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Speaker 1: At State Farm, we're committed to uplifting black futures. In

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Speaker 1: collaboration with organizations like one hundred Black Men and National

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Speaker 1: Urban League, State Farm provides high school students with the

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Speaker 1: opportunity to learn and apply best practice strategies for saving

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Speaker 1: and investing, all while offering academic support, life skills, and

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Speaker 1: exposure to college access programs to prepare these students for

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Speaker 1: life after high school. Check out one hundred black Men

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Speaker 1: dot org and NUL dot org to donate and learn more.

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Speaker 1: Like a good neighbor, State Farm is there, Yo, yo,

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Speaker 1: yo yo. Welcome to another episode of vis Up Their Podcasts.

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Speaker 1: I am your active and attractive hosts for another episode

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Speaker 1: of the fastest grown podcasts on the market. Right now,

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Speaker 1: you know exactly where you're at. Man, We're gonna get

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Speaker 1: right into the show. I want to say some before

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Speaker 1: I get into the topics, before I get into anything

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Speaker 1: that I want to talk about about the podcast, just

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Speaker 1: about my take last week in regards to Will Smith,

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Speaker 1: and I'm gonna take it slow, but not super slow.

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Speaker 1: I want to help people understand why things happen to

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Speaker 1: where it happened, and where I may have misstepped. So

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Speaker 1: with me being new right in podcasting, but elevating right, moving,

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Speaker 1: but not winning. I keep telling people just because you

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Speaker 1: leave the race, don't mean you win the race. So

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Speaker 1: even though it looks promising, ain't no promise being kept yet.

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Speaker 1: So I got to pay attention to my whereabouts in

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Speaker 1: regards to the in regards to the mission, right, So

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Speaker 1: I gotta stay aware and alert. So even though things

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Speaker 1: look well, I still got a lot of work to do.

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Speaker 1: And with that being said, I gotta find my groove.

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Speaker 1: And so what I tried to do when the Chris

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Speaker 1: Rock thing happened, I put myself in a situation and

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Speaker 1: I rarely put myself in because you know, I'm dealing

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Speaker 1: with information, right, I'm dealing with supreme game. So I'm

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Speaker 1: not in a situation to need to operate in that way.

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Speaker 1: And when I say that way, let me explain exactly

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Speaker 1: what I mean. In media, there's subsections, there's subcategories of

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Speaker 1: how people operating their business model. What happened in that

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Speaker 1: moment is that I changed my whole business model right,

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Speaker 1: and I went to doing more of a shade room,

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Speaker 1: more of a DJ Academics Instagram page. One of these.

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Speaker 1: It's low hanging fruit, right, and my audience, you guys,

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Speaker 1: y'all don't come to me for the low hanging fruit.

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Speaker 1: Y'all come to me for the high level game that

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Speaker 1: I put down and then I continue to drop every week.

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Speaker 1: And so I found myself trying to rush and get

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Speaker 1: the take out and I've never done that. That's never

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Speaker 1: been my thing. That I don't even know exactly what

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Speaker 1: put me in that position outside of me wanting to

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Speaker 1: get the head. Now, I will say this, I do

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Speaker 1: my best at being uninfluenced by in that these podcast guys, Right,

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Speaker 1: I do the best that I can in regards to

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Speaker 1: being unique in my approach. Right. I always tell people,

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Speaker 1: you gotta identify your attributes, and so for me, I

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Speaker 1: always understand, Listen, my approach to how I speak about

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Speaker 1: these things have to always remain unique. And I have

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Speaker 1: to have a I have to have a charitable donation

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Speaker 1: to the game, right, I gotta give something to the game. Right,

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Speaker 1: That's what people come to me fun. And if I'm

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Speaker 1: being completely honest with myself, right, I say, down in

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Speaker 1: that moment, I was a slave to the algorithm. I

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Speaker 1: literally was trying to But if if I look at

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Speaker 1: it again from my perspectives, It's like, Yo, I do

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Speaker 1: my best at being uninfluenced. I do my best at

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Speaker 1: trying to sound like these dudes and not trying to

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Speaker 1: have takes like these guys. And so part of the

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Speaker 1: reason was that too, me trying to be like Yo,

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Speaker 1: get your take out. So therefore, if somebody has to

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Speaker 1: take similar to yours, you don't seem as if you know,

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Speaker 1: you're still in their taste. Because I'm in this weird

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Speaker 1: place where my conversations are popping up in mouths that

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Speaker 1: didn't create them. Right, niggas is taking things I'm saying

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Speaker 1: and regurgitating them and present them as themselves, and it's

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Speaker 1: interesting to me because they even it's just a unique situation.

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Speaker 1: I'm gonna get further into it because I don't want

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Speaker 1: to offend anyone that's a high level communicator that's a

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Speaker 1: fan to me and we may have shared ideas at

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Speaker 1: a time, because that's not what I'm talking about. I'm

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Speaker 1: not talking about one of them. I'm talking about the

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Speaker 1: low level thinkers that have these spurts where they can

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Speaker 1: have these high level thoughts. You know, you know they're

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Speaker 1: getting them from somewhere, But I try not to sound

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Speaker 1: like the dude man. So when I come with it,

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Speaker 1: you know, and I put it out, I said some

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Speaker 1: things and right and and I gotta give a formal

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Speaker 1: apology to Chris Rock, right, And you know, I don't apologize.

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Speaker 1: I don't get on. I don't apologize because I don't

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Speaker 1: feel as though I'm sorry about anything. But I want

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Speaker 1: to be clear with this one because I feel as

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Speaker 1: though it's been something that's on my mind, and I

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Speaker 1: keep talking about it as I'm just going throughout the day.

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Speaker 1: I'm like, yo, I laughed that little dude. You know

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Speaker 1: what I'm saying, And I don't think it's funny. You know,

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Speaker 1: in that moment, it almost like I took it like

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Speaker 1: these dudes were actors. It's like I took it like

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Speaker 1: it wasn't even real, even though I knew it was real.

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Speaker 1: It was like a weird metaverse thing happening dogs. I

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Speaker 1: don't again, I don't know what it was, but doesn't

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Speaker 1: you know it is what it is. It's just he's

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Speaker 1: he was smacked. I didn't for one time think about

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Speaker 1: Chris Rock. I didn't think about what he was going through,

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Speaker 1: how he may have felt. And then, like I say,

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Speaker 1: coming out they say he would being bullied, that he

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Speaker 1: would freeze up, because clearly he froze up, you know.

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Speaker 1: And I just felt this though my take was a

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Speaker 1: little ill avised because I rushed to it. I didn't

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Speaker 1: have any thought process about it. I watched in a

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Speaker 1: real time and react it. And that's not how I do,

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Speaker 1: That's not how I give it up. And if if

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Speaker 1: you listen to me, right, if you're somebody that's not

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Speaker 1: new to this thing that I do, you know that

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Speaker 1: I'm always saying, never getting the trick bag, don't never

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Speaker 1: let nobody put you in the trick bag. And I

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Speaker 1: don't applaud being tricked. Yeah, I don't applaud being tricked

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Speaker 1: out of no position. You didn't work that hard for yeah,

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Speaker 1: So it ain't no And for me, like I say,

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Speaker 1: it was a real time reaction. And I do have

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Speaker 1: a thing right well, I like for do was to

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Speaker 1: be straightened when they planning right, And I think that

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Speaker 1: sometimes I can project that and I have to get

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Speaker 1: control of understanding what's at stake and do a risk

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Speaker 1: assessment on anything that's involved with me or my thinking right,

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Speaker 1: because that's that is who I am, and so I

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Speaker 1: gotta be consistent in my approach and my communication about things.

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Speaker 1: I found the interesting too that y'all was in there,

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Speaker 1: like yo lorn, you know, saying certain things that let

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Speaker 1: me know that y'all awoke, like y'all ain't just sitting

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Speaker 1: around listening. And I can appreciate that, man, So shout

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Speaker 1: out to y'all for that. But again, you don't never

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Speaker 1: ever getting a trick bag. If anything, you present a

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Speaker 1: trick And Will Smith went right in the trick bag

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Speaker 1: if you look into it right now. They said he

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Speaker 1: had forty pages of Bad Boys already. They told him,

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Speaker 1: you'll hold up on that. Netflix pulled out a cadetmel

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Speaker 1: Awards he had to get out for White people are

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Speaker 1: saying that traumatized by right. And we ain't talking about

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Speaker 1: whether or not the truth stands behind what people are saying.

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Speaker 1: We're talking about the affix of things because we like

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Speaker 1: to deal with the information and not the emotions something

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Speaker 1: I'm saying, so when I'm telling you what's happening, don't

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Speaker 1: tell me how you feel about it. Them two things

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Speaker 1: don't live in the same place. We operate outside of

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Speaker 1: one another, you understand. So we're dealing with what's happening. Now,

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Speaker 1: these are the affix of what's been happening in Will's life,

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Speaker 1: and that was my message last week. Now let's keep

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Speaker 1: it real. I didn't just give no sorry take on it.

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Speaker 1: I gave a rush take on it. And both things

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Speaker 1: would be an incorrect approach, you understand, But the rush

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Speaker 1: take still had a lot of understanding in it from

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Speaker 1: a totally different standpoint. I took side of it right,

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Speaker 1: and that's where the apology comes from, because Yo, he

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Speaker 1: got smacked. Both these dudes are black people, so I'm

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Speaker 1: operating understanding that, and both these dudes are stars in

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Speaker 1: their own right, Will being the big other two, but

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Speaker 1: understanding what's at stake right there for our culture, right

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Speaker 1: and what it could have turned into. You know, I

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Speaker 1: made a joke off some of my seen and say, yo,

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Speaker 1: if he would have smacked me, I've seen this on

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Speaker 1: the internet, and I'm telling you again, this isn't you know,

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Speaker 1: this is just common. I'm a comedian. I'm gonna start

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Speaker 1: adding that to my tag as well, so I can

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Speaker 1: say some of these things and y'all don't receive them

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Speaker 1: with malice, you know. But I read something that said

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Speaker 1: if he would have smacked me up there. We've been

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Speaker 1: up there embarrassing the whole black community. Nick would have

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Speaker 1: groaned and just want to shoots tan niggas getting down

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Speaker 1: so and again, Man, it could have turned out bad,

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Speaker 1: you know, it could have turned out bad. And then

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Speaker 1: you see a lot of the I'm gonna tell you

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Speaker 1: what's interesting to me, and I think if we're not

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Speaker 1: gonna have any respect for ours, then it's gonna be

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Speaker 1: rough for other people to do it. Right. When we

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Speaker 1: see some of the comedians on the other side come

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Speaker 1: out and say some of the things that they're saying like,

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Speaker 1: it's it's interesting to watch, right, because they hide behind

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Speaker 1: everything they say they put in parentheses is comedy. And

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Speaker 1: that's why I just said, right, no disrespect to the

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Speaker 1: culture of comedy, because I'm a fan of comedy and comedians,

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Speaker 1: and I understand the coach and the work that it

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Speaker 1: puts in that you guys put in to be a

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Speaker 1: creative in that space. I know how overwhelming it is

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Speaker 1: to go from making fifteen dollars a night to now

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Speaker 1: being able to sell out arenas and the process that

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Speaker 1: they take. A lot of people ignore the process. I'm

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Speaker 1: out here now, it's up there podcast LA, I'm out

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Speaker 1: here right now. Right. As an entrepreneur, right, you don't

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Speaker 1: ignore the process. You understand what it takes to get

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Speaker 1: where you're going. Right. It's just like with your car.

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Speaker 1: You better make sure it's enough gas to get that

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Speaker 1: forty miles that you're going in that car. If you

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Speaker 1: ignore what you need to get where you're going, the

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Speaker 1: results will be the same. Just like your car run

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Speaker 1: out of gas, you will run out of gas before

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Speaker 1: you get to where you need to be going. So

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Speaker 1: these things are true in both instances. But like somebody

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Speaker 1: like me, right, I come out to LA It's up

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Speaker 1: there podcast LA. Right. I got ship going on, I

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Speaker 1: got interviews, I got meetings, I got things happening, and

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Speaker 1: I'm in a situation to where I gotta be effective

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Speaker 1: with what I'm doing. I ain't know nobody else dying.

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Speaker 1: I ain't dipping in nobody else, fan base. I'm operating

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Speaker 1: on my own watch. And when you were able to again,

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Speaker 1: I keep telling y'all want to speak to who built it? Now?

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Speaker 1: Who bought it? Nigga, see a company and not know

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Speaker 1: your CEO ain't the CEO, he ain't the founder. I

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Speaker 1: need the founder to come talk to me. Loan is

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Speaker 1: the founder. It's a different approach. I got the blueprint, nigga.

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Speaker 1: Y'all just got the wea, the fire escapes and shit

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Speaker 1: and the exes. Nigga, I know what the foundation of

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Speaker 1: the building looked like. Right. So I'm I'm an entrepreneur

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Speaker 1: mode and I'm navigating the world with this game. You understand.

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Speaker 1: I'm navigating the world with high level game and it's

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Speaker 1: respected all around the world. But for me, I separate

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Speaker 1: the world up in categories, right. I don't know if

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Speaker 1: it's classism that I'm I'm dealing with. I don't know

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Speaker 1: if it's I don't know what it is, but I

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Speaker 1: know I separate the world up in categories in regards

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Speaker 1: to what you will get from life and what you

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Speaker 1: will get out of life. You understand. And I think

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Speaker 1: what I'm in life for and what I'm willing to

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Speaker 1: do for what I need and what I want. See,

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Speaker 1: only certain people make it to the other side of

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Speaker 1: the river. When I'm going where I'm going, only the

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Speaker 1: motivator can get there. It's just like having low level

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Speaker 1: security on a credit card or something. Yeah, some of

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Speaker 1: that shit work. But if a nigga really motivated to

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Speaker 1: steal that information. There's ways to get that information, and

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Speaker 1: so sometimes the goal that you want or what you

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Speaker 1: want is attached to motivation that you gotta have to

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Speaker 1: even get it. The shit be seeming untrue, unreal, unreachable,

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Speaker 1: but shit is really really in reach inaccessible. You understand.

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Speaker 1: You just gotta put your you know, one foot in

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Speaker 1: front of other and believe in what it is you

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Speaker 1: bring to the game. I also was thinking about loan.

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Speaker 1: You gotta Seekau's man, Listen, I always want to come often.

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Speaker 1: Let my people know. Man, it's always about information. Loan

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Speaker 1: math at niggas for not leaving no information. Now, Yeah,

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Speaker 1: don't keep leaving me no plate on the motherfucking dinner table. Nigga,

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Speaker 1: teach me how to cook the meal. Don't keep telling

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Speaker 1: me that every time I can come down and it's

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Speaker 1: a meal way noment. I want to know how to

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Speaker 1: cook the meal. I got people I need to feed. Right.

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Speaker 1: So Loon is only in a situation to be critical

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Speaker 1: or information and lack there of right. So when people

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Speaker 1: don't leave no information not or people don't leave no

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Speaker 1: opportunities out there, I gotta be critical of that because

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Speaker 1: I got people watching the baby's watching. Niggas coming to

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Speaker 1: me for how to navigate this shit, and it ain't

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Speaker 1: no nigga around here telling niggas how to navigate. All

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Speaker 1: these niggas is regurgitating information. And I'm in a position

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Speaker 1: now why I'm about to start speaking on it because

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Speaker 1: I know where you niggas is getting the information from,

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Speaker 1: and you regurgitating that. I see when you talk, it

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Speaker 1: don't come out fluently. It ain't just you. You got notes.

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Speaker 1: And it's cool to have no junctions, let me be

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Speaker 1: clear on that. But what's not cool it's to misrepresent

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Speaker 1: your ideas. It's your own. I keep telling nigga's imitation

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Speaker 1: without acknowledgement is stealing. Nigga. You can't imitate me and

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Speaker 1: not acknowledge me. Nigga. Niggas can't run around putting my

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Speaker 1: motherfucking game and they podcast or putting these certain things

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Speaker 1: I say on their shirts without acknowledge me, because imitation

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Speaker 1: without acknowledgement is stealing and we're dealing with robbers. But

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Speaker 1: niggas is regurgitating information and they want me to believe

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Speaker 1: that niggas is. I know the difference home. I really

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Speaker 1: read all this shit. I really got the howas in

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Speaker 1: like on Sharia shit. So I'm knowing what we're dealing

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Speaker 1: with and I'm knowing what it's you understand, so you

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Speaker 1: can't run that game on me. And I'm in a

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Speaker 1: unique place to understand the market and to understand the consume.

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Speaker 1: There's very few people that understand the market and they

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Speaker 1: understand the consume. A lot of you niggas are just

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Speaker 1: in a rush to provide products to the market, whether

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Speaker 1: they're effective or not. Niggas don't give a fuck as

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Speaker 1: long as they can put a new product out and

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Speaker 1: get a new forty five hundred people spending fifty dollars

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Speaker 1: a month or doing this. They just putting this dry

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Speaker 1: game down. And we're starting to figure this out because

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Speaker 1: real street hustlers is now getting into this space and

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Speaker 1: we see throwing say niggas would come sell us something

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Speaker 1: that look just like what we ordered, that's hard and

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Speaker 1: glossy and every and it'll be nothing. So you gotta

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Speaker 1: understand that. We had to understand what was on the table.

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Speaker 1: Niggas had to learn how to look through niggas. I

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Speaker 1: just had to learn how to look through. So when

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Speaker 1: I see the low level game, it comes off as

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Speaker 1: offensive to me. But let's set that to the side.

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Speaker 1: Like I won't say that, I would say this that

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Speaker 1: in our culture, having good ideas are underrated, right I

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Speaker 1: know some young niggas or I was in the hood,

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Speaker 1: or even before the podcast was in multimillion dollars situations,

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Speaker 1: I would tell people were talking years back like yo podcasting,

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Speaker 1: get into it, like yo, niggas is. But if you

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Speaker 1: have a good idea in the neighborhood, it's an underrated

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Speaker 1: attribute because a good idea in the neighborhood ain't a

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Speaker 1: good idea into his money attached to it. You understand me,

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Speaker 1: and all are the people that capitalize off ubus. They

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Speaker 1: don't find all these things. They understand that when you

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Speaker 1: fix a problem or you become effective in the market,

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Speaker 1: you stand the make some money, so you don't have

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Speaker 1: to be in a situation or where you you know,

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Speaker 1: um are making money. At that points, A lot of

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Speaker 1: people in the hood are doing a poor version of

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Speaker 1: Shark Tank. You understand. They wanted know your numbers and

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Speaker 1: all listen that nigga, you need to do whatever you

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Speaker 1: can to watch that little money you got. You dumb

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Speaker 1: as niggas is holding your money and these spots just

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Speaker 1: waiting on the figs to come get it. I always

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Speaker 1: tell niggas, bro, if you don't invest them, do something

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Speaker 1: with your money. Man, you ain't got You just got

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Speaker 1: it hid somewhere, so you're just waiting on the people

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Speaker 1: to come fine and do something with it. They got

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Speaker 1: a place for it, and it really it hurt my

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Speaker 1: heart when niggas get caught in such and such coat

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Speaker 1: with seven hundred fifty thousand. It's like, Yo, the nigga man,

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Speaker 1: what the fuck that was like? And sometimes I don't

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Speaker 1: think I don't know the game because sometimes I know

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Speaker 1: that they wait until they kit you at a buy spot.

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Speaker 1: I ain't talking about that when you buying something. I'm

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Speaker 1: talking about when you got your money hid in spots

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Speaker 1: to where they do a kick though, and you just

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Speaker 1: took ahead for a million dollar loss, seven hundred thousand

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Speaker 1: dollars loss. You really need to be putting that money

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Speaker 1: into places, right. You gotta evolve in your approach to

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Speaker 1: even understanding equ within the business. There's a business world

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Speaker 1: out there that black people have limited understanding of. There's

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Speaker 1: tax loopholes that we don't even know how to take

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Speaker 1: advantage of. That I do tools, but the information is

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Speaker 1: always key. I keep telling people, man, I don't play

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Speaker 1: the game. I don't play none of the games. I'm unaffected, uninfluenced.

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Speaker 1: I don't play the game. I'm the big dog. I

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Speaker 1: don't care nothing about what nobody to think about nothing.

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Speaker 1: All I need is some information because I got people

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Speaker 1: on my back and they're not getting off my back.

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Speaker 1: Ain't nothing I can do about the people that's waiting

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Speaker 1: on me to do exactly what I need to do.

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Speaker 1: And guess what, I don't put it all on the

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Speaker 1: line for it, and the ain't no way it can fail.

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Speaker 1: Let me let me spend Let me spend a little

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Speaker 1: bit more time on the Will Smith thame, because again

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00:20:03,680 --> 00:20:09,600
Speaker 1: I think my approach to it has to be a

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Speaker 1: bit more responsible and also understanding that everyone here was affected.

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Speaker 1: At the same time. There's an old saying that says

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Speaker 1: energy is never lost, it's just transferred. And in that moment,

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Speaker 1: what we saw Will Smith do was transfer all of

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Speaker 1: that energy that he had bottled up, you know, dealing

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Speaker 1: with the whether they'd be public slander, whether they'd be

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Speaker 1: private issues, whether there even be a misrepresentation of the facts,

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Speaker 1: because even last week when he came out and said

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Speaker 1: I'm sorry, not last week, the last time he came

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Speaker 1: out and he said that, Yo, there's been no cheating

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Speaker 1: in my marriage. If you're an adult, you understand what

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00:21:01,960 --> 00:21:04,520
Speaker 1: that means. What that means is we had to understand

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Speaker 1: it right, and me and my woman understand it. Don't

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Speaker 1: need no motherfucking approval from no outside entity. Ain't now

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Speaker 1: motherfucker on the outside, got no bidiness. Man, Listen, we don't.

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Speaker 1: We don't care none of them. So there was an understanding.

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00:21:23,760 --> 00:21:29,720
Speaker 1: The issue came because apparently or allegedly, because I don't

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Speaker 1: know anything to be true, and I also want to

358
00:21:32,960 --> 00:21:36,439
Speaker 1: deal with people again like black people, and also like

359
00:21:36,560 --> 00:21:41,800
Speaker 1: they are family, so I like to be cautious, So

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Speaker 1: I like to be cautious in my approach to how

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Speaker 1: I speak about it. Nonetheless, I think information is in

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Speaker 1: the middle of it, and we have to digest that

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Speaker 1: only because everyone else, that's the own lookers, can be

364
00:21:56,320 --> 00:21:58,840
Speaker 1: affected either way by it. And if it's just left

365
00:21:58,880 --> 00:22:02,080
Speaker 1: the way it is, we have understanding of it. But

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Speaker 1: in that moment, I just think he transferred all of

367
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Speaker 1: the energy and it was sad because everything he put

368
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Speaker 1: at risk in that moment and listen, I'm always still

369
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Speaker 1: gonna be on the side of protect your wife. I'm

370
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Speaker 1: still saying protect black women. I'm still gonna protect man

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Speaker 1: with everything, my mother, my woman. These people know when

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Speaker 1: they call me what the situation is, do not play

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Speaker 1: with them on no circumstances, you know. But they they

374
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Speaker 1: don't put me in those unfortunate circumstances, right. They try

375
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Speaker 1: to look out for my well being. And but I

376
00:22:49,560 --> 00:22:52,520
Speaker 1: think Will in that moment, just lost control. I think

377
00:22:52,520 --> 00:22:56,840
Speaker 1: he just exploded. Everybody, everybody knows the exploded. That's what happened.

378
00:22:57,080 --> 00:23:01,360
Speaker 1: I also see people and again say that Yo, Jada's

379
00:23:01,400 --> 00:23:05,120
Speaker 1: always says she loved the ball head. She don't care

380
00:23:05,160 --> 00:23:09,720
Speaker 1: what nobody think about the ball head. My response to

381
00:23:09,760 --> 00:23:16,120
Speaker 1: that would be that is consumer front facing. Bro come home, man,

382
00:23:16,200 --> 00:23:18,159
Speaker 1: how many things you come out in the public. How

383
00:23:18,160 --> 00:23:21,800
Speaker 1: many times you smile when you had a bad day

384
00:23:22,280 --> 00:23:26,719
Speaker 1: and when you can't do anything about the circumstances. A

385
00:23:26,760 --> 00:23:29,520
Speaker 1: lot of times, there's a whole movement of people to say,

386
00:23:29,600 --> 00:23:33,040
Speaker 1: just embrace the circumstances. Even if we take it off

387
00:23:33,040 --> 00:23:36,040
Speaker 1: with Jada and dealing what I have, there's people that say,

388
00:23:36,200 --> 00:23:38,880
Speaker 1: even if you're big girl. Just embrace your big girl.

389
00:23:38,960 --> 00:23:41,560
Speaker 1: You just you're a big girl, not to mention that

390
00:23:41,640 --> 00:23:46,160
Speaker 1: whether that's unhealthy, whether that's gonna lead to a disease,

391
00:23:46,280 --> 00:23:48,560
Speaker 1: or whatever the case may be. People are telling you

392
00:23:48,600 --> 00:23:51,560
Speaker 1: the champion who you are, but they're saying that when

393
00:23:51,640 --> 00:23:56,240
Speaker 1: the lights and the camera zone. It's a different reality

394
00:23:56,280 --> 00:23:58,640
Speaker 1: when you're inside the house and you known for being

395
00:23:58,680 --> 00:24:03,359
Speaker 1: this pretty woman with this or not not even with

396
00:24:03,520 --> 00:24:06,080
Speaker 1: the hair, because I've also seen people say, yo, she's

397
00:24:06,280 --> 00:24:09,399
Speaker 1: she's had a shortcuts before. It's a difference between you

398
00:24:09,520 --> 00:24:12,280
Speaker 1: going to get a short cut and you being forced

399
00:24:12,359 --> 00:24:19,119
Speaker 1: into a bald head. These things are totally different. Jada

400
00:24:19,200 --> 00:24:21,840
Speaker 1: has always been like a sex symbol or like being

401
00:24:21,920 --> 00:24:27,640
Speaker 1: like someone that people call it beautiful. And I just

402
00:24:27,720 --> 00:24:30,840
Speaker 1: think that the confidence that it took for her to

403
00:24:30,880 --> 00:24:33,240
Speaker 1: get a short cut back when a short cut wasn't

404
00:24:33,280 --> 00:24:36,639
Speaker 1: a thing that was that was a thing. But again,

405
00:24:36,680 --> 00:24:40,520
Speaker 1: I just think being forced into losing your hair because

406
00:24:40,760 --> 00:24:43,199
Speaker 1: sometimes she would have short but she would also go

407
00:24:43,320 --> 00:24:46,520
Speaker 1: back too long. And I've also hear people talk about

408
00:24:46,520 --> 00:24:50,680
Speaker 1: the way. But we can't address everything that people are saying, right,

409
00:24:50,760 --> 00:24:52,919
Speaker 1: we can't address all these things, but we want to

410
00:24:52,920 --> 00:25:00,000
Speaker 1: be consistent and understanding and also appreciating or examining both sides. Right,

411
00:25:00,920 --> 00:25:06,240
Speaker 1: I failed to even considers Chris rock side. I honestly

412
00:25:06,359 --> 00:25:09,880
Speaker 1: think too, man that because people are saying it fake,

413
00:25:09,960 --> 00:25:12,320
Speaker 1: I don't think it's fake. But I honestly think that

414
00:25:12,440 --> 00:25:15,639
Speaker 1: Chris thought he wouldn't smack him on TV. Like I

415
00:25:15,720 --> 00:25:18,600
Speaker 1: honestly think that he was like, he's he's not gonna

416
00:25:18,600 --> 00:25:21,560
Speaker 1: and when he because the smack was one thing, but

417
00:25:21,720 --> 00:25:24,520
Speaker 1: listen to what he said. The dude actually said, Wow,

418
00:25:25,960 --> 00:25:31,919
Speaker 1: It's almost like he couldn't fathom what just happened and

419
00:25:32,080 --> 00:25:35,199
Speaker 1: he didn't know what to do, and bro it was

420
00:25:35,320 --> 00:25:37,840
Speaker 1: it was sad. Let's listen to what Jim Carrey said

421
00:25:37,880 --> 00:25:41,679
Speaker 1: about Will Smill. I was sickened. I was sickened by

422
00:25:41,720 --> 00:25:45,639
Speaker 1: the standing ovation. I felt like Hollywood is just spineless

423
00:25:46,520 --> 00:25:51,320
Speaker 1: on mass and uh, it just it really felt like, Oh,

424
00:25:51,400 --> 00:25:54,639
Speaker 1: this is a really clear indication that we're not the

425
00:25:54,680 --> 00:25:58,000
Speaker 1: cool club anymore. Jim Carrey weighing in on Will Smith's

426
00:25:58,080 --> 00:26:01,439
Speaker 1: oscar controversy during a new interview with Gail King for

427
00:26:01,680 --> 00:26:04,800
Speaker 1: CBS Morning. They asked, Christy, you want to file charges,

428
00:26:04,840 --> 00:26:07,640
Speaker 1: and Chris apparently said no, he did not. He doesn't

429
00:26:07,640 --> 00:26:12,199
Speaker 1: want the hassle. I'd announced this morning that I was

430
00:26:12,240 --> 00:26:15,520
Speaker 1: suing Will for two hundred million dollars because that video

431
00:26:15,640 --> 00:26:18,080
Speaker 1: is going to be there forever. It's going to be ubiquitous.

432
00:26:18,440 --> 00:26:21,200
Speaker 1: Jim Carey was on hand promoting his new movie Sonic

433
00:26:21,240 --> 00:26:24,360
Speaker 1: the Hedgehog, too, but yeah, he made it clear how

434
00:26:24,359 --> 00:26:27,919
Speaker 1: he felt about Will Smith's actions on Sunday night. You

435
00:26:28,040 --> 00:26:30,399
Speaker 1: do not have the right to walk upon stage and

436
00:26:30,440 --> 00:26:33,639
Speaker 1: smack somebody in the face because they said words. Since

437
00:26:33,840 --> 00:26:36,760
Speaker 1: Sunday Night, the Academy has launched a formal review into

438
00:26:36,800 --> 00:26:39,840
Speaker 1: Smith's actions on stage, and Will has since issued a

439
00:26:39,880 --> 00:26:43,919
Speaker 1: statement apologizing to Chris Rock, saying, in part quote, I

440
00:26:43,920 --> 00:26:46,720
Speaker 1: would like to publicly apologize to you, Chris. I was

441
00:26:46,760 --> 00:26:49,480
Speaker 1: out of line and I was wrong. I was embarrassed,

442
00:26:49,520 --> 00:26:51,919
Speaker 1: and my actions were not indicative of the man I

443
00:26:52,000 --> 00:26:54,399
Speaker 1: want to be. There is no place for violence in

444
00:26:54,400 --> 00:26:58,119
Speaker 1: a world of love and kindness. On Sunday, Extra spoke

445
00:26:58,160 --> 00:27:02,000
Speaker 1: to many stars who also waited you watch the show.

446
00:27:02,000 --> 00:27:04,160
Speaker 1: I'm sure you saw the moment everyone is talking about

447
00:27:04,240 --> 00:27:08,679
Speaker 1: between Chris and well, you know, I think anytime, you know,

448
00:27:08,960 --> 00:27:13,080
Speaker 1: Chris is one of those comics that he and Chappelle

449
00:27:13,359 --> 00:27:17,520
Speaker 1: are the goats, and they're like the youngest oldest comics

450
00:27:17,520 --> 00:27:19,160
Speaker 1: in the world. They've been doing this since they were kids.

451
00:27:19,760 --> 00:27:21,959
Speaker 1: And I think you know the contract you've set up

452
00:27:21,960 --> 00:27:24,000
Speaker 1: with the audiences that these are indeed jokes and we

453
00:27:24,040 --> 00:27:27,640
Speaker 1: have to embrace our freedom of speech first of all,

454
00:27:27,800 --> 00:27:31,199
Speaker 1: do you know like so? And we'll we'll listen to

455
00:27:31,240 --> 00:27:36,960
Speaker 1: the others. You see, these are very political approaches. As

456
00:27:37,000 --> 00:27:39,440
Speaker 1: you hit him, people talk. When you hear him say, hey,

457
00:27:39,600 --> 00:27:42,200
Speaker 1: I would assued him for two hundred million dollars. That

458
00:27:42,480 --> 00:27:46,160
Speaker 1: video is inbiquitous. You gotta know what that word means.

459
00:27:46,359 --> 00:27:49,040
Speaker 1: And you hear him say that, hey, you have a

460
00:27:49,040 --> 00:27:52,160
Speaker 1: contract with the audience, like you know saying hey, these

461
00:27:52,200 --> 00:27:54,560
Speaker 1: are jokes and they should be took as such. And

462
00:27:54,640 --> 00:27:58,600
Speaker 1: so all these things are true. Um, and shout out

463
00:27:58,640 --> 00:28:01,000
Speaker 1: to Chris Rock for not priss and charges even though

464
00:28:01,000 --> 00:28:03,399
Speaker 1: the damage is still gonna be done. I don't know

465
00:28:03,440 --> 00:28:05,600
Speaker 1: how far it goes. It may affect in a way

466
00:28:05,600 --> 00:28:13,000
Speaker 1: that we didn't expect it to affect. Not sure, but

467
00:28:13,080 --> 00:28:16,840
Speaker 1: Chris Rock was there to do a job right. Will

468
00:28:16,880 --> 00:28:19,359
Speaker 1: Smith was there to win an award again. I think

469
00:28:19,359 --> 00:28:23,840
Speaker 1: white people are missing and misframing and misrepresenting because of

470
00:28:23,840 --> 00:28:26,760
Speaker 1: that lack of understanding what even has been happening with

471
00:28:26,880 --> 00:28:30,240
Speaker 1: Will Smith for the last two years. So they're framing

472
00:28:30,320 --> 00:28:34,159
Speaker 1: this like he's attacking comedians over jokes, and they not

473
00:28:34,320 --> 00:28:38,000
Speaker 1: understanding that the term more is what has Will Smith

474
00:28:38,080 --> 00:28:41,560
Speaker 1: making this kind of approach to a joke. This is

475
00:28:41,720 --> 00:28:44,280
Speaker 1: less about a joke and more about what Will has

476
00:28:44,360 --> 00:28:47,200
Speaker 1: went through over the last two years in regards to

477
00:28:47,360 --> 00:28:52,880
Speaker 1: public banter, public humiliation, and just misrepresentation of the facts

478
00:28:52,920 --> 00:28:55,480
Speaker 1: with him and his wife. So these things are not

479
00:28:55,640 --> 00:28:57,880
Speaker 1: He's been painted to be a beta male, he's been

480
00:28:57,920 --> 00:29:00,920
Speaker 1: painted to be a push over, which we really don't

481
00:29:00,960 --> 00:29:03,560
Speaker 1: know if these things are true. Now we do know

482
00:29:03,640 --> 00:29:06,520
Speaker 1: that August was in a unique situation with his wife

483
00:29:08,320 --> 00:29:11,160
Speaker 1: and then the public guy. Man, that's a very unfortunate

484
00:29:11,240 --> 00:29:14,400
Speaker 1: thing because they say, why you didn't have the same

485
00:29:14,440 --> 00:29:20,080
Speaker 1: thing for August going it's it's it's just an interesting thing,

486
00:29:20,320 --> 00:29:23,880
Speaker 1: you know. Um, But Chris was there to do a job.

487
00:29:23,960 --> 00:29:27,320
Speaker 1: Man Again, I still don't know. Man again, I don't know.

488
00:29:27,400 --> 00:29:30,040
Speaker 1: I think again, I think it wasn't right from the

489
00:29:30,080 --> 00:29:33,120
Speaker 1: standpoint you don't go in the trick bag. But he

490
00:29:33,320 --> 00:29:36,080
Speaker 1: got emotional and it was just the starter broke the

491
00:29:36,200 --> 00:29:38,360
Speaker 1: camera's back. I think looking back at it, he's like,

492
00:29:38,440 --> 00:29:42,320
Speaker 1: look at what's on, look at what we're losing behind this,

493
00:29:44,640 --> 00:29:48,560
Speaker 1: Like look at what just happened. Because I'm telling you,

494
00:29:48,640 --> 00:29:50,840
Speaker 1: it looked like a movie. Even the way he walked

495
00:29:50,880 --> 00:29:53,640
Speaker 1: back and buckled his jacket like on something. It damn

496
00:29:53,680 --> 00:29:55,520
Speaker 1: did it looked like he was in a movie. Man,

497
00:29:56,680 --> 00:30:00,440
Speaker 1: you know what I'm saying. But again, shots to both

498
00:30:00,480 --> 00:30:03,480
Speaker 1: them people, and prayers to both them people. Let's listen

499
00:30:03,480 --> 00:30:05,600
Speaker 1: to a little bit more this and then we'll move on.

500
00:30:05,840 --> 00:30:08,960
Speaker 1: But yeah, just a just an unfortunate situation for some

501
00:30:09,040 --> 00:30:11,480
Speaker 1: of our greats. Man, Like I say, Will Smith is

502
00:30:11,480 --> 00:30:18,120
Speaker 1: an A plus A plus celebrity megastar, black guy, no

503
00:30:18,200 --> 00:30:22,760
Speaker 1: smut on his jacket. Unfortunate that again my approaches, and

504
00:30:22,840 --> 00:30:25,880
Speaker 1: I don't do that to blame black women or blame Jada.

505
00:30:25,960 --> 00:30:29,040
Speaker 1: I just can point out a few things that's happened

506
00:30:29,080 --> 00:30:32,520
Speaker 1: on the side of his relationship that could have pushed

507
00:30:32,560 --> 00:30:39,280
Speaker 1: him or has pushed him into a unique atmosphere, you

508
00:30:39,320 --> 00:30:41,080
Speaker 1: know what I'm saying. And he's and he's making a

509
00:30:41,160 --> 00:30:43,920
Speaker 1: high level mistake like that going in a trick bag

510
00:30:43,920 --> 00:30:49,920
Speaker 1: and making emotional fragile emo, being emotionally fragile and making

511
00:30:49,920 --> 00:30:53,840
Speaker 1: a mistake with such such large ramifications. I think we

512
00:30:53,920 --> 00:30:58,480
Speaker 1: gotta be more careful with that man. And I send

513
00:30:58,520 --> 00:31:00,600
Speaker 1: my prayers to them, dudes. I know they're going through

514
00:31:00,640 --> 00:31:04,840
Speaker 1: a lot, so pressed to them. Dude. Now let's talk

515
00:31:04,880 --> 00:31:08,880
Speaker 1: about Soldier Boy calling out rappers. Soldier Boy had something

516
00:31:08,920 --> 00:31:11,640
Speaker 1: to say to a Little Dirt and a couple of rappers.

517
00:31:11,680 --> 00:31:14,360
Speaker 1: Let's see what happened. I do songs with all these

518
00:31:14,600 --> 00:31:18,000
Speaker 1: before they get famous. Then once they get famous, I

519
00:31:18,040 --> 00:31:20,320
Speaker 1: can't I can't even get a song from here no more.

520
00:31:20,400 --> 00:31:23,000
Speaker 1: That's crazy. But when y'all Nick was in the hood

521
00:31:23,240 --> 00:31:25,480
Speaker 1: and ain't nobody know who the fuck out was, I

522
00:31:25,640 --> 00:31:29,320
Speaker 1: was doing songs with y'all, Chief Keith, Little Dirt, Me

523
00:31:29,480 --> 00:31:34,360
Speaker 1: goes famous, Decks, Risty Kid. I don't need to did

524
00:31:34,400 --> 00:31:36,960
Speaker 1: the song with now. Did I did a song with

525
00:31:37,160 --> 00:31:40,880
Speaker 1: before I got famous was Risty Kids? Before Risty Kids

526
00:31:40,920 --> 00:31:42,760
Speaker 1: sign this deal. We did a song after rich the

527
00:31:42,800 --> 00:31:45,520
Speaker 1: Kids signers deal. We did Ricky Morrey remix every other

528
00:31:45,640 --> 00:31:48,640
Speaker 1: name and Chief Keith and Me and Chief keep every other.

529
00:31:49,880 --> 00:31:52,160
Speaker 1: When y'all was unsigned, I did a song with y'all.

530
00:31:52,200 --> 00:31:55,360
Speaker 1: As soon as y'all got on, y'all ain't shot me out.

531
00:31:55,400 --> 00:31:57,720
Speaker 1: Y'all didn't do no song me. Y'all don't say shout

532
00:31:57,720 --> 00:32:00,360
Speaker 1: out to my soldier for put me for doing a

533
00:32:00,520 --> 00:32:04,880
Speaker 1: verse for me. You know what I'm saying, ain't real,

534
00:32:06,520 --> 00:32:09,840
Speaker 1: no care, but y'all know what the going on. Though

535
00:32:10,800 --> 00:32:13,360
Speaker 1: y'all know what the going on. I'm still having it,

536
00:32:13,720 --> 00:32:16,480
Speaker 1: still having motion. Really don't need no song with you,

537
00:32:17,440 --> 00:32:19,720
Speaker 1: Chelsea with up toxic, with up eight t K with up,

538
00:32:19,760 --> 00:32:22,880
Speaker 1: don't well what up. All you gotta do is look

539
00:32:22,960 --> 00:32:26,400
Speaker 1: up soldier wet a little dirt eater the man first

540
00:32:26,440 --> 00:32:28,480
Speaker 1: meets take. Don't tell about nobody knew who little dirt

541
00:32:28,640 --> 00:32:32,840
Speaker 1: was not get a record deal? What if my feature

542
00:32:32,840 --> 00:32:35,800
Speaker 1: back at it? When you need this in the hood,

543
00:32:35,800 --> 00:32:38,480
Speaker 1: you undersland, I was doing songs with you for free.

544
00:32:39,200 --> 00:32:41,520
Speaker 1: You need to get a little clod. Can't send me

545
00:32:41,560 --> 00:32:45,520
Speaker 1: no verse back. That's crazy to me. Money that's not

546
00:32:45,600 --> 00:32:56,640
Speaker 1: real money. But get a way I never gave before,

547
00:32:56,680 --> 00:32:59,280
Speaker 1: because we have any ship, big man. She beat lumboat trucks,

548
00:32:59,640 --> 00:33:03,479
Speaker 1: stop plan. I've been doing this shit, hey longemen man,

549
00:33:03,480 --> 00:33:07,640
Speaker 1: I've been in this ship longer than already. I've been,

550
00:33:07,760 --> 00:33:13,000
Speaker 1: did I've been? So you hear Soldier Boy, the boy

551
00:33:13,120 --> 00:33:16,160
Speaker 1: addressed Dirk and other rappers and just you know, kind

552
00:33:16,160 --> 00:33:18,720
Speaker 1: of say that he gave them a song before they

553
00:33:18,760 --> 00:33:21,400
Speaker 1: had a dealing. Now he's in a situation where he

554
00:33:21,440 --> 00:33:24,000
Speaker 1: can't get him on the phone. Soldier Boy. Gotta understand

555
00:33:24,000 --> 00:33:27,520
Speaker 1: he do a whole lot of weird shit, you know. Now,

556
00:33:28,160 --> 00:33:32,360
Speaker 1: I do appreciate the stains because I understand what it's

557
00:33:32,400 --> 00:33:34,479
Speaker 1: like when you're on the other side of the ball,

558
00:33:35,000 --> 00:33:37,240
Speaker 1: right when a nigga needs you to get a little

559
00:33:37,880 --> 00:33:40,800
Speaker 1: a little bit gone, but when he get gone, he can't.

560
00:33:40,920 --> 00:33:43,680
Speaker 1: He don't hit you up right, So I can understand

561
00:33:43,720 --> 00:33:49,040
Speaker 1: that too. But yo, Soldier Boy, you know, respectfully to

562
00:33:49,120 --> 00:33:50,800
Speaker 1: the home hee been in the game for a long

563
00:33:50,920 --> 00:33:53,520
Speaker 1: time in the allgend. But bro, you don't did some

564
00:33:53,640 --> 00:33:57,360
Speaker 1: things that's unwarranted in the game. Like even look at

565
00:33:57,360 --> 00:34:00,440
Speaker 1: how you you were Beta, Like I ain't gonna something

566
00:34:00,480 --> 00:34:02,600
Speaker 1: in front of Harvey Limit. We gotta figure out what

567
00:34:02,680 --> 00:34:04,800
Speaker 1: the word, what the name of it is, But you

568
00:34:04,880 --> 00:34:06,720
Speaker 1: were something in front of the nigga at tim Z

569
00:34:06,920 --> 00:34:09,239
Speaker 1: trying to get your shoes to him. They're right there.

570
00:34:09,320 --> 00:34:12,000
Speaker 1: Just it made us feel away because you're called out

571
00:34:12,000 --> 00:34:14,400
Speaker 1: of our graces. You're a step on them, your step

572
00:34:14,440 --> 00:34:17,560
Speaker 1: on some of us, not me, But I'm saying you're

573
00:34:17,560 --> 00:34:19,680
Speaker 1: a step on some of our graces. You will called

574
00:34:19,760 --> 00:34:22,799
Speaker 1: Kanye West a bitch and college wife out and talk

575
00:34:22,880 --> 00:34:26,279
Speaker 1: about how Pete got his wife and tell DJ Academics

576
00:34:26,400 --> 00:34:28,920
Speaker 1: or Little Dog or Young Dolph and this in there.

577
00:34:28,960 --> 00:34:31,000
Speaker 1: You would say some of the craziest shit to us.

578
00:34:31,239 --> 00:34:33,319
Speaker 1: When you went up to the Harvey, you begging him

579
00:34:33,360 --> 00:34:35,840
Speaker 1: to take your shit, and he telling you knowing your face,

580
00:34:36,360 --> 00:34:40,080
Speaker 1: and now then I'm not taking no soldier boys shoes. Basically,

581
00:34:41,520 --> 00:34:43,759
Speaker 1: you shouldn't even been up there with him doing that.

582
00:34:43,880 --> 00:34:46,640
Speaker 1: Them should have went to somebody that's black. Them should

583
00:34:46,640 --> 00:34:49,440
Speaker 1: have probably went somebody who understand the culture. But this

584
00:34:49,560 --> 00:34:52,400
Speaker 1: is what I'd be saying, these niggas, Charlemagne said all

585
00:34:52,480 --> 00:34:55,480
Speaker 1: the time they think white ice cold or these niggas

586
00:34:55,600 --> 00:34:57,719
Speaker 1: is crazy to me, and they approached it some of

587
00:34:57,719 --> 00:35:00,840
Speaker 1: these things. You can talk to the rappers like it,

588
00:35:01,000 --> 00:35:05,440
Speaker 1: and I think you right, But I gotta be consistent

589
00:35:05,520 --> 00:35:09,960
Speaker 1: in in evaluating the information. Just two weeks ago, use

590
00:35:10,040 --> 00:35:15,359
Speaker 1: in front of Harvey acting like a nigga that wasn't

591
00:35:15,360 --> 00:35:19,560
Speaker 1: even rich like some nigga that need an opportunity. And

592
00:35:19,719 --> 00:35:22,160
Speaker 1: you can't tell me the reason you act like that

593
00:35:22,239 --> 00:35:24,480
Speaker 1: in front of that white man. And no disrespect to

594
00:35:24,560 --> 00:35:28,280
Speaker 1: white people on my political connects. But we're just examining

595
00:35:28,480 --> 00:35:30,759
Speaker 1: our coach, and I gotta deal with the facts of

596
00:35:31,680 --> 00:35:34,799
Speaker 1: I gotta understand what we stand that to understand how

597
00:35:34,800 --> 00:35:36,600
Speaker 1: we get out of it. I can't play the little

598
00:35:36,640 --> 00:35:38,840
Speaker 1: game y'all want to play. So when I see you

599
00:35:38,920 --> 00:35:42,080
Speaker 1: cuts out Kanye and then go be cool with Harvey

600
00:35:42,680 --> 00:35:46,120
Speaker 1: or be subservient to Harvey, it makes me feel funny.

601
00:35:47,000 --> 00:35:52,360
Speaker 1: And that's just me. Maybe that's just loom. You understand me.

602
00:35:52,480 --> 00:35:55,480
Speaker 1: But it's just a situation where I say, damn, we

603
00:35:55,600 --> 00:35:59,759
Speaker 1: gotta figure out a way to combine, you know, we

604
00:36:00,000 --> 00:36:02,200
Speaker 1: how to figure out a way to combine our interests,

605
00:36:02,280 --> 00:36:06,400
Speaker 1: compound our interests. You understand me, Like, we can't be

606
00:36:06,480 --> 00:36:12,080
Speaker 1: in a situation to divide each other and then wanna

607
00:36:12,320 --> 00:36:14,960
Speaker 1: go coom by y'all on the other side of things.

608
00:36:15,040 --> 00:36:18,760
Speaker 1: That's just weird to me. And looking at this soldier

609
00:36:18,800 --> 00:36:21,520
Speaker 1: board thing right it see because out no way yet

610
00:36:23,200 --> 00:36:26,319
Speaker 1: because I'm in a place in podcasting what niggas may

611
00:36:26,360 --> 00:36:29,960
Speaker 1: not have more money than me, niggas may not have

612
00:36:30,120 --> 00:36:32,560
Speaker 1: no more information than me, but niggas may got a

613
00:36:32,560 --> 00:36:35,160
Speaker 1: bigger audience than me. But you gotta be careful when

614
00:36:35,160 --> 00:36:39,640
Speaker 1: you're in that situation. Sometimes you gotta know a specially

615
00:36:39,760 --> 00:36:42,640
Speaker 1: always say yo. If people are here that you are

616
00:36:42,680 --> 00:36:45,360
Speaker 1: only depending on their status, you ain't got nothing to

617
00:36:45,360 --> 00:36:49,040
Speaker 1: worry about because you are outworked their status being cool.

618
00:36:49,120 --> 00:36:52,719
Speaker 1: It's fragile. That ain't something you keep. So you're outworked

619
00:36:52,760 --> 00:36:55,439
Speaker 1: that just keep moving. You're outworked that that ain't even

620
00:36:55,480 --> 00:36:59,160
Speaker 1: an issue. The thing is, you gotta be careful not

621
00:36:59,200 --> 00:37:01,839
Speaker 1: to make people that's ahead of your enemy of you

622
00:37:02,080 --> 00:37:06,839
Speaker 1: just because they're ahead of you in the race. Sometimes

623
00:37:06,880 --> 00:37:09,680
Speaker 1: it's easy to see somebody that's getting more money thing

624
00:37:09,760 --> 00:37:12,840
Speaker 1: you off the same thing you're doing, and your energy

625
00:37:12,920 --> 00:37:15,719
Speaker 1: can make you feel like you see what I'm saying,

626
00:37:15,760 --> 00:37:20,040
Speaker 1: So you got to check those emotional energies. These things

627
00:37:20,080 --> 00:37:22,840
Speaker 1: are happening to people right just because you are ahead

628
00:37:22,920 --> 00:37:26,640
Speaker 1: in the race, dudes behind you make you their enemy.

629
00:37:28,760 --> 00:37:31,200
Speaker 1: But all the time that they was ahead in the race,

630
00:37:31,640 --> 00:37:35,760
Speaker 1: everything was cool. Some people ain't don't understand how tides turned,

631
00:37:35,800 --> 00:37:38,480
Speaker 1: and some people think that their position now will be

632
00:37:38,520 --> 00:37:42,160
Speaker 1: their position later, and they don't understand that sometimes things

633
00:37:42,280 --> 00:37:47,239
Speaker 1: elevate this room for expansion in some people's life, right,

634
00:37:47,280 --> 00:37:50,400
Speaker 1: And so sometimes dudes go to another level where you

635
00:37:50,440 --> 00:37:53,520
Speaker 1: can't even fathom how they got there, and you ain't

636
00:37:53,560 --> 00:37:58,160
Speaker 1: got room enough for everything that's coming in. And I

637
00:37:58,239 --> 00:38:01,080
Speaker 1: also have to be careful because I gotta communicate in

638
00:38:01,120 --> 00:38:05,640
Speaker 1: the culture, and I gotta communicate in the culture without malice,

639
00:38:06,000 --> 00:38:09,839
Speaker 1: only based on information. And when I do it that way,

640
00:38:09,880 --> 00:38:13,560
Speaker 1: it's effective. But I gotta be careful not to communicate

641
00:38:13,600 --> 00:38:16,640
Speaker 1: with malice just because people are here to me in

642
00:38:16,680 --> 00:38:21,239
Speaker 1: the race, right, I gotta still be consistent in my

643
00:38:21,320 --> 00:38:25,359
Speaker 1: approach and my viewpoint on things, because I'm not just

644
00:38:25,440 --> 00:38:29,719
Speaker 1: another show or another dude that's taking people game or

645
00:38:29,760 --> 00:38:35,279
Speaker 1: information or regurgitating facts or taking a book and just

646
00:38:35,360 --> 00:38:38,640
Speaker 1: telling you what I learned about the book. Right, I'm

647
00:38:38,680 --> 00:38:41,680
Speaker 1: telling you my experience. And again, nothing is wrong with

648
00:38:41,760 --> 00:38:46,399
Speaker 1: these things, only if they're presented in a way that

649
00:38:46,480 --> 00:38:50,319
Speaker 1: it's supposed to be taking like these are you. And

650
00:38:50,440 --> 00:38:55,600
Speaker 1: again I'm careful in communicating about these things because I

651
00:38:55,800 --> 00:38:59,680
Speaker 1: have to again make sure that just because these people

652
00:38:59,719 --> 00:39:02,279
Speaker 1: are ahead of me, that I have not made them

653
00:39:02,320 --> 00:39:05,719
Speaker 1: an enemy of me. And on top of that, the

654
00:39:05,760 --> 00:39:08,799
Speaker 1: people that do listen to me, they listen to my

655
00:39:08,920 --> 00:39:16,080
Speaker 1: communication like instructions. So I also can't be irresponsible with

656
00:39:16,239 --> 00:39:19,799
Speaker 1: that level of influence on the people that listen to this.

657
00:39:20,640 --> 00:39:23,200
Speaker 1: So there's a thing happening with me that I gotta

658
00:39:23,280 --> 00:39:28,239
Speaker 1: be not only diligent, but I also got to be

659
00:39:28,360 --> 00:39:32,439
Speaker 1: mature in how I communicate some of these takes. Now,

660
00:39:32,440 --> 00:39:34,960
Speaker 1: will that take the fun off the table? Absolutely not.

661
00:39:35,320 --> 00:39:38,680
Speaker 1: Balloon got to always remember that you building something that

662
00:39:38,840 --> 00:39:43,799
Speaker 1: you gotta try to make it solid as they come

663
00:39:43,840 --> 00:39:46,680
Speaker 1: and you are still in the brand building process of it.

664
00:39:46,800 --> 00:39:49,719
Speaker 1: So stay awoke and stay alive. I don't know right

665
00:39:49,920 --> 00:39:55,440
Speaker 1: why right now I'm really thinking about position in podcasts

666
00:39:55,440 --> 00:39:59,839
Speaker 1: and I'm thinking about who are the ones that's add

667
00:40:00,080 --> 00:40:03,719
Speaker 1: to the algorithm. But I view this space man like

668
00:40:03,880 --> 00:40:06,160
Speaker 1: it's a lot of money at State. You know, it's

669
00:40:06,160 --> 00:40:08,759
Speaker 1: a lot of information, a lot of game being put down.

670
00:40:08,800 --> 00:40:11,160
Speaker 1: Then you got a lot of dumbage moving around just

671
00:40:11,680 --> 00:40:14,040
Speaker 1: doing shit that I don't respect, a lot of brands

672
00:40:14,080 --> 00:40:16,040
Speaker 1: that ain't gonna last long. You got a lot of

673
00:40:16,040 --> 00:40:19,160
Speaker 1: people that's not evolving innovating, a lot of people just

674
00:40:19,280 --> 00:40:22,000
Speaker 1: steal in game. It's a weird place, and it's a

675
00:40:22,080 --> 00:40:30,719
Speaker 1: volatile place, and and it's a very needy industry, like

676
00:40:30,840 --> 00:40:33,839
Speaker 1: it's a very need. It puts you, it puts you

677
00:40:33,880 --> 00:40:36,280
Speaker 1: in a in a mindset, even if no one's saying

678
00:40:36,320 --> 00:40:41,239
Speaker 1: it's almost like some invisible, invisible pressure attest to it,

679
00:40:41,320 --> 00:40:44,120
Speaker 1: like get the story out, make sure you get it.

680
00:40:44,760 --> 00:40:47,399
Speaker 1: And I'm telling you else my first time being bit bad.

681
00:40:47,440 --> 00:40:49,640
Speaker 1: And then that's why I'm talking about it. I'm out

682
00:40:49,719 --> 00:40:53,279
Speaker 1: in La right now. La is a funny place to

683
00:40:53,400 --> 00:40:56,000
Speaker 1: me as I view it. I tell people all the

684
00:40:56,080 --> 00:41:00,839
Speaker 1: time that the trees in La are imported. So when

685
00:41:00,840 --> 00:41:04,040
Speaker 1: you see a lot of those palm trees and you

686
00:41:04,040 --> 00:41:08,319
Speaker 1: think that's an La vibe, those trees are being imported.

687
00:41:08,400 --> 00:41:11,200
Speaker 1: That's one of the that's one of the many facts

688
00:41:11,200 --> 00:41:13,520
Speaker 1: that a lot of people don't know. That's so interesting

689
00:41:13,560 --> 00:41:15,719
Speaker 1: that you ride around and see it. I'm gonna tell

690
00:41:15,719 --> 00:41:19,160
Speaker 1: you something else. It's almost like four different worlds inside

691
00:41:19,200 --> 00:41:22,880
Speaker 1: of La. You got the rich rich, you got the okay,

692
00:41:22,960 --> 00:41:26,400
Speaker 1: they kind of rich, You got the middle class, and

693
00:41:26,440 --> 00:41:31,000
Speaker 1: then you got the pole And boy, when you dine here,

694
00:41:31,040 --> 00:41:35,480
Speaker 1: what a pole at on skid rolling all that shit. Boy,

695
00:41:35,520 --> 00:41:40,480
Speaker 1: you're gonna see some shit. I think LA is just

696
00:41:40,600 --> 00:41:42,640
Speaker 1: ran out of space. Even as I look at I

697
00:41:42,680 --> 00:41:45,799
Speaker 1: got a beautiful view right here that I'm looking at

698
00:41:45,960 --> 00:41:50,120
Speaker 1: right as I look out, just building next to building,

699
00:41:50,200 --> 00:41:53,080
Speaker 1: next to building next to building, just as far as

700
00:41:53,160 --> 00:41:55,120
Speaker 1: you can see. And this is just one side of

701
00:41:55,160 --> 00:41:57,480
Speaker 1: a small you know what I mean. And it's a

702
00:41:58,960 --> 00:42:01,320
Speaker 1: it's a hell of a place to live in. I think.

703
00:42:01,360 --> 00:42:04,359
Speaker 1: I think the property value some of the houses are

704
00:42:04,360 --> 00:42:09,040
Speaker 1: two to three million dollars down south, especially in Tennessee.

705
00:42:09,080 --> 00:42:12,040
Speaker 1: For three million dollars, you have a home that's probably

706
00:42:12,040 --> 00:42:16,720
Speaker 1: a dream home type thing, you know. And very big

707
00:42:16,880 --> 00:42:19,840
Speaker 1: is where a lot of these houses are straight across.

708
00:42:19,880 --> 00:42:23,359
Speaker 1: And I think that's because of the earthquakes. I'm not

709
00:42:23,400 --> 00:42:25,760
Speaker 1: sure if that's the case or not. Somebody fact checked

710
00:42:25,760 --> 00:42:29,160
Speaker 1: that from me. Man, let me talk about this, said,

711
00:42:29,200 --> 00:42:32,040
Speaker 1: Why I say about it? Yo? Bro? Man they're doing

712
00:42:32,120 --> 00:42:35,920
Speaker 1: anything that day? So that's been a rapper. Let me

713
00:42:35,960 --> 00:42:40,919
Speaker 1: find his name, Man, this is some craziest shit. Google new.

714
00:42:41,480 --> 00:42:45,960
Speaker 1: That's his name, rapper, Google New DMV. Rapper. Family had

715
00:42:46,000 --> 00:42:48,279
Speaker 1: his funeral at the nightclub and a ledger had his

716
00:42:48,360 --> 00:42:51,319
Speaker 1: body standing up at the service man. They had a

717
00:42:51,400 --> 00:42:56,080
Speaker 1: dead body at the club. Man, Yo, man, I'm telling

718
00:42:56,080 --> 00:42:57,799
Speaker 1: about that. Why I'm trying to tell you, boy, we

719
00:42:57,920 --> 00:43:01,400
Speaker 1: got range in the black culture. Boy, we got everything

720
00:43:01,560 --> 00:43:04,840
Speaker 1: from doctors nigga to niggas who are God damn it,

721
00:43:04,920 --> 00:43:09,640
Speaker 1: steer your our conditioner. We got niggas that spawn and

722
00:43:09,840 --> 00:43:13,319
Speaker 1: metal all the way up to engineers niggaing some of

723
00:43:13,320 --> 00:43:15,680
Speaker 1: the most brilliant minds in the world. But we got

724
00:43:15,800 --> 00:43:18,520
Speaker 1: range in the black culture. Just look at that, man,

725
00:43:18,600 --> 00:43:22,000
Speaker 1: dare to take you in a fucking man, I can't

726
00:43:22,040 --> 00:43:27,120
Speaker 1: even believe that's true. Down I'll read some of the

727
00:43:27,160 --> 00:43:30,520
Speaker 1: tweets they got. Go Go news, Gogo news, they got

728
00:43:30,520 --> 00:43:32,719
Speaker 1: Google news. Dead body propped up in the club for

729
00:43:32,840 --> 00:43:35,680
Speaker 1: his funeral. This is the wildest thing I've seen on

730
00:43:35,719 --> 00:43:37,799
Speaker 1: the internet in the wild. I don't even know what

731
00:43:37,840 --> 00:43:43,879
Speaker 1: to say. Now. Just imagine a dead body. Just imagine that, bro.

732
00:43:45,880 --> 00:43:49,120
Speaker 1: It almost makes you feel like black people, my people

733
00:43:50,440 --> 00:43:53,279
Speaker 1: don't give a damn what was happening. Long at its

734
00:43:53,360 --> 00:43:56,960
Speaker 1: drinks and weed and music right there. You can't tell

735
00:43:57,080 --> 00:43:59,840
Speaker 1: us anything. It's okay, long as to drink in the

736
00:44:00,040 --> 00:44:03,839
Speaker 1: weed and the music right there. Here's another tweet, don't

737
00:44:03,840 --> 00:44:06,200
Speaker 1: gotta catch me ever going to bliss after I've just

738
00:44:06,320 --> 00:44:09,160
Speaker 1: seen that they had gold News body just chilling in

739
00:44:09,239 --> 00:44:12,160
Speaker 1: their bitch last night, y'all. Nigga's weird as fun. Yeah,

740
00:44:12,160 --> 00:44:17,960
Speaker 1: that's I'm yo. Think about that, bro, Think about the

741
00:44:18,000 --> 00:44:22,440
Speaker 1: traditional approach to a dead body, like a funeral approach,

742
00:44:23,320 --> 00:44:26,799
Speaker 1: Think about the sadness. Think about like they starting to

743
00:44:26,960 --> 00:44:31,560
Speaker 1: edit the approach about funerals nowaday. Yeah, the approach of

744
00:44:31,640 --> 00:45:11,040
Speaker 1: funerals is going out to wonder what happen Chris Rock.

745
00:45:11,760 --> 00:45:19,080
Speaker 1: Chris Rock support is now skyrocketing. I'll just make this brief, right,

746
00:45:19,160 --> 00:45:22,520
Speaker 1: and then we'll move on. But Chris Rocks sales are skyrocketing,

747
00:45:22,560 --> 00:45:26,759
Speaker 1: while Will Smith's sales and Equitin and Casher and the

748
00:45:26,840 --> 00:45:31,920
Speaker 1: coaches plumbinging, plumbinging. I think we're in a situation now, man, Again,

749
00:45:31,960 --> 00:45:34,839
Speaker 1: we're dealing with the fix of a mistake, a high

750
00:45:34,880 --> 00:45:37,440
Speaker 1: level mistake, in a situation that was a knife for

751
00:45:37,960 --> 00:45:40,399
Speaker 1: some of our other greats. Right. We got I think

752
00:45:40,440 --> 00:45:45,000
Speaker 1: Samuel l One and he's been over in ninety movies

753
00:45:45,120 --> 00:45:47,920
Speaker 1: or something wild and had never got an oscar. And

754
00:45:48,000 --> 00:45:50,000
Speaker 1: there was other people and it was just a lot

755
00:45:50,120 --> 00:45:52,920
Speaker 1: going on. So it was a high level mistake, but

756
00:45:53,040 --> 00:45:58,520
Speaker 1: again emotional mistake, which anything emotional without risk assessment attested

757
00:45:58,560 --> 00:46:01,399
Speaker 1: to it. We understand it's a mistake. Man. I hate

758
00:46:01,400 --> 00:46:05,200
Speaker 1: to see that for that, brother, I really do. Let's see,

759
00:46:05,280 --> 00:46:08,040
Speaker 1: let's see, let's see, let's see. They got old Jamen

760
00:46:08,160 --> 00:46:11,440
Speaker 1: coming out. I want to talk about how school and

761
00:46:11,480 --> 00:46:15,000
Speaker 1: it's a very unique thing, and it's some of the

762
00:46:15,040 --> 00:46:20,279
Speaker 1: greatest game that ever been put down. See y'all be

763
00:46:20,400 --> 00:46:23,759
Speaker 1: worried about who you know. Y'all think you got good

764
00:46:23,800 --> 00:46:26,719
Speaker 1: game because you you know you you only put three

765
00:46:26,800 --> 00:46:29,799
Speaker 1: grams in the three point five bag. You know you

766
00:46:29,920 --> 00:46:33,880
Speaker 1: think you take Sam Whammans out of each ounce and

767
00:46:34,000 --> 00:46:37,440
Speaker 1: add some cutting there. You think you got supreme game.

768
00:46:37,920 --> 00:46:41,920
Speaker 1: The people don't to me. School and it's the biggest

769
00:46:41,960 --> 00:46:45,720
Speaker 1: game that been put down, especially college. Now I won't

770
00:46:45,719 --> 00:46:49,759
Speaker 1: necessarily place that own grade. School and then some of

771
00:46:49,760 --> 00:46:53,840
Speaker 1: those fundamental things that help you just understand regular life.

772
00:46:53,840 --> 00:46:57,760
Speaker 1: But when we deal with college, it's literally just an understanding.

773
00:46:59,080 --> 00:47:01,960
Speaker 1: Like you literally go to college just to say we

774
00:47:02,120 --> 00:47:07,320
Speaker 1: promise that you will get a job. I know people

775
00:47:07,400 --> 00:47:10,520
Speaker 1: right now that I walk in restaurants and they're overqualified

776
00:47:10,600 --> 00:47:13,640
Speaker 1: to be my waiter. But that's where they found themselves set.

777
00:47:15,200 --> 00:47:18,880
Speaker 1: People are dealing with degrees that's uneffective in the current structure.

778
00:47:18,960 --> 00:47:22,640
Speaker 1: People got degrees that was based on things that is

779
00:47:22,680 --> 00:47:26,839
Speaker 1: no longer even available at this point, especially a lot

780
00:47:26,880 --> 00:47:30,040
Speaker 1: of that music shit, a lot of those things. How

781
00:47:30,120 --> 00:47:34,600
Speaker 1: technology get involved in booming your whole industry disappears and

782
00:47:34,760 --> 00:47:37,480
Speaker 1: you spent I don't know how much money on college

783
00:47:37,480 --> 00:47:41,360
Speaker 1: and how much time and effort and energy in getting

784
00:47:41,400 --> 00:47:44,600
Speaker 1: some sort of piece of paper that says you're eligible

785
00:47:44,680 --> 00:47:46,640
Speaker 1: to make a certain amount of money, not that you

786
00:47:46,719 --> 00:47:53,399
Speaker 1: will make. Look at what they'll do for eligibility. So

787
00:47:53,480 --> 00:47:56,200
Speaker 1: in this world that doesn't it's less about the people

788
00:47:56,239 --> 00:47:58,239
Speaker 1: that go to college and more about the people who

789
00:47:58,280 --> 00:48:01,160
Speaker 1: created the structure, even I mean at least for me.

790
00:48:01,239 --> 00:48:06,640
Speaker 1: So I view the people that create a destruction and say, oh, oh,

791
00:48:06,760 --> 00:48:10,919
Speaker 1: that's good game. You got all leave people you got.

792
00:48:11,000 --> 00:48:14,839
Speaker 1: And if somebody find themselves with a one hundred and

793
00:48:14,920 --> 00:48:19,840
Speaker 1: fifty five thousand dollars debt to a college and working

794
00:48:19,960 --> 00:48:23,200
Speaker 1: at a fast food restaurant, they're just take their loss

795
00:48:23,600 --> 00:48:26,680
Speaker 1: and they headed in a situation where you cannot get

796
00:48:27,320 --> 00:48:31,480
Speaker 1: rid of school debt. So picture that I put you

797
00:48:31,560 --> 00:48:35,880
Speaker 1: through school and promise you a job, not even promise

798
00:48:35,960 --> 00:48:38,000
Speaker 1: you a job. Because see that's why I say words

799
00:48:38,000 --> 00:48:41,840
Speaker 1: are important, communication and information is important. They don't promise

800
00:48:41,920 --> 00:48:45,439
Speaker 1: you a job, they promise you eligibility. So they tell

801
00:48:45,480 --> 00:48:49,200
Speaker 1: you to come to the school on an eligibility basis

802
00:48:49,280 --> 00:48:52,120
Speaker 1: that when you leave Ida Hill, you should be able

803
00:48:52,160 --> 00:48:56,920
Speaker 1: to get a job for this amount of money. They

804
00:48:56,960 --> 00:49:00,319
Speaker 1: don't consider whether the market changes, They don't consider none

805
00:49:00,320 --> 00:49:02,640
Speaker 1: of that. They just give you the hope and the

806
00:49:02,760 --> 00:49:06,760
Speaker 1: dream that you may be able to get a job

807
00:49:07,080 --> 00:49:09,319
Speaker 1: and you go spend them years and their money on that.

808
00:49:09,440 --> 00:49:13,879
Speaker 1: I'm taking the entrepreneur route, and for me, that's why

809
00:49:13,920 --> 00:49:16,320
Speaker 1: it's important. I have to introduce some kind of hustle

810
00:49:16,400 --> 00:49:19,120
Speaker 1: to my children while they're young, because I don't want

811
00:49:19,160 --> 00:49:22,200
Speaker 1: them to fall victim to the school and thing. When

812
00:49:22,239 --> 00:49:24,520
Speaker 1: I was speaking to Richard and Troy to earn your

813
00:49:24,600 --> 00:49:27,320
Speaker 1: leads to shout out to my family. Matter of fact,

814
00:49:27,480 --> 00:49:29,800
Speaker 1: let me say this then one of the realist dudes

815
00:49:30,040 --> 00:49:32,840
Speaker 1: in the industry, I speak about that later. Let me

816
00:49:32,920 --> 00:49:35,960
Speaker 1: make this point. I was speaking to Richard and Troy

817
00:49:36,239 --> 00:49:39,239
Speaker 1: and they was telling me or we spoke about on

818
00:49:39,640 --> 00:49:43,080
Speaker 1: this up their podcast. The episode of drops soon shout

819
00:49:43,080 --> 00:49:49,080
Speaker 1: out Revote TV. They were telling me, Yo, long, just

820
00:49:49,120 --> 00:49:51,560
Speaker 1: look at the school instruction. Look how it's set up

821
00:49:52,640 --> 00:49:55,480
Speaker 1: when school you know, now the world has changed a

822
00:49:55,480 --> 00:49:59,239
Speaker 1: little bit. But rewind about forty to fifty years. He said, Yo,

823
00:49:59,400 --> 00:50:03,120
Speaker 1: look at the industry. Look at the industrial complex right,

824
00:50:03,200 --> 00:50:07,120
Speaker 1: look at the factory jobs and things like that. Right,

825
00:50:07,960 --> 00:50:11,120
Speaker 1: if you know anything about factory jobs. If you're there

826
00:50:11,200 --> 00:50:14,080
Speaker 1: and the bill rings, everybody goes to lunch. It ain't

827
00:50:14,120 --> 00:50:17,239
Speaker 1: even a thing where like retail stores where your lunch

828
00:50:17,320 --> 00:50:19,680
Speaker 1: is at eleven thirty, your lunch is at eleven forty five.

829
00:50:19,960 --> 00:50:22,320
Speaker 1: They do that because they need coverage on the floor.

830
00:50:22,600 --> 00:50:26,400
Speaker 1: Were talking about manufacturer or some sort of labor job.

831
00:50:26,640 --> 00:50:29,280
Speaker 1: Everybody goes at the same time. So when the lions

832
00:50:29,280 --> 00:50:31,440
Speaker 1: shuts down, we can account for that, and when it

833
00:50:31,560 --> 00:50:34,120
Speaker 1: crank back up, we can account for that. He said, Yo,

834
00:50:34,160 --> 00:50:37,560
Speaker 1: it's the same thing in school. The bill ring, you

835
00:50:37,680 --> 00:50:40,920
Speaker 1: go to lunch, you go and I'm like, yo, this wow.

836
00:50:41,000 --> 00:50:45,080
Speaker 1: So he's subconsciously, as a youngster, it's setting you up

837
00:50:45,120 --> 00:50:49,360
Speaker 1: to be prepared to go from school right into a job,

838
00:50:49,640 --> 00:50:53,080
Speaker 1: work sixty years and then put yourself in a situation

839
00:50:53,120 --> 00:50:56,000
Speaker 1: where you retire with twenty years left and a little

840
00:50:56,000 --> 00:51:00,719
Speaker 1: bit of money. All your health is gone in most cases, right,

841
00:51:01,040 --> 00:51:04,200
Speaker 1: and so man, I said, damn, they putting real game down.

842
00:51:04,680 --> 00:51:07,080
Speaker 1: I gotta figure y'all think I'm leaving this world with

843
00:51:07,160 --> 00:51:09,360
Speaker 1: no money. Well, I ain't fro the ball and enjoy

844
00:51:09,480 --> 00:51:13,360
Speaker 1: my time here when niggas is packaging brown sugar and

845
00:51:13,480 --> 00:51:17,160
Speaker 1: selling it like he's saying, manded, niggas crazy, I got

846
00:51:17,160 --> 00:51:19,000
Speaker 1: to get some money out this shit. Ain't no way

847
00:51:19,040 --> 00:51:21,239
Speaker 1: I'm leaving this ship with no money, y'all. Crazy is

848
00:51:21,280 --> 00:51:27,160
Speaker 1: a motherfuck. But again, man, none of the promises are kept.

849
00:51:27,239 --> 00:51:29,960
Speaker 1: It's like when white people tell promises it don't it

850
00:51:30,040 --> 00:51:34,440
Speaker 1: don't mean nothing you understand. Like it's like if they

851
00:51:34,480 --> 00:51:36,960
Speaker 1: tell you, yo, come spend one hundred and eighty thousand

852
00:51:37,400 --> 00:51:41,399
Speaker 1: because they package it. Right. See, we'll just be saying shit,

853
00:51:42,280 --> 00:51:44,560
Speaker 1: you gotta go package it and send it through something.

854
00:51:44,560 --> 00:51:46,760
Speaker 1: But it's a lot of red tape. Like the college

855
00:51:46,840 --> 00:51:51,320
Speaker 1: thing is bullshit to me, respectfully to the Ivy League colleges,

856
00:51:51,719 --> 00:51:56,760
Speaker 1: certain positions are lucrative, right, I ain't talking. It's almost

857
00:51:56,760 --> 00:52:00,680
Speaker 1: like a Ponzi scheme. But some of these bologists do

858
00:52:00,880 --> 00:52:05,080
Speaker 1: guarantee a certain level of quality of life after you

859
00:52:05,880 --> 00:52:09,360
Speaker 1: graduate and leave their college. Right, let's be clear on that.

860
00:52:09,440 --> 00:52:11,200
Speaker 1: I want to be clear on that too, because it's

861
00:52:11,239 --> 00:52:14,560
Speaker 1: good game in that. But a lot of these colleges

862
00:52:14,560 --> 00:52:17,279
Speaker 1: where you go running get these little degrees, they got

863
00:52:17,320 --> 00:52:20,800
Speaker 1: you operating with these degrees in a market where a

864
00:52:20,920 --> 00:52:24,640
Speaker 1: degree is uneffective, and I think it's bullshit. I think

865
00:52:24,680 --> 00:52:27,160
Speaker 1: it needs to be restructured. Or even if they don't

866
00:52:27,200 --> 00:52:31,240
Speaker 1: restructure it, we need to restructure the way we view entrepreneurship,

867
00:52:31,360 --> 00:52:33,359
Speaker 1: the way we view going to get a job, the

868
00:52:33,400 --> 00:52:36,800
Speaker 1: way we view working for somebody else. For fifty years now,

869
00:52:36,880 --> 00:52:42,319
Speaker 1: it's necessity, and it's necessary you gotta make You may

870
00:52:42,360 --> 00:52:44,640
Speaker 1: gotta get a job to fund some shit you got

871
00:52:44,680 --> 00:52:49,759
Speaker 1: going on, but your mindset gotta be escape room. Yeah,

872
00:52:49,840 --> 00:52:51,920
Speaker 1: your job. You gotta look at your job like the

873
00:52:52,080 --> 00:52:55,880
Speaker 1: escape room. I'm getting up bout this motherfucker. At some point,

874
00:52:56,200 --> 00:52:58,200
Speaker 1: what does that means? I need to save ten thousand

875
00:52:58,200 --> 00:53:00,520
Speaker 1: a year some kind of way and in a way

876
00:53:00,520 --> 00:53:03,040
Speaker 1: why I can do so? You know, something got to

877
00:53:03,080 --> 00:53:05,640
Speaker 1: happen and you gotta have them kind of plans, and

878
00:53:05,719 --> 00:53:08,000
Speaker 1: if you don't, you'll fall victim to the game. And

879
00:53:08,040 --> 00:53:10,640
Speaker 1: then you'll be working paycheck to paycheck. And once they

880
00:53:10,680 --> 00:53:12,640
Speaker 1: got you in that cycle, it's hard to break it

881
00:53:13,160 --> 00:53:16,200
Speaker 1: because they allow you, based on your paycheck to get

882
00:53:16,200 --> 00:53:19,160
Speaker 1: a certain living standard that to keep you going paycheck

883
00:53:19,200 --> 00:53:22,720
Speaker 1: to paycheck. It's like a vicious cycle that they placed

884
00:53:22,719 --> 00:53:24,560
Speaker 1: you in, and you gotta be alive and a well

885
00:53:24,920 --> 00:53:28,839
Speaker 1: to even understand the circumstances. So I'm saying, so we're

886
00:53:28,880 --> 00:53:30,879
Speaker 1: gonna take a break and then we'll finish the risk

887
00:53:30,960 --> 00:53:35,800
Speaker 1: by the pool biggest podcasts on Earth. Okay, we're back.

888
00:53:38,719 --> 00:53:43,359
Speaker 1: We're back at the FOJFO studios with the pub We're

889
00:53:43,360 --> 00:53:45,239
Speaker 1: gonna finish it out. You know, I got a lot

890
00:53:45,320 --> 00:53:48,600
Speaker 1: more to talk about, so many different things I find

891
00:53:48,640 --> 00:53:52,440
Speaker 1: myself and you know, going in the meetings right and

892
00:53:52,600 --> 00:53:59,680
Speaker 1: trying to explain the next steps to people and for me,

893
00:53:59,760 --> 00:54:03,799
Speaker 1: right in that situation, it lets me know. So podcasting, man,

894
00:54:03,880 --> 00:54:07,440
Speaker 1: it's a business. And when things become a business, things

895
00:54:07,960 --> 00:54:12,440
Speaker 1: they expect a formula. Right, when you deal with business,

896
00:54:12,480 --> 00:54:15,719
Speaker 1: there's a formula expected that's on anything and right, and

897
00:54:15,760 --> 00:54:20,359
Speaker 1: so in podcasting, everybody's searching for the formula. And so

898
00:54:20,920 --> 00:54:24,240
Speaker 1: if you know podcasting, if you know the business side,

899
00:54:25,280 --> 00:54:30,279
Speaker 1: there's a few different kind of ways of doing it.

900
00:54:30,640 --> 00:54:33,520
Speaker 1: There's there's a few different kind of approaches in regards

901
00:54:33,520 --> 00:54:39,160
Speaker 1: to conducting business right, and so in music and in

902
00:54:39,200 --> 00:54:46,160
Speaker 1: our subsection, we've started to approach this in a unique way.

903
00:54:46,760 --> 00:54:49,440
Speaker 1: There is a blueprint laid down by us. Right, you

904
00:54:49,560 --> 00:54:52,839
Speaker 1: got to you do your podcast, you do your live show,

905
00:54:53,000 --> 00:54:55,360
Speaker 1: you know, you do your merge, whatever the case may be.

906
00:54:55,480 --> 00:54:59,600
Speaker 1: Dependent on how big your show is, dictates the level

907
00:54:59,640 --> 00:55:02,920
Speaker 1: of stress that the draws as you move around the

908
00:55:02,920 --> 00:55:05,799
Speaker 1: world and try to sell tickets and things like that.

909
00:55:05,840 --> 00:55:09,560
Speaker 1: There's a translation that has to happen from the internet

910
00:55:09,920 --> 00:55:15,320
Speaker 1: to live show that very few people see the ramifications

911
00:55:15,400 --> 00:55:18,799
Speaker 1: of the work that they've put in online. Eighty five

912
00:55:18,880 --> 00:55:21,359
Speaker 1: South may be the top in regards to that. In

913
00:55:21,400 --> 00:55:26,200
Speaker 1: regards to seeing that ticket thing actually work. I think

914
00:55:26,239 --> 00:55:29,760
Speaker 1: they have a cheat code because they're operating in music

915
00:55:30,520 --> 00:55:33,719
Speaker 1: podcast space but also comedy space. And for me, that

916
00:55:33,920 --> 00:55:38,440
Speaker 1: marriage right there provides a luxury for them that allows

917
00:55:38,520 --> 00:55:42,200
Speaker 1: them to take that culture, take our culture in a way. Right.

918
00:55:42,320 --> 00:55:44,640
Speaker 1: So if we all headed up a hill, it's like

919
00:55:44,680 --> 00:55:47,920
Speaker 1: what they're doing is taking a slant, so they're getting

920
00:55:48,000 --> 00:55:51,560
Speaker 1: more they're covering more ground it's they're moving, you know

921
00:55:51,600 --> 00:55:53,800
Speaker 1: what I'm saying, because of what they do and because

922
00:55:53,840 --> 00:55:59,320
Speaker 1: of the ability to be operating inside comedy but also

923
00:55:59,480 --> 00:56:03,759
Speaker 1: be as much as cultured as the breakfast club or

924
00:56:03,800 --> 00:56:06,600
Speaker 1: something like that. But that's one way of doing it, right,

925
00:56:06,680 --> 00:56:09,360
Speaker 1: depending on that live show. The other way is you

926
00:56:09,400 --> 00:56:11,680
Speaker 1: can make a lot of money on just dealing with

927
00:56:11,719 --> 00:56:14,839
Speaker 1: the internet and not doing the live show. But longevity

928
00:56:14,960 --> 00:56:19,200
Speaker 1: lives on you providing some sort of receipt that you

929
00:56:19,239 --> 00:56:22,279
Speaker 1: can see a ticket, right. And so when you're on

930
00:56:22,320 --> 00:56:25,920
Speaker 1: the internet and you're dealing with because dude's making a

931
00:56:25,960 --> 00:56:28,200
Speaker 1: lot of money off clicks, and like even if you

932
00:56:28,239 --> 00:56:31,200
Speaker 1: take a Joe Buddon type of model where you get

933
00:56:31,400 --> 00:56:34,880
Speaker 1: you know, twenty thirty percent of your fan base on

934
00:56:35,000 --> 00:56:40,120
Speaker 1: your listenership on Patreon paying right, that right there provides

935
00:56:40,200 --> 00:56:43,239
Speaker 1: you capital. You see what I'm saying. A lot of

936
00:56:43,239 --> 00:56:46,799
Speaker 1: people are shooting these podcasts, putting them on YouTube and

937
00:56:46,800 --> 00:56:50,560
Speaker 1: getting paid pennies on the dollar, right, But the expulsion

938
00:56:50,800 --> 00:56:53,279
Speaker 1: and they're getting certain ads and there's things like that

939
00:56:53,280 --> 00:56:55,200
Speaker 1: that's happening on the back end. So I don't want

940
00:56:55,200 --> 00:56:59,680
Speaker 1: to discouraging any creator. I want you to know the

941
00:57:00,000 --> 00:57:04,400
Speaker 1: stability is endless, but the format is in place, or

942
00:57:04,440 --> 00:57:06,840
Speaker 1: they're they're placing it as we speak, they're trying to

943
00:57:06,840 --> 00:57:09,480
Speaker 1: place the format in place. So you gotta try to

944
00:57:09,520 --> 00:57:12,440
Speaker 1: figure out a way to get into the format but

945
00:57:12,560 --> 00:57:18,320
Speaker 1: also provide something that allows for your business to be lucrative. UM.

946
00:57:19,520 --> 00:57:24,880
Speaker 1: I also think that in our space we've podcasting in

947
00:57:24,960 --> 00:57:30,320
Speaker 1: particular has been invaded by music mindset. Right. A lot

948
00:57:30,400 --> 00:57:32,440
Speaker 1: of the rap guys, a lot of the guys that

949
00:57:32,600 --> 00:57:37,080
Speaker 1: enjoy rap and things like that have have been pushed

950
00:57:37,080 --> 00:57:41,440
Speaker 1: to the forefront of podcasting and what it seems to

951
00:57:41,480 --> 00:57:44,880
Speaker 1: be for up and coming podcast With me, if I

952
00:57:44,920 --> 00:57:48,240
Speaker 1: don't get the big interview, I'm not effective, right. It's

953
00:57:48,280 --> 00:57:50,760
Speaker 1: almost like chasing the head and getting a big feature.

954
00:57:51,360 --> 00:57:53,640
Speaker 1: Everybody in the coach is trying to hurry up and

955
00:57:53,680 --> 00:58:00,480
Speaker 1: get that hurry up and get that that interview. Some

956
00:58:00,520 --> 00:58:02,840
Speaker 1: people think if you don't get the interview first, then

957
00:58:02,880 --> 00:58:06,880
Speaker 1: you lost, and that's that industry mindset. I don't believe that.

958
00:58:07,440 --> 00:58:11,760
Speaker 1: What I believe is if you have the right conversation

959
00:58:12,480 --> 00:58:15,560
Speaker 1: you you your content would do what it needs to do.

960
00:58:15,600 --> 00:58:18,000
Speaker 1: I'm I'm about to talk about Key Glock having a

961
00:58:18,000 --> 00:58:21,280
Speaker 1: conversation on complex with the homie where he did a

962
00:58:21,320 --> 00:58:28,360
Speaker 1: phenomenal job. But there's a disconnect even with our skin people, right,

963
00:58:29,320 --> 00:58:34,200
Speaker 1: even with people that share our share the same um

964
00:58:34,920 --> 00:58:40,280
Speaker 1: ethnicit is, sometimes there's a disconnect because of our backgrounds.

965
00:58:40,400 --> 00:58:43,800
Speaker 1: It ain't nobody at fault and no, ain't nobody at fault.

966
00:58:43,880 --> 00:58:47,520
Speaker 1: But it's just there's opportunity there if we can put

967
00:58:47,520 --> 00:58:51,920
Speaker 1: the right people in position. It's almost like key Glock

968
00:58:52,000 --> 00:58:55,840
Speaker 1: coming off that lad. That interview of the Passing Adulf

969
00:58:56,200 --> 00:59:00,160
Speaker 1: is a situation like a last final shot. You did

970
00:59:00,280 --> 00:59:02,760
Speaker 1: what I'm saying. You gotta get Jordan in place right there.

971
00:59:02,920 --> 00:59:05,400
Speaker 1: You gotta do something to try to make that a

972
00:59:05,440 --> 00:59:07,920
Speaker 1: situation where we can really get something out of it

973
00:59:08,320 --> 00:59:11,040
Speaker 1: for the youngsters. And he was, dude is bleeding and sad,

974
00:59:11,120 --> 00:59:14,600
Speaker 1: but we'll get we'll get to that part. The podcast game,

975
00:59:14,680 --> 00:59:20,480
Speaker 1: dudes is chasing the interview, and I think that interviews

976
00:59:20,480 --> 00:59:23,960
Speaker 1: are cool, but the conversation is where it is. It's

977
00:59:24,000 --> 00:59:26,680
Speaker 1: about what you're talking about, not who you're talking to.

978
00:59:27,360 --> 00:59:29,920
Speaker 1: And if you study the grates like I've studied the graates,

979
00:59:29,960 --> 00:59:33,919
Speaker 1: you understand the game now it's not built on who's

980
00:59:33,960 --> 00:59:36,320
Speaker 1: you know. Now you can play that game. If you won't,

981
00:59:36,840 --> 00:59:38,800
Speaker 1: you know, I'm gonna play that game a little bit.

982
00:59:39,440 --> 00:59:42,840
Speaker 1: We're gonna play that game, but you better figure out

983
00:59:42,920 --> 00:59:46,400
Speaker 1: how to build an audience to where no matter who

984
00:59:46,520 --> 00:59:50,400
Speaker 1: Rogan sitting next to, they're gonna listen to it because

985
00:59:50,520 --> 00:59:55,040
Speaker 1: Rogan has an understanding of almost anything that he brings

986
00:59:55,120 --> 00:59:58,200
Speaker 1: up there, because he's gonna be curious about something that

987
00:59:58,240 --> 01:00:01,160
Speaker 1: he's talking about. It so there for the conversation to

988
01:00:01,280 --> 01:00:04,200
Speaker 1: be something worth having. And that's what you gotta have

989
01:00:04,320 --> 01:00:07,640
Speaker 1: in the culture, conversations worth having. People are rushing to

990
01:00:07,680 --> 01:00:10,440
Speaker 1: get the interview, paying to be exclusive. Dudes are paying

991
01:00:10,520 --> 01:00:14,960
Speaker 1: six figures, getting ahead of creators to get certain interviews,

992
01:00:15,040 --> 01:00:19,440
Speaker 1: beating out relationships, Dudes having five and teen year relationships

993
01:00:19,440 --> 01:00:21,360
Speaker 1: with guys and having to go do an interview on

994
01:00:21,400 --> 01:00:26,120
Speaker 1: this side because they've paid a six figure check. This

995
01:00:26,160 --> 01:00:29,640
Speaker 1: game is getting slippery, this content game, because it's money involved.

996
01:00:29,680 --> 01:00:32,840
Speaker 1: It's a lot of money involved. But don't be deceived.

997
01:00:34,600 --> 01:00:39,360
Speaker 1: The format is not in place yet. Building an audience

998
01:00:39,800 --> 01:00:43,600
Speaker 1: is like for me, I understand it. It's being very complex,

999
01:00:43,680 --> 01:00:48,160
Speaker 1: and I think chasing those interviews. I ain't saying don't

1000
01:00:48,200 --> 01:00:51,520
Speaker 1: get big interviews because big interviews are the thing to get.

1001
01:00:52,080 --> 01:00:54,280
Speaker 1: But you can talk to a Meek Meal now when

1002
01:00:54,280 --> 01:00:57,640
Speaker 1: he has no album out, nothing going on, and give

1003
01:00:57,720 --> 01:01:01,120
Speaker 1: something to the culture about that. You talk to Jay

1004
01:01:01,200 --> 01:01:04,160
Speaker 1: Z with nothing out. If the right person sitting next

1005
01:01:04,160 --> 01:01:07,200
Speaker 1: to jay Z, He's affected the culture for the next

1006
01:01:07,200 --> 01:01:11,120
Speaker 1: two to three years. Right the next dude sitting next

1007
01:01:11,120 --> 01:01:15,360
Speaker 1: to fifty right now, or you know, anybody, Kanye, any

1008
01:01:15,360 --> 01:01:18,160
Speaker 1: of these dude, some of these things can happen in

1009
01:01:18,200 --> 01:01:21,040
Speaker 1: a way where it'll be effective. And that's what we

1010
01:01:21,160 --> 01:01:23,480
Speaker 1: got to focus on. So the conversation needs to be

1011
01:01:23,560 --> 01:01:26,000
Speaker 1: had again. I just think we got to focus on

1012
01:01:26,080 --> 01:01:29,600
Speaker 1: putting the right people with the right people. What I

1013
01:01:29,680 --> 01:01:33,080
Speaker 1: do here, and I'm trying to make sure that I

1014
01:01:33,240 --> 01:01:36,560
Speaker 1: understand even how to compartmentalize what it is I do

1015
01:01:37,480 --> 01:01:42,120
Speaker 1: with podcasting or interviewing or commentating or whatever it is

1016
01:01:42,160 --> 01:01:45,440
Speaker 1: I do, because I do several different things in the

1017
01:01:45,480 --> 01:01:48,400
Speaker 1: show at once. You see what I'm saying, and so

1018
01:01:48,480 --> 01:01:51,680
Speaker 1: what I have to do is make sure I'm effective

1019
01:01:51,800 --> 01:01:55,160
Speaker 1: as an interviewer. You understand, I also got to make

1020
01:01:55,160 --> 01:01:58,240
Speaker 1: sure that when I'm interviewing somebody that I pull a

1021
01:01:58,280 --> 01:02:02,080
Speaker 1: lout a certain skill set because now it's like a screwdriver.

1022
01:02:02,200 --> 01:02:04,320
Speaker 1: You're dealing now you're dealing with a nail. You need

1023
01:02:04,360 --> 01:02:06,720
Speaker 1: a hammer, and put the screwdriver up, get the hammer,

1024
01:02:07,040 --> 01:02:09,560
Speaker 1: bam you in there. If I try to do something

1025
01:02:09,600 --> 01:02:12,520
Speaker 1: with the screwdriver and the nail, then you know, I

1026
01:02:12,680 --> 01:02:15,080
Speaker 1: make it, make it work, you know, turn it around,

1027
01:02:15,240 --> 01:02:17,520
Speaker 1: beat it up on there or something. But it's gonna

1028
01:02:17,560 --> 01:02:20,080
Speaker 1: be rough. It's gonna be hard. I needed this thing

1029
01:02:20,120 --> 01:02:22,960
Speaker 1: to be smooth. I need the audience to be able

1030
01:02:22,960 --> 01:02:25,280
Speaker 1: to enjoy what it is we bring to the culture,

1031
01:02:25,800 --> 01:02:29,440
Speaker 1: accept it as high value and not just talking and

1032
01:02:29,480 --> 01:02:32,520
Speaker 1: regurgitating like a lot of these people are doing. What

1033
01:02:32,560 --> 01:02:36,880
Speaker 1: I'm trying to do is what's called talent stacking. You

1034
01:02:36,920 --> 01:02:39,080
Speaker 1: see what I'm saying. I'm trying to stack the talents

1035
01:02:39,120 --> 01:02:43,200
Speaker 1: on top of each other. Right, my information, plus my communication,

1036
01:02:43,320 --> 01:02:48,320
Speaker 1: my ability to articulate what it is that I see, right,

1037
01:02:48,880 --> 01:02:52,640
Speaker 1: my opinion and thoughts about what the culture, the current

1038
01:02:52,680 --> 01:02:56,160
Speaker 1: state of the culture. But I gotta also put interviews

1039
01:02:56,280 --> 01:02:58,640
Speaker 1: in there. I gotta also be on a panel at

1040
01:02:58,760 --> 01:03:02,440
Speaker 1: some point dealing with three or fortyse dudes at the time.

1041
01:03:02,560 --> 01:03:04,520
Speaker 1: I got to know how to do these things right.

1042
01:03:04,560 --> 01:03:07,640
Speaker 1: And so if you're aware of those things, you'll be

1043
01:03:07,680 --> 01:03:10,240
Speaker 1: able to ace the right. Nobody's telling me anything. I

1044
01:03:10,440 --> 01:03:13,080
Speaker 1: understand these things just from being a student of the game,

1045
01:03:13,600 --> 01:03:17,400
Speaker 1: and I'm in the tunnel. The tunnel's dog, but you

1046
01:03:17,400 --> 01:03:19,040
Speaker 1: can see a light at the end of if you

1047
01:03:19,120 --> 01:03:21,960
Speaker 1: just continue to keep moving. Let me speak on this.

1048
01:03:23,000 --> 01:03:29,560
Speaker 1: This is something that, like I say, man, I need

1049
01:03:29,600 --> 01:03:32,200
Speaker 1: to be clear with my stance on these things, but

1050
01:03:32,400 --> 01:03:36,520
Speaker 1: also need to be comfortable and saying that I love

1051
01:03:37,760 --> 01:03:41,680
Speaker 1: my people wrapped. It's my thing right, this coach is

1052
01:03:42,440 --> 01:03:45,560
Speaker 1: what I embody. It's part of me right. But I

1053
01:03:45,600 --> 01:03:48,640
Speaker 1: gotta be critical about the information left out because I

1054
01:03:48,680 --> 01:03:50,920
Speaker 1: got children. They got to be left in the world

1055
01:03:52,040 --> 01:03:56,880
Speaker 1: that I have to affect in a way. Well, there's

1056
01:03:56,920 --> 01:04:00,200
Speaker 1: a clear understanding on what's right and what's wrong, or

1057
01:04:00,240 --> 01:04:06,200
Speaker 1: what's serious and what's captain. I like to always tell

1058
01:04:06,320 --> 01:04:10,640
Speaker 1: people that it's a lot of dudes that's settling saying

1059
01:04:10,720 --> 01:04:14,480
Speaker 1: like it's brown sugar. So I gotta be able to

1060
01:04:14,520 --> 01:04:17,680
Speaker 1: point it out because I know the level of influence

1061
01:04:17,760 --> 01:04:21,240
Speaker 1: I'm dealing with, and also the level of influence that

1062
01:04:21,320 --> 01:04:24,760
Speaker 1: the people that sometimes are at the forefront of these

1063
01:04:24,800 --> 01:04:30,880
Speaker 1: songs are dealing with, and so I'm critical of it

1064
01:04:30,960 --> 01:04:34,400
Speaker 1: because if not that I'll be left to feel like

1065
01:04:35,720 --> 01:04:40,520
Speaker 1: I did nothing about it. Right, So now we love everybody,

1066
01:04:40,520 --> 01:04:43,360
Speaker 1: and we have conversations with people, and we're gonna continue

1067
01:04:43,360 --> 01:04:45,920
Speaker 1: to do so. But when you hit me, break something

1068
01:04:45,960 --> 01:04:48,439
Speaker 1: like this down. Even the rap dudes know that I'm

1069
01:04:48,480 --> 01:04:52,360
Speaker 1: on point. Even the big guys, the big boys, they

1070
01:04:52,400 --> 01:04:55,080
Speaker 1: know I'm on point. Even the girls, everybody, they know

1071
01:04:55,160 --> 01:04:57,640
Speaker 1: I'm on point with what I'm saying because I'm fluent

1072
01:04:57,680 --> 01:05:01,680
Speaker 1: in my communication. There ain't no lip ups, ain't nobody

1073
01:05:01,760 --> 01:05:05,640
Speaker 1: looking at no notes. I'm involved in what I'm instructing.

1074
01:05:05,680 --> 01:05:09,960
Speaker 1: So I mean in position, I'm different from these niggas

1075
01:05:09,960 --> 01:05:12,240
Speaker 1: that do a lot of regurgitation, and they got to

1076
01:05:12,360 --> 01:05:15,840
Speaker 1: look off and they gotta study, study, study, because they

1077
01:05:16,200 --> 01:05:19,120
Speaker 1: really giving you what somebody gave them. So they ain't

1078
01:05:19,160 --> 01:05:22,320
Speaker 1: telling you they understanding. They're telling you they interpretation of

1079
01:05:22,440 --> 01:05:25,600
Speaker 1: somebody else understanding. But we deal with that as we

1080
01:05:25,720 --> 01:05:28,840
Speaker 1: go forward in this culture. That's what it's about. And

1081
01:05:28,960 --> 01:05:33,680
Speaker 1: I can appreciate your ability to understand information with hoole

1082
01:05:33,760 --> 01:05:37,320
Speaker 1: that it repeated, but make it clear, because imitation without

1083
01:05:37,600 --> 01:05:45,120
Speaker 1: acknowledgement is stilling. Imitation without acknowledgement is stilling. As I

1084
01:05:45,160 --> 01:05:47,120
Speaker 1: get further in the books, I hear some of the

1085
01:05:47,200 --> 01:05:50,960
Speaker 1: things that I hear some of the things right, and

1086
01:05:51,080 --> 01:05:57,000
Speaker 1: we'll let that live where it's sad. But I want

1087
01:05:57,040 --> 01:06:00,280
Speaker 1: to be clear, man, that our coaches it gotta picked

1088
01:06:00,320 --> 01:06:05,120
Speaker 1: on people that not many things have you know, in

1089
01:06:05,160 --> 01:06:08,160
Speaker 1: the world, If you really want to drill it down

1090
01:06:08,200 --> 01:06:14,800
Speaker 1: and figure out what is influence star and what affects

1091
01:06:14,800 --> 01:06:17,240
Speaker 1: the culture, of course it's us. It's hip hop, it's

1092
01:06:17,240 --> 01:06:24,000
Speaker 1: our coaches, it's this thing of vials. With that being said, man,

1093
01:06:24,040 --> 01:06:27,280
Speaker 1: we had no instructions on how we presented this thing right.

1094
01:06:28,400 --> 01:06:31,920
Speaker 1: And so when I see a video going around of

1095
01:06:32,080 --> 01:06:41,240
Speaker 1: kids in a bathroom with a gun on live, you know,

1096
01:06:41,320 --> 01:06:43,760
Speaker 1: I'd be a fool to tell myself I haven't saw

1097
01:06:43,800 --> 01:06:46,680
Speaker 1: it before. But every time I see it, I think

1098
01:06:46,680 --> 01:06:52,120
Speaker 1: about you, wrapped niggas. You ain't never seen me with

1099
01:06:52,200 --> 01:06:56,560
Speaker 1: a gun, and I ain't never slipping. You ain't never

1100
01:06:56,600 --> 01:07:00,720
Speaker 1: seen me online with a gun about nothing. It ain't.

1101
01:07:02,280 --> 01:07:06,440
Speaker 1: Let's let that be. But every time I see a

1102
01:07:06,560 --> 01:07:09,600
Speaker 1: kid or a child that think they that has a

1103
01:07:09,720 --> 01:07:18,480
Speaker 1: distorted understanding of violence, that has a distorted understanding of

1104
01:07:18,600 --> 01:07:24,160
Speaker 1: what actually could happen when shots ring out or something happens.

1105
01:07:24,200 --> 01:07:29,720
Speaker 1: They have a distorted perception because, as they look on

1106
01:07:29,760 --> 01:07:36,680
Speaker 1: the videos, the rapper got the gun, the niggas waving

1107
01:07:36,720 --> 01:07:39,520
Speaker 1: the gun on his Instagram everywhere he going. He may

1108
01:07:39,640 --> 01:07:42,360
Speaker 1: need his, I give him that. Let's say he needs his.

1109
01:07:42,600 --> 01:07:46,240
Speaker 1: Let's set that to the side. I keep telling people,

1110
01:07:46,560 --> 01:07:50,880
Speaker 1: I'm dealing with the information, not the emotion. I'm looking

1111
01:07:50,920 --> 01:07:54,200
Speaker 1: at things for what is worth. But I gotta talk

1112
01:07:54,240 --> 01:07:57,240
Speaker 1: about what it costs. So I know what it's worth

1113
01:07:57,280 --> 01:07:59,080
Speaker 1: for you to keep your gun. But look at what

1114
01:07:59,120 --> 01:08:02,400
Speaker 1: it's coasting up. We got children that even think at

1115
01:08:02,440 --> 01:08:06,760
Speaker 1: this point that they can handle an adult situation with

1116
01:08:06,920 --> 01:08:12,600
Speaker 1: a film with a drum on it. This chopper got

1117
01:08:12,800 --> 01:08:15,960
Speaker 1: did what the streets called titties, this chop this this

1118
01:08:16,000 --> 01:08:20,240
Speaker 1: gun got a drum on it. The children waving and waving,

1119
01:08:20,240 --> 01:08:23,360
Speaker 1: and boom the gun go off. It hit one of

1120
01:08:23,400 --> 01:08:28,240
Speaker 1: the children. I'm already shattered. Then boom, you shout it,

1121
01:08:29,160 --> 01:08:37,120
Speaker 1: God damn it. Somebody got to talk about the other

1122
01:08:37,120 --> 01:08:42,640
Speaker 1: side of the pillow. Yeah, somebody got to say what

1123
01:08:42,680 --> 01:08:45,120
Speaker 1: it looked like behind the toilets, and what it looked

1124
01:08:45,120 --> 01:08:48,639
Speaker 1: like in the bath tub behind the curtain. Somebody gotta

1125
01:08:48,680 --> 01:08:54,439
Speaker 1: say what it looked like inside the stove, right, Somebody

1126
01:08:54,479 --> 01:08:56,320
Speaker 1: got to come in the house and talk about what

1127
01:08:56,400 --> 01:08:58,519
Speaker 1: it looked like in the interior of the house. And

1128
01:08:58,600 --> 01:09:00,720
Speaker 1: that's what I gotta do, because when I see this

1129
01:09:01,080 --> 01:09:04,040
Speaker 1: and see I'm also understanding that the game is so

1130
01:09:04,120 --> 01:09:09,120
Speaker 1: fucked up right now that the illusion of violence has

1131
01:09:09,200 --> 01:09:12,640
Speaker 1: become normal to these people when they ain't got no

1132
01:09:12,800 --> 01:09:17,720
Speaker 1: intail on it. They got very limited intail on what

1133
01:09:17,840 --> 01:09:20,560
Speaker 1: a gun can do. I always tell people that a

1134
01:09:20,760 --> 01:09:23,479
Speaker 1: gun in the hand of somebody that don't know what

1135
01:09:23,600 --> 01:09:26,559
Speaker 1: to do with a gun is more of a problem

1136
01:09:26,640 --> 01:09:31,640
Speaker 1: than a problem solving. You don't even know what to

1137
01:09:31,680 --> 01:09:36,559
Speaker 1: do with the gun, but you got an illusion in

1138
01:09:36,640 --> 01:09:40,920
Speaker 1: your head that you you're gonna have a fium that

1139
01:09:41,000 --> 01:09:44,040
Speaker 1: can kill thirty forty people. It might got fifty bullets,

1140
01:09:44,040 --> 01:09:46,200
Speaker 1: and I don't know how many bullets in that little drum.

1141
01:09:49,960 --> 01:09:52,400
Speaker 1: When I sent I sent my regards to them because

1142
01:09:52,439 --> 01:09:54,960
Speaker 1: the gun go off, boom, hit one of the dudes.

1143
01:09:55,000 --> 01:09:59,080
Speaker 1: Then she dropped it because she, of course probably scared

1144
01:09:59,160 --> 01:10:01,880
Speaker 1: that the gun. When she dropped the gun didn't hit hum.

1145
01:10:03,960 --> 01:10:07,679
Speaker 1: And here we is dealing with that. Ain't nobody telling

1146
01:10:07,720 --> 01:10:11,200
Speaker 1: these people of these children of the culture that you're

1147
01:10:11,200 --> 01:10:15,280
Speaker 1: dealing with people highlight reels. And when you come to

1148
01:10:15,320 --> 01:10:17,479
Speaker 1: this up their podcast, this is what we deal with

1149
01:10:17,520 --> 01:10:20,519
Speaker 1: the whole game, man, this one. We tell you what

1150
01:10:20,600 --> 01:10:24,400
Speaker 1: happened in the first quarter, in the second quarter, at halftime,

1151
01:10:24,479 --> 01:10:27,519
Speaker 1: we got something to say. In third, fourth quarter over

1152
01:10:27,600 --> 01:10:30,320
Speaker 1: we're telling you what's happening in the entire game. The

1153
01:10:30,600 --> 01:10:35,200
Speaker 1: people here dealing with the highlight reels. So what happens

1154
01:10:35,439 --> 01:10:38,439
Speaker 1: is the children get affected. Right, they see NBA young

1155
01:10:38,600 --> 01:10:41,679
Speaker 1: boy and he looked tough and he looked bad. Shout

1156
01:10:41,680 --> 01:10:44,479
Speaker 1: out to him. You see dirt. He looked tough, and

1157
01:10:44,520 --> 01:10:46,880
Speaker 1: he looked bad. They see all the rapped niggas. The

1158
01:10:47,080 --> 01:10:51,080
Speaker 1: rapped niggas looked tough. Right, the rapped niggas ain't shown

1159
01:10:51,160 --> 01:10:53,479
Speaker 1: when they got there. She got shot up. You can't

1160
01:10:53,479 --> 01:10:56,240
Speaker 1: see that. You didn't see when the house got broke

1161
01:10:56,320 --> 01:10:58,080
Speaker 1: in and they got the shooting. And if we didn't

1162
01:10:58,080 --> 01:11:01,000
Speaker 1: have a gun in here, you didn't see that. You

1163
01:11:01,040 --> 01:11:03,160
Speaker 1: didn't see how my heart were beating fast when the

1164
01:11:03,280 --> 01:11:05,200
Speaker 1: childer were going. I ain't know where they was at

1165
01:11:05,280 --> 01:11:09,960
Speaker 1: the house. Nobody talk about that. So the children think

1166
01:11:10,040 --> 01:11:12,400
Speaker 1: that all I see them do that with the gun.

1167
01:11:12,479 --> 01:11:16,559
Speaker 1: Don't nothing ever happen. Man, A lot of these dudes

1168
01:11:16,600 --> 01:11:22,360
Speaker 1: even got fake guns, prop bunny. Things are happening in

1169
01:11:22,479 --> 01:11:24,960
Speaker 1: certain things are happening where you gotta understand how to

1170
01:11:26,400 --> 01:11:29,000
Speaker 1: know that. Listen, bro, when you were looking, when you

1171
01:11:29,080 --> 01:11:33,120
Speaker 1: don't have any intail about something, you don't never ever

1172
01:11:33,240 --> 01:11:35,000
Speaker 1: go on the trick bad. That's why I had to

1173
01:11:35,040 --> 01:11:38,960
Speaker 1: walk back my thing about will Smill. I don't applaud

1174
01:11:39,040 --> 01:11:42,559
Speaker 1: the trick bag. I ain't one of them niggas that

1175
01:11:42,600 --> 01:11:45,000
Speaker 1: when you jumping in folk trick bag, I'm gonna tell

1176
01:11:45,080 --> 01:11:47,560
Speaker 1: you that you won the match. When I'm knowing this

1177
01:11:47,760 --> 01:11:53,080
Speaker 1: mental warfare, I'm knowing they trying to get you documented

1178
01:11:53,120 --> 01:11:55,920
Speaker 1: doing something, nigga. I know what they try, so how

1179
01:11:56,200 --> 01:11:59,360
Speaker 1: or nah? I had to walk that back because I understood.

1180
01:11:59,400 --> 01:12:05,559
Speaker 1: But in the moment moment, I'm just flattered by standing

1181
01:12:05,720 --> 01:12:11,640
Speaker 1: up for your woman. I guess, I guess that's just

1182
01:12:11,760 --> 01:12:14,160
Speaker 1: maybe what it is, you know. But in the end

1183
01:12:14,160 --> 01:12:17,160
Speaker 1: of the day, our colture got to do a better

1184
01:12:17,280 --> 01:12:24,760
Speaker 1: job with understanding the fix of things that that happened, Right,

1185
01:12:24,800 --> 01:12:27,320
Speaker 1: I try my best to try to be on the

1186
01:12:27,360 --> 01:12:30,080
Speaker 1: side of understanding that a lot of these dudes gotta

1187
01:12:30,120 --> 01:12:31,840
Speaker 1: move a certain way. You know, when they kids a

1188
01:12:31,880 --> 01:12:34,000
Speaker 1: little baby with his file on me be because they

1189
01:12:34,120 --> 01:12:39,400
Speaker 1: zoom and end, you know, his hand might be on it,

1190
01:12:39,520 --> 01:12:42,000
Speaker 1: just you know, just in case his hand might be

1191
01:12:42,160 --> 01:12:46,680
Speaker 1: you know, but the need to take the picture. That

1192
01:12:46,800 --> 01:12:53,679
Speaker 1: gotta make sure that the ak in the picture. Matter

1193
01:12:53,680 --> 01:12:57,000
Speaker 1: of fact, the police just you understand. I don't know.

1194
01:12:57,120 --> 01:12:59,160
Speaker 1: I don't get it. I guess I'm in I guess

1195
01:12:59,200 --> 01:13:02,040
Speaker 1: I'm on an island by myself about that. But when

1196
01:13:02,040 --> 01:13:04,639
Speaker 1: I deal with the loss of certain things like that, man,

1197
01:13:04,720 --> 01:13:08,439
Speaker 1: and with kids having a distorted reality of what could

1198
01:13:08,560 --> 01:13:12,920
Speaker 1: happen to them, it's like this. If you're in a situation, right,

1199
01:13:14,720 --> 01:13:17,040
Speaker 1: I had to tell people, man, you ain't gonna start

1200
01:13:17,200 --> 01:13:21,360
Speaker 1: with me. You ain't never hurt nobody, and you're gonna

1201
01:13:21,360 --> 01:13:24,800
Speaker 1: start with loon. You got life fucked up, man, you

1202
01:13:24,920 --> 01:13:28,559
Speaker 1: got life fucked up. You see what I'm saying. You

1203
01:13:28,600 --> 01:13:32,360
Speaker 1: ain't never black nobody eye, and you're gonna shoot me

1204
01:13:32,920 --> 01:13:35,720
Speaker 1: before I Man, I've been through more than you can

1205
01:13:36,000 --> 01:13:39,439
Speaker 1: dream about going through. Man. So sometimes when we get

1206
01:13:39,520 --> 01:13:42,439
Speaker 1: involved with things, we gotta understand what we're up against.

1207
01:13:42,640 --> 01:13:46,679
Speaker 1: I say, that I say that, I hate to see

1208
01:13:47,400 --> 01:13:52,000
Speaker 1: a child that want to play with the guns or

1209
01:13:52,040 --> 01:13:56,040
Speaker 1: want to act tough. If you're tough, you're tough. If

1210
01:13:56,080 --> 01:13:59,240
Speaker 1: you come up like gad whatever. If you ain't never

1211
01:13:59,360 --> 01:14:03,280
Speaker 1: black no by, you ain't never stomp nobody out. It's

1212
01:14:03,320 --> 01:14:09,080
Speaker 1: a great thing. It's a beautiful blessing. But what makes

1213
01:14:09,120 --> 01:14:12,599
Speaker 1: me know you dumb and stupid is that you walking

1214
01:14:12,680 --> 01:14:20,360
Speaker 1: around like you violent, like it's it's yo. And you

1215
01:14:20,479 --> 01:14:25,000
Speaker 1: be the niggas that had the influence, you rapped, niggas

1216
01:14:25,080 --> 01:14:28,000
Speaker 1: that ain't never done nohe behaving the influence. Then niggas

1217
01:14:28,000 --> 01:14:31,960
Speaker 1: gotta kill people and and and and hunt people down

1218
01:14:32,040 --> 01:14:37,160
Speaker 1: and deal with people who are projecting what the rappers

1219
01:14:37,200 --> 01:14:41,960
Speaker 1: have projected and sometimes again as they real life, so

1220
01:14:42,040 --> 01:14:45,280
Speaker 1: they're dealing with they real life. But some of these

1221
01:14:45,320 --> 01:14:47,479
Speaker 1: people are like, I don't know, man, I get I

1222
01:14:47,560 --> 01:14:50,880
Speaker 1: get confused, you know what I'm saying. I honestly get

1223
01:14:50,880 --> 01:14:55,799
Speaker 1: confused as I talk about too, podcasting and doing shows

1224
01:14:55,840 --> 01:15:01,760
Speaker 1: and content creating and broadcasting and all these things. I

1225
01:15:01,840 --> 01:15:04,280
Speaker 1: want to get into. This key Glock interview. He hadn't

1226
01:15:04,320 --> 01:15:08,679
Speaker 1: done an interview and since the death of Young Dolph,

1227
01:15:09,840 --> 01:15:12,360
Speaker 1: and he did the interview with the Homie over on

1228
01:15:12,520 --> 01:15:19,000
Speaker 1: Complex three sixty with Speedy Mormon. No Mormon, Yeah, Speedy Mormon,

1229
01:15:19,040 --> 01:15:21,439
Speaker 1: shout out to the home. He did a phenomenal job.

1230
01:15:21,640 --> 01:15:32,080
Speaker 1: Excellent communicator, you know, Jewel in the space. You can

1231
01:15:32,120 --> 01:15:35,759
Speaker 1: see that he's he's seasoned. He's been around a while

1232
01:15:35,840 --> 01:15:38,559
Speaker 1: and and and probably been doing this quite a while.

1233
01:15:39,560 --> 01:15:42,519
Speaker 1: You know, he does a phenomenal job. The Speedy Norman

1234
01:15:43,200 --> 01:15:46,240
Speaker 1: got over on Complex again. If you haven't seen an interview,

1235
01:15:46,320 --> 01:15:51,519
Speaker 1: go see it. Shout out to Complex um in this time, though,

1236
01:15:51,600 --> 01:15:54,800
Speaker 1: you know, I got to examine what it is that

1237
01:15:54,920 --> 01:15:58,040
Speaker 1: happens in the game and get my thoughts on it

1238
01:15:58,720 --> 01:16:02,639
Speaker 1: at this point. So we'll get into the interview as

1239
01:16:02,680 --> 01:16:05,280
Speaker 1: he kind of spoke, and then we'll come back with

1240
01:16:05,360 --> 01:16:09,679
Speaker 1: some game on it. You're already you already happen. Yeah,

1241
01:16:09,880 --> 01:16:12,920
Speaker 1: just give me the script. You're good. Great, Okay, So

1242
01:16:13,040 --> 01:16:15,760
Speaker 1: that's the first half, and then how about the other half.

1243
01:16:15,800 --> 01:16:17,439
Speaker 1: Do you still do you actually feel that way like

1244
01:16:17,520 --> 01:16:23,519
Speaker 1: music is not really hitting the same for you right now? Yeah? Yeah,

1245
01:16:23,560 --> 01:16:25,840
Speaker 1: I had my days put it like that. I'm some

1246
01:16:26,040 --> 01:16:31,320
Speaker 1: timing with it right now. Yeah, Like I'm in it,

1247
01:16:31,360 --> 01:16:34,240
Speaker 1: but I'm not in it the same like I used

1248
01:16:34,240 --> 01:16:40,519
Speaker 1: to me. You know, how come you know? I but

1249
01:16:41,000 --> 01:16:43,800
Speaker 1: you know, does it feel like sometimes you know, maybe

1250
01:16:43,800 --> 01:16:45,880
Speaker 1: you're at a different stage in your life, Like you know,

1251
01:16:45,920 --> 01:16:47,640
Speaker 1: back then you were hungry, you were young, you were

1252
01:16:47,640 --> 01:16:49,960
Speaker 1: trying to get on, and now that you that you

1253
01:16:50,160 --> 01:16:52,400
Speaker 1: got onto the degree that you did, maybe it's not

1254
01:16:52,479 --> 01:16:54,800
Speaker 1: everything that you imagine it would be. Is that have

1255
01:16:54,920 --> 01:17:01,320
Speaker 1: something to do with it? Ah? Shout out to the

1256
01:17:01,360 --> 01:17:05,640
Speaker 1: homie speeding. But right, here's what I mean when I

1257
01:17:05,720 --> 01:17:08,000
Speaker 1: say in our culture, we got to be careful when

1258
01:17:08,000 --> 01:17:10,680
Speaker 1: we communicate with those that didn't want a lot. Right.

1259
01:17:10,760 --> 01:17:14,920
Speaker 1: So in that moment for me anyway, and just understanding

1260
01:17:14,960 --> 01:17:17,240
Speaker 1: what it's like to have dealt with loss and dealt

1261
01:17:17,280 --> 01:17:21,160
Speaker 1: with death and deal with niggas and be one of us,

1262
01:17:21,880 --> 01:17:25,479
Speaker 1: just understanding what that's like. When I see Glock go

1263
01:17:25,560 --> 01:17:27,479
Speaker 1: through that, I said, oh we hurt. He trying to

1264
01:17:27,520 --> 01:17:31,559
Speaker 1: get it out right. Then for some reason the connection

1265
01:17:31,720 --> 01:17:36,400
Speaker 1: was off. He asked him about music and why does

1266
01:17:36,439 --> 01:17:41,400
Speaker 1: it not feel like he's in it still? And does

1267
01:17:41,439 --> 01:17:44,320
Speaker 1: he even give his all to it at this point?

1268
01:17:44,360 --> 01:17:49,080
Speaker 1: And he like, oh, it ain't the same. I know

1269
01:17:49,160 --> 01:17:52,519
Speaker 1: what that means. I'm from what I know exactly what

1270
01:17:52,560 --> 01:17:57,400
Speaker 1: that means right now. I need people to understand something.

1271
01:17:59,360 --> 01:18:01,960
Speaker 1: It makes it so much easy. It's a reason why

1272
01:18:02,000 --> 01:18:05,120
Speaker 1: people want to do a podcast together and things like that.

1273
01:18:05,439 --> 01:18:08,639
Speaker 1: It's easier, man, when you're operating in the entertainment world

1274
01:18:08,680 --> 01:18:14,559
Speaker 1: with that support system. Right. It's almost like Dolphin Glock

1275
01:18:14,800 --> 01:18:18,559
Speaker 1: was the was the tag team champions of the world.

1276
01:18:18,600 --> 01:18:22,439
Speaker 1: This Nigga Dolf was the boss position and Glock was

1277
01:18:23,560 --> 01:18:30,200
Speaker 1: almost like the underboss. And so that ability to navigate

1278
01:18:30,240 --> 01:18:32,400
Speaker 1: through the music game in life and just had a

1279
01:18:32,520 --> 01:18:36,479
Speaker 1: big home and then that's gone, Yo, Bro, Wrestling is

1280
01:18:36,520 --> 01:18:40,519
Speaker 1: a different approach now. This ship was like the hardest Boys.

1281
01:18:40,560 --> 01:18:44,599
Speaker 1: This ship was like d tripleation Sean Michael. Now I

1282
01:18:44,600 --> 01:18:47,280
Speaker 1: got to go out as one hardy boy and try

1283
01:18:47,320 --> 01:18:49,840
Speaker 1: to get my name off the ground with just me

1284
01:18:50,000 --> 01:18:54,559
Speaker 1: wrestling the world Like it's a different matchup now. And

1285
01:18:54,960 --> 01:18:58,840
Speaker 1: he ain't there no more, and that probably hurt, Like

1286
01:18:58,880 --> 01:19:02,040
Speaker 1: you couldn't even them, and so Nan, you gotta just

1287
01:19:03,320 --> 01:19:08,000
Speaker 1: you know, wrestle by yourself. You know, he was like

1288
01:19:08,160 --> 01:19:11,880
Speaker 1: forced in the boss position, you know what I'm saying,

1289
01:19:12,160 --> 01:19:15,240
Speaker 1: Like pushed one him, not that he wasn't a boss

1290
01:19:15,280 --> 01:19:18,840
Speaker 1: in his own right, but she just took a turn left.

1291
01:19:19,760 --> 01:19:22,080
Speaker 1: You see what I'm saying, and then you gotta step up.

1292
01:19:22,160 --> 01:19:23,960
Speaker 1: You see what I'm saying. And I think that it's

1293
01:19:23,960 --> 01:19:27,080
Speaker 1: a lot of pressure with that. And as he talks,

1294
01:19:27,120 --> 01:19:30,880
Speaker 1: he basically tells, like he heard, let's listen to a

1295
01:19:30,920 --> 01:19:35,640
Speaker 1: little more before before we listen to more of this

1296
01:19:35,840 --> 01:19:39,640
Speaker 1: interview with Glogg. Though, I want to be clear with

1297
01:19:39,680 --> 01:19:43,960
Speaker 1: what I'm saying. The colture needs the right people that

1298
01:19:44,080 --> 01:19:49,280
Speaker 1: had the right conversations. Therefore its timeless. But when you

1299
01:19:49,320 --> 01:19:53,080
Speaker 1: want to play that little game, whoever do it first?

1300
01:19:53,400 --> 01:19:56,360
Speaker 1: Because all these people questions are the same, they approaches

1301
01:19:56,400 --> 01:19:59,040
Speaker 1: the same, they talking about current events. It's that type

1302
01:19:59,040 --> 01:20:02,479
Speaker 1: of structure when you're talking about that full game more

1303
01:20:02,520 --> 01:20:05,680
Speaker 1: than you ain't just dealing with the highlight reel. You

1304
01:20:05,800 --> 01:20:08,000
Speaker 1: come deal with me and we get to get it

1305
01:20:08,040 --> 01:20:10,640
Speaker 1: out there. I'm supposed to be got out there. You

1306
01:20:10,760 --> 01:20:13,720
Speaker 1: understand what I'm saying. And so when I see that

1307
01:20:13,840 --> 01:20:17,680
Speaker 1: disconnecting my culture, man, I'm like, damn Dog. Had that

1308
01:20:17,800 --> 01:20:19,760
Speaker 1: been the right person right there, they would have been

1309
01:20:19,800 --> 01:20:22,040
Speaker 1: able to build build on that in a way that

1310
01:20:22,439 --> 01:20:25,760
Speaker 1: affected culture at that moment. Dog, and he did a

1311
01:20:25,800 --> 01:20:28,599
Speaker 1: great job still built on it. But I'm just being

1312
01:20:28,680 --> 01:20:32,439
Speaker 1: clear at I see the disconnect there. It's almost like

1313
01:20:32,960 --> 01:20:36,559
Speaker 1: he didn't see exactly or fit it, and if he did,

1314
01:20:36,640 --> 01:20:38,600
Speaker 1: he ignored it for the sake of the interview. He

1315
01:20:38,680 --> 01:20:40,880
Speaker 1: maybe didn't think that will be right there. I don't know,

1316
01:20:41,000 --> 01:20:43,000
Speaker 1: but it just felt funny to me. Let's listen to

1317
01:20:43,040 --> 01:20:54,240
Speaker 1: a little more even whereas can't even explain, like how

1318
01:20:54,280 --> 01:20:57,599
Speaker 1: I really feel about this ship right now. Yeah, so

1319
01:20:57,760 --> 01:21:01,040
Speaker 1: I just try my best, like look over it, but

1320
01:21:02,000 --> 01:21:06,400
Speaker 1: I can't. Yeah, she stock who we fail? No, that's real.

1321
01:21:06,479 --> 01:21:10,120
Speaker 1: I mean, we're all human. So for sure there's something

1322
01:21:10,160 --> 01:21:11,479
Speaker 1: else that you said on the line that I think

1323
01:21:11,520 --> 01:21:14,800
Speaker 1: it's funny. Um, he said, I don't give a funk

1324
01:21:14,840 --> 01:21:19,240
Speaker 1: about nothing. I don't even fuck with my cousin. What

1325
01:21:19,360 --> 01:21:21,200
Speaker 1: does that feel like to hear you know that that

1326
01:21:21,320 --> 01:21:23,920
Speaker 1: y'all never missed when he was making records. Kind of

1327
01:21:24,000 --> 01:21:27,920
Speaker 1: already know that, kind of already know that, but I

1328
01:21:27,960 --> 01:21:30,360
Speaker 1: don't mind hearing it from someone else. Yeah, that's how

1329
01:21:30,600 --> 01:21:32,799
Speaker 1: that's how I act, That's how I really know. Yeah,

1330
01:21:33,160 --> 01:21:36,200
Speaker 1: when someone is to him. Now, obviously, you know, we

1331
01:21:36,240 --> 01:21:39,280
Speaker 1: haven't really heard much from you since the tragic passing

1332
01:21:39,280 --> 01:21:41,800
Speaker 1: of Dolph. Is this the first time that you've done

1333
01:21:41,800 --> 01:21:45,960
Speaker 1: an interview since he passed? YEA, Yeah, I'm just wondering

1334
01:21:45,960 --> 01:21:47,680
Speaker 1: how you feel it, how you holding up. I mean,

1335
01:21:47,920 --> 01:21:54,400
Speaker 1: obviously something that's I'm content. I'm content. I'm all right.

1336
01:21:55,479 --> 01:21:59,200
Speaker 1: When you say content, what does that? What does that mean?

1337
01:22:00,200 --> 01:22:06,040
Speaker 1: Like I'm maintaining like I'm not I'm not getting better,

1338
01:22:06,040 --> 01:22:10,600
Speaker 1: I'm not getting worried. I'm just I'm just here right now. Yeah.

1339
01:22:10,760 --> 01:22:12,960
Speaker 1: Do you feel like sometimes you just catch yourself stuck,

1340
01:22:13,280 --> 01:22:18,120
Speaker 1: maybe in a cycle, you know, just of emotion all

1341
01:22:18,240 --> 01:22:20,519
Speaker 1: the time. I can't shake it. I can't even know it.

1342
01:22:20,600 --> 01:22:24,760
Speaker 1: I ain't gonna lie. Yeah, yeah, I can't even I

1343
01:22:24,800 --> 01:22:27,599
Speaker 1: can't even shake it. It is what it is. Yeah,

1344
01:22:27,640 --> 01:22:30,559
Speaker 1: but that's really, you know, it's natural to feel that way.

1345
01:22:30,600 --> 01:22:33,519
Speaker 1: Do you remember how you found out and where you were?

1346
01:22:33,960 --> 01:22:37,639
Speaker 1: Never forget yea, where were you at? I was at home.

1347
01:22:39,200 --> 01:22:43,120
Speaker 1: I was at home laying there actually, yeah, and it

1348
01:22:43,240 --> 01:22:46,720
Speaker 1: somebody call you or so. He proceeded just to kind

1349
01:22:46,720 --> 01:22:49,120
Speaker 1: of speak on where he was when he got the

1350
01:22:49,160 --> 01:22:52,559
Speaker 1: news about Dolf and things like that, and how he felt. Again,

1351
01:22:54,120 --> 01:22:56,800
Speaker 1: him and Dolf were like the tag team champions of

1352
01:22:56,920 --> 01:22:59,600
Speaker 1: the world. Even if not in the world's as in

1353
01:22:59,760 --> 01:23:02,880
Speaker 1: his eyes. So see, you always got to deal with

1354
01:23:03,000 --> 01:23:06,519
Speaker 1: people's viewed through their eyes. So if he viewed it

1355
01:23:06,600 --> 01:23:09,439
Speaker 1: that way and viewed that support system as being a

1356
01:23:09,560 --> 01:23:13,040
Speaker 1: part of his DNA, and then they ripped that from that,

1357
01:23:13,200 --> 01:23:15,519
Speaker 1: then you have to understand what they may feel like.

1358
01:23:15,600 --> 01:23:18,760
Speaker 1: I just you know, those conversations, in my opinion, can

1359
01:23:18,800 --> 01:23:22,559
Speaker 1: be deeper. Um, they can go much much deeper in

1360
01:23:22,600 --> 01:23:25,280
Speaker 1: this space, and we have that leverage, we have that

1361
01:23:25,360 --> 01:23:28,240
Speaker 1: ability to do so. Um. And I just hope that

1362
01:23:28,280 --> 01:23:31,120
Speaker 1: the coach evolves in a way where in real time

1363
01:23:32,160 --> 01:23:35,960
Speaker 1: we'll be able to deal with some of our tough

1364
01:23:36,040 --> 01:23:38,240
Speaker 1: times in a way where we can learn from them.

1365
01:23:39,160 --> 01:23:42,719
Speaker 1: Every day Whack is on such some type of blog

1366
01:23:42,800 --> 01:23:46,960
Speaker 1: doing something wrong to somebody per there you know how

1367
01:23:47,000 --> 01:23:50,280
Speaker 1: they feel. And every day the first come in my

1368
01:23:50,360 --> 01:23:52,640
Speaker 1: Instagram like yeah you when you when you you and

1369
01:23:52,680 --> 01:23:56,360
Speaker 1: your homie it's up. I'm like, what where? What? What

1370
01:23:56,439 --> 01:24:00,720
Speaker 1: do you do? What? Why? It's up? But um, you know, man, wackages.

1371
01:24:01,000 --> 01:24:02,760
Speaker 1: I think a lot of the things Wax says, a

1372
01:24:02,760 --> 01:24:06,320
Speaker 1: lot of the shit that like people don't want to

1373
01:24:06,320 --> 01:24:09,519
Speaker 1: say he had those conversations. That's uncomfortable, and a lot

1374
01:24:09,560 --> 01:24:11,599
Speaker 1: of it is really true. I mean, you know all

1375
01:24:11,640 --> 01:24:14,080
Speaker 1: of it probably, but he tells the truth, and people

1376
01:24:14,120 --> 01:24:17,640
Speaker 1: in general do not like hearing the truth. People like, oh, you,

1377
01:24:18,120 --> 01:24:20,680
Speaker 1: fifty put you on. No, Fifty did not putting me on. Bro.

1378
01:24:21,160 --> 01:24:24,920
Speaker 1: People don't understand that at that time in La I was,

1379
01:24:25,200 --> 01:24:28,120
Speaker 1: I was in. I was the So that's why Jimmy

1380
01:24:28,160 --> 01:24:30,439
Speaker 1: took me and told Fifty he was putting me in

1381
01:24:30,520 --> 01:24:33,519
Speaker 1: g unit, and Fifty accepted because my name was ringing

1382
01:24:33,520 --> 01:24:36,559
Speaker 1: bells in the streets to hip Hoply, I was already on.

1383
01:24:36,760 --> 01:24:38,920
Speaker 1: So it didn't matter if I signed with Diddy or

1384
01:24:39,080 --> 01:24:42,479
Speaker 1: Earth or whoever. The I was still gonna be game.

1385
01:24:42,720 --> 01:24:46,280
Speaker 1: I'm not saying that like um Aftermath and Dre and

1386
01:24:46,400 --> 01:24:50,000
Speaker 1: fifty and those didn't help, because that is my story.

1387
01:24:50,200 --> 01:24:52,160
Speaker 1: But if I would have signed the Terror Squad, I

1388
01:24:52,200 --> 01:24:55,519
Speaker 1: would still be the game. It's no doubt about it.

1389
01:24:55,880 --> 01:24:59,120
Speaker 1: So and again the question, I see it a little

1390
01:24:59,200 --> 01:25:02,759
Speaker 1: video after late the game. You're walking past Jimmy Iven.

1391
01:25:03,240 --> 01:25:08,040
Speaker 1: He didn't see them. Hey, yo, look let me tell you.

1392
01:25:08,160 --> 01:25:12,240
Speaker 1: Jimmy Ylvine is like five two. Larry Jackson, who is

1393
01:25:12,280 --> 01:25:15,320
Speaker 1: like maybe six foot or six one, he was Jimmy

1394
01:25:15,439 --> 01:25:17,880
Speaker 1: was walking with a little hat on and just look

1395
01:25:17,960 --> 01:25:20,040
Speaker 1: like a regular little white I didn't know that was

1396
01:25:20,120 --> 01:25:22,599
Speaker 1: Jimmy Irvine. When I seen the video, I'm like, oh shit,

1397
01:25:22,880 --> 01:25:26,360
Speaker 1: that was Jimmy Irvine. Now, Jimmy Alvine probably didn't see

1398
01:25:26,360 --> 01:25:29,000
Speaker 1: me one and if he did see me, he probably

1399
01:25:29,040 --> 01:25:31,960
Speaker 1: felt like game like, game up my money. I'm not

1400
01:25:32,000 --> 01:25:34,720
Speaker 1: saying ship the game. So I get it, hit it.

1401
01:25:34,760 --> 01:25:37,679
Speaker 1: I understand it, but I'm not I'm not cutting out paper.

1402
01:25:37,680 --> 01:25:39,960
Speaker 1: I'm not cutting off cutting out paper. Dolls in a

1403
01:25:40,000 --> 01:25:44,400
Speaker 1: corner waiting to be us spoken to by Jimmy Ivine anyway,

1404
01:25:44,520 --> 01:25:47,479
Speaker 1: like what do we do? What are we talking about?

1405
01:25:47,680 --> 01:25:52,400
Speaker 1: I saw Larry Jackson. I've been in restaurants where the

1406
01:25:52,520 --> 01:25:56,040
Speaker 1: man and I got no problem with Jimmy Irvin in

1407
01:25:56,080 --> 01:25:58,559
Speaker 1: the restaurant when the man ran out the back dooring

1408
01:25:58,600 --> 01:26:01,200
Speaker 1: no like because they called him back. Yo. The quaters

1409
01:26:01,200 --> 01:26:03,639
Speaker 1: in and that was when I have beat with fifty.

1410
01:26:03,680 --> 01:26:05,639
Speaker 1: He would just be break and I was like, yo,

1411
01:26:05,680 --> 01:26:08,880
Speaker 1: I don't know why this man. You know, I with

1412
01:26:08,960 --> 01:26:11,320
Speaker 1: this guy, So I seen I loudly talk to you.

1413
01:26:11,360 --> 01:26:14,200
Speaker 1: He knew Jimmy was be hon him and gimme fun.

1414
01:26:14,920 --> 01:26:17,120
Speaker 1: Ain't got about but it ain't know beatny what you

1415
01:26:17,200 --> 01:26:20,360
Speaker 1: wasn't gonna be that. So you're saying, so you're saying

1416
01:26:20,520 --> 01:26:23,599
Speaker 1: so you're saying, Um, Larry Jackson run ran the play

1417
01:26:23,680 --> 01:26:26,280
Speaker 1: on me. Yeah he did, he did, yeah, but low

1418
01:26:26,520 --> 01:26:29,760
Speaker 1: but hey he gotta he got but he did the

1419
01:26:29,840 --> 01:26:33,720
Speaker 1: Husman and then gimme that way. Oh I ain't. I

1420
01:26:33,760 --> 01:26:36,160
Speaker 1: didn't see Jimmie. I saw Larry, and I just acknowledge

1421
01:26:36,240 --> 01:26:38,439
Speaker 1: him for what he for his work at Apple Music,

1422
01:26:38,479 --> 01:26:40,920
Speaker 1: because when we see each other, we should say you're

1423
01:26:40,920 --> 01:26:43,240
Speaker 1: doing a good job, and you're doing good. But um,

1424
01:26:43,240 --> 01:26:44,920
Speaker 1: you know, with the whole Jimmy Ivene and the whole

1425
01:26:44,920 --> 01:26:46,160
Speaker 1: fifty and I'm gonna say this and then you know,

1426
01:26:46,200 --> 01:26:48,040
Speaker 1: I'm at the studio about to go cook something, but

1427
01:26:48,200 --> 01:26:50,479
Speaker 1: um um with the whole beet and it's crazy, it's

1428
01:26:50,520 --> 01:26:54,120
Speaker 1: crazy how how how I like how the g and

1429
01:26:54,120 --> 01:26:55,840
Speaker 1: the ship fell down when I was trying to like

1430
01:26:56,320 --> 01:26:59,000
Speaker 1: hold down Fat Joe and that. But yeah, but and

1431
01:26:59,040 --> 01:27:00,640
Speaker 1: then you know what I was through that beef and

1432
01:27:00,680 --> 01:27:03,920
Speaker 1: shit um Eminem and doctor Dre had to side with

1433
01:27:03,960 --> 01:27:06,720
Speaker 1: fifty Eminem because fifty and Shady and Eminem and g

1434
01:27:06,840 --> 01:27:09,200
Speaker 1: Unit that was a thing that Drey was gonna ride

1435
01:27:09,200 --> 01:27:12,120
Speaker 1: with me because it was nWay. It's confidence, but but

1436
01:27:12,200 --> 01:27:14,759
Speaker 1: it's a business, and at twenty four years old, twenty

1437
01:27:14,760 --> 01:27:16,400
Speaker 1: five years old, I didn't know that, you know what

1438
01:27:16,439 --> 01:27:21,639
Speaker 1: I'm saying, and that gotta like you know, a lawyer,

1439
01:27:21,800 --> 01:27:24,920
Speaker 1: you know, I was mad. Who Well, so that's that

1440
01:27:25,080 --> 01:27:28,320
Speaker 1: was Game in fact, Joe Man, I think Game made

1441
01:27:28,360 --> 01:27:32,559
Speaker 1: a lot of good points, but it's really my thoughts

1442
01:27:32,560 --> 01:27:34,400
Speaker 1: sown it. There is nothing really to say about it

1443
01:27:34,439 --> 01:27:38,120
Speaker 1: because he presented both sides. You know, even when he

1444
01:27:38,160 --> 01:27:41,040
Speaker 1: talked about fifty you know, I'm not saying it didn't help,

1445
01:27:41,040 --> 01:27:43,200
Speaker 1: but I still was gonna be game. It's kind of

1446
01:27:43,240 --> 01:27:45,519
Speaker 1: no way to argue that because no proof is there,

1447
01:27:45,600 --> 01:27:48,280
Speaker 1: So I would let that live. And then when we

1448
01:27:48,360 --> 01:27:50,760
Speaker 1: deal with the Jimmy Iveen thing, when they run the

1449
01:27:50,760 --> 01:27:53,759
Speaker 1: tape back, if you're at looking at the video portion

1450
01:27:53,840 --> 01:27:56,880
Speaker 1: of the podcast, you would see it kind of maybe

1451
01:27:56,880 --> 01:28:00,040
Speaker 1: does look like he didn't Game didn't view him, but

1452
01:28:00,040 --> 01:28:04,439
Speaker 1: but but I think he viewed gag Um. I also

1453
01:28:04,600 --> 01:28:09,000
Speaker 1: think it was important for me, I mean, I get

1454
01:28:09,040 --> 01:28:15,280
Speaker 1: out of here, important for me just to kind of

1455
01:28:15,280 --> 01:28:18,320
Speaker 1: take that will Smith take and walk it back just

1456
01:28:18,360 --> 01:28:22,559
Speaker 1: a little bit and not the whole thing, but but

1457
01:28:22,560 --> 01:28:25,400
Speaker 1: but a good portion of it, and basically the energy,

1458
01:28:26,600 --> 01:28:32,040
Speaker 1: basically the energy around it, you know, just understanding that.

1459
01:28:32,120 --> 01:28:33,800
Speaker 1: You know, the people that come to me don't come

1460
01:28:33,800 --> 01:28:36,920
Speaker 1: to me. They come to me for that shit, you know,

1461
01:28:37,400 --> 01:28:41,080
Speaker 1: high quality, you know, and that good shit. So I

1462
01:28:41,160 --> 01:28:45,320
Speaker 1: gotta just stay consistent in regards to that man and

1463
01:28:45,400 --> 01:28:50,200
Speaker 1: keep myself in a situation it's profitable and acceptable. Will

1464
01:28:50,240 --> 01:28:55,639
Speaker 1: Smith has now lost a bunch of things. And see

1465
01:28:55,680 --> 01:28:58,679
Speaker 1: what else we want to talk about Academy expertise meeting

1466
01:28:58,840 --> 01:29:02,280
Speaker 1: over or Smith Oscar slap So they're about to get

1467
01:29:02,360 --> 01:29:05,160
Speaker 1: him out of some more money. Keep telling people, don't

1468
01:29:05,200 --> 01:29:08,959
Speaker 1: go on the trick bag. Monique and Lee Daniels finally

1469
01:29:09,320 --> 01:29:13,320
Speaker 1: are back together. Shout out to that beautiful thing to

1470
01:29:13,360 --> 01:29:16,280
Speaker 1: see Monique now back operating in Hollywood. Shout out to

1471
01:29:16,400 --> 01:29:19,360
Speaker 1: fifty for that shows the power of people to have

1472
01:29:19,560 --> 01:29:21,760
Speaker 1: influenced may not even have to cut you a chick,

1473
01:29:21,840 --> 01:29:26,479
Speaker 1: but just publicly bound about it and make those rough

1474
01:29:26,560 --> 01:29:31,200
Speaker 1: conversations be had and just you know, I think what

1475
01:29:31,360 --> 01:29:35,000
Speaker 1: fifty does in that space on that type level like

1476
01:29:35,120 --> 01:29:37,320
Speaker 1: that isn't spoke about enough. I think we got a

1477
01:29:37,400 --> 01:29:41,480
Speaker 1: really champion his ability to get somebody going in Hollywood

1478
01:29:41,520 --> 01:29:44,240
Speaker 1: as well, or just on the big screen, big stage.

1479
01:29:44,520 --> 01:29:48,280
Speaker 1: Let's look at Monique and Lee daniels encounter on stage

1480
01:29:48,320 --> 01:30:11,160
Speaker 1: in front of people. I love you, you bitch, when

1481
01:30:11,320 --> 01:30:13,720
Speaker 1: y'all lover you war is this an April post? Please

1482
01:30:13,720 --> 01:30:16,880
Speaker 1: tell me? Ain't know what, my fucking apo. This is

1483
01:30:16,920 --> 01:30:22,320
Speaker 1: so goddamn real. This is so motherfucking rim shaking. That's

1484
01:30:24,479 --> 01:30:29,200
Speaker 1: you alone along with some other amazing people may match,

1485
01:30:31,120 --> 01:30:34,479
Speaker 1: and I don't ever want us to lose that match.

1486
01:30:38,840 --> 01:30:46,800
Speaker 1: Let me tell you. Sometimes in life you get caught up,

1487
01:30:47,600 --> 01:30:52,639
Speaker 1: you know, when you a nigga, you come from nothing,

1488
01:30:55,160 --> 01:31:01,960
Speaker 1: you get you get blinded by some ship. And it

1489
01:31:02,080 --> 01:31:11,680
Speaker 1: took me a long time to realize I am so

1490
01:31:11,800 --> 01:31:21,400
Speaker 1: sorry for hurting you in any way. Like you y'all

1491
01:31:21,400 --> 01:31:24,639
Speaker 1: that she was my best friend, my best friend, y'all

1492
01:31:24,680 --> 01:31:27,439
Speaker 1: think that precious was just that wasn't that was? That

1493
01:31:27,560 --> 01:31:31,240
Speaker 1: was God working through both of us, and we're gonna

1494
01:31:31,680 --> 01:31:43,479
Speaker 1: do it again. Perfect. I love you, I love you,

1495
01:31:43,560 --> 01:31:48,439
Speaker 1: I love you Staten Island. So again, that was a

1496
01:31:48,560 --> 01:31:50,360
Speaker 1: that was a hell of a thing. You know, Monique

1497
01:31:50,400 --> 01:31:53,320
Speaker 1: went through a lot, man uh In regards to that

1498
01:31:53,360 --> 01:31:55,920
Speaker 1: I guess there was some phone calls made and certain

1499
01:31:55,960 --> 01:31:59,280
Speaker 1: things were blacklisted and put that in the situation and

1500
01:31:59,400 --> 01:32:02,120
Speaker 1: not beat lou neegrative in the business and hurt her

1501
01:32:02,120 --> 01:32:05,280
Speaker 1: salves and heard a position in the marketplace. And she

1502
01:32:05,479 --> 01:32:08,360
Speaker 1: never wavered. She stayed on and because she wasn't lying,

1503
01:32:09,520 --> 01:32:11,560
Speaker 1: you know, she stayed on. And so all those that

1504
01:32:11,720 --> 01:32:14,320
Speaker 1: maybe didn't believe when they have to reevaluate how they

1505
01:32:14,400 --> 01:32:19,920
Speaker 1: viewed her and beautiful thing for her, man, I think that,

1506
01:32:22,080 --> 01:32:25,599
Speaker 1: I think she'll she'll continue to elevate. So we'll get

1507
01:32:25,600 --> 01:32:29,960
Speaker 1: out of here for today and we'll be back next week.

1508
01:32:30,439 --> 01:32:31,960
Speaker 1: Biggest podcasts in the world.