WEBVTT - Busta Rhymes On Work Ethic, Dream Collabs, New Generations Music, 'Blockbusta' Album + More

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<v Speaker 1>Wake that ass up in the morning. Breakfast Club.

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<v Speaker 2>Morning Everybody, It's DJ n V Charlamagne the Gud.

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<v Speaker 3>We are the Breakfast Club. We got our guest host,

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<v Speaker 3>Buster Rams and Claudia Jordan. Buster Rahms album is out

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<v Speaker 3>right now.

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<v Speaker 2>Blockbuster yea.

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<v Speaker 3>So recently we had a conversation with Swizz Yes, and

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<v Speaker 3>I asked Swizz how he got himself, Timberland and Pharrell. Now,

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<v Speaker 3>Buster a couple of probably about a month ago, said

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<v Speaker 3>he's doing an album where Pharrell, Timberland and Swiss Beats

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<v Speaker 3>or the EPs.

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<v Speaker 2>How how does that happen?

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<v Speaker 4>You know, Buster is somebody that don't back down easy.

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<v Speaker 4>You can't tell him no. And he signed us up

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<v Speaker 4>for his project and we just said, okay, let's do it.

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<v Speaker 4>And he came, He's like, you know you, Tim, Pharrell,

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<v Speaker 4>y'all my producers for the project. I'm like, okay, no exactly,

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<v Speaker 4>the producers okay. And then I don't know, like somehow

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<v Speaker 4>we actually all got into a space which is a

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<v Speaker 4>photo of us on this boat, and I'm sitting here,

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<v Speaker 4>I'm like, yo, he really manifested this. Like we didn't

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<v Speaker 4>even plan to be on that boat at that time.

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<v Speaker 4>It's not like Okay, let's have an executive producer boat ride.

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<v Speaker 4>Like we just all ended up sitting there and I'm

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<v Speaker 4>looking around like, okay, I hear the universe. Okay, I

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<v Speaker 4>guess we're doing it.

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<v Speaker 3>So where did you come up with the idea to

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<v Speaker 3>have all three of those great producers EP Project V.

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<v Speaker 1>I'm gonna tell you the truth. Forrell created that day

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<v Speaker 1>with all of us coming together. Forarrell invited us to

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<v Speaker 1>this unbelievable yacht. We was in Miami, all of us

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<v Speaker 1>in it in Miami, chilling. We come to the yacht.

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<v Speaker 1>Everybody's dead. We pull up, we rocking on the yacht, vibing,

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<v Speaker 1>we eating food, we drinking, we smoking cigars, we vibing.

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<v Speaker 1>Swiss had just finished working on DMX rest in Piece,

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<v Speaker 1>DMX last album, this posthumous album, and there's a table

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<v Speaker 1>on the yacht on the upper deck level and we're

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<v Speaker 1>all sitting around that and we were just talking for

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<v Speaker 1>a few hours. We was on the I believe he

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<v Speaker 1>was on a yacht probably eight hours that day. About

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<v Speaker 1>four hours into to the day, it just kept going

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<v Speaker 1>really really crazy in my mind. And I'm sitting here

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<v Speaker 1>with three of my brothers, all twenty five plus year relationships, brothers.

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<v Speaker 1>They all produced on all of my shit. Excuse me.

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<v Speaker 1>They all produced on all of my projects at some

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<v Speaker 1>point or another, whether it was two out of the

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<v Speaker 1>three of them, or all three of them or one

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<v Speaker 1>out of the three of them, right, And I'm like, yo,

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<v Speaker 1>looking at them, and they looking at me, They looking

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<v Speaker 1>at each other. We talking. Ain't nobody bringing up no music.

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<v Speaker 1>It was no music talk outside of the DMX album

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<v Speaker 1>because Swiss wanted us to hear it. But all the

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<v Speaker 1>other conversation throughout the day was just regular conversation. I'm like, listen,

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<v Speaker 1>I just need to say this to all three of y'all.

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<v Speaker 1>Ain't nowhere in the world, and I'm gonna get off

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<v Speaker 1>this boat and I tell y'all that this is not

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<v Speaker 1>gonna be a moment where we shouldn't be discussing doing

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<v Speaker 1>a bust the Rhyms album with all of y'all producing it.

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<v Speaker 1>I don't care what I ain't taking no back talk

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<v Speaker 1>started off as an EP. Two songs from Swiss, two

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<v Speaker 1>songs from All, two songs from Timbland. We get through

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<v Speaker 1>the six records. I was like, wait a minute, now,

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<v Speaker 1>I'm not feeling like this is enough because I'm not

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<v Speaker 1>an EP dude, you know what I'm saying. I'm an

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<v Speaker 1>album dude. And the energy that was feeling and sounds

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<v Speaker 1>so incredible from themselves records. It's set the standard for

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<v Speaker 1>what the rest of the album should feel like it

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<v Speaker 1>sound like. And what was dope about the album when

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<v Speaker 1>it was just those six songs. Was every song felt

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<v Speaker 1>like feel good, energy, party and turn up records. Coming

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<v Speaker 1>off an El E two album, we was speaking directly

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<v Speaker 1>to what was happening. We was in the pandemic, the

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<v Speaker 1>protesting was happening, the riots, the George Floyd murders and

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<v Speaker 1>all of the you know, it was too much dark energy,

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<v Speaker 1>but it was necessary at the time, and it was

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<v Speaker 1>a beautiful body of work and an installment that was

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<v Speaker 1>needed for the time. Them six songs felt like I

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<v Speaker 1>was back in my put your hands chamber and party

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<v Speaker 1>going on over here and everything remains draw and it

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<v Speaker 1>felt like we was in that bag all the way

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<v Speaker 1>with just them six songs, and I was like, I

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<v Speaker 1>ain't got enough of this. I need more of this.

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<v Speaker 1>So as I was planning for people, they wanted to

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<v Speaker 1>be a part of that, from the new artists to

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<v Speaker 1>other producers and it just it just kept evolving.

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<v Speaker 3>And I got to ask, you know, people have been

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<v Speaker 3>hitting me this morning and I thought about it too.

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<v Speaker 2>Aren't you on tour?

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<v Speaker 1>I just came off tour on the twenty first in November.

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<v Speaker 2>Okay, cause I seen I've seen you in place. I'm

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<v Speaker 2>like sitting the bus to be overseas.

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<v Speaker 1>About five months on the road. Fifth is still on

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<v Speaker 1>the road. He's rocking probably until like December twenty third.

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<v Speaker 1>I think he can India and Mumbai and Bakraine. My

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<v Speaker 1>last show was at the O two in London. It

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<v Speaker 1>was our third English show. We did two to two

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<v Speaker 1>solout shows in one Wimbley arena. Wow July twenty first

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<v Speaker 1>to November twenty first. I come home on the twenty second.

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<v Speaker 1>Twenty third was Thanksgiving twenty fourth drop the album album

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<v Speaker 1>Relice Party, Private Location.

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<v Speaker 2>So you never stopped working.

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<v Speaker 1>I ain't stopped.

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<v Speaker 3>Well, hold on, let's let's get into a record. We're

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<v Speaker 3>gonna come back with bus. Yes, Now this is the

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<v Speaker 3>record with your kids doing it.

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<v Speaker 1>What's the records called legacy? Legacy? Big up trillion, my

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<v Speaker 1>young spreader, Big up my beautiful daughter see and big

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<v Speaker 1>up my other beautiful daughter who plays classical piano Rye

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<v Speaker 1>and and and big up to Mars and big up

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<v Speaker 1>to all of the other producers that assisted in the

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<v Speaker 1>production with Mars and I just need y'all to enjoy

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<v Speaker 1>that this DNA is very rare in this royalty bloodline.

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<v Speaker 5>Over here, y'all, I want to ask you, So, it

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<v Speaker 5>seems like you're really good at manifesting things and making

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<v Speaker 5>things happen, like you have just like you are speaking

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<v Speaker 5>things into existence. So how about here in the breakfast Club,

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<v Speaker 5>since this is your first time here, who is it

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<v Speaker 5>that you have not worked with or that you're like

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<v Speaker 5>a dream collaboration if you haven't done it already, is

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<v Speaker 5>there someone out there that you're like, Look, this would

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<v Speaker 5>be like it for me.

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<v Speaker 2>Whoever you work with, you didn't work with them, everybody.

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<v Speaker 1>Yeah, I ain't work with Cole yet. I want to

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<v Speaker 1>work with co I'm a huge fan of j Cole.

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<v Speaker 2>I'm sure he's listening right now, Jacob.

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<v Speaker 1>I'm a huge fan of j Cole. I'm a huge

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<v Speaker 1>fan of Jed. Jed is crazy. Is crazy too, they

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<v Speaker 1>shout the Jed. Huge fan of Drake. I love to

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<v Speaker 1>work with Drake, huge fan of this is singer I

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<v Speaker 1>love Friday's work. I love this a young lady. What's

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<v Speaker 1>his name, coc Jones.

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<v Speaker 2>Coco Jones Jones's incredible.

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<v Speaker 1>She's incredible to me. I'm a huge fan of Janelle

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<v Speaker 1>money too, and he got a new artist out. I

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<v Speaker 1>forget his name, but he sounded like Marvin Gay.

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<v Speaker 2>That's October, October, London.

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<v Speaker 1>Yeah, he sounds so crazy, so crazy, like dude is

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<v Speaker 1>I only heard the ones on it cut deep.

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<v Speaker 5>Go to his page and just follow him.

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<v Speaker 2>He is.

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<v Speaker 1>His brother is unbelievable. And you know who else too.

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<v Speaker 2>I can'tfront Toby and Wigway.

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<v Speaker 1>He's incredible to me. Big up to Toby love dude.

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<v Speaker 1>Oh by the way, let me take a second and

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<v Speaker 1>just big up my brother bun Bee. You know what

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<v Speaker 1>I'm saying. The record that bet we did on the

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<v Speaker 1>album with the Baby and blockbusted with the Baby and

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<v Speaker 1>t Pain. Big up to bun Bee for clearing it.

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<v Speaker 1>Rest in peace to PIMPCI, Salute to Zero. Big up

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<v Speaker 1>g Z. You know what I'm saying. I think Hove

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<v Speaker 1>has something to do with the song too. But and

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<v Speaker 1>whoever the producer is big, every last one of them up.

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<v Speaker 1>But bum Bee, you know that's my That's that's who

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<v Speaker 1>I interact with frequently, and bun Be I just want

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<v Speaker 1>to thank him for blessing me with the clearance. I

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<v Speaker 1>want to thank bun Bee for the big up that

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<v Speaker 1>he just gave recently on the Twitter and just shout

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<v Speaker 1>at us with how proud he felt we we did

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<v Speaker 1>with all three of us, and he called it the

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<v Speaker 1>trifecta with me and t Pain and the baby and

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<v Speaker 1>big up the Baby and big up Tea Pain and

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<v Speaker 1>big up every damn body on my album, Big of

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<v Speaker 1>my kids, Quavo. I'm gonna get into the whole shout

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<v Speaker 1>out list after we finished running through some are these songs,

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<v Speaker 1>but yeah, man, those is the names that I'm feeling

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<v Speaker 1>right now. I'm leaving out a couple, but off the

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<v Speaker 1>top those is that's where it's at.

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<v Speaker 2>And I had to ask, so thank you so much, Claudia,

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<v Speaker 2>how did you decide?

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<v Speaker 3>You know, the one thing I would say about Bust

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<v Speaker 3>is you always had your your hold on the legacy

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<v Speaker 3>og artists and also the younger artists, right so you know,

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<v Speaker 3>back then you would do a record with Slick Ric

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<v Speaker 3>on Rockham but then you do a record with Coiler

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<v Speaker 3>Ray and the Baby, Absolutely, So what made you want

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<v Speaker 3>to do the records with those individuals like a Coiler Ray,

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<v Speaker 3>the artist with the video the Luxury Life, which is

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<v Speaker 3>a redone of Foxy and Hole.

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<v Speaker 1>Absolutely. First of all, I'm gonna always give it up

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<v Speaker 1>to the to the to the timeless greatness, all right,

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<v Speaker 1>and contribution that pushed the culture forward, and it also

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<v Speaker 1>evolved the culture because when the records was happening, when

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<v Speaker 1>we was doing it, you already know that ninety six

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<v Speaker 1>to like two thousand and one, it was probably the

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<v Speaker 1>most lucrative time in hip hop period. So big up

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<v Speaker 1>the whole, Big up the Foxy on clarinet and as

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<v Speaker 1>far as the new artists with the Coiler Rays and

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<v Speaker 1>the Beers, the Baby, Quavo and Moray and Young Doug

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<v Speaker 1>and Gigs and Young Blue and Blash and all of

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<v Speaker 1>these new artists. For me on this album in particularly,

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<v Speaker 1>I just felt like I needed to speak to both

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<v Speaker 1>generations real quick. When I said what I said at

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<v Speaker 1>the BT Awards, I was trying to speak to both generations.

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<v Speaker 1>I wanted the young generations to know that we love them,

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<v Speaker 1>we support them, we admire what you're doing. And I'm

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<v Speaker 1>not gonna really do this entertaining of this this little

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<v Speaker 1>bugged out propaganda, and that's this little narrative of you know,

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<v Speaker 1>the elder stationman and the ogs don't respect it. As

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<v Speaker 1>far as what y'all are doing is concerned.

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<v Speaker 2>We do.

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<v Speaker 1>And there's a lot of us that like it, a

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<v Speaker 1>lot of us that love it, a lot of us

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<v Speaker 1>as fans of it. And I'm gonna speak for me

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<v Speaker 1>because I come from a group with a legacy and

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<v Speaker 1>a name that we had to fight to earn, and

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<v Speaker 1>what's called Leaders of the New School. I'm always gonna

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<v Speaker 1>do that. And I think culturally even deeper than the name,

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<v Speaker 1>which is why the name was something that was greater

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<v Speaker 1>than the name. For us, it was an attribute. Was

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<v Speaker 1>we wanted to live this name. When you live it,

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<v Speaker 1>it's an attribute because it's attributed to the way you

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<v Speaker 1>actually carry your action out. So for me, Leaders of

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<v Speaker 1>the New School from a cultural standpoint came from and

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<v Speaker 1>our community is black children in the so called urban community.

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<v Speaker 1>We want to always pull up as the ones that

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<v Speaker 1>discovered the new thing first, whether it's the new pair

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<v Speaker 1>of sneakers, whether it was the new denim suit from Levi's,

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<v Speaker 1>whether it was.

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<v Speaker 2>The new.

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<v Speaker 1>Battle from co crushing for some seas Kumud and busy

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<v Speaker 1>b or the new whip everything new. We love culturally

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<v Speaker 1>to be the one to stunt and show off and

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<v Speaker 1>say we're putting everybody else onto something. That means you

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<v Speaker 1>are about leading the new from a cultural place. This

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<v Speaker 1>is the way we live. Culture is a way of life.

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<v Speaker 1>So ultimately, if I'm going to be this person from

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<v Speaker 1>when I started, and this is all I know culturally,

0:12:51.920 --> 0:12:54.920
<v Speaker 1>this ain't a style thing. This is a way of

0:12:54.960 --> 0:13:00.120
<v Speaker 1>life thing. I liked leading the new I was. I'm

0:13:00.080 --> 0:13:02.439
<v Speaker 1>also talkt and raised and believe that you can't put

0:13:02.480 --> 0:13:06.160
<v Speaker 1>the timeline on greatness. So at the end of the day,

0:13:06.720 --> 0:13:09.720
<v Speaker 1>you're not gonna tell me because of my age or

0:13:09.760 --> 0:13:11.760
<v Speaker 1>because of my legacy and the time that I put

0:13:11.760 --> 0:13:17.560
<v Speaker 1>into this professionally that I'm not gonna be in tune

0:13:17.600 --> 0:13:20.360
<v Speaker 1>because make a conscious effort with keeping my finger on

0:13:20.400 --> 0:13:23.800
<v Speaker 1>the pulse. You feel what I'm saying. I'm in the

0:13:23.800 --> 0:13:27.240
<v Speaker 1>street every night, for real, I'm gonna call a DJL

0:13:27.360 --> 0:13:30.040
<v Speaker 1>for real. I'm gonna send you my record myself, for real.

0:13:30.360 --> 0:13:32.080
<v Speaker 3>Do you think that's a lost art phone? We're talking

0:13:32.080 --> 0:13:33.640
<v Speaker 3>to buster rooms see here, and the reason I say

0:13:33.679 --> 0:13:36.840
<v Speaker 3>that is like I was saying to you earlier, Buster,

0:13:37.960 --> 0:13:40.160
<v Speaker 3>there is no more of well, i'll.

0:13:40.040 --> 0:13:41.199
<v Speaker 2>Have my label people call.

0:13:41.280 --> 0:13:41.439
<v Speaker 1>Right.

0:13:41.440 --> 0:13:43.600
<v Speaker 3>When I was a small DJ and I only had

0:13:43.640 --> 0:13:46.560
<v Speaker 3>one hour a show, one hour a week, Buster would

0:13:46.559 --> 0:13:46.840
<v Speaker 3>call that.

0:13:46.880 --> 0:13:52.600
<v Speaker 2>One record, I'm calling your cell phone. Yes, Buster would would.

0:13:52.360 --> 0:13:54.480
<v Speaker 3>Come pull up to the club. And Buster still does that.

0:13:54.960 --> 0:13:56.800
<v Speaker 3>Most of these artists don't do that no more at that.

0:13:56.840 --> 0:13:59.040
<v Speaker 3>Maybe they don't respect the DJ as much and they

0:13:59.040 --> 0:14:01.600
<v Speaker 3>don't respect radio. What makes you still have the grind

0:14:01.640 --> 0:14:04.280
<v Speaker 3>to do it? You don't have to, you're financially secure,

0:14:04.360 --> 0:14:07.840
<v Speaker 3>you're great, but you still do the things that a

0:14:07.880 --> 0:14:08.680
<v Speaker 3>new artist would do.

0:14:08.760 --> 0:14:11.680
<v Speaker 1>Why I love it too much? I care about it

0:14:11.720 --> 0:14:15.640
<v Speaker 1>too much. And I was also taught being five percent,

0:14:16.559 --> 0:14:18.800
<v Speaker 1>you ain't gonna sit home and wait for myster regard

0:14:18.840 --> 0:14:22.200
<v Speaker 1>to bring you food, saying, mystery regard, you're gonna sit

0:14:22.240 --> 0:14:24.040
<v Speaker 1>home and wait to bring you food. He also bestowed

0:14:24.040 --> 0:14:25.880
<v Speaker 1>the blessing and the gift and gave you the ability

0:14:25.880 --> 0:14:28.600
<v Speaker 1>to have a life that exists in real time and

0:14:28.600 --> 0:14:31.640
<v Speaker 1>space for you to go get it yourself right. That's

0:14:31.640 --> 0:14:34.600
<v Speaker 1>the blessing in itself, what you've been gifted with to

0:14:34.720 --> 0:14:36.800
<v Speaker 1>exist and have and be able to be acknowledged for

0:14:36.960 --> 0:14:41.840
<v Speaker 1>just existing is the gift itself. So instead of me

0:14:41.920 --> 0:14:44.040
<v Speaker 1>waiting and asking somebody to do something that I could

0:14:44.080 --> 0:14:47.280
<v Speaker 1>actually do, Yeah, I'm gonna appreciate the assistance. I got

0:14:47.320 --> 0:14:50.560
<v Speaker 1>a support system, of course, but I'm not relying on

0:14:50.560 --> 0:14:53.160
<v Speaker 1>the support system as if I ain't gonna do nothing.

0:14:53.760 --> 0:14:57.880
<v Speaker 1>And it's it's this responsibility of the supporting system alone

0:14:57.920 --> 0:15:02.120
<v Speaker 1>to secure the win for me. My children ain't my

0:15:02.160 --> 0:15:07.320
<v Speaker 1>support system responsibility, they minds. So regardless what my support

0:15:07.360 --> 0:15:13.480
<v Speaker 1>system is doing, the most hot on old not even

0:15:13.520 --> 0:15:17.200
<v Speaker 1>my support system another five seconds, so he wiped everybody

0:15:17.200 --> 0:15:19.080
<v Speaker 1>off the face of the earth. Still got to live

0:15:19.120 --> 0:15:20.960
<v Speaker 1>and die my own iniquity at the end of the day.

0:15:21.960 --> 0:15:25.520
<v Speaker 1>And besides all of that, bro, I like the space

0:15:25.560 --> 0:15:29.680
<v Speaker 1>that I'm in right now. I'm a happy mom. I'm

0:15:29.720 --> 0:15:34.800
<v Speaker 1>happy as hell, envy, I'm super duper happy. So for me,

0:15:35.640 --> 0:15:38.440
<v Speaker 1>I'm really in a space where I'm enjoying my life.

0:15:38.760 --> 0:15:42.720
<v Speaker 1>I'm enjoying what I'm doing, I'm enjoying what I'm creating.

0:15:43.000 --> 0:15:49.440
<v Speaker 1>I'm enjoying that I'm making records with my children. When

0:15:49.480 --> 0:15:52.240
<v Speaker 1>I used to have to make records for my children.

0:15:53.200 --> 0:15:55.000
<v Speaker 5>I love it just speaking on this because I know

0:15:55.040 --> 0:15:58.760
<v Speaker 5>we did speak about the disconnect between some artists. Clearly

0:15:58.760 --> 0:16:02.920
<v Speaker 5>not you, because you are opening the pathway, the lines

0:16:02.920 --> 0:16:05.480
<v Speaker 5>of communication with these younger artists, but there are some

0:16:05.520 --> 0:16:08.600
<v Speaker 5>people that don't respect the older generation and vice versa.

0:16:09.120 --> 0:16:11.080
<v Speaker 5>I love it just speaking on that because I think

0:16:11.120 --> 0:16:13.280
<v Speaker 5>we are in this microwave society where a lot of

0:16:13.320 --> 0:16:16.000
<v Speaker 5>people think they don't know the hard work that the

0:16:16.040 --> 0:16:17.920
<v Speaker 5>people that came before them had to put in. So

0:16:17.920 --> 0:16:19.680
<v Speaker 5>what would you say to someone that has a talent

0:16:20.280 --> 0:16:22.840
<v Speaker 5>that has like everything about him that could be a star,

0:16:22.920 --> 0:16:23.880
<v Speaker 5>but they don't have that grind?

0:16:23.920 --> 0:16:24.600
<v Speaker 2>What would you say to them?

0:16:24.600 --> 0:16:27.520
<v Speaker 5>Because you are here at five thirty you was on time.

0:16:27.680 --> 0:16:29.880
<v Speaker 1>Thanks for that question, Quin, because I think this is

0:16:29.960 --> 0:16:33.560
<v Speaker 1>one of them questions that is going to allow me

0:16:33.600 --> 0:16:35.880
<v Speaker 1>to say something that I've been longing to say. Okay,

0:16:38.840 --> 0:16:41.680
<v Speaker 1>there was a lot of answers that I wanted when

0:16:41.680 --> 0:16:45.600
<v Speaker 1>I was trying to get myself together in the earliest

0:16:45.600 --> 0:16:48.320
<v Speaker 1>stage in my career, and I was blessed enough to

0:16:48.400 --> 0:16:51.960
<v Speaker 1>have a Chuck d that gave me my name, a

0:16:52.000 --> 0:16:53.840
<v Speaker 1>big Daddy Kane that would allow me to come to

0:16:53.920 --> 0:16:57.280
<v Speaker 1>his crib in a Jamaica estates and his multi million

0:16:57.280 --> 0:17:00.480
<v Speaker 1>dollar home when he had the purple burgundy bands with

0:17:00.560 --> 0:17:06.560
<v Speaker 1>the gold AMG Deep dish Rims right, not AMG Deep

0:17:06.640 --> 0:17:09.080
<v Speaker 1>dish Rims. It was Hammer Deep dish Rims. I don't

0:17:09.080 --> 0:17:13.639
<v Speaker 1>remember the band. It was Hammer Joints. And Box was

0:17:13.680 --> 0:17:17.800
<v Speaker 1>his manager and he used to let me come there

0:17:17.840 --> 0:17:19.800
<v Speaker 1>and sit down and just watch the TV and ask

0:17:19.960 --> 0:17:23.479
<v Speaker 1>questions and you know see you know, chicks pull up

0:17:23.480 --> 0:17:28.560
<v Speaker 1>and they who would cook in the kitchen and parish

0:17:28.560 --> 0:17:31.359
<v Speaker 1>for me PMD Eric Shermon. They would let me come

0:17:31.400 --> 0:17:34.080
<v Speaker 1>to their crib and this is when they was like

0:17:34.119 --> 0:17:38.560
<v Speaker 1>on a second or third group album. And I bought

0:17:38.560 --> 0:17:43.040
<v Speaker 1>my first whip in like ninety three. It was a

0:17:43.040 --> 0:17:46.680
<v Speaker 1>fore Runner that I bought in Queensbridge, the secondhand car

0:17:46.800 --> 0:17:52.520
<v Speaker 1>lot and I bought this car. I drive out there

0:17:52.600 --> 0:17:55.160
<v Speaker 1>and Paris had a bunch of real estate at property

0:17:55.200 --> 0:17:59.520
<v Speaker 1>all over Long Island. He had Schumer Management EPMD, and

0:17:59.680 --> 0:18:01.960
<v Speaker 1>they would the first dudes that I was actually seeing

0:18:02.040 --> 0:18:07.000
<v Speaker 1>do things outside of just being artists. The diversifying of

0:18:07.000 --> 0:18:09.840
<v Speaker 1>the portfolio was like the first time that I was

0:18:09.880 --> 0:18:12.879
<v Speaker 1>seeing this. So I was asking questions and I was

0:18:12.920 --> 0:18:18.800
<v Speaker 1>getting the answers from the elder Statesman to me, I

0:18:18.920 --> 0:18:21.479
<v Speaker 1>was the young and I was the new dude, and

0:18:21.520 --> 0:18:25.560
<v Speaker 1>they felt good about sharing that with me. I understood

0:18:25.560 --> 0:18:29.640
<v Speaker 1>at that point them dudes was walking in their purpose,

0:18:32.880 --> 0:18:34.720
<v Speaker 1>and I know that as much as I needed it,

0:18:34.760 --> 0:18:39.000
<v Speaker 1>and it helped me. It's one thing I think Denzel

0:18:39.040 --> 0:18:40.520
<v Speaker 1>said on the ground one day that I saw in

0:18:40.520 --> 0:18:42.240
<v Speaker 1>the post. He was like, you can't go to your

0:18:42.280 --> 0:18:46.440
<v Speaker 1>grave with the U haul truck. So everything that you got,

0:18:46.480 --> 0:18:49.600
<v Speaker 1>you can't take it with you. I'm gonna give it

0:18:49.640 --> 0:18:52.720
<v Speaker 1>away because I ain't got no choice. I'm in such

0:18:52.760 --> 0:18:54.600
<v Speaker 1>a blessed place in my life. I don't need you

0:18:54.640 --> 0:18:58.800
<v Speaker 1>to give me back nothing other than the reciprocal love

0:18:58.840 --> 0:19:01.720
<v Speaker 1>that I've given you. Just give me the same respect.

0:19:02.200 --> 0:19:04.760
<v Speaker 1>But more importantly, the thing that I'm gonna need for

0:19:04.800 --> 0:19:08.119
<v Speaker 1>you to give me is that if you are new artist,

0:19:08.160 --> 0:19:10.080
<v Speaker 1>that I'm gonna make the time to sit with, build

0:19:10.080 --> 0:19:13.320
<v Speaker 1>with and walk in my purpose and share the information,

0:19:13.480 --> 0:19:16.520
<v Speaker 1>and give you the keys and give you the answers

0:19:16.560 --> 0:19:18.800
<v Speaker 1>to the deep Sea scroll. And when you open a

0:19:18.920 --> 0:19:21.480
<v Speaker 1>Pandora box, I got the answer with on one sid

0:19:21.480 --> 0:19:25.040
<v Speaker 1>side of the Pandora box for your ass too. The

0:19:25.119 --> 0:19:27.199
<v Speaker 1>only thing you do for me is be successful and

0:19:27.240 --> 0:19:29.480
<v Speaker 1>showing me how much you're gonna apply the information I'm

0:19:29.480 --> 0:19:32.960
<v Speaker 1>giving you and secure to win and make. But I'm

0:19:33.000 --> 0:19:36.120
<v Speaker 1>giving you yours and evolving into something else and give

0:19:36.160 --> 0:19:40.960
<v Speaker 1>it to somebody else. I don't want to. I ain't

0:19:40.960 --> 0:19:44.280
<v Speaker 1>even interested in signing on artists. I don't even want that.

0:19:45.760 --> 0:19:49.000
<v Speaker 1>Don't don't. I don't want to deal with none of

0:19:49.000 --> 0:19:51.080
<v Speaker 1>that I want. I just want to empower people at

0:19:51.080 --> 0:19:54.439
<v Speaker 1>this point in my life. Be your own boss. I

0:19:54.440 --> 0:19:56.200
<v Speaker 1>don't want to take a piece of your this set

0:19:56.240 --> 0:20:00.000
<v Speaker 1>or piece of your that just you shine. But pull up.

0:20:00.320 --> 0:20:01.800
<v Speaker 1>Let me give you this thing. Because this thing that

0:20:01.800 --> 0:20:05.000
<v Speaker 1>I'm gonna give you, it actually should come with an invoys.

0:20:05.040 --> 0:20:08.119
<v Speaker 1>You need to pay me for this information. And I

0:20:08.119 --> 0:20:11.120
<v Speaker 1>don't want nothing from you but to see you secure

0:20:11.160 --> 0:20:11.520
<v Speaker 1>the win.

0:20:12.160 --> 0:20:13.960
<v Speaker 3>But to see But the problem with that Buster we're

0:20:13.960 --> 0:20:16.200
<v Speaker 3>talking to, Buster Rhomsey is here. The album is out, Blockbuster.

0:20:16.720 --> 0:20:19.359
<v Speaker 3>It's a lot of people say they're a boss, but

0:20:19.480 --> 0:20:20.880
<v Speaker 3>they don't know how to.

0:20:20.840 --> 0:20:21.520
<v Speaker 1>Be a boss.

0:20:21.520 --> 0:20:24.160
<v Speaker 3>Absolutely, that's cool to be, like I'm a boss, cool

0:20:24.240 --> 0:20:26.119
<v Speaker 3>to be and but you have to learn, you have

0:20:26.240 --> 0:20:28.600
<v Speaker 3>to learn what that means. And a lot of people

0:20:29.160 --> 0:20:31.520
<v Speaker 3>they need to sign to somebody because they need somebody

0:20:31.520 --> 0:20:33.640
<v Speaker 3>to show them the way. Absolutely a lot of people

0:20:33.640 --> 0:20:35.199
<v Speaker 3>can't do that a lot, and I think with this

0:20:35.280 --> 0:20:37.240
<v Speaker 3>day and age people I'm a boss where people feel

0:20:37.240 --> 0:20:39.760
<v Speaker 3>like they don't want to work for somebody, They don't

0:20:39.760 --> 0:20:41.119
<v Speaker 3>want to put the grind in, they don't want to

0:20:41.160 --> 0:20:42.440
<v Speaker 3>sign to somebody, they don't want.

0:20:42.359 --> 0:20:42.639
<v Speaker 4>To do it.

0:20:42.680 --> 0:20:44.560
<v Speaker 2>But we've all been to a place where we had

0:20:44.600 --> 0:20:45.080
<v Speaker 2>to learn.

0:20:45.800 --> 0:20:47.679
<v Speaker 5>I think social media made a lot of people arrogant

0:20:47.720 --> 0:20:53.159
<v Speaker 5>that have that have not done the work, like really

0:20:53.320 --> 0:20:54.240
<v Speaker 5>a post.

0:20:54.200 --> 0:20:57.800
<v Speaker 1>On what you're saying, one trillion percent to what you're

0:20:57.840 --> 0:21:00.639
<v Speaker 1>saying envy. Reason why I don't want to sign no

0:21:00.760 --> 0:21:05.040
<v Speaker 1>artists right now is because I don't respect an appreciative

0:21:05.119 --> 0:21:07.359
<v Speaker 1>artists when you sign them and help them blossom and

0:21:07.400 --> 0:21:11.240
<v Speaker 1>blow and develop and evolve and grow and become great,

0:21:11.560 --> 0:21:14.159
<v Speaker 1>and then they act like you ain't had nothing to

0:21:14.200 --> 0:21:17.320
<v Speaker 1>do with it. I get out the way. Show me

0:21:17.359 --> 0:21:19.879
<v Speaker 1>you could do it on your own. But see if

0:21:19.920 --> 0:21:23.080
<v Speaker 1>I'm not signed to you, the obligation ain't the same.

0:21:24.359 --> 0:21:27.919
<v Speaker 1>When I'm giving you now, I don't owe you nothing

0:21:27.960 --> 0:21:31.520
<v Speaker 1>after that. Take what I'm giving you and know that

0:21:31.560 --> 0:21:34.720
<v Speaker 1>they's so priceless. At the end of the day, you

0:21:35.000 --> 0:21:39.439
<v Speaker 1>actually owe me by getting this information and using it

0:21:39.480 --> 0:21:42.200
<v Speaker 1>and being successful with what I'm giving you. And that's

0:21:42.200 --> 0:21:44.800
<v Speaker 1>the only way you can reward me. And if I

0:21:44.920 --> 0:21:48.080
<v Speaker 1>keep it on that place, I don't got to chase

0:21:48.119 --> 0:21:50.439
<v Speaker 1>you for the bag. I don't gotta chase you for

0:21:50.520 --> 0:21:53.640
<v Speaker 1>then the money you owe me. I don't gotta have

0:21:53.920 --> 0:21:58.359
<v Speaker 1>accountants order ordered nothing. I don't gotta have lawyers block

0:21:58.440 --> 0:22:01.280
<v Speaker 1>clearances or block this or block that, because now that's

0:22:01.280 --> 0:22:04.879
<v Speaker 1>going to change the dynamic of the respective relationship and

0:22:05.600 --> 0:22:09.200
<v Speaker 1>the willingness to just listen to each other. I lived

0:22:09.240 --> 0:22:13.000
<v Speaker 1>through this experience. I'm gonna tell you the best part

0:22:13.040 --> 0:22:17.560
<v Speaker 1>about my happiness right now is making those hard decisions

0:22:18.240 --> 0:22:23.520
<v Speaker 1>to remove everything that was blocking my blessing. Yep.

0:22:23.840 --> 0:22:28.160
<v Speaker 5>Have you always had this perspective? Or because you came

0:22:28.200 --> 0:22:31.359
<v Speaker 5>in here giving flowers to everyone? You started off your

0:22:32.080 --> 0:22:35.400
<v Speaker 5>your time here giving flowers an envy? You just spread

0:22:35.440 --> 0:22:38.200
<v Speaker 5>the love to everyone here, right, And it's a very

0:22:38.240 --> 0:22:39.160
<v Speaker 5>mature perspective.

0:22:40.320 --> 0:22:41.160
<v Speaker 2>Did that how long?

0:22:41.240 --> 0:22:41.359
<v Speaker 1>Like?

0:22:41.480 --> 0:22:44.520
<v Speaker 2>When did this happen? Was this recent? Were you always

0:22:44.560 --> 0:22:44.880
<v Speaker 2>like this?

0:22:45.200 --> 0:22:49.320
<v Speaker 1>Nah? I never I didn't always have the perspective of

0:22:49.520 --> 0:22:55.679
<v Speaker 1>understanding how to become this happy. I've always had the

0:22:55.680 --> 0:22:58.600
<v Speaker 1>perspective of being a flower giver and a giver of love.

0:22:58.920 --> 0:23:02.720
<v Speaker 1>I love to give love. I love to acknowledge people

0:23:02.720 --> 0:23:06.000
<v Speaker 1>for their greatness. I'm super comfortable in my space. I

0:23:06.000 --> 0:23:11.480
<v Speaker 1>don't compete until it's time to respectfully compete. And I'm

0:23:11.480 --> 0:23:17.080
<v Speaker 1>not a disrespectful competitor because I don't disrespect people. You

0:23:17.080 --> 0:23:19.520
<v Speaker 1>don't know me for having beef with nobody in the industry.

0:23:20.000 --> 0:23:22.880
<v Speaker 1>I'm not known for distional artists on no record. I'm

0:23:22.880 --> 0:23:25.800
<v Speaker 1>not known forgetting this by artists on no record, because

0:23:25.840 --> 0:23:30.439
<v Speaker 1>I make sure that the relationship as men and as humans, like,

0:23:30.480 --> 0:23:34.160
<v Speaker 1>we're not gonna compromise the integrity and the moral compass

0:23:34.200 --> 0:23:37.200
<v Speaker 1>and code of ethics and principles. Were not gonna do

0:23:37.280 --> 0:23:40.520
<v Speaker 1>that because dude just just misconstrued and living these lines,

0:23:40.520 --> 0:23:43.280
<v Speaker 1>which is these alter egos and personas we got walking

0:23:43.320 --> 0:23:46.480
<v Speaker 1>around there on some superstar business like No, because see,

0:23:46.520 --> 0:23:51.560
<v Speaker 1>I'm not calling your phone. I'm not getting on social

0:23:51.600 --> 0:23:53.800
<v Speaker 1>media to dish you. If you somebody that me and

0:23:53.840 --> 0:23:56.480
<v Speaker 1>you got a difference or an issue or a conflict,

0:23:56.680 --> 0:23:57.840
<v Speaker 1>I'm gonna call your phone.

0:23:57.880 --> 0:23:59.320
<v Speaker 3>I was gonna say that I was gonna say Busters

0:23:59.320 --> 0:24:02.800
<v Speaker 3>has beef before. But if you ever see Buster, he

0:24:02.800 --> 0:24:03.320
<v Speaker 3>will pull.

0:24:03.240 --> 0:24:03.560
<v Speaker 2>Up on you.

0:24:03.640 --> 0:24:04.760
<v Speaker 1>Yeah, I'm gonna come see.

0:24:04.800 --> 0:24:06.280
<v Speaker 3>It doesn't matter if you're in the club, if you're

0:24:06.280 --> 0:24:08.080
<v Speaker 3>in a restaurant, if you out, he wants to pull

0:24:08.119 --> 0:24:09.160
<v Speaker 3>up and he's gonna have a conversation.

0:24:09.200 --> 0:24:10.400
<v Speaker 2>We need to get back to those days.

0:24:10.560 --> 0:24:13.040
<v Speaker 3>I respect that, and Buster will have a conversation until

0:24:13.040 --> 0:24:13.560
<v Speaker 3>it's finished.

0:24:14.080 --> 0:24:15.320
<v Speaker 2>Finished. I'm serious.

0:24:15.560 --> 0:24:17.520
<v Speaker 3>Buster could walk in the club at two thirty and

0:24:17.560 --> 0:24:21.600
<v Speaker 3>it's not finished to five. When you'll finished, you're either

0:24:21.600 --> 0:24:24.000
<v Speaker 3>gonna hug or you're gonna shake hands and walk the

0:24:24.040 --> 0:24:26.040
<v Speaker 3>other way. That is I've seen it a zillion one

0:24:26.080 --> 0:24:28.239
<v Speaker 3>time and I always respect it. But let's let's get

0:24:28.280 --> 0:24:29.400
<v Speaker 3>into another record off the album.

0:24:29.440 --> 0:24:30.560
<v Speaker 2>Let's do it what you wanna get into.

0:24:30.720 --> 0:24:34.960
<v Speaker 1>Let's get into the me, and let's touch this Me

0:24:35.080 --> 0:24:38.159
<v Speaker 1>and Young Blue and Blash record. And I got a

0:24:38.160 --> 0:24:41.719
<v Speaker 1>big up my man, Miguel, I got a big up

0:24:41.720 --> 0:24:43.800
<v Speaker 1>Miguel Crazy, I got a big up salam I got

0:24:43.840 --> 0:24:47.480
<v Speaker 1>a big up j Cole, and I got a big

0:24:47.560 --> 0:24:53.000
<v Speaker 1>up osmosous architect who produced the joint. And let's just

0:24:53.280 --> 0:24:56.160
<v Speaker 1>continue to just feed the streets. The full course meal

0:24:56.680 --> 0:24:58.840
<v Speaker 1>This joint right here is called Could it Be You Bus,

0:24:59.000 --> 0:25:02.680
<v Speaker 1>Rahim's The Dragon Eat You in Young Blue and Blash

0:25:02.880 --> 0:25:03.960
<v Speaker 1>Let's go, let's.

0:25:03.800 --> 0:25:07.000
<v Speaker 3>Go, Blockbusters out right now Busters, Cobuta go there, Jordan's

0:25:07.280 --> 0:25:08.679
<v Speaker 3>download stream, pick it up.

0:25:08.680 --> 0:25:08.919
<v Speaker 1>We here.

0:25:08.920 --> 0:25:11.639
<v Speaker 2>It's the Breakfast Club. Good morning, wake that ass up

0:25:12.160 --> 0:25:12.760
<v Speaker 2>in the morning.

0:25:12.840 --> 0:25:13.879
<v Speaker 1>The Breakfast Club