WEBVTT - The Ninja, Part 4

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

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<v Speaker 2>Hey you welcome to Stuff to Blow Your Mind.

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<v Speaker 3>My name is Robert Lamb and I am Joe McCormick.

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<v Speaker 3>And today we're back with part four of our series

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<v Speaker 3>on the Ninja. Now, if you haven't heard the previous

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<v Speaker 3>three episodes, you should probably go back and check those

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<v Speaker 3>out first, but for a brief refresher. In the previous parts,

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<v Speaker 3>we talked about the origins of the term ninja and

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<v Speaker 3>its functional equivalent shinobi nomono, meaning a person who practices sneaking, secrecy,

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<v Speaker 3>invisibility or in an alternate reading patience, or endurance. We

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<v Speaker 3>talked about the alleged historical origins of the shinobi nomono

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<v Speaker 3>as practitioners of espionage and undercover warfare in Singoku era Japan,

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<v Speaker 3>which covered parts of the fifteenth and sixteenth centuries and

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<v Speaker 3>was characterized by frequent up risings in civil wars. But

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<v Speaker 3>we also discussed the complicated historical question of to what

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<v Speaker 3>extent the people who practiced spying, sabotage, and sneak attacks

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<v Speaker 3>during this period can actually be said to connect to

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<v Speaker 3>the modern literary archetype of the ninja. Which has evolved

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<v Speaker 3>over several centuries and is almost certainly composed in large

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<v Speaker 3>part of legendary development and invented tradition. We talked, especially

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<v Speaker 3>in the first part of this series, about how the

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<v Speaker 3>ninja entered international pop culture in the twentieth century and

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<v Speaker 3>the characteristics of the pop culture ninja and how those

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<v Speaker 3>don't really match up with much of even the historical,

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<v Speaker 3>legendary version of the ninja. We talked about some individual

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<v Speaker 3>shinobi warriors from legend and history, including stories of ninja

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<v Speaker 3>esque sorcerers who could ride on spectral toads, and in

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<v Speaker 3>the last episode, we talked about some of the fantastic

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<v Speaker 3>tools and techniques described in popular ninjitsu annuals that were

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<v Speaker 3>compiled and published beginning in the seventeenth century, including everything

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<v Speaker 3>from the use of gunpowder and pharmacology to the so

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<v Speaker 3>called water spider device that would I don't allow you

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<v Speaker 3>to do something in water questions remain that's right.

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<v Speaker 2>And so this is we're back here for the final installment,

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<v Speaker 2>Part four, and as is often the case with our series,

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<v Speaker 2>part four is kind of and the rest. So we're

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<v Speaker 2>gonna have examples of content that match up with everything

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<v Speaker 2>we just highlighted from the previous episodes, So like a

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<v Speaker 2>little bit more of everything we've been talking about, I

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<v Speaker 2>think getting into some I know some things that were

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<v Speaker 2>probably you know, pinging in your mind as you listen

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<v Speaker 2>to the first three, like when are they going to

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<v Speaker 2>talk about throwing stars?

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<v Speaker 3>That's right. One of the inanimate objects most closely associated

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<v Speaker 3>with the ninja in modern movies and storytelling is the

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<v Speaker 3>shuriken at the throwing star aka the ninja star.

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<v Speaker 2>This is, of course one of the big ninja weapons

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<v Speaker 2>of pop culture, and one of the things is just

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<v Speaker 2>instantly attractive about the ninja that you can't help but

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<v Speaker 2>want to throw a shuri can at somebody or at

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<v Speaker 2>the wall. Even when when my family when we were

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<v Speaker 2>in Japan, one of the hotels that we stayed at

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<v Speaker 2>in Tokyo had a ninja theme and when your families

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<v Speaker 2>were checking in, they would give the kids like pretend

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<v Speaker 2>suri can to throw at a target on the wall.

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<v Speaker 3>Yes, I was reading about how shurican ranges are like

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<v Speaker 3>a common stop on sort of like ninja tourist offerings.

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<v Speaker 2>Yeah, yeah, so literally it basically means a blade in

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<v Speaker 2>the hand, and yeah, these are typically depicted in Japanese

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<v Speaker 2>ninja media as something you sling out rapid fire, like

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<v Speaker 2>kind of like you're dealing cards, throwing cards or something,

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<v Speaker 2>while a lot of Western ninja tails tend to present

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<v Speaker 2>them as these kind of deadly one shots. I think

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<v Speaker 2>we've all seen movie in which a ninja throws a

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<v Speaker 2>shuri can and it gets somebody right in the forehead

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<v Speaker 2>and somehow kills them dead.

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<v Speaker 3>Rob correct me if you have a different impression. But

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<v Speaker 3>I feel like a lot of ninja movies emphasize a

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<v Speaker 3>theme with the shura can that's almost like in fact,

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<v Speaker 3>you mention another Western movie that that borrows from a

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<v Speaker 3>Japanese origin, in The Magnificent Seven, there's that scene where

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<v Speaker 3>there's you know, James Coburn brings a knife to a

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<v Speaker 3>gunfight and he beats the gunfighter by throwing the knife

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<v Speaker 3>faster than the gunfighter can draw his gun. Of course

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<v Speaker 3>that movie is based on seven Samurai originally, but but

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<v Speaker 3>there is I think a similar thing going on with

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<v Speaker 3>the shura can in a lot of these movies. It's

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<v Speaker 3>like the Blade the bladed Star beats technology every time.

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<v Speaker 2>Yeah, and it helps to have those rapid fire cuts too,

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<v Speaker 2>because of course the way you typically do a knife

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<v Speaker 2>throw or a sura can throw in cinema, is you

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<v Speaker 2>just like cut two or pan over to where the

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<v Speaker 2>fake sure kin, the fake blade is already stuck in

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<v Speaker 2>the person, so you know it's lightning fast. It's like bam,

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<v Speaker 2>there it is. It's like magically appeared in their forehead.

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<v Speaker 3>Now, I think we mentioned in a previous episode. If not,

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<v Speaker 3>I'll go ahead and mention now that one thing that

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<v Speaker 3>is quite surprising is that shuriken actually do not feature

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<v Speaker 3>in any of the classic ninjusu manuals that we were

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<v Speaker 3>talking about from beginning in the seventeenth century in the

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<v Speaker 3>last episode. Though that doesn't mean they did not exist

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<v Speaker 3>at all. There are some historical artifacts that can sort

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<v Speaker 3>of fit in this box. It's just that historically, until

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<v Speaker 3>I'll get to this in a minute, until basically the

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<v Speaker 3>twentieth century, they were not particularly associated with ninja or shinobi.

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<v Speaker 2>Yeah, and it's interesting to sort of tease to the

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<v Speaker 2>history of like just the weapon itself. I was reading

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<v Speaker 2>about this in Heroko Yoda and matt Alt's Ninja Attack,

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<v Speaker 2>which again is an excellent little illustrated book that covers

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<v Speaker 2>all these highlights. But they point out that not all

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<v Speaker 2>of these various designs of the shurican that we do

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<v Speaker 2>have would have been thrown. Some of them were simply

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<v Speaker 2>small handheld blades. And that's interesting too, because in ninja media,

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<v Speaker 2>I can't think of an example of anyone doing anything

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<v Speaker 2>with a shurcan other than throw it. You know, I

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<v Speaker 2>don't think I've ever seen anybody like whittle with one,

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<v Speaker 2>or open a soda pop with one, or anything. You know.

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<v Speaker 2>They're just for throwing. And apparently, of the ones that

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<v Speaker 2>were thrown, the more likely scenario here is that they

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<v Speaker 2>would have been a close range nuisance or distraction weapon

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<v Speaker 2>as opposed to that stealthy one shot kill.

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<v Speaker 3>Yeah, that very much squares with my understanding. So I

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<v Speaker 3>was reading about the origins of the association between shurikean

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<v Speaker 3>and ninja in a book that I've been referencing throughout

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<v Speaker 3>this series. It's a book called Ninja Unmasking the Myth

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<v Speaker 3>by a historian named Stephen Turnbull, which goes a lot

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<v Speaker 3>into the complicated questions the historicity of the ninja tropes

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<v Speaker 3>that exist today, and so in order to understand the

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<v Speaker 3>association that emerged between shurrikan and ninja. It's apparently important

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<v Speaker 3>to understand a particular Japanese martial artist and author who

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<v Speaker 3>lived in the twentieth century named Fuji Ta Seiko, who

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<v Speaker 3>was a practitioner and claimed to be a preserver of

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<v Speaker 3>the ninjitsu tradition of the Coca region of Japan. Fuji

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<v Speaker 3>To Seiko lived from eighteen ninety eight to nineteen sixty six,

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<v Speaker 3>and Fujiita's writings were influential in creating the image of

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<v Speaker 3>the ninja that emerged in the mid twentieth century after

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<v Speaker 3>the conclusion of World War Two. I'm not going to

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<v Speaker 3>completely cover his biography, but i will say that he

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<v Speaker 3>is a fascinating and somewhat controversial figure worth reading more about,

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<v Speaker 3>just to hit some of the top lines. In nineteen

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<v Speaker 3>thirty six, he published a book called Ninjutsu Hiroku, which

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<v Speaker 3>means something like secret Notes on Ninjutsu, which is allegedly

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<v Speaker 3>based on the secret Koca traditions that have been passed

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<v Speaker 3>down to his family through direct instruction without being published

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<v Speaker 3>for a general audience, and he claimed that he was

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<v Speaker 3>publishing this information about ninjutsu to help Japan win its

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<v Speaker 3>war against China. However, actually a lot of the information

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<v Speaker 3>that he includes in this book does come from other

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<v Speaker 3>pre existing ninjitsu manuals like the ones we talked about

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<v Speaker 3>in the last part of this series, like the Manson

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<v Speaker 3>Chukai or the bens In Chukai. So the Ninjitsu Hiroku

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<v Speaker 3>reframes a lot of information from these previous ninjasu manuals

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<v Speaker 3>of the Tokugawa period. But apparently it does things like

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<v Speaker 3>rationalize a lot of magical sounding claims. For example, techniques

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<v Speaker 3>that originally were presented as ways of transforming magically into

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<v Speaker 3>a rat are instead presented as making a noise like

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<v Speaker 3>a rat to confuse and distract guards, Or like the

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<v Speaker 3>idea that one could potentially turn invisible is rationalized as well.

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<v Speaker 3>You can walk in a certain way so that you

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<v Speaker 3>cannot be seen, thus causing the impression that you've become invisible.

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<v Speaker 2>Okay.

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<v Speaker 3>A lot of this book also concerns self glorifying claims

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<v Speaker 3>of practices of physical endurance and austerity. For example, he

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<v Speaker 3>claimed that, you know, as part of his practice, he

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<v Speaker 3>could like break glass bottles over his own head to

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<v Speaker 3>prove his toughness. He says he can do forty glass

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<v Speaker 3>bottles in a row.

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<v Speaker 2>Do not attempt that no idea.

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<v Speaker 3>I'm going to mention a few other things. Don't do

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<v Speaker 3>any of this, please, This is not a good training regime,

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<v Speaker 3>even if you want to be a ninja. He says,

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<v Speaker 3>the shanobi must be able to withstand torture without giving

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<v Speaker 3>up information. So he says, I have stabbed myself with

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<v Speaker 3>hundreds of needles. Here's a picture of me with all

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<v Speaker 3>the needles in me, And I have eaten roof tiles,

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<v Speaker 3>glass bricks, and rat poison. Again, questionable whether he actually

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<v Speaker 3>did some of that. I think people did claim that

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<v Speaker 3>they saw him eating glass. I don't know about the poison,

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<v Speaker 3>but don't do any of this. He also apparently claimed

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<v Speaker 3>that he knew dog language and thus could like communicate

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<v Speaker 3>with dogs to like call them for help if needed,

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<v Speaker 3>or make maybe make them fight each other.

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<v Speaker 2>Well aside from them making them fight each other. Please

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<v Speaker 2>feel free to experiment with this one.

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<v Speaker 3>You can talk to dogs, yes, better than eating poison

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<v Speaker 3>and glass.

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<v Speaker 2>Yeah.

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<v Speaker 3>But one of Fujiita Seiko's most enduring contributions to the

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<v Speaker 3>ninja mythology of today is his attachment of the shuriken

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<v Speaker 3>in its current form to the ninja legend. So I'm

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<v Speaker 3>going to try to get into that. Stephen Turnbull in

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<v Speaker 3>his book actually as a whole chapter just on where

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<v Speaker 3>the shurican comes from and how it can next to ninjitsu.

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<v Speaker 3>So there are references to the word shuriken in seventeenth

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<v Speaker 3>century ninjitsu manuals, but they are apparently referring to completely

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<v Speaker 3>different objects than we have in mind. We picture the

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<v Speaker 3>ninja star that's got you know, it's a star shaped,

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<v Speaker 3>vaguely circular object made of metal that has points all

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<v Speaker 3>around so you can throw it in the spinning fashion

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<v Speaker 3>and wherever it hits somebody, it's going to stab into them.

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<v Speaker 2>That's right, And again we've seen this in movies time

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<v Speaker 2>and time again. I actually looked back at the James

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<v Speaker 2>Bond film that we talked about being pivotal in the

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<v Speaker 2>history of introducing the idea of the ninja to international audience.

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<v Speaker 2>You only live twice, and look, I didn't watch the

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<v Speaker 2>film in full, but I did find some YouTube clips

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<v Speaker 2>of it official on the James Bond YouTube page. Okay,

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<v Speaker 2>and there is a scene laid in the film where

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<v Speaker 2>someone I think it's Bond himself, throws a shuriken at

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<v Speaker 2>Blofeld and Blowfelt has a pistol, hits it in the hand,

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<v Speaker 2>knocks a pistol out of his hand.

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<v Speaker 3>This is actually a common thing in the movies where

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<v Speaker 3>the ninja will use it to disarm an opponent who

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<v Speaker 3>like has them at a loss.

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<v Speaker 2>Yeah, and I guess again, issues of accuracy and power aside.

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<v Speaker 2>You know, I guess that's more realistic than the instant kill.

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<v Speaker 3>Yeah, I'm going to get to the likely use of

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<v Speaker 3>it in a second, to the extent it's even being

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<v Speaker 3>recommended to a ninja. But so, okay, what is this

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<v Speaker 3>If the shuracan referenced in the seventeenth century in ninjutsu

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<v Speaker 3>manuals is not what we have in mind, what is it? Well,

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<v Speaker 3>one of the earliest references, according to Turnbull, is in

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<v Speaker 3>a is in a text called the Gunpo Goshu of

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<v Speaker 3>sixteen fifty three, and in this case, the shuriken is

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<v Speaker 3>said to be quote a torch made from split wood

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<v Speaker 3>and fitted into a metal base with a spike. So

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<v Speaker 3>that's interesting a torch. But the idea here is you're

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<v Speaker 3>century up on a castle wall and you know it's nighttime,

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<v Speaker 3>You're sure surrounded by darkness, and you need to see

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<v Speaker 3>what's happening down on the ground below at the base

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<v Speaker 3>of the castle wall. So you throw down this shuriken.

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<v Speaker 3>This object is a sort of combination torch lawn dart,

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<v Speaker 3>and the metal spike sticks into the soil and the

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<v Speaker 3>torch illuminates the ground around the base of the wall.

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<v Speaker 2>All right, seems reasonable, seems practical.

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<v Speaker 3>Yeah, that's a totally logical sounding tool. And it's interesting

0:13:27.679 --> 0:13:30.880
<v Speaker 3>because again this sort of crosses that boundary that keeps

0:13:30.880 --> 0:13:35.040
<v Speaker 3>getting blurred in the history of ninja lore between weapons

0:13:35.080 --> 0:13:38.480
<v Speaker 3>intended for direct violence and things that are just tools

0:13:38.600 --> 0:13:43.839
<v Speaker 3>used to gather information. However, when it comes to direct references,

0:13:43.880 --> 0:13:48.719
<v Speaker 3>there is another early reference to shurikean that is also dissimilar,

0:13:49.480 --> 0:13:52.679
<v Speaker 3>dissimilar to what's the word there, dissimilar to or dissimilar from.

0:13:52.720 --> 0:13:55.400
<v Speaker 3>It's not the same as a ninja star. This is

0:13:55.480 --> 0:13:59.640
<v Speaker 3>the bow shurickan mentioned in some seventeenth century texts, which

0:13:59.679 --> 0:14:03.240
<v Speaker 3>is a bar or rod shaped object that could be

0:14:03.280 --> 0:14:05.640
<v Speaker 3>thrown by hand. So essentially this is just a large

0:14:05.640 --> 0:14:06.600
<v Speaker 3>steel dart.

0:14:07.120 --> 0:14:09.199
<v Speaker 2>Yeah, these these are really neat and of course when

0:14:09.240 --> 0:14:12.640
<v Speaker 2>you start looking up weapons of the sort ninja weapons

0:14:12.640 --> 0:14:14.199
<v Speaker 2>seeing you find there's a lot of drift, there's a

0:14:14.200 --> 0:14:18.840
<v Speaker 2>lot of like modernization and whether the weapon actually existed

0:14:18.920 --> 0:14:21.960
<v Speaker 2>historically or not, somebody has made it now and you can,

0:14:22.120 --> 0:14:24.240
<v Speaker 2>you know, again, buy it at the mall or something.

0:14:24.440 --> 0:14:26.200
<v Speaker 2>But these are pretty cool, and these are one of

0:14:26.240 --> 0:14:28.800
<v Speaker 2>the I feel like just to dip back into Dungeons

0:14:28.840 --> 0:14:32.440
<v Speaker 2>and Dragons for a second. Anytime darts are are are

0:14:32.480 --> 0:14:34.800
<v Speaker 2>mentioned or darts come up as a possible weapon in

0:14:34.840 --> 0:14:38.480
<v Speaker 2>Dungeons and Dragons, I feel like most people's mind, you know,

0:14:38.560 --> 0:14:42.480
<v Speaker 2>given the often sort of like westernized fantasy setting of

0:14:42.560 --> 0:14:45.720
<v Speaker 2>Dungeons and Dragons, you often think of like a dart

0:14:45.760 --> 0:14:49.960
<v Speaker 2>from a pool hall, right, yeah, dart board, just small,

0:14:50.600 --> 0:14:54.160
<v Speaker 2>you know, basically harmless weapon. And I would always want

0:14:54.160 --> 0:14:57.160
<v Speaker 2>to advise me, no, no, look up some some bow shuriken

0:14:57.800 --> 0:15:00.200
<v Speaker 2>and imagine that for your character. Instead it's I'm not

0:15:00.240 --> 0:15:01.640
<v Speaker 2>going to do a lot of damage in the game,

0:15:02.000 --> 0:15:03.320
<v Speaker 2>but it looks cooler.

0:15:03.520 --> 0:15:06.119
<v Speaker 3>Yes, But coming back to the idea of not necessarily

0:15:06.160 --> 0:15:10.560
<v Speaker 3>needing to do a lot of damage, that actually connects

0:15:10.560 --> 0:15:15.200
<v Speaker 3>to where we get the first references too, star shaped

0:15:15.320 --> 0:15:19.080
<v Speaker 3>shurickan in an actual ninjutsu text, and that's in the

0:15:19.080 --> 0:15:22.000
<v Speaker 3>twentieth century. So here we're coming back to Fujita Seiko

0:15:22.680 --> 0:15:26.600
<v Speaker 3>in Ninjitsuhiroku. Again this is from the year nineteen thirty six.

0:15:27.200 --> 0:15:30.480
<v Speaker 3>He has a passage about shurikean in his text, and

0:15:30.520 --> 0:15:34.440
<v Speaker 3>so I'm gonna hear read from Turnbull's featured translation. So

0:15:35.000 --> 0:15:38.080
<v Speaker 3>the author here writes, if you have to defend yourself

0:15:38.120 --> 0:15:41.440
<v Speaker 3>against a sudden attack by an enemy, put some distance

0:15:41.480 --> 0:15:44.800
<v Speaker 3>between you to ensure your safety. In this case, use

0:15:44.920 --> 0:15:48.920
<v Speaker 3>the small weapon called a tobi dogu, which means throwing weapon,

0:15:49.240 --> 0:15:54.000
<v Speaker 3>known to the author as shurikean. Samurai normally despised these

0:15:54.080 --> 0:15:57.280
<v Speaker 3>and other throwing weapons, but they are most effective if

0:15:57.400 --> 0:16:00.720
<v Speaker 3>used skillfully. The shuri caan can do great damage if

0:16:00.720 --> 0:16:04.880
<v Speaker 3>it hits someone's eye. So even in this take from

0:16:04.920 --> 0:16:09.320
<v Speaker 3>the nineteen thirties, the shur can is not a primary weapon,

0:16:09.720 --> 0:16:12.120
<v Speaker 3>but the idea seems to me to be more like

0:16:12.280 --> 0:16:15.480
<v Speaker 3>throwing sand in somebody's eyes. It's like a trick you

0:16:15.480 --> 0:16:18.600
<v Speaker 3>can use to buy time or advantage if you're caught

0:16:18.640 --> 0:16:20.320
<v Speaker 3>off guard or being chased.

0:16:20.640 --> 0:16:24.040
<v Speaker 2>Yeah, and in this scenario, especially keeping the samurai from

0:16:24.120 --> 0:16:28.480
<v Speaker 2>closing the distance between themselves and you, because that's life

0:16:28.480 --> 0:16:30.080
<v Speaker 2>and death at that point. If you can, if you

0:16:30.120 --> 0:16:33.640
<v Speaker 2>can just keep the distance between yourself and the samurai,

0:16:33.720 --> 0:16:35.880
<v Speaker 2>then maybe you've got a chance to get away.

0:16:35.800 --> 0:16:38.240
<v Speaker 3>Right, It's the idea is throwing something to keep the

0:16:38.240 --> 0:16:39.840
<v Speaker 3>samurai out of sword range.

0:16:40.120 --> 0:16:42.400
<v Speaker 2>Yeah, this reminds me a little bit. We did, you know,

0:16:42.440 --> 0:16:44.680
<v Speaker 2>a past episode of Stuff to Blow your Mind. We

0:16:44.680 --> 0:16:48.920
<v Speaker 2>did a series talking about like throwing animals, throwing things,

0:16:48.960 --> 0:16:53.280
<v Speaker 2>and then we got for one episode into an overview

0:16:53.400 --> 0:16:56.960
<v Speaker 2>of like human history with thrown weapon objects. And you know,

0:16:57.000 --> 0:16:59.520
<v Speaker 2>they range from from well I would say they range

0:16:59.520 --> 0:17:02.440
<v Speaker 2>from rock to more complex weapons. But I remember even

0:17:02.480 --> 0:17:06.720
<v Speaker 2>in talking about throwing rocks and stones as weapons, you know,

0:17:06.760 --> 0:17:08.440
<v Speaker 2>there's a lot more to it. You know, there's a

0:17:08.480 --> 0:17:12.200
<v Speaker 2>lot of selection involved in picking up the exact correct object.

0:17:12.440 --> 0:17:13.760
<v Speaker 2>And this is a case where we get to that

0:17:13.840 --> 0:17:17.800
<v Speaker 2>next level of Okay, what have we crafted the items

0:17:17.840 --> 0:17:19.959
<v Speaker 2>that we wish to throw so that they could be

0:17:20.280 --> 0:17:21.200
<v Speaker 2>used more optimally?

0:17:21.600 --> 0:17:25.960
<v Speaker 3>Describing what devices to throw for this purpose, Fujiita advises,

0:17:26.240 --> 0:17:29.440
<v Speaker 3>for one thing, improvised hand thrown weapons such as knives

0:17:29.520 --> 0:17:32.600
<v Speaker 3>or hairpins. So it's like, if you know, throw whatever

0:17:32.640 --> 0:17:35.000
<v Speaker 3>you can get your hands on, but if you're going

0:17:35.000 --> 0:17:38.280
<v Speaker 3>to have a dedicated weapon to throw. He also illustrates

0:17:38.440 --> 0:17:42.000
<v Speaker 3>dedicated shurrican designs, and one of the illustrations is a

0:17:42.040 --> 0:17:45.679
<v Speaker 3>classic bow shuriken, a large steel dart. But he also

0:17:45.800 --> 0:17:49.240
<v Speaker 3>includes pointed metal stars, and so here we get our

0:17:49.359 --> 0:17:55.520
<v Speaker 3>first illustration of throwing stars in a ninjutsu text. So

0:17:55.680 --> 0:17:58.520
<v Speaker 3>one of the things he illustrates is cross shaped it

0:17:58.520 --> 0:18:01.840
<v Speaker 3>has four points, and another one is shown with eight points.

0:18:01.960 --> 0:18:05.280
<v Speaker 3>This is in nineteen thirty six, the first ninja text

0:18:05.400 --> 0:18:09.440
<v Speaker 3>showing the star shaped shuriken. However, it's clear that Fujita

0:18:09.480 --> 0:18:13.800
<v Speaker 3>Seko did not invent this device from his imagination, because

0:18:13.840 --> 0:18:17.880
<v Speaker 3>even though earlier ninjitsu texts don't include them, we do

0:18:18.000 --> 0:18:22.400
<v Speaker 3>have evidence from earlier periods of vaguely star shaped blades

0:18:22.480 --> 0:18:26.440
<v Speaker 3>or cross shaped blades that did exist and could possibly

0:18:26.480 --> 0:18:29.360
<v Speaker 3>be thrown. So instead of looking for them in the

0:18:29.480 --> 0:18:32.159
<v Speaker 3>nunjitsu manuals, you can find them in the jiu jitsu

0:18:32.359 --> 0:18:37.240
<v Speaker 3>arsenals of the Tokugawa period, particularly associated with a martial

0:18:37.320 --> 0:18:41.520
<v Speaker 3>arts tradition called the Sego Reu. One of the documents

0:18:41.560 --> 0:18:45.000
<v Speaker 3>allegedly associated with this school of martial arts includes an

0:18:45.000 --> 0:18:48.239
<v Speaker 3>illustration of a weapon that is quite similar that is

0:18:48.280 --> 0:18:52.040
<v Speaker 3>described like two knife blades fastened in the middle with

0:18:52.119 --> 0:18:55.640
<v Speaker 3>a hinge. So the way I'm picturing this finder stand

0:18:55.680 --> 0:18:58.359
<v Speaker 3>it right, is it's like a pair of scissors, but

0:18:58.520 --> 0:19:02.080
<v Speaker 3>instead of you know, one side of each blade being handles,

0:19:02.160 --> 0:19:07.200
<v Speaker 3>it's just blades on every point. Now, for several reasons,

0:19:07.680 --> 0:19:11.440
<v Speaker 3>Turnbull thinks that Fuji ta Seko was probably not familiar

0:19:11.520 --> 0:19:16.480
<v Speaker 3>with this exact document that I just mentioned, and probably

0:19:16.720 --> 0:19:21.119
<v Speaker 3>was getting his knowledge of the star shaped throwing weapon

0:19:21.800 --> 0:19:25.840
<v Speaker 3>just from seeing these artifacts around. And there is other

0:19:25.960 --> 0:19:30.960
<v Speaker 3>evidence from history of people like having versions of these artifacts,

0:19:31.040 --> 0:19:33.760
<v Speaker 3>even going back to the Tokugawa period, but they just

0:19:33.800 --> 0:19:37.359
<v Speaker 3>traditionally it doesn't seem like they were super common, and

0:19:37.359 --> 0:19:40.879
<v Speaker 3>they weren't particularly they weren't associated as far as anybody knows,

0:19:41.000 --> 0:19:45.120
<v Speaker 3>with nunjitsu until the twentieth century, and now that's all

0:19:45.119 --> 0:19:46.119
<v Speaker 3>they're associated with.

0:19:47.400 --> 0:19:49.680
<v Speaker 2>Yeah, I think we probably have to sort of try

0:19:49.720 --> 0:19:54.040
<v Speaker 2>and imagine that most likely more historically accurate vision of

0:19:54.080 --> 0:20:02.040
<v Speaker 2>shnobi operatives as being plaine clothes SBNA operatives, who, you know,

0:20:02.119 --> 0:20:04.440
<v Speaker 2>if you're going to carry items on you, like, are

0:20:04.480 --> 0:20:06.960
<v Speaker 2>you going to really commit to having these some sort

0:20:06.960 --> 0:20:09.879
<v Speaker 2>of a throwing star, sure, a can on your person?

0:20:10.240 --> 0:20:13.359
<v Speaker 2>Something that again is I think going to be at

0:20:13.480 --> 0:20:15.199
<v Speaker 2>least in the modern understanding of it is going to

0:20:15.200 --> 0:20:19.399
<v Speaker 2>be more obviously a weapon and therefore subject to you know,

0:20:20.200 --> 0:20:23.520
<v Speaker 2>I mean, being judged in your illegal weapon or also

0:20:23.680 --> 0:20:26.800
<v Speaker 2>just being suspect in nature that you have it as

0:20:26.840 --> 0:20:30.280
<v Speaker 2>a And again, think about when you would supposedly use it,

0:20:30.359 --> 0:20:33.120
<v Speaker 2>like when the samurai are coming after you, or when

0:20:33.440 --> 0:20:37.080
<v Speaker 2>guards are coming after you, like really in the worst

0:20:37.080 --> 0:20:39.399
<v Speaker 2>case scenarios, and that might be a better place to

0:20:39.480 --> 0:20:43.120
<v Speaker 2>maybe depend on just throwing say, you know, found objects

0:20:43.119 --> 0:20:46.000
<v Speaker 2>like a bottle or some other item in your immediate vicinity,

0:20:47.160 --> 0:20:50.479
<v Speaker 2>as opposed to having some special specialty device on your

0:20:50.520 --> 0:20:51.280
<v Speaker 2>person instead.

0:20:52.760 --> 0:20:56.160
<v Speaker 3>There's one detail from Turnbull's chapter that is so interesting

0:20:56.160 --> 0:20:59.240
<v Speaker 3>I had to bring it up. It's about the design

0:20:59.520 --> 0:21:03.760
<v Speaker 3>that many people have probably seen of these basically swastika

0:21:03.800 --> 0:21:07.119
<v Speaker 3>shaped a throwing star that occurs in a lot of media.

0:21:07.320 --> 0:21:10.080
<v Speaker 3>This is a very familiar design for movies and stuff,

0:21:10.080 --> 0:21:13.480
<v Speaker 3>and apparently a lot of modern ninja books have featured

0:21:13.520 --> 0:21:18.080
<v Speaker 3>this design as if it were a traditional Shurican design,

0:21:18.560 --> 0:21:21.720
<v Speaker 3>but it is not, and in fact, there is an

0:21:21.960 --> 0:21:26.040
<v Speaker 3>anecdote from this chapter about how an actor who worked

0:21:26.119 --> 0:21:32.680
<v Speaker 3>on a nineteen sixties TV series in Japan called on Mitsukinschi,

0:21:33.160 --> 0:21:37.000
<v Speaker 3>which had a throwing star of this design, described that

0:21:37.480 --> 0:21:41.359
<v Speaker 3>really this design was created for the show because the

0:21:41.520 --> 0:21:45.480
<v Speaker 3>straight pointed throwing stars were deemed too dangerous on set,

0:21:46.119 --> 0:21:49.720
<v Speaker 3>so this was essentially a safety innovation that was later

0:21:49.840 --> 0:21:54.400
<v Speaker 3>misinterpreted as a real design of throwing stars as weapons.

0:21:54.880 --> 0:21:58.400
<v Speaker 2>Yeah, that's crazy, like basically a safety shit shur can.

0:21:58.760 --> 0:22:04.280
<v Speaker 2>That's great. Yeah, I have another example of hurrocun inspired

0:22:04.359 --> 0:22:08.280
<v Speaker 2>fictional weaponry, and this one I thought was interesting because

0:22:08.280 --> 0:22:10.600
<v Speaker 2>it kind of stands, at least to my eyes, as

0:22:10.680 --> 0:22:14.720
<v Speaker 2>kind of like the ultimate in sci fi and fantasy

0:22:15.200 --> 0:22:20.399
<v Speaker 2>transformation of the ninja myth. So in the Warhammer forty

0:22:20.400 --> 0:22:24.359
<v Speaker 2>thousand universe, like a far future, you know, grim Dark scenario,

0:22:24.840 --> 0:22:27.560
<v Speaker 2>you have these. They have this species known as the

0:22:27.680 --> 0:22:29.720
<v Speaker 2>l Dar, and they're kind of like a sci fi

0:22:29.760 --> 0:22:32.720
<v Speaker 2>take on the Elves. I mean, that's exactly what they are.

0:22:33.080 --> 0:22:38.080
<v Speaker 2>And they use pistols and rifles that use shurrocans as ammunition.

0:22:39.040 --> 0:22:43.240
<v Speaker 2>So these are said to be monomolecular cutting edge weapons

0:22:43.480 --> 0:22:47.119
<v Speaker 2>fired in bursts from these guns, and like they're so

0:22:47.280 --> 0:22:51.080
<v Speaker 2>sharp and they hit so with such velocity that they

0:22:51.160 --> 0:22:54.120
<v Speaker 2>just shred whatever they hit be it a mechanical foe

0:22:54.280 --> 0:22:58.840
<v Speaker 2>or an organic foe, and again pretty far removed from

0:22:58.880 --> 0:23:02.360
<v Speaker 2>anything even remotely realistic we're talking about here, But again

0:23:02.400 --> 0:23:03.959
<v Speaker 2>I thought it was interesting. It's kind of like the

0:23:04.000 --> 0:23:07.280
<v Speaker 2>extreme transformation of the shuriken in sci fi and fantasy.

0:23:08.320 --> 0:23:11.159
<v Speaker 2>I also, I didn't remember this at all, because I

0:23:11.640 --> 0:23:13.840
<v Speaker 2>don't have a lot of memories regarding two thousand and

0:23:13.920 --> 0:23:17.919
<v Speaker 2>four as Alien versus Predator, but you might remember that

0:23:18.000 --> 0:23:21.679
<v Speaker 2>in other Predator movies he has this disc that he

0:23:21.760 --> 0:23:25.000
<v Speaker 2>throws that cuts people in half. And in this film

0:23:25.040 --> 0:23:26.720
<v Speaker 2>they decided they were like, that looks too much like

0:23:26.720 --> 0:23:29.679
<v Speaker 2>a frisbee. Let's give the Predator a shur aken, And

0:23:29.760 --> 0:23:31.760
<v Speaker 2>so he has this thing that it was least at

0:23:31.880 --> 0:23:34.760
<v Speaker 2>least described as a shura can. I included an image

0:23:34.800 --> 0:23:37.040
<v Speaker 2>here for you, Joe. It's it's really way too large.

0:23:37.040 --> 0:23:42.600
<v Speaker 2>It reminds me more of the weaponing krall the.

0:23:41.040 --> 0:23:44.040
<v Speaker 3>The glave, yeah, which also is a word that means

0:23:44.040 --> 0:23:48.560
<v Speaker 3>something else elsewhere. But yeah, that's very confusing. It looks

0:23:48.720 --> 0:23:52.439
<v Speaker 3>almost exactly like the krawl thing. It's like kind of

0:23:52.600 --> 0:23:56.640
<v Speaker 3>almost like starfish shaped in a way, with these wispy

0:23:56.800 --> 0:24:01.359
<v Speaker 3>curving blades coming out. It looks too delicate, you know,

0:24:01.400 --> 0:24:02.800
<v Speaker 3>it looks like they would break off.

0:24:03.520 --> 0:24:05.480
<v Speaker 2>Yeah. Yeah, So I don't know. I don't remember what

0:24:05.520 --> 0:24:07.360
<v Speaker 2>this thing did in action. I guess it just cut

0:24:07.359 --> 0:24:11.440
<v Speaker 2>through stuff. But anyway, I wanted to to mention.

0:24:11.359 --> 0:24:14.320
<v Speaker 3>That, based on my memory, probably doesn't do much because

0:24:14.320 --> 0:24:17.080
<v Speaker 3>I remember the Predator is just getting like beat up

0:24:17.119 --> 0:24:21.240
<v Speaker 3>in that movie. The movie is very like oh yeah, singles,

0:24:21.280 --> 0:24:24.280
<v Speaker 3>you know, more full takedown and Predator. It's kind of surprising.

0:24:24.520 --> 0:24:26.760
<v Speaker 2>H Well, I think it should. I think it should.

0:24:27.760 --> 0:24:30.520
<v Speaker 3>Yeah, okay, it's a fair hunt.

0:24:30.640 --> 0:24:32.840
<v Speaker 2>Yeah, I don't know. I like to say I don't

0:24:32.920 --> 0:24:35.399
<v Speaker 2>remember that film all that well, but I did see it.

0:24:35.440 --> 0:24:47.600
<v Speaker 2>I might have seen in the theater, all right. Well, anyway,

0:24:47.680 --> 0:24:53.040
<v Speaker 2>coming back to the Shanobi, the pop culture Ninja and

0:24:53.320 --> 0:24:56.040
<v Speaker 2>the shur Can again, it's like you gotta if you

0:24:56.560 --> 0:24:59.760
<v Speaker 2>try and think, you know, realistically about any scenario in

0:24:59.760 --> 0:25:01.600
<v Speaker 2>which you have to bring a certain amount of tools.

0:25:01.600 --> 0:25:03.880
<v Speaker 2>You have your sort of desert island list of tools

0:25:03.920 --> 0:25:10.120
<v Speaker 2>to bring. Would throwing stars make the list? Again? Items

0:25:10.160 --> 0:25:12.960
<v Speaker 2>that might only be used when you were about to

0:25:13.040 --> 0:25:15.639
<v Speaker 2>kill a samurai, And your main defense is like, what

0:25:15.720 --> 0:25:20.080
<v Speaker 2>have I made them angry? So I think there's reason

0:25:20.160 --> 0:25:22.360
<v Speaker 2>to doubt that. And it's interesting too when you look

0:25:22.359 --> 0:25:27.359
<v Speaker 2>at some of these ninjitsu manuals, again with proper caveats

0:25:27.359 --> 0:25:31.960
<v Speaker 2>about where they factor into the transformation from historical accuracy

0:25:32.040 --> 0:25:36.000
<v Speaker 2>into myth and fiction. There are sometimes lists of tools,

0:25:36.359 --> 0:25:40.320
<v Speaker 2>and in fact, there's a sixteen eighty one text, the Shoninki,

0:25:40.440 --> 0:25:44.359
<v Speaker 2>a Record of Proper Ninjutsu, that includes six tools that

0:25:44.359 --> 0:25:48.320
<v Speaker 2>apparently every ninja had to have, and throwing stars did

0:25:48.359 --> 0:25:51.640
<v Speaker 2>not make the list. Instead, you have and I think

0:25:51.640 --> 0:25:53.479
<v Speaker 2>this is actually kind of a telling list, like this

0:25:53.520 --> 0:25:56.520
<v Speaker 2>is a list that I mean, it certainly can apply

0:25:56.680 --> 0:26:01.919
<v Speaker 2>to any pop cultural view vision of the ninja that

0:26:01.960 --> 0:26:03.720
<v Speaker 2>you have, but it also makes a lot of sense

0:26:03.760 --> 0:26:07.600
<v Speaker 2>if you're just imagining some sort of espionage operative that's

0:26:07.680 --> 0:26:11.879
<v Speaker 2>maybe doing like some extra sneaky stuff, because the list includes,

0:26:12.240 --> 0:26:15.480
<v Speaker 2>first of all, kagi nawa, a grappling hook, and rope.

0:26:15.520 --> 0:26:17.520
<v Speaker 2>All right, makes sense. You need to get over a wall,

0:26:17.800 --> 0:26:19.600
<v Speaker 2>grappling hook and some rope is a way to do it.

0:26:19.920 --> 0:26:20.360
<v Speaker 3>Mm hmm.

0:26:20.920 --> 0:26:23.120
<v Speaker 2>Then you've got this one, this one. I was surprised

0:26:23.160 --> 0:26:27.720
<v Speaker 2>by kasa a conical straw hat, like a wide brim

0:26:27.760 --> 0:26:31.119
<v Speaker 2>straw hat. This would have been widely used by plenty

0:26:31.160 --> 0:26:34.399
<v Speaker 2>of people who are not involved in shanoby operations. But

0:26:34.600 --> 0:26:36.520
<v Speaker 2>that's part of a part of it, right. It's like

0:26:36.640 --> 0:26:41.199
<v Speaker 2>not conspicuous, and you could apparently hide tools inside it.

0:26:41.240 --> 0:26:43.320
<v Speaker 2>Like it's large enough you could, you know, maybe secret

0:26:43.400 --> 0:26:45.520
<v Speaker 2>some items up there under the brim.

0:26:45.920 --> 0:26:46.960
<v Speaker 3>That makes sense to me.

0:26:48.040 --> 0:26:50.280
<v Speaker 2>And then here's a good one, chalk in order to

0:26:50.359 --> 0:26:53.520
<v Speaker 2>leave erasable secret messages for other operatives.

0:26:53.840 --> 0:26:57.359
<v Speaker 3>Ah yeah, that's interesting because when you think about some

0:26:57.400 --> 0:26:59.560
<v Speaker 3>of these other Ninjasu manuals we were talking about, like

0:26:59.600 --> 0:27:03.840
<v Speaker 3>the mens in Chukai places a big emphasis on the

0:27:04.240 --> 0:27:08.080
<v Speaker 3>the operative must survive in order to deliver information. So

0:27:08.160 --> 0:27:12.600
<v Speaker 3>it's like propagandizing the reader against the idea of you know,

0:27:12.680 --> 0:27:15.879
<v Speaker 3>going out to die in honorable death while doing the mission.

0:27:15.920 --> 0:27:18.320
<v Speaker 3>It's like, no, you must live in order to deliver

0:27:18.400 --> 0:27:21.760
<v Speaker 3>the information. But if you can deliver information in some

0:27:21.880 --> 0:27:24.679
<v Speaker 3>other way, like by writing a message somewhere, you know,

0:27:24.760 --> 0:27:27.080
<v Speaker 3>down somewhere for someone else to read, then I guess

0:27:27.119 --> 0:27:28.320
<v Speaker 3>that takes some of the pressure off.

0:27:28.600 --> 0:27:31.200
<v Speaker 2>Yeah, yeah, so it makes sense. And also, like chalk

0:27:31.560 --> 0:27:34.800
<v Speaker 2>generally not considered sus if you're caught with chalk, it's

0:27:34.840 --> 0:27:38.080
<v Speaker 2>not you're not going to be instantly sent to your execution.

0:27:38.280 --> 0:27:41.760
<v Speaker 2>I'm assumed, all right. Some of the others a tinder box,

0:27:41.920 --> 0:27:45.040
<v Speaker 2>you know, just for a little fire, a towel, bring

0:27:45.080 --> 0:27:46.960
<v Speaker 2>a towel with you. You know, it's there are a

0:27:47.000 --> 0:27:50.320
<v Speaker 2>lot of uses for the towel is very versatile. And

0:27:50.359 --> 0:27:55.040
<v Speaker 2>then there's also this category kusuri, and this would have

0:27:55.080 --> 0:27:58.840
<v Speaker 2>been various chemical compounds for different purposes. And this would

0:27:58.880 --> 0:28:02.879
<v Speaker 2>include things like poison, but also basically like first aid

0:28:02.920 --> 0:28:05.399
<v Speaker 2>as well as bug repellent. So I feel like this

0:28:05.440 --> 0:28:08.080
<v Speaker 2>is a pretty solid list because, if nothing else, it

0:28:08.080 --> 0:28:12.240
<v Speaker 2>speaks to some of the practical aspects of imagine Shnobi activities.

0:28:12.280 --> 0:28:15.520
<v Speaker 2>You might need some bugspray, you might need to bring

0:28:15.560 --> 0:28:17.280
<v Speaker 2>a light, you might need to bring a towel.

0:28:17.680 --> 0:28:19.919
<v Speaker 3>Yeah, I mean, towel's just always a good idea.

0:28:20.119 --> 0:28:23.679
<v Speaker 2>Yeah. In the book Ninja Attack Yoda and All highlights

0:28:23.760 --> 0:28:27.480
<v Speaker 2>some other alleged Ninja weapons, and they're kind of a

0:28:27.480 --> 0:28:30.320
<v Speaker 2>mix of things that maybe feel a little more fantasy

0:28:30.520 --> 0:28:33.520
<v Speaker 2>based and others that just sound very standard. Like one

0:28:34.000 --> 0:28:37.159
<v Speaker 2>is a kunai, a standard field knife. I think we

0:28:37.240 --> 0:28:39.120
<v Speaker 2>mentioned this in passing in the last one when we're

0:28:39.160 --> 0:28:44.160
<v Speaker 2>talking about the the idea that ninja's had a specialized

0:28:44.320 --> 0:28:48.120
<v Speaker 2>ninja would have a specialized sword, and we brought up that, well,

0:28:48.240 --> 0:28:50.480
<v Speaker 2>why would you have this illegal weapon on you that

0:28:50.520 --> 0:28:52.800
<v Speaker 2>takes up a fair amount of room that also might

0:28:52.840 --> 0:28:54.520
<v Speaker 2>not serve your mission all that well, when you could

0:28:54.600 --> 0:28:57.200
<v Speaker 2>just bring like a standard field knife, something that would

0:28:57.240 --> 0:29:00.640
<v Speaker 2>not necessarily be considered a straight up weapon and would

0:29:00.640 --> 0:29:06.200
<v Speaker 2>have various practical uses. There's another one, goshiki may, which

0:29:06.200 --> 0:29:08.920
<v Speaker 2>would have been it's supposed to have been dyed rice

0:29:09.000 --> 0:29:11.720
<v Speaker 2>grains that you could leave, you could leave behind you

0:29:11.760 --> 0:29:14.800
<v Speaker 2>as a as a coated trail. Again, I'm not so

0:29:14.880 --> 0:29:17.840
<v Speaker 2>sure about that when that one sounds a little more exciting,

0:29:17.920 --> 0:29:20.040
<v Speaker 2>like maybe a little too exciting to be an actual,

0:29:21.240 --> 0:29:27.000
<v Speaker 2>you know, artifact of spycraft. Now, gandhal a bucket based

0:29:27.040 --> 0:29:30.600
<v Speaker 2>focused lantern that does sound useful for sneaking around, you know,

0:29:30.720 --> 0:29:33.520
<v Speaker 2>basically like a you know something, so you're not lighting

0:29:33.640 --> 0:29:36.800
<v Speaker 2>up in the whole room, you're not lighting yourself up,

0:29:36.840 --> 0:29:39.600
<v Speaker 2>but you can have a very focused light for sneaking around,

0:29:39.720 --> 0:29:41.040
<v Speaker 2>maybe looking at documents.

0:29:41.400 --> 0:29:43.480
<v Speaker 3>Oh, I see, so it's sort of a beam light.

0:29:43.920 --> 0:29:47.360
<v Speaker 2>Yeah. Another one is a michi hakari. This would have

0:29:47.360 --> 0:29:50.680
<v Speaker 2>been like a measuring stick. Again. You know, sometimes espionage

0:29:50.720 --> 0:29:53.560
<v Speaker 2>is boring. It's just about how how big are things?

0:29:53.560 --> 0:29:55.320
<v Speaker 2>So you might need to measure things when you're when

0:29:55.360 --> 0:29:56.920
<v Speaker 2>you're when you're out and about Uh.

0:29:57.000 --> 0:29:59.040
<v Speaker 3>This is not boring at all. This is a major

0:29:59.200 --> 0:30:02.320
<v Speaker 3>part of sp iage activities. In these old warfare manuals.

0:30:02.320 --> 0:30:06.240
<v Speaker 3>It's about like giving giving dimensions and topography. It's like,

0:30:06.840 --> 0:30:09.480
<v Speaker 3>go somewhere and tell me what it's like. Make a map.

0:30:09.720 --> 0:30:14.000
<v Speaker 2>Yeah, they mentioned shakkomi, and this would have been like

0:30:14.120 --> 0:30:20.280
<v Speaker 2>various concealed weapons, including cane swords, blowguns, that sort of thing. Again,

0:30:21.440 --> 0:30:23.960
<v Speaker 2>certainly this would make sense, especially if you're engaging in

0:30:24.000 --> 0:30:28.880
<v Speaker 2>some sort of potential assassination scenario, but it also of

0:30:28.920 --> 0:30:32.320
<v Speaker 2>course leans I think heavily into the myth of espionage.

0:30:32.360 --> 0:30:34.800
<v Speaker 2>I mean, who doesn't love a good secret weapon, some

0:30:34.840 --> 0:30:36.240
<v Speaker 2>sort of a James Bond device.

0:30:36.360 --> 0:30:36.560
<v Speaker 3>Right.

0:30:37.480 --> 0:30:39.520
<v Speaker 2>Then there's a shakoro. This would have been like a

0:30:39.560 --> 0:30:42.720
<v Speaker 2>serrated hand tool for sawing, again, like a basic tool

0:30:43.200 --> 0:30:46.680
<v Speaker 2>that might come in handy for certain practices. And then

0:30:46.720 --> 0:30:49.600
<v Speaker 2>there's a casou gai. This would have been These would

0:30:49.600 --> 0:30:53.840
<v Speaker 2>have been climbing aids, like specialized like iron climbing aids

0:30:53.880 --> 0:30:56.360
<v Speaker 2>for foot and hand holds. It could be inserted into

0:30:56.680 --> 0:31:01.040
<v Speaker 2>the cracks of a wall. The examples that are included

0:31:01.080 --> 0:31:04.200
<v Speaker 2>in the book are pretty neat looking. I'm not sure

0:31:04.200 --> 0:31:07.880
<v Speaker 2>how historically accurate this would be, again, because we talked

0:31:07.920 --> 0:31:10.920
<v Speaker 2>about the importance of a ladder, uh and certainly, you know,

0:31:10.920 --> 0:31:13.239
<v Speaker 2>we talked about you know, grappling hooks. So I don't know,

0:31:13.320 --> 0:31:15.880
<v Speaker 2>I'm not sure if this, uh, if this is something

0:31:15.880 --> 0:31:18.240
<v Speaker 2>that would have been regularly done, because the ladder is

0:31:18.280 --> 0:31:21.720
<v Speaker 2>also included in the in the book here, there's also

0:31:22.320 --> 0:31:26.080
<v Speaker 2>uh subo kiri, like a handheld drilling tool from like

0:31:26.120 --> 0:31:29.400
<v Speaker 2>making a like holes in a wall for like a

0:31:29.440 --> 0:31:33.760
<v Speaker 2>peep pole. Yeah, peep pole, So that sounds reasonable. They

0:31:33.840 --> 0:31:37.440
<v Speaker 2>mentioned they mentioned that the fabulous floating shoes that we

0:31:37.520 --> 0:31:41.760
<v Speaker 2>talked about last time, but they also mentioned something called mizugaki,

0:31:42.160 --> 0:31:44.280
<v Speaker 2>which would have been would have been apparently a type

0:31:44.320 --> 0:31:48.320
<v Speaker 2>of footwear that was useful in muddy areas. Okay, Yeah,

0:31:48.320 --> 0:31:50.440
<v Speaker 2>And and I guess this is reasonable, right, If you're

0:31:50.480 --> 0:31:55.520
<v Speaker 2>like potentially sneaking out of of of of a building

0:31:55.600 --> 0:31:58.600
<v Speaker 2>or an area, or dealing any any fashion with a moat,

0:31:59.160 --> 0:32:01.400
<v Speaker 2>it might make sense to have specialized footwear.

0:32:01.760 --> 0:32:03.760
<v Speaker 3>Well, right, as we talked about in the last episode,

0:32:03.760 --> 0:32:08.000
<v Speaker 3>the idea of the mizugumo, the water walking shoes, the

0:32:08.000 --> 0:32:12.040
<v Speaker 3>water spider shoes almost certainly would not work as generally

0:32:12.040 --> 0:32:14.800
<v Speaker 3>interpreted in twentieth century sources, where like they allow you

0:32:14.840 --> 0:32:17.360
<v Speaker 3>to walk across the top of the water. So if

0:32:17.520 --> 0:32:20.160
<v Speaker 3>such a device were actually used, it was probably more

0:32:20.240 --> 0:32:22.360
<v Speaker 3>like an inner tube type thing that you would sit

0:32:22.400 --> 0:32:23.880
<v Speaker 3>in and float across the water in.

0:32:24.400 --> 0:32:27.160
<v Speaker 2>Yeah, yeah, kind of like a makeshift raft, which was

0:32:27.480 --> 0:32:31.760
<v Speaker 2>actually there's another item like this included in the book,

0:32:32.120 --> 0:32:35.640
<v Speaker 2>the kami Gatta, which would apparently have been and I

0:32:35.680 --> 0:32:37.680
<v Speaker 2>don't have a clear vision of what this would look like,

0:32:37.720 --> 0:32:41.720
<v Speaker 2>but a makeshift raft using a bamboo frame in empty

0:32:41.720 --> 0:32:46.080
<v Speaker 2>clay jars. So, you know, perhaps a scenario where it's like, okay,

0:32:46.680 --> 0:32:49.200
<v Speaker 2>I got to build a boat tonight in order to

0:32:49.200 --> 0:32:52.239
<v Speaker 2>make it across this river or this moat or what

0:32:52.360 --> 0:32:54.960
<v Speaker 2>have you. What could you use to make it? How

0:32:55.000 --> 0:32:56.760
<v Speaker 2>you could you mcguiver up a boat.

0:32:57.120 --> 0:32:58.360
<v Speaker 3>That's good knowledge to have.

0:33:00.040 --> 0:33:03.520
<v Speaker 2>Now, there are various other ninja weapons that we could

0:33:03.640 --> 0:33:06.880
<v Speaker 2>potentially talk about. I think the common thread, though, is

0:33:06.920 --> 0:33:11.640
<v Speaker 2>going to be how realistic is this how much historical

0:33:11.680 --> 0:33:15.320
<v Speaker 2>evidence is there for this and how cool does it look?

0:33:15.480 --> 0:33:20.320
<v Speaker 2>You know, like you see things like Techo Kagi and

0:33:20.840 --> 0:33:23.960
<v Speaker 2>Nico Ta. These would have been two different versions of

0:33:23.960 --> 0:33:28.040
<v Speaker 2>like giving your ninja's claws, so the former being like

0:33:28.080 --> 0:33:30.800
<v Speaker 2>a wolverine claw that you wear as a gauntlet. I

0:33:30.800 --> 0:33:33.200
<v Speaker 2>guess also you could this is like basically what Shreder

0:33:33.240 --> 0:33:36.360
<v Speaker 2>has in teenage Man Ninja turtles. And then the necko

0:33:36.480 --> 0:33:40.000
<v Speaker 2>t would would have been something that goes over your fingertips,

0:33:40.240 --> 0:33:43.400
<v Speaker 2>and these would have been like poisoned or some sort

0:33:43.400 --> 0:33:45.920
<v Speaker 2>of a nuisance weapon for like scratching somebody.

0:33:45.920 --> 0:33:47.760
<v Speaker 3>Over the fingertips. Yikes.

0:33:48.000 --> 0:33:49.320
<v Speaker 2>Yeah, so like you with the.

0:33:49.400 --> 0:33:52.800
<v Speaker 3>Open hand swinging at the Yeah.

0:33:52.320 --> 0:33:54.920
<v Speaker 2>Well you're not as big as Freddy Krueger or anything.

0:33:55.640 --> 0:33:58.080
<v Speaker 2>I think I did an artifact episode a while back

0:33:58.120 --> 0:34:00.840
<v Speaker 2>talking about like some of the physics of strapping blades

0:34:00.880 --> 0:34:03.640
<v Speaker 2>to your fingers, Like that's a Freddy Krueger glove would

0:34:03.640 --> 0:34:05.760
<v Speaker 2>be a great way to break all your fingers if

0:34:05.800 --> 0:34:08.200
<v Speaker 2>you can actually use that as a weapon and you

0:34:08.280 --> 0:34:11.600
<v Speaker 2>are not a supernatural entity of some sort, yes, but

0:34:11.680 --> 0:34:14.799
<v Speaker 2>if it's wrist mounted, okay, you know potentially that could work.

0:34:14.840 --> 0:34:17.279
<v Speaker 2>But then again you get into that question, why would

0:34:17.280 --> 0:34:20.279
<v Speaker 2>it work more than a standard weapon, Why would it

0:34:20.280 --> 0:34:22.400
<v Speaker 2>be a better choice compared to a knife or a

0:34:22.440 --> 0:34:23.400
<v Speaker 2>sword or what have you.

0:34:23.960 --> 0:34:25.800
<v Speaker 3>As with a lot of these things we're describing, you

0:34:25.880 --> 0:34:27.840
<v Speaker 3>can see how they might have more appeal as a

0:34:27.880 --> 0:34:32.839
<v Speaker 3>meme than actual functional utility, Like they could be successful

0:34:32.960 --> 0:34:36.360
<v Speaker 3>in texts like these because they're interesting ideas.

0:34:36.920 --> 0:34:40.719
<v Speaker 2>Yeah, Another thing that comes up is like, is in

0:34:40.760 --> 0:34:42.840
<v Speaker 2>which cases do we see some sort of an alleged

0:34:42.920 --> 0:34:45.520
<v Speaker 2>ninja weapon that might have its roots in sort of

0:34:45.520 --> 0:34:48.520
<v Speaker 2>a repurposing of other items, Like for instance, there are

0:34:48.600 --> 0:34:53.000
<v Speaker 2>various forms of teko or techo and these would have

0:34:53.040 --> 0:34:56.759
<v Speaker 2>been I've seen it written that these would have been

0:34:56.800 --> 0:35:00.759
<v Speaker 2>like a basically a weaponized iron stirrup that is turned

0:35:00.800 --> 0:35:04.680
<v Speaker 2>into something kind of like brass knuckles, you know, And

0:35:04.760 --> 0:35:07.040
<v Speaker 2>I think like brass knuckles are a great example of

0:35:07.040 --> 0:35:11.000
<v Speaker 2>something where you can see various knucks and other weapons

0:35:11.040 --> 0:35:15.120
<v Speaker 2>that can be very specialized and ornate, but various other

0:35:15.160 --> 0:35:17.880
<v Speaker 2>things could also work, you know, like a roll of

0:35:17.960 --> 0:35:19.960
<v Speaker 2>quarters or you know, some other just like a simple

0:35:20.000 --> 0:35:22.319
<v Speaker 2>band of iron that goes around your knuckles, that sort

0:35:22.360 --> 0:35:25.920
<v Speaker 2>of thing. And so there's a long list of alleged

0:35:26.280 --> 0:35:32.399
<v Speaker 2>ninja weapons. They include miniaturized firearms, sharpened hair ornaments, and chopsticks,

0:35:32.560 --> 0:35:35.960
<v Speaker 2>particularly for female shanobi. And you know, I think part

0:35:35.960 --> 0:35:37.680
<v Speaker 2>of that is just like the idea of like, oh,

0:35:37.680 --> 0:35:42.040
<v Speaker 2>these the hair ornaments look very sharp, they look like

0:35:42.080 --> 0:35:44.600
<v Speaker 2>they could be a weapon. What if they were a weapon,

0:35:45.960 --> 0:35:50.239
<v Speaker 2>And therefore the myth building takes place. There are at

0:35:50.280 --> 0:35:55.000
<v Speaker 2>least a couple of chain based weapons, the manriki gusari.

0:35:55.640 --> 0:35:57.560
<v Speaker 2>This is like a length of chain with a weight

0:35:57.640 --> 0:36:00.279
<v Speaker 2>on either end, and I think the basic idea here

0:36:00.400 --> 0:36:03.439
<v Speaker 2>is like, the samurai are coming to kill you, What again,

0:36:03.480 --> 0:36:07.240
<v Speaker 2>what can you throw at them to potentially buy yourself

0:36:07.280 --> 0:36:11.160
<v Speaker 2>a little time and or wrap around their weapons. There's

0:36:11.160 --> 0:36:13.640
<v Speaker 2>also one the kusari gama, which would have been much

0:36:13.680 --> 0:36:16.279
<v Speaker 2>the same idea, but with a blade or sickle on

0:36:16.280 --> 0:36:18.960
<v Speaker 2>one end of the chain. This would ideal. It Yeah,

0:36:19.000 --> 0:36:21.160
<v Speaker 2>be a situation where someone's coming at you with a weapon,

0:36:21.360 --> 0:36:23.640
<v Speaker 2>maybe you could use the chain to like wrap up

0:36:23.640 --> 0:36:27.240
<v Speaker 2>their weapon and so forth. So again, all the standard

0:36:27.239 --> 0:36:30.960
<v Speaker 2>caveats apply to considering the historical accuracy of these weapon descriptions,

0:36:31.360 --> 0:36:35.240
<v Speaker 2>but I think we if we scrape the ninja mystique

0:36:35.280 --> 0:36:38.319
<v Speaker 2>off of each of them, while still acknowledging like the

0:36:38.440 --> 0:36:40.840
<v Speaker 2>use of some form of martial art. We're dealing with

0:36:40.920 --> 0:36:43.680
<v Speaker 2>sneaky weapons that have as much, if not more in

0:36:43.719 --> 0:36:47.880
<v Speaker 2>common with typical criminal implements like small knives, small clubs,

0:36:48.000 --> 0:36:52.600
<v Speaker 2>concealable firearms, maybe even concealed swords and cane swords and

0:36:52.680 --> 0:36:57.720
<v Speaker 2>all you know, hidden blades, hidden flails and so forth.

0:36:58.560 --> 0:37:00.640
<v Speaker 2>But again, I think you end up having pass that

0:37:00.760 --> 0:37:03.839
<v Speaker 2>question like would this actually be practical? Can you see

0:37:03.840 --> 0:37:07.240
<v Speaker 2>somebody using this in a very serious life and death,

0:37:07.640 --> 0:37:11.480
<v Speaker 2>you know, very risky scenario where the goal might not

0:37:11.680 --> 0:37:16.600
<v Speaker 2>be some sort of like crazy cinematic ninja scenario, but

0:37:16.760 --> 0:37:20.560
<v Speaker 2>something more like getting the measurements of a guard house,

0:37:20.680 --> 0:37:24.080
<v Speaker 2>or you know, looking at some documents, overhearing something that

0:37:24.120 --> 0:37:28.000
<v Speaker 2>you're not supposed to hear, and so forth. Now, there

0:37:28.000 --> 0:37:31.520
<v Speaker 2>are various techniques that ninja techniques that are brought up

0:37:31.640 --> 0:37:33.880
<v Speaker 2>in the book by Yoda and Alt, and one that

0:37:33.920 --> 0:37:36.839
<v Speaker 2>I was particularly amused by is the idea that you

0:37:36.920 --> 0:37:39.600
<v Speaker 2>could as a ninja, as a shanobi operative out in

0:37:39.600 --> 0:37:41.640
<v Speaker 2>the field, you need to tell what time it is

0:37:42.480 --> 0:37:47.080
<v Speaker 2>without any other information to go on. You could look

0:37:47.080 --> 0:37:50.120
<v Speaker 2>into a cat size and therefore tell what time it is?

0:37:50.640 --> 0:37:53.880
<v Speaker 3>Oh interesting, now is this telling time in the nighttime

0:37:53.960 --> 0:37:54.800
<v Speaker 3>or in the daytime.

0:37:56.040 --> 0:37:58.040
<v Speaker 2>I have a lot of questions about how practical this

0:37:58.120 --> 0:38:00.799
<v Speaker 2>would be. I think this is definitely one of those

0:38:00.840 --> 0:38:05.040
<v Speaker 2>ideas that sounds more intriguing than it actually you know,

0:38:05.080 --> 0:38:07.759
<v Speaker 2>and then then it is useful. I think maybe it

0:38:07.800 --> 0:38:10.759
<v Speaker 2>has something to do with the idea quite understandably that

0:38:10.800 --> 0:38:13.320
<v Speaker 2>we feel a kinship between the ninja and the cat.

0:38:14.719 --> 0:38:17.480
<v Speaker 2>We like the idea too of a ninja stopping and maybe,

0:38:17.520 --> 0:38:20.240
<v Speaker 2>you know, talking with the cat like you're the household

0:38:20.280 --> 0:38:22.640
<v Speaker 2>cat doesn't care he or she is ready to sell

0:38:22.680 --> 0:38:26.319
<v Speaker 2>you out to the shnobi at a moment's notice. They're

0:38:26.440 --> 0:38:28.600
<v Speaker 2>they're happy to conspire.

0:38:28.520 --> 0:38:29.760
<v Speaker 3>Cast speak with animals.

0:38:29.880 --> 0:38:33.160
<v Speaker 2>Yeah yeah, But the basic idea is that, okay, the

0:38:33.200 --> 0:38:35.680
<v Speaker 2>shape of the pupil in the cat's eye is going

0:38:35.719 --> 0:38:38.680
<v Speaker 2>to change throughout the day, and you could potentially match

0:38:38.719 --> 0:38:43.400
<v Speaker 2>it up with specific times. The trick, the challenge that

0:38:43.600 --> 0:38:45.600
<v Speaker 2>Yoda and All point out is that, of course you

0:38:45.600 --> 0:38:47.480
<v Speaker 2>would have to get be able to get close enough

0:38:47.480 --> 0:38:50.919
<v Speaker 2>to the cat to do this, presumably a stranger's cat

0:38:51.480 --> 0:38:54.319
<v Speaker 2>to make this reading, which is betting a lot on

0:38:54.480 --> 0:38:57.759
<v Speaker 2>random cat personalities. Because there are cats that I've seen

0:38:57.960 --> 0:38:59.840
<v Speaker 2>plenty of times and I've never gotten close enough to

0:39:00.120 --> 0:39:03.799
<v Speaker 2>at their pupils. But then you'll just encounter like a

0:39:03.840 --> 0:39:06.440
<v Speaker 2>cat out on a walk, and the cat will come

0:39:06.480 --> 0:39:08.760
<v Speaker 2>straight up and is like ready to share that information

0:39:08.880 --> 0:39:09.120
<v Speaker 2>with you.

0:39:09.600 --> 0:39:13.200
<v Speaker 3>This is why you rub your face with sardines, you

0:39:13.280 --> 0:39:14.200
<v Speaker 3>get the cat in there.

0:39:15.840 --> 0:39:18.680
<v Speaker 2>So I looked into this a little bit more. I

0:39:18.719 --> 0:39:22.040
<v Speaker 2>couldn't find much concrete and about this, because, of course,

0:39:22.040 --> 0:39:24.719
<v Speaker 2>the other question is like, what kind of specific scenario

0:39:24.840 --> 0:39:27.440
<v Speaker 2>is this where there is no other information to go

0:39:27.520 --> 0:39:30.880
<v Speaker 2>on other than a cat's eye. You know, I feel

0:39:30.880 --> 0:39:33.360
<v Speaker 2>like you'd have a there would be better ways to

0:39:34.239 --> 0:39:36.239
<v Speaker 2>reasonably estimate what time it is.

0:39:36.760 --> 0:39:39.800
<v Speaker 3>And hey, you know, it's not impossible that someone could

0:39:39.840 --> 0:39:43.960
<v Speaker 3>find clever ways of getting surprisingly accurate information from the

0:39:44.040 --> 0:39:47.279
<v Speaker 3>natural world. I often think back to that series of

0:39:47.280 --> 0:39:52.319
<v Speaker 3>episodes we did about Pacific islander navigation techniques that you know,

0:39:52.480 --> 0:39:56.279
<v Speaker 3>without any kind of electronics or modern equipment, people were

0:39:56.719 --> 0:40:00.400
<v Speaker 3>able to figure out incredibly accurate ways of navigat And

0:40:00.440 --> 0:40:03.080
<v Speaker 3>so maybe there's stuff like this in the eyes of

0:40:03.120 --> 0:40:05.640
<v Speaker 3>animals or in plants that can tell you exactly what

0:40:05.680 --> 0:40:08.719
<v Speaker 3>time it is. Is it true?

0:40:09.120 --> 0:40:12.800
<v Speaker 2>Yeah, I've looked up an article. I found this article

0:40:13.640 --> 0:40:16.960
<v Speaker 2>on the website of the National Wildlife Federation by one

0:40:17.040 --> 0:40:20.040
<v Speaker 2>Donna Johnson, who, by the way, alludes to this being

0:40:20.080 --> 0:40:24.520
<v Speaker 2>a New England tradition. So I don't know where it originates.

0:40:24.520 --> 0:40:27.200
<v Speaker 2>Maybe it originates in multiple cultures anytime you're close enough

0:40:27.200 --> 0:40:30.319
<v Speaker 2>to a cat to look at their eyes. But she

0:40:30.320 --> 0:40:33.640
<v Speaker 2>does do a breakdown of the idea, like, basically, cats

0:40:33.680 --> 0:40:38.680
<v Speaker 2>have elliptically shaped pupils to compensate for their light sensitivity,

0:40:38.960 --> 0:40:43.279
<v Speaker 2>which otherwise aids them in low light hunts. But the

0:40:43.320 --> 0:40:46.360
<v Speaker 2>greater the amount of light, the more slit like the pupil.

0:40:46.760 --> 0:40:50.400
<v Speaker 2>So it technically works, But it also seems again like

0:40:50.480 --> 0:40:54.680
<v Speaker 2>maybe not the most reliable time telling technique. And I

0:40:54.680 --> 0:40:57.000
<v Speaker 2>can't imagine a situation where the cat's eyes would be

0:40:57.040 --> 0:41:00.879
<v Speaker 2>the only thing to go off of many questions would

0:41:00.880 --> 0:41:02.520
<v Speaker 2>emerge here, But it's a neat idea, I.

0:41:02.440 --> 0:41:05.279
<v Speaker 3>Guess, well, I mean, if the cats eyes are responding

0:41:05.320 --> 0:41:08.080
<v Speaker 3>to the level of light, would the ninja not also

0:41:08.160 --> 0:41:10.160
<v Speaker 3>be able to see the level of light?

0:41:10.680 --> 0:41:23.719
<v Speaker 2>Exactly? All right? The final thing I want to hit

0:41:23.760 --> 0:41:26.319
<v Speaker 2>on here in this series is the idea of the

0:41:26.400 --> 0:41:31.040
<v Speaker 2>ninja as hero because when it comes to pop cultural transformations,

0:41:31.040 --> 0:41:32.919
<v Speaker 2>I think it's always interesting to look at the point

0:41:32.960 --> 0:41:37.280
<v Speaker 2>where something completely flips from what it originally was. For instance,

0:41:37.320 --> 0:41:39.160
<v Speaker 2>in past episodes of Stuff to Blow Your Mind, we

0:41:39.239 --> 0:41:43.840
<v Speaker 2>discussed how various fearsome monsters, especially in Japanese culture, but

0:41:43.920 --> 0:41:46.400
<v Speaker 2>we also looked at some examples from Western horror movies,

0:41:47.080 --> 0:41:53.840
<v Speaker 2>eventually make the transformation from like a symbol symbolized aspect

0:41:53.920 --> 0:41:57.120
<v Speaker 2>of reality, you know, some sort of dark aspect of

0:41:57.160 --> 0:42:00.880
<v Speaker 2>reality that is embodied in some sort of a being

0:42:00.920 --> 0:42:05.080
<v Speaker 2>and imagine being, you know, fearsome entity. The point at

0:42:05.080 --> 0:42:07.600
<v Speaker 2>which we take that and flip it into something cute,

0:42:07.880 --> 0:42:10.680
<v Speaker 2>something that would you know, make for a nice mascot,

0:42:10.719 --> 0:42:12.279
<v Speaker 2>look at it on a bumper sticker, or even be

0:42:12.320 --> 0:42:16.440
<v Speaker 2>a stuffed animal. I think there's something telling about reaching

0:42:16.480 --> 0:42:20.080
<v Speaker 2>that point when the monster becomes cute, or in this case,

0:42:20.400 --> 0:42:22.319
<v Speaker 2>when the ninja becomes a hero.

0:42:23.560 --> 0:42:26.680
<v Speaker 3>When we've talked about this with regard to monsters, I

0:42:26.719 --> 0:42:29.040
<v Speaker 3>remember one of my thoughts about it was that this

0:42:29.239 --> 0:42:34.239
<v Speaker 3>impulse is driven by franchising concerns, Like the further you

0:42:34.280 --> 0:42:37.520
<v Speaker 3>get into sequels and the more like movies or stories

0:42:37.520 --> 0:42:40.239
<v Speaker 3>you've had exposing you to this monster over and over,

0:42:40.960 --> 0:42:44.279
<v Speaker 3>the less comfortable it is for the monster to continue

0:42:44.320 --> 0:42:47.759
<v Speaker 3>to be purely fearsome or evil, and there's an impulse

0:42:47.800 --> 0:42:51.360
<v Speaker 3>to make it more friendly or at least maybe funnier

0:42:51.520 --> 0:42:54.799
<v Speaker 3>or something. So you can see this in you know,

0:42:54.840 --> 0:42:59.960
<v Speaker 3>like Godzilla originally is not nice and is not fun,

0:43:00.040 --> 0:43:03.880
<v Speaker 3>but eventually it becomes Godzilla becomes the defender essentially against

0:43:03.920 --> 0:43:07.239
<v Speaker 3>these worst monsters. You know, the new monster is the

0:43:07.280 --> 0:43:10.000
<v Speaker 3>worst one and Godzilla is the one we're familiar with

0:43:10.040 --> 0:43:12.520
<v Speaker 3>fighting it off. And you can see over time that

0:43:12.680 --> 0:43:16.000
<v Speaker 3>Freddy Krueger goes from being just like a gross, disgusting

0:43:16.280 --> 0:43:20.040
<v Speaker 3>murderer into becoming like a jokester who's more just kind

0:43:20.040 --> 0:43:22.440
<v Speaker 3>of like mugging for the camera and yuck, yucks.

0:43:22.680 --> 0:43:24.640
<v Speaker 2>Yeah, he becomes a violent clown.

0:43:24.560 --> 0:43:27.840
<v Speaker 3>Yeah, and so forth. I think it's a really common pattern.

0:43:27.960 --> 0:43:31.839
<v Speaker 3>It's something about like familiarity takes the edge off of

0:43:31.880 --> 0:43:35.520
<v Speaker 3>something and makes you want to recast it as a

0:43:35.560 --> 0:43:36.960
<v Speaker 3>friend rather than a foe.

0:43:37.360 --> 0:43:40.080
<v Speaker 2>And so with the Ninja, you know, we've discussed at

0:43:40.160 --> 0:43:43.799
<v Speaker 2>length the nebulous reality and origins of the Shnobi and

0:43:43.840 --> 0:43:47.799
<v Speaker 2>how we're mostly talking about shadowy ESPA espionage operatives made

0:43:47.840 --> 0:43:50.960
<v Speaker 2>up of commoners and even criminals that engage in dirty,

0:43:51.000 --> 0:43:53.880
<v Speaker 2>if not you know, outright shameful acts that are necessary,

0:43:53.920 --> 0:43:57.920
<v Speaker 2>a necessary part of warfare, alongside the more celebrated noble

0:43:58.239 --> 0:44:03.439
<v Speaker 2>and aristocratic exploits rulers in the Samurai. But then coming

0:44:03.440 --> 0:44:05.400
<v Speaker 2>out of the Warring States period and into the Edo

0:44:05.480 --> 0:44:07.399
<v Speaker 2>period and beyond, we see the myth making. We see

0:44:07.440 --> 0:44:10.640
<v Speaker 2>the fiction transforming the myth of the Ninja in numerous ways,

0:44:11.000 --> 0:44:14.319
<v Speaker 2>giving it the form everyone instantly recognizes today. And so

0:44:14.600 --> 0:44:18.239
<v Speaker 2>many Ninja remain villains in these later treatments, but they

0:44:18.280 --> 0:44:22.160
<v Speaker 2>inevitably cross over into anti hero and even hero territory.

0:44:22.719 --> 0:44:25.240
<v Speaker 2>And this kind of takes me back to our initial

0:44:25.280 --> 0:44:30.839
<v Speaker 2>discussion talking about our initial introductions to ninja growing up,

0:44:31.200 --> 0:44:33.440
<v Speaker 2>And I look back and I think some of my

0:44:33.600 --> 0:44:37.759
<v Speaker 2>initial introductions to ninja actually cast them as heroes. Yeah,

0:44:37.800 --> 0:44:40.720
<v Speaker 2>Like that nineteen eighty one Cannon film Injured the Ninja

0:44:41.000 --> 0:44:46.759
<v Speaker 2>is built around Franco Niro, an Italian actor, as at

0:44:46.880 --> 0:44:48.959
<v Speaker 2>least an anti hero. I don't think he's maybe quite

0:44:49.000 --> 0:44:51.359
<v Speaker 2>a hero in that, but he's at least an anti hero.

0:44:52.000 --> 0:44:54.719
<v Speaker 3>I feel like the majority of the Ninja media I

0:44:54.920 --> 0:44:58.000
<v Speaker 3>consumed when I was a kid, had ninjas as heroes

0:44:58.080 --> 0:45:00.719
<v Speaker 3>rather than villains, or had them as bo Yeah.

0:45:00.760 --> 0:45:02.880
<v Speaker 2>I think that's very common as well, going back to

0:45:02.920 --> 0:45:05.200
<v Speaker 2>like G I Joe, like Snake Eyes is a black

0:45:05.239 --> 0:45:08.879
<v Speaker 2>clad ninja and is very much on the certified good

0:45:08.880 --> 0:45:12.560
<v Speaker 2>guy team. There's no there's it's black and white literally

0:45:13.160 --> 0:45:16.120
<v Speaker 2>though it's flipped because our black clad ninja is good

0:45:16.120 --> 0:45:17.720
<v Speaker 2>and our white clad ninja is bad.

0:45:18.080 --> 0:45:21.840
<v Speaker 3>Yeah or yeah, so often they were both. But I

0:45:21.880 --> 0:45:24.160
<v Speaker 3>think there's an impulse there that it's just like, well,

0:45:24.880 --> 0:45:28.400
<v Speaker 3>especially in kid focus to media, ninjas are cool, and

0:45:28.520 --> 0:45:30.360
<v Speaker 3>kids want to root for the good guys, and they

0:45:30.440 --> 0:45:32.759
<v Speaker 3>want they want the good guys to be cool. So

0:45:33.200 --> 0:45:34.959
<v Speaker 3>you got to make the ninja a good guy.

0:45:35.200 --> 0:45:38.000
<v Speaker 2>Yeah, Like I mean the teenage meeting Ninja turtles. Obviously

0:45:38.160 --> 0:45:41.680
<v Speaker 2>they're turtles, they're teenagers, but they are ninjas and they're

0:45:41.800 --> 0:45:44.160
<v Speaker 2>very much the good guys. But then, going back to

0:45:44.400 --> 0:45:47.520
<v Speaker 2>the Bond film, You Only Live Twice again vitally important

0:45:47.680 --> 0:45:51.759
<v Speaker 2>in bringing the Ninja into the international market and into

0:45:51.760 --> 0:45:55.360
<v Speaker 2>Western cinema. All the Ninja in that all the Shnobi

0:45:55.400 --> 0:45:58.200
<v Speaker 2>operatives were working on James Bod's Bond's team. They were

0:45:58.239 --> 0:45:59.840
<v Speaker 2>all good guys essentially.

0:45:59.520 --> 0:46:03.239
<v Speaker 3>Right, Yeah, yeah, I think so there might be some

0:46:03.360 --> 0:46:05.759
<v Speaker 3>working for the bad guys, but I don't recall specifically.

0:46:05.760 --> 0:46:07.360
<v Speaker 3>The ones I remember are good guys.

0:46:07.440 --> 0:46:09.440
<v Speaker 2>Yeah, there's like the big scene at the end where

0:46:09.440 --> 0:46:14.600
<v Speaker 2>they storm the Specter compound and bond lets the ninjas in.

0:46:14.760 --> 0:46:17.040
<v Speaker 2>He's like, he opens the door and here come the

0:46:17.120 --> 0:46:19.399
<v Speaker 2>ninjas down on like wires and all.

0:46:19.760 --> 0:46:20.680
<v Speaker 3>Yeah. Yeah.

0:46:20.800 --> 0:46:23.200
<v Speaker 2>So, anyway, like getting down to discussion like when when

0:46:23.239 --> 0:46:25.960
<v Speaker 2>are ninjas allowed to become not just anti heroes but

0:46:26.040 --> 0:46:30.640
<v Speaker 2>outright good guys. Well, according to Yoda and all discussion

0:46:30.680 --> 0:46:34.000
<v Speaker 2>in Ninja Ninja Attack, there's a definite place to single

0:46:34.040 --> 0:46:39.080
<v Speaker 2>out perhaps is the first true ninja heroes in popular culture,

0:46:39.600 --> 0:46:42.920
<v Speaker 2>and it's the Tachikawa pocket Books. This would have been

0:46:42.960 --> 0:46:46.440
<v Speaker 2>the period around nineteen twelve through nineteen twenty six series

0:46:46.480 --> 0:46:49.080
<v Speaker 2>of books written by a group of writers that were

0:46:49.120 --> 0:46:54.600
<v Speaker 2>credited as Seka Sanjan, a series of novels for juvenile

0:46:54.680 --> 0:46:58.120
<v Speaker 2>so like essentially like young reader or children's books that

0:46:58.280 --> 0:47:02.799
<v Speaker 2>detailed the adventures of the pair of rival ninja that

0:47:03.080 --> 0:47:05.200
<v Speaker 2>they were on the same team. To be clear, they're

0:47:05.200 --> 0:47:08.680
<v Speaker 2>not like rival teams or rival clans, but they have

0:47:08.800 --> 0:47:11.600
<v Speaker 2>differing personalities. They're kind of an odd couple, and that's

0:47:11.840 --> 0:47:17.439
<v Speaker 2>Saratobi Saske and Kira Gakura Saizo. And this was these

0:47:17.440 --> 0:47:21.880
<v Speaker 2>books established these two as quote poster boys for the

0:47:21.920 --> 0:47:26.240
<v Speaker 2>ego koga rivalry and ninja as a potential force for good,

0:47:26.880 --> 0:47:30.319
<v Speaker 2>and it was inspired by these tales were inspired by

0:47:30.320 --> 0:47:34.520
<v Speaker 2>both real life at least attributed ninja exploits as well

0:47:34.560 --> 0:47:39.120
<v Speaker 2>as the Chinese literary classic Journey into the West. How

0:47:39.239 --> 0:47:40.879
<v Speaker 2>is it related to the Journey into the West. Well,

0:47:40.920 --> 0:47:42.920
<v Speaker 2>a lot of it comes down to the character of

0:47:42.920 --> 0:47:46.879
<v Speaker 2>Saratobi Saske, a young boy raised by monkeys and then

0:47:46.920 --> 0:47:49.719
<v Speaker 2>taken in by a ninja master and then recruited by

0:47:49.719 --> 0:47:54.080
<v Speaker 2>the warlords Sonata due to his mischievous nature and his

0:47:54.120 --> 0:47:57.000
<v Speaker 2>great skill and of course the ninja arts, so he

0:47:57.080 --> 0:47:59.160
<v Speaker 2>ends up going on missions for his master. But he's

0:47:59.160 --> 0:48:01.239
<v Speaker 2>also you know, a good bit the trickster, a bit

0:48:01.280 --> 0:48:03.319
<v Speaker 2>happy go lucky, and he does a lot of side

0:48:03.400 --> 0:48:06.439
<v Speaker 2>quests to help the less fortunate. But the name here

0:48:06.800 --> 0:48:10.360
<v Speaker 2>Saratobi means leaping monkey, and he is in some ways

0:48:10.520 --> 0:48:13.080
<v Speaker 2>a Japanese ninja version of the Monkey King.

0:48:13.719 --> 0:48:16.560
<v Speaker 3>It's interesting that you mentioned him doing sort of side

0:48:16.640 --> 0:48:19.279
<v Speaker 3>quests to help the less fortunate, because I have seen

0:48:20.160 --> 0:48:22.759
<v Speaker 3>that it is I have read at least that it

0:48:22.840 --> 0:48:26.880
<v Speaker 3>is common in literature that portrays the ninja as heroes

0:48:26.960 --> 0:48:30.720
<v Speaker 3>or good guys to include some kind of class element

0:48:30.880 --> 0:48:34.960
<v Speaker 3>where they are sort of they act on behalf of

0:48:35.120 --> 0:48:38.840
<v Speaker 3>the economic underclass of like the of the poor and

0:48:38.880 --> 0:48:41.919
<v Speaker 3>the less fortunate, and help them in the face of say,

0:48:42.080 --> 0:48:44.600
<v Speaker 3>like rich oppressors, like an evil samurai.

0:48:45.200 --> 0:48:46.920
<v Speaker 2>Yeah yeah, and a lot of the I think we

0:48:47.000 --> 0:48:49.160
<v Speaker 2>touched on some of these older tales that are either

0:48:49.280 --> 0:48:53.160
<v Speaker 2>ninja or ninja adjacent that are essentially robinhood stories, like

0:48:53.200 --> 0:48:58.120
<v Speaker 2>some sort of person from the criminal element, you know,

0:48:58.200 --> 0:49:00.920
<v Speaker 2>and from the lower classes that is sticking up for

0:49:00.960 --> 0:49:04.360
<v Speaker 2>the little guy. Now, the other of these two the rival.

0:49:04.400 --> 0:49:06.520
<v Speaker 2>So we have the happy, go lucky guy, the more

0:49:06.560 --> 0:49:09.440
<v Speaker 2>like the sort of the more pure hero here. But

0:49:09.480 --> 0:49:13.680
<v Speaker 2>then we have Kiragakua Saizo, who is born into the

0:49:13.760 --> 0:49:16.360
<v Speaker 2>ninja life. It has said he's trained with the best

0:49:16.880 --> 0:49:19.400
<v Speaker 2>and he's become a master of clouds and lightning, of

0:49:19.480 --> 0:49:22.760
<v Speaker 2>mists and thunder, so you know, he can summon various

0:49:22.760 --> 0:49:26.719
<v Speaker 2>weather effects to mask his ninja movements. And the name

0:49:26.800 --> 0:49:31.360
<v Speaker 2>here means cloaked and missed. So while Saske is lighthearted,

0:49:31.440 --> 0:49:34.440
<v Speaker 2>Sizo is brooding, Like this is more of your your

0:49:34.520 --> 0:49:38.600
<v Speaker 2>kind of like goth superstar character here. Nice they wind

0:49:38.680 --> 0:49:40.960
<v Speaker 2>up on the same Ninja team, this would be Sonata's

0:49:41.040 --> 0:49:45.200
<v Speaker 2>Ten Heroes or the Ten Braves, but their rivals. They're

0:49:45.239 --> 0:49:49.279
<v Speaker 2>an odd couple to say the least. And Yoda and

0:49:49.360 --> 0:49:51.359
<v Speaker 2>all point out that, Yeah, the nature of these two

0:49:51.440 --> 0:49:54.360
<v Speaker 2>characters kind of flows perfectly into modern times. So Saske

0:49:54.560 --> 0:49:56.880
<v Speaker 2>was always a hit with the kids, but then Siso

0:49:57.400 --> 0:50:01.680
<v Speaker 2>was irresistible to you know, many in the post war period,

0:50:01.800 --> 0:50:06.080
<v Speaker 2>especially as like you know, older Ninja fans and adults

0:50:06.800 --> 0:50:10.239
<v Speaker 2>told and retold stories. He's like a natural character to

0:50:10.320 --> 0:50:13.440
<v Speaker 2>latch onto. He's got this kind of angst sort of

0:50:14.719 --> 0:50:17.520
<v Speaker 2>in bridging the gap between anti hero and hero, you know,

0:50:17.560 --> 0:50:19.920
<v Speaker 2>so it fits that mold of the brooding sort of

0:50:19.960 --> 0:50:24.919
<v Speaker 2>Batman esque hero. I guess I included an image here, Joe.

0:50:25.040 --> 0:50:27.400
<v Speaker 2>This is from one of the many more modern treatments

0:50:27.760 --> 0:50:30.960
<v Speaker 2>from anime and manga. And you can guess which one

0:50:31.000 --> 0:50:33.480
<v Speaker 2>is which you know, which one is is your brooding

0:50:33.560 --> 0:50:36.440
<v Speaker 2>character and which one is your more happy, go lucky character.

0:50:36.920 --> 0:50:38.879
<v Speaker 3>Oh, Sizo even has like emo hair.

0:50:39.239 --> 0:50:43.759
<v Speaker 2>Yeah yeah, yes, like again just a natural fit you know,

0:50:43.840 --> 0:50:47.080
<v Speaker 2>for for like kind of an angsty emo character. And

0:50:47.120 --> 0:50:50.399
<v Speaker 2>then we have the Trickster, the essentially the monkey King

0:50:50.440 --> 0:50:53.120
<v Speaker 2>in Ninja form. Of course they're not going to completely

0:50:53.200 --> 0:50:55.680
<v Speaker 2>get along, but they are going to ultimately work, you know,

0:50:55.719 --> 0:50:59.480
<v Speaker 2>for the same cause that's sweet. Yeah. So yeah, I

0:50:59.480 --> 0:51:01.279
<v Speaker 2>thought that was an interesting this idea of like, Okay,

0:51:01.320 --> 0:51:05.000
<v Speaker 2>these might be the patient zeros for good guy ninjas

0:51:05.440 --> 0:51:08.359
<v Speaker 2>in popular culture, and these are characters that get used

0:51:08.360 --> 0:51:11.319
<v Speaker 2>again and again. Now I think Sizo has also been

0:51:11.400 --> 0:51:14.960
<v Speaker 2>used as an antagonist in some modern treatment. So it

0:51:15.080 --> 0:51:16.920
<v Speaker 2>kind of comes back to what we were saying about monsters.

0:51:16.960 --> 0:51:19.239
<v Speaker 2>Just because a monster goes cute, it doesn't mean you

0:51:19.280 --> 0:51:21.560
<v Speaker 2>can't go back and make them fearsome. Again, this kind

0:51:21.600 --> 0:51:24.240
<v Speaker 2>of thing happens all the time, and so there's always

0:51:24.239 --> 0:51:27.800
<v Speaker 2>going to be continued exploration and re exploration. Just because

0:51:27.880 --> 0:51:31.800
<v Speaker 2>ninjas become heroes or anti heroes and one property doesn't

0:51:31.840 --> 0:51:35.360
<v Speaker 2>mean they can't be just absolute villains in another. You know,

0:51:35.400 --> 0:51:37.480
<v Speaker 2>we can continue to have fun in that regard.

0:51:37.800 --> 0:51:40.879
<v Speaker 3>Yeah, it's a sawtooth effect. I mean, you know, by

0:51:40.880 --> 0:51:44.000
<v Speaker 3>the seventies you've already got all monsters attack and the

0:51:44.040 --> 0:51:46.760
<v Speaker 3>ones where Godzilla is like, oh, he's a good dad.

0:51:48.600 --> 0:51:50.719
<v Speaker 3>But then you come back decades later and you can

0:51:50.719 --> 0:51:53.680
<v Speaker 3>get Hinn Godzillo. Yeah, where the monster is a problem

0:51:53.800 --> 0:51:54.239
<v Speaker 3>yet again.

0:51:54.600 --> 0:51:58.080
<v Speaker 2>Yeah, all right, Well there you have it, Part four

0:51:58.320 --> 0:52:00.719
<v Speaker 2>of the Ninja. You know, I don't know that we

0:52:00.760 --> 0:52:03.320
<v Speaker 2>covered everything, but we covered a lot of things related

0:52:03.320 --> 0:52:06.239
<v Speaker 2>to the Ninja. If we missed anything, or if there's

0:52:06.239 --> 0:52:09.040
<v Speaker 2>some detail you would like to bring up, write in.

0:52:09.239 --> 0:52:12.880
<v Speaker 2>We would love to hear from you. Just a reminder

0:52:12.960 --> 0:52:14.879
<v Speaker 2>that Stuff to Blow Your Mind is primarily a science

0:52:14.880 --> 0:52:17.560
<v Speaker 2>and culture podcast with core episodes on Tuesdays and Thursdays.

0:52:17.920 --> 0:52:21.040
<v Speaker 2>We do a short form episode on Wednesdays. Fridays we

0:52:21.080 --> 0:52:23.600
<v Speaker 2>do Weird House Cinema. That's our time to set aside

0:52:23.640 --> 0:52:25.880
<v Speaker 2>most serious concerns to just talk about what a weird film.

0:52:26.040 --> 0:52:30.480
<v Speaker 2>And currently we run rerun or volve episodes on Saturdays

0:52:30.520 --> 0:52:34.560
<v Speaker 2>and on Mondays, where we've been experimenting with different format.

0:52:34.880 --> 0:52:37.520
<v Speaker 2>But we are going to have more listener mail episodes

0:52:37.520 --> 0:52:39.799
<v Speaker 2>pop up. In fact, there should be one popping up

0:52:39.800 --> 0:52:43.480
<v Speaker 2>this Thursday. If everything goes according to plan and let's

0:52:43.520 --> 0:52:46.640
<v Speaker 2>see finally, oh yeah, if you're on social media, look

0:52:46.680 --> 0:52:48.759
<v Speaker 2>us up. We're probably on there. Follow us. If you're

0:52:48.800 --> 0:52:52.880
<v Speaker 2>on Instagram, we are stb ym podcast. Just help me,

0:52:53.000 --> 0:52:56.399
<v Speaker 2>help us get our our subscriber or follower base up

0:52:56.400 --> 0:52:59.279
<v Speaker 2>there a bit. It's a it's a newer account. The

0:52:59.320 --> 0:53:02.640
<v Speaker 2>old one went away and ninjas took it down, So

0:53:03.440 --> 0:53:05.640
<v Speaker 2>help us get some numbers on that new one. If

0:53:05.680 --> 0:53:07.560
<v Speaker 2>you use the format, but don't sign up for it.

0:53:07.640 --> 0:53:09.759
<v Speaker 2>If you're not using it already, I mean, really all

0:53:09.760 --> 0:53:12.960
<v Speaker 2>the social media stuff, don't put a lot of work

0:53:13.000 --> 0:53:13.399
<v Speaker 2>into it.

0:53:13.680 --> 0:53:17.360
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

0:53:17.480 --> 0:53:19.080
<v Speaker 3>If you would like to get in touch with us

0:53:19.080 --> 0:53:21.880
<v Speaker 3>with feedback on this episode or any other, to suggest

0:53:21.880 --> 0:53:24.040
<v Speaker 3>a topic for the future, or just to say hello,

0:53:24.160 --> 0:53:26.960
<v Speaker 3>you can email us at contact Stuff to Blow your

0:53:27.000 --> 0:53:35.600
<v Speaker 3>Mind dot com.

0:53:35.760 --> 0:53:38.680
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:53:38.760 --> 0:53:41.560
<v Speaker 1>more podcasts from my heart Radio, visit the iHeartRadio app,

0:53:41.719 --> 0:53:58.680
<v Speaker 1>Apple Podcasts, or wherever you're listening to your favorite shows

0:54:00.120 --> 0:54:00.960
<v Speaker 1>at my fe