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Speaker 1: Wake that ass up in the morning. Breakfast Club.

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Speaker 2: Morning Everybody, It's DJ n V Charlamagne the Gud.

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Speaker 3: We are the Breakfast Club. We got our guest host,

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Speaker 3: Buster Rams and Claudia Jordan. Buster Rahms album is out

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Speaker 3: right now.

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Speaker 2: Blockbuster yea.

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Speaker 3: So recently we had a conversation with Swizz Yes, and

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Speaker 3: I asked Swizz how he got himself, Timberland and Pharrell. Now,

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Speaker 3: Buster a couple of probably about a month ago, said

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Speaker 3: he's doing an album where Pharrell, Timberland and Swiss Beats

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Speaker 3: or the EPs.

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Speaker 2: How how does that happen?

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Speaker 4: You know, Buster is somebody that don't back down easy.

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Speaker 4: You can't tell him no. And he signed us up

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Speaker 4: for his project and we just said, okay, let's do it.

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Speaker 4: And he came, He's like, you know you, Tim, Pharrell,

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Speaker 4: y'all my producers for the project. I'm like, okay, no exactly,

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Speaker 4: the producers okay. And then I don't know, like somehow

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Speaker 4: we actually all got into a space which is a

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Speaker 4: photo of us on this boat, and I'm sitting here,

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Speaker 4: I'm like, yo, he really manifested this. Like we didn't

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Speaker 4: even plan to be on that boat at that time.

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Speaker 4: It's not like Okay, let's have an executive producer boat ride.

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Speaker 4: Like we just all ended up sitting there and I'm

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Speaker 4: looking around like, okay, I hear the universe. Okay, I

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Speaker 4: guess we're doing it.

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Speaker 3: So where did you come up with the idea to

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Speaker 3: have all three of those great producers EP Project V.

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Speaker 1: I'm gonna tell you the truth. Forrell created that day

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Speaker 1: with all of us coming together. Forarrell invited us to

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Speaker 1: this unbelievable yacht. We was in Miami, all of us

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Speaker 1: in it in Miami, chilling. We come to the yacht.

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Speaker 1: Everybody's dead. We pull up, we rocking on the yacht, vibing,

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Speaker 1: we eating food, we drinking, we smoking cigars, we vibing.

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Speaker 1: Swiss had just finished working on DMX rest in Piece,

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Speaker 1: DMX last album, this posthumous album, and there's a table

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Speaker 1: on the yacht on the upper deck level and we're

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Speaker 1: all sitting around that and we were just talking for

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Speaker 1: a few hours. We was on the I believe he

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Speaker 1: was on a yacht probably eight hours that day. About

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Speaker 1: four hours into to the day, it just kept going

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Speaker 1: really really crazy in my mind. And I'm sitting here

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Speaker 1: with three of my brothers, all twenty five plus year relationships, brothers.

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Speaker 1: They all produced on all of my shit. Excuse me.

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Speaker 1: They all produced on all of my projects at some

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Speaker 1: point or another, whether it was two out of the

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Speaker 1: three of them, or all three of them or one

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Speaker 1: out of the three of them, right, And I'm like, yo,

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Speaker 1: looking at them, and they looking at me, They looking

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Speaker 1: at each other. We talking. Ain't nobody bringing up no music.

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Speaker 1: It was no music talk outside of the DMX album

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Speaker 1: because Swiss wanted us to hear it. But all the

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Speaker 1: other conversation throughout the day was just regular conversation. I'm like, listen,

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Speaker 1: I just need to say this to all three of y'all.

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Speaker 1: Ain't nowhere in the world, and I'm gonna get off

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Speaker 1: this boat and I tell y'all that this is not

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Speaker 1: gonna be a moment where we shouldn't be discussing doing

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Speaker 1: a bust the Rhyms album with all of y'all producing it.

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Speaker 1: I don't care what I ain't taking no back talk

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Speaker 1: started off as an EP. Two songs from Swiss, two

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Speaker 1: songs from All, two songs from Timbland. We get through

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Speaker 1: the six records. I was like, wait a minute, now,

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Speaker 1: I'm not feeling like this is enough because I'm not

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Speaker 1: an EP dude, you know what I'm saying. I'm an

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Speaker 1: album dude. And the energy that was feeling and sounds

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Speaker 1: so incredible from themselves records. It's set the standard for

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Speaker 1: what the rest of the album should feel like it

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Speaker 1: sound like. And what was dope about the album when

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Speaker 1: it was just those six songs. Was every song felt

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Speaker 1: like feel good, energy, party and turn up records. Coming

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Speaker 1: off an El E two album, we was speaking directly

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Speaker 1: to what was happening. We was in the pandemic, the

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Speaker 1: protesting was happening, the riots, the George Floyd murders and

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Speaker 1: all of the you know, it was too much dark energy,

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Speaker 1: but it was necessary at the time, and it was

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Speaker 1: a beautiful body of work and an installment that was

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Speaker 1: needed for the time. Them six songs felt like I

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Speaker 1: was back in my put your hands chamber and party

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Speaker 1: going on over here and everything remains draw and it

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Speaker 1: felt like we was in that bag all the way

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Speaker 1: with just them six songs, and I was like, I

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Speaker 1: ain't got enough of this. I need more of this.

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Speaker 1: So as I was planning for people, they wanted to

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Speaker 1: be a part of that, from the new artists to

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Speaker 1: other producers and it just it just kept evolving.

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Speaker 3: And I got to ask, you know, people have been

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Speaker 3: hitting me this morning and I thought about it too.

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Speaker 2: Aren't you on tour?

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Speaker 1: I just came off tour on the twenty first in November.

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Speaker 2: Okay, cause I seen I've seen you in place. I'm

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Speaker 2: like sitting the bus to be overseas.

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Speaker 1: About five months on the road. Fifth is still on

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Speaker 1: the road. He's rocking probably until like December twenty third.

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Speaker 1: I think he can India and Mumbai and Bakraine. My

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Speaker 1: last show was at the O two in London. It

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Speaker 1: was our third English show. We did two to two

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Speaker 1: solout shows in one Wimbley arena. Wow July twenty first

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Speaker 1: to November twenty first. I come home on the twenty second.

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Speaker 1: Twenty third was Thanksgiving twenty fourth drop the album album

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Speaker 1: Relice Party, Private Location.

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Speaker 2: So you never stopped working.

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Speaker 1: I ain't stopped.

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Speaker 3: Well, hold on, let's let's get into a record. We're

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Speaker 3: gonna come back with bus. Yes, Now this is the

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Speaker 3: record with your kids doing it.

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Speaker 1: What's the records called legacy? Legacy? Big up trillion, my

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Speaker 1: young spreader, Big up my beautiful daughter see and big

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Speaker 1: up my other beautiful daughter who plays classical piano Rye

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Speaker 1: and and and big up to Mars and big up

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Speaker 1: to all of the other producers that assisted in the

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Speaker 1: production with Mars and I just need y'all to enjoy

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Speaker 1: that this DNA is very rare in this royalty bloodline.

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Speaker 5: Over here, y'all, I want to ask you, So, it

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Speaker 5: seems like you're really good at manifesting things and making

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Speaker 5: things happen, like you have just like you are speaking

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Speaker 5: things into existence. So how about here in the breakfast Club,

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Speaker 5: since this is your first time here, who is it

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Speaker 5: that you have not worked with or that you're like

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Speaker 5: a dream collaboration if you haven't done it already, is

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Speaker 5: there someone out there that you're like, Look, this would

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Speaker 5: be like it for me.

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Speaker 2: Whoever you work with, you didn't work with them, everybody.

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Speaker 1: Yeah, I ain't work with Cole yet. I want to

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Speaker 1: work with co I'm a huge fan of j Cole.

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Speaker 2: I'm sure he's listening right now, Jacob.

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Speaker 1: I'm a huge fan of j Cole. I'm a huge

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Speaker 1: fan of Jed. Jed is crazy. Is crazy too, they

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Speaker 1: shout the Jed. Huge fan of Drake. I love to

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Speaker 1: work with Drake, huge fan of this is singer I

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Speaker 1: love Friday's work. I love this a young lady. What's

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Speaker 1: his name, coc Jones.

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Speaker 2: Coco Jones Jones's incredible.

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Speaker 1: She's incredible to me. I'm a huge fan of Janelle

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Speaker 1: money too, and he got a new artist out. I

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Speaker 1: forget his name, but he sounded like Marvin Gay.

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Speaker 2: That's October, October, London.

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Speaker 1: Yeah, he sounds so crazy, so crazy, like dude is

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Speaker 1: I only heard the ones on it cut deep.

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Speaker 5: Go to his page and just follow him.

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Speaker 2: He is.

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Speaker 1: His brother is unbelievable. And you know who else too.

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Speaker 2: I can'tfront Toby and Wigway.

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Speaker 1: He's incredible to me. Big up to Toby love dude.

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Speaker 1: Oh by the way, let me take a second and

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Speaker 1: just big up my brother bun Bee. You know what

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Speaker 1: I'm saying. The record that bet we did on the

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Speaker 1: album with the Baby and blockbusted with the Baby and

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Speaker 1: t Pain. Big up to bun Bee for clearing it.

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Speaker 1: Rest in peace to PIMPCI, Salute to Zero. Big up

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Speaker 1: g Z. You know what I'm saying. I think Hove

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Speaker 1: has something to do with the song too. But and

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Speaker 1: whoever the producer is big, every last one of them up.

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Speaker 1: But bum Bee, you know that's my That's that's who

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Speaker 1: I interact with frequently, and bun Be I just want

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Speaker 1: to thank him for blessing me with the clearance. I

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Speaker 1: want to thank bun Bee for the big up that

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Speaker 1: he just gave recently on the Twitter and just shout

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Speaker 1: at us with how proud he felt we we did

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Speaker 1: with all three of us, and he called it the

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Speaker 1: trifecta with me and t Pain and the baby and

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Speaker 1: big up the Baby and big up Tea Pain and

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Speaker 1: big up every damn body on my album, Big of

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Speaker 1: my kids, Quavo. I'm gonna get into the whole shout

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Speaker 1: out list after we finished running through some are these songs,

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Speaker 1: but yeah, man, those is the names that I'm feeling

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Speaker 1: right now. I'm leaving out a couple, but off the

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Speaker 1: top those is that's where it's at.

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Speaker 2: And I had to ask, so thank you so much, Claudia,

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Speaker 2: how did you decide?

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Speaker 3: You know, the one thing I would say about Bust

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Speaker 3: is you always had your your hold on the legacy

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Speaker 3: og artists and also the younger artists, right so you know,

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Speaker 3: back then you would do a record with Slick Ric

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Speaker 3: on Rockham but then you do a record with Coiler

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Speaker 3: Ray and the Baby, Absolutely, So what made you want

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Speaker 3: to do the records with those individuals like a Coiler Ray,

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Speaker 3: the artist with the video the Luxury Life, which is

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Speaker 3: a redone of Foxy and Hole.

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Speaker 1: Absolutely. First of all, I'm gonna always give it up

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Speaker 1: to the to the to the timeless greatness, all right,

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Speaker 1: and contribution that pushed the culture forward, and it also

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Speaker 1: evolved the culture because when the records was happening, when

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Speaker 1: we was doing it, you already know that ninety six

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Speaker 1: to like two thousand and one, it was probably the

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Speaker 1: most lucrative time in hip hop period. So big up

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Speaker 1: the whole, Big up the Foxy on clarinet and as

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Speaker 1: far as the new artists with the Coiler Rays and

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Speaker 1: the Beers, the Baby, Quavo and Moray and Young Doug

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Speaker 1: and Gigs and Young Blue and Blash and all of

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Speaker 1: these new artists. For me on this album in particularly,

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Speaker 1: I just felt like I needed to speak to both

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Speaker 1: generations real quick. When I said what I said at

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Speaker 1: the BT Awards, I was trying to speak to both generations.

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Speaker 1: I wanted the young generations to know that we love them,

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Speaker 1: we support them, we admire what you're doing. And I'm

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Speaker 1: not gonna really do this entertaining of this this little

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Speaker 1: bugged out propaganda, and that's this little narrative of you know,

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Speaker 1: the elder stationman and the ogs don't respect it. As

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Speaker 1: far as what y'all are doing is concerned.

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Speaker 2: We do.

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Speaker 1: And there's a lot of us that like it, a

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Speaker 1: lot of us that love it, a lot of us

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Speaker 1: as fans of it. And I'm gonna speak for me

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Speaker 1: because I come from a group with a legacy and

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Speaker 1: a name that we had to fight to earn, and

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Speaker 1: what's called Leaders of the New School. I'm always gonna

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Speaker 1: do that. And I think culturally even deeper than the name,

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Speaker 1: which is why the name was something that was greater

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Speaker 1: than the name. For us, it was an attribute. Was

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Speaker 1: we wanted to live this name. When you live it,

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Speaker 1: it's an attribute because it's attributed to the way you

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Speaker 1: actually carry your action out. So for me, Leaders of

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Speaker 1: the New School from a cultural standpoint came from and

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Speaker 1: our community is black children in the so called urban community.

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Speaker 1: We want to always pull up as the ones that

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Speaker 1: discovered the new thing first, whether it's the new pair

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Speaker 1: of sneakers, whether it was the new denim suit from Levi's,

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Speaker 1: whether it was.

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Speaker 2: The new.

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Speaker 1: Battle from co crushing for some seas Kumud and busy

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Speaker 1: b or the new whip everything new. We love culturally

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Speaker 1: to be the one to stunt and show off and

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Speaker 1: say we're putting everybody else onto something. That means you

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Speaker 1: are about leading the new from a cultural place. This

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Speaker 1: is the way we live. Culture is a way of life.

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Speaker 1: So ultimately, if I'm going to be this person from

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Speaker 1: when I started, and this is all I know culturally,

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Speaker 1: this ain't a style thing. This is a way of

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Speaker 1: life thing. I liked leading the new I was. I'm

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Speaker 1: also talkt and raised and believe that you can't put

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Speaker 1: the timeline on greatness. So at the end of the day,

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Speaker 1: you're not gonna tell me because of my age or

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Speaker 1: because of my legacy and the time that I put

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Speaker 1: into this professionally that I'm not gonna be in tune

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Speaker 1: because make a conscious effort with keeping my finger on

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Speaker 1: the pulse. You feel what I'm saying. I'm in the

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Speaker 1: street every night, for real, I'm gonna call a DJL

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Speaker 1: for real. I'm gonna send you my record myself, for real.

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Speaker 3: Do you think that's a lost art phone? We're talking

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Speaker 3: to buster rooms see here, and the reason I say

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Speaker 3: that is like I was saying to you earlier, Buster,

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Speaker 3: there is no more of well, i'll.

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Speaker 2: Have my label people call.

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Speaker 1: Right.

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Speaker 3: When I was a small DJ and I only had

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Speaker 3: one hour a show, one hour a week, Buster would

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Speaker 3: call that.

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Speaker 2: One record, I'm calling your cell phone. Yes, Buster would would.

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Speaker 3: Come pull up to the club. And Buster still does that.

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Speaker 3: Most of these artists don't do that no more at that.

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Speaker 3: Maybe they don't respect the DJ as much and they

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Speaker 3: don't respect radio. What makes you still have the grind

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Speaker 3: to do it? You don't have to, you're financially secure,

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Speaker 3: you're great, but you still do the things that a

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Speaker 3: new artist would do.

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Speaker 1: Why I love it too much? I care about it

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Speaker 1: too much. And I was also taught being five percent,

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Speaker 1: you ain't gonna sit home and wait for myster regard

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Speaker 1: to bring you food, saying, mystery regard, you're gonna sit

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Speaker 1: home and wait to bring you food. He also bestowed

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Speaker 1: the blessing and the gift and gave you the ability

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Speaker 1: to have a life that exists in real time and

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Speaker 1: space for you to go get it yourself right. That's

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Speaker 1: the blessing in itself, what you've been gifted with to

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Speaker 1: exist and have and be able to be acknowledged for

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Speaker 1: just existing is the gift itself. So instead of me

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Speaker 1: waiting and asking somebody to do something that I could

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Speaker 1: actually do, Yeah, I'm gonna appreciate the assistance. I got

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Speaker 1: a support system, of course, but I'm not relying on

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Speaker 1: the support system as if I ain't gonna do nothing.

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Speaker 1: And it's it's this responsibility of the supporting system alone

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Speaker 1: to secure the win for me. My children ain't my

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Speaker 1: support system responsibility, they minds. So regardless what my support

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Speaker 1: system is doing, the most hot on old not even

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Speaker 1: my support system another five seconds, so he wiped everybody

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Speaker 1: off the face of the earth. Still got to live

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Speaker 1: and die my own iniquity at the end of the day.

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Speaker 1: And besides all of that, bro, I like the space

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Speaker 1: that I'm in right now. I'm a happy mom. I'm

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Speaker 1: happy as hell, envy, I'm super duper happy. So for me,

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Speaker 1: I'm really in a space where I'm enjoying my life.

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Speaker 1: I'm enjoying what I'm doing, I'm enjoying what I'm creating.

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Speaker 1: I'm enjoying that I'm making records with my children. When

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Speaker 1: I used to have to make records for my children.

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Speaker 5: I love it just speaking on this because I know

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Speaker 5: we did speak about the disconnect between some artists. Clearly

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Speaker 5: not you, because you are opening the pathway, the lines

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Speaker 5: of communication with these younger artists, but there are some

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Speaker 5: people that don't respect the older generation and vice versa.

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Speaker 5: I love it just speaking on that because I think

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Speaker 5: we are in this microwave society where a lot of

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Speaker 5: people think they don't know the hard work that the

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Speaker 5: people that came before them had to put in. So

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Speaker 5: what would you say to someone that has a talent

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Speaker 5: that has like everything about him that could be a star,

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Speaker 5: but they don't have that grind?

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Speaker 2: What would you say to them?

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Speaker 5: Because you are here at five thirty you was on time.

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Speaker 1: Thanks for that question, Quin, because I think this is

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Speaker 1: one of them questions that is going to allow me

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Speaker 1: to say something that I've been longing to say. Okay,

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00:16:38,840 --> 00:16:41,680
Speaker 1: there was a lot of answers that I wanted when

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Speaker 1: I was trying to get myself together in the earliest

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Speaker 1: stage in my career, and I was blessed enough to

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Speaker 1: have a Chuck d that gave me my name, a

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Speaker 1: big Daddy Kane that would allow me to come to

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Speaker 1: his crib in a Jamaica estates and his multi million

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Speaker 1: dollar home when he had the purple burgundy bands with

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Speaker 1: the gold AMG Deep dish Rims right, not AMG Deep

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Speaker 1: dish Rims. It was Hammer Deep dish Rims. I don't

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Speaker 1: remember the band. It was Hammer Joints. And Box was

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Speaker 1: his manager and he used to let me come there

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Speaker 1: and sit down and just watch the TV and ask

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Speaker 1: questions and you know see you know, chicks pull up

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Speaker 1: and they who would cook in the kitchen and parish

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Speaker 1: for me PMD Eric Shermon. They would let me come

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Speaker 1: to their crib and this is when they was like

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Speaker 1: on a second or third group album. And I bought

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Speaker 1: my first whip in like ninety three. It was a

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Speaker 1: fore Runner that I bought in Queensbridge, the secondhand car

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Speaker 1: lot and I bought this car. I drive out there

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Speaker 1: and Paris had a bunch of real estate at property

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Speaker 1: all over Long Island. He had Schumer Management EPMD, and

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Speaker 1: they would the first dudes that I was actually seeing

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Speaker 1: do things outside of just being artists. The diversifying of

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Speaker 1: the portfolio was like the first time that I was

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Speaker 1: seeing this. So I was asking questions and I was

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Speaker 1: getting the answers from the elder Statesman to me, I

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Speaker 1: was the young and I was the new dude, and

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Speaker 1: they felt good about sharing that with me. I understood

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Speaker 1: at that point them dudes was walking in their purpose,

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Speaker 1: and I know that as much as I needed it,

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Speaker 1: and it helped me. It's one thing I think Denzel

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Speaker 1: said on the ground one day that I saw in

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Speaker 1: the post. He was like, you can't go to your

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Speaker 1: grave with the U haul truck. So everything that you got,

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Speaker 1: you can't take it with you. I'm gonna give it

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Speaker 1: away because I ain't got no choice. I'm in such

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Speaker 1: a blessed place in my life. I don't need you

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Speaker 1: to give me back nothing other than the reciprocal love

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Speaker 1: that I've given you. Just give me the same respect.

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Speaker 1: But more importantly, the thing that I'm gonna need for

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Speaker 1: you to give me is that if you are new artist,

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Speaker 1: that I'm gonna make the time to sit with, build

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Speaker 1: with and walk in my purpose and share the information,

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00:19:13,480 --> 00:19:16,520
Speaker 1: and give you the keys and give you the answers

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Speaker 1: to the deep Sea scroll. And when you open a

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Speaker 1: Pandora box, I got the answer with on one sid

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Speaker 1: side of the Pandora box for your ass too. The

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Speaker 1: only thing you do for me is be successful and

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Speaker 1: showing me how much you're gonna apply the information I'm

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00:19:29,480 --> 00:19:32,960
Speaker 1: giving you and secure to win and make. But I'm

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Speaker 1: giving you yours and evolving into something else and give

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Speaker 1: it to somebody else. I don't want to. I ain't

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Speaker 1: even interested in signing on artists. I don't even want that.

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Speaker 1: Don't don't. I don't want to deal with none of

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Speaker 1: that I want. I just want to empower people at

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Speaker 1: this point in my life. Be your own boss. I

359
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Speaker 1: don't want to take a piece of your this set

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Speaker 1: or piece of your that just you shine. But pull up.

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Speaker 1: Let me give you this thing. Because this thing that

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00:20:01,800 --> 00:20:05,000
Speaker 1: I'm gonna give you, it actually should come with an invoys.

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Speaker 1: You need to pay me for this information. And I

364
00:20:08,119 --> 00:20:11,120
Speaker 1: don't want nothing from you but to see you secure

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Speaker 1: the win.

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Speaker 3: But to see But the problem with that Buster we're

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Speaker 3: talking to, Buster Rhomsey is here. The album is out, Blockbuster.

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Speaker 3: It's a lot of people say they're a boss, but

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Speaker 3: they don't know how to.

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Speaker 1: Be a boss.

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Speaker 3: Absolutely, that's cool to be, like I'm a boss, cool

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00:20:24,240 --> 00:20:26,119
Speaker 3: to be and but you have to learn, you have

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Speaker 3: to learn what that means. And a lot of people

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Speaker 3: they need to sign to somebody because they need somebody

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Speaker 3: to show them the way. Absolutely a lot of people

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Speaker 3: can't do that a lot, and I think with this

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Speaker 3: day and age people I'm a boss where people feel

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Speaker 3: like they don't want to work for somebody, They don't

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Speaker 3: want to put the grind in, they don't want to

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Speaker 3: sign to somebody, they don't want.

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Speaker 4: To do it.

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Speaker 2: But we've all been to a place where we had

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Speaker 2: to learn.

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Speaker 5: I think social media made a lot of people arrogant

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Speaker 5: that have that have not done the work, like really

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Speaker 5: a post.

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Speaker 1: On what you're saying, one trillion percent to what you're

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Speaker 1: saying envy. Reason why I don't want to sign no

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00:21:00,760 --> 00:21:05,040
Speaker 1: artists right now is because I don't respect an appreciative

390
00:21:05,119 --> 00:21:07,359
Speaker 1: artists when you sign them and help them blossom and

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00:21:07,400 --> 00:21:11,240
Speaker 1: blow and develop and evolve and grow and become great,

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Speaker 1: and then they act like you ain't had nothing to

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Speaker 1: do with it. I get out the way. Show me

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Speaker 1: you could do it on your own. But see if

395
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Speaker 1: I'm not signed to you, the obligation ain't the same.

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00:21:24,359 --> 00:21:27,919
Speaker 1: When I'm giving you now, I don't owe you nothing

397
00:21:27,960 --> 00:21:31,520
Speaker 1: after that. Take what I'm giving you and know that

398
00:21:31,560 --> 00:21:34,720
Speaker 1: they's so priceless. At the end of the day, you

399
00:21:35,000 --> 00:21:39,439
Speaker 1: actually owe me by getting this information and using it

400
00:21:39,480 --> 00:21:42,200
Speaker 1: and being successful with what I'm giving you. And that's

401
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Speaker 1: the only way you can reward me. And if I

402
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Speaker 1: keep it on that place, I don't got to chase

403
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Speaker 1: you for the bag. I don't gotta chase you for

404
00:21:50,520 --> 00:21:53,640
Speaker 1: then the money you owe me. I don't gotta have

405
00:21:53,920 --> 00:21:58,359
Speaker 1: accountants order ordered nothing. I don't gotta have lawyers block

406
00:21:58,440 --> 00:22:01,280
Speaker 1: clearances or block this or block that, because now that's

407
00:22:01,280 --> 00:22:04,879
Speaker 1: going to change the dynamic of the respective relationship and

408
00:22:05,600 --> 00:22:09,200
Speaker 1: the willingness to just listen to each other. I lived

409
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Speaker 1: through this experience. I'm gonna tell you the best part

410
00:22:13,040 --> 00:22:17,560
Speaker 1: about my happiness right now is making those hard decisions

411
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Speaker 1: to remove everything that was blocking my blessing. Yep.

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Speaker 5: Have you always had this perspective? Or because you came

413
00:22:28,200 --> 00:22:31,359
Speaker 5: in here giving flowers to everyone? You started off your

414
00:22:32,080 --> 00:22:35,400
Speaker 5: your time here giving flowers an envy? You just spread

415
00:22:35,440 --> 00:22:38,200
Speaker 5: the love to everyone here, right, And it's a very

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Speaker 5: mature perspective.

417
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Speaker 2: Did that how long?

418
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Speaker 1: Like?

419
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Speaker 2: When did this happen? Was this recent? Were you always

420
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Speaker 2: like this?

421
00:22:45,200 --> 00:22:49,320
Speaker 1: Nah? I never I didn't always have the perspective of

422
00:22:49,520 --> 00:22:55,679
Speaker 1: understanding how to become this happy. I've always had the

423
00:22:55,680 --> 00:22:58,600
Speaker 1: perspective of being a flower giver and a giver of love.

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Speaker 1: I love to give love. I love to acknowledge people

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Speaker 1: for their greatness. I'm super comfortable in my space. I

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Speaker 1: don't compete until it's time to respectfully compete. And I'm

427
00:23:11,480 --> 00:23:17,080
Speaker 1: not a disrespectful competitor because I don't disrespect people. You

428
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Speaker 1: don't know me for having beef with nobody in the industry.

429
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Speaker 1: I'm not known for distional artists on no record. I'm

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Speaker 1: not known forgetting this by artists on no record, because

431
00:23:25,840 --> 00:23:30,439
Speaker 1: I make sure that the relationship as men and as humans, like,

432
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Speaker 1: we're not gonna compromise the integrity and the moral compass

433
00:23:34,200 --> 00:23:37,200
Speaker 1: and code of ethics and principles. Were not gonna do

434
00:23:37,280 --> 00:23:40,520
Speaker 1: that because dude just just misconstrued and living these lines,

435
00:23:40,520 --> 00:23:43,280
Speaker 1: which is these alter egos and personas we got walking

436
00:23:43,320 --> 00:23:46,480
Speaker 1: around there on some superstar business like No, because see,

437
00:23:46,520 --> 00:23:51,560
Speaker 1: I'm not calling your phone. I'm not getting on social

438
00:23:51,600 --> 00:23:53,800
Speaker 1: media to dish you. If you somebody that me and

439
00:23:53,840 --> 00:23:56,480
Speaker 1: you got a difference or an issue or a conflict,

440
00:23:56,680 --> 00:23:57,840
Speaker 1: I'm gonna call your phone.

441
00:23:57,880 --> 00:23:59,320
Speaker 3: I was gonna say that I was gonna say Busters

442
00:23:59,320 --> 00:24:02,800
Speaker 3: has beef before. But if you ever see Buster, he

443
00:24:02,800 --> 00:24:03,320
Speaker 3: will pull.

444
00:24:03,240 --> 00:24:03,560
Speaker 2: Up on you.

445
00:24:03,640 --> 00:24:04,760
Speaker 1: Yeah, I'm gonna come see.

446
00:24:04,800 --> 00:24:06,280
Speaker 3: It doesn't matter if you're in the club, if you're

447
00:24:06,280 --> 00:24:08,080
Speaker 3: in a restaurant, if you out, he wants to pull

448
00:24:08,119 --> 00:24:09,160
Speaker 3: up and he's gonna have a conversation.

449
00:24:09,200 --> 00:24:10,400
Speaker 2: We need to get back to those days.

450
00:24:10,560 --> 00:24:13,040
Speaker 3: I respect that, and Buster will have a conversation until

451
00:24:13,040 --> 00:24:13,560
Speaker 3: it's finished.

452
00:24:14,080 --> 00:24:15,320
Speaker 2: Finished. I'm serious.

453
00:24:15,560 --> 00:24:17,520
Speaker 3: Buster could walk in the club at two thirty and

454
00:24:17,560 --> 00:24:21,600
Speaker 3: it's not finished to five. When you'll finished, you're either

455
00:24:21,600 --> 00:24:24,000
Speaker 3: gonna hug or you're gonna shake hands and walk the

456
00:24:24,040 --> 00:24:26,040
Speaker 3: other way. That is I've seen it a zillion one

457
00:24:26,080 --> 00:24:28,239
Speaker 3: time and I always respect it. But let's let's get

458
00:24:28,280 --> 00:24:29,400
Speaker 3: into another record off the album.

459
00:24:29,440 --> 00:24:30,560
Speaker 2: Let's do it what you wanna get into.

460
00:24:30,720 --> 00:24:34,960
Speaker 1: Let's get into the me, and let's touch this Me

461
00:24:35,080 --> 00:24:38,159
Speaker 1: and Young Blue and Blash record. And I got a

462
00:24:38,160 --> 00:24:41,719
Speaker 1: big up my man, Miguel, I got a big up

463
00:24:41,720 --> 00:24:43,800
Speaker 1: Miguel Crazy, I got a big up salam I got

464
00:24:43,840 --> 00:24:47,480
Speaker 1: a big up j Cole, and I got a big

465
00:24:47,560 --> 00:24:53,000
Speaker 1: up osmosous architect who produced the joint. And let's just

466
00:24:53,280 --> 00:24:56,160
Speaker 1: continue to just feed the streets. The full course meal

467
00:24:56,680 --> 00:24:58,840
Speaker 1: This joint right here is called Could it Be You Bus,

468
00:24:59,000 --> 00:25:02,680
Speaker 1: Rahim's The Dragon Eat You in Young Blue and Blash

469
00:25:02,880 --> 00:25:03,960
Speaker 1: Let's go, let's.

470
00:25:03,800 --> 00:25:07,000
Speaker 3: Go, Blockbusters out right now Busters, Cobuta go there, Jordan's

471
00:25:07,280 --> 00:25:08,679
Speaker 3: download stream, pick it up.

472
00:25:08,680 --> 00:25:08,919
Speaker 1: We here.

473
00:25:08,920 --> 00:25:11,639
Speaker 2: It's the Breakfast Club. Good morning, wake that ass up

474
00:25:12,160 --> 00:25:12,760
Speaker 2: in the morning.

475
00:25:12,840 --> 00:25:13,879
Speaker 1: The Breakfast Club