1 00:00:00,720 --> 00:00:04,080 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:20,360 Speaker 2: Oh, let's you Gilmore Girls Gazette with Amy Sugarman and 3 00:00:20,480 --> 00:00:23,720 Speaker 2: Danielle Romo, an iHeartRadio podcast. 4 00:00:23,920 --> 00:00:28,000 Speaker 3: This is a special edition, a special edition of the 5 00:00:28,040 --> 00:00:35,879 Speaker 3: Gilmore Girls Gazette because so we tape gazette it drops 6 00:00:35,920 --> 00:00:38,479 Speaker 3: like what does it drop, Jackie midnight or four am 7 00:00:38,640 --> 00:00:41,920 Speaker 3: or something on Wednesdays, So we tape it late in 8 00:00:41,960 --> 00:00:45,839 Speaker 3: the day on Tuesday so we can gather all the 9 00:00:45,880 --> 00:00:49,320 Speaker 3: news up so that it's you know, it's current as possible. 10 00:00:49,560 --> 00:00:50,960 Speaker 4: But we all woke up this. 11 00:00:50,880 --> 00:00:54,920 Speaker 3: Morning to breaking Gilmore news and we were like, oh 12 00:00:54,920 --> 00:00:56,120 Speaker 3: my god, oh my god, oh my god. We got 13 00:00:56,120 --> 00:00:57,880 Speaker 3: to do a special edition so that we can talk 14 00:00:57,880 --> 00:01:02,240 Speaker 3: about this. So, for those that don't know, Lauren Graham 15 00:01:02,320 --> 00:01:06,640 Speaker 3: posted on her social that she is doing a book. 16 00:01:06,760 --> 00:01:10,839 Speaker 3: We don't have a lot of info with Amy Sherman Palladino. 17 00:01:11,280 --> 00:01:14,760 Speaker 4: A Gilmore Girl's book. Is that basically what we know. 18 00:01:15,440 --> 00:01:17,919 Speaker 1: Yes, and it's going to release not until fall twenty 19 00:01:17,959 --> 00:01:19,000 Speaker 1: twenty seven. 20 00:01:19,200 --> 00:01:23,679 Speaker 3: Fall twenty twenty seven, Yeah, what isn't it only fall 21 00:01:23,800 --> 00:01:24,880 Speaker 3: twenty twenty five? 22 00:01:25,600 --> 00:01:25,800 Speaker 5: Yeah? 23 00:01:26,120 --> 00:01:30,759 Speaker 1: Yeah, two years, but that's what they announced, and it's 24 00:01:30,760 --> 00:01:31,920 Speaker 1: an untitled book. 25 00:01:32,040 --> 00:01:33,080 Speaker 4: Two years. 26 00:01:35,080 --> 00:01:36,760 Speaker 5: How long does the book normally take. 27 00:01:37,200 --> 00:01:38,400 Speaker 1: It depends your process. 28 00:01:38,800 --> 00:01:40,600 Speaker 3: Yeah, I think a book can take a year to 29 00:01:40,680 --> 00:01:44,160 Speaker 3: two years because you have to you get a deal, 30 00:01:44,240 --> 00:01:46,680 Speaker 3: then you write the book, then they have to edit 31 00:01:46,760 --> 00:01:48,480 Speaker 3: the book, then they have to make the book. But 32 00:01:48,520 --> 00:01:52,600 Speaker 3: I think some books can be done faster. But here's 33 00:01:52,680 --> 00:01:55,040 Speaker 3: my thing. So this is not what I thought it 34 00:01:55,080 --> 00:01:57,160 Speaker 3: would be because I was thinking, Oh, maybe this is like 35 00:01:57,240 --> 00:01:59,200 Speaker 3: their favorite pictures and like anecdotes. 36 00:01:59,560 --> 00:02:02,240 Speaker 4: This sounds like this is going to be much more intense. 37 00:02:02,760 --> 00:02:05,520 Speaker 1: It's going to take readers behind the curtain of Gilma Girls, 38 00:02:05,640 --> 00:02:08,200 Speaker 1: revealing how a small town dramedy with a mile a 39 00:02:08,240 --> 00:02:12,760 Speaker 1: minute dialogue becomes a cultural touchstone. According to sell It 40 00:02:12,800 --> 00:02:14,600 Speaker 1: on Books, who is publishing their book? 41 00:02:15,040 --> 00:02:17,120 Speaker 4: What does that mean? Read that again? Read that again? 42 00:02:17,200 --> 00:02:20,240 Speaker 1: To me, it will take readers behind the curtain of 43 00:02:20,480 --> 00:02:25,200 Speaker 1: Gilmore Girls, revealing how a small town dramedy with mile 44 00:02:25,320 --> 00:02:28,720 Speaker 1: a minute dialogue became a cultural touchstone. 45 00:02:28,880 --> 00:02:31,960 Speaker 4: So I'm assuming it's a non fiction book. 46 00:02:32,520 --> 00:02:35,680 Speaker 5: Yeah, I want to know who came to who with 47 00:02:35,840 --> 00:02:36,440 Speaker 5: the idea. 48 00:02:37,000 --> 00:02:39,600 Speaker 3: Oh, those two besties probably been trying to figure out 49 00:02:39,639 --> 00:02:43,919 Speaker 3: what they want to do next. Here's my thing. Maybe 50 00:02:44,000 --> 00:02:47,959 Speaker 3: it will be similar to the Michael J. Fox book 51 00:02:48,280 --> 00:02:52,000 Speaker 3: that we're so obsessed with. Basically, I wonder if he 52 00:02:52,040 --> 00:02:55,560 Speaker 3: gave them the idea because basically what he did was 53 00:02:55,639 --> 00:02:59,079 Speaker 3: wrote a book solely about Back to the Future. 54 00:02:58,800 --> 00:03:00,840 Speaker 4: Which became a culture you're all phenomenon. 55 00:03:01,000 --> 00:03:02,720 Speaker 3: So maybe we're going to get a book like that 56 00:03:02,840 --> 00:03:06,720 Speaker 3: with stories and maybe the audible version will have interviews. 57 00:03:07,760 --> 00:03:08,799 Speaker 1: Yeah, I think so. 58 00:03:09,280 --> 00:03:12,040 Speaker 3: I feel like we're getting We're getting Future Boy, the 59 00:03:12,080 --> 00:03:13,080 Speaker 3: Gilmoart Girls version. 60 00:03:13,240 --> 00:03:17,360 Speaker 1: Yes, like they're revisiting unforgettable moments from set, capturing the humor, 61 00:03:17,639 --> 00:03:20,480 Speaker 1: heart and alchemy that made the series an enduring classic. 62 00:03:20,600 --> 00:03:22,480 Speaker 3: Did you just pull that out of your head or 63 00:03:22,480 --> 00:03:23,480 Speaker 3: does it say that somewhere? 64 00:03:23,520 --> 00:03:23,600 Speaker 2: No? 65 00:03:24,639 --> 00:03:28,480 Speaker 4: But oh read that again? Okay, re read that again 66 00:03:28,680 --> 00:03:29,320 Speaker 4: the release. 67 00:03:29,600 --> 00:03:31,480 Speaker 1: This is all from the press release. I love how 68 00:03:31,520 --> 00:03:33,120 Speaker 1: publicist write like this. 69 00:03:33,280 --> 00:03:37,840 Speaker 3: But anyways, right, I know they kind of used jargon. 70 00:03:36,960 --> 00:03:40,560 Speaker 1: Along the way. They revisit unforgettable moments from the set, 71 00:03:40,800 --> 00:03:44,200 Speaker 1: capturing the humor, heart and alchemy that has made the 72 00:03:44,240 --> 00:03:45,800 Speaker 1: series an enduring classic. 73 00:03:46,080 --> 00:03:49,840 Speaker 4: Now here's my question. So you're doing this book and 74 00:03:49,920 --> 00:03:50,480 Speaker 4: like Michael J. 75 00:03:50,680 --> 00:03:55,360 Speaker 3: Fox definitely was only positive, but like he goes there 76 00:03:55,440 --> 00:03:58,680 Speaker 3: about Crispin Glover sort of he he talks about how 77 00:03:58,720 --> 00:04:02,720 Speaker 3: he thinks Crispin Glover's genius, which Chrispin Glover was and is, 78 00:04:03,440 --> 00:04:06,440 Speaker 3: but he talks about how there was some tension between 79 00:04:07,480 --> 00:04:09,080 Speaker 3: I don't know if it was the Mechus or Gail 80 00:04:09,280 --> 00:04:12,800 Speaker 3: with him, or you know, Chrispin Glover would kind of 81 00:04:12,840 --> 00:04:16,160 Speaker 3: do his own version of things, and you know, and 82 00:04:16,200 --> 00:04:18,640 Speaker 3: that you know, we all know Chrispin Glover didn't want 83 00:04:18,640 --> 00:04:20,280 Speaker 3: to do the sequel and that is a whole mess. 84 00:04:20,320 --> 00:04:22,120 Speaker 3: But we will talk about that on listen if you 85 00:04:22,120 --> 00:04:26,080 Speaker 3: want to. But he's very positive. So I wonder if 86 00:04:26,120 --> 00:04:29,760 Speaker 3: they'll go there with things that weren't so rosy about 87 00:04:29,800 --> 00:04:32,520 Speaker 3: Gilmore girls, somebody that didn't get along, or maybe Lauren 88 00:04:32,560 --> 00:04:35,000 Speaker 3: will talk about those mystery men she dated. 89 00:04:35,120 --> 00:04:36,080 Speaker 1: Relationships. 90 00:04:36,279 --> 00:04:40,120 Speaker 3: Well, they talk about Alexis dating people on that like 91 00:04:40,320 --> 00:04:41,880 Speaker 3: it's like, because my thing. 92 00:04:41,800 --> 00:04:44,920 Speaker 4: Is, if you're gonna do it, do it, do it right. 93 00:04:45,400 --> 00:04:46,200 Speaker 6: It's right. 94 00:04:46,600 --> 00:04:50,080 Speaker 3: Yeah, So I don't know that'll be interesting to see, 95 00:04:50,120 --> 00:04:53,320 Speaker 3: but it's not totally in her nature to do that, 96 00:04:53,560 --> 00:04:56,359 Speaker 3: So she'll figure out a Lauren brand way to do it, 97 00:04:56,400 --> 00:04:56,719 Speaker 3: I bet. 98 00:04:56,839 --> 00:05:00,279 Speaker 1: But yeah, And they each sent out press releases about 99 00:05:00,279 --> 00:05:03,520 Speaker 1: each other and working together and I like Sherman Paladine. 100 00:05:03,720 --> 00:05:05,920 Speaker 3: I literally only saw her social Okay, can you read 101 00:05:05,960 --> 00:05:06,720 Speaker 3: me everything you got? 102 00:05:06,720 --> 00:05:07,800 Speaker 4: Where'd you? How'd you get all. 103 00:05:07,680 --> 00:05:09,000 Speaker 1: These press magazine? 104 00:05:09,320 --> 00:05:14,360 Speaker 3: Nice Jackie, nice, investigative journalism, really nice. 105 00:05:14,920 --> 00:05:17,279 Speaker 4: You're taking our special edition breaking. 106 00:05:17,000 --> 00:05:21,919 Speaker 3: News to a to a really you know, Hollyoomer reporter level. 107 00:05:21,960 --> 00:05:22,800 Speaker 5: I'm very sorry. 108 00:05:23,720 --> 00:05:25,520 Speaker 4: Okay, hit me with your best shot, okay. 109 00:05:25,520 --> 00:05:28,320 Speaker 1: Sherman Palladino wrote this is her statement about writing the 110 00:05:28,320 --> 00:05:31,400 Speaker 1: book with Lauren Graham, which I thought was funny. She said, 111 00:05:31,440 --> 00:05:33,760 Speaker 1: I will jump at any chance to collaborate with Lauren 112 00:05:33,800 --> 00:05:37,359 Speaker 1: Graham on anything, be it a boozy Broad's lunch at 113 00:05:37,480 --> 00:05:40,440 Speaker 1: Joe Allen's or writing an actual book. The answer will 114 00:05:40,440 --> 00:05:44,080 Speaker 1: always be yes. I find myself Wanda pause. 115 00:05:44,200 --> 00:05:47,080 Speaker 3: What is Joe Allen's. What is Joe Allen's And when 116 00:05:47,120 --> 00:05:47,799 Speaker 3: do we go there? 117 00:05:48,000 --> 00:05:50,919 Speaker 1: It's in New York City, in Hell's Kitchen on forty 118 00:05:50,960 --> 00:05:53,680 Speaker 1: sixth Street. I literally just googled it with Emma. 119 00:05:53,760 --> 00:05:55,719 Speaker 4: Emma, can you add that to your list? When you 120 00:05:55,760 --> 00:05:58,880 Speaker 4: see chess? Could you go to Joe Allen's before or after? 121 00:05:59,240 --> 00:05:59,920 Speaker 5: Oh my god? 122 00:06:00,839 --> 00:06:03,760 Speaker 4: And we'll pay for the date. We'll pay for it. 123 00:06:03,920 --> 00:06:08,919 Speaker 3: So iHeart will treat you to an appetizer in a 124 00:06:08,960 --> 00:06:12,120 Speaker 3: beverage at Joe Allen's and chess and you can bring 125 00:06:12,160 --> 00:06:12,560 Speaker 3: a friend. 126 00:06:13,279 --> 00:06:13,599 Speaker 5: Wow. 127 00:06:13,720 --> 00:06:16,240 Speaker 1: So apparently her and Amy probably go there often. 128 00:06:16,400 --> 00:06:16,599 Speaker 4: Yeah. 129 00:06:16,600 --> 00:06:18,760 Speaker 3: Ideally we want you to bring your grandma or grandpa, 130 00:06:18,920 --> 00:06:20,840 Speaker 3: but you can bring your boyfriend. We're not gonna We're 131 00:06:20,880 --> 00:06:22,719 Speaker 3: not going to insist, but we feel that it would 132 00:06:22,760 --> 00:06:24,160 Speaker 3: be more fun if you brought your grandma. 133 00:06:24,360 --> 00:06:27,279 Speaker 1: And then this sentence was made me last. 134 00:06:27,320 --> 00:06:29,720 Speaker 3: Okay, wait, go back to right after Joe Allen because 135 00:06:29,720 --> 00:06:31,000 Speaker 3: I kind of got sidetracked. 136 00:06:31,080 --> 00:06:31,800 Speaker 4: Give it to me again. 137 00:06:32,120 --> 00:06:34,800 Speaker 1: Be it de Boozy Broad's lunch at Joe Allen's or 138 00:06:34,800 --> 00:06:38,080 Speaker 1: writing actual book. The answer will always be yes, got it. 139 00:06:38,480 --> 00:06:41,560 Speaker 1: I find myself wanting to be prematurely linked to her 140 00:06:41,640 --> 00:06:44,240 Speaker 1: side forever. Not sure if it's healthy for either of us, 141 00:06:44,320 --> 00:06:46,000 Speaker 1: but it's just the reality of the situation. 142 00:06:46,839 --> 00:06:47,480 Speaker 4: Great quote. 143 00:06:47,520 --> 00:06:50,400 Speaker 3: Okay, I usually find Chriss release quotes a waste of 144 00:06:50,400 --> 00:06:52,040 Speaker 3: my time, So now give me Laurence. 145 00:06:52,440 --> 00:06:54,880 Speaker 1: I'm thrilled to collaborate with Amy to bring readers all 146 00:06:54,880 --> 00:06:57,040 Speaker 1: of our stories of the special years we spent filming 147 00:06:57,040 --> 00:06:58,920 Speaker 1: Gilmagirls the first and the second time. 148 00:06:59,200 --> 00:07:01,880 Speaker 4: Okay, obviously, here's the thing. They're both writers. 149 00:07:02,240 --> 00:07:04,560 Speaker 3: We know this, but I'm going to have to hand 150 00:07:04,600 --> 00:07:07,839 Speaker 3: it to Amy Sherman Palladino on writing a better quote. 151 00:07:07,880 --> 00:07:09,880 Speaker 4: Sorry, but come on. 152 00:07:09,880 --> 00:07:12,480 Speaker 1: It's totally her because when I watched when I when 153 00:07:12,520 --> 00:07:14,920 Speaker 1: I've seen Amy Sherm Palladino speak, it was before I 154 00:07:14,960 --> 00:07:17,600 Speaker 1: knew Gilma girls, so I didn't know the cadence and 155 00:07:17,640 --> 00:07:20,600 Speaker 1: everything like that. But now when I watched Amy Shermn 156 00:07:20,600 --> 00:07:24,320 Speaker 1: Paladio speak and give her speech at Long Grand Star ceremony, 157 00:07:24,640 --> 00:07:27,560 Speaker 1: I was like, Oh, there's Laura Lai and this this 158 00:07:27,640 --> 00:07:28,640 Speaker 1: statement is very. 159 00:07:28,560 --> 00:07:41,160 Speaker 3: Totally totally Now, I don't want to make this about me, 160 00:07:41,280 --> 00:07:42,680 Speaker 3: but I have a question. I don't want to make 161 00:07:42,680 --> 00:07:44,800 Speaker 3: this about me, but I'm going to just for this thing. 162 00:07:45,160 --> 00:07:48,080 Speaker 3: People say my emails sound like my voice. You guys 163 00:07:48,440 --> 00:07:51,880 Speaker 3: agree that I write emails in like a really weird 164 00:07:51,920 --> 00:07:53,160 Speaker 3: way that sounds like I'm talking. 165 00:07:53,800 --> 00:07:56,960 Speaker 4: Oh yes, thank you, thank you so much, thank you, 166 00:07:57,120 --> 00:07:58,040 Speaker 4: Yes you do. 167 00:07:58,320 --> 00:08:01,800 Speaker 3: Do we have any more information? And I'm a little 168 00:08:01,920 --> 00:08:06,200 Speaker 3: bit wowza that I have to wait till twenty twenty seven. 169 00:08:06,520 --> 00:08:08,040 Speaker 5: I just have two comments. 170 00:08:08,320 --> 00:08:11,920 Speaker 6: Yes. One of my comments is I would really appreciate 171 00:08:12,120 --> 00:08:14,760 Speaker 6: the good, bad and the ugly because. 172 00:08:15,840 --> 00:08:17,480 Speaker 5: Everyone's job and. 173 00:08:17,480 --> 00:08:21,520 Speaker 6: Work is Differentulia, so like, don't yeah, don't make it 174 00:08:21,560 --> 00:08:25,040 Speaker 6: seem like set in relationships for like all perfect. I 175 00:08:25,040 --> 00:08:26,960 Speaker 6: would love to hear it, and I think that there's 176 00:08:27,000 --> 00:08:29,080 Speaker 6: a way to write it in a way that doesn't. 177 00:08:29,480 --> 00:08:31,960 Speaker 3: Well an, they need to go there about they got 178 00:08:31,960 --> 00:08:33,520 Speaker 3: we got to hear about season seven? 179 00:08:34,080 --> 00:08:36,720 Speaker 4: Yeah, you have to go there? Yeah, season seven. 180 00:08:37,440 --> 00:08:39,920 Speaker 3: Yes, I hope they're I hope they're listening because we're 181 00:08:39,920 --> 00:08:41,079 Speaker 3: giving some really. 182 00:08:40,800 --> 00:08:41,720 Speaker 4: Good notes right now. 183 00:08:42,000 --> 00:08:42,240 Speaker 6: Yeah. 184 00:08:42,360 --> 00:08:45,120 Speaker 4: I agree, given some solid, solid notes. 185 00:08:45,600 --> 00:08:47,280 Speaker 1: What's your second comment, Emma? 186 00:08:47,720 --> 00:08:50,640 Speaker 6: My second comment is just in terms of like them 187 00:08:50,679 --> 00:08:54,760 Speaker 6: collaborating again. I would love to know about Lorelei's high 188 00:08:54,760 --> 00:08:58,679 Speaker 6: school experience and Emily Gilmour raising her. 189 00:08:59,240 --> 00:09:01,719 Speaker 4: Oh you oh you're wanting a prequel? 190 00:09:01,800 --> 00:09:03,760 Speaker 5: Fiction? Yeah, fiction prequel? 191 00:09:04,360 --> 00:09:06,600 Speaker 4: Yeah, Okay, that's going to be a different book, Emma. 192 00:09:06,720 --> 00:09:09,840 Speaker 4: But I am not mad at it. Yeah, I'm not 193 00:09:09,920 --> 00:09:10,440 Speaker 4: mad at it. 194 00:09:10,800 --> 00:09:13,320 Speaker 1: There's an episode dedicated to that in Gilmogrel's we haven't 195 00:09:13,320 --> 00:09:14,800 Speaker 1: gotten there yet, so you'll see. 196 00:09:14,640 --> 00:09:16,440 Speaker 3: A bit of bit. Okay, Now, is anyone seeing a 197 00:09:16,600 --> 00:09:19,960 Speaker 3: t corresponding TV special with this book? I am for 198 00:09:20,000 --> 00:09:22,679 Speaker 3: some reason, I'm feeling like they're going to do a 199 00:09:22,720 --> 00:09:24,120 Speaker 3: bunch of interviews. 200 00:09:23,960 --> 00:09:25,360 Speaker 4: With cast because it's not going to just be the 201 00:09:25,400 --> 00:09:25,720 Speaker 4: two of them. 202 00:09:25,760 --> 00:09:28,080 Speaker 3: They're obviously going to talk to everybody, and they're going 203 00:09:28,160 --> 00:09:29,920 Speaker 3: to record those interviews, and it's going to turn into 204 00:09:29,960 --> 00:09:30,560 Speaker 3: a special. 205 00:09:30,840 --> 00:09:32,640 Speaker 1: I hope, so an approved special. 206 00:09:32,720 --> 00:09:33,880 Speaker 3: I don't want to speak out of school, but I 207 00:09:33,920 --> 00:09:35,720 Speaker 3: don't think I think some people are none too happy 208 00:09:35,720 --> 00:09:39,760 Speaker 3: about that other documentary ex I'm getting that feeling. 209 00:09:40,480 --> 00:09:44,200 Speaker 1: So Lauren Graham did take fans behind the scenes of 210 00:09:44,400 --> 00:09:46,679 Speaker 1: her twenty sixteen or more. It's noted here in the 211 00:09:46,720 --> 00:09:48,959 Speaker 1: People magazine article talking as fast as they can from 212 00:09:48,960 --> 00:09:53,040 Speaker 1: Gilmocrel's to Gilmocrel's. Suzanne and Tara have reviewed that book, 213 00:09:53,080 --> 00:09:56,560 Speaker 1: but they did. She did do some antidotes and talk 214 00:09:56,559 --> 00:10:00,000 Speaker 1: about that. Then that was released when the revival was released. 215 00:10:00,120 --> 00:10:02,240 Speaker 3: All right, so maybe that was some bits and bobs, 216 00:10:02,280 --> 00:10:04,080 Speaker 3: but we're gonna get We're gonna get a keeper die. 217 00:10:04,200 --> 00:10:06,880 Speaker 4: So all right, Well, here's what I'll say. This has 218 00:10:06,920 --> 00:10:09,280 Speaker 4: been a great special edition, really really good. 219 00:10:09,720 --> 00:10:13,600 Speaker 3: Yes, Like I don't want to say listen if you 220 00:10:13,640 --> 00:10:15,640 Speaker 3: want to, but listen if you want to, because this 221 00:10:15,679 --> 00:10:16,960 Speaker 3: is good stuff that's going on here. 222 00:10:17,840 --> 00:10:20,600 Speaker 4: We should do more breaking news. Go more breaking news. 223 00:10:20,720 --> 00:10:21,600 Speaker 5: We definitely should. 224 00:10:22,040 --> 00:10:24,000 Speaker 1: Well when they give us good nuggets like this, we 225 00:10:24,040 --> 00:10:25,080 Speaker 1: can't exactly. 226 00:10:25,160 --> 00:10:27,360 Speaker 3: We're going to bring it to you all as fast 227 00:10:27,360 --> 00:10:28,840 Speaker 3: as we as fast as. 228 00:10:28,720 --> 00:10:31,600 Speaker 1: We can, talking as fast as we can. Oh, my gosh, 229 00:10:31,600 --> 00:10:33,679 Speaker 1: can't you wat talking to the Lord em moly? And 230 00:10:33,760 --> 00:10:34,920 Speaker 1: al I can't? 231 00:10:35,280 --> 00:10:35,800 Speaker 3: My mom? 232 00:10:35,960 --> 00:10:37,920 Speaker 4: Okay, So I will end with this and we can 233 00:10:37,960 --> 00:10:38,679 Speaker 4: talk about this more. 234 00:10:38,720 --> 00:10:38,800 Speaker 2: So. 235 00:10:38,840 --> 00:10:41,960 Speaker 3: My mom's going to come on the eighteenth, and she 236 00:10:42,240 --> 00:10:44,960 Speaker 3: just watched her first ever episode of Wilmore Girls. 237 00:10:45,400 --> 00:10:48,880 Speaker 4: We started with the pilot. We started with the piloteh. 238 00:10:48,040 --> 00:10:50,720 Speaker 1: My god, and she loved it or what was her thought? 239 00:10:50,800 --> 00:10:53,400 Speaker 3: She really liked it. She doesn't typically watch shows. She's 240 00:10:53,440 --> 00:10:59,240 Speaker 3: more like an HGTV news sports type person. So this 241 00:10:59,320 --> 00:11:01,760 Speaker 3: is like meaning dramas or drama tis. 242 00:11:01,679 --> 00:11:04,040 Speaker 4: So, but she really liked it, really liked it. 243 00:11:04,040 --> 00:11:06,720 Speaker 3: I had explained a few things, and I'm excited for 244 00:11:06,720 --> 00:11:08,280 Speaker 3: her to see the next one where she can really 245 00:11:08,280 --> 00:11:10,320 Speaker 3: see the town because remember they shot a lot of 246 00:11:10,320 --> 00:11:12,880 Speaker 3: that first one in Canada, so she wasn't totally getting 247 00:11:12,880 --> 00:11:14,000 Speaker 3: where she's going to be going. 248 00:11:14,600 --> 00:11:17,880 Speaker 6: Yeah, I'm excited to see her. 249 00:11:17,920 --> 00:11:19,280 Speaker 4: She can't wait to see you guys. I know she 250 00:11:19,320 --> 00:11:20,240 Speaker 4: can't wait to see you guys. 251 00:11:20,320 --> 00:11:21,640 Speaker 1: I don't think i've ever met your mom. 252 00:11:22,000 --> 00:11:25,480 Speaker 4: What, Jackie, that's crazy. Emma has known her for a 253 00:11:25,520 --> 00:11:26,000 Speaker 4: long time. 254 00:11:26,080 --> 00:11:29,680 Speaker 3: But I'm excited for Emma to make sure her dad 255 00:11:29,720 --> 00:11:30,920 Speaker 3: does his homework assignment. 256 00:11:31,360 --> 00:11:33,480 Speaker 6: Yeah, he's also excited about it. And you know who 257 00:11:33,559 --> 00:11:35,960 Speaker 6: got jealous, your mom, Whitney Markin. 258 00:11:36,240 --> 00:11:39,160 Speaker 4: Yeah, yeah, no doubt. I had a feeling she might. 259 00:11:39,440 --> 00:11:40,880 Speaker 4: But tell her to sit tight. We'll give her a 260 00:11:40,880 --> 00:11:41,880 Speaker 4: different homework assignment. 261 00:11:42,200 --> 00:11:43,080 Speaker 5: Yeah. 262 00:11:43,160 --> 00:11:46,240 Speaker 4: There's a room for everybody. And that's the news. And 263 00:11:46,400 --> 00:11:47,040 Speaker 4: that's the news. 264 00:11:47,320 --> 00:11:56,960 Speaker 3: The news 265 00:12:16,280 --> 00:12:19,600 Speaker 2: Everybody, and don't forget Follow us on Instagram at I 266 00:12:19,840 --> 00:12:23,920 Speaker 2: Am all In podcast and email us at Gilmore at 267 00:12:24,080 --> 00:12:34,559 Speaker 2: iHeartRadio dot com.