WEBVTT - Episode 20 - Bobby Rambles (11-9-16)

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<v Speaker 1>My number so twenties episode of The Bobby Cast. Hello everyone,

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<v Speaker 1>thank you for being here. No guests today, just talking

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<v Speaker 1>about some stuff. Let me say this. I just saw

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<v Speaker 1>this article did you see me? Posted on Instagram'm minute

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<v Speaker 1>ago from Rolling Stone. This is a weird article. And

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<v Speaker 1>there are certain things where I'm like, hey, just so

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<v Speaker 1>you know you're coming, somebody's doing a story about you.

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<v Speaker 1>Sometimes it's a bad stories. Sometimes it's a good story.

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<v Speaker 1>They've been good lately, some of them have. Yeah, And

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<v Speaker 1>so I, um, this is a weird thing because this

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<v Speaker 1>is what breeds people going. Oh, but listen, I should

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<v Speaker 1>stop talking bad because it's actually a really cool thing.

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<v Speaker 1>So one of the best songwriters in town, his name

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<v Speaker 1>is Lee Miller, goes by Lee Thomas Miller. I'll give you,

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<v Speaker 1>he wrote in color from Jamie Johnson, what you ended

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<v Speaker 1>up winning like song of the Year a few years back,

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<v Speaker 1>so that the whole story about said Grandpa wants this

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<v Speaker 1>picture here. It's all black and one and ain't real clear.

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<v Speaker 1>Is that you there? He said you. I wasn't loving

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<v Speaker 1>time for to back in thirty five, that's me and

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<v Speaker 1>Uncle Joe just trying to survive a cotton phone and

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<v Speaker 1>a great depression. If it looks like we were scared,

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<v Speaker 1>like a couple of kids just trying to save each other.

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<v Speaker 1>You should have seen it in cover. It's a fantastic song.

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<v Speaker 1>One of the writers on the song he wins like

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<v Speaker 1>a word for Songwriter of the Year or the Song

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<v Speaker 1>of the Year. So I know Elite Lately is one

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<v Speaker 1>of the few people in town that I would consider

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<v Speaker 1>like a real life friend, regardless of the industry. And

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<v Speaker 1>Rolling Stone does a whole story on Lee and rightfully

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<v Speaker 1>so he's one of the best. And from Rollington Lee

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<v Speaker 1>Thomas Miller on Perfect Storm that led to Stapleton Paisley hits.

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<v Speaker 1>And then there's a little paragraph on the headline. Underneath

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<v Speaker 1>the headline it said, songwriter tell stories behind songs recorded

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<v Speaker 1>by Chris Stapleton, Tim mcgrawl, Brad Paisley, Brothers Osborne and

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<v Speaker 1>Bobby Bones. Now, which one doesn't fit of that list

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<v Speaker 1>because I know a hundred other artists that have recorded

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<v Speaker 1>his songs, And for whatever reason, he decided to put

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<v Speaker 1>me in this list, and I texted him, I was like, dude,

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<v Speaker 1>which one doesn't fit obviously Stapleton, So but they go

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<v Speaker 1>through his songs and so He wrote Perfect Storm with

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<v Speaker 1>Brad Paisley. There's a big hip of Brad. He wrote

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<v Speaker 1>a bunch of Brad songs like He's a riding partner

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<v Speaker 1>of Bread. He wrote al Camino for Frankie Ballard, which

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<v Speaker 1>is out now. In this article, he wrote Whiskey in

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<v Speaker 1>You from Chris Stapleton. She'd be single barrel burnon, all

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<v Speaker 1>smooth with the kick, a chilling burn all at the

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<v Speaker 1>same time. So here's this song. Ley also wrote this song.

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<v Speaker 1>H that's a difference twin whiskey, and you know that's

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<v Speaker 1>He played this at the c MT. Chris did at

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<v Speaker 1>the c MT Artist of the Year. Old is a

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<v Speaker 1>bottle mhm you ring and it's empty right now. I

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<v Speaker 1>don't feel the thing. I'll be hurting m when I

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<v Speaker 1>went up flow, I will read that's the difference between whisky.

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<v Speaker 1>So he writes that one. There's a crescendo to this story.

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<v Speaker 1>Don't worry. He lists brother's Osborne. It ain't my fault

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<v Speaker 1>what she writes with abouts Osborne, who I really liked

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<v Speaker 1>to by the way. He uh has tons of songs

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<v Speaker 1>and so he lists writing with me as one of

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<v Speaker 1>the people. So I'd like to play you a couple

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<v Speaker 1>of songs. As you know, how deep and how great

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<v Speaker 1>of a songwriter Lee is. The songs that we actually

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<v Speaker 1>wrote together, A little song by the name of Starbucks,

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<v Speaker 1>Rise and Shane. It's your friendly reminded to get out

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<v Speaker 1>of bed. I got to sleep in your mars. The

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<v Speaker 1>foggy in my brain. I know I'm late to work,

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<v Speaker 1>but I gotta stop along the way I walked to

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<v Speaker 1>get my coffee. Make my order like a boss, a

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<v Speaker 1>bittie double mocha. I don't care about the couple. Take

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<v Speaker 1>a punk of spice. Can you make it in the cattle?

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<v Speaker 1>Then take the drink and shake it up. And that's

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<v Speaker 1>some fruity pebbles. The tip jar on the counter. I'm

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<v Speaker 1>about to make it rain. Hey it's Bobby, I'm not Booby.

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<v Speaker 1>Please stop messing up my name. Starbuck be filling up

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<v Speaker 1>my cup, Starbuck jacking me up, Starbucks ten thousand degrees

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<v Speaker 1>and yeah, I'll take it down the shining something to eat.

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<v Speaker 1>As a matter of fact, Lee and we wrote that song,

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<v Speaker 1>and Lee came up with the line. And usually you

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<v Speaker 1>don't remember who came up with what line when you

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<v Speaker 1>write a song. But I know for a fact lie

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<v Speaker 1>come up with the line, Hey, it's Bobby. I'm not Booby.

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<v Speaker 1>Please stop messing up my name, because I don't got

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<v Speaker 1>to start Bucks to order drinks. If someone goes there like, hey, yeah,

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<v Speaker 1>I'll take out something foundary coffee. And so as I

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<v Speaker 1>play all those great songs, just know the Lee Miller

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<v Speaker 1>writes goofy stuff. But the one of the talk about

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<v Speaker 1>in this article, which probably I just saw this article.

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<v Speaker 1>I was not planning to talk about this. He he

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<v Speaker 1>talks about I Like You. It's a song I wrote

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<v Speaker 1>about not being able to say I love you. It

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<v Speaker 1>says Black River Entertainment. This is from Rolling Stone signed

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<v Speaker 1>Bobby Byones to a record deal and one of my

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<v Speaker 1>old friends was producing his comedy album. I was asked

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<v Speaker 1>to come right with him. So again it's a blind date.

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<v Speaker 1>I don't know Bobby. Everybody's trying to meet Bobby, and

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<v Speaker 1>all the country artists wanted to break their song, but

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<v Speaker 1>in reality, Bobby just plays with Bobby wants. So Bobby

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<v Speaker 1>and I get together and he's immediately very gracious and

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<v Speaker 1>we get to know each other and he said, hey,

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<v Speaker 1>I'm never told to go out lover. So we write

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<v Speaker 1>a song making fun of it. He's always been shockingly

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<v Speaker 1>honest on this show. It's painfully transparent. Songwriting is funny

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<v Speaker 1>because when you're write for artists, you're not creating for

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<v Speaker 1>your own art. You're helping the artists create their art.

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<v Speaker 1>And this song sums up his kind of comedy. And listen,

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<v Speaker 1>I don't We don't even play this song live anymore.

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<v Speaker 1>I think I will when we do our Stamp Comedy tour,

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<v Speaker 1>because most say a comedy song more than like a

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<v Speaker 1>let's jam out song. But this is the song he's

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<v Speaker 1>talking about called I Like You, and Brad Paisley plays

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<v Speaker 1>the heart and sings of harmony on it, So this

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<v Speaker 1>is the song that he's talking about here. Well, the

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<v Speaker 1>L word has never been easy for a guy like me. Nope,

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<v Speaker 1>hard to say, and I've spent a small fortune talking

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<v Speaker 1>about it in therapy. I've been holding back how I

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<v Speaker 1>feel in this heart of mine. Girl. Now I'm gonna

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<v Speaker 1>say it out loud for the very first time. I'm

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<v Speaker 1>gonna say love because I love Face Fall, I love

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<v Speaker 1>fool House, I loved it Back, and I love Brussels Prouse.

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<v Speaker 1>I love my dog and he loves me. I love

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<v Speaker 1>Home Alone one too. But why did they make three?

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<v Speaker 1>And I love soup, and I like you and that's

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<v Speaker 1>Paisley playing guitar. Anyway, you're so pretty and your hair

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<v Speaker 1>it smells so good. You put up me longer than

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<v Speaker 1>a sweet girl like you should punting me. And you've

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<v Speaker 1>been the best three years of my life. The three

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<v Speaker 1>year was good, the second year was good, the third

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<v Speaker 1>year was good. You know everything about me. In this moment,

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<v Speaker 1>it just feels right. Let me try to say love again.

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<v Speaker 1>And I love cheese game, I love Friends re runs.

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<v Speaker 1>What you gotta love that? Yeah, yeah, yeah, ba blah. Anyway,

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<v Speaker 1>I thought that was funny that you mentioned in the

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<v Speaker 1>article and I they don't deserve you mentioned the article

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<v Speaker 1>and that's nuts and a little bit like, oh for sure,

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<v Speaker 1>I'm making made fun of because I don't deserve to

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<v Speaker 1>be in that article. We're gonna be like what anyway

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<v Speaker 1>there was that I just posted on Instagram. I couldn't

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<v Speaker 1>believe that he would put me in that. Uh, dear friend,

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<v Speaker 1>that's only reason. That's the only reason friends Ship front

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<v Speaker 1>friendship bonus. There mentioned blue apron real quick listen, if

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<v Speaker 1>you cook at your place and you hate going to

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<v Speaker 1>the grocery, store and you want fresh ingredients, let me

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<v Speaker 1>tell you about Blue Apron fresh high quality ingredients. They

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<v Speaker 1>come right to your door in a box and it's

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<v Speaker 1>home cooked meal, but all the ingredients are there and

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<v Speaker 1>it's preportioned, so you have to buy a tub for

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<v Speaker 1>a pinch. They know when you cook with incredible ingredients.

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<v Speaker 1>Then all it's because the standards. They hold their suppliers

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<v Speaker 1>to the ranchers of farmers, and that's where it comes from.

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<v Speaker 1>There's a car that tells you how to make each meal.

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<v Speaker 1>You can get your first weeks mills for free. All right,

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<v Speaker 1>check out this wee cooping your first three meals for

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<v Speaker 1>free with free shipping if you go to Blue Apron

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<v Speaker 1>dot com slash Bobby. You have to go to slash Bobby.

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<v Speaker 1>Though Blue Apron dot com slash Bobby, you'll have how

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<v Speaker 1>good it feels in the taste you'll create these meals.

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<v Speaker 1>Blue Apron a better way to cook. You're gonna love.

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<v Speaker 1>You're gonna love that. So I went to UM. Something

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<v Speaker 1>I had always boy was against was kind of getting

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<v Speaker 1>on the inside of the Nashville music community. I was

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<v Speaker 1>an outsider who could just sit outside and not worry

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<v Speaker 1>about anything. Happening inside and just do all the crap

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<v Speaker 1>I wanted to do. And that's it. That's how I've

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<v Speaker 1>been for the last um years or so um. But

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<v Speaker 1>I decided on the recommendation of a friend that as

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<v Speaker 1>a matter of fact, Lee Miller, that songwriter, he was

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<v Speaker 1>the guy that was like, hey, you should be on

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<v Speaker 1>this board because you know that. I'm like, I don't

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<v Speaker 1>want to be on an inside er, and so he

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<v Speaker 1>should be on this floor because why out bringing your

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<v Speaker 1>outside perspective to what's happening on the inside. Like, Okay,

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<v Speaker 1>if you think things moving slowly and if you have

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<v Speaker 1>a problem at times with how the format is moving,

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<v Speaker 1>then freaking get in there and make a change. And

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<v Speaker 1>I'm like uh, And so he's on the board. He's like,

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<v Speaker 1>you just do it. Do it for a year, and

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<v Speaker 1>if you just hate it, get out. And if you

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<v Speaker 1>don't go in and just make changes, you need to

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<v Speaker 1>go in and have your voice heard. And so I

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<v Speaker 1>did that, and I set my first meeting yesterday and

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<v Speaker 1>it was like three hours, and then I have another

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<v Speaker 1>meeting tomorrow which like four hours. So so far there's

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<v Speaker 1>a lot of hours involved in this thing. But only

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<v Speaker 1>think it's like a few times. A little bit, I

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<v Speaker 1>feel like I sell out. I'm just gonna be honest

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<v Speaker 1>with that. I feel like a sell out a little

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<v Speaker 1>bit because of this. But if if I if I

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<v Speaker 1>can actually have a voice to make changes to somewhat

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<v Speaker 1>contemporize yet preserve, which I think is what I do

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<v Speaker 1>on the show. I for sure contemporize things, but also

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<v Speaker 1>I'm huge into keeping what's great about traditional traditional because

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<v Speaker 1>there's a place for both and and you know, you

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<v Speaker 1>get the vocal minorities on every side. Hey you so okay?

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<v Speaker 1>I used to just sucks, don't plays. Was like, I

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<v Speaker 1>gotta so it's a weird place for me right now.

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<v Speaker 1>And so I go back tomorrow and so I just

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<v Speaker 1>gotta know. I get a far a board meeting tomorrow

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<v Speaker 1>and it's like all it's like people like songwriters and

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<v Speaker 1>heads of labels and what's it like sitting in that room? Um,

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<v Speaker 1>yesterday I was so sleepy. I was. It was the

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<v Speaker 1>new member meeting, so they were like, I can tell you.

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<v Speaker 1>Like Liz Rose, who wrote Taylor's with the first two

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<v Speaker 1>records of Taylor and has wrote Girl Crush, is a

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<v Speaker 1>few songwriter in Towns. She was new on the board,

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<v Speaker 1>Um Jesse Alexander, who wrote Miley Cyrus to Climb and

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<v Speaker 1>Lee Bryce, I drive your truck like big songwriter. She

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<v Speaker 1>was sitting beside me. The guy that runs Spotify Country

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<v Speaker 1>was in there, John Marks. Uh. There a lot of

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<v Speaker 1>like big people, even from public, So I was like,

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<v Speaker 1>do I even belong? Like these are like And I

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<v Speaker 1>was the youngest one in there, but still it was like,

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<v Speaker 1>these are like adult. I feel like the kid at

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<v Speaker 1>So anyway, if the organization goes down to flame, is

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<v Speaker 1>probably my fault, but I feel like I just I

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<v Speaker 1>feel like I'm selling out a bit. Anyway, So we're here,

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<v Speaker 1>I'll we have to listen to Preston on the last one.

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<v Speaker 1>I felt like the Preston Bobby Castle is good. I

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<v Speaker 1>don't want to put an artist on the twentieth episode

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<v Speaker 1>because it's too much pressure. So I wanted to hop

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<v Speaker 1>on to talk about a few things. Uh, what what

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<v Speaker 1>is on your mind? Mike? What do you have that

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<v Speaker 1>Speaking of the Preston thing, you mentioned to him like

0:13:31.559 --> 0:13:34.080
<v Speaker 1>there's a place where you listen to music, like where

0:13:34.080 --> 0:13:36.880
<v Speaker 1>you sit down and like kind of absorb music, Like

0:13:36.920 --> 0:13:40.400
<v Speaker 1>what is that place for you? My bed? Really? Yeah?

0:13:40.440 --> 0:13:43.480
<v Speaker 1>Because I'm on, I stay in my room, and I

0:13:43.520 --> 0:13:46.360
<v Speaker 1>can tell you in my house a bed. I've moved

0:13:46.360 --> 0:13:48.559
<v Speaker 1>to the living room a bit. I try to stay

0:13:48.679 --> 0:13:51.200
<v Speaker 1>an hour a day in my living room because it's

0:13:51.240 --> 0:13:53.040
<v Speaker 1>not I just like myself in my bedroom, and I

0:13:53.080 --> 0:13:55.079
<v Speaker 1>like my bedroom and I like my bed. But I

0:13:55.120 --> 0:13:56.880
<v Speaker 1>think it's because I never had a bedroom growing up,

0:13:56.920 --> 0:14:00.600
<v Speaker 1>so I enjoy having a bedroom. And so no, it's

0:14:01.360 --> 0:14:04.640
<v Speaker 1>t beyond mute, never off, t beyond mute, headphones on.

0:14:04.920 --> 0:14:07.600
<v Speaker 1>And that's why where I listen to music, and if

0:14:07.600 --> 0:14:09.920
<v Speaker 1>it's before the show, because always sometimes I wake up

0:14:09.960 --> 0:14:12.679
<v Speaker 1>like two and it's like, well, I'm done with the show.

0:14:13.000 --> 0:14:15.560
<v Speaker 1>Now what do I do. I'll just go searching for music,

0:14:15.960 --> 0:14:17.920
<v Speaker 1>or at night, I'll go searching for music. But I'm

0:14:17.920 --> 0:14:21.680
<v Speaker 1>gonna tell you what's what sucks, and it's a great suck.

0:14:22.840 --> 0:14:27.240
<v Speaker 1>Interesting is that it's the It's to the point now

0:14:27.280 --> 0:14:30.520
<v Speaker 1>where everywhere I go, someone's trying to hand me some

0:14:30.560 --> 0:14:32.960
<v Speaker 1>sort of music. I never thought it would happen like this,

0:14:33.480 --> 0:14:35.400
<v Speaker 1>but someone's always trying to be like, hey, will you

0:14:35.400 --> 0:14:37.320
<v Speaker 1>take this music and listen to it? Hey? Because everybody

0:14:37.320 --> 0:14:39.880
<v Speaker 1>wants me to break it on the radio. Because I'm

0:14:39.880 --> 0:14:42.040
<v Speaker 1>the guy that breaks songs. I never was gonna be that.

0:14:42.240 --> 0:14:44.760
<v Speaker 1>That was never my goal to be that guy that.

0:14:44.880 --> 0:14:49.040
<v Speaker 1>It's nothing just happened. It's just I really love music,

0:14:49.880 --> 0:14:53.360
<v Speaker 1>all kinds of music, and so I was just a

0:14:53.360 --> 0:14:55.560
<v Speaker 1>guy that would be like, Hey, I like this song,

0:14:55.800 --> 0:14:58.640
<v Speaker 1>let's play it. And so it's become a thing now

0:14:59.120 --> 0:15:00.320
<v Speaker 1>and I'm trying to make it too big of a

0:15:00.360 --> 0:15:02.280
<v Speaker 1>thing now, but it's think it's what people know me

0:15:02.360 --> 0:15:06.560
<v Speaker 1>for for being either funny or just terribly unfunny. Wanted

0:15:06.560 --> 0:15:08.280
<v Speaker 1>the two depending on who you're talking to, or the

0:15:08.280 --> 0:15:10.800
<v Speaker 1>guy who breaks new music and gives new artists a chance.

0:15:10.800 --> 0:15:13.360
<v Speaker 1>Even with this Bobbycast, it was about and it still

0:15:13.440 --> 0:15:17.200
<v Speaker 1>is about newer artists or guys that are making it

0:15:17.560 --> 0:15:19.000
<v Speaker 1>because they have a lot of big artists that kind

0:15:19.000 --> 0:15:20.440
<v Speaker 1>of I want to be on the Bobbycast, and I'm like,

0:15:20.480 --> 0:15:22.920
<v Speaker 1>and someone that's about come on the come on the

0:15:23.000 --> 0:15:26.600
<v Speaker 1>radio show. You know you want to be a big artist,

0:15:26.600 --> 0:15:28.040
<v Speaker 1>Come on the radio show. We'll talk about you know

0:15:28.120 --> 0:15:31.600
<v Speaker 1>that stuff. Um, But I think eventually we'll I'll have

0:15:31.680 --> 0:15:34.200
<v Speaker 1>some of the big artists. And the long form stuff

0:15:34.280 --> 0:15:36.520
<v Speaker 1>is cool because you learn more, But that's not why

0:15:36.560 --> 0:15:38.840
<v Speaker 1>I started this. It was to get the stories of

0:15:39.680 --> 0:15:43.640
<v Speaker 1>the new the struggling to finally hit that kind of thing.

0:15:44.240 --> 0:15:49.240
<v Speaker 1>The chip was an actor, the song right, all of that.

0:15:49.280 --> 0:15:52.120
<v Speaker 1>It was kind of the surrounding of what you hear

0:15:52.120 --> 0:15:54.040
<v Speaker 1>on the radio. But for me, when I look for

0:15:54.080 --> 0:15:56.920
<v Speaker 1>new music, the worst thing you can do too because

0:15:56.920 --> 0:16:01.240
<v Speaker 1>I have friends, nah, I have acquaintances is or slash

0:16:01.320 --> 0:16:04.760
<v Speaker 1>kind of buddies. There are artists and they'll be like, hey,

0:16:04.800 --> 0:16:07.360
<v Speaker 1>I have new music. We listen and I'm like, oh

0:16:07.400 --> 0:16:09.200
<v Speaker 1>it Just then I don't want to hear any of it.

0:16:09.240 --> 0:16:12.160
<v Speaker 1>And I won't hear any of it because they're not

0:16:12.360 --> 0:16:15.200
<v Speaker 1>wanting me to hear new music to go. You know,

0:16:15.400 --> 0:16:17.000
<v Speaker 1>I really feel like this is a great project, and

0:16:17.560 --> 0:16:19.840
<v Speaker 1>it's like we listen to it, so you can you

0:16:19.840 --> 0:16:21.600
<v Speaker 1>find a song played on the radio. And I know

0:16:21.720 --> 0:16:24.480
<v Speaker 1>that and I'm not dumb, so it puts me in

0:16:24.520 --> 0:16:26.280
<v Speaker 1>a weird place. So I just but I don't I

0:16:26.280 --> 0:16:29.800
<v Speaker 1>don't ever take recommendations. I mean, I can tell you

0:16:29.840 --> 0:16:34.440
<v Speaker 1>this too. Even my boss Rod, there's never been a

0:16:34.440 --> 0:16:36.000
<v Speaker 1>time where he's like, I need you to play this song.

0:16:36.640 --> 0:16:38.760
<v Speaker 1>He said, he said before it to me. Hey, there

0:16:38.760 --> 0:16:41.440
<v Speaker 1>are a couple of songs that you can listen to

0:16:41.520 --> 0:16:43.560
<v Speaker 1>and if you hate him, great, if you like them, whatever,

0:16:43.600 --> 0:16:47.320
<v Speaker 1>But I'm gonna stay out at your business of trying

0:16:47.360 --> 0:16:50.600
<v Speaker 1>to expose new artists or new songs, because as soon

0:16:50.640 --> 0:16:55.400
<v Speaker 1>as it becomes any sort of thing that I'm being

0:16:55.440 --> 0:16:58.800
<v Speaker 1>told to do or some kind of backdep back back

0:16:59.120 --> 0:17:02.480
<v Speaker 1>backhand deal, it just loses all authenticity and then nobody

0:17:02.480 --> 0:17:05.760
<v Speaker 1>believes me. So that's why I do. Yeah, do we

0:17:05.760 --> 0:17:08.560
<v Speaker 1>we talked about that on the last one? I think so? No? No,

0:17:09.600 --> 0:17:12.720
<v Speaker 1>um no. I mean when I say we talked about

0:17:12.720 --> 0:17:17.920
<v Speaker 1>me listening to music in a certain place, Okay, um, okay, yes,

0:17:18.119 --> 0:17:22.320
<v Speaker 1>that's the answer to that. Uh So, like dude has

0:17:22.359 --> 0:17:24.119
<v Speaker 1>been kind of like crazy for you. I was just

0:17:24.160 --> 0:17:29.520
<v Speaker 1>like an actual interview. Oh lord, go ahead. Uh I

0:17:29.560 --> 0:17:33.480
<v Speaker 1>mean number one book, comedy album, and the radio show

0:17:33.520 --> 0:17:36.960
<v Speaker 1>is getting even bigger, Like what do you see coming? Idea?

0:17:37.640 --> 0:17:40.400
<v Speaker 1>I can tell you this that what I'm looking forward

0:17:40.440 --> 0:17:44.720
<v Speaker 1>to next year is and there's stuff that we that

0:17:45.040 --> 0:17:49.640
<v Speaker 1>everything is so like by the time something happens, you're

0:17:49.720 --> 0:17:51.480
<v Speaker 1>to the point of you already have four other things

0:17:51.480 --> 0:17:53.159
<v Speaker 1>that you're really excited about because you've been working on

0:17:53.280 --> 0:17:55.280
<v Speaker 1>what's happened what's starting to happen right now for so

0:17:55.320 --> 0:17:57.800
<v Speaker 1>long that you're so excited what's happening in three months

0:17:58.040 --> 0:18:00.159
<v Speaker 1>that what's happening now? It's cool because finally here you

0:18:00.240 --> 0:18:02.680
<v Speaker 1>just started something else with brand news. It's weird because

0:18:02.760 --> 0:18:04.840
<v Speaker 1>artists say this all the time. Like by the time

0:18:05.040 --> 0:18:06.960
<v Speaker 1>I think Keith Urban was telling me this, then by

0:18:06.960 --> 0:18:09.400
<v Speaker 1>the time the album comes out, like he's been working

0:18:09.440 --> 0:18:10.920
<v Speaker 1>out for so long and let's go for so long,

0:18:11.080 --> 0:18:13.160
<v Speaker 1>and he's been done with it for three months away

0:18:13.200 --> 0:18:15.159
<v Speaker 1>he's already starting on a new album and he's like

0:18:15.240 --> 0:18:18.240
<v Speaker 1>so excited about this stuff that he's out promoting the

0:18:18.680 --> 0:18:20.800
<v Speaker 1>last thing and nothing. He doesn't love it. But it's

0:18:20.840 --> 0:18:24.240
<v Speaker 1>a weird process for me. And we haven't announced it yet,

0:18:24.280 --> 0:18:26.760
<v Speaker 1>but I'll be doing a full stand up comedy toward

0:18:26.840 --> 0:18:31.760
<v Speaker 1>January through a Pearl probably. I think that's what it is.

0:18:32.359 --> 0:18:37.520
<v Speaker 1>And for me, I think I have the coolest opener.

0:18:37.560 --> 0:18:40.439
<v Speaker 1>I don't want to call him an opener, but I

0:18:40.440 --> 0:18:43.440
<v Speaker 1>mean they'll be opening for me. But it's music because

0:18:43.920 --> 0:18:47.040
<v Speaker 1>some comics will bring comics. I love music so much.

0:18:47.280 --> 0:18:50.600
<v Speaker 1>I like to bring in exposed music and artists. So

0:18:50.640 --> 0:18:53.160
<v Speaker 1>I actually we're bringing two people, one Nikita Carmen will

0:18:53.200 --> 0:18:55.159
<v Speaker 1>be coming out with me, who's fantastic, and she's still

0:18:55.480 --> 0:18:57.680
<v Speaker 1>she just celebrated a year being a natural. She moved

0:18:57.680 --> 0:19:01.479
<v Speaker 1>here from Australia um and as a write songwriter. But

0:19:01.800 --> 0:19:04.639
<v Speaker 1>I can't say who the other person is, but it's

0:19:04.680 --> 0:19:06.320
<v Speaker 1>one of my favorites and they're gonna come out and

0:19:06.320 --> 0:19:08.760
<v Speaker 1>do every show and play before I go on. But

0:19:08.800 --> 0:19:10.560
<v Speaker 1>for me, that's what I'm looking for to most is

0:19:10.920 --> 0:19:14.919
<v Speaker 1>the stand up comedy tour and doing theaters and you know,

0:19:15.080 --> 0:19:17.840
<v Speaker 1>with the Raging Idiot, it's been nuts and the million

0:19:17.880 --> 0:19:19.240
<v Speaker 1>Dollar show is gonna be so much fun at the

0:19:19.320 --> 0:19:23.919
<v Speaker 1>Rhyman And that's really the last thing for a while.

0:19:24.640 --> 0:19:28.320
<v Speaker 1>Eddie aren't breaking up, but we're kind of going. I listen,

0:19:28.359 --> 0:19:32.240
<v Speaker 1>I just have a ceiling and singing. The stand up

0:19:32.240 --> 0:19:34.240
<v Speaker 1>comedy stuff is fun for me and I'm getting better

0:19:34.320 --> 0:19:37.120
<v Speaker 1>at it, and I just see that there's a big,

0:19:37.840 --> 0:19:40.480
<v Speaker 1>big light way up high that I continue to reach for.

0:19:40.880 --> 0:19:43.040
<v Speaker 1>And I watch other comics and I'm just so motivated,

0:19:43.040 --> 0:19:45.399
<v Speaker 1>motivated and inspired by them and I'll never be as

0:19:45.440 --> 0:19:47.040
<v Speaker 1>good as these guys that I see, but I'm like, man,

0:19:47.240 --> 0:19:48.600
<v Speaker 1>I can get better at it. I can get better

0:19:48.600 --> 0:19:50.320
<v Speaker 1>at this, and the more I go out and the

0:19:50.320 --> 0:19:51.840
<v Speaker 1>more I work this stuff, and sometimes I don't tell

0:19:51.880 --> 0:19:53.919
<v Speaker 1>people I'm going out and working and stuff, and like

0:19:54.160 --> 0:19:56.600
<v Speaker 1>it's like, man, I love failing, like I love when

0:19:56.600 --> 0:19:59.399
<v Speaker 1>something doesn't work because then when something does, it's like

0:19:59.440 --> 0:20:02.439
<v Speaker 1>I worked hard to make that work. That's exciting for me.

0:20:02.480 --> 0:20:04.159
<v Speaker 1>So I'm doing a full stand up comedy tour, but

0:20:04.200 --> 0:20:06.040
<v Speaker 1>you haven't announced you. They may kill me for saying it,

0:20:06.040 --> 0:20:08.000
<v Speaker 1>but I've said nothing else about it. We've already done

0:20:08.000 --> 0:20:09.880
<v Speaker 1>the photo shoot for it. We got the opening acts,

0:20:09.880 --> 0:20:13.000
<v Speaker 1>doing every show with us uh and the opening I like,

0:20:13.040 --> 0:20:15.040
<v Speaker 1>I'm so excited about it, and I can't say who

0:20:15.040 --> 0:20:16.959
<v Speaker 1>it is yet, but that's it. So so there's that.

0:20:16.960 --> 0:20:20.119
<v Speaker 1>That's what I'm excited about. The book will come out

0:20:20.119 --> 0:20:26.560
<v Speaker 1>in paperback to next year. Writing a kid's book, um,

0:20:26.600 --> 0:20:29.200
<v Speaker 1>and then I don't know, they hit me up had

0:20:29.200 --> 0:20:31.240
<v Speaker 1>another adult book because the first book did so well,

0:20:31.440 --> 0:20:33.760
<v Speaker 1>which is still weird because I remember taking that first

0:20:33.800 --> 0:20:36.760
<v Speaker 1>book and sending it off to like two people that

0:20:36.800 --> 0:20:38.560
<v Speaker 1>I really trust, and I was like, man, is this

0:20:38.640 --> 0:20:42.639
<v Speaker 1>thing even, I mean, any good? I was so worried

0:20:42.680 --> 0:20:46.760
<v Speaker 1>that book was awful. The bare bones, like I have

0:20:46.840 --> 0:20:49.480
<v Speaker 1>two books. The only book I've ever written. I was

0:20:49.560 --> 0:20:52.600
<v Speaker 1>so worried that the book was really bad because I

0:20:52.600 --> 0:20:54.320
<v Speaker 1>know what I'm pretty good at. That's going on the radio,

0:20:54.359 --> 0:20:59.880
<v Speaker 1>because I've been doing it for almost twenty years. That's crazy.

0:20:59.359 --> 0:21:02.000
<v Speaker 1>It's crazy. I know I'm pretty good at that because

0:21:02.000 --> 0:21:03.479
<v Speaker 1>I'm be doing it for a long time and I've

0:21:03.520 --> 0:21:05.359
<v Speaker 1>been able to move up. I've never write a book,

0:21:05.800 --> 0:21:07.399
<v Speaker 1>and I almost like, I don't know if anybody cares.

0:21:08.119 --> 0:21:09.680
<v Speaker 1>So I sent the book off and they were like,

0:21:10.680 --> 0:21:13.439
<v Speaker 1>is that actually not bad? It's pretty good. And I

0:21:13.480 --> 0:21:16.200
<v Speaker 1>was so nervous that was gonna suck, and I felt

0:21:16.240 --> 0:21:17.960
<v Speaker 1>like it sucked. I never wanted to read it back.

0:21:18.560 --> 0:21:20.320
<v Speaker 1>But so they're asking me about writing. And I got

0:21:20.440 --> 0:21:22.600
<v Speaker 1>an emunk yesterday like, hey, you think you're writing another

0:21:22.600 --> 0:21:24.680
<v Speaker 1>adult book? And I was like, adult book sounds like

0:21:24.720 --> 0:21:29.399
<v Speaker 1>a porn book. Um, and no, especially don't have another

0:21:29.480 --> 0:21:33.439
<v Speaker 1>memoir amy like I think right now. I didn't have

0:21:33.480 --> 0:21:35.439
<v Speaker 1>wanted me to begin with. I was thirty four when

0:21:35.480 --> 0:21:37.959
<v Speaker 1>they approached me. I had nothing. I mean, there's that

0:21:38.000 --> 0:21:39.679
<v Speaker 1>book of my life, but a lot of that's like

0:21:39.720 --> 0:21:42.560
<v Speaker 1>a struggle at the beginning for people who had to

0:21:42.560 --> 0:21:46.480
<v Speaker 1>deal with family members that have addiction, and you know,

0:21:46.520 --> 0:21:48.879
<v Speaker 1>that was a big part of it. Um, And I

0:21:48.880 --> 0:21:51.320
<v Speaker 1>wouldn't go through that in a second book. So I

0:21:51.440 --> 0:21:54.240
<v Speaker 1>was like, I really haven't. But if there was something

0:21:54.240 --> 0:21:56.679
<v Speaker 1>like a bunch of funny essays, we could talk. But

0:21:57.440 --> 0:21:59.439
<v Speaker 1>I don't know, man. That book thing is just it

0:21:59.560 --> 0:22:02.879
<v Speaker 1>is so oh. First of all, it's awesome, and I

0:22:02.960 --> 0:22:05.920
<v Speaker 1>appreciate everybody who bought the book because I thought it sucked.

0:22:06.440 --> 0:22:09.399
<v Speaker 1>So I'm just blown away the fact that it was

0:22:09.920 --> 0:22:13.240
<v Speaker 1>on the New York Times bestseller list for three weeks.

0:22:13.680 --> 0:22:16.320
<v Speaker 1>For one week, I was shocked. And then after that

0:22:16.359 --> 0:22:17.720
<v Speaker 1>I was just like, this is not even real life,

0:22:17.760 --> 0:22:20.080
<v Speaker 1>Like I don't even I don't even know what's happening here. Um.

0:22:20.200 --> 0:22:22.800
<v Speaker 1>But I'm really looking forward to the comedy tour. The

0:22:22.880 --> 0:22:25.120
<v Speaker 1>radio shows the most fun thing still too. I hate

0:22:25.119 --> 0:22:27.040
<v Speaker 1>it right now you're listening to this. Amy's not here.

0:22:27.400 --> 0:22:30.480
<v Speaker 1>It's weird when Amy's not here. Um. So I'm ready

0:22:30.480 --> 0:22:32.040
<v Speaker 1>for her to get back and have her kids. That

0:22:32.040 --> 0:22:33.840
<v Speaker 1>will make her happy. And the better Amy is, the

0:22:33.880 --> 0:22:37.600
<v Speaker 1>better I am. So yeah, the growth the radio show

0:22:37.600 --> 0:22:41.080
<v Speaker 1>has been crazy. I mean, even in the cities like

0:22:41.920 --> 0:22:44.800
<v Speaker 1>we had. I just I was talking to Rod my Boston.

0:22:44.880 --> 0:22:49.040
<v Speaker 1>He was like, dude, of these exit the big markets

0:22:49.040 --> 0:22:52.280
<v Speaker 1>that you have, You've never had bigger ratings of like

0:22:53.640 --> 0:22:56.399
<v Speaker 1>eight of eleven or eight of twelve of the biggest markets,

0:22:56.600 --> 0:22:59.280
<v Speaker 1>you know, the Boston's the do you know the major

0:22:59.359 --> 0:23:00.920
<v Speaker 1>cities then you have right now. And I was like,

0:23:01.000 --> 0:23:04.680
<v Speaker 1>dangn that's cool. But then it's ten minutes later, all right,

0:23:05.040 --> 0:23:06.920
<v Speaker 1>you're not doing so well. We're in this market. But

0:23:07.160 --> 0:23:08.800
<v Speaker 1>the weird thing is about the radio shows that weren't

0:23:08.800 --> 0:23:13.639
<v Speaker 1>about a hundred cities, and it's you know, if you

0:23:13.640 --> 0:23:17.320
<v Speaker 1>can get seventy of them up, thirty them are gonna

0:23:17.359 --> 0:23:21.320
<v Speaker 1>be down. And it's like, okay, we have thirty that

0:23:21.400 --> 0:23:24.200
<v Speaker 1>are down. We gotta get the thirty that are down up.

0:23:24.520 --> 0:23:26.959
<v Speaker 1>And so what you're fighting to get these other thirty up?

0:23:28.240 --> 0:23:31.200
<v Speaker 1>You have random ones falling over. It's just never, You're

0:23:31.240 --> 0:23:33.480
<v Speaker 1>never You're never gonna have a hundred go up at

0:23:33.520 --> 0:23:38.400
<v Speaker 1>the same time. And so the pressure never comes off

0:23:38.480 --> 0:23:43.520
<v Speaker 1>of hey you suck, and it's never you suck. It's like, hey,

0:23:43.720 --> 0:23:45.800
<v Speaker 1>it's not going so hot here, what what do we

0:23:45.880 --> 0:23:49.280
<v Speaker 1>do to make it better here? Um? But that's that's

0:23:49.320 --> 0:23:51.439
<v Speaker 1>the business of this that's the whole, the beast of it.

0:23:51.480 --> 0:23:54.720
<v Speaker 1>But I love it like I mean, it's the radio

0:23:54.720 --> 0:23:57.119
<v Speaker 1>show is still my favorite thing. Stand up comedy second.

0:23:57.680 --> 0:24:00.360
<v Speaker 1>But we're kind of rolling through the rating idiots and

0:24:00.800 --> 0:24:03.639
<v Speaker 1>listen that we had it. We've got two number one records,

0:24:03.640 --> 0:24:05.960
<v Speaker 1>so we suck. We don't suck. I'm gonna say this

0:24:05.960 --> 0:24:07.879
<v Speaker 1>about it is we've gotten pretty good. We have a

0:24:07.920 --> 0:24:10.720
<v Speaker 1>fantastic band, and now I know how to do a show.

0:24:10.880 --> 0:24:13.440
<v Speaker 1>We put on a really good show now. Listen, I'm

0:24:13.440 --> 0:24:15.760
<v Speaker 1>not gonna vocalist through the year, but we probat on

0:24:15.760 --> 0:24:17.879
<v Speaker 1>a really good show now because I've learned how to

0:24:17.920 --> 0:24:20.479
<v Speaker 1>put on a good show. And I do not have

0:24:20.600 --> 0:24:23.200
<v Speaker 1>lead singers disease, which means you have the lead singer

0:24:23.320 --> 0:24:24.600
<v Speaker 1>all the time and be the guy front. I have

0:24:24.680 --> 0:24:27.000
<v Speaker 1>no problem with stepping back for half the show and

0:24:27.040 --> 0:24:28.920
<v Speaker 1>just you just never know where it's coming from and

0:24:29.000 --> 0:24:30.960
<v Speaker 1>raging India show. You don't know who's coming with what where.

0:24:30.960 --> 0:24:33.200
<v Speaker 1>I got background singers flying out fry and I get

0:24:33.600 --> 0:24:35.760
<v Speaker 1>it's fine. So yeah, I don't know if that's the answer,

0:24:35.840 --> 0:24:38.440
<v Speaker 1>but go ahead. Uh what's the best part of having

0:24:38.480 --> 0:24:46.720
<v Speaker 1>a girlfriend now? Mm hmm. The best part about having

0:24:46.720 --> 0:24:54.000
<v Speaker 1>a girlfriend the best part. Do you know what I'm

0:24:54.040 --> 0:24:57.840
<v Speaker 1>worried about? And then I know Lindsay's gonna hear this,

0:24:59.720 --> 0:25:01.760
<v Speaker 1>is that she's gonna be like, hey, come to Canada

0:25:01.880 --> 0:25:05.639
<v Speaker 1>for the holidays. I'm gonna be like, oh, it's not

0:25:05.680 --> 0:25:09.440
<v Speaker 1>even her thing. I don't feel comfortable. I've never been

0:25:09.480 --> 0:25:12.719
<v Speaker 1>a holidays person because I never really had family. So

0:25:12.840 --> 0:25:17.080
<v Speaker 1>for me, the holidays are not a sad time. They

0:25:17.119 --> 0:25:19.639
<v Speaker 1>just don't exist for me, especially Christmas time, like it

0:25:19.640 --> 0:25:24.560
<v Speaker 1>just doesn't exist as far as a joyous occasion. It's

0:25:24.640 --> 0:25:26.920
<v Speaker 1>not a sad occasion. It's just not a joyous occasion

0:25:26.920 --> 0:25:29.080
<v Speaker 1>to me, just another day because I never really had

0:25:29.160 --> 0:25:35.160
<v Speaker 1>Christmas growing up. So she's gonna say you should come

0:25:35.200 --> 0:25:37.679
<v Speaker 1>to Canada and come hang out with my family. But

0:25:37.720 --> 0:25:41.200
<v Speaker 1>I feel like such a nuisance and I don't feel

0:25:41.240 --> 0:25:43.800
<v Speaker 1>comfortable being happy being like super I don't know, it's

0:25:43.800 --> 0:25:48.320
<v Speaker 1>a weird thing. The best and as I say that,

0:25:48.359 --> 0:25:52.320
<v Speaker 1>the best part is having someone that really wants you

0:25:52.400 --> 0:25:57.440
<v Speaker 1>to be happy and like fights you about being happy.

0:25:57.800 --> 0:25:59.879
<v Speaker 1>And the example I gave when I think she was

0:26:00.000 --> 0:26:02.760
<v Speaker 1>in here a couple of weeks ago was when the

0:26:02.760 --> 0:26:05.160
<v Speaker 1>Cubs last game four, I was I was really irritated

0:26:05.160 --> 0:26:06.840
<v Speaker 1>and upset, and she would just wouldn't leave me alone.

0:26:06.880 --> 0:26:08.439
<v Speaker 1>It was so annoying. He was just like, Okay, you

0:26:08.440 --> 0:26:09.919
<v Speaker 1>have to understand where you are right now. You're at

0:26:09.960 --> 0:26:12.679
<v Speaker 1>the World Series. You've worked hard to get here. The

0:26:12.720 --> 0:26:16.560
<v Speaker 1>cubs have not been here, and it the best part

0:26:16.560 --> 0:26:19.720
<v Speaker 1>of having someone who wants you to be happy. And

0:26:19.960 --> 0:26:26.120
<v Speaker 1>for sure she wants that, like she you know, yeah,

0:26:26.200 --> 0:26:28.879
<v Speaker 1>that's the answer. But I only come to that after

0:26:29.000 --> 0:26:30.720
<v Speaker 1>talking about the first thing where I know she's not

0:26:30.760 --> 0:26:33.120
<v Speaker 1>gonna be happy, and I'm like, I just don't. It's

0:26:33.160 --> 0:26:35.800
<v Speaker 1>not her thing. And her family is awesome. Over the

0:26:35.840 --> 0:26:38.280
<v Speaker 1>last couple of years, I've gotten to know them, her

0:26:38.320 --> 0:26:43.199
<v Speaker 1>parents and her brother, and they're great. But it's just

0:26:43.280 --> 0:26:46.560
<v Speaker 1>I don't associate Christmas with that, with the with joyous

0:26:46.600 --> 0:26:49.000
<v Speaker 1>and fun. And then I always feel even if I like,

0:26:49.040 --> 0:26:50.800
<v Speaker 1>I'm Lindia and I are going to a dinner tonight,

0:26:51.080 --> 0:26:52.720
<v Speaker 1>I don't know where she is. I don't even maybe here,

0:26:53.040 --> 0:26:56.080
<v Speaker 1>but we're going to a dinner tonight, um and never

0:26:56.280 --> 0:27:00.000
<v Speaker 1>go to dinners because I feel like one I'm I'm

0:27:00.040 --> 0:27:03.560
<v Speaker 1>like intruding in someone's house too. I don't really have

0:27:03.720 --> 0:27:08.159
<v Speaker 1>that many friends that I would consider like close. I

0:27:08.200 --> 0:27:09.920
<v Speaker 1>don't think I've been to a dinner since I moved

0:27:09.920 --> 0:27:13.320
<v Speaker 1>to Nashville someone's house period, And I don't know if

0:27:13.320 --> 0:27:16.600
<v Speaker 1>that's weird or not. I've never I haven't been at all.

0:27:17.280 --> 0:27:20.399
<v Speaker 1>And so we're going tonight and only because she's like,

0:27:20.440 --> 0:27:22.920
<v Speaker 1>you need to do things like this, so a little

0:27:22.920 --> 0:27:26.480
<v Speaker 1>bit too, it's like, um, you know, she's kind of

0:27:26.520 --> 0:27:30.800
<v Speaker 1>branching me out there, um and making me more of

0:27:30.840 --> 0:27:36.720
<v Speaker 1>a human. I'm just not ordinary human. How do you

0:27:36.720 --> 0:27:38.920
<v Speaker 1>feel about the actual part of going to Canada? Though

0:27:39.440 --> 0:27:42.960
<v Speaker 1>I don't care. I went to because I went to Iceland,

0:27:42.960 --> 0:27:44.720
<v Speaker 1>I went to Japan, I went to England. This is

0:27:44.720 --> 0:27:46.720
<v Speaker 1>all in the last two years because I never traveled

0:27:46.720 --> 0:27:49.600
<v Speaker 1>my whole life. I never left Arkansas until turning Point.

0:27:49.640 --> 0:27:52.080
<v Speaker 1>Then I never left South. Then it's just been a

0:27:52.119 --> 0:27:53.760
<v Speaker 1>gradual thing. And I got to a point where it's like,

0:27:53.760 --> 0:27:55.600
<v Speaker 1>if I don't travel a little bit and get uncomfortable,

0:27:55.680 --> 0:27:57.359
<v Speaker 1>I'm never gonna do it. So I just started doing it.

0:27:57.680 --> 0:28:00.240
<v Speaker 1>And then, um, oh, I mean I don't like hate

0:28:00.280 --> 0:28:04.240
<v Speaker 1>cold like I hate the cold like it's terrible. I

0:28:04.280 --> 0:28:08.440
<v Speaker 1>hate winter. Um, so I think I don't probably just

0:28:08.560 --> 0:28:10.560
<v Speaker 1>want to Canada. Maybe I go to Canada by myself

0:28:10.560 --> 0:28:12.879
<v Speaker 1>while they have Christmas and just go explore by myself.

0:28:13.080 --> 0:28:15.360
<v Speaker 1>But I think that'll probably a source of contention where

0:28:15.400 --> 0:28:17.399
<v Speaker 1>she's like, you have to come stop being as so

0:28:17.640 --> 0:28:22.240
<v Speaker 1>sad and moby. We'll see what happens. But yeah, we

0:28:22.280 --> 0:28:25.160
<v Speaker 1>think about everybody trying to move to Canada. Now, nobody's

0:28:25.160 --> 0:28:27.680
<v Speaker 1>moving to Canada. I mean, did you see the site

0:28:27.680 --> 0:28:30.720
<v Speaker 1>mosly crash? Yeah, last night when you're hearing this, So

0:28:30.760 --> 0:28:36.600
<v Speaker 1>the election happened, right, and um, you know the girl

0:28:36.680 --> 0:28:40.320
<v Speaker 1>from Girls Landing dun On, whatever name is, Brian Cranston.

0:28:40.680 --> 0:28:42.720
<v Speaker 1>I hate people say that this doesn't happen. I'm moving

0:28:42.760 --> 0:28:45.040
<v Speaker 1>to Canada because nobody ever does. Like you want to

0:28:45.080 --> 0:28:47.880
<v Speaker 1>impress me right now, move to Canada, regardless of your

0:28:47.880 --> 0:28:50.640
<v Speaker 1>political belaves. If you say something, do it. And Canada

0:28:50.720 --> 0:28:53.080
<v Speaker 1>is hard to get into, like even just visiting Canada

0:28:53.280 --> 0:28:56.320
<v Speaker 1>it is. Yeah, I know I haven't been. You can

0:28:56.360 --> 0:29:00.320
<v Speaker 1>just move there, you know what. I don't know. But

0:29:00.640 --> 0:29:02.440
<v Speaker 1>if any of them moved, I will have a ton

0:29:02.480 --> 0:29:06.360
<v Speaker 1>of respect for them because they backed up what they said.

0:29:07.560 --> 0:29:09.480
<v Speaker 1>And listen, I got people get mad at me for

0:29:09.560 --> 0:29:14.000
<v Speaker 1>writing in uh Dirk Spanley my presidential ballot, and I

0:29:14.080 --> 0:29:16.960
<v Speaker 1>just did not have a dog in that dog race,

0:29:17.600 --> 0:29:19.760
<v Speaker 1>and so I didn't feel comfortable voting for other one.

0:29:20.400 --> 0:29:22.200
<v Speaker 1>And I had some other stuff I wanted to vote on,

0:29:22.800 --> 0:29:24.520
<v Speaker 1>and they put the ride in line there for a

0:29:24.560 --> 0:29:26.320
<v Speaker 1>reason if you feel like you should write someone else.

0:29:26.360 --> 0:29:29.560
<v Speaker 1>And I was man people on Twitter just most of

0:29:29.560 --> 0:29:31.040
<v Speaker 1>the time, I just brushed it off. Sometimes I get

0:29:31.040 --> 0:29:33.760
<v Speaker 1>in a little little pops people and like you that

0:29:33.920 --> 0:29:36.720
<v Speaker 1>you are such an awful person for abusing the system.

0:29:36.760 --> 0:29:38.200
<v Speaker 1>I was like, why would they put the line there

0:29:38.240 --> 0:29:42.400
<v Speaker 1>if you can't write in who that monkey? The gorilla him?

0:29:42.480 --> 0:29:48.120
<v Speaker 1>They have eleven thousand votes, So don't put the line

0:29:48.120 --> 0:29:49.959
<v Speaker 1>there if you don't want people to use it. I

0:29:50.080 --> 0:29:53.360
<v Speaker 1>used it. I wrote in Dirk Spanley, Uh, just because

0:29:53.480 --> 0:29:57.440
<v Speaker 1>I wanted. Really, I wasn't gonna vote the presidential election anyway.

0:29:57.440 --> 0:29:58.840
<v Speaker 1>I was just gonna vote in a couple other things.

0:29:59.480 --> 0:30:02.040
<v Speaker 1>But really I just wanted a TV to pop up

0:30:02.040 --> 0:30:03.800
<v Speaker 1>and go, we have this much for Trump? Can you

0:30:03.880 --> 0:30:06.800
<v Speaker 1>Trump was gonna win Tennessee anyway where I am, um,

0:30:06.960 --> 0:30:09.840
<v Speaker 1>And then we have this much for Hillary. And you know,

0:30:10.320 --> 0:30:13.680
<v Speaker 1>Jill Stein has this, Governor Gary Johnson has this in

0:30:13.800 --> 0:30:16.080
<v Speaker 1>Dirk Bentley as the vote, so I kind of wanted

0:30:16.080 --> 0:30:17.520
<v Speaker 1>that pop. I was the goal pup up on TV,

0:30:17.920 --> 0:30:19.479
<v Speaker 1>but I didn't count because you have to watch your

0:30:19.480 --> 0:30:22.480
<v Speaker 1>fifty days out even be a riding candidate. But people

0:30:22.520 --> 0:30:28.680
<v Speaker 1>can shut up, so I mean that kind of stuff, whatever, whatever.

0:30:29.800 --> 0:30:32.960
<v Speaker 1>I rarely get irritated at Twitter sometimes, like Travis Tritt

0:30:32.960 --> 0:30:34.640
<v Speaker 1>and I went back and Forwarth and I love Travis

0:30:34.680 --> 0:30:37.840
<v Speaker 1>Church's music, and I have no problem with Travis Trip,

0:30:37.880 --> 0:30:40.040
<v Speaker 1>like he has uh kind of a reputation to be

0:30:40.120 --> 0:30:42.640
<v Speaker 1>in the dick. I don't know that, so to me,

0:30:42.680 --> 0:30:45.520
<v Speaker 1>he's not. I have no I've and I was he was.

0:30:45.560 --> 0:30:46.880
<v Speaker 1>He was coming on the show in a few weeks

0:30:47.280 --> 0:30:48.720
<v Speaker 1>and we already booked him because he has like the

0:30:48.720 --> 0:30:53.160
<v Speaker 1>greatest hit stink coming out. And he was posting about

0:30:53.160 --> 0:30:55.840
<v Speaker 1>Beyonce at the c M as. Then I knew what

0:30:55.880 --> 0:30:59.520
<v Speaker 1>was going to happen as a white guy from the South.

0:30:59.680 --> 0:31:02.120
<v Speaker 1>If you start put people are gonna go, hey, this

0:31:02.160 --> 0:31:05.240
<v Speaker 1>is a race thing. And so I posted. I was like, dude, stop,

0:31:05.240 --> 0:31:06.680
<v Speaker 1>I said, stop it. That's what I wrote on it,

0:31:06.720 --> 0:31:10.000
<v Speaker 1>Just stop it. And then it turned into I've played

0:31:10.000 --> 0:31:11.800
<v Speaker 1>with lots of black artists and I was like, oh

0:31:11.840 --> 0:31:15.760
<v Speaker 1>my god, this is what that's what you don't say.

0:31:15.880 --> 0:31:20.360
<v Speaker 1>And so I think his tweet was look it up,

0:31:21.000 --> 0:31:23.760
<v Speaker 1>I've played with more black artists than anybody, or something

0:31:23.800 --> 0:31:25.880
<v Speaker 1>like that. And I retweeted it and was like, just

0:31:25.880 --> 0:31:29.400
<v Speaker 1>looked it up. There's no archive of who of people

0:31:29.400 --> 0:31:33.320
<v Speaker 1>who have played with black artists there there there isn't

0:31:34.160 --> 0:31:38.160
<v Speaker 1>And so you know, there's just the race stuff. To me,

0:31:38.160 --> 0:31:41.760
<v Speaker 1>it's crazy. It's just isn't a place you should go.

0:31:42.480 --> 0:31:46.560
<v Speaker 1>And it's a very sensitive thing and if you're passionate

0:31:46.600 --> 0:31:49.680
<v Speaker 1>about it, go there. If you just gonna throw a

0:31:49.760 --> 0:31:52.800
<v Speaker 1>joke out there, it's and it's not worth it. That

0:31:52.880 --> 0:31:54.960
<v Speaker 1>just wasn't worth That just wasn't worth it. And so

0:31:55.280 --> 0:31:57.520
<v Speaker 1>he got mad at me, and I was like, dude,

0:31:58.480 --> 0:32:02.160
<v Speaker 1>you know, jill out the Yeah, you know who says

0:32:02.160 --> 0:32:04.520
<v Speaker 1>I got a I got a black friend, the person

0:32:04.600 --> 0:32:06.840
<v Speaker 1>who probably really doesn't have black friends. Now I got

0:32:06.840 --> 0:32:09.080
<v Speaker 1>a black friend. And that's the person who really probably

0:32:09.080 --> 0:32:14.000
<v Speaker 1>doesn't have that anyway. Um, yes, I don't even know

0:32:14.000 --> 0:32:18.720
<v Speaker 1>what you asked me, Ah, what food do you miss

0:32:18.760 --> 0:32:22.600
<v Speaker 1>the most since you're test? Oh this allergy testing that

0:32:22.680 --> 0:32:25.480
<v Speaker 1>I am that I took so I took a allergy

0:32:25.680 --> 0:32:29.520
<v Speaker 1>food test with blood. I sweepeatoes all time I can.

0:32:29.560 --> 0:32:33.840
<v Speaker 1>I'm a limited from sweet potatoes and tuna, and I

0:32:33.880 --> 0:32:37.760
<v Speaker 1>don't know. I don't know if I miss anything, but

0:32:38.040 --> 0:32:39.720
<v Speaker 1>the sweet potatoes were kind of a big part of

0:32:39.760 --> 0:32:42.680
<v Speaker 1>my diet. But I doesn't make any rest, like I'm

0:32:42.720 --> 0:32:44.600
<v Speaker 1>down to one. I'll wait. Today I was at one

0:32:44.680 --> 0:32:49.280
<v Speaker 1>fifty nine and usually I'm around sometimes close to one seventy,

0:32:49.480 --> 0:32:52.920
<v Speaker 1>like if I'm really lifting hard, but if I'm staying

0:32:52.960 --> 0:32:54.480
<v Speaker 1>thin because I was doing a lot of the TV work,

0:32:54.480 --> 0:32:59.320
<v Speaker 1>I'm around one s four. But I'm like right now.

0:33:00.080 --> 0:33:03.040
<v Speaker 1>So I kind of got a lecture today from was

0:33:03.080 --> 0:33:06.040
<v Speaker 1>just a freaking protein shake before dinner, but I got

0:33:06.040 --> 0:33:07.640
<v Speaker 1>a lecture from my trainer. It was like, you have

0:33:07.720 --> 0:33:10.160
<v Speaker 1>to eat like you have to eat, and so you

0:33:10.240 --> 0:33:12.560
<v Speaker 1>just have to have a Like for me, if I

0:33:12.720 --> 0:33:15.200
<v Speaker 1>my stump, if I don't have like a tight stomach,

0:33:15.240 --> 0:33:18.960
<v Speaker 1>I feel like I'm just so that's I got to

0:33:19.000 --> 0:33:21.920
<v Speaker 1>get that back. Everybody always looks at your gut, that's

0:33:21.920 --> 0:33:25.120
<v Speaker 1>whateverybody looks had your gut. So I'm trying to work

0:33:25.120 --> 0:33:28.600
<v Speaker 1>that gut down. Anything else. I don't even know what

0:33:28.600 --> 0:33:36.080
<v Speaker 1>we're talking about here. I mean, I don't know that. Um,

0:33:36.120 --> 0:33:38.880
<v Speaker 1>there's thirty minutes. I think I have to go to

0:33:38.880 --> 0:33:42.440
<v Speaker 1>dinner anyway. Anything you have anything, any other questions over there?

0:33:42.440 --> 0:33:44.040
<v Speaker 1>It seems like you've you've come up with some stuff.

0:33:48.360 --> 0:33:50.120
<v Speaker 1>You know what Lindsay did. She went on stage and

0:33:50.200 --> 0:33:52.720
<v Speaker 1>she uh, oh yeah, that's what I was gonna ask

0:33:52.720 --> 0:33:55.840
<v Speaker 1>about this past weekend in Austin. I didn't know she

0:33:56.080 --> 0:33:57.760
<v Speaker 1>was doing this. I think I mentioned this on the

0:33:57.760 --> 0:34:01.880
<v Speaker 1>air or even here. Haven't even talked to me, did I?

0:34:02.040 --> 0:34:03.880
<v Speaker 1>You didn't. I don't think you said the song that

0:34:03.920 --> 0:34:05.800
<v Speaker 1>you did mention that she and this is a different

0:34:05.880 --> 0:34:07.480
<v Speaker 1>song than the one that she that we talked about,

0:34:07.520 --> 0:34:08.759
<v Speaker 1>the last one that she sent me, and I was like,

0:34:08.800 --> 0:34:10.440
<v Speaker 1>oh that's awesome. This is a different one. But she

0:34:10.480 --> 0:34:13.560
<v Speaker 1>goes out and she's playing her opening set because she

0:34:13.600 --> 0:34:16.320
<v Speaker 1>opens for us, and we we booked all these shows

0:34:16.360 --> 0:34:18.320
<v Speaker 1>months ago, before we dated. I was booking Lindsay to

0:34:18.360 --> 0:34:22.799
<v Speaker 1>open for us and playing the band and Nikita, you're

0:34:22.840 --> 0:34:24.600
<v Speaker 1>I was talking about earlier, who plays in the Raging

0:34:24.640 --> 0:34:28.680
<v Speaker 1>Idiots from Australia. She comes and she goes Lindsay just

0:34:28.719 --> 0:34:32.160
<v Speaker 1>said he wrote criminal. She wrote criminal about you, And

0:34:32.200 --> 0:34:34.560
<v Speaker 1>I was like, she told you that, and she was

0:34:34.600 --> 0:34:37.440
<v Speaker 1>like no, she said on stage, and I was like,

0:34:37.840 --> 0:34:40.720
<v Speaker 1>she told four thousand people and she was like yeah.

0:34:41.280 --> 0:34:44.200
<v Speaker 1>And so she wrote this song called criminal, and so

0:34:44.320 --> 0:34:46.120
<v Speaker 1>she went on stage and she's singing it. She's like, yeah,

0:34:46.120 --> 0:34:48.799
<v Speaker 1>I wrote this about Bobby Blah and it's awesome. But

0:34:48.840 --> 0:34:56.080
<v Speaker 1>I just was not expecting that. You're I can never

0:34:56.200 --> 0:35:01.720
<v Speaker 1>get enough? What did you do? Mean? It's criminal? Baby

0:35:01.760 --> 0:35:06.440
<v Speaker 1>will cans. I feel like going through stuff lass looking

0:35:06.560 --> 0:35:11.320
<v Speaker 1>at the cups like I got nothing to lose, boy,

0:35:12.080 --> 0:35:15.400
<v Speaker 1>coming from like a mat stick to to the edge

0:35:15.400 --> 0:35:22.640
<v Speaker 1>and once they're pasta eat, ain't it ain't? Oh what

0:35:22.760 --> 0:35:31.520
<v Speaker 1>you do? That's a live performance there. I have the

0:35:31.600 --> 0:35:35.480
<v Speaker 1>retromain sound, but the raina we did ar king because

0:35:35.680 --> 0:35:40.960
<v Speaker 1>I'm were like taking some bomb. So long Base feels

0:35:41.239 --> 0:35:42.759
<v Speaker 1>she's about pick me up in a minute, or I'm

0:35:42.760 --> 0:35:44.600
<v Speaker 1>gonna pick her up, or she's we're gonna leave in

0:35:44.640 --> 0:35:46.239
<v Speaker 1>my car, but we're supposed to go to dinner a

0:35:46.239 --> 0:35:51.760
<v Speaker 1>few minutes my house instead of long it's just tall,

0:35:52.200 --> 0:35:55.880
<v Speaker 1>so she could be downstairs and have no idea. The

0:35:55.880 --> 0:35:59.640
<v Speaker 1>bacetimer see where she is? Are you here? You can

0:35:59.640 --> 0:36:04.040
<v Speaker 1>come up. We're in the middle of recording the bobycast. Yeah,

0:36:04.040 --> 0:36:07.000
<v Speaker 1>we're recording right now. You can come up for a minute. Okay,

0:36:07.040 --> 0:36:10.920
<v Speaker 1>I'm okay. Well we're gonna like shut it down in

0:36:10.920 --> 0:36:12.920
<v Speaker 1>a minute, so if you want to get in on it,

0:36:14.360 --> 0:36:19.279
<v Speaker 1>all right, goodbye, all right, just menching a call. Then

0:36:19.320 --> 0:36:22.359
<v Speaker 1>she'll be um anything else you want to know, Mike,

0:36:22.800 --> 0:36:27.040
<v Speaker 1>did you go back and look at those lyrics? No? No, no, no,

0:36:27.280 --> 0:36:29.560
<v Speaker 1>I went back and try to like, I don't I

0:36:30.920 --> 0:36:35.719
<v Speaker 1>know if I did some surprise you said that. Uh yeah,

0:36:36.520 --> 0:36:39.520
<v Speaker 1>I'll let her say stuff and she won't say it today.

0:36:39.560 --> 0:36:44.719
<v Speaker 1>But they're just things, even things that you know I've

0:36:44.760 --> 0:36:54.480
<v Speaker 1>written whatever. I Um, Dusty is in the guest chair, chill.

0:36:54.520 --> 0:36:55.719
<v Speaker 1>I look from the other day and I can find

0:36:55.760 --> 0:36:57.080
<v Speaker 1>him anwhere in the house and he was in this

0:36:57.160 --> 0:36:59.640
<v Speaker 1>chair and I'm sitting up sitting behind the computer. Just

0:36:59.800 --> 0:37:08.040
<v Speaker 1>chillen um comn Are you playing music? Are you playing

0:37:08.080 --> 0:37:11.000
<v Speaker 1>music on your phone? Hey? Come in. We're gonna wrap

0:37:11.080 --> 0:37:17.319
<v Speaker 1>up in a minute. But what are you doing. You're

0:37:17.360 --> 0:37:20.080
<v Speaker 1>on You're on the air, so well maybe not the air,

0:37:20.120 --> 0:37:22.640
<v Speaker 1>but you're on the podcast we were just talking about

0:37:22.640 --> 0:37:24.440
<v Speaker 1>because Mike brought up the fact you can put the

0:37:24.480 --> 0:37:27.080
<v Speaker 1>headphones on real quick. By the way, lindsay else here

0:37:28.120 --> 0:37:29.680
<v Speaker 1>this is it kind of like, hey, this is a

0:37:29.840 --> 0:37:32.560
<v Speaker 1>kind of guest appearance. But he asked me what and you,

0:37:32.800 --> 0:37:34.279
<v Speaker 1>I'm sure you'll hear this all back, so there's no

0:37:34.280 --> 0:37:35.759
<v Speaker 1>reason to go back. Do you listen to all these?

0:37:37.239 --> 0:37:41.080
<v Speaker 1>Would be a terrible girlfriend, didn't Well, I feel like, yeah,

0:37:41.120 --> 0:37:44.120
<v Speaker 1>I listened to the person one late last night. I

0:37:44.280 --> 0:37:49.440
<v Speaker 1>loved the story, like the Keith story when he talks

0:37:49.480 --> 0:37:52.640
<v Speaker 1>about like, um, kind of she's gonna fly with it.

0:37:53.719 --> 0:37:58.120
<v Speaker 1>That's insane, And it was insane how he met Christiansen,

0:37:58.200 --> 0:38:01.080
<v Speaker 1>Like I didn't know they went back as are as

0:38:01.400 --> 0:38:07.839
<v Speaker 1>they did. Christian Chris's partner. I mean, yes, Chris as

0:38:07.920 --> 0:38:10.600
<v Speaker 1>his partner like his of the duo, but I mean

0:38:10.680 --> 0:38:12.560
<v Speaker 1>Chris Jansen, Like how they met at the Wild Horse,

0:38:12.600 --> 0:38:15.600
<v Speaker 1>and how I think that's Chris's partner you're thinking of? Really, yeah,

0:38:15.680 --> 0:38:18.839
<v Speaker 1>Christmas partner was the one that that was Chris from

0:38:18.880 --> 0:38:21.160
<v Speaker 1>Low Cash. Totally miss that. It was late when I

0:38:21.160 --> 0:38:24.440
<v Speaker 1>listened to it, okay, But regardless how either one of

0:38:24.480 --> 0:38:27.120
<v Speaker 1>them met Jansen at the Wild Horse when Jansen was

0:38:27.239 --> 0:38:30.719
<v Speaker 1>the DJ and they were teaching dance at the wild Horse.

0:38:34.560 --> 0:38:38.399
<v Speaker 1>Nothing sorry pressing. Are you sure you listen? Danger didn't

0:38:38.400 --> 0:38:41.799
<v Speaker 1>hear my notes? And no, I I listened to the

0:38:41.800 --> 0:38:44.200
<v Speaker 1>whole thing. I guess I mixed up Chris with Chris

0:38:45.640 --> 0:38:50.040
<v Speaker 1>that's not a very good girlfriend. Well, I did listen

0:38:50.080 --> 0:38:56.760
<v Speaker 1>to it. Um, we were just talking about this, just crush.

0:38:55.440 --> 0:39:03.319
<v Speaker 1>You're the habit. I can never get enough, he asked me.

0:39:03.360 --> 0:39:05.640
<v Speaker 1>He was like, hey, Lindsey went on stage. Is that

0:39:05.760 --> 0:39:08.640
<v Speaker 1>she wrote that song about you? And I was like,

0:39:08.680 --> 0:39:10.319
<v Speaker 1>I had no idea. I didn't hear you play it.

0:39:10.360 --> 0:39:12.600
<v Speaker 1>I was getting dressed for our show, and then Nikita

0:39:12.680 --> 0:39:14.759
<v Speaker 1>came and I was like, Lendsay told me you played that,

0:39:14.800 --> 0:39:16.560
<v Speaker 1>and I was like, I told you. She told everybody

0:39:16.560 --> 0:39:19.800
<v Speaker 1>on stage, four people. Um. And then you want to

0:39:19.800 --> 0:39:23.840
<v Speaker 1>add to that, um, true story. I did write that

0:39:23.960 --> 0:39:30.120
<v Speaker 1>about you. And you have to say nothing else. You

0:39:30.160 --> 0:39:33.120
<v Speaker 1>don't want to thank whatever? You want to care? I mean, no,

0:39:33.280 --> 0:39:36.440
<v Speaker 1>I mean that's been one of my favorite songs. Gosh,

0:39:36.640 --> 0:39:39.120
<v Speaker 1>since i've that I've written in a long long time,

0:39:39.160 --> 0:39:42.840
<v Speaker 1>You're welcome. I mean, really, if I go back and

0:39:42.880 --> 0:39:45.760
<v Speaker 1>look at the beast the year of songs, I've written

0:39:45.800 --> 0:39:51.959
<v Speaker 1>a lot of them have been inspired by yours truly, Um,

0:39:52.160 --> 0:39:55.400
<v Speaker 1>like any other ones? Do you want to mention? You

0:39:55.440 --> 0:39:57.839
<v Speaker 1>don't have to. I have a song called Eyes Off

0:39:57.840 --> 0:40:01.960
<v Speaker 1>of You. Oh yeah, that's a good one, UM that

0:40:02.000 --> 0:40:04.400
<v Speaker 1>I really like a lot. And he played that on

0:40:04.400 --> 0:40:07.240
<v Speaker 1>the Sampy Woman of Country thing I did yeah on piano.

0:40:07.480 --> 0:40:08.879
<v Speaker 1>Yeah it's good. That was the first thing I wrote

0:40:08.880 --> 0:40:12.680
<v Speaker 1>by myself in a long time. Um. And then there's

0:40:12.680 --> 0:40:17.080
<v Speaker 1>another one called Worth the Way. That's all we talked about. Yeah, anyway,

0:40:17.120 --> 0:40:19.960
<v Speaker 1>you don't have to go through the whole library of Bobby.

0:40:19.680 --> 0:40:23.640
<v Speaker 1>I'll call them Bobby suck songs. But it's not Bobby

0:40:23.680 --> 0:40:25.960
<v Speaker 1>sex songs. It was more like Bobby, why won't you

0:40:26.080 --> 0:40:29.000
<v Speaker 1>date me? Songs? He would he would be like, is

0:40:29.040 --> 0:40:32.520
<v Speaker 1>this another Bobby sucks? So I was like, no, this

0:40:32.600 --> 0:40:35.200
<v Speaker 1>is this is Bobby. Why won't you? I want to

0:40:35.320 --> 0:40:38.200
<v Speaker 1>date you and I and I want to tell you

0:40:38.200 --> 0:40:42.000
<v Speaker 1>how I feel, but but you just won't Bobby stuck songs?

0:40:42.400 --> 0:40:50.720
<v Speaker 1>I was calling like a teenage crash. You're the habit Yeah,

0:40:52.200 --> 0:40:58.680
<v Speaker 1>live recording criminal. Baby, we feel like going do stuff

0:40:58.840 --> 0:41:01.759
<v Speaker 1>lasting it Like times when you say I like how

0:41:01.800 --> 0:41:03.680
<v Speaker 1>you want to talk over it? So I'll stop playing it.

0:41:04.719 --> 0:41:06.279
<v Speaker 1>Sometimes when you say you don't want to listen to

0:41:06.320 --> 0:41:08.400
<v Speaker 1>certain enemies back because you just want them to live

0:41:08.440 --> 0:41:09.759
<v Speaker 1>in your head, to say, yeah, but that's for a

0:41:09.760 --> 0:41:11.359
<v Speaker 1>different reason. I want to live on my head because

0:41:11.360 --> 0:41:14.719
<v Speaker 1>they were perfect in my head. And I know you

0:41:14.760 --> 0:41:17.680
<v Speaker 1>and you don't think anything you do is perfect. True,

0:41:18.360 --> 0:41:19.759
<v Speaker 1>And now that I think the interview is perfect, but

0:41:19.840 --> 0:41:21.880
<v Speaker 1>it can. At my heart at that time it was perfect,

0:41:21.880 --> 0:41:23.200
<v Speaker 1>and I want to go back and pick it apart.

0:41:23.920 --> 0:41:29.480
<v Speaker 1>The dog is storing, by the way, I know. Um, yeah,

0:41:29.600 --> 0:41:33.040
<v Speaker 1>I Live recordings are such a soft spot for me

0:41:33.440 --> 0:41:37.560
<v Speaker 1>in my heart because they're just so imperfect and in

0:41:37.640 --> 0:41:40.719
<v Speaker 1>the moment in a show, when you're sitting in the

0:41:40.760 --> 0:41:44.799
<v Speaker 1>audience and listening to listening to something, it's a lot

0:41:44.880 --> 0:41:48.120
<v Speaker 1>different than sitting in your car or sitting in your

0:41:48.160 --> 0:41:50.040
<v Speaker 1>living room or in your bedroom listening to a live

0:41:50.120 --> 0:41:54.680
<v Speaker 1>recording of something. And so yeah, I'm always nervous about

0:41:54.680 --> 0:41:57.680
<v Speaker 1>releasing live recordings. Make anything else you want to know,

0:41:58.000 --> 0:42:01.200
<v Speaker 1>I think. I mean, we talked about I wrote a

0:42:01.200 --> 0:42:04.000
<v Speaker 1>really cool song last night. She did, and she wrote

0:42:04.000 --> 0:42:06.440
<v Speaker 1>it with Kaylin Smith, who's one of my favorite was

0:42:06.480 --> 0:42:09.959
<v Speaker 1>playing the Million Dollar Show with us. I know yeah,

0:42:10.160 --> 0:42:17.239
<v Speaker 1>and it was called guess what It's about out I

0:42:17.280 --> 0:42:19.080
<v Speaker 1>heard it, but I don't want to assume that. But

0:42:19.120 --> 0:42:21.040
<v Speaker 1>it's really good. I'm not gonna play everything because it's

0:42:21.040 --> 0:42:23.640
<v Speaker 1>she sent to me an iPhone, but it's called like

0:42:23.640 --> 0:42:25.680
<v Speaker 1>to the it it's called to the Moon or something.

0:42:25.920 --> 0:42:28.240
<v Speaker 1>Is that what's called. It was late I was watching

0:42:28.320 --> 0:42:31.719
<v Speaker 1>election coverage and Lindy was writing songs to Kaylinn Smith, who,

0:42:31.760 --> 0:42:35.920
<v Speaker 1>by the way, is fantastic too. She's so good, so good, yeah,

0:42:36.320 --> 0:42:38.080
<v Speaker 1>really good that I put on the Million Dollar Show.

0:42:38.120 --> 0:42:40.719
<v Speaker 1>She's the new artist of all the artists and we've

0:42:40.719 --> 0:42:43.160
<v Speaker 1>only announced three of them, and Lindsay's in the band,

0:42:43.200 --> 0:42:47.160
<v Speaker 1>So the Million Dollars Show that's happening January nine. Our band,

0:42:47.200 --> 0:42:50.560
<v Speaker 1>you have to understand, our band band is Eddie and

0:42:50.600 --> 0:42:52.919
<v Speaker 1>I the Raging Idiots because it's The Raging Idiots Show

0:42:53.320 --> 0:42:57.280
<v Speaker 1>on guitar, Lindsay on fiddle, Natalie Stoveball on guitar, Brandon

0:42:57.440 --> 0:43:03.000
<v Speaker 1>ray Um on piano, know Craig Campbell, and then our

0:43:03.080 --> 0:43:07.520
<v Speaker 1>drummer Grady and our bassis Ryan. We're fantastic musicians. And

0:43:07.560 --> 0:43:09.360
<v Speaker 1>then so far we've been have to ask for flats

0:43:09.360 --> 0:43:11.480
<v Speaker 1>and Sam Hunt in the band Perry, and I was like,

0:43:11.520 --> 0:43:13.080
<v Speaker 1>kayalenst so good. We gotta put it on it. But

0:43:13.120 --> 0:43:15.000
<v Speaker 1>there's some other major artists are gonna show up, and

0:43:15.000 --> 0:43:17.239
<v Speaker 1>we may announce someone may not. But it's gonna be

0:43:17.280 --> 0:43:19.760
<v Speaker 1>a crazy show at the Rhyman. Last year was crazy.

0:43:19.800 --> 0:43:22.120
<v Speaker 1>This next time it's gonna be crazy too. Yeah. I'm

0:43:22.160 --> 0:43:27.040
<v Speaker 1>so excited about it. So what are what are we

0:43:27.120 --> 0:43:29.799
<v Speaker 1>doing Thanksgiving here? Yeah? We were just talking about that

0:43:29.840 --> 0:43:32.319
<v Speaker 1>actually earlier today. We have a bunch of loser friends

0:43:32.320 --> 0:43:35.319
<v Speaker 1>that don't have anywhere to go were included in that

0:43:35.560 --> 0:43:38.919
<v Speaker 1>newsed to we would just do it as like friends, like, Hey,

0:43:38.920 --> 0:43:40.680
<v Speaker 1>I don't anywhere to go, but now that I have

0:43:40.719 --> 0:43:42.680
<v Speaker 1>a girlfriend, I'll do anything. I can't even have her

0:43:42.719 --> 0:43:46.919
<v Speaker 1>do it all, which is amazing. Um, what's the question

0:43:46.960 --> 0:43:51.120
<v Speaker 1>did you ask me earlier about her? About her? No? No, no, no, yes,

0:43:51.880 --> 0:43:53.960
<v Speaker 1>what's the best part of having a girlfriend? Now? That

0:43:54.040 --> 0:43:55.520
<v Speaker 1>was something we don't that's right, you don't have to

0:43:55.560 --> 0:43:59.920
<v Speaker 1>worry about friends giving thanks? No, that that wasn't my answer.

0:44:00.880 --> 0:44:03.479
<v Speaker 1>It was a different answer that I will hear later.

0:44:03.880 --> 0:44:05.319
<v Speaker 1>I'm sure if you listen to it, But then you'll

0:44:05.320 --> 0:44:08.839
<v Speaker 1>confuse it with Christiansen with Christians and be like Christiansen

0:44:08.880 --> 0:44:12.959
<v Speaker 1>said that the best part about having a girlfriend, Um, yeah,

0:44:12.960 --> 0:44:14.600
<v Speaker 1>and I was talking about if there was a way

0:44:14.600 --> 0:44:16.640
<v Speaker 1>because you can't have sweet potatoes. So I'm gonna try

0:44:16.640 --> 0:44:19.040
<v Speaker 1>to see if I can make sweet potato cast roles

0:44:19.080 --> 0:44:22.200
<v Speaker 1>with with yams, because you can eat yams, but you

0:44:22.239 --> 0:44:25.440
<v Speaker 1>can't eat sweet potatoes. So I'm gonna try to dream

0:44:25.480 --> 0:44:28.040
<v Speaker 1>something up. Um, what's the best part of that having

0:44:28.040 --> 0:44:32.160
<v Speaker 1>a boyfriend? The fact that I can call you my boyfriend.

0:44:32.400 --> 0:44:37.000
<v Speaker 1>That's the best part of my No, the best for

0:44:37.920 --> 0:44:41.680
<v Speaker 1>having a boyfriend. Hey, that was a joke. That doesn't count.

0:44:43.360 --> 0:44:47.480
<v Speaker 1>I get back anything. The best part about having a

0:44:47.520 --> 0:44:54.600
<v Speaker 1>boyfriend is having somebody who can understand you. Then you

0:44:54.600 --> 0:44:58.439
<v Speaker 1>guys calmed me down and I called me down. Yeah,

0:44:58.480 --> 0:45:00.960
<v Speaker 1>in moments that nothing can nothing else can calm you

0:45:01.040 --> 0:45:03.600
<v Speaker 1>down or or just make me see things from a

0:45:03.640 --> 0:45:08.600
<v Speaker 1>bigger perspective and sad news. You give me perspective into

0:45:08.600 --> 0:45:12.480
<v Speaker 1>my own life that I can't say sometimes, how can

0:45:12.480 --> 0:45:16.759
<v Speaker 1>you give me too much credit? Fine? Last night I

0:45:16.920 --> 0:45:19.080
<v Speaker 1>felt like my life was falling apart or No, the

0:45:19.160 --> 0:45:21.360
<v Speaker 1>night before listen that I was writing the night before

0:45:22.040 --> 0:45:25.600
<v Speaker 1>and I was just like confused and stressed and I

0:45:25.600 --> 0:45:28.600
<v Speaker 1>don't know what happened. Are you talking about putting new

0:45:28.719 --> 0:45:33.160
<v Speaker 1>music out? Bad girlfriend? No? No, no, And then you

0:45:33.200 --> 0:45:37.600
<v Speaker 1>can't remember the heartfelt conversation. I remember, no, no, no,

0:45:37.680 --> 0:45:42.480
<v Speaker 1>But you're listen. I try to stay as hands off

0:45:43.640 --> 0:45:46.560
<v Speaker 1>of lindsay stuff as possible with her music, but when

0:45:46.560 --> 0:45:49.319
<v Speaker 1>she's like, hey what, then it's just a weird it's

0:45:49.320 --> 0:45:54.160
<v Speaker 1>an awesome dynamic. Yeah, but I remember because my whole

0:45:54.160 --> 0:45:56.080
<v Speaker 1>thing was you have a great team. Trust the team.

0:45:56.160 --> 0:45:58.640
<v Speaker 1>I know, like you won't even listen to most songs

0:45:58.680 --> 0:46:00.920
<v Speaker 1>I don't. And I just had to reach with freaking

0:46:00.960 --> 0:46:03.359
<v Speaker 1>Nada today, who was like, you know what, you listen

0:46:03.400 --> 0:46:04.400
<v Speaker 1>to this print? I was like, no, you know what,

0:46:04.480 --> 0:46:05.720
<v Speaker 1>let me tell you. I don't even go to Lindsay.

0:46:05.719 --> 0:46:08.040
<v Speaker 1>Can hear all her songs? Because he doesn't. You don't

0:46:08.040 --> 0:46:10.319
<v Speaker 1>want I don't want to hear him. I haven't. I

0:46:10.360 --> 0:46:14.759
<v Speaker 1>haven't do this with Lindsey. There's nothing anyway. Whatever. I'm more,

0:46:15.200 --> 0:46:19.359
<v Speaker 1>I'm more lean on you for reassurance that like I'm

0:46:19.400 --> 0:46:21.560
<v Speaker 1>doing the right thing, or I just need to let

0:46:21.600 --> 0:46:23.680
<v Speaker 1>it take the time it takes, or I need to

0:46:23.719 --> 0:46:27.000
<v Speaker 1>trust people in my team around me and it's it's

0:46:27.000 --> 0:46:29.000
<v Speaker 1>more of that stuff that I get caught up on.

0:46:29.600 --> 0:46:31.680
<v Speaker 1>But my answer is always the same thing, is that

0:46:32.400 --> 0:46:37.960
<v Speaker 1>I don't know the answer, but uh, nobody does. In

0:46:38.000 --> 0:46:40.680
<v Speaker 1>the creative world. There is no right answer. There's never

0:46:40.920 --> 0:46:44.600
<v Speaker 1>a right answer in the creative world. Like you could

0:46:44.640 --> 0:46:47.040
<v Speaker 1>do something and it's and this is just the period

0:46:47.120 --> 0:46:51.120
<v Speaker 1>in any sort of career or area you can go

0:46:51.200 --> 0:46:53.920
<v Speaker 1>and chase the absolute moon. But if you're going to

0:46:54.040 --> 0:46:58.920
<v Speaker 1>chase the moon, the possibility of you crashing really hard

0:46:59.320 --> 0:47:01.520
<v Speaker 1>is there. So you can go get the moon and

0:47:01.520 --> 0:47:04.680
<v Speaker 1>when you do, holy crap, you are the freaking astronaut

0:47:04.719 --> 0:47:07.319
<v Speaker 1>of the year. Or you're gonna crash and die for

0:47:07.360 --> 0:47:10.120
<v Speaker 1>this project or this whatever you're doing. And if you're

0:47:10.200 --> 0:47:11.759
<v Speaker 1>up for that, because that's how I live, that's I

0:47:11.800 --> 0:47:13.520
<v Speaker 1>do my my job, my life like I go for

0:47:13.560 --> 0:47:15.960
<v Speaker 1>it all, and when I fail, I'm I'm okay with

0:47:16.000 --> 0:47:17.560
<v Speaker 1>it because I went for it all. Like I don't

0:47:17.560 --> 0:47:20.440
<v Speaker 1>try to go down the middle. I'm not a middle person.

0:47:20.560 --> 0:47:23.279
<v Speaker 1>And I think that's why you inspire me so much,

0:47:23.480 --> 0:47:28.360
<v Speaker 1>or you can help me understand myself, and we just

0:47:28.480 --> 0:47:31.239
<v Speaker 1>understand each other so much because you love what you

0:47:31.280 --> 0:47:33.000
<v Speaker 1>do so much and you're so passionate about it and

0:47:33.040 --> 0:47:35.520
<v Speaker 1>you love your work, and I love what I do

0:47:35.600 --> 0:47:39.000
<v Speaker 1>so much, and I'm super passionate about it. And sometimes

0:47:39.040 --> 0:47:43.239
<v Speaker 1>it's hard to find somebody who is okay with their

0:47:43.320 --> 0:47:46.640
<v Speaker 1>significant other loving their work that much. I also, we

0:47:46.680 --> 0:47:48.680
<v Speaker 1>also can text all the time on Twitter all the time,

0:47:48.680 --> 0:47:52.239
<v Speaker 1>and nobody gets mad. Nobody gets the only time I

0:47:52.239 --> 0:47:54.440
<v Speaker 1>ever like, there's only been one time, I think in

0:47:54.480 --> 0:47:56.600
<v Speaker 1>the history of us ever whatever. I was like, hey,

0:47:56.600 --> 0:47:59.160
<v Speaker 1>put your phone down one time. Do you know what

0:47:59.200 --> 0:48:04.440
<v Speaker 1>it was? I don't remember that. That's very recent. You

0:48:04.480 --> 0:48:07.719
<v Speaker 1>said that to me. I was like, okay, phone down.

0:48:08.560 --> 0:48:10.319
<v Speaker 1>I don't remember that at all. It was in the

0:48:10.320 --> 0:48:13.000
<v Speaker 1>middle of the first episode of Walking Dead and I

0:48:13.120 --> 0:48:15.200
<v Speaker 1>was so upset she wasn't paying attention because it was

0:48:15.239 --> 0:48:18.200
<v Speaker 1>so intense, and I was like, you gotta put your

0:48:18.200 --> 0:48:21.800
<v Speaker 1>phone down. Okay, this is crazy. Right now one time

0:48:22.600 --> 0:48:26.960
<v Speaker 1>in between commercials where he will close his laptop, close

0:48:27.000 --> 0:48:29.440
<v Speaker 1>the laptop and like shut off. The rest of the

0:48:29.520 --> 0:48:32.319
<v Speaker 1>world is the Walking Dead. We're actually going to a

0:48:32.360 --> 0:48:35.160
<v Speaker 1>dinner right now with another with a married company. I

0:48:35.160 --> 0:48:38.600
<v Speaker 1>need to go do my hair. Were not time, I mean,

0:48:39.719 --> 0:48:44.200
<v Speaker 1>my my flatirons plugged in downstairs. Go ahead, you can go.

0:48:44.239 --> 0:48:47.799
<v Speaker 1>Then why do we need to leave? I mean, just

0:48:47.840 --> 0:48:51.080
<v Speaker 1>you can go. We're good. The show doesn't know you're good.

0:48:51.280 --> 0:48:53.480
<v Speaker 1>The show doesn't end when you leave, So you're good.

0:48:53.640 --> 0:48:54.960
<v Speaker 1>I want to hear the rest of it, or you

0:48:54.960 --> 0:48:58.759
<v Speaker 1>can download it later. I already all right there there

0:48:58.800 --> 0:49:01.040
<v Speaker 1>she is, lindsay, all everybody, I got if I close,

0:49:01.120 --> 0:49:07.000
<v Speaker 1>not too okay, all right, goodbye? Okay, no, go go

0:49:07.000 --> 0:49:09.440
<v Speaker 1>go finish her. We have to be there at six.

0:49:09.520 --> 0:49:12.080
<v Speaker 1>It's forty five minutes from the right right now, and

0:49:12.120 --> 0:49:16.759
<v Speaker 1>they live a long distance away. That's traffic. We have traffic, though,

0:49:17.080 --> 0:49:20.719
<v Speaker 1>you know. I'm not late. I can't be late. All right,

0:49:20.760 --> 0:49:30.400
<v Speaker 1>I've seen a minute. Goodbye, goodbye, goodbye, goodbye. Special appearance.

0:49:30.400 --> 0:49:38.799
<v Speaker 1>We weren't expecting to pick up chel. I appreciate you

0:49:38.800 --> 0:49:43.840
<v Speaker 1>guys being here. I think that's wrap any special message

0:49:44.000 --> 0:49:46.480
<v Speaker 1>to get across. You say we come with some sort

0:49:46.480 --> 0:49:49.120
<v Speaker 1>of message. I just appreciate everybody listening. The thing's grown

0:49:49.200 --> 0:49:53.640
<v Speaker 1>and continues to grow, and um, you know, sometimes we

0:49:53.719 --> 0:49:56.560
<v Speaker 1>come on. I went to Lauren Lana's birthday party, which

0:49:56.600 --> 0:49:59.240
<v Speaker 1>was fun. It was she's twenty two, which is crazy.

0:49:59.239 --> 0:50:02.319
<v Speaker 1>She's twenty two. Because yeah, she's been famous. She got

0:50:02.400 --> 0:50:05.680
<v Speaker 1>I don't just fifteen and sixteen is cut off. Her

0:50:05.719 --> 0:50:09.200
<v Speaker 1>birthday just made it. And so Lauren is awesome. I

0:50:09.239 --> 0:50:12.680
<v Speaker 1>think come into to do this sometime soon. And Laurence awesome.

0:50:12.880 --> 0:50:14.640
<v Speaker 1>And I went to her Lindsay and I went to

0:50:14.640 --> 0:50:17.680
<v Speaker 1>her twenty to two birthday party, and so everybody was

0:50:17.680 --> 0:50:20.480
<v Speaker 1>warning two twos, like everybody was warning too creody at

0:50:20.520 --> 0:50:23.200
<v Speaker 1>the party. So it was fun. I did that. Um,

0:50:23.239 --> 0:50:25.720
<v Speaker 1>I know stuf I'm gonna talk about. I don't remember

0:50:25.719 --> 0:50:29.840
<v Speaker 1>what it was, but all right, I'll leave you with

0:50:29.880 --> 0:50:53.240
<v Speaker 1>some Pentatonics. Holliday, Yeah, what are your faith was strong?

0:50:53.600 --> 0:51:07.640
<v Speaker 1>But she needed proof. You saw who futi al right,

0:51:07.680 --> 0:51:10.560
<v Speaker 1>shout out Lee Thomas Miller for putting me in the

0:51:10.640 --> 0:51:13.800
<v Speaker 1>article she shot Presston, and shout Lindsay l for popping

0:51:13.840 --> 0:51:15.239
<v Speaker 1>in here last minute as we were about to go

0:51:15.360 --> 0:51:18.920
<v Speaker 1>eat dinner with another couple, which we've never done before.

0:51:18.920 --> 0:51:23.759
<v Speaker 1>It's our first ever doubled mate. Shout at everybody. I

0:51:23.760 --> 0:51:27.400
<v Speaker 1>got into an argument with not an argument. I disagreement

0:51:27.440 --> 0:51:30.799
<v Speaker 1>went not at today because one of her friends was like, hey,

0:51:30.840 --> 0:51:32.279
<v Speaker 1>I want you to listen to some new music, and

0:51:32.320 --> 0:51:33.600
<v Speaker 1>I was like, no, I don't do that. It's one

0:51:33.680 --> 0:51:36.160
<v Speaker 1>actually listen to music. I just don't do it. And

0:51:36.239 --> 0:51:38.399
<v Speaker 1>then like Lenda said, Lindsay doesn't even do that, I don't.

0:51:38.520 --> 0:51:41.160
<v Speaker 1>I don't listen to hers because I always gotta be

0:51:41.200 --> 0:51:43.440
<v Speaker 1>like I don't have to go want to go after it,

0:51:43.560 --> 0:51:47.040
<v Speaker 1>like let me hear this. And even when Lindsay, I don't,

0:51:47.160 --> 0:51:49.920
<v Speaker 1>it's it's just she just you never like take these

0:51:49.960 --> 0:51:52.080
<v Speaker 1>songs to listen to me. Tell me this is not

0:51:52.440 --> 0:51:56.080
<v Speaker 1>even with my girlfriend. I'm gonna do that. Yeah, that

0:51:56.200 --> 0:51:58.239
<v Speaker 1>was a whole source of contention. You can do it

0:51:58.280 --> 0:52:00.200
<v Speaker 1>like everybody else does. The post to maybe like is

0:52:00.600 --> 0:52:03.200
<v Speaker 1>this is literally what people do like some Mary Force

0:52:03.239 --> 0:52:05.839
<v Speaker 1>and my manager and then everybody that works even Rode.

0:52:05.840 --> 0:52:07.560
<v Speaker 1>They're like, Bobby's crazy. I don't know what he does

0:52:07.600 --> 0:52:09.000
<v Speaker 1>with music, Like I don't. They don't take it, and

0:52:09.040 --> 0:52:10.200
<v Speaker 1>they're like if Boby's crazy, I don't know what. I

0:52:10.200 --> 0:52:12.239
<v Speaker 1>don't know how he does it. If he does, I

0:52:12.239 --> 0:52:13.279
<v Speaker 1>don't know how he finds. I don't know what. He

0:52:13.320 --> 0:52:14.840
<v Speaker 1>doesn't know how he does it. And I like that

0:52:15.040 --> 0:52:16.520
<v Speaker 1>because then they don't come to me and go, hey,

0:52:16.760 --> 0:52:18.880
<v Speaker 1>here's the music. I went to a meeting yesterday and

0:52:18.880 --> 0:52:20.200
<v Speaker 1>some guy was like, hey, I guys this artist and

0:52:20.200 --> 0:52:21.799
<v Speaker 1>I was like, where are the meeting or something out

0:52:21.880 --> 0:52:26.080
<v Speaker 1>like this is not about this. I'm begged. I appreciate

0:52:26.080 --> 0:52:27.879
<v Speaker 1>you guys. Listenink. Thank's closed to the show. I hope

0:52:27.920 --> 0:52:29.879
<v Speaker 1>it's killed a little bit of time today. How long

0:52:29.920 --> 0:52:33.480
<v Speaker 1>was this, Mike, Holy crap, we're talking about nothing for minutes.

0:52:34.400 --> 0:52:36.640
<v Speaker 1>All right, have you going? That's it? Twenty over