Speaker 1: What's up? And welcome back to another episode of No
Speaker 1: Sealers podcast with your hosts now fuck that with your
Speaker 1: load glasses Malone. So it's been crazy, right, all this
Speaker 1: promo shit started, Nigga doing the promo run, making all
Speaker 1: the magic happen. That's the it don't stop. So I
Speaker 1: put out cancel these nuts. Six weeks ago, I went
Speaker 1: on a mad promo run to the East coast, right,
Speaker 1: brilliant idiots, breakfast club, horrible decisions, expert opinion, dash radio stuff,
Speaker 1: serious radio stuff. Shout out to Ron Mills, all my
Speaker 1: good people over there, see what's up. But stopped in Boston.
Speaker 1: Did the press up there? Promo up there? Shut out
Speaker 1: to my brother DJ ras Sheet and I come home
Speaker 1: and when I get home, obviously I do my run.
Speaker 1: So a lot of good, solid brothers on the West.
Speaker 1: That started all of these dope you know media platforms
Speaker 1: back on fig the community, my boy Pun Trail, a
Speaker 1: d mac wad. They just created like this really dope
Speaker 1: you know media kind of cipher and it's been unbelievable.
Speaker 1: Like right, that run has been crazy. The conversation has
Speaker 1: been crazy. One of the main conversations is that's that
Speaker 1: everybody's being stuck on is is Drake hip Hop? For
Speaker 1: twelve years, I ran around just to learn what records
Speaker 1: was about, just to learn what hip hop was about,
Speaker 1: just to learn what marketing was about. I literally decided
Speaker 1: I wasn't gonna even make money in this business because
Speaker 1: I felt like I didn't do enough to deserve it,
Speaker 1: Like it had already paid me millions of dollars and
Speaker 1: I didn't do enough to deserve it. So I committed
Speaker 1: to it, almost like a nun or something. Because going
Speaker 1: into like a church or you know how they pledged
Speaker 1: their life to Catholicism, That's how I pledged my existence
Speaker 1: to hip hop and understanding what was going on. And
Speaker 1: obviously I'm compelled to speak on it at another level
Speaker 1: because I literally sacrificed enough to have an opinion. I've
Speaker 1: done enough work. I've done the work to have an opinion. Now,
Speaker 1: how good I think my album is. It's not just
Speaker 1: the work itself. The reason I know my album is great, right,
Speaker 1: it's because I did the work. But then when you
Speaker 1: listen to the album and you know enough, minds tell
Speaker 1: you what it is, they confirm it. But I was confident,
Speaker 1: just like a boxer and training camp because I did
Speaker 1: all the hard work and training camp. I did all
Speaker 1: the hard work way before you heard the music. But
Speaker 1: it just made me have some interesting thoughts about hip
Speaker 1: hop that was different. And I noticed it's a movement
Speaker 1: of black people really blaming hip hop for everything right.
Speaker 1: And these same black people are some of the brothers
Speaker 1: that argue with me about this particular topic. Shout out
Speaker 1: to my Nigga Jobs intellectually petty. Intellectually petty radio A podcasts,
Speaker 1: y'all go look it up for some of YouTube, really
Speaker 1: intelligent brother from the Midwest from Detroit. And it made
Speaker 1: me think, and I think we've talked about this before
Speaker 1: with different people on those seilings, that term accountability. What
Speaker 1: is hip hop's accountability in the current status, like in
Speaker 1: the current state of the ghettos across America? How much
Speaker 1: is hip hop to blame? Jobs was saying to me.
Speaker 1: He thought Sexy Rare with Satan, and I'm like, this
Speaker 1: is this young twenty seven year old girl from Saint Louis, right,
Speaker 1: who obviously understands some marketing. Because even through all of
Speaker 1: the the marketing itself and the funniness itself of what's
Speaker 1: going on. Most women when they're trying to be sexy,
Speaker 1: the first thing they want to do is take off
Speaker 1: their glasses. This girl keeps her glasses on, doing the
Speaker 1: most ratchet shit in the world, acting like she's attempting
Speaker 1: to be sexy. I really think sexy Red is like
Speaker 1: a marketing savant because this motherfucker ain't took off her glasses.
Speaker 1: Wearing two pieces. You know, she could get contacts. She
Speaker 1: won't take off her glasses. Daisy Dupes splits ratchet, but
Speaker 1: she got her glasses on. It reminds me of Ice
Speaker 1: Spice and that orphan any wig. Ice Spice is like
Speaker 1: orphan any with ass when she wear that wig. Like
Speaker 1: their marketing savants. That whole generation under thirty, that generation,
Speaker 1: I don't know if it's Alpha, but that whichever generation
Speaker 1: it is, they're marketing savants. All these motherfuckers under thirty
Speaker 1: understand how they want you to see them, and they
Speaker 1: understand what you're gonna think about it. But back to
Speaker 1: the point he was saying, he felt sexy Rere was
Speaker 1: the satan, and I'm like, with all these Sam Smiths
Speaker 1: and people doing crazy shit on these award shows, endorsing
Speaker 1: the devil, you thought a black lady, a black young
Speaker 1: girl from fucking Saint Louis because she's a bit extra promiscuous,
Speaker 1: is satan? Like, she's satan. It's so it's not Generation Alpha,
Speaker 1: it's the millennials or generation Why. But I'm like, she's Satan.
Speaker 1: What is sexy Read really to blame for? At this point?
Speaker 1: What is she really to blame for? No, Siller's jail
Speaker 1: flying solo today, Ain't no auto pilot, ain't no co pilots.
Speaker 1: It's just me and y'all. So we're gonna pop this shit.
Speaker 1: But what is sexy Read really to blame for? At
Speaker 1: this point? Doug, is sexy Read the first hood rat
Speaker 1: girl in the communities? Is she inspiring women to be
Speaker 1: hood rats? Or is she a reflection that there is
Speaker 1: a promiscuous group of women that suffer from a level
Speaker 1: of trauma that makes them feel like they have ownership
Speaker 1: over certain things that you obviously are really rich and
Speaker 1: deep that they feel they have ownership over. Maybe they
Speaker 1: feel they have to claim ownership over it because in
Speaker 1: some of those situations, some of these people women molested
Speaker 1: and went through hell. So now they're trying to claim
Speaker 1: it to have some level of strength, But it's Sexy
Speaker 1: Red really inspiring a generation of women to be hood rats.
Speaker 1: Her biggest demographic is going to be middle class America.
Speaker 1: White women you feel me, that are in college, white
Speaker 1: women that live in the suburbs. Are is she gonna
Speaker 1: inspire them to get pregnant? Are white women gonna line
Speaker 1: up at the plant parenthood or at the clinic because
Speaker 1: they got STDs? Like Sexy Red rap about? Like, is
Speaker 1: there clinics gonna be overfilled with motherfucking women getting abortion?
Speaker 1: Like how much is hip hop really to blame? Like
Speaker 1: let's be for real, like we didne got so far
Speaker 1: out of the space of understand that systemic oppression is
Speaker 1: still currently going on, Like and we'll find ways to
Speaker 1: figure it out. We'll name it. If somebody get their
Speaker 1: ass killed by police and then the police get off,
Speaker 1: we'll see it be like, well that's different we act
Speaker 1: like one day we woke up and then the United
Speaker 1: States of America decided, well, we not gonna go hard
Speaker 1: on these niggas no more. So it must be these
Speaker 1: niggas fault at this point that they are a bit
Speaker 1: traumatized and react and develop confidence in even lower standards.
Speaker 1: It's sexy Red really to blame, Like, come on, man,
Speaker 1: like this shit is getting crazy. Look, you don't gotta
Speaker 1: like it, bro, I get it. You don't gotta like it.
Speaker 1: Maybe you have a daughter cause and you're like, I
Speaker 1: don't want my daughter to be sexy red. Bro, if
Speaker 1: you're in her life, she's not gonna be sexy red.
Speaker 1: Trust me, if you, as a father, are in her life,
Speaker 1: she is not gonna be sexy red. She is not
Speaker 1: gonna be sexy red. Sexy Reds issues are completely different.
Speaker 1: It's obviously it's obvious that girl been through a lot
Speaker 1: of shit. But the fact that we're blaming an artist
Speaker 1: painting a picture of something that exists in our communities
Speaker 1: and we like, well, she's gonna tell everybody else they
Speaker 1: didn't know hood rats existed. I saw people talking about
Speaker 1: are we celebrating sexy Red or sexy Red celebrating that
Speaker 1: promiscuous culture that people feel like she's a part of.
Speaker 1: And I'm like, what if her experiences is only fucking
Speaker 1: with crazy niggas because she live in the ghetto. You
Speaker 1: don't want people to know it's crazy Because I remember
Speaker 1: growing up and people like see the Lords Tucker blaming
Speaker 1: hip hop for what's going on in the ghetto, not
Speaker 1: the ghetto for what's going on in hip hop, because
Speaker 1: that would be too much like right. Instead, she's blaming
Speaker 1: hip hop for what's going on in the ghetto. Again,
Speaker 1: I say she was blaming hip hop for what's going
Speaker 1: on in the ghetto. She didn't blame what's going on
Speaker 1: in the ghetto on hip hop. I mean, excuse me.
Speaker 1: She didn't blame what's going on in hip hop on
Speaker 1: the ghetto. It was the other way around. The art
Speaker 1: was inspiring the community. So you got all of these grown,
Speaker 1: middle aged men acting like Sexy Red is some kind
Speaker 1: of unique character or her characters should be suppressed, even
Speaker 1: though most of y'all have pretty much dealt with a
Speaker 1: sexy Red, especially if you grew up where we grew
Speaker 1: up at. Maybe your baby mama is a sexy Red.
Speaker 1: Maybe you're the reason that sexy Red became sexy Red.
Speaker 1: It ain't like you niggas as waking up trying to
Speaker 1: wipe these women. You're trying to get some pussy. So
Speaker 1: if you're trying to get some pussy, and lord knows
Speaker 1: how hell bent we bet on trying to get some pussy,
Speaker 1: we'll lie, We'll do whatever it take. We'll break a
Speaker 1: woman's spirit just to get some pussy, and then when
Speaker 1: they mutate into sexy Red, we'll be like, well, I
Speaker 1: don't know what happened. And then we'll get older and
Speaker 1: really disassociate ourselves from those circumstances. And again, I say,
Speaker 1: if sexy Red is that influential, then why aren't these
Speaker 1: white women having the same exact problem. Why why the
Speaker 1: biggest supporter of hip hop is very much Middle American
Speaker 1: white people. Why why traditionally are they not changing? And
Speaker 1: then if you notice they're not changing, you're like, well,
Speaker 1: they're different. You know, they have this and that. You know,
Speaker 1: but it's affecting the ghetto or is the ghetto affecting
Speaker 1: the cheese a representation of it? This shit just sometimes
Speaker 1: is getting crazy, Like we have literally decided white people
Speaker 1: are not to blame, or we said we've blamed them enough,
Speaker 1: even though they had motherfuckers and slave for two three
Speaker 1: hundred years, four hundred years, We like, oh well this
Speaker 1: hundred years was enough to escape it. All I hear
Speaker 1: is hip hop's negative influence. All blame hip hop? Hip
Speaker 1: hop did this? Not the ghetto is inspiring hip hop,
Speaker 1: but hip hop is inspiring the ghetto. Well, let's talk
Speaker 1: about what the ghetto has done. Let's talk about ice Cube.
Speaker 1: Does anybody truly give ice Cube credit for creating three
Speaker 1: of the biggest comics in the last I don't know
Speaker 1: thirty years. Chris Tucker came from ice Cube, Mike Apps
Speaker 1: came from ice Cube. Cat Williams came from ice Cube.
Speaker 1: Everybody said, Chris Tucker made these big one hundred two,
Speaker 1: three four five hundred blockbuster million dollar films, three four
Speaker 1: five hundred dollars meal four five hundred million dollar films,
Speaker 1: and all that that came from some nigga in hip hop,
Speaker 1: some nigga that grew up in one to eleven South
Speaker 1: Central one eleven neighborhood crip created three of the ten
Speaker 1: biggest comics in the last thirty years. Hip hop did that.
Speaker 1: Hip hop did that. You don't have rush Hour without
Speaker 1: fucking ice Qube. You don't have a rush Hour. So
Speaker 1: you probably don't have Jackie Chan at this level without
Speaker 1: ice Q. Because Chris Tucker is the starter film, right,
Speaker 1: he's selling a film on a mainstream level. You don't
Speaker 1: have none of them rush Hours. So about I don't
Speaker 1: know a billion dollars worth of film franchise. You owe
Speaker 1: that to hip hop because some nigga who said fuck
Speaker 1: the police in eighty eight created a platform and motherfucking
Speaker 1: developed one of the biggest and most important film stars
Speaker 1: in the last motherfucking thirty years. You owe hip hop
Speaker 1: for that? How about? What is that a trade off
Speaker 1: of sexy read? You have Chris Tucker, Mike Apps. I
Speaker 1: can't go down to listen ship Mike Apps has contributed
Speaker 1: to that matter. Cat Williams, we all know how fucking
Speaker 1: unbelievable he is. That's Cat Williams. Fucking Cat Williams dog.
Speaker 1: But I was gonna give hip hop credit for that?
Speaker 1: Probably not, Probably fucking not. What about Terry Crews. Y'all
Speaker 1: love Terry Crews, y'all. That's y'all, motherfucking mad old Terry Crews.
Speaker 1: He was in training day, he was a backup person.
Speaker 1: Friday at the next was his moment to Shine. You
Speaker 1: owe that to Ice Q, You owe that to hip hop?
Speaker 1: You owe that to hip hop? Can hip hop get
Speaker 1: a thank you? You give it all the blame, all
Speaker 1: the fucking blame is hip hop. But where is all
Speaker 1: the fucking credit? A guy on Twitter Today asked me
Speaker 1: about Snoop Dogg. He said crips didn't exist in the
Speaker 1: Midwest until Snoop Dogg came out. Not the drug game
Speaker 1: where everybody from Los Angeles was going to these towns
Speaker 1: and setting up shot. Nope, the rap music, hip hop.
Speaker 1: And I do agree that Snoop reinforced the title crypts.
Speaker 1: He made people that was the first cryp. Most people
Speaker 1: really felt like they knew. He's by far the most
Speaker 1: popular crip of all time. It's pretty much it's fair
Speaker 1: to say he's the greatest cryp of all time. But
Speaker 1: he also defined it in his way. So while you're
Speaker 1: looking at Rocket from Colors and like, this is what
Speaker 1: crypts are about. Which in the movie Colors, maybe Rocket,
Speaker 1: you know, shout out to Don Cheto probably the greatest
Speaker 1: Black actor you know ever as far as just pure skills.
Speaker 1: I mean, I don't think he have the films of
Speaker 1: Denzel Washington or like my favorite actor, you know, Samuel Jackson,
Speaker 1: but just pure pound for pound awesome acting. Don Cheetoh
Speaker 1: was probably the best one as far as Black actors go.
Speaker 1: Maybe him a Forest Whitaker, but you know what I'm saying,
Speaker 1: It's like Snoop is he didn't let Colors tell you
Speaker 1: what cripping was about. So while you were looking at
Speaker 1: the film Colors or the film dough Boy, you know,
Speaker 1: excuse me boys in the Hood with Doe Boy, or
Speaker 1: or the Wren's take character, Oh Dog, you mess, Snoop,
Speaker 1: and Snoop showed you how diverse a cryp can be,
Speaker 1: because that's how most crips are. Just like Snoop. Some
Speaker 1: have jobs, some go to school, some most raised their family,
Speaker 1: most get married, most of them are productive members in society. Eventually,
Speaker 1: they may start off in these ghettos, having to earn
Speaker 1: how they earn, But just like my older homie Pluck,
Speaker 1: they'll figure out their way. They'll be owning trucks and
Speaker 1: driving trucks, or like my older homie Moon, they'll be
Speaker 1: having tow trucks and running motorcycle clubs and monetizing social lifestyles.
Speaker 1: Or they'll be like my ogi homie Shady, who can
Speaker 1: pull apart of hardy and put it back together, engine, frame, wheels, everything,
Speaker 1: or like my homeboy Boom, my older homie Boo and
Speaker 1: put together cars and he knows how to paint them
Speaker 1: and bring cars back to life. After they've been salvaged.
Speaker 1: Just because Hollywood tried to tell you what crips was,
Speaker 1: you ran to everybody else like, this is what crips was.
Speaker 1: And then you met Snoop. It Snoop showed you everything
Speaker 1: cribs could be. It made the whole world fall in
Speaker 1: love with crips. That's what hip hop does. Hip hop
Speaker 1: shows you how the ghetto party, how the ghetto parties.
Speaker 1: That's where hip hop started at as far as the music,
Speaker 1: it started as a party. When we celebrated the fiftieth year.
Speaker 1: The address they put on that flyer fifteen to twenty
Speaker 1: segwich that project. You were going to a party. It
Speaker 1: was a hip hop. My dad and the generation they
Speaker 1: called a party a hop and you know what hip is.
Speaker 1: Hip is cool. It was the way the ghetto party.
Speaker 1: We are the cool kids. The way we write right,
Speaker 1: that's tagging. The way we dance, that's breaking, the way
Speaker 1: we take the music and make our own thing right,
Speaker 1: that's a breakbeat. And then we can't sing. We wasn't
Speaker 1: professional trained singers, So guess what we rap? Shout out
Speaker 1: to Joe Text, shout out to the watch poets. DJ's
Speaker 1: existed before hip hop they did. They existed before hip hop.
Speaker 1: This goal had DJ's, radio had DJ's, but they didn't
Speaker 1: do it the way we did it. They didn't do
Speaker 1: it the way the cool kids did it. So it
Speaker 1: looks like we created all of this stuff because we're
Speaker 1: so fucking cool in these ghettos that when we start
Speaker 1: doing stuff, everybody does stuff like it. But you know what,
Speaker 1: it's not the ghetto that does stuff like it, it's
Speaker 1: Middle America that does stuff like it. So I'm almost
Speaker 1: starting to believe Middle America is not as mad at
Speaker 1: hip as the people that are black people. It's almost
Speaker 1: like it's more ridicule from middle class and wealthy black
Speaker 1: people or successful black people on poor people. I don't
Speaker 1: even think they really believe in systemic oppression because they're successful.
Speaker 1: I think this is a greater problem. I genuinely think
Speaker 1: this is a greater problem. I think this is a
Speaker 1: greater problem. I've heard people tell me hip hop, oh,
Speaker 1: it was created to solve problems. And then I had
Speaker 1: great conversations with Crazy Legs and other founding fathers, and
Speaker 1: they was like, man, we were stick of kids. They
Speaker 1: were telling me they were criminals. The Black Spades are
Speaker 1: pretty much the founder of hip hop. That's a gang
Speaker 1: in the runs. So when people blame Snoop Dogg, like, oh, well,
Speaker 1: you know, crips didn't exist in the Midwest before Snoop Dogg,
Speaker 1: just because you retitled gangs. Gangs existed in the Midwest
Speaker 1: before Snoop Dogg. Violence existed in the Midwest before Snoop Dogg.
Speaker 1: All of these things existed. But because you put the
Speaker 1: new name Crips on there, like, the violence is magnified. Oh,
Speaker 1: the violence has to be crazier. I just don't get it.
Speaker 1: I really don't get it. Forty years ago, we understood
Speaker 1: systemic oppression, you know, we understood poverty, like that type
Speaker 1: of economic hardship was responsible for the way people acted
Speaker 1: in the ghetto. The fashion is the fashion because people
Speaker 1: were deprived of economics, and six pair of dickeys cost
Speaker 1: fifty dollars, seven pair of checks of chuck all start.
Speaker 1: You know, converts cost fifty dollars. T shirts were undershirts.
Speaker 1: They were cheap. So people mom didn't have money, but
Speaker 1: they wanted to make sure their kids had new clothes,
Speaker 1: so they went down to HP Huntington Park and bought
Speaker 1: them new clothes. You get six pair of pants for
Speaker 1: fifty dollars, six pair of shoes for fifty dollars, different
Speaker 1: colored shirts for fifty dollars, and you have enough for
Speaker 1: a whole school year. So your mentality is, we should
Speaker 1: have been sad because our circumstances. We should have been sad.
Speaker 1: We shouldn't find a sense of pride. That's what hip
Speaker 1: hop is. It's that pride of no matter how bad
Speaker 1: our circumstances are, we still find pride to exist. We
Speaker 1: still make it look good. We're gonna put big crease,
Speaker 1: a big crease, and those six pans for fifty dollars,
Speaker 1: we're gonna wear it with pride, and we're gonna wear
Speaker 1: it so fucking awesome that everybody else who could afford
Speaker 1: better wants to wear them. That's what hip hop is.
Speaker 1: You know what else is like that? Soul food? Soul
Speaker 1: food is just like that. It was the slops that
Speaker 1: the master threw back there, the worst of the vegetables,
Speaker 1: the worst of everything we cooked. That shit so fired
Speaker 1: that they start coming back to the back house trying
Speaker 1: to eat. Now they have gourmet restaurants selling soul food,
Speaker 1: slave food, not black food. Slave food. Hip hop is
Speaker 1: slave food. It's when you find a sense of pride
Speaker 1: no matter the circumstance, and you put that pride on
Speaker 1: so motherfucking thick cuz that the world be like, Damn,
Speaker 1: that shit looks nice. It's like an ugly bitch with
Speaker 1: too much confidence. The ugliest woman could get the best
Speaker 1: man if she but makes her if she believes in herself,
Speaker 1: it convinces him that she thinks she the shit. You
Speaker 1: a fool of motherfucker. I knew a girl that was
Speaker 1: like that to me. This motherfucker was ugly, but she
Speaker 1: acted like she was fine and had me kind of
Speaker 1: have fast convinced. I started to want to take the
Speaker 1: bit child. I have to get my thoughts together. That's
Speaker 1: what hip hop is. It's finding a sense of pride
Speaker 1: no matter the circumstances you are put in. Yeah, you
Speaker 1: can't learn. They don't got no band programs. They took
Speaker 1: all the band programs away. Well guess what, I'm gonna
Speaker 1: take the break of this record the drum loop, and
Speaker 1: I'm gonna loot this motherfucker over and over again. Then
Speaker 1: I don't know how to sing, but I know how
Speaker 1: to put my thoughts together and make the motherfuckers rhyme.
Speaker 1: They didn't give me no professional dance lesson. But I
Speaker 1: know what this beat is telling me. I see all
Speaker 1: these breaks, so let me break just like this motherfucking beat. Yeah,
Speaker 1: the education programs wasn't that great, showing us how to write,
Speaker 1: and the cursive program and all that was and shit,
Speaker 1: But I know how to make this art look motherfucking nice.
Speaker 1: Hip Hop is about take making whatever your circumstances are
Speaker 1: and making it work and making it sexy, putting it
Speaker 1: on with pride, and you will have motherfuckers that could
Speaker 1: afford better being a part of it, just because you
Speaker 1: carry it with such pride. And that's your fear for
Speaker 1: a sex. She read her trauma, you know, niggas using
Speaker 1: her whatever happened to her in her life that made
Speaker 1: her feel like this ain't valuable. She still created a
Speaker 1: sense of value, and no matter her circumstances, she walk
Speaker 1: around pride being a motherfucker she is. That's what she's
Speaker 1: supposed to do. That's what she's supposed to do. She'll
Speaker 1: get exposed to more and everything else, a change in
Speaker 1: her life, but she supposed to be proud of the
Speaker 1: motherfucker she is. And you motherfuckers want her to walk
Speaker 1: around with her head down. That's why I hate you, motherfuckers.
Speaker 1: Y'all jealous of that sister, because she walk around with
Speaker 1: her fucking head up. She comes from one of the
Speaker 1: poorest places in this fucking country. She then made it out.
Speaker 1: Whatever her circumstances is, whatever promission, whatever promiscuous lifestyle she
Speaker 1: did is she didn't put together enough words and got
Speaker 1: some dope beats and put her bread together. And she's
Speaker 1: so proud of herself, and she proud of the motherfucker
Speaker 1: she is. And y'all made Oh, she's showing she's she's
Speaker 1: doing too much. She's talking about real life shit, shit
Speaker 1: that really happens. And you so worried about your daughter
Speaker 1: hearing that bitch, Get in your daughter life and be
Speaker 1: her fucking parent, Be her parent, ber parent. You won't
Speaker 1: have nothing to worry about. You worried about your son
Speaker 1: hearing Snoop dogg Rap. You think he's gonna run to
Speaker 1: the nearest crip neighborhood. If your son her Snoop and
Speaker 1: he didn't live in a crip neighborhood, most likely he
Speaker 1: not gonna run to the nearest neighborhood to be a
Speaker 1: fucking crypt for rest is sure, Snoop, don't got nothing
Speaker 1: to do with glasses. Look being a crypt because I
Speaker 1: grew up in cryp neighborhoods. That's why I'm a crip,
Speaker 1: because I'm from there. And if I'm wrong, then white
Speaker 1: people would have crips in their neighborhood. They'd be all
Speaker 1: crips and they'd be killing each other. The murder raider
Speaker 1: be crazy. But you can't blame the same ghetto that's
Speaker 1: spawning this lifestyle and then these niggas representing it as
Speaker 1: these niggas the problem. That's just a fucking intellectually lazy argument,
Speaker 1: and you don't want to face what's going on. It's
Speaker 1: like blaming the motherfucking cough, not the virus, for why
Speaker 1: you sick. Imagine blaming the cough, not the virus, for
Speaker 1: why you sick. When you cough, when you sneeze, it's
Speaker 1: your body relieving pressure. It's pressure building on inside, and
Speaker 1: that shit, that cough, that sneeze, all that shit your
Speaker 1: nose running is your body relieving fucking pressure. And instead
Speaker 1: of trying to find a cure for the virus, y'all
Speaker 1: spending time complaining and trying to make people suppress the symptoms.
Speaker 1: That shit didn't starting nobody body first, that shit started outside.
Speaker 1: It ain't like one motherfucker mutator of flu, and then
Speaker 1: now it's spread it to everybody. No motherfucking the flu
Speaker 1: existed and people got motherfucking infected by the flu. We
Speaker 1: don't want to do the work. We don't want to
Speaker 1: do the hard work. We want to take the easy routes,
Speaker 1: out the easy routes. Oh, let's blame sexy read for
Speaker 1: what's going on. Now, let's go back to the independent
Speaker 1: Woman's Right movement, where women mistake what the fucking point was,
Speaker 1: which was to get equal pay. Now they think they equal.
Speaker 1: We don't want to never do the hard work, and
Speaker 1: we always want to blame black people. It's always black people. Fuck. Oh,
Speaker 1: it's black people. Fuck. It don't matter what happened. We could,
Speaker 1: we could suffer three four hundred years of racism. It's
Speaker 1: black people far for that. It's black people for it's
Speaker 1: black people for It's just get crazier and crazier. I
Speaker 1: don't know what the fuck we really be talking about.
Speaker 1: So answer me this. If you genuinely believe that rap
Speaker 1: music has this kind of influence, is Little Nasa gonna
Speaker 1: make people gay as little Now? Is your son gonna
Speaker 1: see Little nas X and think I want to suck
Speaker 1: a dick? Do you think that? Like? How far does
Speaker 1: this go? Is your son gonna see Drake and go
Speaker 1: to his nearest synagogue and so he can have a
Speaker 1: bar mitzvah? Is your son gonna see Kanye West and decide, okay,
Speaker 1: you know what. I want to get my own shoe
Speaker 1: with Adidas, and I'm go want to go to art
Speaker 1: school and figure out, Like, why is it we always
Speaker 1: focus on what's what we think we don't like about
Speaker 1: the ghetto. What about the things we do like about
Speaker 1: the ghetto? I don't know. I guess y'all don't like
Speaker 1: it about the ghetto. I don't quite know no more.
Speaker 1: I used to think I knew. I really thought I
Speaker 1: had an idea, But y'all motherfucker's confusing the fuck out
Speaker 1: of me. Every fucking day. It's always some new shit
Speaker 1: with y'all. And I'm not talking to No Ceilings listeners.
Speaker 1: I'm not talking to No Ceilings listeners. I'm talking to
Speaker 1: all these motherfuckers who don't listen to No Ceilings, Because
Speaker 1: if you listen to no ceilings. I know your motherfucking
Speaker 1: mind is wide open, wide open, because the shit that
Speaker 1: I be reading, the shit I learned, learn about all
Speaker 1: the different materials. I read the Bible and talk about
Speaker 1: it like it's a doctor Seus's book. So you gotta
Speaker 1: have an open mind to be a fan of this
Speaker 1: motherfucking podcast, because I'm gonna really pick it up. I'm
Speaker 1: really gonna pick it up. I'm gonna pick up every book,
Speaker 1: and I'm gonna read as much as possible. I'm gonna
Speaker 1: approach everything I'm gonna read, think, talk to smarter people
Speaker 1: about it, talk to people who don't know much about it,
Speaker 1: and really put it together. I'm just at a disgusted
Speaker 1: place that we keep really trying to blame hip hop
Speaker 1: for the science, systemic oppression, lack of opportunity, you know
Speaker 1: what I mean, enforce poverty that we've been dealing with forever.
Speaker 1: But now that's over. I guess gentrification is not really happening.
Speaker 1: There are tons of great jobs in the community, all
Speaker 1: these things, just tons of great jobs in to getther,
Speaker 1: we just don't want them. That must be what it is.
Speaker 1: That's the only thing it could be. That's the only
Speaker 1: motherfucking thing. It could be. None of this other shit
Speaker 1: don't make sense. I just think we got to a
Speaker 1: weird place when we could take we could blame this
Speaker 1: twenty five, twenty six year old girl from Saint Louis
Speaker 1: and treat her like she's the Antichrist. Look, you don't
Speaker 1: gotta like her records, you don't even gotta like her
Speaker 1: as a talent, but to pick up pitchforks and sit
Speaker 1: around as but fucked on Twitter and condemn some motherfucking
Speaker 1: body because this little goofy looking little kid, this little
Speaker 1: goofy young lady, represent nothing special. She is not that,
Speaker 1: she's not the coming of an end. The end is
Speaker 1: not near because Sexy Red has a rap song describing
Speaker 1: the fucking obvious. A pink vagina and a brown ain't
Speaker 1: no hole that set you off? That set you off?
Speaker 1: It's this much outrage over a girl talking about her
Speaker 1: vagina is pink and her ain't no hole is brown.
Speaker 1: This is what's setting y'all off. Y'all motherfuckers is crazy.
Speaker 1: I'm either y'all crazy or I'm crazy one or the other.
Speaker 1: And I know y'all be wanting me to think it's me,
Speaker 1: but I'm the only motherfucker in the room that's sober.
Speaker 1: I'm the only motherfucker in the room that's not running
Speaker 1: from a problem. I'm not running to that. I'm not
Speaker 1: running from a problem getting drunk, I'm not getting high.
Speaker 1: I face every problem. If a nigga got a problem,
Speaker 1: I pull up in front of him. Blaming Sexy Red
Speaker 1: is like smoking crack and talking about the conditions of
Speaker 1: the ghetto, or what's up with your body? Blaming Sexy
Speaker 1: Red like sexy Red been out eight nine months? Max, y'all,
Speaker 1: motherfucker's got to be crazy. Man, y'all, motherfucker's got to
Speaker 1: be stone cold crazy. How many more things can we
Speaker 1: really blame the art for? How many more things? Bro?
Speaker 1: How much more accountable do you really want hip hop
Speaker 1: to be for reflecting current conditions in the ghetto? Cuz
Speaker 1: that's all I'm asking? Answer me that good looking out
Speaker 1: For tuning into The Note Seller's podcast, Please do us
Speaker 1: a favorite, subscribe, rate, comment, and share. This episode was
Speaker 1: recorded right here on the West coast of the USA
Speaker 1: and produced by my homeboy A King for the Black
Speaker 1: Effect Podcast Network and Not Heard Radio. Yeah