WEBVTT - Lynne Koplitz

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<v Speaker 1>This is me, Craig Ferguson. I'm inviting you to come

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<v Speaker 1>and see my brand new comedy hour well as Actually

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<v Speaker 1>it's about an hour and a half and I don't

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<v Speaker 1>have an opener because these guys cost money. But what

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<v Speaker 1>I'm saying is I'll be on stage for a while. Anyway,

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<v Speaker 1>Come and see me live on the Pants on Fire

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<v Speaker 1>Tour in your region. Tickets are on sale now and

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<v Speaker 1>we'll be adding more as the tour continues throughout twenty

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<v Speaker 1>twenty five and beyond. For a full list of dates,

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<v Speaker 1>go to the Craig Ferguson show dot com. See you

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<v Speaker 1>on the road, My DearS. My name is Craig Ferguson.

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<v Speaker 1>The name of this podcast is Joy. I talk to

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<v Speaker 1>interesting people about what brings them happiness. Welcome to the

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<v Speaker 1>Kids Tripper Studios here in Brooklyn, New York. My name

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<v Speaker 1>is Craig Ferguson and I'm your host today on the

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<v Speaker 1>Joy Podcast. My guest today is she's got some great

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<v Speaker 1>stories about our mentor, Joan Rivers. I saw her one

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<v Speaker 1>night at the Village Underground in New York, and she

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<v Speaker 1>is as raw and as fantastic a comedian as she

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<v Speaker 1>ever was. Please welcome, Lynn, Couplets and Joe. So when

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<v Speaker 1>did you come to New York now, because I always

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<v Speaker 1>thought you were in New York until Saturday night. When

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<v Speaker 1>I saw you Saturday Night and you were saying, I

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<v Speaker 1>have to receive my mom in Florida, I was like,

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<v Speaker 1>I thought you.

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<v Speaker 2>I was born in New York in Long Island, and

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<v Speaker 2>we left when I was like seven or eight, and

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<v Speaker 2>I always came back my dad with my birthdad lived here.

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<v Speaker 2>But yeah, I grew up in Saraso. We moved to

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<v Speaker 2>Sarasota when I was about ten.

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<v Speaker 1>See now I have to know about because you're you're

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<v Speaker 1>this type of stand up and when I saw you

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<v Speaker 1>do stand up on Saturday Night, right, and I'm like.

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<v Speaker 2>Jesus, and I saw you and you're brilliant.

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<v Speaker 1>Well, you were brilliant. And here's the thing as well, though,

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<v Speaker 1>I was that we were at the Village Underground, which

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<v Speaker 1>I had never been to before.

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<v Speaker 2>You love it.

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<v Speaker 1>Oh my god, that place is great.

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<v Speaker 2>It's unbelievable.

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<v Speaker 1>And people have been telling me go to the comedy seller,

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<v Speaker 1>going to the comedyor go to the Village Undergard, which

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<v Speaker 1>is kind of like it's the same complex, right.

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<v Speaker 2>It's the same family, right, And I was like, ah.

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<v Speaker 1>Yeah, I've heard about it and is amazing. It's an

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<v Speaker 1>amazing place. How long have you been doing it?

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<v Speaker 2>I mean as long as it's been up, it's been

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<v Speaker 2>like I mean.

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<v Speaker 1>I've been hearing about it since I feel like the

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<v Speaker 1>nineties or something.

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<v Speaker 2>Well, I've been there. I've been at the Cellar probably

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<v Speaker 2>about twenty five years. So when they really started making it,

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<v Speaker 2>I want to say it was about thirty years ago

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<v Speaker 2>when they started really where they were having big audiences. Yeah,

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<v Speaker 2>and then it just grew. So you're part of the

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<v Speaker 2>comedy sellar and then there's like four rooms, five rooms, right,

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<v Speaker 2>so it's all I always say. It's like, am I

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<v Speaker 2>performing in the bedroom? The living room? Like or the

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<v Speaker 2>garage or you know like.

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<v Speaker 1>That the room office felt like it was a reasonable

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<v Speaker 1>size room. It was like, yeah, has a pretty big room,

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<v Speaker 1>but the Sailor itself is smaller.

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<v Speaker 2>Much more. But it's like the more prestigious.

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<v Speaker 1>Oh those bastards they told me the village underground was prestigious.

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<v Speaker 2>But it's very intimate, you know, Like I always say

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<v Speaker 2>that people come to see comedy at the Cellar or

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<v Speaker 2>your die hard they're the same people est he makes

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<v Speaker 2>sun of me. But I'm like, they're the same people

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<v Speaker 2>who go on safaris, like they want to be this

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<v Speaker 2>close to wild animals. Are right, because you know, comics

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<v Speaker 2>were surely a lot. We're not always the nicest and

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<v Speaker 2>people think, oh, I want to be right up front,

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<v Speaker 2>and I always say, you don't. You really don't, not

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<v Speaker 2>with all of us, Like these are the best comics

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<v Speaker 2>in the world, and they're they're surly. I mean, they

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<v Speaker 2>could just look at you and think you look mad

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<v Speaker 2>or something and then they're like attack you.

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<v Speaker 1>You but that I think that's when I was looking

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<v Speaker 1>at your when I was listening to your act and

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<v Speaker 1>watching your act on on on Saturday, and I was like,

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<v Speaker 1>this is not this is not an act though this

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<v Speaker 1>is this is like it is an act because you

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<v Speaker 1>it's stage wark and you're doing it, but you're not pretending,

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<v Speaker 1>you know what I mean, It's not you know, at

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<v Speaker 1>least I didn't feel like it. Like when you were

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<v Speaker 1>talking about you know, your boyfriend and and sex and stuff.

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<v Speaker 2>I was like, oh, and he does have bells posy.

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<v Speaker 1>He really does have Bell's palsy.

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<v Speaker 2>Huh, it's almost better.

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<v Speaker 1>Yeah, Well I like that you dismiss it because he's

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<v Speaker 1>not here to But did you think he had a stroke,

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<v Speaker 1>because that Bell's posy is the thing.

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<v Speaker 2>It looks like a stroke. But we knew right away

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<v Speaker 2>it was Bell's palusy.

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<v Speaker 1>Went to do all right?

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<v Speaker 2>He did to an emergency room.

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<v Speaker 1>He smells toast and taste pennies and stuff. If you get.

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<v Speaker 2>I always say that. I sometimes I just like if

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<v Speaker 2>the lights blink, I always say, I smell toasts? Is

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<v Speaker 2>my grandma coming? Am? I having a stroke? I see Grandma?

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<v Speaker 2>But no, he didn't. It wasn't. The reason I mean

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<v Speaker 2>about it is because he's he said I gave it

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<v Speaker 2>to him, and then all his friends thought I gave

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<v Speaker 2>him Bell's palsy by stressing him out.

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<v Speaker 1>Really, I don't feel like that's how it works, isn't.

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<v Speaker 1>It doesn't.

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<v Speaker 2>Absolutely can't do it.

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<v Speaker 1>How do you get?

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<v Speaker 2>It's like a viral thing?

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<v Speaker 1>All right? Oh, maybe you had it in your breath?

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<v Speaker 1>Did you have it in your breath?

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<v Speaker 2>Like you're such an idiot.

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<v Speaker 1>You don't know? Is it like COVID or something? Can

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<v Speaker 1>you which it may or may not? I looked at it.

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<v Speaker 2>You cannot give it to anyone with words or breath

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<v Speaker 2>or anything.

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<v Speaker 1>Right, Okay, do you it's a viral thing that you

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<v Speaker 1>get from what like things like that? Shingling? I've had shingles.

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<v Speaker 1>Have you had jingles? No, it's the worst.

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<v Speaker 2>They're the worst.

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<v Speaker 1>It's it's like it feels like shingles. It sounds like

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<v Speaker 1>it should be nice. Isn't that like on a roof shingles?

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<v Speaker 1>You got shingles. It's delightful.

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<v Speaker 2>It sounds like you're right, it's like tingles tingles, but

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<v Speaker 2>it's not tingles.

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<v Speaker 1>It's shingles.

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<v Speaker 2>It's hideous.

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<v Speaker 1>I think hair piece has got the same problem, hair

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<v Speaker 1>piece says, and it's a similar thing.

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<v Speaker 2>All kind of going the same categories.

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<v Speaker 1>Hair piece sounds like it would be nice, like a

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<v Speaker 1>hair piece. Like a hair piece, Yeah, like a hair piece.

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<v Speaker 1>Did your boyfriend have a hairpiece?

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<v Speaker 2>No? Okay, but he got this So anyway, what do

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<v Speaker 2>you ask me? Is my act?

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<v Speaker 1>Well? I felt like I felt like I was watching you.

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<v Speaker 1>That it was it was all real life. It was

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<v Speaker 1>very raw. I mean obviously it was you too. Yeah, no,

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<v Speaker 1>I do. But that's the kind of stuff I respond

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<v Speaker 1>to me too. I like I do comedy in the

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<v Speaker 1>way that I think it's going to make me laugh,

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<v Speaker 1>like or the style that would make me laugh, which

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<v Speaker 1>is raw and truthful, you know. But sometimes I watched,

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<v Speaker 1>I mean I was watching, I was like, oh my god,

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<v Speaker 1>I don't know if I could. I don't know if

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<v Speaker 1>I could go that far, like when you were talking

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<v Speaker 1>about you, and I.

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<v Speaker 2>Know there's other things I want to talk about that

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<v Speaker 2>I haven't approached yet. So it always tackles me when

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<v Speaker 2>somewhere like well you really go on the edge. I'm like, oh, no,

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<v Speaker 2>I have other things I want to talk about and

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<v Speaker 2>I haven't touched yet, and I'm just waiting to get

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<v Speaker 2>ready for them. And you know, I what were you

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<v Speaker 2>going to say?

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<v Speaker 1>I'm sorry, no, no, no, I was just saying, it's interesting

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<v Speaker 1>because you know you were talking.

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<v Speaker 2>About the telling men to kill themselves.

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<v Speaker 1>Well there was that, Yeah, I didn't know. It's like,

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<v Speaker 1>I don't know. I mean, you know, in context, and

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<v Speaker 1>it's fine, you know, And it's one of the great

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<v Speaker 1>things that it's one of the things I admire about

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<v Speaker 1>Anthony Jeselneck as well. He says things like this is

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<v Speaker 1>a terrible thing to say, but because he does it

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<v Speaker 1>so skillfully, and you do the same stuff and it's

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<v Speaker 1>like you do it so skillfully that it's not it's

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<v Speaker 1>not a terrible you change it, I.

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<v Speaker 2>Mean the center of it.

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<v Speaker 1>Right.

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<v Speaker 2>So I tend to talk about things that make me

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<v Speaker 2>a victim and then I'm the victor.

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<v Speaker 1>Right, So you give yourself adversity and then triumph over it.

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<v Speaker 1>So it's a feel good type thing.

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<v Speaker 2>Yeah, Like it's so this middle aged man right dates me, right,

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<v Speaker 2>and I tell him, listen, if we're going to be intimate.

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<v Speaker 2>What I didn't what I say on stage sometimes, like

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<v Speaker 2>when I do an hour, is that I was celibate

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<v Speaker 2>up until I had been celibate for four years started dating.

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<v Speaker 2>I wanted to start over, yeah, me and God. And

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<v Speaker 2>I was like, I'm going to start fresh and for you.

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<v Speaker 1>How long until you become a virgin again? It's like.

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<v Speaker 2>That's right, right? And no, I mean I even went

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<v Speaker 2>on a few dates and I was very clear, like

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<v Speaker 2>I'm not gonna I'm sorry. It used to be a

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<v Speaker 2>bit of a whore dog, but not now.

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<v Speaker 1>I just that must be very nice to hear when

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<v Speaker 1>you're on a date with.

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<v Speaker 2>Crazy and it's over now.

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<v Speaker 1>I was really Fromiscus and thanks, but.

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<v Speaker 2>I would have done anything. I would have done anything now,

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<v Speaker 2>no missionary. But I I've been real clear with him.

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<v Speaker 2>So to me, what that joke is about, it's about

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<v Speaker 2>a middle aged woman kind of getting duped. Like all

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<v Speaker 2>of a sudden, this middle aged guy is has been saying, yeah,

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<v Speaker 2>I want us to be together, we live together a

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<v Speaker 2>little bit is now saying, you know what, I changed

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<v Speaker 2>my mind.

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<v Speaker 1>He doesn't want to do that anymore. And but he

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<v Speaker 1>but no, in real life, I mean no, no, no.

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<v Speaker 2>We're not We're not in real life, we're really not

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<v Speaker 2>together anymore. But we aren't, but we are, Like I'm

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<v Speaker 2>tethered to him, so like I'm going there. We have

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<v Speaker 2>stuff together. We bought house and stuff together. We didn't

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<v Speaker 2>buy a house together, but we we had rented a

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<v Speaker 2>place that all my stuff is in the house and

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<v Speaker 2>his stuff is. It's all mingled. And so I'm staying

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<v Speaker 2>there this summer. He's not gonna be there. He'll be

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<v Speaker 2>in New Hampshire most of the time. He's picking me

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<v Speaker 2>up at the airport tomorrow. Like we're still in each

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<v Speaker 2>other's lives.

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<v Speaker 1>What does he do what?

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<v Speaker 2>He's retired from Verizon Verizon, but yet he worked like

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<v Speaker 2>he was like a cable guy he ran it.

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<v Speaker 1>I love that you're a built like Jack Verizon or

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<v Speaker 1>whoever is I don't know.

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<v Speaker 2>It's is also why when we get in big fights,

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<v Speaker 2>I'm like, go back to your small potato life, loseer.

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<v Speaker 2>But he's mean too, Like.

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<v Speaker 1>So we're has he ever dated a comedian before?

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<v Speaker 2>No, dated someone that lives in a city other than Boston.

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<v Speaker 2>In Boston is a real city, but I'm talking about

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<v Speaker 2>said Boston.

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<v Speaker 1>It's not a city.

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<v Speaker 2>It is, but I'm talking not not a city woman, right.

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<v Speaker 1>Because the women of Boston are.

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<v Speaker 2>No, he's not dated women from Boston, right, He's dated

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<v Speaker 2>women who lived in South Boston. Greg, I'm trying not

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<v Speaker 2>to say it southy assholes, So you try not to

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<v Speaker 2>say it.

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<v Speaker 1>I'm like, I don't want to be mean about him,

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<v Speaker 1>but I look, I'm sorry for pressing you about it.

0:10:30.960 --> 0:10:34.280
<v Speaker 1>What I'm what I mean is this is like I

0:10:34.320 --> 0:10:39.240
<v Speaker 1>am fascinated by comedians that seemed to work out their

0:10:39.280 --> 0:10:43.920
<v Speaker 1>own personal issues on stage, because that is how I

0:10:44.120 --> 0:10:47.640
<v Speaker 1>do it. But what I've noticed is because when I

0:10:47.679 --> 0:10:49.199
<v Speaker 1>was doing that, I used to do that late night too.

0:10:49.240 --> 0:10:52.720
<v Speaker 2>I was just like whatever, I watching monologues and stuff

0:10:52.720 --> 0:10:54.120
<v Speaker 2>because you just talked about it right.

0:10:54.160 --> 0:10:57.160
<v Speaker 1>But the problem with that is that that people know

0:10:57.240 --> 0:10:59.800
<v Speaker 1>it you you you forget, and then people come over

0:10:59.840 --> 0:11:02.120
<v Speaker 1>and say things like I said something on late night

0:11:02.200 --> 0:11:05.040
<v Speaker 1>years ago and they I don't remember saying it, Like

0:11:05.160 --> 0:11:05.840
<v Speaker 1>I know.

0:11:05.800 --> 0:11:06.480
<v Speaker 2>I have that too.

0:11:06.679 --> 0:11:07.280
<v Speaker 1>Yeah.

0:11:07.440 --> 0:11:10.720
<v Speaker 2>People will tell me tags that aren't I don't ever

0:11:10.800 --> 0:11:11.640
<v Speaker 2>remember saying them.

0:11:12.080 --> 0:11:14.360
<v Speaker 1>Yeah, Like they say a punchline to a joke that

0:11:14.400 --> 0:11:17.320
<v Speaker 1>you've never told that I never told remember telling.

0:11:17.080 --> 0:11:19.280
<v Speaker 2>It, or they just add something to it that is

0:11:19.320 --> 0:11:21.000
<v Speaker 2>not like they changed it.

0:11:21.920 --> 0:11:24.640
<v Speaker 1>But I think people here really want to hear like

0:11:24.720 --> 0:11:27.080
<v Speaker 1>and they changed it in their mind like I. I

0:11:27.160 --> 0:11:30.880
<v Speaker 1>do this too, Like when you know, when uh Leonard

0:11:31.360 --> 0:11:35.480
<v Speaker 1>Nimoy died, I was like, I was talking to my wife,

0:11:35.720 --> 0:11:39.320
<v Speaker 1>what yeah, we died, And I was like, oh man,

0:11:39.679 --> 0:11:41.920
<v Speaker 1>the original mister spoke. He's so awesome. I wish i'd

0:11:41.920 --> 0:11:43.760
<v Speaker 1>had him on late night and we looked up and

0:11:43.840 --> 0:11:50.640
<v Speaker 1>he'd be on twice. There's no recollection.

0:11:50.880 --> 0:11:53.040
<v Speaker 2>Well, when I saw you the other night, I'm like,

0:11:54.520 --> 0:11:56.240
<v Speaker 2>so one of the one of the people who work

0:11:56.240 --> 0:12:01.280
<v Speaker 2>at the cellar goes fred Ferguson, and I got okay,

0:12:01.320 --> 0:12:04.320
<v Speaker 2>good for him, and she goes, no, isn't he your friend?

0:12:04.400 --> 0:12:07.480
<v Speaker 2>And I go, Fred Ferguson, Fred Ferguson, I'm gonna know

0:12:07.520 --> 0:12:11.720
<v Speaker 2>who that is. You don't know, Fred Ferguson. I thought

0:12:11.720 --> 0:12:14.959
<v Speaker 2>he was your friend. And I go, no, if I

0:12:15.040 --> 0:12:18.800
<v Speaker 2>knew if if this person was my friend, I connection, Well,

0:12:18.880 --> 0:12:22.040
<v Speaker 2>you opened for him, I thought, Fred Ferguson's a comment

0:12:22.760 --> 0:12:25.200
<v Speaker 2>And she goes, yeah. Now I go, what do you

0:12:25.200 --> 0:12:27.600
<v Speaker 2>mean I opened for him? Because you opened for him?

0:12:27.840 --> 0:12:30.600
<v Speaker 2>I thought you guys I worked at comics when he

0:12:30.679 --> 0:12:32.360
<v Speaker 2>was there, and it looked like you guys really liked

0:12:32.400 --> 0:12:36.679
<v Speaker 2>each other. Ago, I don't know who this is. So

0:12:36.720 --> 0:12:39.280
<v Speaker 2>she goes, turn around, He's right here, and turn around.

0:12:39.320 --> 0:12:43.680
<v Speaker 2>I go, it's Craig Ferguson. And she goes, oh, what's

0:12:43.720 --> 0:12:45.000
<v Speaker 2>the difference, And I go, the.

0:12:45.080 --> 0:12:48.120
<v Speaker 1>Whole person that is? That is to me, there's a difference.

0:12:48.360 --> 0:12:51.920
<v Speaker 1>I feel like Fred Craig. You know. I once went

0:12:51.960 --> 0:12:54.120
<v Speaker 1>to a birthday party. It was a surprise birthday party

0:12:54.200 --> 0:12:56.760
<v Speaker 1>someday thrue. It was actually Carrie Fisher threw me a

0:12:56.800 --> 0:12:59.920
<v Speaker 1>birthday party in Los Angeles and it was all like

0:13:00.040 --> 0:13:02.040
<v Speaker 1>celebrities were there and all that, and they got a

0:13:02.120 --> 0:13:05.920
<v Speaker 1>cake and the cake turned up and it said happy birthday.

0:13:06.040 --> 0:13:09.640
<v Speaker 1>Crane Kilbourn, Crane Kilbourne. You didn't even get one of

0:13:09.640 --> 0:13:11.880
<v Speaker 1>my names right. And it was the guy who I

0:13:11.960 --> 0:13:15.880
<v Speaker 1>took over from Happy Birthday, Crane Kilbourne. I'm like, for

0:13:15.960 --> 0:13:18.520
<v Speaker 1>fox sake, Carrie went well, I didn't look at the cake.

0:13:18.679 --> 0:13:20.600
<v Speaker 1>I just ordered the cake. I just didn't get Craig

0:13:20.640 --> 0:13:21.040
<v Speaker 1>at cake.

0:13:21.480 --> 0:13:23.240
<v Speaker 2>I was gonna say. I thought if she you know,

0:13:23.360 --> 0:13:24.080
<v Speaker 2>she was funny.

0:13:24.760 --> 0:13:27.480
<v Speaker 1>Carry, she missed it.

0:13:27.840 --> 0:13:30.920
<v Speaker 2>She should have said calm down, Crane, Crane.

0:13:31.240 --> 0:13:33.680
<v Speaker 1>She she called me Crane for a long time after that.

0:13:33.840 --> 0:13:36.480
<v Speaker 1>You guys would have loved each other. You would have

0:13:36.559 --> 0:13:37.080
<v Speaker 1>loved each other.

0:13:37.200 --> 0:13:39.920
<v Speaker 2>She was very many people told me, and I think

0:13:39.960 --> 0:13:43.160
<v Speaker 2>people told her because I had so many people tell me.

0:13:43.720 --> 0:13:45.360
<v Speaker 2>I can't believe you haven't met Carry Fisher.

0:13:46.800 --> 0:13:49.200
<v Speaker 1>I mean it seems odd to me because you would

0:13:49.200 --> 0:13:51.480
<v Speaker 1>have been either you would have been great friends or

0:13:51.520 --> 0:13:52.480
<v Speaker 1>deadliest enemies.

0:13:52.520 --> 0:13:53.240
<v Speaker 2>No, we would have loved it.

0:13:53.480 --> 0:13:59.520
<v Speaker 1>Yeah, I think you would have. Hello. This is Craig

0:13:59.559 --> 0:14:01.920
<v Speaker 1>Fergus and I want to let you know I have

0:14:01.960 --> 0:14:05.160
<v Speaker 1>a brand new stand up comedy special out now on YouTube.

0:14:05.400 --> 0:14:08.960
<v Speaker 1>It's called I'm So Happy, and I would be so

0:14:09.040 --> 0:14:12.120
<v Speaker 1>happy if you checked it out. To watch the special,

0:14:12.240 --> 0:14:15.400
<v Speaker 1>just go to my YouTube channel at the Craig Ferguson show,

0:14:15.559 --> 0:14:17.840
<v Speaker 1>and is this right there? Just click it and play

0:14:17.840 --> 0:14:20.560
<v Speaker 1>it and it's free. I can't look. I'm not going

0:14:20.600 --> 0:14:21.880
<v Speaker 1>to come around your house and show you how to

0:14:21.920 --> 0:14:23.480
<v Speaker 1>do it. If you can't do it, then you can't

0:14:23.480 --> 0:14:27.200
<v Speaker 1>have it. But if you can figure it out, it's yours,

0:14:30.120 --> 0:14:30.360
<v Speaker 1>you know.

0:14:30.600 --> 0:14:32.200
<v Speaker 2>Joan Rivers was like my mentors.

0:14:32.240 --> 0:14:35.160
<v Speaker 1>She was like, I was going to ask because Joan.

0:14:35.840 --> 0:14:39.800
<v Speaker 1>There's a whole thing with Joan. I never met Joan Rivers,

0:14:40.040 --> 0:14:45.200
<v Speaker 1>and she's like my favorite comedian. I honestly think maybe

0:14:45.240 --> 0:14:48.040
<v Speaker 1>my favorite stand up comedian of anyone I've ever seen.

0:14:48.640 --> 0:14:51.240
<v Speaker 1>She's for me. She's up there with Richard Pryor, and

0:14:51.480 --> 0:14:54.160
<v Speaker 1>you know, I mean, she's just insane. How did you

0:14:54.160 --> 0:14:54.560
<v Speaker 1>guys meet?

0:14:54.720 --> 0:14:58.320
<v Speaker 2>She's a groundbreaker. I was doing a TV show called

0:14:58.400 --> 0:15:01.600
<v Speaker 2>X Rock about a band, and they wanted it was

0:15:01.640 --> 0:15:04.040
<v Speaker 2>on the IFC channel, and they wanted Joan on it.

0:15:04.600 --> 0:15:07.520
<v Speaker 2>And I had done the pilot and she watched the

0:15:07.560 --> 0:15:10.120
<v Speaker 2>pilot and said, I'll do it if I can. I

0:15:10.160 --> 0:15:13.280
<v Speaker 2>got to work with that woman, so they said okay,

0:15:13.680 --> 0:15:15.600
<v Speaker 2>and they made her my aunt, which turned out to

0:15:15.600 --> 0:15:18.800
<v Speaker 2>be a nightmare for them because she was playing my aunt,

0:15:18.840 --> 0:15:21.400
<v Speaker 2>but she was playing Joan Rivers. It just happened to

0:15:21.400 --> 0:15:23.960
<v Speaker 2>be my aunt. And it was a loosely scripted show.

0:15:24.040 --> 0:15:27.280
<v Speaker 2>So we improved a lot. And when I met her,

0:15:27.760 --> 0:15:29.720
<v Speaker 2>I walked into her. I was very thin then, and

0:15:29.760 --> 0:15:33.040
<v Speaker 2>I walked in and she said, oh, I've never seen

0:15:33.080 --> 0:15:37.960
<v Speaker 2>the camera take weight off of somebody. And the whole

0:15:38.000 --> 0:15:40.440
<v Speaker 2>room went quiet, and I looked at her and I

0:15:40.480 --> 0:15:43.680
<v Speaker 2>went and started laughing, and she goes, come here, you

0:15:43.800 --> 0:15:47.120
<v Speaker 2>thick skin comic. And she gave me a hug, and

0:15:47.160 --> 0:15:50.280
<v Speaker 2>she said, I always do that to see who I'm

0:15:50.280 --> 0:15:50.760
<v Speaker 2>dealing with.

0:15:51.640 --> 0:15:56.480
<v Speaker 1>She was and she told joke I've ever heard, which one, well,

0:15:56.480 --> 0:15:58.080
<v Speaker 1>one of the greatest jokes I've ever had was a

0:15:58.080 --> 0:16:01.200
<v Speaker 1>couple but when she was talking, she was on Fashion Police,

0:16:01.880 --> 0:16:05.920
<v Speaker 1>and remember Ryan Lockey, this swimmer. Yeah, and you go, like,

0:16:06.240 --> 0:16:09.200
<v Speaker 1>terrible trouble. He was getting in a terrible trouble all

0:16:09.240 --> 0:16:12.760
<v Speaker 1>over the place. And she said, she said, Ryan Lockley

0:16:12.840 --> 0:16:16.760
<v Speaker 1>is like my vagina. When it's dry, the magic is gone.

0:16:16.920 --> 0:16:18.160
<v Speaker 1>And I went, oh my god.

0:16:19.680 --> 0:16:22.680
<v Speaker 2>Well, you know, in her funeral, Howard Sterne told her

0:16:23.000 --> 0:16:25.200
<v Speaker 2>I think one of her best vagina jokes ever was

0:16:25.240 --> 0:16:27.560
<v Speaker 2>that he said Joan Rivers had a very dry vagina.

0:16:27.640 --> 0:16:29.160
<v Speaker 2>This was the first words out of his mouth at

0:16:29.160 --> 0:16:33.040
<v Speaker 2>her funeral. It had a very dry vagina. He goes,

0:16:33.120 --> 0:16:35.120
<v Speaker 2>I know this because she told me all the time.

0:16:35.600 --> 0:16:38.440
<v Speaker 2>And he said, and she told me once, Howard, my

0:16:38.560 --> 0:16:41.000
<v Speaker 2>vagina is so dry that if Whitney Houston had it,

0:16:41.040 --> 0:16:47.440
<v Speaker 2>she'd be alive today. Jesus. But my favorite old joke.

0:16:48.040 --> 0:16:51.640
<v Speaker 2>That's terrible, but my favorite old joke of hers. It

0:16:51.720 --> 0:16:53.640
<v Speaker 2>was corny. It's corny. People always look at me like

0:16:53.680 --> 0:16:56.640
<v Speaker 2>I'm corny, but I just love the joke. She goes,

0:16:56.680 --> 0:16:59.800
<v Speaker 2>I'm so old when I was when I was a child,

0:17:00.160 --> 0:17:01.320
<v Speaker 2>dead Sea was sick.

0:17:02.040 --> 0:17:02.840
<v Speaker 1>That's a great joke.

0:17:03.440 --> 0:17:05.200
<v Speaker 2>It's a great, brilliant and she wrote it, and it's

0:17:05.240 --> 0:17:06.600
<v Speaker 2>a brilliant, brilliant joke.

0:17:06.840 --> 0:17:09.119
<v Speaker 1>But she was. What's interesting to me, And this is

0:17:09.160 --> 0:17:11.639
<v Speaker 1>the thing I picked up on when I was because

0:17:11.640 --> 0:17:15.400
<v Speaker 1>I see, I remember you were act being The material

0:17:15.440 --> 0:17:17.840
<v Speaker 1>wasn't the same, but your style was similar twenty years ago.

0:17:18.000 --> 0:17:19.959
<v Speaker 1>I mean you were still raw, you were still you know,

0:17:20.400 --> 0:17:22.800
<v Speaker 1>working like that. And when I was watching a lot

0:17:22.880 --> 0:17:24.760
<v Speaker 1>of the other comics.

0:17:24.600 --> 0:17:26.800
<v Speaker 2>I was much more TV friendly. I was much more

0:17:26.840 --> 0:17:29.280
<v Speaker 2>like I want everyone to like me now like that.

0:17:29.320 --> 0:17:31.240
<v Speaker 1>I think that's when you're young, you can would rather

0:17:31.320 --> 0:17:33.720
<v Speaker 1>the comics laugh. Well, I think if you're making the

0:17:33.720 --> 0:17:36.280
<v Speaker 1>comics laugh, you're kind of doing something right. I mean,

0:17:36.440 --> 0:17:39.680
<v Speaker 1>you're having a definite demographic, and it's probably a very

0:17:39.800 --> 0:17:41.680
<v Speaker 1>dark one because I think comedians.

0:17:42.119 --> 0:17:44.000
<v Speaker 2>Don't you think you hit a point like, excuse me

0:17:44.000 --> 0:17:48.560
<v Speaker 2>for interrupting. As an artist, I'm definitely the now I've

0:17:48.600 --> 0:17:51.119
<v Speaker 2>evolved where I'm that art Like when you knew me,

0:17:51.680 --> 0:17:53.680
<v Speaker 2>I was the artist that was still willing to paint

0:17:53.760 --> 0:17:57.200
<v Speaker 2>murals in people's houses. Yeah, and now I'm like, what

0:17:57.359 --> 0:17:59.679
<v Speaker 2>they want me to paint the couch green? So in

0:17:59.720 --> 0:18:01.879
<v Speaker 2>Matt is their couch in the picture? Tell them go

0:18:01.920 --> 0:18:05.200
<v Speaker 2>fuck yeah, I'm never doing that. So now that's where

0:18:05.240 --> 0:18:07.119
<v Speaker 2>if someone goes, can you not do that joke, I'm like, no,

0:18:07.280 --> 0:18:07.960
<v Speaker 2>I can just leave.

0:18:08.359 --> 0:18:11.000
<v Speaker 1>Yeah I have to do the joke. I don't know.

0:18:11.080 --> 0:18:13.600
<v Speaker 1>I mean, I feel like it gets to a point

0:18:13.600 --> 0:18:16.439
<v Speaker 1>where you you just kind of like, I can't fucking

0:18:16.480 --> 0:18:19.760
<v Speaker 1>make everyone happy. I can't, you know. I mean, my

0:18:19.880 --> 0:18:21.840
<v Speaker 1>job is to make people laugh, but not necessarily make

0:18:21.880 --> 0:18:23.240
<v Speaker 1>them happy, you know.

0:18:23.560 --> 0:18:24.560
<v Speaker 2>And that's a good point.

0:18:24.680 --> 0:18:28.760
<v Speaker 1>Yeah, I don't like I don't find this joke offensive, well, okay,

0:18:28.880 --> 0:18:30.720
<v Speaker 1>that's good. Or I do find this joke of fans,

0:18:30.840 --> 0:18:33.359
<v Speaker 1>well that's good. But there's a there's a lot of

0:18:33.440 --> 0:18:36.359
<v Speaker 1>talk recently about you can't say this, and you can't

0:18:36.400 --> 0:18:38.880
<v Speaker 1>say that, or you get into trouble, and now it's

0:18:39.000 --> 0:18:40.800
<v Speaker 1>like it's always been like that.

0:18:41.000 --> 0:18:44.760
<v Speaker 2>But my point is is Joan had a rule, and

0:18:44.800 --> 0:18:46.600
<v Speaker 2>I think about it all the time. She said, talk

0:18:46.640 --> 0:18:49.240
<v Speaker 2>about whatever you want, just make sure it's funny.

0:18:49.520 --> 0:18:54.879
<v Speaker 1>Yeah. I think that that's the thing. Undeniably undeniably funny

0:18:54.960 --> 0:18:57.800
<v Speaker 1>is right, because there there is that. But there's now

0:18:58.200 --> 0:19:02.159
<v Speaker 1>the situation. Well, I don't know if there was a

0:19:02.200 --> 0:19:05.560
<v Speaker 1>little moment there where certain things you weren't allowed to

0:19:05.680 --> 0:19:07.919
<v Speaker 1>even I felt like you weren't even meant to talk about.

0:19:08.359 --> 0:19:10.320
<v Speaker 2>But you're talking about throwing your kid in the pool.

0:19:10.560 --> 0:19:11.640
<v Speaker 1>Yeah, yeah, that's true.

0:19:11.720 --> 0:19:15.480
<v Speaker 2>And I was screaming, laughing. It's so funny. And it's

0:19:15.520 --> 0:19:19.240
<v Speaker 2>how when we were kids, that's how you learned to sway.

0:19:19.400 --> 0:19:19.840
<v Speaker 1>You're lucky.

0:19:19.840 --> 0:19:21.960
<v Speaker 2>If you got thrown in, usually just got kissed. Someone

0:19:22.119 --> 0:19:24.440
<v Speaker 2>drinking a beer shoved you with their front.

0:19:24.720 --> 0:19:28.040
<v Speaker 1>Didn't make it. But you know, we got a flutter.

0:19:28.880 --> 0:19:33.000
<v Speaker 2>But but you know, even when you said it the

0:19:33.040 --> 0:19:35.560
<v Speaker 2>other night, I could I could see people going, oh,

0:19:35.800 --> 0:19:39.879
<v Speaker 2>why did you? But they're just sensitive now, I think so,

0:19:40.040 --> 0:19:43.119
<v Speaker 2>But I think they you made it funny immediately.

0:19:42.720 --> 0:19:45.120
<v Speaker 1>Right, And I think that the thing is as well

0:19:45.160 --> 0:19:47.600
<v Speaker 1>as that. I think people go, particularly places like the

0:19:47.640 --> 0:19:50.720
<v Speaker 1>sailor the Village Underground, all that stuff. I think people

0:19:50.760 --> 0:19:53.359
<v Speaker 1>go there with the expectation that I am going to

0:19:53.440 --> 0:19:56.040
<v Speaker 1>be tested by you know, I'm going to hear stuff

0:19:56.080 --> 0:19:57.639
<v Speaker 1>that I don't want to hear, and that's part of

0:19:57.680 --> 0:20:00.239
<v Speaker 1>the fun. I think it's been folded into to it

0:20:00.240 --> 0:20:02.280
<v Speaker 1>that now you like you. I think that's okay. I

0:20:02.320 --> 0:20:04.440
<v Speaker 1>think to feel that sense of danger like you mentioned

0:20:04.480 --> 0:20:07.119
<v Speaker 1>A tale. A Tale's always been one of my favorite

0:20:07.119 --> 0:20:10.639
<v Speaker 1>comics in mind because I watched David Tail. Sometimes I

0:20:10.640 --> 0:20:13.600
<v Speaker 1>think I don't know Dave. I can't go God damn it.

0:20:13.600 --> 0:20:17.680
<v Speaker 1>He made me laugh again. I mean, he's and David Tel.

0:20:18.640 --> 0:20:22.600
<v Speaker 2>You know. It's funny because I'm not usually a fan

0:20:22.640 --> 0:20:25.320
<v Speaker 2>of comics that I don't know something about. At the

0:20:25.400 --> 0:20:28.640
<v Speaker 2>end of their act, I can. I can appreciate that

0:20:28.760 --> 0:20:33.879
<v Speaker 2>Jerry Seinfeld is a master. He does an observational comedy.

0:20:33.880 --> 0:20:36.960
<v Speaker 2>He's one of the very best, but I don't enjoy

0:20:37.000 --> 0:20:41.040
<v Speaker 2>watching him. His comedy, his TV shows and stuff. I love.

0:20:41.680 --> 0:20:44.400
<v Speaker 2>He's a great writer, but it's just not my cup

0:20:44.440 --> 0:20:48.240
<v Speaker 2>of tea. Ellen is the same way. Ellen degenerous, but

0:20:48.400 --> 0:20:50.719
<v Speaker 2>that Boston style of comedy where they're like, and then

0:20:50.760 --> 0:20:52.760
<v Speaker 2>I killed the guy, Like I never find that funny.

0:20:52.960 --> 0:20:53.640
<v Speaker 2>You didn't do it.

0:20:54.000 --> 0:20:55.760
<v Speaker 1>You didn't kill the guy, you know. And that's the

0:20:55.760 --> 0:20:57.639
<v Speaker 1>difference between Boston and New York comedy. Then in New

0:20:57.720 --> 0:20:59.600
<v Speaker 1>York you have to actually have killed the guy.

0:20:59.640 --> 0:21:03.639
<v Speaker 2>If you say I killed the guy, he might have

0:21:03.760 --> 0:21:08.760
<v Speaker 2>killed that guy. Like there's some opinion, there's you know,

0:21:08.840 --> 0:21:11.560
<v Speaker 2>you think when you're watching me, she might have actually

0:21:11.560 --> 0:21:12.840
<v Speaker 2>told this guy to kill himself.

0:21:13.080 --> 0:21:15.439
<v Speaker 1>Oh yeah, I thought you might have.

0:21:15.880 --> 0:21:19.560
<v Speaker 2>I would be very sad if he killed himself. But

0:21:19.800 --> 0:21:22.720
<v Speaker 2>that's where I push it, you know, it's it's you

0:21:22.760 --> 0:21:26.360
<v Speaker 2>know how it is. You do it too. It's where fantasy, right, you.

0:21:26.320 --> 0:21:28.480
<v Speaker 1>Mess around with it, you mess around with it, with

0:21:28.520 --> 0:21:30.760
<v Speaker 1>the reality of it. That's all right. I mean, it's

0:21:30.800 --> 0:21:32.280
<v Speaker 1>called a poetic license.

0:21:32.320 --> 0:21:36.280
<v Speaker 2>I suppose for me, it's always believable my situation, Like

0:21:36.359 --> 0:21:39.320
<v Speaker 2>I have a joke where I'm talking about young feminists,

0:21:40.280 --> 0:21:42.720
<v Speaker 2>and I wanted to see I did it because they

0:21:43.720 --> 0:21:46.120
<v Speaker 2>traditionally have been annoying me a lot. So I thought,

0:21:46.160 --> 0:21:49.160
<v Speaker 2>I wonder if I can talk about them and still

0:21:49.200 --> 0:21:53.080
<v Speaker 2>win them, because young women love me right, And I

0:21:53.080 --> 0:21:54.439
<v Speaker 2>think it's because I tell the truth.

0:21:55.080 --> 0:21:56.960
<v Speaker 1>Well, I told you you were doing credit work with

0:21:56.960 --> 0:21:59.000
<v Speaker 1>a couple of girls in the front row. The young

0:21:59.040 --> 0:22:00.080
<v Speaker 1>women in the front row.

0:22:00.200 --> 0:22:02.080
<v Speaker 2>No matter what I say, Greg, they never hate me.

0:22:02.480 --> 0:22:04.040
<v Speaker 1>They were great. They loved you.

0:22:04.280 --> 0:22:06.919
<v Speaker 2>We love you, we love you, and I'm like, shut up,

0:22:06.920 --> 0:22:09.120
<v Speaker 2>I don't want your love. We love you so much.

0:22:09.280 --> 0:22:12.520
<v Speaker 2>They're like little puppies. But I think it's because there's

0:22:12.600 --> 0:22:16.080
<v Speaker 2>an auntie quality to me, like she's telling us the truth.

0:22:18.200 --> 0:22:20.720
<v Speaker 2>She's on our side, she's going to protect us. And

0:22:20.800 --> 0:22:23.439
<v Speaker 2>so my whole joke is about do you want me

0:22:23.480 --> 0:22:26.760
<v Speaker 2>to tell you? It's just about the feminism thing. Where

0:22:26.800 --> 0:22:29.160
<v Speaker 2>I go, there is a young if you haven't met

0:22:29.200 --> 0:22:33.280
<v Speaker 2>young New York feminists yet, they're very they're not like

0:22:33.320 --> 0:22:36.399
<v Speaker 2>the old school feminists. They're very like right in your

0:22:36.400 --> 0:22:40.320
<v Speaker 2>face and growley. And I said, some one jumps in

0:22:40.320 --> 0:22:43.080
<v Speaker 2>front of me with a clipboard recently and she's like,

0:22:43.400 --> 0:22:46.000
<v Speaker 2>what have you done for women? Today, and I go, well,

0:22:46.040 --> 0:22:47.919
<v Speaker 2>I'm not going to punch you in the throat, so

0:22:48.000 --> 0:22:50.760
<v Speaker 2>that's one thing. And then I do this whole thing

0:22:50.800 --> 0:22:55.399
<v Speaker 2>about getting behind this young girl because I know my

0:22:55.560 --> 0:22:58.440
<v Speaker 2>days of free drinks and having doors held open are

0:22:58.560 --> 0:23:02.119
<v Speaker 2>very long gone. But I'm like, this young fertile girl

0:23:02.520 --> 0:23:04.280
<v Speaker 2>is going in the bank where the doors are heavy.

0:23:04.440 --> 0:23:07.119
<v Speaker 2>My arms are not what they were, and I'm like,

0:23:07.160 --> 0:23:10.080
<v Speaker 2>I'm going to get behind her like a like a

0:23:10.119 --> 0:23:14.200
<v Speaker 2>little car getting behind a big semi in a stom.

0:23:15.440 --> 0:23:17.080
<v Speaker 2>This bitch is gonna save my life. So I get

0:23:17.080 --> 0:23:19.600
<v Speaker 2>behind her and she stops. This is true story. This

0:23:19.680 --> 0:23:22.760
<v Speaker 2>is based on a true story. She stops cold, and

0:23:22.800 --> 0:23:25.760
<v Speaker 2>she says to the guy holding the door, I can

0:23:25.800 --> 0:23:29.400
<v Speaker 2>get my own door, thank you very much. And I've

0:23:29.480 --> 0:23:31.040
<v Speaker 2>never seen it. Have you seen in real life?

0:23:31.080 --> 0:23:34.360
<v Speaker 1>It's happened to me. Really, it's happened to me. I'll

0:23:34.359 --> 0:23:35.400
<v Speaker 1>tell you about it in a minuse.

0:23:35.440 --> 0:23:38.439
<v Speaker 2>So I go, well, I can't excuse me. Part of

0:23:38.440 --> 0:23:40.760
<v Speaker 2>me I kind of walk past. So then I go

0:23:41.640 --> 0:23:44.480
<v Speaker 2>I'm telling this joke true story again at the cellar

0:23:44.520 --> 0:23:47.120
<v Speaker 2>at the little room, and a girl in the front

0:23:47.200 --> 0:23:52.200
<v Speaker 2>road goes yes, and I go, you know what what

0:23:52.200 --> 0:23:55.360
<v Speaker 2>what are you yesing? And she goes, she told him,

0:23:55.880 --> 0:23:59.199
<v Speaker 2>She told him we can get our own doors, and

0:23:59.240 --> 0:24:01.800
<v Speaker 2>we can buy our own food, and we don't need

0:24:01.840 --> 0:24:04.640
<v Speaker 2>men trying to take our power. And I turned to her,

0:24:04.840 --> 0:24:07.639
<v Speaker 2>and now I say, the audience, let me tell you something.

0:24:07.720 --> 0:24:09.800
<v Speaker 2>No one can take your fucking power. You got to

0:24:09.840 --> 0:24:12.240
<v Speaker 2>give it to him. Nat usually gets an a pause

0:24:12.240 --> 0:24:15.520
<v Speaker 2>break and I go, you girls are not looking at

0:24:15.560 --> 0:24:17.600
<v Speaker 2>this the right way. The way I see it is

0:24:17.880 --> 0:24:21.000
<v Speaker 2>they owe me that, they owe me holding the door,

0:24:21.440 --> 0:24:24.359
<v Speaker 2>buying me dinner. I go, you know why, because we've

0:24:24.359 --> 0:24:27.800
<v Speaker 2>been blowing these guys for centuries. I am kneeling on

0:24:27.880 --> 0:24:34.840
<v Speaker 2>the shoulders of my ancestors. Somewhere in my line, someone

0:24:34.920 --> 0:24:38.760
<v Speaker 2>in my family probably sucked the deck of some guy

0:24:38.800 --> 0:24:41.920
<v Speaker 2>coming back from World War One with tick her tape

0:24:41.960 --> 0:24:44.800
<v Speaker 2>on it. I go, then, I'm sure, I'm sure I

0:24:45.600 --> 0:24:48.320
<v Speaker 2>have some pilgrim ancestor. So that I was like, when

0:24:48.320 --> 0:24:51.159
<v Speaker 2>I'm done churning this butter, and Ezekiel gets home, I

0:24:51.160 --> 0:24:52.840
<v Speaker 2>got to breathe out of my nose for four minutes,

0:24:52.880 --> 0:24:55.639
<v Speaker 2>and I'm like, I'm sure I've got some cave woman

0:24:56.119 --> 0:25:00.639
<v Speaker 2>relative that was justugh And he pokes on the shoulder

0:25:00.680 --> 0:25:06.479
<v Speaker 2>and she's like, oh, so you owe me reparations, and

0:25:06.520 --> 0:25:09.560
<v Speaker 2>I talk about my boyfriend and all that, but it

0:25:09.640 --> 0:25:14.400
<v Speaker 2>kills with the girls and it starts me not being

0:25:14.480 --> 0:25:24.200
<v Speaker 2>nice to them. But like you said, then I empower them.

0:25:24.960 --> 0:25:28.080
<v Speaker 1>It's very interesting to words you work because it is.

0:25:28.440 --> 0:25:30.240
<v Speaker 1>I mean, it's funny that you mentioned Joan, because I

0:25:30.280 --> 0:25:34.440
<v Speaker 1>got that kind of like style vibe from you as well.

0:25:34.560 --> 0:25:38.440
<v Speaker 1>Like the the idea is like I will I will

0:25:38.480 --> 0:25:41.520
<v Speaker 1>go with people, you know, I will make fun of somebody,

0:25:41.560 --> 0:25:43.360
<v Speaker 1>I will have a go with someone, but it's always

0:25:43.400 --> 0:25:46.800
<v Speaker 1>really me who I'm going at, which is very smart

0:25:46.880 --> 0:25:49.359
<v Speaker 1>and and and how it works. I think. As far

0:25:49.400 --> 0:25:51.480
<v Speaker 1>as the holding the door open thing that happened to

0:25:51.520 --> 0:25:55.720
<v Speaker 1>me in in La, it was as a gay at

0:25:55.720 --> 0:25:58.800
<v Speaker 1>the school on one of my kids was young and

0:25:58.800 --> 0:26:00.919
<v Speaker 1>I held the gate open for one of the moms

0:26:00.920 --> 0:26:03.280
<v Speaker 1>in the school and she was pretty angry. Maybe she

0:26:03.320 --> 0:26:05.440
<v Speaker 1>was a tough day. Everybody's tired, they have little kids.

0:26:05.440 --> 0:26:07.119
<v Speaker 1>But she won't buy me, I don't need you to

0:26:07.119 --> 0:26:09.679
<v Speaker 1>hold hold the door open for me, And kind of

0:26:09.720 --> 0:26:12.720
<v Speaker 1>like I was like, I didn't know to open for you.

0:26:12.760 --> 0:26:15.040
<v Speaker 1>I held open for my mom. You were just there.

0:26:16.359 --> 0:26:18.000
<v Speaker 2>You should have just that. That's how you get hit.

0:26:18.680 --> 0:26:23.240
<v Speaker 2>You know, I probably have five across the time.

0:26:24.560 --> 0:26:29.840
<v Speaker 1>But here's the thing. It's funny though, because the the idea,

0:26:29.960 --> 0:26:32.320
<v Speaker 1>and you've touched on this and and I'm interested in this,

0:26:32.480 --> 0:26:34.400
<v Speaker 1>and you mentioned Allen as well, because Ellen get into

0:26:34.400 --> 0:26:36.879
<v Speaker 1>a lot of trouble because it turns out she's not

0:26:36.960 --> 0:26:40.040
<v Speaker 1>as nice in real life as she is on TV.

0:26:40.240 --> 0:26:42.639
<v Speaker 1>I don't know her, well, I've met a couple. You

0:26:42.640 --> 0:26:44.200
<v Speaker 1>seemed very nice to me. I don't know. I mean,

0:26:44.400 --> 0:26:46.000
<v Speaker 1>I was meeting her on a TV show. I've got

0:26:46.000 --> 0:26:49.040
<v Speaker 1>certainly no Allen stories. But but what I was kind

0:26:49.040 --> 0:26:52.560
<v Speaker 1>of fascinated by is that people and people will say

0:26:52.560 --> 0:26:55.439
<v Speaker 1>this about anyone, Like if you meet anyone famous, anyone

0:26:55.480 --> 0:26:58.719
<v Speaker 1>at all, they say they were they nice. Like like, now,

0:26:58.800 --> 0:27:01.919
<v Speaker 1>I don't need I don't need like I don't I

0:27:01.920 --> 0:27:04.119
<v Speaker 1>don't need Jimmy Page to be nice. I don't need.

0:27:04.240 --> 0:27:06.919
<v Speaker 1>I don't even need he plays a guitar. Let him

0:27:06.920 --> 0:27:08.920
<v Speaker 1>play the guitar. If he's not nice, I don't fucking care.

0:27:09.280 --> 0:27:11.400
<v Speaker 2>You have to be super talented to not be nice.

0:27:11.440 --> 0:27:13.440
<v Speaker 1>To know it be nice, I suppose you do, actually,

0:27:13.720 --> 0:27:16.960
<v Speaker 1>because I think that that seems to be the thing

0:27:17.000 --> 0:27:20.000
<v Speaker 1>that most people want is for you to be nice,

0:27:20.240 --> 0:27:23.840
<v Speaker 1>and I the truth says, I'm nice sometime. A lot

0:27:23.880 --> 0:27:25.639
<v Speaker 1>of the time I think I'm nice, and sometimes I'm

0:27:25.640 --> 0:27:27.080
<v Speaker 1>probably a deck I know I am.

0:27:27.480 --> 0:27:30.159
<v Speaker 2>So for me, one story about a celebrity does not

0:27:30.200 --> 0:27:32.639
<v Speaker 2>make them who they are, right, Like if someone tells me,

0:27:32.680 --> 0:27:33.120
<v Speaker 2>I think for.

0:27:33.040 --> 0:27:35.320
<v Speaker 1>A lot of people it does, though, amazing, Yeah.

0:27:35.119 --> 0:27:38.760
<v Speaker 2>But it shouldn't because everybody's a person. Yeah, So yes,

0:27:38.880 --> 0:27:42.120
<v Speaker 2>you're allowed. You're allowed to even react to her, yeah

0:27:42.400 --> 0:27:46.000
<v Speaker 2>and say, oh, well next time, I definitely won't, you

0:27:46.000 --> 0:27:48.959
<v Speaker 2>know whatever, because maybe you're having a bad day and

0:27:49.000 --> 0:27:51.240
<v Speaker 2>you're trying to be nice and she was a jerk

0:27:51.240 --> 0:27:53.359
<v Speaker 2>about it. I'm not saying you should be like that,

0:27:53.440 --> 0:27:56.119
<v Speaker 2>but I'm saying that, but that doesn't define who you are.

0:27:56.600 --> 0:27:58.960
<v Speaker 2>So I was just about to say to you about Ellen.

0:27:59.560 --> 0:28:02.800
<v Speaker 2>I've heard that she can be prickly, but I don't

0:28:02.800 --> 0:28:05.720
<v Speaker 2>know her, so I reserve that, like I don't you know,

0:28:05.800 --> 0:28:07.600
<v Speaker 2>I've said to people, I'm not going to judge this

0:28:07.640 --> 0:28:09.920
<v Speaker 2>person because I don't know. Now, there are other celebrities

0:28:09.920 --> 0:28:12.040
<v Speaker 2>where I'm like, oh, yeah, he's an asshole, but I

0:28:12.080 --> 0:28:15.240
<v Speaker 2>know him asshole, and I would tell him to his

0:28:15.320 --> 0:28:16.199
<v Speaker 2>face he's an asshole.

0:28:16.359 --> 0:28:19.359
<v Speaker 1>Yeah, I think that that's it's a weird thing. I

0:28:19.359 --> 0:28:22.720
<v Speaker 1>remember I was once changing planes at Danver. You know,

0:28:22.760 --> 0:28:25.520
<v Speaker 1>I have Danver like you do road work, you know, Denver.

0:28:25.359 --> 0:28:28.360
<v Speaker 2>Airport I got stuck, the only one I ever got

0:28:28.359 --> 0:28:28.719
<v Speaker 2>stuck at.

0:28:29.040 --> 0:28:30.879
<v Speaker 1>I hate Denver Airport so much. Do you know if

0:28:30.920 --> 0:28:32.200
<v Speaker 1>you see it from the guy, it kind of looks

0:28:32.240 --> 0:28:33.359
<v Speaker 1>like a swastika as well.

0:28:33.600 --> 0:28:34.640
<v Speaker 2>You know, I'm not surprised.

0:28:34.800 --> 0:28:35.760
<v Speaker 1>I hate it.

0:28:35.760 --> 0:28:38.240
<v Speaker 2>And the people at the airport have you ever noticed this?

0:28:38.320 --> 0:28:41.720
<v Speaker 2>They're so crazy, like there's no like sides of the

0:28:41.720 --> 0:28:45.680
<v Speaker 2>street walking like everyone looks. Everyone looks s frazzled, like

0:28:45.720 --> 0:28:47.040
<v Speaker 2>they're racing to a sail.

0:28:47.360 --> 0:28:50.440
<v Speaker 1>Yeah, it's it's weird. It's like Black Friday every day

0:28:50.920 --> 0:28:53.040
<v Speaker 1>and and well not Black Friday.

0:28:53.040 --> 0:28:54.000
<v Speaker 2>It is a swastika.

0:28:54.520 --> 0:29:00.680
<v Speaker 1>Well yeah, it's like black uniform, Brady. But they I

0:29:00.760 --> 0:29:03.720
<v Speaker 1>was getting off while I was changing planes or something

0:29:03.720 --> 0:29:06.440
<v Speaker 1>at Denver Airport and I bumped to this guy from Africa.

0:29:06.600 --> 0:29:08.760
<v Speaker 1>That was my fault. And this African guy but me

0:29:08.760 --> 0:29:10.680
<v Speaker 1>and he's wearing the full like all the African gear

0:29:10.680 --> 0:29:13.320
<v Speaker 1>and stuff, and I bumped into I was kind of embarrassed.

0:29:13.360 --> 0:29:17.080
<v Speaker 1>I stumbled a little bit and he went to help me.

0:29:17.080 --> 0:29:18.640
<v Speaker 1>He was a younger guy, and he went to help

0:29:18.640 --> 0:29:21.360
<v Speaker 1>me with my case because I was kind of falling

0:29:21.400 --> 0:29:23.080
<v Speaker 1>over a little bit. And I was like, ah, I

0:29:23.200 --> 0:29:25.800
<v Speaker 1>fell that. I was tired. I was a jerk and

0:29:25.880 --> 0:29:28.320
<v Speaker 1>he said, he went, I'm helping you with your case.

0:29:28.480 --> 0:29:30.920
<v Speaker 1>What a jerk? And I was like, oh no, and

0:29:30.960 --> 0:29:32.800
<v Speaker 1>I started walking away and I thought, good, I am

0:29:32.840 --> 0:29:36.040
<v Speaker 1>a jerk. And I was looking around. I was trying

0:29:36.080 --> 0:29:38.400
<v Speaker 1>to find him to apologize for being a jerk, and

0:29:38.440 --> 0:29:41.480
<v Speaker 1>I couldn't find him. So I think probably he watches

0:29:41.520 --> 0:29:44.760
<v Speaker 1>this podcast and I and now he'll know that. No,

0:29:44.840 --> 0:29:46.440
<v Speaker 1>he won't because he'll think I'm a jerk and like,

0:29:46.440 --> 0:29:47.000
<v Speaker 1>I'm not watch.

0:29:47.680 --> 0:29:49.640
<v Speaker 2>You'll know you're doing it. He's not want to listen.

0:29:49.760 --> 0:29:51.880
<v Speaker 1>No, he'll hate me. But it's just this. He didn't

0:29:51.880 --> 0:29:53.600
<v Speaker 1>know who I was. He was just he just thought

0:29:53.640 --> 0:29:55.920
<v Speaker 1>I was a jerk in Denver airport. And you know what,

0:29:56.520 --> 0:29:58.840
<v Speaker 1>I for that moment, I fucking was a jerk in

0:29:58.960 --> 0:29:59.800
<v Speaker 1>Denver airport.

0:30:00.120 --> 0:30:03.080
<v Speaker 2>But he might have known. That's the weird part about

0:30:03.160 --> 0:30:06.080
<v Speaker 2>TV and stuff. Because I was nice to a lady

0:30:06.080 --> 0:30:07.760
<v Speaker 2>in the airport one time. She had a kid who

0:30:07.840 --> 0:30:10.600
<v Speaker 2>was screaming, and you know some mothers have that they

0:30:10.640 --> 0:30:13.800
<v Speaker 2>get that look like this is the day. I'm leaving

0:30:13.800 --> 0:30:16.320
<v Speaker 2>the kid in the airport and I saw the show

0:30:17.080 --> 0:30:20.040
<v Speaker 2>and she was frazzled and she had like an infant

0:30:20.120 --> 0:30:22.040
<v Speaker 2>and a little three year old that was going ape

0:30:22.040 --> 0:30:24.720
<v Speaker 2>shit crazy. And I had dog toys in my purse

0:30:24.720 --> 0:30:26.640
<v Speaker 2>for my dog, so I was going home and I

0:30:26.720 --> 0:30:29.360
<v Speaker 2>just went it squeezed the ball and the little three

0:30:29.400 --> 0:30:32.280
<v Speaker 2>year old turned and came walking over and I threw

0:30:32.320 --> 0:30:34.280
<v Speaker 2>the ball and the kid came back. And I just

0:30:34.320 --> 0:30:37.160
<v Speaker 2>played with a kid with this dog ball heaven.

0:30:37.280 --> 0:30:39.520
<v Speaker 1>And the mother said in the airport with.

0:30:39.480 --> 0:30:43.360
<v Speaker 2>A kid, how are you doing this? Not who are you?

0:30:43.360 --> 0:30:45.360
<v Speaker 2>But how are you doing this? And I said, look,

0:30:45.400 --> 0:30:47.120
<v Speaker 2>I'm not a mom. She because you must be a mom,

0:30:47.360 --> 0:30:51.160
<v Speaker 2>and I said, no, I own a dog. But you

0:30:51.200 --> 0:30:53.960
<v Speaker 2>know how old is your kids? It was almost three,

0:30:54.000 --> 0:30:56.160
<v Speaker 2>and I said, yes, aren't they kind.

0:30:56.000 --> 0:30:57.280
<v Speaker 1>Of the second?

0:30:57.880 --> 0:31:00.000
<v Speaker 2>And anyway, I played with the kid and I said

0:31:00.120 --> 0:31:01.680
<v Speaker 2>on the floor and the mom said, don't you have like, no,

0:31:01.960 --> 0:31:03.880
<v Speaker 2>I have an hour. And I was just nice to

0:31:03.920 --> 0:31:05.560
<v Speaker 2>this little kid and I said, do you want to

0:31:05.600 --> 0:31:07.840
<v Speaker 2>go somewhere? Do you want me to watch them? And

0:31:07.920 --> 0:31:10.920
<v Speaker 2>do you have to pee or anything? Seriously, like the

0:31:10.960 --> 0:31:13.400
<v Speaker 2>look on her face. Craig was like, no. Well, next

0:31:13.400 --> 0:31:15.200
<v Speaker 2>thing I know, I get a call from my manager

0:31:15.320 --> 0:31:18.200
<v Speaker 2>like a week later, and I gave the little you know,

0:31:18.320 --> 0:31:22.560
<v Speaker 2>screaming one the dog toy and it really was a

0:31:22.560 --> 0:31:28.720
<v Speaker 2>dog toy. That's what's so embarrassing. But my manager said, Lynn,

0:31:29.080 --> 0:31:32.480
<v Speaker 2>you know we have Google alerts on you. I want

0:31:32.480 --> 0:31:34.960
<v Speaker 2>you to read something. And the woman knew who I was.

0:31:35.040 --> 0:31:39.680
<v Speaker 2>You recognize me from TV with Johan and said this

0:31:39.720 --> 0:31:43.320
<v Speaker 2>woman was one of the nicest women. And when I

0:31:43.400 --> 0:31:48.120
<v Speaker 2>was so flustered, but it was it was really sweet.

0:31:48.160 --> 0:31:50.560
<v Speaker 2>But it made me go, oh shit. And then I

0:31:50.600 --> 0:31:52.120
<v Speaker 2>when I was with DV, I had other ones that

0:31:52.160 --> 0:31:55.320
<v Speaker 2>were like I saw lannekpless today fighting with her boyfriend,

0:31:56.560 --> 0:31:58.040
<v Speaker 2>And now most of them are like, I think I

0:31:58.080 --> 0:31:59.760
<v Speaker 2>saw you crying in the park. That's what people.

0:32:01.640 --> 0:32:05.320
<v Speaker 1>But it's funny though, because I think now everybody it

0:32:05.440 --> 0:32:07.560
<v Speaker 1>used to be like if you were kind of if

0:32:07.560 --> 0:32:11.400
<v Speaker 1>you were famous, you were you were in that that

0:32:11.480 --> 0:32:15.160
<v Speaker 1>kind of position. But no, that was very passive aggressive,

0:32:16.040 --> 0:32:25.720
<v Speaker 1>passive aggressive, you know. It was like yeah, right right, yeah, yeah, Okay,

0:32:25.920 --> 0:32:31.200
<v Speaker 1>so I still think it was passive aggressive. But it

0:32:31.320 --> 0:32:33.560
<v Speaker 1>used to be just like famous people would get that,

0:32:33.760 --> 0:32:36.200
<v Speaker 1>like you walk around and like you do something dumb

0:32:36.200 --> 0:32:40.000
<v Speaker 1>and get shamed. But now I think anyone, because everyone

0:32:40.080 --> 0:32:43.720
<v Speaker 1>has a camera and everyone has you know, Instagram and

0:32:43.720 --> 0:32:45.960
<v Speaker 1>and all that kind of stuff, that anyone who does

0:32:46.000 --> 0:32:49.959
<v Speaker 1>something dumb, there's the opportunity to go viral and and

0:32:50.040 --> 0:32:50.640
<v Speaker 1>be shamed.

0:32:51.320 --> 0:32:54.640
<v Speaker 2>Yeah, which is why I like people film it, film it,

0:32:55.640 --> 0:33:00.160
<v Speaker 2>go ahead. I don't care, but I'm not you. You're famous,

0:33:00.200 --> 0:33:04.720
<v Speaker 2>You're famous. I'm now. I have to always say to myself,

0:33:04.760 --> 0:33:07.880
<v Speaker 2>don't get mad at Heckler's. You're talking to them, yeah,

0:33:07.920 --> 0:33:10.720
<v Speaker 2>and they feel comfortable with you, yeah, and they feel

0:33:10.760 --> 0:33:13.080
<v Speaker 2>like you want them to be part of this. So

0:33:13.200 --> 0:33:15.280
<v Speaker 2>once in a while I'll say, okay, we you and

0:33:15.320 --> 0:33:16.880
<v Speaker 2>I are done. Now I'm going to go back to

0:33:16.920 --> 0:33:17.960
<v Speaker 2>my own show, you know.

0:33:18.040 --> 0:33:20.480
<v Speaker 1>I mean, look, you've run into it as well. It's

0:33:20.520 --> 0:33:23.280
<v Speaker 1>like when you see people that have expectations of how

0:33:24.360 --> 0:33:27.480
<v Speaker 1>you know that it's going to go and it's not

0:33:27.600 --> 0:33:30.080
<v Speaker 1>going that way. I've done it. Look, I've done it myself.

0:33:30.320 --> 0:33:32.000
<v Speaker 1>Did you ever watch did you watch Game of Thrones?

0:33:32.240 --> 0:33:33.600
<v Speaker 2>I love your Yeah, are you kidding?

0:33:33.760 --> 0:33:40.400
<v Speaker 1>Right? So Game of Thrones, I got a call from, uh.

0:33:39.240 --> 0:33:40.440
<v Speaker 2>Did they shoot in Scotland?

0:33:41.120 --> 0:33:41.560
<v Speaker 1>Ireland?

0:33:41.720 --> 0:33:42.120
<v Speaker 2>Ireland?

0:33:42.400 --> 0:33:44.400
<v Speaker 1>Vibe was in California, and I get this call or

0:33:44.560 --> 0:33:47.240
<v Speaker 1>they asked me to host the Game of Thrones panel

0:33:48.080 --> 0:33:50.720
<v Speaker 1>at Comic Con in San Diego. I was like, sure,

0:33:50.760 --> 0:33:52.560
<v Speaker 1>I love Game of Thrones. I'd never seen it, but

0:33:52.680 --> 0:33:55.360
<v Speaker 1>I but I but then I watched all of it

0:33:55.400 --> 0:33:57.400
<v Speaker 1>before I did it, like it was all a DVDs

0:33:57.440 --> 0:33:59.720
<v Speaker 1>and stuff like that. So I watched it all and

0:34:00.440 --> 0:34:02.840
<v Speaker 1>I get to the backstage at Comic Con.

0:34:02.720 --> 0:34:04.560
<v Speaker 2>And then you were psyched on two right.

0:34:04.640 --> 0:34:07.080
<v Speaker 1>It was great. I love that show. And uh, and

0:34:07.120 --> 0:34:08.800
<v Speaker 1>I'm backstage at Comic Con and all the Game of

0:34:08.840 --> 0:34:12.600
<v Speaker 1>Thrones people was there, and the actor who played Jamie Lanister,

0:34:12.760 --> 0:34:17.680
<v Speaker 1>you know, the super handsome he walked in and I went,

0:34:17.719 --> 0:34:21.879
<v Speaker 1>oh hey, and I hugged him. I have so many

0:34:21.960 --> 0:34:25.879
<v Speaker 1>of those. And I thought, I thought I knew because

0:34:25.880 --> 0:34:28.360
<v Speaker 1>I've just been watching him on TV. And I but

0:34:28.480 --> 0:34:30.239
<v Speaker 1>over and I hugged him. And then I hugged him

0:34:30.239 --> 0:34:32.279
<v Speaker 1>and I felt and kind of like tense, and I

0:34:32.320 --> 0:34:35.279
<v Speaker 1>was like, oh shit, I've never met this guy. And

0:34:35.360 --> 0:34:37.680
<v Speaker 1>I said, I'm sorry, I, I've never met you in

0:34:37.719 --> 0:34:41.200
<v Speaker 1>my life. Have a and he went, no, he's very

0:34:41.880 --> 0:34:45.040
<v Speaker 1>you know you were of course maybe I don't know,

0:34:45.600 --> 0:34:48.960
<v Speaker 1>but he yeah, he did. But he was like, of course.

0:34:49.000 --> 0:34:52.400
<v Speaker 1>I said, I'm so sorry, and he said it happens

0:34:52.440 --> 0:34:54.839
<v Speaker 1>more often than you would think. It's all right. And

0:34:54.880 --> 0:34:56.560
<v Speaker 1>he was very, very good.

0:34:56.560 --> 0:34:57.520
<v Speaker 2>So he was nice.

0:34:57.600 --> 0:34:59.920
<v Speaker 1>He was nice. And that's the thing I have to

0:35:00.040 --> 0:35:02.440
<v Speaker 1>tell you. But the actor whose name I will in

0:35:02.600 --> 0:35:06.759
<v Speaker 1>sat later on. You know that guy? He what's his name? Dude?

0:35:06.840 --> 0:35:09.680
<v Speaker 1>Can you He played Jamie and he's a fabulous actor.

0:35:09.880 --> 0:35:11.480
<v Speaker 1>It's just his name escapes me for the moment.

0:35:12.600 --> 0:35:15.960
<v Speaker 2>Yeah, that Nichol, Yeah.

0:35:15.840 --> 0:35:19.320
<v Speaker 1>Yeah, he he was lovely. He was just lovely.

0:35:19.520 --> 0:35:21.480
<v Speaker 2>But there was another one that wasn't.

0:35:21.800 --> 0:35:24.320
<v Speaker 1>No, they were all pretty nice, yeeah, they don't. I

0:35:25.080 --> 0:35:26.920
<v Speaker 1>I was the stalker, is what I'm saying. I was

0:35:26.920 --> 0:35:28.360
<v Speaker 1>the good Do you ever mean, do you ever go

0:35:28.440 --> 0:35:30.319
<v Speaker 1>up to famous people you think you know and and

0:35:30.400 --> 0:35:33.040
<v Speaker 1>start talking to him? But you realize when I.

0:35:33.000 --> 0:35:36.200
<v Speaker 2>First moved to New York, and I wasn't even yeah,

0:35:36.200 --> 0:35:38.880
<v Speaker 2>I wasn't on TV or a comic or anything. I

0:35:38.960 --> 0:35:41.920
<v Speaker 2>was an aspiring young actress. I used to get on

0:35:42.200 --> 0:35:44.400
<v Speaker 2>I'd get on the subway and I would talk to

0:35:44.640 --> 0:35:48.560
<v Speaker 2>soap stars all the time, thinking I knew them, and

0:35:48.600 --> 0:35:51.399
<v Speaker 2>I'd be like, oh, Hi, how you doing, and and

0:35:51.440 --> 0:35:55.960
<v Speaker 2>they would usually say oh hi, and think the world

0:35:56.000 --> 0:35:57.680
<v Speaker 2>and they would think maybe I know her, you know,

0:35:57.840 --> 0:36:00.719
<v Speaker 2>and then go so, Dixie, you know, it's good to

0:36:00.719 --> 0:36:04.040
<v Speaker 2>see you. You'd go, yeah, something, it's the character. And

0:36:04.080 --> 0:36:06.759
<v Speaker 2>then I'd go with Dixie, Oh my god, you know,

0:36:06.800 --> 0:36:09.040
<v Speaker 2>and I would usually be really And one time, when

0:36:09.040 --> 0:36:11.960
<v Speaker 2>I was young, people would sometimes say I looked a

0:36:11.960 --> 0:36:14.319
<v Speaker 2>little bit like Cindy Crawford. Anyone watching this now, I

0:36:14.360 --> 0:36:15.640
<v Speaker 2>do not look anything like her.

0:36:15.719 --> 0:36:17.439
<v Speaker 1>No, I feel like you did.

0:36:17.480 --> 0:36:20.080
<v Speaker 2>And when I was younger, I might have a little

0:36:20.280 --> 0:36:22.880
<v Speaker 2>tiny bit. And one day I saw Steven Spielberg on

0:36:22.920 --> 0:36:27.720
<v Speaker 2>the street and he was wearing an ambulin hat.

0:36:27.160 --> 0:36:30.440
<v Speaker 1>And carry some people would.

0:36:30.200 --> 0:36:33.880
<v Speaker 2>Reganize he saw me and he went hey, And I

0:36:33.960 --> 0:36:36.799
<v Speaker 2>was right by Ford modeling ages. He had every right

0:36:36.840 --> 0:36:38.879
<v Speaker 2>in the world to think it was me. I mean,

0:36:38.880 --> 0:36:42.200
<v Speaker 2>it was her, And he went hey, and I go hi,

0:36:42.440 --> 0:36:45.160
<v Speaker 2>and we're crossing the street, and I thought, I wonder

0:36:45.200 --> 0:36:46.840
<v Speaker 2>how long it's going to take for him to realize

0:36:46.880 --> 0:36:49.560
<v Speaker 2>he doesn't know me? Yeah, well, right as we got close,

0:36:49.800 --> 0:36:52.480
<v Speaker 2>he went like to look in his face, Craig like,

0:36:53.040 --> 0:36:56.560
<v Speaker 2>I can't even whatever. I just I just called it

0:36:56.600 --> 0:37:01.839
<v Speaker 2>on like whatever happens now? I started and I went

0:37:02.200 --> 0:37:06.360
<v Speaker 2>it's okay, and he goes thank you, and he just

0:37:06.400 --> 0:37:09.360
<v Speaker 2>walked away. And I actually thought that was kind of

0:37:09.360 --> 0:37:11.719
<v Speaker 2>sweet of him because he just thank you.

0:37:11.920 --> 0:37:14.440
<v Speaker 1>Steve Spielberger, and I have to report he is nice.

0:37:14.480 --> 0:37:17.000
<v Speaker 2>He was very sweet. But he was very sweet to me,

0:37:17.160 --> 0:37:21.280
<v Speaker 2>like thank you so much, like he realized like she

0:37:21.280 --> 0:37:21.960
<v Speaker 2>she's nice.

0:37:22.000 --> 0:37:22.200
<v Speaker 1>You know.

0:37:22.600 --> 0:37:25.440
<v Speaker 2>It was cute, but it was really funny because he

0:37:25.560 --> 0:37:28.239
<v Speaker 2>started it like can you imagine?

0:37:27.200 --> 0:37:31.000
<v Speaker 1>I mean, look, I've I've done it, and do you

0:37:31.200 --> 0:37:33.799
<v Speaker 1>Sometimes people say hey, how you doing, and you don't

0:37:33.800 --> 0:37:36.680
<v Speaker 1>want to be rude, but they don't know you, so

0:37:36.760 --> 0:37:41.840
<v Speaker 1>you're like, hey. That's why in La now everybody says

0:37:41.920 --> 0:37:44.719
<v Speaker 1>nice to see you instead of nice to meet you,

0:37:44.880 --> 0:37:46.600
<v Speaker 1>or you never say nice to meet you to someone.

0:37:46.640 --> 0:37:48.759
<v Speaker 1>You'll say nice to see you, because nice to see

0:37:48.800 --> 0:37:50.560
<v Speaker 1>you can be nice to meet you or it can

0:37:50.600 --> 0:37:51.280
<v Speaker 1>be nice.

0:37:51.040 --> 0:37:53.759
<v Speaker 2>To That's why in the South everyone says hey. They

0:37:53.920 --> 0:37:56.640
<v Speaker 2>just tell hey, hey, because hey, it just means like

0:37:56.680 --> 0:38:02.080
<v Speaker 2>I might know you all the Guys are always called guy, Hey, guy, hey, guy.

0:38:02.160 --> 0:38:04.200
<v Speaker 1>Oh I've been called that. I realized that that.

0:38:04.280 --> 0:38:05.440
<v Speaker 2>Usually means I don't know your name.

0:38:05.560 --> 0:38:05.920
<v Speaker 1>Yeah.

0:38:06.120 --> 0:38:08.520
<v Speaker 2>But women, I always call a guy handsome if I

0:38:08.520 --> 0:38:12.200
<v Speaker 2>don't remember his name. Oh, hey, good looking.

0:38:12.520 --> 0:38:15.000
<v Speaker 1>Yeah. So you can't do that for your guy because

0:38:15.000 --> 0:38:15.600
<v Speaker 1>he'll be creepy.

0:38:15.719 --> 0:38:20.360
<v Speaker 2>You just to call the woman skinny, Hey, skinny, hey, skinny, hey, pretty.

0:38:20.360 --> 0:38:22.440
<v Speaker 2>We don't hear anything else, all right, unless it's the

0:38:22.480 --> 0:38:24.120
<v Speaker 2>woman you hold the door for, and then she's like,

0:38:24.200 --> 0:38:25.440
<v Speaker 2>I can be fat if I want to be.

0:38:25.880 --> 0:38:30.080
<v Speaker 1>Well, see when I didn't make any comment to this

0:38:30.120 --> 0:38:32.680
<v Speaker 1>woman at all when I held the gate for her,

0:38:32.719 --> 0:38:35.440
<v Speaker 1>I just just I didn't mean anything by it. I

0:38:35.440 --> 0:38:37.880
<v Speaker 1>didn't wasn't trying to oppress her. I just kind of

0:38:38.360 --> 0:38:39.160
<v Speaker 1>didn't think about it.

0:38:39.760 --> 0:38:41.840
<v Speaker 2>You weren't thinking I'm going to take her power. I

0:38:41.880 --> 0:38:43.799
<v Speaker 2>haven't new talk about walking down the street and the

0:38:43.800 --> 0:38:46.880
<v Speaker 2>guy goes smile. I bet you'd be a lot prettier

0:38:47.120 --> 0:38:48.719
<v Speaker 2>I go. Now. I don't know about you, girls, but

0:38:48.800 --> 0:38:50.759
<v Speaker 2>I love a command from a strange man, and I

0:38:50.800 --> 0:38:54.120
<v Speaker 2>don't know an emotional command. I always find that really nice.

0:38:54.480 --> 0:38:56.880
<v Speaker 1>Is that does that really still happen? I mean all

0:38:56.920 --> 0:38:57.200
<v Speaker 1>the time.

0:38:57.239 --> 0:39:00.399
<v Speaker 2>It just happened recently. No smile, you be a lot

0:39:00.440 --> 0:39:01.359
<v Speaker 2>prettier if you did.

0:39:02.360 --> 0:39:05.560
<v Speaker 1>No one ever says that, and I went like that,

0:39:05.719 --> 0:39:08.359
<v Speaker 1>I did that. That's kind of nice.

0:39:08.600 --> 0:39:09.399
<v Speaker 2>Are you were? You right?

0:39:11.320 --> 0:39:12.840
<v Speaker 1>I can't believe that still happens.

0:39:12.920 --> 0:39:16.640
<v Speaker 2>Geez, it does, and it's hilarious to me. It's a

0:39:16.640 --> 0:39:19.960
<v Speaker 2>good way to get yourself, Like I've even said on stage,

0:39:20.120 --> 0:39:22.240
<v Speaker 2>like I'm like, please put an end to this misery

0:39:22.239 --> 0:39:26.360
<v Speaker 2>of a career, like, go ahead, cancel me. Then I'm done,

0:39:26.560 --> 0:39:28.440
<v Speaker 2>because you can't get fired from stand up.

0:39:28.920 --> 0:39:30.799
<v Speaker 1>You can't do you know, I know it's likely that

0:39:30.880 --> 0:39:33.560
<v Speaker 1>some people that go canceled actually started doing stand up.

0:39:35.440 --> 0:39:36.520
<v Speaker 2>It's crazy.

0:39:36.800 --> 0:39:39.520
<v Speaker 1>It's like if you get canceled from being an actress something, well,

0:39:39.520 --> 0:39:41.080
<v Speaker 1>I'll go and do stand up and go, oh so

0:39:41.200 --> 0:39:43.759
<v Speaker 1>it's all right to be a stand up well like.

0:39:44.000 --> 0:39:46.200
<v Speaker 2>Or they'll do this with me, like they'll go ha

0:39:45.920 --> 0:39:50.240
<v Speaker 2>ha oh boo, and I go listen, No, you really

0:39:50.280 --> 0:39:52.760
<v Speaker 2>want to not see me do this anymore? Just don't

0:39:52.760 --> 0:39:55.839
<v Speaker 2>make a noise. Just let's all sit and stare at

0:39:55.880 --> 0:39:58.520
<v Speaker 2>each other and then I can just be done, like

0:39:59.440 --> 0:40:02.640
<v Speaker 2>please please. I never should have gotten as far as

0:40:02.640 --> 0:40:05.879
<v Speaker 2>I've gotten. It's been a long while. And remember one

0:40:05.920 --> 0:40:08.440
<v Speaker 2>time we were in the little room and I was

0:40:08.480 --> 0:40:13.600
<v Speaker 2>telling jokes and there was silence from the men like

0:40:13.680 --> 0:40:16.080
<v Speaker 2>I was saying something, and all the men looked pissed.

0:40:16.640 --> 0:40:18.960
<v Speaker 2>They were all kind of sitting. It was before I

0:40:19.560 --> 0:40:22.200
<v Speaker 2>was as nuanced to comment because I am now. The

0:40:22.239 --> 0:40:24.520
<v Speaker 2>women liked me. They were laughing, but the men were

0:40:24.719 --> 0:40:27.160
<v Speaker 2>very And I came off stage and I said to

0:40:27.280 --> 0:40:30.360
<v Speaker 2>Jim Norton goes, great set, and I go, oh, god, no,

0:40:30.680 --> 0:40:33.920
<v Speaker 2>the men hate me. And he goes, they're not asleep.

0:40:35.400 --> 0:40:37.719
<v Speaker 2>And I said what And he goes, if they hate you,

0:40:38.280 --> 0:40:41.279
<v Speaker 2>it's just as good as loving you. They're awake and

0:40:41.320 --> 0:40:44.239
<v Speaker 2>they're listening. They can't get mad at you if they're

0:40:44.239 --> 0:40:45.000
<v Speaker 2>not listening to you.

0:40:45.160 --> 0:40:45.920
<v Speaker 1>That's smart.

0:40:46.320 --> 0:40:51.440
<v Speaker 2>And I said, oh, you're right. Yeah, and in what

0:40:51.480 --> 0:40:53.000
<v Speaker 2>we were talking about the truth and I know you

0:40:53.040 --> 0:40:56.719
<v Speaker 2>have to go. But I one time I was doing

0:40:56.800 --> 0:41:03.040
<v Speaker 2>stand up maybe fifteen, no twenty years ago, and everything

0:41:03.120 --> 0:41:06.600
<v Speaker 2>was changing. I was getting older and my jokes weren't

0:41:06.640 --> 0:41:10.000
<v Speaker 2>working for me because I was getting older. It wasn't

0:41:10.960 --> 0:41:13.000
<v Speaker 2>I looked like Sidney Crawford. Blah blah blah blah, none

0:41:13.040 --> 0:41:16.640
<v Speaker 2>of it was working, and I was I put on

0:41:16.680 --> 0:41:18.680
<v Speaker 2>weight again. I always go up and down, and I

0:41:18.680 --> 0:41:22.799
<v Speaker 2>had had I had these horrible like leggings on with

0:41:22.880 --> 0:41:25.480
<v Speaker 2>a big shot. I was in Kansas and I thought,

0:41:25.640 --> 0:41:27.279
<v Speaker 2>I said a little prayer and I said, God, what,

0:41:28.600 --> 0:41:30.960
<v Speaker 2>I don't know what to do? Like, I just feel

0:41:31.000 --> 0:41:33.239
<v Speaker 2>like a fraud. And link Kopplice doesn't do well when

0:41:33.239 --> 0:41:37.839
<v Speaker 2>she feels like a fraud. And I said, okay, and

0:41:37.880 --> 0:41:39.759
<v Speaker 2>I heard it was the first time I heard God

0:41:39.800 --> 0:41:43.840
<v Speaker 2>say tell the truth. So I walked out on stage

0:41:43.840 --> 0:41:45.359
<v Speaker 2>and I said, this is what you look like when

0:41:45.400 --> 0:41:49.240
<v Speaker 2>you start giving up. I'm not even doing comedy anymore.

0:41:50.480 --> 0:41:54.200
<v Speaker 2>This is more of an unraveling. And then I started

0:41:54.440 --> 0:41:57.920
<v Speaker 2>and Jim Norton saw me again and he goes, real smart,

0:41:57.920 --> 0:41:59.600
<v Speaker 2>what you did? And I said, what do you mean?

0:41:59.640 --> 0:42:01.759
<v Speaker 2>And he goes, you don't even have to do stand up.

0:42:02.640 --> 0:42:05.239
<v Speaker 2>If they don't laugh at you, who cares. You told

0:42:05.280 --> 0:42:09.080
<v Speaker 2>them up front you're not doing that. You're not here

0:42:09.120 --> 0:42:12.600
<v Speaker 2>for that. And then eventually I changed it to people

0:42:12.640 --> 0:42:14.200
<v Speaker 2>ask me if I'm from Michigan, and I'm like, no,

0:42:14.360 --> 0:42:15.799
<v Speaker 2>this is what you look like when you give up.

0:42:16.120 --> 0:42:19.520
<v Speaker 1>Right, It's the same law which is a well crafted joke.

0:42:20.719 --> 0:42:22.080
<v Speaker 2>Well I turned them into jokes.

0:42:22.160 --> 0:42:25.880
<v Speaker 1>But it's always you're the victim. You're the victim who

0:42:25.920 --> 0:42:27.800
<v Speaker 1>becomes the victor, victim who becomes the victim.

0:42:27.800 --> 0:42:29.640
<v Speaker 2>That's right, right, that's what you look like when you

0:42:29.640 --> 0:42:32.040
<v Speaker 2>start giving up. But you know what, I don't even care.

0:42:32.280 --> 0:42:35.040
<v Speaker 2>I'm here to get fired. I'm just trying to get

0:42:35.040 --> 0:42:37.919
<v Speaker 2>this stuff out. Take what you like, leave what you don't,

0:42:38.000 --> 0:42:41.080
<v Speaker 2>and you know it's it's wild. But at this point

0:42:41.080 --> 0:42:43.600
<v Speaker 2>in my life, I'm pretty blessed to be able to

0:42:43.640 --> 0:42:46.160
<v Speaker 2>still be. I mean, I'm not famous, but I'm a

0:42:46.160 --> 0:42:48.200
<v Speaker 2>bit of a journeyman. I'm still doing it.

0:42:48.280 --> 0:42:51.600
<v Speaker 1>I think you know, the people that know about comedy

0:42:51.640 --> 0:42:53.600
<v Speaker 1>and love comedy know exactly who you are. And I

0:42:53.640 --> 0:42:55.239
<v Speaker 1>are always happy to see you in the States. Not

0:42:55.600 --> 0:42:58.160
<v Speaker 1>afine one of that. It's a joy to see you. Thanks.

0:42:58.560 --> 0:43:00.719
<v Speaker 2>I got nervous to say hi to your because I

0:43:00.719 --> 0:43:04.920
<v Speaker 2>was like, what if he doesn't remember me? Like that's

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<v Speaker 2>who we all are. We're neurotic weirdos. That's true. And

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<v Speaker 2>then you were your beautiful, effusive, lovely self. So keep in.

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<v Speaker 1>Touch with try to be nice. I will keep in

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<v Speaker 1>touch with you.

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<v Speaker 2>Get out of here yet, Okay