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Speaker 1: Look man, oh I see you? Why why and look

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Speaker 1: over there? How is that culture? Yes, goodness, ding dong

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Speaker 1: les cultures is calling very loose energy today. Whores hoors

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Speaker 1: on the holiday, whores on holidays, roam about Rome, about

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Speaker 1: Roman holiday. But Roman dropped the gy you know what

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Speaker 1: I'm saying, not roaming Roman, hors on the holidays, horse

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Speaker 1: on the holidays, Romana. So it's great to lend on

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Speaker 1: a title event before we've even said a single thing

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Speaker 1: thing ourselves each other. Really well, here's the sort of

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Speaker 1: thing I love recording in person. I love recording in

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Speaker 1: person really brings out the energy, it really does. And

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Speaker 1: so the second we sort of got together today, well,

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Speaker 1: the first thing we did was we we slowly walked

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Speaker 1: together up the steps of the Great I Heart Radio Building,

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Speaker 1: which is what this building is called. And we saw

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Speaker 1: our guests and we were immediately hit with um the

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Speaker 1: energy of talent, the energy of wisdom, charm of I'm

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Speaker 1: going to say, influence, extreme influence. This person has moved armies,

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Speaker 1: powerful woman, moved armies down, moved armies down. And we

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Speaker 1: have to say, then there was that thing that happens

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Speaker 1: that always makes you really scared, which is an android

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Speaker 1: got dropped. Our guest is married to a lovely man.

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Speaker 1: He has an Android. He dropped his android when he

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Speaker 1: went to go hug Matt and then Matt. Somehow the

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Speaker 1: conversation went to who gives off an iPhone vibe? Who

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Speaker 1: gives off an android vibe? Matt says that I give

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Speaker 1: off an android vibe, which is a little you immediately

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Speaker 1: you don't know me at all. First of all, that's

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Speaker 1: a damn lie. Second of all, you didn't let me

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Speaker 1: explain why I thought that, Which is I think you

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Speaker 1: give off confident all to energy, Which is I think

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Speaker 1: that you are like sort of confident enough as a

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Speaker 1: woman in tech that you could have an Android phone

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Speaker 1: and be like, Yeah, I have an Android. Asked me

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Speaker 1: one question about it, I'll blow your mind. Ask me

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Speaker 1: a question here, I'm gonna pretend I'm gonna drag right now.

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Speaker 1: You ask me a question of about android and only

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Speaker 1: answer Okay. What I would ask is um, But doesn't

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Speaker 1: it bother you that like when when you're on a

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Speaker 1: group text with a bunch of iPhone people. No, not

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Speaker 1: at all, because I'll just do like we chat or

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Speaker 1: I'll do what's app um start we chat. My Chinese

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Speaker 1: is showing I, you know what, I have a little bit.

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Speaker 1: I'm honestly toyed with Android. I know you have the rhyme.

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Speaker 1: There's a little internal rhyme right there. Toyed with Android.

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Speaker 1: And not that I don't love Apple, but every now

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Speaker 1: and then I go, well, they're doing some interesting things

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Speaker 1: over there. So you sometimes think about flirting with betrayal.

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Speaker 1: I sometimes think about that was a gorgeous set in

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Speaker 1: flooring with betrayal. So you sometimes think about floating with thetrayal.

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Speaker 1: I think it's a very interesting I'll turn of and

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Speaker 1: I think that's what it is. I think that's what

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Speaker 1: it's been marketed as for so long. We don't have

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Speaker 1: to actually get into this. We don't have but don't

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Speaker 1: do anything. But you don't understand. I used to be

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Speaker 1: on tech news all the time in college, and then

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Speaker 1: something happened where two paths diverged in a would and

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Speaker 1: I feel like things got really sucked up into like

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Speaker 1: cryptoculture or something. And that's when I was like, I'm disengaging.

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Speaker 1: And now all this crazy ship is coming out about

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Speaker 1: this some Sam Bank been freed guy, which we don't

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Speaker 1: have to get into that I heard all about it.

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Speaker 1: But it's so crazy. It's like Elizabeth Holmes meets Bernie

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Speaker 1: made Off meets Firefested in a way. There's like a

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Speaker 1: polyquel in the Bahamas. There's um this guy Chempan Jao

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Speaker 1: and who's this like Darth Vader to his Luke Skywalker.

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Speaker 1: But there's a crazy story here. Well you know what,

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Speaker 1: it's giving what Jonah Hill's next Oscar play? And I've

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Speaker 1: already campaigned to be c Z the Asian guy. He's like,

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Speaker 1: who fucking leaked? Who kind of exposed him for all

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Speaker 1: his worth? And I see you nominated for supporting supporting, Yeah,

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Speaker 1: because isn't the story about SPF or whatever it was about?

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Speaker 1: What if it was not about SPF and it was

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Speaker 1: about me, it could be about you. It just feels

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Speaker 1: like the story is once again centering a white narrative.

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Speaker 1: That's really what I have. That's my biggest problem is

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Speaker 1: I'm constantly centering Jonah Hill. You are on this podcast.

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Speaker 1: I am constantly making it all about Jonah. I'm getting

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Speaker 1: him Prestesian Awards. Whatever. Jonah did something not a lot

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Speaker 1: of others, which was what is transition from the Alison

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Speaker 1: Jones pool of casting into prestige. Is that where he

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Speaker 1: came from? I think he was in Allison Jones. I

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Speaker 1: was just watching an interview with Aubrey Plaus because I

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Speaker 1: was like, deep, I'm obsessed, I'm obsessed. I'm deep. I'm

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Speaker 1: deep in a white lotus rabbit hole. As we all

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Speaker 1: are a culture. And I was telling our guest about

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Speaker 1: I was like, you should watch. And there's a rumor

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Speaker 1: that the third season takes place in Asia. Really yeah,

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Speaker 1: I have on good authority that it's going to take

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Speaker 1: place in Asia, which makes so much sense. Like I

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Speaker 1: think Mike White really is nailing like Italian cinema so well,

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Speaker 1: and you were going to be giving? Is it going

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Speaker 1: to be giving like one car? But I don't know

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Speaker 1: it's gonna be giving. There's there's obviously gonna be some

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Speaker 1: Asian influence, and I don't know what it looks like.

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Speaker 1: Could be giving Rastraman, could be giving Kurasawa. Absolutely, But

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Speaker 1: I'm saying, like, I trust Mike White to respectfully research

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Speaker 1: the aesthetic, and I think he would pull it off.

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Speaker 1: He's a genius, you know, he's fab I also think,

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Speaker 1: you know, taking it back to Aubrey Plaza, which I

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Speaker 1: am want to do anyway, the Aubrey Pasa thing. She

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Speaker 1: got plucked out of the pool from Alison Jones. Jones,

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Speaker 1: who was casting director, one of the great casting directors,

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Speaker 1: and guest star of Barry and guest star Amazing Turn

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Speaker 1: and Barry, which was on HBO. Not to be gross,

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Speaker 1: but like, because I think you've met with her once, right,

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Speaker 1: I've actually never met with her, but assumed. I don't

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Speaker 1: think you ever actually met. But she knows. She knows

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Speaker 1: me because she was casting Q Force. Right. I sat

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Speaker 1: down with her one time years ago, and I was like,

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Speaker 1: I don't think I was weird enough for her. You

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Speaker 1: weren't though you were weird enough. I think you were

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Speaker 1: too cool. I think not even cool. I was just normal.

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Speaker 1: I probably was too normal. And I know that that's

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Speaker 1: not like a pejorative or anything, but I just I

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Speaker 1: think she casts a type so well and I don't.

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Speaker 1: I don't think I fit into that, which I'm totally

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Speaker 1: fine with. She obviously knows what she's doing. I think

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Speaker 1: I can't believe we're talking about Alice. I think you're

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Speaker 1: freaking weird, and I would cast you think I'm weird,

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Speaker 1: and we're both I think We're all weirdos in this room,

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Speaker 1: including Bahed. I think everyone here is a damn freak. Okay,

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Speaker 1: So putting Jonah Hill aside, which I'm really sad about.

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Speaker 1: You hate to put Jonah Hill Culture number six Matt

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Speaker 1: Roger put Jonah Hill aside because I just there's so

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Speaker 1: much to say, there really is. But I our guest,

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Speaker 1: this is one of the greats. This is one of

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Speaker 1: the people that are unforgettable. This is truly, I mean

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Speaker 1: cross media, Oh my god, this is a trend setter.

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Speaker 1: Literally literally if you even know what it means to

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Speaker 1: do the partition slash yance drop, this guest gave you that.

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Speaker 1: This guest gave you that and brought communities together. And

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Speaker 1: now that the cast of Hamilton's was not a community

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Speaker 1: before the Drop Challenge. No, in fact, they were at

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Speaker 1: each other's throat. They were they hated each other. Well,

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Speaker 1: every Broadway cast is at each other's throats. That's actually

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Speaker 1: really could number four teen. Every Broadway cast at each

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Speaker 1: other's throat, as alcast did it, and they needed that

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Speaker 1: community at each other'sroats until the Drop Challenge period. So

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Speaker 1: basically what we're saying is now that influence is becoming

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Speaker 1: an even wider influence because you wanted to say, like, oh,

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Speaker 1: the person who started the drop challenge is this incredible

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Speaker 1: stand up and now it's so perfect, the timing is

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Speaker 1: so well aligned. She's got a special coming out an

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Speaker 1: HBO December tenth, The Intruder, directed by Technatarobe unbelievable, beautiful

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Speaker 1: trail or beautiful set. We'll get into that. I mean,

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Speaker 1: the aesthetic is strong. Absolutely, this is a true visionary,

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Speaker 1: such a fun original voice. You don't throw that word

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Speaker 1: around that much anymore original whatever you don't, I don't

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Speaker 1: throw around original, not that either of us our authorities

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Speaker 1: on those things. Can I say something? I don't really

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Speaker 1: throw words around anyway. That's so true. I would never

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Speaker 1: disrespect the word. You were so intentional with your words sentence.

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Speaker 1: I would never disrespect a word. It's amazing. Let's sit

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Speaker 1: in that three seconds. Please, Welcome to Lost Culture podcast.

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Speaker 1: Oh my gosh, it was so riveting to just be

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Speaker 1: in here while you all were talking, and I was

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Speaker 1: trying not to give away even my voice, but you

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Speaker 1: really did you? Really? You really? I couldn't I just

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Speaker 1: let out let out during the Jonah Hill. I just couldn't.

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Speaker 1: I lost it and you know your husband is here,

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Speaker 1: but he opted to sit outside the recording because he

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Speaker 1: has no self control. He would be wailing and screaming.

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Speaker 1: He would, Yeah, he would. I mean with the Android

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Speaker 1: the content that alto, I feel like I'm gonna go

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Speaker 1: and tell him that's what he is. That's what he is.

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Speaker 1: Are you Android? No, I'm not. But he takes all

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Speaker 1: my social media photos and stuff. Honestly, the pictures do

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Speaker 1: look better the cameras cameras. I mean, I phone always

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Speaker 1: like catches up to pixel or catches up to like

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Speaker 1: the Android stuff and the Samsung stuff. But you know,

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Speaker 1: sometimes those photos really look amazing. They're just better. The

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Speaker 1: Drop Challenge was shot on that. All the videos the

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Speaker 1: original Drop Challenge was shot on Android Androidlena Gums found

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Speaker 1: out Andrew needs to advertise that, Hey, we're the guys

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Speaker 1: who did drop challenge, and we're not the guys who

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Speaker 1: did it, but we're the phone who did it. What's

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Speaker 1: it like being in a marriage and an iPhone? And

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Speaker 1: I was going to ask what is that like? Yeah,

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Speaker 1: I mean people typically don't. That's not the first thing

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Speaker 1: they asked. So I am so glad the hard questions

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Speaker 1: you know has been called the w t F Mark

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Speaker 1: Marion Gay, I'm so glad you're like post race, post

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Speaker 1: interracial marriage. That's not what that is. How about your

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Speaker 1: phones though, I mean receiving links instead of just being

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Speaker 1: able to send me a video That is kind of

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Speaker 1: a whole thing. Yeah, I need to have WiFi to

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Speaker 1: download a video so that I could then post it.

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Speaker 1: But it's so tiny. You know. When that's love, When

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Speaker 1: a whole last person is like helping me do social media,

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Speaker 1: I'm like, okay, it's that love conquers all. That's the

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Speaker 1: lesson here, because what do you think when you go help?

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Speaker 1: I wish I could tap back a ha ha or

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Speaker 1: a heart or a thumbs up. You just can't. You

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Speaker 1: just can't. Yeah, that's my thing. When I text an

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Speaker 1: Andrew person, I go, oh, I want to react, but

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Speaker 1: I can. I have to type a full sentence out.

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Speaker 1: I know it forces communication, this conversation. There's no shorthand,

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Speaker 1: there's no shortcuts. I know. It's it's more energy, you know,

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Speaker 1: which is something that I noticed you two have a

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Speaker 1: lot of, and I was like, wake up, pitch, wake no,

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Speaker 1: you know it's five pm on a what we're going

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Speaker 1: to call Thursday. Thursday, Um, so that's sort of giving

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Speaker 1: end of the week vibes. So I would imagine that

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Speaker 1: you are very busy. I am, but do you know,

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Speaker 1: are we all? And sometimes I wonder, you know, most

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Speaker 1: days I'm so tired, and I always I'm hard on

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Speaker 1: myself because I see everyone, you know, we're all bringing

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Speaker 1: our best foot forward right where we see each other right,

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Speaker 1: like we're trying not to be sleepy. We're trying to

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Speaker 1: be like hey, right, And so I don't I don't

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Speaker 1: know everyone's nap schedule and stuff, but I feel like

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Speaker 1: sometimes I'm like, oh gosh, do I need to go

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Speaker 1: to the doctor. Most most time during the day, I'm

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Speaker 1: like horizontally, Yeah, this is something that's befallen me. Yeah,

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Speaker 1: are you tired? Are you a sleepy girl? I'm a

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Speaker 1: sleepy girl. I don't get great sleep, which is sort

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Speaker 1: of not a great matchup. But I feel like I've

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Speaker 1: had a lot of days recently where I go I

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Speaker 1: should just stay horizontal, which is not great. But like

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Speaker 1: I tricked my mind into thinking you deserve this, and

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Speaker 1: I probably don't. I think we do. I'm going to

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Speaker 1: try to talk to people, you know about this. Yes,

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Speaker 1: sometimes I'm like it in my borderline and neemia. You know,

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Speaker 1: I don't know, Maybe maybe I need to keep my

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Speaker 1: feet warm, like my acupuncturist says, I don't know. She

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Speaker 1: says that feet warm for better energy something like that.

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Speaker 1: You know it's good for us, right, yeah, yeah, and

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Speaker 1: cold feet is not good. I have cold feet a lot.

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Speaker 1: And I don't mean to make this into a health section.

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Speaker 1: You know, it about time that it became health and wellness.

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Speaker 1: I did get concerned for a second when you said

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Speaker 1: that it was going to take place in Asia the

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Speaker 1: next Yeah, and I was like, but will it be

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Speaker 1: Jonah Hills story. Well, certainly there will be teaming with

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Speaker 1: white cast, teaming with white cast. But I think the

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Speaker 1: setup of the show is already such that it is

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Speaker 1: about like the the usually the Americans who come I

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Speaker 1: so far, it's always been Americans who go to these

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Speaker 1: places first of his Hawaii. And you did have like

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Speaker 1: some but it could it could have used more, to

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Speaker 1: be honest, But there was some local perspective, right, There's

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Speaker 1: definitely a lot of local perspective in this season. Yes,

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Speaker 1: from this like the local Sicilians or the Italians who

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Speaker 1: are I think the most compelling characters to me. And

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Speaker 1: remember we've only seen We're recording this a little bit

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Speaker 1: early for scheduling purposes, but we've seen now the first

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Speaker 1: I've seen the first four. I've seen the first four

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Speaker 1: because we have one of the white lottest cast members

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Speaker 1: on the show and Lara have already been on. You

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Speaker 1: all know it's Megan Fahy by now, so we discussed

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Speaker 1: it with her. But what I've loved about this was

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Speaker 1: that it feels like, at least with the Italian of

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Speaker 1: it all, like communication is very influenced by amongst the characters,

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Speaker 1: is very influenced by these Italians in the way they communicate,

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Speaker 1: like the way that the hotel manager like. Of course

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Speaker 1: it's a character decision to make her so forward and

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Speaker 1: so authoritative, but also it seems very Italian. And I

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Speaker 1: was watching an interview with her and she said that

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Speaker 1: Italian acting styles is also very much more about like

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Speaker 1: literally playing an emotion and not in happening. And I

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Speaker 1: saw that, were yeah, but I mean I haven't watched

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Speaker 1: a movie with the Italian influence and well that's the

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Speaker 1: last one. I said, yes, but there there is that

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Speaker 1: thing of like it is more just about like showing

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Speaker 1: a big emotion and playing a bold thing, and I

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Speaker 1: think that is very European. So I would be interested

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Speaker 1: to see what the I guess communications style and what

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Speaker 1: how that has influenced the cinema of our Asian cinema,

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Speaker 1: like how that navigated and how that like negotiated in

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Speaker 1: a white Lotus season. I think that would be interesting.

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Speaker 1: Let's see. I mean I think maybe not in a

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Speaker 1: neat way, not to put it neatly, but I feel

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Speaker 1: like it probably there's something in the other direction where

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Speaker 1: it's a lot more internal or whatever than I don't know,

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Speaker 1: it's it's a way we're years out from ever seeing it.

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Speaker 1: And for you to be on HBO talk about that up,

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Speaker 1: I know, what about what am I flirting with? Portrayal?

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Speaker 1: What are the sentence we said portrayal? I think it

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Speaker 1: was that it's so hard when you come up with

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Speaker 1: so many amazing new colloquialism. You know, you only said

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Speaker 1: that like five minutes ago, but I'm still thinking about

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Speaker 1: Jonah Hill. I'm thinking about energy communication again. I am

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Speaker 1: that's just what happens. It just it rubs off on

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Speaker 1: you and then you start you start putting yourself second,

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Speaker 1: because constantly Jonah Hill first, uh huh yeah, And I'm like,

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Speaker 1: I haven't even thought about him and forever, and then

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Speaker 1: you bring him up. That's your problem. I didn't you fail?

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Speaker 1: You failed? You feel yourself? What can you tell us

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Speaker 1: about this? You always wear the most incredible clothing. This

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Speaker 1: is New Works. It's this like amazing brand that they're

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Speaker 1: based out of the Bay Area, and then they have

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Speaker 1: a store in l A two. They work with a

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Speaker 1: lot of graphic artists. It's female owned. It's really great.

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Speaker 1: The pants are too, It's just fun. A lot of colors. Yes,

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Speaker 1: do you put a lot of and think a lot

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Speaker 1: visually when it comes to your comedy, and obviously you do,

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Speaker 1: But like, would you consider yourself like first and foremost

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Speaker 1: of dual person. I'm actually I feel like I'm very auditory,

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Speaker 1: but I don't like to spend a lot of time

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Speaker 1: on looks. You know, I actually put things together very

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Speaker 1: very fast, really, but I think I have pretty good instincts. Yeah,

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Speaker 1: I was gonna say it's probably because it doesn't take

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Speaker 1: much effort for you because it all comes very naturally.

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Speaker 1: That's how I feel. I don't know what that is

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Speaker 1: where it's not like I came from like a fashion family,

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Speaker 1: you know, I don't know. I think it's out of laziness,

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Speaker 1: but I like art. So it's just like whatever is quick.

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Speaker 1: I just yeah, it helps make decisions fast because the

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Speaker 1: connection between your appreciation for like art and visuals is

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Speaker 1: very strong, between that and like your comedy or the

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Speaker 1: way you want to present yourself. Because we're talking about

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Speaker 1: the set design for the special. It's so gorgeous, it's

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Speaker 1: beautiful and like someone executed that for you, but like

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Speaker 1: it came from you, Like it's inspired by you, and

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Speaker 1: it would not have it would not look the way

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Speaker 1: it does if it weren't for like the things we

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Speaker 1: know about Oticoto is like comedy and her and her

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Speaker 1: visual style. I'm talking about you in the third person,

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Speaker 1: but yeah, it's just like sort of bright. Some would

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Speaker 1: maybe even say I'm like a feel good comedian, but yeah,

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Speaker 1: maybe you know and that like I just want you

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Speaker 1: to feel seen to and so gosh, yeah, so colors

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Speaker 1: always do it for me, like an all black event

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Speaker 1: or something. I I've never been I go dark. I've

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Speaker 1: never been so sad. No, I've actually never been invited.

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Speaker 1: You've never been to a funeral then lucky. That's true. Actually, yeah,

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Speaker 1: not many people die around or at least around it's

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Speaker 1: also a front under title or at least you know what,

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Speaker 1: I don't get invited. Yeah, oh yeah, I have not.

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Speaker 1: I've never been to a funeral. You have. I've been

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Speaker 1: a memorials. I've never been to a funeral. You've never

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Speaker 1: been to a funeral? Yeah, I mean, well, I mean,

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Speaker 1: I mean, okay, I've never been to I should say,

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Speaker 1: and let me know if this tracks. I've never been

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Speaker 1: to like a Western funeral, does that make sense. I've

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Speaker 1: been my grandmother's in China, and that is a whole

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Speaker 1: different thing. And it feels like we they were like

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Speaker 1: mourners and stuff mourners, but we didn't have to hire anybody,

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Speaker 1: or maybe we did. I don't, I don't even know.

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Speaker 1: But there were a bunch of like people I never

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Speaker 1: met before, ser strangers, like like it's a thing in

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Speaker 1: Asia where sometimes the Higernea Stagia will hire people to

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Speaker 1: like whale for professional whale. Okay, yes, yes, I had

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Speaker 1: heard about Yeah, and I'm kind of fifty fifty on.

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Speaker 1: I'm sure my sister who's listening will let me know,

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Speaker 1: um why or let me know if there were, but literally,

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Speaker 1: I mean like we it was my Grandmo's funeral, and

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Speaker 1: like it was we were all white. We drove the

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Speaker 1: the casket to like the family burial ground which is

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Speaker 1: like two hours into the mountains. Um, we burn everything.

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Speaker 1: It's it's incredible anyway. So I don't know why we

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Speaker 1: got in funeral. No, that's just like such a different event,

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Speaker 1: kind of very eventful compared to I think like a

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Speaker 1: Western one where I mean it really could be anything. Well,

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Speaker 1: there's like a week un but like there are different

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Speaker 1: like events, so it's like I have like memorial service,

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Speaker 1: then there's like a proper funeral. Yes I'm wrong. We

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Speaker 1: did go to awake one. Yes, and we did go

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Speaker 1: to a wake, but the week is it's a very

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Speaker 1: drawn out process. But yeah, there it does sound different.

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Speaker 1: I guess I'm interested in the concept of a professional whaler. Yeah,

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Speaker 1: this is like someone who is like encouraging the release

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Speaker 1: of that emotion, which I think is probably helpful to

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Speaker 1: some absolutely, uh huh. I think it's also a religious

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Speaker 1: thing or based on a little bit or something about

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Speaker 1: like they hear you in the heavens or something. Um,

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Speaker 1: and then some people just do it to like really

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Speaker 1: round out the environment. I feel like the atmosphere like yeah,

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Speaker 1: look like yeah yeah yeah, or like you know, not

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Speaker 1: everyone's emotive and it's like it should be sad or something.

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Speaker 1: You know. Also, it's kind of like um because at

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Speaker 1: the funerals that I've been to in my life, it

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Speaker 1: is that sort of thing where when someone does break down,

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Speaker 1: it feels very isolated and very chilling to hear, Whereas

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Speaker 1: like maybe it's kind of nice to come into an

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Speaker 1: atmosphere where the intent is that we are going to

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Speaker 1: in a literal volume sense, released this emotion. Because there's

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Speaker 1: nothing worse than hearing someone one person, than hearing one

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Speaker 1: person begin like no, it's really it is it is.

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Speaker 1: I went to one funeral where the person died far

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Speaker 1: too young, and it was sort of very sudden, and

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Speaker 1: so it was like there was a great degree of shock,

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Speaker 1: and then to hear one family member like really break

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Speaker 1: out like that, you almost wish everyone was in their

386
00:20:41,760 --> 00:20:45,560
Speaker 1: streaming then hearing like the sounds of true pain and

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Speaker 1: grief come out of nowhere. It's like an underwear party.

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Speaker 1: It's like if one person is in their underwear when

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Speaker 1: everyone else clothes, it's like shocking, but a funerals like

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Speaker 1: an underwear party. It helps to have a convention, A

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Speaker 1: paid person in there. Yes, sing like being like yeah,

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Speaker 1: you know, so get all with the everyone. Oh my god,

393
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Speaker 1: start it for everyone. I'm gonna pay for people to

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Speaker 1: come to whatever premiere event you're doing for the special

395
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Speaker 1: in their underwear? Are you doing about I am, I'm

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Speaker 1: doing a launch party. I shot it out here, but

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Speaker 1: I'm doing it back in l A. Because I was

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00:21:33,840 --> 00:21:36,879
Speaker 1: like the people for yeah, where did you shoot it?

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Speaker 1: And so I was able to like build my own set.

400
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Speaker 1: I was telling Bowen, you know, like a theater is

401
00:21:43,800 --> 00:21:46,520
Speaker 1: really nice, but it's also like someone else's aesthetic, and

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Speaker 1: I really wanted to be able to like give people

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Speaker 1: my aesthetic. Julio Torres shot his there too. I was

404
00:21:52,320 --> 00:21:54,480
Speaker 1: able to give his aesthetic, you know, and I feel

405
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Speaker 1: like that's why I went with that. I was like, no,

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Speaker 1: it's my first one on HBO, and so you know

407
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Speaker 1: I want you to meet me. Yeah, that's so exciting.

408
00:22:03,240 --> 00:22:05,080
Speaker 1: I think about, like, you know, your debut special is

409
00:22:05,160 --> 00:22:07,240
Speaker 1: it's that thing where it's like, yes, the people that

410
00:22:07,280 --> 00:22:09,840
Speaker 1: have followed you're going to understand and really, you know

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Speaker 1: intrinsically get this and like be thrilled by the elements

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Speaker 1: of you that you're offering. But it's also an introduction,

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Speaker 1: you know what I mean. It's also every like a

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Speaker 1: huge amount of people, especially on HBO meeting you, right, yeah, totally.

415
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Speaker 1: And I think I want to be authentic. You know.

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Speaker 1: Theater is like not traditionally a space. It means like

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Speaker 1: a different level for me, and maybe even class wise

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Speaker 1: or something. And I'm just like that wasn't me. And

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Speaker 1: maybe you know, my my aesthetic, my art scenist the colorfulness.

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Speaker 1: Sometimes I feel like, oh, it's it's just authentic to me.

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Speaker 1: Maybe that's why I don't do like a black tie

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Speaker 1: event or something, because oh those are people that I

423
00:22:46,000 --> 00:22:49,440
Speaker 1: traditionally didn't fit in with, you know, and so but

424
00:22:49,600 --> 00:22:51,359
Speaker 1: to be able to do that would be cool, would

425
00:22:51,359 --> 00:22:53,800
Speaker 1: be like you know, cause playing you know, you know,

426
00:22:54,000 --> 00:22:56,000
Speaker 1: it would be fun to do that. Oh you know

427
00:22:56,000 --> 00:22:59,600
Speaker 1: what I mean. Maybe I'm returning this later. I don't know,

428
00:22:59,640 --> 00:23:02,000
Speaker 1: you know what. It's just like just something nice. But

429
00:23:02,240 --> 00:23:04,399
Speaker 1: even the jewelry I wear, you know, I wear a

430
00:23:04,400 --> 00:23:06,760
Speaker 1: lot of like food candy earrings. I don't wear like

431
00:23:06,840 --> 00:23:10,360
Speaker 1: fine jewelry because I would feel like someone else. It's

432
00:23:10,400 --> 00:23:13,000
Speaker 1: cosplay because Okay, so for the readers at home, is

433
00:23:13,040 --> 00:23:16,280
Speaker 1: wearing two egg is that? Is that an egg over easy?

434
00:23:16,680 --> 00:23:21,320
Speaker 1: It is? Yeah, and they're they're gummies. Yeah, and they're

435
00:23:21,640 --> 00:23:25,399
Speaker 1: actual like they were edible at one time. Risen, I

436
00:23:25,440 --> 00:23:27,199
Speaker 1: wear a lot of food jewelry like that. I have

437
00:23:27,280 --> 00:23:29,399
Speaker 1: like Cheeto ones like that. But it's just it's just

438
00:23:29,480 --> 00:23:33,200
Speaker 1: very me. I'm very childlike, you know. And so yeah, um,

439
00:23:33,480 --> 00:23:36,399
Speaker 1: when I'm in a space where it's like old money

440
00:23:36,520 --> 00:23:39,760
Speaker 1: or something, I feel I feel like I suddenly I

441
00:23:39,760 --> 00:23:43,000
Speaker 1: feel like I have to overcompensate. But it's it's that

442
00:23:43,119 --> 00:23:46,879
Speaker 1: you know what the conventions are, which is black tie

443
00:23:46,920 --> 00:23:49,760
Speaker 1: for one thing, or if it's a comedy special, it's like,

444
00:23:49,760 --> 00:23:52,800
Speaker 1: oh it's at some big theater where the aesthetic is

445
00:23:52,840 --> 00:23:55,280
Speaker 1: not is like you were saying, like, it's not your aesthetic,

446
00:23:55,280 --> 00:23:57,840
Speaker 1: it's the aesthetic of some guy who some guy or

447
00:23:57,840 --> 00:24:01,199
Speaker 1: a woman who died decades ago. Yeah, you know. And

448
00:24:01,200 --> 00:24:04,480
Speaker 1: so for you, I feel like you probably intentionally or

449
00:24:04,520 --> 00:24:07,480
Speaker 1: maybe unintentionally, but either way, you're you're making a choice

450
00:24:07,480 --> 00:24:12,120
Speaker 1: to like do something very original, and I think that's

451
00:24:12,119 --> 00:24:14,320
Speaker 1: why people like are drawn. That's why, like Chelsea Handler

452
00:24:14,359 --> 00:24:17,280
Speaker 1: like reached out or like you guys became friends? How

453
00:24:17,320 --> 00:24:20,240
Speaker 1: did you guys meet we became friends? A few years

454
00:24:20,240 --> 00:24:23,160
Speaker 1: ago there was this Netflix competition show they were trying

455
00:24:23,200 --> 00:24:27,120
Speaker 1: to do. You remember Rhythm and Flow. Oh yeah, yeah,

456
00:24:27,320 --> 00:24:29,560
Speaker 1: that's a really great series. I've watched. The whole was

457
00:24:29,600 --> 00:24:33,479
Speaker 1: like CARDI B T I Chance ye remember now they

458
00:24:33,520 --> 00:24:35,760
Speaker 1: were trying to do this stand up comedy remember that?

459
00:24:36,400 --> 00:24:38,520
Speaker 1: Remember that? But that was different from last comics standing

460
00:24:38,640 --> 00:24:41,520
Speaker 1: It was like, yeah, it was gonna be like a

461
00:24:41,600 --> 00:24:44,960
Speaker 1: mentorship and then yeah, but it's not like a UM

462
00:24:45,359 --> 00:24:48,760
Speaker 1: competition and there's challenges where you have to do stand up,

463
00:24:48,800 --> 00:24:53,879
Speaker 1: but a laundrymat or something like the elements to write it,

464
00:24:53,920 --> 00:24:55,480
Speaker 1: wasn't it like more of a holistic thing of like

465
00:24:55,680 --> 00:24:57,520
Speaker 1: that you do stand up but also sketch and like that,

466
00:24:57,960 --> 00:24:59,520
Speaker 1: Like it wasn't it more of like a holesten. I

467
00:24:59,560 --> 00:25:03,679
Speaker 1: think you're thinking maybe NBC's like, yes, I am something

468
00:25:03,840 --> 00:25:10,280
Speaker 1: funny that Michael Longfellow, who just joined the cast, did that. Yeah,

469
00:25:10,520 --> 00:25:13,159
Speaker 1: that's right, that's right. This was this was Netflix and

470
00:25:13,240 --> 00:25:16,680
Speaker 1: never aired because the pandemic hit. But that's where we

471
00:25:16,760 --> 00:25:18,800
Speaker 1: met where I did jokes, I mean, I've known of

472
00:25:18,920 --> 00:25:21,560
Speaker 1: her for a long time. We almost crossed paths. I

473
00:25:21,640 --> 00:25:24,680
Speaker 1: had tweeted for her, or one time I actually filled

474
00:25:24,720 --> 00:25:27,560
Speaker 1: in for her at a festival where it was a

475
00:25:27,760 --> 00:25:30,600
Speaker 1: huge theater in Vegas. It was supposed to be Tig. Uh,

476
00:25:30,960 --> 00:25:33,399
Speaker 1: you know, she couldn't do it, so I did it.

477
00:25:33,840 --> 00:25:38,119
Speaker 1: But they never told the audience. Oh really, it's just

478
00:25:38,359 --> 00:25:41,840
Speaker 1: very different, you know. It's just like yeah, and then yeah,

479
00:25:41,920 --> 00:25:43,680
Speaker 1: you got to tell the audience anyway they want. You

480
00:25:43,800 --> 00:25:45,920
Speaker 1: certainly have to tell the audience that Tichnatara was not

481
00:25:46,000 --> 00:25:48,879
Speaker 1: going to be there. Tig claims the audience was pissed.

482
00:25:49,040 --> 00:25:55,000
Speaker 1: I think it was fine, but but yeah, so we

483
00:25:55,200 --> 00:25:57,440
Speaker 1: we always kind of missed each other. And then you know,

484
00:25:57,480 --> 00:25:59,280
Speaker 1: and I was like, well, if it takes this competition

485
00:25:59,359 --> 00:26:03,080
Speaker 1: for her to finally see me, and then I was

486
00:26:03,160 --> 00:26:05,119
Speaker 1: hoping she would choose me. It's like the voice you

487
00:26:05,160 --> 00:26:08,240
Speaker 1: get a merried toor it's Neo Brennan, Tig Nataro and

488
00:26:08,600 --> 00:26:11,960
Speaker 1: Dion Cole and uh yeah. And so you do your

489
00:26:12,000 --> 00:26:14,280
Speaker 1: set in front of an audience and then you know,

490
00:26:14,680 --> 00:26:18,280
Speaker 1: in the end, the three of them say thank you.

491
00:26:18,800 --> 00:26:22,639
Speaker 1: None of us choose you, right, you know, And then Tig.

492
00:26:22,920 --> 00:26:25,000
Speaker 1: Tig wanted me on her team, and so that's that's

493
00:26:25,000 --> 00:26:28,440
Speaker 1: how we meant and we became close friends. And yeah,

494
00:26:28,520 --> 00:26:31,919
Speaker 1: she's she's amazing. You know, she's directed a ton of stuff.

495
00:26:32,359 --> 00:26:35,720
Speaker 1: I think people maybe forget that Two Do Queens. She

496
00:26:35,840 --> 00:26:38,679
Speaker 1: did a bunch of episodes of Two Dough Queen's her

497
00:26:38,760 --> 00:26:42,720
Speaker 1: own TV show. She even directed Ellen's special Oh like

498
00:26:43,160 --> 00:26:44,920
Speaker 1: to come Back one or the one like back in

499
00:26:45,000 --> 00:26:46,880
Speaker 1: the Dead come Back one, And I think it's called

500
00:26:47,040 --> 00:26:51,080
Speaker 1: relatable or something. Yeah, tickets, I think like one of

501
00:26:51,240 --> 00:26:54,840
Speaker 1: the for lack of a better word, like masters are

502
00:26:54,920 --> 00:26:57,280
Speaker 1: like there's another word that's like better. But it's like

503
00:26:58,040 --> 00:27:02,080
Speaker 1: she just like understands the whole setup of stand up

504
00:27:02,119 --> 00:27:04,879
Speaker 1: in a way that One of my favorite jokes is

505
00:27:04,920 --> 00:27:10,040
Speaker 1: the Taylor Dames. That's a great bit. It's just commitment comment.

506
00:27:10,480 --> 00:27:15,200
Speaker 1: I don't do that anymore. I'm sure people know about this,

507
00:27:15,280 --> 00:27:17,439
Speaker 1: but if you don't know the Tichnataro Taylor Dame, look

508
00:27:17,480 --> 00:27:19,960
Speaker 1: it out story the bit. It's one of my favorite

509
00:27:20,240 --> 00:27:22,560
Speaker 1: things in comedy. I would it's like rocks my world

510
00:27:22,560 --> 00:27:24,240
Speaker 1: the first time you heard it. There's like something that

511
00:27:24,359 --> 00:27:27,600
Speaker 1: connects you guys, I think, which is obviously like the singularity,

512
00:27:27,840 --> 00:27:29,960
Speaker 1: like there's no one like Tig, There's no one like you,

513
00:27:30,280 --> 00:27:33,080
Speaker 1: and so I almost feel like she really does understand

514
00:27:33,200 --> 00:27:35,560
Speaker 1: how do she has a vision? Right, and so like

515
00:27:35,680 --> 00:27:37,400
Speaker 1: you clearly have a lot of visions. So and that way,

516
00:27:37,440 --> 00:27:45,320
Speaker 1: I really I understand it. Yeah, we're like confidently, all, Well,

517
00:27:45,400 --> 00:27:47,600
Speaker 1: it's hard. I have a certain cadence. I don't use

518
00:27:47,640 --> 00:27:49,920
Speaker 1: correct English when I talk. I make up words and

519
00:27:50,040 --> 00:27:53,080
Speaker 1: sentence structures. They make weird noises when I'm doing stand up,

520
00:27:53,160 --> 00:27:56,160
Speaker 1: and and it's like I don't quite fit in. I don't.

521
00:27:56,359 --> 00:27:58,720
Speaker 1: I haven't done a ton of traditional media because I

522
00:27:58,800 --> 00:28:00,800
Speaker 1: think it is hard for me to fit into other

523
00:28:00,880 --> 00:28:03,840
Speaker 1: people's worlds. So that's my stand up is my favorite

524
00:28:04,359 --> 00:28:06,480
Speaker 1: art form because I get to sort of be me.

525
00:28:07,040 --> 00:28:09,800
Speaker 1: And speaking of Taylor Dane and like the commitment to

526
00:28:10,400 --> 00:28:14,520
Speaker 1: just being you, that's something that Tig has always done.

527
00:28:14,720 --> 00:28:17,600
Speaker 1: You know, she was offer only, like she and she says,

528
00:28:17,720 --> 00:28:20,600
Speaker 1: look way before I should have been offer only. But

529
00:28:20,720 --> 00:28:24,080
Speaker 1: she's like, I just couldn't keep auditioning for these things

530
00:28:24,160 --> 00:28:26,359
Speaker 1: that were like I was not going to fit into

531
00:28:27,040 --> 00:28:30,480
Speaker 1: and so perfect examples is everything you see her in

532
00:28:30,720 --> 00:28:34,119
Speaker 1: Star Trek or that Wild Zombie movie where she replaced

533
00:28:34,200 --> 00:28:39,600
Speaker 1: Chris Delia. Do you know about that? I didn't see it,

534
00:28:39,840 --> 00:28:42,200
Speaker 1: so yeah, it's wild, right, even the idea of it.

535
00:28:42,400 --> 00:28:46,080
Speaker 1: When they announced that Tig was replacing Chris Delia wildly

536
00:28:46,160 --> 00:28:50,360
Speaker 1: different and chorus. I was cracking up about how perfect

537
00:28:50,440 --> 00:28:53,680
Speaker 1: it actually is Chris Delia's world Letergy to like Tig

538
00:28:53,800 --> 00:28:55,880
Speaker 1: just being like, it's the end of the world, It's

539
00:28:55,880 --> 00:28:59,040
Speaker 1: a zombie apopalypse, and her just being like, let's blow

540
00:28:59,120 --> 00:29:03,040
Speaker 1: their brains out, and she had to do it on

541
00:29:03,080 --> 00:29:05,600
Speaker 1: a green screen by herself because they already shot the

542
00:29:05,640 --> 00:29:07,480
Speaker 1: movie at the cast there, and I'm like, only she

543
00:29:07,640 --> 00:29:10,040
Speaker 1: can actually pull that off, And you know, you know

544
00:29:10,080 --> 00:29:13,480
Speaker 1: what I mean, it's literally cutting her out of her

545
00:29:13,600 --> 00:29:16,160
Speaker 1: own world and putting it into these worlds. And she's

546
00:29:16,200 --> 00:29:18,480
Speaker 1: the same in all of these roles. I'm telling it,

547
00:29:18,640 --> 00:29:22,120
Speaker 1: She's just being tigged. The space is exploding in Star Trek,

548
00:29:22,280 --> 00:29:25,560
Speaker 1: everything is going wild around her, and she's still like, hey, so, uh,

549
00:29:26,200 --> 00:29:28,320
Speaker 1: can you just pass me that pen? Like she's just

550
00:29:28,560 --> 00:29:32,320
Speaker 1: you know what I mean, I'm obsessed obviously, But what

551
00:29:32,440 --> 00:29:34,680
Speaker 1: you were saying is like she really saw that with

552
00:29:34,880 --> 00:29:38,680
Speaker 1: me too, And um, yeah, because it's it's hard, you know,

553
00:29:38,760 --> 00:29:40,520
Speaker 1: when you get an audition or something, you're like, oh,

554
00:29:40,600 --> 00:29:44,600
Speaker 1: maybe I do this voice or something. You have to

555
00:29:44,720 --> 00:29:48,280
Speaker 1: do the most to fit into something that clearly is

556
00:29:48,360 --> 00:29:50,000
Speaker 1: not you, and then like, yeah, it takes a very

557
00:29:50,040 --> 00:29:52,400
Speaker 1: confident performer to just be like, no, I'm gonna give

558
00:29:52,440 --> 00:29:55,440
Speaker 1: them me even though it's not you on the paper.

559
00:29:55,800 --> 00:29:58,560
Speaker 1: When I'm saying is I don't have range and the

560
00:29:58,920 --> 00:30:03,880
Speaker 1: range is over right, it's not necessary depending on what

561
00:30:03,960 --> 00:30:07,240
Speaker 1: you do, Matt saying this as someone with range, that

562
00:30:07,480 --> 00:30:10,480
Speaker 1: you do have range, you know that. Yeah, So like

563
00:30:10,880 --> 00:30:13,040
Speaker 1: what's something that's maybe a little out of range that

564
00:30:13,120 --> 00:30:15,440
Speaker 1: you were like, oh, maybe I want to try doing

565
00:30:15,520 --> 00:30:17,760
Speaker 1: that that no one ever sends me an audition for

566
00:30:18,440 --> 00:30:21,080
Speaker 1: no one ever for me, Yeah, thinks of you for

567
00:30:21,200 --> 00:30:24,240
Speaker 1: like what kind of character. I think that that's changing

568
00:30:24,320 --> 00:30:26,479
Speaker 1: a little bit now, Like I think now that I've

569
00:30:26,520 --> 00:30:28,240
Speaker 1: acted a little bit more and people see that I'm

570
00:30:28,280 --> 00:30:30,239
Speaker 1: capable of doing it, that's changing a little bit more.

571
00:30:30,280 --> 00:30:33,880
Speaker 1: Like I've recently gotten auditions for things where I ordinarily

572
00:30:33,960 --> 00:30:36,040
Speaker 1: would think that they would want to see me for

573
00:30:36,120 --> 00:30:38,240
Speaker 1: another part, and they saw me for whatever, like whatever,

574
00:30:38,280 --> 00:30:40,239
Speaker 1: I didn't book it. So now just say, like they

575
00:30:40,480 --> 00:30:42,960
Speaker 1: wanted me to read for Fiarro and Wicked, and I

576
00:30:43,160 --> 00:30:45,000
Speaker 1: was like, I would think they would put me in

577
00:30:45,120 --> 00:30:46,880
Speaker 1: like something else, you know what I mean? Like I

578
00:30:46,920 --> 00:30:48,520
Speaker 1: would think like if they were casting like a box

579
00:30:48,800 --> 00:30:51,560
Speaker 1: and how you see yourself versus how other people see

580
00:30:51,600 --> 00:30:55,920
Speaker 1: you as very to me it made and I mean,

581
00:30:55,960 --> 00:30:58,240
Speaker 1: who knows, But I guess the thing is like that's

582
00:30:58,240 --> 00:31:00,160
Speaker 1: the thing of just not taking yourself seriously and off

583
00:31:00,280 --> 00:31:01,920
Speaker 1: right too, And that's I guess That's another thing is

584
00:31:01,960 --> 00:31:04,680
Speaker 1: it's like when you really are confident, you can look

585
00:31:04,720 --> 00:31:07,080
Speaker 1: at an audition and be like, yeah, I'm gonna give

586
00:31:07,120 --> 00:31:09,720
Speaker 1: no matter what. I know what I'm gonna do. Like

587
00:31:09,800 --> 00:31:11,720
Speaker 1: Aubrey Plaza does that, you know what I mean? To

588
00:31:11,800 --> 00:31:14,840
Speaker 1: the point yeah, yes, and to the point where now

589
00:31:14,920 --> 00:31:16,880
Speaker 1: it's like she's playing this character that was written for

590
00:31:16,920 --> 00:31:19,640
Speaker 1: her by Mike White, and there's so much Aubrey in it.

591
00:31:19,960 --> 00:31:22,479
Speaker 1: But it's also like nothing she's played before you, right,

592
00:31:22,560 --> 00:31:25,360
Speaker 1: but it is extremely layered. Whereas like you could see

593
00:31:25,400 --> 00:31:27,320
Speaker 1: her in the beginning of her career and be like, oh,

594
00:31:27,400 --> 00:31:30,240
Speaker 1: Aubrey Plaza only does Aubrey Plaza. But there's like now

595
00:31:30,320 --> 00:31:33,760
Speaker 1: you're able to see dimension within that because she's mastered

596
00:31:33,800 --> 00:31:35,760
Speaker 1: what she's able to do and she's so confident. I mean,

597
00:31:35,800 --> 00:31:38,680
Speaker 1: like talk about someone who, like with traditional media, has

598
00:31:38,720 --> 00:31:40,959
Speaker 1: to make the choice to be her, Like every interview

599
00:31:41,040 --> 00:31:44,000
Speaker 1: she does is so fucking funny because she trolls every

600
00:31:44,080 --> 00:31:46,600
Speaker 1: single interview she ever speaks, at least she did for

601
00:31:46,760 --> 00:31:49,320
Speaker 1: years in the beginning. Now maybe it's different, but that's

602
00:31:49,360 --> 00:31:52,120
Speaker 1: something I really respect about people who are like singular

603
00:31:52,160 --> 00:31:54,560
Speaker 1: and energy is it's like, yeah, you know what, maybe

604
00:31:54,640 --> 00:31:56,960
Speaker 1: I didn't see it here on the page for myself,

605
00:31:57,240 --> 00:31:58,959
Speaker 1: and I've been in my head about it, but now

606
00:31:59,080 --> 00:32:03,120
Speaker 1: I can give myself because I know myself. Yeah, but

607
00:32:03,280 --> 00:32:05,680
Speaker 1: that this all sort of is floating around the question

608
00:32:05,760 --> 00:32:08,560
Speaker 1: of the show, which we must ask you, which is

609
00:32:09,040 --> 00:32:11,680
Speaker 1: os go. What was the culture that made you say

610
00:32:11,840 --> 00:32:14,920
Speaker 1: culture is for me? So this is that thing that

611
00:32:15,080 --> 00:32:18,000
Speaker 1: you consumed in terms of pop culture or even culture

612
00:32:18,000 --> 00:32:19,760
Speaker 1: at large that you can look back on now and

613
00:32:19,840 --> 00:32:23,360
Speaker 1: be like, m that was formative or that was defining

614
00:32:23,800 --> 00:32:26,600
Speaker 1: de Yeah, I mean there was there was a lot,

615
00:32:27,160 --> 00:32:32,720
Speaker 1: you know, from like pop up videos to Janet Jackson

616
00:32:33,120 --> 00:32:37,080
Speaker 1: sing two of her in Gosh, which song was it?

617
00:32:37,960 --> 00:32:40,680
Speaker 1: When I think when I think of you, you think

618
00:32:40,880 --> 00:32:45,800
Speaker 1: maybe yeah, there was like two yeah, yeah, yeah, like okay. Oh,

619
00:32:45,880 --> 00:32:48,120
Speaker 1: by the way, so I'm not a good singer, so

620
00:32:48,280 --> 00:32:52,200
Speaker 1: oftentimes when I try to sing something, um, people interpret

621
00:32:52,320 --> 00:32:56,560
Speaker 1: what I'm trying to and that was awesome, but it's

622
00:32:56,640 --> 00:33:00,840
Speaker 1: not that song. It is not that song. I don't

623
00:33:00,880 --> 00:33:08,520
Speaker 1: know enough to um. You know this is by the way,

624
00:33:08,600 --> 00:33:14,120
Speaker 1: Wicked was a really difficult audition for me. Also for

625
00:33:14,280 --> 00:33:16,640
Speaker 1: like thirty two bars I said and I checked, I

626
00:33:16,760 --> 00:33:19,560
Speaker 1: was like a minute and a half. I'm the kind

627
00:33:19,600 --> 00:33:22,040
Speaker 1: of singer when I say I'm not like a pretty singer.

628
00:33:22,400 --> 00:33:24,640
Speaker 1: I mean when we have like a musical sing off

629
00:33:24,680 --> 00:33:29,280
Speaker 1: at a party or something, I always get the that

630
00:33:29,360 --> 00:33:35,640
Speaker 1: part like if it's lame as up, yeah, sing talky villain,

631
00:33:35,760 --> 00:33:44,240
Speaker 1: that's that's what I yeah, I get you know those

632
00:33:44,280 --> 00:33:46,840
Speaker 1: sing tay villain is hard because you have to be

633
00:33:47,120 --> 00:33:49,719
Speaker 1: really compelling in order to do it, and people think like, oh,

634
00:33:49,800 --> 00:33:52,280
Speaker 1: the sing takey villain. But like those are like those

635
00:33:52,320 --> 00:33:54,080
Speaker 1: are really fun parts and those are hard parts. No,

636
00:33:54,200 --> 00:33:55,960
Speaker 1: it is fun, yeah, but I'm not you know, if

637
00:33:56,120 --> 00:33:58,040
Speaker 1: everyone's like what song, I'm like, oh, you know, it

638
00:33:58,200 --> 00:34:10,560
Speaker 1: was like oh when ill of things together again together again,

639
00:34:10,960 --> 00:34:13,560
Speaker 1: I think maybe it's oh my gosh, yeah, and that's

640
00:34:13,600 --> 00:34:20,440
Speaker 1: not even the culture video culture those really gosh. I

641
00:34:20,560 --> 00:34:24,040
Speaker 1: saw so many people with confidence and you know, and

642
00:34:24,239 --> 00:34:26,840
Speaker 1: just like being singular artists because music videos at that

643
00:34:26,960 --> 00:34:30,160
Speaker 1: time were also more original and dared to, you know,

644
00:34:30,840 --> 00:34:33,280
Speaker 1: go places that like, we're not scared that the audience

645
00:34:33,360 --> 00:34:36,560
Speaker 1: might get bored, you know. But I think for me,

646
00:34:36,680 --> 00:34:40,160
Speaker 1: I went to Hollywood Bowl concert of Snoop Dogg and

647
00:34:40,360 --> 00:34:43,840
Speaker 1: Red Hot Chili Peppers, which what is that combination? You

648
00:34:43,920 --> 00:34:45,480
Speaker 1: know what I mean? And that's why I bought tickets.

649
00:34:45,520 --> 00:34:49,120
Speaker 1: And it was a fundraiser for Snoop Dogg's Sons football team,

650
00:34:49,520 --> 00:34:51,680
Speaker 1: which I think he raised way too much money for

651
00:34:52,360 --> 00:34:58,920
Speaker 1: the ridotball teams, like the middle school. Yeah. I was like,

652
00:34:59,080 --> 00:35:04,840
Speaker 1: I think you got it. I think no, I know,

653
00:35:05,360 --> 00:35:07,360
Speaker 1: I know. I was like, or like, I don't know,

654
00:35:07,480 --> 00:35:11,160
Speaker 1: give the team to grand right, I have to perform. Well,

655
00:35:11,200 --> 00:35:14,480
Speaker 1: he obviously wanted to get on the bill. Yeah, what

656
00:35:14,680 --> 00:35:17,440
Speaker 1: was it was? It was wild? I was like, do

657
00:35:17,600 --> 00:35:20,719
Speaker 1: these two energies match? And I love juxtapositions like that,

658
00:35:21,200 --> 00:35:24,960
Speaker 1: and I'm I really liked hip hop and dance hall

659
00:35:25,080 --> 00:35:27,560
Speaker 1: music and I feel like, you know, when people see

660
00:35:27,680 --> 00:35:29,759
Speaker 1: me speaking of like what other people think of you

661
00:35:30,160 --> 00:35:32,239
Speaker 1: role wise and stuff people see me. You know, I

662
00:35:32,320 --> 00:35:34,800
Speaker 1: look like, you know, I own an art gallery, you know.

663
00:35:35,280 --> 00:35:38,919
Speaker 1: But my true loves are like dance hall music, which

664
00:35:38,960 --> 00:35:42,240
Speaker 1: is like Jamaican. But it doesn't make sense. It doesn't

665
00:35:42,280 --> 00:35:45,480
Speaker 1: make sense that I can like make my butt move

666
00:35:45,520 --> 00:35:49,400
Speaker 1: in different ways. You I would never see my body

667
00:35:49,520 --> 00:35:52,040
Speaker 1: and think, oh, this body of an engineer, you know,

668
00:35:52,480 --> 00:35:55,239
Speaker 1: can that I got from my father, that I got

669
00:35:55,360 --> 00:35:58,040
Speaker 1: from my father could do stuff like that. But I

670
00:35:58,200 --> 00:36:01,520
Speaker 1: love juxtapositions like that, how that could live together in

671
00:36:01,600 --> 00:36:03,279
Speaker 1: a world. And I think that was when it was

672
00:36:03,360 --> 00:36:07,719
Speaker 1: inspired seeing Flee go wild in that Lakers jersey. I

673
00:36:07,760 --> 00:36:11,919
Speaker 1: don't watch sports, but Lakers jersey and Snoop Dog doing

674
00:36:12,040 --> 00:36:16,080
Speaker 1: something for the greater good, which is the football team,

675
00:36:17,040 --> 00:36:19,720
Speaker 1: all these things that aren't my interest a lot of sports.

676
00:36:19,840 --> 00:36:22,160
Speaker 1: I was like, you know, but it means something to

677
00:36:22,640 --> 00:36:25,719
Speaker 1: both of them. It was really cool. It enhances the other.

678
00:36:25,920 --> 00:36:29,520
Speaker 1: And so I feel like we're already like at the saturation.

679
00:36:29,560 --> 00:36:31,359
Speaker 1: I'm like, I'm like connecting a lot of dots here.

680
00:36:31,400 --> 00:36:34,560
Speaker 1: But I feel like people think that what people want

681
00:36:34,600 --> 00:36:37,040
Speaker 1: and crossover culture is that, like it's like, look it's

682
00:36:37,080 --> 00:36:40,200
Speaker 1: all your favorite things in one spe But it's best

683
00:36:40,280 --> 00:36:43,200
Speaker 1: if it's like two things that you would never expect

684
00:36:43,400 --> 00:36:45,160
Speaker 1: to be together, not even a bunch of things, but

685
00:36:45,239 --> 00:36:48,640
Speaker 1: just maybe two things at minimum obviously, but like to

686
00:36:48,880 --> 00:36:52,600
Speaker 1: create that juxtaposition. And then that's what's interesting because you

687
00:36:52,640 --> 00:36:56,160
Speaker 1: don't need like all of these things happening at once.

688
00:36:56,960 --> 00:36:59,799
Speaker 1: But I feel like I love that. That's a great

689
00:37:00,320 --> 00:37:02,440
Speaker 1: way of thinking about it because I feel like you

690
00:37:02,520 --> 00:37:05,799
Speaker 1: are a very kinetic physical performer too, Like I feel

691
00:37:05,840 --> 00:37:07,919
Speaker 1: like in all your TikTok's, especially in the drop challenge,

692
00:37:07,960 --> 00:37:11,399
Speaker 1: it was like, oh, look like can like like pop

693
00:37:11,520 --> 00:37:13,320
Speaker 1: her ass out and like and like get into a

694
00:37:13,360 --> 00:37:18,200
Speaker 1: squadhop lock and drop it. Yes, that train as answer.

695
00:37:18,800 --> 00:37:21,160
Speaker 1: I took a lot of like ballet classes when I

696
00:37:21,239 --> 00:37:25,000
Speaker 1: was a kid, and I was a cheerleader in high school. Yeah,

697
00:37:25,080 --> 00:37:27,040
Speaker 1: so there, Yeah, there's a lot of like dance and

698
00:37:27,120 --> 00:37:30,120
Speaker 1: that was like, you know, my performance for a while.

699
00:37:30,840 --> 00:37:33,880
Speaker 1: Um yeah and so yeah, so I really loved that.

700
00:37:34,280 --> 00:37:37,120
Speaker 1: But you're right, like, too much of the same thing

701
00:37:37,719 --> 00:37:43,279
Speaker 1: will eventually just not mesh it clashes yeah not in

702
00:37:43,800 --> 00:37:48,320
Speaker 1: uh yeah, um sometimes Okay, when I see like Katie Perry,

703
00:37:49,560 --> 00:37:53,239
Speaker 1: you know, performance that is maybe a lot like I

704
00:37:53,320 --> 00:37:57,279
Speaker 1: don't know what to look at and maybe it's too much. Yes, well, yeah,

705
00:37:57,480 --> 00:38:00,400
Speaker 1: I think that there's a degree of maximalism. Are that

706
00:38:00,560 --> 00:38:04,160
Speaker 1: Maybe it's just like you think it's purposefully and iore

707
00:38:04,400 --> 00:38:06,640
Speaker 1: and then you're like, but how could that be? Like

708
00:38:06,920 --> 00:38:09,120
Speaker 1: maybe this is just too much. I think like that

709
00:38:09,280 --> 00:38:12,000
Speaker 1: that that's why that Shark character was such a big deal,

710
00:38:12,120 --> 00:38:15,440
Speaker 1: because you just start focusing on someone else, you know,

711
00:38:15,880 --> 00:38:21,200
Speaker 1: and maybe that's not your intention, you know. I think

712
00:38:21,239 --> 00:38:24,000
Speaker 1: that also Left Shark was just not nailing the dancing,

713
00:38:25,040 --> 00:38:27,280
Speaker 1: which couldn't be funny and ultimately was like, I'm sorry,

714
00:38:27,400 --> 00:38:30,800
Speaker 1: I watched that back and I don't notice the I

715
00:38:30,920 --> 00:38:32,719
Speaker 1: really don't either. I think people are picking on Left

716
00:38:32,760 --> 00:38:36,759
Speaker 1: Shark unfair. Yeah I never understood. Yeah, yeah, me too.

717
00:38:36,880 --> 00:38:38,840
Speaker 1: But I think it's because there was too much going on.

718
00:38:39,200 --> 00:38:42,640
Speaker 1: So it's just like something, oh didn't the finn wasn't

719
00:38:42,719 --> 00:38:46,760
Speaker 1: high enough, you know, And yeah, I think that's what happened.

720
00:38:46,880 --> 00:38:49,279
Speaker 1: The Shark was probably rebelling a little too, you know,

721
00:38:50,120 --> 00:38:52,960
Speaker 1: And that's why you you got to interview all your

722
00:38:52,960 --> 00:38:57,040
Speaker 1: backup dancers before you you hired them. I want to

723
00:38:57,080 --> 00:38:59,920
Speaker 1: say I was just gonna say you need to get

724
00:39:00,000 --> 00:39:04,280
Speaker 1: backup dancers for your next for my Largosco and Friends shows.

725
00:39:04,440 --> 00:39:07,160
Speaker 1: I have started with dance numbers before, and I have

726
00:39:07,800 --> 00:39:11,640
Speaker 1: had backup dancers. But if anyone can like inject that

727
00:39:11,719 --> 00:39:15,279
Speaker 1: into like the stand up aesthetic can break that up,

728
00:39:15,320 --> 00:39:18,319
Speaker 1: like if Julio not to just because we've talked about before,

729
00:39:18,320 --> 00:39:19,640
Speaker 1: but were we can have a conveyor belt and like

730
00:39:19,800 --> 00:39:23,439
Speaker 1: just have things go by like that's his like only

731
00:39:23,520 --> 00:39:25,560
Speaker 1: he can do that, right, But I feel like you

732
00:39:25,640 --> 00:39:27,000
Speaker 1: can be one of the only people who can bring

733
00:39:27,040 --> 00:39:28,880
Speaker 1: out a bunch of backup dancers for your for your

734
00:39:28,880 --> 00:39:31,040
Speaker 1: special you know. Yeah, I don't know. I feel like

735
00:39:31,080 --> 00:39:35,560
Speaker 1: you have. Do you treat them well? Ahere rehearsal just

736
00:39:36,000 --> 00:39:38,600
Speaker 1: you know, I keep it shut again, And I don't

737
00:39:38,680 --> 00:39:42,400
Speaker 1: like drawn out things. I'm very instincts gut like energy

738
00:39:42,560 --> 00:39:46,360
Speaker 1: was good, so why beat it till like it's perfect?

739
00:39:46,440 --> 00:39:49,280
Speaker 1: I like chaos a little bit. That's funny, especially started

740
00:39:49,320 --> 00:39:51,640
Speaker 1: like dirty minutes long. Yeah that's good. I think that's

741
00:39:51,640 --> 00:39:54,239
Speaker 1: actually better. Yeah. I feel sometimes crazy when I feel

742
00:39:54,239 --> 00:39:57,080
Speaker 1: like I've run things too much. Oh it's not good.

743
00:39:57,200 --> 00:39:59,279
Speaker 1: I'm I'm hitting that well down too. Yeah, we've talked

744
00:39:59,320 --> 00:40:01,560
Speaker 1: about this like being a rehearsal person, like you sort

745
00:40:01,560 --> 00:40:03,000
Speaker 1: of have to be because of the nature of what

746
00:40:03,120 --> 00:40:06,000
Speaker 1: you do. But even at SNL, like if I run

747
00:40:06,120 --> 00:40:09,560
Speaker 1: things too much, it ruins it. I go on stage

748
00:40:09,560 --> 00:40:11,719
Speaker 1: like I've had it happened like this past run of

749
00:40:11,760 --> 00:40:14,480
Speaker 1: shows where like I just ran a thing into the ground,

750
00:40:14,680 --> 00:40:17,120
Speaker 1: and then I show up at dress and I'm like, oh,

751
00:40:17,320 --> 00:40:20,000
Speaker 1: this doesn't I lost the threat. I just I just

752
00:40:20,120 --> 00:40:23,440
Speaker 1: and it's and it's a terrible feeling. It happens to everybody. Yes,

753
00:40:23,520 --> 00:40:28,600
Speaker 1: sometimes you compare yourself to a former version. You're like, yourself, Oh,

754
00:40:28,680 --> 00:40:30,879
Speaker 1: it was so good when I first did it. Yeah,

755
00:40:32,040 --> 00:40:34,359
Speaker 1: you know, even as you're delivering the lines, you go, oh,

756
00:40:34,560 --> 00:40:36,320
Speaker 1: that didn't get as hard of a left as like

757
00:40:37,160 --> 00:40:40,799
Speaker 1: the rehearsal or whatever, and you know, you stand up.

758
00:40:40,840 --> 00:40:44,160
Speaker 1: I really really rehearse that hole. But you know that's why,

759
00:40:44,760 --> 00:40:46,480
Speaker 1: you know, I had a chance to do it off

760
00:40:46,560 --> 00:40:49,480
Speaker 1: Broadway before taping for HBO, But I was like, I

761
00:40:49,520 --> 00:40:51,440
Speaker 1: don't know if I'm that kind of performer where I

762
00:40:51,600 --> 00:40:54,759
Speaker 1: can do four hundred shows and then tape it. You know,

763
00:40:54,880 --> 00:40:59,400
Speaker 1: I need that raw energy. Yeah, it's interesting because with

764
00:40:59,640 --> 00:41:01,560
Speaker 1: mine it was totally different because I've done it so

765
00:41:01,680 --> 00:41:05,120
Speaker 1: many times and we're a long time. Yeah, because it

766
00:41:05,239 --> 00:41:07,799
Speaker 1: was singing, we were going to tape two, so did

767
00:41:07,840 --> 00:41:10,960
Speaker 1: you tape it twice? So traditionally that's like what it

768
00:41:11,080 --> 00:41:12,759
Speaker 1: is for everyone out there, like if you're watching a

769
00:41:12,960 --> 00:41:16,360
Speaker 1: comedy special, that's like probably two performances edited together to

770
00:41:16,480 --> 00:41:19,600
Speaker 1: make it the best of what it is. But Carmic, well,

771
00:41:19,640 --> 00:41:23,560
Speaker 1: he did it four times. Can you imagine sorry sorry

772
00:41:23,920 --> 00:41:27,759
Speaker 1: talking No, I literally I can't imagine doing it four times.

773
00:41:27,800 --> 00:41:30,239
Speaker 1: But also his thing is so different, Like the reason

774
00:41:30,280 --> 00:41:33,160
Speaker 1: why it's like, how do you do that four times

775
00:41:33,200 --> 00:41:35,759
Speaker 1: and act like you're saying it for the first time?

776
00:41:36,400 --> 00:41:39,760
Speaker 1: I have secrets like four times? But he's just sitting

777
00:41:39,960 --> 00:41:42,319
Speaker 1: like in that same posture the whole time. Yeah, yeah,

778
00:41:42,520 --> 00:41:44,959
Speaker 1: I would imagine that that because that's like an emotional show.

779
00:41:45,080 --> 00:41:47,320
Speaker 1: And I think because it's like it's so thoughtful and

780
00:41:47,440 --> 00:41:49,160
Speaker 1: he does even in the way that they shot it.

781
00:41:49,200 --> 00:41:51,520
Speaker 1: And I worked with that production company on this, and

782
00:41:51,680 --> 00:41:54,319
Speaker 1: so they were saying, like, you know, it really does

783
00:41:54,440 --> 00:41:56,439
Speaker 1: take place like almost like an avoid what he's doing,

784
00:41:56,560 --> 00:41:57,960
Speaker 1: Like in the way that it's shot, it's sort of

785
00:41:58,040 --> 00:42:00,719
Speaker 1: like allows him to sort of like maybe doing it

786
00:42:00,800 --> 00:42:04,360
Speaker 1: four times allowed different discoveries because it almost is like

787
00:42:04,400 --> 00:42:06,920
Speaker 1: a monologue before it is stand up totally and it's

788
00:42:07,040 --> 00:42:10,120
Speaker 1: very bo Burnham too. I feel like just in recent history,

789
00:42:10,320 --> 00:42:13,920
Speaker 1: between Gerard's thing and with Kate Berlanche show, and you

790
00:42:14,160 --> 00:42:17,799
Speaker 1: know they've run those things a million times, you know, yeah,

791
00:42:18,000 --> 00:42:20,360
Speaker 1: I mean I've watched Kate's show in New York and

792
00:42:20,440 --> 00:42:22,680
Speaker 1: it was like very clear that this had to have

793
00:42:22,800 --> 00:42:25,840
Speaker 1: been restant million times. I'm just saying, how do you

794
00:42:26,040 --> 00:42:31,439
Speaker 1: rehearse long silences? I'm saying, you know, and who knows

795
00:42:31,520 --> 00:42:34,360
Speaker 1: what editing is with s and so so there's that

796
00:42:34,560 --> 00:42:36,840
Speaker 1: and also but with mine, it was like just because

797
00:42:36,880 --> 00:42:39,200
Speaker 1: it was singing, I just wanted to make sure I

798
00:42:39,360 --> 00:42:41,440
Speaker 1: could do it two times in a row because I

799
00:42:41,560 --> 00:42:44,200
Speaker 1: never have because your voice gets tired. Um. So the

800
00:42:44,239 --> 00:42:46,799
Speaker 1: week before I did like a thing at Joe's Pub

801
00:42:46,840 --> 00:42:48,080
Speaker 1: where I just did it twice in a row just

802
00:42:48,160 --> 00:42:50,160
Speaker 1: to prove to myself I could do it, so that

803
00:42:50,239 --> 00:42:52,880
Speaker 1: I could like literally know in my body like it

804
00:42:52,960 --> 00:42:56,440
Speaker 1: doesn't feel insane to sing, you know, twenty five songs

805
00:42:56,520 --> 00:42:59,400
Speaker 1: in a night, which is which is a lot, you know,

806
00:43:00,600 --> 00:43:03,000
Speaker 1: And then like the sketches in between that you just

807
00:43:03,120 --> 00:43:06,960
Speaker 1: shot afterwards, right okay, yeah, and then hopefully, well I

808
00:43:07,000 --> 00:43:08,719
Speaker 1: hoped in the edit that it would come together. Does

809
00:43:08,800 --> 00:43:12,920
Speaker 1: your is yours? Like multimedia? Is your? Just stand up?

810
00:43:13,080 --> 00:43:17,960
Speaker 1: Stand up? We tried a tiny, tiny sketch in the beginning.

811
00:43:18,000 --> 00:43:20,359
Speaker 1: I was afraid, like sometimes for a stand up show

812
00:43:20,440 --> 00:43:23,560
Speaker 1: it could be a little cheesy, but were like, let's

813
00:43:23,600 --> 00:43:25,800
Speaker 1: just make it sure. You know, it's just my grandma

814
00:43:26,200 --> 00:43:27,800
Speaker 1: being like do you have any yet putting something in

815
00:43:27,880 --> 00:43:31,239
Speaker 1: my mouth before I go on stage. But yeah, it

816
00:43:31,320 --> 00:43:33,120
Speaker 1: just didn't work out. It didn't feel like it was

817
00:43:33,200 --> 00:43:35,600
Speaker 1: in the voice yeah, or not the way you want

818
00:43:35,600 --> 00:43:38,439
Speaker 1: to like be introducing yourself right off the top, because

819
00:43:38,480 --> 00:43:41,320
Speaker 1: those opening seconds are really important, right, and it just

820
00:43:41,400 --> 00:43:43,439
Speaker 1: didn't match where I was like, you know what, it's

821
00:43:43,520 --> 00:43:46,720
Speaker 1: just a stand up show totally, and have your grandmother

822
00:43:46,760 --> 00:43:48,239
Speaker 1: in the end is so nice because she is such

823
00:43:48,239 --> 00:43:50,840
Speaker 1: a part of your life and also like part of

824
00:43:50,920 --> 00:43:54,640
Speaker 1: like your work where Common referenced her a lot. Okay, So,

825
00:43:55,000 --> 00:43:59,080
Speaker 1: without spoiling anything, the title the Intruder is about someone

826
00:43:59,160 --> 00:44:02,360
Speaker 1: who came to your your house, right, Okay, you obviously

827
00:44:02,400 --> 00:44:04,560
Speaker 1: get into it in the special, but like, what's like

828
00:44:04,640 --> 00:44:07,960
Speaker 1: the general plot summary of that, because that's a lot.

829
00:44:08,440 --> 00:44:10,919
Speaker 1: He came to our house three times in one day,

830
00:44:12,040 --> 00:44:14,000
Speaker 1: and so I was trying to figure out. I was

831
00:44:14,120 --> 00:44:16,279
Speaker 1: touring my hour of stand up. It was sort of

832
00:44:16,440 --> 00:44:19,919
Speaker 1: it had through line, but it was jokes for an hour.

833
00:44:20,400 --> 00:44:22,359
Speaker 1: And then I worked with Mike bar Bigley a lot

834
00:44:22,880 --> 00:44:25,960
Speaker 1: and he's, you know, really great at story structure and

835
00:44:26,000 --> 00:44:28,919
Speaker 1: he's on Broadway now, and I was telling him, my, gosh,

836
00:44:29,000 --> 00:44:31,839
Speaker 1: I have this story that I can't fit into my hour.

837
00:44:32,120 --> 00:44:34,080
Speaker 1: This intruder came to my house three times and a

838
00:44:34,160 --> 00:44:35,800
Speaker 1: day and he goes, wait, that's three acts and I

839
00:44:35,880 --> 00:44:39,200
Speaker 1: was like, wow, I didn't even think of that, just

840
00:44:39,280 --> 00:44:41,160
Speaker 1: needs someone to say it. And then and then all

841
00:44:41,160 --> 00:44:43,160
Speaker 1: of a sudden it's there. Right. So it starts with

842
00:44:43,280 --> 00:44:46,359
Speaker 1: first intrusion, second intrusion, third intrusion, and how we got

843
00:44:46,480 --> 00:44:49,400
Speaker 1: rid of the guy, you know, and and ultimately so

844
00:44:49,520 --> 00:44:51,400
Speaker 1: good now, like I mean, I want to watch it

845
00:44:51,680 --> 00:44:54,880
Speaker 1: right now. You know, sometimes it really takes another person

846
00:44:55,040 --> 00:44:58,839
Speaker 1: to look at you and go you are Darcy or whatever,

847
00:44:58,960 --> 00:45:02,360
Speaker 1: you know whatever, you know what I mean. Any I

848
00:45:02,520 --> 00:45:05,399
Speaker 1: wouldn't have thought of that. Yeah, And ultimately it's really

849
00:45:05,480 --> 00:45:07,239
Speaker 1: about like all the things that made you feel like

850
00:45:07,280 --> 00:45:09,200
Speaker 1: a freak growing up, or all the things that you

851
00:45:09,239 --> 00:45:12,520
Speaker 1: feel like you're an outsider, those are your superpowers. And

852
00:45:12,640 --> 00:45:15,239
Speaker 1: so that's kind of what this show is really I

853
00:45:15,320 --> 00:45:30,960
Speaker 1: think about, Yeah, who are your favorite comedians? Tig is actual? Yeah, yeah,

854
00:45:31,200 --> 00:45:34,640
Speaker 1: Tig for sure. Yeah, that's what I would be an

855
00:45:34,760 --> 00:45:37,719
Speaker 1: iconic answer for anyone, even if she wasn't directing exactly.

856
00:45:38,000 --> 00:45:41,960
Speaker 1: But we know that you're just sucking up. This might

857
00:45:42,000 --> 00:45:44,480
Speaker 1: be the first episode of must culture together listens to

858
00:45:44,560 --> 00:45:46,720
Speaker 1: I guarantee she's never listened to it. I guarantee stuff

859
00:45:46,800 --> 00:45:49,919
Speaker 1: she might have. Maybe I think she ground. I don't

860
00:45:49,960 --> 00:45:51,880
Speaker 1: think I've ever tweeted for Tig. Do you ever tweet?

861
00:45:51,920 --> 00:45:53,320
Speaker 1: I tweeted one day for take and it was like

862
00:45:53,360 --> 00:45:57,239
Speaker 1: the best day of my life. You just think I'm done,

863
00:45:57,520 --> 00:46:02,640
Speaker 1: I thought, yeah, and life is really long. They're like, no,

864
00:46:02,800 --> 00:46:05,080
Speaker 1: you gotta keep doing ship. I mean, you got to

865
00:46:05,080 --> 00:46:08,440
Speaker 1: pay your bills. Okay, I thought, I mean tweeting for

866
00:46:08,480 --> 00:46:10,880
Speaker 1: a take. It's really she doesn't even know you're doing it.

867
00:46:13,080 --> 00:46:15,800
Speaker 1: It's such a cool thing that she does though. Smart.

868
00:46:16,360 --> 00:46:19,399
Speaker 1: Remember there was like a moment where like the ball

869
00:46:19,600 --> 00:46:23,560
Speaker 1: was really being passed around like circle, and I was

870
00:46:23,640 --> 00:46:26,560
Speaker 1: like I was like any day now, and it never never,

871
00:46:27,920 --> 00:46:29,879
Speaker 1: and I was like, Okay, now I know what it's

872
00:46:29,880 --> 00:46:33,200
Speaker 1: like to feel like that kid on the court, please please,

873
00:46:33,719 --> 00:46:36,800
Speaker 1: but they're like whatever, that wasn't the best tweeter anyway.

874
00:46:37,239 --> 00:46:40,399
Speaker 1: I feel like it becomes work for a day. Two, Yeah,

875
00:46:40,480 --> 00:46:42,279
Speaker 1: that's the thing. You have to be prolific, and then

876
00:46:42,280 --> 00:46:44,560
Speaker 1: when you're prolific, like six out of ten things aren't good.

877
00:46:44,640 --> 00:46:47,319
Speaker 1: It's like taking over someone's Instagram. You're like, okay, now

878
00:46:47,600 --> 00:46:51,200
Speaker 1: for the day, you have to be stakes and funny

879
00:46:51,320 --> 00:46:53,520
Speaker 1: and on. And you know, it was a different time.

880
00:46:53,560 --> 00:46:55,239
Speaker 1: It was a really nice at least when I did.

881
00:46:55,239 --> 00:46:57,839
Speaker 1: I think she still does it, she does, but when

882
00:46:57,920 --> 00:47:00,120
Speaker 1: I did it back in the day, like the was

883
00:47:00,200 --> 00:47:05,760
Speaker 1: like and like Twitter was even back then, even post election,

884
00:47:06,000 --> 00:47:10,239
Speaker 1: post Trump, it was like a better, nicer place. Yeah,

885
00:47:10,480 --> 00:47:13,080
Speaker 1: you know, and so like it was a different thing

886
00:47:13,200 --> 00:47:15,759
Speaker 1: back then too. Well, you could tweet something and not

887
00:47:16,400 --> 00:47:20,080
Speaker 1: know that it wasn't necessarily going to be received in

888
00:47:20,200 --> 00:47:22,920
Speaker 1: bad faith automatically like now, I feel like nowadays on

889
00:47:22,960 --> 00:47:24,680
Speaker 1: Twitter it's like if you put something out there, it's

890
00:47:24,719 --> 00:47:28,560
Speaker 1: like probably someone's gonna troll you for sure? Are you offen? Now?

891
00:47:28,640 --> 00:47:33,359
Speaker 1: To we share Twitter, and so at any given time,

892
00:47:33,480 --> 00:47:35,520
Speaker 1: like if you want to, if you want to tweet something,

893
00:47:35,560 --> 00:47:37,920
Speaker 1: well tweet we can like and then we sometimes do,

894
00:47:38,040 --> 00:47:39,800
Speaker 1: but it's like far in few between now that we like,

895
00:47:40,080 --> 00:47:42,560
Speaker 1: make a joke tweet. Yeah, you know, I feel like

896
00:47:42,640 --> 00:47:47,120
Speaker 1: we're more visual people. Instagram is nice. Nice. And also

897
00:47:47,239 --> 00:47:50,479
Speaker 1: there's something about this TikTok girl, you too talk about

898
00:47:50,520 --> 00:47:54,640
Speaker 1: TikTok because I'll quickly how did you like you understood it?

899
00:47:54,680 --> 00:47:56,160
Speaker 1: Because it took me like a couple of days to

900
00:47:56,360 --> 00:47:59,440
Speaker 1: understand what the funk? I still don't like it. I

901
00:47:59,600 --> 00:48:02,600
Speaker 1: still yeah, it's where I just archived things, to be honest,

902
00:48:02,719 --> 00:48:06,840
Speaker 1: it's nowhere here where I go first, bless you, bless you,

903
00:48:07,040 --> 00:48:10,359
Speaker 1: thank you, and so you're on it. So I mean, well, Mike,

904
00:48:10,840 --> 00:48:13,960
Speaker 1: Mike for Bigley, who's not like you know, no offense,

905
00:48:14,000 --> 00:48:18,080
Speaker 1: but just like forward, he was like, you gotta be

906
00:48:18,160 --> 00:48:22,160
Speaker 1: on TikTok. Do you want to be forgotten? Or if

907
00:48:22,200 --> 00:48:25,000
Speaker 1: you're on TikTok Dad and you know what I mean,

908
00:48:25,800 --> 00:48:28,920
Speaker 1: Like he's a dad and like you know, on Broadway

909
00:48:29,080 --> 00:48:31,319
Speaker 1: and you know what I mean, like, yeah, he doesn't

910
00:48:31,360 --> 00:48:36,560
Speaker 1: need right. I was like, okay, do you have one. Yeah, Okay,

911
00:48:36,760 --> 00:48:39,640
Speaker 1: so then that's interesting. Yeah, so we're all trying not

912
00:48:39,719 --> 00:48:42,319
Speaker 1: to be forgotten, I guess, And so we're on there.

913
00:48:42,560 --> 00:48:46,360
Speaker 1: You know, I thought about joining it, but only because okay,

914
00:48:46,400 --> 00:48:48,680
Speaker 1: not to reference myself, but back in the days when

915
00:48:48,680 --> 00:48:50,920
Speaker 1: I would do the lip sync videos, people be like,

916
00:48:51,040 --> 00:48:54,879
Speaker 1: bo when you have to join this is like they're like, bohen,

917
00:48:54,920 --> 00:48:57,880
Speaker 1: you have to join TikTok before I feel like pandemic.

918
00:48:58,000 --> 00:49:01,400
Speaker 1: Really they would have exploded on TikTok. It's not but

919
00:49:01,480 --> 00:49:03,239
Speaker 1: it's not even that. I'm just like, I feel like

920
00:49:03,280 --> 00:49:05,640
Speaker 1: I just missed it completely, Like I landed on what

921
00:49:05,840 --> 00:49:07,840
Speaker 1: like would have been good for it, and I just

922
00:49:08,800 --> 00:49:11,200
Speaker 1: totally didn't move past it. And now I'm like, well

923
00:49:11,239 --> 00:49:13,239
Speaker 1: now I now I don't have like a good way

924
00:49:13,320 --> 00:49:16,560
Speaker 1: in anymore. And so I felt the same way about

925
00:49:16,760 --> 00:49:20,759
Speaker 1: my Taylor Swift things. Yeah, like those were essentially made

926
00:49:20,840 --> 00:49:22,560
Speaker 1: for TikTok and I just did it on. You know,

927
00:49:23,040 --> 00:49:25,719
Speaker 1: our friend Paul mccallean said that the original TikTok's were

928
00:49:25,800 --> 00:49:29,800
Speaker 1: Fortnits in Orlando. We didn't know, I you have this

929
00:49:29,960 --> 00:49:34,560
Speaker 1: are great And honestly I did post one on TikTok.

930
00:49:35,120 --> 00:49:37,680
Speaker 1: Did well. Really like people liked it like it's us

931
00:49:37,760 --> 00:49:41,839
Speaker 1: from like truly people long time ago, and you were

932
00:49:41,920 --> 00:49:45,560
Speaker 1: just like editing in I was editing while we were

933
00:49:45,600 --> 00:49:48,400
Speaker 1: at Disney World. I was directing, Matt was directing, and

934
00:49:48,480 --> 00:49:51,439
Speaker 1: like you know, had the shot list or whatever. Yeah,

935
00:49:51,440 --> 00:49:54,319
Speaker 1: but it's a ton of work. It's it's done of work.

936
00:49:54,320 --> 00:49:56,640
Speaker 1: And it was back when Instagram only did fifteen second videos,

937
00:49:57,040 --> 00:49:58,279
Speaker 1: so we were like, oh, this is great. Like the

938
00:49:58,320 --> 00:50:00,480
Speaker 1: limitation is we have to do an episode ode of

939
00:50:00,560 --> 00:50:03,200
Speaker 1: the story in fifteen seconds, and so the cutsbur crazy,

940
00:50:03,239 --> 00:50:04,800
Speaker 1: and it was literally just being like okay, now, but

941
00:50:04,880 --> 00:50:06,799
Speaker 1: when you stand there and I'm putting the camera as

942
00:50:06,880 --> 00:50:08,879
Speaker 1: far as possible to your face and you're gonna say

943
00:50:08,920 --> 00:50:11,360
Speaker 1: I'm gonna get you soon, and then we just have

944
00:50:11,440 --> 00:50:12,759
Speaker 1: taken that tipe and I would give it to him

945
00:50:12,760 --> 00:50:14,600
Speaker 1: and he'd put the music on and like it was

946
00:50:14,640 --> 00:50:17,520
Speaker 1: inspired by American horror story. Yes, when I get home

947
00:50:17,760 --> 00:50:21,480
Speaker 1: posting gay ghost post because I posted I posted what

948
00:50:21,600 --> 00:50:23,680
Speaker 1: is the one? I posted which war? Which war? So

949
00:50:23,800 --> 00:50:25,920
Speaker 1: there's which war? There's a gay ghost and then the

950
00:50:26,000 --> 00:50:29,520
Speaker 1: other good one is shape shape shifters. They're they were

951
00:50:29,600 --> 00:50:32,640
Speaker 1: they were inspired by American horror story. Yeah, and anthology

952
00:50:32,840 --> 00:50:36,400
Speaker 1: when you resurfaced them or whatever, right you Yeah, posted

953
00:50:36,440 --> 00:50:39,560
Speaker 1: it more recently again, people on TikTok love the d

954
00:50:39,680 --> 00:50:44,399
Speaker 1: I y. They like stupid little bits. Yeah, and I'm

955
00:50:44,440 --> 00:50:45,799
Speaker 1: still getting used to the fact that you can post

956
00:50:45,840 --> 00:50:48,160
Speaker 1: a TikTok that's like five seconds totally and some of

957
00:50:48,200 --> 00:50:50,919
Speaker 1: those are the are the biggest one. But I feel

958
00:50:50,960 --> 00:50:52,920
Speaker 1: like it's and I don't feel this way with Instagram.

959
00:50:52,920 --> 00:50:54,400
Speaker 1: It feels very like, oh, I'll just post what I

960
00:50:54,400 --> 00:50:56,719
Speaker 1: want to post. But on TikTok, it feels like there's

961
00:50:56,920 --> 00:50:59,800
Speaker 1: a prompt in front of me, there's a gun to

962
00:50:59,880 --> 00:51:04,840
Speaker 1: my I had like make some is off because everyone

963
00:51:04,960 --> 00:51:08,200
Speaker 1: is so loose about it, Like it's literally just like fuckingna,

964
00:51:08,239 --> 00:51:11,080
Speaker 1: I'm gonna do something today tonight. Yeah, just for fun.

965
00:51:11,160 --> 00:51:12,839
Speaker 1: But it has to be fun for you. And when

966
00:51:12,880 --> 00:51:15,279
Speaker 1: I have fun, it's good. But I try not to

967
00:51:15,400 --> 00:51:19,280
Speaker 1: stress about it because you know it can't be because stressful.

968
00:51:19,280 --> 00:51:21,520
Speaker 1: It's not supposed to be stressful. Yeah, there has to

969
00:51:21,560 --> 00:51:23,440
Speaker 1: be one that's fun, and that's I guess. I was like,

970
00:51:23,560 --> 00:51:25,600
Speaker 1: if I'm going to get on TikTok, like it'll be fun,

971
00:51:26,080 --> 00:51:28,640
Speaker 1: you know, even maybe more stupid or more basic than

972
00:51:28,680 --> 00:51:31,160
Speaker 1: anything I would put on like Instagram, right, and then

973
00:51:31,239 --> 00:51:34,120
Speaker 1: it trust me, it has been no, no, I have

974
00:51:34,239 --> 00:51:37,560
Speaker 1: someone there that I'm like, okay, I guess that songs

975
00:51:37,719 --> 00:51:43,200
Speaker 1: underneath me going yeah, you know, that's fine. It's whatever

976
00:51:43,640 --> 00:51:45,560
Speaker 1: it's out there. It sort of tells you what to do.

977
00:51:45,640 --> 00:51:47,680
Speaker 1: And that's what I like about the you know what

978
00:51:47,680 --> 00:51:48,800
Speaker 1: I mean. It's like you go to f I P

979
00:51:48,920 --> 00:51:51,799
Speaker 1: and you see what's trending and you're like, okay, oh

980
00:51:52,000 --> 00:51:54,560
Speaker 1: that's okay. See that's what I'm missing, is that I'm like,

981
00:51:54,640 --> 00:51:57,000
Speaker 1: what do I know? Right, there's a prompt? Yeah, yeah,

982
00:51:57,280 --> 00:51:59,480
Speaker 1: And it's funny because it's it's like the culture is

983
00:51:59,560 --> 00:52:02,320
Speaker 1: telling you what the prompt is and then you respond

984
00:52:02,400 --> 00:52:03,840
Speaker 1: to that by doing your own, and then all of

985
00:52:03,880 --> 00:52:06,600
Speaker 1: a sudden, it's like it's almost like crafty in that way.

986
00:52:06,680 --> 00:52:09,160
Speaker 1: It's crafty in that way. I like that. I like

987
00:52:09,400 --> 00:52:12,440
Speaker 1: that as in like I thought it was so alien

988
00:52:12,840 --> 00:52:15,120
Speaker 1: to like figure out what to even post, but now

989
00:52:15,200 --> 00:52:18,320
Speaker 1: I'm like, Okay, it's like it's anything. It's anything. Or

990
00:52:18,360 --> 00:52:20,200
Speaker 1: you can just be like I just did this thing

991
00:52:20,719 --> 00:52:23,319
Speaker 1: by and then see how it reacts. It might get

992
00:52:23,360 --> 00:52:27,080
Speaker 1: two views because what I just said wasn't interesting, but

993
00:52:27,760 --> 00:52:30,160
Speaker 1: you know, yeah, yeah, yeah, but then it's like the

994
00:52:30,239 --> 00:52:33,239
Speaker 1: weird ship that does pop off that you're like, okay, sure,

995
00:52:33,440 --> 00:52:35,480
Speaker 1: and then to be actually a creator of one of

996
00:52:35,560 --> 00:52:38,960
Speaker 1: the great games you're on like Hollow Grounds. It was

997
00:52:39,080 --> 00:52:42,040
Speaker 1: so fun to watch people's remix. I learned so much

998
00:52:42,040 --> 00:52:45,640
Speaker 1: about different occupations. Jobs. I didn't jobs I didn't even

999
00:52:45,680 --> 00:52:47,279
Speaker 1: know exist that people would do it out there. We

1000
00:52:47,600 --> 00:52:49,439
Speaker 1: have to do one when we're done with this. Oh yeah,

1001
00:52:49,520 --> 00:52:53,759
Speaker 1: yeah you already y'all did one at which awards? I

1002
00:52:53,840 --> 00:52:56,960
Speaker 1: feel like you did it? Did at Critics Choice? Did

1003
00:52:57,000 --> 00:53:01,040
Speaker 1: we do? We did want? I've done multiple times already.

1004
00:53:01,200 --> 00:53:06,279
Speaker 1: Oh yeah yeah, And I mean it's always it's a

1005
00:53:06,320 --> 00:53:11,120
Speaker 1: beautiful thing. It also throws back to that great to drop.

1006
00:53:11,239 --> 00:53:15,080
Speaker 1: I've always loved that part of the song. Yeah yeah,

1007
00:53:15,320 --> 00:53:17,600
Speaker 1: and that's like there's something to it. I mean it

1008
00:53:17,719 --> 00:53:21,520
Speaker 1: was just us being silly in little Tokyo of Los Angeles. Um,

1009
00:53:21,920 --> 00:53:25,279
Speaker 1: but yeah, the occupations were wild. There was there was

1010
00:53:25,320 --> 00:53:30,560
Speaker 1: like a person who a rock splitter, so just like

1011
00:53:30,800 --> 00:53:32,920
Speaker 1: every time they would yeah, every time he would go

1012
00:53:33,120 --> 00:53:37,160
Speaker 1: down and break the rock, he would squat down. Yeah

1013
00:53:37,600 --> 00:53:39,719
Speaker 1: is that possible? Like you put all your weight forward?

1014
00:53:39,760 --> 00:53:42,400
Speaker 1: But then you also do lower body. Yeah, it's wild,

1015
00:53:42,719 --> 00:53:45,880
Speaker 1: very athletic. You know. There was a person like a

1016
00:53:45,960 --> 00:53:48,719
Speaker 1: fisherman on a boat doing it and then fell over

1017
00:53:50,239 --> 00:53:53,319
Speaker 1: but kept that and that's the one he posted. People

1018
00:53:53,400 --> 00:53:55,640
Speaker 1: died as a result of the drop, not that I know,

1019
00:53:55,880 --> 00:53:57,840
Speaker 1: but that when I when he fell over, I was like,

1020
00:53:58,120 --> 00:54:01,120
Speaker 1: what have I done? Yeah? Yeah, killed a man with

1021
00:54:01,239 --> 00:54:07,880
Speaker 1: that as also the cast of Hamilton. That's how I

1022
00:54:07,920 --> 00:54:11,799
Speaker 1: met this season's cast. That's how I met Asian Aaron Burr.

1023
00:54:12,400 --> 00:54:16,479
Speaker 1: Oh my god, he's so good. Okay, yeah, so good. Okay,

1024
00:54:16,560 --> 00:54:20,799
Speaker 1: I haven't seen he's excellent as he's in great Aaron Burr. Okay,

1025
00:54:20,880 --> 00:54:22,800
Speaker 1: I took my parents to see him. Did you go

1026
00:54:22,960 --> 00:54:24,680
Speaker 1: because of him? Or it's like you just went to

1027
00:54:24,760 --> 00:54:26,640
Speaker 1: go see it and this happened to be the cast

1028
00:54:27,080 --> 00:54:29,279
Speaker 1: kind of both, Like I knew that he was going

1029
00:54:29,480 --> 00:54:33,320
Speaker 1: on and he just started it. And then my parents

1030
00:54:33,400 --> 00:54:35,400
Speaker 1: were in town and I was like, I'm gonna take

1031
00:54:35,480 --> 00:54:38,200
Speaker 1: him to see Hamiles at my dad falls asleep. Well,

1032
00:54:38,280 --> 00:54:39,520
Speaker 1: he just he it's nothing. He didn't love me, just

1033
00:54:39,600 --> 00:54:41,960
Speaker 1: fell asleep. He was tired. Well, the city is a lot.

1034
00:54:42,080 --> 00:54:45,799
Speaker 1: The city is a lot travel travel, But my mom

1035
00:54:45,880 --> 00:54:47,720
Speaker 1: was like, Wow, this is amazing. I was like, okay,

1036
00:54:47,760 --> 00:54:51,120
Speaker 1: mom gets it. Yeah, it's great. It's a good parent show.

1037
00:54:51,320 --> 00:54:54,160
Speaker 1: It's a great parent show. Yeah, because it's history. Literally,

1038
00:54:54,360 --> 00:54:58,760
Speaker 1: there's love. There's love, there's love history, there's a murderous

1039
00:54:58,800 --> 00:55:02,520
Speaker 1: intrigue thing you want. There's flirting with betrayal, and there's

1040
00:55:02,520 --> 00:55:09,240
Speaker 1: actual betrayal. Yea. But it is always like three hours

1041
00:55:09,560 --> 00:55:13,000
Speaker 1: is how long. It's pretty long. It's three hours. Doesn't

1042
00:55:13,000 --> 00:55:14,759
Speaker 1: feel it doesn't feel long. Now, it's like it's a

1043
00:55:14,840 --> 00:55:21,400
Speaker 1: typical Broadway musical. Like I was talking about Hamilton's. I

1044
00:55:21,520 --> 00:55:23,960
Speaker 1: know it was. You know, it's seen a drop challenge.

1045
00:55:24,000 --> 00:55:25,839
Speaker 1: I have seen it. I haven't seen it, not this cast.

1046
00:55:25,880 --> 00:55:28,480
Speaker 1: I was saying, that's how I met, you know, Asian.

1047
00:55:29,080 --> 00:55:32,520
Speaker 1: I know that's cool. I feel like, freaking, who's the

1048
00:55:32,600 --> 00:55:36,600
Speaker 1: main Hamilton. It has been a million years, so yeah,

1049
00:55:36,640 --> 00:55:38,960
Speaker 1: I feel like Hamilton was Asian two. I don't know,

1050
00:55:39,040 --> 00:55:41,680
Speaker 1: there might have been an Asian Hamilton's somewhere, but it

1051
00:55:41,760 --> 00:55:45,239
Speaker 1: did bring communities together and that I was discovering folks too,

1052
00:55:45,400 --> 00:55:48,960
Speaker 1: and that was really cool to see. Yeah, it's like

1053
00:55:49,080 --> 00:55:52,640
Speaker 1: that kind of TikTok challenge where anyone anywhere can do it,

1054
00:55:53,000 --> 00:55:56,040
Speaker 1: which is perfect. It's not like it's even better than

1055
00:55:56,080 --> 00:55:59,680
Speaker 1: like a full on choreo dance. Yeah, because those are

1056
00:56:00,239 --> 00:56:01,879
Speaker 1: takes a lot of buying for people to like, Okay,

1057
00:56:01,880 --> 00:56:03,960
Speaker 1: I gotta learn it and then do it. But it's

1058
00:56:04,040 --> 00:56:06,800
Speaker 1: like the prompt is to do something like anywhere and

1059
00:56:06,920 --> 00:56:09,120
Speaker 1: that's the fun of it. Can be on a fishing boat,

1060
00:56:09,160 --> 00:56:11,800
Speaker 1: it can be right you're sitting here so excited that

1061
00:56:11,840 --> 00:56:14,680
Speaker 1: we're going to do one. We'll do one. We'll like

1062
00:56:14,760 --> 00:56:17,360
Speaker 1: sit into our seats like we were about to record,

1063
00:56:17,920 --> 00:56:20,800
Speaker 1: and then you can do one getting up to the beach. Perfect.

1064
00:56:20,800 --> 00:56:23,279
Speaker 1: There's so many that is a good one. Sitting down

1065
00:56:23,320 --> 00:56:26,600
Speaker 1: to record, to record, we can make the chairs really

1066
00:56:26,880 --> 00:56:30,080
Speaker 1: to watch this? Oh no, I guess my chairs. So

1067
00:56:30,239 --> 00:56:31,799
Speaker 1: you love those chairs where you can pull the lever

1068
00:56:31,880 --> 00:56:34,480
Speaker 1: and they go down and all the way down. I

1069
00:56:34,560 --> 00:56:38,200
Speaker 1: don't know. I thought it was stationary and didn't go down,

1070
00:56:38,400 --> 00:56:44,040
Speaker 1: so it's so thrilling. I didn't go that far. But

1071
00:56:44,160 --> 00:56:45,239
Speaker 1: like I used to have a chair when I was

1072
00:56:45,920 --> 00:56:47,920
Speaker 1: like one of those like because your body was smaller,

1073
00:56:48,120 --> 00:56:50,200
Speaker 1: because my body was smaller, and the computer trays and

1074
00:56:50,280 --> 00:56:51,640
Speaker 1: like you go so happy and you can just go

1075
00:56:52,560 --> 00:56:56,239
Speaker 1: I was like being on the Tower of Tower in

1076
00:56:56,280 --> 00:56:59,320
Speaker 1: your own home period is now Guardians in the Galaxy.

1077
00:56:59,440 --> 00:57:02,040
Speaker 1: So does the corrected me. I have like some Disney

1078
00:57:02,120 --> 00:57:05,600
Speaker 1: jokes in my hour, and and then someone came out right,

1079
00:57:05,840 --> 00:57:09,400
Speaker 1: of course, oh please, that nerd. You know, Disneyland is

1080
00:57:09,440 --> 00:57:11,160
Speaker 1: tough because there's you know, you think you're a fan

1081
00:57:11,239 --> 00:57:14,839
Speaker 1: of Disneyland, and then there's bigger fans you know. Yeah, yeah, yeah,

1082
00:57:14,920 --> 00:57:17,040
Speaker 1: people who pick it it outside. Remember they were like

1083
00:57:17,440 --> 00:57:21,400
Speaker 1: bring back the magic. We talked all about it when

1084
00:57:21,440 --> 00:57:23,040
Speaker 1: it happened. We were like, this is a little too

1085
00:57:23,120 --> 00:57:25,280
Speaker 1: much because I was like, oh, maybe I'm obsessing too much.

1086
00:57:25,280 --> 00:57:27,360
Speaker 1: I was like looking at the ticket links and when

1087
00:57:27,440 --> 00:57:29,000
Speaker 1: is it open again? You know, stuff like that I

1088
00:57:29,080 --> 00:57:32,680
Speaker 1: do the lightning. Yeah, so you're up to date on

1089
00:57:32,800 --> 00:57:35,280
Speaker 1: how to navigate the parks. Now people call me a

1090
00:57:35,320 --> 00:57:37,680
Speaker 1: Disney adult, you know, and I see that and I'm like, man,

1091
00:57:37,760 --> 00:57:40,360
Speaker 1: I'm not like that, right. People call us Disney adults,

1092
00:57:40,360 --> 00:57:42,800
Speaker 1: and we're like no, no, no, yeah, we're just like

1093
00:57:42,960 --> 00:57:45,480
Speaker 1: we're organized so that we can have a not so

1094
00:57:45,680 --> 00:57:48,880
Speaker 1: stressful day. Well, don't even get me started, because nowadays

1095
00:57:48,960 --> 00:57:50,120
Speaker 1: it's like, I don't tell you the link to this

1096
00:57:50,360 --> 00:57:53,520
Speaker 1: taking article that goes in depth about how fucked up

1097
00:57:53,600 --> 00:57:55,920
Speaker 1: it is. Yeah, it's crazy, it's crazy, and like how

1098
00:57:56,000 --> 00:57:59,320
Speaker 1: fucked up? What is? So basically the pricing of it.

1099
00:57:59,760 --> 00:58:02,280
Speaker 1: So basically they talked about they basically broke it down

1100
00:58:02,320 --> 00:58:04,760
Speaker 1: in a way that no like major publication really has

1101
00:58:05,240 --> 00:58:09,840
Speaker 1: about exactly how much money it is, like say for

1102
00:58:09,880 --> 00:58:13,160
Speaker 1: a family of four, right, so it's like a hundred

1103
00:58:13,200 --> 00:58:15,040
Speaker 1: sixty nine dollars or whatever the fun for like a

1104
00:58:15,120 --> 00:58:17,200
Speaker 1: one park ticket, and then you get the add on

1105
00:58:17,320 --> 00:58:21,040
Speaker 1: to go to both parks, and then like when you

1106
00:58:21,120 --> 00:58:23,560
Speaker 1: get in, you have to pay for the Disney Plus

1107
00:58:23,840 --> 00:58:26,880
Speaker 1: server or the Plus service. And then there's certain rides

1108
00:58:26,920 --> 00:58:30,680
Speaker 1: like Rides of the Resistance, which have you done that, Yes, unbelievable,

1109
00:58:30,680 --> 00:58:33,120
Speaker 1: but one hasn't done any But you have to pay

1110
00:58:33,160 --> 00:58:35,800
Speaker 1: twenty bucks to do that one on top of the

1111
00:58:35,920 --> 00:58:40,200
Speaker 1: amount you've already paid. Not a single word has been

1112
00:58:40,240 --> 00:58:42,400
Speaker 1: said yet about buying food, which you also have to

1113
00:58:42,480 --> 00:58:44,240
Speaker 1: like get a reservation if you want to sit down

1114
00:58:44,280 --> 00:58:46,400
Speaker 1: and eat, like months in advance. And then there's also

1115
00:58:46,520 --> 00:58:48,800
Speaker 1: the whole ordering of the food thing. You can't just

1116
00:58:48,880 --> 00:58:50,560
Speaker 1: walk up to a kiosk and buy food. You have

1117
00:58:50,600 --> 00:58:52,600
Speaker 1: to order in an intervance, and then nothing has been

1118
00:58:52,600 --> 00:58:56,480
Speaker 1: said yet about hotels, transportation, like all these things that

1119
00:58:56,560 --> 00:58:59,760
Speaker 1: add up to basically an amount of money that you're

1120
00:58:59,760 --> 00:59:02,520
Speaker 1: paying being And also like I haven't even gotten into

1121
00:59:02,560 --> 00:59:04,920
Speaker 1: how confusing the app is if you don't know what

1122
00:59:05,000 --> 00:59:08,600
Speaker 1: you're doing. If yeah, like my parents who had to

1123
00:59:08,680 --> 00:59:10,480
Speaker 1: navigate all of that, like when we were growing up,

1124
00:59:10,600 --> 00:59:13,480
Speaker 1: like didn't forget it, like English not their first language,

1125
00:59:13,520 --> 00:59:16,600
Speaker 1: Like they could never do it now and it would

1126
00:59:16,600 --> 00:59:18,960
Speaker 1: just get in line and then just stand there thinking

1127
00:59:19,760 --> 00:59:22,640
Speaker 1: this is my only right and it's like, no, you

1128
00:59:22,800 --> 00:59:24,920
Speaker 1: can skip the line, but it's like you'd have to.

1129
00:59:25,360 --> 00:59:28,000
Speaker 1: They just suffer exactly. But it's like what we've been saying,

1130
00:59:28,040 --> 00:59:31,280
Speaker 1: what you've been saying, Matt, and what I think everybody thinks.

1131
00:59:31,320 --> 00:59:34,160
Speaker 1: It's like it used to be this attainable middle class thing,

1132
00:59:34,360 --> 00:59:37,240
Speaker 1: like you bring your kids to Disneyland or Disney World,

1133
00:59:37,280 --> 00:59:40,000
Speaker 1: and then like that's like an accessible, attainable thing, it's

1134
00:59:40,000 --> 00:59:41,920
Speaker 1: the happiest place on earth, and now it's just so

1135
00:59:42,120 --> 00:59:45,040
Speaker 1: cost prohibitive and it's all about the bottom line for

1136
00:59:45,440 --> 00:59:48,479
Speaker 1: the parks for Disney. But it's also like the reason

1137
00:59:48,560 --> 00:59:51,280
Speaker 1: that fast pass was invented was because people at Disney

1138
00:59:51,320 --> 00:59:54,320
Speaker 1: were like, oh, the more people wait in line, the

1139
00:59:54,440 --> 00:59:57,400
Speaker 1: less they're buying gifts, and so you might as well incentivize.

1140
00:59:57,480 --> 00:59:59,479
Speaker 1: It helps everybody if you take them out of the line,

1141
00:59:59,520 --> 01:00:02,000
Speaker 1: and like expedity. But now it's just like it's there's

1142
01:00:02,120 --> 01:00:06,200
Speaker 1: no good reason for anything. And another thing too, is

1143
01:00:07,080 --> 01:00:11,040
Speaker 1: the fan community is now railing against them in a

1144
01:00:11,120 --> 01:00:13,760
Speaker 1: major way, like all of the YouTube bloggers and the

1145
01:00:13,840 --> 01:00:16,920
Speaker 1: bloggers and stuff like that, like people that have devoted

1146
01:00:16,960 --> 01:00:23,120
Speaker 1: all their time and energy, like exactly, this is like

1147
01:00:23,200 --> 01:00:25,880
Speaker 1: a part of the culture. This is the culture that

1148
01:00:25,920 --> 01:00:29,360
Speaker 1: made them say cultures for them down and like they

1149
01:00:29,640 --> 01:00:31,600
Speaker 1: have this season passes and they go into the park

1150
01:00:31,680 --> 01:00:34,880
Speaker 1: every day and update you on like what's under construction,

1151
01:00:35,040 --> 01:00:38,120
Speaker 1: what's being added, etcetera. It is an entire ecosystem and

1152
01:00:38,240 --> 01:00:42,800
Speaker 1: fan community. They now are all being like this is

1153
01:00:42,840 --> 01:00:45,560
Speaker 1: the worst that's ever been. It now is like they'll

1154
01:00:45,600 --> 01:00:49,120
Speaker 1: announce projects and then cancel them, like yes, like they

1155
01:00:49,160 --> 01:00:50,920
Speaker 1: were supposed to be like this Mary Poppins ride that

1156
01:00:50,960 --> 01:00:53,160
Speaker 1: they were putting in and that's since been canceled. They're

1157
01:00:53,440 --> 01:00:56,160
Speaker 1: probably not going to do a lot of the stuff

1158
01:00:56,200 --> 01:00:58,040
Speaker 1: they were going to do with the announced they have

1159
01:00:58,160 --> 01:01:01,600
Speaker 1: like a big revamp of Epcot. That's half happening, half not.

1160
01:01:02,120 --> 01:01:04,840
Speaker 1: They announced the tron roller coaster coming to Magic Kingdom

1161
01:01:04,880 --> 01:01:07,479
Speaker 1: in seventeen, it's it's now coming in to the middle

1162
01:01:07,520 --> 01:01:11,240
Speaker 1: of I mean, like, of course there was the pandemic,

1163
01:01:11,440 --> 01:01:14,360
Speaker 1: but it's just it's odd when you put that in

1164
01:01:14,440 --> 01:01:19,920
Speaker 1: juxtaposition with Universal, which often don't announce projects that are

1165
01:01:20,000 --> 01:01:24,800
Speaker 1: fully built and then they announced them. It's two different ideologies, right,

1166
01:01:24,840 --> 01:01:29,000
Speaker 1: So it's like Disney's thing is, We're going to really

1167
01:01:29,120 --> 01:01:31,800
Speaker 1: let you know in advance what our vision is and

1168
01:01:31,880 --> 01:01:34,800
Speaker 1: what our plan is, and then half of it comes

1169
01:01:34,840 --> 01:01:36,560
Speaker 1: to fruition, or when it comes to fruition, like no

1170
01:01:36,600 --> 01:01:40,320
Speaker 1: one cares anymore, whereas Universal is like, we're doing something.

1171
01:01:40,680 --> 01:01:42,640
Speaker 1: You can clearly see what it is. To the point

1172
01:01:42,720 --> 01:01:45,920
Speaker 1: where I went to Universal in Orlando and the Velocito

1173
01:01:45,960 --> 01:01:49,640
Speaker 1: coaster was built and I was like, when is that opening?

1174
01:01:50,160 --> 01:01:53,520
Speaker 1: And the cast members were literally like, we don't know

1175
01:01:53,600 --> 01:01:58,640
Speaker 1: what you're talking about. When it was that, it was

1176
01:01:58,680 --> 01:02:01,680
Speaker 1: not announced, so they did not knowledge. They talked big games.

1177
01:02:01,840 --> 01:02:05,120
Speaker 1: Unlike your series which you shot in which you will

1178
01:02:05,320 --> 01:02:09,080
Speaker 1: post on TikTok, you are actually going to do that. Yes, yes,

1179
01:02:09,320 --> 01:02:13,680
Speaker 1: when you announced you to we do and are we

1180
01:02:13,760 --> 01:02:16,840
Speaker 1: ready to announce something? What we might be doing something

1181
01:02:16,920 --> 01:02:19,440
Speaker 1: for Christmas, for the holidays. There might be a holiday

1182
01:02:19,440 --> 01:02:22,360
Speaker 1: special on Lost Cultural Stuff. There will be a new list.

1183
01:02:22,440 --> 01:02:23,919
Speaker 1: There will be a new list. That's all we'll say

1184
01:02:23,960 --> 01:02:26,320
Speaker 1: for now. We're gonna say is we're having a holiday

1185
01:02:26,400 --> 01:02:29,080
Speaker 1: themed extravaganza. It's going to call back to the Twelve

1186
01:02:29,160 --> 01:02:31,360
Speaker 1: Days of Culture, but it's also going to call back

1187
01:02:31,400 --> 01:02:33,760
Speaker 1: to some of our other lists. It's sort of a

1188
01:02:33,840 --> 01:02:38,000
Speaker 1: great meeting of all the great Lost Coach eventized episodes,

1189
01:02:38,120 --> 01:02:49,280
Speaker 1: and you're gonna want to tune in for that one. Yes. So,

1190
01:02:49,520 --> 01:02:51,840
Speaker 1: with all of this new excitement in the air, should

1191
01:02:51,840 --> 01:02:53,040
Speaker 1: we move on to I don't think so, Honny, think

1192
01:02:53,040 --> 01:02:54,200
Speaker 1: it's time to move on. I don't think so. I

1193
01:02:54,400 --> 01:02:56,080
Speaker 1: think it's time to move on. I don't think so, honey.

1194
01:02:56,440 --> 01:02:59,440
Speaker 1: So this is the sixties second segment on our podcast,

1195
01:02:59,520 --> 01:03:02,520
Speaker 1: Last Culture Stuff, which we actually just talked about, and

1196
01:03:02,680 --> 01:03:05,320
Speaker 1: now this podcast is going to sort of move into

1197
01:03:05,360 --> 01:03:07,400
Speaker 1: its final segment. I don't think so, Honey, is a

1198
01:03:07,400 --> 01:03:09,720
Speaker 1: sixty second dragging of something in pop culture that's really

1199
01:03:10,240 --> 01:03:13,040
Speaker 1: getting our goat and I have something. Even though this

1200
01:03:13,160 --> 01:03:16,000
Speaker 1: episode is going to be airing three weeks from now.

1201
01:03:16,240 --> 01:03:18,480
Speaker 1: I'm going to do it now because it's it's top

1202
01:03:18,560 --> 01:03:20,360
Speaker 1: of mind. And understand that I am saying this on

1203
01:03:20,480 --> 01:03:24,360
Speaker 1: November seventeen. This is November seventeen. Okay, yes, okay, this

1204
01:03:24,520 --> 01:03:26,720
Speaker 1: is Matt Rodgers November seventeenth. I don't think so, honey.

1205
01:03:26,760 --> 01:03:28,600
Speaker 1: As time starts now, I don't think so honey. Ticket

1206
01:03:28,680 --> 01:03:32,840
Speaker 1: Master go on like you can't and talk about announcing

1207
01:03:32,920 --> 01:03:35,800
Speaker 1: something and then jerking back to change public one for

1208
01:03:35,840 --> 01:03:38,240
Speaker 1: the tailor Stoft's Aerostars November eighteenth, and here it is

1209
01:03:38,280 --> 01:03:40,160
Speaker 1: November sep tip famously as we just said, and I

1210
01:03:40,200 --> 01:03:41,760
Speaker 1: don't think so, honey, that a lot of us are

1211
01:03:41,760 --> 01:03:45,280
Speaker 1: getting tickets, And honestly, like the AOC is right, this

1212
01:03:45,440 --> 01:03:49,200
Speaker 1: is a fucking crazy, bullshit problem that Ticketmaster is this

1213
01:03:49,320 --> 01:03:51,120
Speaker 1: much of a monopoly that now you have to pay

1214
01:03:51,360 --> 01:03:55,160
Speaker 1: thousands of dollars to go to this concert not for nothing,

1215
01:03:55,240 --> 01:03:57,200
Speaker 1: but like I want to see Tailer more than anyone else,

1216
01:03:58,000 --> 01:04:00,880
Speaker 1: almost just feel like everyone else. But this is really

1217
01:04:01,040 --> 01:04:03,960
Speaker 1: cost prohibitive. And now it's really crazy. I mean, this

1218
01:04:04,040 --> 01:04:05,720
Speaker 1: is all getting out of control, and it's like really

1219
01:04:05,800 --> 01:04:07,600
Speaker 1: in line with I don't think so, honey, of the

1220
01:04:07,640 --> 01:04:10,120
Speaker 1: capitalist culture that we're in, just like Disney that we're

1221
01:04:10,160 --> 01:04:13,560
Speaker 1: talking about you, we're making things unavailable to the public.

1222
01:04:13,600 --> 01:04:17,360
Speaker 1: You are, you are creating an elitist system. I hope

1223
01:04:17,400 --> 01:04:20,960
Speaker 1: that she's somewhere really furious about this and I something

1224
01:04:21,120 --> 01:04:23,720
Speaker 1: is done, because this is not fair. It's not fair

1225
01:04:23,760 --> 01:04:26,000
Speaker 1: to people that were, like, you know, thinking they would

1226
01:04:26,040 --> 01:04:28,160
Speaker 1: just get online. Fair like everyone else that I get

1227
01:04:28,200 --> 01:04:30,040
Speaker 1: the pre sales now on sale, but like, I don't

1228
01:04:30,080 --> 01:04:32,040
Speaker 1: think so, honey. It's one minute. Um, I got the

1229
01:04:32,160 --> 01:04:36,200
Speaker 1: verified fan code and I could not, for the life

1230
01:04:36,280 --> 01:04:38,640
Speaker 1: of me get any of my hands on tickets anyway.

1231
01:04:38,720 --> 01:04:42,000
Speaker 1: This is no Yeah, it's it's pretty crazy. I always

1232
01:04:42,040 --> 01:04:47,520
Speaker 1: want things for the people. Yeah, weight in line like

1233
01:04:47,600 --> 01:04:50,720
Speaker 1: everyone else, honestly, like we love fast past. But when

1234
01:04:50,800 --> 01:04:54,000
Speaker 1: you hear how dark it is it is, you hear that,

1235
01:04:54,080 --> 01:04:56,120
Speaker 1: it's like, oh, well, we only did that so people

1236
01:04:56,120 --> 01:04:59,360
Speaker 1: can like shot more. It's like, yeah, of course I

1237
01:04:59,440 --> 01:05:02,280
Speaker 1: understand that as a business. But then when you start that,

1238
01:05:02,360 --> 01:05:04,960
Speaker 1: when you give him mouse a cookie, he's gonna want

1239
01:05:05,000 --> 01:05:07,400
Speaker 1: a glass of milk. He's gonna want a glass of milk.

1240
01:05:07,440 --> 01:05:09,160
Speaker 1: And so basically like it's just like when you when

1241
01:05:09,200 --> 01:05:11,120
Speaker 1: we take a step in that direction, like of course

1242
01:05:11,160 --> 01:05:13,080
Speaker 1: it's going to lead to something like of course, of

1243
01:05:13,200 --> 01:05:15,600
Speaker 1: course this is so crazy. I mean, like I guess

1244
01:05:15,640 --> 01:05:18,920
Speaker 1: it's the most popular tour of all time period point blank.

1245
01:05:19,360 --> 01:05:24,040
Speaker 1: But to just cancel every well, this is like huge news.

1246
01:05:24,240 --> 01:05:26,320
Speaker 1: This is like and again we're you know, we're recording

1247
01:05:26,360 --> 01:05:28,720
Speaker 1: this a few weeks before the release of this episode,

1248
01:05:28,760 --> 01:05:31,960
Speaker 1: but like, um, it is like major, major news. I mean,

1249
01:05:32,040 --> 01:05:34,280
Speaker 1: like for politicians to be getting involved in no wing

1250
01:05:34,360 --> 01:05:37,560
Speaker 1: and on this it's like there's an investigation in Tennessee

1251
01:05:37,880 --> 01:05:40,640
Speaker 1: really on like Ticketmaster because like they're like, we need

1252
01:05:40,680 --> 01:05:44,000
Speaker 1: to look into this, and like unfortunately or fortunately it's

1253
01:05:44,040 --> 01:05:45,720
Speaker 1: a thing where like both sides of the aisle are

1254
01:05:45,760 --> 01:05:48,760
Speaker 1: like this is actually crazy, but it is ultimately, but

1255
01:05:48,800 --> 01:05:50,959
Speaker 1: if I feel like, obviously it's more of a left

1256
01:05:51,040 --> 01:05:54,320
Speaker 1: leaning issue. It's more urgent on the left because it's like, oh,

1257
01:05:54,400 --> 01:05:58,480
Speaker 1: this is a monopoly and we got to regulate this somehow.

1258
01:05:59,200 --> 01:06:02,320
Speaker 1: But but then right loves country tailor. This is a

1259
01:06:02,360 --> 01:06:05,440
Speaker 1: country pop problem. This is aunt this is actually an

1260
01:06:05,480 --> 01:06:08,439
Speaker 1: American thing. Yeah, the right likes one thing, the left

1261
01:06:08,480 --> 01:06:12,439
Speaker 1: likes another. But ultimately it is about like figuring out

1262
01:06:12,560 --> 01:06:15,840
Speaker 1: what this Live Nation merger with Ticketmasters is gonna look like,

1263
01:06:15,920 --> 01:06:18,720
Speaker 1: because that's the fucking thing is like they're merging, and

1264
01:06:18,880 --> 01:06:21,640
Speaker 1: so there is no other option, and so there is

1265
01:06:21,720 --> 01:06:23,080
Speaker 1: no other way for anyone to get tickets to this

1266
01:06:23,160 --> 01:06:27,000
Speaker 1: fucking tour or any concert or any sporting event. So

1267
01:06:27,120 --> 01:06:30,800
Speaker 1: what prices got really hot? Thousands of tens of thousands,

1268
01:06:31,000 --> 01:06:33,760
Speaker 1: Okay to go to a concert for I mean an

1269
01:06:33,800 --> 01:06:35,800
Speaker 1: hour and a half. It's like an hour and a

1270
01:06:35,840 --> 01:06:37,640
Speaker 1: half where it takes you an hour each way or

1271
01:06:37,720 --> 01:06:40,000
Speaker 1: more to each way because the seating, I mean forget

1272
01:06:40,040 --> 01:06:42,560
Speaker 1: about the getting in and out of the venue of

1273
01:06:42,640 --> 01:06:48,800
Speaker 1: like thought processes too for them to make money. Okay, yeah, anyway,

1274
01:06:49,000 --> 01:06:54,040
Speaker 1: Oh I forgot about that. It's just like this is

1275
01:06:56,240 --> 01:07:00,200
Speaker 1: no they say it's to wait out bots. It's like

1276
01:07:00,280 --> 01:07:02,280
Speaker 1: that we're setting up all these systems so that like

1277
01:07:02,360 --> 01:07:05,480
Speaker 1: bots and scalpers don't buy tickets. But it's right, yeah,

1278
01:07:05,520 --> 01:07:07,600
Speaker 1: then you're not even letting the actual real people buy

1279
01:07:07,720 --> 01:07:10,520
Speaker 1: It's crazy. And then what happens is like ultimately like

1280
01:07:10,640 --> 01:07:13,560
Speaker 1: someone will find their way around that, like bots will

1281
01:07:13,680 --> 01:07:16,440
Speaker 1: buy these tickets and masks, and then what will happen

1282
01:07:16,560 --> 01:07:20,320
Speaker 1: is they'll end up selling those for even more, and

1283
01:07:20,440 --> 01:07:24,280
Speaker 1: that changes their demographic too. Of course. It's like, who

1284
01:07:24,320 --> 01:07:27,360
Speaker 1: are these folks who aren't into culture? You know, it's

1285
01:07:27,360 --> 01:07:30,080
Speaker 1: just just because they have money. Maybe they come from

1286
01:07:30,120 --> 01:07:32,400
Speaker 1: myne it's old money. They don't care. They just want

1287
01:07:32,440 --> 01:07:35,520
Speaker 1: to like sit somewhere and like not talk to their wife.

1288
01:07:36,360 --> 01:07:39,320
Speaker 1: So that's not your demographic, you know, just some And

1289
01:07:39,480 --> 01:07:41,680
Speaker 1: also yeah, or just like the tickets being bought and

1290
01:07:41,760 --> 01:07:43,640
Speaker 1: then of course now they're bought, so you think there's

1291
01:07:43,640 --> 01:07:45,360
Speaker 1: gonna be butts and seats there, but then there's like

1292
01:07:45,480 --> 01:07:47,400
Speaker 1: some third party selling it for amount of money that

1293
01:07:47,440 --> 01:07:48,840
Speaker 1: no one wants to pay, and then there's no one.

1294
01:07:50,200 --> 01:07:52,800
Speaker 1: It's fucked up. It's not it's not cool. It's broken.

1295
01:07:52,880 --> 01:07:55,440
Speaker 1: It's not working definitely, And I mean, like obviously like

1296
01:07:55,880 --> 01:07:58,760
Speaker 1: this sucks, but maybe now this is a big enough

1297
01:07:58,840 --> 01:08:02,440
Speaker 1: deal I think so that like we can get some

1298
01:08:02,520 --> 01:08:04,760
Speaker 1: sort of agreement on something to do with it in Congress.

1299
01:08:04,960 --> 01:08:06,360
Speaker 1: Just to zoom out for a second. It's also just

1300
01:08:06,440 --> 01:08:08,800
Speaker 1: like a testament to like how big she is as

1301
01:08:08,840 --> 01:08:12,560
Speaker 1: an artist. Right now. She has five shows at Sophie

1302
01:08:12,600 --> 01:08:17,599
Speaker 1: Stadium in l A. And it's like this is at

1303
01:08:17,640 --> 01:08:21,840
Speaker 1: the stadium level, five shows, that's nuts to say nothing

1304
01:08:21,880 --> 01:08:24,360
Speaker 1: of the rest of the tour. Crazy crazy how many?

1305
01:08:24,360 --> 01:08:27,920
Speaker 1: How what's the seating capacity at Sophie I uh, I

1306
01:08:28,000 --> 01:08:33,160
Speaker 1: looked at at least something something like that. People. Yeah,

1307
01:08:33,240 --> 01:08:35,800
Speaker 1: but also who's to say, like if it's not the

1308
01:08:35,840 --> 01:08:38,040
Speaker 1: same people again and again, who could just pay? You

1309
01:08:38,080 --> 01:08:41,040
Speaker 1: know what I mean? Like that's what sucks. Anyways, it's

1310
01:08:41,080 --> 01:08:42,719
Speaker 1: like back to it, I think, back in the dative,

1311
01:08:42,760 --> 01:08:47,800
Speaker 1: but like Taylor say something about politics and now yeah

1312
01:08:48,120 --> 01:08:50,479
Speaker 1: she has a chance again, and now it's like, yeah,

1313
01:08:50,560 --> 01:08:52,560
Speaker 1: it's like this is now the new politics. This is

1314
01:08:52,640 --> 01:08:55,280
Speaker 1: now her standing up to miss what is her? Uh,

1315
01:08:56,240 --> 01:09:02,160
Speaker 1: miss miss Center from Nashville. Um, Miss, I forget who

1316
01:09:03,760 --> 01:09:06,640
Speaker 1: whatever she's she's awful. Um do you have an I

1317
01:09:06,640 --> 01:09:09,519
Speaker 1: don't think I do. It's not quite as urgent, but

1318
01:09:09,600 --> 01:09:13,439
Speaker 1: it's bothering me. I'm sure it's bothering everybody. It's okay

1319
01:09:13,479 --> 01:09:15,200
Speaker 1: that it's not urgent, because again, this is being recorded

1320
01:09:15,200 --> 01:09:20,560
Speaker 1: on November seven. Marcia Black Martin reader. I didn't have

1321
01:09:20,600 --> 01:09:22,920
Speaker 1: to look it up. It just came to me to confirm, okay,

1322
01:09:25,800 --> 01:09:32,880
Speaker 1: and it came is a horrible this is I don't

1323
01:09:32,880 --> 01:09:34,400
Speaker 1: think so, honey. As time starts today, I don't think

1324
01:09:34,400 --> 01:09:38,560
Speaker 1: so many tagging people or me, anybody in a giveaway

1325
01:09:38,640 --> 01:09:41,120
Speaker 1: on Instagram. Have you guys been dealing with this random

1326
01:09:41,160 --> 01:09:44,200
Speaker 1: people tagging your name into like some random giveaway. It's

1327
01:09:44,200 --> 01:09:46,720
Speaker 1: been people do it to me, but I think people

1328
01:09:46,760 --> 01:09:49,400
Speaker 1: would do it to anybody. But okay, so basically like

1329
01:09:49,479 --> 01:09:52,400
Speaker 1: a company will do like a giveaway and the big

1330
01:09:52,439 --> 01:09:54,840
Speaker 1: tag your friend who would love this? And it's like

1331
01:09:54,920 --> 01:09:56,680
Speaker 1: things that I would never be interested in. And I

1332
01:09:56,760 --> 01:09:58,479
Speaker 1: think this is a phenomenon that's happening. This is not

1333
01:09:58,600 --> 01:10:00,559
Speaker 1: just a me problem. I can guarante you guys are

1334
01:10:00,560 --> 01:10:04,400
Speaker 1: looking at me like I'm crazy. But it's sweepsticks culture.

1335
01:10:04,840 --> 01:10:08,519
Speaker 1: Sweepsticks have always been bullshit. It's always been scam culture.

1336
01:10:08,680 --> 01:10:12,000
Speaker 1: It's it borrows principles of MLM, or it's like sign up,

1337
01:10:12,120 --> 01:10:13,960
Speaker 1: give your information, pay a little bit of money so

1338
01:10:14,040 --> 01:10:16,880
Speaker 1: you can win like a whole you know, a bunch

1339
01:10:16,920 --> 01:10:19,320
Speaker 1: of Scholastic books like that's that was the version when

1340
01:10:19,400 --> 01:10:21,960
Speaker 1: we were kids. And I feel like sweepstakes have always

1341
01:10:22,040 --> 01:10:24,960
Speaker 1: been a fucking scam. I've not known a single person

1342
01:10:25,000 --> 01:10:27,479
Speaker 1: who's ever want to sweepsticks. If you want to sweepstakes

1343
01:10:27,520 --> 01:10:31,320
Speaker 1: in your life, you're fake your partner simulation, you're not real, okay,

1344
01:10:31,520 --> 01:10:33,959
Speaker 1: and and please let me know if you have one sweepstakes.

1345
01:10:33,960 --> 01:10:37,040
Speaker 1: I would love to get to know you one minute. Honestly. Yeah,

1346
01:10:37,080 --> 01:10:42,439
Speaker 1: I always Sickelodeon culture, but I never knew a single

1347
01:10:42,479 --> 01:10:46,519
Speaker 1: person who won one fake kids, and then sometimes they

1348
01:10:46,560 --> 01:10:49,360
Speaker 1: would put them on TV like Hi, I'm I'm Larry,

1349
01:10:49,400 --> 01:10:52,200
Speaker 1: and I want the sweepstakes. No, you're not nor your

1350
01:10:52,280 --> 01:10:55,120
Speaker 1: zero zero one zero zero one zero zero one. That's true.

1351
01:10:55,160 --> 01:10:57,400
Speaker 1: It's always been earned, at least like Prices right where

1352
01:10:57,400 --> 01:11:00,760
Speaker 1: it's like we saw the work. Yeah, yeah, yeah, it's

1353
01:11:00,760 --> 01:11:03,320
Speaker 1: never it's very Nickelodeon culture. Yeah, where I was like,

1354
01:11:03,400 --> 01:11:06,559
Speaker 1: did that person get a free or is their father

1355
01:11:06,800 --> 01:11:13,640
Speaker 1: Daniel Orlando Mary Price is right, Yeah, so people are

1356
01:11:13,760 --> 01:11:15,760
Speaker 1: taking you thinking you would be interested in the things

1357
01:11:15,880 --> 01:11:19,599
Speaker 1: or is it's just like I think, no, it's it's

1358
01:11:19,680 --> 01:11:23,520
Speaker 1: this thing where and I think people it's an involuntary

1359
01:11:23,640 --> 01:11:26,639
Speaker 1: thing of like if I saw, oh, Starbucks is doing

1360
01:11:26,640 --> 01:11:28,400
Speaker 1: a giveaway of coffee, they would never do this, but

1361
01:11:28,520 --> 01:11:31,680
Speaker 1: like I'd be like, I'm gonna tag Otico even though

1362
01:11:31,840 --> 01:11:34,920
Speaker 1: I don't know if you like coffee or not, I

1363
01:11:35,040 --> 01:11:38,040
Speaker 1: like I'm going to assume that Otico likes Starbucks. Yeah,

1364
01:11:38,240 --> 01:11:39,640
Speaker 1: I'm just I'm saying this is my example because I

1365
01:11:39,640 --> 01:11:41,760
Speaker 1: have Starbucks. But that's out of kind, like I don't

1366
01:11:41,800 --> 01:11:43,880
Speaker 1: even think it's this kind of well being. It's not

1367
01:11:44,200 --> 01:11:46,519
Speaker 1: like that. Well, it's not out of that because it's

1368
01:11:46,560 --> 01:11:48,599
Speaker 1: like I don't I don't need this stuff. I don't

1369
01:11:48,640 --> 01:11:50,800
Speaker 1: want this study. It is to just get your attention.

1370
01:11:51,400 --> 01:11:53,240
Speaker 1: I mean, because if it's strangers, if it's is it

1371
01:11:53,360 --> 01:11:56,640
Speaker 1: your friends when you would like these shoes, it's never

1372
01:11:56,760 --> 01:12:00,000
Speaker 1: my friend. Sometimes this happens. Yeah, now I'm understanding. Yeah,

1373
01:12:01,120 --> 01:12:03,800
Speaker 1: it'll just be like a weird like corporate thing where

1374
01:12:03,840 --> 01:12:08,360
Speaker 1: it's just like a ton of hatch it. Yeah, it's algorithms.

1375
01:12:08,479 --> 01:12:11,080
Speaker 1: There's this new thing too where people like, I don't

1376
01:12:11,080 --> 01:12:12,599
Speaker 1: know if it's happened to you, but people have been

1377
01:12:12,640 --> 01:12:15,960
Speaker 1: tagging me in their comedy videos or something, so it

1378
01:12:16,120 --> 01:12:18,400
Speaker 1: ends up in my tags. So if people want to

1379
01:12:18,439 --> 01:12:21,439
Speaker 1: see other things I'm tagged in, they got to swim

1380
01:12:21,560 --> 01:12:24,720
Speaker 1: through that approve your tags from now on. Okay, you

1381
01:12:26,760 --> 01:12:29,240
Speaker 1: approved tas Okay, Yeah, I didn't know where. I was like, oh,

1382
01:12:29,360 --> 01:12:33,880
Speaker 1: what's this like? And then I realized the philosophy behind. Yeah,

1383
01:12:33,960 --> 01:12:36,360
Speaker 1: where I was like, oh, so people watched the video

1384
01:12:36,400 --> 01:12:38,519
Speaker 1: thinking I'll pop up in it, you know, but I

1385
01:12:38,600 --> 01:12:41,240
Speaker 1: never do. But now they've given I don't know Jack

1386
01:12:41,320 --> 01:12:45,920
Speaker 1: Smith view and Jack Smith is one of the nastiest

1387
01:12:46,200 --> 01:12:52,360
Speaker 1: comedians and the Cassie and I like one of my damns,

1388
01:12:52,400 --> 01:12:54,599
Speaker 1: and he had written me, Hi, how do I start

1389
01:12:54,680 --> 01:12:59,680
Speaker 1: stand up that kind of tips? Yeah, well, did you

1390
01:12:59,760 --> 01:13:04,479
Speaker 1: tell him you tag other comedians because maybe maybe I

1391
01:13:04,680 --> 01:13:10,880
Speaker 1: just black out whenever I do give disadvantage advice to

1392
01:13:11,439 --> 01:13:15,080
Speaker 1: Ryan's doing it. Oh my god, what if you found

1393
01:13:15,080 --> 01:13:20,000
Speaker 1: out your husband was doing that just helping helping other comics.

1394
01:13:21,000 --> 01:13:25,200
Speaker 1: He's Jack, He's Jack whatever, that's his name. It was

1395
01:13:25,240 --> 01:13:28,120
Speaker 1: like a very very like John Doe kind of name. Yeah,

1396
01:13:28,600 --> 01:13:31,320
Speaker 1: it's like, oh, well, speaking of Oh, it's time for

1397
01:13:31,400 --> 01:13:33,320
Speaker 1: you to do I don't think honey, are you ready?

1398
01:13:33,479 --> 01:13:35,800
Speaker 1: Oh my gosh. I get so nervous that I talked

1399
01:13:35,840 --> 01:13:40,519
Speaker 1: so slow. I'm doing it like you be like the

1400
01:13:40,600 --> 01:13:43,040
Speaker 1: singular voice. This is not black tie, this is not

1401
01:13:43,320 --> 01:13:47,000
Speaker 1: the Beacon Theater, this is elsewhere, thank you. I was

1402
01:13:47,040 --> 01:13:49,120
Speaker 1: also thinking about the black tie thing. Now. It's really

1403
01:13:49,160 --> 01:13:51,560
Speaker 1: easy for you to have a dark era because you

1404
01:13:51,640 --> 01:13:53,720
Speaker 1: get so colorful when you have your dark era. It's

1405
01:13:53,720 --> 01:13:55,720
Speaker 1: really going to be really stand up. You should have

1406
01:13:55,720 --> 01:13:59,080
Speaker 1: a dark era and then bleach the hair. Yes, the

1407
01:13:59,200 --> 01:14:02,000
Speaker 1: hair has to change, right, it doesn't have to if

1408
01:14:02,040 --> 01:14:03,799
Speaker 1: you know, I know, that would be nice. I always

1409
01:14:03,840 --> 01:14:06,920
Speaker 1: think about I've seen the bleached tear on you and

1410
01:14:07,080 --> 01:14:09,640
Speaker 1: it looks great. Yeah, exactly. But as a stand up

1411
01:14:09,680 --> 01:14:11,920
Speaker 1: it's so hard. You don't want to change for me,

1412
01:14:12,400 --> 01:14:14,640
Speaker 1: for me too much, because then it's like that might

1413
01:14:14,720 --> 01:14:17,680
Speaker 1: be the joke. I have to acknowledge it maybe in

1414
01:14:18,000 --> 01:14:20,679
Speaker 1: you know, when I'm doing sets around town, and it'll

1415
01:14:20,720 --> 01:14:22,360
Speaker 1: be a thing I talk about in the next hour

1416
01:14:22,920 --> 01:14:25,080
Speaker 1: kind of thing. Well if you run out of material,

1417
01:14:25,640 --> 01:14:28,120
Speaker 1: right right, would yeah, yeah, but you'll know, you'll know

1418
01:14:28,240 --> 01:14:31,200
Speaker 1: when I do. So that's the next hour, and this

1419
01:14:31,479 --> 01:14:34,400
Speaker 1: is the next minute. This is goes. I don't think so, honey.

1420
01:14:34,600 --> 01:14:38,000
Speaker 1: When time starts now, I don't think so, honey. So

1421
01:14:38,120 --> 01:14:41,479
Speaker 1: many reality to see a really different energy. So many

1422
01:14:41,560 --> 01:14:44,960
Speaker 1: reality shows about finding love, right, there's so many shows

1423
01:14:44,960 --> 01:14:48,320
Speaker 1: about finding love. Love is blind too hot to handle

1424
01:14:48,439 --> 01:14:52,120
Speaker 1: the Bachelor, you know, but there's no shows about finding friends.

1425
01:14:52,400 --> 01:14:57,639
Speaker 1: Oh my god, And isn't that hard enough, you know? Especially,

1426
01:14:57,720 --> 01:15:00,799
Speaker 1: it's like there's still this, you know, the global pandemic.

1427
01:15:00,960 --> 01:15:02,840
Speaker 1: We all came out of it. We all acted like

1428
01:15:03,040 --> 01:15:04,920
Speaker 1: you know, you ever look around the world, go what

1429
01:15:05,080 --> 01:15:08,160
Speaker 1: the fund is going? What happened is very much happened,

1430
01:15:08,320 --> 01:15:10,639
Speaker 1: and a bunch of unwell people got released back into

1431
01:15:10,680 --> 01:15:15,680
Speaker 1: the wild. And it's like, fine, love find love. I'm

1432
01:15:15,720 --> 01:15:18,320
Speaker 1: still figuring out how to socialize, you know, how do

1433
01:15:18,360 --> 01:15:20,720
Speaker 1: you make friends as an adult? That's hard. It was

1434
01:15:20,840 --> 01:15:23,439
Speaker 1: easier as his kids, you know, And so yeah, that's

1435
01:15:23,520 --> 01:15:25,040
Speaker 1: that's what I would like to see a show where

1436
01:15:25,080 --> 01:15:29,040
Speaker 1: you just you know, to two adults finding a friendship

1437
01:15:29,080 --> 01:15:31,360
Speaker 1: in each other, where groups of people being like I

1438
01:15:31,479 --> 01:15:35,719
Speaker 1: found a friend out of this, and this is very

1439
01:15:36,200 --> 01:15:38,760
Speaker 1: very interesting. It is kind of funny, like it has

1440
01:15:38,840 --> 01:15:42,599
Speaker 1: there ever been a reality show that's like finding your friend? Well,

1441
01:15:42,680 --> 01:15:46,200
Speaker 1: there was a reality show. I think it was Paris

1442
01:15:46,280 --> 01:15:52,040
Speaker 1: Hilton's new best friend. Yeaheah, yeah, she doesn't need the friends,

1443
01:15:52,040 --> 01:15:53,400
Speaker 1: she doesn't need the friends, and I think you're talking

1444
01:15:53,439 --> 01:15:56,840
Speaker 1: about something else, skilled But it's like a reality show

1445
01:15:56,920 --> 01:16:01,400
Speaker 1: about who can make the most friends, just maybe, or

1446
01:16:01,560 --> 01:16:06,200
Speaker 1: who's the best socializer like that. It's like, well, actually

1447
01:16:06,280 --> 01:16:08,519
Speaker 1: it was I was more talking about people who might

1448
01:16:08,640 --> 01:16:11,800
Speaker 1: be having a hard time making friends. Yes, of course, yeah, yeah, yeah,

1449
01:16:11,880 --> 01:16:13,600
Speaker 1: So it's not like a craven thing. It's not like,

1450
01:16:14,160 --> 01:16:15,760
Speaker 1: although I do think that's a different show which is

1451
01:16:15,800 --> 01:16:18,240
Speaker 1: really fun. This is like it's people who moved to

1452
01:16:18,320 --> 01:16:21,080
Speaker 1: a new city who do not have any friends that

1453
01:16:21,520 --> 01:16:23,960
Speaker 1: and they want to find friends. I also think there

1454
01:16:24,080 --> 01:16:27,080
Speaker 1: is something fun about this idea of it's a reality

1455
01:16:27,120 --> 01:16:29,439
Speaker 1: show which is like hidden camera and there's like three

1456
01:16:29,600 --> 01:16:32,120
Speaker 1: contestants and they have to make as many quote unquote

1457
01:16:32,160 --> 01:16:35,240
Speaker 1: friends at the end of the season, and then at

1458
01:16:35,240 --> 01:16:36,639
Speaker 1: the end of the season they have to sit down

1459
01:16:36,720 --> 01:16:39,360
Speaker 1: with their friends and say I started this not really

1460
01:16:39,400 --> 01:16:43,920
Speaker 1: wanted to do and like that's kind of interesting. It's

1461
01:16:43,960 --> 01:16:46,360
Speaker 1: like if you were given ten people at random, and you,

1462
01:16:46,520 --> 01:16:49,200
Speaker 1: as the contestant, had to make friends with as many

1463
01:16:49,240 --> 01:16:51,240
Speaker 1: of them as possible, even if you didn't like them,

1464
01:16:51,280 --> 01:16:53,320
Speaker 1: had nothing in common, and then you have to tell

1465
01:16:53,400 --> 01:16:55,160
Speaker 1: them at the end the only reason you tried their

1466
01:16:55,200 --> 01:16:57,120
Speaker 1: friendship was so that you could win like a million dollars.

1467
01:16:58,800 --> 01:17:02,400
Speaker 1: That's kind of fun. That's you gamified it. Now that's

1468
01:17:02,439 --> 01:17:04,640
Speaker 1: a game show, because you know that's what they're looking for. Now.

1469
01:17:04,720 --> 01:17:07,560
Speaker 1: They want like you can't just do like you know,

1470
01:17:07,720 --> 01:17:10,200
Speaker 1: half hour like a game show type reality shows they

1471
01:17:10,240 --> 01:17:15,240
Speaker 1: want like lifestyle the mole uhle like social type. I

1472
01:17:15,240 --> 01:17:17,840
Speaker 1: guess the Circle is sort of like that. It's about

1473
01:17:17,960 --> 01:17:21,080
Speaker 1: tricking people, but yeah, there's something about just like in

1474
01:17:21,160 --> 01:17:25,639
Speaker 1: a post pandemic world, how do you like get people

1475
01:17:25,680 --> 01:17:28,800
Speaker 1: to socialize again in a meaningful way? Yeah? Yeah, where

1476
01:17:28,800 --> 01:17:32,320
Speaker 1: it doesn't have to be about like romantic you know,

1477
01:17:32,439 --> 01:17:35,840
Speaker 1: maybe that'll come or like, okay, if you get married

1478
01:17:35,920 --> 01:17:38,720
Speaker 1: off a show like Love is Blind, Yeah, how are

1479
01:17:38,720 --> 01:17:40,320
Speaker 1: you going to get married if you don't have friends?

1480
01:17:40,800 --> 01:17:43,000
Speaker 1: Who's gonna plan you know what? He's gonna introduce you

1481
01:17:43,040 --> 01:17:47,040
Speaker 1: to people? We assume that that's a thing that everyone has.

1482
01:17:47,280 --> 01:17:49,559
Speaker 1: And you know, maybe I'm opening up, but yeah, it's

1483
01:17:49,680 --> 01:17:52,000
Speaker 1: it's a new thing that I'm kind of realizing and

1484
01:17:52,120 --> 01:17:54,439
Speaker 1: talking about because I'm like, you know, yeah, how do

1485
01:17:54,520 --> 01:17:58,200
Speaker 1: you find friends as an adult? Just through work? It's

1486
01:17:58,560 --> 01:18:01,559
Speaker 1: well for me, I always like I make friends through

1487
01:18:01,640 --> 01:18:04,120
Speaker 1: my friends, you know what I mean? Like and honestly,

1488
01:18:04,200 --> 01:18:07,040
Speaker 1: like that's been from having friends for a long time.

1489
01:18:07,080 --> 01:18:10,000
Speaker 1: But I've only had I think I have like probably

1490
01:18:10,040 --> 01:18:12,080
Speaker 1: between four and five friends that I've had for like

1491
01:18:12,200 --> 01:18:14,639
Speaker 1: a really long time, even my friend for really long time, Sudi.

1492
01:18:15,160 --> 01:18:16,880
Speaker 1: And then like when I moved to Los Angeles, like

1493
01:18:17,040 --> 01:18:20,240
Speaker 1: I made all my new friends that I know through Joel,

1494
01:18:20,479 --> 01:18:22,200
Speaker 1: who was one of my old friends, you know what

1495
01:18:22,240 --> 01:18:24,680
Speaker 1: I mean, And then you've met some of them through me.

1496
01:18:25,600 --> 01:18:29,439
Speaker 1: But that's interesting if you did not have you didn't

1497
01:18:29,479 --> 01:18:34,000
Speaker 1: have a circle or like, yeah, exactly, that's a tough thing. Yeah,

1498
01:18:34,080 --> 01:18:36,800
Speaker 1: everything turns into high school again, especially if it's a

1499
01:18:36,840 --> 01:18:40,479
Speaker 1: new space ye're entering, you know, and people might be like,

1500
01:18:40,680 --> 01:18:43,519
Speaker 1: oh no, it's okay, I already have five you know. Yeah,

1501
01:18:44,200 --> 01:18:46,160
Speaker 1: I don't know. There's nothing that bothers me more than

1502
01:18:46,240 --> 01:18:48,920
Speaker 1: the idea that people are lonely. I know, like that

1503
01:18:49,120 --> 01:18:52,760
Speaker 1: really hurts. I get very like emotional about that, the

1504
01:18:52,880 --> 01:18:55,519
Speaker 1: idea that like, you know, I take for granted the

1505
01:18:55,600 --> 01:18:57,280
Speaker 1: fact that like, in fact, I think that's the most

1506
01:18:57,280 --> 01:18:59,600
Speaker 1: important thing in my life is friendship, and so like

1507
01:18:59,680 --> 01:19:02,479
Speaker 1: I get really sad when I think about people that

1508
01:19:02,640 --> 01:19:05,600
Speaker 1: don't have at least a person or a couple of

1509
01:19:05,640 --> 01:19:08,360
Speaker 1: people that they can like talk to. And so I'm

1510
01:19:08,400 --> 01:19:11,960
Speaker 1: like love, love is actually you can do that. But

1511
01:19:12,120 --> 01:19:13,960
Speaker 1: like a you know, someone who call and be like,

1512
01:19:14,040 --> 01:19:17,200
Speaker 1: oh that date didn't work. Out you know what, why

1513
01:19:17,240 --> 01:19:20,800
Speaker 1: you got to settle down for love immediately? Romance? There's

1514
01:19:20,840 --> 01:19:22,720
Speaker 1: just so many shows about that. I'm like, they've got

1515
01:19:22,840 --> 01:19:26,240
Speaker 1: it covered totally. You can technically get through life without

1516
01:19:26,360 --> 01:19:29,000
Speaker 1: falling in love, you can't really get through life without

1517
01:19:29,560 --> 01:19:32,320
Speaker 1: a meaningful friendship. Yeah, yeah, yeah yeah. And there's also

1518
01:19:32,439 --> 01:19:36,799
Speaker 1: the idea that like there are specific apps for having sex,

1519
01:19:37,240 --> 01:19:39,960
Speaker 1: dating all these things, but like in terms of like

1520
01:19:40,320 --> 01:19:42,760
Speaker 1: friend apps, like I'm sure they exist, but there's something

1521
01:19:42,840 --> 01:19:45,760
Speaker 1: almost like there's like a self consciousness that I would

1522
01:19:45,800 --> 01:19:47,720
Speaker 1: feel being on an app to make friends that I

1523
01:19:47,840 --> 01:19:50,759
Speaker 1: wouldn't totally because at least you know what the endgame

1524
01:19:51,280 --> 01:19:53,240
Speaker 1: of like a romantic thing is, right, Like you either

1525
01:19:53,280 --> 01:19:55,840
Speaker 1: want to have sex with someone, date someone, marry someone,

1526
01:19:55,920 --> 01:19:58,879
Speaker 1: build a life with someone. Like it's limited things with friendship,

1527
01:19:58,920 --> 01:20:02,000
Speaker 1: It's like, yeah, I want to friend, to get coffee with,

1528
01:20:02,080 --> 01:20:05,559
Speaker 1: get lunch with, go on vacation with. It's really open

1529
01:20:05,680 --> 01:20:08,519
Speaker 1: endedn't like you don't really know you know so, But

1530
01:20:08,600 --> 01:20:11,840
Speaker 1: I guess another thing is like that's why people joined

1531
01:20:11,880 --> 01:20:15,240
Speaker 1: the community activities. Sure, right, no, totally, but that's why

1532
01:20:15,280 --> 01:20:22,120
Speaker 1: people play pockleball. Sorry sorry, pickleball. I know which is

1533
01:20:22,200 --> 01:20:24,160
Speaker 1: like such a thing. I feel like it's back and

1534
01:20:24,280 --> 01:20:27,680
Speaker 1: the guy everyone's doing it and uncle picked it up.

1535
01:20:27,720 --> 01:20:31,160
Speaker 1: There's a show called Pickled coming out really Well. Ferrell,

1536
01:20:31,400 --> 01:20:33,760
Speaker 1: our daddy Will Ferrell is on it. Yeah, I think

1537
01:20:34,120 --> 01:20:38,679
Speaker 1: my daddy Tig is on it. Your daddy Kelly Rowland

1538
01:20:38,760 --> 01:20:43,040
Speaker 1: is on it. Really yeah. Celebrity pickleball. Yeah. Do you

1539
01:20:43,080 --> 01:20:47,120
Speaker 1: think Kelly's gonna be good? But she's gonna be amazing? Yeah? Yeah.

1540
01:20:47,280 --> 01:20:53,160
Speaker 1: Stephen Colbert hosts hosting I'm gonna watch watch celebrities playing

1541
01:20:53,680 --> 01:20:55,840
Speaker 1: a silly quote unquote sport. It's not silly, it's just

1542
01:20:55,960 --> 01:20:58,439
Speaker 1: like it's a very loaded sport. Like it's like people

1543
01:20:58,520 --> 01:21:00,479
Speaker 1: have such you say the word pickleba on people like

1544
01:21:00,680 --> 01:21:04,480
Speaker 1: are ready to go off? It's like the new Dodgeball

1545
01:21:04,640 --> 01:21:07,240
Speaker 1: or yeah. I just stoat of Beyonce and Kelly like

1546
01:21:07,840 --> 01:21:09,720
Speaker 1: checking in with each other on a phone call and

1547
01:21:09,800 --> 01:21:12,200
Speaker 1: Kelly being like, girl, when is the tour happening? One

1548
01:21:12,240 --> 01:21:14,400
Speaker 1: of the one of the visuals coming, and Beyonce being

1549
01:21:14,479 --> 01:21:18,439
Speaker 1: like they're coming, and and what's up with you? What

1550
01:21:18,600 --> 01:21:21,840
Speaker 1: She's like, Well, Pickled is about to start. Good luck,

1551
01:21:21,960 --> 01:21:24,400
Speaker 1: Kelly is going to be so good? Yeah? Thanks, And

1552
01:21:24,640 --> 01:21:26,880
Speaker 1: you know they're they're gonna part of me with Will Farrell. Oh,

1553
01:21:26,960 --> 01:21:28,800
Speaker 1: I love Will Farrell. Who's in He's in some of

1554
01:21:28,880 --> 01:21:32,920
Speaker 1: my favorite movies. Alright, girl, I'll talk to you later. Yeah,

1555
01:21:32,960 --> 01:21:37,200
Speaker 1: I'm here with my favorite, my idol, Stephen Coolbert like there. Yeah,

1556
01:21:37,439 --> 01:21:44,479
Speaker 1: how Stephen. He's really good at different such a different world.

1557
01:21:44,560 --> 01:21:47,280
Speaker 1: I saw her in a movie recently, right where she

1558
01:21:47,320 --> 01:21:50,599
Speaker 1: plays a mom, Kelly Rode. She's always been the actors

1559
01:21:50,600 --> 01:21:52,600
Speaker 1: wonderful actress. She's always been the actress out of the

1560
01:21:52,640 --> 01:21:55,679
Speaker 1: two of them. Yeah. Shi Williams was in that Lifetime movie.

1561
01:21:55,840 --> 01:22:00,240
Speaker 1: Oh I didn't watch that. Yeah, I was Tina Knowles. Well, okay,

1562
01:22:00,520 --> 01:22:03,120
Speaker 1: that's what I'll be watching tonight. I'm gonna start TikTok.

1563
01:22:03,200 --> 01:22:05,320
Speaker 1: You watch the Lifetime movies. Matt, what are you gonna

1564
01:22:05,360 --> 01:22:09,240
Speaker 1: do tonight? I'm gonna watch another episode of The White Load. Yes,

1565
01:22:09,479 --> 01:22:14,679
Speaker 1: wrong answer. You have to upload something on uploading ghos. Yes, perfect.

1566
01:22:14,840 --> 01:22:17,320
Speaker 1: We all have our agendas. Yeah, we really do. What

1567
01:22:17,400 --> 01:22:22,720
Speaker 1: an incredible episode this was, and so were The Intruder

1568
01:22:23,200 --> 01:22:27,280
Speaker 1: December on HBO and you can watch it on HBO

1569
01:22:27,400 --> 01:22:30,759
Speaker 1: via HBO Max henceforth afterwards. That's right, that's right because

1570
01:22:31,160 --> 01:22:34,080
Speaker 1: earlier on Yeah, before we started this whole thing, the

1571
01:22:34,320 --> 01:22:37,160
Speaker 1: first fighting words towards But when was that he gives

1572
01:22:37,200 --> 01:22:39,920
Speaker 1: off android vibes? And then you said I was on

1573
01:22:40,080 --> 01:22:48,320
Speaker 1: HBO Max. No, let the record show it's HBOS the intruder.

1574
01:22:48,800 --> 01:22:50,640
Speaker 1: You know, we're saying, who says originals? I was like,

1575
01:22:50,880 --> 01:22:59,280
Speaker 1: HBO Max Max Max originals, Yeah, they do. I love that.

1576
01:22:59,320 --> 01:23:01,640
Speaker 1: I feel like I'm like really activating when I log on.

1577
01:23:01,920 --> 01:23:05,800
Speaker 1: It's like all my atoms are coming together into one body.

1578
01:23:05,960 --> 01:23:07,960
Speaker 1: It's not my favorite streamer that has of course that

1579
01:23:08,200 --> 01:23:15,400
Speaker 1: with me Peacock, But um, I think now we're just out.

1580
01:23:15,960 --> 01:23:18,879
Speaker 1: He's an HBO Max employee and you're both HBO employees.

1581
01:23:19,520 --> 01:23:21,880
Speaker 1: I'm employees of them all. I'm an employee of Showtime

1582
01:23:21,920 --> 01:23:24,799
Speaker 1: and I am an employee of HBO. I'm an employee

1583
01:23:24,800 --> 01:23:27,320
Speaker 1: of Netflix when they want me to. And of course

1584
01:23:27,360 --> 01:23:29,360
Speaker 1: I went down with a quickly ship and so did you?

1585
01:23:29,680 --> 01:23:32,880
Speaker 1: Did you? But to I never saw the light of day,

1586
01:23:33,040 --> 01:23:37,439
Speaker 1: Oh my god. And it never came out. I just

1587
01:23:37,479 --> 01:23:39,840
Speaker 1: shot the pilot. Shot the pilot Let's Go outsco is

1588
01:23:39,880 --> 01:23:42,679
Speaker 1: supposed to be a quickly original shot the pilot well,

1589
01:23:43,200 --> 01:23:46,360
Speaker 1: and yet still you stand both of you, my legends,

1590
01:23:46,439 --> 01:23:48,400
Speaker 1: thank you, and now we have to sing a song

1591
01:23:48,560 --> 01:23:55,920
Speaker 1: to close the episode about overcoming. When I think of it,

1592
01:23:59,000 --> 01:24:05,360
Speaker 1: football bass, there were times, there are times when a

1593
01:24:05,520 --> 01:24:13,000
Speaker 1: few baby baby, and if you want to hear the

1594
01:24:13,080 --> 01:24:17,679
Speaker 1: rest of that, and listen to Janet Jackson's discography Velvet

1595
01:24:17,800 --> 01:24:20,360
Speaker 1: Rope actually that I was on and control, which is

1596
01:24:20,560 --> 01:24:23,479
Speaker 1: what I think of you. There's two options, and listen

1597
01:24:23,520 --> 01:24:27,719
Speaker 1: to the Lady Professor to soundtrack. Bye.