WEBVTT - Conversations About Hip Hop's Accountability

0:00:01.880 --> 0:00:04.440
<v Speaker 1>What's up? And welcome back to another episode of No

0:00:04.559 --> 0:00:07.520
<v Speaker 1>Sealers podcast with your hosts now fuck that with your

0:00:07.560 --> 0:00:22.360
<v Speaker 1>load glasses Malone. So it's been crazy, right, all this

0:00:22.520 --> 0:00:26.320
<v Speaker 1>promo shit started, Nigga doing the promo run, making all

0:00:26.320 --> 0:00:31.800
<v Speaker 1>the magic happen. That's the it don't stop. So I

0:00:31.880 --> 0:00:40.959
<v Speaker 1>put out cancel these nuts. Six weeks ago, I went

0:00:41.000 --> 0:00:44.080
<v Speaker 1>on a mad promo run to the East coast, right,

0:00:45.920 --> 0:00:56.040
<v Speaker 1>brilliant idiots, breakfast club, horrible decisions, expert opinion, dash radio stuff,

0:00:56.320 --> 0:00:59.720
<v Speaker 1>serious radio stuff. Shout out to Ron Mills, all my

0:00:59.720 --> 0:01:05.880
<v Speaker 1>good people over there, see what's up. But stopped in Boston.

0:01:07.520 --> 0:01:10.039
<v Speaker 1>Did the press up there? Promo up there? Shut out

0:01:10.080 --> 0:01:13.320
<v Speaker 1>to my brother DJ ras Sheet and I come home

0:01:15.520 --> 0:01:18.880
<v Speaker 1>and when I get home, obviously I do my run.

0:01:19.080 --> 0:01:21.800
<v Speaker 1>So a lot of good, solid brothers on the West.

0:01:21.840 --> 0:01:25.560
<v Speaker 1>That started all of these dope you know media platforms

0:01:26.280 --> 0:01:34.480
<v Speaker 1>back on fig the community, my boy Pun Trail, a

0:01:34.640 --> 0:01:38.560
<v Speaker 1>d mac wad. They just created like this really dope

0:01:40.720 --> 0:01:47.080
<v Speaker 1>you know media kind of cipher and it's been unbelievable.

0:01:47.360 --> 0:01:52.280
<v Speaker 1>Like right, that run has been crazy. The conversation has

0:01:52.320 --> 0:01:58.520
<v Speaker 1>been crazy. One of the main conversations is that's that

0:01:58.640 --> 0:02:05.320
<v Speaker 1>everybody's being stuck on is is Drake hip Hop? For

0:02:05.440 --> 0:02:10.160
<v Speaker 1>twelve years, I ran around just to learn what records

0:02:10.240 --> 0:02:13.200
<v Speaker 1>was about, just to learn what hip hop was about,

0:02:13.840 --> 0:02:17.919
<v Speaker 1>just to learn what marketing was about. I literally decided

0:02:18.000 --> 0:02:21.160
<v Speaker 1>I wasn't gonna even make money in this business because

0:02:21.200 --> 0:02:24.000
<v Speaker 1>I felt like I didn't do enough to deserve it,

0:02:24.400 --> 0:02:27.200
<v Speaker 1>Like it had already paid me millions of dollars and

0:02:27.240 --> 0:02:30.160
<v Speaker 1>I didn't do enough to deserve it. So I committed

0:02:30.200 --> 0:02:33.400
<v Speaker 1>to it, almost like a nun or something. Because going

0:02:33.440 --> 0:02:38.920
<v Speaker 1>into like a church or you know how they pledged

0:02:38.919 --> 0:02:43.959
<v Speaker 1>their life to Catholicism, That's how I pledged my existence

0:02:44.320 --> 0:02:48.320
<v Speaker 1>to hip hop and understanding what was going on. And

0:02:49.639 --> 0:02:52.760
<v Speaker 1>obviously I'm compelled to speak on it at another level

0:02:52.840 --> 0:02:57.480
<v Speaker 1>because I literally sacrificed enough to have an opinion. I've

0:02:57.520 --> 0:03:01.519
<v Speaker 1>done enough work. I've done the work to have an opinion. Now,

0:03:01.560 --> 0:03:04.280
<v Speaker 1>how good I think my album is. It's not just

0:03:04.360 --> 0:03:07.679
<v Speaker 1>the work itself. The reason I know my album is great, right,

0:03:07.720 --> 0:03:11.160
<v Speaker 1>it's because I did the work. But then when you

0:03:11.240 --> 0:03:15.120
<v Speaker 1>listen to the album and you know enough, minds tell

0:03:15.120 --> 0:03:18.280
<v Speaker 1>you what it is, they confirm it. But I was confident,

0:03:19.120 --> 0:03:21.600
<v Speaker 1>just like a boxer and training camp because I did

0:03:21.639 --> 0:03:24.519
<v Speaker 1>all the hard work and training camp. I did all

0:03:24.560 --> 0:03:29.000
<v Speaker 1>the hard work way before you heard the music. But

0:03:29.160 --> 0:03:32.080
<v Speaker 1>it just made me have some interesting thoughts about hip

0:03:32.120 --> 0:03:39.119
<v Speaker 1>hop that was different. And I noticed it's a movement

0:03:39.800 --> 0:03:46.000
<v Speaker 1>of black people really blaming hip hop for everything right.

0:03:48.440 --> 0:03:53.160
<v Speaker 1>And these same black people are some of the brothers

0:03:53.160 --> 0:04:01.880
<v Speaker 1>that argue with me about this particular topic. Shout out

0:04:01.920 --> 0:04:09.000
<v Speaker 1>to my Nigga Jobs intellectually petty. Intellectually petty radio A podcasts,

0:04:09.400 --> 0:04:11.640
<v Speaker 1>y'all go look it up for some of YouTube, really

0:04:12.440 --> 0:04:19.440
<v Speaker 1>intelligent brother from the Midwest from Detroit. And it made

0:04:19.520 --> 0:04:23.440
<v Speaker 1>me think, and I think we've talked about this before

0:04:23.520 --> 0:04:32.400
<v Speaker 1>with different people on those seilings, that term accountability. What

0:04:32.480 --> 0:04:36.880
<v Speaker 1>is hip hop's accountability in the current status, like in

0:04:36.920 --> 0:04:42.480
<v Speaker 1>the current state of the ghettos across America? How much

0:04:42.600 --> 0:04:47.599
<v Speaker 1>is hip hop to blame? Jobs was saying to me.

0:04:48.040 --> 0:04:52.440
<v Speaker 1>He thought Sexy Rare with Satan, and I'm like, this

0:04:52.520 --> 0:04:57.920
<v Speaker 1>is this young twenty seven year old girl from Saint Louis, right,

0:04:57.960 --> 0:05:02.919
<v Speaker 1>who obviously understands some marketing. Because even through all of

0:05:02.960 --> 0:05:06.960
<v Speaker 1>the the marketing itself and the funniness itself of what's

0:05:07.000 --> 0:05:10.880
<v Speaker 1>going on. Most women when they're trying to be sexy,

0:05:11.040 --> 0:05:12.800
<v Speaker 1>the first thing they want to do is take off

0:05:12.839 --> 0:05:16.839
<v Speaker 1>their glasses. This girl keeps her glasses on, doing the

0:05:16.880 --> 0:05:20.920
<v Speaker 1>most ratchet shit in the world, acting like she's attempting

0:05:20.960 --> 0:05:24.400
<v Speaker 1>to be sexy. I really think sexy Red is like

0:05:24.400 --> 0:05:29.680
<v Speaker 1>a marketing savant because this motherfucker ain't took off her glasses.

0:05:30.560 --> 0:05:35.479
<v Speaker 1>Wearing two pieces. You know, she could get contacts. She

0:05:35.520 --> 0:05:41.480
<v Speaker 1>won't take off her glasses. Daisy Dupes splits ratchet, but

0:05:41.600 --> 0:05:44.880
<v Speaker 1>she got her glasses on. It reminds me of Ice

0:05:44.960 --> 0:05:52.640
<v Speaker 1>Spice and that orphan any wig. Ice Spice is like

0:05:53.000 --> 0:05:58.360
<v Speaker 1>orphan any with ass when she wear that wig. Like

0:05:58.400 --> 0:06:03.080
<v Speaker 1>their marketing savants. That whole generation under thirty, that generation,

0:06:03.760 --> 0:06:07.040
<v Speaker 1>I don't know if it's Alpha, but that whichever generation

0:06:07.200 --> 0:06:11.320
<v Speaker 1>it is, they're marketing savants. All these motherfuckers under thirty

0:06:11.960 --> 0:06:16.960
<v Speaker 1>understand how they want you to see them, and they

0:06:17.040 --> 0:06:21.159
<v Speaker 1>understand what you're gonna think about it. But back to

0:06:21.200 --> 0:06:26.880
<v Speaker 1>the point he was saying, he felt sexy Rere was

0:06:26.960 --> 0:06:30.880
<v Speaker 1>the satan, and I'm like, with all these Sam Smiths

0:06:31.160 --> 0:06:35.000
<v Speaker 1>and people doing crazy shit on these award shows, endorsing

0:06:35.040 --> 0:06:39.800
<v Speaker 1>the devil, you thought a black lady, a black young

0:06:39.920 --> 0:06:45.640
<v Speaker 1>girl from fucking Saint Louis because she's a bit extra promiscuous,

0:06:46.080 --> 0:06:56.520
<v Speaker 1>is satan? Like, she's satan. It's so it's not Generation Alpha,

0:06:56.560 --> 0:07:01.080
<v Speaker 1>it's the millennials or generation Why. But I'm like, she's Satan.

0:07:03.480 --> 0:07:06.559
<v Speaker 1>What is sexy Read really to blame for? At this point?

0:07:06.600 --> 0:07:11.440
<v Speaker 1>What is she really to blame for? No, Siller's jail

0:07:12.440 --> 0:07:16.520
<v Speaker 1>flying solo today, Ain't no auto pilot, ain't no co pilots.

0:07:16.560 --> 0:07:20.280
<v Speaker 1>It's just me and y'all. So we're gonna pop this shit.

0:07:22.000 --> 0:07:25.040
<v Speaker 1>But what is sexy Read really to blame for? At

0:07:25.040 --> 0:07:31.040
<v Speaker 1>this point? Doug, is sexy Read the first hood rat

0:07:31.120 --> 0:07:36.240
<v Speaker 1>girl in the communities? Is she inspiring women to be

0:07:36.360 --> 0:07:40.200
<v Speaker 1>hood rats? Or is she a reflection that there is

0:07:40.240 --> 0:07:43.760
<v Speaker 1>a promiscuous group of women that suffer from a level

0:07:43.760 --> 0:07:47.160
<v Speaker 1>of trauma that makes them feel like they have ownership

0:07:47.240 --> 0:07:50.720
<v Speaker 1>over certain things that you obviously are really rich and

0:07:50.800 --> 0:07:54.680
<v Speaker 1>deep that they feel they have ownership over. Maybe they

0:07:54.760 --> 0:07:58.280
<v Speaker 1>feel they have to claim ownership over it because in

0:07:58.320 --> 0:08:00.800
<v Speaker 1>some of those situations, some of these people women molested

0:08:00.840 --> 0:08:02.920
<v Speaker 1>and went through hell. So now they're trying to claim

0:08:02.920 --> 0:08:05.520
<v Speaker 1>it to have some level of strength, But it's Sexy

0:08:05.560 --> 0:08:11.000
<v Speaker 1>Red really inspiring a generation of women to be hood rats.

0:08:13.560 --> 0:08:17.360
<v Speaker 1>Her biggest demographic is going to be middle class America.

0:08:17.880 --> 0:08:22.240
<v Speaker 1>White women you feel me, that are in college, white

0:08:22.280 --> 0:08:25.360
<v Speaker 1>women that live in the suburbs. Are is she gonna

0:08:25.400 --> 0:08:32.680
<v Speaker 1>inspire them to get pregnant? Are white women gonna line

0:08:32.760 --> 0:08:36.440
<v Speaker 1>up at the plant parenthood or at the clinic because

0:08:36.440 --> 0:08:42.920
<v Speaker 1>they got STDs? Like Sexy Red rap about? Like, is

0:08:42.960 --> 0:08:48.240
<v Speaker 1>there clinics gonna be overfilled with motherfucking women getting abortion?

0:08:52.160 --> 0:08:55.520
<v Speaker 1>Like how much is hip hop really to blame? Like

0:08:55.640 --> 0:08:58.280
<v Speaker 1>let's be for real, like we didne got so far

0:08:58.360 --> 0:09:02.240
<v Speaker 1>out of the space of understand that systemic oppression is

0:09:02.280 --> 0:09:05.840
<v Speaker 1>still currently going on, Like and we'll find ways to

0:09:05.880 --> 0:09:08.240
<v Speaker 1>figure it out. We'll name it. If somebody get their

0:09:08.280 --> 0:09:11.720
<v Speaker 1>ass killed by police and then the police get off,

0:09:12.000 --> 0:09:15.640
<v Speaker 1>we'll see it be like, well that's different we act

0:09:15.679 --> 0:09:18.720
<v Speaker 1>like one day we woke up and then the United

0:09:18.760 --> 0:09:21.720
<v Speaker 1>States of America decided, well, we not gonna go hard

0:09:21.760 --> 0:09:25.559
<v Speaker 1>on these niggas no more. So it must be these

0:09:25.640 --> 0:09:28.559
<v Speaker 1>niggas fault at this point that they are a bit

0:09:28.600 --> 0:09:34.600
<v Speaker 1>traumatized and react and develop confidence in even lower standards.

0:09:38.400 --> 0:09:42.040
<v Speaker 1>It's sexy Red really to blame, Like, come on, man,

0:09:42.120 --> 0:09:45.000
<v Speaker 1>like this shit is getting crazy. Look, you don't gotta

0:09:45.200 --> 0:09:49.000
<v Speaker 1>like it, bro, I get it. You don't gotta like it.

0:09:50.080 --> 0:09:52.600
<v Speaker 1>Maybe you have a daughter cause and you're like, I

0:09:52.600 --> 0:09:55.199
<v Speaker 1>don't want my daughter to be sexy red. Bro, if

0:09:55.240 --> 0:09:58.520
<v Speaker 1>you're in her life, she's not gonna be sexy red.

0:10:00.400 --> 0:10:04.800
<v Speaker 1>Trust me, if you, as a father, are in her life,

0:10:04.880 --> 0:10:12.880
<v Speaker 1>she is not gonna be sexy red. She is not

0:10:13.080 --> 0:10:16.960
<v Speaker 1>gonna be sexy red. Sexy Reds issues are completely different.

0:10:16.960 --> 0:10:20.040
<v Speaker 1>It's obviously it's obvious that girl been through a lot

0:10:20.080 --> 0:10:25.080
<v Speaker 1>of shit. But the fact that we're blaming an artist

0:10:25.520 --> 0:10:30.520
<v Speaker 1>painting a picture of something that exists in our communities

0:10:31.120 --> 0:10:34.280
<v Speaker 1>and we like, well, she's gonna tell everybody else they

0:10:34.320 --> 0:10:38.560
<v Speaker 1>didn't know hood rats existed. I saw people talking about

0:10:38.720 --> 0:10:43.880
<v Speaker 1>are we celebrating sexy Red or sexy Red celebrating that

0:10:44.040 --> 0:10:49.520
<v Speaker 1>promiscuous culture that people feel like she's a part of.

0:10:50.160 --> 0:10:54.040
<v Speaker 1>And I'm like, what if her experiences is only fucking

0:10:54.120 --> 0:10:57.520
<v Speaker 1>with crazy niggas because she live in the ghetto. You

0:10:57.559 --> 0:11:03.800
<v Speaker 1>don't want people to know it's crazy Because I remember

0:11:03.840 --> 0:11:08.959
<v Speaker 1>growing up and people like see the Lords Tucker blaming

0:11:09.960 --> 0:11:14.280
<v Speaker 1>hip hop for what's going on in the ghetto, not

0:11:14.480 --> 0:11:17.559
<v Speaker 1>the ghetto for what's going on in hip hop, because

0:11:17.600 --> 0:11:21.120
<v Speaker 1>that would be too much like right. Instead, she's blaming

0:11:21.240 --> 0:11:26.280
<v Speaker 1>hip hop for what's going on in the ghetto. Again,

0:11:26.400 --> 0:11:30.720
<v Speaker 1>I say she was blaming hip hop for what's going

0:11:30.800 --> 0:11:34.400
<v Speaker 1>on in the ghetto. She didn't blame what's going on

0:11:34.840 --> 0:11:39.240
<v Speaker 1>in the ghetto on hip hop. I mean, excuse me.

0:11:39.400 --> 0:11:42.920
<v Speaker 1>She didn't blame what's going on in hip hop on

0:11:43.040 --> 0:11:45.920
<v Speaker 1>the ghetto. It was the other way around. The art

0:11:46.040 --> 0:11:53.920
<v Speaker 1>was inspiring the community. So you got all of these grown,

0:11:54.000 --> 0:11:58.319
<v Speaker 1>middle aged men acting like Sexy Red is some kind

0:11:58.360 --> 0:12:02.720
<v Speaker 1>of unique character or her characters should be suppressed, even

0:12:02.800 --> 0:12:05.240
<v Speaker 1>though most of y'all have pretty much dealt with a

0:12:05.320 --> 0:12:08.400
<v Speaker 1>sexy Red, especially if you grew up where we grew

0:12:08.480 --> 0:12:12.000
<v Speaker 1>up at. Maybe your baby mama is a sexy Red.

0:12:12.880 --> 0:12:16.240
<v Speaker 1>Maybe you're the reason that sexy Red became sexy Red.

0:12:17.360 --> 0:12:19.480
<v Speaker 1>It ain't like you niggas as waking up trying to

0:12:19.480 --> 0:12:22.240
<v Speaker 1>wipe these women. You're trying to get some pussy. So

0:12:22.280 --> 0:12:24.360
<v Speaker 1>if you're trying to get some pussy, and lord knows

0:12:24.360 --> 0:12:26.959
<v Speaker 1>how hell bent we bet on trying to get some pussy,

0:12:27.520 --> 0:12:31.880
<v Speaker 1>we'll lie, We'll do whatever it take. We'll break a

0:12:31.920 --> 0:12:34.319
<v Speaker 1>woman's spirit just to get some pussy, and then when

0:12:34.360 --> 0:12:38.240
<v Speaker 1>they mutate into sexy Red, we'll be like, well, I

0:12:38.280 --> 0:12:41.000
<v Speaker 1>don't know what happened. And then we'll get older and

0:12:41.080 --> 0:12:51.120
<v Speaker 1>really disassociate ourselves from those circumstances. And again, I say,

0:12:51.480 --> 0:12:57.720
<v Speaker 1>if sexy Red is that influential, then why aren't these

0:12:57.760 --> 0:13:09.880
<v Speaker 1>white women having the same exact problem. Why why the

0:13:09.920 --> 0:13:14.960
<v Speaker 1>biggest supporter of hip hop is very much Middle American

0:13:15.000 --> 0:13:21.600
<v Speaker 1>white people. Why why traditionally are they not changing? And

0:13:21.640 --> 0:13:23.840
<v Speaker 1>then if you notice they're not changing, you're like, well,

0:13:24.080 --> 0:13:26.760
<v Speaker 1>they're different. You know, they have this and that. You know,

0:13:27.040 --> 0:13:30.600
<v Speaker 1>but it's affecting the ghetto or is the ghetto affecting

0:13:31.679 --> 0:13:35.240
<v Speaker 1>the cheese a representation of it? This shit just sometimes

0:13:35.360 --> 0:13:39.319
<v Speaker 1>is getting crazy, Like we have literally decided white people

0:13:39.320 --> 0:13:41.760
<v Speaker 1>are not to blame, or we said we've blamed them enough,

0:13:41.800 --> 0:13:44.160
<v Speaker 1>even though they had motherfuckers and slave for two three

0:13:44.240 --> 0:13:48.280
<v Speaker 1>hundred years, four hundred years, We like, oh well this

0:13:48.920 --> 0:13:59.360
<v Speaker 1>hundred years was enough to escape it. All I hear

0:13:59.520 --> 0:14:05.880
<v Speaker 1>is hip hop's negative influence. All blame hip hop? Hip

0:14:05.920 --> 0:14:09.880
<v Speaker 1>hop did this? Not the ghetto is inspiring hip hop,

0:14:09.880 --> 0:14:15.240
<v Speaker 1>but hip hop is inspiring the ghetto. Well, let's talk

0:14:15.280 --> 0:14:18.480
<v Speaker 1>about what the ghetto has done. Let's talk about ice Cube.

0:14:19.640 --> 0:14:24.800
<v Speaker 1>Does anybody truly give ice Cube credit for creating three

0:14:24.840 --> 0:14:27.600
<v Speaker 1>of the biggest comics in the last I don't know

0:14:28.800 --> 0:14:36.080
<v Speaker 1>thirty years. Chris Tucker came from ice Cube, Mike Apps

0:14:36.120 --> 0:14:40.280
<v Speaker 1>came from ice Cube. Cat Williams came from ice Cube.

0:14:40.920 --> 0:14:44.680
<v Speaker 1>Everybody said, Chris Tucker made these big one hundred two,

0:14:44.760 --> 0:14:49.120
<v Speaker 1>three four five hundred blockbuster million dollar films, three four

0:14:49.200 --> 0:14:53.040
<v Speaker 1>five hundred dollars meal four five hundred million dollar films,

0:14:53.200 --> 0:14:56.320
<v Speaker 1>and all that that came from some nigga in hip hop,

0:14:57.520 --> 0:14:59.840
<v Speaker 1>some nigga that grew up in one to eleven South

0:15:00.000 --> 0:15:04.320
<v Speaker 1>Central one eleven neighborhood crip created three of the ten

0:15:04.400 --> 0:15:09.280
<v Speaker 1>biggest comics in the last thirty years. Hip hop did that.

0:15:12.120 --> 0:15:18.880
<v Speaker 1>Hip hop did that. You don't have rush Hour without

0:15:18.920 --> 0:15:25.480
<v Speaker 1>fucking ice Qube. You don't have a rush Hour. So

0:15:25.560 --> 0:15:29.080
<v Speaker 1>you probably don't have Jackie Chan at this level without

0:15:29.120 --> 0:15:35.400
<v Speaker 1>ice Q. Because Chris Tucker is the starter film, right,

0:15:36.000 --> 0:15:39.800
<v Speaker 1>he's selling a film on a mainstream level. You don't

0:15:39.840 --> 0:15:43.600
<v Speaker 1>have none of them rush Hours. So about I don't

0:15:43.680 --> 0:15:50.200
<v Speaker 1>know a billion dollars worth of film franchise. You owe

0:15:50.240 --> 0:15:54.040
<v Speaker 1>that to hip hop because some nigga who said fuck

0:15:54.080 --> 0:15:59.400
<v Speaker 1>the police in eighty eight created a platform and motherfucking

0:15:59.480 --> 0:16:03.480
<v Speaker 1>developed one of the biggest and most important film stars

0:16:04.320 --> 0:16:09.280
<v Speaker 1>in the last motherfucking thirty years. You owe hip hop

0:16:09.280 --> 0:16:17.560
<v Speaker 1>for that? How about? What is that a trade off

0:16:17.560 --> 0:16:26.280
<v Speaker 1>of sexy read? You have Chris Tucker, Mike Apps. I

0:16:26.320 --> 0:16:29.000
<v Speaker 1>can't go down to listen ship Mike Apps has contributed

0:16:29.040 --> 0:16:34.720
<v Speaker 1>to that matter. Cat Williams, we all know how fucking

0:16:34.880 --> 0:16:43.400
<v Speaker 1>unbelievable he is. That's Cat Williams. Fucking Cat Williams dog.

0:16:47.520 --> 0:16:49.920
<v Speaker 1>But I was gonna give hip hop credit for that?

0:16:50.920 --> 0:17:04.440
<v Speaker 1>Probably not, Probably fucking not. What about Terry Crews. Y'all

0:17:04.440 --> 0:17:10.400
<v Speaker 1>love Terry Crews, y'all. That's y'all, motherfucking mad old Terry Crews.

0:17:16.320 --> 0:17:18.560
<v Speaker 1>He was in training day, he was a backup person.

0:17:20.000 --> 0:17:22.479
<v Speaker 1>Friday at the next was his moment to Shine. You

0:17:22.520 --> 0:17:25.200
<v Speaker 1>owe that to Ice Q, You owe that to hip hop?

0:17:28.160 --> 0:17:33.800
<v Speaker 1>You owe that to hip hop? Can hip hop get

0:17:33.840 --> 0:17:41.840
<v Speaker 1>a thank you? You give it all the blame, all

0:17:41.880 --> 0:17:44.520
<v Speaker 1>the fucking blame is hip hop. But where is all

0:17:44.520 --> 0:17:50.439
<v Speaker 1>the fucking credit? A guy on Twitter Today asked me

0:17:50.480 --> 0:17:53.960
<v Speaker 1>about Snoop Dogg. He said crips didn't exist in the

0:17:54.040 --> 0:17:58.680
<v Speaker 1>Midwest until Snoop Dogg came out. Not the drug game

0:17:58.800 --> 0:18:02.160
<v Speaker 1>where everybody from Los Angeles was going to these towns

0:18:02.720 --> 0:18:08.080
<v Speaker 1>and setting up shot. Nope, the rap music, hip hop.

0:18:11.640 --> 0:18:19.000
<v Speaker 1>And I do agree that Snoop reinforced the title crypts.

0:18:19.080 --> 0:18:23.919
<v Speaker 1>He made people that was the first cryp. Most people

0:18:24.119 --> 0:18:27.840
<v Speaker 1>really felt like they knew. He's by far the most

0:18:27.880 --> 0:18:31.160
<v Speaker 1>popular crip of all time. It's pretty much it's fair

0:18:31.200 --> 0:18:36.359
<v Speaker 1>to say he's the greatest cryp of all time. But

0:18:36.440 --> 0:18:41.240
<v Speaker 1>he also defined it in his way. So while you're

0:18:41.359 --> 0:18:44.399
<v Speaker 1>looking at Rocket from Colors and like, this is what

0:18:44.480 --> 0:18:48.640
<v Speaker 1>crypts are about. Which in the movie Colors, maybe Rocket,

0:18:49.520 --> 0:18:51.960
<v Speaker 1>you know, shout out to Don Cheto probably the greatest

0:18:52.440 --> 0:18:57.120
<v Speaker 1>Black actor you know ever as far as just pure skills.

0:18:57.240 --> 0:18:59.480
<v Speaker 1>I mean, I don't think he have the films of

0:19:00.080 --> 0:19:04.280
<v Speaker 1>Denzel Washington or like my favorite actor, you know, Samuel Jackson,

0:19:04.320 --> 0:19:09.600
<v Speaker 1>but just pure pound for pound awesome acting. Don Cheetoh

0:19:09.640 --> 0:19:12.760
<v Speaker 1>was probably the best one as far as Black actors go.

0:19:13.480 --> 0:19:18.240
<v Speaker 1>Maybe him a Forest Whitaker, but you know what I'm saying,

0:19:18.320 --> 0:19:23.040
<v Speaker 1>It's like Snoop is he didn't let Colors tell you

0:19:23.080 --> 0:19:25.760
<v Speaker 1>what cripping was about. So while you were looking at

0:19:25.760 --> 0:19:29.119
<v Speaker 1>the film Colors or the film dough Boy, you know,

0:19:29.320 --> 0:19:32.280
<v Speaker 1>excuse me boys in the Hood with Doe Boy, or

0:19:32.560 --> 0:19:36.479
<v Speaker 1>or the Wren's take character, Oh Dog, you mess, Snoop,

0:19:37.080 --> 0:19:41.320
<v Speaker 1>and Snoop showed you how diverse a cryp can be,

0:19:41.320 --> 0:19:44.200
<v Speaker 1>because that's how most crips are. Just like Snoop. Some

0:19:44.280 --> 0:19:47.840
<v Speaker 1>have jobs, some go to school, some most raised their family,

0:19:48.560 --> 0:19:56.679
<v Speaker 1>most get married, most of them are productive members in society. Eventually,

0:19:57.320 --> 0:19:59.600
<v Speaker 1>they may start off in these ghettos, having to earn

0:19:59.640 --> 0:20:02.920
<v Speaker 1>how they earn, But just like my older homie Pluck,

0:20:03.040 --> 0:20:05.760
<v Speaker 1>they'll figure out their way. They'll be owning trucks and

0:20:05.840 --> 0:20:09.240
<v Speaker 1>driving trucks, or like my older homie Moon, they'll be

0:20:09.280 --> 0:20:14.360
<v Speaker 1>having tow trucks and running motorcycle clubs and monetizing social lifestyles.

0:20:14.600 --> 0:20:17.960
<v Speaker 1>Or they'll be like my ogi homie Shady, who can

0:20:18.480 --> 0:20:24.320
<v Speaker 1>pull apart of hardy and put it back together, engine, frame, wheels, everything,

0:20:24.840 --> 0:20:27.600
<v Speaker 1>or like my homeboy Boom, my older homie Boo and

0:20:27.880 --> 0:20:30.800
<v Speaker 1>put together cars and he knows how to paint them

0:20:30.800 --> 0:20:34.680
<v Speaker 1>and bring cars back to life. After they've been salvaged.

0:20:39.200 --> 0:20:42.840
<v Speaker 1>Just because Hollywood tried to tell you what crips was,

0:20:43.880 --> 0:20:47.199
<v Speaker 1>you ran to everybody else like, this is what crips was.

0:20:48.920 --> 0:20:52.640
<v Speaker 1>And then you met Snoop. It Snoop showed you everything

0:20:52.720 --> 0:20:57.080
<v Speaker 1>cribs could be. It made the whole world fall in

0:20:57.080 --> 0:21:04.040
<v Speaker 1>love with crips. That's what hip hop does. Hip hop

0:21:04.080 --> 0:21:08.920
<v Speaker 1>shows you how the ghetto party, how the ghetto parties.

0:21:10.280 --> 0:21:14.119
<v Speaker 1>That's where hip hop started at as far as the music,

0:21:14.640 --> 0:21:19.400
<v Speaker 1>it started as a party. When we celebrated the fiftieth year.

0:21:19.720 --> 0:21:22.600
<v Speaker 1>The address they put on that flyer fifteen to twenty

0:21:22.640 --> 0:21:27.360
<v Speaker 1>segwich that project. You were going to a party. It

0:21:27.400 --> 0:21:32.440
<v Speaker 1>was a hip hop. My dad and the generation they

0:21:32.520 --> 0:21:36.199
<v Speaker 1>called a party a hop and you know what hip is.

0:21:36.280 --> 0:21:40.600
<v Speaker 1>Hip is cool. It was the way the ghetto party.

0:21:41.080 --> 0:21:48.480
<v Speaker 1>We are the cool kids. The way we write right,

0:21:48.560 --> 0:21:55.640
<v Speaker 1>that's tagging. The way we dance, that's breaking, the way

0:21:55.680 --> 0:21:58.360
<v Speaker 1>we take the music and make our own thing right,

0:21:58.440 --> 0:22:01.720
<v Speaker 1>that's a breakbeat. And then we can't sing. We wasn't

0:22:01.800 --> 0:22:07.359
<v Speaker 1>professional trained singers, So guess what we rap? Shout out

0:22:07.400 --> 0:22:18.000
<v Speaker 1>to Joe Text, shout out to the watch poets. DJ's

0:22:18.080 --> 0:22:23.200
<v Speaker 1>existed before hip hop they did. They existed before hip hop.

0:22:24.040 --> 0:22:27.600
<v Speaker 1>This goal had DJ's, radio had DJ's, but they didn't

0:22:27.600 --> 0:22:31.639
<v Speaker 1>do it the way we did it. They didn't do

0:22:31.680 --> 0:22:35.679
<v Speaker 1>it the way the cool kids did it. So it

0:22:35.760 --> 0:22:38.240
<v Speaker 1>looks like we created all of this stuff because we're

0:22:38.280 --> 0:22:42.080
<v Speaker 1>so fucking cool in these ghettos that when we start

0:22:42.160 --> 0:22:46.400
<v Speaker 1>doing stuff, everybody does stuff like it. But you know what,

0:22:47.400 --> 0:22:49.880
<v Speaker 1>it's not the ghetto that does stuff like it, it's

0:22:49.960 --> 0:22:54.320
<v Speaker 1>Middle America that does stuff like it. So I'm almost

0:22:54.320 --> 0:22:59.600
<v Speaker 1>starting to believe Middle America is not as mad at

0:22:59.680 --> 0:23:07.119
<v Speaker 1>hip as the people that are black people. It's almost

0:23:07.200 --> 0:23:11.840
<v Speaker 1>like it's more ridicule from middle class and wealthy black

0:23:11.880 --> 0:23:19.640
<v Speaker 1>people or successful black people on poor people. I don't

0:23:19.680 --> 0:23:23.840
<v Speaker 1>even think they really believe in systemic oppression because they're successful.

0:23:24.160 --> 0:23:31.440
<v Speaker 1>I think this is a greater problem. I genuinely think

0:23:31.480 --> 0:23:38.199
<v Speaker 1>this is a greater problem. I think this is a

0:23:38.240 --> 0:23:42.640
<v Speaker 1>greater problem. I've heard people tell me hip hop, oh,

0:23:42.680 --> 0:23:46.360
<v Speaker 1>it was created to solve problems. And then I had

0:23:46.400 --> 0:23:49.879
<v Speaker 1>great conversations with Crazy Legs and other founding fathers, and

0:23:49.880 --> 0:23:52.600
<v Speaker 1>they was like, man, we were stick of kids. They

0:23:52.640 --> 0:23:56.639
<v Speaker 1>were telling me they were criminals. The Black Spades are

0:23:56.760 --> 0:23:59.439
<v Speaker 1>pretty much the founder of hip hop. That's a gang

0:23:59.600 --> 0:24:09.920
<v Speaker 1>in the runs. So when people blame Snoop Dogg, like, oh, well,

0:24:10.160 --> 0:24:13.440
<v Speaker 1>you know, crips didn't exist in the Midwest before Snoop Dogg,

0:24:15.080 --> 0:24:19.000
<v Speaker 1>just because you retitled gangs. Gangs existed in the Midwest

0:24:19.040 --> 0:24:24.800
<v Speaker 1>before Snoop Dogg. Violence existed in the Midwest before Snoop Dogg.

0:24:31.800 --> 0:24:34.600
<v Speaker 1>All of these things existed. But because you put the

0:24:34.720 --> 0:24:41.640
<v Speaker 1>new name Crips on there, like, the violence is magnified. Oh,

0:24:41.680 --> 0:24:50.280
<v Speaker 1>the violence has to be crazier. I just don't get it.

0:24:50.440 --> 0:24:55.320
<v Speaker 1>I really don't get it. Forty years ago, we understood

0:24:55.800 --> 0:25:02.800
<v Speaker 1>systemic oppression, you know, we understood poverty, like that type

0:25:02.800 --> 0:25:07.800
<v Speaker 1>of economic hardship was responsible for the way people acted

0:25:07.880 --> 0:25:11.920
<v Speaker 1>in the ghetto. The fashion is the fashion because people

0:25:11.960 --> 0:25:16.080
<v Speaker 1>were deprived of economics, and six pair of dickeys cost

0:25:16.119 --> 0:25:21.320
<v Speaker 1>fifty dollars, seven pair of checks of chuck all start.

0:25:21.480 --> 0:25:28.480
<v Speaker 1>You know, converts cost fifty dollars. T shirts were undershirts.

0:25:28.720 --> 0:25:32.679
<v Speaker 1>They were cheap. So people mom didn't have money, but

0:25:32.760 --> 0:25:35.240
<v Speaker 1>they wanted to make sure their kids had new clothes,

0:25:35.520 --> 0:25:39.119
<v Speaker 1>so they went down to HP Huntington Park and bought

0:25:39.119 --> 0:25:44.760
<v Speaker 1>them new clothes. You get six pair of pants for

0:25:44.800 --> 0:25:50.200
<v Speaker 1>fifty dollars, six pair of shoes for fifty dollars, different

0:25:50.280 --> 0:25:53.720
<v Speaker 1>colored shirts for fifty dollars, and you have enough for

0:25:53.760 --> 0:25:56.960
<v Speaker 1>a whole school year. So your mentality is, we should

0:25:57.000 --> 0:26:03.600
<v Speaker 1>have been sad because our circumstances. We should have been sad.

0:26:04.040 --> 0:26:07.040
<v Speaker 1>We shouldn't find a sense of pride. That's what hip

0:26:07.040 --> 0:26:10.200
<v Speaker 1>hop is. It's that pride of no matter how bad

0:26:10.200 --> 0:26:14.679
<v Speaker 1>our circumstances are, we still find pride to exist. We

0:26:14.880 --> 0:26:19.000
<v Speaker 1>still make it look good. We're gonna put big crease,

0:26:19.640 --> 0:26:23.560
<v Speaker 1>a big crease, and those six pans for fifty dollars,

0:26:24.000 --> 0:26:26.640
<v Speaker 1>we're gonna wear it with pride, and we're gonna wear

0:26:26.720 --> 0:26:31.000
<v Speaker 1>it so fucking awesome that everybody else who could afford

0:26:31.119 --> 0:26:36.000
<v Speaker 1>better wants to wear them. That's what hip hop is.

0:26:38.119 --> 0:26:44.359
<v Speaker 1>You know what else is like that? Soul food? Soul

0:26:44.440 --> 0:26:47.159
<v Speaker 1>food is just like that. It was the slops that

0:26:47.280 --> 0:26:50.520
<v Speaker 1>the master threw back there, the worst of the vegetables,

0:26:51.240 --> 0:26:55.680
<v Speaker 1>the worst of everything we cooked. That shit so fired

0:26:55.720 --> 0:26:58.399
<v Speaker 1>that they start coming back to the back house trying

0:26:58.400 --> 0:27:05.919
<v Speaker 1>to eat. Now they have gourmet restaurants selling soul food,

0:27:06.480 --> 0:27:13.080
<v Speaker 1>slave food, not black food. Slave food. Hip hop is

0:27:13.280 --> 0:27:19.160
<v Speaker 1>slave food. It's when you find a sense of pride

0:27:19.480 --> 0:27:26.320
<v Speaker 1>no matter the circumstance, and you put that pride on

0:27:26.480 --> 0:27:31.160
<v Speaker 1>so motherfucking thick cuz that the world be like, Damn,

0:27:31.280 --> 0:27:35.040
<v Speaker 1>that shit looks nice. It's like an ugly bitch with

0:27:35.160 --> 0:27:39.760
<v Speaker 1>too much confidence. The ugliest woman could get the best

0:27:39.800 --> 0:27:43.879
<v Speaker 1>man if she but makes her if she believes in herself,

0:27:43.880 --> 0:27:46.879
<v Speaker 1>it convinces him that she thinks she the shit. You

0:27:47.000 --> 0:27:50.479
<v Speaker 1>a fool of motherfucker. I knew a girl that was

0:27:50.520 --> 0:27:53.720
<v Speaker 1>like that to me. This motherfucker was ugly, but she

0:27:53.920 --> 0:27:56.439
<v Speaker 1>acted like she was fine and had me kind of

0:27:56.480 --> 0:27:59.359
<v Speaker 1>have fast convinced. I started to want to take the

0:27:59.400 --> 0:28:05.400
<v Speaker 1>bit child. I have to get my thoughts together. That's

0:28:05.440 --> 0:28:08.640
<v Speaker 1>what hip hop is. It's finding a sense of pride

0:28:08.720 --> 0:28:12.679
<v Speaker 1>no matter the circumstances you are put in. Yeah, you

0:28:12.760 --> 0:28:16.080
<v Speaker 1>can't learn. They don't got no band programs. They took

0:28:16.119 --> 0:28:18.800
<v Speaker 1>all the band programs away. Well guess what, I'm gonna

0:28:18.840 --> 0:28:23.119
<v Speaker 1>take the break of this record the drum loop, and

0:28:23.160 --> 0:28:27.400
<v Speaker 1>I'm gonna loot this motherfucker over and over again. Then

0:28:27.480 --> 0:28:29.760
<v Speaker 1>I don't know how to sing, but I know how

0:28:29.800 --> 0:28:32.720
<v Speaker 1>to put my thoughts together and make the motherfuckers rhyme.

0:28:34.200 --> 0:28:36.919
<v Speaker 1>They didn't give me no professional dance lesson. But I

0:28:37.000 --> 0:28:39.080
<v Speaker 1>know what this beat is telling me. I see all

0:28:39.080 --> 0:28:46.600
<v Speaker 1>these breaks, so let me break just like this motherfucking beat. Yeah,

0:28:46.800 --> 0:28:50.440
<v Speaker 1>the education programs wasn't that great, showing us how to write,

0:28:50.520 --> 0:28:53.280
<v Speaker 1>and the cursive program and all that was and shit,

0:28:53.520 --> 0:28:57.840
<v Speaker 1>But I know how to make this art look motherfucking nice.

0:28:58.400 --> 0:29:02.080
<v Speaker 1>Hip Hop is about take making whatever your circumstances are

0:29:02.800 --> 0:29:07.959
<v Speaker 1>and making it work and making it sexy, putting it

0:29:08.000 --> 0:29:11.960
<v Speaker 1>on with pride, and you will have motherfuckers that could

0:29:11.960 --> 0:29:15.840
<v Speaker 1>afford better being a part of it, just because you

0:29:16.080 --> 0:29:19.680
<v Speaker 1>carry it with such pride. And that's your fear for

0:29:19.760 --> 0:29:24.080
<v Speaker 1>a sex. She read her trauma, you know, niggas using

0:29:24.160 --> 0:29:26.760
<v Speaker 1>her whatever happened to her in her life that made

0:29:26.800 --> 0:29:30.200
<v Speaker 1>her feel like this ain't valuable. She still created a

0:29:30.240 --> 0:29:33.560
<v Speaker 1>sense of value, and no matter her circumstances, she walk

0:29:33.600 --> 0:29:37.040
<v Speaker 1>around pride being a motherfucker she is. That's what she's

0:29:37.040 --> 0:29:42.640
<v Speaker 1>supposed to do. That's what she's supposed to do. She'll

0:29:42.680 --> 0:29:45.360
<v Speaker 1>get exposed to more and everything else, a change in

0:29:45.440 --> 0:29:47.960
<v Speaker 1>her life, but she supposed to be proud of the

0:29:48.040 --> 0:29:51.480
<v Speaker 1>motherfucker she is. And you motherfuckers want her to walk

0:29:51.520 --> 0:29:57.200
<v Speaker 1>around with her head down. That's why I hate you, motherfuckers.

0:29:58.760 --> 0:30:01.160
<v Speaker 1>Y'all jealous of that sister, because she walk around with

0:30:01.160 --> 0:30:04.680
<v Speaker 1>her fucking head up. She comes from one of the

0:30:04.760 --> 0:30:08.920
<v Speaker 1>poorest places in this fucking country. She then made it out.

0:30:09.280 --> 0:30:14.640
<v Speaker 1>Whatever her circumstances is, whatever promission, whatever promiscuous lifestyle she

0:30:14.680 --> 0:30:17.200
<v Speaker 1>did is she didn't put together enough words and got

0:30:17.240 --> 0:30:19.480
<v Speaker 1>some dope beats and put her bread together. And she's

0:30:19.520 --> 0:30:22.680
<v Speaker 1>so proud of herself, and she proud of the motherfucker

0:30:22.760 --> 0:30:27.040
<v Speaker 1>she is. And y'all made Oh, she's showing she's she's

0:30:27.080 --> 0:30:31.400
<v Speaker 1>doing too much. She's talking about real life shit, shit

0:30:31.520 --> 0:30:36.680
<v Speaker 1>that really happens. And you so worried about your daughter

0:30:36.760 --> 0:30:39.480
<v Speaker 1>hearing that bitch, Get in your daughter life and be

0:30:39.600 --> 0:30:50.440
<v Speaker 1>her fucking parent, Be her parent, ber parent. You won't

0:30:50.480 --> 0:30:55.000
<v Speaker 1>have nothing to worry about. You worried about your son

0:30:55.320 --> 0:30:58.160
<v Speaker 1>hearing Snoop dogg Rap. You think he's gonna run to

0:30:58.200 --> 0:31:02.000
<v Speaker 1>the nearest crip neighborhood. If your son her Snoop and

0:31:02.080 --> 0:31:04.560
<v Speaker 1>he didn't live in a crip neighborhood, most likely he

0:31:04.680 --> 0:31:06.680
<v Speaker 1>not gonna run to the nearest neighborhood to be a

0:31:06.720 --> 0:31:10.040
<v Speaker 1>fucking crypt for rest is sure, Snoop, don't got nothing

0:31:10.040 --> 0:31:12.280
<v Speaker 1>to do with glasses. Look being a crypt because I

0:31:12.360 --> 0:31:15.720
<v Speaker 1>grew up in cryp neighborhoods. That's why I'm a crip,

0:31:15.760 --> 0:31:22.480
<v Speaker 1>because I'm from there. And if I'm wrong, then white

0:31:22.480 --> 0:31:25.680
<v Speaker 1>people would have crips in their neighborhood. They'd be all

0:31:25.760 --> 0:31:28.840
<v Speaker 1>crips and they'd be killing each other. The murder raider

0:31:29.000 --> 0:31:32.240
<v Speaker 1>be crazy. But you can't blame the same ghetto that's

0:31:32.240 --> 0:31:35.600
<v Speaker 1>spawning this lifestyle and then these niggas representing it as

0:31:35.640 --> 0:31:40.560
<v Speaker 1>these niggas the problem. That's just a fucking intellectually lazy argument,

0:31:41.440 --> 0:31:44.480
<v Speaker 1>and you don't want to face what's going on. It's

0:31:44.520 --> 0:31:48.280
<v Speaker 1>like blaming the motherfucking cough, not the virus, for why

0:31:48.360 --> 0:31:56.120
<v Speaker 1>you sick. Imagine blaming the cough, not the virus, for

0:31:56.240 --> 0:32:01.240
<v Speaker 1>why you sick. When you cough, when you sneeze, it's

0:32:01.280 --> 0:32:05.160
<v Speaker 1>your body relieving pressure. It's pressure building on inside, and

0:32:05.200 --> 0:32:08.920
<v Speaker 1>that shit, that cough, that sneeze, all that shit your

0:32:08.960 --> 0:32:17.280
<v Speaker 1>nose running is your body relieving fucking pressure. And instead

0:32:17.320 --> 0:32:20.240
<v Speaker 1>of trying to find a cure for the virus, y'all

0:32:20.240 --> 0:32:24.560
<v Speaker 1>spending time complaining and trying to make people suppress the symptoms.

0:32:28.760 --> 0:32:32.480
<v Speaker 1>That shit didn't starting nobody body first, that shit started outside.

0:32:32.760 --> 0:32:35.840
<v Speaker 1>It ain't like one motherfucker mutator of flu, and then

0:32:35.920 --> 0:32:38.560
<v Speaker 1>now it's spread it to everybody. No motherfucking the flu

0:32:38.680 --> 0:32:49.000
<v Speaker 1>existed and people got motherfucking infected by the flu. We

0:32:49.120 --> 0:32:51.960
<v Speaker 1>don't want to do the work. We don't want to

0:32:52.000 --> 0:32:56.080
<v Speaker 1>do the hard work. We want to take the easy routes,

0:32:56.400 --> 0:33:02.560
<v Speaker 1>out the easy routes. Oh, let's blame sexy read for

0:33:02.680 --> 0:33:05.520
<v Speaker 1>what's going on. Now, let's go back to the independent

0:33:05.560 --> 0:33:09.240
<v Speaker 1>Woman's Right movement, where women mistake what the fucking point was,

0:33:09.280 --> 0:33:12.120
<v Speaker 1>which was to get equal pay. Now they think they equal.

0:33:13.160 --> 0:33:17.240
<v Speaker 1>We don't want to never do the hard work, and

0:33:17.400 --> 0:33:24.320
<v Speaker 1>we always want to blame black people. It's always black people. Fuck. Oh,

0:33:24.360 --> 0:33:28.360
<v Speaker 1>it's black people. Fuck. It don't matter what happened. We could,

0:33:28.800 --> 0:33:31.800
<v Speaker 1>we could suffer three four hundred years of racism. It's

0:33:31.840 --> 0:33:40.720
<v Speaker 1>black people far for that. It's black people for it's

0:33:40.800 --> 0:33:50.240
<v Speaker 1>black people for It's just get crazier and crazier. I

0:33:50.280 --> 0:33:52.520
<v Speaker 1>don't know what the fuck we really be talking about.

0:33:55.440 --> 0:34:04.840
<v Speaker 1>So answer me this. If you genuinely believe that rap

0:34:04.960 --> 0:34:12.439
<v Speaker 1>music has this kind of influence, is Little Nasa gonna

0:34:12.480 --> 0:34:21.279
<v Speaker 1>make people gay as little Now? Is your son gonna

0:34:21.280 --> 0:34:24.319
<v Speaker 1>see Little nas X and think I want to suck

0:34:24.360 --> 0:34:33.279
<v Speaker 1>a dick? Do you think that? Like? How far does

0:34:33.320 --> 0:34:39.279
<v Speaker 1>this go? Is your son gonna see Drake and go

0:34:39.360 --> 0:34:41.920
<v Speaker 1>to his nearest synagogue and so he can have a

0:34:41.960 --> 0:34:54.840
<v Speaker 1>bar mitzvah? Is your son gonna see Kanye West and decide, okay,

0:34:54.880 --> 0:34:58.440
<v Speaker 1>you know what. I want to get my own shoe

0:34:58.440 --> 0:35:00.799
<v Speaker 1>with Adidas, and I'm go want to go to art

0:35:00.840 --> 0:35:05.160
<v Speaker 1>school and figure out, Like, why is it we always

0:35:05.200 --> 0:35:08.600
<v Speaker 1>focus on what's what we think we don't like about

0:35:08.640 --> 0:35:12.520
<v Speaker 1>the ghetto. What about the things we do like about

0:35:12.520 --> 0:35:14.680
<v Speaker 1>the ghetto? I don't know. I guess y'all don't like

0:35:14.719 --> 0:35:17.879
<v Speaker 1>it about the ghetto. I don't quite know no more.

0:35:19.400 --> 0:35:24.040
<v Speaker 1>I used to think I knew. I really thought I

0:35:24.080 --> 0:35:29.560
<v Speaker 1>had an idea, But y'all motherfucker's confusing the fuck out

0:35:29.560 --> 0:35:33.040
<v Speaker 1>of me. Every fucking day. It's always some new shit

0:35:33.080 --> 0:35:40.640
<v Speaker 1>with y'all. And I'm not talking to No Ceilings listeners.

0:35:41.239 --> 0:35:45.640
<v Speaker 1>I'm not talking to No Ceilings listeners. I'm talking to

0:35:45.680 --> 0:35:49.399
<v Speaker 1>all these motherfuckers who don't listen to No Ceilings, Because

0:35:49.440 --> 0:35:52.080
<v Speaker 1>if you listen to no ceilings. I know your motherfucking

0:35:52.160 --> 0:35:57.799
<v Speaker 1>mind is wide open, wide open, because the shit that

0:35:57.880 --> 0:36:00.919
<v Speaker 1>I be reading, the shit I learned, learn about all

0:36:01.440 --> 0:36:04.440
<v Speaker 1>the different materials. I read the Bible and talk about

0:36:04.440 --> 0:36:08.960
<v Speaker 1>it like it's a doctor Seus's book. So you gotta

0:36:09.040 --> 0:36:10.839
<v Speaker 1>have an open mind to be a fan of this

0:36:10.880 --> 0:36:15.399
<v Speaker 1>motherfucking podcast, because I'm gonna really pick it up. I'm

0:36:15.480 --> 0:36:17.640
<v Speaker 1>really gonna pick it up. I'm gonna pick up every book,

0:36:17.640 --> 0:36:20.560
<v Speaker 1>and I'm gonna read as much as possible. I'm gonna

0:36:20.560 --> 0:36:24.080
<v Speaker 1>approach everything I'm gonna read, think, talk to smarter people

0:36:24.080 --> 0:36:27.080
<v Speaker 1>about it, talk to people who don't know much about it,

0:36:27.160 --> 0:36:34.680
<v Speaker 1>and really put it together. I'm just at a disgusted

0:36:34.760 --> 0:36:37.879
<v Speaker 1>place that we keep really trying to blame hip hop

0:36:38.960 --> 0:36:44.960
<v Speaker 1>for the science, systemic oppression, lack of opportunity, you know

0:36:44.920 --> 0:36:47.760
<v Speaker 1>what I mean, enforce poverty that we've been dealing with forever.

0:36:47.840 --> 0:36:52.840
<v Speaker 1>But now that's over. I guess gentrification is not really happening.

0:36:53.520 --> 0:36:58.200
<v Speaker 1>There are tons of great jobs in the community, all

0:36:58.280 --> 0:37:00.879
<v Speaker 1>these things, just tons of great jobs in to getther,

0:37:01.000 --> 0:37:07.520
<v Speaker 1>we just don't want them. That must be what it is.

0:37:08.000 --> 0:37:12.040
<v Speaker 1>That's the only thing it could be. That's the only

0:37:12.160 --> 0:37:15.040
<v Speaker 1>motherfucking thing. It could be. None of this other shit

0:37:15.120 --> 0:37:21.000
<v Speaker 1>don't make sense. I just think we got to a

0:37:21.080 --> 0:37:25.239
<v Speaker 1>weird place when we could take we could blame this

0:37:25.640 --> 0:37:28.960
<v Speaker 1>twenty five, twenty six year old girl from Saint Louis

0:37:29.440 --> 0:37:34.719
<v Speaker 1>and treat her like she's the Antichrist. Look, you don't

0:37:34.719 --> 0:37:36.920
<v Speaker 1>gotta like her records, you don't even gotta like her

0:37:36.960 --> 0:37:42.959
<v Speaker 1>as a talent, but to pick up pitchforks and sit

0:37:43.040 --> 0:37:46.840
<v Speaker 1>around as but fucked on Twitter and condemn some motherfucking

0:37:46.880 --> 0:37:52.120
<v Speaker 1>body because this little goofy looking little kid, this little

0:37:52.160 --> 0:37:59.759
<v Speaker 1>goofy young lady, represent nothing special. She is not that,

0:38:00.200 --> 0:38:03.080
<v Speaker 1>she's not the coming of an end. The end is

0:38:03.120 --> 0:38:07.799
<v Speaker 1>not near because Sexy Red has a rap song describing

0:38:07.840 --> 0:38:12.879
<v Speaker 1>the fucking obvious. A pink vagina and a brown ain't

0:38:12.920 --> 0:38:21.239
<v Speaker 1>no hole that set you off? That set you off?

0:38:23.440 --> 0:38:28.120
<v Speaker 1>It's this much outrage over a girl talking about her

0:38:28.200 --> 0:38:31.840
<v Speaker 1>vagina is pink and her ain't no hole is brown.

0:38:32.160 --> 0:38:41.200
<v Speaker 1>This is what's setting y'all off. Y'all motherfuckers is crazy.

0:38:41.960 --> 0:38:49.080
<v Speaker 1>I'm either y'all crazy or I'm crazy one or the other.

0:38:51.080 --> 0:38:54.120
<v Speaker 1>And I know y'all be wanting me to think it's me,

0:38:56.520 --> 0:38:59.360
<v Speaker 1>but I'm the only motherfucker in the room that's sober.

0:39:02.920 --> 0:39:06.680
<v Speaker 1>I'm the only motherfucker in the room that's not running

0:39:06.760 --> 0:39:10.719
<v Speaker 1>from a problem. I'm not running to that. I'm not

0:39:10.840 --> 0:39:15.279
<v Speaker 1>running from a problem getting drunk, I'm not getting high.

0:39:15.560 --> 0:39:18.480
<v Speaker 1>I face every problem. If a nigga got a problem,

0:39:18.520 --> 0:39:24.399
<v Speaker 1>I pull up in front of him. Blaming Sexy Red

0:39:24.520 --> 0:39:27.200
<v Speaker 1>is like smoking crack and talking about the conditions of

0:39:27.239 --> 0:39:30.520
<v Speaker 1>the ghetto, or what's up with your body? Blaming Sexy

0:39:30.560 --> 0:39:41.160
<v Speaker 1>Red like sexy Red been out eight nine months? Max, y'all,

0:39:41.160 --> 0:39:48.840
<v Speaker 1>motherfucker's got to be crazy. Man, y'all, motherfucker's got to

0:39:48.920 --> 0:39:56.960
<v Speaker 1>be stone cold crazy. How many more things can we

0:39:57.040 --> 0:40:05.600
<v Speaker 1>really blame the art for? How many more things? Bro?

0:40:06.160 --> 0:40:10.040
<v Speaker 1>How much more accountable do you really want hip hop

0:40:10.080 --> 0:40:14.320
<v Speaker 1>to be for reflecting current conditions in the ghetto? Cuz

0:40:14.840 --> 0:40:22.600
<v Speaker 1>that's all I'm asking? Answer me that good looking out

0:40:22.600 --> 0:40:25.480
<v Speaker 1>For tuning into The Note Seller's podcast, Please do us

0:40:25.480 --> 0:40:28.840
<v Speaker 1>a favorite, subscribe, rate, comment, and share. This episode was

0:40:28.880 --> 0:40:31.399
<v Speaker 1>recorded right here on the West coast of the USA

0:40:31.480 --> 0:40:34.239
<v Speaker 1>and produced by my homeboy A King for the Black

0:40:34.239 --> 0:40:43.520
<v Speaker 1>Effect Podcast Network and Not Heard Radio. Yeah