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Speaker 1: Welcome to This is Important, a production of I Heart Radio,

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Speaker 1: the show where we only talk about what's the most important,

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Speaker 1: bottom line, critical thing happening on this planet today. This

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Speaker 1: is important. John Claude Van Damn looks exactly like Ernest.

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Speaker 1: There's an alligator out there with a pussy. All I'm

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Speaker 1: saying is Kentucky's in the South, dud, the dirty South.

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Speaker 1: It's not semantics. This is important. Buckle up. Oh right,

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Speaker 1: he nation? Right, Oh now I remember what the podcast is.

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Speaker 1: The popos out and then I'm like, oh right, this

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Speaker 1: is us and then this is what we do. Welcome

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Speaker 1: back to I II Nation, and thank you for the

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Speaker 1: wantum gangam style. Absolutely, Hey, what's up? Guys? What's up? Unders? Hey? Kyle? Hey,

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Speaker 1: what's up? Adam? How are you doing? Not much? I'm

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Speaker 1: doing good. How are you, Blake? I'm doing Gray? Hi?

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Speaker 1: How are you? How are you? Hey? Blake? How's it calling? Dude?

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Speaker 1: I love your smile, dude. Hey guys, Hey, what's up? YouTubers?

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Speaker 1: How are you smash the subscribe like and subscribe? Do

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Speaker 1: you guys watch anything on YouTube where people are hosting it?

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Speaker 1: And I don't? For whatever reason, they all think they

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Speaker 1: need to open up the episode or whatever you call

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Speaker 1: it with the same like what's up fam, Like it's

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Speaker 1: the same ship. Everyone's just doing the same thing. T I.

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Speaker 1: I nation right, it's so weird. We always open up

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Speaker 1: with like oh no, no, no, no. I'm not saying

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Speaker 1: one dude opens up the same I'm saying many different

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Speaker 1: people start their YouTube. Whatever's the exact same You're saying,

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Speaker 1: there's a universal YouTube call sign when you start. It's

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Speaker 1: fucking weird. There's an art of the vlog. What is it?

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Speaker 1: Let's start doing. It's like, hey, what's up, world, or like,

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Speaker 1: what's up guys? And you're just like, but it's no, no, no, no.

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Speaker 1: But it's the same cadence. There's a weird there's a

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Speaker 1: weird cadence to these YouTube hosts who are like, we're

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Speaker 1: back again, y'all. Uh, I'm gonna show you guys these

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Speaker 1: new nails I bought. These are for wood, these are

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Speaker 1: for drywall. Do your kids uh? Any? And this goes

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Speaker 1: for any y'all. Maybe not Kyle because I don't think

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Speaker 1: his child is deep into the YouTube game quite yet. No, no,

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Speaker 1: but do your kids Doors or Blake want to be

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Speaker 1: YouTubers when they grow up. I think that children are

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Speaker 1: like super more aware of like like just like being famous.

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Speaker 1: I know, like that's always been a thing, but like

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Speaker 1: I don't know, I kind of always grew up just

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Speaker 1: wanting to like be in comedy and not so much

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Speaker 1: caring about like the fame of it all. But it

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Speaker 1: seems like that influencing and YouTube makes it. I feel

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Speaker 1: like as a little kid, I didn't even think of

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Speaker 1: like being an actor. I just thought like, yeah, movies

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Speaker 1: are a thing that we watched together as a family.

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Speaker 1: But like, I want to be a baseball player, dancer.

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Speaker 1: I just want to be a dancer, want to be discovered,

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Speaker 1: discovered at a wedding as a dancer. Did you say

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Speaker 1: you wanted to be a baseball player? Yeah, when I

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Speaker 1: was like real young. And then I was like, oh,

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Speaker 1: I can't, you know, play baseball in the wheelchair, so yeah,

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Speaker 1: it's impossible. And everyone was like, didn't you want to

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Speaker 1: play baseball? And You're like, I was joking. I tell jokes.

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Speaker 1: I'm a joke, sir. I love, but it's weird. Kids

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Speaker 1: kids like love YouTube. Now, Blake, are you saying that

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Speaker 1: these kids are just wanting to skip the craft and

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Speaker 1: go straight to the fame. Is that what's happening on

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Speaker 1: YouTube right now? Well, I think it's I think it

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Speaker 1: directly is A is like a trickle down from like

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Speaker 1: you can see how many people view stuff. You can

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Speaker 1: see how many people like stuff. Like it's very monetized

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Speaker 1: in that way. Like before you would just throw it

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Speaker 1: into the dark. You could kind of guess how many

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Speaker 1: people were on your jock, But now you know if

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Speaker 1: you're famous or not because the number how many people

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Speaker 1: are on your right exactly? Do you have that jock

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Speaker 1: counter up top? That's her? I wish that's what the

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Speaker 1: light button was called? Jock counter? M how many do

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Speaker 1: you have? Smash that jock button? How many guys are

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Speaker 1: on your jaws? Smash that jock button? My jock? You

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Speaker 1: got any more? That other one was little nauseax at

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Speaker 1: the BM so good, Oh my god. Can we talk

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Speaker 1: about how fucking he gave out a battle cry of

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Speaker 1: a let's go and it just got me juiced. Man,

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Speaker 1: Let's hear it again. Let's hear it. You can feel it,

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Speaker 1: you can feel in it with a Z. That's great.

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Speaker 1: He wanted to do. He killed it. He tweaked though,

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Speaker 1: he's he killed it at the BT Awards, and then

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Speaker 1: just when you think you can't outdo himself, he out

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Speaker 1: dead him self. Well he but fun a ton of

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Speaker 1: dudes on on stage, right, did he? Yeah? He was

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Speaker 1: just in like a little a little pit of men.

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Speaker 1: It was very sexual. Yeah, I was in a little

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Speaker 1: booty short. I watched her for I watched her for

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Speaker 1: like thirty seconds and then and then you had to finish.

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Speaker 1: I gotta go to bathroom. I couldn't watch it anymore before.

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Speaker 1: It was too hot to handle. Man, it was hot.

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Speaker 1: There were guys like rubbing their dicks and I was like,

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Speaker 1: are we can we do that? Now? What's the deal?

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Speaker 1: I didn't see What do you mean? How are they

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Speaker 1: rubbing it? Can you show? Can you show us? Since

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Speaker 1: this is a video pod, I don't know if I can.

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Speaker 1: That's what I like. Is it like, is it like

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Speaker 1: show us right now as friends? No, it was like

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Speaker 1: a sexual dude. You have to watch the video. It's

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Speaker 1: like I watched I like, I've literally turned it on

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Speaker 1: and I just saw a man bent over and him

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Speaker 1: grabbing a dude by the waist and but fucking him.

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Speaker 1: And I'm like it was great, Well they're not actually,

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Speaker 1: but fucking it's obviously a pantomime of it's a pantomime. Yeah,

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Speaker 1: it's pantomime. So yeah, yeah, but that's the difference between

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Speaker 1: us and we could start at their penis. Things have

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Speaker 1: gotten advance, things have gotten advanced. I like the way

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Speaker 1: it's going. Things have gotten real sexual. So this is

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Speaker 1: the new like Brittany and Madonna kissing is like none

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Speaker 1: but that's dope. Yeah, now like women can just kiss

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Speaker 1: all day long. People like that. We've seen it, you

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Speaker 1: old asked millennials. No, this is great. This is pushing

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Speaker 1: the art forward. This is fantastic. But it's not Kyle.

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Speaker 1: It isn't though, And I don't want to what do

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Speaker 1: you mean here? Okay, but you said it's pushing the

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Speaker 1: art forward. And here's why it's not hot take because

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Speaker 1: and this is an old man's stance, I guess. But

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Speaker 1: the VMAs are so fucking corporate now, it's crazy, like

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Speaker 1: you by American Express. Yeah, you think he's like wiling

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Speaker 1: out and like pushing the envelope. But like it's so sponsored,

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Speaker 1: nobody cares. It's all good. It's not. Everyone's not like shocked.

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Speaker 1: No one's surprised. They love it. Yeah, but that's a

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Speaker 1: good thing to put in the main stream. No, it's

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Speaker 1: a commercial. I mean everything is a commercial. Be be it,

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Speaker 1: whatever it is. It's still it's still like you know,

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Speaker 1: him expressing himself on stage through choreography. So like that's dope.

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Speaker 1: When we were growing up and we saw that ship,

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Speaker 1: that ship would be outrage, right, and I think there

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Speaker 1: is some outrage. But what I'm saying is that it

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Speaker 1: was everything wasn't brought to you by fucking Snickers or whatever,

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Speaker 1: like because if that didn't satisfy you, Adam a Snickers would. Yeah,

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Speaker 1: but money pushes art forward to this, But fucking has

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Speaker 1: been brought to you. Yeah, but that I mean we're

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Speaker 1: talking about the VMA's dog. That's always been that's never

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Speaker 1: been like a super punk rock fucking thing. It's always

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Speaker 1: been very They're like this next little naz butt fucking

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Speaker 1: performance will be brought to you by corn nuts. It was,

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Speaker 1: And that's cool. That's that means the art is progressing.

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Speaker 1: That's good. It's not like I feel like nd I

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Speaker 1: like this is the one this is the one time

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Speaker 1: Kyle is taking like this side of like corporate America.

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Speaker 1: It's very weird, Like, yeah, he's like, no, it's great.

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Speaker 1: I actually love it. I don't quite understand it though.

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Speaker 1: I don't quite understand it because the money follows like

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Speaker 1: the culture then, you know what I mean. So like

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Speaker 1: this is the culture and the money is supporting that,

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Speaker 1: so like what's what's the problem with that? But to me,

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Speaker 1: that's financial problem. I've been thinking about this a lot

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Speaker 1: lately though, Like you, it was like a thing when

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Speaker 1: we were coming up, Like selling out was goofy, Like

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Speaker 1: you didn't give up your art to hands because then

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Speaker 1: what would happen is what we live in today, where

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Speaker 1: literally every single thing we see as a commercial, we're

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Speaker 1: all just walking commercials. Now you tag your ship brought

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Speaker 1: to you by Tushy, this podcast is brought to you

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Speaker 1: by Manskate, This friendship is brought to you by Liquid

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Speaker 1: Ivy their best Buds promise per But I was like,

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Speaker 1: I mean, I feel like the Internet started because we

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Speaker 1: were also sick of watching commercials in between TV shows,

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Speaker 1: and now literally the Internet is just commercials without you

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Speaker 1: even knowing their commercials. Dude. I was thinking about this

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Speaker 1: today too because I was watching Norms. Norm has a

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Speaker 1: show on Netflix, and he's always like, you want a

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Speaker 1: red Bull. Norm McDonald didn't give him flowers, but he

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Speaker 1: was he was giving out red bulls. He's like, you

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Speaker 1: want something from the drink thing, and he's giving out

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Speaker 1: red bulls and people are drinking red Bulls on the screen.

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Speaker 1: I'm like the product placement. And I thought back to like,

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Speaker 1: I'm pretty sure our opening shot of Workaholics because of

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Speaker 1: the relationship that Viacom had with Red Bull is a

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Speaker 1: floating red Bull bull in the pool like it is

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Speaker 1: an endorsed like a commercial. Is our first show? That

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Speaker 1: was on purpose? Yeah? Yeah? But Red Bull was punk

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Speaker 1: rock back then. Red Bull was counterculture. I don't think

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Speaker 1: that was on purpose? Was it? That was one thousand

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Speaker 1: percent on purpose? Because they had to deal with Viacom?

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Speaker 1: And I was like, I got the shot, then I

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Speaker 1: wouldn't have done the show. I'm out, I'm a monster guy.

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Speaker 1: I put it in there, then I walk, I put

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Speaker 1: it in there, sell out, Hey, Kyle, and now I

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Speaker 1: passed on the show and I want you to digitally erase.

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Speaker 1: That's what's cool, though, is if they were smart, they

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Speaker 1: could turn that into a monster can they could turn

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Speaker 1: that into anything they wanted? Now, wouldn't that be so tired?

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Speaker 1: If we could like do that, if like we're like,

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Speaker 1: you know what, enough is enough fucking replaced me and

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Speaker 1: then they just replace you with some other actor of

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Speaker 1: this it's just another blake face emmit these show way

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Speaker 1: that would yes, exactly, that would be so what we're

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Speaker 1: gonna get there to where like it's just Tom Cruise

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Speaker 1: is in every movie and they digitally like aged him

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Speaker 1: down to where he looks again. I mean, I'm thinking,

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Speaker 1: like that would be sick. If you kind of played

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Speaker 1: movies like you do, say like a video game where

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Speaker 1: you choose your character, you could choose who you want

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Speaker 1: to see in the movie, Like you could pick the

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Speaker 1: actors and plug them in. Like so there was a

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Speaker 1: big thing when they were replacing Chris Plumber in um

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Speaker 1: the Money movie. They were they replaced Kevin Spacey with

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Speaker 1: Chris Plumber, right, and then they just did the same

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Speaker 1: thing with Ticknataro and Chris Deliah, you know, in the

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Speaker 1: in the Zombie movie. But there was something where somebody

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Speaker 1: cast fucking James Dean in a movie. They actually a

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Speaker 1: director actually cast James Dean in a movie. No, the

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Speaker 1: dead actor, the dead actor from Rebel without a Cause. Oh,

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Speaker 1: I don't know that. I know one James Dean Kyle.

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Speaker 1: The way you're phrase in this, you're like a director

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Speaker 1: actually cast James Dean. This was what they were talking about. Well,

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Speaker 1: I think that's right. That's what I heard too. And

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Speaker 1: then it's like his estate had to sign off on it,

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Speaker 1: and then the estate is going to get paid for it.

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Speaker 1: Oh yeah, this is like an Asian dude, right, that's

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Speaker 1: so bizarre. This this this American movie or Asian movie. I

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Speaker 1: can't remember the details of the movie, but yes, the

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Speaker 1: estate was getting paid and they had enough information about

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Speaker 1: James Dean's face that they got an impersonator to come

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Speaker 1: in and do the movie. Or this was the plan.

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Speaker 1: I can't I don't know what came of it. But

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Speaker 1: they got an impersonator coming and do the movie and

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Speaker 1: then they put his face on. That guy's face looks

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Speaker 1: just like I'm James Dean. Hey, you're tearing me apart.

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Speaker 1: I'm James Dean, you're telling me apart. I remember when

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Speaker 1: I was like, do you remember at the Camden Martinique

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Speaker 1: where we used to live in Coasta Mesa and coast

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Speaker 1: A Mesa, and I had the I had a giant

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Speaker 1: poster of James Dean in my bathroom because I think

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Speaker 1: I went to like Hot Topic and bought a bunch

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Speaker 1: of those tracks, and then people like I don't know,

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Speaker 1: we had like some it was like a theater thing

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Speaker 1: came over to my house and like all the gay

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Speaker 1: dudes in our in like the theater group, were like, oh,

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Speaker 1: I didn't know, you're good dude. I'm like I'm not.

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Speaker 1: But like James Dean, he's like a gay icon and

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Speaker 1: they were like whoa, Like he's a gay icon and

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Speaker 1: you have it like it was like over it was

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Speaker 1: like basically over my bed. It was right there and

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Speaker 1: I didn't know. I didn't know. It's okay, fast forward

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Speaker 1: a little. I didn't know that. I didn't know that

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Speaker 1: I should have just had that in like Wizard of

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Speaker 1: Boss shit about my bed. Yeah, I knew about Wizard

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Speaker 1: of and Little Little Nazas when early early Nasa Early

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Speaker 1: Nazas when he was like nine. It's super weird that

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Speaker 1: I have it over my bed, very kid. Yeah, because

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Speaker 1: he's so much younger than me. He must have been like, uh, yeah,

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Speaker 1: I'll give you that. Maybe that we're not going to

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Speaker 1: do the age thing here, Okay, come on, I don't

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Speaker 1: want anybody old. I am coming on. That's right, right,

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Speaker 1: I was twenty. I bet he's like what no, I'm

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Speaker 1: saying ten years younger than me, less more than X.

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Speaker 1: I think he's like twenty, isn't it. I'm not going

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Speaker 1: to do the age thing. Yeah, I don't do that.

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Speaker 1: I don't know. He's a little dude. The guys there's

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Speaker 1: lots of little I mean, little Wayne's a little Wayne.

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Speaker 1: The guy's like forty five. Yeah, old Wayne. But it's

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Speaker 1: like he's like two, and the producers give us the

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Speaker 1: age of little Nozax. I think he's like two. I

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Speaker 1: got it right on the money. He saw that v

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Speaker 1: M A performance and he was like, that's a twenty

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Speaker 1: two year old body pushing the art. The youth will

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Speaker 1: always push the art forward, alright, brought to you by

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Speaker 1: corn push the art brought to you by Bugles. Well.

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Speaker 1: I think that's the difference between like our generation, like

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Speaker 1: millennials were like you know what, yeah, Gaze should be

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Speaker 1: able to get married, and then this generation z is

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Speaker 1: like pushing it so far forward that like the old

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Speaker 1: guard was like, no, Gates shouldn't be able to get married,

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Speaker 1: like fucking old people and they're like, no, they should

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Speaker 1: be able to get married. And then Generation Z is like, well,

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Speaker 1: we're all polyamorous. Uh, there's no gender anymore, and we're

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Speaker 1: all fucking each other. And and then then the old

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Speaker 1: guard is now like, alright, gay marriage is fine. You

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Speaker 1: can you guys, Yeah, you guys can get married. It's fine.

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Speaker 1: We'll give you that one. Well, that's kind of exactly.

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Speaker 1: That's a great plan of attack, is like push it

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Speaker 1: way all the way forward so that like people aren't

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Speaker 1: weirdly offended by ship that they shouldn't be offended by.

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Speaker 1: It's crazy. They can backfire though, it could because like

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Speaker 1: I just wanted to do the podcast with Kyle, but

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Speaker 1: I was like, well, let me start by asking all

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Speaker 1: the guys, and then you stayed and then we all

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Speaker 1: agreed and here we are, right and I was like

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Speaker 1: we were like friendship, Yeah, let's do it. Kay talked

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Speaker 1: and Kyle, let's do it. Yeah, no, kid, I'd be

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Speaker 1: hyped on. That would be polly charged. Yeah, it would

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Speaker 1: be basically would get into it. We would talk voter

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Speaker 1: voting and politics. Yeah, if you guys could just talk

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Speaker 1: like local California politics the whole time, that would be

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Speaker 1: anybody vote for um, what's that chick's name who has

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Speaker 1: the pink corvettes? Diane or angel Angeline Angeline. So if

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Speaker 1: you don't live in California, l A, there's a woman

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Speaker 1: who she must be like eighty years old now, but

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Speaker 1: she looks like a Barbie doll from from Mattel and

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Speaker 1: uh sponsored. She is like platinum blonde. She's been driving

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Speaker 1: these pink corvettes for the last like thirty years. Still

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Speaker 1: kind of hot. Yeah, she can get it. Are you

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Speaker 1: kidding me? She ran for governor. She was like on

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Speaker 1: that she's seventy and she doesn't look a day over

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Speaker 1: sixty eight. Yeah. She a legend though, Yeah she is.

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Speaker 1: She's on billboards. She is. I remember, like she's like

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Speaker 1: a West Hollywood legend and she has like she had been.

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Speaker 1: I remember when we first when I first moved to

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Speaker 1: l A, there was like billboards of Angeline Angeline or

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Speaker 1: Angeline Angelina. Believe it's Angeline, and there's like billboards everywhere.

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Speaker 1: And then and then I saw I've seen her, you know,

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Speaker 1: obviously just living there. You you would see her out

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Speaker 1: and about and it was always like a rare spot

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Speaker 1: and you're like, there she is as if she's a

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Speaker 1: real All she is is just a woman who paid

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Speaker 1: to have billboards of herself up and then like has

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Speaker 1: branded herself like the Queen of West Hollywood and she

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Speaker 1: just wears all. But yeah, what's her profession, what's her thing? No,

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Speaker 1: that is her thing, just being her rocking our world.

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Speaker 1: She wants to be an actress, I believe, but she

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Speaker 1: never made it. So she just like is like a

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Speaker 1: she's a she is. She just is pink and she's like,

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Speaker 1: I'm the pink person. And she drives a pink Corvette.

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Speaker 1: When you say like that, it doesn't sound cool, but

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Speaker 1: it's very cool. Yeah, she's like super cooled. She's got

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Speaker 1: a cool car. No, no, I just want to get

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Speaker 1: to the bottom of it, you know, I don't. I mean, yeah,

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Speaker 1: it's obviously it's so sick. Yes, she drives a pink Corvette. Period,

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Speaker 1: obviously super sick. I'm sure people give her, like, you

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Speaker 1: know whatever her rate is a thousand dollars or two

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Speaker 1: thousand dollars whatever to like come to their party and

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Speaker 1: be like a novelty and be like, look we got Angeline.

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Speaker 1: Yeah over there by the by the shrimp bowl. I

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Speaker 1: heard she's a really bad party guest though. She just

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Speaker 1: fucking rages break ship, steal ship dude. That sounds funny,

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Speaker 1: that sounds like Angeline. Well, you can't have to go hards.

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Speaker 1: I just I don't know. Blake Anderson and Angeline cannot

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Speaker 1: be in the same place. That's too much hot energy.

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Speaker 1: I want to get on a billboard with her. Maybe

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Speaker 1: I could fight her on trailer. That would be pretty cool.

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Speaker 1: You can, evidently you can pay her to take a

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Speaker 1: photo with her on her corvette, which I think maybe

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Speaker 1: we all do. Next time we're all in Hollywood together,

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Speaker 1: We we do that, She'll be dead at him. Yeah,

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Speaker 1: next time we're all here together. Well, didn't wait, didn't

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Speaker 1: like the movie The Room kind of did a similar

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Speaker 1: thing where it like had that billboard up in Hollywood

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Speaker 1: forever when I moved here it was up. Yeah. Yeah.

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Speaker 1: What's that dude's name, Tommy Tommy Wise? Oh yeah, that

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Speaker 1: sounds right. What was the movie that seth Rogan made

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Speaker 1: about the disaster artists? Right? Well, I don't know if

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Speaker 1: he was right. Have you guys ever seen He's canceled? Um?

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Speaker 1: Have you guys ever seen the absolutely? Have you ever

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Speaker 1: seen The Room? The actual movie? The room. Yeah, yes,

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Speaker 1: yes too. It's fucking charged. Bro, that was a film

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Speaker 1: school musk charged right now. It's so charged about it, dude,

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Speaker 1: I love the room. It's so good. It's like that

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Speaker 1: was a film school must because you'd go on, I mean,

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Speaker 1: everybody came to l A and you like, see this

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Speaker 1: billboard and you're like, what is this? I didn't think

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Speaker 1: it was good. Hot take. Oh you didn't kiss now?

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Speaker 1: I thought it was bad. Yeah, I'm siding with Anders

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Speaker 1: on this one. And I didn't think it was good.

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Speaker 1: It drags, um, Yeah, lacks plot, there's some plot holes.

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Speaker 1: The acting. The acting is fine. Yeah, that's the best

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Speaker 1: part is the really good acting. Lacks arcing. It's really

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Speaker 1: just very rough. I agree. I agree, it's great. I

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Speaker 1: think the acting is fantastic. The only thing that could

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Speaker 1: have made it better if my my favorite actor in

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Speaker 1: the world, Kyle new Check, was in the movie, then

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Speaker 1: that's the only way the acting could have been better.

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Speaker 1: Stand by that, dude. Hey, they'll be able to do that.

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Speaker 1: Oh man, you'll be able to plug him in. No way,

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Speaker 1: Tommy is it. He's a genius. He really like put

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Speaker 1: is all on that screen. It's awesoing. Did he ever

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Speaker 1: make a follow up film or was he a one

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Speaker 1: and done done that's it. He just hung onto that.

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Speaker 1: I mean some of these guys. Actually there was one

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Speaker 1: from the Bay Area that a guy made one around

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Speaker 1: the same time called Birdemic. Did you guys ever hear

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Speaker 1: about this film? And I've heard the name? Yeah, where

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Speaker 1: it has like it has like bad c G. I

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Speaker 1: birds that Oh yeah, Like there's like they're the beach

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Speaker 1: and the seagulls go crazy. Oh that's what it is.

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Speaker 1: It's it's like birds. It's so good. It's like birds. Yeah,

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Speaker 1: but it's like all the birds are now attacking everyone.

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Speaker 1: And the dude couldn't like I couldn't like afford the CG.

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Speaker 1: So like what ended up in the movie or is

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Speaker 1: the sickest computer graphics like you will ever see? Right? Well,

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Speaker 1: you know what would be really fun, guys? Uh? Instead

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Speaker 1: of like trying to make like a really good movie

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Speaker 1: for like the next movie that we do together besides

385
00:21:56,200 --> 00:21:59,080
Speaker 1: the workholics movie we should do, we should just get

386
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Speaker 1: ahold of like side Fight Channel and go, hey, we'll

387
00:22:02,280 --> 00:22:07,440
Speaker 1: make your fucking silly little sharkno disaster disaster movies. Because

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00:22:07,480 --> 00:22:10,159
Speaker 1: that seems so damn fun. To do. I mean the

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Speaker 1: Sharknado movies get like fucking people watching it. Absolutely, maybe too.

390
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Speaker 1: What about fucking let's make chroctopus? Let's chroctopus? Is that

391
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Speaker 1: an eight armed alligators connected together? Eight crocodiles? Chroctopus? Bro,

392
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Speaker 1: let's go. Are you coming up with that right now?

393
00:22:27,760 --> 00:22:30,920
Speaker 1: Right now? Yeah, you just came up with chroctopus. That's

394
00:22:31,040 --> 00:22:34,959
Speaker 1: right now, that's Are you fucking serious? No? No, hang

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Speaker 1: on a second, Hang on up, Kyle. That would sell

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Speaker 1: in the room. Dude, if you, if you, if we

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Speaker 1: went to I just you just made that up. Bullshit.

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00:22:45,200 --> 00:22:48,080
Speaker 1: I just made that up. Bullshit. What do you want

399
00:22:48,080 --> 00:22:49,200
Speaker 1: me to swear on? What do you want me to

400
00:22:49,240 --> 00:22:51,600
Speaker 1: swear on anything? What do you have around you? Fucking

401
00:22:51,640 --> 00:22:53,800
Speaker 1: cup of coffee? Swear on it? I mean, we could

402
00:22:53,800 --> 00:22:55,639
Speaker 1: do this all day and we could sell this in

403
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Speaker 1: the room. I love chroctopus. Bro, let's do it. Are

404
00:22:59,840 --> 00:23:04,920
Speaker 1: you seen it as something like eight volcano volcano beaver

405
00:23:05,240 --> 00:23:08,560
Speaker 1: and it's just a volcano that just rubs beavers? Dude, wait,

406
00:23:08,640 --> 00:23:10,399
Speaker 1: adam hanging I'm get to the bottom of this. Did

407
00:23:10,440 --> 00:23:17,680
Speaker 1: you just make that cane to beaver? There's no fucking

408
00:23:17,720 --> 00:23:22,240
Speaker 1: way vulcane beaver. You guys got together before this and hey,

409
00:23:22,280 --> 00:23:27,800
Speaker 1: I got one horrict you you try to be mad.

410
00:23:27,920 --> 00:23:31,360
Speaker 1: That's actually guess what sold in the room. Her acts

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00:23:31,560 --> 00:23:37,080
Speaker 1: sold in the room. Dude, snake dog dog Wait, stay dog,

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00:23:38,400 --> 00:23:43,120
Speaker 1: snake dogs. Every day we're gonna have to pass. We're

413
00:23:43,160 --> 00:23:50,080
Speaker 1: going we just volcane to beaver, snake dog. We have

414
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Speaker 1: one budget, We have one purse and volcane to peeper

415
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Speaker 1: cane to be vulcane to beaver's got eggs? Man, as like,

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Speaker 1: is there add there? No one knows that, no one

417
00:24:05,720 --> 00:24:12,879
Speaker 1: should know. Man. They like beavers that can swim in

418
00:24:13,080 --> 00:24:17,320
Speaker 1: molten lava, and they like are like the lava and

419
00:24:17,440 --> 00:24:21,520
Speaker 1: then when it erupts, it erupts, and uh then there's

420
00:24:21,560 --> 00:24:24,800
Speaker 1: beaver's just everybody doing their piss. They're piss because they've

421
00:24:24,840 --> 00:24:30,679
Speaker 1: just been in lava. Their hell hot and bothered by

422
00:24:30,760 --> 00:24:32,760
Speaker 1: the way. This is probably how they do it. Like

423
00:24:32,840 --> 00:24:35,680
Speaker 1: the executives are like, is it like a beaver that

424
00:24:35,760 --> 00:24:39,320
Speaker 1: can swim and lava? Like, yes, absolutely absolutely, And can

425
00:24:39,440 --> 00:24:43,800
Speaker 1: these beavers like come out of lava and bite through anything? Yes,

426
00:24:44,080 --> 00:24:48,159
Speaker 1: yes they can, yeah, yeah, because they're the molten lava

427
00:24:48,359 --> 00:24:53,400
Speaker 1: toughen them up exactly and uh right right, yes, that's right. Yes,

428
00:24:53,640 --> 00:24:57,679
Speaker 1: you know my Helmie Daniel Lewis, he makes these movies.

429
00:24:57,800 --> 00:25:00,200
Speaker 1: He does that, He makes these movies. And he say,

430
00:25:00,359 --> 00:25:02,119
Speaker 1: he says, he sells it in the room, just like

431
00:25:02,359 --> 00:25:04,480
Speaker 1: what are we waiting for? He sold a movie called

432
00:25:04,520 --> 00:25:08,560
Speaker 1: Arachna Quake in the room, just like that, exactly like that.

433
00:25:08,720 --> 00:25:10,960
Speaker 1: But you say, hang on a second. You say he

434
00:25:11,080 --> 00:25:15,320
Speaker 1: sold the movie in the room, like he's he's he's

435
00:25:15,480 --> 00:25:18,680
Speaker 1: pitching side. He's in the sci fi. He was doing

436
00:25:18,720 --> 00:25:20,960
Speaker 1: another movie and they're like, you have any other movies

437
00:25:21,000 --> 00:25:23,040
Speaker 1: you're cooking up, and he didn't, and he goes, yeah,

438
00:25:23,280 --> 00:25:25,720
Speaker 1: I do, and they go what he got and he

439
00:25:25,800 --> 00:25:32,920
Speaker 1: goes Arachna Quake and they go, wow, yes, we want that.

440
00:25:33,560 --> 00:25:35,080
Speaker 1: We want to write in a quake and this is

441
00:25:35,119 --> 00:25:37,520
Speaker 1: the earthquake where the earth opens and spiders coming up

442
00:25:37,560 --> 00:25:41,960
Speaker 1: and spiders, giant spiders come out happen. And he's like,

443
00:25:42,119 --> 00:25:44,720
Speaker 1: he's like, uh huh. And then he quickly went and

444
00:25:44,760 --> 00:25:46,680
Speaker 1: found a writer and they wrote the movie in like

445
00:25:46,840 --> 00:25:48,879
Speaker 1: two weeks and came back and gave him the script.

446
00:25:49,040 --> 00:25:53,720
Speaker 1: And I'm like, man, that's Hollywood, that's a fun. That's

447
00:25:53,760 --> 00:25:57,840
Speaker 1: a fun life right there. Oh yeah, that's that Isn't

448
00:25:57,880 --> 00:26:01,960
Speaker 1: he also the guy who like own like Earnest, like

449
00:26:02,119 --> 00:26:05,720
Speaker 1: he has Earnest estate. Oh yeah, I think that I

450
00:26:05,760 --> 00:26:11,440
Speaker 1: mean is right? Yes, he had like Ernest estate and

451
00:26:11,560 --> 00:26:13,920
Speaker 1: wanted to do something with in the Earnest World. But

452
00:26:14,000 --> 00:26:18,800
Speaker 1: then Ernest is dead, Ernest P World, Earnest p World World,

453
00:26:20,359 --> 00:26:23,640
Speaker 1: and then now Ernest is dead, So like what It's

454
00:26:23,680 --> 00:26:25,560
Speaker 1: just someone's gonna be doing an impression of him. It

455
00:26:25,600 --> 00:26:28,560
Speaker 1: would be like a pretty weird thing. Okay, I wouldn't

456
00:26:28,560 --> 00:26:30,239
Speaker 1: be mad at that. No, you do like what they

457
00:26:30,280 --> 00:26:32,879
Speaker 1: did with the mask or with the ventura they do

458
00:26:33,000 --> 00:26:35,640
Speaker 1: the sun? No, you do what? Do what James Dean?

459
00:26:35,840 --> 00:26:37,520
Speaker 1: If you could get James Dean in a movie, I

460
00:26:37,520 --> 00:26:40,879
Speaker 1: actually be able to have Earnest in every movie I do. Alright,

461
00:26:40,920 --> 00:26:44,440
Speaker 1: Blake's getting worked out. Okay, I like Earnest in every film.

462
00:26:44,760 --> 00:26:48,160
Speaker 1: I like this. I've never seen Blake this charge before. Hey, well,

463
00:26:48,240 --> 00:26:50,680
Speaker 1: if you're gonna talk about Ernest, I like this Blake.

464
00:26:50,840 --> 00:26:55,680
Speaker 1: So you're saying bring back Earnest? Yes, I love it. Yes,

465
00:26:56,200 --> 00:26:58,520
Speaker 1: can we put him in other movies like Avatar and stuff?

466
00:26:58,680 --> 00:27:00,880
Speaker 1: I'll get a hold that. I'll it ahold of my boy.

467
00:27:01,320 --> 00:27:04,399
Speaker 1: Right fucking now, dude, this is great. Please say that.

468
00:27:04,520 --> 00:27:07,840
Speaker 1: We're we're all in. We're gonna produce this film with him.

469
00:27:08,200 --> 00:27:15,040
Speaker 1: We're we're all starring in it. Uh earn it. We're

470
00:27:15,080 --> 00:27:17,439
Speaker 1: just acting with a tennis ball and laughing as if

471
00:27:17,520 --> 00:27:21,800
Speaker 1: it's Earnest the tennis ball in a khaki vest. The

472
00:27:21,920 --> 00:27:24,240
Speaker 1: thing is, you hit a roadblock because this is gonna

473
00:27:24,280 --> 00:27:28,760
Speaker 1: be a like a sixty million dollar Earnest movie. Well

474
00:27:29,920 --> 00:27:32,399
Speaker 1: well if you have yeah, if you have Earnest in it,

475
00:27:32,480 --> 00:27:35,400
Speaker 1: it better be fucking pricey. You better make some coin.

476
00:27:36,840 --> 00:27:39,600
Speaker 1: You got the A Listers dog that's gonna make it

477
00:27:39,760 --> 00:27:43,280
Speaker 1: right back. The Ernest Christmas Movie, Earnest Saves Christmas. It's

478
00:27:43,320 --> 00:27:46,119
Speaker 1: pretty fucking good. It's unreal when the reindeer we're on

479
00:27:46,200 --> 00:27:49,120
Speaker 1: the roof of like that that warehouse. I lost my ship.

480
00:27:49,320 --> 00:27:52,040
Speaker 1: You're saying on the roof, but they're like literally upside

481
00:27:52,080 --> 00:27:56,480
Speaker 1: down the Okay, they're just not on the roof, they're

482
00:27:56,520 --> 00:27:59,520
Speaker 1: on a dance Ceil. I was like, Scared Stupid is

483
00:27:59,640 --> 00:28:04,199
Speaker 1: the best one of all those movies, So right, who's scary? Well,

484
00:28:04,320 --> 00:28:07,000
Speaker 1: Scared Stupid is the scariest one. That one is I'd

485
00:28:07,040 --> 00:28:09,040
Speaker 1: actually freaked me out as a child like guy, got

486
00:28:09,200 --> 00:28:11,520
Speaker 1: very nervous and didn't want to drink milk for quite

487
00:28:11,600 --> 00:28:14,359
Speaker 1: some time after watching that one. Yeah, I was I

488
00:28:14,480 --> 00:28:16,880
Speaker 1: was scared of melk too. I was like, and goes

489
00:28:17,000 --> 00:28:21,000
Speaker 1: to Jail is legit bad? No? What Goes to Jail

490
00:28:21,080 --> 00:28:22,720
Speaker 1: was the first bad movie I remember seeing in the

491
00:28:22,800 --> 00:28:25,920
Speaker 1: theaters where I was like, that was but that has

492
00:28:26,000 --> 00:28:28,560
Speaker 1: the pen scene, doesn't it. Yes, the pen scene is

493
00:28:28,600 --> 00:28:32,640
Speaker 1: one of the most legitimate, like comedy. Yeah, that was good.

494
00:28:32,720 --> 00:28:35,399
Speaker 1: That was a classic fucking scene. What what what was

495
00:28:35,480 --> 00:28:39,080
Speaker 1: the pen scene? Please do explain? Okay, so Ernest is

496
00:28:39,680 --> 00:28:43,520
Speaker 1: uh is he on the jury for a murder trial

497
00:28:43,720 --> 00:28:46,080
Speaker 1: or some kind of trial where the guy who is

498
00:28:46,120 --> 00:28:49,280
Speaker 1: on trial looks exactly like him? Right? Oh? Yeah, isn't

499
00:28:49,280 --> 00:28:51,080
Speaker 1: it like as twin brother. It's just a guy who

500
00:28:51,080 --> 00:28:53,240
Speaker 1: looks like you know, it's literally just him slick with

501
00:28:53,360 --> 00:28:55,760
Speaker 1: his hair slick back. It's the same actor. Well yeah, no,

502
00:28:55,880 --> 00:28:58,000
Speaker 1: I know I'm saying, like in the movie it's his

503
00:28:58,120 --> 00:29:00,440
Speaker 1: twin brother, right. No, No, not just a guy that

504
00:29:00,520 --> 00:29:02,320
Speaker 1: looks like him. No, it's just a guy who looks

505
00:29:02,840 --> 00:29:08,040
Speaker 1: exactly it's a case of mistaken identity by the way

506
00:29:08,080 --> 00:29:10,720
Speaker 1: he kills it as that, guys, these are the type

507
00:29:10,760 --> 00:29:13,560
Speaker 1: of movies I want to make with you, with my boys.

508
00:29:14,280 --> 00:29:19,440
Speaker 1: It's a simple case of well anyway, he's he's watching

509
00:29:19,520 --> 00:29:22,600
Speaker 1: the trial and he's like fiddling with this pen and

510
00:29:22,720 --> 00:29:27,800
Speaker 1: he's like biting on the end in his mouth, and

511
00:29:27,960 --> 00:29:32,000
Speaker 1: it continues to be one of the funniest physical comedy moments.

512
00:29:32,240 --> 00:29:35,520
Speaker 1: He's like trying to wipe his mouth with paper, and

513
00:29:35,920 --> 00:29:38,000
Speaker 1: I think the judge is like, are you good, and

514
00:29:38,080 --> 00:29:41,840
Speaker 1: he's like, yeah, you know what I mean? What I mean?

515
00:29:43,160 --> 00:29:45,200
Speaker 1: You know who would play him? Is uh? I think

516
00:29:45,240 --> 00:29:47,320
Speaker 1: we just talked about him. Simon Rex kind of has

517
00:29:47,400 --> 00:29:50,760
Speaker 1: like a just vibe. It looks like like Ernest. I

518
00:29:50,800 --> 00:29:54,240
Speaker 1: also think John Claude van Dam looks exactly like Ernest.

519
00:29:54,920 --> 00:29:57,760
Speaker 1: Are we talking about No? Actually, when you say that,

520
00:29:57,880 --> 00:30:01,200
Speaker 1: I see it. It's it's the jacked version of Earnest.

521
00:30:01,440 --> 00:30:04,120
Speaker 1: I can see that. What. Yeah, I wish they would

522
00:30:04,120 --> 00:30:06,720
Speaker 1: have made a movie together. We gotta imagine if on

523
00:30:06,840 --> 00:30:10,160
Speaker 1: the Instagram handle pot is important, We're going to drop

524
00:30:10,240 --> 00:30:14,280
Speaker 1: a side by side pod important, pot important? What is happening?

525
00:30:14,640 --> 00:30:18,400
Speaker 1: What is it? Pot important? That's the name of our Instagram. Yeah,

526
00:30:18,560 --> 00:30:20,160
Speaker 1: you didn't know that. I've been tagging the wrong one.

527
00:30:20,200 --> 00:30:24,040
Speaker 1: I think goodbye. Oh you've been tagging pod is important.

528
00:30:24,680 --> 00:30:30,040
Speaker 1: It's Imporiant. I think that's tide Pods. I think it's yeah,

529
00:30:30,560 --> 00:30:33,920
Speaker 1: pot is important. Uh. We gotta do a side by

530
00:30:34,160 --> 00:30:37,280
Speaker 1: John Claude and Ernest. Yeah, absolutely, because I think I

531
00:30:37,400 --> 00:30:39,960
Speaker 1: see it. As soon as you said that, I it

532
00:30:40,120 --> 00:30:41,760
Speaker 1: came to life in my brain. Well, that would be

533
00:30:41,840 --> 00:30:44,360
Speaker 1: cool if Geen Claude did. Like, what are we talking about.

534
00:30:44,560 --> 00:30:47,200
Speaker 1: We're talking about gen Claude playing I'm really talking about

535
00:30:47,240 --> 00:30:50,840
Speaker 1: Gen clud playing Ernest in a biopic. You're saying John Claude, Yeah,

536
00:30:51,080 --> 00:30:53,360
Speaker 1: oh that would be sick. Yeah. Yeah, Like do the

537
00:30:53,400 --> 00:30:56,280
Speaker 1: Earnest biopic all the way up through toy story and everything.

538
00:30:56,400 --> 00:31:00,880
Speaker 1: You know what I mean. Oh, that's right. He's the dog. Yeah,

539
00:31:00,960 --> 00:31:09,440
Speaker 1: he's slinky. His name isn't Earnest Varney. He's an actor. No,

540
00:31:10,320 --> 00:31:13,040
Speaker 1: Ernest did the voice of the slinky dog. Everybody knows

541
00:31:13,080 --> 00:31:15,320
Speaker 1: that that was hurt him as Earnest. I want to know.

542
00:31:15,840 --> 00:31:18,840
Speaker 1: We gotta we gotta go deep on Jim Varney. Did

543
00:31:18,920 --> 00:31:22,680
Speaker 1: he do? What else did he do beside Beverly Hillbillies.

544
00:31:22,840 --> 00:31:31,480
Speaker 1: Remember the Beverly Hillbillies. So good hill unreal? Yes? So

545
00:31:31,960 --> 00:31:35,120
Speaker 1: was he a comedy guy? Was he like a Groundlings guy? Like?

546
00:31:35,280 --> 00:31:37,880
Speaker 1: What was? What was he? Because he's so damn funny

547
00:31:37,920 --> 00:31:41,600
Speaker 1: as um Canada? Right, he's Canadian. He might have been Canadian.

548
00:31:41,760 --> 00:31:43,959
Speaker 1: They just build him different up there. Yeah, I think

549
00:31:44,000 --> 00:31:46,880
Speaker 1: he's Canadian. You're thinking of Red Green. I think he was.

550
00:31:47,360 --> 00:31:49,200
Speaker 1: I think he was a real thesbian. I think he

551
00:31:49,280 --> 00:31:50,880
Speaker 1: was a real actor. I think he might have been

552
00:31:50,920 --> 00:31:54,680
Speaker 1: in and like a Shakespeare like traveling crew. I couldn't

553
00:31:54,680 --> 00:31:57,560
Speaker 1: be making this entirely up, but but you don't know.

554
00:31:58,000 --> 00:32:01,280
Speaker 1: I'm like, dude, shut the funk off. Everybody does that, bro?

555
00:32:01,440 --> 00:32:03,400
Speaker 1: That makes sense to me. Yeah, I think he's a

556
00:32:03,440 --> 00:32:06,120
Speaker 1: real actor. He did Summer, so I think he was. No,

557
00:32:06,280 --> 00:32:09,640
Speaker 1: but I do. I think he could have been an astronaut. Um.

558
00:32:09,960 --> 00:32:12,120
Speaker 1: I think he was worked at NASA and I was

559
00:32:12,200 --> 00:32:13,960
Speaker 1: like telling jokes in the cafeteria and they were like

560
00:32:14,080 --> 00:32:16,680
Speaker 1: pretty good, and then he went to Hollywood. Hey, I'm

561
00:32:16,720 --> 00:32:19,280
Speaker 1: buying it. Yeah, if you're selling that, I could be wrong.

562
00:32:19,600 --> 00:32:23,440
Speaker 1: I think it could be that though. Yeah, you're just

563
00:32:23,520 --> 00:32:25,080
Speaker 1: up there talking. You're like I think he could have

564
00:32:25,120 --> 00:32:30,120
Speaker 1: been a serious actor. Maybe not Canadian American. He's not Canadian.

565
00:32:30,200 --> 00:32:33,320
Speaker 1: Thank god we got one. He's not Canadian. He's American.

566
00:32:35,080 --> 00:32:42,800
Speaker 1: From Blake. You, I didn't say he was Canadians, all right, Okay,

567
00:32:42,840 --> 00:32:44,400
Speaker 1: I said he was. I thought he was. I just

568
00:32:44,600 --> 00:32:47,360
Speaker 1: him up here, and I'm like to go after somebody, Adam, Yeah,

569
00:32:47,680 --> 00:32:54,920
Speaker 1: hit me, hit me? Oh well, I mean you guys,

570
00:32:55,360 --> 00:32:57,200
Speaker 1: I mean I thought you guys were like speaking as

571
00:32:57,240 --> 00:32:59,840
Speaker 1: if you have real information on the guy that he's

572
00:33:00,000 --> 00:33:05,120
Speaker 1: I'm Canada. He's from Kentucky. If about as far away

573
00:33:05,160 --> 00:33:09,840
Speaker 1: from Canada as you can get in the United States. Yeah, well, man,

574
00:33:10,200 --> 00:33:14,960
Speaker 1: what are you talking about? Kentucky? That's sucking south ships.

575
00:33:15,440 --> 00:33:18,320
Speaker 1: It's about as far away as you can get from Canada.

576
00:33:18,560 --> 00:33:22,120
Speaker 1: Kentucky isn't in the South. Kentucky is in the southern

577
00:33:22,240 --> 00:33:24,320
Speaker 1: part of America. But you said it's about as far

578
00:33:24,440 --> 00:33:27,200
Speaker 1: as you can get from Canada. What part of Canada

579
00:33:27,440 --> 00:33:31,680
Speaker 1: in the US, including all the states below it. There's

580
00:33:31,720 --> 00:33:34,600
Speaker 1: not that many states below Kentucky. It's in the South, man,

581
00:33:36,080 --> 00:33:39,520
Speaker 1: he's about as far as It's about as far as

582
00:33:41,600 --> 00:33:44,600
Speaker 1: All I'm saying is Kentucky is in the South, dude,

583
00:33:44,760 --> 00:33:47,480
Speaker 1: the dirty South. Kentucky is very much at the north

584
00:33:47,560 --> 00:33:50,560
Speaker 1: of the South. Okay, now we're now it's semantics about

585
00:33:50,640 --> 00:33:54,480
Speaker 1: what's the north of the South. It's not semantics. This

586
00:33:54,640 --> 00:33:59,960
Speaker 1: is important. This is important. That's it's important. That it's important,

587
00:34:00,240 --> 00:34:03,280
Speaker 1: and you're you are right. He studied Shakespeare at the Barbara.

588
00:34:05,120 --> 00:34:09,480
Speaker 1: Thank you, thank you, and I will expect maybe an

589
00:34:09,520 --> 00:34:13,160
Speaker 1: apology from Wanders later today. My god, man, so he's

590
00:34:13,200 --> 00:34:16,480
Speaker 1: a true Why would I apologize for that because you

591
00:34:16,640 --> 00:34:19,560
Speaker 1: was claiming I was from I think Adam, I think

592
00:34:19,600 --> 00:34:22,520
Speaker 1: from all of you talking. I came up here preaching

593
00:34:22,560 --> 00:34:26,080
Speaker 1: about him being a Shakespearean actor, and you guys were like,

594
00:34:26,160 --> 00:34:29,759
Speaker 1: oh that, there's no every actor's story. They're like, you know,

595
00:34:29,920 --> 00:34:32,920
Speaker 1: I like him. He was Barney or whatever. But before

596
00:34:33,000 --> 00:34:36,640
Speaker 1: that he was sucking Shakespeare actor. You're like, yeah, that's everybody.

597
00:34:37,040 --> 00:34:39,120
Speaker 1: Everybody did Shakespeare in high school and then they end

598
00:34:39,200 --> 00:34:44,600
Speaker 1: up being fucking Mr Bean. They claim it for life. Yeah, man,

599
00:34:44,719 --> 00:34:47,279
Speaker 1: this dude is a classically trained actor. He is a

600
00:34:47,440 --> 00:34:50,080
Speaker 1: character actor and he's one of our bands. Go to

601
00:34:50,160 --> 00:34:51,960
Speaker 1: juilliards are two different I don't know about that, but

602
00:34:52,200 --> 00:34:54,520
Speaker 1: you just said two different things. Are two different things.

603
00:34:54,640 --> 00:34:57,759
Speaker 1: He is a character he has hairy is a classically

604
00:34:57,880 --> 00:35:04,680
Speaker 1: trained actor. He's a character act. He is at commercials.

605
00:35:05,360 --> 00:35:11,520
Speaker 1: He this man, This man can memorize lines. This man

606
00:35:11,760 --> 00:35:16,320
Speaker 1: he was in commercials for Miller's outpost whatever. That is.

607
00:35:16,600 --> 00:35:19,240
Speaker 1: What's the difference between a character actor and a classically

608
00:35:19,280 --> 00:35:22,520
Speaker 1: tearined actor. Can't you be a classically trained character actor?

609
00:35:22,840 --> 00:35:26,240
Speaker 1: Ures you can? You can also be a classically trained

610
00:35:26,600 --> 00:35:29,799
Speaker 1: character commercial actor, which is what we're saying right now. Well,

611
00:35:29,840 --> 00:35:31,239
Speaker 1: I don't know why you guys were jumping on my

612
00:35:31,640 --> 00:35:35,319
Speaker 1: down my throat, jumping on my throat about it has

613
00:35:35,400 --> 00:35:37,319
Speaker 1: something new? That wet ass hair are you got? Today?

614
00:35:37,480 --> 00:35:40,760
Speaker 1: Was jumping on your jock dude, smash that jock button.

615
00:35:41,360 --> 00:35:44,839
Speaker 1: He was really good friends with Robin Williams. Really yeah,

616
00:35:45,000 --> 00:35:46,959
Speaker 1: they met a NASA. They must have met it. NASA

617
00:35:49,560 --> 00:35:54,200
Speaker 1: almost forgot. There's a huge sect of our listening of

618
00:35:54,320 --> 00:35:59,799
Speaker 1: the community by important community nation that for sure does

619
00:35:59,880 --> 00:36:03,040
Speaker 1: it know who Jim Varney is, doesn't know who Ernest is,

620
00:36:03,239 --> 00:36:06,279
Speaker 1: And they're so confused three yourself, and we've been talking

621
00:36:06,400 --> 00:36:08,520
Speaker 1: for forty five minutes and they just want us to

622
00:36:08,560 --> 00:36:12,120
Speaker 1: talk about little nas X butt fucking on the v M.

623
00:36:12,200 --> 00:36:14,080
Speaker 1: A hey, we give a little bit to each side

624
00:36:14,120 --> 00:36:16,600
Speaker 1: of the coin, alright, or like some of some people

625
00:36:16,680 --> 00:36:20,080
Speaker 1: tune in to hear that hot hot earnest doc. Okay,

626
00:36:20,560 --> 00:36:23,800
Speaker 1: that's true, because I could go on for upwards oft

627
00:36:24,800 --> 00:36:28,399
Speaker 1: tell us about Donald Sutherland again, Yeah, I could. Hey,

628
00:36:28,719 --> 00:36:32,160
Speaker 1: you're joking, but yeah, And that actually got a lot

629
00:36:32,200 --> 00:36:34,239
Speaker 1: of love when that episode aired. I got a lot

630
00:36:34,320 --> 00:36:36,360
Speaker 1: of d ms about how happy they were about that.

631
00:36:36,600 --> 00:36:39,320
Speaker 1: So let's let's go. The community crawled in your m

632
00:36:40,000 --> 00:36:42,040
Speaker 1: They loved it. That's really great. And when is that

633
00:36:42,200 --> 00:36:45,240
Speaker 1: gonna phrase gonna stop? Because it makes it seem shady?

634
00:36:45,280 --> 00:36:47,520
Speaker 1: Because I like looking at d ms, I'll answer a

635
00:36:47,560 --> 00:36:50,279
Speaker 1: bunch of people, you know, when I feel like it,

636
00:36:50,440 --> 00:36:51,719
Speaker 1: I'll just go in the d M s and be

637
00:36:51,760 --> 00:36:54,160
Speaker 1: like and I'll start answering people. Adam, I think I

638
00:36:54,280 --> 00:36:56,040
Speaker 1: know what you're talking about. You were saying that in

639
00:36:56,160 --> 00:36:59,080
Speaker 1: your d MS, Like saying something in my d MS

640
00:36:59,200 --> 00:37:02,400
Speaker 1: is a net of thing. Yeah, Like I like like

641
00:37:02,560 --> 00:37:05,400
Speaker 1: when because that's the term is slide in that person's

642
00:37:05,480 --> 00:37:08,600
Speaker 1: d M S. Ye like sneaky. It's sneaky as fun, yes,

643
00:37:08,719 --> 00:37:11,760
Speaker 1: and it's like shady. It's seems it's seems sneaky and shady.

644
00:37:12,000 --> 00:37:14,839
Speaker 1: I'm like, it's not. And that's how people communicate. Now, Yes,

645
00:37:15,239 --> 00:37:17,279
Speaker 1: I'm right there with you. I had the same thing

646
00:37:17,360 --> 00:37:19,839
Speaker 1: where I was like telling my girl, I'm like, yo, uh,

647
00:37:20,400 --> 00:37:23,200
Speaker 1: like I heard I was communicating through my d M

648
00:37:23,239 --> 00:37:25,839
Speaker 1: and she's kind of like, oh, like what's going on there?

649
00:37:25,920 --> 00:37:28,560
Speaker 1: But yeah, that's exactly where you are. It acts as

650
00:37:28,760 --> 00:37:31,839
Speaker 1: a text message. Really. I text people on there too, now,

651
00:37:32,120 --> 00:37:33,919
Speaker 1: even though I have their phone number and I could,

652
00:37:34,120 --> 00:37:36,560
Speaker 1: and now it's like between like I'll be texting and

653
00:37:36,600 --> 00:37:39,040
Speaker 1: then finish it on a d M later. But because

654
00:37:39,120 --> 00:37:42,640
Speaker 1: you share, you can share stuff easier, like posting stuff,

655
00:37:42,640 --> 00:37:44,600
Speaker 1: and you just have to like follow these people. You

656
00:37:44,680 --> 00:37:46,880
Speaker 1: follow everybody around in these different rooms. It's like, oh,

657
00:37:47,040 --> 00:37:48,640
Speaker 1: check it out. He's up on i G right now,

658
00:37:48,719 --> 00:37:51,880
Speaker 1: let's have a conversation. Yeah, cyberstock, because he's not going

659
00:37:51,960 --> 00:37:55,560
Speaker 1: to jump off i G and go over to text message.

660
00:37:56,080 --> 00:37:59,120
Speaker 1: You're right there, why exactly. It goes down in the

661
00:37:59,200 --> 00:38:03,319
Speaker 1: d M. But also d ms are vile sometimes too. Yeah,

662
00:38:03,520 --> 00:38:06,239
Speaker 1: let's yeah, you get the cold reach, just very vile.

663
00:38:06,320 --> 00:38:09,040
Speaker 1: Let's keep it real. They're also pretty girl. Still, people

664
00:38:09,160 --> 00:38:11,479
Speaker 1: say I heard you spread your butt cheeks, this is mine.

665
00:38:11,680 --> 00:38:16,560
Speaker 1: Well where you definitely slid in the d M. Well,

666
00:38:16,600 --> 00:38:19,319
Speaker 1: that is true. I do recall Adam numerous times being

667
00:38:19,400 --> 00:38:21,440
Speaker 1: like send your cock photos to my d M s

668
00:38:21,480 --> 00:38:24,000
Speaker 1: and all that. So that and that has toned down,

669
00:38:24,440 --> 00:38:28,880
Speaker 1: that has uh, that has chilled out literally zero naked people. Now,

670
00:38:29,080 --> 00:38:31,680
Speaker 1: I haven't seen any naked people in there, uh for

671
00:38:32,320 --> 00:38:34,719
Speaker 1: a while. Sorry to hear that. Why don't you cry

672
00:38:34,760 --> 00:38:38,680
Speaker 1: about it? Stuck there you go? What would you rebrand

673
00:38:38,840 --> 00:38:41,680
Speaker 1: or rephrase the what's a better word than like slide

674
00:38:41,719 --> 00:38:45,000
Speaker 1: into for the d MS? Shoot shoot me a d M.

675
00:38:45,400 --> 00:38:47,959
Speaker 1: That sounds fun, just like shoot be a text? Yeah,

676
00:38:48,080 --> 00:38:50,680
Speaker 1: shoot me M yes, same reach out. Did you do wait?

677
00:38:50,760 --> 00:38:53,520
Speaker 1: Did you just come up with that right now? Right now?

678
00:38:53,760 --> 00:38:57,400
Speaker 1: Did you you just came out of the dude like

679
00:38:57,480 --> 00:39:04,120
Speaker 1: a gun or came to be Oh my god, because yeah,

680
00:39:04,160 --> 00:39:06,520
Speaker 1: I just came up with that, dude, I'm an improv god.

681
00:39:06,680 --> 00:39:09,880
Speaker 1: What was the one? What was it? Octa crocto crocodiles,

682
00:39:10,040 --> 00:39:13,320
Speaker 1: proctopus croctopus. I just want to remember, sail me a,

683
00:39:13,920 --> 00:39:16,880
Speaker 1: sail me a d Maybe you could extend it instead

684
00:39:16,880 --> 00:39:20,200
Speaker 1: of saying d M, just say I direct message that person, right,

685
00:39:20,400 --> 00:39:22,680
Speaker 1: what it actually is, you fucking nerd. That sounds a

686
00:39:22,680 --> 00:39:25,560
Speaker 1: little more well, that sounds old time. And you could say,

687
00:39:25,640 --> 00:39:29,399
Speaker 1: reach out via direct messages. Yeah, we we reached out

688
00:39:29,440 --> 00:39:32,480
Speaker 1: to each other via direct messages. What about Hey, do

689
00:39:32,560 --> 00:39:34,840
Speaker 1: you why don't you message me directly? There you go.

690
00:39:35,760 --> 00:39:39,000
Speaker 1: Do you think if you told them, told somebody like, hey,

691
00:39:39,280 --> 00:39:41,759
Speaker 1: will you just message me directly? Anyone would know what

692
00:39:41,880 --> 00:39:44,560
Speaker 1: the fun you're talking about? No, they absolutely wouldn't know.

693
00:39:44,600 --> 00:39:48,320
Speaker 1: I'm gonna start telling people to m D me slide

694
00:39:48,360 --> 00:39:51,040
Speaker 1: in my m D s m D, M me D

695
00:39:51,239 --> 00:39:56,920
Speaker 1: please m me D M my D bro d me

696
00:39:57,040 --> 00:39:59,760
Speaker 1: and m why don't you just M my D message

697
00:39:59,800 --> 00:40:05,239
Speaker 1: my I direct my M m M. We're on fire today, Yeah,

698
00:40:05,320 --> 00:40:08,000
Speaker 1: we are. We're coming on fire. This is a Sunday.

699
00:40:08,040 --> 00:40:11,879
Speaker 1: We're doing us on a Sunday. Ye pod nation, We're

700
00:40:12,160 --> 00:40:13,680
Speaker 1: it's a Sunday. At the end of the week, it's

701
00:40:13,719 --> 00:40:16,440
Speaker 1: a lying scared about tomorrow. Mondays. We got the Monday's

702
00:40:16,480 --> 00:40:19,440
Speaker 1: little early Monday. Oh god, what was it? What was

703
00:40:19,480 --> 00:40:24,240
Speaker 1: it called the Monday worries? What was scary Sunday? Scary

704
00:40:24,320 --> 00:40:36,600
Speaker 1: Sunday scary? We all have the Sunday scaries. Yeah, I've

705
00:40:36,600 --> 00:40:38,680
Speaker 1: been traveling all day. I just got in town about

706
00:40:38,680 --> 00:40:41,720
Speaker 1: it an hour ago. I just got back from Charleston.

707
00:40:41,800 --> 00:40:52,759
Speaker 1: I am back on the beach. Boy. They wrapped up

708
00:40:52,800 --> 00:40:56,000
Speaker 1: out there a good job, but wrapped it up by

709
00:40:56,120 --> 00:41:04,600
Speaker 1: just gimstone season teah noise. Yes, it's exciting. I's so tiring.

710
00:41:04,680 --> 00:41:07,479
Speaker 1: It was like a week of night shoots to wrap

711
00:41:07,560 --> 00:41:09,200
Speaker 1: it all up, and then I had to pack up

712
00:41:09,280 --> 00:41:11,799
Speaker 1: my house and get the hell out of there because

713
00:41:11,800 --> 00:41:14,000
Speaker 1: I gotta get married here in like two weeks. Man,

714
00:41:15,000 --> 00:41:17,160
Speaker 1: did you get emotional leaving the house? Like did you

715
00:41:17,600 --> 00:41:19,600
Speaker 1: have a connection with it? Or are you like fuck it?

716
00:41:20,440 --> 00:41:23,080
Speaker 1: It was too long and we were there for seven months,

717
00:41:23,320 --> 00:41:26,439
Speaker 1: so as no, no, I feel like if I would

718
00:41:26,480 --> 00:41:29,640
Speaker 1: have left after like, you know, like a three or

719
00:41:29,680 --> 00:41:32,359
Speaker 1: four months like season one, we were there for four

720
00:41:32,400 --> 00:41:34,680
Speaker 1: months and it felt like that was the right time

721
00:41:35,000 --> 00:41:37,520
Speaker 1: it right. I was like, oh man, I'm really gonna

722
00:41:37,560 --> 00:41:40,400
Speaker 1: miss it. Seven months away from your house. I'm like,

723
00:41:40,880 --> 00:41:45,120
Speaker 1: all right, dude. I mean I snapped a few photos

724
00:41:45,200 --> 00:41:46,880
Speaker 1: of like the nice view I had, and like the

725
00:41:46,920 --> 00:41:48,719
Speaker 1: photo of the house, and I was like, you know

726
00:41:49,000 --> 00:41:53,160
Speaker 1: you messaged me those directly places. Yeah, I DM, I'll

727
00:41:53,160 --> 00:41:58,719
Speaker 1: shoot you a d M. Right, Yeah, it's tough. I

728
00:41:58,880 --> 00:42:01,400
Speaker 1: just got up here to Toronto to work on Shadow

729
00:42:01,480 --> 00:42:05,359
Speaker 1: season three and I've been here for a week. I'm

730
00:42:05,600 --> 00:42:09,200
Speaker 1: ready to go back home. Wait already, I just I

731
00:42:09,320 --> 00:42:11,919
Speaker 1: don't really dig. I mean, once I get like ending,

732
00:42:12,120 --> 00:42:14,040
Speaker 1: I'll be like in it, you know what I mean.

733
00:42:14,239 --> 00:42:17,719
Speaker 1: So time will move a little faster. But did you

734
00:42:17,800 --> 00:42:21,560
Speaker 1: forget your oculas? I did for because that would happen. Yeah,

735
00:42:23,360 --> 00:42:27,439
Speaker 1: pretr oculus. Boy, you know what, the weather's fucking fire

736
00:42:27,520 --> 00:42:29,040
Speaker 1: out here right now. I've never been up here where

737
00:42:29,080 --> 00:42:31,800
Speaker 1: the weather is actually like shorts and t shirts. But

738
00:42:32,560 --> 00:42:35,920
Speaker 1: we're getting a little bit about Vancouver when it's pretty.

739
00:42:36,160 --> 00:42:39,560
Speaker 1: You're in Vancouver's at you said, I'm Toronto, Toronto, I'm

740
00:42:39,600 --> 00:42:41,560
Speaker 1: on the east coast, so like normally it's just like

741
00:42:41,960 --> 00:42:48,839
Speaker 1: fucking cold as a Kentucky as you can always can get. Dude,

742
00:42:49,400 --> 00:42:54,040
Speaker 1: damn you a long way from Kentucky. Stand by it,

743
00:42:54,200 --> 00:43:00,960
Speaker 1: stand by it. Earth shattering Popo's uh yeah, i know.

744
00:43:01,080 --> 00:43:03,799
Speaker 1: I'm just like, uh yeah, I feel the same way.

745
00:43:03,840 --> 00:43:05,680
Speaker 1: And I'm sure it's even harder for you, you know,

746
00:43:05,800 --> 00:43:09,680
Speaker 1: having like a young family and ship at home. Yeah,

747
00:43:09,760 --> 00:43:11,960
Speaker 1: with the sixth like saying goodbye, like my son, just

748
00:43:12,080 --> 00:43:13,759
Speaker 1: like I want to go with you, and I want

749
00:43:13,760 --> 00:43:15,719
Speaker 1: to go with you, and I'm like, dude, I want

750
00:43:15,800 --> 00:43:17,360
Speaker 1: you to roll with me. You gotta do like in

751
00:43:17,440 --> 00:43:20,239
Speaker 1: White Fang, where like he starts throwing rocks at the

752
00:43:20,280 --> 00:43:23,840
Speaker 1: wolf so it goes away. Oh yeah, those are the

753
00:43:23,880 --> 00:43:26,800
Speaker 1: best moments of any movie where it's to go on

754
00:43:26,960 --> 00:43:30,160
Speaker 1: get situations. Should make songs to like make it make

755
00:43:30,239 --> 00:43:33,719
Speaker 1: you leaving like a fun adventure for him. Yeah, my

756
00:43:33,880 --> 00:43:35,880
Speaker 1: dad used to do that. My dad used to go up.

757
00:43:36,040 --> 00:43:38,560
Speaker 1: Daddy's got to go to work to make a lot

758
00:43:38,680 --> 00:43:42,160
Speaker 1: of money so he can buy Barbie dods and baseball

759
00:43:42,280 --> 00:43:48,600
Speaker 1: cards for his then NAIs and then he go and

760
00:43:48,719 --> 00:43:51,000
Speaker 1: do like the Robin Williams doesn't know how to do

761
00:43:51,200 --> 00:43:54,040
Speaker 1: hip hop with with his handstands. That's why I never

762
00:43:54,120 --> 00:43:57,440
Speaker 1: fun with that guy. Yeah, from this downfire and he

763
00:43:57,480 --> 00:44:03,200
Speaker 1: would do that, and I'm like, well, fucking this sounds awesome.

764
00:44:03,200 --> 00:44:04,640
Speaker 1: You're gonna go away and then when you come back,

765
00:44:04,680 --> 00:44:07,000
Speaker 1: I'm gonna have like baseball cards. I like that. Very

766
00:44:07,280 --> 00:44:10,719
Speaker 1: very rarely brought me baseball cards. But again, I like that.

767
00:44:11,000 --> 00:44:14,640
Speaker 1: I like making songs for children to make them deal

768
00:44:14,719 --> 00:44:17,960
Speaker 1: with a hard situation better. I think. I think I'm

769
00:44:17,960 --> 00:44:20,520
Speaker 1: going to use all my pitch perfect skills to be

770
00:44:20,640 --> 00:44:24,400
Speaker 1: a song and dance man for these kids. Dad got fired.

771
00:44:24,600 --> 00:44:29,000
Speaker 1: Don't stop the music, music, Please don't stop the me

772
00:44:29,480 --> 00:44:35,000
Speaker 1: stop crying, Daddy, just stop up. We're gonna lose the

773
00:44:35,160 --> 00:44:45,520
Speaker 1: farm raid, Please stop crying. Daddy just got canceled from Halloween.

774
00:44:46,200 --> 00:44:52,520
Speaker 1: End up working. I overextended myself and the family. Up up,

775
00:44:53,760 --> 00:44:59,000
Speaker 1: good role, mom. We have too much overhead up. Need

776
00:44:59,080 --> 00:45:02,400
Speaker 1: to beat down the high choose pictures of my nipples.

777
00:45:02,520 --> 00:45:06,200
Speaker 1: At work did not go well. My accountant stole my money.

778
00:45:08,760 --> 00:45:12,440
Speaker 1: I lasted him with everything. Do you know who? Bernie Man?

779
00:45:13,120 --> 00:45:16,759
Speaker 1: We're living in our car now. This is a fun song.

780
00:45:17,600 --> 00:45:26,920
Speaker 1: What's you're sleeping in the backseat? I'm hunting squirrels for

781
00:45:27,040 --> 00:45:32,800
Speaker 1: horror food shower at the gym. I've said traps for

782
00:45:33,120 --> 00:45:38,440
Speaker 1: trap for rat ats, cooking them on the radiator. But

783
00:45:40,640 --> 00:45:49,160
Speaker 1: happy bub shorten the bugs. Things went down. Its caterpillar wins.

784
00:45:49,880 --> 00:45:54,200
Speaker 1: Caterpillar Wednesday. Just one of those days. Your daddy is

785
00:45:54,280 --> 00:46:07,920
Speaker 1: a freaking oh man. It ain't easy freaking up, freaking man,

786
00:46:08,200 --> 00:46:11,360
Speaker 1: I believe in freaking is umb? What is it? What

787
00:46:11,520 --> 00:46:13,560
Speaker 1: is free. I don't know what fruit, what does you eat?

788
00:46:13,640 --> 00:46:17,600
Speaker 1: What's free? Like out of a dumpster? Exactly, it's a

789
00:46:17,719 --> 00:46:22,640
Speaker 1: free lifestyle and it's called freakism. Is it's free? It's

790
00:46:22,680 --> 00:46:28,640
Speaker 1: just this is like a last man standing storyline for sure.

791
00:46:29,400 --> 00:46:34,080
Speaker 1: With the free I'm asking how to say it. I've

792
00:46:34,120 --> 00:46:35,960
Speaker 1: never heard this word before. You guys are acting like,

793
00:46:36,000 --> 00:46:38,640
Speaker 1: I'm so you know how people say vegan. You know,

794
00:46:39,160 --> 00:46:45,960
Speaker 1: you say bald bald? So this is freaking yeah, yeah, free, Okay,

795
00:46:47,160 --> 00:46:50,000
Speaker 1: thank you. You just had the isom to make it

796
00:46:50,080 --> 00:46:53,120
Speaker 1: seem more legit, which is what happened with you. I

797
00:46:53,200 --> 00:46:54,840
Speaker 1: said freaking is m and you're like, what is this?

798
00:46:55,280 --> 00:46:57,400
Speaker 1: Is it a real thing? Just a joke? Yeah? I

799
00:46:57,440 --> 00:46:59,239
Speaker 1: mean it's a real thing that's been said out loud.

800
00:47:00,080 --> 00:47:01,360
Speaker 1: Do you think I just came up with it right now?

801
00:47:01,680 --> 00:47:05,160
Speaker 1: Did you just think I'll buy that in the room? Uh?

802
00:47:06,000 --> 00:47:09,560
Speaker 1: People say it it's dumpster diving? What was did it

803
00:47:09,680 --> 00:47:13,160
Speaker 1: have a resurgence? Like? Why was that like even something

804
00:47:13,239 --> 00:47:19,680
Speaker 1: that was on our map? What is it? Swing dancing movement?

805
00:47:20,480 --> 00:47:23,280
Speaker 1: We're like, uh, we're you know. People are like, actually

806
00:47:23,400 --> 00:47:25,680
Speaker 1: I live by this. I get everything. You can get

807
00:47:25,760 --> 00:47:28,120
Speaker 1: everything from the dumps I think it was a thing,

808
00:47:28,320 --> 00:47:30,040
Speaker 1: you know, but you know, and then people are like

809
00:47:30,120 --> 00:47:32,800
Speaker 1: a lot of people got really sick. They're like, you

810
00:47:32,920 --> 00:47:35,239
Speaker 1: can't eat that, do not eat that? It was like

811
00:47:35,239 --> 00:47:37,480
Speaker 1: an episode of Vice News tonight or some ship and

812
00:47:37,560 --> 00:47:40,280
Speaker 1: that's about it. Yeah. Yeah, I mean there's definitely there's

813
00:47:40,360 --> 00:47:44,880
Speaker 1: definitely there's definitely something to it, like, yeah, you can

814
00:47:44,960 --> 00:47:48,040
Speaker 1: find a lot of great ship and dumpsters. There's something

815
00:47:48,160 --> 00:47:50,600
Speaker 1: to it, like forage. I just don't know if I

816
00:47:50,640 --> 00:47:54,360
Speaker 1: would like. I don't like how strict is freakingism? Like

817
00:47:55,040 --> 00:48:00,160
Speaker 1: how strict? Like can you buy anything like or not

818
00:48:00,280 --> 00:48:03,560
Speaker 1: if you're living that Freaganism lifestyle strict fagan Yeah, Like

819
00:48:03,719 --> 00:48:05,840
Speaker 1: how strict do they get? Yeah, if you're a strict

820
00:48:05,880 --> 00:48:10,200
Speaker 1: freagan you're not purchasing anything. I don't think zero zero

821
00:48:10,400 --> 00:48:15,800
Speaker 1: pain for anything. You get your electricity from the dumpsters, No,

822
00:48:15,920 --> 00:48:18,600
Speaker 1: you get your electricity from like the plugs that are

823
00:48:18,640 --> 00:48:20,959
Speaker 1: just chilling on somebody's wall. You just plug your phone

824
00:48:21,000 --> 00:48:23,080
Speaker 1: in for a little bit there. I believe freagani is

825
00:48:23,120 --> 00:48:26,600
Speaker 1: um is just eating. I believe. Really, do you think

826
00:48:26,640 --> 00:48:30,040
Speaker 1: it's a dietary thing, Well, it's if it's playing off

827
00:48:30,280 --> 00:48:33,680
Speaker 1: veganism to play on veganism. I think it's just trying

828
00:48:33,719 --> 00:48:37,040
Speaker 1: to eat. I never even thought about that. I don't know,

829
00:48:37,400 --> 00:48:39,920
Speaker 1: but I think that it's just about eating because now

830
00:48:39,960 --> 00:48:42,000
Speaker 1: because now you guys are all making up, I mean,

831
00:48:42,080 --> 00:48:45,439
Speaker 1: that makes the most sense and that's the grossest. Yeah,

832
00:48:45,480 --> 00:48:47,719
Speaker 1: I don't know. Well, yeah, because we were describing, like

833
00:48:48,000 --> 00:48:54,480
Speaker 1: we were starting to describe homelessness, I'm houselessness. Okay, yeah,

834
00:48:54,560 --> 00:49:01,520
Speaker 1: you don't. You can't say what you say Okay, sorry, okay,

835
00:49:01,680 --> 00:49:06,120
Speaker 1: too charged over here it's called free range human, organic

836
00:49:06,200 --> 00:49:09,040
Speaker 1: free But you can't. You cannot say homeless anymore. You

837
00:49:09,120 --> 00:49:12,160
Speaker 1: have to say free. Can you can't tell you can

838
00:49:12,239 --> 00:49:14,759
Speaker 1: say whatever you want, dude, that's true. Yeah, I just

839
00:49:14,920 --> 00:49:18,239
Speaker 1: I think homeless is out, and uh, organic free range

840
00:49:18,320 --> 00:49:22,680
Speaker 1: human is the new because it's because you know why,

841
00:49:25,440 --> 00:49:32,080
Speaker 1: organic free range human uncaged from uncaged human. It's because

842
00:49:32,120 --> 00:49:34,239
Speaker 1: like the staying home is where the heart is. So

843
00:49:34,360 --> 00:49:37,120
Speaker 1: you can't say homeless because you've got a heart that's beating,

844
00:49:37,200 --> 00:49:39,879
Speaker 1: you know what I mean. Why it's not cool. That's

845
00:49:39,880 --> 00:49:42,040
Speaker 1: how I interpret this. We do have to live by

846
00:49:42,120 --> 00:49:44,640
Speaker 1: that saying that is on a wooden sign in my

847
00:49:44,719 --> 00:49:47,640
Speaker 1: mom's house, right, But you have to live by every

848
00:49:47,680 --> 00:49:50,879
Speaker 1: wooden sign in my mom's as. I'm sorry you guys,

849
00:49:51,040 --> 00:49:53,520
Speaker 1: now that you've all been there, can it test. There's

850
00:49:53,520 --> 00:49:56,960
Speaker 1: a lot of signs. There's a lot of signs. I

851
00:49:57,040 --> 00:49:59,400
Speaker 1: gave your mama sign. I brought a sign to the

852
00:49:59,480 --> 00:50:01,480
Speaker 1: Betcher party. You did bring a sign. I want to

853
00:50:01,640 --> 00:50:06,239
Speaker 1: think what did the sign say? I know what it said? Yeah,

854
00:50:06,280 --> 00:50:08,880
Speaker 1: what was it? It was like it's wine something wine.

855
00:50:09,200 --> 00:50:15,960
Speaker 1: It was dinner plus wine equals winder equals pretty good. Hey,

856
00:50:16,239 --> 00:50:21,080
Speaker 1: pretty good? Yes, But no, I actually was really curious

857
00:50:21,120 --> 00:50:25,120
Speaker 1: about like what like saying homeless, Like why that became

858
00:50:25,160 --> 00:50:27,600
Speaker 1: an bad word because I know it is on housed now.

859
00:50:27,760 --> 00:50:31,879
Speaker 1: But yeah, yeah, I've never heard that in my life. Yeah,

860
00:50:32,000 --> 00:50:33,880
Speaker 1: that's that's what people are rolling with now. That's the

861
00:50:34,120 --> 00:50:38,440
Speaker 1: politically correct thing to what's cool is how Adam you

862
00:50:38,520 --> 00:50:41,200
Speaker 1: could be kind of sensitive about it. Okay, like you go,

863
00:50:41,480 --> 00:50:44,040
Speaker 1: I've never heard that in my life. I mean I've

864
00:50:44,120 --> 00:50:47,640
Speaker 1: never heard that ever. I've never even that you've been working.

865
00:50:47,680 --> 00:50:50,880
Speaker 1: You've been working, You've been working. He's been working. I

866
00:50:51,000 --> 00:50:53,400
Speaker 1: haven't been in Los Angeles in a long time, and

867
00:50:53,600 --> 00:50:55,839
Speaker 1: over over half a year. It's just some new ship.

868
00:50:55,880 --> 00:50:59,880
Speaker 1: I'm catching them back freakanism and on housed that's right,

869
00:51:00,080 --> 00:51:05,279
Speaker 1: welcome back. Also unhoused the exact same as homeless. Yeah,

870
00:51:05,400 --> 00:51:08,360
Speaker 1: no it's not though it's not. I mean I'm not

871
00:51:11,080 --> 00:51:13,400
Speaker 1: it is. It's like saying like it goes back to

872
00:51:13,440 --> 00:51:15,600
Speaker 1: sliding the d M s. It's just a we're trying

873
00:51:15,640 --> 00:51:19,600
Speaker 1: to change it a little bit. Yeah, it has negative connotations,

874
00:51:20,920 --> 00:51:24,640
Speaker 1: just a different spin. Homeless means you're without a home.

875
00:51:25,600 --> 00:51:29,040
Speaker 1: On means you you don't have that, don't have a house.

876
00:51:29,440 --> 00:51:32,400
Speaker 1: A house, not a home a house. Those are two

877
00:51:32,480 --> 00:51:35,360
Speaker 1: different things. I mean, that's can who No, they're not

878
00:51:35,560 --> 00:51:39,200
Speaker 1: not to me, right Okay, yeah, well but that's what

879
00:51:39,400 --> 00:51:43,160
Speaker 1: that's what we have to Uh, we have to realize

880
00:51:43,200 --> 00:51:46,840
Speaker 1: that we're so charged. That's what we're supposed to be

881
00:51:46,960 --> 00:51:51,200
Speaker 1: realizing right now. A home is where you hang your hat,

882
00:51:52,000 --> 00:51:54,120
Speaker 1: you know what I mean? A house that is where

883
00:51:54,120 --> 00:51:56,200
Speaker 1: you hang your hat. No like, but you can hang

884
00:51:56,280 --> 00:51:59,680
Speaker 1: your hat in places that aren't houses. That's what I'm saying.

885
00:51:59,719 --> 00:52:03,200
Speaker 1: What tree, Well, sure, yeah, yes, you can put a

886
00:52:03,239 --> 00:52:05,600
Speaker 1: hook anywhere and call that your home, but you can't

887
00:52:05,640 --> 00:52:08,520
Speaker 1: call it a house. Hang on, I'm not gonna say this.

888
00:52:08,760 --> 00:52:11,960
Speaker 1: I'll say this. It's not any of our producers. But

889
00:52:12,080 --> 00:52:15,680
Speaker 1: we have someone in our chat who's going drug addicts

890
00:52:15,760 --> 00:52:19,480
Speaker 1: now called a substance use disorder. Hey, we're not trying

891
00:52:19,520 --> 00:52:23,359
Speaker 1: to pile on people here, Okay, we're not going after

892
00:52:23,440 --> 00:52:25,800
Speaker 1: people changing the word. He's like, you can't call it

893
00:52:25,800 --> 00:52:28,320
Speaker 1: anything what it was. We're not doing that. Just so,

894
00:52:28,400 --> 00:52:31,439
Speaker 1: I got talking about this one thing of homeless versus

895
00:52:31,600 --> 00:52:35,719
Speaker 1: unhoused and what the connotations are sure, because to me, yeah,

896
00:52:35,840 --> 00:52:38,560
Speaker 1: I mean I don't know. I didn't see homeless as

897
00:52:38,640 --> 00:52:41,120
Speaker 1: likes something mean to say. But when you say, like

898
00:52:41,440 --> 00:52:45,879
Speaker 1: other places can be homes that aren't houses, that makes

899
00:52:45,920 --> 00:52:48,520
Speaker 1: sense to me. Yeah, all right, but the but but

900
00:52:48,680 --> 00:52:51,799
Speaker 1: but like there's a ton of people who don't live

901
00:52:51,840 --> 00:52:55,080
Speaker 1: in houses either, And so what about those people who

902
00:52:55,120 --> 00:52:57,920
Speaker 1: live in apartments or condos. We're just saying they you know,

903
00:52:58,000 --> 00:53:01,879
Speaker 1: they live in apartment apartments or condos or trailers. Are

904
00:53:01,960 --> 00:53:05,560
Speaker 1: they unhoused? Yeah? Well, well that's what I'm saying, the

905
00:53:05,640 --> 00:53:09,040
Speaker 1: semantics of it. I mean, my uncle was homeless or unhoused,

906
00:53:09,320 --> 00:53:11,600
Speaker 1: and uh, he just said he was camping for like

907
00:53:12,040 --> 00:53:16,480
Speaker 1: three years there. He was like, I'm camping in our

908
00:53:16,560 --> 00:53:19,319
Speaker 1: driveway there you go. We were like, are you still

909
00:53:19,560 --> 00:53:21,919
Speaker 1: camping under the bridge. He's like, yeah, I'm camping there

910
00:53:22,040 --> 00:53:24,399
Speaker 1: down still for a while. I've been camping for a while.

911
00:53:25,680 --> 00:53:30,080
Speaker 1: I love camping. Calling fucking campers. Yeah, that's kind of cool. Yeah,

912
00:53:30,480 --> 00:53:33,959
Speaker 1: urban campers, urban campers, that's not bad at all. Urban

913
00:53:34,040 --> 00:53:36,960
Speaker 1: campers is a way cooler term than on cells in

914
00:53:37,040 --> 00:53:39,640
Speaker 1: the room. That right there, right there, that's it. I'm

915
00:53:39,880 --> 00:53:42,040
Speaker 1: sci fi. All right, Well that might be too that

916
00:53:42,200 --> 00:53:44,640
Speaker 1: damn been back for seven months and I come back,

917
00:53:44,760 --> 00:53:48,840
Speaker 1: swing and give me enough fucking uh the room City Council.

918
00:53:48,920 --> 00:53:52,880
Speaker 1: So there's some urban campers at the base of this volcano,

919
00:53:53,239 --> 00:53:57,800
Speaker 1: and all of a sudden, beavers, weavers shoot out start

920
00:53:57,880 --> 00:54:01,680
Speaker 1: coming out of the volcanoes. All Kane to Beaver. We

921
00:54:01,880 --> 00:54:08,200
Speaker 1: call it vault Kane to Beaver. Quest one, Unhoused Quest one,

922
00:54:09,120 --> 00:54:13,880
Speaker 1: everybody believes one. You're setting yourself self up for the

923
00:54:13,960 --> 00:54:18,960
Speaker 1: sequels that have to Yeah, you have to because everything's commercial.

924
00:54:19,120 --> 00:54:23,799
Speaker 1: Man always pitched something with quest one. Yeah question. Well,

925
00:54:23,880 --> 00:54:26,239
Speaker 1: that's that's like with Game over Man. We never really

926
00:54:26,320 --> 00:54:28,920
Speaker 1: intended on doing a sequel, but we made sure that

927
00:54:29,120 --> 00:54:33,040
Speaker 1: we had the option. Absolutely the door is open to

928
00:54:33,239 --> 00:54:36,160
Speaker 1: keep those doors open for as many sequels as possible.

929
00:54:36,600 --> 00:54:40,839
Speaker 1: We even named it right, yeah, game game Overboard. Yeah,

930
00:54:41,560 --> 00:54:43,439
Speaker 1: and then we I we talked about doing a third

931
00:54:43,480 --> 00:54:46,640
Speaker 1: one called game over Mom, where like the boat ends

932
00:54:46,719 --> 00:54:52,560
Speaker 1: up crashing into Jamaica. Yeah, and we get shag. Never

933
00:54:52,719 --> 00:54:56,520
Speaker 1: made the sequel, but we had the one third one

934
00:54:56,680 --> 00:55:00,520
Speaker 1: name Netflix is like cute, hey guy, spreit. Can we

935
00:55:00,600 --> 00:55:03,319
Speaker 1: promise that every movie that we do together. We ended

936
00:55:03,400 --> 00:55:08,080
Speaker 1: with it's a possible sequel. Absolutely, Yeah, as long as

937
00:55:08,160 --> 00:55:14,359
Speaker 1: it as long as Overboard is in the sea, that's good.

938
00:55:14,840 --> 00:55:17,960
Speaker 1: That's a really good. Uh package, are you guys freaking

939
00:55:18,160 --> 00:55:22,200
Speaker 1: Game over Man, Game Overboard, Game over Mom. That's a

940
00:55:22,400 --> 00:55:27,080
Speaker 1: huge game, dude, Oh it was Game over Mom. No,

941
00:55:27,480 --> 00:55:29,960
Speaker 1: but that that's comes, that comes. I was buying that

942
00:55:30,080 --> 00:55:32,520
Speaker 1: in the room. Now. That's that's the straight to DVD.

943
00:55:32,680 --> 00:55:34,719
Speaker 1: Fourth one that none of us are in. Yeah, that's

944
00:55:34,760 --> 00:55:38,200
Speaker 1: the lower budget one. Yeah, that goes like a Lifetime

945
00:55:38,239 --> 00:55:41,160
Speaker 1: movie of the Week. Yeah, where like this mom has

946
00:55:41,200 --> 00:55:43,839
Speaker 1: to fucking like learn how to play video games. Yeah

947
00:55:43,880 --> 00:55:47,800
Speaker 1: she's she's like she's a bromm. Yeah, it's the story,

948
00:55:47,880 --> 00:55:50,680
Speaker 1: the true story of a bro mom. Yeah. Yeah, after

949
00:55:50,760 --> 00:55:52,680
Speaker 1: I put the kids to bed, I just go right

950
00:55:52,760 --> 00:55:55,919
Speaker 1: into modern warfare and just tear ship out. There's gotta

951
00:55:55,920 --> 00:55:58,719
Speaker 1: be a mom who does that, right, Oh, absolutely, I hope.

952
00:55:58,760 --> 00:56:01,920
Speaker 1: So for sure there was a this is weird. I

953
00:56:02,000 --> 00:56:04,399
Speaker 1: was just in the Dallas Airport earlier today and there

954
00:56:04,480 --> 00:56:08,359
Speaker 1: was a full on gaming lounge like that you could.

955
00:56:08,560 --> 00:56:10,239
Speaker 1: I didn't have time to go like check it out,

956
00:56:10,280 --> 00:56:12,320
Speaker 1: but it was like cool. There was like lights and

957
00:56:12,360 --> 00:56:14,960
Speaker 1: then there's like comfy chairs that you could just pay

958
00:56:15,040 --> 00:56:18,320
Speaker 1: and just go game. That's amazing. And they had like

959
00:56:18,520 --> 00:56:21,160
Speaker 1: wrap around screens with like Call of Duty and ship

960
00:56:21,320 --> 00:56:24,000
Speaker 1: on it. It was nuts. I was like, what a smart,

961
00:56:24,120 --> 00:56:28,000
Speaker 1: genius idea for the airport. It's it's becoming apparent that

962
00:56:28,239 --> 00:56:31,279
Speaker 1: l A X is the worst fucking airport l A.

963
00:56:32,160 --> 00:56:34,600
Speaker 1: I go to other airports and I'm like, wow, like

964
00:56:34,719 --> 00:56:36,920
Speaker 1: what the fund is this? I know, let's talk about

965
00:56:37,040 --> 00:56:41,960
Speaker 1: some crappy airports. They're redoing it. They're redoing it. The

966
00:56:42,360 --> 00:56:46,400
Speaker 1: new Delta wing or whatever they call it. Terminal. Uh,

967
00:56:48,320 --> 00:56:51,680
Speaker 1: it's awesome. I love it. You know. The terminal is

968
00:56:51,920 --> 00:56:55,319
Speaker 1: is pretty sick. They're doing some sick things over there

969
00:56:55,360 --> 00:57:08,520
Speaker 1: in l A sick Delta worst. I mean when I

970
00:57:08,680 --> 00:57:11,000
Speaker 1: was out when I got off up here in Toronto.

971
00:57:11,640 --> 00:57:14,120
Speaker 1: I was pretty stoked because they fucking I needed some

972
00:57:14,280 --> 00:57:19,880
Speaker 1: papers and a lighter. Rule it day. It was like

973
00:57:20,160 --> 00:57:22,400
Speaker 1: it was fucking like the eleven thirty twelve o'clock and

974
00:57:22,400 --> 00:57:25,200
Speaker 1: I'm like, dude, get them what's up? Maybe no, I'm sorry.

975
00:57:25,200 --> 00:57:29,600
Speaker 1: It was three in the morning, and I'm like, okay,

976
00:57:30,560 --> 00:57:33,360
Speaker 1: and then I'm walking out by the baggage. I guess

977
00:57:33,400 --> 00:57:36,680
Speaker 1: when I say a fucking seven eleven right there, get

978
00:57:36,840 --> 00:57:42,440
Speaker 1: them stop. Yeah, it was a seven eleven in the

979
00:57:42,520 --> 00:57:47,120
Speaker 1: airport with guess what papers and also lighters. Bro, Like,

980
00:57:47,440 --> 00:57:49,960
Speaker 1: can you do me a favorite and add just a

981
00:57:50,080 --> 00:57:52,760
Speaker 1: little bit more to that womp um gangum style? You're

982
00:57:52,760 --> 00:57:55,400
Speaker 1: getting me so jazz for it. I want to hear it.

983
00:57:55,880 --> 00:57:58,080
Speaker 1: You can't just say womp up Gangum style and hit

984
00:57:58,200 --> 00:58:04,560
Speaker 1: the first hit and then we bail me hear it? Yeah, yeah,

985
00:58:04,680 --> 00:58:06,800
Speaker 1: well you want to hear the whole goddamn song. I

986
00:58:06,880 --> 00:58:09,920
Speaker 1: don't know. I feel like we need won't won't won't

987
00:58:10,040 --> 00:58:12,440
Speaker 1: and then cut out. I just like the Womps was like,

988
00:58:12,480 --> 00:58:14,400
Speaker 1: I don't think we need anymore. I don't think we

989
00:58:14,440 --> 00:58:16,280
Speaker 1: need any more. You think that's enough. I feel like

990
00:58:16,400 --> 00:58:18,520
Speaker 1: I think it's perfect. That's like when the when you're

991
00:58:18,600 --> 00:58:20,960
Speaker 1: dancing and then all of a sudden, it's like the

992
00:58:21,040 --> 00:58:23,920
Speaker 1: best part of the song and fucking Aco and a

993
00:58:24,000 --> 00:58:27,840
Speaker 1: t but changed the song on us and we're like, oh, oh,

994
00:58:28,040 --> 00:58:31,080
Speaker 1: we love that, but we were so excited for that part. Well.

995
00:58:31,120 --> 00:58:35,400
Speaker 1: I also pulled the um the Kids Bop version. Okay,

996
00:58:35,520 --> 00:58:41,360
Speaker 1: let's hear that. Oh yeah, I was actually way scary

997
00:58:41,520 --> 00:58:48,040
Speaker 1: beautiful that. Why did they do that? Who's seen that? Children?

998
00:58:48,400 --> 00:58:50,840
Speaker 1: What if you were sleeping and you heard that from outside?

999
00:58:51,600 --> 00:58:55,080
Speaker 1: That would be the scariest. That is a horror movie.

1000
00:58:57,280 --> 00:59:00,080
Speaker 1: That would sell in the room, That would sell on

1001
00:59:00,160 --> 00:59:03,000
Speaker 1: the room. A bunch of kids can't stop singing, womp

1002
00:59:03,040 --> 00:59:07,240
Speaker 1: them gangum style, Adam, that's the sound of the beavers.

1003
00:59:10,320 --> 00:59:17,880
Speaker 1: That's the sound of the beavers. Bro, Bro, Bro, the beavers.

1004
00:59:18,400 --> 00:59:21,080
Speaker 1: It is a strange call. Kids Bop is a cult.

1005
00:59:21,520 --> 00:59:27,280
Speaker 1: Be careful what your kids are listening to. You don't

1006
00:59:27,360 --> 00:59:30,160
Speaker 1: don't go after I mean, they'll see these are so good.

1007
00:59:31,760 --> 00:59:34,520
Speaker 1: I feel like it's a noble thing. It's noble, right,

1008
00:59:34,600 --> 00:59:37,600
Speaker 1: isn't it noble? But I don't know. Well, you guys

1009
00:59:37,680 --> 00:59:39,600
Speaker 1: got that thing I sent you of jaw Rule and

1010
00:59:39,920 --> 00:59:42,800
Speaker 1: j Lo the Flipping that I'm real. I didn't see this.

1011
00:59:42,960 --> 00:59:44,880
Speaker 1: I didn't see it. Where where did you send that?

1012
00:59:45,040 --> 00:59:46,960
Speaker 1: It's just some guy with a deep voice trying to

1013
00:59:47,040 --> 00:59:50,240
Speaker 1: be job Rules. So kids bop on the early early ones,

1014
00:59:50,280 --> 00:59:53,040
Speaker 1: it might be like either number six or something they're

1015
00:59:53,120 --> 00:59:55,480
Speaker 1: up to like I love your down little kid Bob

1016
00:59:55,880 --> 00:59:59,640
Speaker 1: wormhole over there. There's like twenty seven kid bops now,

1017
00:59:59,760 --> 01:00:02,920
Speaker 1: but number six has like I'm real, you know, the

1018
01:00:03,040 --> 01:00:10,280
Speaker 1: j LO and so Instead. In the early kid bops,

1019
01:00:10,520 --> 01:00:13,240
Speaker 1: kids weren't the ones singing the songs. It was just

1020
01:00:13,760 --> 01:00:16,880
Speaker 1: songs made for kids, like edited and stuff. So they

1021
01:00:17,000 --> 01:00:19,760
Speaker 1: just got this guy who kind of doesn't sound like

1022
01:00:19,880 --> 01:00:23,560
Speaker 1: jaw Rule at all, and he's just like, watch my name,

1023
01:00:24,000 --> 01:00:28,840
Speaker 1: it's just Adam's dad. It's incredible. It's so worth a listen.

1024
01:00:29,160 --> 01:00:31,920
Speaker 1: It's one of the funnier things you can do for yourself.

1025
01:00:32,320 --> 01:00:34,880
Speaker 1: And we're gonna play it right now. Thank you God,

1026
01:00:35,360 --> 01:00:37,720
Speaker 1: and we're back. And we're back. I hope you enjoyed that.

1027
01:00:38,080 --> 01:00:42,000
Speaker 1: Thank you God, and he take back some apologies. Give

1028
01:00:42,040 --> 01:00:49,280
Speaker 1: away boy. Today was a slow burn. Um, let's think

1029
01:00:49,400 --> 01:00:53,160
Speaker 1: back right now. Well, I would I would like to

1030
01:00:53,760 --> 01:00:57,120
Speaker 1: compliment all of us for each off the top of

1031
01:00:57,280 --> 01:01:04,120
Speaker 1: the dome coming up with legit fire movie ideas. Absolutely absolutely, Uh,

1032
01:01:04,560 --> 01:01:10,440
Speaker 1: alligator pussy or whatever? Did you just make that up?

1033
01:01:10,640 --> 01:01:12,760
Speaker 1: Did you just make that up? I just made that out.

1034
01:01:13,120 --> 01:01:17,600
Speaker 1: I just made that up. That's the sequence. Chrocot No, dude,

1035
01:01:17,680 --> 01:01:20,160
Speaker 1: fucking chroctopus. You can't funk with the chroctopus. There's an

1036
01:01:20,160 --> 01:01:23,040
Speaker 1: alligator out there with a pussy. That's a good one. Actually,

1037
01:01:23,200 --> 01:01:27,320
Speaker 1: that one, actually alligator pussy. Hit up my management. Hey,

1038
01:01:27,520 --> 01:01:30,480
Speaker 1: don't take away from volcano to beaver, dude, No, no, no,

1039
01:01:30,720 --> 01:01:34,360
Speaker 1: that's volcano. Pever's got to be introduced in the second

1040
01:01:34,520 --> 01:01:37,840
Speaker 1: pe Crocto chroctopus. So it's like the only thing that

1041
01:01:37,920 --> 01:01:41,200
Speaker 1: can save us from the chroctopus. We're building a world

1042
01:01:41,520 --> 01:01:44,600
Speaker 1: quest one question like Godzilla verse can come. So it's

1043
01:01:44,640 --> 01:01:53,919
Speaker 1: chroctopus attack of the zomb divivers. It's so it rolls

1044
01:01:54,000 --> 01:01:55,720
Speaker 1: off the tongue so much so that you have to

1045
01:01:55,840 --> 01:01:58,160
Speaker 1: really think about how to say it. Question, have you

1046
01:01:58,280 --> 01:02:01,200
Speaker 1: darned dumped the volcano part? But you're not doing that anymore.

1047
01:02:01,200 --> 01:02:04,160
Speaker 1: It's a zombie now, oh right, volcaneo beaverss What did

1048
01:02:04,200 --> 01:02:07,959
Speaker 1: I say? I think zombie beavers is an actual movie

1049
01:02:08,440 --> 01:02:11,520
Speaker 1: zomb Beavers. Is that? Yeah, yeah, we know the guys

1050
01:02:11,560 --> 01:02:17,200
Speaker 1: Jordan Rubin directed. Yeah, yeah, yeah, we definitely just ripped that. Sorry, Jordans,

1051
01:02:17,200 --> 01:02:22,640
Speaker 1: I meant Volcane to Beavers. Great movie. So your apology

1052
01:02:22,800 --> 01:02:26,560
Speaker 1: is to Jordan's. My apology is to Jordan to reprove

1053
01:02:26,720 --> 01:02:31,040
Speaker 1: it for stealing his zombievers. But that being said, uh,

1054
01:02:31,520 --> 01:02:33,880
Speaker 1: if they came out of that, they weren't zombies and

1055
01:02:33,920 --> 01:02:36,360
Speaker 1: they were just actual molten beavers that came out of

1056
01:02:36,400 --> 01:02:39,320
Speaker 1: a volcano. Yeah, it's that's maybe maybe a better movie.

1057
01:02:39,360 --> 01:02:42,919
Speaker 1: I don't know, Maybe I don't know. Yeah, we'll see, Hey,

1058
01:02:43,120 --> 01:02:45,480
Speaker 1: we'll see in the room croc to Pussy. That's why

1059
01:02:45,520 --> 01:02:48,360
Speaker 1: you said alligator pussy. Huh because croc to Pussy. I

1060
01:02:48,520 --> 01:02:54,960
Speaker 1: like alligator totally ship that sells in the room. That's

1061
01:02:55,000 --> 01:02:58,080
Speaker 1: a one to punch. We like alligators. We like pussy.

1062
01:02:58,560 --> 01:03:00,320
Speaker 1: By the way, I love the idea of us going

1063
01:03:00,360 --> 01:03:02,840
Speaker 1: into pitch it and Kyle being like, and it's called

1064
01:03:03,000 --> 01:03:08,280
Speaker 1: alligator post like Nope, no, sorry, nope, it's called octagator

1065
01:03:08,400 --> 01:03:11,320
Speaker 1: or whatever the funny it was. It's called zomb zomb

1066
01:03:11,480 --> 01:03:16,000
Speaker 1: beavers from March. No, no, no, that's already spoke that's

1067
01:03:16,000 --> 01:03:21,520
Speaker 1: a movie. Um m m, I guess what my shout out,

1068
01:03:21,520 --> 01:03:25,800
Speaker 1: I'll just read you brought you brought up Norm McDonald. Dude,

1069
01:03:25,920 --> 01:03:30,240
Speaker 1: R I p that legend. It's definitely worth going through.

1070
01:03:30,520 --> 01:03:33,760
Speaker 1: Like his old stand up in appearances, he was very

1071
01:03:33,920 --> 01:03:38,080
Speaker 1: watching so much of his um his latest like Norm

1072
01:03:38,160 --> 01:03:42,400
Speaker 1: McDonald has a show just yeah, he's just interviewing people

1073
01:03:42,440 --> 01:03:45,720
Speaker 1: and it's just so raw and like fucking awesome. To

1074
01:03:45,840 --> 01:03:49,000
Speaker 1: the pilot. It's him in superb and the homie Adam

1075
01:03:49,080 --> 01:03:54,080
Speaker 1: Eagert is his co host. Yes, that's dope. I have

1076
01:03:54,240 --> 01:03:56,320
Speaker 1: not tapped into that yet, but I will definitely check

1077
01:03:56,320 --> 01:03:58,280
Speaker 1: it out. It's on Netflix. Who never watched the first

1078
01:03:58,360 --> 01:04:02,920
Speaker 1: episode with a super Dave? It's so good? No, oh

1079
01:04:03,080 --> 01:04:05,440
Speaker 1: you sent that to us? Yeah I did. It's so

1080
01:04:05,600 --> 01:04:08,320
Speaker 1: good because he's just like this is bad the whole time.

1081
01:04:08,360 --> 01:04:10,600
Speaker 1: He's like, you can't be doing his jokes are bad?

1082
01:04:11,200 --> 01:04:13,280
Speaker 1: Wait what is this now? I didn't watch this one

1083
01:04:13,800 --> 01:04:16,200
Speaker 1: and didn't he did one with like Sandler and he

1084
01:04:16,720 --> 01:04:19,360
Speaker 1: kept like apologizing for how bad the show is, and

1085
01:04:19,440 --> 01:04:21,280
Speaker 1: sant I was like, you're you'll figure it out, man,

1086
01:04:21,400 --> 01:04:24,680
Speaker 1: You're gonna get it. Yeah, there was a cool clip

1087
01:04:24,800 --> 01:04:26,560
Speaker 1: that somebody sent to He must have been doing some

1088
01:04:26,840 --> 01:04:31,320
Speaker 1: roast or something where he like we were Yeah, I

1089
01:04:31,360 --> 01:04:34,200
Speaker 1: think we were on the rod. He like they threw

1090
01:04:34,280 --> 01:04:36,960
Speaker 1: to him after us, and I don't know. He says workholics,

1091
01:04:36,960 --> 01:04:40,200
Speaker 1: So I was pretty hyped. Oh that's tight, very cool. Yeah.

1092
01:04:40,920 --> 01:04:43,560
Speaker 1: I got to open up for him a handful of

1093
01:04:43,640 --> 01:04:46,520
Speaker 1: times way back in the day before we got Workaholics,

1094
01:04:46,720 --> 01:04:49,480
Speaker 1: and uh, he was just the nicest guy, man. Yeah,

1095
01:04:49,560 --> 01:04:51,760
Speaker 1: that's what everybody said. He was just like just a

1096
01:04:52,000 --> 01:04:55,920
Speaker 1: very funny, very cool guy, like no pretension. Didn't think

1097
01:04:55,960 --> 01:04:57,680
Speaker 1: he was like the hot shit or anything, you know,

1098
01:04:57,840 --> 01:05:00,960
Speaker 1: just just was so cool, glad and a p him.

1099
01:05:01,280 --> 01:05:02,840
Speaker 1: I wish we would have gave him flowers when he

1100
01:05:02,920 --> 01:05:06,800
Speaker 1: was alive. Fucking we're blowing him man. Yeah, I had

1101
01:05:06,840 --> 01:05:10,280
Speaker 1: a weird story. I actually gave him flowers one time. Really,

1102
01:05:10,560 --> 01:05:17,160
Speaker 1: that's a that's a Norm joke. I was wondering. So

1103
01:05:17,360 --> 01:05:20,440
Speaker 1: like a guy like Norm right, by all stand ups accounts,

1104
01:05:20,720 --> 01:05:22,800
Speaker 1: he's the best, right, not like the best like m

1105
01:05:23,080 --> 01:05:25,600
Speaker 1: Richard Pryor style, but like stand up stand up everybody

1106
01:05:25,640 --> 01:05:29,440
Speaker 1: loves him, respects and reveres him. But also like was

1107
01:05:29,560 --> 01:05:33,919
Speaker 1: not like a super success story. Right, So I'm wondering if,

1108
01:05:34,560 --> 01:05:37,040
Speaker 1: back to what we were talking about earlier, if you're

1109
01:05:37,160 --> 01:05:40,080
Speaker 1: not a huge success who's in like a fucking Toyota

1110
01:05:40,120 --> 01:05:44,720
Speaker 1: commercial or whatever, do young people still funk with you

1111
01:05:45,280 --> 01:05:48,040
Speaker 1: if you're like not. We talked about selling out, like

1112
01:05:48,080 --> 01:05:50,080
Speaker 1: this is a guy who I imagine never sold that,

1113
01:05:50,160 --> 01:05:52,360
Speaker 1: Like even when he was on SNL. They're like, hey,

1114
01:05:52,400 --> 01:05:55,320
Speaker 1: you gotta stop doing a o J jokes. The owner

1115
01:05:55,400 --> 01:05:58,040
Speaker 1: of NBC Fox with o J and he was like

1116
01:05:58,960 --> 01:06:01,680
Speaker 1: and he got fired for doing too many o J jokes.

1117
01:06:02,480 --> 01:06:03,920
Speaker 1: He was like, funk that. I'm not doing this. I'm

1118
01:06:03,920 --> 01:06:06,960
Speaker 1: not working for the man. This is my art. Do

1119
01:06:07,640 --> 01:06:10,800
Speaker 1: does that resonate anymore with anybody? Yeah? They're like, why

1120
01:06:10,880 --> 01:06:14,040
Speaker 1: are you why? Why don't you want to just get

1121
01:06:14,080 --> 01:06:17,000
Speaker 1: all the sponsors? That resonates, I mean it resonates with

1122
01:06:17,080 --> 01:06:19,400
Speaker 1: me as an artist. I don't know about I don't

1123
01:06:19,440 --> 01:06:22,000
Speaker 1: know your your damn near forty, homie. We're talking about

1124
01:06:22,040 --> 01:06:24,120
Speaker 1: these like little sixteen year olds. You're old. I'm talking

1125
01:06:24,120 --> 01:06:27,840
Speaker 1: about youngsters. You're about as far from young as Kentucky.

1126
01:06:30,840 --> 01:06:33,320
Speaker 1: I'm saying, I don't know, I don't know. No, I

1127
01:06:33,440 --> 01:06:36,200
Speaker 1: bet it will come back around I think I'm waiting thinking.

1128
01:06:36,240 --> 01:06:37,920
Speaker 1: That's what I was thinking watching the MTV Awards. I

1129
01:06:38,000 --> 01:06:40,200
Speaker 1: was like, who's gonna be like, funk all this noise.

1130
01:06:40,280 --> 01:06:42,160
Speaker 1: I'm not doing it for all this Oh so you

1131
01:06:42,280 --> 01:06:45,960
Speaker 1: were Frank Ocean kind of does. Yeah, But that's my

1132
01:06:46,040 --> 01:06:47,680
Speaker 1: point is that he did it, and then he kind

1133
01:06:47,720 --> 01:06:49,680
Speaker 1: of pieced out and people are like, not really on

1134
01:06:49,800 --> 01:06:53,439
Speaker 1: that wave anymore. He's still good, he's not as successful. Yeah,

1135
01:06:53,680 --> 01:06:56,160
Speaker 1: it's hard. It's hard. Well, you reach a point where, yeah,

1136
01:06:56,480 --> 01:06:59,000
Speaker 1: you definitely do reach a crossroads where you're I'm sure

1137
01:06:59,160 --> 01:07:03,480
Speaker 1: almost every I mean, anybody who's lucky enough to be

1138
01:07:03,720 --> 01:07:05,880
Speaker 1: up in the mix probably hits a point where they're like,

1139
01:07:06,000 --> 01:07:09,240
Speaker 1: funk that, No, I'm going this way. Well, all it

1140
01:07:09,320 --> 01:07:12,800
Speaker 1: takes is for a group of really cool, influential people

1141
01:07:12,880 --> 01:07:15,240
Speaker 1: to be like, yo, that kind of ship is lame

1142
01:07:15,240 --> 01:07:18,040
Speaker 1: because right now it's all green lights. Everybody who's cool

1143
01:07:18,120 --> 01:07:21,800
Speaker 1: is like companies like sellout, we're getting money, and that's

1144
01:07:21,800 --> 01:07:24,400
Speaker 1: who the coolest kids are. The coolest kids are exact

1145
01:07:24,480 --> 01:07:27,120
Speaker 1: and they're like, yeah, no, funk that ship. But real quick,

1146
01:07:27,240 --> 01:07:30,320
Speaker 1: let's do this comb your hair forward and then let's

1147
01:07:30,360 --> 01:07:34,240
Speaker 1: do this TikTok dance. Yeo, those are out of control

1148
01:07:34,720 --> 01:07:37,720
Speaker 1: the like and by the way, the Germans hot these hot?

1149
01:07:38,200 --> 01:07:41,280
Speaker 1: Who has this many hot friends? Dude, it's seven hot

1150
01:07:41,360 --> 01:07:44,440
Speaker 1: guys in a row, just super hot, seven guys in

1151
01:07:44,480 --> 01:07:47,560
Speaker 1: a row, just like I mean, in what world if

1152
01:07:47,720 --> 01:07:49,600
Speaker 1: you don't have one weird looking friend like this is

1153
01:07:49,640 --> 01:07:53,080
Speaker 1: where the generational shift happened, where like even good looking

1154
01:07:53,160 --> 01:07:56,840
Speaker 1: guys like when we were kids would not get together

1155
01:07:57,040 --> 01:08:00,040
Speaker 1: and dance and film it and show what you know

1156
01:08:00,080 --> 01:08:02,200
Speaker 1: what I mean that would never wait, what do you mean,

1157
01:08:03,200 --> 01:08:08,440
Speaker 1: wouldn't show people? We would dance in filming together just

1158
01:08:08,720 --> 01:08:12,560
Speaker 1: as a choreograph thing that we're at like a slumber party.

1159
01:08:13,080 --> 01:08:15,680
Speaker 1: But we're not showing people we grew up in like

1160
01:08:15,880 --> 01:08:20,439
Speaker 1: boy band era like you know. But but to Adam's point,

1161
01:08:20,600 --> 01:08:22,759
Speaker 1: we weren't. Like that wasn't a way to get girls.

1162
01:08:22,840 --> 01:08:25,280
Speaker 1: And apparently it's a way to get girls now. Bro,

1163
01:08:25,479 --> 01:08:27,600
Speaker 1: if you were in the back doing some fucking in

1164
01:08:27,720 --> 01:08:31,760
Speaker 1: sync dances, like girls are looking at you, right, dude,

1165
01:08:31,880 --> 01:08:35,160
Speaker 1: not know, not at my high school. You're ready to

1166
01:08:35,160 --> 01:08:37,639
Speaker 1: get discovered. I'm not saying I did know, but I'm

1167
01:08:37,720 --> 01:08:40,439
Speaker 1: saying like didn't, Like, isn't this a thing? Where dance

1168
01:08:40,479 --> 01:08:45,120
Speaker 1: crews like got chicks at school dances. Dude, you're thinking of,

1169
01:08:45,320 --> 01:08:49,640
Speaker 1: you're thinking of in what world are you living in?

1170
01:08:49,960 --> 01:08:53,559
Speaker 1: Step up in the streets, Yeah, stump the yard. And also,

1171
01:08:54,240 --> 01:08:57,479
Speaker 1: dance crews aren't boy bands. You're talking about two different things. Well,

1172
01:08:57,520 --> 01:08:59,920
Speaker 1: you're we're talking about day We're talking about those guys

1173
01:09:00,000 --> 01:09:05,400
Speaker 1: are legit, very famous guys like those crews here. No,

1174
01:09:06,640 --> 01:09:08,720
Speaker 1: we're talking about guys and we're talking about guys who

1175
01:09:08,760 --> 01:09:11,040
Speaker 1: are just cute doing like a little shimmy and then

1176
01:09:11,080 --> 01:09:13,320
Speaker 1: the way they do this on TikTok where they wiggle

1177
01:09:13,400 --> 01:09:17,840
Speaker 1: back and forth. It's like modeling, model dancing. Yes, I

1178
01:09:17,960 --> 01:09:24,439
Speaker 1: bet they're not even ractual friends model. They're put together.

1179
01:09:24,640 --> 01:09:26,479
Speaker 1: I bet they're put together. I bet they are. I

1180
01:09:26,560 --> 01:09:31,280
Speaker 1: can't wait to catch lou Pearlman put them together. I went,

1181
01:09:31,400 --> 01:09:34,400
Speaker 1: I went to a party. When I came back, I

1182
01:09:34,479 --> 01:09:36,439
Speaker 1: came back to l A for a week, like a

1183
01:09:36,479 --> 01:09:39,320
Speaker 1: couple of weeks ago, and uh, my friend had a

1184
01:09:39,360 --> 01:09:43,679
Speaker 1: birthday party and she lives like right by the Hype House,

1185
01:09:44,120 --> 01:09:45,680
Speaker 1: which is like a house where a bunch of like

1186
01:09:45,760 --> 01:09:48,080
Speaker 1: influencers lived together and it's kind of a fucking thing.

1187
01:09:48,880 --> 01:09:52,320
Speaker 1: And uh, their backyard just looks insane. It's just like

1188
01:09:52,439 --> 01:09:55,879
Speaker 1: Neon lights. Everything. Everything is set up to shoot videos

1189
01:09:56,280 --> 01:10:00,680
Speaker 1: and uh there's like giant inflatable fucking bullshit Okay, and

1190
01:10:00,760 --> 01:10:05,080
Speaker 1: I'm like, fucking that looks so faun dude. I wish

1191
01:10:05,120 --> 01:10:10,599
Speaker 1: we all live there to get well. Hey, it all

1192
01:10:10,640 --> 01:10:13,320
Speaker 1: looks like how Blake's house used to look like. Yeah,

1193
01:10:13,600 --> 01:10:17,560
Speaker 1: I mean my favorite influencer for sure, the original influencer,

1194
01:10:17,640 --> 01:10:23,320
Speaker 1: Blake man corn nuts when his hair is dry, When

1195
01:10:23,400 --> 01:10:25,880
Speaker 1: his hair is dry, I love him. Uh. Hey, you

1196
01:10:25,960 --> 01:10:28,200
Speaker 1: know what I'll do a take back, Kyle. I'm gonna

1197
01:10:28,240 --> 01:10:32,800
Speaker 1: take back. Um, the commercials aren't art, bro, thank you.

1198
01:10:33,240 --> 01:10:35,639
Speaker 1: We all know the block wise of frogs. Yep. If

1199
01:10:35,720 --> 01:10:39,040
Speaker 1: that ain't art, I don't know what iss. That's the

1200
01:10:39,240 --> 01:10:49,400
Speaker 1: last great commercial. Thank you. I like it, hey, guys,

1201
01:10:49,600 --> 01:10:52,040
Speaker 1: but it seems like it seems like there's no other

1202
01:10:52,160 --> 01:10:57,800
Speaker 1: takebacks for Apaul Geese or giveaway guys Happy Sunday. I

1203
01:10:57,880 --> 01:10:59,920
Speaker 1: thought I thought we ended I like it in there.

1204
01:11:00,000 --> 01:11:02,479
Speaker 1: I thought that's what we did. I know, we didn't

1205
01:11:02,479 --> 01:11:05,280
Speaker 1: say the thing is there going to peter out? No way,

1206
01:11:05,320 --> 01:11:07,880
Speaker 1: we gotta get your peter out, Blake. Anything from you,

1207
01:11:09,560 --> 01:11:12,160
Speaker 1: I did. I gave freaking normous flowers. I gave a

1208
01:11:12,200 --> 01:11:15,639
Speaker 1: shout out. Why are you yelling everybody? Because everybody every

1209
01:11:15,720 --> 01:11:18,640
Speaker 1: week you guys forget everybody. Like what I say, Like,

1210
01:11:21,479 --> 01:11:23,920
Speaker 1: your hair is wet? All right? Your hair is wet? Dude,

1211
01:11:23,960 --> 01:11:26,240
Speaker 1: We can't take you seriously. Is your hair wet right now?

1212
01:11:26,320 --> 01:11:29,720
Speaker 1: You can't. It's gorgeous, dude. We don't care your hair.

1213
01:11:30,040 --> 01:11:33,439
Speaker 1: It has it's panting sponsored it has to be wet.

1214
01:11:33,680 --> 01:11:38,360
Speaker 1: I'm working with panting. It's a new I'm bringing the

1215
01:11:38,520 --> 01:11:41,080
Speaker 1: Jerry Crows back. Week's episode was brought to you by

1216
01:11:41,360 --> 01:11:52,200
Speaker 1: Blake's wet hair on This Buddes