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Speaker 1: Real people, real celebrity real joined the Breakfast Morning. Everybody

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Speaker 1: is DJ en Vy, Angela Ye Charlotte and the guy

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Speaker 1: we are the Breakfast Club got a special guest without

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Speaker 1: seeing them building this morning. These are legends, bro, Come

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Speaker 1: on now, it's very exciting that Joey is here. We've

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Speaker 1: been getting a lot of requests. People are like, when

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Speaker 1: are y'all gonna have Jodycia got a new album as

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Speaker 1: an eighties baby. Man, I grew up off your music

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Speaker 1: and I'm still having sex to y'all music to this day.

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Speaker 1: Straight up to now. We were just debating something here.

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Speaker 1: All y'all from Charlotte. I know Kathy and Jordia from Charlotte,

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Speaker 1: but I wasn't. We got talking to my guys. Is

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Speaker 1: born in Hampton, Virginia. Okay, yeah, we're all raising Charlotte though,

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Speaker 1: So it's Charlotte and Virginia and then New York. You

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Speaker 1: guys are of everything, man, Morrow, North Carolina and Hampton, Virginia.

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Speaker 1: U Joe started in Charlotte, and UM want out home

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Speaker 1: boys right here? Absolutely? How I'll get back together as

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Speaker 1: a group. What made you get back together? We never

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Speaker 1: broke up? I mean that's just been like the thing.

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Speaker 1: We never never broke up, you know, case and Joe

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Speaker 1: went off to do the case and jell the thing,

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Speaker 1: but WI constant staying in touch. We kept recording over

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Speaker 1: the years. But you know, people just didn't se us

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Speaker 1: together in public like that, and you know, recording together,

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Speaker 1: so you know that they knew about So they just

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Speaker 1: figured that, you know, jos he broke up, right, broke up.

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Speaker 1: Let's let's get a young in some history like Casey

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Speaker 1: and Joe your brothers, y'all blood brothers too, right? Yes?

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Speaker 1: And is it true that Davante went to audition for

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Speaker 1: Prince when he was young? He actually did. He ran

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Speaker 1: away from home and drove the Paisley Park snap on

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Speaker 1: the porch, didn't. Yeah, well, they let him in the

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Speaker 1: lobby and he stayed there. You know, he met some

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Speaker 1: of the bad meals from the revolution and he just

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Speaker 1: couldn't know he didn't get the chance to meet Prince

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Speaker 1: at the time. So they turned them down, Turn them down.

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Speaker 1: Where is Davante? La heu? You know the everything just

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Speaker 1: want crazy, just get developed as high anxiety from like

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Speaker 1: just flying. So we went to ask me he had

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Speaker 1: to take a two of us all the way to

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Speaker 1: ask me. He just doesn't. He doesn't fly. You know,

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Speaker 1: he wanted to, you know, be down, but he couldn't

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Speaker 1: ride him and you know the bust of So how

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Speaker 1: do y'all get him around when you're touring? He just

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Speaker 1: gotta be bus what I mean, Prince my career, we

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Speaker 1: used to fly like twice three times a week. Well,

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Speaker 1: Jo Jody, see, you guys have always been known as

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Speaker 1: the bad boys of R and B. Now I understood that,

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Speaker 1: he said, You never understood that. Really, I think that

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Speaker 1: that came because, you know, we just went against the

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Speaker 1: grain of what R and B music was looked at

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Speaker 1: and hurt how I was hurt. We had the Scullies

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Speaker 1: on and you know, the black bulls and the Gene

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Speaker 1: Secondeam so I think that's well, they just not the

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Speaker 1: typical R and B. So they gotta be, you know,

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Speaker 1: bad boys. And then you guys had like a death

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Speaker 1: Row affiliation and all that we're gonna get to. But

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Speaker 1: with with the with the scullies and the tims and stuff.

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Speaker 1: Was that really all because everybody was saying that I

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Speaker 1: was an image that Uptown creating, it really wasn't. It

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Speaker 1: was just that, um, you know, they came to idea

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Speaker 1: we didn't want to wear like the sequence suits and everything.

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Speaker 1: We're like, well, that's not really us, and yeah, we

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Speaker 1: just want to be like just some that on the

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Speaker 1: street could just relate to, you know, not all shine

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Speaker 1: and gus. We didn't have a big budget, you know

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Speaker 1: where they care to go. We have, but but it

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Speaker 1: was just like a thing that we you know, when

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Speaker 1: Puff camera, it was like, we just want to be

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Speaker 1: like just like four regular like four regular dudes on

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Speaker 1: the speak corner singing to his homeboys, singing that the homeboys,

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Speaker 1: you know, not the suit thing. And and then boys

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Speaker 1: members coming out that time, and um that Puff did say.

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Speaker 1: Puff did say that he told Dread looked dra it's

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Speaker 1: a new group coming out to at the same time,

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Speaker 1: called boys to men and they were in soups. That's

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Speaker 1: what I'm putting. That's them, that new West suits, that's

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Speaker 1: that new body then man, Yeah, Puff was like that

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Speaker 1: from hard because you can see what you you could

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Speaker 1: also see with Mary he put the locks and shiny shoots.

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Speaker 1: Then that was later how much a relationship with Puff,

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Speaker 1: It was good. It was always good. You guys are

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Speaker 1: kind of the reason he got his whole label situation, right, Yeah,

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Speaker 1: you know, Puff the good thing about him he always

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Speaker 1: saw the vision that we had and it was it

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Speaker 1: was easy for him to go to undid like man no,

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Speaker 1: and he fought for us all the time, like I'm

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Speaker 1: telling you, if this don't work, you're getting fired. And

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Speaker 1: Puff believe. He believed everything we try to do. And

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Speaker 1: he just you know, yeah, he related to Andre and

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Speaker 1: Uptown and he stuck with it. When y'all first got

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Speaker 1: with Puffy, he was an intern. Did you ever think

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Speaker 1: Uptown wasn't taking your serious because they put you with

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Speaker 1: an intern at first? Well, I mean it wasn't that.

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Speaker 1: He was just like we was from the South and

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Speaker 1: they looked as being like four country boys. We ain't

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Speaker 1: knowing about the city and they want us to give

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Speaker 1: us the kind of vibe the city. And Puff just

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Speaker 1: took us out, you know and showed us like, you know,

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Speaker 1: just out here, you know what up high, you know

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Speaker 1: all that you know just got so you know, he

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Speaker 1: just he just kind of stuck with it. Was kind

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Speaker 1: of like mentors of you know what the street life

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Speaker 1: was we all out of church. But then you know,

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Speaker 1: when you know down the funny thing is he uptown period. Man. Man,

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Speaker 1: he had at us routing the trains stuff. Man, you

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Speaker 1: know we didn't you know, you know what that Bronx

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Speaker 1: Road avenue with roads and that thing you said you

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Speaker 1: came from the church. Wasn't your music very secular to

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Speaker 1: come from the church, because the church is singing about

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Speaker 1: God is gospel. And then you come in and it's

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Speaker 1: come and talk to me and y'all knocking on you.

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Speaker 1: But you know the thing is though, and the thing

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Speaker 1: is like in Charlotte, these are songs we used to

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Speaker 1: right for o girlfriends in the neighborhood. You know what

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Speaker 1: I well, I mean we got a fair share, but

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Speaker 1: these are songs that we said, you know, and we

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Speaker 1: just took that to the studio. You know, we got,

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Speaker 1: you know, the same songs we used to be like

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Speaker 1: this man and my mom used to be hearsting our basement,

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Speaker 1: my mother basement. Man, Dvin, go get all the girls, man,

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Speaker 1: he get like ten girls and we opened the door

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Speaker 1: up and the bunch and then playing and Joe the

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Speaker 1: singing or down on the drums or whatever, and you

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Speaker 1: have an audience. Man. But he had to be gout

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Speaker 1: by five o'clocks the time. Mama get out work, but

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Speaker 1: that we were just preparing ourselves to do what we're

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Speaker 1: doing now. Man, But like that with a bad boys,

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Speaker 1: because the first joint was so you're having my baby.

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Speaker 1: I'm not a singer that that's actually a low song,

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Speaker 1: but having the baby. It was sixteen at the time. Well,

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Speaker 1: I mean you know that that, I mean, that was

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Speaker 1: the thing going on in North Carolina. You know, you

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Speaker 1: people have baby at thirteen, fourteen years old, So that

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Speaker 1: was just a common thing and it was just, you know,

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Speaker 1: something that people can relate to. You know, now y'all

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Speaker 1: really in the church. Y'all just happened to go on Sundays.

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Speaker 1: We are guard cheering brothers. You know. My dad my

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Speaker 1: mother were both the fastest they have a church got

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Speaker 1: Our grandmother was a minister and grandfather so man churches.

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Speaker 1: That was us man and steal us still us man.

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Speaker 1: You know, um when we before we did this, before

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Speaker 1: I went to New York, Like I said, my grandmother,

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Speaker 1: my grandma was a pastor. Um before we were to

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Speaker 1: New York. Man came up here to get our record.

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Speaker 1: Deal man. My mother said it was cool, but she

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Speaker 1: didn't like it right, And Daddy was like, yo, you

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Speaker 1: know you gotta go to work to Mark. You know

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Speaker 1: it's Casey so, but you're gonna do I said, I'm

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Speaker 1: gonna York, Daddy, I gotta do this. You got these

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Speaker 1: you do, don't come if you don't make it, don't

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Speaker 1: come back. You can't come back when we made it,

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Speaker 1: he said, cannot get that truck now. But nah, man,

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Speaker 1: But my mother and father they didn't they didn't like it.

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Speaker 1: But I went to my grandmother, said, Grandma, I gotta

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Speaker 1: ask you first. Daddy and Mama, you know they and

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Speaker 1: I'm ranted by them. I said, I don't want you

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Speaker 1: to think of me and Jojo leaving church or anything

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Speaker 1: like that. She's a baby. Just don't forget what you

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Speaker 1: came from. Do you gotta do something you can? Now?

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Speaker 1: Was there a period of time where you guys didn't

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Speaker 1: get along. I'm sure because you guys have all very

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Speaker 1: strong personalities. Oh man's every day every day enough that

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Speaker 1: it was like, okay, this group is over every day

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Speaker 1: to come here. Y'all got like the ultimate tag team.

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Speaker 1: The you and Casey ever team up on Jojo Jo

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Speaker 1: and you team up on yeah man, you now, man,

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Speaker 1: this my boy right here, This is my brother right,

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Speaker 1: but him and de Vonte Man and do and they

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Speaker 1: alway getting on me and dial whok me and down

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Speaker 1: had the big to be in the group number one

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Speaker 1: group Man, the goople started with Jojo and Vonte. Yeah,

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Speaker 1: they started Joe. I was in Maryland, Baltimore doing my

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Speaker 1: gospel things. So Jojo called me on the phone and uh,

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Speaker 1: let me hear something over the phone. Man. I was

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Speaker 1: like what sixteen yeah, and um I said, Yo, Man,

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Speaker 1: I want to be in the group. Jodan said nope, nope,

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Speaker 1: w because he had a group, the gospel group, a

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Speaker 1: little curic in the Haley Singers. So I was always

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Speaker 1: in the shadow. And when Devonte I got came about

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Speaker 1: with you know, let's start doing stuff, he was up

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Speaker 1: trying to get his group back together. So I'm like,

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Speaker 1: I feel good, I'm doing something by myself. I didn't

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Speaker 1: want him. I want to step outside of the shadow.

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Speaker 1: And Devont like, bro, that's just you from one or

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Speaker 1: two songs or whatever. That's crazy, and I up singing

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Speaker 1: all once again. I'm back in the shadow, remember real man.

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Speaker 1: So Jodan Devant had to come up with a deal.

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Speaker 1: So um Den the one Dalwin in the group because

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Speaker 1: Dalin was the one. Yeah, all the females and he

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Speaker 1: was a party all the time. He's a rick Jame,

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Speaker 1: But I would thinks I would think you want the

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Speaker 1: guy to get all the girls in the din his ass.

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Speaker 1: They made up agreement one to me and Jojo come

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Speaker 1: down to be in a group too. That's how me

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Speaker 1: and got I try to tell domin every meet and

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Speaker 1: shut up when you hear them. Faith. Man, No, the

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Speaker 1: name Jodi was that a fight too? No? Man, No,

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Speaker 1: we just came up one night. Man, we're sitting in

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Speaker 1: the mothers uh yard and we try to think of

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Speaker 1: some names. Uh start out with brothers na that's on

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Speaker 1: the corny right, Brothers didn't sound right, So we just

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Speaker 1: came up with him to the j open Joe Joe

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Speaker 1: D from Dalvin and I don't know his name ain't

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Speaker 1: really in there. He got more sense and they buy

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Speaker 1: a new group. Now, is it true? Um? You guys

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Speaker 1: were y'all in Charlotte, y'all had the vision that y'all

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Speaker 1: wanted to be on Uptown Records. Y'all knew that what

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Speaker 1: y'all wanted to go actually, because you know, yeah, it

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Speaker 1: was MCA Uptown at first. Okay, you know you knew

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Speaker 1: it this and you had, uh god you all our

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Speaker 1: favorite artists on it, heavy ding the boys, you know.

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Speaker 1: So it was quickly because a fan thing. You were

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Speaker 1: fans of body Okay, yeah, fan thing like the biggest groups.

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Speaker 1: And y'all drove to New York and didn't know where

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Speaker 1: it was that I would tell you the crazy thing is.

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Speaker 1: But we had three hundred dollars right and uh, we've

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Speaker 1: been having that coming up at Bond says that truck stock,

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Speaker 1: So we got it. We didn't know where to go.

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Speaker 1: Nobody never been in New York. So I remember listening

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Speaker 1: to his first album and he have a song called

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Speaker 1: Bristol Hotel on that and we were looking for the

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Speaker 1: Bristow to tell you, ain't that funny? We was coming

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Speaker 1: up with an image. Ain't handle damn record. But we

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Speaker 1: found the first hotel. You remember the song where the

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Speaker 1: hotel where Jamaica. Quick it was a prostitute. That's all

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Speaker 1: the money we had left. Oh y'all need to come

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Speaker 1: into America. Y'all just spent the spundent. We found the

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Speaker 1: Bristol Hotel. So, I mean, you make the long story short,

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Speaker 1: we didn't even have enough money. Instead, of Bristol. So

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Speaker 1: the next morning we had to find uptown and they

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Speaker 1: locked all closing the bristles. We couldn't pay for the room. Yeah,

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Speaker 1: all that stuff was in the Bristol glasses and everything, everything, everything.

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Speaker 1: So we went to uptown and you know, I know

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Speaker 1: the story. I don't know if y'all know, but like

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Speaker 1: a long story show, you know, Heavy d went and

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Speaker 1: they heard a sing Kirk Kirk really fell asleep on

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Speaker 1: our demo tap toes We wasn't good enough go back home? Yeah,

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Speaker 1: and uh on the way out, gee wish from Heavy

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Speaker 1: and the boys like who was that singing? Was using?

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Speaker 1: You know, blah blah blah. Any of the songs from

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Speaker 1: that demo make it onto the first album? Yeah, demo,

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Speaker 1: first first album. So I tookt two songs, uh and

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Speaker 1: then um from there, you know, dre play for the Bristol,

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Speaker 1: moved out the Bristol, got you out of Bristol to

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Speaker 1: the best Western Yeah, it was better. We had fun though, man,

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Speaker 1: ever since Jim Man, it's like, yeah, had too much fun. Yeah,

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Speaker 1: we had a lot of fun. And the funny thing

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Speaker 1: about it is, man, I don't think people know this. Yeah,

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Speaker 1: we all from North Carolina. But New York is really

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Speaker 1: you know, said the first ones that you know, knew

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Speaker 1: about Jodi. New York adopted us stuff. Yeah, everybody, man,

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Speaker 1: we love y'all. Man, we love y'all. And it's like

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Speaker 1: this at home, man. And the crazy thing is Charlotte

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Speaker 1: was like the last seat of the embrace us until

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Speaker 1: this day. Until this day, they just know embracing Joda. See,

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Speaker 1: like what we're supposed to get from. What about the

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Speaker 1: other male R and B groups at the time, because

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Speaker 1: you guys kind of set the trends for a lot

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Speaker 1: of people. Did they like y'all? Did they embrace you guys?

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Speaker 1: Did y'all get along or was it like any type

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Speaker 1: of Now we had no problems to the day, Joe

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Speaker 1: ain't wrung so pretty much like to ourselves, we in

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Speaker 1: our own world. We could be sitting here, we we

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Speaker 1: could say something. I could be talking about one of

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Speaker 1: you guys. They wouldn't know, but y'all wouldn't And y'all

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Speaker 1: be laughing at us, But we're really talking about y'all.

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Speaker 1: Really say it over there, man, like whatable boys? The

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Speaker 1: man you shot at the time. Yeah, yeah, all these groups,

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Speaker 1: I mean they kind of fashioned after it. Yeah, I

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Speaker 1: remember seeing Jojo Jojo was on a video. He was

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Speaker 1: cursing out somebody cursing out some R and B group.

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Speaker 1: What it was. I forgot what group it was though.

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Speaker 1: Now the uptime treat your family money wise, because I

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Speaker 1: never heard y'all complaining about, you know, like how TLC

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Speaker 1: went through it with the label hustle man. I think

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Speaker 1: like when we came, it was more like we looked

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Speaker 1: at it like family. So it wasn't really because we

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Speaker 1: didn't get it for the money. We just thought. We

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Speaker 1: didn't know about the mindtil like, and when we wasn't

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Speaker 1: driving fancy cars and everybody was driving business and were

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Speaker 1: still catching the training, they don't look right, you know.

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Speaker 1: Then the questions started coming up. What was young? I

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Speaker 1: was sixteen, jose came out, you know, so it was

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Speaker 1: all kids, We're having fun. You know. It's like you know,

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Speaker 1: at the time, whatever you want, you know, we all roll,

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Speaker 1: We all start you know, teaming up in rooms while

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Speaker 1: we sharing rooms, you know. But then the questions started

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Speaker 1: rising when people start playing the season your head didn't

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Speaker 1: I tell you what we had the life though, but

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Speaker 1: can't you imagine before the age of twenty one, any

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Speaker 1: girl you want, and your car you can drive. You

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Speaker 1: can get any home you want to live in. Be

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Speaker 1: four twenty one and no kids, and man, we live

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Speaker 1: in the college life. They say that that alcohol played

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Speaker 1: a big part because like you said, you were under

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Speaker 1: twenty one. Yea party said party, party, party, alcohol, drugs

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Speaker 1: every now not no drugs. I mean we yeah, you

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Speaker 1: know I but not no hardcore. You know, like I said,

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Speaker 1: before the age twenty one, you got all that in

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Speaker 1: your you know what I'm saying, before you twenty one, Man,

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Speaker 1: you gotta something gotta tempt you. You know what I'm saying.

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Speaker 1: Females alcohol, We we didn't know we did that, but

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Speaker 1: it was hard trying to be in a relationship knowing

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Speaker 1: that you had so many women coming at you all

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Speaker 1: the time. Down was knocking you was knocking down. Madonna

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Speaker 1: at one point in a relationship Door well, I was

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Speaker 1: signed to his artist. But I mean before that, you know,

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Speaker 1: she went out, my brother hung out with him. Whatever

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Speaker 1: they had was going on, that was them, that was me.

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Speaker 1: And I ain't saying I wasn't mind, But Casey attempted

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Speaker 1: to be in a relationship. But I guess that wasn't

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Speaker 1: gonna happen for you that that was the first celebrity couple.

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Speaker 1: I can't remember that that wasn't attempting. Man was ten

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Speaker 1: twelve years relationship? Was that relationship because you guys were

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Speaker 1: we had fun. We had fun. But um, it got

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Speaker 1: to the point that at that time, back then, you know,

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Speaker 1: like I said, it was young and I could careers

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Speaker 1: are going like this, and then it just exploded and um,

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Speaker 1: and I'm not gonna lie. You know, I did some

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Speaker 1: things done, you know, far I was in Josie, you

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Speaker 1: know what I'm saying, and so you know she couldn't

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Speaker 1: take that, you know, take that heat. Girls grabbing on

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Speaker 1: me while I'm on stage. That one night she actually, um,

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Speaker 1: I remember in London, she stame on stage. Man came

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Speaker 1: on stage and snatched the mic out of my hand.

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Speaker 1: What was you singing? Know when I was doing the

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Speaker 1: casey thing? Man? Thank oh yeah, yeah, got me hold

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Speaker 1: house man anyway, she grabbed him. I got my hand

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Speaker 1: and told his girl in the front row, she's a bitch.

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Speaker 1: Never trust my man again. I was like, Wow, that's

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Speaker 1: the New York. You know. You was a singer, always

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Speaker 1: in the team, team, Thank you. I couldn't take that number. Man,

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Speaker 1: you know that she was doing your thing too, do

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Speaker 1: my thing? You gonna see him? Let me from the

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00:18:06,440 --> 00:18:09,840
Speaker 1: bad guy. Now, I'm just was so young, That's what

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Speaker 1: I'm saying. That's a difficult early twenties then now now

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00:18:15,040 --> 00:18:18,200
Speaker 1: we're an a forties. Imagine if Tims he was around

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00:18:18,200 --> 00:18:25,480
Speaker 1: back then Instagram back then. Every day you believe she said,

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Speaker 1: you believe Mary was your soul mate. I was in

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Speaker 1: love with Mary. Mary never did anything wrong to me.

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Speaker 1: She never talked about me, you know, she always you know,

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Speaker 1: gave me my props and everything. But he was responsible

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Speaker 1: for my two great albums. Really used to break up

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Speaker 1: my parties. Don't break up the house man days, Man

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Speaker 1: uptown days? What parties? Party? Did the house? She would

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Speaker 1: break up the hotels? Man, No remember, man, say I'm tired. Ridiculous. Man,

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00:19:14,200 --> 00:19:17,159
Speaker 1: got ridiculous. You couldn't even have a party without it

349
00:19:17,320 --> 00:19:19,480
Speaker 1: was bad news. Man. We didn't want to s around. Man,

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Speaker 1: Come on, don't be wiped up. Man, Get away from

351
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Speaker 1: at the point what was on too? Then we wanted

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Speaker 1: to stand different hotels and then married. Man, y'all still

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00:19:27,880 --> 00:19:31,600
Speaker 1: over there. Tr to be around people when they fight

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00:19:31,640 --> 00:19:35,360
Speaker 1: all the time those couples. You had your RMB thing too,

355
00:19:35,359 --> 00:19:37,199
Speaker 1: though you had miss t Bobs saw that in the

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Speaker 1: TLC movie. No, I love that movie was good. Now,

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Speaker 1: don't talking about me and oh yeah, I mean, ain't man,

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Speaker 1: you didn't get your character right. He was worse. No, no, no,

359
00:19:50,920 --> 00:19:54,960
Speaker 1: that was cool. That was cool. That was fun. Now

360
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Speaker 1: take t Bosa. I'm not talking about t bos and

361
00:19:58,000 --> 00:20:07,760
Speaker 1: man stories of y'all still apologizing for those like you

362
00:20:07,800 --> 00:20:11,560
Speaker 1: see them and be like, hey, I'm sorry, that's this

363
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Speaker 1: man up. Go ahead and I'm ahead and hit that baby.

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Speaker 1: Now I was Joe if he changed in twenty four years. Now, well,

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Speaker 1: I think a lot of a lot wiser man, very

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Speaker 1: much a lot wiser, and things are a little more seriousness.

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Speaker 1: It's like I was telling the other day, that's like,

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00:20:38,520 --> 00:20:41,959
Speaker 1: you know, it's it's worked now, Like there was fun, fun, fun, fun,

369
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Speaker 1: still fun, but it's it's it's more work. It's more.

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Speaker 1: I'm married, grandfather proud, and you always was low, like

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Speaker 1: you said, Yes, I'm low, but I'm high and sprung

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Speaker 1: off my love. I have my wife and my grandkids.

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Speaker 1: The life I have now now just look at it.

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Speaker 1: It's a business and I'm gonna spread some of the joy.

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00:21:03,359 --> 00:21:08,919
Speaker 1: Excuse me, really spread the joy to the fans. People

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Speaker 1: what you call friends, you know, I know what love

377
00:21:12,080 --> 00:21:15,280
Speaker 1: us about that? Right? Instead of just singing lyrics, get

378
00:21:15,280 --> 00:21:24,120
Speaker 1: out they're getting now for Casey and Georgia, you guys

379
00:21:24,160 --> 00:21:28,560
Speaker 1: did do like a kind of a documented thing trying

380
00:21:28,560 --> 00:21:31,960
Speaker 1: to get off drugs and just documenting that keep using

381
00:21:32,080 --> 00:21:40,920
Speaker 1: drug addiction. Let's clean out the cold. Com claim was

382
00:21:40,920 --> 00:21:44,560
Speaker 1: called com clean. So what was the real issue that

383
00:21:44,600 --> 00:21:46,960
Speaker 1: you felt like just let people know when this got

384
00:21:46,960 --> 00:21:50,879
Speaker 1: really tad like just light that we lived party, you

385
00:21:50,920 --> 00:21:54,560
Speaker 1: know what, the true smoke out. We I really don't

386
00:21:54,560 --> 00:21:58,600
Speaker 1: even like we ongot everybody don't snooping them coming at me.

387
00:21:58,680 --> 00:22:02,080
Speaker 1: But I mean what you look at like this though,

388
00:22:02,160 --> 00:22:04,560
Speaker 1: Like it's like, I mean, same thing of the Rolling Stones.

389
00:22:05,160 --> 00:22:09,639
Speaker 1: I mean everybody in nine years old, they still make

390
00:22:09,640 --> 00:22:12,240
Speaker 1: a twenty million dollars years so we all know that stuff.

391
00:22:12,320 --> 00:22:18,280
Speaker 1: And what name uh Justin Bieber. I'm like, they're coming

392
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Speaker 1: home and a little kid. He's just a kid and

393
00:22:20,080 --> 00:22:24,159
Speaker 1: he got all his money. You know that. But was

394
00:22:24,280 --> 00:22:26,400
Speaker 1: there anybody that ever told you guys, Okay, y'all gotta

395
00:22:26,600 --> 00:22:31,520
Speaker 1: you know, chill out. It's affecting your business, parents, parents,

396
00:22:31,800 --> 00:22:36,439
Speaker 1: a management and the hole. It's like Dave lawyers, but

397
00:22:36,520 --> 00:22:38,480
Speaker 1: you can't white. I'm gonna grown at this point. I'm

398
00:22:38,520 --> 00:22:40,760
Speaker 1: gonna grown. Man, it's my house. Don't come to my

399
00:22:40,760 --> 00:22:43,359
Speaker 1: mouse tell me what I'm gonna doing. This is what

400
00:22:43,400 --> 00:22:45,119
Speaker 1: I'm gonna do. If I throw a barb with you

401
00:22:45,280 --> 00:22:48,240
Speaker 1: and I'm gonna have me some Hennessy and some bed

402
00:22:48,320 --> 00:22:51,400
Speaker 1: over here and my crew smoking the week, don't come

403
00:22:51,440 --> 00:22:54,440
Speaker 1: to my house and tell me that ain't cool. That's

404
00:22:54,520 --> 00:22:58,199
Speaker 1: my house. I'm grown. People live, ain't Nobody in this

405
00:22:58,359 --> 00:23:02,679
Speaker 1: room can say they have never tried something that's right

406
00:23:02,800 --> 00:23:11,440
Speaker 1: right now. Watching some of your performances, you know there

407
00:23:11,480 --> 00:23:14,159
Speaker 1: was one performance where you guys were performing Casey and

408
00:23:14,240 --> 00:23:19,280
Speaker 1: Jojo Jojo passes out and you keep singing. You won't

409
00:23:19,320 --> 00:23:22,040
Speaker 1: help your brother. Security walks over, takes the mic and walking.

410
00:23:22,119 --> 00:23:25,440
Speaker 1: I'll just leaving. You won't help your brother. Right now,

411
00:23:25,480 --> 00:23:27,480
Speaker 1: I can talk for this. No, I'm gonna defend myself

412
00:23:27,480 --> 00:23:32,080
Speaker 1: because I got myself. Tell you what happened. I'm gonna

413
00:23:32,080 --> 00:23:34,000
Speaker 1: tell you what happens to Tube, and Joe can tell

414
00:23:34,000 --> 00:23:39,840
Speaker 1: you you had an eighteen hour fight to Australia. Right, okay, okay,

415
00:23:39,960 --> 00:23:42,720
Speaker 1: as soon as we get there, straight for the Apple

416
00:23:42,760 --> 00:23:44,639
Speaker 1: where we had to go to sound check. No sleep,

417
00:23:44,960 --> 00:23:47,200
Speaker 1: no nothing, ain't been drinking nothing and nothing like that,

418
00:23:47,320 --> 00:23:49,760
Speaker 1: you know what I'm saying. So we gotta go straight

419
00:23:49,760 --> 00:23:53,240
Speaker 1: to the venue and don't even go to the hotel

420
00:23:53,240 --> 00:23:55,520
Speaker 1: and check in. We gotta get dressed at the venue

421
00:23:55,680 --> 00:23:59,080
Speaker 1: at the eighteen hour flight, right, so we don't stay

422
00:23:59,160 --> 00:24:02,040
Speaker 1: dead tired, dead tired. So when we go to take

423
00:24:02,040 --> 00:24:03,760
Speaker 1: a little break, a little break that we take before

424
00:24:03,800 --> 00:24:07,240
Speaker 1: we do all my life. I'm looking at Joe, Joe tired,

425
00:24:07,320 --> 00:24:09,119
Speaker 1: ain't you because I know I'm beat down. You know

426
00:24:09,280 --> 00:24:15,400
Speaker 1: that time man, time tired and uh he started crying like, man,

427
00:24:15,400 --> 00:24:22,600
Speaker 1: you didn't let you down, No, no, you gotta we

428
00:24:24,720 --> 00:24:28,879
Speaker 1: j I was damn but I remember that anyway. Anyway, anyway,

429
00:24:28,880 --> 00:24:34,840
Speaker 1: I told Joe, I told Joe, man, you're with you,

430
00:24:35,240 --> 00:24:37,439
Speaker 1: and he was like, tell you the truth. I'm like, man,

431
00:24:37,440 --> 00:24:44,840
Speaker 1: I don't want to let you. I can tell brothers

432
00:24:46,200 --> 00:24:50,359
Speaker 1: that whole because I was tired. I said, you know what,

433
00:24:50,520 --> 00:24:56,119
Speaker 1: I'm just gonna lay this down, lay right there. I

434
00:24:56,160 --> 00:25:03,840
Speaker 1: did my acting skilled. I'm thinking that somebody gonna be

435
00:25:03,880 --> 00:25:09,920
Speaker 1: like helped me up, looking up and stepping over me. Damn,

436
00:25:09,960 --> 00:25:13,880
Speaker 1: let me do it. Ain't working if you didn't see it.

437
00:25:13,920 --> 00:25:19,760
Speaker 1: He lays on stage. Yeah, yeah, Michael walks over him

438
00:25:19,800 --> 00:25:24,679
Speaker 1: and then walks back on stagel. So so so if

439
00:25:24,720 --> 00:25:26,720
Speaker 1: you had just told everybody, look, I'm tired, I can't

440
00:25:26,720 --> 00:25:28,480
Speaker 1: make it, y'all had to probably give up the deposit

441
00:25:28,560 --> 00:25:30,040
Speaker 1: or something like that to get the money back. Now

442
00:25:30,119 --> 00:25:32,640
Speaker 1: you have but one or something to do anyway. Yeah, okay,

443
00:25:34,000 --> 00:25:41,560
Speaker 1: out there, didn't do that. You went you far? Yes,

444
00:25:41,720 --> 00:25:47,200
Speaker 1: you lying? Maybe that was acting crying because you know

445
00:25:48,320 --> 00:25:53,480
Speaker 1: script script. I've seen another performance where I seen it

446
00:25:53,520 --> 00:25:55,480
Speaker 1: was a blurdy somebody jumps off the stage and lands

447
00:25:55,480 --> 00:25:58,280
Speaker 1: on their back. Yeah, that looked like it hurt you

448
00:25:58,359 --> 00:26:03,560
Speaker 1: was tired. No, I wasn't tired that. What happened was

449
00:26:04,560 --> 00:26:07,760
Speaker 1: I take what happened. No, what happened was I didn't

450
00:26:07,760 --> 00:26:10,840
Speaker 1: realize it's eighteen feet hot play. It's the top of

451
00:26:10,880 --> 00:26:12,840
Speaker 1: the same line as the top of the NBA back

452
00:26:12,920 --> 00:26:15,040
Speaker 1: ward right. We played that before, And I didn't know

453
00:26:15,040 --> 00:26:17,360
Speaker 1: they raised the stage up like I couldn't really see

454
00:26:17,359 --> 00:26:19,320
Speaker 1: because it was dark in the pit, and so and

455
00:26:19,359 --> 00:26:21,159
Speaker 1: I was saying something that I went to jump off

456
00:26:21,160 --> 00:26:23,080
Speaker 1: stage like always, and I I was falling like for

457
00:26:23,119 --> 00:26:27,359
Speaker 1: like thirteen minutes when I had to ground and I

458
00:26:27,359 --> 00:26:29,119
Speaker 1: got right back up. Didn't get right back up. You

459
00:26:29,119 --> 00:26:32,119
Speaker 1: can't get back. There wasn't no way to get back up.

460
00:26:32,119 --> 00:26:38,040
Speaker 1: There too hot all night. Now, all I'm hearing is

461
00:26:38,040 --> 00:26:40,040
Speaker 1: a bunch of accidents. But you can see why people

462
00:26:40,080 --> 00:26:45,000
Speaker 1: would think y'all had alcohol. Did you think when Beyonce

463
00:26:45,160 --> 00:26:48,080
Speaker 1: tumbled down the stairs and she was drunk? Okay, I

464
00:26:48,320 --> 00:26:50,359
Speaker 1: dank got the stage last week when she drunk. True,

465
00:26:50,520 --> 00:26:58,880
Speaker 1: but you gotta be drunk, but nobody jun't just fall

466
00:27:01,520 --> 00:27:04,120
Speaker 1: on your back. Yeah, I let him, I let my feet,

467
00:27:04,119 --> 00:27:07,840
Speaker 1: but like I went straight down to my real serious

468
00:27:07,960 --> 00:27:12,240
Speaker 1: looked like now y'all, y'all, y'all did have a Death

469
00:27:12,280 --> 00:27:16,399
Speaker 1: Roll affiliation. As Angela said earlier, what was that about? Well, uh,

470
00:27:16,720 --> 00:27:19,080
Speaker 1: my brother met you know, Matt shild night and uh

471
00:27:19,440 --> 00:27:21,119
Speaker 1: he just he just you know, as they talked, he

472
00:27:21,200 --> 00:27:24,200
Speaker 1: just noticed like the things wasn't right with you know, uptown,

473
00:27:24,280 --> 00:27:26,320
Speaker 1: and he wanted to do some stuff with you know,

474
00:27:26,359 --> 00:27:27,919
Speaker 1: with death Ro artists, so he wanted to come in.

475
00:27:28,200 --> 00:27:31,520
Speaker 1: That song was popping. Help Help, fix the situation with

476
00:27:31,520 --> 00:27:33,240
Speaker 1: what up town because he asked a bunch of questions

477
00:27:33,240 --> 00:27:34,960
Speaker 1: about you know, the financial things, like it was mentioned

478
00:27:35,000 --> 00:27:36,959
Speaker 1: earlier and he just came in. But we would never

479
00:27:36,960 --> 00:27:39,119
Speaker 1: signed a death roll, signed a night as far as

480
00:27:39,160 --> 00:27:40,720
Speaker 1: I'm sure did. He hated that though, because that was

481
00:27:40,760 --> 00:27:43,520
Speaker 1: like during the whole East coast West coast thing kind

482
00:27:43,520 --> 00:27:45,359
Speaker 1: of that's another whole story because I mean it's like,

483
00:27:45,359 --> 00:27:47,760
Speaker 1: you know, we didn't choose like to get him between that,

484
00:27:47,800 --> 00:27:49,320
Speaker 1: but it just kind of thought them because you know

485
00:27:49,920 --> 00:27:53,840
Speaker 1: that she went puff and shill. But now what happened? Now,

486
00:27:53,840 --> 00:27:56,200
Speaker 1: your brother's house got robbed in jurors and and people

487
00:27:56,240 --> 00:28:02,119
Speaker 1: were saying that we know, yeah, we need to know

488
00:28:02,119 --> 00:28:04,600
Speaker 1: sick y'all be digging for information and getting a bunch

489
00:28:04,640 --> 00:28:11,760
Speaker 1: of bush find out who did that? Yeah, we find

490
00:28:11,800 --> 00:28:13,920
Speaker 1: out who did that. You did find it. It was

491
00:28:14,040 --> 00:28:17,440
Speaker 1: set up. It was a set up. Really, Yeah, it's

492
00:28:17,440 --> 00:28:19,440
Speaker 1: one of the guys that unfortunately he's dead. We have

493
00:28:19,520 --> 00:28:21,000
Speaker 1: anything to do with it. But in one of the

494
00:28:21,000 --> 00:28:24,440
Speaker 1: guys in prison for something totally different. Wow, Farmer. Yeah,

495
00:28:24,480 --> 00:28:27,000
Speaker 1: when you get that life that eventually catches. But the

496
00:28:26,760 --> 00:28:28,639
Speaker 1: two the two guys that actually robbed one of them

497
00:28:28,720 --> 00:28:31,119
Speaker 1: killed each other and they were cousins. Yeah. Really one

498
00:28:31,119 --> 00:28:37,640
Speaker 1: of them kill you like a yeah, everything about doing

499
00:28:37,680 --> 00:28:43,520
Speaker 1: like a bio pick experience. Man, Yeah, good one. Though.

500
00:28:43,520 --> 00:28:46,040
Speaker 1: We're blessed y'all got embraced by hip hop earlier on too.

501
00:28:46,040 --> 00:28:48,160
Speaker 1: I was watching the video this morning, the Biggie singing. Uh.

502
00:28:48,760 --> 00:28:52,160
Speaker 1: He was singing one of the Jordan's records. Yeah. And

503
00:28:52,160 --> 00:28:54,400
Speaker 1: then of course pop got a great relationship. What the

504
00:28:54,480 --> 00:28:56,840
Speaker 1: freaking you remix? Okay, we can't get that one of

505
00:28:56,840 --> 00:29:03,760
Speaker 1: the that's one of my favorite time. Now. The crazy

506
00:29:03,800 --> 00:29:06,080
Speaker 1: thing about it, there wasn't supposed to be uh, ghost

507
00:29:06,120 --> 00:29:08,240
Speaker 1: Face and ray Kuana then supposed to be met the

508
00:29:08,360 --> 00:29:10,480
Speaker 1: man on that remix. I'm glad it turned out the

509
00:29:10,440 --> 00:29:12,680
Speaker 1: way it did. Ghost one of the best verses ever

510
00:29:12,720 --> 00:29:15,400
Speaker 1: in the history of life. He did so Ray Kuan

511
00:29:15,480 --> 00:29:18,080
Speaker 1: did too. Yeah. First almost didn't even make it on

512
00:29:18,120 --> 00:29:21,080
Speaker 1: this come on man, because we recorded, like we recorded

513
00:29:21,080 --> 00:29:23,760
Speaker 1: a song the remix like maybe ten minutes and ray

514
00:29:23,800 --> 00:29:25,520
Speaker 1: Kuan came and did this and ghost Face couldn't get

515
00:29:25,520 --> 00:29:27,440
Speaker 1: his verse. So I was like, and I went there

516
00:29:27,520 --> 00:29:28,840
Speaker 1: out He's like, man, let me try one more time.

517
00:29:28,880 --> 00:29:30,880
Speaker 1: So we just left it off. It was just like

518
00:29:31,040 --> 00:29:35,120
Speaker 1: a blank space and the factory and he called me back.

519
00:29:35,120 --> 00:29:36,360
Speaker 1: He said, man, let me, let me just try it

520
00:29:36,400 --> 00:29:38,320
Speaker 1: one more time. Because he had never rapped with R

521
00:29:38,360 --> 00:29:40,280
Speaker 1: and B before. That was the first time the collaboration

522
00:29:40,360 --> 00:29:42,040
Speaker 1: came with him at R and B. And he's like

523
00:29:42,280 --> 00:29:44,200
Speaker 1: trying on more time. He came just killed. He freestyle

524
00:29:44,320 --> 00:29:46,400
Speaker 1: most of the verses. Yeah, but for the first couple

525
00:29:46,400 --> 00:29:48,040
Speaker 1: of bars it was written. Then he's lead to stow

526
00:29:48,040 --> 00:29:49,760
Speaker 1: the paper on the boot, so I was trying to

527
00:29:49,800 --> 00:29:51,760
Speaker 1: imagine we had actually written down, but he just freestyle

528
00:29:51,800 --> 00:29:53,920
Speaker 1: the rest of it. Wow, did you do you have

529
00:29:54,080 --> 00:29:56,720
Speaker 1: a good relationship with poccles? That just business? No, no

530
00:29:58,240 --> 00:30:03,040
Speaker 1: good relationships. It's good relationship man pop Man. Actually actually

531
00:30:03,040 --> 00:30:05,440
Speaker 1: they did a video toss it up and then before

532
00:30:05,440 --> 00:30:09,680
Speaker 1: he got shot and the top before the first time

533
00:30:09,680 --> 00:30:14,920
Speaker 1: he got shot, dam and he had asked me, heyok,

534
00:30:15,520 --> 00:30:17,880
Speaker 1: he just asked me, yo man go to Vegas with

535
00:30:18,480 --> 00:30:21,479
Speaker 1: I'm sitting listen out and I'm glad I didn't go.

536
00:30:21,720 --> 00:30:24,760
Speaker 1: But but Pop the relationship with pop Man, he was

537
00:30:24,840 --> 00:30:28,000
Speaker 1: real man. You know, he had love for us and

538
00:30:28,120 --> 00:30:31,160
Speaker 1: he loves its craft and he was just real man.

539
00:30:31,360 --> 00:30:34,040
Speaker 1: He was just really let's talk about this new album.

540
00:30:34,120 --> 00:30:36,920
Speaker 1: New album. What got guys got you excited to do

541
00:30:37,040 --> 00:30:42,040
Speaker 1: new music this time? Time? Man? It was time actually

542
00:30:42,200 --> 00:30:45,360
Speaker 1: album man, tish. Yeah, you guys been doing music together

543
00:30:45,400 --> 00:30:48,440
Speaker 1: though for quite some time. YE finally said let's put out. Yeah,

544
00:30:48,840 --> 00:30:51,080
Speaker 1: put this out. We've been in the vaut and say

545
00:30:51,120 --> 00:30:52,440
Speaker 1: here we go. Did you like the R and B

546
00:30:52,600 --> 00:30:55,680
Speaker 1: music that's out? Now, that's one reason why I came back.

547
00:30:55,920 --> 00:30:59,000
Speaker 1: I figured that. I figured that. I mean, I can't

548
00:30:59,000 --> 00:31:01,000
Speaker 1: listen to radio no more, man, but you know that,

549
00:31:01,120 --> 00:31:02,880
Speaker 1: But that that had to be a phase in Army

550
00:31:02,960 --> 00:31:04,479
Speaker 1: music for this music to come, because you know, those

551
00:31:04,560 --> 00:31:06,400
Speaker 1: music is are revolving door just like fast, just like

552
00:31:06,480 --> 00:31:08,480
Speaker 1: anything else. So at the time when we kind of

553
00:31:08,560 --> 00:31:10,280
Speaker 1: because we left with number one records on the ready

554
00:31:10,280 --> 00:31:12,120
Speaker 1: and we just didn't just fall off and be forced

555
00:31:12,120 --> 00:31:14,320
Speaker 1: out the industry. You know, music was changing at the time,

556
00:31:14,680 --> 00:31:16,040
Speaker 1: and we said, you know, let's just take a break

557
00:31:16,040 --> 00:31:18,160
Speaker 1: and let the hip hop whole generation coming in. Now

558
00:31:18,240 --> 00:31:20,400
Speaker 1: this you know, rapping, singing and auto tune, all that

559
00:31:20,480 --> 00:31:23,240
Speaker 1: had to just transport. So instead of just like being

560
00:31:23,280 --> 00:31:25,280
Speaker 1: forced out the industry, I think we just took our

561
00:31:25,320 --> 00:31:27,320
Speaker 1: time away and now it's like the perfect time. That's

562
00:31:27,320 --> 00:31:29,320
Speaker 1: difficult for you guys because it's kind of like you

563
00:31:29,360 --> 00:31:31,400
Speaker 1: got to go through the new auto syndrome now because

564
00:31:31,440 --> 00:31:33,440
Speaker 1: now you got to teach the young kids who Joe

565
00:31:33,480 --> 00:31:34,920
Speaker 1: to see is now, you know, I mean before you know,

566
00:31:34,960 --> 00:31:37,080
Speaker 1: it's like to go back to what you did when

567
00:31:37,120 --> 00:31:41,520
Speaker 1: you first started doing interviews and clubs. And that's a

568
00:31:41,520 --> 00:31:43,400
Speaker 1: good question, like are you trying to gain new fans

569
00:31:43,480 --> 00:31:47,000
Speaker 1: or this album just for the day when Dan, Yeah,

570
00:31:47,040 --> 00:31:50,480
Speaker 1: I mean hardcore fans. But but if you think about it,

571
00:31:51,320 --> 00:31:53,640
Speaker 1: the new groups, you know what I'm saying, I'm pretty

572
00:31:53,680 --> 00:31:56,720
Speaker 1: sure if mom wasn't daddn't know about So they try

573
00:31:56,760 --> 00:31:59,160
Speaker 1: to tell them them, you know, that's what y'all need

574
00:31:59,200 --> 00:32:01,320
Speaker 1: to be doing. Ain't here and we're doing this for

575
00:32:01,360 --> 00:32:03,800
Speaker 1: our own fans. Man. But you know, like Jodas is

576
00:32:03,800 --> 00:32:08,120
Speaker 1: a brand now, it's bigger than exactly. It's like most

577
00:32:08,160 --> 00:32:09,640
Speaker 1: of the new fans they know the name, don't know

578
00:32:09,720 --> 00:32:11,520
Speaker 1: the members, and a lot of them don't even know

579
00:32:11,600 --> 00:32:13,280
Speaker 1: Caseing Joda's part of Joda. See you know what I say,

580
00:32:14,320 --> 00:32:16,280
Speaker 1: that's crazy. So I mean like even when they see

581
00:32:16,760 --> 00:32:19,040
Speaker 1: casing Jo Jodas, they only put the two together so

582
00:32:19,440 --> 00:32:21,880
Speaker 1: I think that's what's exciting about this album as a

583
00:32:21,920 --> 00:32:24,600
Speaker 1: new project. People that heard the name, heard the songs

584
00:32:24,800 --> 00:32:26,320
Speaker 1: can go back and do the history and it makes

585
00:32:26,320 --> 00:32:28,600
Speaker 1: it more exciting to do, like the walk up to

586
00:32:28,640 --> 00:32:30,720
Speaker 1: what today is Jodac and go back. And because the

587
00:32:30,760 --> 00:32:33,040
Speaker 1: songs are pretty much timeless, you know, like coming talk

588
00:32:33,080 --> 00:32:34,320
Speaker 1: to Me, you can hit on the radio songs you

589
00:32:34,360 --> 00:32:37,880
Speaker 1: put out last week freaking the same thing, so is

590
00:32:38,000 --> 00:32:40,480
Speaker 1: like I am cut your off? Do they don't do

591
00:32:40,560 --> 00:32:45,800
Speaker 1: it again? But anyways, this's the way I feel m

592
00:32:46,080 --> 00:32:49,840
Speaker 1: because with that question, Jodas is more we do it

593
00:32:49,920 --> 00:32:52,880
Speaker 1: because we love it. We didn't know who the effect

594
00:32:52,880 --> 00:32:57,040
Speaker 1: that it's gonna yeah have on people, and automatically they

595
00:32:57,120 --> 00:32:59,560
Speaker 1: love it. So we ain't trying to be nobody else.

596
00:32:59,560 --> 00:33:03,280
Speaker 1: We ain't changing. We're gonna beat Jolosi. Younna love it

597
00:33:03,400 --> 00:33:06,200
Speaker 1: or you don't. We love it and we're giving our

598
00:33:06,240 --> 00:33:09,960
Speaker 1: own and that's the brand that that I was talking about. Well, well,

599
00:33:10,000 --> 00:33:13,000
Speaker 1: let let the you and Casey form of y'all own group,

600
00:33:13,240 --> 00:33:14,760
Speaker 1: like when y'all did the whole all My life thing,

601
00:33:14,800 --> 00:33:17,600
Speaker 1: and you know what, be honest, Benji man, we was

602
00:33:17,640 --> 00:33:19,600
Speaker 1: in a mother basement before we got a break the

603
00:33:19,640 --> 00:33:24,760
Speaker 1: deal jodoci Now DeVante said, he's a yeo man, we

604
00:33:24,800 --> 00:33:27,160
Speaker 1: blow up. Man, when we blow up? Everything was winning

605
00:33:27,200 --> 00:33:29,840
Speaker 1: because you lay it was like it was playing is man,

606
00:33:29,880 --> 00:33:32,240
Speaker 1: we blow up? Man. I think y'all should do a

607
00:33:32,280 --> 00:33:35,960
Speaker 1: Haley Brothers album. I'm like, what you're saying, man, you

608
00:33:36,120 --> 00:33:39,800
Speaker 1: quiting the group already. We didn't got a deal, he said.

609
00:33:39,800 --> 00:33:42,240
Speaker 1: Now I'm just saying, man, when Jodosy blow up, man,

610
00:33:42,320 --> 00:33:44,800
Speaker 1: I think y'all just break away and let me work

611
00:33:44,800 --> 00:33:48,480
Speaker 1: on some more Jodosy stuff and uh Casey and jojout.

612
00:33:48,640 --> 00:33:51,440
Speaker 1: Actually he wanted the offer three of us to do

613
00:33:51,880 --> 00:33:55,320
Speaker 1: branch out from Dalvin didn't Metamorphous Yea and everything, and

614
00:33:55,920 --> 00:33:57,480
Speaker 1: it was just like it was time to take a

615
00:33:57,560 --> 00:34:01,000
Speaker 1: break and yeah and we just try something new. We

616
00:34:01,080 --> 00:34:03,640
Speaker 1: really didn't even think that. We didn't know end like

617
00:34:03,720 --> 00:34:05,800
Speaker 1: all my life, my life and stuff like that be

618
00:34:05,880 --> 00:34:09,880
Speaker 1: amazing copy. We didn't know that. But every time every album,

619
00:34:12,320 --> 00:34:16,080
Speaker 1: yeah man, that's an we're gonna do jo Nah, man

620
00:34:16,160 --> 00:34:19,280
Speaker 1: ain't ready yet, man, do another case in Jojia album,

621
00:34:20,000 --> 00:34:24,839
Speaker 1: we said, you just going up man. No man, Now

622
00:34:24,880 --> 00:34:27,080
Speaker 1: I'm just saying, y'all ain't doing nothing. Setting up Jodas.

623
00:34:29,640 --> 00:34:33,760
Speaker 1: It worked sa y'all the voices, it worked right. Another

624
00:34:33,840 --> 00:34:36,919
Speaker 1: thing to say, Josie never left a voice, was still

625
00:34:36,960 --> 00:34:40,359
Speaker 1: on the radio. You know. Has anybody post you guys

626
00:34:40,360 --> 00:34:43,480
Speaker 1: about doing a buyo pick or anything like that? Yeah?

627
00:34:43,640 --> 00:34:46,160
Speaker 1: Is it something you're considering when it's right, when the time.

628
00:34:46,239 --> 00:34:49,799
Speaker 1: Don't let it be on lifetime. No, it can't be

629
00:34:49,840 --> 00:34:53,560
Speaker 1: a lifetime None against lifetime, but we have something he

630
00:34:53,719 --> 00:34:56,359
Speaker 1: could be on lifetime. They got that brand, they got

631
00:34:56,360 --> 00:35:00,719
Speaker 1: that money. What are you like before, Jojo? Because you

632
00:35:00,719 --> 00:35:02,719
Speaker 1: said you know your your grandfather. Now are you still

633
00:35:02,760 --> 00:35:04,880
Speaker 1: like doing like the Phoenians and the freaking us that

634
00:35:04,960 --> 00:35:08,680
Speaker 1: you prefer to all my life? Um, you know that

635
00:35:08,760 --> 00:35:11,840
Speaker 1: was a good question. I've been asked that before. Um,

636
00:35:11,880 --> 00:35:14,920
Speaker 1: I'm more into to tell me it's real to all

637
00:35:15,000 --> 00:35:20,320
Speaker 1: my life and stuff the baby once you stayed lately,

638
00:35:21,560 --> 00:35:25,719
Speaker 1: I'm I'm all up in there because the freaking you

639
00:35:25,880 --> 00:35:41,000
Speaker 1: and stuff, Navin taking stage jobs and No, I'm pretty

640
00:35:41,080 --> 00:35:43,160
Speaker 1: much like I said, I'm just pretty much laid back

641
00:35:43,200 --> 00:35:46,840
Speaker 1: and I just like I'm a Luca van Dross listening

642
00:35:46,960 --> 00:35:52,000
Speaker 1: baby face consumer. Um, I'm up in at kind of

643
00:35:52,040 --> 00:36:07,839
Speaker 1: mellow guns roses ye Beatles and beat Us no soft

644
00:36:07,880 --> 00:36:10,799
Speaker 1: for me. I love to beat us? But what would

645
00:36:10,800 --> 00:36:13,160
Speaker 1: you now? What got your back with La Read? What

646
00:36:13,520 --> 00:36:15,719
Speaker 1: got you with La reading Epic Records? What was that comment?

647
00:36:15,920 --> 00:36:19,759
Speaker 1: It's the first time really, But you know La Read

648
00:36:19,880 --> 00:36:22,520
Speaker 1: is he's a real musician. He understands real music. Like

649
00:36:22,680 --> 00:36:26,000
Speaker 1: a lot of presidents and you know vps and music,

650
00:36:26,000 --> 00:36:28,080
Speaker 1: they don't even know music. It's just thousands, you know,

651
00:36:28,120 --> 00:36:29,960
Speaker 1: thousand sins to him. But he understood the music. Did

652
00:36:30,000 --> 00:36:31,480
Speaker 1: he reached out to y'all y'all reached out to him?

653
00:36:31,560 --> 00:36:33,840
Speaker 1: Or wasn't mutual? It was mutual. It was mutual. He

654
00:36:33,880 --> 00:36:36,120
Speaker 1: understood what it was. He understood with the vision where

655
00:36:36,160 --> 00:36:38,880
Speaker 1: you know Lewis Burrell and you know Brion, they was

656
00:36:38,920 --> 00:36:41,520
Speaker 1: trying to go and they me they understood because a

657
00:36:41,520 --> 00:36:43,399
Speaker 1: lot La was they didn't get it because they still

658
00:36:43,440 --> 00:36:45,760
Speaker 1: stuck into that. You know, no disrespect about the Chris Browns,

659
00:36:45,760 --> 00:36:47,879
Speaker 1: who I love Chris Browns artist, you know, but it's

660
00:36:47,920 --> 00:36:50,160
Speaker 1: like like New R and B, which you know, what's

661
00:36:50,239 --> 00:36:52,719
Speaker 1: people just hearing? And La Reid knows music because coming

662
00:36:52,760 --> 00:36:55,520
Speaker 1: from the Deal and baby Face and now he knows music.

663
00:36:55,600 --> 00:36:58,239
Speaker 1: Did anybody have any reservations about signing y'all because of

664
00:36:58,239 --> 00:37:00,440
Speaker 1: all the stuff we see in the media. We thought

665
00:37:00,480 --> 00:37:02,400
Speaker 1: you might have been a liability and anybody down ever,

666
00:37:02,960 --> 00:37:05,239
Speaker 1: anybody dot they doubt us for day one. You know

667
00:37:05,239 --> 00:37:08,560
Speaker 1: what I'm saying. The first album I'm Born to Countortable

668
00:37:08,640 --> 00:37:11,480
Speaker 1: and what the country boy was wow wow wow. So

669
00:37:12,200 --> 00:37:14,480
Speaker 1: we've been hearing that like whatever, you know what I'm

670
00:37:14,719 --> 00:37:19,480
Speaker 1: but we're just the truth. But you know, we just

671
00:37:19,880 --> 00:37:22,480
Speaker 1: hung in that. Man. We stuck our heads together, man,

672
00:37:22,560 --> 00:37:25,000
Speaker 1: and you know we're like, yo, We'll be all right.

673
00:37:25,200 --> 00:37:27,160
Speaker 1: What's the dumbest thing you guys are bought? We're making

674
00:37:27,200 --> 00:37:29,200
Speaker 1: all that money. Did you look back and be like, damn, man,

675
00:37:29,280 --> 00:37:37,080
Speaker 1: she give you out a list time. Man. Want to know, man,

676
00:37:37,680 --> 00:37:41,680
Speaker 1: put yourself on our shoe? Yeah, all right, and your

677
00:37:41,680 --> 00:37:46,360
Speaker 1: teams yes for North Carolina moving to New York City.

678
00:37:47,080 --> 00:37:52,520
Speaker 1: Wouldn't hit record with your own rules. I wish the

679
00:37:52,600 --> 00:37:54,400
Speaker 1: Vaunte was here because I got questions for him. Everybody

680
00:37:54,400 --> 00:37:56,560
Speaker 1: always thinks the Vaunte is crazy, but he seemed like

681
00:37:56,600 --> 00:38:01,080
Speaker 1: the visionary of the whole situation. Joe is good down

682
00:38:01,160 --> 00:38:04,360
Speaker 1: in four part I'm glad said that bunch of the brain.

683
00:38:06,280 --> 00:38:09,840
Speaker 1: The album is the heart Joe does the mind? Can

684
00:38:09,960 --> 00:38:14,000
Speaker 1: you see the soul? All right? I think we ended

685
00:38:14,080 --> 00:38:15,600
Speaker 1: right there and there Joe to see is the new

686
00:38:15,640 --> 00:38:19,160
Speaker 1: albums in? Yeah, right now, make sure you go get it.

687
00:38:19,239 --> 00:38:23,040
Speaker 1: The past, the present, the future. Absolutely. We appreciate you guys.

688
00:38:23,400 --> 00:38:28,359
Speaker 1: Thank you many on us today too, man. I see you, man,

689
00:38:28,480 --> 00:38:31,400
Speaker 1: I know I going on all the people that deserve it.

690
00:38:31,440 --> 00:38:35,640
Speaker 1: I rock with the legends than man. All right, it's

691
00:38:35,719 --> 00:38:38,120
Speaker 1: Breakfast Club, It's jealosye yes, yeah,