WEBVTT - Dana Al Meer

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<v Speaker 1>Hello everyone, and welcome to a very special return episode

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<v Speaker 1>of Inside the Studio. My name's Jordan Roundag good enough

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<v Speaker 1>about me Today, we're thrilled to be coming to you

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<v Speaker 1>live from the twenty twenty six Web Summit conference in Doha, Guitar.

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<v Speaker 1>Our journey to this warm and welcoming country has been

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<v Speaker 1>unforgettably fascinating as we've shared ideas about cutting edge technology.

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<v Speaker 1>I've even had the opportunity to meet a robot or

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<v Speaker 1>two on this trip. But it also gave us the

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<v Speaker 1>opportunity to re examine the things that make us deeply human,

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<v Speaker 1>and one of those things is music. It's something that

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<v Speaker 1>crosses all generations and cultures. I was extremely eager to

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<v Speaker 1>speak to a notable musician from the region, and my

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<v Speaker 1>host delivered in a major way. I was so happy

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<v Speaker 1>to spend some time with Donna Almir, who's being hailed

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<v Speaker 1>as the first Katari musical superstar. As we'll discuss in

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<v Speaker 1>the episode, musical superstardom is a relatively new phenomenon over here.

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<v Speaker 1>She was tapped to perform with the opening and closing

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<v Speaker 1>ceremonies at the twenty twenty two World Cup, which was

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<v Speaker 1>hosted in Qatar, and just last year she was chosen

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<v Speaker 1>to represent her country at the inner Vision competition I

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<v Speaker 1>think Eurovision, but not in Europe. And when she's not

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<v Speaker 1>performing for a global audience of millions, Donna serves as

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<v Speaker 1>director at the music Lab Qutar, where she helps young

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<v Speaker 1>singers find their voice. She's a cultural ambassador, a pioneer,

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<v Speaker 1>a filmmaker, a teacher.

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<v Speaker 2>One of my favorite guests we've ever had.

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<v Speaker 1>I hope you enjoy our conversation, Donna, thank you so

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<v Speaker 1>much for taking time out of your incredibly busy schedule

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<v Speaker 1>to be here at Web Summit twenty twenty six.

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<v Speaker 3>I'm excited.

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<v Speaker 2>I have never seen anything like this. I have seen

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<v Speaker 2>things here today in the past couple days that I

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<v Speaker 2>have never seen in my entire life.

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<v Speaker 1>I've seen robot dogs, I've seen robot humans. What's the

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<v Speaker 1>craziest thing that you've seen here?

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<v Speaker 3>Garlic tech?

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<v Speaker 2>What is garlic tech?

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<v Speaker 3>I actually don't know what it is. What it passed by?

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<v Speaker 3>Definitely something about technology. But I was like, I'll definitely

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<v Speaker 3>be allergic to that. I'm allergic to garlic.

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<v Speaker 2>I've never met anyone allergic to garlic.

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<v Speaker 3>A vampire dude.

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<v Speaker 2>Wow. Yeah, Okay, that is good. Well, thank you for

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<v Speaker 2>coming out during the day. Then, I know that's very difficult.

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<v Speaker 3>Yeah, it is. It is with the sun. Oh gosh,

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<v Speaker 3>too much.

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<v Speaker 2>Well, so much. I want to ask you about with

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<v Speaker 2>your music.

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<v Speaker 1>When you were selected by a Qatar's Ministry of Culture

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<v Speaker 1>to represent the country at innervision, that is a huge,

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<v Speaker 1>huge honor and a huge responsibility.

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<v Speaker 2>What did that responsibility mean to you personally?

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<v Speaker 3>To be honest, it means the world. I've never believed

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<v Speaker 3>actually in competition for art in general and for voices,

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<v Speaker 3>because I believe that voices are different, your voice different,

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<v Speaker 3>depend on your body and mind is different. So I

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<v Speaker 3>cannot compare you unless you're out of pitch.

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<v Speaker 2>Of course, teaching.

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<v Speaker 3>What's that comparing exact exactly? So for me, going to

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<v Speaker 3>intervision was something else. At the beginning, I was a

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<v Speaker 3>bit scared, like, really, maybe I won't like it, maybe

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<v Speaker 3>it's going to be a bit of let's say political,

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<v Speaker 3>And at the end of the day it was something else.

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<v Speaker 3>I've met twenty two people from different countries and we

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<v Speaker 3>appreciated our culture differences, we appreciated our talent, and we

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<v Speaker 3>became all friends. Until today we text each other we

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<v Speaker 3>post for each other, people from Serbia, from Belarus, from Brazil,

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<v Speaker 3>from everywhere, and of course people from Saudi and the

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<v Speaker 3>United Arab Emirates. It's fantastic. Was in a beautiful experience.

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<v Speaker 3>I enjoyed it so much. And to be honest, being

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<v Speaker 3>there in Russia representing Katar was a different experience where

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<v Speaker 3>I've never been to Russia in my life.

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<v Speaker 2>Oh wow.

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<v Speaker 3>And they literally showed us their culture. Since the minute

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<v Speaker 3>I landed, they were like, eat the bread and I

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<v Speaker 3>don't know aletrogy and I was like, I don't know

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<v Speaker 3>anything about it, but that's cool. And they've been asking

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<v Speaker 3>me and interview me. It was really really good. To

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<v Speaker 3>be honest, it's fantastic.

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<v Speaker 2>That's why I feel about being here. I've never been

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<v Speaker 2>to Daha before.

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<v Speaker 3>And how is your experience?

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<v Speaker 2>Everybody has been so eager to share amazing in the

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<v Speaker 2>nicest way, and that's been so wonderful to experience.

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<v Speaker 3>I'm so glad that people showed themselves to you go

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<v Speaker 3>and you felt this way. That's amazing because it was

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<v Speaker 3>all about giving and sharing and it is it feels warm.

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<v Speaker 3>I feel warm in my country whenever we travel. I

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<v Speaker 3>just want to come back went home. I need Yeah,

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<v Speaker 3>it is my home. So yeah.

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<v Speaker 2>There was a really cute moment at the end of

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<v Speaker 2>when you performed at Inner Vision where you were presented

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<v Speaker 2>with a I can never say, they're going to laugh

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<v Speaker 2>at me, bala laca.

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<v Speaker 3>Well, I was surprised because a lot of the things

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<v Speaker 3>we've done, we were rehearsed to do certain things. Oh

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<v Speaker 3>that wasn't really it's no, it was all real. But

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<v Speaker 3>they tell you they're gonna come now and ask you

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<v Speaker 3>about this. For example, answer it's not necessarily the same

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<v Speaker 3>answer I answer every time, but it's something that they're

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<v Speaker 3>going to ask you about this. So when they came

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<v Speaker 3>to me during the show, they knew that I wanted

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<v Speaker 3>to buy a guitar because I love guitars. I love

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<v Speaker 3>guitar so much.

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<v Speaker 2>I want to ask you about that. I love guitar.

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<v Speaker 3>Yeah, Oh my god. The funny moment at the show,

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<v Speaker 3>it was so funny because I was I mentioned that

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<v Speaker 3>I didn't have cash because in Russia you don't have cash.

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<v Speaker 2>Oh I didn't.

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<v Speaker 3>You don't have I mean you don't have a credit card.

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<v Speaker 3>You cannot use your cared card, but you need you

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<v Speaker 3>need cash all the time. So I saw a guitar.

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<v Speaker 3>It was a Fender. I guess it was a Stellar

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<v Speaker 3>Caster and it was purple Lavender.

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<v Speaker 2>I like that, very prince very.

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<v Speaker 3>And it was from the nineties, oh class, so it

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<v Speaker 3>was classic and I was like, how much is that?

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<v Speaker 3>It was like nineteen thousand reals. I was like, what.

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<v Speaker 2>Cash on me?

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<v Speaker 3>I want it. I couldn't get it. I couldn't get it.

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<v Speaker 3>Was amazing. And I said that in the interview, and

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<v Speaker 3>then suddenly they pull out something to give and I

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<v Speaker 3>was I was literally in tears. I was like, I

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<v Speaker 3>don't know what to say. I screamed. I had a

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<v Speaker 3>picture of my mouth open. It's so funny.

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<v Speaker 1>So what are some of your favorite guitars that you have?

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<v Speaker 1>I love guitars, just the shapes, the colors, the looks.

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<v Speaker 1>I play a little bit, but mostly I just think

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<v Speaker 1>they're beautiful objects. What are some of your favorite ones

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<v Speaker 1>that you have stories behind them?

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<v Speaker 3>Well? I usually like the classical ones. I just grab

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<v Speaker 3>it and just play with it. It it's better. But

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<v Speaker 3>nowadays I'm learning more of how to play guitar, even

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<v Speaker 3>to start like comprovising stuff and other than just parkodes.

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<v Speaker 3>And it's been really hectic so I need to like

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<v Speaker 3>remove the nails. Yeah, so it's always whenever I have

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<v Speaker 3>a show. When I was just like, I'm gonna put

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<v Speaker 3>my nails on, and then I removed them for it,

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<v Speaker 3>so I can never grow my nails ever. We're girls.

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<v Speaker 2>Friend of man he had I don't know the term,

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<v Speaker 2>like acrylic nails that he put on his fingers. They

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<v Speaker 2>weren't his real nails, so they could do the finger.

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<v Speaker 3>Picures you you need because if you're not using a pick,

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<v Speaker 3>some people rely on their nails. But for me, no,

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<v Speaker 3>I will play it with my fingers. I'm not that

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<v Speaker 3>good though, but I better. Yeah, I sing better than

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<v Speaker 3>the playing. But I'm learning.

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<v Speaker 2>I'm learning.

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<v Speaker 4>Well.

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<v Speaker 2>Performed an original song, yeah, I mean, can you tell

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<v Speaker 2>me about how you chose to perform it?

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<v Speaker 1>There?

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<v Speaker 2>What the message was?

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<v Speaker 3>So it was written by a Palestinian writer his name

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<v Speaker 3>is Atam Dan and the one who produced the melody

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<v Speaker 3>and the music was Peter his Albanese based in California.

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<v Speaker 3>I think I worked with both of them and it's

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<v Speaker 3>been amazing. When we did the song, originally it was

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<v Speaker 3>for an athlete, Mattez Basham for the Olympics. What do

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<v Speaker 3>you call it? The jumper, long jump, I think the

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<v Speaker 3>long jump yet it was I think it's his last participation.

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<v Speaker 3>So we created the song for him. And then when

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<v Speaker 3>we were traveling to intervision, I was like, I want

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<v Speaker 3>to perform it, but I want to add another because

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<v Speaker 3>they we had like a time they wanted three minutes,

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<v Speaker 3>so it's like, okay, let me add another section. Like

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<v Speaker 3>at first and it was fantastic, it became much more

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<v Speaker 3>about because it's called hua antet anti. It means this

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<v Speaker 3>is you, and it speaks about how you achieved dreams

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<v Speaker 3>and how hard to do that. And your road is

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<v Speaker 3>not all like flowers and and and and and lala land,

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<v Speaker 3>but at the same time, you work hard to reach

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<v Speaker 3>what you want and you have a home. You are

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<v Speaker 3>in every home it says bait and bait and bait,

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<v Speaker 3>and so you are repeating the word home, home, home,

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<v Speaker 3>and then alban Alban means heart, and that's what it says.

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<v Speaker 3>And then and the other chorus you say hell, hell, hell,

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<v Speaker 3>it means fly high. So it was it was something

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<v Speaker 3>else and and what I loved about performing Athansrivision that

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<v Speaker 3>I was with my I'm not going to call them students.

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<v Speaker 3>I'm going to call them my talent that I usually

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<v Speaker 3>have with me in music lab and they came all

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<v Speaker 3>along with me. I had a thirteen year old and

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<v Speaker 3>at intervision. They loved the diversity of nationalities that I

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<v Speaker 3>had with me. So I had a Filipino, a Lebanese

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<v Speaker 3>and then a Malaysian, a violinist that was the youngest,

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<v Speaker 3>and then an Indian and a Sudani guy. And then

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<v Speaker 3>the management. We had my Palestinian friends also with me.

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<v Speaker 3>The management and the talent coordinator and the social media department.

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<v Speaker 3>She was ato with us. It was something else. It

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<v Speaker 3>was a beautiful experience.

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<v Speaker 2>They're going to be friends the rest of their lives.

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<v Speaker 2>These people from all over the world I met when

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<v Speaker 2>they were kids at this event. That's unforgettable event, and

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<v Speaker 2>that's beautiful, I know, bonding through art. You're talking about

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<v Speaker 2>how that song's about working hard and flying high and achieving.

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<v Speaker 2>When you first were getting involved with music, what did

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<v Speaker 2>success look like to you.

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<v Speaker 3>Well, my story is something else. I don't know if

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<v Speaker 3>you know that I'm the first Ratari singer in Don't

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<v Speaker 3>Have That was a challenge actually to come from a

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<v Speaker 3>very conservative family that doesn't believe actually that this is

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<v Speaker 3>something that you should do. It's a sin, it's something

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<v Speaker 3>forbidden for a woman to do. And I've always felt

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<v Speaker 3>like I have something to fight for and to say

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<v Speaker 3>that and not necessary. If I'm a singer, it means

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<v Speaker 3>I'm somebody who's doing something wrong or sing about something wrong,

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<v Speaker 3>or what am I singing for? So when I started

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<v Speaker 3>at the World Cup, I used to do things like

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<v Speaker 3>a long time ago behind the scenes, but yeah, in general,

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<v Speaker 3>it was something else. Doing the World Cup and coming

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<v Speaker 3>out at the World Cup. It showed my talent and

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<v Speaker 3>at the same time, I wasn't eighteen. I was like

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<v Speaker 3>thirty five, thirty four. I was an adult. I know

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<v Speaker 3>what am I doing. So it was a challenge. But

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<v Speaker 3>at the same time I did not expect that much

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<v Speaker 3>of support it from the community because I thought that

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<v Speaker 3>they might have a problem with that. But at the

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<v Speaker 3>end of the day, it was something else. Let's say

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<v Speaker 3>the fight from the family. It's still there. They don't

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<v Speaker 3>like it, but I feel like I'm fighting against the

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<v Speaker 3>idea of I'm not gonna be corrupted, I'm not gonna

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<v Speaker 3>do anything wrong, And part of that made me feel

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<v Speaker 3>like this is the successful part of it, to show

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<v Speaker 3>that this is what I'm doing, and I'm not. My

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<v Speaker 3>intention is not to be rich or famous for any

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<v Speaker 3>of that. I'm doing it because I love it. I

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<v Speaker 3>love standing a stage. I love singing, that's all. And

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<v Speaker 3>it's like making people believe that you can do it

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<v Speaker 3>with all those restrictions. With me wearing my abbai and

0:11:38.800 --> 0:11:41.000
<v Speaker 3>my shila, I haven't changed even the way I wear

0:11:41.040 --> 0:11:44.200
<v Speaker 3>my shaila on stage. And sometimes while I'm singing. I

0:11:44.240 --> 0:11:47.679
<v Speaker 3>remember I had this performance in front of her Excellency

0:11:48.679 --> 0:11:51.319
<v Speaker 3>Delani and I was singing. While I was singing, I

0:11:51.360 --> 0:11:54.600
<v Speaker 3>was singing the same song and while I was singing

0:11:54.600 --> 0:11:56.640
<v Speaker 3>my shad, I was going down, down down. I was like,

0:11:57.120 --> 0:11:58.800
<v Speaker 3>I was like, I was slinging the guitar and I

0:11:58.880 --> 0:12:01.640
<v Speaker 3>was like, I paused the song and I was like,

0:12:01.720 --> 0:12:03.760
<v Speaker 3>just a second, let me fix my sheila. And I

0:12:03.800 --> 0:12:07.080
<v Speaker 3>fixed it, and I said, that's when when when a

0:12:07.160 --> 0:12:10.360
<v Speaker 3>singer and a guitarist is a hi jaby and I

0:12:10.440 --> 0:12:14.480
<v Speaker 3>started laughing and I continued this song after with so

0:12:15.440 --> 0:12:17.199
<v Speaker 3>I feel like, this is my identity, this is who

0:12:17.200 --> 0:12:19.440
<v Speaker 3>I am, and that's what I'm that's what I want

0:12:19.440 --> 0:12:22.720
<v Speaker 3>to do, even that's what I do with the talents

0:12:22.800 --> 0:12:25.320
<v Speaker 3>and the students. That comes my way through music club.

0:12:26.160 --> 0:12:28.400
<v Speaker 2>But it's your voice is such a primal thing, you know,

0:12:28.440 --> 0:12:31.720
<v Speaker 2>I mean, it's the direct way to communicate. What would

0:12:31.760 --> 0:12:36.040
<v Speaker 2>you say when you were having conversations with people who

0:12:36.480 --> 0:12:38.280
<v Speaker 2>they simply put didn't want you to sing? I mean,

0:12:38.280 --> 0:12:40.640
<v Speaker 2>what would would your response speed to them?

0:12:41.120 --> 0:12:44.559
<v Speaker 3>Well, to be honest, I never asked for permission.

0:12:45.080 --> 0:12:46.240
<v Speaker 2>I love that that's.

0:12:46.080 --> 0:12:50.600
<v Speaker 3>One and I was scared by myself of what is

0:12:50.640 --> 0:12:54.480
<v Speaker 3>the reaction is going to be? And then I was like,

0:12:54.640 --> 0:12:56.800
<v Speaker 3>if I believe that I'm not wrong and I'm not

0:12:56.800 --> 0:13:00.160
<v Speaker 3>doing anything wrong, then eventually people will see that. My

0:13:00.280 --> 0:13:03.400
<v Speaker 3>parents will see that, my brothers will see that. I

0:13:03.400 --> 0:13:06.680
<v Speaker 3>don't think they do. But they're quiet, but they don't

0:13:06.760 --> 0:13:09.720
<v Speaker 3>like it. But they're quiet. They're not supporting. Like, for example,

0:13:09.960 --> 0:13:13.120
<v Speaker 3>I finished the World Cup, came home, everybody asleep, nobody

0:13:13.160 --> 0:13:16.320
<v Speaker 3>cheered me up. It was a huge achievement and nothing

0:13:16.400 --> 0:13:18.679
<v Speaker 3>even inter vision, nothing. My mom went with me to

0:13:18.760 --> 0:13:21.920
<v Speaker 3>Russia and she was extremely proud. So I have the

0:13:22.000 --> 0:13:25.040
<v Speaker 3>support of my mom. But the rest of the small

0:13:25.040 --> 0:13:29.200
<v Speaker 3>family the home, like dad, brothers, they're not very happy

0:13:29.240 --> 0:13:31.480
<v Speaker 3>about it. But it's okay, it's fine. They have their

0:13:31.480 --> 0:13:34.040
<v Speaker 3>own reasons. Of course, I understand as much as I

0:13:34.080 --> 0:13:36.920
<v Speaker 3>want them to understand that I'm not there to make

0:13:36.960 --> 0:13:40.200
<v Speaker 3>them feel shy of what I'm doing or disrespect them

0:13:40.320 --> 0:13:42.800
<v Speaker 3>or any of that. I'm doing it because I really

0:13:43.200 --> 0:13:46.280
<v Speaker 3>like to do it, and with a lot of restrictions,

0:13:46.800 --> 0:13:50.000
<v Speaker 3>like I don't work with anybody, I don't sing for anybody.

0:13:50.559 --> 0:13:53.439
<v Speaker 3>A lot of singers go to sing weddings and say,

0:13:53.600 --> 0:13:56.360
<v Speaker 3>I don't do any of that. Pure the art that

0:13:56.440 --> 0:14:00.240
<v Speaker 3>I choose myself with the people I choose myself, which

0:14:00.240 --> 0:14:02.280
<v Speaker 3>I think that's unique and cool.

0:14:02.480 --> 0:14:06.080
<v Speaker 2>Yeah, oh yeah, you can cool anywhere. That's like, yeah,

0:14:06.080 --> 0:14:07.360
<v Speaker 2>that's very rare.

0:14:07.600 --> 0:14:10.160
<v Speaker 3>I think that's the thing. And I remember during the

0:14:10.200 --> 0:14:13.440
<v Speaker 3>World Cup, the FIFA car used to come inside the house,

0:14:13.880 --> 0:14:17.319
<v Speaker 3>pick me up and go. It was it was really scary,

0:14:17.640 --> 0:14:19.840
<v Speaker 3>but it was fun. It was something else and I

0:14:19.920 --> 0:14:23.920
<v Speaker 3>surprise everybody. I surprised everybody during the World Cup.

0:14:35.200 --> 0:14:37.160
<v Speaker 2>This is a question that I did not write down.

0:14:37.160 --> 0:14:39.720
<v Speaker 2>I hadn't thought of until just this moment talking to you,

0:14:39.800 --> 0:14:42.200
<v Speaker 2>and I'm trying to figure out the best way to

0:14:42.320 --> 0:14:44.640
<v Speaker 2>articulate it. And it's probably in the simplest way, but

0:14:44.640 --> 0:14:47.280
<v Speaker 2>it's a big question. What does singing mean to you?

0:14:47.600 --> 0:14:49.920
<v Speaker 2>Is that something that you're able to share? Because I

0:14:49.920 --> 0:14:51.920
<v Speaker 2>am not a singer, but I am a creative person

0:14:51.960 --> 0:14:54.320
<v Speaker 2>and I know that feeling that urged you have something

0:14:54.360 --> 0:14:55.840
<v Speaker 2>in you that you want to get out of you.

0:14:56.080 --> 0:15:00.120
<v Speaker 3>That's a very interesting question because I never thought of it,

0:15:00.160 --> 0:15:03.000
<v Speaker 3>but I do remember that I used to. I always

0:15:03.040 --> 0:15:04.600
<v Speaker 3>ask my students, why do you sing?

0:15:04.720 --> 0:15:06.840
<v Speaker 2>Well, that's me ask you then, and how do.

0:15:06.880 --> 0:15:10.160
<v Speaker 3>I feel when I sing? It's exactly similar to when

0:15:10.160 --> 0:15:13.360
<v Speaker 3>we speak, when you see things, when you touch things.

0:15:13.440 --> 0:15:17.400
<v Speaker 3>It's something that I naturally do. I don't know, it's

0:15:17.440 --> 0:15:19.920
<v Speaker 3>not something that I'm training myself to do. It's just

0:15:19.960 --> 0:15:23.720
<v Speaker 3>it came just like that. I just love singing. I

0:15:23.760 --> 0:15:27.880
<v Speaker 3>think when I sing, I connect with people, I can

0:15:27.960 --> 0:15:31.920
<v Speaker 3>deliver my emotions. I can be myself when I sing.

0:15:32.360 --> 0:15:35.560
<v Speaker 3>It's part of who I am. You cannot meet anybody,

0:15:35.640 --> 0:15:39.880
<v Speaker 3>even before me becoming famous, that I sing. Whenever they're like,

0:15:39.880 --> 0:15:41.760
<v Speaker 3>oh you have a beautiful voice, I was like, oh,

0:15:41.840 --> 0:15:44.720
<v Speaker 3>thank you. So it's something that it's there. And I

0:15:44.760 --> 0:15:48.560
<v Speaker 3>do believe if somebody was meant to sing, they'll never stop.

0:15:49.200 --> 0:15:52.200
<v Speaker 3>It's different than people who comes and train themselves because

0:15:52.240 --> 0:15:54.640
<v Speaker 3>they want to be able to sing when you are

0:15:54.720 --> 0:15:57.320
<v Speaker 3>born with it. You're born with it. It's within, it's

0:15:57.320 --> 0:15:59.720
<v Speaker 3>with your heartbeat. Your rhythm is with your heartbeat.

0:16:00.280 --> 0:16:01.160
<v Speaker 2>You know that's beautiful.

0:16:01.240 --> 0:16:03.600
<v Speaker 1>Yeah, I mean I want to talk more about the

0:16:03.600 --> 0:16:05.360
<v Speaker 1>work you do with the Music Lab. Can you talk

0:16:05.400 --> 0:16:07.760
<v Speaker 1>more about what that organization is and what they do

0:16:07.840 --> 0:16:08.560
<v Speaker 1>and your role in it.

0:16:08.760 --> 0:16:12.960
<v Speaker 3>So Music Lab. I never thought that it will happen

0:16:13.000 --> 0:16:16.240
<v Speaker 3>this way ever in my life. It's something that I

0:16:16.280 --> 0:16:18.840
<v Speaker 3>had in the back of my head, similar to actually

0:16:18.880 --> 0:16:21.720
<v Speaker 3>singing the World Cup. They asked me, have you ever

0:16:21.800 --> 0:16:23.640
<v Speaker 3>dreamed about any of this? So I was like no,

0:16:24.200 --> 0:16:26.880
<v Speaker 3>But suddenly, while I was in an interview, I remembered

0:16:26.960 --> 0:16:29.920
<v Speaker 3>a scene when I was ten year old watching Ricky

0:16:29.960 --> 0:16:32.880
<v Speaker 3>Martin singing the World Cup and I was sitting with

0:16:33.120 --> 0:16:35.840
<v Speaker 3>my cousin and I was listening to him. I was like,

0:16:35.840 --> 0:16:39.560
<v Speaker 3>he's out of tune sometimes, and I was thinking this way,

0:16:39.800 --> 0:16:41.240
<v Speaker 3>and I was like, I looked at her. I was like,

0:16:41.360 --> 0:16:44.040
<v Speaker 3>I'm going to be there one day and she was like, yeah, right.

0:16:44.960 --> 0:16:48.760
<v Speaker 3>I swear she's four years older than me. And I

0:16:48.880 --> 0:16:53.000
<v Speaker 3>remember I remember literally saying this, and I never had

0:16:53.040 --> 0:16:56.200
<v Speaker 3>it in mind, and when it happened, it was like this,

0:16:57.000 --> 0:16:59.480
<v Speaker 3>and then suddenly I remembered it while I was in

0:16:59.800 --> 0:17:03.200
<v Speaker 3>an actually radio interview, and I was like, I can't

0:17:03.200 --> 0:17:06.720
<v Speaker 3>believe it. Literally, I said this long time ago, so

0:17:06.760 --> 0:17:09.560
<v Speaker 3>I kind of manifested music club. On the other hand,

0:17:09.560 --> 0:17:13.240
<v Speaker 3>have always wanted to do an experience similar to a

0:17:13.280 --> 0:17:15.879
<v Speaker 3>program that we used to watch on a libit on

0:17:16.080 --> 0:17:19.400
<v Speaker 3>TV channel, Cold Star Academy, where they bring a bunch

0:17:19.400 --> 0:17:22.160
<v Speaker 3>of talents, they trained them and then they put them

0:17:22.200 --> 0:17:24.879
<v Speaker 3>on show and then they do I think stuff like

0:17:25.200 --> 0:17:27.240
<v Speaker 3>the training, but for me, the training part was the

0:17:27.240 --> 0:17:31.679
<v Speaker 3>most important thing. So I wanted to because I'm originally

0:17:31.720 --> 0:17:34.560
<v Speaker 3>a filmmaker. I love film as much as I love music,

0:17:34.920 --> 0:17:38.800
<v Speaker 3>but I stopped film for a while now. Since twenty eighteen,

0:17:39.640 --> 0:17:43.280
<v Speaker 3>I had an idea of gathering underground singers from the

0:17:43.320 --> 0:17:49.200
<v Speaker 3>age of twelve till thirty or thirty five musicians and singers,

0:17:49.640 --> 0:17:52.960
<v Speaker 3>and I trained them for a three nights show for

0:17:53.040 --> 0:17:56.280
<v Speaker 3>the film Festival. Don't have Film Institute a festival called

0:17:56.280 --> 0:17:59.160
<v Speaker 3>the GIA now a change in to do have Film Festival,

0:18:00.119 --> 0:18:02.840
<v Speaker 3>which is last year, and I wanted to train those

0:18:02.920 --> 0:18:05.640
<v Speaker 3>kids to sing on stage, to find their own voices,

0:18:05.840 --> 0:18:09.720
<v Speaker 3>sing different songs that they've never experienced before in all languages.

0:18:10.080 --> 0:18:12.840
<v Speaker 3>So the first night was about films, like songs and

0:18:12.880 --> 0:18:15.480
<v Speaker 3>scores from films, and then the second night will be

0:18:15.480 --> 0:18:18.560
<v Speaker 3>about worldwide, so we sing in Hindi, in Japanese and

0:18:18.680 --> 0:18:23.960
<v Speaker 3>Korean Arabic English, name the language, and then the third

0:18:24.080 --> 0:18:27.040
<v Speaker 3>night would be Geek the Them, which is Geek Them

0:18:27.080 --> 0:18:31.000
<v Speaker 3>is a community event and celebration the Qatari version of

0:18:31.240 --> 0:18:35.800
<v Speaker 3>come a con Okay basically Geek Them. They had a

0:18:35.880 --> 0:18:38.720
<v Speaker 3>karaokium and I used to go there and close the

0:18:38.720 --> 0:18:41.320
<v Speaker 3>doors and tell them you're not allowed to record me

0:18:41.359 --> 0:18:43.880
<v Speaker 3>otherwise people's live will be in danger. And they never

0:18:43.920 --> 0:18:45.439
<v Speaker 3>filmed me. And I used to sing, and then I

0:18:45.520 --> 0:18:47.439
<v Speaker 3>was like, you guys are oh aut of tune. I

0:18:47.480 --> 0:18:49.880
<v Speaker 3>hate it. I want to have a show on stage

0:18:49.960 --> 0:18:54.080
<v Speaker 3>that sings all those cartoon songs and video games beautifully.

0:18:54.280 --> 0:18:56.440
<v Speaker 2>What songs did you sing? I have to ask.

0:18:57.080 --> 0:18:59.119
<v Speaker 3>I used to I used to sing part of That

0:18:59.160 --> 0:19:04.159
<v Speaker 3>World to Mermaid it's my favorite. And Once upon a

0:19:04.200 --> 0:19:07.760
<v Speaker 3>December and a Stasia that's one of my favorite too,

0:19:08.200 --> 0:19:09.840
<v Speaker 3>So I used to sing that all the time. And

0:19:09.880 --> 0:19:13.159
<v Speaker 3>there's another ones because they're all songs that were dubbed

0:19:13.160 --> 0:19:17.520
<v Speaker 3>into Arabic from Japanese cartoon. It's a huge community that

0:19:17.600 --> 0:19:22.160
<v Speaker 3>people do every year for how many years now, imagine.

0:19:22.520 --> 0:19:25.600
<v Speaker 3>So I took that concept and I created a Geekdom

0:19:25.760 --> 0:19:28.440
<v Speaker 3>night that has all the cartoons played with the band,

0:19:28.880 --> 0:19:34.320
<v Speaker 3>a rock band, imagine. I love it. And every time

0:19:34.560 --> 0:19:38.720
<v Speaker 3>I do this training for three months, two and a

0:19:38.760 --> 0:19:41.679
<v Speaker 3>half month to three teaching all those kids how to

0:19:41.680 --> 0:19:43.280
<v Speaker 3>be on stage and how to sing and how to

0:19:43.320 --> 0:19:48.400
<v Speaker 3>trust themselves. Their parents are extremely happy with the results.

0:19:49.040 --> 0:19:52.080
<v Speaker 3>Some of them now graduated from universities and they're back

0:19:52.119 --> 0:19:55.240
<v Speaker 3>to perform with me or work with me, which is

0:19:55.600 --> 0:19:57.480
<v Speaker 3>hot warming to be honest.

0:19:57.359 --> 0:19:59.600
<v Speaker 2>How does that feel for you? That must best watching

0:20:00.080 --> 0:20:00.920
<v Speaker 2>tree grow that you.

0:20:00.880 --> 0:20:04.280
<v Speaker 3>Can exactly and it's only eight years. It's not much,

0:20:04.480 --> 0:20:07.240
<v Speaker 3>you know, it's not much. But if they were there

0:20:07.240 --> 0:20:10.280
<v Speaker 3>when they were fifteen, now they're twenty one, and it's

0:20:10.280 --> 0:20:13.639
<v Speaker 3>something else. It's beautiful. It's me giving them part of me.

0:20:14.040 --> 0:20:17.240
<v Speaker 3>Because I haven't studied music. I'm teaching them what I've

0:20:17.320 --> 0:20:20.960
<v Speaker 3>learned through all these years. How I trained my voice,

0:20:21.280 --> 0:20:23.520
<v Speaker 3>which they trust me because they see me on tune.

0:20:23.680 --> 0:20:26.160
<v Speaker 3>They see that when I perform, I deliver, and that's

0:20:26.160 --> 0:20:28.920
<v Speaker 3>what I give them. And I love it. I enjoy it.

0:20:29.359 --> 0:20:31.399
<v Speaker 2>How did you train yourself self taught?

0:20:31.760 --> 0:20:31.840
<v Speaker 1>In?

0:20:31.880 --> 0:20:35.120
<v Speaker 3>What ways did you do as a singer. My instrument

0:20:35.200 --> 0:20:39.119
<v Speaker 3>is also my ear, so I train myself to listen

0:20:39.320 --> 0:20:42.000
<v Speaker 3>and part of what I do. I used to study

0:20:42.080 --> 0:20:48.000
<v Speaker 3>Japanese when I was eighteen till let's say twenty seven.

0:20:48.640 --> 0:20:53.639
<v Speaker 2>So many talents and Japanese translation.

0:20:53.800 --> 0:20:56.680
<v Speaker 3>I haven't spoke Japanese for a while, but I never

0:20:56.800 --> 0:20:58.800
<v Speaker 3>forgot what my teacher used to tell me my sons.

0:20:58.920 --> 0:21:02.199
<v Speaker 3>He used to say, Japanese people will never understand the

0:21:02.200 --> 0:21:05.280
<v Speaker 3>way you speak, so you need to pronounce the words

0:21:05.359 --> 0:21:09.360
<v Speaker 3>exactly the same way they pronounce it. So for example,

0:21:09.400 --> 0:21:12.399
<v Speaker 3>I cannot say computer. They won't to understand. You need

0:21:12.440 --> 0:21:17.159
<v Speaker 3>to see computer. And I'm like okay. So part of

0:21:17.280 --> 0:21:20.399
<v Speaker 3>our lesson we would have a three hours or four

0:21:20.400 --> 0:21:25.199
<v Speaker 3>hours class as it's a school day. One hour we

0:21:25.280 --> 0:21:29.560
<v Speaker 3>would have a day of listening to conversations in Japanese

0:21:29.920 --> 0:21:32.240
<v Speaker 3>and we have to copy it. And it was called

0:21:32.400 --> 0:21:36.359
<v Speaker 3>shadow wingo, so we shadow what we hear. So I

0:21:36.520 --> 0:21:39.120
<v Speaker 3>use this technique to teach them how to sing.

0:21:39.880 --> 0:21:40.440
<v Speaker 2>Fascinating.

0:21:40.520 --> 0:21:43.800
<v Speaker 3>So if we are learning something in Japanese or learning

0:21:43.840 --> 0:21:47.040
<v Speaker 3>something in Hindi or in Arabic for Indian people or

0:21:47.560 --> 0:21:51.000
<v Speaker 3>non Arabic speakers. That's what we do shadow ingo.

0:21:51.160 --> 0:21:54.320
<v Speaker 2>That's so funny. You mentioned that I had a teacher once.

0:21:54.440 --> 0:21:56.800
<v Speaker 2>I was a music teacher, and he used to love

0:21:56.840 --> 0:22:01.240
<v Speaker 2>to record conversations and he leaves fast by the musicality

0:22:01.280 --> 0:22:05.280
<v Speaker 2>in people's voices, the rising and fall back, and then

0:22:05.280 --> 0:22:08.040
<v Speaker 2>he would try to transpose it to different ins usually

0:22:08.119 --> 0:22:11.240
<v Speaker 2>string instruments because you could get in between you. Yes,

0:22:12.000 --> 0:22:14.600
<v Speaker 2>it was a fascinating man and I was always so

0:22:14.680 --> 0:22:16.480
<v Speaker 2>interested to hear him talk about that. But that's so

0:22:16.560 --> 0:22:18.960
<v Speaker 2>interesting to hear that. That's the approach you used too.

0:22:19.040 --> 0:22:21.080
<v Speaker 3>Wow, that would be It would be funny if you

0:22:21.119 --> 0:22:22.840
<v Speaker 3>see how we train them. I put the speaker in

0:22:22.880 --> 0:22:26.200
<v Speaker 3>the middle and they form a circle and they walk,

0:22:27.000 --> 0:22:29.600
<v Speaker 3>and then they have to match the rhythm. They have

0:22:29.720 --> 0:22:32.760
<v Speaker 3>to match even the breath when they sing. To match,

0:22:33.320 --> 0:22:37.160
<v Speaker 3>I always tell them to copy but not paste. So copy,

0:22:37.400 --> 0:22:40.680
<v Speaker 3>but don't paste it because I want your voice now,

0:22:41.040 --> 0:22:43.520
<v Speaker 3>So don't copy the singer. I don't want to hear

0:22:43.560 --> 0:22:47.040
<v Speaker 3>another Tailor Swift. That's Taylor Swift. I love her as

0:22:47.119 --> 0:22:49.439
<v Speaker 3>she is. I don't want another version of her. I

0:22:49.480 --> 0:22:52.600
<v Speaker 3>want you as yourself, you know what I mean.

0:22:53.600 --> 0:22:56.360
<v Speaker 2>That's very funny you mentioned this. When I was younger,

0:22:56.760 --> 0:22:58.639
<v Speaker 2>I was afraid to sing, but I wanted to be

0:22:58.720 --> 0:23:02.000
<v Speaker 2>in that. We did plays and shows and theatrical productions

0:23:02.000 --> 0:23:03.640
<v Speaker 2>in my school, and I wanted to be a part

0:23:03.640 --> 0:23:06.879
<v Speaker 2>of it. I was afraid to sing, and so to

0:23:06.960 --> 0:23:09.720
<v Speaker 2>try to get through that, I said, I'm going to

0:23:09.880 --> 0:23:12.200
<v Speaker 2>learn how to imitate a singer. I'm not really gonna sing,

0:23:12.200 --> 0:23:15.200
<v Speaker 2>I'm gonna do what a singer does. Whatever I thought

0:23:15.240 --> 0:23:19.440
<v Speaker 2>that was, and so I to this day. I love

0:23:19.560 --> 0:23:22.000
<v Speaker 2>music with all my heart. It's my biggest passion in life.

0:23:22.080 --> 0:23:25.320
<v Speaker 2>I don't make it myself, but I can imitate a singer.

0:23:26.000 --> 0:23:28.040
<v Speaker 2>What would you say? I mean, I mean, I imagine

0:23:28.040 --> 0:23:29.600
<v Speaker 2>it's what you would tell your students. What would you

0:23:29.640 --> 0:23:31.520
<v Speaker 2>say to someone like me who has a hard time

0:23:31.560 --> 0:23:35.679
<v Speaker 2>actually accessing their own being themselves singing?

0:23:35.960 --> 0:23:38.719
<v Speaker 3>I used to tell people like I don't know if

0:23:38.720 --> 0:23:43.080
<v Speaker 3>this is right when it comes to proper voice training,

0:23:44.480 --> 0:23:46.800
<v Speaker 3>but I hear me when I speak, and if I'm

0:23:46.840 --> 0:23:50.920
<v Speaker 3>speaking like this, still I'm still singing and I can talk.

0:23:51.359 --> 0:23:53.879
<v Speaker 3>It's the same voice, and if I want to change it,

0:23:53.920 --> 0:23:56.040
<v Speaker 3>I can, you know, what I mean. I can still

0:23:56.040 --> 0:23:59.040
<v Speaker 3>sing and I speak with the same tone, with the

0:23:59.080 --> 0:24:02.840
<v Speaker 3>same exture of voice. You know what I mean? Do

0:24:02.880 --> 0:24:03.199
<v Speaker 3>you get me?

0:24:03.440 --> 0:24:05.800
<v Speaker 2>But I feel like that's rare, though maybe I'm wrong.

0:24:05.960 --> 0:24:07.480
<v Speaker 2>I feel like that's a unique given.

0:24:07.960 --> 0:24:12.159
<v Speaker 3>There are some people who sounds. There was this this singer.

0:24:12.280 --> 0:24:15.400
<v Speaker 3>She was I think of the American idol if I'm

0:24:15.400 --> 0:24:18.959
<v Speaker 3>not sure, And she had a very squeezy voice, and

0:24:19.000 --> 0:24:24.440
<v Speaker 3>then suddenly when she sings, her voice becomes normal. That's interesting,

0:24:24.480 --> 0:24:29.560
<v Speaker 3>which I was questioning, what is that. That's yeah, that's weird.

0:24:30.200 --> 0:24:32.560
<v Speaker 3>I speak like that, but when I swing like this,

0:24:32.600 --> 0:24:35.320
<v Speaker 3>it's weird. It was like, can I have her for

0:24:35.359 --> 0:24:38.359
<v Speaker 3>a minute. I just want to Probably it's just like

0:24:39.680 --> 0:24:42.920
<v Speaker 3>just an experiment I want to see. But if you're

0:24:42.960 --> 0:24:47.120
<v Speaker 3>going to buy a guitar, both are acoustic, this one

0:24:47.359 --> 0:24:51.600
<v Speaker 3>is Yamaha and this one is Yamaha, Okay, both of them.

0:24:51.640 --> 0:24:55.359
<v Speaker 3>Both guitars are the same. They don't sound the same

0:24:56.080 --> 0:24:59.760
<v Speaker 3>because the body is different. So your body is different

0:24:59.760 --> 0:25:02.920
<v Speaker 3>than my, Your body is different than a charin, So

0:25:03.000 --> 0:25:04.720
<v Speaker 3>his voice is going to be his and your voice

0:25:04.800 --> 0:25:07.800
<v Speaker 3>is going to be yours. Some people sometimes look like

0:25:07.840 --> 0:25:11.280
<v Speaker 3>each other. God creates people that looks like We say

0:25:11.400 --> 0:25:14.600
<v Speaker 3>that God creates forty people that looks alike in the world.

0:25:15.840 --> 0:25:20.359
<v Speaker 4>It's something that we say here, it's something that they

0:25:20.760 --> 0:25:25.119
<v Speaker 4>say that creates forty people that has the same like

0:25:25.240 --> 0:25:26.560
<v Speaker 4>they're a bit similar.

0:25:26.320 --> 0:25:28.600
<v Speaker 3>To You can see people you're like, huh, he looks

0:25:28.640 --> 0:25:31.280
<v Speaker 3>like tailors to it, she looks like talors, and they

0:25:31.320 --> 0:25:34.520
<v Speaker 3>do the comparison usually social media that people look alike,

0:25:35.280 --> 0:25:39.479
<v Speaker 3>you know what I mean. But voices can be also

0:25:40.200 --> 0:25:44.680
<v Speaker 3>like similar. But you would definitely say there's something there's

0:25:44.720 --> 0:25:49.159
<v Speaker 3>a characteristic What is the cool thing about having the

0:25:49.200 --> 0:25:53.359
<v Speaker 3>same person's voice or look and which people now at

0:25:53.359 --> 0:25:57.920
<v Speaker 3>the moment are copying. I want to look like that,

0:25:58.080 --> 0:25:59.560
<v Speaker 3>and I want to look like her, and I want

0:25:59.560 --> 0:26:03.760
<v Speaker 3>to look like him, which is weird. Then you're not unique. Yeah,

0:26:03.880 --> 0:26:06.240
<v Speaker 3>you need to be yourself. And I keep telling the

0:26:06.320 --> 0:26:09.479
<v Speaker 3>student to be yourself and show who you are because

0:26:09.640 --> 0:26:12.000
<v Speaker 3>you will have something that nobody else has. But you

0:26:12.040 --> 0:26:14.080
<v Speaker 3>need to find it within you and you need to

0:26:14.160 --> 0:26:18.080
<v Speaker 3>work hard for it, otherwise it's wasted time. You know.

0:26:18.800 --> 0:26:21.640
<v Speaker 2>It's an expression in the United States, be yourself.

0:26:21.680 --> 0:26:29.760
<v Speaker 3>Everybody else is taken exactly well, yeah, taken, somebody.

0:26:29.440 --> 0:26:31.920
<v Speaker 2>Else is filled. Those positions are all filled. Be yourself.

0:26:32.960 --> 0:26:35.560
<v Speaker 2>I agree, well, I don't want to take up too

0:26:35.600 --> 0:26:38.280
<v Speaker 2>much more of your time. But my last question for

0:26:38.400 --> 0:26:41.399
<v Speaker 2>people who I love music with all my heart and

0:26:41.400 --> 0:26:44.320
<v Speaker 2>I'm always fascinated to learn more about music and discover

0:26:44.440 --> 0:26:47.080
<v Speaker 2>new music. For people who are just discovering music of

0:26:47.119 --> 0:26:50.439
<v Speaker 2>this region, do you have any recommendations of either artists

0:26:50.520 --> 0:26:52.800
<v Speaker 2>or types of music to check out, or specific songs.

0:26:52.880 --> 0:26:55.919
<v Speaker 2>Any direction would be greatly appreciated.

0:26:56.040 --> 0:27:01.399
<v Speaker 3>Nowadays, I do believe that there are no much identity

0:27:01.640 --> 0:27:06.600
<v Speaker 3>and music. Everybody is similar to somebody else. So the

0:27:06.680 --> 0:27:10.399
<v Speaker 3>Arabs would sound like Indians, Indians would sound like Americans,

0:27:10.480 --> 0:27:13.520
<v Speaker 3>Americans would sound like Asian Koreans. You know what I mean.

0:27:13.560 --> 0:27:16.720
<v Speaker 3>It's like it's a mix of everything because everybody is

0:27:16.800 --> 0:27:20.160
<v Speaker 3>now closer to each other because of Internet and traveling

0:27:20.160 --> 0:27:20.640
<v Speaker 3>and all that.

0:27:20.760 --> 0:27:22.640
<v Speaker 2>It's a global society exactly.

0:27:22.720 --> 0:27:25.600
<v Speaker 3>But what I would suggest listen to songs that they

0:27:25.640 --> 0:27:30.320
<v Speaker 3>were created back in the days from the nineties, eighties, seventies, sixties.

0:27:30.359 --> 0:27:32.200
<v Speaker 2>That's my anyway, that's your.

0:27:32.040 --> 0:27:34.200
<v Speaker 3>Era, that's the air that we like to listen to music.

0:27:34.440 --> 0:27:38.080
<v Speaker 3>For me, that's the time where music was actually genuine

0:27:38.160 --> 0:27:42.560
<v Speaker 3>and true and nice. And maybe it's because it's familiar

0:27:42.560 --> 0:27:45.040
<v Speaker 3>to us. Maybe it's because we've listened to it a lot.

0:27:45.320 --> 0:27:48.119
<v Speaker 2>There's something more though, there's something personal about it.

0:27:48.160 --> 0:27:50.159
<v Speaker 3>There's even even movies, by the way, Yeah, if you

0:27:50.160 --> 0:27:53.080
<v Speaker 3>think about it. Yeah, nineties movies were like.

0:27:53.480 --> 0:27:54.400
<v Speaker 2>What are your nineties movies?

0:27:54.440 --> 0:27:56.640
<v Speaker 3>I would love to know my favorite nineties hongcoms?

0:27:56.960 --> 0:27:59.000
<v Speaker 2>Of course, tell me. I want to hear them all.

0:28:00.000 --> 0:28:03.920
<v Speaker 3>Sleepless in Seattle, What was the name of the movie? Wait,

0:28:04.560 --> 0:28:05.560
<v Speaker 3>when Harry met Sally?

0:28:06.240 --> 0:28:09.600
<v Speaker 2>One of my one of my favorite writers, You've got mail.

0:28:11.359 --> 0:28:15.879
<v Speaker 3>I love the Mighty Ducks. I love the Mighty Ducks.

0:28:15.960 --> 0:28:18.399
<v Speaker 3>I love her at a kid. I do like also,

0:28:18.520 --> 0:28:22.760
<v Speaker 3>for example, the Notebook. I like few things, you know, yeah,

0:28:22.760 --> 0:28:25.359
<v Speaker 3>I like some. There's a lot of movies that that

0:28:25.400 --> 0:28:28.840
<v Speaker 3>doesn't come now to my girl, so sad, I know,

0:28:28.920 --> 0:28:31.479
<v Speaker 3>but it's it's so good. It was it was, it

0:28:31.520 --> 0:28:33.640
<v Speaker 3>was done really well. It was, you know what I mean.

0:28:34.119 --> 0:28:38.680
<v Speaker 3>Nowadays movies are in Arabic, we would say they're empty.

0:28:39.200 --> 0:28:42.800
<v Speaker 3>How yeah, and Arabic it's empty, it doesn't have feelings.

0:28:42.840 --> 0:28:45.600
<v Speaker 3>It's I used to tell them there are some because

0:28:45.600 --> 0:28:47.520
<v Speaker 3>I'm a director, and they used to tell me, well,

0:28:47.800 --> 0:28:50.800
<v Speaker 3>who's your favorite director? And I'm like, I'm not gonna

0:28:50.800 --> 0:28:53.880
<v Speaker 3>say Steve Stilberg. I don't know. Maybe maybe yes, maybe no.

0:28:54.160 --> 0:28:57.880
<v Speaker 3>But for me, if a movie delivers an emotion, that's it.

0:28:58.240 --> 0:29:01.000
<v Speaker 3>I got it. I got the I got the idea.

0:29:01.320 --> 0:29:03.280
<v Speaker 3>I'm not somebody who I'm not a filmmaker who would

0:29:03.280 --> 0:29:07.720
<v Speaker 3>look at movies that want and Oscar or yeah, that's

0:29:08.880 --> 0:29:11.080
<v Speaker 3>I don't care. I don't care about that. I care

0:29:11.120 --> 0:29:14.000
<v Speaker 3>about a movie that there is a story that means something,

0:29:14.160 --> 0:29:16.480
<v Speaker 3>or it gave me an information that I've never had

0:29:16.840 --> 0:29:20.520
<v Speaker 3>and it matches reality more, you know what I mean?

0:29:20.640 --> 0:29:24.720
<v Speaker 3>When it's the conversations are true, it's not like they're

0:29:24.840 --> 0:29:27.080
<v Speaker 3>acting on it. They're acting that they're acting. No, I

0:29:27.080 --> 0:29:31.280
<v Speaker 3>don't want that. I want something that's natural, touching more.

0:29:31.520 --> 0:29:34.960
<v Speaker 3>The music also in it would be different songs in

0:29:35.280 --> 0:29:37.600
<v Speaker 3>that era was better. So if you go and listen

0:29:37.600 --> 0:29:41.400
<v Speaker 3>to abdil Majid, if you go and Listenah, he's a

0:29:41.400 --> 0:29:44.640
<v Speaker 3>Saundi singer, Rassia del madd he's also a Soundi singer.

0:29:45.320 --> 0:29:49.200
<v Speaker 3>If you listen to a Helam, she's an Emarati singer.

0:29:49.280 --> 0:29:52.960
<v Speaker 3>If you listen to Onkelfum she's an Egyptian singer, one

0:29:52.960 --> 0:29:58.920
<v Speaker 3>of the biggest singers in the history. He's a Kuwaiti singer.

0:29:59.440 --> 0:30:03.920
<v Speaker 3>Those people had a touch in people's hearts. And there

0:30:03.960 --> 0:30:05.880
<v Speaker 3>are some people that I don't listen to, but I

0:30:05.960 --> 0:30:09.360
<v Speaker 3>know that they're amazing. In the region, a guy called

0:30:09.400 --> 0:30:11.479
<v Speaker 3>the Ali Bahar and he had a band and they

0:30:11.520 --> 0:30:16.000
<v Speaker 3>were different because there they used to use Western instruments

0:30:16.000 --> 0:30:18.840
<v Speaker 3>and their music, wow, it was amazing. Their name is

0:30:20.800 --> 0:30:25.280
<v Speaker 3>so the band called which is the Brothers. There's Miami,

0:30:25.360 --> 0:30:31.440
<v Speaker 3>also a band called Miami. They're Kuwaitishini singers. There's also

0:30:33.000 --> 0:30:38.920
<v Speaker 3>a Yemeni singer called Ahmed Veti. His daughter also a singer.

0:30:39.000 --> 0:30:43.640
<v Speaker 3>Now she's my age or no, actually four years older.

0:30:43.880 --> 0:30:46.840
<v Speaker 3>Her name is Belgris. Also these people, you would hear

0:30:47.240 --> 0:30:50.360
<v Speaker 3>the history from Ahmed vet and then you hear his

0:30:50.520 --> 0:30:54.960
<v Speaker 3>daughter singing very modern and beautiful songs. And that's there

0:30:55.080 --> 0:30:57.600
<v Speaker 3>that you would enjoy. I think, and listen to something

0:30:58.040 --> 0:31:00.840
<v Speaker 3>different than what you hear back home and New York.

0:31:01.280 --> 0:31:03.760
<v Speaker 2>Oh, I can't wait to go, got some homework to do.

0:31:03.840 --> 0:31:04.400
<v Speaker 2>I can't wait.

0:31:05.040 --> 0:31:07.080
<v Speaker 3>Yes, and listen to my songs to o court.

0:31:07.160 --> 0:31:09.000
<v Speaker 2>Yes, naturally, because they're different.

0:31:10.880 --> 0:31:13.200
<v Speaker 1>Dona Thank you so much for your time today, your

0:31:13.960 --> 0:31:15.440
<v Speaker 1>sharing your story and your music.

0:31:15.640 --> 0:31:18.080
<v Speaker 3>Thank you so much much. I've never had a conversation

0:31:18.160 --> 0:31:23.160
<v Speaker 3>that that open and very very relaxed. I'm definitely one

0:31:23.880 --> 0:31:26.840
<v Speaker 3>to telling you the truth. But thank you, thank you,

0:31:26.880 --> 0:31:27.760
<v Speaker 3>thank you so much.

0:31:27.640 --> 0:31:28.920
<v Speaker 2>Thank you. It's been such an honor.

0:31:33.000 --> 0:31:35.920
<v Speaker 1>Inside the Studio is a production of iHeart Radio. It

0:31:36.000 --> 0:31:39.000
<v Speaker 1>was produced by Matt Stillo and Jordan Runtagg, who also

0:31:39.160 --> 0:31:41.880
<v Speaker 1>edited and mixed the episode. If you like what you heard,

0:31:42.040 --> 0:31:43.600
<v Speaker 1>please subscribe and leave us a review.

0:31:44.040 --> 0:31:46.440
<v Speaker 2>For more shows on iHeartRadio.

0:31:45.840 --> 0:31:49.280
<v Speaker 1>Check out the iHeartRadio app, Apple Podcasts, or wherever you

0:31:49.320 --> 0:32:00.960
<v Speaker 1>listen to your favorite shows.

0:32:00.960 --> 0:32:01.520
<v Speaker 3>It was b