So?

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Speaker 13: Oh man, she should be for the BX.

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Speaker 3: Whatever, Jimmy from the BX. Get it off your chest.

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Speaker 1: You know all the craziest people in America come from

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Speaker 1: the Bronx and all the Florida You do know that, right,

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Speaker 1: That's right?

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Speaker 11: And I got the family forward to Hector and Jennifer Zarry.

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Speaker 3: Lord, have mercy.

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Speaker 11: I just want to say, hey, look, I want to

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Speaker 11: give you a shadow yesterday for the interview with Dave.

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Speaker 11: You held your home. You're respectable, and I think Damid's

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Speaker 11: just ringing the desperation. Damn, he's trying to stay, you know,

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Speaker 11: reveling like Yo, my man is over.

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Speaker 13: You say you don't talk about Jimmy, keep bringing up

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Speaker 13: Jay Zame's interviews, and I just you know, then he

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Speaker 13: trying to come at ll O cool Bay because.

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Speaker 11: I see how little Bronco reported saying every bole said

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Speaker 11: that he's not a chairman.

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Speaker 14: Bro They was on my body yesterday.

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Speaker 4: Yes they was.

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Speaker 13: But you know, I just you know, your little journalism

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Speaker 13: that finally was since CMZ and I'm you know, I'm

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Speaker 13: gonna go with you.

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Speaker 11: You say he's at the chair. You don't believe that?

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Speaker 1: Thank you, I mean Revolt said he's not the chairman.

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Speaker 1: But we'll get into that during the latest thank you

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Speaker 1: for calling my brother. We said first, yes, sir Peace King, listen,

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Speaker 1: good morning, get it off your chance, brother.

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Speaker 2: I see this, k come on with you think that

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Speaker 2: you want to chime in on that. To be honest,

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Speaker 2: game didn't have to deliver it like that. But you

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Speaker 2: guys are on a platform where you deliver a lot

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Speaker 2: of information to a fash a lot of people, and

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Speaker 2: I just hope more forward that got to just continue

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Speaker 2: to just educate people of all the things that we

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Speaker 2: need to be educated about.

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Speaker 1: I think we do both, and I think we do

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Speaker 1: a fantastic job of doing both. And I've always told

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Speaker 1: y'all with a perfect balance of righteousness and ratchet. You know,

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Speaker 1: because last week alone, you had diverse voices like Meddi Hassan,

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Speaker 1: you had Ben Shapiro, you had Jasmine Crockett, But nobody,

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Speaker 1: even though those number, even though those due numbers, nobody

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Speaker 1: ever calls up here and y'all don't have the reaction

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Speaker 1: y'all do to the mess like Dame Dash yesterday.

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Speaker 3: So who fault is that? Good morning? Who is yo?

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Speaker 4: Good morning?

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Speaker 10: Tarling man? I'm all from Illinois.

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Speaker 15: Man, I just want to talk about that damn badge.

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Speaker 3: And yesterday, Yes, sir, go ahead, brother, So the situation.

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Speaker 15: I had a lot of respectful day, but that kind

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Speaker 15: of threw me off yesterday. And how you were trying

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Speaker 15: to like talk about you running from that fight and

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Speaker 15: all that. And I believe, like every mandy of a cult,

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Speaker 15: refusing to fight doesn't mean you're afraid.

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Speaker 3: When it's now leading to fight.

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Speaker 15: The only bother wan that's just stand down. And you

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Speaker 15: did the right thing. He got out that situation, and

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Speaker 15: you protect yourself, solf pursue the last day. So I'll

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Speaker 15: respect you, and I respect the breakfast well. So and

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Speaker 15: he came to y'all y'all didn't come your help.

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Speaker 3: I appreciate it, brother, Yes, sir, thank you man, Thank

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Speaker 3: you for calling get it off your chests.

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Speaker 1: One hundred and five eight five, one oh five to one.

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Speaker 1: Those aren't box by the way, those are real voices.

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Speaker 1: I just want you to know that. So hit us

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Speaker 1: up right now. If you want to get something of

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Speaker 1: your chest, or if you want to tell us why

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Speaker 1: you're blessed, if you just want to tell us why

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Speaker 1: you're upset, you can do that too.

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Speaker 3: It's the breakfast club.

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Speaker 16: The breakfast club.

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Speaker 3: Damn what you're doing man calling you?

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Speaker 12: This is your time to get it off your chest,

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Speaker 12: whether you're mad or blessed. Eight hundred five eight five

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Speaker 12: one o five one. We want to hear from you

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Speaker 12: on the breakfast clubs.

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Speaker 3: Get it off your chest? Who's this?

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Speaker 13: This is Rico from that town.

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Speaker 1: Rico. We don't want you. How are you, sir? I'm

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Speaker 1: good man, I'm blessed, black and Holly favor man. Get

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Speaker 1: it off your chest.

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Speaker 13: Hey, I just wanted to call about the Dame David's

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Speaker 13: interview from yesterday.

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Speaker 3: Okay, talk to me.

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Speaker 10: I thought I thought it was hilarious.

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Speaker 3: I did too. I enjoyed it.

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Speaker 10: When you go through life, you realize that some people

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Speaker 10: you just don't take serious, and damn Dash.

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Speaker 11: Is one of the people.

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Speaker 1: I don't disagree with you. I just don't disagree with you.

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Speaker 1: Thank you for calling brother. Good morning.

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Speaker 3: Who's this going on?

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Speaker 10: Man?

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Speaker 17: Yeah?

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Speaker 3: Three eight o three metro what's happening. Get it off

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Speaker 3: your chest, brother, I gotta put it out there. Okay,

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Speaker 3: talk to me.

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Speaker 11: Hey man day, I really enjoyed that day interview.

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Speaker 10: Yes, get the call there, but y'all heard y'all brown Man,

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Speaker 10: I'm I did.

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Speaker 6: Especially you.

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Speaker 9: Represent the sound man for the sounds, you know, but

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Speaker 9: I appreciate it.

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Speaker 1: Yes, sir Jesus Christ. Everybody want to talk about Dame Dash.

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Speaker 1: Get it off your chests. Lose this Carl, please call her?

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Speaker 16: Goodmorrow.

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Speaker 3: How are you?

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Speaker 10: Okay, I'm blessed and highly meditated.

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Speaker 3: Ooh what you on? You want edible or something?

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Speaker 4: A little bit of both? Okay, Okay, I don't discriminate.

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Speaker 10: Okay, I want to get off my chest this Damon Dash.

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Speaker 10: Let's start with Damon Dash. Y'all put up with too

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Speaker 10: much of his stupidity. Never like Damon Dash. He has

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Speaker 10: not been relevant since Aliyah has passed away. Damon Dash

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Speaker 10: needs to stay in his lane because I make more

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Speaker 10: than him as a construction worker.

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Speaker 3: Salute to all the construction workers out there. Y'all do

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Speaker 3: get paid.

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Speaker 1: Y'all make a lot of money. I mean the world

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Speaker 1: does not even move without y'all.

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Speaker 3: You hear me? Every single day I was going on

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Speaker 3: in the company in the world.

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Speaker 10: I appreciate you putting some respect on my profession, but

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Speaker 10: let's get on. I want to really get off my chest.

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Speaker 10: Curselin guy that got killed.

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Speaker 4: I do not.

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Speaker 10: Promote somebody being murdered, but that was climb and knocking

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Speaker 10: on that man's door. You can't hate. I think, ain't

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Speaker 10: nothing gonna happen. These trunk supporters put by these flags,

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Speaker 10: these flag half masks because of this man that got killed.

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Speaker 10: That was his own doing. If he would shut his

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Speaker 10: mouth and staying his lane and know that this country

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Speaker 10: was built on the back of slaves and immigrants. I'm tired.

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Speaker 10: I'm tired to be stupid Republicans. I'm tired of it

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Speaker 10: because they seem they look at us. I had a

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Speaker 10: white person tell me yesterday, I need to stay in

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Speaker 10: my lane. I don't belong here.

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Speaker 3: Belong well like as far as America.

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Speaker 10: Is for, I live in Taylor, Michigan.

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Speaker 3: Okay.

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Speaker 10: I had a white person tell me yesterday, yeh by,

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Speaker 10: a white person tell me that I don't belong here.

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Speaker 10: Damn what I need to stay in my leg? I

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Speaker 10: tell him, I said his mama should have swallowed him.

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Speaker 3: God damn.

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Speaker 10: You know I do not roote. Hey, I do not

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Speaker 10: promote racism. I don't promote none of this, and I

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Speaker 10: will put somebody in their place when they are wrong.

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Speaker 10: And supporters need to know their days are going to end.

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Speaker 10: They need to stay in their lane and know the

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Speaker 10: Democrats playing with them.

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Speaker 3: Well, I think the Democrats are definitely playing for playing

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Speaker 3: with them. I don't.

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Speaker 1: I don't think the Democrats, you know, have the regime

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Speaker 1: to fight any of this stuff that's going on. But

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Speaker 1: I appreciate you standing up for yourself. Get it off

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Speaker 1: your chest and five one, five one.

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Speaker 3: We do that every morning.

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Speaker 18: Now, ll kool Bay, Yes, good morning. Yes, what you

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Speaker 18: got in the latest? Man, we got some Dame Dash?

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Speaker 18: Oh lord, yes, I mean I think this gonna put

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Speaker 18: a button on it. The CEO at Revolt sent an

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Speaker 18: email internally discussing Dame Dash and the chairman position or whatnot.

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Speaker 18: So we're gonna get into some things and some reactions to,

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Speaker 18: you know, celeb reactions to all of the interviews.

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Speaker 4: That we did.

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Speaker 1: Okay, we'll talk about it when we come back with

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Speaker 1: the latest. It's the Breakfast Club.

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Speaker 16: The Breakfast Club, It's the.

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Speaker 1: World's mos Dangerous Money Show, The Breakfast Club, Charlamagne to

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Speaker 1: God DJ Envy is off for the rest of the week.

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Speaker 1: Jess is running late she overslept, but l Cool beds heads.

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Speaker 1: Time for the Latest with Laura.

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Speaker 3: Lauren becoming a straight fast she gets them somebody that

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Speaker 3: knows somebody detail.

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Speaker 14: I'm a home girl that knows a little bit about everything.

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Speaker 16: And she'd be having the latest on you. The Latest

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Speaker 16: with Lauren Lrose.

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Speaker 1: Sometimes you have sometimes you have details, sometimes you have

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Speaker 1: a little bit of everything.

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Speaker 16: It's the latest on the Breakfast Club.

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Speaker 11: Talk to me.

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Speaker 3: I know your phone was hot yesterday.

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Speaker 18: Laurence Laos, Oh my god, yes, so yesterday after we

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Speaker 18: had our conversations here about Dame Dash and all the

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Speaker 18: things and the interview. I mean I said it on

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Speaker 18: the area that I had spoken to Well, you guys

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Speaker 18: had heard from Revolt. I had her from Revalt as well,

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Speaker 18: but at the time I couldn't say who I had

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Speaker 18: heard from. But then I was told by a publicist

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Speaker 18: that I spoke to, who actually leads their comms over

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Speaker 18: their communications, Like, Hey, can you please put on record

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Speaker 18: that you spoke to me. I want to make sure

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Speaker 18: that people know that Dame Dash is not the chairman

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Speaker 18: of Revolt.

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Speaker 3: So I did that well for people were just catching up.

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Speaker 3: You should let them hear their claims that he made.

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Speaker 14: Okay, yes do we I don't even know if we

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Speaker 14: have the do we have them? I have them, bring

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Speaker 14: them over. We cut them yesterday.

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Speaker 18: But so basically with Dame Dash claim was that he

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Speaker 18: was the new chairman of Revolt. He also claimed that

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Speaker 18: he was going to be acquiring Revolt. That chairman position

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Speaker 18: will be a path to acquiring Revolt Network and then

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Speaker 18: he would also he was also saying that he was

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Speaker 18: previously in conversations with be T to acquire BT and

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Speaker 18: they were really Revolt was really upset about that because

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Speaker 18: internally it caused a lot of issues. Now when I

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Speaker 18: posted that, hey, I spoke to the lead publicises at

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Speaker 18: Revault who confirms him Dash, she's not the chairman.

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Speaker 14: Oh baby, When I say all the guns came out.

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Speaker 3: Didn't he threaten to sue me? What I had to

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Speaker 3: do with it?

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Speaker 18: Yeah, he did threaten to sue you as well. He

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Speaker 18: actually said he said that you were up here making

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Speaker 18: false claims and that his attorneys were get involved.

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Speaker 14: If you continue to do so.

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Speaker 18: What false claims did I make I'm not because we

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Speaker 18: were talking about remember you said on air the Revolt thing,

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Speaker 18: he said, Charlottage, and I would advise you not to

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Speaker 18: make up phony stories without real names saying that anything

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Speaker 18: I said was not true, or we will have a

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Speaker 18: legal problem. Don't try to compromise my reputation. I have

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Speaker 18: prooved to support everything I say that will stand up

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Speaker 18: in any court.

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Speaker 1: He said he was going to be the new chairman

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Speaker 1: of Revolt, and he said that he was going to

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Speaker 1: acquire Revolt, and Revolte reached out thus and told us

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Speaker 1: that wasn't true.

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Speaker 3: How's that my fault?

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Speaker 19: Yeah?

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Speaker 14: And we have the Dame audio now too. You gotta

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Speaker 14: shit hear him say.

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Speaker 20: Let's say listen, I'm now the chairman of Revolt right now,

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Speaker 20: and I also I have fiftyeens to be the chairman

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Speaker 20: of I got you. So I'm now the chairman of

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Speaker 20: Revolt with a pathway again, you see, because he wants

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Speaker 20: to trigger me, and I want you to acknowledge that.

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Speaker 20: So I'm now Cam's boss, the chairman of Revolt with

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Speaker 20: a pathway to acquisition. I've been trying to buy a

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Speaker 20: case this on deadline.

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Speaker 3: Can you stop. Can you stop in the review me? Please?

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Speaker 20: Deadline wasn't didn't make the announcement for this particular situation.

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Speaker 3: They didn't want to.

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Speaker 20: I had an announcement I was gonna make with BT,

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Speaker 20: but Paramount stepped in and they said do it later,

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Speaker 20: and they didn't want to be a part of this mess.

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Speaker 3: It will be in something.

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Speaker 20: You know, this gets played tomorrow, so the announcement will

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Speaker 20: be in the trades tomorrow. I've been trying to buy

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Speaker 20: Revolt and I also just did a twenty five episode

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Speaker 20: deal for my podcast for Boss's Take Losses, and I'm

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Speaker 20: putting on my content on Revolt Dope.

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Speaker 3: I want the record the show too.

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Speaker 1: I told him he doesn't deserve to be the chairman

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Speaker 1: because he told me I didn't deserve something early in

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Speaker 1: the interview, I forgot what it was, though, I Tolt.

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Speaker 3: I was just imagine this that as.

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Speaker 4: You does so well.

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Speaker 18: The trade that he was talking about, or the news

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Speaker 18: announcement he was talking about, came via Vibe so vibed

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Speaker 18: in an article and it was like, you know, mind

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Speaker 18: you this is following me saying, Hey, the lead publishers

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Speaker 18: at Revolt is saying Dame Dash is not chairman off

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Speaker 18: for a month after any time, so Vibe to the article.

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Speaker 18: It was an announcement of him being a chairman at Revolt.

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Speaker 18: It said that it would be for a month term.

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Speaker 18: And then it had quotes from the CEO of Revolt,

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Speaker 18: or alleged quotes from the CEO of REVLT in all

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Speaker 18: these things, right, So all this is happening. And then

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Speaker 18: there is the Shade Room that obtains an exclusive email

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Speaker 18: that was sent internally at Revolt. Now this email is

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Speaker 18: from the Tavio Samuels, who is the CEO of Revolt Television,

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Speaker 18: and in the email he says, I know some of

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Speaker 18: you may have called Dame Dash's interview on the Breakfast

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Speaker 18: Club today. To set the record straight, Dame Dash is

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Speaker 18: a hip hop pioneer with a proven chat record as

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Speaker 18: a creator. Yes, we've been in conversations about potential partnerships,

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Speaker 18: things like licensing his shows and films for Revolt, but

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Speaker 18: there is no sign deal. He is not the chairman

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Speaker 18: of our company. There's no acquisition path on the table.

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Speaker 18: The quote from me and Vibe is completely fabricated. I

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Speaker 18: never said any of that. If anything major were to happen,

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Speaker 18: you'd hear it. Directly from me, and then they go

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Speaker 18: into some news that you know that is actually true,

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Speaker 18: that is actually happening from them, Like they just partnered

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Speaker 18: with Naomi Osaka on some sports women in sports content

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Speaker 18: they'll be doing, you know, just some of the positive

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Speaker 18: things that they wanted to highlight. But yeah, they had

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Speaker 18: to internally tell their team, hey, this is not true,

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Speaker 18: because the employees were like, what is happening right now?

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Speaker 1: I told y'all yesterday that I thought he was cappin.

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Speaker 1: I also told y'all yesterday he was going to spend

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Speaker 1: all day explaining himself, and that's exactly what he did.

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Speaker 3: Then something to say about this yesterday?

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Speaker 18: Yes, so Cameron posted online and he more and so

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Speaker 18: was laughing at Dame Dash as well. Let's do you

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Speaker 18: only have Cameron with Adrian. Yeah, so Cameron was more

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Speaker 18: so laughing at Dame Dash.

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Speaker 3: I saw him explain some stuff too.

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Speaker 18: Okay, so we'll grab that as well. In the meantime.

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Speaker 18: You remember when he was here as well, he talked

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Speaker 18: about Claudia Jordan and he mentioned fifty cent. Fifty cent

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Speaker 18: also has something to say fifty cent. It wasn't a video,

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Speaker 18: but fifty cent posted on Instagram and he said, he said,

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Speaker 18: I don't know why Dame Dash is calling me a liar,

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Speaker 18: And basically because Dame Dash was saying that fifty hadn't

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Speaker 18: grab the rights to pay the full Claudia Jordan had

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Speaker 18: something to say because Dame Dash talked about the lawsuit

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Speaker 18: that she was involved in, because she was in the movie.

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Speaker 14: Dear Frank, let's take a listen.

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Speaker 21: Dame Dash once again has my name in his mouth

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Speaker 21: when he should be having polladant tight grip in his

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Speaker 21: mouth instead holding those cheap ass dangers in place, instead

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Speaker 21: of worrying about me, why do you keep trying to

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Speaker 21: bring me into your mess. You've been seen by everybody,

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Speaker 21: You've lost every single lawsuit, and you owe the government

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Speaker 21: all this money, yet you keep trying to bring me

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Speaker 21: into your bullshit on instead of dear Frank, you were

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Speaker 21: wildly inappropriate. You did not set that should have shut

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Speaker 21: it down. And what you did to me during the

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Speaker 21: one scene was I have not embarrassed yet because everybody

444
00:18:38,920 --> 00:18:41,280
Speaker 21: else has done that job for me and including yourself.

445
00:18:41,520 --> 00:18:42,959
Speaker 21: But if you want to keep running your mouth, then

446
00:18:42,960 --> 00:18:45,680
Speaker 21: I'm gonna tell my side. You say, pervert on set,

447
00:18:45,920 --> 00:18:48,359
Speaker 21: you were disgusting the things you did with that porn

448
00:18:48,359 --> 00:18:49,919
Speaker 21: tape and what you try to do to get me

449
00:18:50,160 --> 00:18:52,280
Speaker 21: ready for a scene with you while your shunt was

450
00:18:52,280 --> 00:18:54,359
Speaker 21: showing out of your chest and you thought you was hot,

451
00:18:54,520 --> 00:18:54,919
Speaker 21: you were not.

452
00:18:55,280 --> 00:18:56,720
Speaker 4: You were shot mess.

453
00:18:56,760 --> 00:18:58,840
Speaker 5: And yes, I understand. You see me everywhere.

454
00:18:58,880 --> 00:19:01,919
Speaker 21: So and you're nowhere except pretending to own ranches that

455
00:19:01,960 --> 00:19:04,439
Speaker 21: you don't own and borrowing money from people, and you

456
00:19:04,480 --> 00:19:07,520
Speaker 21: see people that are just flourishing without you, and like

457
00:19:07,520 --> 00:19:09,159
Speaker 21: like you do with jay Z, you're just sitting there

458
00:19:09,200 --> 00:19:11,360
Speaker 21: and sell us of everybody else, counting everybody else's money.

459
00:19:11,400 --> 00:19:13,560
Speaker 21: So now you want to inclue me and your lawsuit bringing on?

460
00:19:14,280 --> 00:19:14,639
Speaker 16: What is it?

461
00:19:14,720 --> 00:19:18,040
Speaker 1: Shunt see murder? Tell me what, text me later and

462
00:19:18,080 --> 00:19:18,919
Speaker 1: tell me what to shunt it.

463
00:19:19,200 --> 00:19:19,600
Speaker 14: I don't know.

464
00:19:19,680 --> 00:19:22,720
Speaker 18: But in this also Dame had because remor you said

465
00:19:22,760 --> 00:19:24,800
Speaker 18: he was going to be trying to explain hisself. So

466
00:19:24,880 --> 00:19:27,880
Speaker 18: Damon posted some text between that he a ledger between

467
00:19:27,920 --> 00:19:30,680
Speaker 18: him and the Tabio Samuels, who was the CEO of Revolt,

468
00:19:31,080 --> 00:19:33,800
Speaker 18: and he's basically trying to show that there was an

469
00:19:33,800 --> 00:19:38,240
Speaker 18: ownership conversation of some sort. Now the text message conversation

470
00:19:38,320 --> 00:19:42,200
Speaker 18: they're talking about exclusivity of content. The tabo or whoever

471
00:19:42,240 --> 00:19:44,080
Speaker 18: this other person is is saying, we can align on

472
00:19:44,119 --> 00:19:46,560
Speaker 18: clips and other things from America News. So there's something,

473
00:19:46,880 --> 00:19:49,400
Speaker 18: but it can only live in one place. And then

474
00:19:49,480 --> 00:19:52,359
Speaker 18: Dame does acts in this text. He said, you know,

475
00:19:52,640 --> 00:19:54,639
Speaker 18: in addition to other things, also, is there still a

476
00:19:54,680 --> 00:19:55,600
Speaker 18: pathway to own?

477
00:19:55,960 --> 00:19:56,160
Speaker 14: Now?

478
00:19:56,160 --> 00:19:58,679
Speaker 18: The tabo texts back, but he also says after that,

479
00:19:58,720 --> 00:20:00,480
Speaker 18: but I'm cool with it if it's just for bosses

480
00:20:00,520 --> 00:20:03,320
Speaker 18: take losses to start, and then Dame says, not my

481
00:20:03,359 --> 00:20:06,560
Speaker 18: YouTube channel, not my YouTube channel, my network. The tabo

482
00:20:06,680 --> 00:20:08,720
Speaker 18: responds yes, and I'm with these folks, and then it's

483
00:20:08,760 --> 00:20:12,399
Speaker 18: cut off. Then there's an email where the tabo is

484
00:20:12,480 --> 00:20:17,760
Speaker 18: allegedly introducing Dame Dash to someone on an email thread.

485
00:20:18,119 --> 00:20:20,440
Speaker 1: I got aheadache already. Yeah, So all I know is

486
00:20:20,520 --> 00:20:24,359
Speaker 1: Dame cass too much. What the internet thinks you but

487
00:20:24,400 --> 00:20:26,120
Speaker 1: you know what they're dressing. A couple of weeks ago,

488
00:20:26,440 --> 00:20:29,480
Speaker 1: Dame was sitting down on all the Dialogue being chatty patty,

489
00:20:29,720 --> 00:20:33,040
Speaker 1: and he said Cameron's premature public announcement of becoming president

490
00:20:33,119 --> 00:20:35,520
Speaker 1: of Rockefeller back in two thousand and two caused real

491
00:20:35,560 --> 00:20:38,680
Speaker 1: problems and created a real tension at Rockefeller back then.

492
00:20:38,920 --> 00:20:41,000
Speaker 1: But fast forward just two weeks later, and Dame was

493
00:20:41,040 --> 00:20:43,440
Speaker 1: on the radio making the same kind of premature announcement

494
00:20:43,560 --> 00:20:44,880
Speaker 1: mat matter back of not even premature.

495
00:20:44,920 --> 00:20:46,480
Speaker 3: It wasn't even there's nothing to announce.

496
00:20:46,680 --> 00:20:49,520
Speaker 18: I really didn't understand what happened there, Like, I didn't

497
00:20:49,560 --> 00:20:52,359
Speaker 18: believe that. I mean, I know when I post the

498
00:20:52,400 --> 00:20:54,520
Speaker 18: story that I do my du divilagist to find out

499
00:20:54,560 --> 00:20:56,720
Speaker 18: what really happened. But when I found out, I was like,

500
00:20:56,760 --> 00:20:59,919
Speaker 18: there's no way he does. I don't know, I was.

501
00:21:00,080 --> 00:21:01,320
Speaker 18: I was caught off guard, but you.

502
00:21:01,280 --> 00:21:03,439
Speaker 3: Know, you can't believe somebody would just lie like that.

503
00:21:03,640 --> 00:21:06,440
Speaker 18: Yeah, for the record, Dame called me a liar when

504
00:21:06,440 --> 00:21:08,679
Speaker 18: I when I mentioned that he was not the chairman

505
00:21:08,720 --> 00:21:09,760
Speaker 18: of Revolt, and then.

506
00:21:09,640 --> 00:21:11,639
Speaker 3: The email from and then threatened to sue me.

507
00:21:12,200 --> 00:21:15,640
Speaker 14: Yeah, and yeah, trying to throw other legal things.

508
00:21:15,640 --> 00:21:17,320
Speaker 3: This is why you just gotta laugh at Dame.

509
00:21:17,600 --> 00:21:20,240
Speaker 1: And I need somebody to make a Dame Dash versus

510
00:21:20,320 --> 00:21:23,760
Speaker 1: Dame Dash video with Dame is literally violating all his

511
00:21:23,800 --> 00:21:24,399
Speaker 1: own rules.

512
00:21:24,440 --> 00:21:26,640
Speaker 3: Everything he tells others not to do, he does.

513
00:21:28,600 --> 00:21:30,040
Speaker 14: God God bless him.

514
00:21:29,960 --> 00:21:32,240
Speaker 3: God bless him. And I hope he wills. Yeah, I

515
00:21:32,280 --> 00:21:34,480
Speaker 3: really do. I really Hope, Dame dash Hills. Thank you

516
00:21:34,560 --> 00:21:35,320
Speaker 3: Lauren for the latest.

517
00:21:35,320 --> 00:21:35,760
Speaker 14: You're welcome.

518
00:21:35,880 --> 00:21:38,200
Speaker 1: Okay, coming up, we got Front Page dues with Teslin

519
00:21:38,240 --> 00:21:40,960
Speaker 1: figure Out and Marlon Wayms will be joining us this hour.

520
00:21:41,160 --> 00:21:43,200
Speaker 1: He's got a new movie out this Friday at Jordan

521
00:21:43,240 --> 00:21:46,960
Speaker 1: Peel Film actually called him, called him and we'll talk

522
00:21:46,960 --> 00:21:48,440
Speaker 1: to him all about It's the word'st dangerous.

523
00:21:48,440 --> 00:21:49,440
Speaker 3: Morning to Show the Breakfast Club.

524
00:21:49,880 --> 00:21:51,560
Speaker 16: You're checking out the Breakfast Club.

525
00:21:52,280 --> 00:21:55,639
Speaker 1: Yes, Morning Show to Breakfast Club. Charlamagne to God, DJ

526
00:21:55,840 --> 00:21:56,560
Speaker 1: Nvy is off.

527
00:21:56,600 --> 00:21:58,320
Speaker 3: I don't know where Jesse is. I thought just supposed

528
00:21:58,320 --> 00:21:59,600
Speaker 3: to be here, but I guess she's off too.

529
00:21:59,600 --> 00:22:02,440
Speaker 1: But LLL fubs head Lauren LaRosa and it's time for

530
00:22:02,480 --> 00:22:03,240
Speaker 1: Front Page News.

531
00:22:03,520 --> 00:22:09,360
Speaker 6: M absolutely good morning morning and Charlemagne and the Guide. Well,

532
00:22:09,440 --> 00:22:11,600
Speaker 6: let's talk a little bit about you know, the protests

533
00:22:11,680 --> 00:22:14,520
Speaker 6: were happening in California. You remember how that was going

534
00:22:14,600 --> 00:22:17,439
Speaker 6: on this summer where they actually released a report to

535
00:22:17,480 --> 00:22:20,200
Speaker 6: talk about how many of those projectiles, which is basically

536
00:22:20,240 --> 00:22:23,439
Speaker 6: those rubber bullets that were fired into the crowd. So

537
00:22:23,480 --> 00:22:26,480
Speaker 6: they released a state manded report of the la Police

538
00:22:26,520 --> 00:22:29,600
Speaker 6: Department talking about the use of force against the protesters

539
00:22:29,680 --> 00:22:33,680
Speaker 6: and they found out guys that over one thousand projectiles,

540
00:22:33,680 --> 00:22:36,640
Speaker 6: which again of those rubber bullets were released in one

541
00:22:36,840 --> 00:22:40,399
Speaker 6: single day in June. So they were definitely you know,

542
00:22:40,440 --> 00:22:43,440
Speaker 6: getting it in as far as those protesters were concerned. Now,

543
00:22:43,480 --> 00:22:47,280
Speaker 6: this was the immigration crackdown, when folks came out to

544
00:22:47,600 --> 00:22:51,440
Speaker 6: you know, support or to be anti immigration, and when

545
00:22:51,480 --> 00:22:54,240
Speaker 6: they deployed the National Guard. So we've been having those conversations.

546
00:22:54,320 --> 00:22:54,480
Speaker 3: Guys.

547
00:22:54,560 --> 00:22:55,520
Speaker 5: Remember the national Guard.

548
00:22:55,520 --> 00:22:58,840
Speaker 6: We talked about it yesterday, the National Guard that's in Memphis.

549
00:22:58,840 --> 00:23:01,080
Speaker 6: How the National Guard will be going on Chicago next

550
00:23:01,400 --> 00:23:04,120
Speaker 6: This is the result of that. Now the issue is

551
00:23:04,160 --> 00:23:08,480
Speaker 6: in twenty twenty one, California restricted the rights restricted the

552
00:23:08,600 --> 00:23:11,119
Speaker 6: use of these type of rubber bullets and you know,

553
00:23:11,200 --> 00:23:13,880
Speaker 6: said that it should only be used in certain circumstances.

554
00:23:14,160 --> 00:23:16,920
Speaker 6: And they're looking for different ways to have crowd control.

555
00:23:17,280 --> 00:23:20,480
Speaker 6: So right now they are going through a conversation to

556
00:23:20,520 --> 00:23:21,280
Speaker 6: see if any of.

557
00:23:21,240 --> 00:23:23,800
Speaker 5: Those rules have been violated.

558
00:23:25,160 --> 00:23:28,120
Speaker 6: And we also have a nine year old boy. It's

559
00:23:28,160 --> 00:23:30,640
Speaker 6: been dark this week. I wanted to do something positive.

560
00:23:30,680 --> 00:23:33,920
Speaker 6: I want to tell you about the youngest NERO science

561
00:23:34,720 --> 00:23:40,200
Speaker 6: student in history. Let's take a listen to this wonderful story.

562
00:23:40,240 --> 00:23:42,840
Speaker 22: Take a listen well, Academics has always been easy for

563
00:23:42,920 --> 00:23:45,560
Speaker 22: this nine year old freshman in college. On Monday, he

564
00:23:45,640 --> 00:23:47,879
Speaker 22: started off his week at Earth Scientist College.

565
00:23:48,040 --> 00:23:53,440
Speaker 23: Evers those three a lot younger I been. I've been

566
00:23:53,520 --> 00:24:01,359
Speaker 23: watching anatomy videos and I was always fascinated when I

567
00:24:01,440 --> 00:24:03,160
Speaker 23: saw like the brain.

568
00:24:03,240 --> 00:24:05,560
Speaker 22: In a classroom builled with eighteen to twenty year old

569
00:24:05,680 --> 00:24:08,040
Speaker 22: Aidan is working to make his dream come true as

570
00:24:08,080 --> 00:24:09,520
Speaker 22: a pediatric neurosurgeon.

571
00:24:10,080 --> 00:24:13,720
Speaker 23: Boys and why I want to be a pediatric neurosurgeons

572
00:24:13,840 --> 00:24:19,120
Speaker 23: Mainly because well I like helping kids around my age.

573
00:24:19,640 --> 00:24:21,560
Speaker 22: Three times a week, Aiden can be seen hitting the

574
00:24:21,600 --> 00:24:24,359
Speaker 22: books at Ersinus College. The other days he's taking virtual

575
00:24:24,359 --> 00:24:26,280
Speaker 22: classes at Reach Cyber Charter School.

576
00:24:26,440 --> 00:24:27,959
Speaker 5: As a sophomore in high school.

577
00:24:28,119 --> 00:24:30,479
Speaker 22: At just nine years old, Aidan Wilkins is the youngest

578
00:24:30,480 --> 00:24:33,120
Speaker 22: students in history at er Sinus College.

579
00:24:33,560 --> 00:24:34,360
Speaker 3: What a genius?

580
00:24:34,400 --> 00:24:35,600
Speaker 4: I know what a gus?

581
00:24:35,680 --> 00:24:37,240
Speaker 5: Isn't it a qutes?

582
00:24:37,560 --> 00:24:37,840
Speaker 11: Well?

583
00:24:38,000 --> 00:24:40,600
Speaker 5: When I was two A lot younger? You know, he's

584
00:24:40,640 --> 00:24:41,280
Speaker 5: only nine.

585
00:24:41,400 --> 00:24:43,600
Speaker 18: How do y'all know when y'all kids are gifted like that?

586
00:24:43,760 --> 00:24:45,119
Speaker 18: Like that that just happens from.

587
00:24:45,080 --> 00:24:46,520
Speaker 3: I think all kids are gifted like that.

588
00:24:46,600 --> 00:24:48,520
Speaker 1: I think what we end up doing is putting kids

589
00:24:48,520 --> 00:24:50,639
Speaker 1: in a box, right, Like we give kids things like

590
00:24:50,680 --> 00:24:52,960
Speaker 1: the ABC's and the one two threes, and we think

591
00:24:53,000 --> 00:24:55,359
Speaker 1: that's all they can handle. And the reason I noticed

592
00:24:55,359 --> 00:24:58,280
Speaker 1: that is because of how my daughters read. Like I'll

593
00:24:58,320 --> 00:25:00,000
Speaker 1: be sitting there, like last time, I'm sitting there watching

594
00:25:00,080 --> 00:25:02,360
Speaker 1: CNN and one of my daughters loves to come sit

595
00:25:02,440 --> 00:25:05,080
Speaker 1: by me and she'll be talking and as I'm listening

596
00:25:05,080 --> 00:25:07,639
Speaker 1: to what she's saying, she's reading the lower thirds, so

597
00:25:07,680 --> 00:25:09,840
Speaker 1: the ticket that's going down at the bottom, and she's six, you,

598
00:25:10,119 --> 00:25:11,200
Speaker 1: she's just reading the ticker.

599
00:25:11,480 --> 00:25:12,320
Speaker 3: And I liked that.

600
00:25:12,400 --> 00:25:14,240
Speaker 1: I was like, man, should I stop her because a

601
00:25:14,240 --> 00:25:16,560
Speaker 1: lot of this stuff is very dark about Charlie Kirk

602
00:25:16,640 --> 00:25:18,040
Speaker 1: and you know, Tyler Robinson.

603
00:25:18,040 --> 00:25:20,720
Speaker 3: But I'm like, nah, because she's learning like you, so

604
00:25:20,920 --> 00:25:21,440
Speaker 3: let her cook.

605
00:25:21,720 --> 00:25:22,919
Speaker 5: Yeah that's that's interesting.

606
00:25:22,960 --> 00:25:26,440
Speaker 6: You said that because he actually was reading street signs

607
00:25:26,480 --> 00:25:28,760
Speaker 6: at two years old. So to answer your question, Lauren,

608
00:25:29,520 --> 00:25:32,080
Speaker 6: he was literally like before kids were even talking, he

609
00:25:32,160 --> 00:25:34,119
Speaker 6: was doing a lot of reading. So his mother I

610
00:25:34,160 --> 00:25:36,440
Speaker 6: did some additional digging and looked into the story. His

611
00:25:36,560 --> 00:25:38,119
Speaker 6: mother was like, yeah, you know, he's really gifted, and

612
00:25:38,560 --> 00:25:41,280
Speaker 6: started putting him, you know, into different programs. And I

613
00:25:41,320 --> 00:25:43,080
Speaker 6: want to ask you guys about that, because you know

614
00:25:43,160 --> 00:25:46,159
Speaker 6: sometimes this he's a sophomore in high school, and I

615
00:25:46,240 --> 00:25:49,040
Speaker 6: know you've probably heard conversation before with should you let

616
00:25:49,160 --> 00:25:51,720
Speaker 6: kids just stay on pace or should you go.

617
00:25:51,680 --> 00:25:54,600
Speaker 5: Ahead and let them advance and not really.

618
00:25:54,359 --> 00:25:59,240
Speaker 6: Have that traditional you know, traditional school, traditional.

619
00:25:58,760 --> 00:26:00,840
Speaker 5: School with their age. What do you guys think about that?

620
00:26:00,880 --> 00:26:03,080
Speaker 6: Do you think you know that that's cool to have him,

621
00:26:03,119 --> 00:26:04,879
Speaker 6: you know, be a sophomore than nine years old in

622
00:26:04,920 --> 00:26:05,439
Speaker 6: high school.

623
00:26:06,119 --> 00:26:07,720
Speaker 18: I don't have a problem with yeah, because what else

624
00:26:07,720 --> 00:26:09,800
Speaker 18: do you do if he don't you waste his time

625
00:26:10,119 --> 00:26:10,680
Speaker 18: anywhere else?

626
00:26:10,680 --> 00:26:11,639
Speaker 14: He learning under that?

627
00:26:12,080 --> 00:26:14,600
Speaker 1: And I doubt he's actually going to the school. I'm

628
00:26:14,600 --> 00:26:16,480
Speaker 1: sure he's getting home home training.

629
00:26:16,520 --> 00:26:18,679
Speaker 6: No, he's actually going to well, you know, he's at

630
00:26:18,680 --> 00:26:22,320
Speaker 6: a charter school, so high school, he's attend high school,

631
00:26:22,400 --> 00:26:24,280
Speaker 6: and so half of his day he's actually going to

632
00:26:24,359 --> 00:26:28,240
Speaker 6: the actual college to take these neuroscience classes. So he,

633
00:26:28,480 --> 00:26:30,440
Speaker 6: you know, does half his day at his regular charter

634
00:26:30,480 --> 00:26:32,800
Speaker 6: school and then half the day like actually in class

635
00:26:32,840 --> 00:26:34,320
Speaker 6: with these eighteen nineteen year olds.

636
00:26:34,359 --> 00:26:35,240
Speaker 3: I don't have a problem with it.

637
00:26:35,280 --> 00:26:37,080
Speaker 1: But I was also born in nineteen hundred and seventy eight,

638
00:26:37,080 --> 00:26:38,640
Speaker 1: and I grew up off duey houses, so I thought,

639
00:26:38,680 --> 00:26:42,800
Speaker 1: you know, fourteen year olds being doctors was a normal thing, right.

640
00:26:43,480 --> 00:26:44,320
Speaker 5: Well, shout out to him.

641
00:26:44,359 --> 00:26:46,600
Speaker 6: We needed some positive news, so shout out to him

642
00:26:46,640 --> 00:26:47,480
Speaker 6: this wonderful story.

643
00:26:47,520 --> 00:26:49,919
Speaker 3: Shout out a little eight and keep it going absolutely.

644
00:26:50,040 --> 00:26:51,600
Speaker 3: Thank you Tess for Front Page News.

645
00:26:51,600 --> 00:26:55,119
Speaker 1: And listen, man, please remember that Tesla figure O is

646
00:26:55,160 --> 00:26:58,640
Speaker 1: going to be on Abby Phillips Show on CNN tomorrow night,

647
00:26:58,880 --> 00:27:01,520
Speaker 1: and she's gonna be in studio with us tomorrow doing

648
00:27:01,520 --> 00:27:03,920
Speaker 1: Front Page News Live. But I am really looking forward

649
00:27:04,200 --> 00:27:06,000
Speaker 1: to seeing Taz on Abbey Phillips.

650
00:27:06,000 --> 00:27:07,320
Speaker 3: They told you who you're gonna be on.

651
00:27:07,359 --> 00:27:08,640
Speaker 4: With, they still ain't talking.

652
00:27:08,760 --> 00:27:10,680
Speaker 6: You know, they only tell you the day of, and

653
00:27:10,800 --> 00:27:12,480
Speaker 6: you know a lot of people don't know that. A

654
00:27:12,480 --> 00:27:15,520
Speaker 6: lot of times we don't get our our talking points

655
00:27:15,560 --> 00:27:17,439
Speaker 6: until the day of. We don't know what the topic is,

656
00:27:17,480 --> 00:27:19,080
Speaker 6: we don't know who he's sitting next to. So it's

657
00:27:19,080 --> 00:27:21,399
Speaker 6: gonna be a big surprise. So thank you for putting

658
00:27:21,400 --> 00:27:21,960
Speaker 6: the pressure on.

659
00:27:22,160 --> 00:27:22,360
Speaker 4: Brother.

660
00:27:22,440 --> 00:27:24,080
Speaker 1: Well, if it's one thing I know about, test test,

661
00:27:24,119 --> 00:27:25,920
Speaker 1: stay ready, so she don't got to get ready. Okay,

662
00:27:27,560 --> 00:27:30,440
Speaker 1: M sixteen sniper, what you used to shooting on me.

663
00:27:30,119 --> 00:27:33,000
Speaker 6: Sixty baby, twenty three pound weapon. Come on, I'm shooting

664
00:27:33,000 --> 00:27:34,960
Speaker 6: the M sixteen as well, but I was a sixtygether.

665
00:27:35,160 --> 00:27:38,160
Speaker 3: I'm on now, all right? Tell them what to follow you, Ted, follow.

666
00:27:37,880 --> 00:27:40,640
Speaker 6: Me on Instagram. Guys at Teslain figure Row, make sure

667
00:27:40,680 --> 00:27:44,000
Speaker 6: you tap in. I'm always you know, talking about different subjects.

668
00:27:44,080 --> 00:27:47,280
Speaker 6: And still the podcast with Black Effect podcast Network. Check

669
00:27:47,320 --> 00:27:49,560
Speaker 6: that out five years strong, so a lot of content

670
00:27:49,640 --> 00:27:50,280
Speaker 6: there as well.

671
00:27:50,640 --> 00:27:51,120
Speaker 3: That's right.

672
00:27:51,480 --> 00:27:53,680
Speaker 1: When we come back, Marlon Williams will be joining us.

673
00:27:53,680 --> 00:27:55,639
Speaker 1: He's got a new movie coming out this Friday. It's

674
00:27:55,640 --> 00:27:58,840
Speaker 1: actually a Jordan Peel film called Him. It is a

675
00:27:58,920 --> 00:28:01,080
Speaker 1: sports horror film and he'll be here to talk to

676
00:28:01,119 --> 00:28:03,119
Speaker 1: us all about it when we come back. It's the

677
00:28:03,119 --> 00:28:05,040
Speaker 1: world'st Dangerous Morning Show to Breakfast Club.

678
00:28:04,960 --> 00:28:06,400
Speaker 16: The Breakfast Club.

679
00:28:08,600 --> 00:28:08,919
Speaker 4: Morning.

680
00:28:08,920 --> 00:28:12,600
Speaker 24: Everybody is DJ n V, Jess Hilarious, Charlamagne the gud

681
00:28:12,640 --> 00:28:14,600
Speaker 24: We are the Breakfast Club. La La Rose is here

682
00:28:14,640 --> 00:28:17,640
Speaker 24: as well, and we got a special guest in the buildings. Indeed,

683
00:28:17,720 --> 00:28:20,000
Speaker 24: Ladies and gentlemen, Marlon Wayne, what's happening?

684
00:28:20,040 --> 00:28:23,440
Speaker 3: What's happens? Always home, Always Home? How did you feel?

685
00:28:23,440 --> 00:28:23,640
Speaker 16: Man?

686
00:28:23,680 --> 00:28:25,880
Speaker 3: I feel great? You know, I love that y'all got

687
00:28:25,880 --> 00:28:28,360
Speaker 3: the two ladies here. Y'all need the balance. Thank god

688
00:28:30,480 --> 00:28:31,440
Speaker 3: one wasn't enough.

689
00:28:31,480 --> 00:28:35,880
Speaker 25: I felt bad for you you, I felt bad for her.

690
00:28:36,160 --> 00:28:40,880
Speaker 25: Oh my god, too much toxic masculinity going on, balls

691
00:28:40,920 --> 00:28:42,360
Speaker 25: on the table at all time.

692
00:28:45,160 --> 00:28:47,120
Speaker 3: Well, listen, this is a big week for you. Yeah.

693
00:28:47,200 --> 00:28:50,240
Speaker 3: Him comes out on Friday. Yes, sir, Jordan Peel Monkey

694
00:28:50,320 --> 00:28:51,560
Speaker 3: Paul Production, Yes sir?

695
00:28:51,640 --> 00:28:54,800
Speaker 1: What made you want to do a dark, psychological sports

696
00:28:55,040 --> 00:28:56,160
Speaker 1: uh horror movie?

697
00:28:56,320 --> 00:28:59,160
Speaker 17: He called? And I said, yes, what you say no

698
00:28:59,200 --> 00:29:03,320
Speaker 17: to Jordan Peel this? People don't say no to Nah.

699
00:29:03,360 --> 00:29:07,840
Speaker 17: I'm good, Jordan, I'm good. I'm gonna do something. I'm

700
00:29:07,840 --> 00:29:13,240
Speaker 17: gonna go do a little man too. It's Jordan field Man.

701
00:29:13,320 --> 00:29:15,720
Speaker 17: Here's the thing that it was was great as one

702
00:29:15,760 --> 00:29:17,400
Speaker 17: of those roles I didn't have to audition for.

703
00:29:17,920 --> 00:29:21,160
Speaker 3: They wanted me. They was just like, you're the guy.

704
00:29:21,520 --> 00:29:25,680
Speaker 17: Him and the director justin Tipping two visionaries call you.

705
00:29:25,680 --> 00:29:26,280
Speaker 16: You pick up the.

706
00:29:26,200 --> 00:29:27,800
Speaker 3: Phone and you go, all right, bet, I'm gonna bring

707
00:29:27,800 --> 00:29:28,400
Speaker 3: my a game.

708
00:29:28,440 --> 00:29:31,160
Speaker 17: And I got I think I put my best performance

709
00:29:31,200 --> 00:29:31,880
Speaker 17: in the best movie.

710
00:29:31,960 --> 00:29:33,800
Speaker 3: How did that feel? When somebody sees something in you

711
00:29:33,880 --> 00:29:35,160
Speaker 3: that you may not see in yourself.

712
00:29:35,280 --> 00:29:37,440
Speaker 17: I feel like an old slave, Like, I know you

713
00:29:37,480 --> 00:29:41,680
Speaker 17: ain't talking about me, you ain't.

714
00:29:41,480 --> 00:29:43,320
Speaker 4: Talking about Sean.

715
00:29:46,240 --> 00:29:49,760
Speaker 3: What you need me to do something? I couldn't believe it,

716
00:29:49,840 --> 00:29:50,360
Speaker 3: but it felt.

717
00:29:50,400 --> 00:29:53,920
Speaker 17: It feels good, you know, because I'm so busy working

718
00:29:55,080 --> 00:29:58,080
Speaker 17: that I don't realize how much work I've done. I'm

719
00:29:58,120 --> 00:30:00,200
Speaker 17: so I got my head down, y'all know me be

720
00:30:00,240 --> 00:30:02,680
Speaker 17: on a grind, grind, grind. I don't really know the

721
00:30:02,760 --> 00:30:06,360
Speaker 17: effect that I've had, right until you have these moments

722
00:30:06,360 --> 00:30:08,480
Speaker 17: in your life when you look up and you go, wait,

723
00:30:08,520 --> 00:30:11,160
Speaker 17: I've been doing this for thirty five years and I

724
00:30:11,200 --> 00:30:13,920
Speaker 17: got this resume, like and it's crazy because there's like

725
00:30:13,960 --> 00:30:17,440
Speaker 17: you're one of one. I don't know anybody's like that

726
00:30:17,600 --> 00:30:18,360
Speaker 17: can has a.

727
00:30:18,320 --> 00:30:19,640
Speaker 3: Skill level you got.

728
00:30:19,920 --> 00:30:22,440
Speaker 17: At this point, there's probably three or four guys that

729
00:30:22,520 --> 00:30:25,880
Speaker 17: can do this and either they're dead crazy or they

730
00:30:25,880 --> 00:30:28,600
Speaker 17: ain't doing it no more. And I was just like boom,

731
00:30:28,680 --> 00:30:31,400
Speaker 17: But I think about it and they go. You get

732
00:30:31,400 --> 00:30:33,320
Speaker 17: to a point it's like, I don't want to audition

733
00:30:33,480 --> 00:30:35,680
Speaker 17: if y'all don't know my work by now. I have

734
00:30:35,720 --> 00:30:39,400
Speaker 17: played a junkie and requiem. I have played seven people

735
00:30:39,560 --> 00:30:43,920
Speaker 17: in sex tuplets. I played a little person a white woman.

736
00:30:44,640 --> 00:30:47,240
Speaker 17: I've done it all. A football player, a basketball player've

737
00:30:47,240 --> 00:30:48,320
Speaker 17: done it all. What do you do with the guy

738
00:30:48,360 --> 00:30:50,760
Speaker 17: can do everything? Let him do everything? So these are

739
00:30:50,760 --> 00:30:52,520
Speaker 17: my years, Well, I just do everything.

740
00:30:52,680 --> 00:30:54,280
Speaker 24: How do you shut down though, because, like you say,

741
00:30:54,360 --> 00:30:57,240
Speaker 24: you do everything you do, especially I feel like every

742
00:30:57,240 --> 00:31:00,040
Speaker 24: other month you're always on the road, you always do movies, like, so,

743
00:31:00,080 --> 00:31:01,520
Speaker 24: how do you shut down and be like, I'm gonna

744
00:31:01,520 --> 00:31:02,320
Speaker 24: put the effort to do it this?

745
00:31:02,440 --> 00:31:05,040
Speaker 17: Well, you do specials when you are special. God just

746
00:31:05,080 --> 00:31:05,840
Speaker 17: made special.

747
00:31:06,280 --> 00:31:07,720
Speaker 3: No, because I work so much.

748
00:31:07,760 --> 00:31:10,040
Speaker 17: So it's not like I don't need twenty years to

749
00:31:10,120 --> 00:31:13,320
Speaker 17: craft a stand up special right, because this is what

750
00:31:13,360 --> 00:31:15,960
Speaker 17: I do. I'm check my schedule, I'm on the road

751
00:31:16,120 --> 00:31:18,800
Speaker 17: every week and checkmlin Waynes dot com. I am on

752
00:31:18,840 --> 00:31:20,680
Speaker 17: the road every weekend. I'm about to do scary movie.

753
00:31:20,680 --> 00:31:23,400
Speaker 17: Guess what scary movie says. I'm on the road every

754
00:31:23,440 --> 00:31:26,680
Speaker 17: weekend because I'm preparing for something great.

755
00:31:26,760 --> 00:31:28,960
Speaker 3: So I just do the work. So specials to me.

756
00:31:28,960 --> 00:31:30,719
Speaker 17: I'm ready to spell my next one, and I already

757
00:31:30,720 --> 00:31:31,880
Speaker 17: know my next two after that.

758
00:31:32,360 --> 00:31:33,960
Speaker 3: Because I write scripts. I got a writer in my

759
00:31:34,000 --> 00:31:34,680
Speaker 3: head at all times.

760
00:31:34,720 --> 00:31:36,600
Speaker 17: It's just like you know, pitching me jokes that and

761
00:31:36,680 --> 00:31:40,440
Speaker 17: God and so I'm always working and so I don't

762
00:31:40,480 --> 00:31:42,320
Speaker 17: like to hold on the material. I think you let

763
00:31:42,360 --> 00:31:43,960
Speaker 17: it go. It's like a blank canvas. I just want

764
00:31:43,960 --> 00:31:45,880
Speaker 17: to paint, man, just give me the I just want

765
00:31:45,880 --> 00:31:47,479
Speaker 17: to paint. I just love it. I love what I do.

766
00:31:47,560 --> 00:31:47,720
Speaker 9: Man.

767
00:31:47,760 --> 00:31:49,880
Speaker 1: I was talking about you last week because somebody in

768
00:31:49,920 --> 00:31:52,920
Speaker 1: the room says, I saw Marlon Walliams on CASA not

769
00:31:53,040 --> 00:31:54,280
Speaker 1: scream and he was.

770
00:31:54,560 --> 00:31:54,920
Speaker 4: He was.

771
00:31:55,000 --> 00:31:59,560
Speaker 14: He was almost as funny.

772
00:32:00,240 --> 00:32:03,120
Speaker 3: He was hot in here.

773
00:32:03,720 --> 00:32:07,280
Speaker 4: She said, you'll just like seeing me.

774
00:32:08,800 --> 00:32:12,120
Speaker 3: He's crazy time. She said, I was shocked he was funny.

775
00:32:12,200 --> 00:32:13,080
Speaker 14: That's not what I said.

776
00:32:13,160 --> 00:32:14,520
Speaker 3: Wow, not you lie.

777
00:32:15,840 --> 00:32:18,120
Speaker 18: I said you got mad at me because I said

778
00:32:18,160 --> 00:32:22,720
Speaker 18: he was better than it was his stream because people

779
00:32:22,760 --> 00:32:25,800
Speaker 18: come on that stream and don't know how to interact

780
00:32:25,840 --> 00:32:27,479
Speaker 18: with the chat. And then even if they're great at

781
00:32:27,480 --> 00:32:29,880
Speaker 18: what they do, you had thirty five years.

782
00:32:29,800 --> 00:32:33,160
Speaker 3: Experience experience too, and I get what you're saying.

783
00:32:33,160 --> 00:32:35,440
Speaker 18: Space is different than what he does. So even though

784
00:32:35,440 --> 00:32:37,240
Speaker 18: you're great at what you do, I don't know if

785
00:32:37,240 --> 00:32:39,560
Speaker 18: you've seen another streams prior to you. They're great talent,

786
00:32:39,640 --> 00:32:42,120
Speaker 18: but they don't be knowing how to like lost it

787
00:32:42,240 --> 00:32:44,120
Speaker 18: in there you ate.

788
00:32:44,080 --> 00:32:48,040
Speaker 17: That fifteen year old boy that lives inside of me

789
00:32:48,200 --> 00:32:50,520
Speaker 17: that I will never grow up. If you spend the

790
00:32:50,600 --> 00:32:52,840
Speaker 17: night at my house and I'm fifty three years old

791
00:32:53,080 --> 00:32:55,800
Speaker 17: and you got your mouth wide open, I'm gonna put

792
00:32:55,800 --> 00:32:57,920
Speaker 17: some garbage in your mouth. You gonna wake up with

793
00:32:57,960 --> 00:33:01,520
Speaker 17: makeup on your face. I hate yeah, and always I'm

794
00:33:01,520 --> 00:33:05,240
Speaker 17: a fart in your mouth. My son and his kid

795
00:33:05,320 --> 00:33:07,520
Speaker 17: and his friends be like, Dad, you got a chill?

796
00:33:07,640 --> 00:33:09,080
Speaker 17: Can you stop farting on my friend?

797
00:33:09,440 --> 00:33:18,480
Speaker 1: I was like, I ain't five, no, but and I

798
00:33:18,480 --> 00:33:19,720
Speaker 1: think the key to that show.

799
00:33:19,880 --> 00:33:21,920
Speaker 3: And even though all the streamers.

800
00:33:21,360 --> 00:33:24,800
Speaker 17: Was like, bro, like you you that dude, They were

801
00:33:24,840 --> 00:33:28,520
Speaker 17: like you you ain't just movie funny, You ain't just

802
00:33:28,640 --> 00:33:31,160
Speaker 17: TV funny? Like you funny funny. I was like, bro,

803
00:33:31,800 --> 00:33:33,840
Speaker 17: I do this. This is what I do. I love

804
00:33:33,920 --> 00:33:36,320
Speaker 17: to do this. And they were all surprised, but I

805
00:33:36,400 --> 00:33:38,040
Speaker 17: was like, they like, how you get like that? I

806
00:33:38,080 --> 00:33:40,360
Speaker 17: was like, I live on the stage. I've been writing

807
00:33:40,400 --> 00:33:42,280
Speaker 17: movies since I was nineteen. I want to former on

808
00:33:42,360 --> 00:33:44,800
Speaker 17: tige school. I've been snapping, That's what I do. I

809
00:33:44,800 --> 00:33:47,280
Speaker 17: grew up in the projects. I roast people until you

810
00:33:47,360 --> 00:33:49,160
Speaker 17: punch me in the face. And I punched you back.

811
00:33:49,600 --> 00:33:51,760
Speaker 17: That's what I like to do. That's how I make

812
00:33:51,800 --> 00:33:54,520
Speaker 17: my friends. I make my friends. That's how we create

813
00:33:54,560 --> 00:33:57,040
Speaker 17: our boundaries. I talk about you, That's how we created

814
00:33:57,040 --> 00:33:58,960
Speaker 17: a friendship. You know what I'm saying. It's like, sometimes

815
00:33:58,960 --> 00:34:01,160
Speaker 17: you just gotta go at it. I'm a New York negro.

816
00:34:01,360 --> 00:34:03,440
Speaker 17: I'm never gonna not be the kid on the block

817
00:34:03,800 --> 00:34:04,760
Speaker 17: ready to snap.

818
00:34:04,520 --> 00:34:07,800
Speaker 3: Would you, Reggie? He said, I'm glad. Yeah, he's trying

819
00:34:07,800 --> 00:34:09,600
Speaker 3: to say something, some slick stuff.

820
00:34:10,800 --> 00:34:13,200
Speaker 17: Chest you want to get out of here, don't get

821
00:34:13,200 --> 00:34:14,360
Speaker 17: your ass in the incubator.

822
00:34:16,480 --> 00:34:19,080
Speaker 24: Go and scary six, Scary movie six, because that's we're

823
00:34:19,080 --> 00:34:19,680
Speaker 24: working on it.

824
00:34:19,719 --> 00:34:19,959
Speaker 16: Okay.

825
00:34:20,000 --> 00:34:23,360
Speaker 3: So I love that little young brother. I love what

826
00:34:23,400 --> 00:34:25,640
Speaker 3: he's doing. Most of all, I love that he's stay

827
00:34:25,640 --> 00:34:27,840
Speaker 3: out of trouble. I love his whole crew.

828
00:34:28,480 --> 00:34:31,000
Speaker 17: I really think like you can't be an old head

829
00:34:31,400 --> 00:34:33,560
Speaker 17: and not respect the youth when they coming up. I

830
00:34:33,600 --> 00:34:36,600
Speaker 17: sit there and go, hey, maybe I should start an

831
00:34:36,600 --> 00:34:39,640
Speaker 17: old stream for old people old heads.

832
00:34:39,680 --> 00:34:41,520
Speaker 3: That would be a lot of fun. And just going

833
00:34:41,560 --> 00:34:44,680
Speaker 3: to figure out how to get on with me kids.

834
00:34:45,320 --> 00:34:47,520
Speaker 3: I got a two and a half yeld to work everything.

835
00:34:47,640 --> 00:34:48,719
Speaker 3: We're gonna figure out how to get on.

836
00:34:49,239 --> 00:34:50,399
Speaker 4: Got you just coming back?

837
00:34:50,640 --> 00:34:56,040
Speaker 3: Kids? Your daughter's you got daughters, you got four daughters.

838
00:34:56,040 --> 00:35:00,840
Speaker 3: Oh you Nick Cannon Jr. You you know same mama?

839
00:35:00,840 --> 00:35:08,160
Speaker 3: How many mamas?

840
00:35:02,440 --> 00:35:11,480
Speaker 4: Yeah, that's good, that's good.

841
00:35:12,600 --> 00:35:13,640
Speaker 3: Blast them all the way out.

842
00:35:13,680 --> 00:35:14,560
Speaker 4: That's that's shop ship.

843
00:35:15,239 --> 00:35:18,160
Speaker 3: I'm proud of you, black man. But yes, that's that

844
00:35:18,320 --> 00:35:19,879
Speaker 3: stream was it was just fun.

845
00:35:19,920 --> 00:35:22,000
Speaker 17: I had so much fun. I think the key to

846
00:35:22,080 --> 00:35:26,080
Speaker 17: life is you just have fun. Everything I do, I

847
00:35:26,239 --> 00:35:28,600
Speaker 17: just have fun and I put one hundred and fifty

848
00:35:28,640 --> 00:35:30,960
Speaker 17: percent into it. I don't let no, I don't let

849
00:35:31,000 --> 00:35:33,000
Speaker 17: nothing go. I'm not too cool. I just want to

850
00:35:33,040 --> 00:35:33,479
Speaker 17: have fun.

851
00:35:33,560 --> 00:35:35,200
Speaker 1: And that's always what I'm And it does feel like

852
00:35:35,200 --> 00:35:37,719
Speaker 1: you're constantly reintroducing yourself to a new audience because like

853
00:35:37,719 --> 00:35:39,000
Speaker 1: you said, she didn't know.

854
00:35:39,239 --> 00:35:43,680
Speaker 14: That's not true, and they didn't know, right, So it's my.

855
00:35:43,440 --> 00:35:46,719
Speaker 17: Kids friends didn't know. They all like, Yo, you were good.

856
00:35:46,960 --> 00:35:48,560
Speaker 17: I didn't know you was that funny. You didn't see

857
00:35:48,640 --> 00:35:51,040
Speaker 17: scary movie. You didn't see White Chicks, you ain't see

858
00:35:51,080 --> 00:35:52,719
Speaker 17: don't be a minute. You didn't see Mama Show.

859
00:35:52,880 --> 00:35:55,279
Speaker 18: You gotta go watch some of them old heads when

860
00:35:55,320 --> 00:35:57,680
Speaker 18: they come on that stream. They're great, but it's not

861
00:35:57,920 --> 00:35:59,160
Speaker 18: that's what I get what you said.

862
00:35:59,640 --> 00:36:04,440
Speaker 1: I know she was comparing athletes and like, no celebrities

863
00:36:04,440 --> 00:36:06,400
Speaker 1: different with comedians comedians.

864
00:36:06,000 --> 00:36:10,080
Speaker 18: And Kevin Hart was great as well too. Yeah, but

865
00:36:10,160 --> 00:36:12,440
Speaker 18: I'm like, I don't know. I think because it made

866
00:36:12,480 --> 00:36:14,760
Speaker 18: me think, what if we had, like you know, the

867
00:36:14,880 --> 00:36:18,960
Speaker 18: in Living Color stream, Like what if those worlds collided today?

868
00:36:19,560 --> 00:36:21,520
Speaker 14: What would we see? And how would the challenge.

869
00:36:21,239 --> 00:36:22,920
Speaker 3: You're gonna see it. I'm gonna stop my strength. We're

870
00:36:22,920 --> 00:36:24,160
Speaker 3: gonna be touching soon people.

871
00:36:24,880 --> 00:36:27,520
Speaker 17: The Wayne actually ain't on these Oh I can't get

872
00:36:27,520 --> 00:36:32,320
Speaker 17: my old brothers, then get that camera.

873
00:36:34,239 --> 00:36:36,080
Speaker 3: My brothers wouldn't do it, but I would. I'm just

874
00:36:36,160 --> 00:36:37,040
Speaker 3: the troll like that.

875
00:36:37,040 --> 00:36:39,040
Speaker 17: That that's what I love to do, you know, And

876
00:36:39,120 --> 00:36:42,200
Speaker 17: I think eventually that is exactly what I'm gonna do.

877
00:36:42,440 --> 00:36:44,320
Speaker 17: Here's so much so when I went on that show,

878
00:36:44,719 --> 00:36:49,040
Speaker 17: My My, My, I have a wonderful stylist Jason and Ron,

879
00:36:49,360 --> 00:36:52,720
Speaker 17: and these brothers try to put me some cool boots

880
00:36:52,719 --> 00:36:55,000
Speaker 17: and they were slippery. I was like, they had me

881
00:36:55,120 --> 00:36:56,360
Speaker 17: dressed with some cool d.

882
00:36:56,480 --> 00:36:59,799
Speaker 3: Square pants and this swede jacket. I said no, I said,

883
00:37:00,200 --> 00:37:02,400
Speaker 3: why this is? You want to step up your lip?

884
00:37:02,440 --> 00:37:04,800
Speaker 17: I said no, no, I'm going in with these young

885
00:37:05,040 --> 00:37:07,960
Speaker 17: negroes and they gonna be acting the fool.

886
00:37:08,239 --> 00:37:10,400
Speaker 3: I don't want to be. I don't be sliding around.

887
00:37:10,440 --> 00:37:12,560
Speaker 17: I don't want to feel like a gimme putting my

888
00:37:12,760 --> 00:37:15,040
Speaker 17: playing the snap on Rick Owens. I'm gonna wear some

889
00:37:15,320 --> 00:37:17,600
Speaker 17: going sneakers. I'm gonna go in there with the youth

890
00:37:17,760 --> 00:37:19,680
Speaker 17: and we gonna have fun. So whatever they was doing,

891
00:37:19,719 --> 00:37:21,320
Speaker 17: I was just like, Oh, you wanna dance.

892
00:37:23,640 --> 00:37:26,080
Speaker 3: This morning? Our special guest is mister Marlon Wains.

893
00:37:26,200 --> 00:37:28,319
Speaker 1: He's got a new movie out this Friday at Jordan

894
00:37:28,360 --> 00:37:29,600
Speaker 1: Peel film called Him.

895
00:37:29,840 --> 00:37:30,880
Speaker 3: Now, when you talk about.

896
00:37:30,640 --> 00:37:33,600
Speaker 1: The movie Him, was there something in Isaiah White that

897
00:37:33,719 --> 00:37:35,000
Speaker 1: challenged you, well, break.

898
00:37:34,760 --> 00:37:35,480
Speaker 16: Down what him is it?

899
00:37:35,520 --> 00:37:37,040
Speaker 3: For people that they haven't seen it yet?

900
00:37:37,040 --> 00:37:37,400
Speaker 24: What is Him?

901
00:37:37,440 --> 00:37:38,080
Speaker 3: About him?

902
00:37:38,200 --> 00:37:41,720
Speaker 17: Is a basically it's a it's a psychological horror thriller

903
00:37:42,120 --> 00:37:45,200
Speaker 17: set in the world of football, and it's it's basically

904
00:37:45,280 --> 00:37:47,520
Speaker 17: like never meet your idols, you know, It's like, and

905
00:37:47,880 --> 00:37:50,719
Speaker 17: what are you willing to sacrifice for success? So a

906
00:37:50,760 --> 00:37:55,320
Speaker 17: young brother comes to the greatest quarterback whoever played basically

907
00:37:55,320 --> 00:37:58,359
Speaker 17: like a Tom Brady's camp, I play Isaiah White. He's

908
00:37:58,360 --> 00:38:02,000
Speaker 17: the greatest quarterback ever got eight eight rings. So he's

909
00:38:02,000 --> 00:38:04,400
Speaker 17: the goat. So a young man, he's about to retire

910
00:38:04,440 --> 00:38:06,640
Speaker 17: because he wants to be with his family, have a

911
00:38:06,719 --> 00:38:07,759
Speaker 17: kid and chill out.

912
00:38:07,800 --> 00:38:08,239
Speaker 3: He did it.

913
00:38:08,560 --> 00:38:11,040
Speaker 17: And so this other kid, this new kid, comes along,

914
00:38:11,239 --> 00:38:13,839
Speaker 17: and he comes to his camp, and he reminds him

915
00:38:13,920 --> 00:38:16,680
Speaker 17: of the great he used to be, and he's like,

916
00:38:17,320 --> 00:38:20,440
Speaker 17: I don't want to retire, I want to make your

917
00:38:20,480 --> 00:38:21,640
Speaker 17: life hell, I want to break you.

918
00:38:22,040 --> 00:38:24,440
Speaker 3: And so it goes about psychologically just.

919
00:38:24,480 --> 00:38:28,160
Speaker 17: Dismantling him in a horrific kind of way. And what

920
00:38:28,280 --> 00:38:32,520
Speaker 17: happens is it's the franchise basically is a representation for

921
00:38:33,040 --> 00:38:37,120
Speaker 17: and signing with, you know, like the devil, but it's

922
00:38:37,160 --> 00:38:39,640
Speaker 17: not the devil. And it's all about the choice, because

923
00:38:39,760 --> 00:38:42,200
Speaker 17: do you want to be And he tells them, don't

924
00:38:42,200 --> 00:38:45,160
Speaker 17: be me, be better than me. So all these spoils

925
00:38:45,200 --> 00:38:47,880
Speaker 17: are in there for all these athletes, for anybody, right,

926
00:38:47,960 --> 00:38:50,319
Speaker 17: there's always a sacrifice. Oh you want to get on,

927
00:38:50,680 --> 00:38:53,040
Speaker 17: what are you willing to do to get on? Because

928
00:38:53,040 --> 00:38:55,879
Speaker 17: at a point it's not worth your integrity. You never

929
00:38:56,040 --> 00:38:58,680
Speaker 17: lose your integrity. Don't be a part of the system.

930
00:38:58,719 --> 00:39:00,600
Speaker 17: If it's you have to lose your integrity, you buck

931
00:39:00,680 --> 00:39:03,400
Speaker 17: the system and you become the system. And that's what

932
00:39:03,440 --> 00:39:05,399
Speaker 17: I've done my whole career. So that's why I really

933
00:39:05,440 --> 00:39:08,120
Speaker 17: loved about the movie. There's something beautiful and positive for

934
00:39:08,400 --> 00:39:12,839
Speaker 17: young young people in our industry, whether whatever industry, whatever job,

935
00:39:12,880 --> 00:39:15,440
Speaker 17: it is that there's a great message in there.

936
00:39:15,320 --> 00:39:17,359
Speaker 3: For nothing should be taken literally, is what you're saying.

937
00:39:17,520 --> 00:39:20,720
Speaker 17: No, man, people people crazy. That blood in the eye,

938
00:39:20,880 --> 00:39:24,359
Speaker 17: you know they're doing devil worship. Marlin was sacrificing GLT.

939
00:39:24,600 --> 00:39:26,399
Speaker 17: It ain't none of that, man. It's like, look, get

940
00:39:26,400 --> 00:39:29,600
Speaker 17: off of That is a great movie. It's about good

941
00:39:29,680 --> 00:39:32,040
Speaker 17: versus evil man. At the end of the day, good

942
00:39:32,080 --> 00:39:34,000
Speaker 17: is gonna win. So you got to watch the movie,

943
00:39:34,040 --> 00:39:36,839
Speaker 17: and honestly, I think it's probably my favorite movie I've

944
00:39:36,880 --> 00:39:41,160
Speaker 17: been in. I think just dramatically, just visually, justin Tipping

945
00:39:41,239 --> 00:39:43,560
Speaker 17: did his thing. Tyreek Withers is great in the movie.

946
00:39:44,480 --> 00:39:47,399
Speaker 17: Julia Fox is great, all the supporting cast is great.

947
00:39:47,440 --> 00:39:49,960
Speaker 17: The soundtrack is great. When y'all see this movie, it's

948
00:39:49,960 --> 00:39:51,480
Speaker 17: not a movie you gonna see one time. It's a

949
00:39:51,520 --> 00:39:55,720
Speaker 17: movie you're gonna see like four or five, six times.

950
00:39:57,600 --> 00:40:00,600
Speaker 3: Wow, what you think? I thought it was really good,

951
00:40:00,600 --> 00:40:02,880
Speaker 3: but it hit the thing. I think I and for me,

952
00:40:03,000 --> 00:40:04,560
Speaker 3: I think I gave my best performance.

953
00:40:04,680 --> 00:40:06,600
Speaker 1: Yeah, you and the dude that played camera, and yeah,

954
00:40:07,080 --> 00:40:09,080
Speaker 1: carry the movie by fall. I had to watch it

955
00:40:09,160 --> 00:40:10,719
Speaker 1: the first time, I was like, what did I just watch?

956
00:40:13,000 --> 00:40:15,160
Speaker 1: When I watched it the second time, I understood a

957
00:40:15,200 --> 00:40:16,879
Speaker 1: lot more of it. Yeah, But then when you said

958
00:40:16,920 --> 00:40:18,520
Speaker 1: what you said just now, I'm like, oh, so that

959
00:40:18,560 --> 00:40:19,840
Speaker 1: wasn't supposed to be taken literally.

960
00:40:19,920 --> 00:40:23,600
Speaker 17: No, okay, not literally, but but I really feel like

961
00:40:23,719 --> 00:40:24,640
Speaker 17: this this movie.

962
00:40:24,880 --> 00:40:28,560
Speaker 3: You know, I'm just grateful because the director let me

963
00:40:28,600 --> 00:40:29,080
Speaker 3: off the chain.

964
00:40:29,120 --> 00:40:31,719
Speaker 17: A lot of times directors try to cage you, and

965
00:40:32,160 --> 00:40:34,719
Speaker 17: you know, I'm a lion that I need a safari.

966
00:40:35,120 --> 00:40:36,280
Speaker 3: I don't like to be caged.

967
00:40:36,480 --> 00:40:38,799
Speaker 17: And sometimes that's good that your cage, because then it's

968
00:40:38,800 --> 00:40:41,600
Speaker 17: about working the intensity. But when you open up that

969
00:40:41,760 --> 00:40:44,160
Speaker 17: when you starve me for two weeks, and then you

970
00:40:44,200 --> 00:40:47,279
Speaker 17: open up that cage and it's someday and it's the

971
00:40:47,880 --> 00:40:51,400
Speaker 17: it's full of people and kids and you just sitting

972
00:40:51,400 --> 00:40:54,040
Speaker 17: there hungry and you're going, I'm gonna eat. And he

973
00:40:54,080 --> 00:40:56,399
Speaker 17: would just let me off the cage, let me off

974
00:40:56,440 --> 00:40:59,480
Speaker 17: the hinge, and just go go there, and he would

975
00:40:59,560 --> 00:41:01,520
Speaker 17: just we do two takes and he goes, that was great.

976
00:41:01,560 --> 00:41:03,719
Speaker 17: That was awesome. I said, you need something else. He goes,

977
00:41:03,800 --> 00:41:06,520
Speaker 17: n that was great, and he goes, let's do one more. So,

978
00:41:06,560 --> 00:41:07,000
Speaker 17: what do you want?

979
00:41:07,560 --> 00:41:08,000
Speaker 3: What do you need?

980
00:41:08,040 --> 00:41:10,040
Speaker 17: Do you need something specific? No, I'm good, he goes,

981
00:41:11,040 --> 00:41:15,120
Speaker 17: just do and my eyes were light up. He was

982
00:41:15,160 --> 00:41:19,440
Speaker 17: telling me, throw out the script and do your interpretation

983
00:41:19,520 --> 00:41:20,960
Speaker 17: of what you feel inside.

984
00:41:21,040 --> 00:41:21,760
Speaker 3: As an artist.

985
00:41:22,120 --> 00:41:25,799
Speaker 17: This is Miles Davis playing my funny Valentine. Throw out

986
00:41:25,800 --> 00:41:29,360
Speaker 17: the sheet music and you express what you want given

987
00:41:29,719 --> 00:41:33,000
Speaker 17: the instrument that you possess. And so a lot of

988
00:41:33,000 --> 00:41:35,560
Speaker 17: the stuff that we did in it that's unhinged. I

989
00:41:35,600 --> 00:41:37,640
Speaker 17: was able to just create on the fly, and I

990
00:41:37,719 --> 00:41:40,960
Speaker 17: know how to. I know how to improvise as the character.

991
00:41:41,320 --> 00:41:43,320
Speaker 17: And for a reason, I'm not trying to be funny.

992
00:41:43,440 --> 00:41:45,920
Speaker 17: I'm trying to break you, and breaking you means I

993
00:41:45,920 --> 00:41:49,560
Speaker 17: gotta humiliate you. Oh I'm gonna do that with my jokes.

994
00:41:49,600 --> 00:41:51,960
Speaker 17: And so there was a lot of just freedom in

995
00:41:52,000 --> 00:41:53,600
Speaker 17: that role. And I just feel like, you know, I

996
00:41:53,640 --> 00:41:56,080
Speaker 17: think the world finally gets to see Marlin.

997
00:41:56,200 --> 00:41:58,120
Speaker 3: And I don't know why I thought he was stealing

998
00:41:58,120 --> 00:42:03,200
Speaker 3: people powers. Well, he wasn't stealing powers.

999
00:42:03,200 --> 00:42:06,960
Speaker 17: He was he was taking blood of greats and infusing it,

1000
00:42:07,280 --> 00:42:09,799
Speaker 17: and then he put that blood in him, you know,

1001
00:42:09,840 --> 00:42:12,640
Speaker 17: because he's passing it on and not until you get

1002
00:42:12,680 --> 00:42:15,720
Speaker 17: to that point where the two people gotta collide. Now

1003
00:42:16,040 --> 00:42:19,520
Speaker 17: we're colliding good versus evil, and then you know you'll

1004
00:42:19,560 --> 00:42:20,120
Speaker 17: see the movie.

1005
00:42:20,160 --> 00:42:23,120
Speaker 3: But man, I really it's a powerful movie.

1006
00:42:23,120 --> 00:42:23,279
Speaker 11: Man.

1007
00:42:23,320 --> 00:42:26,040
Speaker 24: As an actor, right, do you prefer direction where tell

1008
00:42:26,120 --> 00:42:28,279
Speaker 24: me how you want this? Or do you prefer let

1009
00:42:28,320 --> 00:42:30,439
Speaker 24: me be be an actor, let me be art.

1010
00:42:30,880 --> 00:42:34,759
Speaker 17: I prefer both because I know a director as a

1011
00:42:34,800 --> 00:42:37,560
Speaker 17: producer and the writer, and you know director, I know

1012
00:42:37,640 --> 00:42:39,879
Speaker 17: a director has a vision of how they.

1013
00:42:40,160 --> 00:42:41,360
Speaker 16: Want, how they see it.

1014
00:42:41,360 --> 00:42:43,960
Speaker 3: They're ready in the editing booth. So whatever you're doing,

1015
00:42:44,000 --> 00:42:45,680
Speaker 3: they're ready in the editing booth. What do you need

1016
00:42:45,760 --> 00:42:47,120
Speaker 3: If I do it take like more.

1017
00:42:47,000 --> 00:42:51,040
Speaker 17: Than four times, there's something specific that I'm not giving them,

1018
00:42:51,160 --> 00:42:54,040
Speaker 17: Or the camera is messed up like this, out of focus,

1019
00:42:54,239 --> 00:42:56,600
Speaker 17: you know, the dolly move. So I don't take that personally,

1020
00:42:56,640 --> 00:42:59,520
Speaker 17: I know, But for me, I like a take where

1021
00:42:59,520 --> 00:43:02,359
Speaker 17: you go do what you want, do what I want. Now,

1022
00:43:02,520 --> 00:43:05,120
Speaker 17: Now you're gonna get something special. Now you get the comedian,

1023
00:43:05,280 --> 00:43:07,600
Speaker 17: now you get the writer. That's been writing movies since

1024
00:43:07,640 --> 00:43:12,240
Speaker 17: he was nineteen years old. Now you get the Marlin

1025
00:43:12,400 --> 00:43:15,560
Speaker 17: that I have worked myself to be, and I can

1026
00:43:15,640 --> 00:43:17,640
Speaker 17: improve and enhance any material.

1027
00:43:18,200 --> 00:43:20,120
Speaker 18: When you were shooting it, I always wondered when people

1028
00:43:20,120 --> 00:43:21,880
Speaker 18: who work with Jordan peel like, because you have to

1029
00:43:21,880 --> 00:43:23,839
Speaker 18: watch it so many different times, like Charloman said, when

1030
00:43:23,880 --> 00:43:26,120
Speaker 18: you're actually in it, are you ever in real time

1031
00:43:26,160 --> 00:43:29,400
Speaker 18: realizing that something might be interpreted one with like, Oh,

1032
00:43:29,440 --> 00:43:31,560
Speaker 18: that's what this means versus it being different?

1033
00:43:31,560 --> 00:43:32,720
Speaker 14: Do when you first read the script?

1034
00:43:33,080 --> 00:43:36,040
Speaker 3: No, I mean I dig in. I do my work right.

1035
00:43:36,120 --> 00:43:39,400
Speaker 17: So before I get to set, I have a process,

1036
00:43:39,520 --> 00:43:41,560
Speaker 17: Like I don't go show up and just learn my

1037
00:43:41,640 --> 00:43:43,799
Speaker 17: lines in the trailer. No, no, no, no, you give me

1038
00:43:43,840 --> 00:43:46,600
Speaker 17: a script. Marlin dives in. So I work with my

1039
00:43:46,640 --> 00:43:49,160
Speaker 17: acting coach. I bring Leilan and Deron Thompson shout out,

1040
00:43:49,560 --> 00:43:52,399
Speaker 17: and you know, you see my dramatic work, like right

1041
00:43:52,440 --> 00:43:55,040
Speaker 17: now when I'm locked I be locked in right now.

1042
00:43:55,080 --> 00:43:56,840
Speaker 17: So the work I do in stand up is the

1043
00:43:56,840 --> 00:43:58,879
Speaker 17: same work I do when it comes to breaking down

1044
00:43:58,880 --> 00:44:01,120
Speaker 17: the script. So before I get to set, not only

1045
00:44:01,120 --> 00:44:03,800
Speaker 17: do I know the lines, but I know the story.

1046
00:44:04,200 --> 00:44:08,279
Speaker 17: I know the obstacles. I know the objective in every scene,

1047
00:44:08,320 --> 00:44:10,879
Speaker 17: there's an intention. What am I trying to get? And

1048
00:44:10,920 --> 00:44:13,920
Speaker 17: then I'm prepared so when the director goes, all you

1049
00:44:13,920 --> 00:44:16,359
Speaker 17: gotta do is touch me like this and change this

1050
00:44:16,440 --> 00:44:18,400
Speaker 17: and get this and give me this emotion. And I

1051
00:44:18,480 --> 00:44:21,319
Speaker 17: got it all prepared because I worked it the night

1052
00:44:21,360 --> 00:44:24,359
Speaker 17: before the morning before. I work my body to get

1053
00:44:24,400 --> 00:44:27,800
Speaker 17: my body into a certain way. Like I put on muscle.

1054
00:44:27,840 --> 00:44:29,719
Speaker 17: I was twenty five pounds bigger than I am now

1055
00:44:29,760 --> 00:44:32,120
Speaker 17: I lost the weight because I'm about to do shorty

1056
00:44:32,160 --> 00:44:33,160
Speaker 17: and Scary movie six.

1057
00:44:33,440 --> 00:44:35,399
Speaker 3: And I don't want him being Buff's son. I think

1058
00:44:35,440 --> 00:44:39,520
Speaker 3: that's weird. So would I say, taking Magic Johnson's blood? Wow?

1059
00:44:40,400 --> 00:44:41,839
Speaker 16: Wow? Wow?

1060
00:44:41,960 --> 00:44:44,640
Speaker 17: Well now he would? I ain't take magic blood. This

1061
00:44:44,680 --> 00:44:47,920
Speaker 17: man Richard Richard, and he ever been. You better get

1062
00:44:47,920 --> 00:44:50,600
Speaker 17: some blood too. When he where he's telling that he

1063
00:44:50,719 --> 00:44:51,800
Speaker 17: on yachts and boats.

1064
00:44:51,880 --> 00:44:55,040
Speaker 3: I want that blood. This morning, our special guest is

1065
00:44:55,120 --> 00:44:56,240
Speaker 3: mister Marlon Wains.

1066
00:44:56,280 --> 00:44:58,440
Speaker 1: He's got a new movie out this Friday at Jordan

1067
00:44:58,480 --> 00:45:01,560
Speaker 1: Peel Film called him dj Envy White Chicks.

1068
00:45:01,760 --> 00:45:03,880
Speaker 3: I got to ask white chicks, right, hilarious? Right? I

1069
00:45:03,880 --> 00:45:04,799
Speaker 3: think it was one of those movies.

1070
00:45:04,800 --> 00:45:07,160
Speaker 24: I don't think people caught at first, but then when

1071
00:45:07,160 --> 00:45:08,440
Speaker 24: they caught it, they're like, this is one of the

1072
00:45:08,440 --> 00:45:10,520
Speaker 24: funniest Would you ever do a sequel to it?

1073
00:45:11,000 --> 00:45:11,440
Speaker 16: I would.

1074
00:45:12,000 --> 00:45:13,759
Speaker 3: I'm waiting for technology. I'm ain't for AI.

1075
00:45:13,880 --> 00:45:15,359
Speaker 17: I don't want to sit and make up seven hours

1076
00:45:15,400 --> 00:45:18,479
Speaker 17: again for set for sixty days, sitting in seven hours

1077
00:45:18,480 --> 00:45:20,680
Speaker 17: of makeup and then working fourteen hours after that, which

1078
00:45:20,680 --> 00:45:21,719
Speaker 17: means I'm sleeping.

1079
00:45:21,400 --> 00:45:24,400
Speaker 3: Two hours every day to do this movie.

1080
00:45:24,560 --> 00:45:26,600
Speaker 17: Nah Ai is coming, so I got to get in

1081
00:45:26,600 --> 00:45:29,440
Speaker 17: the makeup two times and then the AI will do

1082
00:45:29,480 --> 00:45:32,040
Speaker 17: the work. I'm down for that, But other than that,

1083
00:45:32,160 --> 00:45:33,719
Speaker 17: I want to do Black Man in the movie where

1084
00:45:33,760 --> 00:45:35,520
Speaker 17: I come in, I do five minutes to make up,

1085
00:45:35,680 --> 00:45:37,000
Speaker 17: and I get out of the twelve dollars.

1086
00:45:38,680 --> 00:45:39,120
Speaker 3: He said.

1087
00:45:39,960 --> 00:45:41,680
Speaker 14: After White Chicks, they wanted you gone.

1088
00:45:41,960 --> 00:45:44,000
Speaker 26: What were some of the like did you ever face

1089
00:45:44,040 --> 00:45:45,640
Speaker 26: me hardships or any challenges after that?

1090
00:45:46,360 --> 00:45:49,799
Speaker 17: Nobody's supposed to be famous this long, they especially if

1091
00:45:49,800 --> 00:45:53,000
Speaker 17: you black. They know nobody that it's unheard of to

1092
00:45:53,120 --> 00:45:58,520
Speaker 17: stay around that long. It's because you work, right, I

1093
00:45:58,520 --> 00:46:01,080
Speaker 17: will say, this, Hollywood's great place, but they don't know

1094
00:46:01,120 --> 00:46:04,680
Speaker 17: what to do with you, right, So the opportunities you get,

1095
00:46:05,200 --> 00:46:07,439
Speaker 17: there's only a small margin that you're gonna get those

1096
00:46:07,440 --> 00:46:11,080
Speaker 17: opportunities right, because before it gets to me, Will Smith

1097
00:46:11,160 --> 00:46:14,160
Speaker 17: got that script, Eddie Murphy got that script, Jamie Fox

1098
00:46:14,239 --> 00:46:16,319
Speaker 17: got that script. So you gotta wait for all these

1099
00:46:16,360 --> 00:46:18,560
Speaker 17: people to turn it down. And I feel bad for

1100
00:46:18,640 --> 00:46:21,200
Speaker 17: regular regular actors because then you gotta wait for after me.

1101
00:46:21,640 --> 00:46:23,480
Speaker 17: Then after me, you gotta wait for Nick Cannon. Then

1102
00:46:23,480 --> 00:46:27,239
Speaker 17: you gotta you know what I'm saying like that, that's

1103
00:46:27,280 --> 00:46:29,960
Speaker 17: a long time to wait to act, maybe get a role.

1104
00:46:30,040 --> 00:46:32,920
Speaker 17: But if you create the role and you put yourself

1105
00:46:32,960 --> 00:46:36,239
Speaker 17: as the star, now I can cast other people in

1106
00:46:36,400 --> 00:46:37,000
Speaker 17: my vision.

1107
00:46:37,280 --> 00:46:39,439
Speaker 3: So these are my best years.

1108
00:46:39,480 --> 00:46:42,279
Speaker 17: And I started as a farmer and an agriculture My

1109
00:46:42,320 --> 00:46:45,560
Speaker 17: brother taught me farming and agriculture to be an agriculturist.

1110
00:46:45,880 --> 00:46:47,840
Speaker 3: Now I'm an industry. Industry.

1111
00:46:47,920 --> 00:46:51,759
Speaker 17: Industry, philanthropy and education is the three things that I'm

1112
00:46:51,800 --> 00:46:54,080
Speaker 17: gonna work on in terms of building this brand.

1113
00:46:54,400 --> 00:46:56,359
Speaker 18: I just feel when I've been watching your interviews getting

1114
00:46:56,360 --> 00:46:57,920
Speaker 18: ready for this, that there's a you have like a

1115
00:46:57,960 --> 00:47:00,160
Speaker 18: feeling of like there's like happiness, but there's a an

1116
00:47:00,280 --> 00:47:01,680
Speaker 18: arrival even though you've already been here.

1117
00:47:01,719 --> 00:47:03,600
Speaker 14: You said it took fifty three years to feel special

1118
00:47:03,800 --> 00:47:04,400
Speaker 14: on CBS.

1119
00:47:04,520 --> 00:47:05,640
Speaker 3: Yeah, to get confident.

1120
00:47:06,040 --> 00:47:08,440
Speaker 18: But that's to me listening to you say that, it's

1121
00:47:08,440 --> 00:47:11,360
Speaker 18: crazy because like you've always been Marlon Wayne's.

1122
00:47:11,120 --> 00:47:17,360
Speaker 3: I have, but there was a missing I said, I

1123
00:47:17,400 --> 00:47:18,080
Speaker 3: don't run the tape.

1124
00:47:18,120 --> 00:47:21,400
Speaker 17: Yeah, okay, you know I trust you because you be

1125
00:47:21,480 --> 00:47:23,919
Speaker 17: on your facts.

1126
00:47:24,320 --> 00:47:26,560
Speaker 18: Is when I watch your interviews, I feel, I don't know,

1127
00:47:26,680 --> 00:47:29,240
Speaker 18: just feels different, like you feel like you've arrived.

1128
00:47:29,400 --> 00:47:31,680
Speaker 14: Now why what is the feeling.

1129
00:47:31,760 --> 00:47:33,160
Speaker 3: With this role? I've done the work.

1130
00:47:33,680 --> 00:47:35,960
Speaker 17: Life breaks you and rips you apart, and you survive

1131
00:47:36,040 --> 00:47:37,720
Speaker 17: through that and you just go.

1132
00:47:37,600 --> 00:47:38,919
Speaker 3: Oh, I get it.

1133
00:47:39,680 --> 00:47:43,239
Speaker 17: I'm here and and you know, like I said, I

1134
00:47:43,320 --> 00:47:46,960
Speaker 17: was always a happy, go lucky dude. Once I survived

1135
00:47:46,960 --> 00:47:49,759
Speaker 17: the trauma and the pain that I went through, I'm

1136
00:47:49,800 --> 00:47:52,839
Speaker 17: a better actor. I'm a better actor because I've been

1137
00:47:52,920 --> 00:47:56,080
Speaker 17: through more. And now my comedy, I don't write about

1138
00:47:56,080 --> 00:47:59,279
Speaker 17: pop culture. I write about what hurts me. That I

1139
00:47:59,360 --> 00:48:01,799
Speaker 17: write from BLAEU. So when you see my stand up,

1140
00:48:01,880 --> 00:48:03,799
Speaker 17: it's not just oh, he's telling silly jokes.

1141
00:48:03,840 --> 00:48:03,920
Speaker 11: Jo.

1142
00:48:04,040 --> 00:48:06,920
Speaker 17: He got a story, Yo, There's something that I learned

1143
00:48:06,920 --> 00:48:09,880
Speaker 17: when I watch that it's coming from a special place.

1144
00:48:09,880 --> 00:48:12,040
Speaker 3: And when you can make your pain funny.

1145
00:48:12,400 --> 00:48:15,720
Speaker 17: That's when you start getting great. Richard Pryor took his pain.

1146
00:48:16,120 --> 00:48:17,840
Speaker 17: He had a heart attack, and he said, you know

1147
00:48:17,880 --> 00:48:20,200
Speaker 17: what's funny about having a heart attack, and he did

1148
00:48:20,239 --> 00:48:23,359
Speaker 17: the most brilliant bit on having a heart attack. That's

1149
00:48:23,400 --> 00:48:26,719
Speaker 17: where you for me, that's when I got confident, when

1150
00:48:26,719 --> 00:48:29,200
Speaker 17: I started doing stand up and really looking at myself

1151
00:48:29,239 --> 00:48:31,800
Speaker 17: as an artist and going, I want to be better

1152
00:48:32,239 --> 00:48:34,680
Speaker 17: writing scripts ain't enough, Acting ain't enough.

1153
00:48:35,200 --> 00:48:36,440
Speaker 3: Producing is not enough.

1154
00:48:36,480 --> 00:48:37,920
Speaker 17: And then when I said I want to be a

1155
00:48:38,000 --> 00:48:41,480
Speaker 17: superstar stand up, so now I can do it all.

1156
00:48:41,520 --> 00:48:43,640
Speaker 17: Put me anywhere, let's go, let's rock, let's get it.

1157
00:48:43,680 --> 00:48:46,560
Speaker 24: That's crazy that she's talking about the I've arrived moment, right,

1158
00:48:46,880 --> 00:48:48,719
Speaker 24: But we look at you from that from a long

1159
00:48:48,760 --> 00:48:51,120
Speaker 24: time ago. Just look at the history that you've done.

1160
00:48:51,400 --> 00:48:53,239
Speaker 24: You know, every time they said you couldn't you did

1161
00:48:53,280 --> 00:48:53,560
Speaker 24: it over.

1162
00:48:53,840 --> 00:48:54,319
Speaker 3: They try to.

1163
00:48:54,320 --> 00:48:57,000
Speaker 24: Take your you know what you've done, and you said,

1164
00:48:57,000 --> 00:48:58,239
Speaker 24: I you I don't need y'all.

1165
00:48:58,239 --> 00:49:00,080
Speaker 3: I'm gonna do it my own way.

1166
00:49:00,640 --> 00:49:03,040
Speaker 1: It's classes right, So you have to write down like

1167
00:49:03,120 --> 00:49:04,720
Speaker 1: top five and living color sketches.

1168
00:49:04,760 --> 00:49:07,920
Speaker 3: I guarantee you miss the ugly man gonna be had

1169
00:49:07,960 --> 00:49:08,560
Speaker 3: good instincts.

1170
00:49:08,560 --> 00:49:10,520
Speaker 24: It's weird that you're saying this is my you know,

1171
00:49:10,719 --> 00:49:12,360
Speaker 24: I've arrived moment where we looked.

1172
00:49:12,200 --> 00:49:12,960
Speaker 3: At it so long.

1173
00:49:13,040 --> 00:49:15,759
Speaker 24: You feel like you don't get the necessary I don't

1174
00:49:15,800 --> 00:49:17,880
Speaker 24: want to say respect, but the kudos that you deserve

1175
00:49:18,000 --> 00:49:19,680
Speaker 24: because you are the funny guy.

1176
00:49:19,719 --> 00:49:21,000
Speaker 3: You are the cool guy you are.

1177
00:49:21,040 --> 00:49:23,360
Speaker 17: I mean, it's a lot, right, It's beyond being the

1178
00:49:23,400 --> 00:49:26,439
Speaker 17: funny guy, the cool guy, I think you know, it's

1179
00:49:26,520 --> 00:49:28,840
Speaker 17: also I'm the baby of legends.

1180
00:49:29,400 --> 00:49:31,320
Speaker 3: It's hard when you're the baby of legend.

1181
00:49:31,320 --> 00:49:34,239
Speaker 17: You got all these legendaries dudes doing legendary things, and

1182
00:49:34,280 --> 00:49:36,080
Speaker 17: you were a part of that tribe. Oh that's keenan

1183
00:49:36,160 --> 00:49:38,279
Speaker 17: damon little brother. And not to say that I want

1184
00:49:38,280 --> 00:49:42,359
Speaker 17: to stand out. It takes time to know Marlin, right.

1185
00:49:42,360 --> 00:49:46,920
Speaker 17: It took Michael Jackson a long time before he became Michael.

1186
00:49:47,080 --> 00:49:48,840
Speaker 17: You know, he was tolt with his brothers toill he

1187
00:49:48,920 --> 00:49:51,480
Speaker 17: was like thirty five, forty years old, and he was

1188
00:49:51,560 --> 00:49:55,279
Speaker 17: like okay, then he bad and you know, off the

1189
00:49:55,320 --> 00:49:57,719
Speaker 17: wall he's done little things, and then Thriller hits and

1190
00:49:57,760 --> 00:50:01,719
Speaker 17: you go, oh, he's Michael. It takes time for you

1191
00:50:01,840 --> 00:50:04,800
Speaker 17: to stand apart when you come from such a legacy,

1192
00:50:04,840 --> 00:50:07,720
Speaker 17: and I never wanted to stand apart because I love WANs.

1193
00:50:07,920 --> 00:50:11,960
Speaker 17: I die WANs, I breathe WANs, I live WANs And

1194
00:50:12,000 --> 00:50:14,040
Speaker 17: for the past fifteen years, I've just been working on

1195
00:50:14,400 --> 00:50:17,520
Speaker 17: Marlon so that when I come back to WANs, I

1196
00:50:17,520 --> 00:50:21,440
Speaker 17: could be a better, stronger finger and that big and

1197
00:50:21,480 --> 00:50:24,480
Speaker 17: that fist and do our best work. That's why Scary

1198
00:50:24,480 --> 00:50:26,799
Speaker 17: Movie six this is big. This is bringing us all

1199
00:50:26,840 --> 00:50:29,680
Speaker 17: back together. And now I got a completely different skill

1200
00:50:29,760 --> 00:50:31,920
Speaker 17: set than I had when I did the first one.

1201
00:50:32,160 --> 00:50:37,080
Speaker 17: So I can't wait till next summer June twelfth, in theaters,

1202
00:50:37,200 --> 00:50:40,200
Speaker 17: Scary Movie six were coming with these laughs. Everybody need

1203
00:50:40,239 --> 00:50:42,279
Speaker 17: these laughs. And I just feel like That's why I said,

1204
00:50:42,600 --> 00:50:45,959
Speaker 17: I feel like I've arrived, because everything's moving in slow motion.

1205
00:50:46,480 --> 00:50:47,360
Speaker 16: I get it.

1206
00:50:47,360 --> 00:50:48,160
Speaker 3: It's the matrix.

1207
00:50:48,360 --> 00:50:51,520
Speaker 1: Also wanted the expectation of being a WANs It's kind

1208
00:50:51,560 --> 00:50:52,920
Speaker 1: of like they just expect greatness from me.

1209
00:50:52,960 --> 00:50:56,759
Speaker 3: Also, it's just like whatever, yeah, but that goes with it.

1210
00:50:56,800 --> 00:50:58,920
Speaker 17: But yeah, I think about this, the things that I

1211
00:50:58,920 --> 00:51:01,560
Speaker 17: haven't gotten yet that I don't yearn for it don't

1212
00:51:01,680 --> 00:51:06,000
Speaker 17: I didn't. It's not that that makes my identity, but

1213
00:51:06,760 --> 00:51:07,840
Speaker 17: I want them statues.

1214
00:51:08,120 --> 00:51:08,960
Speaker 3: I want that in me.

1215
00:51:09,520 --> 00:51:13,000
Speaker 17: I want that Oscar I want that Grammy for my

1216
00:51:13,120 --> 00:51:16,879
Speaker 17: comedy album. I want that Tony for a Broadway player.

1217
00:51:16,920 --> 00:51:19,040
Speaker 17: I want those things, and I'm gonna get those things.

1218
00:51:19,120 --> 00:51:21,400
Speaker 17: And if I fall short and I don't get an ego,

1219
00:51:21,520 --> 00:51:22,800
Speaker 17: if I got a guy, I'm happy.

1220
00:51:22,880 --> 00:51:24,400
Speaker 3: If I got an ah, I'm happy.

1221
00:51:24,640 --> 00:51:26,560
Speaker 17: But I know that I'm putting in the work, and

1222
00:51:26,600 --> 00:51:29,439
Speaker 17: even after I get that to me, I still never

1223
00:51:29,520 --> 00:51:32,000
Speaker 17: made it because you stay hungry as an artist. Look

1224
00:51:32,000 --> 00:51:35,440
Speaker 17: at guys like Kobe sixty points on his last game.

1225
00:51:36,040 --> 00:51:38,879
Speaker 17: He kept doing the work. It's about doing the work.

1226
00:51:38,960 --> 00:51:41,040
Speaker 17: The Kobe that was in the league when he was nineteen,

1227
00:51:41,120 --> 00:51:43,520
Speaker 17: he was dope then. But you see the Kobe at

1228
00:51:43,520 --> 00:51:46,920
Speaker 17: thirty five when he was starting to win those rings consecutively.

1229
00:51:47,480 --> 00:51:48,759
Speaker 3: That's a different Kobe Bryan.

1230
00:51:48,840 --> 00:51:52,799
Speaker 17: Then after he left him and shaqbro had their dismantling

1231
00:51:52,840 --> 00:51:55,080
Speaker 17: of that team, for him to go get another ring

1232
00:51:55,160 --> 00:51:58,360
Speaker 17: or two more rings after that without Shaq, that's because

1233
00:51:58,480 --> 00:51:59,880
Speaker 17: that man was an animal.

1234
00:52:00,080 --> 00:52:01,160
Speaker 3: Gotta be. I'm an animal.

1235
00:52:01,160 --> 00:52:04,320
Speaker 17: I'm in that gym, I'm working out, I'm working my instrument,

1236
00:52:04,400 --> 00:52:06,920
Speaker 17: I'm on the stage. I am not going to fail

1237
00:52:07,000 --> 00:52:08,680
Speaker 17: my moments, period.

1238
00:52:09,400 --> 00:52:13,640
Speaker 24: Clock it clock it.

1239
00:52:14,480 --> 00:52:18,200
Speaker 26: Speaking of Scaryhold, speaking of Scary Movie six.

1240
00:52:18,080 --> 00:52:20,000
Speaker 3: Yes, have y'all started filming.

1241
00:52:20,239 --> 00:52:24,200
Speaker 17: No, we start filming, Uh, I'm going to uh London

1242
00:52:24,280 --> 00:52:26,920
Speaker 17: to promote him. And then I got a gig in

1243
00:52:26,960 --> 00:52:30,160
Speaker 17: San Jose. And then October first we on the set

1244
00:52:30,200 --> 00:52:32,759
Speaker 17: of in Living Color. So I mean of scary movie.

1245
00:52:32,800 --> 00:52:39,560
Speaker 17: Said Scary Movie six. No, Scary Move six, Scary Move six.

1246
00:52:39,640 --> 00:52:42,719
Speaker 17: So we start that. We got ann and uh Is back,

1247
00:52:42,760 --> 00:52:46,319
Speaker 17: Anna Faris, Regina Hall. We're bringing everybody back. And man,

1248
00:52:46,320 --> 00:52:48,920
Speaker 17: I'm telling you this movie script is funny and we're

1249
00:52:48,920 --> 00:52:49,600
Speaker 17: gonna knock this.

1250
00:52:49,600 --> 00:52:54,160
Speaker 3: Out the park. No, no, I would you said, y'all

1251
00:52:54,200 --> 00:52:56,799
Speaker 3: was doing something with brothers, like a show.

1252
00:52:57,520 --> 00:53:00,840
Speaker 17: I ain't announcing it yet, but you know, but we

1253
00:53:00,840 --> 00:53:03,160
Speaker 17: we're investigating doing all this stuff.

1254
00:53:04,560 --> 00:53:05,000
Speaker 4: What watch?

1255
00:53:05,440 --> 00:53:07,439
Speaker 3: And then we did Scary Movie six.

1256
00:53:07,480 --> 00:53:08,040
Speaker 4: I am lion.

1257
00:53:11,880 --> 00:53:14,239
Speaker 18: Y'all held us down because I remember your publicist. She

1258
00:53:14,320 --> 00:53:16,000
Speaker 18: was like, I'll make sure that she made sure we

1259
00:53:16,000 --> 00:53:18,400
Speaker 18: have all the information. So whatever you're working on with

1260
00:53:18,440 --> 00:53:20,200
Speaker 18: your brothers, yes, we would love to also be the

1261
00:53:20,239 --> 00:53:21,040
Speaker 18: home where the world.

1262
00:53:20,880 --> 00:53:23,799
Speaker 3: Find I will let y'all know there you go. Marloweyen's ladies.

1263
00:53:23,840 --> 00:53:27,719
Speaker 1: Absolutely, man, make sure y'all see him this Friday is Friday.

1264
00:53:26,760 --> 00:53:33,440
Speaker 3: Scary Movie six next summer, Yes, sir, Scary Movie six

1265
00:53:33,520 --> 00:53:35,919
Speaker 3: next summer. Make sure mallowayns dot com get your merch.

1266
00:53:36,239 --> 00:53:38,759
Speaker 17: I love y'all, man, and I want to thank you

1267
00:53:38,800 --> 00:53:42,000
Speaker 17: guys for always supporting me and making this home and that, uh,

1268
00:53:42,239 --> 00:53:44,920
Speaker 17: you know, y'all know me a long time, and you

1269
00:53:44,960 --> 00:53:48,000
Speaker 17: know y'all see me do the work and I see

1270
00:53:48,080 --> 00:53:49,759
Speaker 17: y'all do the work. And just know what our root

1271
00:53:49,840 --> 00:53:52,439
Speaker 17: for y'all and every every step of the way. And

1272
00:53:53,040 --> 00:53:54,920
Speaker 17: you know we ain't done. We all just beginning.

1273
00:53:55,040 --> 00:53:57,080
Speaker 24: So I just want to say one of the last

1274
00:53:57,120 --> 00:53:59,160
Speaker 24: thing we appreciate you, Marlin is the one for people

1275
00:53:59,160 --> 00:54:00,880
Speaker 24: out there listening that if you're going through something off,

1276
00:54:00,880 --> 00:54:02,360
Speaker 24: there's a problem, he'll text you to check on you.

1277
00:54:02,440 --> 00:54:04,120
Speaker 24: There's not too many people in the industry do that.

1278
00:54:04,160 --> 00:54:06,160
Speaker 24: We see so many people come and go all the time,

1279
00:54:06,200 --> 00:54:07,279
Speaker 24: but he will check on you.

1280
00:54:07,360 --> 00:54:10,280
Speaker 3: Yes, and appreciate it. Yes, I appreciate you. Marlon Wayans.

1281
00:54:10,360 --> 00:54:11,560
Speaker 3: It's the Breakfast a morning.

1282
00:54:11,840 --> 00:54:13,560
Speaker 1: Yeah, it's the world most dangerous morning to show The

1283
00:54:13,560 --> 00:54:17,000
Speaker 1: Breakfast Club, Charlamagne and God just hilarious. DJ Envy is off,

1284
00:54:17,120 --> 00:54:19,480
Speaker 1: but ll cool bayis Head. Thank you to Marlon Walliams

1285
00:54:19,560 --> 00:54:21,759
Speaker 1: man for pulling up. Make sure y'all go check out

1286
00:54:22,040 --> 00:54:25,320
Speaker 1: him this Friday in theaters everywhere at Jordan Peel Film.

1287
00:54:25,480 --> 00:54:28,960
Speaker 26: That man is so passionate about his acting and everything

1288
00:54:29,040 --> 00:54:31,520
Speaker 26: like that. He was up here like you've seen the

1289
00:54:31,600 --> 00:54:34,359
Speaker 26: veins in his neck when he was explaining, you know,

1290
00:54:34,480 --> 00:54:37,400
Speaker 26: how he does, how he improvised and stuff.

1291
00:54:37,600 --> 00:54:40,440
Speaker 3: So I love him. He's a talented human. Absolutely, It's

1292
00:54:40,440 --> 00:54:43,719
Speaker 3: time for the Latest with Lauren. Lauren be coming straight fast.

1293
00:54:45,480 --> 00:54:48,320
Speaker 3: She gets them from somebody that knows somebody detail.

1294
00:54:48,680 --> 00:54:50,760
Speaker 14: I'm a long girl that knows a little bit about everything.

1295
00:54:51,719 --> 00:54:55,759
Speaker 16: She'd be having the latest on you. The Latest with

1296
00:54:55,880 --> 00:54:56,640
Speaker 16: Lauren la Rosa.

1297
00:54:56,719 --> 00:54:59,160
Speaker 1: Sometimes you have fact, sometimes you have details, sometimes you

1298
00:54:59,239 --> 00:54:59,759
Speaker 1: have a little bit.

1299
00:54:59,760 --> 00:55:01,399
Speaker 3: Every towards the leading on.

1300
00:55:01,400 --> 00:55:06,360
Speaker 18: The breakfast clouds to me, alrighty, So wanted to explain

1301
00:55:06,400 --> 00:55:08,520
Speaker 18: a little bit more about what went down behind the

1302
00:55:08,520 --> 00:55:11,839
Speaker 18: scenes with Cameron and not even Cameron but Dame Dash

1303
00:55:11,880 --> 00:55:14,560
Speaker 18: and Revolt TV is Cameron because.

1304
00:55:14,280 --> 00:55:17,719
Speaker 3: You know what, we're still talking about.

1305
00:55:17,480 --> 00:55:19,239
Speaker 18: This, Yeah, we have to now, we gotta get to

1306
00:55:19,280 --> 00:55:23,360
Speaker 18: this when I hour is a big day. Dame Dash

1307
00:55:23,440 --> 00:55:26,960
Speaker 18: is currently trending across Google because of the interview. So

1308
00:55:27,000 --> 00:55:29,480
Speaker 18: we're gonna get this in because Cameron, actually this is

1309
00:55:29,480 --> 00:55:31,040
Speaker 18: the button that we should have put on it last hour,

1310
00:55:31,080 --> 00:55:32,520
Speaker 18: So apologies for not having and then we got it.

1311
00:55:32,560 --> 00:55:36,799
Speaker 18: Now Cameron explains what actually went down between Cameron, Dame

1312
00:55:36,880 --> 00:55:38,480
Speaker 18: Dash and Revolt and how we got here.

1313
00:55:38,520 --> 00:55:39,240
Speaker 14: Let's take a listen.

1314
00:55:39,600 --> 00:55:41,520
Speaker 3: I ain't know you'd be lying like this, bro.

1315
00:55:41,960 --> 00:55:44,440
Speaker 9: You know when, yeah, man, you don't pay attention to

1316
00:55:44,480 --> 00:55:46,959
Speaker 9: a lot of the court Revolt last week.

1317
00:55:47,080 --> 00:55:48,919
Speaker 3: Let's say he wants to put his content.

1318
00:55:48,600 --> 00:55:52,880
Speaker 9: On a Revolt champl Revolt programming is booked up until

1319
00:55:53,040 --> 00:55:55,560
Speaker 9: twenty twenty six. I have two more shows I could

1320
00:55:55,600 --> 00:55:58,319
Speaker 9: do this year, and so when I found that out,

1321
00:55:58,640 --> 00:55:59,800
Speaker 9: I called my man and Findy.

1322
00:56:00,000 --> 00:56:01,040
Speaker 3: I said, Yo, tough thing.

1323
00:56:01,320 --> 00:56:03,640
Speaker 9: I put his shows on my slot on a Revolt

1324
00:56:03,640 --> 00:56:05,200
Speaker 9: because I have two more shows I can put on

1325
00:56:05,280 --> 00:56:08,040
Speaker 9: Revolt if I can executive produce the shows when I

1326
00:56:08,080 --> 00:56:10,680
Speaker 9: needed help, if he put his eyes he put my

1327
00:56:10,719 --> 00:56:13,320
Speaker 9: albums out of Rockefeller, not let him the executive producer.

1328
00:56:13,600 --> 00:56:15,800
Speaker 3: I'm trying to do the same thing for you.

1329
00:56:15,840 --> 00:56:16,920
Speaker 16: A couple of dollars for you.

1330
00:56:17,040 --> 00:56:18,759
Speaker 3: I'm just the executive producer. Of the show.

1331
00:56:18,880 --> 00:56:21,000
Speaker 9: First, he tough fifty year. He's like, iwin' back no

1332
00:56:21,080 --> 00:56:23,880
Speaker 9: matter of fact, I'm the Godfather. You can't executive produce

1333
00:56:23,920 --> 00:56:24,320
Speaker 9: my shows.

1334
00:56:24,480 --> 00:56:25,200
Speaker 3: Da da da dah.

1335
00:56:25,360 --> 00:56:27,720
Speaker 9: How you the Godfather or anything? Your word don't count

1336
00:56:27,760 --> 00:56:30,719
Speaker 9: no more. You don't got teeth, you have dentures. Your

1337
00:56:30,760 --> 00:56:33,120
Speaker 9: word don't mean nothing. You fell off the Mount rushmore

1338
00:56:33,160 --> 00:56:35,480
Speaker 9: Halem a long time ago. But we'll address it all

1339
00:56:35,920 --> 00:56:38,640
Speaker 9: tomorrow and Friday. But don't say I ain't trying to

1340
00:56:38,680 --> 00:56:41,200
Speaker 9: help out. You didn't want me executive produc your TV shows.

1341
00:56:41,239 --> 00:56:42,440
Speaker 9: He could have walked it right in for you.

1342
00:56:43,520 --> 00:56:44,239
Speaker 3: That's sad man.

1343
00:56:44,560 --> 00:56:47,000
Speaker 1: Damn cares too much about what other people think, especially

1344
00:56:47,080 --> 00:56:49,320
Speaker 1: in regards to his finances. He wants to be perceived

1345
00:56:49,320 --> 00:56:51,080
Speaker 1: as a boss. So he just wanted to say he

1346
00:56:51,160 --> 00:56:52,839
Speaker 1: was chairving a revolt so he can come off as

1347
00:56:52,880 --> 00:56:55,200
Speaker 1: Cam's boss. Yeah that's calling it.

1348
00:56:55,840 --> 00:56:59,399
Speaker 14: Yeah, yeah, yes.

1349
00:57:00,080 --> 00:57:01,960
Speaker 18: Part one of what Cam is going to be dropping

1350
00:57:01,960 --> 00:57:03,880
Speaker 18: a revolt it's at five pm tonight, is a reminder,

1351
00:57:03,880 --> 00:57:07,640
Speaker 18: and in part two will drop on Friday. And Cam's

1352
00:57:07,680 --> 00:57:09,879
Speaker 18: caption to that video was less place swhere to God.

1353
00:57:09,960 --> 00:57:12,359
Speaker 18: Lying through your gums is treacherous, But I got you

1354
00:57:12,400 --> 00:57:13,440
Speaker 18: tomorrow and Friday.

1355
00:57:13,560 --> 00:57:15,799
Speaker 1: You know what you're supposed to eat off this type

1356
00:57:15,800 --> 00:57:18,040
Speaker 1: of content like this yesterday is what I call a

1357
00:57:18,040 --> 00:57:22,800
Speaker 1: Thanksgiving turkey everybody, especially if Cam has every right to

1358
00:57:22,960 --> 00:57:25,439
Speaker 1: because you know, I just don't know why Cam would,

1359
00:57:25,520 --> 00:57:28,600
Speaker 1: I mean, why Dane would go to that extreme just

1360
00:57:28,640 --> 00:57:31,160
Speaker 1: to come off as Cam's boss like and if that

1361
00:57:31,200 --> 00:57:32,480
Speaker 1: wouldn't be fact checked.

1362
00:57:32,240 --> 00:57:37,200
Speaker 3: In real time, it's crazy. And he must think there's

1363
00:57:37,200 --> 00:57:38,960
Speaker 3: a coffin for real, and nobody listens to.

1364
00:57:38,880 --> 00:57:42,480
Speaker 18: The definitely think you've been inside this room for fifteen years,

1365
00:57:42,520 --> 00:57:43,320
Speaker 18: you'll know what's going on.

1366
00:57:44,640 --> 00:57:45,040
Speaker 14: He said.

1367
00:57:45,160 --> 00:57:49,160
Speaker 18: Thirty gonna be fifteen in the going to cluse bomb

1368
00:57:49,200 --> 00:57:51,160
Speaker 18: for us, damn it. But he wanted to be thirty.

1369
00:57:51,680 --> 00:57:55,280
Speaker 18: But y'all saw Claudia, Yes we did. We played it

1370
00:57:55,320 --> 00:57:57,240
Speaker 18: last hour. But yeah, you thank you for sending me that.

1371
00:57:57,760 --> 00:58:00,400
Speaker 26: She You know, Claudia is gonna give it, give a

1372
00:58:00,440 --> 00:58:03,320
Speaker 26: nigga the blues, she said, and she's not done yet.

1373
00:58:03,640 --> 00:58:04,080
Speaker 14: Oh gosh.

1374
00:58:04,200 --> 00:58:06,040
Speaker 26: The next time she in New York, she want to

1375
00:58:06,040 --> 00:58:11,800
Speaker 26: stop past to clear some things up here. She wants

1376
00:58:12,000 --> 00:58:13,720
Speaker 26: to wait, she said.

1377
00:58:13,760 --> 00:58:15,200
Speaker 14: He's like in Nebraska somewhere.

1378
00:58:15,280 --> 00:58:15,480
Speaker 1: Man.

1379
00:58:15,640 --> 00:58:18,920
Speaker 26: She had me since she saw it. Like, oh no,

1380
00:58:19,600 --> 00:58:22,480
Speaker 26: he lied, he's playing around. She went on with the nigga.

1381
00:58:22,600 --> 00:58:22,800
Speaker 11: Well.

1382
00:58:22,840 --> 00:58:25,280
Speaker 18: In other news, I wanted to take some time to

1383
00:58:25,280 --> 00:58:28,400
Speaker 18: also shout out Kim Cameron because on his on the

1384
00:58:28,440 --> 00:58:29,880
Speaker 18: show that he does it is what it is with

1385
00:58:30,120 --> 00:58:33,400
Speaker 18: him and Mace Uh. They have stat baby Treasure Wilson,

1386
00:58:33,400 --> 00:58:35,560
Speaker 18: who is a journalist that works as like an anchor

1387
00:58:35,560 --> 00:58:38,960
Speaker 18: a moderator on the show, and they had Adrian Browner

1388
00:58:39,040 --> 00:58:42,280
Speaker 18: on the show and the they had to Kim had

1389
00:58:42,280 --> 00:58:45,720
Speaker 18: to ask Adrian Browner to leave because that baby was uncomfortable.

1390
00:58:46,040 --> 00:58:48,400
Speaker 14: Let's take a listen to that. Let's take listen to

1391
00:58:48,440 --> 00:58:49,400
Speaker 14: the first clip to.

1392
00:58:49,640 --> 00:58:58,080
Speaker 19: Look so good and perfectly Yeah, what you wi that?

1393
00:58:58,720 --> 00:58:59,560
Speaker 3: I love you.

1394
00:59:01,120 --> 00:59:01,560
Speaker 27: A guy.

1395
00:59:01,840 --> 00:59:04,640
Speaker 3: I'm sorry, I'm my bad, yoaf my bad.

1396
00:59:05,040 --> 00:59:07,440
Speaker 27: Hey stuck? Could you stop? Can you stop?

1397
00:59:09,040 --> 00:59:09,240
Speaker 9: Yo?

1398
00:59:09,440 --> 00:59:09,600
Speaker 11: Yo?

1399
00:59:09,680 --> 00:59:09,800
Speaker 9: Bro?

1400
00:59:14,160 --> 00:59:16,520
Speaker 28: I told you that that okay, we can move on

1401
00:59:16,600 --> 00:59:20,440
Speaker 28: the footballer that listen to the football I guess I

1402
00:59:20,480 --> 00:59:23,880
Speaker 28: answered the question about Floyd when I see when I

1403
00:59:23,920 --> 00:59:27,360
Speaker 28: see you taking off some time as stop.

1404
00:59:28,320 --> 00:59:30,680
Speaker 3: Yeah, bro, I did not know you looked that good

1405
00:59:30,720 --> 00:59:31,240
Speaker 3: in person.

1406
00:59:32,040 --> 00:59:32,240
Speaker 27: Yeah.

1407
00:59:32,280 --> 00:59:32,800
Speaker 14: Here clown.

1408
00:59:33,600 --> 00:59:36,680
Speaker 26: He's always like he's always making some woman feel uncomfortable.

1409
00:59:36,960 --> 00:59:38,439
Speaker 26: Agrian brown is a certified clown.

1410
00:59:38,560 --> 00:59:38,760
Speaker 11: Yeah.

1411
00:59:38,800 --> 00:59:39,720
Speaker 14: They were trying to play it off.

1412
00:59:39,720 --> 00:59:41,240
Speaker 18: They were trying to keep going and do the show,

1413
00:59:41,240 --> 00:59:43,640
Speaker 18: but it was it was a little difficult. Yeah, And

1414
00:59:43,680 --> 00:59:45,840
Speaker 18: so eventually what happened was what you're about to say.

1415
00:59:46,480 --> 00:59:48,040
Speaker 3: I did say her boyfriend was there.

1416
00:59:47,960 --> 00:59:50,640
Speaker 18: To Yes, yeah he did. Friend was there as well too.

1417
00:59:51,320 --> 00:59:53,800
Speaker 18: So eventually they had to Kim had to ask him

1418
00:59:53,800 --> 00:59:54,160
Speaker 18: to leave us.

1419
00:59:54,200 --> 00:59:56,040
Speaker 3: Take listen to that, all right, Hey, we're gonna have

1420
00:59:56,080 --> 00:59:56,840
Speaker 3: to ask you to go.

1421
00:59:57,480 --> 00:59:59,640
Speaker 9: I mean I have to. I'm gonna pay you for

1422
00:59:59,680 --> 01:00:02,439
Speaker 9: your Uh, I appreciate.

1423
01:00:01,880 --> 01:00:05,000
Speaker 3: You, I love you. I'm not doing it again.

1424
01:00:05,480 --> 01:00:08,200
Speaker 9: Yeah, no, no, no, I can't. I asked you the first time.

1425
01:00:08,480 --> 01:00:10,480
Speaker 9: I don't have no problems with you. I'm gonna play

1426
01:00:10,520 --> 01:00:13,120
Speaker 9: you for your time. But you can't validate bro, I

1427
01:00:13,240 --> 01:00:16,040
Speaker 9: told you that I'm not. I'm not. I told you

1428
01:00:16,120 --> 01:00:21,360
Speaker 9: boyfriends you know. No, no, but I appreciate your tongue.

1429
01:00:21,720 --> 01:00:24,080
Speaker 14: Is he on something? He sounds very picked up?

1430
01:00:25,040 --> 01:00:27,160
Speaker 3: Jesus he does.

1431
01:00:28,040 --> 01:00:31,240
Speaker 1: Yeah, I'm respect if you gave him a warning once, right,

1432
01:00:31,440 --> 01:00:34,160
Speaker 1: and yeah you continue and then she's uncomfortable yeah.

1433
01:00:34,200 --> 01:00:35,200
Speaker 14: Yeah, yeah, damn.

1434
01:00:35,400 --> 01:00:39,000
Speaker 26: And I also love her camera and stepped in, you know, indefendent,

1435
01:00:39,040 --> 01:00:40,480
Speaker 26: his co host to, you know what I mean, whether

1436
01:00:40,480 --> 01:00:42,880
Speaker 26: his boyfriend, whether her boyfriend was there or not.

1437
01:00:43,280 --> 01:00:44,080
Speaker 14: That's how you do that.

1438
01:00:44,240 --> 01:00:46,040
Speaker 18: Yeah, I think that that. When I watched it, I

1439
01:00:46,080 --> 01:00:48,040
Speaker 18: was like, man, I was. I wanted to make sure

1440
01:00:48,080 --> 01:00:50,000
Speaker 18: that I shouted him out for that, because a lot

1441
01:00:50,000 --> 01:00:52,320
Speaker 18: of times in a situation, as women, you don't want

1442
01:00:52,360 --> 01:00:54,040
Speaker 18: to be the person that says something because you feel like,

1443
01:00:54,200 --> 01:00:56,760
Speaker 18: I don't want to mess up her vibe, be like, oh,

1444
01:00:56,840 --> 01:00:59,040
Speaker 18: she's doing too much, so to have a man step

1445
01:00:59,080 --> 01:01:00,800
Speaker 18: in it, it it changes.

1446
01:01:01,040 --> 01:01:03,400
Speaker 1: Yeah, but y'all should say something if y'all feel uncomfortable,

1447
01:01:03,400 --> 01:01:05,120
Speaker 1: if you'll feel unomfortable in the moment, you should say

1448
01:01:05,120 --> 01:01:08,080
Speaker 1: something because especially in the environments because a lot of

1449
01:01:08,080 --> 01:01:09,720
Speaker 1: times a lot of things get mistaken.

1450
01:01:09,840 --> 01:01:13,720
Speaker 3: Is just entertainment, yeah, just content whatever.

1451
01:01:13,800 --> 01:01:15,960
Speaker 18: Felt like I don't want to though, because you don't

1452
01:01:16,000 --> 01:01:16,760
Speaker 18: want to be the person.

1453
01:01:16,840 --> 01:01:18,120
Speaker 14: I promise you we should and.

1454
01:01:18,600 --> 01:01:22,280
Speaker 3: You know, we just need to go on Instagram.

1455
01:01:24,000 --> 01:01:28,200
Speaker 26: But yeah, absolutely, I felt very you know, I felt

1456
01:01:28,240 --> 01:01:31,240
Speaker 26: like by a man before, yeah, you know, on sets

1457
01:01:31,240 --> 01:01:33,280
Speaker 26: and stuff like that, and I haven't said anything cause

1458
01:01:33,280 --> 01:01:34,920
Speaker 26: I didn't want to be the one to.

1459
01:01:35,040 --> 01:01:39,880
Speaker 14: Be like, you know, she goes, She goes, need to

1460
01:01:40,000 --> 01:01:40,560
Speaker 14: you know what I mean?

1461
01:01:40,720 --> 01:01:43,040
Speaker 26: Yes, because they don't believe you off the rip so

1462
01:01:43,800 --> 01:01:44,640
Speaker 26: a lot of times.

1463
01:01:44,840 --> 01:01:46,880
Speaker 18: Yeah, but that is it for the latest in this hour.

1464
01:01:46,960 --> 01:01:49,800
Speaker 18: Next hour, we're going to talk about Beyonce's music and

1465
01:01:49,880 --> 01:01:51,000
Speaker 18: how it's still on the run.

1466
01:01:51,280 --> 01:01:54,080
Speaker 1: Well, since you just said that, why don't we tell

1467
01:01:54,120 --> 01:01:56,960
Speaker 1: him to come to the front of the congregation, Kelvin Evans.

1468
01:01:57,520 --> 01:01:59,360
Speaker 1: Kelvin Evans should come to the front of the congregation.

1469
01:01:59,400 --> 01:02:02,520
Speaker 1: We would to have a word with him about Beyonce's

1470
01:02:02,520 --> 01:02:04,760
Speaker 1: hard drives.

1471
01:02:04,760 --> 01:02:06,320
Speaker 14: You about to find out and find out?

1472
01:02:06,440 --> 01:02:07,919
Speaker 3: Yes, it's the breakfast club.

1473
01:02:08,600 --> 01:02:10,360
Speaker 16: You're checking out the breakfast club.

1474
01:02:11,840 --> 01:02:13,240
Speaker 4: I heard don't ye.

1475
01:02:14,920 --> 01:02:26,160
Speaker 1: Time you get Yeah, you are, don't.

1476
01:02:25,560 --> 01:02:27,680
Speaker 3: Hung, I'm a fat and all that shit around your eye.

1477
01:02:27,840 --> 01:02:29,560
Speaker 3: They want this man to dog.

1478
01:02:29,440 --> 01:02:34,200
Speaker 14: And youn't to make a judgment of who was going

1479
01:02:34,280 --> 01:02:35,480
Speaker 14: to be on the Donkey of the day.

1480
01:02:35,760 --> 01:02:38,920
Speaker 3: They chose you. There's a breakfast club, bitch you Who's

1481
01:02:38,960 --> 01:02:40,080
Speaker 3: donkey of the day today?

1482
01:02:40,400 --> 01:02:43,280
Speaker 1: Well, donkey today for Wednesday, September seventeenth, goes to a

1483
01:02:43,280 --> 01:02:46,400
Speaker 1: man named Calvin Evans. Calvin is the most unlucky thief

1484
01:02:46,440 --> 01:02:49,080
Speaker 1: in America. Why because when you're a thief. It's not

1485
01:02:49,800 --> 01:02:52,320
Speaker 1: just about what you steal are the fact you stealing.

1486
01:02:52,640 --> 01:02:56,160
Speaker 1: Sometimes it's about who you steal from. And Calvin picked

1487
01:02:56,200 --> 01:02:58,680
Speaker 1: the wrong one to steal from, you, hear me? Okay, See,

1488
01:02:58,720 --> 01:03:01,160
Speaker 1: Calvin was doing what has become a national pastime in

1489
01:03:01,200 --> 01:03:03,840
Speaker 1: the city of Atlanta, and that's breaking in cars, all right,

1490
01:03:03,920 --> 01:03:04,720
Speaker 1: dropping the clues.

1491
01:03:04,480 --> 01:03:05,800
Speaker 3: Bomb for Atlanta.

1492
01:03:06,160 --> 01:03:08,200
Speaker 1: Clue to everybody who listens to us on ninety six

1493
01:03:08,200 --> 01:03:10,600
Speaker 1: point one to beat You know, were there every year for.

1494
01:03:10,600 --> 01:03:11,920
Speaker 3: The blackpec Podcast Festival.

1495
01:03:11,960 --> 01:03:13,920
Speaker 1: I was just there a couple weeks ago for invest

1496
01:03:13,960 --> 01:03:17,040
Speaker 1: Fest two suit to arn Elesia. Every time I'm in Atlanta,

1497
01:03:17,080 --> 01:03:19,880
Speaker 1: people feel the need to warn me that a vehicle

1498
01:03:19,920 --> 01:03:21,280
Speaker 1: I'm in may get broken into.

1499
01:03:21,680 --> 01:03:23,920
Speaker 3: Okay, I forgot what part of town. It is. One

1500
01:03:23,960 --> 01:03:25,680
Speaker 3: of the heads bank Buck, one of them.

1501
01:03:25,680 --> 01:03:27,400
Speaker 1: But when you're in Atlanta, they will tell you that

1502
01:03:27,440 --> 01:03:30,200
Speaker 1: if you got a car, especially something relatively nice, they

1503
01:03:30,200 --> 01:03:31,560
Speaker 1: will tell you that you might as well keep your

1504
01:03:31,560 --> 01:03:35,120
Speaker 1: windows rolled down so they don't break the windows. Okay,

1505
01:03:35,360 --> 01:03:37,080
Speaker 1: when someone breaks into your vehicle, that happened to you,

1506
01:03:37,040 --> 01:03:37,600
Speaker 1: didn't ye?

1507
01:03:37,840 --> 01:03:41,680
Speaker 14: Yes, in Atlanta twice, yes, sir damn twice.

1508
01:03:41,720 --> 01:03:42,480
Speaker 3: In the same car.

1509
01:03:43,560 --> 01:03:44,560
Speaker 14: No a different car.

1510
01:03:46,480 --> 01:03:48,640
Speaker 1: Well, Calvin is one of those individuals who'll be breaking

1511
01:03:48,680 --> 01:03:51,520
Speaker 1: into people's vehicles, and on July eight, twenty twenty five,

1512
01:03:51,560 --> 01:03:53,479
Speaker 1: he broke into the wrong one and stole the wrong

1513
01:03:53,560 --> 01:03:55,680
Speaker 1: thing from the wrong person. Let's go to Atlanta News

1514
01:03:55,680 --> 01:03:56,560
Speaker 1: first furry Port Police.

1515
01:03:56,640 --> 01:03:59,840
Speaker 4: Atlanta Police said the man accused of stealing unreleased Beyonce

1516
01:04:00,120 --> 01:04:01,760
Speaker 4: music is now in custody.

1517
01:04:02,040 --> 01:04:05,320
Speaker 29: That theft happened days before the SuperStar's first Cowboy Carter

1518
01:04:05,440 --> 01:04:08,840
Speaker 29: concert at Mercedes Benz Stadium in July. And Lanta News first,

1519
01:04:08,880 --> 01:04:11,240
Speaker 29: Yasmina Alston is live at the Fulton County Jail.

1520
01:04:11,520 --> 01:04:13,200
Speaker 14: So, Gasmina, what have you learned about this?

1521
01:04:13,560 --> 01:04:16,320
Speaker 29: I can tell you that police tell us Kelvin Evans

1522
01:04:16,480 --> 01:04:18,640
Speaker 29: is still in this jail on a twenty thousand dollars

1523
01:04:18,640 --> 01:04:22,640
Speaker 29: bond after he was taken into custody for his alleged involvement.

1524
01:04:22,720 --> 01:04:25,919
Speaker 29: He is here facing a charge of entering an automobile

1525
01:04:26,000 --> 01:04:30,360
Speaker 29: with intent to commit theft. That theft allegedly includes unreleased

1526
01:04:30,360 --> 01:04:32,600
Speaker 29: Beyonce music that was on hard drives in.

1527
01:04:32,560 --> 01:04:34,120
Speaker 14: One of the several stolen bags.

1528
01:04:34,440 --> 01:04:37,439
Speaker 29: This reportedly happened in a crog Street parking garage where

1529
01:04:37,440 --> 01:04:41,800
Speaker 29: Beyonce's choreographer and a dancer told investigators they parked their

1530
01:04:41,800 --> 01:04:43,640
Speaker 29: rental car which was broken into.

1531
01:04:43,960 --> 01:04:44,880
Speaker 3: Police had a car.

1532
01:04:44,800 --> 01:04:47,960
Speaker 29: Description, which eventually led them to Evans at an apartment

1533
01:04:48,040 --> 01:04:52,160
Speaker 29: complex on Hank Aaron Drive, where video showed him taking

1534
01:04:52,240 --> 01:04:55,000
Speaker 29: the stolen bags out of the car. But in the end,

1535
01:04:55,000 --> 01:04:58,320
Speaker 29: it was an unrelated incident call that led hateful police

1536
01:04:58,360 --> 01:05:01,520
Speaker 29: to arresting Evans. On the Atlanta's charged.

1537
01:05:01,720 --> 01:05:04,960
Speaker 1: Kelvin, Kelvin, Kelvin, you must be in you must be

1538
01:05:05,000 --> 01:05:08,000
Speaker 1: crazy in love with jail. Okay, trying to steal Beyonce's

1539
01:05:08,040 --> 01:05:11,400
Speaker 1: hard drive is literally like trying to steal a beehive

1540
01:05:11,720 --> 01:05:12,360
Speaker 1: full of bees?

1541
01:05:12,640 --> 01:05:15,720
Speaker 3: Okay? Would you even attempt to steal a beehive full

1542
01:05:15,760 --> 01:05:18,280
Speaker 3: of bees? Number One, you was on parole. Okay.

1543
01:05:18,280 --> 01:05:20,960
Speaker 1: When you're on parole, you are supposed to maintain employment.

1544
01:05:21,000 --> 01:05:23,280
Speaker 1: And guess what, if you had a job, you wouldn't

1545
01:05:23,280 --> 01:05:25,360
Speaker 1: have to break into people's cars. So all you had

1546
01:05:25,360 --> 01:05:27,640
Speaker 1: to do was follow the rules of your parole and

1547
01:05:27,680 --> 01:05:30,320
Speaker 1: you wouldn't be in the situation you in now. But no,

1548
01:05:31,000 --> 01:05:34,080
Speaker 1: instead of being free mingling with all the single ladies,

1549
01:05:34,160 --> 01:05:36,720
Speaker 1: you back in jail and there is nobody to blame

1550
01:05:36,960 --> 01:05:39,640
Speaker 1: but you. Okay, you should look in the mirror and say,

1551
01:05:39,640 --> 01:05:42,600
Speaker 1: you know why I'm back in jail, me myself and.

1552
01:05:42,520 --> 01:05:44,760
Speaker 3: I that's all you got in Now.

1553
01:05:44,800 --> 01:05:47,600
Speaker 1: I'm sure vehicles get broken into in Atlanta all the time,

1554
01:05:47,720 --> 01:05:50,920
Speaker 1: but it's not everyday vehicles get broken into, and the

1555
01:05:50,960 --> 01:05:54,680
Speaker 1: hard drives would unreleased Beyonce music on them get stolen.

1556
01:05:55,280 --> 01:05:58,640
Speaker 1: That right there immediately made you a different kind of suspect. See,

1557
01:05:58,640 --> 01:06:02,800
Speaker 1: those hard drives would beyond say music. Those are irreplaceable. Okay,

1558
01:06:02,920 --> 01:06:07,080
Speaker 1: every single law enforcement official in Atlanta got information when

1559
01:06:07,080 --> 01:06:09,480
Speaker 1: they received that call, and when it came to that case,

1560
01:06:09,720 --> 01:06:12,600
Speaker 1: every single law enforcement official in Atlanta had to go

1561
01:06:12,680 --> 01:06:16,439
Speaker 1: check on it. You immediately made yourself the hottest car

1562
01:06:16,600 --> 01:06:20,280
Speaker 1: thief in America. Okay, not to mention. Now that your

1563
01:06:20,360 --> 01:06:22,800
Speaker 1: name is out there, you might as well delete all

1564
01:06:22,800 --> 01:06:25,560
Speaker 1: your social media. Okay, you think that beehive is gonna

1565
01:06:25,640 --> 01:06:29,000
Speaker 1: let you live. They gonna find you a Facebook, Instagram, tictac.

1566
01:06:29,200 --> 01:06:31,520
Speaker 1: They're gonna have your baby pictures. They probably got your

1567
01:06:31,520 --> 01:06:34,880
Speaker 1: grandma social Security number already. And when they post your

1568
01:06:34,920 --> 01:06:37,480
Speaker 1: grandma looking crazy in her church hat, you don't have

1569
01:06:37,640 --> 01:06:41,000
Speaker 1: anyone to blame but yourself. Because you shouldn't have been

1570
01:06:41,000 --> 01:06:44,160
Speaker 1: breaking into people's vehicles to begin with. You really thought

1571
01:06:44,200 --> 01:06:47,760
Speaker 1: you was gonna steal five jump drives containing watermark music,

1572
01:06:47,920 --> 01:06:51,919
Speaker 1: some unreleased music footage, plans for Beyonce's show, future set lists,

1573
01:06:52,080 --> 01:06:53,840
Speaker 1: and nobody was gonna ring to your lawn.

1574
01:06:54,920 --> 01:06:57,560
Speaker 3: Please give Kelvin Evans the sweet sounds of the Hamiltons.

1575
01:06:57,880 --> 01:06:59,320
Speaker 3: Oh No, you are the.

1576
01:07:09,160 --> 01:07:10,160
Speaker 16: Ah the day.

1577
01:07:15,440 --> 01:07:17,920
Speaker 1: You know what makes it even crazy when he stole it?

1578
01:07:18,280 --> 01:07:20,400
Speaker 1: On the day he stole it. It was a MacBook

1579
01:07:20,480 --> 01:07:21,240
Speaker 1: Air laptop.

1580
01:07:21,480 --> 01:07:24,520
Speaker 3: It was pinging wherever he was at at the Hank

1581
01:07:24,560 --> 01:07:27,720
Speaker 3: Aaron Drive Complex today. That theft. He just kept it,

1582
01:07:27,840 --> 01:07:28,480
Speaker 3: He just kept it.

1583
01:07:28,720 --> 01:07:29,640
Speaker 14: You ate that with the song?

1584
01:07:29,720 --> 01:07:34,360
Speaker 26: Yeah, I was ready saying he listen, you can't have

1585
01:07:34,440 --> 01:07:36,880
Speaker 26: a complem n. That's why Yo. I don't know why

1586
01:07:36,880 --> 01:07:37,640
Speaker 26: I do it every time?

1587
01:07:37,920 --> 01:07:42,400
Speaker 14: Call him talls hen take that gosh. No, I mean.

1588
01:07:45,680 --> 01:07:47,280
Speaker 1: You know what I was thinking about something y'all said

1589
01:07:47,280 --> 01:07:49,080
Speaker 1: a little while ago, right when y'all was talking about

1590
01:07:49,120 --> 01:07:52,800
Speaker 1: the uh yes, right, what is.

1591
01:07:52,760 --> 01:07:54,800
Speaker 3: The proper protocol in that situation.

1592
01:07:54,360 --> 01:07:57,480
Speaker 1: When like when a woman is uncomfortable and doesn't say

1593
01:07:57,480 --> 01:08:00,160
Speaker 1: she's uncomfortable and wants a man to intervene, like, what

1594
01:08:00,200 --> 01:08:01,560
Speaker 1: is the proper way for a woman to say something?

1595
01:08:01,640 --> 01:08:04,919
Speaker 3: Souse? Both of y'all said, y'all having said things, Yeah,

1596
01:08:05,120 --> 01:08:09,960
Speaker 3: hud the treasure say something. I was wondering, She played off.

1597
01:08:10,000 --> 01:08:12,520
Speaker 14: She was giggling, trying to get through her segment.

1598
01:08:12,280 --> 01:08:16,559
Speaker 26: And uncomfortable because after a while you seen like how

1599
01:08:16,640 --> 01:08:19,479
Speaker 26: he kept going like and Cam try to ignore it

1600
01:08:19,520 --> 01:08:21,840
Speaker 26: a little bit and yeah along with it. At a

1601
01:08:21,880 --> 01:08:25,400
Speaker 26: point he cut Cam off to make advances of her, like, yeah,

1602
01:08:25,640 --> 01:08:27,400
Speaker 26: it's uncomfortable, it's weird, you know.

1603
01:08:27,680 --> 01:08:30,439
Speaker 18: I think, I really think it's so if you're working

1604
01:08:30,479 --> 01:08:32,920
Speaker 18: as Francis with us, if you're working as closely with us,

1605
01:08:32,960 --> 01:08:34,559
Speaker 18: I think you got to kind of just know us

1606
01:08:34,680 --> 01:08:37,000
Speaker 18: because now we're telling you like we don't ever want

1607
01:08:37,000 --> 01:08:40,120
Speaker 18: to be the person like yo, I'm uncomfortable, especially like

1608
01:08:40,200 --> 01:08:43,320
Speaker 18: you just don't know in the room what it turns into.

1609
01:08:43,560 --> 01:08:45,880
Speaker 14: So you just got to kind of know sometimes. But

1610
01:08:46,439 --> 01:08:47,080
Speaker 14: I mean, I don't know.

1611
01:08:47,120 --> 01:08:49,360
Speaker 18: I would think just think if it was your daughter

1612
01:08:50,320 --> 01:08:53,120
Speaker 18: or your sister, what point would you let something get

1613
01:08:53,160 --> 01:08:56,240
Speaker 18: to without even knowing why? Like if she can't say anything,

1614
01:08:56,240 --> 01:08:57,599
Speaker 18: what point would you let it get to before you

1615
01:08:57,640 --> 01:08:58,840
Speaker 18: just asked her? Are you uncomfortable?

1616
01:08:59,000 --> 01:08:59,160
Speaker 19: Yeah?

1617
01:08:59,200 --> 01:08:59,400
Speaker 23: Yeah.

1618
01:09:00,680 --> 01:09:02,840
Speaker 1: The lines get blurred in situations like this because a

1619
01:09:02,840 --> 01:09:06,160
Speaker 1: lot of things are entertainment, right, like everybody's making content, everybody,

1620
01:09:06,400 --> 01:09:07,439
Speaker 1: everybody in on the gag.

1621
01:09:07,479 --> 01:09:09,040
Speaker 3: But you know, when you in the real.

1622
01:09:08,920 --> 01:09:11,560
Speaker 1: World, I think it's a little bit easier to recognize

1623
01:09:11,960 --> 01:09:12,800
Speaker 1: what's on one of the lines.

1624
01:09:12,800 --> 01:09:14,240
Speaker 3: I want to talk to the ladies about this. One

1625
01:09:14,280 --> 01:09:16,400
Speaker 3: hundred and five one oh five one, like when you're

1626
01:09:16,439 --> 01:09:17,760
Speaker 3: in the city. Let's can we play the clip again.

1627
01:09:17,840 --> 01:09:19,160
Speaker 3: Let's play the clip again if we have.

1628
01:09:19,120 --> 01:09:24,519
Speaker 19: It to look so good and persanct.

1629
01:09:24,600 --> 01:09:26,400
Speaker 3: Hey what you was that?

1630
01:09:29,840 --> 01:09:35,280
Speaker 30: I love you guy, I'm sorry, I'm my bad, yoaf

1631
01:09:35,600 --> 01:09:36,000
Speaker 30: my bad?

1632
01:09:36,439 --> 01:09:39,280
Speaker 27: Hey stuck? Could you stop? Can you stop smell?

1633
01:09:40,439 --> 01:09:40,599
Speaker 11: Yo?

1634
01:09:40,800 --> 01:09:40,960
Speaker 3: Yo?

1635
01:09:41,040 --> 01:09:48,439
Speaker 28: Bro oh, I told you that move on the football.

1636
01:09:48,760 --> 01:09:51,400
Speaker 28: That listen to the football.

1637
01:09:51,400 --> 01:09:53,480
Speaker 9: I guess answer the question about.

1638
01:09:53,520 --> 01:09:55,639
Speaker 1: Remember the Minutes of Society when Caine had the pistol whip,

1639
01:09:55,720 --> 01:09:56,840
Speaker 1: Johncey wouldn't leave.

1640
01:09:58,520 --> 01:10:01,479
Speaker 3: Exactly hundred five big five five one.

1641
01:10:02,000 --> 01:10:04,360
Speaker 1: What is the proper protocol in that situation when when

1642
01:10:04,360 --> 01:10:06,240
Speaker 1: a woman is uncomfortable and wants a man to intervene,

1643
01:10:06,240 --> 01:10:08,680
Speaker 1: what was the proper way for that woman to know

1644
01:10:09,479 --> 01:10:11,880
Speaker 1: even for a man, when do you know when they intervened,

1645
01:10:12,280 --> 01:10:14,320
Speaker 1: Let's discuss it's the world's mos dangerous morning show the

1646
01:10:14,320 --> 01:10:15,720
Speaker 1: Breakfast Club, The.

1647
01:10:15,800 --> 01:10:17,040
Speaker 16: Breakfast Club.

1648
01:10:19,640 --> 01:10:19,960
Speaker 3: Study.

1649
01:10:22,960 --> 01:10:26,479
Speaker 12: It's topic times called eight hundred and five eight five

1650
01:10:26,479 --> 01:10:28,800
Speaker 12: one five one to join it to the discussion.

1651
01:10:28,360 --> 01:10:29,200
Speaker 3: With the breakfast Club.

1652
01:10:30,400 --> 01:10:31,920
Speaker 1: Yeah, it is the world's most dangerous more than to

1653
01:10:31,920 --> 01:10:34,920
Speaker 1: show the Breakfast Club. CHARLAMAGNEA God, Jess Hilarius, DJ Envy

1654
01:10:35,080 --> 01:10:38,439
Speaker 1: is off ll Kouba Lauren Leroe says here and we're

1655
01:10:38,439 --> 01:10:39,360
Speaker 1: having a conversation.

1656
01:10:40,400 --> 01:10:41,040
Speaker 3: Y'all bought it up.

1657
01:10:41,080 --> 01:10:43,240
Speaker 1: Y'all were talking about what happened on it is what

1658
01:10:43,280 --> 01:10:45,760
Speaker 1: it is with Cameron and Treasud Wilson and Adrian Brune.

1659
01:10:45,800 --> 01:10:46,760
Speaker 3: Can we played a clip to.

1660
01:10:47,040 --> 01:10:52,120
Speaker 19: Look so good in personaltiate that, Hey, what's your waste?

1661
01:10:52,280 --> 01:10:52,360
Speaker 23: That?

1662
01:10:55,840 --> 01:11:01,200
Speaker 30: I love you a guy? I'm sorry, that's my bad, y'all,

1663
01:11:01,600 --> 01:11:02,000
Speaker 30: my bad?

1664
01:11:02,400 --> 01:11:04,800
Speaker 27: Hey Stack, could you stop? Can you stop?

1665
01:11:06,400 --> 01:11:06,599
Speaker 3: Yo?

1666
01:11:06,800 --> 01:11:06,960
Speaker 11: Yo?

1667
01:11:07,040 --> 01:11:13,760
Speaker 28: Bro oh, I told you that. Okay, we can move

1668
01:11:13,800 --> 01:11:17,400
Speaker 28: on a football. That my god, that listen to the football.

1669
01:11:17,400 --> 01:11:20,599
Speaker 28: I guess that answered the question about Floyd. When I

1670
01:11:20,640 --> 01:11:22,680
Speaker 28: see when I see you taking.

1671
01:11:22,400 --> 01:11:26,800
Speaker 30: Off some time as moored by stop, I did not

1672
01:11:26,960 --> 01:11:30,200
Speaker 30: know you looked that good in person, and it just.

1673
01:11:30,120 --> 01:11:31,919
Speaker 1: Got me to thinking, like what is the proper protocol

1674
01:11:31,960 --> 01:11:34,080
Speaker 1: in that situation, Like when a woman is uncomfortable and

1675
01:11:34,400 --> 01:11:36,600
Speaker 1: you know, want a man to intervene, Like, what is

1676
01:11:36,600 --> 01:11:38,679
Speaker 1: the proper way for a woman to say something? Because

1677
01:11:38,680 --> 01:11:40,439
Speaker 1: both of y'all said that, when y'all have been in

1678
01:11:40,439 --> 01:11:42,640
Speaker 1: that situation, y'all haven't said something? And when does a

1679
01:11:42,680 --> 01:11:45,040
Speaker 1: man know how the intervening Because seeing for Cam in

1680
01:11:45,040 --> 01:11:48,080
Speaker 1: that situation, that's easy because the boyfriend was there, so

1681
01:11:48,120 --> 01:11:50,439
Speaker 1: he's telling the dud yo, stop disprectinged bofriend started dispecting

1682
01:11:50,439 --> 01:11:52,559
Speaker 1: treasure and Aby kept disrupting the show.

1683
01:11:52,760 --> 01:11:54,240
Speaker 3: Yeah, but that's an easy call.

1684
01:11:54,439 --> 01:11:56,240
Speaker 18: Yes, I will say there's been a time in here

1685
01:11:56,280 --> 01:11:59,360
Speaker 18: where I was uncomfortable, and I'm not going to say

1686
01:11:59,360 --> 01:12:00,720
Speaker 18: when because I want to. I don't want to put

1687
01:12:00,760 --> 01:12:02,519
Speaker 18: the person that was here on blast because I don't

1688
01:12:02,520 --> 01:12:04,439
Speaker 18: think they did. We're doing it intentionally. But I wasn't

1689
01:12:04,439 --> 01:12:07,640
Speaker 18: comfortable and I text MV and was like hey, I

1690
01:12:07,720 --> 01:12:08,880
Speaker 18: was like I think I text him was like what

1691
01:12:08,960 --> 01:12:12,120
Speaker 18: the F? And he instantly knew what I meant. But

1692
01:12:12,200 --> 01:12:13,920
Speaker 18: I shot the text because I wanted him to know,

1693
01:12:14,000 --> 01:12:16,240
Speaker 18: just because I was quiet doesn't mean like I was okay,

1694
01:12:16,720 --> 01:12:21,960
Speaker 18: and he moved the conversation along. It wasn't like they

1695
01:12:22,000 --> 01:12:25,040
Speaker 18: weren't saying anything like soup. I don't want to get

1696
01:12:25,040 --> 01:12:27,360
Speaker 18: into it, but I was uncomfortable and I texted I had.

1697
01:12:28,479 --> 01:12:29,599
Speaker 14: I didn't want to take nothing.

1698
01:12:29,760 --> 01:12:31,280
Speaker 18: Yeah, I mean I don't, but I had to text

1699
01:12:31,360 --> 01:12:33,120
Speaker 18: MV and let him know. But I felt like he

1700
01:12:33,240 --> 01:12:35,479
Speaker 18: felt it. But when I text him, it confirmed it

1701
01:12:35,520 --> 01:12:38,040
Speaker 18: for him because he didn't. I think he didn't want to,

1702
01:12:38,120 --> 01:12:40,679
Speaker 18: like he just didn't know whether he should say something

1703
01:12:40,760 --> 01:12:42,880
Speaker 18: or like whatever. But they know the conversation around. You

1704
01:12:42,920 --> 01:12:45,640
Speaker 18: were here, but you don't be paying attention sometimes and

1705
01:12:45,680 --> 01:12:46,200
Speaker 18: certain stuff.

1706
01:12:46,240 --> 01:12:47,760
Speaker 3: I never heard nobody flirt with you.

1707
01:12:49,640 --> 01:12:50,719
Speaker 14: Don't turn this today.

1708
01:12:51,080 --> 01:12:51,640
Speaker 3: Don't do that.

1709
01:12:52,240 --> 01:12:58,320
Speaker 26: Don't do that because first of all.

1710
01:12:58,280 --> 01:13:03,080
Speaker 18: It was during the breakfast club, like, well I have to,

1711
01:13:03,320 --> 01:13:06,400
Speaker 18: but I'm saying I said this to say. I took

1712
01:13:06,439 --> 01:13:09,639
Speaker 18: the liberty to text Envy because I knew he would

1713
01:13:09,640 --> 01:13:12,439
Speaker 18: instantly know because he pays attention to like it was

1714
01:13:12,479 --> 01:13:17,479
Speaker 18: feelings and emotional very well, unlike you, And he instantly

1715
01:13:17,560 --> 01:13:18,200
Speaker 18: knew what I meant.

1716
01:13:18,240 --> 01:13:21,599
Speaker 14: And he moved the conversation along so that it you know, yeah.

1717
01:13:21,680 --> 01:13:22,240
Speaker 3: Direct.

1718
01:13:24,040 --> 01:13:26,160
Speaker 26: I've never been I've been in that situation, but I

1719
01:13:26,160 --> 01:13:28,120
Speaker 26: haven't been in a situation where a man was around

1720
01:13:28,120 --> 01:13:30,120
Speaker 26: that I wanted to take charge for me, that I

1721
01:13:30,160 --> 01:13:34,160
Speaker 26: wanted to step in and you know, kind of be like, yo, chill,

1722
01:13:35,120 --> 01:13:36,240
Speaker 26: and it's very tricky.

1723
01:13:36,040 --> 01:13:38,920
Speaker 1: With you because you got mouth, you know what I'm saying,

1724
01:13:39,320 --> 01:13:41,040
Speaker 1: and you ain't gonna bite your tongue anyway.

1725
01:13:41,160 --> 01:13:43,320
Speaker 3: I know, I can't see somebody making you uncomfortable.

1726
01:13:44,120 --> 01:13:45,960
Speaker 26: But it was a big ass set, you know what

1727
01:13:46,000 --> 01:13:47,920
Speaker 26: I mean. It was like a big deal, and I

1728
01:13:48,040 --> 01:13:50,519
Speaker 26: was like, damn, I don't want to mess this up.

1729
01:13:51,200 --> 01:13:53,760
Speaker 26: I don't I don't want to mess this up. It

1730
01:13:53,880 --> 01:13:57,360
Speaker 26: was like one of my biggest things that I've ever done,

1731
01:13:57,479 --> 01:13:59,800
Speaker 26: biggest accolades for me, and I just didn't want to.

1732
01:14:00,400 --> 01:14:02,840
Speaker 14: I didn't want to. I didn't want to mess it.

1733
01:14:02,840 --> 01:14:03,280
Speaker 3: Up, y'all.

1734
01:14:03,320 --> 01:14:06,160
Speaker 26: And I didn't want it to be like, oh, she's

1735
01:14:06,200 --> 01:14:09,800
Speaker 26: the reason that this issh went left like oh gosh

1736
01:14:09,880 --> 01:14:12,160
Speaker 26: and then run. That time, it was a bunch of

1737
01:14:12,640 --> 01:14:15,840
Speaker 26: you know, women doing that, coming out saying oh, this

1738
01:14:15,880 --> 01:14:18,280
Speaker 26: person harassed me, this person, and then to the point

1739
01:14:18,320 --> 01:14:20,680
Speaker 26: where a lot of women weren't even believed you know

1740
01:14:20,720 --> 01:14:24,519
Speaker 26: what I'm saying, so it's like, nah, I'm already you know,

1741
01:14:24,880 --> 01:14:27,719
Speaker 26: being canceled every other week. Niggas ain't gonna feel sorry.

1742
01:14:27,840 --> 01:14:30,840
Speaker 26: Then can think I'm lying. I just didn't want to

1743
01:14:30,920 --> 01:14:31,759
Speaker 26: be that person.

1744
01:14:31,920 --> 01:14:32,920
Speaker 3: I understand it happened.

1745
01:14:33,000 --> 01:14:34,960
Speaker 1: I'm I'm sad both of y'all got to go through that.

1746
01:14:35,360 --> 01:14:37,960
Speaker 1: And like I said, it's very tricky in environments like

1747
01:14:38,000 --> 01:14:41,080
Speaker 1: this because you don't know what's entertainment and what's all

1748
01:14:41,160 --> 01:14:41,439
Speaker 1: the time.

1749
01:14:41,520 --> 01:14:44,000
Speaker 18: Like, I feel so bad for y'all because you have

1750
01:14:44,120 --> 01:14:45,160
Speaker 18: to kind of deal with it.

1751
01:14:45,360 --> 01:14:48,240
Speaker 1: No, you don't, you don't, but I mean you just

1752
01:14:48,280 --> 01:14:50,760
Speaker 1: don't know when a person is going along right with

1753
01:14:50,880 --> 01:14:51,559
Speaker 1: the gag.

1754
01:14:51,720 --> 01:14:53,360
Speaker 14: I hear that you don't have to deal with it,

1755
01:14:53,400 --> 01:14:54,880
Speaker 14: but you just don't know.

1756
01:14:55,040 --> 01:14:56,240
Speaker 3: You don't want to be you.

1757
01:14:56,160 --> 01:14:58,240
Speaker 18: Don't have to deal with You kind of do a

1758
01:14:58,240 --> 01:15:01,760
Speaker 18: little bit. It is very weird nuanced to have to.

1759
01:15:02,200 --> 01:15:04,559
Speaker 1: And I've seen situations with a person the girl will

1760
01:15:04,640 --> 01:15:07,040
Speaker 1: go along with it and be saying wild stuff back

1761
01:15:07,040 --> 01:15:09,800
Speaker 1: to the guy, but then after later say he was uncomfortable,

1762
01:15:09,800 --> 01:15:10,960
Speaker 1: but you was in here.

1763
01:15:10,880 --> 01:15:13,639
Speaker 18: Going exactly you got you got to move it along.

1764
01:15:13,760 --> 01:15:16,200
Speaker 18: And I mean I wouldn't do that though, if I'm uncomfortable.

1765
01:15:16,240 --> 01:15:17,960
Speaker 18: I'm gonna get quiet. You're not gonna go back.

1766
01:15:17,960 --> 01:15:19,960
Speaker 14: I'm not gonna go back. I'm uncomfortable.

1767
01:15:19,960 --> 01:15:21,680
Speaker 1: I get if I saw you get quiet, I know

1768
01:15:21,760 --> 01:15:23,920
Speaker 1: something wrong that mouth beyond.

1769
01:15:23,600 --> 01:15:25,360
Speaker 14: Where I've got.

1770
01:15:27,320 --> 01:15:29,719
Speaker 3: Let's go, yeah, you know, let's go to the phones.

1771
01:15:29,840 --> 01:15:31,360
Speaker 3: Good morning, who's this a right?

1772
01:15:31,439 --> 01:15:31,880
Speaker 4: Good morning?

1773
01:15:31,920 --> 01:15:34,400
Speaker 10: My name is Sarah, also know the apologians.

1774
01:15:34,760 --> 01:15:36,960
Speaker 3: Good morning, also known as what man Bye?

1775
01:15:37,479 --> 01:15:41,559
Speaker 10: I actually, when I looked at the video, I tryed

1776
01:15:41,600 --> 01:15:43,840
Speaker 10: to thought that she liked what was going on. She

1777
01:15:43,960 --> 01:15:46,840
Speaker 10: was laughing like crazy, and she slipping her hair.

1778
01:15:47,160 --> 01:15:50,559
Speaker 1: She was very But that's what I being uncomfortable. She

1779
01:15:50,560 --> 01:15:51,720
Speaker 1: could be being uncomfortable.

1780
01:15:51,960 --> 01:15:54,400
Speaker 10: No, no, I think that as women, we need to

1781
01:15:54,400 --> 01:15:57,639
Speaker 10: take accountability. When you're not comfortable, you need to say.

1782
01:15:57,680 --> 01:15:59,400
Speaker 10: She should have said, hey, listen, my.

1783
01:15:59,360 --> 01:16:01,439
Speaker 4: Man is in the studio. I'm good.

1784
01:16:01,680 --> 01:16:04,519
Speaker 10: Thank you so much for the compliment. But let's carry on.

1785
01:16:04,760 --> 01:16:07,120
Speaker 10: Why didn't she do that? She didn't stop, she didn't

1786
01:16:07,160 --> 01:16:07,599
Speaker 10: do anything.

1787
01:16:07,840 --> 01:16:09,160
Speaker 3: Hold you forty one?

1788
01:16:09,560 --> 01:16:11,799
Speaker 1: She said, you're o g compared to you know, somebody

1789
01:16:11,800 --> 01:16:14,040
Speaker 1: like treasures in her twenties. And I'm even listening to

1790
01:16:14,160 --> 01:16:16,280
Speaker 1: just and Laurence talked this morning. They in the thirties,

1791
01:16:16,280 --> 01:16:18,680
Speaker 1: and they're saying, it's not that easy, like you.

1792
01:16:18,760 --> 01:16:19,559
Speaker 4: Yeah, but who's.

1793
01:16:19,360 --> 01:16:23,720
Speaker 10: Supposed to teach them to understand that you can? You

1794
01:16:23,840 --> 01:16:27,680
Speaker 10: are basically telling them, and you're giving him all the

1795
01:16:27,760 --> 01:16:31,040
Speaker 10: signs to keep going. She was laughing, she was flirtatious,

1796
01:16:31,040 --> 01:16:34,240
Speaker 10: she flipped her hair all the times, she was smiling

1797
01:16:34,280 --> 01:16:34,960
Speaker 10: from ear to ear.

1798
01:16:35,560 --> 01:16:36,679
Speaker 14: I understand what she's saying.

1799
01:16:37,560 --> 01:16:40,840
Speaker 3: You agree with you. That's why I'll be staying out.

1800
01:16:42,160 --> 01:16:43,640
Speaker 1: I'm sitting here trying to come to the defence and

1801
01:16:43,680 --> 01:16:45,679
Speaker 1: women here coming this one woman talking about No.

1802
01:16:47,360 --> 01:16:48,439
Speaker 3: God, I agree.

1803
01:16:49,280 --> 01:16:51,160
Speaker 14: God damn what it was?

1804
01:16:52,320 --> 01:16:52,760
Speaker 4: It was like.

1805
01:16:55,320 --> 01:16:58,000
Speaker 3: Hundred and five five one five one. Call up right now.

1806
01:16:58,040 --> 01:17:00,000
Speaker 1: Tell us what is the proper protocol in the situation

1807
01:17:00,200 --> 01:17:02,479
Speaker 1: when a woman is uncomfortable and wants a man to intervene?

1808
01:17:02,520 --> 01:17:04,360
Speaker 1: What is the proper way for a woman to say something?

1809
01:17:04,479 --> 01:17:07,479
Speaker 1: And when does a man know how to intervene. It's

1810
01:17:07,479 --> 01:17:09,240
Speaker 1: the world's most dangerous moning to show to breakfast club.

1811
01:17:09,640 --> 01:17:10,719
Speaker 16: The breakfast club.

1812
01:17:18,400 --> 01:17:22,080
Speaker 12: Let's say, if y'all talking about it, you know we

1813
01:17:22,280 --> 01:17:23,799
Speaker 12: talking about it, It's.

1814
01:17:25,320 --> 01:17:27,360
Speaker 3: Called eight hundred five eight five one five one. To

1815
01:17:27,439 --> 01:17:29,320
Speaker 3: join into the discussion with the breakfast Club.

1816
01:17:30,479 --> 01:17:32,760
Speaker 1: Yeah, it's the world's most dangerous morning show to Breakfast Club,

1817
01:17:32,800 --> 01:17:34,280
Speaker 1: Charlamagne the God, just hilarious.

1818
01:17:34,360 --> 01:17:35,639
Speaker 3: DJ Envy is off today.

1819
01:17:35,720 --> 01:17:39,400
Speaker 1: Lauren Leros is and and we were talking about it

1820
01:17:39,479 --> 01:17:41,559
Speaker 1: Is What It Is show and Adrian Bruno was on

1821
01:17:41,640 --> 01:17:44,000
Speaker 1: It Is What It Is Show with Cameron and Treasure Wilson,

1822
01:17:44,120 --> 01:17:47,040
Speaker 1: but they had Adrian brona on and uh, Cam had

1823
01:17:47,040 --> 01:17:48,280
Speaker 1: to kick Adrian bron out of the studio.

1824
01:17:48,320 --> 01:17:51,120
Speaker 19: Let's listen to look so good in personally?

1825
01:17:51,120 --> 01:17:52,680
Speaker 27: Thank you appreciate that.

1826
01:17:52,920 --> 01:18:02,240
Speaker 30: Hey, what's your wish that? I love you? God, I'm sorry,

1827
01:18:02,400 --> 01:18:04,320
Speaker 30: I'm my bad, y'all my bad?

1828
01:18:04,720 --> 01:18:07,120
Speaker 27: Hey stuck? Could you stop? Can you stop?

1829
01:18:08,720 --> 01:18:08,920
Speaker 16: Yo?

1830
01:18:09,120 --> 01:18:09,280
Speaker 11: Yo?

1831
01:18:09,360 --> 01:18:16,080
Speaker 28: Bro oh, I told you that. Okay, we can move

1832
01:18:16,120 --> 01:18:19,719
Speaker 28: on a footballer that listens to the football.

1833
01:18:19,720 --> 01:18:23,240
Speaker 9: I guess that the question about Floyd when I see

1834
01:18:23,280 --> 01:18:25,720
Speaker 9: when I see you taking off some time, that is

1835
01:18:26,439 --> 01:18:27,040
Speaker 9: by stop.

1836
01:18:28,600 --> 01:18:30,920
Speaker 3: I did not know you look good in person.

1837
01:18:32,160 --> 01:18:33,800
Speaker 1: So it just got us to talking, like, you know,

1838
01:18:33,840 --> 01:18:36,320
Speaker 1: what is the proper protocol in that situation when a

1839
01:18:36,320 --> 01:18:38,320
Speaker 1: woman is uncomfortable and wants a man to inter being?

1840
01:18:38,360 --> 01:18:40,240
Speaker 1: Because you know, Lauren and just both brought it to

1841
01:18:40,280 --> 01:18:42,080
Speaker 1: my attention this morning that a lot of times women

1842
01:18:42,160 --> 01:18:42,759
Speaker 1: just eat it.

1843
01:18:43,000 --> 01:18:46,200
Speaker 26: Yeah, And you know what, I do agree with something

1844
01:18:46,200 --> 01:18:49,479
Speaker 26: you said earlier. I do think that you know, now

1845
01:18:50,080 --> 01:18:52,280
Speaker 26: that we've been you know, women, I say we because

1846
01:18:52,320 --> 01:18:54,120
Speaker 26: I'm a woman as well, Like we've been going through this,

1847
01:18:54,200 --> 01:18:57,519
Speaker 26: so we see that it can be a problem, you know. Yeah,

1848
01:18:57,680 --> 01:19:01,360
Speaker 26: definitely do speak up, you know, because you can't always

1849
01:19:01,400 --> 01:19:04,160
Speaker 26: depend on a man to step in, especially if that

1850
01:19:04,240 --> 01:19:06,439
Speaker 26: man ain't your man, you know what I mean. And then,

1851
01:19:06,960 --> 01:19:10,840
Speaker 26: like you said, it can get very blurred in environments

1852
01:19:10,920 --> 01:19:12,800
Speaker 26: like this or at work. You know, you never know,

1853
01:19:13,439 --> 01:19:15,680
Speaker 26: you know, So I do think I do want to

1854
01:19:15,720 --> 01:19:18,200
Speaker 26: encourage women to actually say something.

1855
01:19:18,360 --> 01:19:19,200
Speaker 14: Don't even worry.

1856
01:19:19,040 --> 01:19:20,760
Speaker 26: About how you're going Look, don't worry about if it

1857
01:19:20,760 --> 01:19:23,560
Speaker 26: makes you uncomfortable. Yeah, don't smile, don't even try to

1858
01:19:23,600 --> 01:19:25,439
Speaker 26: play it off and be phony. I don't even That's

1859
01:19:25,439 --> 01:19:26,960
Speaker 26: not our job to do that. I disagree with the

1860
01:19:27,040 --> 01:19:29,200
Speaker 26: last call of week. We shouldn't do that. It's not

1861
01:19:29,240 --> 01:19:32,080
Speaker 26: a man's job to step in. Now, they should, you know,

1862
01:19:32,120 --> 01:19:34,599
Speaker 26: if they see a woman's uncomfortable. But if you're the

1863
01:19:34,600 --> 01:19:37,800
Speaker 26: one that's not comfortable, you got to say something to you, yea.

1864
01:19:37,880 --> 01:19:39,439
Speaker 3: And sometimes it takes something that as simple as you

1865
01:19:39,560 --> 01:19:40,360
Speaker 3: don't talk to me like that.

1866
01:19:40,439 --> 01:19:41,280
Speaker 14: Yeah, it don't got to be.

1867
01:19:42,600 --> 01:19:46,200
Speaker 18: But see here's a nuance because sometimes it's not disrespectful

1868
01:19:46,280 --> 01:19:49,479
Speaker 18: or it's not like overly, it's just like, hey, I'm

1869
01:19:49,479 --> 01:19:51,360
Speaker 18: not comfortable like you doing it a little bit too much.

1870
01:19:51,640 --> 01:19:53,479
Speaker 18: But it don't even got to be like a dish

1871
01:19:53,520 --> 01:19:55,920
Speaker 18: like I didn't feel in that situation. I don't feel disrespected.

1872
01:19:56,000 --> 01:19:58,120
Speaker 18: I was just like, this is awkward. I don't feel

1873
01:19:58,160 --> 01:19:59,920
Speaker 18: like comfortable. Can we switch gears?

1874
01:20:00,560 --> 01:20:00,640
Speaker 9: Like?

1875
01:20:00,680 --> 01:20:03,519
Speaker 18: It's not always like that. Another thing, too, is sometimes

1876
01:20:03,560 --> 01:20:05,280
Speaker 18: you don't want to put the men in your life

1877
01:20:05,320 --> 01:20:07,800
Speaker 18: in a situation, so you don't say things about things

1878
01:20:07,880 --> 01:20:09,880
Speaker 18: because you don't want them reacting in a way that

1879
01:20:09,920 --> 01:20:11,519
Speaker 18: can lead to something like you just wanted to like

1880
01:20:11,640 --> 01:20:11,840
Speaker 18: you just.

1881
01:20:11,840 --> 01:20:12,280
Speaker 3: Want to move on.

1882
01:20:12,400 --> 01:20:15,200
Speaker 26: Yeah, And in my situation, I actually did say something.

1883
01:20:15,200 --> 01:20:16,920
Speaker 26: It's funny to show me, say you got mouth.

1884
01:20:17,000 --> 01:20:17,320
Speaker 3: I did.

1885
01:20:17,680 --> 01:20:20,479
Speaker 14: A nigga walked in my dressing room. I was getting dressed.

1886
01:20:20,720 --> 01:20:21,400
Speaker 14: You know what I'm saying.

1887
01:20:21,680 --> 01:20:24,640
Speaker 26: It was drunk walked in and I'm like, if you

1888
01:20:24,680 --> 01:20:26,840
Speaker 26: don't get the out of it, you know, I did bark,

1889
01:20:27,479 --> 01:20:29,920
Speaker 26: but and it was like all right on my bed.

1890
01:20:30,439 --> 01:20:33,679
Speaker 14: But still that still wasn't okay. You know what I'm saying.

1891
01:20:33,960 --> 01:20:36,720
Speaker 3: It wasn't okay for him to walk in him to

1892
01:20:36,760 --> 01:20:37,040
Speaker 3: do that.

1893
01:20:37,080 --> 01:20:39,559
Speaker 26: So yeah, I should have said something, but like then

1894
01:20:40,040 --> 01:20:41,599
Speaker 26: I was like, no, this is my first big break,

1895
01:20:41,680 --> 01:20:47,080
Speaker 26: like real, real big break instead instead of just being

1896
01:20:47,120 --> 01:20:49,760
Speaker 26: okay with me barking back because he never tried nothing else.

1897
01:20:49,800 --> 01:20:52,680
Speaker 26: But it was just like, damn it could have you know,

1898
01:20:53,240 --> 01:20:55,799
Speaker 26: I felt like I handled myself, but I was supposed

1899
01:20:55,800 --> 01:20:57,800
Speaker 26: to say something, you know, just in case he did

1900
01:20:57,840 --> 01:20:58,719
Speaker 26: it again or whatever.

1901
01:20:58,840 --> 01:21:00,960
Speaker 14: So because he felt very powerful.

1902
01:21:00,560 --> 01:21:03,479
Speaker 18: And navigating the world as a woman is it's a

1903
01:21:03,600 --> 01:21:05,479
Speaker 18: it's a dual sport.

1904
01:21:05,640 --> 01:21:08,479
Speaker 3: Definitely, let's go to the phones. Good morning, who's this.

1905
01:21:08,720 --> 01:21:11,400
Speaker 16: Big bee, big b what's sitting with it?

1906
01:21:13,160 --> 01:21:14,680
Speaker 3: Talk to me man as a man, like when do

1907
01:21:14,720 --> 01:21:15,760
Speaker 3: you know? Uh?

1908
01:21:15,760 --> 01:21:18,320
Speaker 1: When they intervene in a situation where a woman is

1909
01:21:18,400 --> 01:21:19,320
Speaker 1: uncomfortable and.

1910
01:21:19,360 --> 01:21:22,479
Speaker 31: You always gotta read that long but it's more or

1911
01:21:22,600 --> 01:21:26,680
Speaker 31: less when you see her awkward, last, head down, not

1912
01:21:26,880 --> 01:21:31,280
Speaker 31: making eye contact all that, like Mace seen me. He

1913
01:21:31,439 --> 01:21:34,160
Speaker 31: tried to intervene and deflect the whole thing, and Buddy

1914
01:21:34,200 --> 01:21:34,880
Speaker 31: came right back.

1915
01:21:34,960 --> 01:21:37,840
Speaker 16: He was really out of cam saw it not well

1916
01:21:38,000 --> 01:21:39,520
Speaker 16: may he tried.

1917
01:21:39,240 --> 01:21:42,080
Speaker 31: To ask a young lady that was on the other screen,

1918
01:21:42,479 --> 01:21:43,840
Speaker 31: is that a real background?

1919
01:21:43,960 --> 01:21:44,519
Speaker 3: You feel me?

1920
01:21:45,080 --> 01:21:45,920
Speaker 15: I'll cut that out.

1921
01:21:46,520 --> 01:21:48,559
Speaker 3: Okay, yeah, so you know what I mean.

1922
01:21:48,640 --> 01:21:52,000
Speaker 31: He called it, but then Mace, I mean caim he picked.

1923
01:21:51,760 --> 01:21:53,920
Speaker 15: Back up on it and he stopped it.

1924
01:21:54,000 --> 01:21:56,360
Speaker 13: But Adrian Runner, he's a clown.

1925
01:21:56,760 --> 01:21:58,400
Speaker 5: Absolutely, I agree.

1926
01:21:58,600 --> 01:22:00,519
Speaker 3: Well, thank you for calling brother. All right?

1927
01:22:00,600 --> 01:22:02,680
Speaker 1: Well yeah, if you if you, I feel like, you know,

1928
01:22:02,720 --> 01:22:05,080
Speaker 1: women should say something. I understand you know why y'all

1929
01:22:05,120 --> 01:22:07,240
Speaker 1: feel like y'all can't, but you should say something.

1930
01:22:07,240 --> 01:22:09,879
Speaker 14: I agree with you should hopefully definitely.

1931
01:22:10,280 --> 01:22:11,439
Speaker 3: I need to know. You gotta tell me who this

1932
01:22:11,479 --> 01:22:12,479
Speaker 3: person was off the head.

1933
01:22:12,760 --> 01:22:14,360
Speaker 14: But it wasn't that like, don't make it a thing.

1934
01:22:14,400 --> 01:22:15,640
Speaker 3: I'm not gonna make it a thing. I just want

1935
01:22:15,680 --> 01:22:17,120
Speaker 3: to know why would he think you cute? But that's

1936
01:22:17,120 --> 01:22:17,639
Speaker 3: the whole other.

1937
01:22:17,920 --> 01:22:20,200
Speaker 26: I'm not good, But tell me because I think multiple

1938
01:22:20,400 --> 01:22:21,840
Speaker 26: times and multiple I'm tired.

1939
01:22:21,920 --> 01:22:22,840
Speaker 4: I ain't see all that.

1940
01:22:26,720 --> 01:22:30,840
Speaker 14: I have fine, and when you be down playing.

1941
01:22:30,520 --> 01:22:32,599
Speaker 18: It, it'd be it'd be like it'd be like bro,

1942
01:22:32,840 --> 01:22:34,519
Speaker 18: when they find when they see me in person, it'd

1943
01:22:34,520 --> 01:22:37,320
Speaker 18: be like, go up, don't it like uckily, I'm off

1944
01:22:37,320 --> 01:22:37,759
Speaker 18: the streets.

1945
01:22:37,760 --> 01:22:38,639
Speaker 14: Now, you know what I'm saying.

1946
01:22:38,680 --> 01:22:43,839
Speaker 18: But like Danger and Bruno, when they seem all my stuttering,

1947
01:22:43,880 --> 01:22:52,720
Speaker 18: just stupid, you know, that's how they become on the street.

1948
01:22:54,479 --> 01:22:56,320
Speaker 3: She gets somebody that somebody.

1949
01:22:57,720 --> 01:22:59,759
Speaker 14: I'm at that knows a little bit about everything.

1950
01:23:00,680 --> 01:23:04,680
Speaker 16: She'd be having the latest on you, the latest with

1951
01:23:04,880 --> 01:23:05,639
Speaker 16: Lauren la Rosa.

1952
01:23:05,720 --> 01:23:08,200
Speaker 1: Sometimes you have facts, sometimes you have details. Sometimes you

1953
01:23:08,240 --> 01:23:09,120
Speaker 1: have a little bit of everything.

1954
01:23:10,240 --> 01:23:12,240
Speaker 16: On the breakfast clubs, talk to me.

1955
01:23:13,160 --> 01:23:15,959
Speaker 14: So Cardi B has confirmed she is pregnant.

1956
01:23:16,000 --> 01:23:20,600
Speaker 18: She is expecting a baby with Stephan Diggs. Yeah, she

1957
01:23:20,720 --> 01:23:23,599
Speaker 18: revealed this news while sitting down with Gail King. Let's

1958
01:23:23,600 --> 01:23:24,439
Speaker 18: take a listen to Carti.

1959
01:23:24,920 --> 01:23:27,800
Speaker 32: The latest rumor about you is that you are having

1960
01:23:27,800 --> 01:23:31,360
Speaker 32: a baby, and I want to know what, if anything,

1961
01:23:31,400 --> 01:23:33,800
Speaker 32: you want to share about that with the class.

1962
01:23:33,960 --> 01:23:36,919
Speaker 33: Well, well, yes i am. I'm having a baby with

1963
01:23:36,960 --> 01:23:38,120
Speaker 33: my boyfriend Stefande.

1964
01:23:38,439 --> 01:23:42,000
Speaker 32: Congratulations, thank you. Congratulations. How are you feeling about that

1965
01:23:42,080 --> 01:23:43,920
Speaker 32: and that this will be baby number four for you?

1966
01:23:44,040 --> 01:23:44,360
Speaker 27: Cardi?

1967
01:23:44,880 --> 01:23:50,000
Speaker 33: Congratulations, thank you. I'm actually very I'm excited, I'm happy.

1968
01:23:50,320 --> 01:23:52,320
Speaker 33: I feel like I'm in a good space. I feel

1969
01:23:52,400 --> 01:23:54,800
Speaker 33: very strong, I feel very powerful that I'm doing all

1970
01:23:54,880 --> 01:23:57,920
Speaker 33: this work. But I'm doing all this work while I'm

1971
01:23:58,000 --> 01:24:00,759
Speaker 33: creating a baby. Me and my man were very supportive

1972
01:24:00,800 --> 01:24:03,519
Speaker 33: of each other. We're like in the same space in

1973
01:24:03,560 --> 01:24:06,240
Speaker 33: our careers. I feel like we're really great and one

1974
01:24:06,280 --> 01:24:08,640
Speaker 33: of the best at what we do, and me and

1975
01:24:08,720 --> 01:24:10,800
Speaker 33: him think the same way. Like it's like, yeah, we're

1976
01:24:10,800 --> 01:24:15,000
Speaker 33: one of the greatest, but we're never like comfortable dropping

1977
01:24:15,000 --> 01:24:15,559
Speaker 33: the flue.

1978
01:24:15,360 --> 01:24:17,519
Speaker 3: Bonds for body. You know, we wanted to have a

1979
01:24:17,520 --> 01:24:18,280
Speaker 3: healthy pregnancy.

1980
01:24:18,439 --> 01:24:19,200
Speaker 14: Yeah, congratu.

1981
01:24:20,400 --> 01:24:23,280
Speaker 18: Yes, now, yeah, this had been a rumor for some

1982
01:24:23,400 --> 01:24:25,439
Speaker 18: time and I don't know, maybe she you just got

1983
01:24:25,439 --> 01:24:27,280
Speaker 18: to the point where she was ready to finally talk

1984
01:24:27,320 --> 01:24:30,240
Speaker 18: about it. But then she goes into talking about like,

1985
01:24:30,280 --> 01:24:32,040
Speaker 18: you know, because you gotta tell parents, you got the

1986
01:24:32,120 --> 01:24:34,479
Speaker 18: whole thing. She says, her parents don't even know yet.

1987
01:24:34,520 --> 01:24:35,320
Speaker 18: Let's listen to that.

1988
01:24:35,840 --> 01:24:38,920
Speaker 33: I haven't even told my parents. No way, Cards, they

1989
01:24:38,960 --> 01:24:39,680
Speaker 33: just be looking at me.

1990
01:24:39,720 --> 01:24:42,439
Speaker 14: Like CARDI wait, wait, wait, wait, wait, back up.

1991
01:24:42,479 --> 01:24:43,679
Speaker 3: Why haven't you told them?

1992
01:24:44,080 --> 01:24:46,639
Speaker 33: Because I'm scared of them.

1993
01:24:47,840 --> 01:24:49,240
Speaker 32: You're scared of your parents.

1994
01:24:50,400 --> 01:24:52,639
Speaker 3: Do they like Stephon? Do they like him? Yes?

1995
01:24:52,680 --> 01:24:53,240
Speaker 33: They like him?

1996
01:24:53,280 --> 01:24:53,760
Speaker 16: They like him.

1997
01:24:53,760 --> 01:24:55,200
Speaker 14: They do like him. They do like him.

1998
01:24:55,280 --> 01:24:57,400
Speaker 32: Something tells me they'll be happy for you because you

1999
01:24:57,439 --> 01:25:00,400
Speaker 32: have children, he has children. Where you're thinking, you know,

2000
01:25:00,600 --> 01:25:02,680
Speaker 32: the way we feel about each other, we both want

2001
01:25:02,680 --> 01:25:03,639
Speaker 32: to have a child together.

2002
01:25:03,880 --> 01:25:06,439
Speaker 33: Yes, I mean you know, everybody kept telling me like

2003
01:25:06,920 --> 01:25:09,519
Speaker 33: I should have fun, and we had a little bit

2004
01:25:09,520 --> 01:25:12,599
Speaker 33: of too much fun. And now I'm here and yeah

2005
01:25:12,640 --> 01:25:13,839
Speaker 33: we're very excited.

2006
01:25:13,840 --> 01:25:16,640
Speaker 3: Were both and you're both happy about it.

2007
01:25:16,720 --> 01:25:17,919
Speaker 14: Yes, but the parents.

2008
01:25:17,680 --> 01:25:19,800
Speaker 3: Already know, don't Dominican women dream of plantings or something?

2009
01:25:19,840 --> 01:25:23,160
Speaker 26: And when they plan that is you know, you're the

2010
01:25:23,200 --> 01:25:24,519
Speaker 26: most prejudiced person.

2011
01:25:25,680 --> 01:25:28,880
Speaker 14: Yes, it is. What I'm saying, Grandma is just being generally.

2012
01:25:31,360 --> 01:25:32,200
Speaker 3: It's just fish.

2013
01:25:32,400 --> 01:25:34,839
Speaker 26: Yeah, that's the same when you dream of fish. Somebody

2014
01:25:34,880 --> 01:25:40,479
Speaker 26: would they do that too? Yeahs not playing, I mean plantings.

2015
01:25:40,600 --> 01:25:43,080
Speaker 3: That's not true. It is even worse.

2016
01:25:44,200 --> 01:25:47,720
Speaker 14: Yes, what happened? When did anybody dream of any what?

2017
01:25:48,000 --> 01:25:48,040
Speaker 8: No?

2018
01:25:53,760 --> 01:25:58,200
Speaker 26: No, there was no tackles in a dreamscle You're a clown.

2019
01:25:58,600 --> 01:26:01,040
Speaker 14: You're a clown. But no, that's like the saying that

2020
01:26:01,160 --> 01:26:02,280
Speaker 14: all black moms dreams.

2021
01:26:02,280 --> 01:26:04,280
Speaker 26: And look, the saying is just very your mom know

2022
01:26:04,400 --> 01:26:07,320
Speaker 26: before you like, yeah, teller, your mother definitely probably know.

2023
01:26:07,360 --> 01:26:09,320
Speaker 26: And then if I'm not gonna say, CARDI is close

2024
01:26:09,400 --> 01:26:11,439
Speaker 26: with her mom, so yeah, you that as well.

2025
01:26:11,520 --> 01:26:12,080
Speaker 14: My mother knew.

2026
01:26:12,240 --> 01:26:17,200
Speaker 1: Yeah, Like, Cardi has really changed the mindset of women

2027
01:26:17,280 --> 01:26:19,479
Speaker 1: in entertainment in regard to having kids.

2028
01:26:19,680 --> 01:26:21,240
Speaker 3: You know, there was a time was like, you can't

2029
01:26:21,280 --> 01:26:24,200
Speaker 3: have kids have a career. Yeah, well Cardy like that.

2030
01:26:24,360 --> 01:26:27,040
Speaker 26: I'm popping the mind man every time, like it's like

2031
01:26:27,080 --> 01:26:29,599
Speaker 26: a rollout for her baby. She remember she was performing

2032
01:26:29,640 --> 01:26:32,599
Speaker 26: with She's able to do any and everything pregnant. Yeah,

2033
01:26:32,720 --> 01:26:35,160
Speaker 26: so I think she makes it look good. She works

2034
01:26:35,240 --> 01:26:36,280
Speaker 26: pregnant everything.

2035
01:26:36,400 --> 01:26:36,599
Speaker 14: Yep.

2036
01:26:36,640 --> 01:26:38,400
Speaker 18: And she talked about when she was pregnant with her

2037
01:26:38,640 --> 01:26:41,599
Speaker 18: with culture, with her first daughter, that she was nervous

2038
01:26:41,680 --> 01:26:43,320
Speaker 18: because she was in the midst of her career and

2039
01:26:43,760 --> 01:26:45,920
Speaker 18: we're telling her like hold on, wait, what's happening. But

2040
01:26:46,320 --> 01:26:48,480
Speaker 18: she proved the wrong and she's been able to continuously

2041
01:26:48,680 --> 01:26:51,719
Speaker 18: stay Cardi b Whiley.

2042
01:26:52,200 --> 01:26:55,120
Speaker 3: Worked better. Not judge her because you don't judge it, Cannon,

2043
01:26:55,360 --> 01:26:58,960
Speaker 3: you don't judge none of these people do.

2044
01:26:59,080 --> 01:27:03,080
Speaker 26: Judge Cannon hand, I'm not gonna judge Cardy, but yeah,

2045
01:27:03,280 --> 01:27:04,200
Speaker 26: I judge both of them.

2046
01:27:05,439 --> 01:27:07,200
Speaker 3: Who did you revealwer that? On Who's That?

2047
01:27:07,479 --> 01:27:08,880
Speaker 14: CBS Mornings with Gail King?

2048
01:27:08,880 --> 01:27:11,400
Speaker 3: Oh, dropping the clues Box with Gail King. Yeah, absolutely.

2049
01:27:11,479 --> 01:27:12,880
Speaker 3: You know Gail King loves Cardy by.

2050
01:27:12,800 --> 01:27:15,240
Speaker 26: The way, Yes, and then we're better ware better to

2051
01:27:15,280 --> 01:27:18,400
Speaker 26: announce your pregnancy. I was about to say, I get it,

2052
01:27:18,439 --> 01:27:22,480
Speaker 26: but Cardi, Gail King, Charlamagne King Charlamagne.

2053
01:27:22,520 --> 01:27:24,120
Speaker 1: First of all, you know the first time I met

2054
01:27:24,200 --> 01:27:25,720
Speaker 1: Gail King, what was that?

2055
01:27:26,000 --> 01:27:28,080
Speaker 3: Uh, I'm gonna say what was I said? Was that

2056
01:27:28,080 --> 01:27:28,920
Speaker 3: able to do in his house?

2057
01:27:29,000 --> 01:27:29,080
Speaker 9: Right?

2058
01:27:29,120 --> 01:27:31,320
Speaker 1: For her birthday? This is years ago, and this is

2059
01:27:31,320 --> 01:27:33,800
Speaker 1: when Bo that Yellow had just came out. And at

2060
01:27:33,840 --> 01:27:36,240
Speaker 1: some point in the party, Gail said to me, so,

2061
01:27:36,280 --> 01:27:37,920
Speaker 1: what do we think of Cardi b And I was like, oh,

2062
01:27:37,920 --> 01:27:39,439
Speaker 1: I love Cardi. You know what I'm saying, that's the homie.

2063
01:27:39,439 --> 01:27:45,040
Speaker 1: And Gail just yelled out, I don't my god, yeah,

2064
01:27:45,880 --> 01:27:46,280
Speaker 1: what did you?

2065
01:27:46,840 --> 01:27:51,160
Speaker 30: She was just like, okay, Gilt right.

2066
01:27:52,439 --> 01:27:57,800
Speaker 1: Little she had the ball, Yes, I.

2067
01:27:57,680 --> 01:27:59,559
Speaker 4: Don't have this right.

2068
01:28:02,479 --> 01:28:05,280
Speaker 18: Yes, well, yeah, Cardi was home and she revealed that news.

2069
01:28:05,320 --> 01:28:07,719
Speaker 18: So yeah, shout out to the situations.

2070
01:28:07,080 --> 01:28:08,800
Speaker 14: To her and step on that's dope.

2071
01:28:08,880 --> 01:28:11,960
Speaker 3: Yeah, Bardy album will be out Friday.

2072
01:28:11,720 --> 01:28:12,639
Speaker 14: A drama.

2073
01:28:12,960 --> 01:28:15,000
Speaker 18: Yes, And she did say you know, now that we

2074
01:28:15,040 --> 01:28:17,519
Speaker 18: know that the baby is coming, she said, now go

2075
01:28:17,560 --> 01:28:19,759
Speaker 18: buy my album so I can buy pampers and diapers

2076
01:28:20,000 --> 01:28:20,960
Speaker 18: and all that type of stuff.

2077
01:28:20,960 --> 01:28:22,840
Speaker 14: Go support my album A Mother for Now.

2078
01:28:22,960 --> 01:28:23,519
Speaker 5: That's right.

2079
01:28:24,040 --> 01:28:27,000
Speaker 1: We'll be seeing Barty this week coming up next to

2080
01:28:27,000 --> 01:28:28,800
Speaker 1: the People's Choice Mixed. I don't know why NV does this.

2081
01:28:28,840 --> 01:28:31,120
Speaker 1: He ain't been here all goddamn morning, but he's gonna

2082
01:28:31,160 --> 01:28:31,559
Speaker 1: leave a mix.

2083
01:28:31,600 --> 01:28:33,280
Speaker 26: And I bet you he's talking on it because he

2084
01:28:34,680 --> 01:28:37,040
Speaker 26: DJ's do Charlotte not here.

2085
01:28:36,960 --> 01:28:38,680
Speaker 3: And I bet you he's like one hundred five and

2086
01:28:38,720 --> 01:28:41,360
Speaker 3: five five one call over. He request the song like

2087
01:28:41,439 --> 01:28:44,639
Speaker 3: you haven't here a whole morning, idiot. It's the Breakfast Club.

2088
01:28:45,320 --> 01:28:47,320
Speaker 16: You're checking out. The Breakfast Club.

2089
01:28:47,520 --> 01:28:49,760
Speaker 1: Yes, sister, the world's more dangerous morning show, The Breakfast Club.

2090
01:28:49,840 --> 01:28:52,760
Speaker 1: Charlamagnea God, Jess Hilarious. DJ Nvy is off, Lauren l

2091
01:28:52,880 --> 01:28:53,719
Speaker 1: Rossa is hair.

2092
01:28:54,439 --> 01:28:56,240
Speaker 3: Jesse. Were you at this weekend? You gotta know.

2093
01:28:56,320 --> 01:28:57,599
Speaker 14: I'm gonna be in Mexico.

2094
01:28:58,520 --> 01:29:00,240
Speaker 3: I'm I'm just gonna go.

2095
01:29:02,000 --> 01:29:02,160
Speaker 17: Home.

2096
01:29:04,520 --> 01:29:12,360
Speaker 26: No, Yo, We're going on vacation for me and my kids. Vacation,

2097
01:29:12,560 --> 01:29:20,320
Speaker 26: that's what we're going to the Yes, baby, y'all are Mexico.

2098
01:29:20,360 --> 01:29:20,759
Speaker 3: Seriously?

2099
01:29:22,680 --> 01:29:23,000
Speaker 15: I know?

2100
01:29:24,760 --> 01:29:28,519
Speaker 14: Yeah, like he was born and raised there. I'm talking man,

2101
01:29:28,560 --> 01:29:30,520
Speaker 14: he's going crazy.

2102
01:29:30,439 --> 01:29:33,840
Speaker 26: Crazy but yeah, I will be on vacation, so yes,

2103
01:29:33,880 --> 01:29:36,400
Speaker 26: I can't wait to go, just to relax and shout

2104
01:29:36,439 --> 01:29:40,559
Speaker 26: out to Chase Styles s h A y E Styles

2105
01:29:40,600 --> 01:29:44,040
Speaker 26: on Instagram. That baby came up from Philly and did

2106
01:29:44,120 --> 01:29:47,040
Speaker 26: my knotlets braids, Matt, thank you. She this is the

2107
01:29:47,080 --> 01:29:49,080
Speaker 26: second time she did it. She's the only one that

2108
01:29:49,120 --> 01:29:51,560
Speaker 26: could grip a pixie. You know, I was just a

2109
01:29:51,760 --> 01:29:53,400
Speaker 26: ball of mall. I was just ball of time and

2110
01:29:53,439 --> 01:29:54,559
Speaker 26: the flat to girl.

2111
01:29:54,960 --> 01:29:57,640
Speaker 14: Yes, so shout out to that girl. Man, she came up.

2112
01:29:57,680 --> 01:30:00,720
Speaker 26: She's not a traveling stylist, but she travel for just

2113
01:30:00,920 --> 01:30:02,680
Speaker 26: hilarious and I love that.

2114
01:30:02,680 --> 01:30:03,040
Speaker 14: Thank you, so.

2115
01:30:03,000 --> 01:30:04,439
Speaker 3: Sry, know what the hell is going on yesterday?

2116
01:30:04,439 --> 01:30:06,400
Speaker 1: You just started ripping your hairt and right after the

2117
01:30:06,479 --> 01:30:09,439
Speaker 1: damn interview, and I was like, what you.

2118
01:30:09,439 --> 01:30:13,200
Speaker 26: Just started Like I had to get my head done, okay,

2119
01:30:13,280 --> 01:30:15,160
Speaker 26: So yeah, you know, and I was supposed to leave

2120
01:30:15,520 --> 01:30:18,400
Speaker 26: an Envy left, so I had to be here. So yeah,

2121
01:30:18,439 --> 01:30:20,759
Speaker 26: but I'm happy I got my braids from my vacation

2122
01:30:21,120 --> 01:30:23,120
Speaker 26: and I'll see me. I'm gonna be a couple, you know,

2123
01:30:23,120 --> 01:30:25,120
Speaker 26: I'm gonna be a couple of Shade's tanner. But yeah,

2124
01:30:25,280 --> 01:30:25,760
Speaker 26: I can't wait.

2125
01:30:25,840 --> 01:30:26,960
Speaker 3: It's time to get up out of here.

2126
01:30:26,960 --> 01:30:29,400
Speaker 1: But I do want to remind everybody that the fifth

2127
01:30:29,400 --> 01:30:32,360
Speaker 1: Annual Mental Wealth Expowl, my fifth annual Mental Wealth Expow,

2128
01:30:32,560 --> 01:30:35,160
Speaker 1: is happening Saturday October eleven from eleven am to four

2129
01:30:35,200 --> 01:30:39,439
Speaker 1: pm at the Joel and Diane Bloom Wellness and Event Center.

2130
01:30:39,479 --> 01:30:42,559
Speaker 3: It is a day of mental health education and healing.

2131
01:30:42,600 --> 01:30:44,679
Speaker 1: Some of your some of the best mental health professionals

2132
01:30:44,720 --> 01:30:47,599
Speaker 1: in the country, Debbie Brown, doctor Alfre Breeland Noble, doctor

2133
01:30:47,640 --> 01:30:50,960
Speaker 1: j bar Dad Elliott Connie, doctor Rita Walker.

2134
01:30:50,680 --> 01:30:53,240
Speaker 3: Just to name a few. Jason Wilson, the good Brother

2135
01:30:53,320 --> 01:30:55,879
Speaker 3: Jason Wilson will be there. And it's a free event.

2136
01:30:56,000 --> 01:30:56,360
Speaker 3: New work.

2137
01:30:56,400 --> 01:30:58,559
Speaker 1: Okay, it's a free event. I wouldn't even do this

2138
01:30:58,600 --> 01:31:00,760
Speaker 1: type of event if it wasn't free. Man, this is

2139
01:31:00,760 --> 01:31:02,840
Speaker 1: off fifth year doing it, and it's always free. So

2140
01:31:03,040 --> 01:31:05,800
Speaker 1: we'll see you Saturday, October eleventh from eleven am to

2141
01:31:05,920 --> 01:31:09,599
Speaker 1: four pm. Now the positive notice simply this. You gotta

2142
01:31:09,640 --> 01:31:12,519
Speaker 1: release self judgment. Okay, even the opinions you have about

2143
01:31:12,520 --> 01:31:15,519
Speaker 1: yourself are not necessarily true. Therefore you don't need to

2144
01:31:15,560 --> 01:31:18,720
Speaker 1: take whatever you hear in your own mind personally.

2145
01:31:18,920 --> 01:31:22,280
Speaker 3: Have a great day. Breakfast Club bites, y'alla finish for y'all.

2146
01:31:22,280 --> 01:31:22,439
Speaker 9: Done,