1 00:00:01,520 --> 00:00:03,440 Speaker 1: Joseph, I know you very well and I think I 2 00:00:03,480 --> 00:00:07,920 Speaker 1: know the answer. But what was your dream job growing 3 00:00:08,000 --> 00:00:09,680 Speaker 1: up in El Paso, Texas? 4 00:00:10,880 --> 00:00:13,280 Speaker 2: Well, my dream job growing up was that I wanted 5 00:00:13,360 --> 00:00:17,360 Speaker 2: to help people and make people feel better, like pretty 6 00:00:17,720 --> 00:00:20,520 Speaker 2: like pretty, Yeah, pretty much. I just I wanted people 7 00:00:20,520 --> 00:00:23,320 Speaker 2: to come to me for me to make them feel pretty. 8 00:00:23,400 --> 00:00:24,439 Speaker 2: That was my dream job. 9 00:00:24,680 --> 00:00:28,240 Speaker 1: And fast forward and you are living the dream job 10 00:00:28,320 --> 00:00:32,519 Speaker 1: now as a celebrity makeup artist. But Joseph, what if 11 00:00:32,560 --> 00:00:35,520 Speaker 1: I told you that In nineteen ninety four, Selena Kitania 12 00:00:35,640 --> 00:00:39,120 Speaker 1: opened a hybrid beauty salon and fashion boutique. 13 00:00:39,520 --> 00:00:43,240 Speaker 2: Okay, a new dream job unlocked? Tell me more. 14 00:00:44,400 --> 00:00:45,919 Speaker 1: I mean we could have worked there together. I could 15 00:00:45,960 --> 00:00:48,760 Speaker 1: have styled the girls. You could have done their makeup. 16 00:00:48,840 --> 00:00:51,880 Speaker 1: We would have been the dream team for Selena's boutique. Okay. 17 00:00:51,920 --> 00:00:55,200 Speaker 1: So a year after Selena won her first Grammy, she 18 00:00:55,360 --> 00:01:00,360 Speaker 1: founded Selena et Cetera in Corpus and they had two 19 00:01:00,360 --> 00:01:03,160 Speaker 1: locations right, one in Corpus, one in San Antonio, and 20 00:01:03,360 --> 00:01:07,760 Speaker 1: each location was a one stop shop for everything like 21 00:01:07,920 --> 00:01:10,120 Speaker 1: head to toe. By the way, why does this not 22 00:01:10,200 --> 00:01:13,319 Speaker 1: exist now? So if you walked into her store, you 23 00:01:13,400 --> 00:01:16,319 Speaker 1: could get your hair done, your nails done, you could 24 00:01:16,319 --> 00:01:20,600 Speaker 1: shop for like your birthday look, and among those looks 25 00:01:20,720 --> 00:01:24,320 Speaker 1: were all racks and racks of pieces designed by Selena 26 00:01:24,360 --> 00:01:28,440 Speaker 1: herself alongside designer Martin Gomez. So we are talking one 27 00:01:28,440 --> 00:01:29,479 Speaker 1: stop shop for style. 28 00:01:29,840 --> 00:01:32,160 Speaker 2: Okay, Well, I would definitely be overqualified because I was 29 00:01:32,400 --> 00:01:37,680 Speaker 2: just in l I have sixteen Vogue stories, five Vogue covers. 30 00:01:38,160 --> 00:01:40,119 Speaker 2: I mean, what do you see? 31 00:01:40,440 --> 00:01:42,960 Speaker 1: I mean, I'm pretty sure you would have been like 32 00:01:43,000 --> 00:01:46,119 Speaker 1: a dream higher for the Keith Nias. Not gonna lie 33 00:01:46,280 --> 00:01:49,520 Speaker 1: like they would kill to have your talent. But sadly 34 00:01:50,000 --> 00:01:53,720 Speaker 1: we all know that Selena et Cetera is not around anymore. 35 00:01:53,880 --> 00:01:57,080 Speaker 2: Oooh okay, how dare you give me a new dream 36 00:01:57,200 --> 00:01:59,840 Speaker 2: job only to crush my dreams right in front of me. 37 00:02:00,080 --> 00:02:01,520 Speaker 1: I know it wasn't very nice to me, but I 38 00:02:01,560 --> 00:02:04,240 Speaker 1: was just trying to set the scene for our audience listening. 39 00:02:04,400 --> 00:02:07,120 Speaker 2: It's fine, It's fine, all in the line of Judy 40 00:02:07,160 --> 00:02:11,160 Speaker 2: as a podcast co host. Anyway, continue, okay. 41 00:02:11,280 --> 00:02:16,200 Speaker 1: So Selena Etcetera was Selena's first business excursion outside of music, 42 00:02:16,639 --> 00:02:19,359 Speaker 1: and after the breakout success of nineteen ninety two's and 43 00:02:19,520 --> 00:02:24,919 Speaker 1: Tremimundo and nineteen ninety three's Selena Live. Selena's power as 44 00:02:24,919 --> 00:02:26,679 Speaker 1: a brand was clear. 45 00:02:26,800 --> 00:02:29,720 Speaker 2: And her iconic, if slightly beatle does she look for? 46 00:02:29,760 --> 00:02:33,360 Speaker 2: The cover of Entremimundo was her own design, as were 47 00:02:33,400 --> 00:02:34,840 Speaker 2: many of her on stage looks. 48 00:02:35,080 --> 00:02:40,240 Speaker 1: No, she was a fashion designer, maybe not like classically trained, 49 00:02:40,280 --> 00:02:42,960 Speaker 1: but she definitely had a point of view, and so 50 00:02:43,440 --> 00:02:46,240 Speaker 1: this boutique for her made a ton of sense creatively 51 00:02:46,520 --> 00:02:49,800 Speaker 1: and business wise, and as a nice bonus. It was 52 00:02:49,840 --> 00:02:52,919 Speaker 1: a venture that Abraham would have zero control over. 53 00:02:53,320 --> 00:02:56,440 Speaker 2: Oh the mohawk energy continues. 54 00:02:56,720 --> 00:02:59,840 Speaker 1: And for this exact reason, her dad was really resistant 55 00:02:59,840 --> 00:03:02,960 Speaker 1: to this business. But Selena et Cetera opened its doors 56 00:03:03,000 --> 00:03:07,480 Speaker 1: to immediate success, and Selena would soon enter negotiations to 57 00:03:07,560 --> 00:03:12,639 Speaker 1: open other locations in Monterrey and in Puerto Rico, and 58 00:03:12,840 --> 00:03:15,720 Speaker 1: over the course of just a year, Selena et Cetera 59 00:03:15,800 --> 00:03:20,079 Speaker 1: would met the singer more than five million dollars. Hold 60 00:03:20,160 --> 00:03:22,280 Speaker 1: on a second, can we just talk about the fact 61 00:03:22,320 --> 00:03:26,720 Speaker 1: that Selena was an influencer before all of these influencer 62 00:03:26,760 --> 00:03:30,639 Speaker 1: bitches like here we are now with all these influencer collections, 63 00:03:31,080 --> 00:03:33,560 Speaker 1: this girl was the og influencer. 64 00:03:33,720 --> 00:03:36,840 Speaker 2: I mean five million dollars from two locations. She was 65 00:03:37,240 --> 00:03:38,040 Speaker 2: five million dollars. 66 00:03:38,040 --> 00:03:41,640 Speaker 1: Imagine that now, like a nineteen ninety four five million 67 00:03:41,680 --> 00:03:42,880 Speaker 1: dollars was bank. 68 00:03:42,840 --> 00:03:45,880 Speaker 2: That's fifty billion. She was literally over. I'm telling you, 69 00:03:45,920 --> 00:03:48,640 Speaker 2: she's building an empire overnight. 70 00:03:48,720 --> 00:03:51,360 Speaker 1: And it was an empire made up of legions of 71 00:03:51,360 --> 00:03:56,120 Speaker 1: her devoted fans. Honestly, if she were around today, oh 72 00:03:56,160 --> 00:03:58,720 Speaker 1: my god. I know that the number one most followed 73 00:03:58,720 --> 00:04:02,360 Speaker 1: person on Instagram is Selena Gomez, but I have a 74 00:04:02,400 --> 00:04:08,080 Speaker 1: feeling Quintania would dethrone Gomez as like the queen of social. 75 00:04:07,800 --> 00:04:11,760 Speaker 2: I mean, that's capital f fandom. Your behind your swifties. 76 00:04:12,280 --> 00:04:14,400 Speaker 2: They do not compare to the follow up. 77 00:04:14,600 --> 00:04:17,400 Speaker 1: No, but back before fans could tap into a network 78 00:04:17,440 --> 00:04:20,719 Speaker 1: of millions with the tap of a phone. These diehard 79 00:04:20,800 --> 00:04:24,919 Speaker 1: fans had fan clubs, regional fan clubs. 80 00:04:25,320 --> 00:04:27,960 Speaker 2: Fans had to put in the work. Back in the day, 81 00:04:28,080 --> 00:04:30,920 Speaker 2: you would pay a fee through the mail to get 82 00:04:30,920 --> 00:04:35,440 Speaker 2: access to exclusive fan goodies. Again through the mail, the 83 00:04:35,520 --> 00:04:37,560 Speaker 2: snail mail, like the mailbox. 84 00:04:37,320 --> 00:04:40,400 Speaker 1: Exactly, and back in the day, if you wanted more Selena, 85 00:04:40,760 --> 00:04:45,200 Speaker 1: this is how you got it. By nineteen ninety three, 86 00:04:45,440 --> 00:04:48,680 Speaker 1: Selena's biggest San Antonio area fan club had reached more 87 00:04:48,720 --> 00:04:50,480 Speaker 1: than five thousand members. 88 00:04:50,400 --> 00:04:53,200 Speaker 2: Together with your fashion boutiques. This was the start of 89 00:04:53,320 --> 00:04:56,360 Speaker 2: something big the empire. 90 00:04:56,520 --> 00:04:59,680 Speaker 1: But sadly, the very same person in charge of those 91 00:04:59,680 --> 00:05:03,000 Speaker 1: new pillars of Selena's empire would be the one to 92 00:05:03,040 --> 00:05:09,200 Speaker 1: bring about its premature end. I know Joseph today on 93 00:05:09,279 --> 00:05:17,680 Speaker 1: Becoming an Icon, Selena's meteoric rise and untimely fall. I'm 94 00:05:17,720 --> 00:05:20,039 Speaker 1: your host, Liliana Osquez. 95 00:05:19,640 --> 00:05:23,960 Speaker 2: And I'm Joseph Carrio and this is Becoming an Icon. 96 00:05:24,440 --> 00:05:26,960 Speaker 1: A weekly podcast where we give you the rundown on 97 00:05:27,000 --> 00:05:31,360 Speaker 1: how today's most famous Latin v stars have shaped pop culture. 98 00:05:31,200 --> 00:05:33,680 Speaker 2: And given the world some extra level. 99 00:05:33,960 --> 00:05:36,240 Speaker 1: Sit back and get comfortable. 100 00:05:36,040 --> 00:05:39,680 Speaker 2: Because we are going in the only way we know. 101 00:05:39,680 --> 00:05:45,680 Speaker 1: How with whenas, I'm unassas and a lot of opinions 102 00:05:45,760 --> 00:05:49,000 Speaker 1: as we relive their greatest achievements on our journey to 103 00:05:49,040 --> 00:06:03,000 Speaker 1: find out what makes them still iconic. After the success 104 00:06:03,120 --> 00:06:06,760 Speaker 1: of enfre Mi Mundo, there came no rest for the weary. 105 00:06:06,839 --> 00:06:10,200 Speaker 2: Selena Ilosdino's found themselves on a tight deadline for the 106 00:06:10,240 --> 00:06:13,279 Speaker 2: follow up, so much so that they skipped their usual 107 00:06:13,360 --> 00:06:15,800 Speaker 2: January vacation to work on the album. 108 00:06:16,400 --> 00:06:20,400 Speaker 1: Production on Amor Privido lasted six months while recording took 109 00:06:20,440 --> 00:06:23,960 Speaker 1: around two weeks, as did post production. Recording was snuck 110 00:06:23,960 --> 00:06:27,920 Speaker 1: in in between touring commitments and opening of Selena's aforementioned 111 00:06:28,000 --> 00:06:28,880 Speaker 1: fashion boutiques. 112 00:06:29,360 --> 00:06:31,839 Speaker 2: This makes it sound like such a rush job, and 113 00:06:31,920 --> 00:06:34,080 Speaker 2: yet it's arguably their best album. 114 00:06:34,440 --> 00:06:37,800 Speaker 1: I mean, some people thrive with a deadline. I am 115 00:06:37,839 --> 00:06:41,400 Speaker 1: part of that club. Agreed, and fortunately at this point 116 00:06:41,440 --> 00:06:44,760 Speaker 1: in the band's career they were firing on all cylinders. 117 00:06:45,160 --> 00:06:48,479 Speaker 2: Singles like Comola Floor had broken Selena through the audiences 118 00:06:48,480 --> 00:06:52,240 Speaker 2: from all across the Latino world. So with amor Pramdo, 119 00:06:52,400 --> 00:06:54,920 Speaker 2: the band pushed the limits of Cumbia like they never 120 00:06:55,040 --> 00:06:55,800 Speaker 2: had before. 121 00:06:56,240 --> 00:07:00,000 Speaker 1: Yeah, there's the mix of Mariacci and Cumbia on Cunaves 122 00:07:00,080 --> 00:07:00,440 Speaker 1: that song. 123 00:07:00,760 --> 00:07:03,760 Speaker 2: Yeah, and there's a cumbia fied cover of a Pretender 124 00:07:03,880 --> 00:07:05,960 Speaker 2: song Photosqueros. 125 00:07:06,000 --> 00:07:10,520 Speaker 1: What photosuerdos is not an original Selena song? Why do 126 00:07:10,560 --> 00:07:11,360 Speaker 1: you know everything? 127 00:07:11,720 --> 00:07:12,880 Speaker 2: It was born that way? 128 00:07:13,240 --> 00:07:15,440 Speaker 1: Okay, So this is why I love doing this podcast 129 00:07:15,480 --> 00:07:18,520 Speaker 1: because that is one of my favorite Selena songs. And 130 00:07:18,600 --> 00:07:22,600 Speaker 1: I did not know that photos Iriquerdos is a Cumbia 131 00:07:22,640 --> 00:07:25,680 Speaker 1: fied version of a Pretender song. I straight up thought 132 00:07:26,080 --> 00:07:29,119 Speaker 1: Aby wrote that and was like jamming it out. Wow, 133 00:07:29,440 --> 00:07:33,160 Speaker 1: the more you know the more you know. Okay, back 134 00:07:33,200 --> 00:07:36,160 Speaker 1: to the podcast, and by the way, there's of course 135 00:07:36,360 --> 00:07:39,960 Speaker 1: the reggae cumbia of b O. 136 00:07:40,280 --> 00:07:44,720 Speaker 2: Love, and it's all tied together with that voice. Selena 137 00:07:44,800 --> 00:07:47,480 Speaker 2: is innocent and buvely on the title track and on 138 00:07:47,760 --> 00:07:52,320 Speaker 2: Chico de la Partamento close. Then on souna vest she's 139 00:07:52,520 --> 00:07:55,560 Speaker 2: snarling vengeful as she disavows her former love. 140 00:07:56,120 --> 00:08:00,000 Speaker 1: Same with the closing track. Ya know, she goes full roquet. 141 00:08:00,080 --> 00:08:04,600 Speaker 2: Yeah. According to Chris, Selena had sort of fallen in 142 00:08:04,600 --> 00:08:07,320 Speaker 2: love with acting. By that point. She had appeared in 143 00:08:07,360 --> 00:08:09,720 Speaker 2: a number of Mexican tele novelas in the past couple 144 00:08:09,760 --> 00:08:13,840 Speaker 2: of years and was in negotiations to star in one. 145 00:08:13,920 --> 00:08:16,840 Speaker 2: She probably brought that cher performances in the booth. 146 00:08:16,960 --> 00:08:20,200 Speaker 1: One thousand percent. You could really see her starting to 147 00:08:20,240 --> 00:08:23,520 Speaker 1: scratch that acting itch. When she started putting out the 148 00:08:23,600 --> 00:08:28,720 Speaker 1: videos for songs like Amorribido and Noma Kadamas like girl 149 00:08:28,880 --> 00:08:30,679 Speaker 1: was serving you face. 150 00:08:31,320 --> 00:08:34,040 Speaker 2: She was definitely in every single shot front and back. 151 00:08:34,600 --> 00:08:36,800 Speaker 2: She was. She is a star. I know. 152 00:08:37,000 --> 00:08:40,320 Speaker 1: I mean, let's talk about amor Pribido because every time 153 00:08:40,320 --> 00:08:43,960 Speaker 1: I see this video, it is such a bizarre video 154 00:08:44,360 --> 00:08:47,319 Speaker 1: for that song, Like when you hear the song Amobido, 155 00:08:47,600 --> 00:08:53,920 Speaker 1: I just don't think like Joshua Tree, Selena like dancing doors. Yeah, 156 00:08:54,200 --> 00:08:57,960 Speaker 1: despite the weird sets in the middle of the desert. 157 00:08:58,720 --> 00:09:02,199 Speaker 1: One thing that he for me in this video is 158 00:09:02,360 --> 00:09:08,360 Speaker 1: Selena's wardrobe. Yes, guys, it is so quintessential classic Selena. 159 00:09:08,520 --> 00:09:11,920 Speaker 1: So she is in like her Levi She's got her 160 00:09:11,960 --> 00:09:16,439 Speaker 1: white button down, very tight painted Levi's and then she's 161 00:09:16,480 --> 00:09:20,120 Speaker 1: got Chris's shirt that she like tied up like crop 162 00:09:20,160 --> 00:09:21,080 Speaker 1: top style. 163 00:09:21,080 --> 00:09:23,840 Speaker 2: The way she wore those oversized shirts so well, but 164 00:09:23,920 --> 00:09:27,679 Speaker 2: also such tight clothes, like she really just would bring it. 165 00:09:28,120 --> 00:09:30,000 Speaker 2: She would bring it. So speaking of bringing it, hold 166 00:09:30,080 --> 00:09:34,960 Speaker 2: on back to Nomakadamas. The dress. I can't like the 167 00:09:35,000 --> 00:09:37,840 Speaker 2: way she showed up like a star. She's such a 168 00:09:37,880 --> 00:09:38,679 Speaker 2: pageant girl. 169 00:09:38,880 --> 00:09:40,319 Speaker 1: Yeah, she's the beauty queen. 170 00:09:40,720 --> 00:09:44,439 Speaker 2: Like the curl and the front her hair, that dress. 171 00:09:44,480 --> 00:09:46,040 Speaker 2: Didn't she wear that dress before? 172 00:09:46,320 --> 00:09:48,560 Speaker 1: Yes, you have such a good eye. So the dress 173 00:09:48,600 --> 00:09:51,720 Speaker 1: that Selena is wearing in the video for Noma Ka 174 00:09:51,760 --> 00:09:57,560 Speaker 1: Damas is actually her Grammy's dress that she wore to 175 00:09:57,679 --> 00:10:00,959 Speaker 1: accept her grammy. But I think what so cool about 176 00:10:00,960 --> 00:10:03,280 Speaker 1: this dress is that do you know that she bought 177 00:10:03,320 --> 00:10:03,800 Speaker 1: it at the mall. 178 00:10:04,280 --> 00:10:06,200 Speaker 2: Of course she was at the mall eating pizza. Duh. 179 00:10:06,679 --> 00:10:08,960 Speaker 1: She obviously bought it at the mall. She was like, 180 00:10:09,120 --> 00:10:11,680 Speaker 1: I'm gonna wear this dress and win a Grammy and 181 00:10:11,720 --> 00:10:13,800 Speaker 1: then I'm going to get my cost per wear out 182 00:10:13,840 --> 00:10:15,319 Speaker 1: of it and wear it in the v Vale. 183 00:10:15,720 --> 00:10:16,040 Speaker 2: Hello. 184 00:10:16,880 --> 00:10:22,000 Speaker 1: She bought it at the Houston Galeria. And the dress 185 00:10:22,600 --> 00:10:24,880 Speaker 1: was from a brand who I'm blanking on the name 186 00:10:24,880 --> 00:10:27,439 Speaker 1: of the brand, but it was part of the Cachet family. 187 00:10:27,760 --> 00:10:31,120 Speaker 1: Do you remember Cache Stop dude. 188 00:10:31,280 --> 00:10:33,880 Speaker 2: So I would go with my mom and my friends 189 00:10:34,280 --> 00:10:37,200 Speaker 2: take Cashet during Christmas. At the church that I went to, 190 00:10:37,240 --> 00:10:40,000 Speaker 2: they had something called the Haaladazzle and everybody would have 191 00:10:40,040 --> 00:10:41,400 Speaker 2: to look the best, and so no one would go 192 00:10:41,440 --> 00:10:43,600 Speaker 2: to Express or anything like that. Everyone would go to 193 00:10:43,640 --> 00:10:47,920 Speaker 2: Cachet to get like the dresses. I can't believe I 194 00:10:47,960 --> 00:10:50,600 Speaker 2: remember that, and now it probably sells for I don't 195 00:10:50,640 --> 00:10:51,600 Speaker 2: even know well. 196 00:10:51,800 --> 00:10:54,880 Speaker 1: Fun fact, so that dress is actually completely out of production, 197 00:10:55,480 --> 00:10:59,640 Speaker 1: and so when the costume designer for the Jennifer Lopez 198 00:11:00,120 --> 00:11:04,400 Speaker 1: Lina movie went to get the original, they actually remade 199 00:11:04,440 --> 00:11:07,839 Speaker 1: it just for the film for j Loo, which is 200 00:11:07,880 --> 00:11:10,360 Speaker 1: amazing because like they didn't even have it anymore. I know, 201 00:11:10,800 --> 00:11:14,000 Speaker 1: But if you are interested in Selena's fashion, you have 202 00:11:14,200 --> 00:11:18,160 Speaker 1: to visit the Selena Museum in Corpus Christi. That is 203 00:11:18,160 --> 00:11:21,319 Speaker 1: where the dress is. It lives in the house, along 204 00:11:21,320 --> 00:11:23,000 Speaker 1: with like so many of her costumes. So if you're 205 00:11:23,040 --> 00:11:25,440 Speaker 1: ever in Corpus and you're like, what should we do, 206 00:11:25,880 --> 00:11:30,120 Speaker 1: go to the Selena Museum. Back to the album. Despite 207 00:11:30,120 --> 00:11:33,640 Speaker 1: the fact that Selena's brother Ab was, in his words, 208 00:11:33,760 --> 00:11:36,920 Speaker 1: on the verge of a nervous breakdown throughout the entire 209 00:11:36,960 --> 00:11:38,840 Speaker 1: production process, poor. 210 00:11:38,640 --> 00:11:40,480 Speaker 2: Guy always felt the pressure a. 211 00:11:40,480 --> 00:11:43,880 Speaker 1: Motorproib though, stands out as a labor of love from 212 00:11:43,920 --> 00:11:47,280 Speaker 1: a band at its peak. Ab would come to Selena 213 00:11:47,400 --> 00:11:50,440 Speaker 1: unsure of his song ideas, and Selena's reassurance would power 214 00:11:50,520 --> 00:11:52,200 Speaker 1: him through the rest of the process. 215 00:11:53,080 --> 00:11:55,680 Speaker 2: One of Aby's fondest memories comes from the recording of 216 00:11:55,720 --> 00:11:59,440 Speaker 2: Nomaka Damas, which Selena had recorded in only four takes. 217 00:11:59,840 --> 00:12:02,680 Speaker 1: AB now wanted to do a fifth take, but Selena 218 00:12:02,760 --> 00:12:06,560 Speaker 1: basically said, uh no, I'm going to the mall. 219 00:12:06,600 --> 00:12:08,920 Speaker 2: Literally, all I want to do is eat pizza at 220 00:12:08,960 --> 00:12:10,760 Speaker 2: the mall with Selena. 221 00:12:10,960 --> 00:12:13,000 Speaker 1: But Aviy in her grammy dress and the hair from 222 00:12:13,040 --> 00:12:13,640 Speaker 1: the video. 223 00:12:13,480 --> 00:12:15,280 Speaker 2: One hundred Natalie. 224 00:12:15,760 --> 00:12:19,760 Speaker 1: The lead single for Amor Purvido was the title track. However, 225 00:12:19,840 --> 00:12:22,080 Speaker 1: AB had fought to get beaty Bitty bomb Bomb to 226 00:12:22,160 --> 00:12:23,600 Speaker 1: be first in line. 227 00:12:23,760 --> 00:12:26,520 Speaker 2: I love beatty beatty bomb Bomb, but I think the 228 00:12:26,600 --> 00:12:28,800 Speaker 2: label made the right move there for sure. 229 00:12:29,040 --> 00:12:32,520 Speaker 1: But quick tangent about beatty bitty bombomb and why AB 230 00:12:32,720 --> 00:12:35,520 Speaker 1: loved it so much. So the story goes like this. 231 00:12:35,760 --> 00:12:38,360 Speaker 1: When the band was on tour, they would vamp on 232 00:12:38,480 --> 00:12:43,000 Speaker 1: stage during their soundchecks. Selena would make up lyrics and 233 00:12:43,040 --> 00:12:46,360 Speaker 1: sing kind of like nonsense about whatever she saw on 234 00:12:46,440 --> 00:12:50,040 Speaker 1: stage that day. She was singing the phrase itty bitty 235 00:12:50,040 --> 00:12:54,439 Speaker 1: bubbles and you're probably wondering why. Well, apparently there was 236 00:12:54,480 --> 00:12:57,880 Speaker 1: a bubble machine somewhere on that stage, not surprising if 237 00:12:57,880 --> 00:13:01,480 Speaker 1: you've ever seen them play live. And somewhere along the way, 238 00:13:01,760 --> 00:13:05,360 Speaker 1: itty bitty bubbles became beatty beaty bomb bomb. 239 00:13:05,640 --> 00:13:07,880 Speaker 2: Like you can hear that right totally one hundred I 240 00:13:07,960 --> 00:13:09,720 Speaker 2: hear I heard it when you said itty bitty bubbles. 241 00:13:10,320 --> 00:13:15,960 Speaker 1: Point is that song grew completely organically from the fact 242 00:13:16,040 --> 00:13:19,640 Speaker 1: that this band was totally in sync, like they could 243 00:13:19,720 --> 00:13:24,080 Speaker 1: take a improvised phrase like antybody bubbles and put it 244 00:13:24,120 --> 00:13:27,920 Speaker 1: through the Selena and Aby magic and get a hit 245 00:13:28,320 --> 00:13:29,880 Speaker 1: like beaty Bitty Bomb. 246 00:13:29,640 --> 00:13:34,240 Speaker 2: Bumb They were at the absolute height of their live performances. 247 00:13:33,640 --> 00:13:34,800 Speaker 1: Which brings us too. 248 00:13:36,400 --> 00:13:37,640 Speaker 2: The Astrodome. 249 00:13:40,080 --> 00:13:44,160 Speaker 1: In nineteen ninety five, on the tour for Almordreddo, Selena 250 00:13:44,200 --> 00:13:49,000 Speaker 1: played a legendary show at the Houston Astrodome featuring that 251 00:13:49,400 --> 00:13:55,440 Speaker 1: iconic purple jumpsuit. Wow, this performance happened I think just 252 00:13:55,480 --> 00:13:59,199 Speaker 1: a couple of months, maybe a month before she tragically 253 00:13:59,480 --> 00:14:03,959 Speaker 1: passed away. I mean, this is a massive undertaking. I 254 00:14:03,960 --> 00:14:07,760 Speaker 1: think there were more than sixty thousand people at this concert, 255 00:14:08,120 --> 00:14:10,840 Speaker 1: and of course I think what people remember most is 256 00:14:10,920 --> 00:14:16,160 Speaker 1: the iconic purple jumpsuit, which is also at the Selena 257 00:14:16,320 --> 00:14:18,199 Speaker 1: moussail in Corpus Christie. 258 00:14:18,440 --> 00:14:20,640 Speaker 2: Love that, Okay, See, that's why we need to go, 259 00:14:20,800 --> 00:14:23,280 Speaker 2: because I really want to see that material, like because 260 00:14:23,280 --> 00:14:25,520 Speaker 2: it was like shiny, it had like little crystals or 261 00:14:25,560 --> 00:14:28,240 Speaker 2: diamonds or was it just kind of like an iridescent 262 00:14:28,320 --> 00:14:31,120 Speaker 2: to it? You know. Speaking of this performance inspires me 263 00:14:31,200 --> 00:14:33,920 Speaker 2: to just shake my shoulders because she was just moving 264 00:14:34,080 --> 00:14:34,880 Speaker 2: up and down. 265 00:14:35,240 --> 00:14:37,960 Speaker 1: To me, there's such a beauty to this concert, but 266 00:14:38,000 --> 00:14:41,720 Speaker 1: there's also such a sadness because I think when you 267 00:14:41,760 --> 00:14:43,360 Speaker 1: go back and watch, and it's been released as a 268 00:14:43,360 --> 00:14:45,800 Speaker 1: special you can watch it online or stream it. But 269 00:14:45,880 --> 00:14:49,320 Speaker 1: when you see her performing this, she is at the 270 00:14:49,440 --> 00:14:52,160 Speaker 1: very top of her game. And when you see her 271 00:14:52,200 --> 00:14:55,640 Speaker 1: singing AMoD brobido and like by Leastacumbia in the purple 272 00:14:55,720 --> 00:15:00,640 Speaker 1: jumpsuit in front of sixty thousand screaming devoted fit in 273 00:15:00,680 --> 00:15:04,000 Speaker 1: her home state, like I'm getting goosebumps, like you can 274 00:15:04,040 --> 00:15:06,920 Speaker 1: see them. Yes, I'm getting goosebumps because I really think 275 00:15:07,400 --> 00:15:13,520 Speaker 1: this venue, this location, this night really highlighted the fact 276 00:15:13,560 --> 00:15:18,440 Speaker 1: that she had it all, like the potential, the star power, 277 00:15:18,520 --> 00:15:22,520 Speaker 1: the singing chops, like the world was hers for the 278 00:15:22,560 --> 00:15:26,000 Speaker 1: takeing and tragically we know what happened, just like not 279 00:15:26,120 --> 00:15:28,080 Speaker 1: too long after this show. So it's almost like I said, 280 00:15:28,120 --> 00:15:30,720 Speaker 1: it's such a beautiful concert to watch and if you 281 00:15:30,760 --> 00:15:33,040 Speaker 1: love Selena, please go back and watch it. Like her 282 00:15:33,160 --> 00:15:37,080 Speaker 1: live is better than any like recording of Selena. But 283 00:15:37,160 --> 00:15:39,000 Speaker 1: there is such a sadness to me in this show 284 00:15:39,040 --> 00:15:40,520 Speaker 1: because you see what could have been. 285 00:15:40,720 --> 00:15:42,520 Speaker 2: As I was watching it, you know, I just was 286 00:15:42,600 --> 00:15:45,240 Speaker 2: smiling the whole time, Like my cheeks got tired because 287 00:15:45,240 --> 00:15:46,640 Speaker 2: I was just watching it. I was just kind of 288 00:15:46,680 --> 00:15:50,360 Speaker 2: like wow. Also just to see her give it her all. 289 00:15:51,400 --> 00:15:57,640 Speaker 1: This performance is like peak peak Selena. Right. It broke 290 00:15:57,680 --> 00:16:01,240 Speaker 1: attendance records, and earlier on the tour, Selena had also 291 00:16:01,240 --> 00:16:04,600 Speaker 1: broken the attendance record at Miami's Gaiotro Festival. It was 292 00:16:04,640 --> 00:16:06,200 Speaker 1: Selena's biggest tour yet. 293 00:16:06,360 --> 00:16:09,360 Speaker 2: I'm What for You, Though, spent ninety eight consecutive weeks 294 00:16:09,400 --> 00:16:12,160 Speaker 2: at the number one on Billboard's Top Latin Albums Chart, 295 00:16:12,600 --> 00:16:15,440 Speaker 2: ninety seven consecutive weeks at number one in the regional 296 00:16:15,480 --> 00:16:17,120 Speaker 2: Mexican Album chart, and. 297 00:16:17,120 --> 00:16:20,800 Speaker 1: At the Tajanno Music Awards, Selena swept, winning every category 298 00:16:20,880 --> 00:16:24,080 Speaker 1: she was nominated in. The album won three Billboard Latin 299 00:16:24,120 --> 00:16:28,200 Speaker 1: Music Awards and a slew of other Latin music awards. 300 00:16:28,000 --> 00:16:31,880 Speaker 2: And yet it got snubbed at the Grammys, receiving only 301 00:16:32,040 --> 00:16:32,800 Speaker 2: a nomination. 302 00:16:33,560 --> 00:16:36,760 Speaker 1: Get it together, guys, I feel like the Grammys have 303 00:16:36,880 --> 00:16:39,120 Speaker 1: been out of sync with what is actually happening in 304 00:16:39,200 --> 00:16:42,840 Speaker 1: music for decades on decades on decades since then, and 305 00:16:42,880 --> 00:16:45,520 Speaker 1: they never got it together. You know, here's the thing, 306 00:16:45,800 --> 00:16:48,800 Speaker 1: what are you gonna do? Right, Grammy or no Grammy? 307 00:16:49,000 --> 00:16:53,120 Speaker 1: With Amore prodido, Selena was the biggest Latin American star 308 00:16:53,480 --> 00:16:54,560 Speaker 1: in the country. 309 00:16:54,800 --> 00:16:55,160 Speaker 2: Wow. 310 00:16:55,240 --> 00:16:57,520 Speaker 1: By the end of nineteen ninety four, it had sold 311 00:16:57,760 --> 00:16:59,480 Speaker 1: half a million copies with that. 312 00:17:00,040 --> 00:17:04,680 Speaker 2: Label was finally satisfied. As Selena and the band continued touring, 313 00:17:05,040 --> 00:17:08,960 Speaker 2: EMI began setting the stage for Selena's English language crossover album. 314 00:17:09,400 --> 00:17:13,320 Speaker 1: But as we all know, the long awaited crossover would 315 00:17:13,320 --> 00:17:29,240 Speaker 1: never come. We should say that we're not going to 316 00:17:29,320 --> 00:17:32,199 Speaker 1: linger too long on this part of the story. 317 00:17:33,000 --> 00:17:35,760 Speaker 2: Given the choice between remembering how Selena was taken from 318 00:17:35,840 --> 00:17:38,960 Speaker 2: us and remembering all that she gave us, We're going 319 00:17:39,040 --> 00:17:40,199 Speaker 2: to take a bit more from Columbi. 320 00:17:40,680 --> 00:17:44,720 Speaker 1: After all, the show is becoming an icon, not losing 321 00:17:44,800 --> 00:17:48,320 Speaker 1: an icon. But of course we all know that tragically 322 00:17:48,720 --> 00:17:52,640 Speaker 1: we did lose one at the hands of one Yolanda Saldivar. 323 00:17:54,480 --> 00:17:57,600 Speaker 2: Yolanda Saldivar worked as a nurse before taking her niece 324 00:17:57,600 --> 00:18:00,560 Speaker 2: to say Selena in concert back in ninety one during 325 00:18:00,560 --> 00:18:01,800 Speaker 2: the Entre Mimundo tour. 326 00:18:02,200 --> 00:18:05,920 Speaker 1: After seeing Selena in concert, Salivad went from Selena skeptic 327 00:18:06,040 --> 00:18:09,880 Speaker 1: to Selena fanatic. She was inspired to start the Selena 328 00:18:09,920 --> 00:18:12,200 Speaker 1: Fan Club in San Antonio. 329 00:18:11,920 --> 00:18:16,120 Speaker 2: So she called it Abraham a number of times. He says. 330 00:18:16,119 --> 00:18:19,359 Speaker 2: She left him fifteen messages she would say that she 331 00:18:19,400 --> 00:18:20,000 Speaker 2: only left. 332 00:18:19,920 --> 00:18:24,280 Speaker 1: Him three, whatever the number was. Knowing Abraham, some part 333 00:18:24,320 --> 00:18:27,800 Speaker 1: of him must have appreciated the persistence, so he granted 334 00:18:27,800 --> 00:18:31,080 Speaker 1: her permission to form the fan club. Selena met Salivad 335 00:18:31,119 --> 00:18:34,159 Speaker 1: in December of nineteen ninety one, and a friendship formed. 336 00:18:35,600 --> 00:18:39,480 Speaker 2: For twenty two dollars, fan club members would receive Selena memorabilia, 337 00:18:39,520 --> 00:18:42,400 Speaker 2: a T shirt, exclusive interviews with the band, fun facts 338 00:18:42,400 --> 00:18:46,000 Speaker 2: about Selena and the Dinos because remember this was pre 339 00:18:46,119 --> 00:18:48,320 Speaker 2: internet and concert announcements. 340 00:18:48,760 --> 00:18:51,439 Speaker 1: By nineteen ninety four, more than eight thousand fans had 341 00:18:51,480 --> 00:18:53,399 Speaker 1: joined the club. By the way, not me doing the 342 00:18:53,440 --> 00:18:56,960 Speaker 1: math on like eight thousand times twenty two dollars, you 343 00:18:57,080 --> 00:19:01,280 Speaker 1: would always a hustler anyway, Salivad quit nursing to run 344 00:19:01,320 --> 00:19:04,960 Speaker 1: the fan club full time. By then, the whole family 345 00:19:05,119 --> 00:19:08,639 Speaker 1: had come to trust her, so much so that Selena 346 00:19:08,760 --> 00:19:11,560 Speaker 1: hired her to manage the new Selena et Cetera boutiques 347 00:19:11,680 --> 00:19:13,960 Speaker 1: in Corpus Christi and San Antonio. 348 00:19:14,359 --> 00:19:16,880 Speaker 2: Selena would then go on to sign Saldivar as her 349 00:19:16,920 --> 00:19:20,520 Speaker 2: registered agent in San Antonio, putting Saldivar in charge of 350 00:19:20,560 --> 00:19:23,880 Speaker 2: all legal affairs relating to Selena's business ventures. 351 00:19:24,400 --> 00:19:28,560 Speaker 1: By the way, never do that. There is no lesson learned, 352 00:19:28,640 --> 00:19:34,199 Speaker 1: lesson learned, never ever. And here's why. Saldivar was authorized 353 00:19:34,240 --> 00:19:37,880 Speaker 1: to write and cash checks in connection with Selena's business 354 00:19:38,160 --> 00:19:41,080 Speaker 1: and was given an American Express card for business expenses. 355 00:19:41,359 --> 00:19:44,600 Speaker 2: And this is where the family started to notice things 356 00:19:44,600 --> 00:19:45,480 Speaker 2: were off. 357 00:19:46,119 --> 00:19:49,159 Speaker 1: The Selena, Etcetera company bank accounts couldn't pay the bills 358 00:19:49,480 --> 00:19:52,440 Speaker 1: due to Saldivar's lavish use of the AMEX card on 359 00:19:52,560 --> 00:19:55,919 Speaker 1: Lincoln Town cars, expensive restaurants, and cell phones. 360 00:19:56,560 --> 00:19:59,439 Speaker 2: Okay, two cell phones is kind of sus even today, 361 00:19:59,480 --> 00:20:02,720 Speaker 2: but in nine, nineteen ninety five, what was that bitch thinking. 362 00:20:02,680 --> 00:20:07,240 Speaker 1: One was a burner? Clearly Meanwhile, Selena ecceid. Her employees 363 00:20:07,280 --> 00:20:10,440 Speaker 1: were calling Saldivar two faced, saying that she was nice 364 00:20:10,440 --> 00:20:13,240 Speaker 1: when Selena was around, but abused them. When no one 365 00:20:13,240 --> 00:20:15,760 Speaker 1: from the family was there to notice. 366 00:20:15,400 --> 00:20:18,760 Speaker 2: Saldovar fired anyone she didn't like, and within a year, 367 00:20:19,000 --> 00:20:22,000 Speaker 2: both boutiques had lost more than half their staff, each 368 00:20:22,080 --> 00:20:25,200 Speaker 2: going from thirty eight employees to just fourteen. 369 00:20:25,720 --> 00:20:29,360 Speaker 1: The remaining employees became fed up and raised their concerns 370 00:20:29,359 --> 00:20:33,240 Speaker 1: to Selena, but Selena trusted Saldivar, so she stayed. 371 00:20:33,280 --> 00:20:35,920 Speaker 2: Selena's cousin was hired to work with Saldivar and helped 372 00:20:35,920 --> 00:20:39,119 Speaker 2: extend the business into Mexico. She quit within a week. 373 00:20:39,960 --> 00:20:44,080 Speaker 1: Saldivar also fought with Selena's fashion designer, Martin Gomez, who 374 00:20:44,119 --> 00:20:48,439 Speaker 1: accused her of mutilating his pieces and establishing a reign 375 00:20:48,640 --> 00:20:49,359 Speaker 1: of terror. 376 00:20:49,840 --> 00:20:53,720 Speaker 2: In retaliation, Saldivar recorded her conversations with Gomez in order 377 00:20:53,760 --> 00:20:59,080 Speaker 2: to convince Selena to sideline him, and Selena did. Reporters 378 00:20:59,080 --> 00:21:02,159 Speaker 2: from the Dallas Morning News reported that Saldivar's devotion to 379 00:21:02,200 --> 00:21:05,440 Speaker 2: Selena quote unquote bordered on obsession. 380 00:21:06,280 --> 00:21:09,800 Speaker 1: When Selena began consulting a business associate in Monterrey in 381 00:21:09,840 --> 00:21:13,680 Speaker 1: the hopes of opening a boutique there, Saldivar's intense jealousy 382 00:21:14,000 --> 00:21:17,600 Speaker 1: led Selena to visit the area incognito, wearing wigs and 383 00:21:17,640 --> 00:21:21,520 Speaker 1: flying under her husband's surname, all to hide it from Saldivar. 384 00:21:21,760 --> 00:21:25,720 Speaker 2: Yeah, who needs a friend like that. Finally, in January 385 00:21:25,760 --> 00:21:30,159 Speaker 2: nineteen ninety five, the dam Baroque Abraham became inundated with 386 00:21:30,280 --> 00:21:33,200 Speaker 2: calls and letters from the Selena fan club members who 387 00:21:33,280 --> 00:21:36,040 Speaker 2: hadn't received their memorabilia despite paying the. 388 00:21:35,960 --> 00:21:39,800 Speaker 1: Fee and at both Selena, etcetera. Boutiques. Overdue bills began 389 00:21:39,840 --> 00:21:41,320 Speaker 1: to pile up in the mail. 390 00:21:41,560 --> 00:21:45,720 Speaker 2: So Abraham went investigating and found that Saldivar had embezzled 391 00:21:45,760 --> 00:21:50,240 Speaker 2: over sixty thousand dollars from both the fan club and 392 00:21:50,480 --> 00:21:51,080 Speaker 2: the boutiques. 393 00:21:51,560 --> 00:21:55,760 Speaker 1: Abraham confronted Saldivar with documentation of the missing funds. He 394 00:21:55,880 --> 00:21:59,439 Speaker 1: grilled her for an explanation. According to Abraham, she simply 395 00:21:59,480 --> 00:22:02,840 Speaker 1: stared at him as he questioned her. Eventually, she got up. 396 00:22:02,880 --> 00:22:07,000 Speaker 2: And left, and Abraham pulled an Abraham for once with 397 00:22:07,119 --> 00:22:10,240 Speaker 2: good reason and forbid Saldivar from contacting Selena. 398 00:22:10,600 --> 00:22:13,399 Speaker 1: But Selena was reluctant to cut ties with her. She 399 00:22:13,640 --> 00:22:17,960 Speaker 1: still trusted Saldivar's business acumen, and Saldivar had access to 400 00:22:18,000 --> 00:22:21,080 Speaker 1: bank records and other documents necessary for taxes. 401 00:22:21,760 --> 00:22:23,879 Speaker 2: This is where I start yelling at the TV, like, girl, 402 00:22:24,280 --> 00:22:26,680 Speaker 2: just hire a tax guy and get the fuck out. 403 00:22:27,160 --> 00:22:30,560 Speaker 1: I know this is a lifetime movie playing before our eyes, 404 00:22:31,000 --> 00:22:33,840 Speaker 1: but it's real, you guys, and we all know how 405 00:22:33,840 --> 00:22:36,399 Speaker 1: it ends. It's like so hard to go back to 406 00:22:36,440 --> 00:22:42,520 Speaker 1: this place. And Selena like she was so sweet and trusting, right, 407 00:22:43,119 --> 00:22:46,640 Speaker 1: she kept Saldivar in her orbit. Despite all of these 408 00:22:46,680 --> 00:22:51,720 Speaker 1: red flags, Saldivar then bought a pistol and repeatedly attempted 409 00:22:51,760 --> 00:22:55,200 Speaker 1: to lure Selena into a hotel room alone. On March 410 00:22:55,240 --> 00:22:59,119 Speaker 1: thirty first, nineteen ninety five, Saldivar succeeded. 411 00:23:00,359 --> 00:23:03,520 Speaker 2: That morning, Selena went to Saldivar's motel room to retrieve 412 00:23:03,640 --> 00:23:06,760 Speaker 2: more stolen goods and bank records from her, and, according 413 00:23:06,840 --> 00:23:09,159 Speaker 2: to a boutique employee who had spoken to her to 414 00:23:09,359 --> 00:23:10,359 Speaker 2: fire Saldivar. 415 00:23:11,000 --> 00:23:15,760 Speaker 1: At the motel, guests heard an argument, then a gunshot. 416 00:23:16,119 --> 00:23:18,440 Speaker 1: Selena had been shot in the back as she attempted 417 00:23:18,480 --> 00:23:20,879 Speaker 1: to flee. She managed to run to the lobby and 418 00:23:20,960 --> 00:23:24,840 Speaker 1: named Saldivar as her assailant, but there she collapsed. 419 00:23:25,560 --> 00:23:29,080 Speaker 2: Paramedics attempted to revive her for over an hour, but 420 00:23:29,560 --> 00:23:32,679 Speaker 2: it was no use. Selena was gone. 421 00:23:33,000 --> 00:23:36,879 Speaker 1: The day after Selena's murder, thousands of grieving fans showed 422 00:23:36,960 --> 00:23:40,600 Speaker 1: up for a candlelight vigil. Then the family displayed her 423 00:23:40,640 --> 00:23:44,600 Speaker 1: casket at the Bayfront Auditorium. An hour before the viewing, 424 00:23:44,920 --> 00:23:48,520 Speaker 1: a rumor circulated that the casket was empty, so the 425 00:23:48,560 --> 00:23:52,639 Speaker 1: family decided to go open casket. Between thirty and forty 426 00:23:52,640 --> 00:23:56,760 Speaker 1: thousand fans viewed Selena's remains, while seventy eight thousand signed 427 00:23:56,760 --> 00:23:59,760 Speaker 1: a book of condolences. The following day, she was buried 428 00:23:59,760 --> 00:24:02,800 Speaker 1: at Seaside Memorial Park in Corpus Christi, Texas. 429 00:24:04,040 --> 00:24:07,760 Speaker 2: We feel her loss so deeply as fans, it's almost 430 00:24:07,840 --> 00:24:10,600 Speaker 2: easy to forget how devastating it must have been for 431 00:24:10,640 --> 00:24:13,840 Speaker 2: the family. Apart from losing their artistic center of gravity, 432 00:24:14,080 --> 00:24:16,679 Speaker 2: they lost a sister, a daughter, a wife. 433 00:24:17,280 --> 00:24:19,720 Speaker 1: Years later, in an oral history of Selena's life an 434 00:24:19,840 --> 00:24:23,760 Speaker 1: Untimely Death in Texas Monthly, Suzette Keithania would say, I 435 00:24:23,840 --> 00:24:25,399 Speaker 1: used to get out all my photos and open up 436 00:24:25,400 --> 00:24:27,840 Speaker 1: my sister's traveling makeup case so I could smell her. 437 00:24:28,359 --> 00:24:30,480 Speaker 1: I took over the boutiques because I knew Selena would 438 00:24:30,480 --> 00:24:32,720 Speaker 1: have wanted to keep them going. But it was traumatic 439 00:24:33,119 --> 00:24:36,040 Speaker 1: all day. Every day people came into the store to 440 00:24:36,080 --> 00:24:39,000 Speaker 1: tell me how much they loved my sister, and sometimes 441 00:24:39,119 --> 00:24:41,000 Speaker 1: I had to go into the back and just cry 442 00:24:41,320 --> 00:24:44,720 Speaker 1: and cry. To this day, my mother doesn't talk publicly 443 00:24:44,840 --> 00:24:48,560 Speaker 1: about what happened. Chris kind of shut down. He left 444 00:24:48,600 --> 00:24:51,080 Speaker 1: everything in the house exactly as it was the day 445 00:24:51,119 --> 00:24:53,760 Speaker 1: she died. Dad consumed himself. 446 00:24:53,480 --> 00:24:57,520 Speaker 2: With work, In the same article, Aby would say that 447 00:24:57,600 --> 00:25:00,080 Speaker 2: nothing would ever be the same as sharing the stage 448 00:25:00,119 --> 00:25:04,040 Speaker 2: with his sister. Quote when we performed in Central America, 449 00:25:04,119 --> 00:25:06,960 Speaker 2: there were times when the emotion was so overwhelming that 450 00:25:07,000 --> 00:25:09,280 Speaker 2: I would start to cry. I would turn away from 451 00:25:09,320 --> 00:25:11,000 Speaker 2: the crowd and act like something was wrong with the 452 00:25:11,040 --> 00:25:14,760 Speaker 2: amplifier until I gathered myself. You have to understand, she 453 00:25:14,880 --> 00:25:17,840 Speaker 2: was generating electricity, and I was part of that conductor. 454 00:25:18,200 --> 00:25:21,880 Speaker 2: I was never able to recreate that high again. Meanwhile, 455 00:25:21,880 --> 00:25:25,520 Speaker 2: according to one reporter, Abraham went on autopilot in the 456 00:25:25,520 --> 00:25:29,440 Speaker 2: wake of Selena's death, wrangling reporters and handling funeral arrangements. 457 00:25:30,080 --> 00:25:33,880 Speaker 1: But Selena's mother Marcella would tell Susette, your father cries 458 00:25:33,920 --> 00:25:35,679 Speaker 1: in the shower because he doesn't want me to know 459 00:25:35,720 --> 00:25:38,760 Speaker 1: he's crying. He thinks I can't hear him, but I can. 460 00:25:40,240 --> 00:25:42,640 Speaker 2: For all that there is to say about Abraham, and 461 00:25:42,920 --> 00:25:45,560 Speaker 2: we've said plenty, you got to feel for him here. 462 00:25:46,040 --> 00:25:51,320 Speaker 1: Absolutely. It's sometimes hard to distinguish between Abraham the dad 463 00:25:51,520 --> 00:25:55,040 Speaker 1: and Abraham the businessman, But if you think of them 464 00:25:55,119 --> 00:25:57,359 Speaker 1: as one and the same, it's a little easier to 465 00:25:57,359 --> 00:25:59,920 Speaker 1: wrap your head around why he was as fiercely protective 466 00:26:00,040 --> 00:26:03,960 Speaker 1: as he was over the band and over Selena in particular. 467 00:26:04,680 --> 00:26:08,400 Speaker 2: A parent's worst nightmare is losing their kids. A business 468 00:26:08,400 --> 00:26:11,840 Speaker 2: owner's worst nightmare is losing the business. Both of these 469 00:26:11,880 --> 00:26:14,680 Speaker 2: things happened, and like, maybe we feel a little ikey 470 00:26:14,760 --> 00:26:17,400 Speaker 2: about the second part, but I'm not sure that makes 471 00:26:17,400 --> 00:26:18,840 Speaker 2: his grief any less real. 472 00:26:19,320 --> 00:26:22,160 Speaker 1: And it all happened at the hands of someone Abraham 473 00:26:22,480 --> 00:26:25,879 Speaker 1: and Selena were willing to trust, as opposed to someone 474 00:26:25,880 --> 00:26:29,080 Speaker 1: Abraham was skeptical towards right away, like Chris. 475 00:26:29,119 --> 00:26:32,919 Speaker 2: For example, Blame tends to follow death. In the best cases, 476 00:26:33,000 --> 00:26:35,560 Speaker 2: you end up blaming yourself for a loved one's passing. 477 00:26:35,560 --> 00:26:38,199 Speaker 1: But in a lot of cases, blame gets passed around, 478 00:26:38,760 --> 00:26:42,480 Speaker 1: especially in a death as traumatic as this one. Bad 479 00:26:42,520 --> 00:26:47,399 Speaker 1: blood still remains between Abraham and Chris. Meanwhile, some fans 480 00:26:47,400 --> 00:26:51,640 Speaker 1: accuse Abraham of milking his daughter's memory decades after her passing, 481 00:26:52,000 --> 00:26:54,479 Speaker 1: while others her accusations at Chris. 482 00:26:55,440 --> 00:26:58,720 Speaker 2: Grief has this horrible dark power when it's attached to tragedy, 483 00:26:59,160 --> 00:27:01,399 Speaker 2: like the killer went to jail, and yet we still 484 00:27:01,640 --> 00:27:03,639 Speaker 2: need an answer for the injustice. 485 00:27:03,960 --> 00:27:05,879 Speaker 1: And if you ever spent any time going through the 486 00:27:05,880 --> 00:27:09,639 Speaker 1: comments on YouTube for old Selena videos, you see a 487 00:27:09,680 --> 00:27:12,280 Speaker 1: lot of people imagining what could have. 488 00:27:12,320 --> 00:27:16,440 Speaker 2: Been Selena playing at the Super Bowl halftime show, Selena 489 00:27:16,480 --> 00:27:18,960 Speaker 2: on the collab with the new Hot Artist. 490 00:27:19,520 --> 00:27:23,600 Speaker 1: And you'll also see plenty of arguments on how Selena 491 00:27:23,720 --> 00:27:28,840 Speaker 1: is remembered, Selena as a commodity, Selena as an untouchable idol. 492 00:27:29,000 --> 00:27:31,800 Speaker 2: Not to mention arguments over where Selena would stand today 493 00:27:31,840 --> 00:27:35,800 Speaker 2: on certain political issues, We'll say as a Mexican American 494 00:27:35,840 --> 00:27:38,480 Speaker 2: woman with a religious upbringing. 495 00:27:38,520 --> 00:27:44,679 Speaker 1: Which, without getting into it, suffice it to say, we 496 00:27:44,800 --> 00:27:47,919 Speaker 1: can never really know who Selena would have become if 497 00:27:47,960 --> 00:27:51,959 Speaker 1: she were still with us, Like would she be a mom, 498 00:27:52,280 --> 00:27:56,639 Speaker 1: Like would she be mentoring like other female artists. And so, 499 00:27:57,080 --> 00:28:00,800 Speaker 1: instead of lamenting or arguing over what she could have 500 00:28:00,920 --> 00:28:04,480 Speaker 1: given us, the best thing that we can do is 501 00:28:04,640 --> 00:28:06,720 Speaker 1: just remember what she did give us. 502 00:28:07,880 --> 00:28:12,280 Speaker 2: After Selena's death, Amoor Probrido went platinum multiple times over, 503 00:28:12,560 --> 00:28:14,879 Speaker 2: as did her other albums over successive years. 504 00:28:16,040 --> 00:28:19,040 Speaker 1: Then came the release of Dreaming of You the summer 505 00:28:19,119 --> 00:28:22,160 Speaker 1: after We Said Goodbye. In the wake of the Amor 506 00:28:22,240 --> 00:28:25,639 Speaker 1: Probido tour and amid all the turmoil surrounding her boutiques, 507 00:28:25,920 --> 00:28:30,679 Speaker 1: Selena had been recording tracks for her long awaited English crossover. 508 00:28:31,520 --> 00:28:34,639 Speaker 2: The label had tapped Grammy winning songwriters for Selena to 509 00:28:34,720 --> 00:28:39,680 Speaker 2: collaborate with. Dreaming of You includes that small handful of collaborations, 510 00:28:39,720 --> 00:28:42,680 Speaker 2: including the title track and I Could Fall in Love. 511 00:28:43,240 --> 00:28:46,000 Speaker 1: Dreaming of You debuted at the top of the Billboard 512 00:28:46,040 --> 00:28:49,240 Speaker 1: two hundred, netting the second largest release for an album 513 00:28:49,280 --> 00:28:53,720 Speaker 1: that year besides Michael Jackson. It was also the second 514 00:28:53,880 --> 00:28:58,320 Speaker 1: largest first week sales for a female musician, behind Janet Jackson. 515 00:28:58,800 --> 00:29:02,800 Speaker 2: Like literally going toe to toe with the Jacksons, this 516 00:29:03,000 --> 00:29:07,000 Speaker 2: was a crossover she dreamed about, and she never got 517 00:29:07,000 --> 00:29:07,440 Speaker 2: to see it. 518 00:29:08,560 --> 00:29:11,680 Speaker 1: By December, Dreaming of You had gone double platinum at 519 00:29:11,720 --> 00:29:16,520 Speaker 1: two million copies. The album introduced millions to Selena and 520 00:29:16,640 --> 00:29:20,200 Speaker 1: continues to do so while giving both newcomers and devoted 521 00:29:20,240 --> 00:29:34,440 Speaker 1: fans a tantalizing taste of what could have been. Okay, 522 00:29:34,880 --> 00:29:37,840 Speaker 1: We kicked off talking about Selena by listing all the 523 00:29:37,880 --> 00:29:40,560 Speaker 1: different ways people have connected to her music. 524 00:29:41,120 --> 00:29:44,240 Speaker 2: The og fans, the nineties kids who learned her story 525 00:29:44,280 --> 00:29:47,040 Speaker 2: from the movie, and the little zoomers who love to 526 00:29:47,120 --> 00:29:48,120 Speaker 2: cosplay Selena. 527 00:29:48,560 --> 00:29:53,440 Speaker 1: Selena's legacy was cut short. There's like no if ands 528 00:29:53,560 --> 00:29:56,320 Speaker 1: or buts about it. But among the millions of listeners 529 00:29:56,360 --> 00:29:58,600 Speaker 1: who fell in love with her is a treasure trove 530 00:29:58,680 --> 00:30:01,440 Speaker 1: of artists caring her legacy forward. 531 00:30:02,040 --> 00:30:05,320 Speaker 2: So what better way to celebrate Selena than by celebrating 532 00:30:05,360 --> 00:30:09,640 Speaker 2: those artists keeping her alive in their own music Exactly. 533 00:30:10,360 --> 00:30:14,080 Speaker 1: Someone that I think always gets a lot of accolades 534 00:30:14,120 --> 00:30:16,680 Speaker 1: for this but does it in her own very unique 535 00:30:16,800 --> 00:30:20,680 Speaker 1: way is Destiny Neveda. Now, if you guys have not 536 00:30:21,000 --> 00:30:23,960 Speaker 1: heard of her, she is a Latin Grammy nominee. She's 537 00:30:24,040 --> 00:30:28,120 Speaker 1: a two time the Hanno Music Award singer. And I 538 00:30:28,160 --> 00:30:33,280 Speaker 1: think her voice is very like traditional te Hanne like, 539 00:30:33,840 --> 00:30:38,280 Speaker 1: it's very Selena. The sound is spot on, like it's 540 00:30:38,320 --> 00:30:39,560 Speaker 1: exactly what you expect it to be. 541 00:30:40,000 --> 00:30:42,440 Speaker 2: You know, I agree with you. I feel like it is. 542 00:30:42,880 --> 00:30:44,880 Speaker 2: And you know how Selena has a snarling to it, 543 00:30:45,040 --> 00:30:46,680 Speaker 2: she kind of doesn't do that so much. I think 544 00:30:46,720 --> 00:30:49,880 Speaker 2: it's a little bit more commercial hers Destiny. It's definitely 545 00:30:49,880 --> 00:30:52,520 Speaker 2: a sound that is a little bit easier to hear 546 00:30:52,560 --> 00:30:54,440 Speaker 2: because it's not like tumble and rumble. Do you know 547 00:30:54,480 --> 00:30:54,880 Speaker 2: what I mean? 548 00:30:55,040 --> 00:30:57,080 Speaker 1: I do I totally get that. I mean, I think, 549 00:30:57,640 --> 00:31:01,320 Speaker 1: you know, for Destiny, I would say I mean, she's 550 00:31:01,360 --> 00:31:06,080 Speaker 1: got like super strong ties aside from just the sound. Like, yes, 551 00:31:06,320 --> 00:31:09,440 Speaker 1: Tusine's mom was friends with Selena and like they used 552 00:31:09,440 --> 00:31:12,320 Speaker 1: to play music with her. So like she's a baby 553 00:31:12,360 --> 00:31:15,080 Speaker 1: and obviously she's grown up with music in her family, 554 00:31:15,160 --> 00:31:18,920 Speaker 1: but they actually have like actual connections to that family, 555 00:31:19,480 --> 00:31:22,480 Speaker 1: both from Texas Latinas, you know what I mean. I 556 00:31:22,520 --> 00:31:25,840 Speaker 1: feel like they both really are so similar in the 557 00:31:25,840 --> 00:31:27,880 Speaker 1: way that they use music to connect to their fans. 558 00:31:28,200 --> 00:31:30,600 Speaker 2: You know, there's this new there's a singer out here. 559 00:31:30,640 --> 00:31:33,080 Speaker 2: Her name is Snow the Product. And the reason I 560 00:31:33,320 --> 00:31:35,320 Speaker 2: wanted to look her up and all this stuff is 561 00:31:35,360 --> 00:31:39,880 Speaker 2: because she has Selena tattoos and mentioned Selena eating pizza 562 00:31:40,200 --> 00:31:42,280 Speaker 2: in one of her songs called bet that I Will. 563 00:31:42,920 --> 00:31:45,120 Speaker 2: I don't want to compare her to Cardi B. Because 564 00:31:45,160 --> 00:31:47,239 Speaker 2: I mean, she is Mexican and she kind of has 565 00:31:47,280 --> 00:31:50,640 Speaker 2: a little bit of a Chola voice in a way 566 00:31:50,680 --> 00:31:52,240 Speaker 2: that you know how Cardi B has kind of like 567 00:31:52,280 --> 00:31:55,520 Speaker 2: an East Coast Yes, so her rap is really cool. 568 00:31:55,680 --> 00:31:57,680 Speaker 2: It's you got to You've really got to listen to. 569 00:31:57,720 --> 00:31:59,640 Speaker 2: Her name is Snow the Product. 570 00:32:00,000 --> 00:32:02,320 Speaker 1: I'm adding her to my list. Another one that I 571 00:32:02,360 --> 00:32:05,719 Speaker 1: think people always call out to me is Estevie, who 572 00:32:05,840 --> 00:32:08,360 Speaker 1: was also like a new person for me because she's 573 00:32:08,480 --> 00:32:14,600 Speaker 1: very like gen Z. But if you like Cumbia, like 574 00:32:14,720 --> 00:32:18,000 Speaker 1: she is the Cumbia queen. 575 00:32:18,240 --> 00:32:20,200 Speaker 2: She is. But I feel like she kind of sings 576 00:32:20,200 --> 00:32:23,000 Speaker 2: it in a very kind of softer way, you know, 577 00:32:23,240 --> 00:32:26,000 Speaker 2: very like modern. I feel like it's like a little 578 00:32:26,080 --> 00:32:28,960 Speaker 2: like her voice is a little dreamier instead of being 579 00:32:29,000 --> 00:32:29,720 Speaker 2: so commercial. 580 00:32:29,960 --> 00:32:31,760 Speaker 1: I just think she's having such a moment because I 581 00:32:31,840 --> 00:32:34,880 Speaker 1: think you're obviously with you know, fesl Pluma, You're seeing 582 00:32:34,880 --> 00:32:38,960 Speaker 1: like this massive explosion and almost like renaissance for very 583 00:32:39,240 --> 00:32:43,680 Speaker 1: traditional regional Mexican music. So a lot of these artists 584 00:32:44,120 --> 00:32:47,200 Speaker 1: are kind of pushing these regional styles to the forefront, 585 00:32:47,200 --> 00:32:50,320 Speaker 1: whereas Selena did that. She already did that in the nineties, right, 586 00:32:50,520 --> 00:32:52,680 Speaker 1: but now we're seeing it come back. So it is 587 00:32:52,720 --> 00:32:55,120 Speaker 1: having very much a renaissance. Because I will say that 588 00:32:55,280 --> 00:32:58,400 Speaker 1: for my friends that are not Latino, they don't have 589 00:32:58,440 --> 00:33:00,760 Speaker 1: the same experience of Selena music that I do because 590 00:33:00,760 --> 00:33:03,240 Speaker 1: they weren't listening to the Spanish like they weren't listening 591 00:33:03,240 --> 00:33:07,080 Speaker 1: to Amorrio at their house. They were listening to like 592 00:33:07,440 --> 00:33:10,080 Speaker 1: Dreaming of You and I could fall in love which 593 00:33:10,120 --> 00:33:14,600 Speaker 1: is a beautiful way to step into Selena's voice and 594 00:33:14,640 --> 00:33:19,520 Speaker 1: her sound. But these artists like Stevie and Destiny and 595 00:33:19,560 --> 00:33:23,720 Speaker 1: the one you mentioned snow the product. They are allowing 596 00:33:23,840 --> 00:33:27,120 Speaker 1: this regional Mexican music to touch all ears, not just 597 00:33:27,280 --> 00:33:30,920 Speaker 1: Latino ears, and so that in itself is an incredible 598 00:33:30,960 --> 00:33:34,440 Speaker 1: expansion of our music and our culture, which I am 599 00:33:34,560 --> 00:33:38,480 Speaker 1: so here for. I also think what's amazing is that 600 00:33:38,800 --> 00:33:40,680 Speaker 1: one of the women leading the way here is also 601 00:33:41,040 --> 00:33:43,480 Speaker 1: Carol g I mean like she just won like all 602 00:33:43,520 --> 00:33:47,120 Speaker 1: of the Grammys, not Latin Grammys, people real Grammy, so 603 00:33:47,360 --> 00:33:51,040 Speaker 1: they got their shit together. Thank you Grammys. Finally, but 604 00:33:51,400 --> 00:33:55,400 Speaker 1: she covered Gomonla floor at the Astrodaut. And then you 605 00:33:55,440 --> 00:33:58,760 Speaker 1: have one of my favorite country artists, Casey Musgraves. 606 00:33:58,880 --> 00:34:00,760 Speaker 2: I knew you were going to bring Yes. 607 00:34:00,960 --> 00:34:04,959 Speaker 1: I love Casey Muskrats her new album is you Guys Anyway? 608 00:34:05,280 --> 00:34:10,680 Speaker 1: Casey saying it during like Christmas karaoke. So again, Selena 609 00:34:10,760 --> 00:34:15,400 Speaker 1: has touched so many of these like younger female artists 610 00:34:15,440 --> 00:34:18,319 Speaker 1: in a way that we can't even began to sum 611 00:34:18,400 --> 00:34:23,040 Speaker 1: up in one short episode, right, and we could go 612 00:34:23,080 --> 00:34:24,920 Speaker 1: on and on and on and on and do like 613 00:34:25,080 --> 00:34:26,640 Speaker 1: multiple episodes. 614 00:34:27,960 --> 00:34:30,320 Speaker 2: Two hours right, this. 615 00:34:30,239 --> 00:34:33,359 Speaker 1: Is a five hour Becoming an Icon. But I think 616 00:34:33,400 --> 00:34:37,120 Speaker 1: the best way that you and I can wrap up 617 00:34:37,160 --> 00:34:43,400 Speaker 1: this show, this episode of our the Hannu Icon, is 618 00:34:43,480 --> 00:34:50,160 Speaker 1: to do a little gomlay. 619 00:34:50,440 --> 00:34:54,040 Speaker 2: Is this I kind of don't know the other part 620 00:34:54,080 --> 00:34:55,200 Speaker 2: to that, I'm gonna get. 621 00:34:55,120 --> 00:34:59,560 Speaker 1: Sued anyway, all right, guys, Well, next time on Becoming 622 00:34:59,600 --> 00:35:04,239 Speaker 1: an Icon on the Spirit of the Sixties survives in 623 00:35:04,280 --> 00:35:13,480 Speaker 1: Carlos Santana. Becoming an Icon is presented by Sonoro and 624 00:35:13,680 --> 00:35:18,120 Speaker 1: Iheart's Michael Duda podcast Network. Listen to Becoming an Icon 625 00:35:18,280 --> 00:35:22,359 Speaker 1: on the iHeartRadio app, Apple podcast, or wherever you get 626 00:35:22,400 --> 00:35:23,200 Speaker 1: your podcast