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Speaker 1: My number so twenties episode of The Bobby Cast. Hello everyone,

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Speaker 1: thank you for being here. No guests today, just talking

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Speaker 1: about some stuff. Let me say this. I just saw

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Speaker 1: this article did you see me? Posted on Instagram'm minute

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Speaker 1: ago from Rolling Stone. This is a weird article. And

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Speaker 1: there are certain things where I'm like, hey, just so

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Speaker 1: you know you're coming, somebody's doing a story about you.

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Speaker 1: Sometimes it's a bad stories. Sometimes it's a good story.

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Speaker 1: They've been good lately, some of them have. Yeah, And

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Speaker 1: so I, um, this is a weird thing because this

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Speaker 1: is what breeds people going. Oh, but listen, I should

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Speaker 1: stop talking bad because it's actually a really cool thing.

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Speaker 1: So one of the best songwriters in town, his name

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Speaker 1: is Lee Miller, goes by Lee Thomas Miller. I'll give you,

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Speaker 1: he wrote in color from Jamie Johnson, what you ended

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Speaker 1: up winning like song of the Year a few years back,

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Speaker 1: so that the whole story about said Grandpa wants this

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Speaker 1: picture here. It's all black and one and ain't real clear.

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Speaker 1: Is that you there? He said you. I wasn't loving

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Speaker 1: time for to back in thirty five, that's me and

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Speaker 1: Uncle Joe just trying to survive a cotton phone and

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Speaker 1: a great depression. If it looks like we were scared,

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Speaker 1: like a couple of kids just trying to save each other.

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Speaker 1: You should have seen it in cover. It's a fantastic song.

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Speaker 1: One of the writers on the song he wins like

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Speaker 1: a word for Songwriter of the Year or the Song

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Speaker 1: of the Year. So I know Elite Lately is one

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Speaker 1: of the few people in town that I would consider

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Speaker 1: like a real life friend, regardless of the industry. And

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Speaker 1: Rolling Stone does a whole story on Lee and rightfully

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Speaker 1: so he's one of the best. And from Rollington Lee

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Speaker 1: Thomas Miller on Perfect Storm that led to Stapleton Paisley hits.

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Speaker 1: And then there's a little paragraph on the headline. Underneath

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Speaker 1: the headline it said, songwriter tell stories behind songs recorded

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Speaker 1: by Chris Stapleton, Tim mcgrawl, Brad Paisley, Brothers Osborne and

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Speaker 1: Bobby Bones. Now, which one doesn't fit of that list

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Speaker 1: because I know a hundred other artists that have recorded

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Speaker 1: his songs, And for whatever reason, he decided to put

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Speaker 1: me in this list, and I texted him, I was like, dude,

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Speaker 1: which one doesn't fit obviously Stapleton, So but they go

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Speaker 1: through his songs and so He wrote Perfect Storm with

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Speaker 1: Brad Paisley. There's a big hip of Brad. He wrote

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Speaker 1: a bunch of Brad songs like He's a riding partner

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Speaker 1: of Bread. He wrote al Camino for Frankie Ballard, which

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Speaker 1: is out now. In this article, he wrote Whiskey in

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Speaker 1: You from Chris Stapleton. She'd be single barrel burnon, all

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Speaker 1: smooth with the kick, a chilling burn all at the

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Speaker 1: same time. So here's this song. Ley also wrote this song.

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Speaker 1: H that's a difference twin whiskey, and you know that's

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Speaker 1: He played this at the c MT. Chris did at

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Speaker 1: the c MT Artist of the Year. Old is a

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Speaker 1: bottle mhm you ring and it's empty right now. I

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Speaker 1: don't feel the thing. I'll be hurting m when I

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Speaker 1: went up flow, I will read that's the difference between whisky.

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Speaker 1: So he writes that one. There's a crescendo to this story.

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Speaker 1: Don't worry. He lists brother's Osborne. It ain't my fault

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Speaker 1: what she writes with abouts Osborne, who I really liked

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Speaker 1: to by the way. He uh has tons of songs

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Speaker 1: and so he lists writing with me as one of

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Speaker 1: the people. So I'd like to play you a couple

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Speaker 1: of songs. As you know, how deep and how great

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Speaker 1: of a songwriter Lee is. The songs that we actually

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Speaker 1: wrote together, A little song by the name of Starbucks,

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Speaker 1: Rise and Shane. It's your friendly reminded to get out

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Speaker 1: of bed. I got to sleep in your mars. The

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Speaker 1: foggy in my brain. I know I'm late to work,

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Speaker 1: but I gotta stop along the way I walked to

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Speaker 1: get my coffee. Make my order like a boss, a

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Speaker 1: bittie double mocha. I don't care about the couple. Take

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Speaker 1: a punk of spice. Can you make it in the cattle?

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Speaker 1: Then take the drink and shake it up. And that's

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Speaker 1: some fruity pebbles. The tip jar on the counter. I'm

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Speaker 1: about to make it rain. Hey it's Bobby, I'm not Booby.

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Speaker 1: Please stop messing up my name. Starbuck be filling up

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Speaker 1: my cup, Starbuck jacking me up, Starbucks ten thousand degrees

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Speaker 1: and yeah, I'll take it down the shining something to eat.

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Speaker 1: As a matter of fact, Lee and we wrote that song,

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Speaker 1: and Lee came up with the line. And usually you

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Speaker 1: don't remember who came up with what line when you

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Speaker 1: write a song. But I know for a fact lie

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Speaker 1: come up with the line, Hey, it's Bobby. I'm not Booby.

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Speaker 1: Please stop messing up my name, because I don't got

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Speaker 1: to start Bucks to order drinks. If someone goes there like, hey, yeah,

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Speaker 1: I'll take out something foundary coffee. And so as I

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Speaker 1: play all those great songs, just know the Lee Miller

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Speaker 1: writes goofy stuff. But the one of the talk about

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Speaker 1: in this article, which probably I just saw this article.

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Speaker 1: I was not planning to talk about this. He he

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Speaker 1: talks about I Like You. It's a song I wrote

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Speaker 1: about not being able to say I love you. It

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Speaker 1: says Black River Entertainment. This is from Rolling Stone signed

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Speaker 1: Bobby Byones to a record deal and one of my

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Speaker 1: old friends was producing his comedy album. I was asked

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Speaker 1: to come right with him. So again it's a blind date.

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Speaker 1: I don't know Bobby. Everybody's trying to meet Bobby, and

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Speaker 1: all the country artists wanted to break their song, but

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Speaker 1: in reality, Bobby just plays with Bobby wants. So Bobby

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Speaker 1: and I get together and he's immediately very gracious and

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Speaker 1: we get to know each other and he said, hey,

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Speaker 1: I'm never told to go out lover. So we write

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Speaker 1: a song making fun of it. He's always been shockingly

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Speaker 1: honest on this show. It's painfully transparent. Songwriting is funny

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Speaker 1: because when you're write for artists, you're not creating for

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Speaker 1: your own art. You're helping the artists create their art.

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Speaker 1: And this song sums up his kind of comedy. And listen,

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Speaker 1: I don't We don't even play this song live anymore.

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Speaker 1: I think I will when we do our Stamp Comedy tour,

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Speaker 1: because most say a comedy song more than like a

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Speaker 1: let's jam out song. But this is the song he's

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Speaker 1: talking about called I Like You, and Brad Paisley plays

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Speaker 1: the heart and sings of harmony on it, So this

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Speaker 1: is the song that he's talking about here. Well, the

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Speaker 1: L word has never been easy for a guy like me. Nope,

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Speaker 1: hard to say, and I've spent a small fortune talking

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Speaker 1: about it in therapy. I've been holding back how I

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Speaker 1: feel in this heart of mine. Girl. Now I'm gonna

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Speaker 1: say it out loud for the very first time. I'm

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Speaker 1: gonna say love because I love Face Fall, I love

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Speaker 1: fool House, I loved it Back, and I love Brussels Prouse.

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Speaker 1: I love my dog and he loves me. I love

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Speaker 1: Home Alone one too. But why did they make three?

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Speaker 1: And I love soup, and I like you and that's

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Speaker 1: Paisley playing guitar. Anyway, you're so pretty and your hair

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Speaker 1: it smells so good. You put up me longer than

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Speaker 1: a sweet girl like you should punting me. And you've

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Speaker 1: been the best three years of my life. The three

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Speaker 1: year was good, the second year was good, the third

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Speaker 1: year was good. You know everything about me. In this moment,

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Speaker 1: it just feels right. Let me try to say love again.

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Speaker 1: And I love cheese game, I love Friends re runs.

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Speaker 1: What you gotta love that? Yeah, yeah, yeah, ba blah. Anyway,

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Speaker 1: I thought that was funny that you mentioned in the

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Speaker 1: article and I they don't deserve you mentioned the article

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Speaker 1: and that's nuts and a little bit like, oh for sure,

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Speaker 1: I'm making made fun of because I don't deserve to

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Speaker 1: be in that article. We're gonna be like what anyway

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Speaker 1: there was that I just posted on Instagram. I couldn't

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Speaker 1: believe that he would put me in that. Uh, dear friend,

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Speaker 1: that's only reason. That's the only reason friends Ship front

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Speaker 1: friendship bonus. There mentioned blue apron real quick listen, if

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Speaker 1: you cook at your place and you hate going to

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Speaker 1: the grocery, store and you want fresh ingredients, let me

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Speaker 1: tell you about Blue Apron fresh high quality ingredients. They

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Speaker 1: come right to your door in a box and it's

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Speaker 1: home cooked meal, but all the ingredients are there and

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Speaker 1: it's preportioned, so you have to buy a tub for

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Speaker 1: a pinch. They know when you cook with incredible ingredients.

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Speaker 1: Then all it's because the standards. They hold their suppliers

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Speaker 1: to the ranchers of farmers, and that's where it comes from.

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Speaker 1: There's a car that tells you how to make each meal.

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Speaker 1: You can get your first weeks mills for free. All right,

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Speaker 1: check out this wee cooping your first three meals for

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Speaker 1: free with free shipping if you go to Blue Apron

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Speaker 1: dot com slash Bobby. You have to go to slash Bobby.

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Speaker 1: Though Blue Apron dot com slash Bobby, you'll have how

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Speaker 1: good it feels in the taste you'll create these meals.

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Speaker 1: Blue Apron a better way to cook. You're gonna love.

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Speaker 1: You're gonna love that. So I went to UM. Something

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Speaker 1: I had always boy was against was kind of getting

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Speaker 1: on the inside of the Nashville music community. I was

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Speaker 1: an outsider who could just sit outside and not worry

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Speaker 1: about anything. Happening inside and just do all the crap

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Speaker 1: I wanted to do. And that's it. That's how I've

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Speaker 1: been for the last um years or so um. But

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Speaker 1: I decided on the recommendation of a friend that as

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Speaker 1: a matter of fact, Lee Miller, that songwriter, he was

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Speaker 1: the guy that was like, hey, you should be on

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Speaker 1: this board because you know that. I'm like, I don't

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Speaker 1: want to be on an inside er, and so he

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Speaker 1: should be on this floor because why out bringing your

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Speaker 1: outside perspective to what's happening on the inside. Like, Okay,

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Speaker 1: if you think things moving slowly and if you have

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Speaker 1: a problem at times with how the format is moving,

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Speaker 1: then freaking get in there and make a change. And

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Speaker 1: I'm like uh, And so he's on the board. He's like,

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Speaker 1: you just do it. Do it for a year, and

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Speaker 1: if you just hate it, get out. And if you

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Speaker 1: don't go in and just make changes, you need to

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Speaker 1: go in and have your voice heard. And so I

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Speaker 1: did that, and I set my first meeting yesterday and

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Speaker 1: it was like three hours, and then I have another

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Speaker 1: meeting tomorrow which like four hours. So so far there's

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Speaker 1: a lot of hours involved in this thing. But only

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Speaker 1: think it's like a few times. A little bit, I

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Speaker 1: feel like I sell out. I'm just gonna be honest

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Speaker 1: with that. I feel like a sell out a little

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Speaker 1: bit because of this. But if if I if I

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Speaker 1: can actually have a voice to make changes to somewhat

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Speaker 1: contemporize yet preserve, which I think is what I do

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Speaker 1: on the show. I for sure contemporize things, but also

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Speaker 1: I'm huge into keeping what's great about traditional traditional because

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Speaker 1: there's a place for both and and you know, you

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Speaker 1: get the vocal minorities on every side. Hey you so okay?

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Speaker 1: I used to just sucks, don't plays. Was like, I

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Speaker 1: gotta so it's a weird place for me right now.

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Speaker 1: And so I go back tomorrow and so I just

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Speaker 1: gotta know. I get a far a board meeting tomorrow

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Speaker 1: and it's like all it's like people like songwriters and

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Speaker 1: heads of labels and what's it like sitting in that room? Um,

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Speaker 1: yesterday I was so sleepy. I was. It was the

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Speaker 1: new member meeting, so they were like, I can tell you.

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Speaker 1: Like Liz Rose, who wrote Taylor's with the first two

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Speaker 1: records of Taylor and has wrote Girl Crush, is a

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Speaker 1: few songwriter in Towns. She was new on the board,

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Speaker 1: Um Jesse Alexander, who wrote Miley Cyrus to Climb and

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Speaker 1: Lee Bryce, I drive your truck like big songwriter. She

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Speaker 1: was sitting beside me. The guy that runs Spotify Country

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Speaker 1: was in there, John Marks. Uh. There a lot of

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Speaker 1: like big people, even from public, So I was like,

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Speaker 1: do I even belong? Like these are like And I

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Speaker 1: was the youngest one in there, but still it was like,

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Speaker 1: these are like adult. I feel like the kid at

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Speaker 1: So anyway, if the organization goes down to flame, is

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Speaker 1: probably my fault, but I feel like I just I

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Speaker 1: feel like I'm selling out a bit. Anyway, So we're here,

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Speaker 1: I'll we have to listen to Preston on the last one.

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Speaker 1: I felt like the Preston Bobby Castle is good. I

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Speaker 1: don't want to put an artist on the twentieth episode

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Speaker 1: because it's too much pressure. So I wanted to hop

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Speaker 1: on to talk about a few things. Uh, what what

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Speaker 1: is on your mind? Mike? What do you have that

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Speaker 1: Speaking of the Preston thing, you mentioned to him like

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Speaker 1: there's a place where you listen to music, like where

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Speaker 1: you sit down and like kind of absorb music, Like

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Speaker 1: what is that place for you? My bed? Really? Yeah?

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Speaker 1: Because I'm on, I stay in my room, and I

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Speaker 1: can tell you in my house a bed. I've moved

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Speaker 1: to the living room a bit. I try to stay

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Speaker 1: an hour a day in my living room because it's

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Speaker 1: not I just like myself in my bedroom, and I

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Speaker 1: like my bedroom and I like my bed. But I

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Speaker 1: think it's because I never had a bedroom growing up,

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Speaker 1: so I enjoy having a bedroom. And so no, it's

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Speaker 1: t beyond mute, never off, t beyond mute, headphones on.

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Speaker 1: And that's why where I listen to music, and if

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Speaker 1: it's before the show, because always sometimes I wake up

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Speaker 1: like two and it's like, well, I'm done with the show.

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Speaker 1: Now what do I do. I'll just go searching for music,

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Speaker 1: or at night, I'll go searching for music. But I'm

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Speaker 1: gonna tell you what's what sucks, and it's a great suck.

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Speaker 1: Interesting is that it's the It's to the point now

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Speaker 1: where everywhere I go, someone's trying to hand me some

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Speaker 1: sort of music. I never thought it would happen like this,

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Speaker 1: but someone's always trying to be like, hey, will you

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Speaker 1: take this music and listen to it? Hey? Because everybody

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Speaker 1: wants me to break it on the radio. Because I'm

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Speaker 1: the guy that breaks songs. I never was gonna be that.

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Speaker 1: That was never my goal to be that guy that.

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Speaker 1: It's nothing just happened. It's just I really love music,

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Speaker 1: all kinds of music, and so I was just a

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Speaker 1: guy that would be like, Hey, I like this song,

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Speaker 1: let's play it. And so it's become a thing now

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Speaker 1: and I'm trying to make it too big of a

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Speaker 1: thing now, but it's think it's what people know me

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Speaker 1: for for being either funny or just terribly unfunny. Wanted

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Speaker 1: the two depending on who you're talking to, or the

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Speaker 1: guy who breaks new music and gives new artists a chance.

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Speaker 1: Even with this Bobbycast, it was about and it still

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Speaker 1: is about newer artists or guys that are making it

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Speaker 1: because they have a lot of big artists that kind

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Speaker 1: of I want to be on the Bobbycast, and I'm like,

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Speaker 1: and someone that's about come on the come on the

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Speaker 1: radio show. You know you want to be a big artist,

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Speaker 1: Come on the radio show. We'll talk about you know

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Speaker 1: that stuff. Um, But I think eventually we'll I'll have

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Speaker 1: some of the big artists. And the long form stuff

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Speaker 1: is cool because you learn more, But that's not why

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Speaker 1: I started this. It was to get the stories of

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Speaker 1: the new the struggling to finally hit that kind of thing.

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Speaker 1: The chip was an actor, the song right, all of that.

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Speaker 1: It was kind of the surrounding of what you hear

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Speaker 1: on the radio. But for me, when I look for

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Speaker 1: new music, the worst thing you can do too because

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Speaker 1: I have friends, nah, I have acquaintances is or slash

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Speaker 1: kind of buddies. There are artists and they'll be like, hey,

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Speaker 1: I have new music. We listen and I'm like, oh

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Speaker 1: it Just then I don't want to hear any of it.

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Speaker 1: And I won't hear any of it because they're not

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Speaker 1: wanting me to hear new music to go. You know,

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Speaker 1: I really feel like this is a great project, and

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Speaker 1: it's like we listen to it, so you can you

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Speaker 1: find a song played on the radio. And I know

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Speaker 1: that and I'm not dumb, so it puts me in

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Speaker 1: a weird place. So I just but I don't I

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Speaker 1: don't ever take recommendations. I mean, I can tell you

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Speaker 1: this too. Even my boss Rod, there's never been a

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Speaker 1: time where he's like, I need you to play this song.

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Speaker 1: He said, he said before it to me. Hey, there

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Speaker 1: are a couple of songs that you can listen to

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Speaker 1: and if you hate him, great, if you like them, whatever,

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Speaker 1: But I'm gonna stay out at your business of trying

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Speaker 1: to expose new artists or new songs, because as soon

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Speaker 1: as it becomes any sort of thing that I'm being

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Speaker 1: told to do or some kind of backdep back back

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Speaker 1: backhand deal, it just loses all authenticity and then nobody

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Speaker 1: believes me. So that's why I do. Yeah, do we

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Speaker 1: we talked about that on the last one? I think so? No? No,

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Speaker 1: um no. I mean when I say we talked about

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Speaker 1: me listening to music in a certain place, Okay, um, okay, yes,

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Speaker 1: that's the answer to that. Uh So, like dude has

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Speaker 1: been kind of like crazy for you. I was just

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Speaker 1: like an actual interview. Oh lord, go ahead. Uh I

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Speaker 1: mean number one book, comedy album, and the radio show

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Speaker 1: is getting even bigger, Like what do you see coming? Idea?

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Speaker 1: I can tell you this that what I'm looking forward

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Speaker 1: to next year is and there's stuff that we that

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Speaker 1: everything is so like by the time something happens, you're

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Speaker 1: to the point of you already have four other things

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Speaker 1: that you're really excited about because you've been working on

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Speaker 1: what's happened what's starting to happen right now for so

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Speaker 1: long that you're so excited what's happening in three months

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Speaker 1: that what's happening now? It's cool because finally here you

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Speaker 1: just started something else with brand news. It's weird because

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Speaker 1: artists say this all the time. Like by the time

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Speaker 1: I think Keith Urban was telling me this, then by

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Speaker 1: the time the album comes out, like he's been working

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Speaker 1: out for so long and let's go for so long,

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Speaker 1: and he's been done with it for three months away

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Speaker 1: he's already starting on a new album and he's like

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Speaker 1: so excited about this stuff that he's out promoting the

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Speaker 1: last thing and nothing. He doesn't love it. But it's

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Speaker 1: a weird process for me. And we haven't announced it yet,

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Speaker 1: but I'll be doing a full stand up comedy toward

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Speaker 1: January through a Pearl probably. I think that's what it is.

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Speaker 1: And for me, I think I have the coolest opener.

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Speaker 1: I don't want to call him an opener, but I

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Speaker 1: mean they'll be opening for me. But it's music because

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Speaker 1: some comics will bring comics. I love music so much.

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Speaker 1: I like to bring in exposed music and artists. So

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Speaker 1: I actually we're bringing two people, one Nikita Carmen will

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Speaker 1: be coming out with me, who's fantastic, and she's still

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Speaker 1: she just celebrated a year being a natural. She moved

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Speaker 1: here from Australia um and as a write songwriter. But

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Speaker 1: I can't say who the other person is, but it's

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Speaker 1: one of my favorites and they're gonna come out and

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Speaker 1: do every show and play before I go on. But

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Speaker 1: for me, that's what I'm looking for to most is

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Speaker 1: the stand up comedy tour and doing theaters and you know,

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Speaker 1: with the Raging Idiot, it's been nuts and the million

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Speaker 1: Dollar show is gonna be so much fun at the

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Speaker 1: Rhyman And that's really the last thing for a while.

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Speaker 1: Eddie aren't breaking up, but we're kind of going. I listen,

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Speaker 1: I just have a ceiling and singing. The stand up

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Speaker 1: comedy stuff is fun for me and I'm getting better

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Speaker 1: at it, and I just see that there's a big,

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Speaker 1: big light way up high that I continue to reach for.

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Speaker 1: And I watch other comics and I'm just so motivated,

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Speaker 1: motivated and inspired by them and I'll never be as

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Speaker 1: good as these guys that I see, but I'm like, man,

350
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Speaker 1: I can get better at it. I can get better

351
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Speaker 1: at this, and the more I go out and the

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Speaker 1: more I work this stuff, and sometimes I don't tell

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Speaker 1: people I'm going out and working and stuff, and like

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Speaker 1: it's like, man, I love failing, like I love when

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Speaker 1: something doesn't work because then when something does, it's like

356
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Speaker 1: I worked hard to make that work. That's exciting for me.

357
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Speaker 1: So I'm doing a full stand up comedy tour, but

358
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Speaker 1: you haven't announced you. They may kill me for saying it,

359
00:20:06,040 --> 00:20:08,000
Speaker 1: but I've said nothing else about it. We've already done

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Speaker 1: the photo shoot for it. We got the opening acts,

361
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Speaker 1: doing every show with us uh and the opening I like,

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Speaker 1: I'm so excited about it, and I can't say who

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Speaker 1: it is yet, but that's it. So so there's that.

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Speaker 1: That's what I'm excited about. The book will come out

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Speaker 1: in paperback to next year. Writing a kid's book, um,

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Speaker 1: and then I don't know, they hit me up had

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Speaker 1: another adult book because the first book did so well,

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Speaker 1: which is still weird because I remember taking that first

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Speaker 1: book and sending it off to like two people that

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Speaker 1: I really trust, and I was like, man, is this

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Speaker 1: thing even, I mean, any good? I was so worried

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00:20:42,680 --> 00:20:46,760
Speaker 1: that book was awful. The bare bones, like I have

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Speaker 1: two books. The only book I've ever written. I was

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Speaker 1: so worried that the book was really bad because I

375
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Speaker 1: know what I'm pretty good at. That's going on the radio,

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Speaker 1: because I've been doing it for almost twenty years. That's crazy.

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Speaker 1: It's crazy. I know I'm pretty good at that because

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Speaker 1: I'm be doing it for a long time and I've

379
00:21:03,520 --> 00:21:05,359
Speaker 1: been able to move up. I've never write a book,

380
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Speaker 1: and I almost like, I don't know if anybody cares.

381
00:21:08,119 --> 00:21:09,680
Speaker 1: So I sent the book off and they were like,

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Speaker 1: is that actually not bad? It's pretty good. And I

383
00:21:13,480 --> 00:21:16,200
Speaker 1: was so nervous that was gonna suck, and I felt

384
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Speaker 1: like it sucked. I never wanted to read it back.

385
00:21:18,560 --> 00:21:20,320
Speaker 1: But so they're asking me about writing. And I got

386
00:21:20,440 --> 00:21:22,600
Speaker 1: an emunk yesterday like, hey, you think you're writing another

387
00:21:22,600 --> 00:21:24,680
Speaker 1: adult book? And I was like, adult book sounds like

388
00:21:24,720 --> 00:21:29,399
Speaker 1: a porn book. Um, and no, especially don't have another

389
00:21:29,480 --> 00:21:33,439
Speaker 1: memoir amy like I think right now. I didn't have

390
00:21:33,480 --> 00:21:35,439
Speaker 1: wanted me to begin with. I was thirty four when

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00:21:35,480 --> 00:21:37,959
Speaker 1: they approached me. I had nothing. I mean, there's that

392
00:21:38,000 --> 00:21:39,679
Speaker 1: book of my life, but a lot of that's like

393
00:21:39,720 --> 00:21:42,560
Speaker 1: a struggle at the beginning for people who had to

394
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Speaker 1: deal with family members that have addiction, and you know,

395
00:21:46,520 --> 00:21:48,879
Speaker 1: that was a big part of it. Um, And I

396
00:21:48,880 --> 00:21:51,320
Speaker 1: wouldn't go through that in a second book. So I

397
00:21:51,440 --> 00:21:54,240
Speaker 1: was like, I really haven't. But if there was something

398
00:21:54,240 --> 00:21:56,679
Speaker 1: like a bunch of funny essays, we could talk. But

399
00:21:57,440 --> 00:21:59,439
Speaker 1: I don't know, man. That book thing is just it

400
00:21:59,560 --> 00:22:02,879
Speaker 1: is so oh. First of all, it's awesome, and I

401
00:22:02,960 --> 00:22:05,920
Speaker 1: appreciate everybody who bought the book because I thought it sucked.

402
00:22:06,440 --> 00:22:09,399
Speaker 1: So I'm just blown away the fact that it was

403
00:22:09,920 --> 00:22:13,240
Speaker 1: on the New York Times bestseller list for three weeks.

404
00:22:13,680 --> 00:22:16,320
Speaker 1: For one week, I was shocked. And then after that

405
00:22:16,359 --> 00:22:17,720
Speaker 1: I was just like, this is not even real life,

406
00:22:17,760 --> 00:22:20,080
Speaker 1: Like I don't even I don't even know what's happening here. Um.

407
00:22:20,200 --> 00:22:22,800
Speaker 1: But I'm really looking forward to the comedy tour. The

408
00:22:22,880 --> 00:22:25,120
Speaker 1: radio shows the most fun thing still too. I hate

409
00:22:25,119 --> 00:22:27,040
Speaker 1: it right now you're listening to this. Amy's not here.

410
00:22:27,400 --> 00:22:30,480
Speaker 1: It's weird when Amy's not here. Um. So I'm ready

411
00:22:30,480 --> 00:22:32,040
Speaker 1: for her to get back and have her kids. That

412
00:22:32,040 --> 00:22:33,840
Speaker 1: will make her happy. And the better Amy is, the

413
00:22:33,880 --> 00:22:37,600
Speaker 1: better I am. So yeah, the growth the radio show

414
00:22:37,600 --> 00:22:41,080
Speaker 1: has been crazy. I mean, even in the cities like

415
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Speaker 1: we had. I just I was talking to Rod my Boston.

416
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Speaker 1: He was like, dude, of these exit the big markets

417
00:22:49,040 --> 00:22:52,280
Speaker 1: that you have, You've never had bigger ratings of like

418
00:22:53,640 --> 00:22:56,399
Speaker 1: eight of eleven or eight of twelve of the biggest markets,

419
00:22:56,600 --> 00:22:59,280
Speaker 1: you know, the Boston's the do you know the major

420
00:22:59,359 --> 00:23:00,920
Speaker 1: cities then you have right now. And I was like,

421
00:23:01,000 --> 00:23:04,680
Speaker 1: dangn that's cool. But then it's ten minutes later, all right,

422
00:23:05,040 --> 00:23:06,920
Speaker 1: you're not doing so well. We're in this market. But

423
00:23:07,160 --> 00:23:08,800
Speaker 1: the weird thing is about the radio shows that weren't

424
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Speaker 1: about a hundred cities, and it's you know, if you

425
00:23:13,640 --> 00:23:17,320
Speaker 1: can get seventy of them up, thirty them are gonna

426
00:23:17,359 --> 00:23:21,320
Speaker 1: be down. And it's like, okay, we have thirty that

427
00:23:21,400 --> 00:23:24,200
Speaker 1: are down. We gotta get the thirty that are down up.

428
00:23:24,520 --> 00:23:26,959
Speaker 1: And so what you're fighting to get these other thirty up?

429
00:23:28,240 --> 00:23:31,200
Speaker 1: You have random ones falling over. It's just never, You're

430
00:23:31,240 --> 00:23:33,480
Speaker 1: never You're never gonna have a hundred go up at

431
00:23:33,520 --> 00:23:38,400
Speaker 1: the same time. And so the pressure never comes off

432
00:23:38,480 --> 00:23:43,520
Speaker 1: of hey you suck, and it's never you suck. It's like, hey,

433
00:23:43,720 --> 00:23:45,800
Speaker 1: it's not going so hot here, what what do we

434
00:23:45,880 --> 00:23:49,280
Speaker 1: do to make it better here? Um? But that's that's

435
00:23:49,320 --> 00:23:51,439
Speaker 1: the business of this that's the whole, the beast of it.

436
00:23:51,480 --> 00:23:54,720
Speaker 1: But I love it like I mean, it's the radio

437
00:23:54,720 --> 00:23:57,119
Speaker 1: show is still my favorite thing. Stand up comedy second.

438
00:23:57,680 --> 00:24:00,360
Speaker 1: But we're kind of rolling through the rating idiots and

439
00:24:00,800 --> 00:24:03,639
Speaker 1: listen that we had it. We've got two number one records,

440
00:24:03,640 --> 00:24:05,960
Speaker 1: so we suck. We don't suck. I'm gonna say this

441
00:24:05,960 --> 00:24:07,879
Speaker 1: about it is we've gotten pretty good. We have a

442
00:24:07,920 --> 00:24:10,720
Speaker 1: fantastic band, and now I know how to do a show.

443
00:24:10,880 --> 00:24:13,440
Speaker 1: We put on a really good show now. Listen, I'm

444
00:24:13,440 --> 00:24:15,760
Speaker 1: not gonna vocalist through the year, but we probat on

445
00:24:15,760 --> 00:24:17,879
Speaker 1: a really good show now because I've learned how to

446
00:24:17,920 --> 00:24:20,479
Speaker 1: put on a good show. And I do not have

447
00:24:20,600 --> 00:24:23,200
Speaker 1: lead singers disease, which means you have the lead singer

448
00:24:23,320 --> 00:24:24,600
Speaker 1: all the time and be the guy front. I have

449
00:24:24,680 --> 00:24:27,000
Speaker 1: no problem with stepping back for half the show and

450
00:24:27,040 --> 00:24:28,920
Speaker 1: just you just never know where it's coming from and

451
00:24:29,000 --> 00:24:30,960
Speaker 1: raging India show. You don't know who's coming with what where.

452
00:24:30,960 --> 00:24:33,200
Speaker 1: I got background singers flying out fry and I get

453
00:24:33,600 --> 00:24:35,760
Speaker 1: it's fine. So yeah, I don't know if that's the answer,

454
00:24:35,840 --> 00:24:38,440
Speaker 1: but go ahead. Uh what's the best part of having

455
00:24:38,480 --> 00:24:46,720
Speaker 1: a girlfriend now? Mm hmm. The best part about having

456
00:24:46,720 --> 00:24:54,000
Speaker 1: a girlfriend the best part. Do you know what I'm

457
00:24:54,040 --> 00:24:57,840
Speaker 1: worried about? And then I know Lindsay's gonna hear this,

458
00:24:59,720 --> 00:25:01,760
Speaker 1: is that she's gonna be like, hey, come to Canada

459
00:25:01,880 --> 00:25:05,639
Speaker 1: for the holidays. I'm gonna be like, oh, it's not

460
00:25:05,680 --> 00:25:09,440
Speaker 1: even her thing. I don't feel comfortable. I've never been

461
00:25:09,480 --> 00:25:12,719
Speaker 1: a holidays person because I never really had family. So

462
00:25:12,840 --> 00:25:17,080
Speaker 1: for me, the holidays are not a sad time. They

463
00:25:17,119 --> 00:25:19,639
Speaker 1: just don't exist for me, especially Christmas time, like it

464
00:25:19,640 --> 00:25:24,560
Speaker 1: just doesn't exist as far as a joyous occasion. It's

465
00:25:24,640 --> 00:25:26,920
Speaker 1: not a sad occasion. It's just not a joyous occasion

466
00:25:26,920 --> 00:25:29,080
Speaker 1: to me, just another day because I never really had

467
00:25:29,160 --> 00:25:35,160
Speaker 1: Christmas growing up. So she's gonna say you should come

468
00:25:35,200 --> 00:25:37,679
Speaker 1: to Canada and come hang out with my family. But

469
00:25:37,720 --> 00:25:41,200
Speaker 1: I feel like such a nuisance and I don't feel

470
00:25:41,240 --> 00:25:43,800
Speaker 1: comfortable being happy being like super I don't know, it's

471
00:25:43,800 --> 00:25:48,320
Speaker 1: a weird thing. The best and as I say that,

472
00:25:48,359 --> 00:25:52,320
Speaker 1: the best part is having someone that really wants you

473
00:25:52,400 --> 00:25:57,440
Speaker 1: to be happy and like fights you about being happy.

474
00:25:57,800 --> 00:25:59,879
Speaker 1: And the example I gave when I think she was

475
00:26:00,000 --> 00:26:02,760
Speaker 1: in here a couple of weeks ago was when the

476
00:26:02,760 --> 00:26:05,160
Speaker 1: Cubs last game four, I was I was really irritated

477
00:26:05,160 --> 00:26:06,840
Speaker 1: and upset, and she would just wouldn't leave me alone.

478
00:26:06,880 --> 00:26:08,439
Speaker 1: It was so annoying. He was just like, Okay, you

479
00:26:08,440 --> 00:26:09,919
Speaker 1: have to understand where you are right now. You're at

480
00:26:09,960 --> 00:26:12,679
Speaker 1: the World Series. You've worked hard to get here. The

481
00:26:12,720 --> 00:26:16,560
Speaker 1: cubs have not been here, and it the best part

482
00:26:16,560 --> 00:26:19,720
Speaker 1: of having someone who wants you to be happy. And

483
00:26:19,960 --> 00:26:26,120
Speaker 1: for sure she wants that, like she you know, yeah,

484
00:26:26,200 --> 00:26:28,879
Speaker 1: that's the answer. But I only come to that after

485
00:26:29,000 --> 00:26:30,720
Speaker 1: talking about the first thing where I know she's not

486
00:26:30,760 --> 00:26:33,120
Speaker 1: gonna be happy, and I'm like, I just don't. It's

487
00:26:33,160 --> 00:26:35,800
Speaker 1: not her thing. And her family is awesome. Over the

488
00:26:35,840 --> 00:26:38,280
Speaker 1: last couple of years, I've gotten to know them, her

489
00:26:38,320 --> 00:26:43,199
Speaker 1: parents and her brother, and they're great. But it's just

490
00:26:43,280 --> 00:26:46,560
Speaker 1: I don't associate Christmas with that, with the with joyous

491
00:26:46,600 --> 00:26:49,000
Speaker 1: and fun. And then I always feel even if I like,

492
00:26:49,040 --> 00:26:50,800
Speaker 1: I'm Lindia and I are going to a dinner tonight,

493
00:26:51,080 --> 00:26:52,720
Speaker 1: I don't know where she is. I don't even maybe here,

494
00:26:53,040 --> 00:26:56,080
Speaker 1: but we're going to a dinner tonight, um and never

495
00:26:56,280 --> 00:27:00,000
Speaker 1: go to dinners because I feel like one I'm I'm

496
00:27:00,040 --> 00:27:03,560
Speaker 1: like intruding in someone's house too. I don't really have

497
00:27:03,720 --> 00:27:08,159
Speaker 1: that many friends that I would consider like close. I

498
00:27:08,200 --> 00:27:09,920
Speaker 1: don't think I've been to a dinner since I moved

499
00:27:09,920 --> 00:27:13,320
Speaker 1: to Nashville someone's house period, And I don't know if

500
00:27:13,320 --> 00:27:16,600
Speaker 1: that's weird or not. I've never I haven't been at all.

501
00:27:17,280 --> 00:27:20,399
Speaker 1: And so we're going tonight and only because she's like,

502
00:27:20,440 --> 00:27:22,920
Speaker 1: you need to do things like this, so a little

503
00:27:22,920 --> 00:27:26,480
Speaker 1: bit too, it's like, um, you know, she's kind of

504
00:27:26,520 --> 00:27:30,800
Speaker 1: branching me out there, um and making me more of

505
00:27:30,840 --> 00:27:36,720
Speaker 1: a human. I'm just not ordinary human. How do you

506
00:27:36,720 --> 00:27:38,920
Speaker 1: feel about the actual part of going to Canada? Though

507
00:27:39,440 --> 00:27:42,960
Speaker 1: I don't care. I went to because I went to Iceland,

508
00:27:42,960 --> 00:27:44,720
Speaker 1: I went to Japan, I went to England. This is

509
00:27:44,720 --> 00:27:46,720
Speaker 1: all in the last two years because I never traveled

510
00:27:46,720 --> 00:27:49,600
Speaker 1: my whole life. I never left Arkansas until turning Point.

511
00:27:49,640 --> 00:27:52,080
Speaker 1: Then I never left South. Then it's just been a

512
00:27:52,119 --> 00:27:53,760
Speaker 1: gradual thing. And I got to a point where it's like,

513
00:27:53,760 --> 00:27:55,600
Speaker 1: if I don't travel a little bit and get uncomfortable,

514
00:27:55,680 --> 00:27:57,359
Speaker 1: I'm never gonna do it. So I just started doing it.

515
00:27:57,680 --> 00:28:00,240
Speaker 1: And then, um, oh, I mean I don't like hate

516
00:28:00,280 --> 00:28:04,240
Speaker 1: cold like I hate the cold like it's terrible. I

517
00:28:04,280 --> 00:28:08,440
Speaker 1: hate winter. Um, so I think I don't probably just

518
00:28:08,560 --> 00:28:10,560
Speaker 1: want to Canada. Maybe I go to Canada by myself

519
00:28:10,560 --> 00:28:12,879
Speaker 1: while they have Christmas and just go explore by myself.

520
00:28:13,080 --> 00:28:15,360
Speaker 1: But I think that'll probably a source of contention where

521
00:28:15,400 --> 00:28:17,399
Speaker 1: she's like, you have to come stop being as so

522
00:28:17,640 --> 00:28:22,240
Speaker 1: sad and moby. We'll see what happens. But yeah, we

523
00:28:22,280 --> 00:28:25,160
Speaker 1: think about everybody trying to move to Canada. Now, nobody's

524
00:28:25,160 --> 00:28:27,680
Speaker 1: moving to Canada. I mean, did you see the site

525
00:28:27,680 --> 00:28:30,720
Speaker 1: mosly crash? Yeah, last night when you're hearing this, So

526
00:28:30,760 --> 00:28:36,600
Speaker 1: the election happened, right, and um, you know the girl

527
00:28:36,680 --> 00:28:40,320
Speaker 1: from Girls Landing dun On, whatever name is, Brian Cranston.

528
00:28:40,680 --> 00:28:42,720
Speaker 1: I hate people say that this doesn't happen. I'm moving

529
00:28:42,760 --> 00:28:45,040
Speaker 1: to Canada because nobody ever does. Like you want to

530
00:28:45,080 --> 00:28:47,880
Speaker 1: impress me right now, move to Canada, regardless of your

531
00:28:47,880 --> 00:28:50,640
Speaker 1: political belaves. If you say something, do it. And Canada

532
00:28:50,720 --> 00:28:53,080
Speaker 1: is hard to get into, like even just visiting Canada

533
00:28:53,280 --> 00:28:56,320
Speaker 1: it is. Yeah, I know I haven't been. You can

534
00:28:56,360 --> 00:29:00,320
Speaker 1: just move there, you know what. I don't know. But

535
00:29:00,640 --> 00:29:02,440
Speaker 1: if any of them moved, I will have a ton

536
00:29:02,480 --> 00:29:06,360
Speaker 1: of respect for them because they backed up what they said.

537
00:29:07,560 --> 00:29:09,480
Speaker 1: And listen, I got people get mad at me for

538
00:29:09,560 --> 00:29:14,000
Speaker 1: writing in uh Dirk Spanley my presidential ballot, and I

539
00:29:14,080 --> 00:29:16,960
Speaker 1: just did not have a dog in that dog race,

540
00:29:17,600 --> 00:29:19,760
Speaker 1: and so I didn't feel comfortable voting for other one.

541
00:29:20,400 --> 00:29:22,200
Speaker 1: And I had some other stuff I wanted to vote on,

542
00:29:22,800 --> 00:29:24,520
Speaker 1: and they put the ride in line there for a

543
00:29:24,560 --> 00:29:26,320
Speaker 1: reason if you feel like you should write someone else.

544
00:29:26,360 --> 00:29:29,560
Speaker 1: And I was man people on Twitter just most of

545
00:29:29,560 --> 00:29:31,040
Speaker 1: the time, I just brushed it off. Sometimes I get

546
00:29:31,040 --> 00:29:33,760
Speaker 1: in a little little pops people and like you that

547
00:29:33,920 --> 00:29:36,720
Speaker 1: you are such an awful person for abusing the system.

548
00:29:36,760 --> 00:29:38,200
Speaker 1: I was like, why would they put the line there

549
00:29:38,240 --> 00:29:42,400
Speaker 1: if you can't write in who that monkey? The gorilla him?

550
00:29:42,480 --> 00:29:48,120
Speaker 1: They have eleven thousand votes, So don't put the line

551
00:29:48,120 --> 00:29:49,959
Speaker 1: there if you don't want people to use it. I

552
00:29:50,080 --> 00:29:53,360
Speaker 1: used it. I wrote in Dirk Spanley, Uh, just because

553
00:29:53,480 --> 00:29:57,440
Speaker 1: I wanted. Really, I wasn't gonna vote the presidential election anyway.

554
00:29:57,440 --> 00:29:58,840
Speaker 1: I was just gonna vote in a couple other things.

555
00:29:59,480 --> 00:30:02,040
Speaker 1: But really I just wanted a TV to pop up

556
00:30:02,040 --> 00:30:03,800
Speaker 1: and go, we have this much for Trump? Can you

557
00:30:03,880 --> 00:30:06,800
Speaker 1: Trump was gonna win Tennessee anyway where I am, um,

558
00:30:06,960 --> 00:30:09,840
Speaker 1: And then we have this much for Hillary. And you know,

559
00:30:10,320 --> 00:30:13,680
Speaker 1: Jill Stein has this, Governor Gary Johnson has this in

560
00:30:13,800 --> 00:30:16,080
Speaker 1: Dirk Bentley as the vote, so I kind of wanted

561
00:30:16,080 --> 00:30:17,520
Speaker 1: that pop. I was the goal pup up on TV,

562
00:30:17,920 --> 00:30:19,479
Speaker 1: but I didn't count because you have to watch your

563
00:30:19,480 --> 00:30:22,480
Speaker 1: fifty days out even be a riding candidate. But people

564
00:30:22,520 --> 00:30:28,680
Speaker 1: can shut up, so I mean that kind of stuff, whatever, whatever.

565
00:30:29,800 --> 00:30:32,960
Speaker 1: I rarely get irritated at Twitter sometimes, like Travis Tritt

566
00:30:32,960 --> 00:30:34,640
Speaker 1: and I went back and Forwarth and I love Travis

567
00:30:34,680 --> 00:30:37,840
Speaker 1: Church's music, and I have no problem with Travis Trip,

568
00:30:37,880 --> 00:30:40,040
Speaker 1: like he has uh kind of a reputation to be

569
00:30:40,120 --> 00:30:42,640
Speaker 1: in the dick. I don't know that, so to me,

570
00:30:42,680 --> 00:30:45,520
Speaker 1: he's not. I have no I've and I was he was.

571
00:30:45,560 --> 00:30:46,880
Speaker 1: He was coming on the show in a few weeks

572
00:30:47,280 --> 00:30:48,720
Speaker 1: and we already booked him because he has like the

573
00:30:48,720 --> 00:30:53,160
Speaker 1: greatest hit stink coming out. And he was posting about

574
00:30:53,160 --> 00:30:55,840
Speaker 1: Beyonce at the c M as. Then I knew what

575
00:30:55,880 --> 00:30:59,520
Speaker 1: was going to happen as a white guy from the South.

576
00:30:59,680 --> 00:31:02,120
Speaker 1: If you start put people are gonna go, hey, this

577
00:31:02,160 --> 00:31:05,240
Speaker 1: is a race thing. And so I posted. I was like, dude, stop,

578
00:31:05,240 --> 00:31:06,680
Speaker 1: I said, stop it. That's what I wrote on it,

579
00:31:06,720 --> 00:31:10,000
Speaker 1: Just stop it. And then it turned into I've played

580
00:31:10,000 --> 00:31:11,800
Speaker 1: with lots of black artists and I was like, oh

581
00:31:11,840 --> 00:31:15,760
Speaker 1: my god, this is what that's what you don't say.

582
00:31:15,880 --> 00:31:20,360
Speaker 1: And so I think his tweet was look it up,

583
00:31:21,000 --> 00:31:23,760
Speaker 1: I've played with more black artists than anybody, or something

584
00:31:23,800 --> 00:31:25,880
Speaker 1: like that. And I retweeted it and was like, just

585
00:31:25,880 --> 00:31:29,400
Speaker 1: looked it up. There's no archive of who of people

586
00:31:29,400 --> 00:31:33,320
Speaker 1: who have played with black artists there there there isn't

587
00:31:34,160 --> 00:31:38,160
Speaker 1: And so you know, there's just the race stuff. To me,

588
00:31:38,160 --> 00:31:41,760
Speaker 1: it's crazy. It's just isn't a place you should go.

589
00:31:42,480 --> 00:31:46,560
Speaker 1: And it's a very sensitive thing and if you're passionate

590
00:31:46,600 --> 00:31:49,680
Speaker 1: about it, go there. If you just gonna throw a

591
00:31:49,760 --> 00:31:52,800
Speaker 1: joke out there, it's and it's not worth it. That

592
00:31:52,880 --> 00:31:54,960
Speaker 1: just wasn't worth That just wasn't worth it. And so

593
00:31:55,280 --> 00:31:57,520
Speaker 1: he got mad at me, and I was like, dude,

594
00:31:58,480 --> 00:32:02,160
Speaker 1: you know, jill out the Yeah, you know who says

595
00:32:02,160 --> 00:32:04,520
Speaker 1: I got a I got a black friend, the person

596
00:32:04,600 --> 00:32:06,840
Speaker 1: who probably really doesn't have black friends. Now I got

597
00:32:06,840 --> 00:32:09,080
Speaker 1: a black friend. And that's the person who really probably

598
00:32:09,080 --> 00:32:14,000
Speaker 1: doesn't have that anyway. Um, yes, I don't even know

599
00:32:14,000 --> 00:32:18,720
Speaker 1: what you asked me, Ah, what food do you miss

600
00:32:18,760 --> 00:32:22,600
Speaker 1: the most since you're test? Oh this allergy testing that

601
00:32:22,680 --> 00:32:25,480
Speaker 1: I am that I took so I took a allergy

602
00:32:25,680 --> 00:32:29,520
Speaker 1: food test with blood. I sweepeatoes all time I can.

603
00:32:29,560 --> 00:32:33,840
Speaker 1: I'm a limited from sweet potatoes and tuna, and I

604
00:32:33,880 --> 00:32:37,760
Speaker 1: don't know. I don't know if I miss anything, but

605
00:32:38,040 --> 00:32:39,720
Speaker 1: the sweet potatoes were kind of a big part of

606
00:32:39,760 --> 00:32:42,680
Speaker 1: my diet. But I doesn't make any rest, like I'm

607
00:32:42,720 --> 00:32:44,600
Speaker 1: down to one. I'll wait. Today I was at one

608
00:32:44,680 --> 00:32:49,280
Speaker 1: fifty nine and usually I'm around sometimes close to one seventy,

609
00:32:49,480 --> 00:32:52,920
Speaker 1: like if I'm really lifting hard, but if I'm staying

610
00:32:52,960 --> 00:32:54,480
Speaker 1: thin because I was doing a lot of the TV work,

611
00:32:54,480 --> 00:32:59,320
Speaker 1: I'm around one s four. But I'm like right now.

612
00:33:00,080 --> 00:33:03,040
Speaker 1: So I kind of got a lecture today from was

613
00:33:03,080 --> 00:33:06,040
Speaker 1: just a freaking protein shake before dinner, but I got

614
00:33:06,040 --> 00:33:07,640
Speaker 1: a lecture from my trainer. It was like, you have

615
00:33:07,720 --> 00:33:10,160
Speaker 1: to eat like you have to eat, and so you

616
00:33:10,240 --> 00:33:12,560
Speaker 1: just have to have a Like for me, if I

617
00:33:12,720 --> 00:33:15,200
Speaker 1: my stump, if I don't have like a tight stomach,

618
00:33:15,240 --> 00:33:18,960
Speaker 1: I feel like I'm just so that's I got to

619
00:33:19,000 --> 00:33:21,920
Speaker 1: get that back. Everybody always looks at your gut, that's

620
00:33:21,920 --> 00:33:25,120
Speaker 1: whateverybody looks had your gut. So I'm trying to work

621
00:33:25,120 --> 00:33:28,600
Speaker 1: that gut down. Anything else. I don't even know what

622
00:33:28,600 --> 00:33:36,080
Speaker 1: we're talking about here. I mean, I don't know that. Um,

623
00:33:36,120 --> 00:33:38,880
Speaker 1: there's thirty minutes. I think I have to go to

624
00:33:38,880 --> 00:33:42,440
Speaker 1: dinner anyway. Anything you have anything, any other questions over there?

625
00:33:42,440 --> 00:33:44,040
Speaker 1: It seems like you've you've come up with some stuff.

626
00:33:48,360 --> 00:33:50,120
Speaker 1: You know what Lindsay did. She went on stage and

627
00:33:50,200 --> 00:33:52,720
Speaker 1: she uh, oh yeah, that's what I was gonna ask

628
00:33:52,720 --> 00:33:55,840
Speaker 1: about this past weekend in Austin. I didn't know she

629
00:33:56,080 --> 00:33:57,760
Speaker 1: was doing this. I think I mentioned this on the

630
00:33:57,760 --> 00:34:01,880
Speaker 1: air or even here. Haven't even talked to me, did I?

631
00:34:02,040 --> 00:34:03,880
Speaker 1: You didn't. I don't think you said the song that

632
00:34:03,920 --> 00:34:05,800
Speaker 1: you did mention that she and this is a different

633
00:34:05,880 --> 00:34:07,480
Speaker 1: song than the one that she that we talked about,

634
00:34:07,520 --> 00:34:08,759
Speaker 1: the last one that she sent me, and I was like,

635
00:34:08,800 --> 00:34:10,440
Speaker 1: oh that's awesome. This is a different one. But she

636
00:34:10,480 --> 00:34:13,560
Speaker 1: goes out and she's playing her opening set because she

637
00:34:13,600 --> 00:34:16,320
Speaker 1: opens for us, and we we booked all these shows

638
00:34:16,360 --> 00:34:18,320
Speaker 1: months ago, before we dated. I was booking Lindsay to

639
00:34:18,360 --> 00:34:22,799
Speaker 1: open for us and playing the band and Nikita, you're

640
00:34:22,840 --> 00:34:24,600
Speaker 1: I was talking about earlier, who plays in the Raging

641
00:34:24,640 --> 00:34:28,680
Speaker 1: Idiots from Australia. She comes and she goes Lindsay just

642
00:34:28,719 --> 00:34:32,160
Speaker 1: said he wrote criminal. She wrote criminal about you, And

643
00:34:32,200 --> 00:34:34,560
Speaker 1: I was like, she told you that, and she was

644
00:34:34,600 --> 00:34:37,440
Speaker 1: like no, she said on stage, and I was like,

645
00:34:37,840 --> 00:34:40,720
Speaker 1: she told four thousand people and she was like yeah.

646
00:34:41,280 --> 00:34:44,200
Speaker 1: And so she wrote this song called criminal, and so

647
00:34:44,320 --> 00:34:46,120
Speaker 1: she went on stage and she's singing it. She's like, yeah,

648
00:34:46,120 --> 00:34:48,799
Speaker 1: I wrote this about Bobby Blah and it's awesome. But

649
00:34:48,840 --> 00:34:56,080
Speaker 1: I just was not expecting that. You're I can never

650
00:34:56,200 --> 00:35:01,720
Speaker 1: get enough? What did you do? Mean? It's criminal? Baby

651
00:35:01,760 --> 00:35:06,440
Speaker 1: will cans. I feel like going through stuff lass looking

652
00:35:06,560 --> 00:35:11,320
Speaker 1: at the cups like I got nothing to lose, boy,

653
00:35:12,080 --> 00:35:15,400
Speaker 1: coming from like a mat stick to to the edge

654
00:35:15,400 --> 00:35:22,640
Speaker 1: and once they're pasta eat, ain't it ain't? Oh what

655
00:35:22,760 --> 00:35:31,520
Speaker 1: you do? That's a live performance there. I have the

656
00:35:31,600 --> 00:35:35,480
Speaker 1: retromain sound, but the raina we did ar king because

657
00:35:35,680 --> 00:35:40,960
Speaker 1: I'm were like taking some bomb. So long Base feels

658
00:35:41,239 --> 00:35:42,759
Speaker 1: she's about pick me up in a minute, or I'm

659
00:35:42,760 --> 00:35:44,600
Speaker 1: gonna pick her up, or she's we're gonna leave in

660
00:35:44,640 --> 00:35:46,239
Speaker 1: my car, but we're supposed to go to dinner a

661
00:35:46,239 --> 00:35:51,760
Speaker 1: few minutes my house instead of long it's just tall,

662
00:35:52,200 --> 00:35:55,880
Speaker 1: so she could be downstairs and have no idea. The

663
00:35:55,880 --> 00:35:59,640
Speaker 1: bacetimer see where she is? Are you here? You can

664
00:35:59,640 --> 00:36:04,040
Speaker 1: come up. We're in the middle of recording the bobycast. Yeah,

665
00:36:04,040 --> 00:36:07,000
Speaker 1: we're recording right now. You can come up for a minute. Okay,

666
00:36:07,040 --> 00:36:10,920
Speaker 1: I'm okay. Well we're gonna like shut it down in

667
00:36:10,920 --> 00:36:12,920
Speaker 1: a minute, so if you want to get in on it,

668
00:36:14,360 --> 00:36:19,279
Speaker 1: all right, goodbye, all right, just menching a call. Then

669
00:36:19,320 --> 00:36:22,359
Speaker 1: she'll be um anything else you want to know, Mike,

670
00:36:22,800 --> 00:36:27,040
Speaker 1: did you go back and look at those lyrics? No? No, no, no,

671
00:36:27,280 --> 00:36:29,560
Speaker 1: I went back and try to like, I don't I

672
00:36:30,920 --> 00:36:35,719
Speaker 1: know if I did some surprise you said that. Uh yeah,

673
00:36:36,520 --> 00:36:39,520
Speaker 1: I'll let her say stuff and she won't say it today.

674
00:36:39,560 --> 00:36:44,719
Speaker 1: But they're just things, even things that you know I've

675
00:36:44,760 --> 00:36:54,480
Speaker 1: written whatever. I Um, Dusty is in the guest chair, chill.

676
00:36:54,520 --> 00:36:55,719
Speaker 1: I look from the other day and I can find

677
00:36:55,760 --> 00:36:57,080
Speaker 1: him anwhere in the house and he was in this

678
00:36:57,160 --> 00:36:59,640
Speaker 1: chair and I'm sitting up sitting behind the computer. Just

679
00:36:59,800 --> 00:37:08,040
Speaker 1: chillen um comn Are you playing music? Are you playing

680
00:37:08,080 --> 00:37:11,000
Speaker 1: music on your phone? Hey? Come in. We're gonna wrap

681
00:37:11,080 --> 00:37:17,319
Speaker 1: up in a minute. But what are you doing. You're

682
00:37:17,360 --> 00:37:20,080
Speaker 1: on You're on the air, so well maybe not the air,

683
00:37:20,120 --> 00:37:22,640
Speaker 1: but you're on the podcast we were just talking about

684
00:37:22,640 --> 00:37:24,440
Speaker 1: because Mike brought up the fact you can put the

685
00:37:24,480 --> 00:37:27,080
Speaker 1: headphones on real quick. By the way, lindsay else here

686
00:37:28,120 --> 00:37:29,680
Speaker 1: this is it kind of like, hey, this is a

687
00:37:29,840 --> 00:37:32,560
Speaker 1: kind of guest appearance. But he asked me what and you,

688
00:37:32,800 --> 00:37:34,279
Speaker 1: I'm sure you'll hear this all back, so there's no

689
00:37:34,280 --> 00:37:35,759
Speaker 1: reason to go back. Do you listen to all these?

690
00:37:37,239 --> 00:37:41,080
Speaker 1: Would be a terrible girlfriend, didn't Well, I feel like, yeah,

691
00:37:41,120 --> 00:37:44,120
Speaker 1: I listened to the person one late last night. I

692
00:37:44,280 --> 00:37:49,440
Speaker 1: loved the story, like the Keith story when he talks

693
00:37:49,480 --> 00:37:52,640
Speaker 1: about like, um, kind of she's gonna fly with it.

694
00:37:53,719 --> 00:37:58,120
Speaker 1: That's insane, And it was insane how he met Christiansen,

695
00:37:58,200 --> 00:38:01,080
Speaker 1: Like I didn't know they went back as are as

696
00:38:01,400 --> 00:38:07,839
Speaker 1: they did. Christian Chris's partner. I mean, yes, Chris as

697
00:38:07,920 --> 00:38:10,600
Speaker 1: his partner like his of the duo, but I mean

698
00:38:10,680 --> 00:38:12,560
Speaker 1: Chris Jansen, Like how they met at the Wild Horse,

699
00:38:12,600 --> 00:38:15,600
Speaker 1: and how I think that's Chris's partner you're thinking of? Really, yeah,

700
00:38:15,680 --> 00:38:18,839
Speaker 1: Christmas partner was the one that that was Chris from

701
00:38:18,880 --> 00:38:21,160
Speaker 1: Low Cash. Totally miss that. It was late when I

702
00:38:21,160 --> 00:38:24,440
Speaker 1: listened to it, okay, But regardless how either one of

703
00:38:24,480 --> 00:38:27,120
Speaker 1: them met Jansen at the Wild Horse when Jansen was

704
00:38:27,239 --> 00:38:30,719
Speaker 1: the DJ and they were teaching dance at the wild Horse.

705
00:38:34,560 --> 00:38:38,399
Speaker 1: Nothing sorry pressing. Are you sure you listen? Danger didn't

706
00:38:38,400 --> 00:38:41,799
Speaker 1: hear my notes? And no, I I listened to the

707
00:38:41,800 --> 00:38:44,200
Speaker 1: whole thing. I guess I mixed up Chris with Chris

708
00:38:45,640 --> 00:38:50,040
Speaker 1: that's not a very good girlfriend. Well, I did listen

709
00:38:50,080 --> 00:38:56,760
Speaker 1: to it. Um, we were just talking about this, just crush.

710
00:38:55,440 --> 00:39:03,319
Speaker 1: You're the habit. I can never get enough, he asked me.

711
00:39:03,360 --> 00:39:05,640
Speaker 1: He was like, hey, Lindsey went on stage. Is that

712
00:39:05,760 --> 00:39:08,640
Speaker 1: she wrote that song about you? And I was like,

713
00:39:08,680 --> 00:39:10,319
Speaker 1: I had no idea. I didn't hear you play it.

714
00:39:10,360 --> 00:39:12,600
Speaker 1: I was getting dressed for our show, and then Nikita

715
00:39:12,680 --> 00:39:14,759
Speaker 1: came and I was like, Lendsay told me you played that,

716
00:39:14,800 --> 00:39:16,560
Speaker 1: and I was like, I told you. She told everybody

717
00:39:16,560 --> 00:39:19,800
Speaker 1: on stage, four people. Um. And then you want to

718
00:39:19,800 --> 00:39:23,840
Speaker 1: add to that, um, true story. I did write that

719
00:39:23,960 --> 00:39:30,120
Speaker 1: about you. And you have to say nothing else. You

720
00:39:30,160 --> 00:39:33,120
Speaker 1: don't want to thank whatever? You want to care? I mean, no,

721
00:39:33,280 --> 00:39:36,440
Speaker 1: I mean that's been one of my favorite songs. Gosh,

722
00:39:36,640 --> 00:39:39,120
Speaker 1: since i've that I've written in a long long time,

723
00:39:39,160 --> 00:39:42,840
Speaker 1: You're welcome. I mean, really, if I go back and

724
00:39:42,880 --> 00:39:45,760
Speaker 1: look at the beast the year of songs, I've written

725
00:39:45,800 --> 00:39:51,959
Speaker 1: a lot of them have been inspired by yours truly, Um,

726
00:39:52,160 --> 00:39:55,400
Speaker 1: like any other ones? Do you want to mention? You

727
00:39:55,440 --> 00:39:57,839
Speaker 1: don't have to. I have a song called Eyes Off

728
00:39:57,840 --> 00:40:01,960
Speaker 1: of You. Oh yeah, that's a good one, UM that

729
00:40:02,000 --> 00:40:04,400
Speaker 1: I really like a lot. And he played that on

730
00:40:04,400 --> 00:40:07,240
Speaker 1: the Sampy Woman of Country thing I did yeah on piano.

731
00:40:07,480 --> 00:40:08,879
Speaker 1: Yeah it's good. That was the first thing I wrote

732
00:40:08,880 --> 00:40:12,680
Speaker 1: by myself in a long time. Um. And then there's

733
00:40:12,680 --> 00:40:17,080
Speaker 1: another one called Worth the Way. That's all we talked about. Yeah, anyway,

734
00:40:17,120 --> 00:40:19,960
Speaker 1: you don't have to go through the whole library of Bobby.

735
00:40:19,680 --> 00:40:23,640
Speaker 1: I'll call them Bobby suck songs. But it's not Bobby

736
00:40:23,680 --> 00:40:25,960
Speaker 1: sex songs. It was more like Bobby, why won't you

737
00:40:26,080 --> 00:40:29,000
Speaker 1: date me? Songs? He would he would be like, is

738
00:40:29,040 --> 00:40:32,520
Speaker 1: this another Bobby sucks? So I was like, no, this

739
00:40:32,600 --> 00:40:35,200
Speaker 1: is this is Bobby. Why won't you? I want to

740
00:40:35,320 --> 00:40:38,200
Speaker 1: date you and I and I want to tell you

741
00:40:38,200 --> 00:40:42,000
Speaker 1: how I feel, but but you just won't Bobby stuck songs?

742
00:40:42,400 --> 00:40:50,720
Speaker 1: I was calling like a teenage crash. You're the habit Yeah,

743
00:40:52,200 --> 00:40:58,680
Speaker 1: live recording criminal. Baby, we feel like going do stuff

744
00:40:58,840 --> 00:41:01,759
Speaker 1: lasting it Like times when you say I like how

745
00:41:01,800 --> 00:41:03,680
Speaker 1: you want to talk over it? So I'll stop playing it.

746
00:41:04,719 --> 00:41:06,279
Speaker 1: Sometimes when you say you don't want to listen to

747
00:41:06,320 --> 00:41:08,400
Speaker 1: certain enemies back because you just want them to live

748
00:41:08,440 --> 00:41:09,759
Speaker 1: in your head, to say, yeah, but that's for a

749
00:41:09,760 --> 00:41:11,359
Speaker 1: different reason. I want to live on my head because

750
00:41:11,360 --> 00:41:14,719
Speaker 1: they were perfect in my head. And I know you

751
00:41:14,760 --> 00:41:17,680
Speaker 1: and you don't think anything you do is perfect. True,

752
00:41:18,360 --> 00:41:19,759
Speaker 1: And now that I think the interview is perfect, but

753
00:41:19,840 --> 00:41:21,880
Speaker 1: it can. At my heart at that time it was perfect,

754
00:41:21,880 --> 00:41:23,200
Speaker 1: and I want to go back and pick it apart.

755
00:41:23,920 --> 00:41:29,480
Speaker 1: The dog is storing, by the way, I know. Um, yeah,

756
00:41:29,600 --> 00:41:33,040
Speaker 1: I Live recordings are such a soft spot for me

757
00:41:33,440 --> 00:41:37,560
Speaker 1: in my heart because they're just so imperfect and in

758
00:41:37,640 --> 00:41:40,719
Speaker 1: the moment in a show, when you're sitting in the

759
00:41:40,760 --> 00:41:44,799
Speaker 1: audience and listening to listening to something, it's a lot

760
00:41:44,880 --> 00:41:48,120
Speaker 1: different than sitting in your car or sitting in your

761
00:41:48,160 --> 00:41:50,040
Speaker 1: living room or in your bedroom listening to a live

762
00:41:50,120 --> 00:41:54,680
Speaker 1: recording of something. And so yeah, I'm always nervous about

763
00:41:54,680 --> 00:41:57,680
Speaker 1: releasing live recordings. Make anything else you want to know,

764
00:41:58,000 --> 00:42:01,200
Speaker 1: I think. I mean, we talked about I wrote a

765
00:42:01,200 --> 00:42:04,000
Speaker 1: really cool song last night. She did, and she wrote

766
00:42:04,000 --> 00:42:06,440
Speaker 1: it with Kaylin Smith, who's one of my favorite was

767
00:42:06,480 --> 00:42:09,959
Speaker 1: playing the Million Dollar Show with us. I know yeah,

768
00:42:10,160 --> 00:42:17,239
Speaker 1: and it was called guess what It's about out I

769
00:42:17,280 --> 00:42:19,080
Speaker 1: heard it, but I don't want to assume that. But

770
00:42:19,120 --> 00:42:21,040
Speaker 1: it's really good. I'm not gonna play everything because it's

771
00:42:21,040 --> 00:42:23,640
Speaker 1: she sent to me an iPhone, but it's called like

772
00:42:23,640 --> 00:42:25,680
Speaker 1: to the it it's called to the Moon or something.

773
00:42:25,920 --> 00:42:28,240
Speaker 1: Is that what's called. It was late I was watching

774
00:42:28,320 --> 00:42:31,719
Speaker 1: election coverage and Lindy was writing songs to Kaylinn Smith, who,

775
00:42:31,760 --> 00:42:35,920
Speaker 1: by the way, is fantastic too. She's so good, so good, yeah,

776
00:42:36,320 --> 00:42:38,080
Speaker 1: really good that I put on the Million Dollar Show.

777
00:42:38,120 --> 00:42:40,719
Speaker 1: She's the new artist of all the artists and we've

778
00:42:40,719 --> 00:42:43,160
Speaker 1: only announced three of them, and Lindsay's in the band,

779
00:42:43,200 --> 00:42:47,160
Speaker 1: So the Million Dollars Show that's happening January nine. Our band,

780
00:42:47,200 --> 00:42:50,560
Speaker 1: you have to understand, our band band is Eddie and

781
00:42:50,600 --> 00:42:52,919
Speaker 1: I the Raging Idiots because it's The Raging Idiots Show

782
00:42:53,320 --> 00:42:57,280
Speaker 1: on guitar, Lindsay on fiddle, Natalie Stoveball on guitar, Brandon

783
00:42:57,440 --> 00:43:03,000
Speaker 1: ray Um on piano, know Craig Campbell, and then our

784
00:43:03,080 --> 00:43:07,520
Speaker 1: drummer Grady and our bassis Ryan. We're fantastic musicians. And

785
00:43:07,560 --> 00:43:09,360
Speaker 1: then so far we've been have to ask for flats

786
00:43:09,360 --> 00:43:11,480
Speaker 1: and Sam Hunt in the band Perry, and I was like,

787
00:43:11,520 --> 00:43:13,080
Speaker 1: kayalenst so good. We gotta put it on it. But

788
00:43:13,120 --> 00:43:15,000
Speaker 1: there's some other major artists are gonna show up, and

789
00:43:15,000 --> 00:43:17,239
Speaker 1: we may announce someone may not. But it's gonna be

790
00:43:17,280 --> 00:43:19,760
Speaker 1: a crazy show at the Rhyman. Last year was crazy.

791
00:43:19,800 --> 00:43:22,120
Speaker 1: This next time it's gonna be crazy too. Yeah. I'm

792
00:43:22,160 --> 00:43:27,040
Speaker 1: so excited about it. So what are what are we

793
00:43:27,120 --> 00:43:29,799
Speaker 1: doing Thanksgiving here? Yeah? We were just talking about that

794
00:43:29,840 --> 00:43:32,319
Speaker 1: actually earlier today. We have a bunch of loser friends

795
00:43:32,320 --> 00:43:35,319
Speaker 1: that don't have anywhere to go were included in that

796
00:43:35,560 --> 00:43:38,919
Speaker 1: newsed to we would just do it as like friends, like, Hey,

797
00:43:38,920 --> 00:43:40,680
Speaker 1: I don't anywhere to go, but now that I have

798
00:43:40,719 --> 00:43:42,680
Speaker 1: a girlfriend, I'll do anything. I can't even have her

799
00:43:42,719 --> 00:43:46,919
Speaker 1: do it all, which is amazing. Um, what's the question

800
00:43:46,960 --> 00:43:51,120
Speaker 1: did you ask me earlier about her? About her? No? No, no, no, yes,

801
00:43:51,880 --> 00:43:53,960
Speaker 1: what's the best part of having a girlfriend? Now? That

802
00:43:54,040 --> 00:43:55,520
Speaker 1: was something we don't that's right, you don't have to

803
00:43:55,560 --> 00:43:59,920
Speaker 1: worry about friends giving thanks? No, that that wasn't my answer.

804
00:44:00,880 --> 00:44:03,479
Speaker 1: It was a different answer that I will hear later.

805
00:44:03,880 --> 00:44:05,319
Speaker 1: I'm sure if you listen to it, But then you'll

806
00:44:05,320 --> 00:44:08,839
Speaker 1: confuse it with Christiansen with Christians and be like Christiansen

807
00:44:08,880 --> 00:44:12,959
Speaker 1: said that the best part about having a girlfriend, Um, yeah,

808
00:44:12,960 --> 00:44:14,600
Speaker 1: and I was talking about if there was a way

809
00:44:14,600 --> 00:44:16,640
Speaker 1: because you can't have sweet potatoes. So I'm gonna try

810
00:44:16,640 --> 00:44:19,040
Speaker 1: to see if I can make sweet potato cast roles

811
00:44:19,080 --> 00:44:22,200
Speaker 1: with with yams, because you can eat yams, but you

812
00:44:22,239 --> 00:44:25,440
Speaker 1: can't eat sweet potatoes. So I'm gonna try to dream

813
00:44:25,480 --> 00:44:28,040
Speaker 1: something up. Um, what's the best part of that having

814
00:44:28,040 --> 00:44:32,160
Speaker 1: a boyfriend? The fact that I can call you my boyfriend.

815
00:44:32,400 --> 00:44:37,000
Speaker 1: That's the best part of my No, the best for

816
00:44:37,920 --> 00:44:41,680
Speaker 1: having a boyfriend. Hey, that was a joke. That doesn't count.

817
00:44:43,360 --> 00:44:47,480
Speaker 1: I get back anything. The best part about having a

818
00:44:47,520 --> 00:44:54,600
Speaker 1: boyfriend is having somebody who can understand you. Then you

819
00:44:54,600 --> 00:44:58,439
Speaker 1: guys calmed me down and I called me down. Yeah,

820
00:44:58,480 --> 00:45:00,960
Speaker 1: in moments that nothing can nothing else can calm you

821
00:45:01,040 --> 00:45:03,600
Speaker 1: down or or just make me see things from a

822
00:45:03,640 --> 00:45:08,600
Speaker 1: bigger perspective and sad news. You give me perspective into

823
00:45:08,600 --> 00:45:12,480
Speaker 1: my own life that I can't say sometimes, how can

824
00:45:12,480 --> 00:45:16,759
Speaker 1: you give me too much credit? Fine? Last night I

825
00:45:16,920 --> 00:45:19,080
Speaker 1: felt like my life was falling apart or No, the

826
00:45:19,160 --> 00:45:21,360
Speaker 1: night before listen that I was writing the night before

827
00:45:22,040 --> 00:45:25,600
Speaker 1: and I was just like confused and stressed and I

828
00:45:25,600 --> 00:45:28,600
Speaker 1: don't know what happened. Are you talking about putting new

829
00:45:28,719 --> 00:45:33,160
Speaker 1: music out? Bad girlfriend? No? No, no, And then you

830
00:45:33,200 --> 00:45:37,600
Speaker 1: can't remember the heartfelt conversation. I remember, no, no, no,

831
00:45:37,680 --> 00:45:42,480
Speaker 1: But you're listen. I try to stay as hands off

832
00:45:43,640 --> 00:45:46,560
Speaker 1: of lindsay stuff as possible with her music, but when

833
00:45:46,560 --> 00:45:49,319
Speaker 1: she's like, hey what, then it's just a weird it's

834
00:45:49,320 --> 00:45:54,160
Speaker 1: an awesome dynamic. Yeah, but I remember because my whole

835
00:45:54,160 --> 00:45:56,080
Speaker 1: thing was you have a great team. Trust the team.

836
00:45:56,160 --> 00:45:58,640
Speaker 1: I know, like you won't even listen to most songs

837
00:45:58,680 --> 00:46:00,920
Speaker 1: I don't. And I just had to reach with freaking

838
00:46:00,960 --> 00:46:03,359
Speaker 1: Nada today, who was like, you know what, you listen

839
00:46:03,400 --> 00:46:04,400
Speaker 1: to this print? I was like, no, you know what,

840
00:46:04,480 --> 00:46:05,720
Speaker 1: let me tell you. I don't even go to Lindsay.

841
00:46:05,719 --> 00:46:08,040
Speaker 1: Can hear all her songs? Because he doesn't. You don't

842
00:46:08,040 --> 00:46:10,319
Speaker 1: want I don't want to hear him. I haven't. I

843
00:46:10,360 --> 00:46:14,759
Speaker 1: haven't do this with Lindsey. There's nothing anyway. Whatever. I'm more,

844
00:46:15,200 --> 00:46:19,359
Speaker 1: I'm more lean on you for reassurance that like I'm

845
00:46:19,400 --> 00:46:21,560
Speaker 1: doing the right thing, or I just need to let

846
00:46:21,600 --> 00:46:23,680
Speaker 1: it take the time it takes, or I need to

847
00:46:23,719 --> 00:46:27,000
Speaker 1: trust people in my team around me and it's it's

848
00:46:27,000 --> 00:46:29,000
Speaker 1: more of that stuff that I get caught up on.

849
00:46:29,600 --> 00:46:31,680
Speaker 1: But my answer is always the same thing, is that

850
00:46:32,400 --> 00:46:37,960
Speaker 1: I don't know the answer, but uh, nobody does. In

851
00:46:38,000 --> 00:46:40,680
Speaker 1: the creative world. There is no right answer. There's never

852
00:46:40,920 --> 00:46:44,600
Speaker 1: a right answer in the creative world. Like you could

853
00:46:44,640 --> 00:46:47,040
Speaker 1: do something and it's and this is just the period

854
00:46:47,120 --> 00:46:51,120
Speaker 1: in any sort of career or area you can go

855
00:46:51,200 --> 00:46:53,920
Speaker 1: and chase the absolute moon. But if you're going to

856
00:46:54,040 --> 00:46:58,920
Speaker 1: chase the moon, the possibility of you crashing really hard

857
00:46:59,320 --> 00:47:01,520
Speaker 1: is there. So you can go get the moon and

858
00:47:01,520 --> 00:47:04,680
Speaker 1: when you do, holy crap, you are the freaking astronaut

859
00:47:04,719 --> 00:47:07,319
Speaker 1: of the year. Or you're gonna crash and die for

860
00:47:07,360 --> 00:47:10,120
Speaker 1: this project or this whatever you're doing. And if you're

861
00:47:10,200 --> 00:47:11,759
Speaker 1: up for that, because that's how I live, that's I

862
00:47:11,800 --> 00:47:13,520
Speaker 1: do my my job, my life like I go for

863
00:47:13,560 --> 00:47:15,960
Speaker 1: it all, and when I fail, I'm I'm okay with

864
00:47:16,000 --> 00:47:17,560
Speaker 1: it because I went for it all. Like I don't

865
00:47:17,560 --> 00:47:20,440
Speaker 1: try to go down the middle. I'm not a middle person.

866
00:47:20,560 --> 00:47:23,279
Speaker 1: And I think that's why you inspire me so much,

867
00:47:23,480 --> 00:47:28,360
Speaker 1: or you can help me understand myself, and we just

868
00:47:28,480 --> 00:47:31,239
Speaker 1: understand each other so much because you love what you

869
00:47:31,280 --> 00:47:33,000
Speaker 1: do so much and you're so passionate about it and

870
00:47:33,040 --> 00:47:35,520
Speaker 1: you love your work, and I love what I do

871
00:47:35,600 --> 00:47:39,000
Speaker 1: so much, and I'm super passionate about it. And sometimes

872
00:47:39,040 --> 00:47:43,239
Speaker 1: it's hard to find somebody who is okay with their

873
00:47:43,320 --> 00:47:46,640
Speaker 1: significant other loving their work that much. I also, we

874
00:47:46,680 --> 00:47:48,680
Speaker 1: also can text all the time on Twitter all the time,

875
00:47:48,680 --> 00:47:52,239
Speaker 1: and nobody gets mad. Nobody gets the only time I

876
00:47:52,239 --> 00:47:54,440
Speaker 1: ever like, there's only been one time, I think in

877
00:47:54,480 --> 00:47:56,600
Speaker 1: the history of us ever whatever. I was like, hey,

878
00:47:56,600 --> 00:47:59,160
Speaker 1: put your phone down one time. Do you know what

879
00:47:59,200 --> 00:48:04,440
Speaker 1: it was? I don't remember that. That's very recent. You

880
00:48:04,480 --> 00:48:07,719
Speaker 1: said that to me. I was like, okay, phone down.

881
00:48:08,560 --> 00:48:10,319
Speaker 1: I don't remember that at all. It was in the

882
00:48:10,320 --> 00:48:13,000
Speaker 1: middle of the first episode of Walking Dead and I

883
00:48:13,120 --> 00:48:15,200
Speaker 1: was so upset she wasn't paying attention because it was

884
00:48:15,239 --> 00:48:18,200
Speaker 1: so intense, and I was like, you gotta put your

885
00:48:18,200 --> 00:48:21,800
Speaker 1: phone down. Okay, this is crazy. Right now one time

886
00:48:22,600 --> 00:48:26,960
Speaker 1: in between commercials where he will close his laptop, close

887
00:48:27,000 --> 00:48:29,440
Speaker 1: the laptop and like shut off. The rest of the

888
00:48:29,520 --> 00:48:32,319
Speaker 1: world is the Walking Dead. We're actually going to a

889
00:48:32,360 --> 00:48:35,160
Speaker 1: dinner right now with another with a married company. I

890
00:48:35,160 --> 00:48:38,600
Speaker 1: need to go do my hair. Were not time, I mean,

891
00:48:39,719 --> 00:48:44,200
Speaker 1: my my flatirons plugged in downstairs. Go ahead, you can go.

892
00:48:44,239 --> 00:48:47,799
Speaker 1: Then why do we need to leave? I mean, just

893
00:48:47,840 --> 00:48:51,080
Speaker 1: you can go. We're good. The show doesn't know you're good.

894
00:48:51,280 --> 00:48:53,480
Speaker 1: The show doesn't end when you leave, So you're good.

895
00:48:53,640 --> 00:48:54,960
Speaker 1: I want to hear the rest of it, or you

896
00:48:54,960 --> 00:48:58,759
Speaker 1: can download it later. I already all right there there

897
00:48:58,800 --> 00:49:01,040
Speaker 1: she is, lindsay, all everybody, I got if I close,

898
00:49:01,120 --> 00:49:07,000
Speaker 1: not too okay, all right, goodbye? Okay, no, go go

899
00:49:07,000 --> 00:49:09,440
Speaker 1: go finish her. We have to be there at six.

900
00:49:09,520 --> 00:49:12,080
Speaker 1: It's forty five minutes from the right right now, and

901
00:49:12,120 --> 00:49:16,759
Speaker 1: they live a long distance away. That's traffic. We have traffic, though,

902
00:49:17,080 --> 00:49:20,719
Speaker 1: you know. I'm not late. I can't be late. All right,

903
00:49:20,760 --> 00:49:30,400
Speaker 1: I've seen a minute. Goodbye, goodbye, goodbye, goodbye. Special appearance.

904
00:49:30,400 --> 00:49:38,799
Speaker 1: We weren't expecting to pick up chel. I appreciate you

905
00:49:38,800 --> 00:49:43,840
Speaker 1: guys being here. I think that's wrap any special message

906
00:49:44,000 --> 00:49:46,480
Speaker 1: to get across. You say we come with some sort

907
00:49:46,480 --> 00:49:49,120
Speaker 1: of message. I just appreciate everybody listening. The thing's grown

908
00:49:49,200 --> 00:49:53,640
Speaker 1: and continues to grow, and um, you know, sometimes we

909
00:49:53,719 --> 00:49:56,560
Speaker 1: come on. I went to Lauren Lana's birthday party, which

910
00:49:56,600 --> 00:49:59,240
Speaker 1: was fun. It was she's twenty two, which is crazy.

911
00:49:59,239 --> 00:50:02,319
Speaker 1: She's twenty two. Because yeah, she's been famous. She got

912
00:50:02,400 --> 00:50:05,680
Speaker 1: I don't just fifteen and sixteen is cut off. Her

913
00:50:05,719 --> 00:50:09,200
Speaker 1: birthday just made it. And so Lauren is awesome. I

914
00:50:09,239 --> 00:50:12,680
Speaker 1: think come into to do this sometime soon. And Laurence awesome.

915
00:50:12,880 --> 00:50:14,640
Speaker 1: And I went to her Lindsay and I went to

916
00:50:14,640 --> 00:50:17,680
Speaker 1: her twenty to two birthday party, and so everybody was

917
00:50:17,680 --> 00:50:20,480
Speaker 1: warning two twos, like everybody was warning too creody at

918
00:50:20,520 --> 00:50:23,200
Speaker 1: the party. So it was fun. I did that. Um,

919
00:50:23,239 --> 00:50:25,720
Speaker 1: I know stuf I'm gonna talk about. I don't remember

920
00:50:25,719 --> 00:50:29,840
Speaker 1: what it was, but all right, I'll leave you with

921
00:50:29,880 --> 00:50:53,240
Speaker 1: some Pentatonics. Holliday, Yeah, what are your faith was strong?

922
00:50:53,600 --> 00:51:07,640
Speaker 1: But she needed proof. You saw who futi al right,

923
00:51:07,680 --> 00:51:10,560
Speaker 1: shout out Lee Thomas Miller for putting me in the

924
00:51:10,640 --> 00:51:13,800
Speaker 1: article she shot Presston, and shout Lindsay l for popping

925
00:51:13,840 --> 00:51:15,239
Speaker 1: in here last minute as we were about to go

926
00:51:15,360 --> 00:51:18,920
Speaker 1: eat dinner with another couple, which we've never done before.

927
00:51:18,920 --> 00:51:23,759
Speaker 1: It's our first ever doubled mate. Shout at everybody. I

928
00:51:23,760 --> 00:51:27,400
Speaker 1: got into an argument with not an argument. I disagreement

929
00:51:27,440 --> 00:51:30,799
Speaker 1: went not at today because one of her friends was like, hey,

930
00:51:30,840 --> 00:51:32,279
Speaker 1: I want you to listen to some new music, and

931
00:51:32,320 --> 00:51:33,600
Speaker 1: I was like, no, I don't do that. It's one

932
00:51:33,680 --> 00:51:36,160
Speaker 1: actually listen to music. I just don't do it. And

933
00:51:36,239 --> 00:51:38,399
Speaker 1: then like Lenda said, Lindsay doesn't even do that, I don't.

934
00:51:38,520 --> 00:51:41,160
Speaker 1: I don't listen to hers because I always gotta be

935
00:51:41,200 --> 00:51:43,440
Speaker 1: like I don't have to go want to go after it,

936
00:51:43,560 --> 00:51:47,040
Speaker 1: like let me hear this. And even when Lindsay, I don't,

937
00:51:47,160 --> 00:51:49,920
Speaker 1: it's it's just she just you never like take these

938
00:51:49,960 --> 00:51:52,080
Speaker 1: songs to listen to me. Tell me this is not

939
00:51:52,440 --> 00:51:56,080
Speaker 1: even with my girlfriend. I'm gonna do that. Yeah, that

940
00:51:56,200 --> 00:51:58,239
Speaker 1: was a whole source of contention. You can do it

941
00:51:58,280 --> 00:52:00,200
Speaker 1: like everybody else does. The post to maybe like is

942
00:52:00,600 --> 00:52:03,200
Speaker 1: this is literally what people do like some Mary Force

943
00:52:03,239 --> 00:52:05,839
Speaker 1: and my manager and then everybody that works even Rode.

944
00:52:05,840 --> 00:52:07,560
Speaker 1: They're like, Bobby's crazy. I don't know what he does

945
00:52:07,600 --> 00:52:09,000
Speaker 1: with music, Like I don't. They don't take it, and

946
00:52:09,040 --> 00:52:10,200
Speaker 1: they're like if Boby's crazy, I don't know what. I

947
00:52:10,200 --> 00:52:12,239
Speaker 1: don't know how he does it. If he does, I

948
00:52:12,239 --> 00:52:13,279
Speaker 1: don't know how he finds. I don't know what. He

949
00:52:13,320 --> 00:52:14,840
Speaker 1: doesn't know how he does it. And I like that

950
00:52:15,040 --> 00:52:16,520
Speaker 1: because then they don't come to me and go, hey,

951
00:52:16,760 --> 00:52:18,880
Speaker 1: here's the music. I went to a meeting yesterday and

952
00:52:18,880 --> 00:52:20,200
Speaker 1: some guy was like, hey, I guys this artist and

953
00:52:20,200 --> 00:52:21,799
Speaker 1: I was like, where are the meeting or something out

954
00:52:21,880 --> 00:52:26,080
Speaker 1: like this is not about this. I'm begged. I appreciate

955
00:52:26,080 --> 00:52:27,879
Speaker 1: you guys. Listenink. Thank's closed to the show. I hope

956
00:52:27,920 --> 00:52:29,879
Speaker 1: it's killed a little bit of time today. How long

957
00:52:29,920 --> 00:52:33,480
Speaker 1: was this, Mike, Holy crap, we're talking about nothing for minutes.

958
00:52:34,400 --> 00:52:36,640
Speaker 1: All right, have you going? That's it? Twenty over