1 00:00:03,200 --> 00:00:05,400 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,680 --> 00:00:18,160 Speaker 1: Firm Elvis Presents show. There's no problems here. I want 3 00:00:18,200 --> 00:00:20,040 Speaker 1: you guys to listen, not listen out. This is three 4 00:00:20,120 --> 00:00:22,079 Speaker 1: days now. You're obsessed with this scary? You want to 5 00:00:22,079 --> 00:00:24,560 Speaker 1: go over with the room introduced? Everybody first? Why, Okay, 6 00:00:25,000 --> 00:00:28,200 Speaker 1: I'm scary. I'm standing where Elvis usually stands. Gethanie's here, 7 00:00:28,240 --> 00:00:30,479 Speaker 1: so is David Brody. Greg T's in the room, so 8 00:00:30,640 --> 00:00:34,560 Speaker 1: is Garrett. Danielle is being covered in a red Blanke freezing, 9 00:00:34,560 --> 00:00:36,720 Speaker 1: and Nate is in and out of the room. Currently 10 00:00:36,800 --> 00:00:39,680 Speaker 1: he's out. So this has been bothering me all day long. 11 00:00:41,960 --> 00:00:44,600 Speaker 1: This is in the room, but he's not talking. Iosed 12 00:00:44,600 --> 00:00:49,120 Speaker 1: to say he was there. The elephant. He's not gonna 13 00:00:49,200 --> 00:00:53,120 Speaker 1: talk though, he's just elephant. My okay, here's my theory. 14 00:00:54,080 --> 00:00:56,880 Speaker 1: My theory is if I'm in the room, you'll do 15 00:00:56,920 --> 00:00:59,160 Speaker 1: a different type of show. Even if I'm not talking 16 00:00:59,280 --> 00:01:02,360 Speaker 1: on the elephant in the room scary. It's the eight 17 00:01:02,440 --> 00:01:04,440 Speaker 1: hundred pound gorilla and a pink elephant is not in 18 00:01:04,440 --> 00:01:06,920 Speaker 1: the room. That's a different expression. So you're not the 19 00:01:06,920 --> 00:01:11,040 Speaker 1: pink elephant as well. The pink elephant is when you're 20 00:01:11,080 --> 00:01:13,520 Speaker 1: drunk and you see a pink elephant in the room, 21 00:01:13,920 --> 00:01:16,360 Speaker 1: eight hundred pound in the midst Okay, what are you 22 00:01:16,400 --> 00:01:19,040 Speaker 1: obsessed about right now? So basically, there's a story that 23 00:01:19,080 --> 00:01:21,680 Speaker 1: came out of Alabama. These four inmates broke out of 24 00:01:21,760 --> 00:01:24,280 Speaker 1: jail and then the police scooped up three and one 25 00:01:24,319 --> 00:01:27,199 Speaker 1: is still on the lamb. So I'm thinking to myself, Well, 26 00:01:27,319 --> 00:01:30,280 Speaker 1: if you're an inmate you're thinking about escaping, don't just 27 00:01:30,400 --> 00:01:32,920 Speaker 1: stay in jail and do your time, or if you 28 00:01:33,000 --> 00:01:36,440 Speaker 1: got out, go back. Think about this. A. You are 29 00:01:36,480 --> 00:01:39,679 Speaker 1: wearing jail clothes. B. You do have no food at 30 00:01:39,760 --> 00:01:42,000 Speaker 1: least in jail, you have three meals. You don't know 31 00:01:42,000 --> 00:01:45,039 Speaker 1: where to sleep on say nothing, and where you're gonna sleep? 32 00:01:45,080 --> 00:01:47,320 Speaker 1: I mean you have you have no contact, You can't 33 00:01:47,400 --> 00:01:50,520 Speaker 1: use yourself security number, you can't use your driver's license, 34 00:01:50,680 --> 00:01:53,600 Speaker 1: you can't can't kick get a job. Also, in jail 35 00:01:53,720 --> 00:01:56,040 Speaker 1: you get all the anal sex for free. Right So 36 00:01:56,160 --> 00:01:58,800 Speaker 1: there you don't talk, So you want to that how 37 00:01:58,840 --> 00:02:03,080 Speaker 1: do you assimilate? You cannot, as simulate back into society 38 00:02:03,600 --> 00:02:08,400 Speaker 1: if you break out of jail, you can't assimilate. You 39 00:02:08,480 --> 00:02:11,440 Speaker 1: can't well, I can't first of all, as Danielle pointed 40 00:02:11,440 --> 00:02:13,680 Speaker 1: out before the mics were on. You have a friend 41 00:02:13,720 --> 00:02:18,160 Speaker 1: on the outside and he comes on visiting, daniel like Thursday, Charlie, yep, Thursday. 42 00:02:18,440 --> 00:02:20,520 Speaker 1: And then he's got a car and a change of clothes. 43 00:02:20,600 --> 00:02:22,560 Speaker 1: Boy tells you where he's going to leave the change 44 00:02:22,600 --> 00:02:24,920 Speaker 1: of clothes, and you ask the board you live in Canada. 45 00:02:24,960 --> 00:02:28,720 Speaker 1: You're fine, Prime Minister. He's not going from Alabama to Canada. 46 00:02:28,840 --> 00:02:30,840 Speaker 1: You're not going to Canada. Do you know that you 47 00:02:31,000 --> 00:02:33,880 Speaker 1: can't get to Canada? And this rural areas of Alabama? 48 00:02:33,960 --> 00:02:35,680 Speaker 1: Go work as a fry cook and a little dinner 49 00:02:35,680 --> 00:02:38,280 Speaker 1: on the side of the road. I asked this question. 50 00:02:41,440 --> 00:02:44,840 Speaker 1: I drop you in the middle of the country, no clothes, 51 00:02:45,160 --> 00:02:48,360 Speaker 1: no clothes, no clothes, no money, no nothing. What do 52 00:02:48,400 --> 00:02:50,520 Speaker 1: you do? You just sit there? I don't know what 53 00:02:50,560 --> 00:02:54,080 Speaker 1: do you do? One of the first thing is cry 54 00:02:54,240 --> 00:02:56,200 Speaker 1: and figure out what you do. I don't know, a 55 00:02:56,320 --> 00:02:58,320 Speaker 1: rural area and you're naked, you don't have any clothes. 56 00:02:58,320 --> 00:03:00,360 Speaker 1: What's going on? You have? How many you have? Close? 57 00:03:00,400 --> 00:03:02,680 Speaker 1: What's the first thing you do? You get? You scurry 58 00:03:02,720 --> 00:03:06,280 Speaker 1: into the brush, into the grass and find some wooded areas, 59 00:03:06,320 --> 00:03:08,760 Speaker 1: and then you start making your way naked and hidden 60 00:03:08,800 --> 00:03:11,400 Speaker 1: until you find a house. Then you sit hold on 61 00:03:11,639 --> 00:03:13,919 Speaker 1: then you sit under the cover of darkness. You watch 62 00:03:14,040 --> 00:03:16,600 Speaker 1: that house. Maybe you watch the house for like twelve hours. 63 00:03:16,840 --> 00:03:18,799 Speaker 1: You see when everybody leaves, you see you scout the 64 00:03:18,880 --> 00:03:21,320 Speaker 1: location when everybody when everybody's gone, you make your way 65 00:03:21,360 --> 00:03:22,959 Speaker 1: into the house. You get some clothing. Well, I hope 66 00:03:22,960 --> 00:03:27,079 Speaker 1: they have my waist side. Think they're gonna have beggars 67 00:03:27,080 --> 00:03:29,000 Speaker 1: can't be choosers. You get whatever you can get. Maybe 68 00:03:29,000 --> 00:03:30,880 Speaker 1: you find some tools, Maybe you make the clothes work 69 00:03:30,880 --> 00:03:32,280 Speaker 1: for you a little bit. Then you get some food, 70 00:03:32,320 --> 00:03:34,320 Speaker 1: You maybe find some money. Now you got right now 71 00:03:34,320 --> 00:03:40,920 Speaker 1: you're like set for the Yeah, my legs are really 72 00:03:44,840 --> 00:03:47,320 Speaker 1: I have to get Then do you go to the 73 00:03:47,360 --> 00:03:51,200 Speaker 1: tailor that Nathan take it up? Sometimes his legs seem 74 00:03:51,200 --> 00:03:56,680 Speaker 1: is a thirty thirty right correct. But that's the problem 75 00:03:56,760 --> 00:03:58,800 Speaker 1: with pants is that they don't sell that in stores. 76 00:03:58,960 --> 00:04:03,760 Speaker 1: They don't sell little boys can store. It's a problem 77 00:04:03,760 --> 00:04:05,680 Speaker 1: if you're going to break out a prison in your 78 00:04:05,720 --> 00:04:08,440 Speaker 1: orange jumpsuit, you do it on Halloween and then you 79 00:04:08,520 --> 00:04:11,040 Speaker 1: tell people you're going as a convict and they're like, oh, 80 00:04:11,080 --> 00:04:14,000 Speaker 1: what a great costumer. Cold outside at that Halloween time. 81 00:04:16,960 --> 00:04:18,480 Speaker 1: You know, when a guy opens the door, you shive 82 00:04:18,560 --> 00:04:22,360 Speaker 1: them all. Think about it, guys, It's not that easy. 83 00:04:22,440 --> 00:04:25,200 Speaker 1: You cannot just escape from jail. I think if you did, 84 00:04:25,320 --> 00:04:28,279 Speaker 1: four guys did the jail. If you are clever enough 85 00:04:29,040 --> 00:04:32,640 Speaker 1: that you escape from a maximum security prison, I think 86 00:04:32,720 --> 00:04:36,080 Speaker 1: clothing and a bottle of sodas your least of your warriors. 87 00:04:36,120 --> 00:04:38,680 Speaker 1: And I don't think you're escaping from someplace like that 88 00:04:38,720 --> 00:04:40,920 Speaker 1: without a plan. Also, I think we need to look 89 00:04:40,920 --> 00:04:43,000 Speaker 1: at the narrator. I think Gregg T is an unreliable 90 00:04:43,080 --> 00:04:45,960 Speaker 1: narrator because he is concerned about this issue. But we 91 00:04:46,000 --> 00:04:47,760 Speaker 1: need to look at not the issue, but why he's 92 00:04:47,800 --> 00:04:50,400 Speaker 1: concerned about it. I think that Greg T is secretly 93 00:04:50,440 --> 00:04:53,320 Speaker 1: wishing he could go someplace for a really long time 94 00:04:53,400 --> 00:04:55,679 Speaker 1: that was quiet, that would feed him, where he wouldn't 95 00:04:55,680 --> 00:04:58,839 Speaker 1: have to worry about seeing people every day and the 96 00:04:58,880 --> 00:05:04,080 Speaker 1: stresses of being husband, father, and co worker. I think 97 00:05:04,080 --> 00:05:07,440 Speaker 1: he likes he could be with men, which he's fantasized 98 00:05:07,480 --> 00:05:11,200 Speaker 1: by the girl in the room. Grilla in the room. 99 00:05:11,400 --> 00:05:15,200 Speaker 1: You can't are you texting? Gorilla? It was girl the 100 00:05:15,200 --> 00:05:18,159 Speaker 1: first time he said are you texting? Into the podcast 101 00:05:18,200 --> 00:05:21,599 Speaker 1: because of one just came into that said, this is 102 00:05:21,680 --> 00:05:28,800 Speaker 1: the worst podcast ever. Is that all that is blocked? 103 00:05:28,839 --> 00:05:32,440 Speaker 1: That number block, that number block it. I'm just saying, 104 00:05:32,680 --> 00:05:35,120 Speaker 1: I just think, guys, it's much more difficult than you 105 00:05:35,160 --> 00:05:37,520 Speaker 1: think to just escape and then like, like you said, 106 00:05:37,600 --> 00:05:43,080 Speaker 1: simulate into society. I think, okay, Yet you think you 107 00:05:43,279 --> 00:05:45,560 Speaker 1: think that there's a forty year conspiracy that people have 108 00:05:45,600 --> 00:05:47,400 Speaker 1: been able to keep a secret about a fake moon landing. 109 00:05:47,440 --> 00:05:49,480 Speaker 1: By the way, somehow you think that's okay, believe I 110 00:05:49,480 --> 00:05:54,400 Speaker 1: think it's assimilate, but it is assimilate, assimilate, assimilated. You 111 00:05:54,440 --> 00:05:57,359 Speaker 1: said a simulate Yeah, I didn't know. I mean, I 112 00:05:57,480 --> 00:06:00,680 Speaker 1: just think you're an ass But I do people escaping 113 00:06:00,760 --> 00:06:02,920 Speaker 1: or when I think of people coming out of prison, 114 00:06:02,960 --> 00:06:05,960 Speaker 1: I think of the Showshank Redemption right where the guy 115 00:06:06,040 --> 00:06:09,520 Speaker 1: just like says, I can't I can't assimibly back into society. 116 00:06:09,560 --> 00:06:11,800 Speaker 1: I'm gonna hang myself. Yeah. I didn't go well, but 117 00:06:11,839 --> 00:06:13,680 Speaker 1: they didn't break out. They were let out ease the 118 00:06:13,760 --> 00:06:17,520 Speaker 1: parole and they were like, yeah, exactly, no one of 119 00:06:17,520 --> 00:06:20,560 Speaker 1: them was. I was, but all have seen the movie. 120 00:06:20,640 --> 00:06:27,800 Speaker 1: Yet broke out during a thunderstorm, remember right, he was 121 00:06:27,880 --> 00:06:30,720 Speaker 1: banging at the same time of the thunder right, which 122 00:06:30,760 --> 00:06:34,000 Speaker 1: that never do you see? It's all planned out. This 123 00:06:34,080 --> 00:06:36,320 Speaker 1: guy did not plan anything in Alabama? What are you 124 00:06:36,360 --> 00:06:41,640 Speaker 1: doing today? Let's no way you can break out of 125 00:06:41,640 --> 00:06:45,200 Speaker 1: a high security prison without a plan, Tea, there's no 126 00:06:45,240 --> 00:06:46,839 Speaker 1: where do you think? They left the door open and 127 00:06:46,839 --> 00:06:49,640 Speaker 1: they tiptoed out when no one was looking. They evidently 128 00:06:49,800 --> 00:06:54,320 Speaker 1: changed the sign above a door, and they convinced one 129 00:06:54,360 --> 00:06:56,560 Speaker 1: of the guards to open it up as if they 130 00:06:56,600 --> 00:06:59,279 Speaker 1: were going into their cell, and it was really the exit. 131 00:06:59,360 --> 00:07:01,520 Speaker 1: They changed one of the left. I forgot they did 132 00:07:01,520 --> 00:07:05,000 Speaker 1: it for real. It's one of the signs. Yes, I know. 133 00:07:05,040 --> 00:07:08,400 Speaker 1: But once they get out, there's no plan. They always 134 00:07:08,440 --> 00:07:10,400 Speaker 1: a plan. You gotta think they leave and they don't go. 135 00:07:10,480 --> 00:07:12,520 Speaker 1: You know, before we leave, shall we think about what 136 00:07:12,520 --> 00:07:16,200 Speaker 1: we're gonna do? Just just run out? Figure it out? Well, god, 137 00:07:16,280 --> 00:07:17,880 Speaker 1: you can. Where are they going to get a job 138 00:07:17,960 --> 00:07:20,200 Speaker 1: later on life? It's not well, they're not looking at 139 00:07:20,240 --> 00:07:22,600 Speaker 1: the You're not looking to become a CEO of a fortune. 140 00:07:23,440 --> 00:07:25,400 Speaker 1: I'm looking to just survive or am I going to 141 00:07:25,480 --> 00:07:27,400 Speaker 1: print my resume? I don't think that's what they're thinking. 142 00:07:27,400 --> 00:07:29,200 Speaker 1: I'm never gonna be able to put the friends on 143 00:07:29,240 --> 00:07:32,440 Speaker 1: the outside who probably owned businesses, can maybe help them out, 144 00:07:32,560 --> 00:07:36,200 Speaker 1: or they can deal drugs them a little at that 145 00:07:36,320 --> 00:07:38,400 Speaker 1: why he was in jail, then he'll sell them again. Yeah, 146 00:07:38,840 --> 00:07:40,640 Speaker 1: I mean, look, you absolutely have a plan. Why do 147 00:07:40,640 --> 00:07:43,320 Speaker 1: you think when people meet each other in lockdown, like 148 00:07:43,360 --> 00:07:45,680 Speaker 1: the person from the outside comes on visiting day, they 149 00:07:45,760 --> 00:07:48,440 Speaker 1: kiss hello, it's because the person is passing a file 150 00:07:48,520 --> 00:07:50,720 Speaker 1: between their mouths and another guy getting kissed or the 151 00:07:50,760 --> 00:07:52,520 Speaker 1: woman getting kissed and a file the way out. I 152 00:07:52,600 --> 00:07:54,880 Speaker 1: should try to see how hard that is. We should try. 153 00:07:55,040 --> 00:07:57,440 Speaker 1: We should ask Elvis on the show to see if 154 00:07:57,480 --> 00:07:59,800 Speaker 1: we can try to pass things from one mounts to 155 00:07:59,840 --> 00:08:02,960 Speaker 1: the other mouth. You know, it would be interesting to 156 00:08:05,520 --> 00:08:08,080 Speaker 1: the gimmick is not spitting a key into someone else's mouth. 157 00:08:08,080 --> 00:08:10,560 Speaker 1: It's doing it without the guard noticing. But we all 158 00:08:10,560 --> 00:08:12,320 Speaker 1: know you're doing it. So who's gonna be You're not, 159 00:08:12,600 --> 00:08:15,880 Speaker 1: We're doing We're trying. We're gonna try to fool you. 160 00:08:16,000 --> 00:08:18,600 Speaker 1: Just want to make out with Scary again. I know, 161 00:08:18,800 --> 00:08:21,400 Speaker 1: I'm serious. We should see. I think it's not easy, 162 00:08:21,440 --> 00:08:24,680 Speaker 1: but you gotta who on the show is going to 163 00:08:24,720 --> 00:08:26,560 Speaker 1: be the two people to pass something from one mouth 164 00:08:26,600 --> 00:08:28,760 Speaker 1: to the other. It's an experiment. Do you do it anybody? 165 00:08:28,760 --> 00:08:31,400 Speaker 1: I'll do it with whom I'll do it, Bethany. I 166 00:08:31,400 --> 00:08:36,760 Speaker 1: mean it's it's an experiment, it's sperm. What happened now? 167 00:08:37,000 --> 00:08:39,600 Speaker 1: Because sperm is not in the word experiment. Let's watch 168 00:08:39,679 --> 00:08:43,040 Speaker 1: another topic. Scary, got anything? I got nothing right now, 169 00:08:46,559 --> 00:08:48,840 Speaker 1: he's not even paying attention. I'm paying attention. I just 170 00:08:48,880 --> 00:08:51,439 Speaker 1: lost interest in this topic about seven minutes ago, because 171 00:08:51,440 --> 00:08:54,800 Speaker 1: why we're not talking about either relationships or clubs? He's open? 172 00:08:56,240 --> 00:08:59,800 Speaker 1: Is this positive? Greg Tea know this podcast is supposed 173 00:08:59,840 --> 00:09:03,120 Speaker 1: to be voluntary, voluntary, And I'm here and I'm sitting here, 174 00:09:03,160 --> 00:09:05,280 Speaker 1: I'm listening, and I'm waiting for a chance to jump in. 175 00:09:05,280 --> 00:09:08,679 Speaker 1: Everybody's talking over each other, and I'm just and I'm like, Okay, 176 00:09:08,720 --> 00:09:11,400 Speaker 1: everything that's been said has already been said on this 177 00:09:11,440 --> 00:09:14,320 Speaker 1: podcast about this topic. So that's why I threw it 178 00:09:14,360 --> 00:09:17,120 Speaker 1: to you. Just change the topic. I'm not a topic. 179 00:09:17,200 --> 00:09:19,760 Speaker 1: Change You don't look at me like that. Okay. So 180 00:09:19,880 --> 00:09:22,320 Speaker 1: I have two things. Can we talk about people who 181 00:09:22,559 --> 00:09:24,840 Speaker 1: tweet things about other people on the show in public 182 00:09:25,080 --> 00:09:27,120 Speaker 1: and we see it and they should be more careful? 183 00:09:27,160 --> 00:09:28,800 Speaker 1: Or should we talk about the blog on olvice train 184 00:09:28,880 --> 00:09:32,480 Speaker 1: dot com that I wrote, if my problem with Amazon? Yeah, 185 00:09:33,520 --> 00:09:37,400 Speaker 1: what happened? Okay? So um, as you know, Scary and 186 00:09:37,400 --> 00:09:40,000 Speaker 1: I are doing a new podcast, the Brooklyn Boys Podcast, 187 00:09:40,480 --> 00:09:43,880 Speaker 1: which is completely unaffiliated with any previous podcast Scary Jones 188 00:09:43,920 --> 00:09:47,079 Speaker 1: ever did. Yes, people are confusing and thinking that this 189 00:09:47,080 --> 00:09:48,640 Speaker 1: has has something to do with the podcast he did 190 00:09:48,640 --> 00:09:51,240 Speaker 1: with Greg ta fantastic podcast called fair Show, right, but 191 00:09:51,280 --> 00:09:55,120 Speaker 1: it's not. It's so people keep tweeting at Greg Tea 192 00:09:55,160 --> 00:09:56,800 Speaker 1: like are you gonna be a part of this? Come off? 193 00:09:56,920 --> 00:09:59,439 Speaker 1: How come? And I keep saying, hey, don't tweet at 194 00:09:59,480 --> 00:10:01,199 Speaker 1: Greg Tea. It's not right. Leave him at his something 195 00:10:01,240 --> 00:10:02,680 Speaker 1: I want nothing to do with, and then right, he 196 00:10:02,679 --> 00:10:04,679 Speaker 1: has nothing to do it. But his exact tweet two 197 00:10:04,760 --> 00:10:06,920 Speaker 1: days ago, which a lot of our listeners gave him 198 00:10:06,920 --> 00:10:09,280 Speaker 1: ship for, was I have nothing to do with that 199 00:10:09,320 --> 00:10:14,079 Speaker 1: ship cast he referred to our podcast. I didn't when 200 00:10:14,120 --> 00:10:17,440 Speaker 1: I went to my desk guest in public, in front 201 00:10:17,440 --> 00:10:20,440 Speaker 1: of every Right, it wasn't a private tweet. So when 202 00:10:20,559 --> 00:10:22,600 Speaker 1: when I went to my desk yesterday to make chit chat, 203 00:10:22,679 --> 00:10:24,880 Speaker 1: he said, hey, Brody, what are you working on? I said, 204 00:10:24,880 --> 00:10:27,000 Speaker 1: I'm planning my ship cast, right, and then he got 205 00:10:27,000 --> 00:10:29,000 Speaker 1: dead silent because he said anything because he knew that 206 00:10:29,040 --> 00:10:32,840 Speaker 1: I had seen his tweet. Wait, but I did. Wait, 207 00:10:32,920 --> 00:10:34,720 Speaker 1: but I didn't say anything because I was like scared 208 00:10:34,760 --> 00:10:36,680 Speaker 1: that you saw it. No, I didn't say because I 209 00:10:36,679 --> 00:10:38,839 Speaker 1: wanted to move on with it, like like, okay, been there, 210 00:10:38,840 --> 00:10:40,520 Speaker 1: done that. I already know you saw it a big deal, 211 00:10:40,720 --> 00:10:42,920 Speaker 1: like I'm sorry. I didn't mean it that way, would it? 212 00:10:42,960 --> 00:10:44,520 Speaker 1: But I did kind of mean it that way because 213 00:10:44,520 --> 00:10:46,959 Speaker 1: I was but not at you and Scary though I 214 00:10:47,040 --> 00:10:53,160 Speaker 1: meant it. You're gonna see what I did. Okay, I 215 00:10:53,160 --> 00:10:56,000 Speaker 1: swear I didn't mean it. I didn't mean it at 216 00:10:56,040 --> 00:10:58,640 Speaker 1: Scary and at Brody. I meant because I was sick 217 00:10:58,679 --> 00:11:01,840 Speaker 1: and tired of being ragged into it by the other 218 00:11:01,920 --> 00:11:03,800 Speaker 1: people that wouldn't get off of the fact that I 219 00:11:03,920 --> 00:11:10,760 Speaker 1: wasn't cast but I didn't like Elephant. Yes, but I didn't. 220 00:11:10,800 --> 00:11:13,199 Speaker 1: But I didn't mean it was a ship cast. I 221 00:11:13,280 --> 00:11:16,559 Speaker 1: meant to almost like put it down as if like 222 00:11:16,960 --> 00:11:19,840 Speaker 1: do not like I am not doing that like that 223 00:11:19,840 --> 00:11:23,640 Speaker 1: that you were calling that topic ship not the podcast. Okay, 224 00:11:23,720 --> 00:11:27,319 Speaker 1: so wouldn't the same I thought had been conveyed. Had 225 00:11:27,360 --> 00:11:30,080 Speaker 1: you said I have nothing to do with that podcast? 226 00:11:30,400 --> 00:11:32,760 Speaker 1: People all you, but you refer to it if you 227 00:11:32,840 --> 00:11:35,439 Speaker 1: have said, I don't this whole thing is a ship cast, 228 00:11:35,520 --> 00:11:37,520 Speaker 1: meaning the whole the whole thing, right, But you said 229 00:11:37,960 --> 00:11:40,880 Speaker 1: that ship cast because I think you sing, you use 230 00:11:40,960 --> 00:11:44,640 Speaker 1: the pronoun that that implies the times believe that people 231 00:11:44,720 --> 00:11:48,240 Speaker 1: don't listen when you speak. They listen when you scream. 232 00:11:48,600 --> 00:11:51,640 Speaker 1: So you have to actually say something so you know, 233 00:11:51,720 --> 00:11:55,320 Speaker 1: so shocking to get people's attention. So I said it 234 00:11:55,480 --> 00:11:58,440 Speaker 1: to get this person's attention, for them to understand, Wow, 235 00:11:58,679 --> 00:12:01,280 Speaker 1: he's really not being a part of anyone that tweets 236 00:12:01,360 --> 00:12:04,120 Speaker 1: something about great Tea in regards to our podcast. I say, 237 00:12:04,400 --> 00:12:06,000 Speaker 1: you know what, leave him out of this has nothing 238 00:12:06,040 --> 00:12:07,920 Speaker 1: to do with him. He's a he's a friend and 239 00:12:07,960 --> 00:12:10,800 Speaker 1: a co worker. Don't tweet at him. And for my 240 00:12:10,880 --> 00:12:12,880 Speaker 1: and for my support of my co worker, I get 241 00:12:12,920 --> 00:12:16,680 Speaker 1: shit cast. I want to I want to compliment Bethany. 242 00:12:18,600 --> 00:12:21,480 Speaker 1: I want to compliment Bethany. So over the weekend I 243 00:12:21,559 --> 00:12:25,040 Speaker 1: had a nasty listener tweet about and she says, so 244 00:12:25,080 --> 00:12:28,920 Speaker 1: what does great do anyway, which really annoys everyone, And 245 00:12:28,960 --> 00:12:31,160 Speaker 1: then Bethany jumped in and was like, listen, guys, that's 246 00:12:31,160 --> 00:12:33,800 Speaker 1: so mean. He does a b c D. Do you 247 00:12:33,960 --> 00:12:36,319 Speaker 1: see what's going on here? And I think it is 248 00:12:36,480 --> 00:12:38,720 Speaker 1: something you should have been doing as well, Like, hey, 249 00:12:38,800 --> 00:12:41,040 Speaker 1: you know what, I'm really happy they're doing their own podcast, 250 00:12:41,120 --> 00:12:42,719 Speaker 1: but honestly, I'm not part of that. I have to 251 00:12:42,800 --> 00:12:44,640 Speaker 1: have too much going on right now. That would have 252 00:12:44,640 --> 00:12:47,360 Speaker 1: been the nice reply. Yeah, but when you speak when 253 00:12:47,400 --> 00:12:50,360 Speaker 1: you like, but when you like people to do that 254 00:12:50,480 --> 00:12:52,360 Speaker 1: for you and take your sub of a bob, which 255 00:12:52,400 --> 00:12:54,400 Speaker 1: is what Bethany was doing, you know, it would be 256 00:12:54,520 --> 00:12:56,160 Speaker 1: nice for you to do that as well. This is 257 00:12:56,200 --> 00:12:58,040 Speaker 1: pulling back the curtain a little bit, but I do 258 00:12:58,200 --> 00:13:01,800 Speaker 1: feel like as a show publicly, even if we're having 259 00:13:01,800 --> 00:13:04,360 Speaker 1: issues behind the scenes, we should be a united front 260 00:13:04,400 --> 00:13:08,840 Speaker 1: of publicly. I think our listeners should see us always 261 00:13:08,880 --> 00:13:13,400 Speaker 1: amen and defending each other. Right now, okay, I'll take 262 00:13:13,400 --> 00:13:19,960 Speaker 1: it back now better, But I didn't mean it that. 263 00:13:20,080 --> 00:13:24,120 Speaker 1: It really was everyone ever when everyone attacked you, when 264 00:13:24,120 --> 00:13:26,680 Speaker 1: everyone attacked you for that tweet and clearly took it 265 00:13:26,720 --> 00:13:29,240 Speaker 1: as ship cast, you didn't delete the tweet. But because 266 00:13:29,240 --> 00:13:31,079 Speaker 1: you didn't, you didn't try to explain yourself. In a 267 00:13:31,080 --> 00:13:35,520 Speaker 1: follow up tweet, you said you said you didn't misunderstand me. No, no, 268 00:13:35,559 --> 00:13:38,960 Speaker 1: you said, shut up, idiot, that the audience prejudges us. 269 00:13:39,080 --> 00:13:41,360 Speaker 1: They think that they really do know us, but yet 270 00:13:41,360 --> 00:13:44,679 Speaker 1: they prejudge us. They have no idea. They really don't 271 00:13:44,679 --> 00:13:47,320 Speaker 1: know us prejudging you. They're judging you, but they really 272 00:13:47,400 --> 00:13:49,600 Speaker 1: don't know who we are. They really I think that 273 00:13:49,679 --> 00:13:52,360 Speaker 1: sweet showed who you are, Okay, but that's really not well, 274 00:13:52,360 --> 00:13:54,480 Speaker 1: it's not who you are outside the building with your family, 275 00:13:54,480 --> 00:13:57,320 Speaker 1: but you are exactly so that it's that's not who 276 00:13:57,360 --> 00:14:01,920 Speaker 1: I really into a ship casts See all right, Oh 277 00:14:02,000 --> 00:14:06,839 Speaker 1: there's music music. Hey, tweet us your thoughts hashtag shit cast, 278 00:14:07,559 --> 00:14:10,680 Speaker 1: shit cast, and the cataston and the Cast of ship 279 00:14:10,679 --> 00:14:12,400 Speaker 1: will be back tomorrow. But if you're an idiot, don't 280 00:14:12,400 --> 00:14:16,840 Speaker 1: give your opinion. There's the worst show ever, The fifteen 281 00:14:16,880 --> 00:14:17,880 Speaker 1: Minute Morning Show