1 00:00:00,120 --> 00:00:03,160 Speaker 1: My next guest is a chart topping gospel recording artist 2 00:00:03,279 --> 00:00:06,280 Speaker 1: who is a three time Grammy Award nominee. He's in 3 00:00:06,400 --> 00:00:10,200 Speaker 1: loving time Stellar Award winner, a Dove Award winner, a 4 00:00:10,320 --> 00:00:14,360 Speaker 1: Billboard Music Award winner. His latest album is Broken Record. 5 00:00:15,000 --> 00:00:18,680 Speaker 1: This is his fourth album. It will be released on Friday, 6 00:00:18,720 --> 00:00:24,079 Speaker 1: November one of this year. Please welcome the money making conversation, 7 00:00:24,280 --> 00:00:31,080 Speaker 1: my man, Travis Green. Yo, what's up? I'm done? Great? 8 00:00:31,080 --> 00:00:33,320 Speaker 1: First of all, Travis, where are you from? Where were 9 00:00:33,320 --> 00:00:37,240 Speaker 1: you born? And what did you grow up at? Born? Delaware? 10 00:00:37,640 --> 00:00:41,720 Speaker 1: First two years Germany primarily, Um, I grew up in Georgia, 11 00:00:42,080 --> 00:00:44,879 Speaker 1: State of Georgia. And um now I'm in Toronto, so 12 00:00:45,040 --> 00:00:47,760 Speaker 1: cut all over that you saw a Southern board keeping 13 00:00:47,800 --> 00:00:49,960 Speaker 1: him Southern root, South Carolina. Good food down there in 14 00:00:49,960 --> 00:00:55,320 Speaker 1: South Carolina. Good food. Baby, I'm sing to my rooms. Yeah, 15 00:00:55,400 --> 00:00:56,720 Speaker 1: let me ask you this. You know I'm gonna tell 16 00:00:56,720 --> 00:01:00,120 Speaker 1: you this as a gospel music artist, Are you can? 17 00:01:00,160 --> 00:01:03,320 Speaker 1: I can? I say you're You're You're different from anyone 18 00:01:03,400 --> 00:01:06,080 Speaker 1: that I'm gonna just saying to me. Rashard McDonald, you know, 19 00:01:06,520 --> 00:01:08,800 Speaker 1: you know a lot of people like I managed Steve Harvey, 20 00:01:08,880 --> 00:01:11,919 Speaker 1: so Stephen I did uh, you know, the Gospel celebration 21 00:01:12,000 --> 00:01:15,240 Speaker 1: for like thirteen straight years. So I'm deeply rooted and 22 00:01:15,319 --> 00:01:19,280 Speaker 1: watching gospel performers, you know, and and so in my 23 00:01:19,360 --> 00:01:22,840 Speaker 1: and my beliefs and not my understanding. Now tell me 24 00:01:23,480 --> 00:01:25,840 Speaker 1: what is your style before we really get into the interview, 25 00:01:26,000 --> 00:01:28,320 Speaker 1: and then I would give you my impressions because I'm impressed. 26 00:01:28,360 --> 00:01:30,480 Speaker 1: First of all, I'm impressed and I'm a big faith 27 00:01:31,000 --> 00:01:33,760 Speaker 1: So let me just say that. So anything you say, 28 00:01:34,319 --> 00:01:36,720 Speaker 1: nothing negative is gonna come out of my mouth about you. 29 00:01:36,920 --> 00:01:39,280 Speaker 1: I'm just gonna let you know what I see, what 30 00:01:39,400 --> 00:01:41,240 Speaker 1: I want to hear, what you are, what you feel 31 00:01:41,280 --> 00:01:43,360 Speaker 1: you're projecting, and I'm gonna tell you the greatness that 32 00:01:43,400 --> 00:01:46,200 Speaker 1: I see. Yeah, I would say, man, First of all, 33 00:01:46,880 --> 00:01:50,000 Speaker 1: I had a capital in a word, I say energy. Man. 34 00:01:50,480 --> 00:01:53,200 Speaker 1: You know, I'm better passionate about what I do. And 35 00:01:53,280 --> 00:01:57,120 Speaker 1: you know, jetty um, and I think it's you know, 36 00:01:57,160 --> 00:02:00,440 Speaker 1: it's like biblical truth, but in the digestible warm at 37 00:02:00,520 --> 00:02:02,600 Speaker 1: And that's really what I've been getting to do. To 38 00:02:02,680 --> 00:02:06,360 Speaker 1: take these ideas about God. Uh, I like to call 39 00:02:06,520 --> 00:02:11,040 Speaker 1: revelations of who He is and presented in the melodic form. 40 00:02:11,120 --> 00:02:15,560 Speaker 1: That's catchy, that's easy to Uh, that's a poachable for 41 00:02:15,680 --> 00:02:19,040 Speaker 1: the listener. Um, but but hopefully life changing wants the 42 00:02:19,040 --> 00:02:21,560 Speaker 1: word really get inside of you. And so that's that's 43 00:02:21,600 --> 00:02:24,560 Speaker 1: my style. Man, it's a beautiful style. Now tell me 44 00:02:24,880 --> 00:02:29,000 Speaker 1: who is your audience? My audience is is really done 45 00:02:29,120 --> 00:02:33,359 Speaker 1: verse believe it or not? And I believe no, no, no, no, no, Travis, 46 00:02:33,400 --> 00:02:39,200 Speaker 1: I believe it. Okay. Yeah, Well I didn't know until 47 00:02:39,240 --> 00:02:41,000 Speaker 1: I went out on tour, man, because you know, we 48 00:02:41,040 --> 00:02:44,440 Speaker 1: don't tour in churches. We're doing clubs when I'm on tour. 49 00:02:44,560 --> 00:02:47,280 Speaker 1: We're doing theaters and bars and stuff like that. And 50 00:02:47,240 --> 00:02:50,320 Speaker 1: its super diverse. Man. I mean, you got you got 51 00:02:50,440 --> 00:02:53,000 Speaker 1: you know, my my family in the room. You got blacks, 52 00:02:53,080 --> 00:02:55,679 Speaker 1: you got UM, but then you got white and you 53 00:02:55,800 --> 00:02:59,000 Speaker 1: got Hispanics. And I think the music is just in 54 00:02:59,080 --> 00:03:01,880 Speaker 1: such a way that UM and that really mattered people 55 00:03:01,919 --> 00:03:04,440 Speaker 1: skin tone. They can really kind of take it in 56 00:03:04,760 --> 00:03:07,520 Speaker 1: UM and they get you know, they get caught into 57 00:03:07,880 --> 00:03:11,400 Speaker 1: the energy of what we're relenting. So it's really cool man. Yeah, 58 00:03:11,400 --> 00:03:14,120 Speaker 1: it's really Uh, it's it's a beautiful thing, first of all, 59 00:03:14,240 --> 00:03:17,440 Speaker 1: and because of the fact that you're you're you're you're 60 00:03:17,919 --> 00:03:21,880 Speaker 1: doing the same lyrics that other African American artists are doing. 61 00:03:22,280 --> 00:03:24,920 Speaker 1: But it's sometimes I just read there is just resonating 62 00:03:24,919 --> 00:03:28,160 Speaker 1: in general, it is resonating with the African American community. Now, 63 00:03:28,240 --> 00:03:30,880 Speaker 1: your music and your tone, it's kind of like almost 64 00:03:30,919 --> 00:03:33,120 Speaker 1: a low rock and roll. It's kind of like, I 65 00:03:33,160 --> 00:03:35,280 Speaker 1: won't say rock and roll is not that hard, but 66 00:03:35,320 --> 00:03:37,360 Speaker 1: it's almost if I had to put a style on it. 67 00:03:37,360 --> 00:03:40,119 Speaker 1: It reminds me of and just who then the blowfish, 68 00:03:40,160 --> 00:03:43,440 Speaker 1: Darris Rock. It's like watching him. It's like watching him, 69 00:03:43,480 --> 00:03:45,600 Speaker 1: and I don't think that's a negative thing to say 70 00:03:45,800 --> 00:03:49,280 Speaker 1: because he had the same He had the same ability 71 00:03:49,560 --> 00:03:52,240 Speaker 1: to have a crossover audience. You know, the diversity of 72 00:03:52,240 --> 00:03:54,800 Speaker 1: people out there appeally to his music even though he 73 00:03:54,840 --> 00:03:57,640 Speaker 1: was an African American and he was just singing from 74 00:03:57,680 --> 00:04:00,160 Speaker 1: the heart, relatable music like you were saying, but or 75 00:04:00,240 --> 00:04:04,600 Speaker 1: just have to be gospel. Yeah, South Carolina boy too. 76 00:04:04,760 --> 00:04:08,560 Speaker 1: So it makes sense. Absolutely, I'm very relatable. And so 77 00:04:08,680 --> 00:04:11,280 Speaker 1: now now here's the thing, because you know, I'm reading 78 00:04:11,280 --> 00:04:14,920 Speaker 1: your bio and like I said, uh before, before you 79 00:04:14,960 --> 00:04:17,760 Speaker 1: got into music. You know, here you are at Georgia Southern, 80 00:04:18,160 --> 00:04:21,840 Speaker 1: you know, and business management degree. You're about to go 81 00:04:21,839 --> 00:04:24,960 Speaker 1: get an m B A and but you still don't 82 00:04:24,960 --> 00:04:28,640 Speaker 1: know who you are. That's the key. So you're still 83 00:04:28,640 --> 00:04:31,960 Speaker 1: trying to find yourself. So you're still seeking out, but 84 00:04:32,000 --> 00:04:35,080 Speaker 1: you kind of know what you love. But is it 85 00:04:35,120 --> 00:04:37,599 Speaker 1: a reality? It is a it is a is a 86 00:04:37,680 --> 00:04:41,279 Speaker 1: realistic opportunity to go in that direction. Talk of walkers 87 00:04:41,279 --> 00:04:44,480 Speaker 1: through that whole process because a lot of our listeners, 88 00:04:44,520 --> 00:04:46,359 Speaker 1: a lot of people in the life are sitting on 89 00:04:46,400 --> 00:04:52,040 Speaker 1: that edge of opportunity. But fear, doubt, relatives, goods and 90 00:04:52,200 --> 00:04:54,960 Speaker 1: friends will will will will push you in the direction 91 00:04:54,960 --> 00:04:59,640 Speaker 1: of what they feel is safe. Yeah, yeah, I think 92 00:04:59,760 --> 00:05:02,560 Speaker 1: I'm you know this because you're successful. I think it's 93 00:05:02,600 --> 00:05:05,920 Speaker 1: the long game, right, Uh. The funny thing about a 94 00:05:06,040 --> 00:05:09,240 Speaker 1: dream man and that it could be the thing that 95 00:05:09,240 --> 00:05:12,880 Speaker 1: that motivates you, but it could also be the thing 96 00:05:12,920 --> 00:05:15,920 Speaker 1: that discourages you because the dream is so far out 97 00:05:15,920 --> 00:05:20,599 Speaker 1: of reach, is so different from your uh present reality, 98 00:05:20,720 --> 00:05:23,279 Speaker 1: that it can be overwhelming. I think the key is 99 00:05:23,360 --> 00:05:27,800 Speaker 1: to to have the vision of mine, but you know, 100 00:05:27,920 --> 00:05:31,320 Speaker 1: to really be faithful day to day. And so for me, 101 00:05:31,680 --> 00:05:34,080 Speaker 1: you know, I think the reason I didn't really know 102 00:05:34,120 --> 00:05:36,080 Speaker 1: what I want to do because I like it was 103 00:05:36,120 --> 00:05:37,680 Speaker 1: in my heart. But it was like, man, I have 104 00:05:37,720 --> 00:05:39,720 Speaker 1: no idea how to get there, so let me just 105 00:05:39,760 --> 00:05:42,960 Speaker 1: kind of go and do something familiar or and do 106 00:05:43,040 --> 00:05:45,039 Speaker 1: something that shows me. And I think that's where most 107 00:05:45,080 --> 00:05:49,360 Speaker 1: people land, is like let me do what's shape and 108 00:05:49,040 --> 00:05:51,680 Speaker 1: that I can kind of figure my own plan out 109 00:05:51,720 --> 00:05:54,880 Speaker 1: for But but God didn't operate like that. Man. God 110 00:05:54,960 --> 00:05:58,080 Speaker 1: is not a guy of life safety place and she's 111 00:05:58,120 --> 00:06:00,920 Speaker 1: a guy that required her faith. A faith is risky 112 00:06:01,120 --> 00:06:04,200 Speaker 1: and so and the Bedia faith. And I have to 113 00:06:04,279 --> 00:06:07,880 Speaker 1: simplify what faith is. Being a faith is that it 114 00:06:08,160 --> 00:06:12,320 Speaker 1: requires God. Like, let's cim believe, if you can do 115 00:06:12,360 --> 00:06:14,120 Speaker 1: anything in your own trip, you don't need faith to 116 00:06:14,200 --> 00:06:17,040 Speaker 1: do it. Right. Faith is anything that required like, man, 117 00:06:17,200 --> 00:06:20,080 Speaker 1: I don't know I'm gonna do this. I ain't got 118 00:06:20,160 --> 00:06:23,040 Speaker 1: no money, i ain't gonna connections, I'm just out there. 119 00:06:23,360 --> 00:06:25,840 Speaker 1: That's what faith looks like, right, right, So that's what 120 00:06:26,120 --> 00:06:28,040 Speaker 1: that's what I add up out of my life. Well, 121 00:06:28,240 --> 00:06:31,279 Speaker 1: my friend, well you're held on to the faith, which 122 00:06:31,360 --> 00:06:34,480 Speaker 1: is a firm belief, and then you drove past doubters 123 00:06:35,080 --> 00:06:38,760 Speaker 1: and then somebody encourage you. Because as I would tell people, 124 00:06:38,800 --> 00:06:42,440 Speaker 1: those mentors, I call them bumpers in life. People people 125 00:06:42,520 --> 00:06:44,480 Speaker 1: bump you, and I say, because people are bump me. 126 00:06:44,520 --> 00:06:46,640 Speaker 1: When I was about to steer left, would say, no, no, no, 127 00:06:46,720 --> 00:06:50,400 Speaker 1: what Shan. Your talents are really over here. Trust your talents, 128 00:06:50,520 --> 00:06:53,680 Speaker 1: trust the ability that God is telling you that you 129 00:06:53,839 --> 00:06:56,920 Speaker 1: can grow, that you can win with. And that's really 130 00:06:57,000 --> 00:06:59,560 Speaker 1: what this whole conversation is about that we're talking about. 131 00:06:59,800 --> 00:07:01,440 Speaker 1: But it was, but I also wanted to transition. I 132 00:07:01,480 --> 00:07:05,200 Speaker 1: want to stay on that music because especially because it 133 00:07:05,360 --> 00:07:08,039 Speaker 1: was it was three videos that I tracked this year, 134 00:07:08,520 --> 00:07:12,680 Speaker 1: it really really really allowed me to see the diverse 135 00:07:12,920 --> 00:07:17,200 Speaker 1: audience brand of Travis Green. Let's let's go with the 136 00:07:17,320 --> 00:07:20,800 Speaker 1: one that came out in April. Okay, nothing but the Blood. 137 00:07:22,800 --> 00:07:29,840 Speaker 1: Oh yeah, my man, come come, come, come, come to traffic, Travis, 138 00:07:29,880 --> 00:07:31,560 Speaker 1: come on here. What I'm not gonna do when this 139 00:07:31,600 --> 00:07:35,280 Speaker 1: show money main conversation, it's fool somebody because I don't 140 00:07:35,320 --> 00:07:37,120 Speaker 1: play no music. I don't have no music to hide, 141 00:07:37,320 --> 00:07:38,840 Speaker 1: you know what I'm saying. So I better start talking 142 00:07:38,880 --> 00:07:41,760 Speaker 1: because I want you for twenty minutes. Okay, So now 143 00:07:42,000 --> 00:07:46,000 Speaker 1: where was that? Where was that video shot? At Man? 144 00:07:46,320 --> 00:07:53,040 Speaker 1: That was that Liberty University? Man Liberty and in Lynchburg Virginia. 145 00:07:53,240 --> 00:07:56,720 Speaker 1: And it was crazy, man, I mean talking. I don't know, 146 00:07:56,800 --> 00:08:01,360 Speaker 1: it's probably fifteen people. You know, students do this crazy 147 00:08:02,160 --> 00:08:05,720 Speaker 1: crazy energy and uh ton of people got saved and 148 00:08:05,880 --> 00:08:10,760 Speaker 1: got free. UM A lot with like motion on mental 149 00:08:11,200 --> 00:08:13,480 Speaker 1: um issues and a lot of the students got up 150 00:08:13,480 --> 00:08:15,160 Speaker 1: from that stuff. So it was it was crazy, man, 151 00:08:15,240 --> 00:08:17,800 Speaker 1: it was good. It was great vibes. Man. I'm gona 152 00:08:17,800 --> 00:08:20,040 Speaker 1: tell you the man watching that video, which I've watched 153 00:08:20,120 --> 00:08:23,920 Speaker 1: many times, UM, was emotional because I realized you were 154 00:08:24,000 --> 00:08:27,120 Speaker 1: touching so many different spirits and and then I made 155 00:08:27,160 --> 00:08:28,920 Speaker 1: my research on there where you was at. I just 156 00:08:29,000 --> 00:08:33,160 Speaker 1: want my audience to hear live at the University Lynchburg. Okay, 157 00:08:33,600 --> 00:08:40,360 Speaker 1: black man singing and being received. This hear the word received. Uh. 158 00:08:40,640 --> 00:08:42,199 Speaker 1: There's a lot of things I want to talking about 159 00:08:42,440 --> 00:08:44,160 Speaker 1: as a couple of videos we're about to go to break. 160 00:08:44,360 --> 00:08:47,160 Speaker 1: I'm talking about man Travis Green. I call my a innovator. 161 00:08:47,240 --> 00:08:50,560 Speaker 1: I called him the You can't see that he's already great, 162 00:08:50,840 --> 00:08:52,480 Speaker 1: but he's about to do some special things that they're 163 00:08:52,480 --> 00:08:55,120 Speaker 1: going to keep changing the game in gospel music. It's 164 00:08:55,160 --> 00:08:58,280 Speaker 1: for everybody, and he's letting it be seen through his music. 165 00:08:58,600 --> 00:09:02,760 Speaker 1: Be right, back what money may can come. Stations. See. 166 00:09:02,800 --> 00:09:05,280 Speaker 1: I have to catch myself man, because sometimes in between breaks, 167 00:09:05,679 --> 00:09:07,520 Speaker 1: you know, because we can talk to the artists or 168 00:09:07,600 --> 00:09:09,880 Speaker 1: the or the person I interviewing, and sometimes I let 169 00:09:10,040 --> 00:09:12,000 Speaker 1: a lot of great energy that I need to keep 170 00:09:12,080 --> 00:09:16,920 Speaker 1: on the air and nothing but the blood. Go to 171 00:09:17,000 --> 00:09:20,720 Speaker 1: YouTube just typing his name. You gotta watch that video 172 00:09:20,800 --> 00:09:23,640 Speaker 1: because it's a transcending video. Because when I look at 173 00:09:23,679 --> 00:09:26,520 Speaker 1: things like that, I know the state of gospel music 174 00:09:27,120 --> 00:09:31,840 Speaker 1: from a standpoint of ticket sales response, who's showing up 175 00:09:31,880 --> 00:09:34,160 Speaker 1: to hear the music, and a lot of gospel are 176 00:09:34,360 --> 00:09:38,559 Speaker 1: even big time. They play churches, large megachurches because it's 177 00:09:38,840 --> 00:09:40,880 Speaker 1: that's where they can get the audience. And to see 178 00:09:40,960 --> 00:09:44,319 Speaker 1: him in these environments where he's going in and and 179 00:09:44,480 --> 00:09:48,439 Speaker 1: and and participate with these masks audiences, I think, I 180 00:09:48,520 --> 00:09:51,320 Speaker 1: feel it's very special. That's why this year I feel 181 00:09:53,200 --> 00:09:55,880 Speaker 1: was it was his coming out party for Rushan McDonald. 182 00:09:55,880 --> 00:09:58,000 Speaker 1: I don't know about you, but for Rushan McDonald, it 183 00:09:58,160 --> 00:10:00,880 Speaker 1: was Travis Green's coming out party because it really, to me, 184 00:10:01,040 --> 00:10:05,840 Speaker 1: stabbed his diversity, stabbed his ability to appeal and really 185 00:10:06,200 --> 00:10:09,080 Speaker 1: say a true He's not changing how he sings, He's 186 00:10:09,080 --> 00:10:12,400 Speaker 1: not articulating a different way. He's doing what he believes 187 00:10:12,760 --> 00:10:15,319 Speaker 1: is the music that he's been ordained to do through 188 00:10:15,360 --> 00:10:18,480 Speaker 1: his gifts. Singing gospel this way and people is being 189 00:10:18,559 --> 00:10:21,960 Speaker 1: received by everybody. Now, let's go to my next video 190 00:10:22,120 --> 00:10:24,760 Speaker 1: that came out in August. You know, the one where 191 00:10:24,760 --> 00:10:27,280 Speaker 1: you had the Grand Torino that was red and white. 192 00:10:28,679 --> 00:10:32,600 Speaker 1: You were so low by yourself. Won't let go now 193 00:10:33,880 --> 00:10:37,319 Speaker 1: now now, now, won't let go because you because you 194 00:10:37,360 --> 00:10:39,240 Speaker 1: were testifying in and you was telling me, this is 195 00:10:39,320 --> 00:10:41,520 Speaker 1: for you, this is for you, this is for you. 196 00:10:42,000 --> 00:10:45,319 Speaker 1: You walk into the cemetery, talk to me through the steps, 197 00:10:45,520 --> 00:10:47,839 Speaker 1: and what was the significance or maybe it wasn't in 198 00:10:47,920 --> 00:10:52,079 Speaker 1: a significance of the red and white grand Torino in 199 00:10:52,679 --> 00:10:58,120 Speaker 1: Won't let Go? Yeah, I love I love subliminal messages, 200 00:10:58,240 --> 00:11:00,959 Speaker 1: so I get how know those if you pay a 201 00:11:01,040 --> 00:11:04,240 Speaker 1: pension very close attention to just uh some of the 202 00:11:04,320 --> 00:11:05,719 Speaker 1: things we do, And there was a ton of it 203 00:11:05,800 --> 00:11:09,679 Speaker 1: in that video. You know, Um, the vehicle, you know 204 00:11:09,760 --> 00:11:13,839 Speaker 1: it's an older vehicle, Yes, you know, seventies and uh 205 00:11:14,280 --> 00:11:16,360 Speaker 1: really we brought that vehicle out just to show that, 206 00:11:16,920 --> 00:11:19,600 Speaker 1: you know, older people aren't forgotten. I think so many 207 00:11:19,720 --> 00:11:23,800 Speaker 1: times we're so progressive in what we do, and we 208 00:11:23,960 --> 00:11:27,319 Speaker 1: dished what's going before us. And the truth is there 209 00:11:27,520 --> 00:11:29,640 Speaker 1: is you know, I don't I'm not on a stage 210 00:11:29,679 --> 00:11:32,120 Speaker 1: if it wasn't for Kirk Planking. You know, I'm not 211 00:11:32,240 --> 00:11:34,079 Speaker 1: out here for John, for John p Ki and for 212 00:11:34,240 --> 00:11:37,559 Speaker 1: him and and so UM. I much respect to the 213 00:11:37,640 --> 00:11:40,320 Speaker 1: times of old, Um, to the churches that I grew 214 00:11:40,440 --> 00:11:42,640 Speaker 1: up in, to my mom. That's a car that brought 215 00:11:42,679 --> 00:11:44,880 Speaker 1: to my dad, you know, my granddad and with his rope, 216 00:11:45,200 --> 00:11:47,200 Speaker 1: you know. So it's just a shout out to all 217 00:11:47,280 --> 00:11:49,400 Speaker 1: the people to say, yo, we see you, we love you, 218 00:11:49,520 --> 00:11:51,719 Speaker 1: and I forgot it. Um. You saw I had on 219 00:11:51,800 --> 00:11:58,200 Speaker 1: a band danna American flag us, I saw it. Yeah. Yeah, 220 00:11:58,480 --> 00:12:00,199 Speaker 1: that's a shout out to our military man. And I'm 221 00:12:00,400 --> 00:12:04,599 Speaker 1: you know, my dad was a military man and so 222 00:12:04,960 --> 00:12:08,280 Speaker 1: my my grandfather sold the shout to to all of them. Man. 223 00:12:08,920 --> 00:12:11,320 Speaker 1: You know what I'm saying, we see you for you, um, 224 00:12:11,400 --> 00:12:15,040 Speaker 1: because so many times our veterans still under value, they're 225 00:12:15,040 --> 00:12:17,240 Speaker 1: not appreciated, So I I don't sell them love as well. 226 00:12:17,600 --> 00:12:20,720 Speaker 1: And then the graveyard, you know what significant is recorded 227 00:12:20,760 --> 00:12:24,319 Speaker 1: at home on the thirtieth anniversary of my father's passion. 228 00:12:24,880 --> 00:12:26,520 Speaker 1: I wanted to you know, I'm sent it to my 229 00:12:26,600 --> 00:12:28,719 Speaker 1: mom's was one of the first people, and also sent 230 00:12:28,800 --> 00:12:31,320 Speaker 1: it to a friend of mine who was battling cancer. Um, 231 00:12:31,400 --> 00:12:33,480 Speaker 1: it was my large gift glory. And so it's just 232 00:12:33,559 --> 00:12:36,040 Speaker 1: significant least people going to a lot and the phone 233 00:12:36,120 --> 00:12:38,079 Speaker 1: is just an encouragement to them, meant to everybody to 234 00:12:38,200 --> 00:12:40,960 Speaker 1: let them know God sees you for you, anyone, let 235 00:12:41,000 --> 00:12:45,480 Speaker 1: you go wow. I'm telling you. You know he's he 236 00:12:45,800 --> 00:12:49,640 Speaker 1: appears in the video by himself. Uh, the grand Careno 237 00:12:49,840 --> 00:12:52,199 Speaker 1: just parked him the side of the road. He walks 238 00:12:52,280 --> 00:12:55,400 Speaker 1: up Hoopsy in who was out of cassette tape? As 239 00:12:55,440 --> 00:12:58,760 Speaker 1: the initials you know when they go on it slide 240 00:12:58,800 --> 00:13:01,120 Speaker 1: it in cassette tape. When the last time you've seen 241 00:13:01,160 --> 00:13:04,360 Speaker 1: the cassette tape put into a vehicle that music comes 242 00:13:04,400 --> 00:13:06,679 Speaker 1: out of Now I love that reason. I love that 243 00:13:06,760 --> 00:13:10,360 Speaker 1: because that allows your audience to go back to that 244 00:13:10,520 --> 00:13:13,679 Speaker 1: period because what has happened with technology. Some some young 245 00:13:13,720 --> 00:13:16,000 Speaker 1: people don't even understand that that was a world like 246 00:13:16,160 --> 00:13:19,400 Speaker 1: that just ten years ago. And when I saw that, 247 00:13:19,520 --> 00:13:21,800 Speaker 1: I went wow, because you know, my life I went 248 00:13:21,840 --> 00:13:28,439 Speaker 1: from eight track two cassette to c D now, iPod now, streaming. 249 00:13:28,640 --> 00:13:31,640 Speaker 1: So I've been fortunate to live those different layers, and 250 00:13:31,720 --> 00:13:34,920 Speaker 1: so I'm very appreciative of you reaching back with a 251 00:13:35,080 --> 00:13:38,640 Speaker 1: vehicle with a sound that was very important to us 252 00:13:39,240 --> 00:13:42,199 Speaker 1: that now is being transcended by streaming. Now now that 253 00:13:42,440 --> 00:13:45,599 Speaker 1: the last video I want to talk about, Man, it 254 00:13:46,040 --> 00:13:48,040 Speaker 1: came out in September. I know you know where I'm going. 255 00:13:48,880 --> 00:13:54,199 Speaker 1: It was when my girl Stephanie Gratzinger, Um, I want 256 00:13:54,240 --> 00:13:59,200 Speaker 1: to It's called good and Loved. It was a performing 257 00:13:59,240 --> 00:14:02,400 Speaker 1: in front alive audience. This truly, to me, stamped you 258 00:14:02,559 --> 00:14:05,760 Speaker 1: as a as a true crossover talent, a diverse talent 259 00:14:06,400 --> 00:14:08,400 Speaker 1: with her own stage because you know, like I said, 260 00:14:08,480 --> 00:14:10,280 Speaker 1: the only thing she was missing, man was taking off 261 00:14:10,320 --> 00:14:12,520 Speaker 1: her shoes. That's all she If she took off her shoes, 262 00:14:12,720 --> 00:14:14,240 Speaker 1: I would have been done. I would have been done. 263 00:14:14,679 --> 00:14:17,680 Speaker 1: So first of all, how did you guys get together 264 00:14:17,920 --> 00:14:21,400 Speaker 1: to do the song good in Love? First in studio? 265 00:14:21,800 --> 00:14:24,160 Speaker 1: And then how did you guys get together do this 266 00:14:24,280 --> 00:14:28,360 Speaker 1: live performance? No, it wasn't even I mean that was it. 267 00:14:28,560 --> 00:14:31,880 Speaker 1: What you saw was that the recording you got that 268 00:14:32,000 --> 00:14:33,680 Speaker 1: was it. That was the first time saying it together? 269 00:14:33,920 --> 00:14:37,480 Speaker 1: How did that? How did that connect? How did that connect? Yeah? 270 00:14:37,640 --> 00:14:40,920 Speaker 1: So I wrote the song. I started writing it. Um, 271 00:14:41,680 --> 00:14:43,440 Speaker 1: like the chorus, I was in prayer and I just 272 00:14:44,080 --> 00:14:45,960 Speaker 1: and that's the chords just kind of came up. And 273 00:14:46,120 --> 00:14:48,000 Speaker 1: that's how a lot of songs come up for me. Right. 274 00:14:48,080 --> 00:14:50,360 Speaker 1: I was just I just felt like God just kept 275 00:14:50,400 --> 00:14:55,480 Speaker 1: sinking over good you I love. I just kept hearing that. 276 00:14:56,160 --> 00:14:57,920 Speaker 1: I was like, I want have been going on or 277 00:14:57,960 --> 00:15:02,960 Speaker 1: write more to it that and actually this is crazy. 278 00:15:03,040 --> 00:15:05,280 Speaker 1: But I was in Africa and Nigeria and where I 279 00:15:05,360 --> 00:15:07,760 Speaker 1: finished writing it. And when I I wrote more to it, 280 00:15:08,040 --> 00:15:10,200 Speaker 1: I heard her voice on it, and I'm like, Yo, 281 00:15:10,520 --> 00:15:13,960 Speaker 1: definitely would be great for this. At the time, she 282 00:15:14,040 --> 00:15:17,160 Speaker 1: had never done like a song with like that, I know, 283 00:15:17,880 --> 00:15:20,400 Speaker 1: like a Black Hearts or anything like that. Just you. 284 00:15:20,560 --> 00:15:22,960 Speaker 1: I reached out and I was like, Yo, like what 285 00:15:23,040 --> 00:15:24,800 Speaker 1: do you think about that? She said like, I'm down. 286 00:15:24,920 --> 00:15:29,280 Speaker 1: I like it. Um. That's how it happened. So our 287 00:15:29,320 --> 00:15:32,240 Speaker 1: first time singing together literally right there. We went over 288 00:15:32,320 --> 00:15:35,320 Speaker 1: it maybe a couple of times and then we recorded it. Yeah, 289 00:15:35,520 --> 00:15:38,240 Speaker 1: it's really it's really a compelled I'm talking to Travis Greeno. 290 00:15:38,360 --> 00:15:41,560 Speaker 1: We're discussing not only his latest album, which is coming 291 00:15:41,560 --> 00:15:44,560 Speaker 1: out a little Bember first as a Friday we usually 292 00:15:44,640 --> 00:15:48,040 Speaker 1: drops on Fridays, but also the record, the album we 293 00:15:48,120 --> 00:15:51,400 Speaker 1: called Broken Record. Um. We talked about music that that 294 00:15:51,520 --> 00:15:54,680 Speaker 1: has affected me over the years, especially this year, and 295 00:15:55,280 --> 00:15:58,640 Speaker 1: watching these three videos and I had to bring them 296 00:15:58,680 --> 00:16:02,760 Speaker 1: out because uh, nothing but the blood, uh you know, 297 00:16:03,040 --> 00:16:07,280 Speaker 1: uh uh you know, let go and good and love 298 00:16:08,360 --> 00:16:10,760 Speaker 1: you know to me and then just seeing the transformation. 299 00:16:10,880 --> 00:16:13,200 Speaker 1: Then then Senior on stage with Stephanie and at that 300 00:16:13,400 --> 00:16:15,920 Speaker 1: environment and looking at the audience. What just the future 301 00:16:16,080 --> 00:16:20,200 Speaker 1: of your brand and your music because it's related relatable 302 00:16:20,240 --> 00:16:23,880 Speaker 1: to me, I'm old school, Okay, it's relatable to a 303 00:16:24,040 --> 00:16:27,840 Speaker 1: diverse audience. Your your bands one hundred African American as 304 00:16:27,960 --> 00:16:30,680 Speaker 1: what I can see, So what's what is the future 305 00:16:30,720 --> 00:16:36,280 Speaker 1: of your brain? Man? Well absolutely aslually. No one in 306 00:16:36,360 --> 00:16:41,520 Speaker 1: my bandage African American. Okay. So they they're black, you know, 307 00:16:41,720 --> 00:16:43,160 Speaker 1: some of them are black, but all of them are 308 00:16:43,160 --> 00:16:47,720 Speaker 1: in the naza on one is okay, okay, okay, okay, okay, 309 00:16:48,120 --> 00:16:49,640 Speaker 1: you got me on the color, You got me on 310 00:16:49,720 --> 00:16:54,440 Speaker 1: the color. Okay. Drummers from Baltimore, but my band players 311 00:16:54,520 --> 00:16:58,880 Speaker 1: Jamaican people, Plantation one good our plantation and I'm the 312 00:16:58,920 --> 00:17:02,720 Speaker 1: one is uh from the Philippines, so pretty divergent. Uh 313 00:17:03,160 --> 00:17:05,720 Speaker 1: group of people. They love black, but they from all 314 00:17:05,760 --> 00:17:09,639 Speaker 1: over the world. Well, I think what I think it 315 00:17:09,720 --> 00:17:13,440 Speaker 1: helps you in your sound and your whole sound. It's 316 00:17:13,480 --> 00:17:16,480 Speaker 1: not restricted, it's very open kind of you know. It's 317 00:17:16,480 --> 00:17:19,920 Speaker 1: almost gives to me that Bob Marley type field that 318 00:17:20,000 --> 00:17:22,399 Speaker 1: Bob Marley when he came, you know, and then he 319 00:17:22,520 --> 00:17:24,440 Speaker 1: just blew up and it became so that version because 320 00:17:24,440 --> 00:17:27,119 Speaker 1: that music was so international. And I'm just saying, man 321 00:17:27,320 --> 00:17:30,639 Speaker 1: and hearing your sound and it's you know, it's you know, 322 00:17:30,800 --> 00:17:33,080 Speaker 1: you have R and B music, Okay, then you have 323 00:17:33,280 --> 00:17:36,480 Speaker 1: then then then you have neo soul came out, and 324 00:17:36,560 --> 00:17:38,960 Speaker 1: then but you're doing and then you have gospel you 325 00:17:39,080 --> 00:17:41,040 Speaker 1: have you know, you have you have a strict Bible 326 00:17:41,119 --> 00:17:43,720 Speaker 1: thumping gospel. And then you have gospel that you know 327 00:17:44,000 --> 00:17:48,320 Speaker 1: that it became transformed with Kurt Franklin and uh and 328 00:17:48,400 --> 00:17:51,080 Speaker 1: the other artists know, Donna mcclerk and Uh, you know 329 00:17:51,280 --> 00:17:52,600 Speaker 1: Londa have is a lot of great and a lot 330 00:17:52,640 --> 00:17:55,200 Speaker 1: of new new artists today, you know. And then I'm 331 00:17:55,200 --> 00:17:58,760 Speaker 1: looking at your sound. I asked you again and and 332 00:18:00,760 --> 00:18:03,760 Speaker 1: That's why I said, from a day, from a responsive standpoint, 333 00:18:04,760 --> 00:18:07,600 Speaker 1: I came across who didn't blowfish Darris Rucker as an 334 00:18:07,680 --> 00:18:12,199 Speaker 1: artist that has transcended I feel success in music across 335 00:18:12,240 --> 00:18:14,920 Speaker 1: the board internationally. And we're not talking about Michael Jackson. 336 00:18:14,960 --> 00:18:19,400 Speaker 1: That's a whole different conversation. We're talking about music that's relatable. 337 00:18:19,840 --> 00:18:22,200 Speaker 1: And he's just singing. He's just going on stage, pulling 338 00:18:22,200 --> 00:18:24,040 Speaker 1: out the guitar and starting to sing. And that's what 339 00:18:24,119 --> 00:18:26,440 Speaker 1: you're doing, my man. And I feel that special, man, 340 00:18:26,520 --> 00:18:28,560 Speaker 1: And and I just wanted to bring in a show 341 00:18:28,600 --> 00:18:30,800 Speaker 1: to tell you that any comments on that, I hope 342 00:18:30,840 --> 00:18:33,520 Speaker 1: I'm make I hope I'm making you feel good. Bro, 343 00:18:33,800 --> 00:18:36,480 Speaker 1: Yeah you're telling me, man, this is crazy, you know 344 00:18:37,000 --> 00:18:41,160 Speaker 1: from you? Um man, I just want to make a fact, 345 00:18:41,240 --> 00:18:42,840 Speaker 1: you know, in episodes, So I want to be true 346 00:18:42,880 --> 00:18:45,040 Speaker 1: to who I am and true and honest, you know, 347 00:18:45,160 --> 00:18:47,320 Speaker 1: and I mean not people are connecting with really the 348 00:18:47,920 --> 00:18:51,040 Speaker 1: authenticity man, you know, but like who I am and 349 00:18:51,440 --> 00:18:54,080 Speaker 1: divergendo because I grew up got on both sides of 350 00:18:54,119 --> 00:18:57,760 Speaker 1: the trance and that's just kind of my life. So 351 00:18:59,080 --> 00:19:01,480 Speaker 1: I love people, man, uh, and I just want to 352 00:19:01,520 --> 00:19:04,359 Speaker 1: connect with them and so it's not gimmicky. I ain't 353 00:19:04,440 --> 00:19:06,520 Speaker 1: trying to do something. I'm just I'm just being through 354 00:19:06,600 --> 00:19:08,879 Speaker 1: who I am. And I think people are clinting with it. 355 00:19:08,960 --> 00:19:12,840 Speaker 1: So it's man, I you know, I'm down with I 356 00:19:12,920 --> 00:19:15,119 Speaker 1: wanted to say this to everybody on the phone that 357 00:19:15,280 --> 00:19:18,640 Speaker 1: you know Rashan McDonald's not a band wagon guy, Travis Green, 358 00:19:18,680 --> 00:19:21,520 Speaker 1: he's just fine traffic. I've been listening Travis Green. All right, 359 00:19:21,800 --> 00:19:24,919 Speaker 1: we've all the way back to twenty seventeen make Away. 360 00:19:25,960 --> 00:19:29,560 Speaker 1: You waited, Come on now, you waited, now, come on now, 361 00:19:29,880 --> 00:19:33,360 Speaker 1: come on now, And I just want to seven things. 362 00:19:33,440 --> 00:19:37,480 Speaker 1: So you've been You've been there. Man, I'm just gonna 363 00:19:37,520 --> 00:19:39,720 Speaker 1: tell you, man, I appreciate you coming on my show. 364 00:19:39,760 --> 00:19:43,400 Speaker 1: Money Making Conversation, UM, I just want to spread your 365 00:19:43,480 --> 00:19:46,480 Speaker 1: brand to my audience. Is to shure about entrepreneurship, is 366 00:19:46,560 --> 00:19:49,119 Speaker 1: sure about faith, to show about understanding that you two 367 00:19:49,200 --> 00:19:52,240 Speaker 1: can be successful, and my man, keep being successful and 368 00:19:52,400 --> 00:19:55,720 Speaker 1: keep supporting who you are and delivering the message to everybody. 369 00:19:56,040 --> 00:19:58,840 Speaker 1: Thank you, Travis, no no doubt man, much love of 370 00:19:58,880 --> 00:20:01,080 Speaker 1: money making. Thank you,