1 00:00:00,720 --> 00:00:04,160 Speaker 1: Hello, welcome to a bonus episode of the podcast if 2 00:00:04,200 --> 00:00:06,920 Speaker 1: you are new here. Every now and then, when there's 3 00:00:06,960 --> 00:00:09,640 Speaker 1: a big movie out, we do a spoiler episode to 4 00:00:09,680 --> 00:00:11,920 Speaker 1: get into all the details. So if you have seen 5 00:00:11,960 --> 00:00:15,240 Speaker 1: the movie Don't Worry Darling, or I know that people 6 00:00:15,400 --> 00:00:17,919 Speaker 1: listen to this who were never going to see these 7 00:00:17,960 --> 00:00:20,720 Speaker 1: movies and they just want to hear our thoughts for free. 8 00:00:20,760 --> 00:00:23,360 Speaker 1: It's basically like watching it for free. I mean, when 9 00:00:23,400 --> 00:00:25,599 Speaker 1: I don't want to see scary movies, I read the 10 00:00:25,640 --> 00:00:28,120 Speaker 1: Wikipedia page like after they've come out. That's kind of 11 00:00:28,160 --> 00:00:31,360 Speaker 1: what this is. Yeah, this is like an audio Wikipedia page. 12 00:00:31,520 --> 00:00:33,840 Speaker 1: You get all the details without having to go see 13 00:00:33,880 --> 00:00:36,479 Speaker 1: a movie. So we watch and review movies so you 14 00:00:36,479 --> 00:00:38,640 Speaker 1: don't have to. But we're gonna be talking about Don't 15 00:00:38,680 --> 00:00:41,880 Speaker 1: Worry Darling, which is a hard movie to review because 16 00:00:41,920 --> 00:00:46,320 Speaker 1: so much of it is based on like my review was, like, 17 00:00:46,360 --> 00:00:49,080 Speaker 1: it was good, it was cute the end, because so 18 00:00:49,159 --> 00:00:50,800 Speaker 1: much of it is based on the plot and what 19 00:00:50,960 --> 00:00:53,760 Speaker 1: happens and all the questions it raises. But if you 20 00:00:53,800 --> 00:00:56,040 Speaker 1: try to answer those, you end up giving away a 21 00:00:56,040 --> 00:00:58,480 Speaker 1: lot of what the movie is about. But if you 22 00:00:58,560 --> 00:01:02,440 Speaker 1: missed that spoiler free review, what the movie is essentially about, 23 00:01:02,640 --> 00:01:08,600 Speaker 1: is Florence Pew's character living in this nineteen fifties dystopian, 24 00:01:08,720 --> 00:01:12,959 Speaker 1: dystopian place called Victory, which is owned by this company, 25 00:01:13,160 --> 00:01:15,919 Speaker 1: and it is all the men. They are doing something 26 00:01:16,040 --> 00:01:18,440 Speaker 1: very mysterious. They go off to work, all at the 27 00:01:18,480 --> 00:01:22,320 Speaker 1: same time. It's very like them leaving reminds me, Yeah, 28 00:01:22,360 --> 00:01:25,720 Speaker 1: it's like us a nineteen fifties like sitcommerce show where 29 00:01:25,720 --> 00:01:28,679 Speaker 1: everyone leaves at the same time. Their wife packs him 30 00:01:28,680 --> 00:01:31,600 Speaker 1: a lunch, their wife has made them breakfast. They leave 31 00:01:31,640 --> 00:01:36,240 Speaker 1: all together, their wife's stands in the driveway goodbye, and 32 00:01:36,280 --> 00:01:38,160 Speaker 1: then they go inside and clean the house for the day. 33 00:01:38,200 --> 00:01:40,880 Speaker 1: And that's like very much. It's the same routine every day. 34 00:01:40,920 --> 00:01:42,640 Speaker 1: A lot of the movie, like the important part, was 35 00:01:42,640 --> 00:01:48,160 Speaker 1: like repetition, like different scenes. And then Florence Pew's character 36 00:01:48,880 --> 00:01:53,120 Speaker 1: is starting to question things when there's another woman who 37 00:01:53,240 --> 00:01:58,960 Speaker 1: she sees basically kill herself and they try to cover 38 00:01:59,040 --> 00:02:00,840 Speaker 1: it up, saying she's fine and she's in the hospital, 39 00:02:00,920 --> 00:02:04,240 Speaker 1: she'd be okay, And she's trying to figure out what's 40 00:02:04,240 --> 00:02:08,600 Speaker 1: actually happening because the woman's been telling her before she 41 00:02:08,680 --> 00:02:11,200 Speaker 1: tried to commit suicide. She said to ask questions like 42 00:02:11,240 --> 00:02:15,120 Speaker 1: what are they not telling us because she had her kid. 43 00:02:16,400 --> 00:02:18,720 Speaker 1: So you see like this like flashback of this woman 44 00:02:18,720 --> 00:02:22,600 Speaker 1: with a kid, and you are led to assume something 45 00:02:22,600 --> 00:02:25,240 Speaker 1: has happened to the kid. You don't know what, which 46 00:02:25,280 --> 00:02:27,639 Speaker 1: is a whole I think let's start with that question, 47 00:02:28,320 --> 00:02:31,760 Speaker 1: which they talk about kids don't actually exist in this 48 00:02:32,000 --> 00:02:34,720 Speaker 1: in this place. So when we find out later in 49 00:02:34,760 --> 00:02:38,040 Speaker 1: the movie, the main spoiler is that it's all a simulation. 50 00:02:38,360 --> 00:02:42,000 Speaker 1: It turns out that Harry Styles has put Florence Pew 51 00:02:42,720 --> 00:02:46,200 Speaker 1: in this simulation to keep her there, and that raises 52 00:02:46,240 --> 00:02:48,480 Speaker 1: a whole lot of questions. Do we want to start with, 53 00:02:48,520 --> 00:02:50,520 Speaker 1: like why he did that? We want to just kind 54 00:02:50,520 --> 00:02:54,280 Speaker 1: of jump Yeah, the big spoiler. So you find out 55 00:02:54,360 --> 00:02:57,519 Speaker 1: that in their real lives. Well also I'm talking about 56 00:02:57,520 --> 00:03:00,359 Speaker 1: in her real life, her name was Alex, not out lists, 57 00:03:01,160 --> 00:03:04,400 Speaker 1: so it's Alex and Jack and she's a surgeon and 58 00:03:04,520 --> 00:03:11,519 Speaker 1: he basically becomes like radicalized online and joins this project 59 00:03:12,680 --> 00:03:15,000 Speaker 1: and like chains her to the bed and puts this 60 00:03:15,080 --> 00:03:17,680 Speaker 1: thing on her eye that like holds her eye open 61 00:03:17,800 --> 00:03:20,840 Speaker 1: and like conditions her and keeps her sort of physical 62 00:03:20,880 --> 00:03:24,799 Speaker 1: body is in like we'll say two. But they are 63 00:03:24,840 --> 00:03:29,040 Speaker 1: then like transported to the simulation in the nineteen fifties 64 00:03:29,520 --> 00:03:32,400 Speaker 1: and he's like, it's this thing that holds her eyes open. 65 00:03:32,600 --> 00:03:34,440 Speaker 1: It's freaky. So you find know that he has like 66 00:03:34,520 --> 00:03:38,320 Speaker 1: purposefully done this and is holding her there against her will. 67 00:03:38,760 --> 00:03:41,000 Speaker 1: That's how the movie started with the I and then 68 00:03:41,040 --> 00:03:43,119 Speaker 1: it ends with the eye, so it kind of brought 69 00:03:43,120 --> 00:03:46,560 Speaker 1: it all back together. I felt like that was the 70 00:03:46,640 --> 00:03:48,840 Speaker 1: most shocking part of the entire movie, once you finally 71 00:03:48,880 --> 00:03:51,960 Speaker 1: figure out what's happening. But I just had so many questions. 72 00:03:52,240 --> 00:03:54,680 Speaker 1: And also, if you listened to the spoiler free review, 73 00:03:54,680 --> 00:03:56,800 Speaker 1: when I talked about a part where like Harry looks 74 00:03:56,800 --> 00:03:59,360 Speaker 1: so different that everyone starts giggling, it's that part. So 75 00:03:59,440 --> 00:04:03,320 Speaker 1: he is this greasy looking like rats, sitting in front 76 00:04:03,360 --> 00:04:07,160 Speaker 1: of a computer, like stringy hair, glasses, an American accent. 77 00:04:07,960 --> 00:04:11,920 Speaker 1: Every girl just starts giggling. It looks like a hardcore 78 00:04:12,160 --> 00:04:15,560 Speaker 1: gamer who doesn't get out much like I got to 79 00:04:15,560 --> 00:04:17,480 Speaker 1: see him what he would look like as a normal, 80 00:04:17,839 --> 00:04:21,240 Speaker 1: regular person. That was weird. I prefer Harry the Supercar. Yeah, 81 00:04:21,279 --> 00:04:22,760 Speaker 1: that was the part where everybody was like, what is 82 00:04:22,760 --> 00:04:26,080 Speaker 1: happening and which we also mentioned that like our theater 83 00:04:26,120 --> 00:04:27,960 Speaker 1: and we went to see it was full of women, 84 00:04:28,440 --> 00:04:30,960 Speaker 1: girls just wanting to see Harry. So it wasn't like 85 00:04:31,000 --> 00:04:34,120 Speaker 1: audible gas. Yeah, it wasn't like an interest in the 86 00:04:34,120 --> 00:04:36,599 Speaker 1: movie crowd. It was an interested in Harry crowd. So 87 00:04:36,640 --> 00:04:38,520 Speaker 1: that got a rise out of everyone. I think the 88 00:04:38,560 --> 00:04:40,880 Speaker 1: main question I had with that that the movie really 89 00:04:40,880 --> 00:04:44,080 Speaker 1: didn't answer is how does he explain her absence from 90 00:04:44,080 --> 00:04:46,120 Speaker 1: the world. Yeah, and I've seen a lot of I 91 00:04:46,160 --> 00:04:48,680 Speaker 1: somehow ended up on like don't worry darling TikTok for 92 00:04:48,760 --> 00:04:53,600 Speaker 1: like a week after because he's keeping her in this simulation. Yeah, 93 00:04:53,600 --> 00:04:55,960 Speaker 1: like she was a surgeon. How is anyone from work 94 00:04:56,040 --> 00:04:58,800 Speaker 1: not looking for her coming over to their apartment and 95 00:04:58,839 --> 00:05:02,040 Speaker 1: like banging on the door, like, uh, she coming to 96 00:05:02,080 --> 00:05:04,520 Speaker 1: work today? She good? Like if there was a timeline 97 00:05:04,520 --> 00:05:06,160 Speaker 1: on like how long she's been in it, but it 98 00:05:06,200 --> 00:05:09,120 Speaker 1: seems like it's been a long time. You feel like, 99 00:05:09,240 --> 00:05:11,599 Speaker 1: how could he keep this under rats for so long 100 00:05:11,640 --> 00:05:14,320 Speaker 1: without people questioning or even going in and breaking in 101 00:05:14,360 --> 00:05:17,120 Speaker 1: there to try to find her. Yeah, And then another 102 00:05:17,200 --> 00:05:20,960 Speaker 1: question is like I wish we got more at the end. Yeah, 103 00:05:21,000 --> 00:05:23,719 Speaker 1: because the end was her waking up. You just like 104 00:05:23,880 --> 00:05:27,200 Speaker 1: hear her waking up. She's escaped the simulation, and then 105 00:05:27,240 --> 00:05:30,880 Speaker 1: that's it has a very underwhelming ending, And how does 106 00:05:30,880 --> 00:05:33,520 Speaker 1: he pay for it? Because the whole thing of when 107 00:05:33,560 --> 00:05:35,920 Speaker 1: the men in the town at Victory go to work, 108 00:05:36,480 --> 00:05:40,240 Speaker 1: they are actually leaving the simulation so they can go 109 00:05:40,640 --> 00:05:44,120 Speaker 1: and pay to keep them in the simulation. But how 110 00:05:44,120 --> 00:05:48,000 Speaker 1: are they because he seemed to be unemployed in the 111 00:05:48,040 --> 00:05:50,480 Speaker 1: first place, because yeah, that's the whole reason why he 112 00:05:50,520 --> 00:05:52,839 Speaker 1: didn't want her, Like he's trying to fix their situation, 113 00:05:53,040 --> 00:05:56,560 Speaker 1: Like she has a good job. He is paying to 114 00:05:56,640 --> 00:05:59,280 Speaker 1: keep the simulation going, but how does he also afford 115 00:05:59,320 --> 00:06:02,720 Speaker 1: that wild maintaining the rent on that apartment without her 116 00:06:02,720 --> 00:06:06,000 Speaker 1: working raised a lot of questions. And I try not 117 00:06:06,040 --> 00:06:08,920 Speaker 1: to like analyze every little detail in a movie like this. 118 00:06:08,920 --> 00:06:12,119 Speaker 1: This was a movie like meant to analyze, and yes, 119 00:06:12,240 --> 00:06:15,440 Speaker 1: and this movie was a lot of I would say 120 00:06:15,440 --> 00:06:19,320 Speaker 1: aesthetic more than it was actual content and stuff to 121 00:06:19,400 --> 00:06:22,000 Speaker 1: chew on. That's why in the spoiler reversion, I was 122 00:06:22,040 --> 00:06:24,640 Speaker 1: like I needed more plot because I feel like in 123 00:06:24,720 --> 00:06:26,719 Speaker 1: other movie is like this, where there's a lot of 124 00:06:26,800 --> 00:06:29,640 Speaker 1: mystery and a lot of symbolism and a lot of 125 00:06:29,680 --> 00:06:31,640 Speaker 1: these things that you have to pick up on and 126 00:06:31,640 --> 00:06:34,880 Speaker 1: put together like a puzzle. None of this stuff kind 127 00:06:34,880 --> 00:06:36,880 Speaker 1: of came together. A lot of it was like kind 128 00:06:36,880 --> 00:06:39,159 Speaker 1: of thrown at you there, even though like if you 129 00:06:39,200 --> 00:06:41,200 Speaker 1: die in the simulation, you die in real life was 130 00:06:41,279 --> 00:06:43,880 Speaker 1: kind of thrown on there at the end. And then yeah, 131 00:06:43,920 --> 00:06:46,160 Speaker 1: because that's another spoiler, she kills him in the end. 132 00:06:46,279 --> 00:06:48,360 Speaker 1: She kills him because she figures it out and she 133 00:06:48,480 --> 00:06:51,760 Speaker 1: thinks she's convinced him to leave, and he like basically, 134 00:06:51,880 --> 00:06:53,920 Speaker 1: oh no, I guess that was when he committed her 135 00:06:53,960 --> 00:06:56,880 Speaker 1: to the hospital the first time she escaped the simulation, 136 00:06:57,880 --> 00:06:59,640 Speaker 1: and then she thought she convinced him. Believe an he 137 00:06:59,680 --> 00:07:02,680 Speaker 1: had her committed And by the time you find that 138 00:07:02,760 --> 00:07:04,640 Speaker 1: out about if you die in the simulation, you die 139 00:07:04,640 --> 00:07:07,080 Speaker 1: in real live, he's already done. And also it didn't 140 00:07:07,080 --> 00:07:09,880 Speaker 1: really add anything to the stakes of the movie at 141 00:07:09,880 --> 00:07:13,840 Speaker 1: that point, like she's just going back to the real world. 142 00:07:13,880 --> 00:07:17,040 Speaker 1: But like, okay, like I want to know, like she 143 00:07:17,080 --> 00:07:19,920 Speaker 1: have to hide his body, Yeah, what happens after? Happens after? 144 00:07:20,080 --> 00:07:22,520 Speaker 1: I need an after chapter. And then there was a 145 00:07:22,560 --> 00:07:26,800 Speaker 1: weird part at the end where Chris Pine's character gets 146 00:07:26,800 --> 00:07:29,720 Speaker 1: stabbed kind of just thrown out of nowhere to like 147 00:07:29,760 --> 00:07:31,720 Speaker 1: what was the whole point of him because I think 148 00:07:31,720 --> 00:07:34,440 Speaker 1: without him, the whole operation falls down and then what 149 00:07:34,520 --> 00:07:36,920 Speaker 1: happens after that, But then that is weird because Olivia 150 00:07:36,960 --> 00:07:38,960 Speaker 1: Wild's character Bunny, it was like I have to stay 151 00:07:38,960 --> 00:07:40,960 Speaker 1: here because it's the only place my children are alive. 152 00:07:41,080 --> 00:07:43,800 Speaker 1: So it's like not everyone wanted it to fall apart. 153 00:07:44,280 --> 00:07:46,160 Speaker 1: M yeah, there's some loopholes. I need to go watch 154 00:07:46,240 --> 00:07:48,120 Speaker 1: it again, we need to go Yes, this is a 155 00:07:48,160 --> 00:07:52,120 Speaker 1: movie that I do want to watch again, and maybe 156 00:07:53,360 --> 00:07:56,520 Speaker 1: rewatching it, I pick up on more things to figure 157 00:07:56,560 --> 00:07:58,800 Speaker 1: things out more, or I just over analyzed and be like, ah, 158 00:07:58,840 --> 00:08:00,560 Speaker 1: this is what it was trying to say this point. 159 00:08:01,440 --> 00:08:04,520 Speaker 1: But there was just a lot of small details that 160 00:08:04,560 --> 00:08:07,720 Speaker 1: never really got answered. So I felt like that hurt 161 00:08:08,040 --> 00:08:10,120 Speaker 1: me from enjoying it as much as I wanted to. 162 00:08:10,720 --> 00:08:12,640 Speaker 1: What I did see some people saying it was like 163 00:08:12,640 --> 00:08:15,720 Speaker 1: whenever she was like cracking the hollow eggs, like what 164 00:08:15,760 --> 00:08:18,560 Speaker 1: did that mean? I didn't get most of that stuff 165 00:08:18,760 --> 00:08:22,480 Speaker 1: is there was little glitches in the simulation that started 166 00:08:22,480 --> 00:08:25,520 Speaker 1: to oh yeah because they weren't like real X because 167 00:08:25,560 --> 00:08:28,200 Speaker 1: there simulation egg. So there's yeah, there's things that weren't 168 00:08:28,200 --> 00:08:30,600 Speaker 1: perfect about it. And there was all these other little 169 00:08:30,640 --> 00:08:33,680 Speaker 1: things that would happen. She felt like the wall closing in, 170 00:08:33,760 --> 00:08:37,240 Speaker 1: all closing in the airplane sounds, which it could have 171 00:08:37,280 --> 00:08:39,440 Speaker 1: just been where their apartment was. That was like a 172 00:08:39,440 --> 00:08:43,640 Speaker 1: glimpse of her hearing outside noises while you're asleep. Oh yeah. 173 00:08:44,200 --> 00:08:47,720 Speaker 1: Or also what was the other thing? All the earthquakes, 174 00:08:48,200 --> 00:08:51,640 Speaker 1: all the earthquakes and those it could just be kind 175 00:08:51,679 --> 00:08:53,840 Speaker 1: of hinting at there's something else going on, giving you 176 00:08:53,880 --> 00:08:57,200 Speaker 1: clues of maybe she's actually not experiencing this and there's 177 00:08:57,200 --> 00:09:00,000 Speaker 1: some outside world around her, which like the earth takes. 178 00:09:00,080 --> 00:09:03,600 Speaker 1: Earthquakes were interesting because they made you think that the 179 00:09:03,640 --> 00:09:07,280 Speaker 1: men were doing something. Yeah, weapons are building or something, 180 00:09:07,280 --> 00:09:09,160 Speaker 1: and so this whole time you think they're actually working 181 00:09:09,160 --> 00:09:11,520 Speaker 1: on some projects. So that that was a plot twist 182 00:09:11,559 --> 00:09:14,160 Speaker 1: that it was all the same nation. Yeah, I thought 183 00:09:14,160 --> 00:09:17,199 Speaker 1: it was going to build up more towards her actually 184 00:09:17,280 --> 00:09:19,360 Speaker 1: figuring out going out there. Like I thought there was 185 00:09:19,400 --> 00:09:21,360 Speaker 1: actually a project and it was going to be something 186 00:09:21,360 --> 00:09:24,600 Speaker 1: creepy and like paranormal. That's kind of what you thought. 187 00:09:25,360 --> 00:09:27,960 Speaker 1: That's where I thought it was going interesting. I just 188 00:09:28,160 --> 00:09:30,160 Speaker 1: this movie had that feeling to me of it was 189 00:09:30,160 --> 00:09:33,160 Speaker 1: going to be something really weird and strange. I mean, 190 00:09:33,240 --> 00:09:36,240 Speaker 1: it was, Yeah, it was, but I felt like it 191 00:09:36,280 --> 00:09:40,760 Speaker 1: was a little lackluster. And it wasn't lackluster. Florence puse performance. No, 192 00:09:40,920 --> 00:09:44,200 Speaker 1: she carried this movie. She was phenomenal. I would not 193 00:09:44,400 --> 00:09:47,360 Speaker 1: have enjoyed this movie even a fraction of the amount 194 00:09:47,360 --> 00:09:49,520 Speaker 1: that I did if it wasn't for her, Like, totally 195 00:09:49,720 --> 00:09:53,480 Speaker 1: give all credit to her for carrying this movie. Another 196 00:09:53,520 --> 00:09:57,360 Speaker 1: thing I saw that was like a purposeful like hint 197 00:09:57,480 --> 00:10:01,680 Speaker 1: was when the doctors at their house and he asks Jack, like, 198 00:10:01,760 --> 00:10:04,439 Speaker 1: what is it that the Brits say? And Jack doesn't 199 00:10:04,480 --> 00:10:07,520 Speaker 1: know because Jack is not actually British. Ah, he's American. 200 00:10:07,720 --> 00:10:11,360 Speaker 1: He's American, He's British. And the simulation. Yeah, see, I 201 00:10:11,400 --> 00:10:13,360 Speaker 1: think there will be more things like that, Like I 202 00:10:13,400 --> 00:10:15,720 Speaker 1: think like little things we'll pick up on. I do 203 00:10:15,920 --> 00:10:18,080 Speaker 1: kind of want to figure out more of what the 204 00:10:18,160 --> 00:10:21,719 Speaker 1: whole the people in Red meant. When they would come 205 00:10:21,720 --> 00:10:26,880 Speaker 1: out and try to like diffuse the situation, I felt like, like, 206 00:10:26,960 --> 00:10:31,440 Speaker 1: what did that really? What was that part of the simulation? Yeah? Yeah, 207 00:10:31,480 --> 00:10:33,600 Speaker 1: the men in red jumpsuits, they were weird. That's why 208 00:10:33,640 --> 00:10:35,679 Speaker 1: I thought there was something more paranormal or something like 209 00:10:36,040 --> 00:10:38,400 Speaker 1: the end they're like scrambling up the rock to keep 210 00:10:38,440 --> 00:10:40,640 Speaker 1: her from like exiting, Yeah, because it felt like there 211 00:10:40,720 --> 00:10:43,600 Speaker 1: was something else actually going on that the men were doing. 212 00:10:44,600 --> 00:10:46,960 Speaker 1: I don't know. I feel like I'm like trying to analyze. 213 00:10:47,000 --> 00:10:49,000 Speaker 1: This reminds me of like when you had to analyze 214 00:10:49,120 --> 00:10:52,240 Speaker 1: essays like in high school and college and like really 215 00:10:52,360 --> 00:10:56,480 Speaker 1: dig deeper. My brain doesn't work like that anymore, like 216 00:10:56,559 --> 00:10:58,000 Speaker 1: for an essay, and like I don't know what the 217 00:10:58,040 --> 00:11:00,680 Speaker 1: symbolism is. I guess I was also coming off I 218 00:11:00,720 --> 00:11:05,959 Speaker 1: hate comparing other movies two different movies I've seen, but 219 00:11:06,080 --> 00:11:09,720 Speaker 1: I was in that kind of nope mindset of everything 220 00:11:09,800 --> 00:11:13,040 Speaker 1: Jordan Peele didn't nope, didn't see it. Well, everything in 221 00:11:13,080 --> 00:11:16,720 Speaker 1: that movie really had meeting behind it and it could 222 00:11:16,760 --> 00:11:20,560 Speaker 1: be explained, and there's a lot more symbolism that I 223 00:11:20,679 --> 00:11:25,000 Speaker 1: felt was expressed more and done in a better way 224 00:11:25,040 --> 00:11:27,720 Speaker 1: throughout the entire movie that I really enjoyed, even though 225 00:11:27,840 --> 00:11:30,079 Speaker 1: that was also a movie that I watched and had 226 00:11:30,160 --> 00:11:33,040 Speaker 1: to go and research a little bit of what everything meant, 227 00:11:33,120 --> 00:11:34,839 Speaker 1: but it all made sense to me in the end. 228 00:11:34,880 --> 00:11:37,439 Speaker 1: After that this one, I've been looking at this stuff 229 00:11:37,440 --> 00:11:39,640 Speaker 1: for like a couple of weeks now, and I still 230 00:11:39,679 --> 00:11:42,719 Speaker 1: don't have all the answers. So maybe this movie was 231 00:11:42,760 --> 00:11:46,400 Speaker 1: a little bit more ambitious than it could account for, 232 00:11:46,679 --> 00:11:50,200 Speaker 1: than it could kind of achieve. But I loved I 233 00:11:50,240 --> 00:11:52,080 Speaker 1: still love the aesthetic of it and the look of it, 234 00:11:52,120 --> 00:11:54,160 Speaker 1: and the visuals in this movie. I felt really great. 235 00:11:54,520 --> 00:11:56,560 Speaker 1: You brought up a great point that the sound design 236 00:11:56,720 --> 00:11:58,760 Speaker 1: was really great in this movie, that I added another 237 00:11:58,840 --> 00:12:01,040 Speaker 1: level to it reason to see in theater, and it 238 00:12:01,120 --> 00:12:05,120 Speaker 1: still has a lot of cinematic value to me, and 239 00:12:05,120 --> 00:12:07,480 Speaker 1: I think it's also still an important movie that I 240 00:12:07,520 --> 00:12:10,040 Speaker 1: still don't want to discourage people from watching. Yeah, even 241 00:12:10,080 --> 00:12:12,520 Speaker 1: with the like the loose ends, I feel like the 242 00:12:12,559 --> 00:12:15,200 Speaker 1: main question of like what is victory and it being 243 00:12:15,200 --> 00:12:18,160 Speaker 1: a simulation is answered. Like I don't feel like the 244 00:12:18,240 --> 00:12:21,880 Speaker 1: unanswered questions mean you shouldn't see it Like there, it 245 00:12:21,880 --> 00:12:23,959 Speaker 1: doesn't there's movies and books that end and you don't 246 00:12:24,000 --> 00:12:25,839 Speaker 1: have answers. Yeah, it doesn't make it a bad movie. 247 00:12:26,040 --> 00:12:28,080 Speaker 1: I think I like that you can kind of draw 248 00:12:28,160 --> 00:12:31,960 Speaker 1: your own conclusions sometimes and figured out things on your own, 249 00:12:32,240 --> 00:12:33,880 Speaker 1: because I think one of my favorite shows of all 250 00:12:33,920 --> 00:12:37,480 Speaker 1: time was Lost, and a lot of people got upset 251 00:12:37,480 --> 00:12:40,880 Speaker 1: at the finale of that show because not everything was 252 00:12:40,920 --> 00:12:45,040 Speaker 1: answered that happened in that show, The Sopranos. Yeah, they're finale, 253 00:12:45,120 --> 00:12:47,760 Speaker 1: one of the most iconic finales. It just like ends 254 00:12:47,920 --> 00:12:51,480 Speaker 1: black screen and people everywhere thought their TV stopped working, 255 00:12:51,480 --> 00:12:53,400 Speaker 1: but that was just the end. Like I think sometimes 256 00:12:54,200 --> 00:12:57,520 Speaker 1: that's intentional because I feel like sometimes when things get 257 00:12:57,559 --> 00:12:59,199 Speaker 1: wrapped up too much with the bow, then you're kind 258 00:12:59,200 --> 00:13:02,760 Speaker 1: of like not really like all the books I read, 259 00:13:02,760 --> 00:13:05,840 Speaker 1: A lot of the books I read aren't always wrapped up, 260 00:13:05,880 --> 00:13:07,960 Speaker 1: Like it's kind of like I would love another chapter, 261 00:13:08,080 --> 00:13:10,040 Speaker 1: but like I don't get that next chapter, and that's fine. 262 00:13:10,120 --> 00:13:13,000 Speaker 1: And it's also the emotional journey that you go through 263 00:13:13,080 --> 00:13:16,920 Speaker 1: the story tailing that that's the excitement of it too, 264 00:13:16,960 --> 00:13:19,080 Speaker 1: Like that's part of it, of just what you experienced 265 00:13:19,080 --> 00:13:21,600 Speaker 1: while watching it, and you take that in and that's 266 00:13:21,640 --> 00:13:24,080 Speaker 1: the entertainment doesn't have to have everything all wrapped up. 267 00:13:25,000 --> 00:13:28,640 Speaker 1: So I still stand by what I rated it. I 268 00:13:28,679 --> 00:13:31,440 Speaker 1: do want to go back revisit it. I don't know 269 00:13:31,480 --> 00:13:34,679 Speaker 1: that the rating would get any higher. But if you, 270 00:13:35,600 --> 00:13:37,079 Speaker 1: I guess you've already seen it at this point of 271 00:13:37,120 --> 00:13:40,079 Speaker 1: real listening to this or had it ruined. But I mean, 272 00:13:40,120 --> 00:13:42,600 Speaker 1: even if you've had it ruined, like you listen to 273 00:13:42,640 --> 00:13:44,360 Speaker 1: this knowing it was gonna be ruined. Maybe we made 274 00:13:44,360 --> 00:13:46,079 Speaker 1: you want to go see itause maybe now you want 275 00:13:46,080 --> 00:13:47,640 Speaker 1: to see all these little things. You're like, I gotta 276 00:13:47,679 --> 00:13:49,760 Speaker 1: see what this is about. Another thing I remember saying 277 00:13:49,760 --> 00:13:51,880 Speaker 1: on a tiktalk that they pointed out that like kind 278 00:13:51,880 --> 00:13:55,880 Speaker 1: of like tells you there's another glitch was that when 279 00:13:55,880 --> 00:13:59,120 Speaker 1: Alice was going to make tuna salad for Frank and 280 00:13:59,200 --> 00:14:00,880 Speaker 1: John was like, no, it doesn't like that. No, it's 281 00:14:00,920 --> 00:14:04,559 Speaker 1: because the real Jack hasn't been eating tuna packets because 282 00:14:05,040 --> 00:14:07,440 Speaker 1: he is poor and keeping Alice chained to the bed 283 00:14:07,440 --> 00:14:10,120 Speaker 1: in the simulation. Yeah, so what little things like that? 284 00:14:10,240 --> 00:14:13,480 Speaker 1: Shut out to TikTok for providing me all of these answers. 285 00:14:13,720 --> 00:14:16,680 Speaker 1: So if you were put in this situation, do you 286 00:14:16,720 --> 00:14:18,920 Speaker 1: think you could figure out you're living in a simulation? 287 00:14:19,040 --> 00:14:20,720 Speaker 1: I don't know. Or are we living in a simulation? 288 00:14:20,840 --> 00:14:23,760 Speaker 1: We're gonna get really met all right now? I feel 289 00:14:23,800 --> 00:14:26,680 Speaker 1: that way sometimes? Do I think I could figure it out? 290 00:14:26,720 --> 00:14:30,360 Speaker 1: I feel like if like if we had always been 291 00:14:30,400 --> 00:14:32,600 Speaker 1: living in a simulation, but if we had gone from 292 00:14:32,600 --> 00:14:35,160 Speaker 1: like life now to a simulation, I would for sure 293 00:14:35,200 --> 00:14:38,960 Speaker 1: be able to detect changes in your like body language, 294 00:14:40,120 --> 00:14:43,160 Speaker 1: the like way you speak phrases words. I think I 295 00:14:43,160 --> 00:14:44,800 Speaker 1: could figure it out, kind of like she did. Just 296 00:14:44,880 --> 00:14:48,000 Speaker 1: little things. You're like, have a glimpse of your other life. 297 00:14:48,560 --> 00:14:50,840 Speaker 1: Sometimes I feel like I'm in a simulation. I don't know. 298 00:14:50,920 --> 00:14:53,800 Speaker 1: Here we go, I feel I don't know. There's just 299 00:14:53,880 --> 00:14:57,240 Speaker 1: something inside of me that probably from watching movies too, 300 00:14:57,240 --> 00:15:00,160 Speaker 1: From watching movies like The Truman Show. I like are 301 00:15:00,200 --> 00:15:02,560 Speaker 1: to look at people a little bit more. I question things. 302 00:15:02,560 --> 00:15:06,080 Speaker 1: I'm like, We'll just be sitting at dinner and you'll go, WHOA. 303 00:15:06,200 --> 00:15:08,720 Speaker 1: I just had one of those weird moments that what 304 00:15:08,920 --> 00:15:12,200 Speaker 1: is life am I living? I get like that sometimes. Yeah. 305 00:15:12,320 --> 00:15:14,360 Speaker 1: So for everyone who thinks you just quiet all the time, No, 306 00:15:14,600 --> 00:15:17,200 Speaker 1: we have very amata conversations around the dinner table. What 307 00:15:17,400 --> 00:15:21,000 Speaker 1: is this podcast? Who is listening now? No one? No one? 308 00:15:21,280 --> 00:15:23,360 Speaker 1: And that's the sign that we should wrap this thing up. 309 00:15:23,400 --> 00:15:26,600 Speaker 1: Thanks for listening to this spoiler edition of the Don't 310 00:15:26,600 --> 00:15:29,800 Speaker 1: Worry Darling review. It's not a very country when you 311 00:15:29,800 --> 00:15:33,000 Speaker 1: said that don't want to worry Darling. Somebody will write 312 00:15:33,040 --> 00:15:36,240 Speaker 1: that soon if they haven't already, And then I'll have 313 00:15:36,280 --> 00:15:40,200 Speaker 1: another spoiler version of a movie called Smile which you 314 00:15:40,240 --> 00:15:43,280 Speaker 1: also did not watch this horror movie. No, I said, 315 00:15:43,440 --> 00:15:45,360 Speaker 1: have fun with that. I'm gonna get my hair done. Yeah, 316 00:15:45,360 --> 00:15:48,240 Speaker 1: so that'll be another one coming your way soon. Until 317 00:15:48,280 --> 00:15:50,400 Speaker 1: next time, go out and watch good movies and I'll 318 00:15:50,440 --> 00:15:52,120 Speaker 1: talk to you on Monday later