WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>Welcome y'all to the Best Bits. This is just the Bits.

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<v Speaker 1>I did a special edition of the Best Bits this weekend.

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<v Speaker 1>It's just with me, you and me talking and catching

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<v Speaker 1>up on life. Basically like two friends, except I'm sitting

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<v Speaker 1>in my closet talking to myself. You know, it's kind

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<v Speaker 1>of weird. But if you want to check that out,

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<v Speaker 1>that's on part one. This is part two, and this

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<v Speaker 1>is just the Bits if you want to get caught

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<v Speaker 1>up on what happened on the show this week. Coming

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<v Speaker 1>in at number seven, we've got Bobby who shared his

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<v Speaker 1>top reasons he's annoyed right now, and he has five

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<v Speaker 1>of them. Okay, there's a lot going on in his life.

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<v Speaker 1>So if you're annoyed and you just need to hear

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<v Speaker 1>it from someone else that they're annoyed too, then this

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<v Speaker 1>segment is for you. Number seven. Let's go around the room.

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<v Speaker 1>Give me one word to describe how you're feeling today.

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<v Speaker 1>It could be an emotion. I just need a word, like,

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<v Speaker 1>what word am I associating with you today? Amy? Tired? Okay,

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<v Speaker 1>I think we all can relate to that. Oh yeah,

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<v Speaker 1>Amy's checking in is tired? Ding Eddie hurting? My head hurts.

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<v Speaker 1>I don't know why. Yes it is. It's water not

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<v Speaker 1>maybe maybe I need to drink water not coffee. Could

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<v Speaker 1>be it? Okay, Eddie's in it at hurt hurt, hurt, fault,

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<v Speaker 1>lunchbox chill. Yeah, you wake up in a decent mood.

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<v Speaker 1>Yeah you do. You're not grumpy. Not grumpy. I'm just

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<v Speaker 1>get in the shower. Cool, what up here we go? Chill?

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<v Speaker 1>He checks in his child right way? Checking in us today? Yeah,

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<v Speaker 1>get me tired. I'm about four hours behind on the

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<v Speaker 1>sleep tank. Okay, race checking it is tired, okay, and

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<v Speaker 1>I'm checking in? Is annoyed today? Really only to start

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<v Speaker 1>the show. And I made a list of things we

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<v Speaker 1>can play. What's your annoyance today? I generally am pretty good.

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<v Speaker 1>I'm good. I'm just a little annoyed. Number five of

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<v Speaker 1>the top five. Oh gosh, how serious is this gonna get? Yeah,

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<v Speaker 1>I'm not I'm annoyed. I'm not angry or upset. I'm annoyed.

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<v Speaker 1>But I got five things I'm annoyed. At number five,

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<v Speaker 1>I got a pair of pants on and the zipper

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<v Speaker 1>won't stay up. Oh and these are pants that are

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<v Speaker 1>nice pants. And he stopped looking. What, Eddie, that's not

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<v Speaker 1>a good joke. I'm sitting mind a table. Number five,

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<v Speaker 1>The zipper on my pants, well, every time I sit

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<v Speaker 1>or standing goes like halfway down, and these are nice pants.

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<v Speaker 1>And that's annoying. Number four. This morning, as I'm trying

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<v Speaker 1>to quietly tiptoe around my bedroom as my wife was asleep,

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<v Speaker 1>we have a new bench at the bottom of our bed,

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<v Speaker 1>different size than the other one. And I would understand.

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<v Speaker 1>And I do understand how because I worked with the

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<v Speaker 1>blind guy on one of my episodes in that Geo

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<v Speaker 1>and he was like, man, people move the furniture. I

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<v Speaker 1>run into it. It It hurts, wasn't the new size. I

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<v Speaker 1>hit my knees so hard at the very very edge

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<v Speaker 1>of it as it was like boom. And then she's

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<v Speaker 1>asleep and I'm like, I can't be loud and I

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<v Speaker 1>just can't. I gonna like that, And I'm like, oh,

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<v Speaker 1>annoyed at that? That isn't annoying to that. Number three. Ella,

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<v Speaker 1>our dog, one of our two dogs, got sick a

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<v Speaker 1>couple of weeks ago. Her stomach was hurting and she

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<v Speaker 1>would not eat the dry food that she always eats.

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<v Speaker 1>She's like, I'm not eating I'm not eating it. So

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<v Speaker 1>I put a little broth on there. My wife's I

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<v Speaker 1>do put a little little chicken broth on the food.

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<v Speaker 1>She ate. It tastes better to her. She got healthy,

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<v Speaker 1>she's healthy now. But now she want to eat her

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<v Speaker 1>food with that broth on her. Yeah, And so now

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<v Speaker 1>I gotta put broth on her food everywhere. That's spit everywhere.

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<v Speaker 1>I'm so irritated at this. I'm gonna put broths on

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<v Speaker 1>her food every morning, and she just looks at me. Well,

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<v Speaker 1>the other thing is Stanley got it and it's some

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<v Speaker 1>of her food, and now he wants broth too, because

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<v Speaker 1>he knows what the broth food is like. And then

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<v Speaker 1>I feel guilty, so putting broth in my dog's food.

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<v Speaker 1>Number three B. It's not that expensive, A good little

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<v Speaker 1>box of it, a little box of broth, a little

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<v Speaker 1>white cap off poll on there. It's just the fact

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<v Speaker 1>that I have to do it now. Number two B.

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<v Speaker 1>Cave from Florida, Georgia line annoyed the crap out of me.

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<v Speaker 1>Oh cool, here's what happened. I did the interview with Tyler,

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<v Speaker 1>and Tyler came on it was good that we're not

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<v Speaker 1>together anymore, but told his story becaus like, hey, I

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<v Speaker 1>want to come on, And we don't ever let people

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<v Speaker 1>just say I want to come on. But I was

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<v Speaker 1>like I talked to him and I never do that.

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<v Speaker 1>But it's like, here's why I want to come on,

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<v Speaker 1>and why I'm asking is that's want to tell my

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<v Speaker 1>story for different reasons. And I'm like, okay, cool, well

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<v Speaker 1>set it up. We only dedicate one out. We only

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<v Speaker 1>dedicate one time a week to do these because there's

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<v Speaker 1>such intense podcasts. They're an hour and he sitting there,

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<v Speaker 1>get to the prep up front, they come to my house,

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<v Speaker 1>there's a whole calendar's gotta be lah la la less

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<v Speaker 1>than twenty four hours. Like, hey, I don't want to

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<v Speaker 1>do it anymore. White Till New music. But it's like

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<v Speaker 1>it is what it is. I'm annoyed. Yeah. Number one,

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<v Speaker 1>my rib injury. I don't know how I did it.

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<v Speaker 1>Most injuries I know, I'm like, did that doing sprints?

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<v Speaker 1>Did that? Doing dead left? You do work out hard

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<v Speaker 1>for I don't know I got the rib injury. I'm

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<v Speaker 1>just saying and now breathe like it pokes me? Is

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<v Speaker 1>it broken? Na I've had a broken rib. It's been

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<v Speaker 1>a long time, but it ain't broken boxer. Yeah, I

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<v Speaker 1>assure you it ain't broken. Yeah, it just it's like

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<v Speaker 1>and there's nothing you can really do for a ribbing.

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<v Speaker 1>You can do this a lot and annoy your wife.

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<v Speaker 1>So that's why I come to you today. I'm in

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<v Speaker 1>a good mood. I'm just annoyed by all that, with

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<v Speaker 1>all those things. You're fine is this morning? Yeah, I'm okay, cool,

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<v Speaker 1>I'm good. I'm healthy. Yeah, feel good. No, you just

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<v Speaker 1>said you're rip'roke. But I'm healthy healthy, Maybe I'll be healthy.

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<v Speaker 1>I'm healthy, healthy, I'm rocking. I do you guys want

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<v Speaker 1>to play? Yeah? What do you? Oh? You do? Go

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<v Speaker 1>ahead for sure. I've told my kids one hundred times

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<v Speaker 1>don't leave stuff on my car because it's parking the

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<v Speaker 1>garage and they think it's a shelf or something. Well,

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<v Speaker 1>this morning, this happened this morning. As I'm leaving my house,

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<v Speaker 1>I'm going down the road out of my neighborhood. I

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<v Speaker 1>take a left out of my neighborhood and I hear

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<v Speaker 1>who no, And I look in my rear view mirror.

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<v Speaker 1>They had a bucket of sidewalk chalk or whatever, boom

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<v Speaker 1>all over the street because they left it on your car.

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<v Speaker 1>Because they left it on my car, I had to

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<v Speaker 1>text my wife. I'm not stopping to pick that up,

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<v Speaker 1>but if you see that on the street, can you

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<v Speaker 1>please pick that up? So annoying, so annoying. Okay, Amy,

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<v Speaker 1>I'm annoyed with my daughter Sashira because my name, no,

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<v Speaker 1>this is very specific. She is now in driver's ed

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<v Speaker 1>and when she rides with me, she just calls out

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<v Speaker 1>all my oh that would be so annoying. Yeah, what

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<v Speaker 1>do you sure your mistakes? Oh right, never stop talking, Mom,

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<v Speaker 1>you're speeding out. I do a stop signing and that

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<v Speaker 1>thing's sitting there and you're driving toward it. Off like that. Mom,

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<v Speaker 1>I don't think you stopped fully at the stop sign

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<v Speaker 1>or if the light is yellow and I go through,

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<v Speaker 1>I'm like proud of her. She's like that light turned

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<v Speaker 1>red and she I'm just getting called out. Why are

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<v Speaker 1>you saying all this stuff now? Calling yourself out? She's like, Mom,

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<v Speaker 1>that kid's in a in a stroller and you're racing

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<v Speaker 1>toward it. Momo, just hit something. Mom. They're asking to

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<v Speaker 1>call nine one one. Um, okay, I'm just reading for

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<v Speaker 1>a driver's said to be over so we can calm down. Right, Yeah,

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<v Speaker 1>this little dial right here, it's sticks. You wouldn't be

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<v Speaker 1>able to tell because I'm that good at my job.

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<v Speaker 1>But it's been sticking for about a month, and engineering

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<v Speaker 1>says it's impossible to fix just one dial. They would

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<v Speaker 1>have to rip the butt out of the entire board,

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<v Speaker 1>and for that, I'm annoyed. So the play to do

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<v Speaker 1>it again for audience. This is how it's supposed to be,

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<v Speaker 1>but it's sticks, so it's like it's not smooth. It

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<v Speaker 1>turns it up. Yeah, yeah, okay, finally I'm annoyed at

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<v Speaker 1>my bike. I don't know. There's a clicking noise when

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<v Speaker 1>I'm hitting the break cook and I don't know what

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<v Speaker 1>it is. If it's the tires rubbing, it gets something.

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<v Speaker 1>But all of a sudden, this new bike, I mean

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<v Speaker 1>it's already got a click. He's just got its service,

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<v Speaker 1>didn't you. I know, I got it, man. It could

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<v Speaker 1>be everything on me hurts. I mean, hopefully it's not

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<v Speaker 1>my knee, but I think it's something on the bike.

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<v Speaker 1>I don't know if the wheel's bent, but yeah, clicking

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<v Speaker 1>on the bike not good. Well that's how we starting.

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<v Speaker 1>That's how we're starting. We're all annoyed. Now I've made

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<v Speaker 1>you all annoyed. It's the best bits of the week

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<v Speaker 1>with Morgan number two. We had it. Dylan Scott on

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<v Speaker 1>the show this week, which is at number six. He

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<v Speaker 1>was super awesome to hear talk about his new album.

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<v Speaker 1>He shared how he keeps his goals front of mine.

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<v Speaker 1>He also performed some of his brand new songs. So

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<v Speaker 1>if you want to hear the interview, that's what's about

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<v Speaker 1>to play right now. If you want to watch that performance,

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<v Speaker 1>check it out Bobby Bones dot com. It's really good.

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<v Speaker 1>Dylan is a great performer. It's just him and a

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<v Speaker 1>guitar and some brand new songs, and we love hearing

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<v Speaker 1>a new song. Number six. Dylan Scott's got two number

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<v Speaker 1>one songs. Probably know this one. It's called My Girl, Yeah,

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<v Speaker 1>that's his other one's called Nobody Girl No. Yeah. He

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<v Speaker 1>was the CMT Music Or Winner for Breakthrough Video of

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<v Speaker 1>the Year for that song right there. He's got over

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<v Speaker 1>a billion streams and he has big muscles. All right,

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<v Speaker 1>Here we go, well he does look at him all right.

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<v Speaker 1>Here we go with Dylan Scott on the Bobby Bones Show.

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<v Speaker 1>Now Dylan Scott, Dylan, I want to ask you a

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<v Speaker 1>personal question. If that's okay, you good with that, I'm

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<v Speaker 1>good with it. Wide open, rip cage open, it's open.

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<v Speaker 1>I was noticing on your phone you have something written

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<v Speaker 1>on your your home screen. Yeah, what what is that? Man?

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<v Speaker 1>It's just like us. It's it's things I want in life?

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<v Speaker 1>You know, headline arenas, Yes, arena right, Well do you

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<v Speaker 1>know what this basically little arena we're in? Right? Yeah, sure,

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<v Speaker 1>this is the arena. I love it. I wrote and

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<v Speaker 1>my my second book, Fail Until You Don't, I wrote

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<v Speaker 1>that I do that a lot. I keep it on

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<v Speaker 1>a lock screen because what do you look at more

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<v Speaker 1>your phone then your lock screen on your phone? And

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<v Speaker 1>I was at home and I didn't even know you

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<v Speaker 1>did that. I was at home a few weeks ago. No,

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<v Speaker 1>you write the book to say that. Yeah, we'll write

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<v Speaker 1>the book. Yeah, of course, yeah, I'm gonna read the book.

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<v Speaker 1>I just get I gotta give me one first though. Um.

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<v Speaker 1>I was at home late a few weeks ago, late

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<v Speaker 1>at night, and my family was asleep, and I was

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<v Speaker 1>just sitting there thinking that same thing. I was like, Man,

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<v Speaker 1>I'm always whether I know I'm gonna do it or not.

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<v Speaker 1>You catch yourself opening your phone for no reason. I

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<v Speaker 1>was like, you know what, I'm gonna put what I

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<v Speaker 1>want right here. So every time I open it, it's there.

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<v Speaker 1>I love. I used to at the fridge and now

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<v Speaker 1>I do it my phone. I just go get bored

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<v Speaker 1>and open open the fridge and and be like, well,

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<v Speaker 1>I don't know why I'm here, not even hungry, just bored.

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<v Speaker 1>Now that's where I spend my time on the Phone's

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<v Speaker 1>I like that, and I hope our listeners. You know,

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<v Speaker 1>it doesn't have to be a crazy uh. It doesn't

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<v Speaker 1>have to beat some goal like playing Arenas that's a

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<v Speaker 1>massive Oh, I think you'll get there. You're killing it.

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<v Speaker 1>I think that's all. But it can be. Yeah, And

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<v Speaker 1>it's it's being more attentive as a dad. Yeah, And

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<v Speaker 1>I've got stuff like that. Is you know, put my

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<v Speaker 1>phone down, spend more time with my kids. So you

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<v Speaker 1>pick up your phone, put your phone down, put it

0:09:55.880 --> 0:09:59.640
<v Speaker 1>back down. I'm pick it up and spend more time

0:09:59.640 --> 0:10:01.360
<v Speaker 1>when you like, get off your phone's been telling your

0:10:01.440 --> 0:10:04.360
<v Speaker 1>kids and there it is. So I love like all seriousness.

0:10:04.520 --> 0:10:06.680
<v Speaker 1>I love it because I subscribe to that method. Two

0:10:06.960 --> 0:10:09.679
<v Speaker 1>that's super cool man. Yeah, man, would you, because you're

0:10:09.720 --> 0:10:11.640
<v Speaker 1>so good when you perform in the studio, would you

0:10:11.679 --> 0:10:14.720
<v Speaker 1>give us like a verse and a chorus of New Truck,

0:10:14.760 --> 0:10:18.240
<v Speaker 1>your current single. Yeah, here regret If you're looking, you're

0:10:18.400 --> 0:10:22.760
<v Speaker 1>in alone. I need a new true. That's good, good,

0:10:22.800 --> 0:10:26.360
<v Speaker 1>it's good bye. So that's Dylan Scott. And by the way,

0:10:26.360 --> 0:10:28.560
<v Speaker 1>that is not recording the studio. That is live right there,

0:10:28.640 --> 0:10:32.880
<v Speaker 1>no special effects. Yeah, he's sound great, man, you especially

0:10:32.920 --> 0:10:35.240
<v Speaker 1>for early in the morning. His new album is out.

0:10:35.400 --> 0:10:37.480
<v Speaker 1>It's out this week. Pretty pumped. I mean it's always

0:10:37.480 --> 0:10:39.679
<v Speaker 1>a big deal, like having a baby. Dude, I'm so excited.

0:10:39.679 --> 0:10:41.120
<v Speaker 1>This is my second album. I've been in this town

0:10:41.160 --> 0:10:43.040
<v Speaker 1>ten years. It was four years ago, or at least

0:10:43.040 --> 0:10:45.600
<v Speaker 1>my first album, so it's been four years since my

0:10:45.679 --> 0:10:49.560
<v Speaker 1>last album, my last body of work. And I'm just pumped. Man.

0:10:49.800 --> 0:10:52.080
<v Speaker 1>I feel really good about it. So New Truck is

0:10:52.080 --> 0:10:55.560
<v Speaker 1>the very first track on the record. The second track

0:10:55.640 --> 0:10:57.880
<v Speaker 1>is Amen to that. Now we've got two options here, yep,

0:10:58.080 --> 0:11:00.400
<v Speaker 1>do you know that? One? I can play a little

0:11:00.400 --> 0:11:02.600
<v Speaker 1>bit of it because I can play a clip of it,

0:11:03.160 --> 0:11:04.959
<v Speaker 1>or you can give us down a dirty Dylan. I

0:11:06.240 --> 0:11:08.640
<v Speaker 1>don't know. I don't know what that means. Don't you'll play?

0:11:08.640 --> 0:11:10.080
<v Speaker 1>You gonna play a little bit of it? Yeah, there's

0:11:10.120 --> 0:11:17.040
<v Speaker 1>some of it. Amen to that. Go ahead, mean that

0:11:18.360 --> 0:11:22.640
<v Speaker 1>what I'm talking about. Dang Morgan Walla one of the

0:11:22.640 --> 0:11:25.240
<v Speaker 1>writers on that song. Yeah, pretty cool. How'd you get

0:11:25.280 --> 0:11:27.080
<v Speaker 1>that song? I don't know how I got that song?

0:11:27.160 --> 0:11:30.000
<v Speaker 1>Man Morgan should have recorded that song. Um. It was

0:11:30.040 --> 0:11:31.760
<v Speaker 1>just sent to me in a body of work and

0:11:32.280 --> 0:11:33.960
<v Speaker 1>I fell in love with it the moment I heard it.

0:11:34.000 --> 0:11:35.560
<v Speaker 1>And this is one of those songs I've had for

0:11:35.880 --> 0:11:38.320
<v Speaker 1>probably three years now. That's just the first two trick.

0:11:38.440 --> 0:11:40.680
<v Speaker 1>If you think that that's only two tracks, the first two,

0:11:40.880 --> 0:11:43.599
<v Speaker 1>that's how good the record is. The entire record. I

0:11:43.600 --> 0:11:45.000
<v Speaker 1>hope you guys check it out. It's called Living My

0:11:45.040 --> 0:11:48.040
<v Speaker 1>Best Life. It came out on Friday. Um So radio

0:11:48.040 --> 0:11:49.920
<v Speaker 1>station used to do this really lame thing where they

0:11:49.920 --> 0:11:53.280
<v Speaker 1>would have an artist and they'd go, um, they say, okay,

0:11:53.280 --> 0:11:55.520
<v Speaker 1>if you're gonna record it, we want you to address

0:11:55.679 --> 0:11:59.360
<v Speaker 1>us specifically in the song, and and so like Zach

0:11:59.440 --> 0:12:01.160
<v Speaker 1>Brown Band had to do it once way when they

0:12:01.240 --> 0:12:03.080
<v Speaker 1>started and be like, I don't remember what it was,

0:12:03.160 --> 0:12:07.400
<v Speaker 1>but like chicken fried here into sclusive but they would hurt. Yeah,

0:12:07.480 --> 0:12:09.280
<v Speaker 1>there would be like Pete Pablo was like all radio

0:12:09.320 --> 0:12:11.400
<v Speaker 1>stations everywhere at w and they have them insert that

0:12:11.520 --> 0:12:14.079
<v Speaker 1>radio station and they'd set in a studio. And I

0:12:14.080 --> 0:12:17.120
<v Speaker 1>always hated that they made artists personalized things for they

0:12:17.120 --> 0:12:19.160
<v Speaker 1>made artists. Yeah, do that. So anyway, would you do

0:12:19.240 --> 0:12:22.360
<v Speaker 1>razorback hat instead of rapt Yeah, just for the first

0:12:22.360 --> 0:12:25.320
<v Speaker 1>part of that? Yeah, personalized me. Yeah, here we go.

0:12:26.920 --> 0:12:28.960
<v Speaker 1>I forget what part it was Rocky Top hat. The

0:12:29.000 --> 0:12:30.839
<v Speaker 1>line that amen to that the first part. Just don't

0:12:30.880 --> 0:12:32.719
<v Speaker 1>say Rocky top you just say razorback when it comes out.

0:12:32.720 --> 0:12:38.800
<v Speaker 1>But good rabag. I can't do that though. Man, I'm

0:12:38.840 --> 0:12:43.400
<v Speaker 1>an lsu Fann, but you're not a Tennessee fan and

0:12:43.440 --> 0:12:46.520
<v Speaker 1>you set a Rocky Top hat. So I didn't want

0:12:46.559 --> 0:12:49.000
<v Speaker 1>to point, like you said, I didn't really want to

0:12:49.000 --> 0:12:51.160
<v Speaker 1>personalize it to myself for that, you know, it was

0:12:51.240 --> 0:12:52.760
<v Speaker 1>It's good and Rocky Top one was the last time

0:12:52.760 --> 0:12:55.319
<v Speaker 1>you heard Rocky Top hat. I mean a lot of

0:12:55.360 --> 0:12:58.839
<v Speaker 1>live in Tennessee everywhere. But all I'm saying is a

0:12:58.920 --> 0:13:00.960
<v Speaker 1>razorback hat would have been nice. But okay, we'll play

0:13:00.960 --> 0:13:03.400
<v Speaker 1>the song lest okay send it to you now. I'll

0:13:03.440 --> 0:13:05.200
<v Speaker 1>do a voicemail and send it to you tonight. Don't

0:13:05.200 --> 0:13:08.079
<v Speaker 1>even do it. Dylan Scott is here. Do you want

0:13:08.080 --> 0:13:10.560
<v Speaker 1>to pick another new song that you're loving? To play

0:13:10.559 --> 0:13:12.240
<v Speaker 1>a little clip of that right here on the guitar. Yeah,

0:13:12.280 --> 0:13:13.720
<v Speaker 1>we can do that. Do you what you want to do? Yeah,

0:13:13.760 --> 0:13:15.679
<v Speaker 1>let's do it, all right, Dylan Scott, don give us

0:13:15.679 --> 0:13:18.120
<v Speaker 1>one more? Which song? Give us a new song here?

0:13:18.120 --> 0:13:21.440
<v Speaker 1>Tell us about it before you play. Um, why don't

0:13:21.440 --> 0:13:24.560
<v Speaker 1>we do? Uh? I got one? Oh? Yeah one? This

0:13:24.640 --> 0:13:28.400
<v Speaker 1>is probably one of my favorite songs off this album. Um,

0:13:28.600 --> 0:13:30.440
<v Speaker 1>one of them. It's hard to pick, I know, but

0:13:31.120 --> 0:13:33.520
<v Speaker 1>this song here, another one I did not write. There's

0:13:33.520 --> 0:13:35.400
<v Speaker 1>too many great songs in this town. What's it called?

0:13:35.440 --> 0:13:39.840
<v Speaker 1>It's called tough Okay, it's called tough Man, and it's

0:13:39.840 --> 0:13:45.079
<v Speaker 1>about a dad talking. It's a little my favorite, well,

0:13:45.240 --> 0:13:46.760
<v Speaker 1>my favorite. This is one of them story songs you

0:13:46.760 --> 0:13:48.839
<v Speaker 1>gotta listen to. I'll do a verse of chorus for

0:13:49.000 --> 0:13:51.360
<v Speaker 1>that's what you want. But if you listen to this album,

0:13:51.400 --> 0:13:53.240
<v Speaker 1>you gotta listen to it all the way. You're telling

0:13:53.240 --> 0:13:54.760
<v Speaker 1>me that if we listen to the album, we'll hear

0:13:54.800 --> 0:13:59.280
<v Speaker 1>the entire tough song, right, all right? Let's go on

0:13:59.720 --> 0:14:03.079
<v Speaker 1>good love being too. That's a good to a man.

0:14:03.800 --> 0:14:05.840
<v Speaker 1>I like to play out your truck line. I love

0:14:05.920 --> 0:14:07.640
<v Speaker 1>that line. That's like and that's a good song. But

0:14:07.679 --> 0:14:09.320
<v Speaker 1>the whole time I was like, that's yeah, that's like

0:14:09.360 --> 0:14:11.880
<v Speaker 1>relatable and true and yeah. So second verse goes, don't

0:14:11.960 --> 0:14:14.640
<v Speaker 1>talk about you know, don't spoiler spoiler alert, listen to

0:14:14.720 --> 0:14:18.960
<v Speaker 1>the album. That's the goal here, Dylan Scott's here. I

0:14:18.960 --> 0:14:21.880
<v Speaker 1>mean I can. I can feel our listeners going, Oh,

0:14:21.920 --> 0:14:24.320
<v Speaker 1>I really like this guy. This is good. I do

0:14:24.320 --> 0:14:26.000
<v Speaker 1>want to talk about your wife. And I feel like,

0:14:26.360 --> 0:14:29.120
<v Speaker 1>you know, sometimes Dylan, you have friends and you don't

0:14:29.120 --> 0:14:30.960
<v Speaker 1>only talk to them human form a whole lot, but

0:14:31.000 --> 0:14:32.560
<v Speaker 1>you keep up with them on social media. So even

0:14:32.560 --> 0:14:34.120
<v Speaker 1>when you do talk, you don't feel like a lot

0:14:34.120 --> 0:14:36.560
<v Speaker 1>of times past you ever do that. Yeah, I mean

0:14:36.600 --> 0:14:38.080
<v Speaker 1>I do all the time my friends, but I almost

0:14:38.080 --> 0:14:39.480
<v Speaker 1>feel like that with you a little bit in that

0:14:39.800 --> 0:14:42.400
<v Speaker 1>I watched on social media and I think could be wrong.

0:14:42.480 --> 0:14:44.600
<v Speaker 1>Here the song you played a second ago, the second

0:14:44.600 --> 0:14:48.240
<v Speaker 1>song that you played, which is try to Hell. I

0:14:48.280 --> 0:14:50.520
<v Speaker 1>think I saw you play that on Instagram. Sure, I'm live,

0:14:50.560 --> 0:14:52.920
<v Speaker 1>did I Yeah? So that's how that song is familiar

0:14:52.920 --> 0:14:54.360
<v Speaker 1>to me because I'm obsessed with you. There it is,

0:14:54.400 --> 0:14:57.160
<v Speaker 1>I said it so. But I was watching a clip

0:14:57.160 --> 0:14:59.480
<v Speaker 1>of your wife rap and I think it was on

0:14:59.520 --> 0:15:02.480
<v Speaker 1>the part of a Lincoln it's a Lincoln Park. Yeah,

0:15:02.480 --> 0:15:06.720
<v Speaker 1>I think it was Lincoln Park. She's uh, she is, um,

0:15:06.800 --> 0:15:09.960
<v Speaker 1>she's she's very shy, but I get her. I get

0:15:10.000 --> 0:15:11.760
<v Speaker 1>her on the phone and I video or without her

0:15:11.800 --> 0:15:12.960
<v Speaker 1>knowing it, and I put it out there for the

0:15:12.960 --> 0:15:15.400
<v Speaker 1>world to see. But she's cool with that. She well

0:15:15.840 --> 0:15:20.600
<v Speaker 1>she is, but she ain't. She's awesome. Yeah, she is. Man,

0:15:20.720 --> 0:15:24.080
<v Speaker 1>she's so cool. So you know you your dad, you're

0:15:24.160 --> 0:15:27.560
<v Speaker 1>an artist. You tore alized, like I'm assuming that she's

0:15:27.640 --> 0:15:29.880
<v Speaker 1>kind of the rock and the family because she's got

0:15:29.880 --> 0:15:31.960
<v Speaker 1>to do it all, especially when you're not home. Yeah,

0:15:31.960 --> 0:15:33.880
<v Speaker 1>she's the rock star for sure. She stay at home

0:15:33.920 --> 0:15:36.320
<v Speaker 1>mom and um, you know it's crazy. So I've been

0:15:36.360 --> 0:15:38.320
<v Speaker 1>with my wife's I was fifteen years old a long time.

0:15:38.480 --> 0:15:40.920
<v Speaker 1>Seventh grade right, Yeah, well we met in seventh grade,

0:15:40.960 --> 0:15:44.240
<v Speaker 1>started dating like first high school. But she's known like

0:15:44.680 --> 0:15:46.920
<v Speaker 1>my dreams and my goals this whole time. And so

0:15:47.160 --> 0:15:49.160
<v Speaker 1>I mean, dude, it don't matter if I come home

0:15:49.160 --> 0:15:50.760
<v Speaker 1>for a day and I'm like spur of the moment. Oh,

0:15:50.800 --> 0:15:52.280
<v Speaker 1>I gotta get back out and go again. Like she

0:15:52.520 --> 0:15:54.400
<v Speaker 1>never gives me a hard time, never gives me a

0:15:54.400 --> 0:15:56.840
<v Speaker 1>hard time about she's so tired, like the kids are

0:15:56.880 --> 0:15:59.400
<v Speaker 1>wearing me. Never gives me a hard time, And like

0:15:59.520 --> 0:16:02.960
<v Speaker 1>I back that. I mean, she's she's awesome. What is

0:16:03.000 --> 0:16:06.480
<v Speaker 1>there to do in Bashup Louisiana. Nothing, it's nothing to do, okay,

0:16:06.480 --> 0:16:08.680
<v Speaker 1>But if you were to, you're gonna go to If

0:16:08.680 --> 0:16:10.640
<v Speaker 1>you're gonna go to bash Up Louisiana, the town that

0:16:10.680 --> 0:16:14.880
<v Speaker 1>I grew up, what is there? There's I mean there's nothing.

0:16:14.960 --> 0:16:16.600
<v Speaker 1>Used to be a meal, but I mean there's there's

0:16:16.640 --> 0:16:18.840
<v Speaker 1>a really cool courthouse square that I think you should

0:16:18.840 --> 0:16:21.000
<v Speaker 1>get there early and eat the breakfast at this place

0:16:21.000 --> 0:16:23.480
<v Speaker 1>called Pet's. Eat a bite. Now we're talking. If you

0:16:23.520 --> 0:16:26.240
<v Speaker 1>get there at lunch, go to Sladen's Barbecue. Other than that,

0:16:26.480 --> 0:16:29.000
<v Speaker 1>just have two restaurants. Well yeah, a little more than that,

0:16:29.000 --> 0:16:34.160
<v Speaker 1>but that's the only two I recommend. But otherwise you

0:16:34.240 --> 0:16:36.080
<v Speaker 1>just pass on through and just keep on going. So

0:16:36.520 --> 0:16:40.000
<v Speaker 1>it's uh, Basha Louisiana. What's the population there? It used

0:16:40.040 --> 0:16:42.960
<v Speaker 1>to be like twelve thousand. I bet it's probably six

0:16:43.080 --> 0:16:45.560
<v Speaker 1>Now ever, go back, I do. Yeah, yeah, I actually

0:16:45.560 --> 0:16:48.600
<v Speaker 1>built a house there. Um, we finished it a couple

0:16:48.640 --> 0:16:51.000
<v Speaker 1>of years ago, and then you know, we sold it

0:16:51.080 --> 0:16:53.680
<v Speaker 1>a probably two months ago. Now, my mom died back

0:16:53.720 --> 0:16:56.480
<v Speaker 1>in December, and I was like, babe, you know, my

0:16:56.640 --> 0:16:58.640
<v Speaker 1>dad's gonna move away. Like we don't really need them.

0:16:58.720 --> 0:17:00.480
<v Speaker 1>You know, we'll go back for Christmas in this sista,

0:17:00.560 --> 0:17:02.160
<v Speaker 1>but we don't need a house there. We don't need

0:17:02.200 --> 0:17:03.920
<v Speaker 1>to be there because we're here and if I'm not here,

0:17:03.960 --> 0:17:07.760
<v Speaker 1>I'm touring. So uh yeah, we sold it Bashel, Louisiana.

0:17:07.760 --> 0:17:10.920
<v Speaker 1>Where's it in the state, Like northeast Louisiana. You got

0:17:10.920 --> 0:17:13.520
<v Speaker 1>boats there, like gambling boats anywhere near? What kind of boats?

0:17:13.640 --> 0:17:17.080
<v Speaker 1>Gambling boats? Gambling? But well, Vicksburg, Mississippi's not too far.

0:17:17.440 --> 0:17:19.840
<v Speaker 1>Tim McGraw grew up about thirty minutes from there. That's

0:17:19.840 --> 0:17:21.440
<v Speaker 1>a cool clear heard there was a clip of you

0:17:21.480 --> 0:17:24.040
<v Speaker 1>saying you'd never met him. Never met Tim? Yeah, I

0:17:24.080 --> 0:17:28.600
<v Speaker 1>know where he lives. Would you like me this? Yeah? Crazy?

0:17:28.680 --> 0:17:30.840
<v Speaker 1>Like I grew up in a town that's thirty minutes

0:17:30.840 --> 0:17:33.959
<v Speaker 1>from Tim. We grew up probably about the same way.

0:17:34.160 --> 0:17:35.560
<v Speaker 1>And I mean he's a little bit older than I

0:17:35.600 --> 0:17:37.800
<v Speaker 1>am obviously, but never met him man, And he's like

0:17:37.840 --> 0:17:41.240
<v Speaker 1>a huge, huge hero of mind. Surprising that you'd never

0:17:41.240 --> 0:17:43.800
<v Speaker 1>met him yet, especially with the success that you've had.

0:17:43.880 --> 0:17:45.840
<v Speaker 1>And I'm sure your cross pats is Yeah, it don't

0:17:45.840 --> 0:17:47.200
<v Speaker 1>happen now it's supposed to. But I give you a

0:17:47.320 --> 0:17:49.600
<v Speaker 1>just pass passed along his story. Josh Turner went up

0:17:49.760 --> 0:17:51.920
<v Speaker 1>big Johnny Cash fan went knocked on his door. Johny

0:17:51.920 --> 0:17:54.480
<v Speaker 1>Cash let him in. So I'm just staying mcgral you

0:17:54.560 --> 0:17:56.200
<v Speaker 1>know Cash, you know I'm saying good going on our door.

0:17:56.560 --> 0:17:57.840
<v Speaker 1>I got half of me and I was saying he

0:17:57.920 --> 0:18:00.360
<v Speaker 1>may be there. Dylan Sky is here. I'm to play

0:18:00.400 --> 0:18:03.399
<v Speaker 1>a clip of the title track. So the song is

0:18:03.400 --> 0:18:06.560
<v Speaker 1>called living My Best Life. Enjoy this song and welcome

0:18:06.640 --> 0:18:14.719
<v Speaker 1>right back here. You got so you co wrote eight

0:18:14.720 --> 0:18:16.359
<v Speaker 1>of the sixteen songs. But I want to just mention

0:18:16.359 --> 0:18:20.400
<v Speaker 1>the writers of that B K. Tyler Hubbard, both in Florida, Georgia, Line,

0:18:20.520 --> 0:18:23.639
<v Speaker 1>Thomas Rhett and Corey Crowder. And so it's a pretty

0:18:23.640 --> 0:18:26.600
<v Speaker 1>cool song. They say, hey, take this one. Yeah, that's one.

0:18:26.720 --> 0:18:29.119
<v Speaker 1>So Tyler, he'll send me songs here and there, you know,

0:18:29.200 --> 0:18:31.399
<v Speaker 1>and that's one of them songs. When I heard it.

0:18:31.400 --> 0:18:34.080
<v Speaker 1>I was like, man, I'm one, I'm living my best

0:18:34.119 --> 0:18:36.680
<v Speaker 1>life right now, you know, with having a little success

0:18:36.800 --> 0:18:39.359
<v Speaker 1>and the family and just torn the country. So I

0:18:39.400 --> 0:18:41.440
<v Speaker 1>mean that really spoke to me. And it was just fun. Man.

0:18:42.040 --> 0:18:43.920
<v Speaker 1>You know I have a pretty high energy live show.

0:18:43.920 --> 0:18:45.480
<v Speaker 1>It's like, man, that's a great song, so we have

0:18:45.560 --> 0:18:47.560
<v Speaker 1>to we have to cut it. Would you play before

0:18:47.560 --> 0:18:50.560
<v Speaker 1>you live? Just a verse and a chorus of your

0:18:50.600 --> 0:18:54.920
<v Speaker 1>hit my girl here he is everybody, Dylan Scott. Yeah,

0:18:55.000 --> 0:19:02.679
<v Speaker 1>that's my girl. Dylan Scott a nice shop. I can

0:19:02.720 --> 0:19:05.040
<v Speaker 1>say any things. His album Live in My Best Life

0:19:05.080 --> 0:19:08.119
<v Speaker 1>it is out now. Added to find some songs you

0:19:08.200 --> 0:19:10.320
<v Speaker 1>like and just add it to your normal streaming because

0:19:10.359 --> 0:19:13.119
<v Speaker 1>every time you play one of his songs, three cents

0:19:13.200 --> 0:19:16.280
<v Speaker 1>and one step closer to headline and arenas Yeah see

0:19:16.280 --> 0:19:19.359
<v Speaker 1>there we go. So do that. But go see Dylan

0:19:19.440 --> 0:19:21.240
<v Speaker 1>as well, because a lot of the places our show

0:19:21.320 --> 0:19:27.320
<v Speaker 1>is Springfield, Okay, see Pittsburgh, Indie, Milwaukee, Sioux Falls, Oxford, Mississippi.

0:19:27.320 --> 0:19:29.120
<v Speaker 1>Little Rock he's doing it. You can go to Dylan

0:19:29.200 --> 0:19:31.520
<v Speaker 1>Scott country dot com go watch the show. Like you

0:19:31.560 --> 0:19:32.760
<v Speaker 1>really want to help an artist? Now, you want to

0:19:32.760 --> 0:19:35.280
<v Speaker 1>support an artist? Follow him on social media at Dylan

0:19:35.320 --> 0:19:38.200
<v Speaker 1>Scott Country, go to a show by merch stream their music.

0:19:39.000 --> 0:19:40.400
<v Speaker 1>You could be a lot of our listeners new favorite

0:19:40.440 --> 0:19:42.440
<v Speaker 1>artists after today you had a plus appearance. I don't

0:19:42.440 --> 0:19:45.040
<v Speaker 1>say that everybody. Yeah, I say that everybody. Just before

0:19:45.119 --> 0:19:46.480
<v Speaker 1>we came on the air, Dylan's like, I'll do whatever

0:19:46.480 --> 0:19:48.280
<v Speaker 1>you want, and I was like, well, let's just see

0:19:48.320 --> 0:19:50.399
<v Speaker 1>what happens. And we saw what happened. He nailed it.

0:19:50.400 --> 0:19:53.520
<v Speaker 1>He nailed it. Come on, Dylan, thank you buddy. You

0:19:53.520 --> 0:19:55.359
<v Speaker 1>guys go see Dylan. Check out the album it is

0:19:55.359 --> 0:19:57.840
<v Speaker 1>out now, came out this week, and follow him Dylan

0:19:57.960 --> 0:20:01.600
<v Speaker 1>Scott Country and there he is, Dylan Scott. It's the

0:20:01.640 --> 0:20:07.359
<v Speaker 1>best bits of the week with Morgan number two. I

0:20:07.440 --> 0:20:11.000
<v Speaker 1>am just over here drinking on my tea because this

0:20:11.080 --> 0:20:13.960
<v Speaker 1>week I spilled some tea on Eddie and it was

0:20:14.000 --> 0:20:15.560
<v Speaker 1>a good time for me. You know. I love when

0:20:15.600 --> 0:20:16.960
<v Speaker 1>I get to spill the tea on some of the

0:20:17.000 --> 0:20:19.000
<v Speaker 1>boys on the show because they're always coming at me

0:20:19.040 --> 0:20:22.399
<v Speaker 1>for random things like Eddie and his idea of my

0:20:22.480 --> 0:20:25.280
<v Speaker 1>outfits with artists. That's just the whole thing. If you

0:20:25.280 --> 0:20:26.840
<v Speaker 1>want to check that out, that's up on all our

0:20:26.880 --> 0:20:29.359
<v Speaker 1>social media and stuff. But this week I spilled the

0:20:29.480 --> 0:20:32.560
<v Speaker 1>tea on Eddie and it was a great segment because

0:20:32.640 --> 0:20:35.400
<v Speaker 1>he got called out, he got he got seen, and boy,

0:20:35.560 --> 0:20:37.440
<v Speaker 1>for a moment there, he was a little concerned about

0:20:37.480 --> 0:20:39.720
<v Speaker 1>what was going to happen. So I'm gonna keep stipping

0:20:39.760 --> 0:20:41.239
<v Speaker 1>on my tea and I'm gonna let you, guys hear

0:20:41.280 --> 0:20:44.520
<v Speaker 1>me spill the tea. Number five it is time. Oh well,

0:20:44.520 --> 0:20:48.800
<v Speaker 1>little early tea this morning. Let's spill the tea. It's

0:20:48.840 --> 0:20:51.440
<v Speaker 1>the segment where someone comes to me in confidence. It goes,

0:20:52.000 --> 0:20:53.800
<v Speaker 1>I'd like to share a secret about somebody else on

0:20:53.800 --> 0:20:55.320
<v Speaker 1>the show. Do you think it will be okay? And

0:20:55.359 --> 0:20:58.560
<v Speaker 1>I always say yes, of course, And then that person

0:20:58.640 --> 0:21:01.000
<v Speaker 1>comes out and does spell it public. But the person

0:21:01.119 --> 0:21:03.560
<v Speaker 1>spelling the T is Morgan number two. Oh but she.

0:21:03.640 --> 0:21:04.920
<v Speaker 1>I don't know that she's ever been on as a

0:21:04.920 --> 0:21:07.760
<v Speaker 1>T speller. Does anyone feel like they're probably going to

0:21:07.800 --> 0:21:09.919
<v Speaker 1>be the person has T spelled on them? Definitely? Not me.

0:21:10.040 --> 0:21:12.399
<v Speaker 1>I always feel like it's me always. He's got a

0:21:12.440 --> 0:21:15.320
<v Speaker 1>lot of secrets, guys, That's what he said. I mean,

0:21:15.359 --> 0:21:19.240
<v Speaker 1>he obviously does. If he's it's always going to be me, okay, Morgan,

0:21:19.280 --> 0:21:20.760
<v Speaker 1>who would you like to spill the t on. I

0:21:20.760 --> 0:21:29.679
<v Speaker 1>would like to spill the tea on Eddie. All right,

0:21:29.720 --> 0:21:31.960
<v Speaker 1>what happened? Well, so you know how we heard about

0:21:32.000 --> 0:21:34.879
<v Speaker 1>the uber dropping off about twenty bucks to his house. Right,

0:21:35.359 --> 0:21:41.040
<v Speaker 1>let me gonna recapt the story. Crap Eddie? Oh no, okay.

0:21:41.080 --> 0:21:42.960
<v Speaker 1>So Eddie takes an Uber this is the fast version.

0:21:43.440 --> 0:21:44.960
<v Speaker 1>The uber driver is going the wrong way and he's like,

0:21:45.000 --> 0:21:46.320
<v Speaker 1>this is not the right way. He goes, trust me,

0:21:46.560 --> 0:21:48.600
<v Speaker 1>and then they get to that spot and he's like, Uber,

0:21:48.680 --> 0:21:50.879
<v Speaker 1>I messed up. Eddie's like, I told you the builds

0:21:50.920 --> 0:21:53.800
<v Speaker 1>twenty bucks over. Uber drivers still mell you the check.

0:21:54.280 --> 0:21:56.000
<v Speaker 1>Eddie says, I got twenty bucks from Uber driver. At

0:21:56.000 --> 0:21:58.880
<v Speaker 1>the end, story's over, you got twenty bucks. Everybody's happy.

0:21:58.880 --> 0:22:03.720
<v Speaker 1>Can we not do this? Like really? Like I'm scared.

0:22:04.359 --> 0:22:07.880
<v Speaker 1>I'm scared. Somebody may be listening right now. Who's somebody?

0:22:08.240 --> 0:22:11.520
<v Speaker 1>Go ahead, carry on. If you think you're gonna die,

0:22:11.520 --> 0:22:12.680
<v Speaker 1>we'll just hit a button and go to a side.

0:22:12.680 --> 0:22:14.800
<v Speaker 1>I don't think death, but I mean i'm a little

0:22:15.320 --> 0:22:17.920
<v Speaker 1>What we're gonna do here? Why don't we play the song?

0:22:18.680 --> 0:22:20.679
<v Speaker 1>And if you tell me during this break that you

0:22:20.720 --> 0:22:24.000
<v Speaker 1>could die? Wow? Is this good? I don't know would

0:22:24.040 --> 0:22:26.480
<v Speaker 1>ever have occurred to you that he could maybe die.

0:22:26.920 --> 0:22:29.760
<v Speaker 1>I don't know the story. Ray hit the song here,

0:22:30.040 --> 0:22:32.600
<v Speaker 1>we'll come back, and if we never address it again,

0:22:32.640 --> 0:22:37.800
<v Speaker 1>it's because Eddie said he was gonna die. Okay on that. Okay,

0:22:37.840 --> 0:22:40.080
<v Speaker 1>I don't think EDI's gonna get murdered. Okay, Morgan finished

0:22:40.080 --> 0:22:43.280
<v Speaker 1>the story. No, he was just a little dramatic. Wait, okay, Lie, dramatic,

0:22:43.280 --> 0:22:46.240
<v Speaker 1>go ahead, go ahead. So I told him after he

0:22:46.280 --> 0:22:48.080
<v Speaker 1>told us about this uber segment. I was like, you know,

0:22:48.119 --> 0:22:50.080
<v Speaker 1>you can go on the uber app and just tell

0:22:50.280 --> 0:22:52.800
<v Speaker 1>Uber what happened and they will refund you the money

0:22:52.920 --> 0:22:56.359
<v Speaker 1>that was extra that you got charged extra. He was like, no,

0:22:56.400 --> 0:22:58.520
<v Speaker 1>I don't know how to do that. So I go

0:22:58.560 --> 0:23:01.600
<v Speaker 1>on Eddie's Uber app. It really quickly and he gets

0:23:01.640 --> 0:23:04.400
<v Speaker 1>twenty dollars back into his account. Well, he didn't tell

0:23:04.440 --> 0:23:09.760
<v Speaker 1>anybody that, so now he made twenty dollars profit. Guys,

0:23:09.760 --> 0:23:11.960
<v Speaker 1>if this uber driver is listening, he's gonna be so

0:23:12.040 --> 0:23:14.200
<v Speaker 1>upset right now. Does he know what you do? I

0:23:14.240 --> 0:23:16.920
<v Speaker 1>don't know. Okay, Well, then how in the world what

0:23:17.119 --> 0:23:21.960
<v Speaker 1>he happened to stumble across this this early put boys

0:23:22.000 --> 0:23:30.359
<v Speaker 1>together that day? Like if you were an Uber driver,

0:23:30.520 --> 0:23:32.359
<v Speaker 1>and the exact same story that happened to you a

0:23:32.400 --> 0:23:33.880
<v Speaker 1>couple of days ago is being talking on the radio.

0:23:34.000 --> 0:23:36.120
<v Speaker 1>Some people are like, hey, wait a second, that's me.

0:23:36.560 --> 0:23:39.200
<v Speaker 1>I know where you live. He knows where I live.

0:23:40.080 --> 0:23:42.399
<v Speaker 1>You're skating over the issue. If I did something dirty

0:23:42.480 --> 0:23:44.120
<v Speaker 1>like this, we would be raking me over the coals.

0:23:45.760 --> 0:23:49.920
<v Speaker 1>Oh sorry, we don't get there. I'm not worried about

0:23:49.920 --> 0:23:52.600
<v Speaker 1>his health. I love it. Smart move. So this is

0:23:52.640 --> 0:23:55.080
<v Speaker 1>what I would say, hate it. It happened, But you

0:23:55.119 --> 0:23:57.159
<v Speaker 1>had the conversation with him right at the end of

0:23:57.200 --> 0:23:59.359
<v Speaker 1>it happening, right right. So then you come in and

0:23:59.359 --> 0:24:00.840
<v Speaker 1>you're like, let me go check with Uber because you

0:24:00.840 --> 0:24:02.480
<v Speaker 1>may not get the money back at all. Who knows

0:24:02.880 --> 0:24:04.800
<v Speaker 1>Morgan helps you. Yes, get your money back, and there's

0:24:04.800 --> 0:24:07.480
<v Speaker 1>no way to stop the transfer of the cash. Yeah. True,

0:24:07.600 --> 0:24:10.399
<v Speaker 1>you can't actually reach happened. You can't say hey, hey, Bra,

0:24:10.960 --> 0:24:12.560
<v Speaker 1>don't worry about you can't get ahold of the bra.

0:24:12.720 --> 0:24:14.800
<v Speaker 1>I don't know the bra, right, that's why he dropped

0:24:14.800 --> 0:24:16.880
<v Speaker 1>the cash off in my mailbox. Is only twenty percent

0:24:16.960 --> 0:24:19.480
<v Speaker 1>shad think wait, wait, did you do the Uber thing

0:24:19.600 --> 0:24:21.480
<v Speaker 1>after you got the cash? No? No, that's what I

0:24:21.520 --> 0:24:23.080
<v Speaker 1>just said. No, I'm just making sure I want to

0:24:23.119 --> 0:24:26.600
<v Speaker 1>make check his honest. Okay, that's where I was being honest. Guys, Yes,

0:24:26.760 --> 0:24:30.120
<v Speaker 1>you did it after No, he just didn't tell anyone

0:24:30.160 --> 0:24:34.040
<v Speaker 1>what happened in the uber's money. Why would you would

0:24:34.040 --> 0:24:38.359
<v Speaker 1>you tell anyone? No? No, before? But it's also I

0:24:38.520 --> 0:24:41.080
<v Speaker 1>would so what you can educate all of us to

0:24:41.200 --> 0:24:44.080
<v Speaker 1>know that that's something that you can do inside the app. Yeah. Yeah, sure,

0:24:44.080 --> 0:24:46.720
<v Speaker 1>you guys can google that if you mess that she

0:24:46.800 --> 0:24:49.800
<v Speaker 1>told you. Okay, so you went on. He cost you

0:24:49.840 --> 0:24:52.120
<v Speaker 1>twenty extra. He said he paid you twenty back because

0:24:52.119 --> 0:24:54.199
<v Speaker 1>he was wrong. He paid you that twenty back. But

0:24:54.280 --> 0:24:55.960
<v Speaker 1>before you got it back, you actually went to the

0:24:55.960 --> 0:24:57.920
<v Speaker 1>app and said, hey, I just kind of got messed up, Morgan.

0:24:58.000 --> 0:25:00.200
<v Speaker 1>I gave Morgan the phone. Yeah, so technically I didn't

0:25:00.240 --> 0:25:02.000
<v Speaker 1>even do it. She did it. You didn't do anything wrong.

0:25:02.040 --> 0:25:04.320
<v Speaker 1>I'm on your side. It's only twenty percent shady, and

0:25:04.359 --> 0:25:06.359
<v Speaker 1>it's only twenty percent shady if you don't do something

0:25:06.400 --> 0:25:09.439
<v Speaker 1>good with that twenty dollars extra. In the words of

0:25:09.480 --> 0:25:14.000
<v Speaker 1>lunchbox money gone sorrow money. Okay, Oregan, you spilled the tea.

0:25:14.080 --> 0:25:18.520
<v Speaker 1>Thank you for that. That is spilled the tea. Let's

0:25:18.520 --> 0:25:23.000
<v Speaker 1>just spill you very much. It's the best bits of

0:25:23.040 --> 0:25:27.840
<v Speaker 1>the week with Morgan. Number two. For the very first time,

0:25:27.960 --> 0:25:31.600
<v Speaker 1>Abby made her debut on Broadway this past weekend. We

0:25:31.600 --> 0:25:33.840
<v Speaker 1>talked about it on the show this week, how it

0:25:33.880 --> 0:25:37.520
<v Speaker 1>all went, how the listeners showed up for her, and

0:25:37.600 --> 0:25:40.159
<v Speaker 1>of course how Lunchbox didn't show up but kind of

0:25:40.160 --> 0:25:42.760
<v Speaker 1>showed up also. I went. I thought she did awesome

0:25:42.880 --> 0:25:44.600
<v Speaker 1>and it was cool to see her get to live

0:25:44.640 --> 0:25:47.199
<v Speaker 1>out her dream a little bit. So cool segment and

0:25:47.440 --> 0:25:49.520
<v Speaker 1>definitely a good one to hear if you're all about

0:25:49.600 --> 0:25:53.040
<v Speaker 1>chasing those dreams. Number four, it was a big weekend

0:25:53.080 --> 0:25:55.639
<v Speaker 1>for our phone screen or Abby who moved to Nashville

0:25:55.680 --> 0:25:57.960
<v Speaker 1>to be a singer and now she works here on

0:25:58.000 --> 0:26:01.720
<v Speaker 1>the show. But kind of a rekindling of your singing

0:26:01.760 --> 0:26:04.200
<v Speaker 1>career as of the last year or so. Right, Yeah,

0:26:04.240 --> 0:26:06.000
<v Speaker 1>so you go out? You had to learn how many songs?

0:26:06.560 --> 0:26:09.479
<v Speaker 1>Oh ma'am? At least well forty? Can you go out?

0:26:09.680 --> 0:26:12.160
<v Speaker 1>What bar did you play? Alan Jackson? For their people

0:26:12.160 --> 0:26:16.160
<v Speaker 1>there there were a few. Broadway was like not as

0:26:16.200 --> 0:26:17.919
<v Speaker 1>busy as I've seen it. It It was very tame. I

0:26:17.920 --> 0:26:21.120
<v Speaker 1>feel like good. So leis you to go do then probably, Yeah,

0:26:21.160 --> 0:26:22.600
<v Speaker 1>Well I kind of wanted it to be a little

0:26:22.640 --> 0:26:26.520
<v Speaker 1>more wild, like just more people talking, mingling. It was

0:26:26.640 --> 0:26:29.439
<v Speaker 1>very an intimate setting. I would say. It was on

0:26:29.480 --> 0:26:32.320
<v Speaker 1>the second floor, a tiny stage. Chad and I were

0:26:32.359 --> 0:26:35.080
<v Speaker 1>on there. Um, he plays his guitar and then people

0:26:35.080 --> 0:26:39.360
<v Speaker 1>were just like right there. Were you nervous? Yes, nervous

0:26:39.400 --> 0:26:44.080
<v Speaker 1>before or nervous once you got there? Both? So you

0:26:44.240 --> 0:26:47.400
<v Speaker 1>play what was the very first song you sang? Oh?

0:26:47.480 --> 0:26:51.560
<v Speaker 1>What was it? I think Wild Angels by Martina sing

0:26:51.560 --> 0:26:53.080
<v Speaker 1>the first line of that if you if you know it,

0:26:53.320 --> 0:26:55.480
<v Speaker 1>you know what? Do you need the guitar part? Sometimes

0:26:55.480 --> 0:26:58.680
<v Speaker 1>that's tough about the music. Oh my gosh, I don't

0:26:58.720 --> 0:27:00.840
<v Speaker 1>remember how it starts. How's the star? See? This is me?

0:27:01.040 --> 0:27:04.359
<v Speaker 1>Oh and this is what happened too. Just you forget

0:27:04.400 --> 0:27:09.400
<v Speaker 1>the words that happens sometimes to me as well. Yeah everyone. Yeah,

0:27:09.400 --> 0:27:11.000
<v Speaker 1>Like Eddie and I have played these songs one hundred

0:27:11.040 --> 0:27:13.000
<v Speaker 1>times and we got hit him exactly right because we

0:27:13.040 --> 0:27:14.960
<v Speaker 1>have jokes in them, and I'll forget the I mean,

0:27:15.119 --> 0:27:17.080
<v Speaker 1>Eddie forgets it every show all the time. Yeah, So

0:27:17.200 --> 0:27:20.680
<v Speaker 1>don't don't worry about that so much. How many times

0:27:20.720 --> 0:27:22.480
<v Speaker 1>do you think you forgot a word or a lyric

0:27:22.560 --> 0:27:28.160
<v Speaker 1>or a line, probably in like five songs out of twenty. Yeah,

0:27:28.200 --> 0:27:30.399
<v Speaker 1>that's not very good ratio and beyond. We gotta get

0:27:30.400 --> 0:27:33.359
<v Speaker 1>a little better at that. Okay, how would you grade

0:27:33.359 --> 0:27:36.080
<v Speaker 1>your performance, oh man? Out of how many A through F?

0:27:36.560 --> 0:27:40.920
<v Speaker 1>Oh way through? I'd say a C. I'm very hard

0:27:40.920 --> 0:27:43.480
<v Speaker 1>on myself and I was. I walked away not very happy.

0:27:43.520 --> 0:27:45.640
<v Speaker 1>I was like, oh my gosh, who showed up from

0:27:45.680 --> 0:27:50.280
<v Speaker 1>this little area? Morgan? That's good? Did you like it up? Yeah?

0:27:50.480 --> 0:27:52.199
<v Speaker 1>So I thought it was so sweet. I really liked it.

0:27:52.200 --> 0:27:53.760
<v Speaker 1>But then I felt pressure. It was like, oh shoot,

0:27:54.000 --> 0:27:55.840
<v Speaker 1>I have to do really good, Morgan. What'd you say

0:27:55.840 --> 0:27:58.040
<v Speaker 1>once you got to Abbie's gig? She did really good.

0:27:58.119 --> 0:28:02.040
<v Speaker 1>She was definitely nervous, Like her voice sounded awesome. But

0:28:02.400 --> 0:28:04.040
<v Speaker 1>if there will be anything I would tell her is

0:28:04.040 --> 0:28:05.880
<v Speaker 1>that when she messes up, she just has to keep

0:28:05.920 --> 0:28:08.680
<v Speaker 1>moving on. She can't pay attention to it, just focus

0:28:08.760 --> 0:28:11.199
<v Speaker 1>on it. Oh sorry, yeah, that's kind of thing. She

0:28:11.240 --> 0:28:13.600
<v Speaker 1>got a little frustrated with herself, but like her voice

0:28:13.600 --> 0:28:17.080
<v Speaker 1>sounded amazing, she just needed to not draw more attention

0:28:17.200 --> 0:28:19.960
<v Speaker 1>to her mishaps. That's okay, I would coach those kids

0:28:19.960 --> 0:28:22.239
<v Speaker 1>in American Idol, and I would say, if you mess up,

0:28:22.280 --> 0:28:24.600
<v Speaker 1>even on camera and there are five six seven million

0:28:24.640 --> 0:28:27.560
<v Speaker 1>people watching, they don't know you messed up. You're the

0:28:27.600 --> 0:28:29.800
<v Speaker 1>only one that knows you messed up. So you just

0:28:29.920 --> 0:28:32.000
<v Speaker 1>keep going. And if you have to make up something

0:28:32.040 --> 0:28:34.240
<v Speaker 1>for a second, then make up something for a second

0:28:34.240 --> 0:28:35.880
<v Speaker 1>and get back to a spot that you know. If

0:28:35.920 --> 0:28:38.240
<v Speaker 1>you don't show and this is generally in life, not

0:28:38.280 --> 0:28:40.720
<v Speaker 1>just in music. If you don't show that there's some

0:28:40.760 --> 0:28:42.800
<v Speaker 1>sort of mishap, people don't know there's some sort of mishap.

0:28:43.240 --> 0:28:45.280
<v Speaker 1>So don't call attention to it. But you learned, You

0:28:45.360 --> 0:28:47.400
<v Speaker 1>learned right right, because I did call it out. I

0:28:47.400 --> 0:28:49.160
<v Speaker 1>shouldn't have done that. I was like, Shania would be

0:28:49.200 --> 0:28:52.560
<v Speaker 1>ashamed right now you said that in the Okay, we're learning,

0:28:52.560 --> 0:28:54.760
<v Speaker 1>this is a learning experience. I'd hard to be funny

0:28:54.800 --> 0:28:59.920
<v Speaker 1>and like play it off. Was it a comedy show? No,

0:29:00.120 --> 0:29:02.360
<v Speaker 1>Lunchbox was not allowed to go. Did you ever see

0:29:02.400 --> 0:29:05.240
<v Speaker 1>lunchboxes facing the bar? No? I feel like he was

0:29:05.320 --> 0:29:09.360
<v Speaker 1>hiding or something. You did you show up Lunchbox? What happened? Well,

0:29:09.440 --> 0:29:11.360
<v Speaker 1>so I found out that I'm not allowed to go.

0:29:11.440 --> 0:29:13.080
<v Speaker 1>The rules were set, and I was like, man, how

0:29:13.120 --> 0:29:15.480
<v Speaker 1>am I going to find out how Abby did? So?

0:29:15.640 --> 0:29:19.640
<v Speaker 1>I live with someone that is amazing, And I said, hey, babe,

0:29:20.200 --> 0:29:21.840
<v Speaker 1>you're gonna have to go down and watch Abbey seeing

0:29:22.040 --> 0:29:24.719
<v Speaker 1>so you sent your wife. I sent my wife down,

0:29:25.840 --> 0:29:28.480
<v Speaker 1>absolutely did. I packed her in the car. I said, listen,

0:29:28.520 --> 0:29:30.200
<v Speaker 1>I will drop you at the front door. So I

0:29:30.240 --> 0:29:32.440
<v Speaker 1>brought the kids. Oh, you drove her there? Yeah. I

0:29:32.480 --> 0:29:35.000
<v Speaker 1>drove my wife right to the front door and I

0:29:35.040 --> 0:29:37.560
<v Speaker 1>said hey, and I had to explain to her the mission.

0:29:37.600 --> 0:29:40.000
<v Speaker 1>I told her exactly what she had to do to

0:29:40.040 --> 0:29:41.800
<v Speaker 1>go in there and get audio of Abby. So here

0:29:41.920 --> 0:29:45.680
<v Speaker 1>is the first clip, Lunchbox talking to his wife. How

0:29:45.880 --> 0:29:51.960
<v Speaker 1>get here you go? Guys, guys, Okay, So you're gonna

0:29:52.000 --> 0:29:54.400
<v Speaker 1>go in and I'm gonna need you a couple of clips,

0:29:54.840 --> 0:29:58.320
<v Speaker 1>good audio clips and Abby singing. They may not be

0:29:58.440 --> 0:30:01.320
<v Speaker 1>good singing clips because she he really sing but I

0:30:02.880 --> 0:30:04.640
<v Speaker 1>just need you to get you like two different songs,

0:30:04.760 --> 0:30:07.920
<v Speaker 1>her singing. Here's twenty dollars, buy yourself a beer, and

0:30:08.040 --> 0:30:14.000
<v Speaker 1>don't talk to any guys. Okay for those that are

0:30:14.040 --> 0:30:17.320
<v Speaker 1>just listening today, we told Lunchbox he couldn't go because

0:30:17.320 --> 0:30:19.800
<v Speaker 1>he was just going to either harass her or make

0:30:19.840 --> 0:30:22.680
<v Speaker 1>her uncomfortable, because at any second he might harass her.

0:30:23.040 --> 0:30:24.720
<v Speaker 1>So he said, you're not allowed to her first show.

0:30:24.800 --> 0:30:27.240
<v Speaker 1>So he said his wife, Yes, this is a great

0:30:27.240 --> 0:30:28.800
<v Speaker 1>didn't No, you didn't see her? Right? No? I did

0:30:28.800 --> 0:30:32.400
<v Speaker 1>not see her? Is this real? She wear this guy?

0:30:32.440 --> 0:30:35.320
<v Speaker 1>She put on a thing, mustache, she wore a hat,

0:30:35.800 --> 0:30:38.480
<v Speaker 1>put her hair up, you know, but whatever. And here's

0:30:38.520 --> 0:30:40.640
<v Speaker 1>the thing. She goes inside and she's texting me. She's like,

0:30:40.680 --> 0:30:44.160
<v Speaker 1>I don't see Abby, like I don't see her, and

0:30:44.200 --> 0:30:46.120
<v Speaker 1>I'm like, well, she said she's playing the stage and

0:30:46.120 --> 0:30:48.240
<v Speaker 1>she's like, well, I'm inside and there she's not playing.

0:30:49.120 --> 0:30:51.280
<v Speaker 1>And then she found her upstairs, like she wasn't on

0:30:51.320 --> 0:30:57.920
<v Speaker 1>the main stage down she was upstairs. There's layers of

0:30:58.000 --> 0:31:00.360
<v Speaker 1>lots of bars, a lot of bars haven't front and

0:31:00.360 --> 0:31:02.880
<v Speaker 1>the back. And I understand, but what I'm saying is

0:31:03.120 --> 0:31:05.040
<v Speaker 1>she wasn't the main attraction of the bar, Like if

0:31:05.040 --> 0:31:06.840
<v Speaker 1>you want the main attraction, you put them on the

0:31:06.880 --> 0:31:09.320
<v Speaker 1>front stage, like right there when you walk in, boom,

0:31:10.040 --> 0:31:12.400
<v Speaker 1>there she's playing. But she wasn't. So my wife was confused,

0:31:12.480 --> 0:31:14.400
<v Speaker 1>like I think she's lying. She doesn't really have a gig.

0:31:14.440 --> 0:31:17.440
<v Speaker 1>That'd be funny if the whole thing was a lying Abby.

0:31:17.480 --> 0:31:19.120
<v Speaker 1>Did you ever try to sing on Broadway when you

0:31:19.160 --> 0:31:23.920
<v Speaker 1>moved here? I did. I auditioned at Tootsie's and I

0:31:23.960 --> 0:31:27.360
<v Speaker 1>forgot the words to baby Girl by sugar Lands during

0:31:27.400 --> 0:31:31.080
<v Speaker 1>the audition, and I left like, how about that was

0:31:31.120 --> 0:31:33.239
<v Speaker 1>when I first moved here? And here we are ten

0:31:33.280 --> 0:31:37.360
<v Speaker 1>years later, still fregating the words. Nothing's changed. Okay. Here's

0:31:37.360 --> 0:31:41.040
<v Speaker 1>a clip of Abby singing Faith Hills. Don't play it yet? Ray,

0:31:41.640 --> 0:31:43.760
<v Speaker 1>it matters to me? Do you feel like this? Abby

0:31:43.800 --> 0:31:45.959
<v Speaker 1>doesn't know this is happening? Abby? Do you feel good

0:31:45.960 --> 0:31:48.960
<v Speaker 1>about this song? Yeah? He's one of my stronger ones.

0:31:49.000 --> 0:32:17.720
<v Speaker 1>I feel like, okay, here is it matters to me? Okay? Wait,

0:32:17.760 --> 0:32:22.040
<v Speaker 1>think there? Try to us. His wife took this audio.

0:32:22.400 --> 0:32:24.640
<v Speaker 1>She tries to do runs and it's like, oh, Abby,

0:32:24.680 --> 0:32:26.600
<v Speaker 1>how did you feel? I thought I did good on

0:32:26.640 --> 0:32:29.720
<v Speaker 1>that one. I didn't mess up. I mean, you remember

0:32:29.760 --> 0:32:36.600
<v Speaker 1>the words. Here's Abby singing sugar Lands. How did you

0:32:36.640 --> 0:32:39.120
<v Speaker 1>do on stuck like glue? Abbey? Oh no, this is

0:32:39.160 --> 0:32:42.360
<v Speaker 1>on here? Do we have to show this one messed up?

0:32:42.400 --> 0:32:46.280
<v Speaker 1>I think a little. Probably forgot the words and there's

0:32:46.280 --> 0:32:48.760
<v Speaker 1>a rout I just tell you what. Guys, I can't

0:32:48.800 --> 0:32:51.520
<v Speaker 1>control what happens on stage, Like I didn't do this,

0:32:51.920 --> 0:32:53.960
<v Speaker 1>How can I do it? This one? This was in

0:32:54.040 --> 0:32:55.840
<v Speaker 1>public and my wife is here, I'm not there. So

0:32:56.000 --> 0:32:58.280
<v Speaker 1>not want us to play at Abbey? No for it?

0:32:58.360 --> 0:33:01.080
<v Speaker 1>I mean we can. It was first time, so I'm

0:33:01.840 --> 0:33:04.840
<v Speaker 1>do you not want us to play it? Who you can? Abby?

0:33:04.880 --> 0:33:06.200
<v Speaker 1>I will not play you just say don't play it.

0:33:06.200 --> 0:33:07.360
<v Speaker 1>I won't play it. I don't know what part of it.

0:33:07.520 --> 0:33:11.840
<v Speaker 1>I haven't heard any of the go ahead? Are you sure? Yes? Okay,

0:33:11.880 --> 0:33:47.080
<v Speaker 1>here we go. Oh someone was singing along? Did you

0:33:47.120 --> 0:33:50.680
<v Speaker 1>hear that was singing? You know why? I think Abby

0:33:50.760 --> 0:33:52.680
<v Speaker 1>was like whispering because she wasn't confident in that song.

0:33:52.760 --> 0:33:54.760
<v Speaker 1>You can tell, like the way she's singing up there.

0:33:55.000 --> 0:33:56.840
<v Speaker 1>The other one she actually like was like, Okay, I'm

0:33:56.880 --> 0:33:58.680
<v Speaker 1>gonna go for it this and she's like that stuck

0:33:58.960 --> 0:34:02.640
<v Speaker 1>stuck on, stuck on? Abby? You playing again anywhere? I

0:34:02.640 --> 0:34:04.720
<v Speaker 1>don't know where? But yeah, are we have plans to

0:34:04.760 --> 0:34:06.600
<v Speaker 1>play more? All right? Go for it? Okay, if you

0:34:06.640 --> 0:34:09.720
<v Speaker 1>forget a word, keep singing, I know, keep singing. Problem.

0:34:09.760 --> 0:34:13.160
<v Speaker 1>It's like, oh, oh, I like you everybody? Come on?

0:34:13.440 --> 0:34:16.000
<v Speaker 1>Oh I like you. Oh, that's not even the right words.

0:34:16.000 --> 0:34:18.160
<v Speaker 1>Nobody who cares? I think you mad? John Vershby. Did

0:34:18.160 --> 0:34:19.520
<v Speaker 1>you make a lot of money and tips? I mean

0:34:19.880 --> 0:34:22.960
<v Speaker 1>how'd that go? Yeah? I think so more than I

0:34:23.000 --> 0:34:25.439
<v Speaker 1>thought because there really aren't that many people. How much

0:34:25.440 --> 0:34:28.640
<v Speaker 1>did you think you made? Oh? How much I made? Yeah?

0:34:28.640 --> 0:34:35.879
<v Speaker 1>Oh I know how much? Come on, wow, because that's

0:34:35.880 --> 0:34:39.239
<v Speaker 1>splitting it. Four hours twenty bucks an hour and she

0:34:39.280 --> 0:34:42.080
<v Speaker 1>splitting wow? Do you just make tips of the bar?

0:34:42.440 --> 0:34:44.520
<v Speaker 1>They pay you as well, they pay you a very

0:34:44.560 --> 0:34:49.279
<v Speaker 1>small amount. Well, next time, get ready for me to

0:34:49.320 --> 0:34:52.640
<v Speaker 1>come let us know next time you perform. Okay, I say,

0:34:52.680 --> 0:34:57.280
<v Speaker 1>good job, thank you. I'm very proud of you, Abby, Abby?

0:34:57.560 --> 0:34:59.520
<v Speaker 1>Did you ask the bar? Hey? Can we be moved

0:34:59.560 --> 0:35:01.719
<v Speaker 1>up to the may Saves next time? You don't really

0:35:01.719 --> 0:35:04.880
<v Speaker 1>ask that? Well? Yeah, I'm not like a pro, so

0:35:04.920 --> 0:35:07.440
<v Speaker 1>I don't expect to be at the thank you all Right,

0:35:07.440 --> 0:35:11.359
<v Speaker 1>we gotta go. It's the best Bits of the week

0:35:12.160 --> 0:35:16.200
<v Speaker 1>with Morgan number two. Then we've got Scuba Steve coming

0:35:16.239 --> 0:35:19.400
<v Speaker 1>in at the number three spot because he had a

0:35:19.440 --> 0:35:22.640
<v Speaker 1>push up challenge, not just any challenge. Listen, this wasn't

0:35:22.680 --> 0:35:24.480
<v Speaker 1>all the guys on the show doing push ups. No,

0:35:24.680 --> 0:35:26.719
<v Speaker 1>there's a study that came out. Scuba Steve was like,

0:35:26.760 --> 0:35:29.719
<v Speaker 1>I could probably do something similar, and he had to

0:35:29.719 --> 0:35:32.040
<v Speaker 1>do pushups. And it was just super entertaining to watch

0:35:32.080 --> 0:35:34.319
<v Speaker 1>this whole segment play out because two of the guys

0:35:34.320 --> 0:35:36.239
<v Speaker 1>on the show admitted they really can't do push ups.

0:35:36.320 --> 0:35:38.839
<v Speaker 1>Scuba Steve did more than he even thought possible. Just

0:35:39.040 --> 0:35:40.560
<v Speaker 1>you know, and the energy in the room when this

0:35:40.600 --> 0:35:43.239
<v Speaker 1>happened was really fun to be part of. So I

0:35:43.239 --> 0:35:44.759
<v Speaker 1>want y'all to hear it and maybe you can feel

0:35:44.800 --> 0:35:46.840
<v Speaker 1>the energy and get some motivation to do what you

0:35:46.920 --> 0:35:51.480
<v Speaker 1>gotta do today. Number three, Scoob, are you stretched? I

0:35:51.520 --> 0:35:53.120
<v Speaker 1>mean I literally haven't seen you get up from your

0:35:53.440 --> 0:35:56.000
<v Speaker 1>seat there stretch my arms right, so I was stretching

0:35:56.000 --> 0:35:59.000
<v Speaker 1>my arms and my shoulders, my back. Are you ready? Yeah,

0:35:59.000 --> 0:36:00.359
<v Speaker 1>I do it. I'm ready for it. On in here.

0:36:01.960 --> 0:36:04.160
<v Speaker 1>The news story said that if you can do forty

0:36:04.200 --> 0:36:07.400
<v Speaker 1>push ups, you're less likely to die of heart disease.

0:36:08.560 --> 0:36:10.200
<v Speaker 1>You got your tennis shoes on, your shorts on. This

0:36:10.239 --> 0:36:12.480
<v Speaker 1>is good. You look at it. You have a T

0:36:12.600 --> 0:36:14.480
<v Speaker 1>shirt under that or is that just a shirt today

0:36:16.280 --> 0:36:17.920
<v Speaker 1>this show? Okay, I'll leave it on. The leave it

0:36:17.920 --> 0:36:19.600
<v Speaker 1>on if you had a T shirt under, I'd say

0:36:19.760 --> 0:36:22.200
<v Speaker 1>for yourself. Now we're good. Don't worry about the microphone.

0:36:22.600 --> 0:36:25.359
<v Speaker 1>So I would even get here on the floor. Yeah,

0:36:25.400 --> 0:36:28.719
<v Speaker 1>I got you. We're gonna do twenty two is his number? Right,

0:36:28.760 --> 0:36:31.319
<v Speaker 1>twenty two? That's it? All right? Get your stretch up.

0:36:31.360 --> 0:36:33.719
<v Speaker 1>There you go, stretch up, the stretch up tall. Do

0:36:33.880 --> 0:36:36.839
<v Speaker 1>arm circles forward, do forward. That's backward, that's backward. There

0:36:36.880 --> 0:36:39.120
<v Speaker 1>you go forward. They don't. Don't wear yourself. I'll go

0:36:39.200 --> 0:36:42.480
<v Speaker 1>backward and I go a little bigger. There you go,

0:36:42.520 --> 0:36:44.920
<v Speaker 1>and I get a little side to side. Is he

0:36:45.000 --> 0:36:47.920
<v Speaker 1>gonna get tired? All right, that's good. But I nied you.

0:36:48.560 --> 0:36:52.279
<v Speaker 1>Is it lights on the line? Twenty two? If you

0:36:52.360 --> 0:36:54.680
<v Speaker 1>hit twenty two, your money on the bank. And I

0:36:54.800 --> 0:36:56.759
<v Speaker 1>tell you what if we hit twenty two, I'll give

0:36:56.760 --> 0:37:00.000
<v Speaker 1>you half my winnings. Hey, he can't stop at all? Right,

0:37:00.160 --> 0:37:02.640
<v Speaker 1>no breaks. He can stop up high for a second,

0:37:03.560 --> 0:37:05.239
<v Speaker 1>as long as he does long as he doesn't stop,

0:37:05.320 --> 0:37:06.799
<v Speaker 1>long as he doesn't come out, or as he touched

0:37:06.800 --> 0:37:08.880
<v Speaker 1>the ground. All good. Second. Okay, No, no, he can

0:37:08.880 --> 0:37:11.080
<v Speaker 1>stop up high. Okay, yeah, I think that's right. Let's

0:37:11.080 --> 0:37:12.600
<v Speaker 1>say he can stop up high for no more than

0:37:12.640 --> 0:37:14.880
<v Speaker 1>three seconds. Love it? Yeah, I mean, I mean you

0:37:14.880 --> 0:37:17.040
<v Speaker 1>gotta get technical. And his old nickname used be mister

0:37:17.080 --> 0:37:20.640
<v Speaker 1>one hundred, So come on, he scoopa, Just pump one

0:37:20.640 --> 0:37:22.560
<v Speaker 1>out real quick. It doesn't count. No, no, no, don't

0:37:22.560 --> 0:37:25.840
<v Speaker 1>waste Yeah yeah, like, oh yeah, he's strong, he's strong.

0:37:26.040 --> 0:37:30.239
<v Speaker 1>Yeah yeah, there's oh yeah. Did you guys think he

0:37:30.280 --> 0:37:32.920
<v Speaker 1>was gonna struggle with one? He's up in pumping now

0:37:33.719 --> 0:37:35.319
<v Speaker 1>he is good for while your heads on your knees

0:37:35.320 --> 0:37:39.520
<v Speaker 1>are already. Okay, well I got twenty two? Are you readyady? Anything,

0:37:39.560 --> 0:37:41.880
<v Speaker 1>he's gonna get it? Yes, okay, you got it. You

0:37:41.960 --> 0:37:44.520
<v Speaker 1>get your goals like thirty. So if you're aimed at

0:37:44.560 --> 0:37:46.160
<v Speaker 1>twenty two, you're gonna struggle in twenty two. If I'm

0:37:46.160 --> 0:37:48.800
<v Speaker 1>in a thirty, you'll get twenty two, but it'll be tough. Okay.

0:37:48.960 --> 0:37:50.879
<v Speaker 1>Now you run on the treadmill, and that last one

0:37:50.880 --> 0:37:52.799
<v Speaker 1>minute feels like it's just death. It doesn't matter what

0:37:52.840 --> 0:37:55.319
<v Speaker 1>that last one minute minute is. It always feels like death.

0:37:55.719 --> 0:37:59.040
<v Speaker 1>So that's why you gotta go on your head a

0:37:59.040 --> 0:38:03.520
<v Speaker 1>little further for thirty. He's stressing, all right down, how's

0:38:03.600 --> 0:38:08.400
<v Speaker 1>my motivation before stress? Got it? Here we go Scooba

0:38:08.400 --> 0:38:13.680
<v Speaker 1>Steve for twenty two push ups and go one two yes, strong, three,

0:38:14.160 --> 0:38:18.080
<v Speaker 1>four my guy strong, five, come on six seven can

0:38:18.160 --> 0:38:22.759
<v Speaker 1>turn Hey, no he's not nine, ten, eleven, twelve, you

0:38:22.840 --> 0:38:27.440
<v Speaker 1>over halfway there, maybe thirteen, come on fourteen, fifteen, sixteen

0:38:27.880 --> 0:38:35.000
<v Speaker 1>fire three more three more go that's a that's guys,

0:38:35.040 --> 0:38:55.680
<v Speaker 1>scoop come on more yeah, three mony nine come more

0:39:00.360 --> 0:39:19.320
<v Speaker 1>get Wow, that's amazing. Look, so what was his total? Thirty? Wow?

0:39:20.160 --> 0:39:25.680
<v Speaker 1>Good job scoobu, Nice job buddy. His head went from

0:39:25.760 --> 0:39:33.640
<v Speaker 1>pale white Scooba. Just lay, buddy, just take a break.

0:39:36.400 --> 0:39:39.680
<v Speaker 1>We went tubing this weekend and am on ten killer

0:39:39.800 --> 0:39:43.279
<v Speaker 1>Lake and so I haven't tube and I don't know

0:39:43.719 --> 0:39:46.520
<v Speaker 1>fifteen years and it's just holding onto that tube and

0:39:46.560 --> 0:39:48.440
<v Speaker 1>you don't realize how hard it is, and I'm just

0:39:48.520 --> 0:39:50.640
<v Speaker 1>holding on for dear life. Then you get off and

0:39:50.640 --> 0:39:53.160
<v Speaker 1>you're just exhausted and everything is so tight and like

0:39:53.200 --> 0:39:55.439
<v Speaker 1>I'm sore in like every odd muscle that I've never

0:39:55.560 --> 0:40:00.160
<v Speaker 1>used before. That's what he's gonna feel tomorrow. Huh. Nice job, though, buddy,

0:40:00.200 --> 0:40:05.000
<v Speaker 1>Thank you Eddie, you can You're good buddy. Good job scuba.

0:40:05.000 --> 0:40:08.560
<v Speaker 1>I'll hit you a ten scuba I'm shocked, Gooba struggling

0:40:08.560 --> 0:40:12.480
<v Speaker 1>to get up. All right, there you go, there you god,

0:40:12.520 --> 0:40:15.600
<v Speaker 1>there he is. Alright, that's good, that's awesome. Yeah, that's

0:40:15.640 --> 0:40:22.600
<v Speaker 1>called working out, buddy, that's all exercise, pal. I hope

0:40:22.600 --> 0:40:27.520
<v Speaker 1>it's okay. It's the best bits of the week with Morgan.

0:40:27.640 --> 0:40:32.359
<v Speaker 1>Number two another really awesome interview on the show. This week,

0:40:32.480 --> 0:40:35.720
<v Speaker 1>Richard Marks stopped buy. He came on all because Abby

0:40:35.840 --> 0:40:38.960
<v Speaker 1>had posted a video of her covering one of his songs.

0:40:39.040 --> 0:40:40.840
<v Speaker 1>He re posted it. She reached out and was like, hey,

0:40:40.880 --> 0:40:42.319
<v Speaker 1>you want to come on the show and talk about this.

0:40:42.480 --> 0:40:44.759
<v Speaker 1>He did, and we got some really cool stories from

0:40:44.800 --> 0:40:48.760
<v Speaker 1>him about Lionel, Richie, Kenny Rogers, just all awesome, awesome

0:40:48.840 --> 0:40:51.359
<v Speaker 1>stuff and things I didn't even know about. Also, like

0:40:51.520 --> 0:40:54.480
<v Speaker 1>being totally honest, I didn't know who Richard Marx was.

0:40:54.560 --> 0:40:55.960
<v Speaker 1>I know the song and I've heard of it, but

0:40:56.080 --> 0:40:58.560
<v Speaker 1>hearing him, hearing his story was really cool. As someone

0:40:58.600 --> 0:41:01.480
<v Speaker 1>who's younger and wasn't a round when his music kind

0:41:01.520 --> 0:41:03.440
<v Speaker 1>of came out and he was on the scene, this

0:41:03.480 --> 0:41:05.560
<v Speaker 1>was a really awesome interview to hear. So I'm gonna

0:41:05.600 --> 0:41:09.759
<v Speaker 1>let y'all hear it. Number two on the Bobby Bones show.

0:41:09.840 --> 0:41:13.480
<v Speaker 1>Now Richard Marks, Hey, Richard, how are you? I'm good?

0:41:13.560 --> 0:41:16.000
<v Speaker 1>How are you guys? Hey? I appreciate your time this morning. Hey,

0:41:16.239 --> 0:41:18.840
<v Speaker 1>do your friends call you Richard? Seems pretty formal? What

0:41:18.840 --> 0:41:21.680
<v Speaker 1>do they call you? Dick? Now, I'm just kidding me.

0:41:24.520 --> 0:41:26.080
<v Speaker 1>I was laughing. Attn't hear what you said? What did

0:41:26.120 --> 0:41:29.520
<v Speaker 1>you say? I said, Dick? But yeah, you can call

0:41:29.560 --> 0:41:32.600
<v Speaker 1>me Richard now my friends. My friends all call me Ricardo.

0:41:32.800 --> 0:41:36.080
<v Speaker 1>But we're not friends yet. We have to see how

0:41:36.120 --> 0:41:38.279
<v Speaker 1>this goes. Yeah, yeah, I like that because I still

0:41:38.320 --> 0:41:40.640
<v Speaker 1>have maybe some reservations about you myself. So we'll see

0:41:40.640 --> 0:41:42.640
<v Speaker 1>where this goes. Hey, what are you making over there?

0:41:42.640 --> 0:41:44.800
<v Speaker 1>Here's some ice? What what you got a little morning cocktail?

0:41:45.440 --> 0:41:49.399
<v Speaker 1>I'm making a little morning ice? Macha you make that?

0:41:49.520 --> 0:41:51.680
<v Speaker 1>You have a fancy See you're rich and famous and

0:41:51.719 --> 0:41:53.960
<v Speaker 1>talented and good looking and all the things. So do

0:41:54.000 --> 0:41:56.879
<v Speaker 1>you have a famous Well go on, yeah, yeah, yeah, yeah,

0:41:56.920 --> 0:42:00.640
<v Speaker 1>you have a you have a big fancy machine for that. Um,

0:42:00.680 --> 0:42:03.120
<v Speaker 1>we have a big fancy coffee machine. But no, but

0:42:03.239 --> 0:42:05.440
<v Speaker 1>the matcha you just put the little powder in the

0:42:05.600 --> 0:42:08.080
<v Speaker 1>in the bottom of a cup and you've got We've

0:42:08.080 --> 0:42:14.200
<v Speaker 1>got this nine dollars Amazon, little um little like froth.

0:42:15.960 --> 0:42:19.840
<v Speaker 1>I don't know what that is, Like it's a whiske thingy,

0:42:19.880 --> 0:42:23.000
<v Speaker 1>but it's a biot battery operat so you know, it's

0:42:23.160 --> 0:42:26.840
<v Speaker 1>it's pretty. It looks really expensive. It's like nine dollars. Listen, Riccardo,

0:42:26.880 --> 0:42:29.800
<v Speaker 1>I don't know what that is, buddy, You don't do

0:42:29.880 --> 0:42:34.160
<v Speaker 1>you even know what match is? Is it green? We

0:42:34.280 --> 0:42:37.880
<v Speaker 1>are you in high school? I wish I don't drink coffee,

0:42:38.000 --> 0:42:41.240
<v Speaker 1>so I don't know what. Oh wow, if you started

0:42:41.320 --> 0:42:43.560
<v Speaker 1>drinking coffee, we could be friends. Well, here's the thing.

0:42:43.600 --> 0:42:47.960
<v Speaker 1>My grandma died from coffee overdose, and so now I'm sad. Wow,

0:42:48.120 --> 0:42:52.560
<v Speaker 1>that's just that was unnecessary. I'm kidding. She didn't she didn't. Hey, listen,

0:42:52.560 --> 0:42:54.399
<v Speaker 1>I'm a big fan. Really, it's this is super cool

0:42:54.400 --> 0:42:55.800
<v Speaker 1>for me to talk to you. So I really appreciate

0:42:55.840 --> 0:42:57.480
<v Speaker 1>the time. Like I'll just say it up front that

0:42:58.200 --> 0:43:00.560
<v Speaker 1>I'm kind of geeking out a little bit, not only

0:43:00.600 --> 0:43:02.600
<v Speaker 1>you as an artist, but also you as a songwriter.

0:43:02.760 --> 0:43:06.399
<v Speaker 1>So upfront, in a in a very sensitive way, like

0:43:06.680 --> 0:43:08.719
<v Speaker 1>massive fan, thank you for spending a few minutes with me.

0:43:09.400 --> 0:43:12.439
<v Speaker 1>That's so nice man, Thank you and congratulations you guys

0:43:12.440 --> 0:43:15.160
<v Speaker 1>are chicken butt. Thanks. So here's a couple of questions

0:43:15.160 --> 0:43:18.600
<v Speaker 1>we have for you. First of all, you had on Instagram.

0:43:18.880 --> 0:43:22.680
<v Speaker 1>You had shared Abby our phone screener. She answers phone.

0:43:22.719 --> 0:43:25.200
<v Speaker 1>She produces some segments, but she was singing, and you

0:43:25.840 --> 0:43:28.680
<v Speaker 1>pushed and shared, and so we took that as an

0:43:28.760 --> 0:43:30.759
<v Speaker 1>endorsement that you think she's a pretty good singer. Now,

0:43:30.800 --> 0:43:33.200
<v Speaker 1>do you share people that are only good singing your

0:43:33.200 --> 0:43:38.760
<v Speaker 1>songs or just anybody singing your songs? There's a loaded

0:43:38.840 --> 0:43:43.080
<v Speaker 1>questions We're going to get right through it, you know. Generally,

0:43:43.239 --> 0:43:47.319
<v Speaker 1>being honest with you, I very rarely share anything that

0:43:47.400 --> 0:43:52.359
<v Speaker 1>I think would like hurt somebody's ears. So as much

0:43:52.360 --> 0:43:55.680
<v Speaker 1>as I'll like it, and I'll even sometimes go hey thanks,

0:43:55.760 --> 0:43:57.600
<v Speaker 1>great job, and I'm not going to repost it if

0:43:57.600 --> 0:44:00.719
<v Speaker 1>it's not very good. So yeah, she sounded good and

0:44:01.600 --> 0:44:05.040
<v Speaker 1>all kidding aside. Like, to me, that's the ultimate compliment

0:44:05.080 --> 0:44:09.480
<v Speaker 1>as a songwriter is when anyone wants to take the

0:44:09.520 --> 0:44:12.400
<v Speaker 1>time to learn your song and he especially now posted

0:44:12.440 --> 0:44:15.720
<v Speaker 1>on those socials. That means that that song means something

0:44:15.760 --> 0:44:17.359
<v Speaker 1>to them in some way, even if it's just something

0:44:17.360 --> 0:44:19.080
<v Speaker 1>that they think, oh, I think I sound good singing

0:44:19.080 --> 0:44:22.680
<v Speaker 1>this song. That's the ultimate songwriter compliment, you know. So Abby,

0:44:22.760 --> 0:44:24.600
<v Speaker 1>he is saying he enjoyed it. What do you want

0:44:24.600 --> 0:44:26.120
<v Speaker 1>to say to him? I love it, thank you, I

0:44:26.160 --> 0:44:29.200
<v Speaker 1>appreciate that. Yeah, No, Abby, you sounded good. I mean

0:44:29.200 --> 0:44:31.920
<v Speaker 1>I wouldn't have reposted it if he sucked. What would

0:44:31.960 --> 0:44:35.480
<v Speaker 1>you say to Abby who she moved to Nashville super

0:44:35.520 --> 0:44:37.480
<v Speaker 1>su occur and singing and then you know, she couldn't

0:44:37.480 --> 0:44:39.880
<v Speaker 1>remember some words and she ran out of the audition

0:44:40.040 --> 0:44:41.759
<v Speaker 1>once that she gave up, but now she's kind of

0:44:41.800 --> 0:44:45.560
<v Speaker 1>back trying again, Like regardless of her talent, what would

0:44:45.560 --> 0:44:47.440
<v Speaker 1>you say to someone going through this? What are your

0:44:47.480 --> 0:44:51.719
<v Speaker 1>inspiring words to her? Richard H Well, I mean, you

0:44:51.800 --> 0:44:55.760
<v Speaker 1>can't you really want to have a career. It can't

0:44:55.800 --> 0:44:59.480
<v Speaker 1>be despite not having talent, you know what I mean.

0:44:59.560 --> 0:45:02.160
<v Speaker 1>It's like that's kind of like a given. You kind

0:45:02.160 --> 0:45:03.840
<v Speaker 1>of have to have that, and she does. But I

0:45:03.840 --> 0:45:08.919
<v Speaker 1>would say, you know, on one hand, it's never been

0:45:09.080 --> 0:45:12.759
<v Speaker 1>easier to get attention and to get music out there

0:45:12.800 --> 0:45:15.960
<v Speaker 1>because of social media and streaming, and you know, you

0:45:15.960 --> 0:45:18.520
<v Speaker 1>don't need a record deal, you don't need a publisher anymore.

0:45:18.600 --> 0:45:22.120
<v Speaker 1>You just need to like do fill up your content.

0:45:22.200 --> 0:45:25.680
<v Speaker 1>You need to feed the beast. So I think if

0:45:25.680 --> 0:45:28.080
<v Speaker 1>you're not a songwriter, then you got to find songs

0:45:28.200 --> 0:45:32.600
<v Speaker 1>that you think you sound great doing. But also you

0:45:32.640 --> 0:45:35.760
<v Speaker 1>don't want to do songs Like when I hear people

0:45:35.800 --> 0:45:38.040
<v Speaker 1>trying to cover Whitney Houston songs, I'm always like, what

0:45:38.239 --> 0:45:40.000
<v Speaker 1>do you think you sing this better than Whitney? Did

0:45:41.480 --> 0:45:44.120
<v Speaker 1>you know? Maybe find another song that suits you even

0:45:44.160 --> 0:45:46.400
<v Speaker 1>better that you're not where you're not, nobody's comparing you

0:45:46.440 --> 0:45:48.879
<v Speaker 1>to the original necessarily. You know. That's why I think

0:45:48.880 --> 0:45:51.080
<v Speaker 1>a girl singing a guy song or a guy singing

0:45:51.080 --> 0:45:54.400
<v Speaker 1>a girl song sometimes it's a clever move. Abby, Are

0:45:54.440 --> 0:46:02.759
<v Speaker 1>you inspired? Okay? Richard Marxby, You know, it's funny we're

0:46:02.760 --> 0:46:04.800
<v Speaker 1>talking to a songwriter. So if you got any songs

0:46:04.960 --> 0:46:08.120
<v Speaker 1>he need female to sing? Here I go. She just

0:46:08.239 --> 0:46:11.120
<v Speaker 1>went before it, she just went for it. I'm just kidding.

0:46:11.880 --> 0:46:18.560
<v Speaker 1>I'm not boy. Hey, rich in your career, was there

0:46:18.560 --> 0:46:21.640
<v Speaker 1>ever a time Richard that, um, let's go back to

0:46:21.880 --> 0:46:24.640
<v Speaker 1>the eighties when you were as an artist, you were

0:46:24.680 --> 0:46:26.799
<v Speaker 1>on TV on my all the time and you were

0:46:26.800 --> 0:46:29.439
<v Speaker 1>just crushing, crushing, crushing. Was there ever a moment before

0:46:29.440 --> 0:46:31.560
<v Speaker 1>that happened where you had to go and just like, hey,

0:46:31.640 --> 0:46:33.440
<v Speaker 1>can I have this? Can? I like? What? Just Abby?

0:46:33.480 --> 0:46:35.560
<v Speaker 1>Did you awkwardly? Did you ever have to do that

0:46:35.680 --> 0:46:42.400
<v Speaker 1>awkwardly to people? Oh? Yeah? So um my songwriting career

0:46:42.440 --> 0:46:45.440
<v Speaker 1>really started that way in that I had written a

0:46:45.480 --> 0:46:48.719
<v Speaker 1>handful of songs that when I was a senior in

0:46:48.800 --> 0:46:52.200
<v Speaker 1>high school that somehow magically made their way, that the

0:46:52.239 --> 0:46:54.719
<v Speaker 1>tape made there, made its way to Lionel Richie. Mine

0:46:54.880 --> 0:46:58.279
<v Speaker 1>was she heard my cassette tape and called me. My

0:46:58.280 --> 0:47:00.160
<v Speaker 1>phone number was written on the back. He called me

0:47:00.160 --> 0:47:03.279
<v Speaker 1>in my parents' house and was so encouraging of me,

0:47:03.320 --> 0:47:05.120
<v Speaker 1>and he said, man, I really liked your voice and

0:47:05.120 --> 0:47:06.920
<v Speaker 1>you should move to LA when you graduate from high

0:47:06.920 --> 0:47:09.760
<v Speaker 1>schoo which is what I did. And then he hired

0:47:09.760 --> 0:47:12.640
<v Speaker 1>me as a background singer on his first solo album

0:47:12.640 --> 0:47:15.720
<v Speaker 1>when he left the Commodorees. And around a year later

0:47:15.880 --> 0:47:18.640
<v Speaker 1>he recommended me as a background singer to Kenny Rogers,

0:47:19.160 --> 0:47:22.680
<v Speaker 1>who was huge still at that time in the eighties.

0:47:23.719 --> 0:47:26.560
<v Speaker 1>And so there I am, you know, singing background vocals

0:47:26.560 --> 0:47:29.520
<v Speaker 1>on this Kenny Rogers album and he's there studio and

0:47:29.600 --> 0:47:32.800
<v Speaker 1>I went up to him and said, I'm a songwriter.

0:47:32.920 --> 0:47:34.920
<v Speaker 1>I'd love to play you the song I wrote for you.

0:47:35.360 --> 0:47:37.600
<v Speaker 1>And he should have thrown me out of the studio.

0:47:37.640 --> 0:47:39.799
<v Speaker 1>He should have had security, you know, throw me on

0:47:39.840 --> 0:47:43.480
<v Speaker 1>the street. But he was cool and he said, yeah,

0:47:43.640 --> 0:47:45.719
<v Speaker 1>let me hear it, and we sat down at the

0:47:45.719 --> 0:47:48.160
<v Speaker 1>piano and he cut my song and then he cut

0:47:48.160 --> 0:47:50.919
<v Speaker 1>two more in my songs, and that launched my songwriting career.

0:47:53.320 --> 0:47:57.080
<v Speaker 1>So I was lucky enough to the friend Lionel do.

0:47:57.200 --> 0:48:00.360
<v Speaker 1>I did four season of American Idol and so was

0:48:00.480 --> 0:48:01.920
<v Speaker 1>line was awesome. And now I don't know if it's

0:48:01.920 --> 0:48:04.920
<v Speaker 1>because Linel was seventy and he's just amazing once he

0:48:04.960 --> 0:48:07.600
<v Speaker 1>got older with perspective, but he's the kindest guy. Was

0:48:07.640 --> 0:48:12.560
<v Speaker 1>he like that even when he was young and killing it? Then, Yes,

0:48:12.800 --> 0:48:15.880
<v Speaker 1>I've never known anybody who was a superstar who acted

0:48:15.960 --> 0:48:18.399
<v Speaker 1>less like a superstar than Mile. He's just the most

0:48:18.480 --> 0:48:22.040
<v Speaker 1>gracious kind he can you know, he's still got a

0:48:22.040 --> 0:48:26.040
<v Speaker 1>wicked sense of humor, and he can be sarcastic and

0:48:26.440 --> 0:48:28.360
<v Speaker 1>he can be like he can hang with the best

0:48:28.360 --> 0:48:32.600
<v Speaker 1>of them, but inside his soul is just kindness and

0:48:33.000 --> 0:48:35.720
<v Speaker 1>he loves to help people and he's just the best.

0:48:35.760 --> 0:48:37.840
<v Speaker 1>Like I just love the guy. He changed my life

0:48:38.320 --> 0:48:40.319
<v Speaker 1>Richard Marx is on with us, and I find it

0:48:40.360 --> 0:48:44.680
<v Speaker 1>really interesting, Um, what you're doing inside of songwriter and

0:48:44.760 --> 0:48:48.520
<v Speaker 1>so songwriter and the whole album comes out. What what's

0:48:48.719 --> 0:48:51.920
<v Speaker 1>is nine September with Fingers, January Filbury, March April May

0:48:52.040 --> 0:48:56.960
<v Speaker 1>yet because I know it's not out. Yeah, so September thirtieth,

0:48:57.000 --> 0:48:59.160
<v Speaker 1>you're putting the full album out, but it's split into parts.

0:48:59.440 --> 0:49:03.120
<v Speaker 1>There's pop, rock, country and ballads. And the country parts

0:49:03.200 --> 0:49:07.040
<v Speaker 1>interesting because we're big budds with Keith Urban and you know,

0:49:07.080 --> 0:49:09.799
<v Speaker 1>you guys have written together before. But there's a song

0:49:09.880 --> 0:49:12.040
<v Speaker 1>one Day Longer that you and Keith Urban, so you're

0:49:12.080 --> 0:49:15.200
<v Speaker 1>singing it, but he wrote it with you. Yeah. So

0:49:15.360 --> 0:49:17.640
<v Speaker 1>here's my history with Keith. We've had three really big

0:49:17.719 --> 0:49:21.480
<v Speaker 1>hits together that he had and Better Life Long Hot

0:49:21.520 --> 0:49:26.080
<v Speaker 1>Summer and Everybody and Better Life. He almost didn't cut

0:49:26.080 --> 0:49:28.759
<v Speaker 1>because he kind of got over it by the you know,

0:49:28.920 --> 0:49:30.600
<v Speaker 1>from the time we started it to the time he

0:49:30.640 --> 0:49:32.200
<v Speaker 1>finished it, he was kind of like off of it,

0:49:32.400 --> 0:49:35.000
<v Speaker 1>not into it. But he kind of just went in

0:49:35.040 --> 0:49:37.520
<v Speaker 1>the studio and cut it number one. For six weeks

0:49:38.000 --> 0:49:41.799
<v Speaker 1>we wrote Everybody, and he was all in love with it.

0:49:41.880 --> 0:49:43.560
<v Speaker 1>The day we wrote it. And then a few days

0:49:43.640 --> 0:49:46.160
<v Speaker 1>later he was like, I don't like it anymore. So

0:49:46.200 --> 0:49:48.720
<v Speaker 1>I went in the studio. I was due to record

0:49:48.800 --> 0:49:52.239
<v Speaker 1>something with Dan Huff, his producer who's brilliant, and so

0:49:52.360 --> 0:49:53.920
<v Speaker 1>Dan and I went in the studio to cut a

0:49:53.960 --> 0:49:55.160
<v Speaker 1>song and he said, you know, with that time, we

0:49:55.200 --> 0:49:58.440
<v Speaker 1>can cut another song. So I played him the work

0:49:58.440 --> 0:50:00.719
<v Speaker 1>tape of my song with Keith Everybody, and he went,

0:50:00.719 --> 0:50:03.200
<v Speaker 1>oh my god, man, this is great. We should cut this.

0:50:04.080 --> 0:50:06.239
<v Speaker 1>We cut it, and right before we mixed it, he

0:50:06.320 --> 0:50:08.560
<v Speaker 1>played it for Keith and Keith called and goes, okay,

0:50:08.600 --> 0:50:11.759
<v Speaker 1>I blew it. Can I have that song back? So

0:50:11.880 --> 0:50:14.759
<v Speaker 1>my history with Keith is we write something, he's in

0:50:14.760 --> 0:50:17.120
<v Speaker 1>love with it did day we write it, and then

0:50:17.160 --> 0:50:19.479
<v Speaker 1>a week later he it's the worst thing he's ever heard.

0:50:20.040 --> 0:50:23.439
<v Speaker 1>And that's what happened with one day longer. But it's

0:50:23.480 --> 0:50:25.799
<v Speaker 1>just been taking up space, you know, as an MP

0:50:25.920 --> 0:50:28.520
<v Speaker 1>three in my computer. So I when I was making

0:50:28.560 --> 0:50:30.319
<v Speaker 1>this album, I went back and listened to her. I

0:50:30.320 --> 0:50:33.480
<v Speaker 1>was like, I love this song. So I cut it

0:50:33.760 --> 0:50:37.360
<v Speaker 1>in the country section. Here Richards written songs by himself

0:50:37.480 --> 0:50:42.239
<v Speaker 1>with Urban, with Darius, with Howser and I Think, and

0:50:42.280 --> 0:50:43.680
<v Speaker 1>I mentioned it before we got on the phone with you.

0:50:43.719 --> 0:50:47.480
<v Speaker 1>How just prominent and prolific of a songwriter you are

0:50:47.960 --> 0:50:49.719
<v Speaker 1>and all the songs you've written for a whole lot

0:50:49.719 --> 0:50:52.279
<v Speaker 1>of people. But is there a difference in writing with

0:50:52.360 --> 0:50:54.400
<v Speaker 1>some of these country guys that we know are our

0:50:54.440 --> 0:50:59.120
<v Speaker 1>friends with and some of the guys in la. Oh,

0:50:59.200 --> 0:51:03.759
<v Speaker 1>that's a good question. Um. I mean, you know, I

0:51:03.800 --> 0:51:06.440
<v Speaker 1>don't really write with anyone who's not a real songwriter,

0:51:06.480 --> 0:51:10.200
<v Speaker 1>and that I very rarely collaborate with someone who's just

0:51:10.320 --> 0:51:15.160
<v Speaker 1>a track person or Um. You know, it's usually two

0:51:15.200 --> 0:51:17.880
<v Speaker 1>guys sitting down and or three guys, and it's very

0:51:17.960 --> 0:51:22.600
<v Speaker 1>rare there are three writers on my songs. But um,

0:51:22.640 --> 0:51:25.680
<v Speaker 1>I kind of gravitate towards what I would call old

0:51:25.680 --> 0:51:28.960
<v Speaker 1>school songwriters, where you just sort of hammer it out,

0:51:29.040 --> 0:51:31.600
<v Speaker 1>you know, you get a concept, you get I usually

0:51:31.600 --> 0:51:33.920
<v Speaker 1>come in with a bunch of melody ideas or a title,

0:51:34.680 --> 0:51:37.960
<v Speaker 1>and we're just off to the races. Um, there's not

0:51:38.040 --> 0:51:40.480
<v Speaker 1>that much difference, actually, you know, I mean, writing with

0:51:41.760 --> 0:51:44.640
<v Speaker 1>Randy House or is not that different than writing with

0:51:45.440 --> 0:51:48.080
<v Speaker 1>you know, my son Lucas who's a great pop songwriter,

0:51:48.200 --> 0:51:50.640
<v Speaker 1>or any of these other guys. It's all it's all

0:51:50.760 --> 0:51:53.640
<v Speaker 1>sort of like going after the song, you know, not

0:51:54.040 --> 0:51:56.400
<v Speaker 1>trying to worry so much about what the record is

0:51:56.400 --> 0:51:58.040
<v Speaker 1>going to be, but just making the song the best

0:51:58.040 --> 0:52:01.200
<v Speaker 1>to convict. You say you're going with mel so well,

0:52:01.239 --> 0:52:03.680
<v Speaker 1>you'll just walk in. And I was gonna ask if

0:52:03.680 --> 0:52:05.720
<v Speaker 1>you're a melody or a lyric guy first, and probably

0:52:05.719 --> 0:52:07.279
<v Speaker 1>you do it a little bit of both. But will

0:52:07.320 --> 0:52:09.480
<v Speaker 1>you walk in with no concept at all? But you're like,

0:52:09.480 --> 0:52:11.919
<v Speaker 1>at this melody goes boo doo doo doo doo doo

0:52:12.040 --> 0:52:14.120
<v Speaker 1>doo doo, and you walk in with just that melody,

0:52:14.120 --> 0:52:16.480
<v Speaker 1>and then you'd start trying to assign words and a

0:52:16.520 --> 0:52:20.760
<v Speaker 1>concept to the sound. Yeah, that's how I've always written songs,

0:52:21.280 --> 0:52:24.759
<v Speaker 1>even the songs I've written by myself, which which make

0:52:24.800 --> 0:52:27.200
<v Speaker 1>up most of my catalog, or the songs I wrote alone.

0:52:27.800 --> 0:52:33.200
<v Speaker 1>It starts with some gibberish line, you know, and like

0:52:33.719 --> 0:52:36.680
<v Speaker 1>I had this big hit called Hazard, this the story song,

0:52:38.800 --> 0:52:42.600
<v Speaker 1>and all I had was my mother came to down

0:52:42.680 --> 0:52:46.280
<v Speaker 1>I wanna. I was just seven, and then I started

0:52:46.320 --> 0:52:48.960
<v Speaker 1>to like, I wrote all the music, all the melody,

0:52:48.960 --> 0:52:50.719
<v Speaker 1>and I started to put the story together, and I

0:52:50.760 --> 0:52:54.319
<v Speaker 1>had everything except the name of the town that this

0:52:54.360 --> 0:52:56.480
<v Speaker 1>thing was set in and I even knew it was

0:52:56.480 --> 0:52:59.600
<v Speaker 1>in Nebraska because I referenced in Nebraska. So I just

0:52:59.640 --> 0:53:02.640
<v Speaker 1>had to go through every name of every town in

0:53:02.719 --> 0:53:05.319
<v Speaker 1>Nebraska until I found one that's the two syllable word

0:53:05.360 --> 0:53:08.920
<v Speaker 1>that's fit, that sounded good. It's kind of how it

0:53:09.040 --> 0:53:12.320
<v Speaker 1>all starts with me, is with a melody. The melodies

0:53:12.760 --> 0:53:14.960
<v Speaker 1>and the music kind of tell me what the lyrics

0:53:15.000 --> 0:53:18.120
<v Speaker 1>should be. Whenever you have songs that are so massive,

0:53:18.360 --> 0:53:22.160
<v Speaker 1>for example right here waiting from like eighty nine, do

0:53:22.239 --> 0:53:26.080
<v Speaker 1>you go through different cycles or seasons where you know

0:53:26.160 --> 0:53:27.640
<v Speaker 1>it's a massive hit, you love to play it, then

0:53:27.640 --> 0:53:28.880
<v Speaker 1>you play it so much you don't want to play it,

0:53:28.920 --> 0:53:30.200
<v Speaker 1>but then you're kind of re energized to play it

0:53:30.200 --> 0:53:32.640
<v Speaker 1>again because you've hated it for so long. Is that

0:53:32.760 --> 0:53:34.920
<v Speaker 1>a seasonal thing with you in your life or do

0:53:34.960 --> 0:53:38.000
<v Speaker 1>you just always love it? Or how does that work? No,

0:53:38.200 --> 0:53:40.680
<v Speaker 1>I don't have that experience. I'm sure I think that

0:53:40.719 --> 0:53:45.760
<v Speaker 1>probably happens more with people who record songs by other people.

0:53:46.680 --> 0:53:48.759
<v Speaker 1>If you wrote a song that you love, If I

0:53:48.800 --> 0:53:50.719
<v Speaker 1>write a song, if I record a song and release

0:53:50.800 --> 0:53:53.799
<v Speaker 1>a song, it means that I love that song, and

0:53:53.920 --> 0:53:55.799
<v Speaker 1>I don't. I mean there's some songs that I might

0:53:55.880 --> 0:53:59.000
<v Speaker 1>get a little bit more psych to play sometimes, but

0:53:59.040 --> 0:54:01.680
<v Speaker 1>there's never a song in my set where I look

0:54:01.719 --> 0:54:03.480
<v Speaker 1>down at the set list and go, oh god, not

0:54:03.640 --> 0:54:06.759
<v Speaker 1>that again. I've never had that hanging to the every

0:54:06.800 --> 0:54:08.640
<v Speaker 1>day with certain segments in my radio show. Every day,

0:54:08.640 --> 0:54:11.960
<v Speaker 1>I'm just like, oh my god, yeah, Richard, this has

0:54:12.000 --> 0:54:14.279
<v Speaker 1>been awesome. I want to let everybody know. Songwriter comes

0:54:14.320 --> 0:54:18.360
<v Speaker 1>out on September thirtieth. Again. There are all these sections,

0:54:18.600 --> 0:54:21.279
<v Speaker 1>and I love how you did it. And ballads though,

0:54:21.280 --> 0:54:23.960
<v Speaker 1>by the way, when I was looking at this ballads,

0:54:24.200 --> 0:54:26.359
<v Speaker 1>it didn't you didn't format that. You just went, Okay,

0:54:26.400 --> 0:54:28.880
<v Speaker 1>these are slow songs. Slow songs don't have a format

0:54:29.640 --> 0:54:31.920
<v Speaker 1>or a genre, not to me. Not to me. Just

0:54:32.320 --> 0:54:36.440
<v Speaker 1>those songs to me were just these five really beautiful

0:54:36.520 --> 0:54:39.759
<v Speaker 1>songs that could have been any genre really, but they

0:54:40.080 --> 0:54:41.719
<v Speaker 1>kind of made up their own genre to me. And

0:54:41.760 --> 0:54:45.080
<v Speaker 1>the first track is by the way, you know, I'm

0:54:45.080 --> 0:54:46.880
<v Speaker 1>doing this a lot of We're going to do a

0:54:46.960 --> 0:54:48.680
<v Speaker 1>vinyl version of this, so it's literally going to be

0:54:48.719 --> 0:54:53.600
<v Speaker 1>side A SID side C SidD you know. The lead

0:54:53.640 --> 0:54:57.560
<v Speaker 1>track on the ballads section I wrote with Burt Backgrock.

0:54:57.600 --> 0:55:00.719
<v Speaker 1>It's a song called Always. I mean getting to sit

0:55:00.760 --> 0:55:02.520
<v Speaker 1>in a room and write a song with Burt background.

0:55:02.520 --> 0:55:04.840
<v Speaker 1>And this is when he was ninety one. He's ninety

0:55:04.880 --> 0:55:08.880
<v Speaker 1>four now. Um, I can't even believe it. You know again,

0:55:09.000 --> 0:55:12.600
<v Speaker 1>we became pals and this guy wrote the soundtrack to

0:55:12.640 --> 0:55:15.240
<v Speaker 1>all of our lives. You know. I'm just so humbled

0:55:15.280 --> 0:55:16.839
<v Speaker 1>that I got to sit in a room with him

0:55:16.840 --> 0:55:20.160
<v Speaker 1>and write such a beautiful I'm so proud of this song. Yeah,

0:55:20.160 --> 0:55:22.960
<v Speaker 1>that's pretty cool that Burt. Because Burt background for me,

0:55:23.320 --> 0:55:26.560
<v Speaker 1>rain drops keep falling on that's that's not background. He's

0:55:26.560 --> 0:55:29.359
<v Speaker 1>played it though. He's played it though, Eddie, I've heard

0:55:29.360 --> 0:55:32.000
<v Speaker 1>Burt background play that song. That's what I think about.

0:55:32.239 --> 0:55:34.080
<v Speaker 1>He wrote it, and he wrote it, Eddie. There you go.

0:55:34.360 --> 0:55:36.400
<v Speaker 1>So so then I thought I was right. Then I

0:55:36.400 --> 0:55:38.000
<v Speaker 1>thought I was wrong, and I was embarrassed. And then

0:55:38.040 --> 0:55:40.439
<v Speaker 1>I had to come back to it and Richard Marks, sorry,

0:55:40.520 --> 0:55:42.560
<v Speaker 1>Ricardo Marks told me I was right. Because now we're friends.

0:55:43.600 --> 0:55:45.360
<v Speaker 1>There you have it, Okay. So here's what we're gonna do.

0:55:45.480 --> 0:55:47.160
<v Speaker 1>If you ever come to Nashville, we'd love to have you,

0:55:47.680 --> 0:55:50.080
<v Speaker 1>uh hop in the studio here. We'll do a whole deal.

0:55:50.320 --> 0:55:53.280
<v Speaker 1>I'm just a big fan. That thing. And your album

0:55:53.280 --> 0:55:54.839
<v Speaker 1>comes down to thirtieth We'll be sure to talk about

0:55:54.880 --> 0:55:56.520
<v Speaker 1>it when it comes out, and you guys go to

0:55:56.600 --> 0:55:59.200
<v Speaker 1>Richard Marks dot com. He's in Europe now, but he

0:55:59.239 --> 0:56:00.759
<v Speaker 1>will come to the stage and he's doing a bunch

0:56:00.800 --> 0:56:03.200
<v Speaker 1>of shows in the States starting in October, and he's

0:56:03.200 --> 0:56:04.680
<v Speaker 1>in a lot of the cities that are shows in

0:56:05.040 --> 0:56:08.080
<v Speaker 1>and just a very entertaining, very funny guy, but also

0:56:08.160 --> 0:56:11.080
<v Speaker 1>super talented and super cool and says Abby has a

0:56:11.120 --> 0:56:13.040
<v Speaker 1>longer in music and he will put her on tour

0:56:13.080 --> 0:56:17.840
<v Speaker 1>with him. That's what I heard. Wow, wow, wow. That

0:56:17.920 --> 0:56:24.880
<v Speaker 1>is by Bobby. You can officially call me Ricardo. Okay, okay, Ricardo.

0:56:25.280 --> 0:56:28.000
<v Speaker 1>Thank you for your time, massive fan. Good luck with

0:56:28.040 --> 0:56:31.080
<v Speaker 1>the record, and congrats on the book. And hopefully I

0:56:31.120 --> 0:56:34.280
<v Speaker 1>will see in person sometime. Thank you. Thank you. Guys.

0:56:34.280 --> 0:56:37.920
<v Speaker 1>All right there he is Richard Marks. Everybody, Hey, Abby

0:56:37.920 --> 0:56:40.440
<v Speaker 1>sing us out with a little Richard Marks. Oh you

0:56:40.480 --> 0:56:43.919
<v Speaker 1>sing sing us out? Abby. Let's go whereever you are,

0:56:44.280 --> 0:56:53.719
<v Speaker 1>whatever you do, I will be right here. It's the

0:56:53.760 --> 0:56:58.080
<v Speaker 1>best Bits of the Week with Morgan number two and

0:56:58.200 --> 0:57:03.160
<v Speaker 1>without further Ado Lunchbox, who hopefully is going to Vegas.

0:57:03.200 --> 0:57:07.200
<v Speaker 1>He auditioned for Bad Out of Hell the Musical, and

0:57:07.480 --> 0:57:10.399
<v Speaker 1>the director had come on. Lunchbox had to act out

0:57:10.400 --> 0:57:12.440
<v Speaker 1>a scene, he had to sing a song, he had

0:57:12.480 --> 0:57:15.480
<v Speaker 1>to do some improv and all around. Like, I give

0:57:15.560 --> 0:57:18.560
<v Speaker 1>him some awesome a's because he really put an effort

0:57:18.600 --> 0:57:21.080
<v Speaker 1>and he was trying. And I you know, I've said

0:57:21.120 --> 0:57:23.400
<v Speaker 1>it before and I'll keep saying. I think Lunchbox is

0:57:23.520 --> 0:57:26.200
<v Speaker 1>so good at improv and he is great at being

0:57:26.240 --> 0:57:29.240
<v Speaker 1>fearless and not giving two craps about what anyone thinks

0:57:29.240 --> 0:57:31.160
<v Speaker 1>about him, which is why he's so good at improv.

0:57:31.360 --> 0:57:34.320
<v Speaker 1>And I think this could be really fun, cool role

0:57:34.360 --> 0:57:36.400
<v Speaker 1>for him if he gets it. So I'm cheering him on.

0:57:36.440 --> 0:57:38.600
<v Speaker 1>He may not cheer me on in all the ways,

0:57:38.640 --> 0:57:40.640
<v Speaker 1>you know, with my outfits and artists, and he may

0:57:40.680 --> 0:57:43.640
<v Speaker 1>not cheer Abby on in her singing career, but I'm

0:57:43.720 --> 0:57:45.440
<v Speaker 1>cheering him on for this. I think it'd be really

0:57:45.480 --> 0:57:47.560
<v Speaker 1>awesome to see him in a musical. I mean, I'm

0:57:47.560 --> 0:57:50.280
<v Speaker 1>just picturing Lunchbox and a musical. I don't know. I

0:57:50.280 --> 0:57:52.560
<v Speaker 1>think it'd either be pretty funny or pretty awesome, So

0:57:52.760 --> 0:57:55.160
<v Speaker 1>I'm rooting for it. Here you go. This is Lunchbox

0:57:55.160 --> 0:57:58.560
<v Speaker 1>auditioning for the gig number one, Right, Jay Schaiba is

0:57:58.600 --> 0:58:00.920
<v Speaker 1>on with us, big fan, see director, It's all we

0:58:00.920 --> 0:58:07.400
<v Speaker 1>love Jay. How are you great? Great? I'm great? How

0:58:07.400 --> 0:58:09.440
<v Speaker 1>are you? We're doing pretty good. We're excited because Lunchbox

0:58:09.400 --> 0:58:12.400
<v Speaker 1>is about the audition for big role, big role. His

0:58:12.600 --> 0:58:15.680
<v Speaker 1>dream as two is to get into the arts, and

0:58:15.800 --> 0:58:19.640
<v Speaker 1>we told him about the opportunity and he's ready. He's nervous.

0:58:19.680 --> 0:58:21.680
<v Speaker 1>So what are we gonna do here? To see if

0:58:21.760 --> 0:58:26.800
<v Speaker 1>Lunchbox is the person that you need for your production. Well,

0:58:27.360 --> 0:58:29.520
<v Speaker 1>I'd love it if we could, um, if we could

0:58:29.520 --> 0:58:33.480
<v Speaker 1>do a scene, a song and then a short improvisation.

0:58:33.600 --> 0:58:35.360
<v Speaker 1>I like that's probably director say, let's have seen a

0:58:35.360 --> 0:58:38.760
<v Speaker 1>song in an improv I like how directors say that

0:58:38.760 --> 0:58:40.720
<v Speaker 1>that's good. I don't even know if that's a thing,

0:58:40.720 --> 0:58:43.320
<v Speaker 1>but I like it. All right, So Lunchbox he wants

0:58:43.400 --> 0:58:45.880
<v Speaker 1>us to do a scene first. Oh I am, let's go.

0:58:46.040 --> 0:58:49.760
<v Speaker 1>You're ready to be or not to pick a scene? Oh? Yeah?

0:58:49.800 --> 0:58:53.320
<v Speaker 1>Do you know what that's from? By the way, a Hamlet? Jay,

0:58:53.400 --> 0:58:58.200
<v Speaker 1>do you know what that's That's correct? That's right? Yeah, No,

0:58:58.360 --> 0:59:01.360
<v Speaker 1>that doesn't make you a thespian. Oh but you didn't

0:59:01.360 --> 0:59:05.800
<v Speaker 1>know and I'm impressed by that. Hey Jay, pick a fight. Okay, No,

0:59:05.880 --> 0:59:10.400
<v Speaker 1>we're not doing Brave Heart. Hey Jay. So as far

0:59:10.440 --> 0:59:13.160
<v Speaker 1>as your experience, because you've done a lot of you

0:59:13.160 --> 0:59:15.480
<v Speaker 1>have so many awards, and you've done so many productions,

0:59:15.880 --> 0:59:17.960
<v Speaker 1>I have to imagine you have just worked with some

0:59:18.240 --> 0:59:23.720
<v Speaker 1>wonderfully skilled actors and singers over the years. Yeah, yeah, yeah,

0:59:23.760 --> 0:59:26.720
<v Speaker 1>for sure. When you look at this guy here, Lunchbox,

0:59:27.480 --> 0:59:30.760
<v Speaker 1>just to fit looking at him, sometimes you get to

0:59:30.800 --> 0:59:32.480
<v Speaker 1>see that thing about somebody. Do you see it here?

0:59:33.160 --> 0:59:37.880
<v Speaker 1>I mean I'm getting like tons of like great street fashion,

0:59:38.280 --> 0:59:42.760
<v Speaker 1>street vibes, natural, natural talent. Let's I'll talk about street

0:59:42.800 --> 0:59:44.720
<v Speaker 1>fashion is a good word. I don't know what that means,

0:59:44.720 --> 0:59:47.400
<v Speaker 1>but that means fashion. He said, fashion. Okay, I got

0:59:47.440 --> 0:59:49.600
<v Speaker 1>my style. Jay. What is the scene we're reading from?

0:59:49.720 --> 0:59:53.640
<v Speaker 1>You know what this is? So? This is? Um? This

0:59:53.720 --> 0:59:59.520
<v Speaker 1>is this is the scene where Stratum meets Raven and

0:59:59.560 --> 1:00:02.760
<v Speaker 1>it's their first like real conversation and he sort of

1:00:02.760 --> 1:00:07.959
<v Speaker 1>reveals something important about himself. Um. And and actually there's

1:00:08.000 --> 1:00:10.040
<v Speaker 1>you know, there's more than one character in the scene. Bobby,

1:00:10.120 --> 1:00:14.680
<v Speaker 1>would you mind reading Raven just to help Lunchbox, you know,

1:00:14.840 --> 1:00:18.880
<v Speaker 1>get into it. Okay, I will be reading Raven here lunchbox.

1:00:18.920 --> 1:00:23.280
<v Speaker 1>You're going to be stratt. Yeah, oh man, this looks

1:00:23.280 --> 1:00:26.560
<v Speaker 1>like it's kind of a romantic scene. It says on

1:00:26.680 --> 1:00:29.120
<v Speaker 1>my bed, like we're gonna be in bed together. All right,

1:00:30.360 --> 1:00:32.479
<v Speaker 1>all right, are you ready? Lunchbox? It says it Raven.

1:00:32.520 --> 1:00:33.920
<v Speaker 1>I've not read over this, so let me mess it

1:00:33.960 --> 1:00:35.960
<v Speaker 1>up a lunchbox. You do your thing, Raven said to

1:00:36.120 --> 1:00:45.040
<v Speaker 1>Raven said tenderly, Stratt you here, Okay, I can feel

1:00:45.080 --> 1:00:49.640
<v Speaker 1>your blood in my veins. Raven, I believe it's you,

1:00:50.960 --> 1:00:54.880
<v Speaker 1>and yes, and if I fall asleep here tonight, you

1:00:54.960 --> 1:00:58.960
<v Speaker 1>better get me some satin sheets because I've been sweating gasoline.

1:00:59.760 --> 1:01:02.880
<v Speaker 1>My dreams are highly flammable, and there are parts of

1:01:02.880 --> 1:01:08.120
<v Speaker 1>my body that just won't stop giving off sparks. See okay,

1:01:10.600 --> 1:01:12.080
<v Speaker 1>to say here, I got a lot of time to say,

1:01:12.080 --> 1:01:14.080
<v Speaker 1>why did you change words in it? Because I don't

1:01:14.080 --> 1:01:17.040
<v Speaker 1>know what that word is. You said satin Lunchbuck said

1:01:17.040 --> 1:01:18.760
<v Speaker 1>satin sheets, and I was like, that's not in there.

1:01:18.800 --> 1:01:20.760
<v Speaker 1>There was some big water I think, I don't nobody,

1:01:20.920 --> 1:01:22.520
<v Speaker 1>nobody help him know what? Help him do it? And

1:01:22.560 --> 1:01:28.360
<v Speaker 1>say the word go asbestos asbestos sheets. Huh A Spanish word. Yeah,

1:01:28.360 --> 1:01:31.040
<v Speaker 1>go ahead, asbestos Spanish? What do you think? Go ahead?

1:01:31.040 --> 1:01:33.560
<v Speaker 1>Say just do the line, do the first up until

1:01:33.600 --> 1:01:35.200
<v Speaker 1>that part, but say it how you think it is said?

1:01:35.200 --> 1:01:38.680
<v Speaker 1>Go ahead? And if I fall asleep here tonight, you

1:01:38.800 --> 1:01:44.640
<v Speaker 1>better get me some asbesto sheets. Okay, that's not quite it.

1:01:45.040 --> 1:01:47.000
<v Speaker 1>But you don't know what that is that word. No,

1:01:47.120 --> 1:01:50.080
<v Speaker 1>it's a big word. I've never seen that one. He

1:01:50.160 --> 1:01:53.080
<v Speaker 1>just do satin in there. I mean I admire it. Good.

1:01:53.560 --> 1:01:56.560
<v Speaker 1>I mean I had to do something thinking that quick.

1:01:56.560 --> 1:01:58.880
<v Speaker 1>Think if I get your point with the director, Eddie,

1:01:59.000 --> 1:02:02.560
<v Speaker 1>do you want to help them with that? What were asbestos? Yeah? Yeah,

1:02:02.680 --> 1:02:06.520
<v Speaker 1>there you go asbestos? Asbestos? Asbestos? You ever heard aboutsbestos?

1:02:06.600 --> 1:02:09.400
<v Speaker 1>And like, well it's like poisoning. Yes, and they had

1:02:09.440 --> 1:02:11.480
<v Speaker 1>to take it out of all the Yeah, we had

1:02:11.520 --> 1:02:15.200
<v Speaker 1>some in our parking rock soon like you saw asbestos fallen?

1:02:15.640 --> 1:02:19.040
<v Speaker 1>How do you say it? Asbestos is how we would say. Yes, Okay,

1:02:19.040 --> 1:02:22.000
<v Speaker 1>now this is for another time, but we've been exposed

1:02:22.000 --> 1:02:23.640
<v Speaker 1>to that in our parking grau. Yeah, we're all gonna die.

1:02:23.640 --> 1:02:29.160
<v Speaker 1>But anyway, here lunch okay, the scene, lunchbox scene. Okay,

1:02:29.280 --> 1:02:32.400
<v Speaker 1>we're gonna get relaxed. Jay I'm coming to you now.

1:02:32.440 --> 1:02:34.800
<v Speaker 1>You heard lunchbox. What do you think you know? I

1:02:34.840 --> 1:02:38.160
<v Speaker 1>think you're thinking on your feet, lunchbox, and I appreciate

1:02:38.200 --> 1:02:41.680
<v Speaker 1>that a lot. I think that's really great. Asbestos because

1:02:41.800 --> 1:02:43.840
<v Speaker 1>right because you're putting off sparks and you don't want

1:02:43.840 --> 1:02:46.000
<v Speaker 1>to catch the bed on fire. Okay, as I fall

1:02:46.080 --> 1:02:48.040
<v Speaker 1>out here tonight, you better give me some asbestos sheets

1:02:48.040 --> 1:02:50.560
<v Speaker 1>because I've been sweating gasoline. Satin would probably catch on.

1:02:50.560 --> 1:02:55.240
<v Speaker 1>Filling satin would be a problem. He did go straight satin.

1:02:55.480 --> 1:02:57.360
<v Speaker 1>You really, I don't know it's the satin is either.

1:02:57.400 --> 1:02:59.640
<v Speaker 1>I just know it's a material. I don't give me

1:02:59.680 --> 1:03:04.720
<v Speaker 1>some safe and jeets. Okay, satan? Yeah, good lunchbox, Good

1:03:04.800 --> 1:03:08.400
<v Speaker 1>job buddy. Yes, okay, welcome you first part now. And

1:03:08.440 --> 1:03:10.520
<v Speaker 1>I got to tell you my acting coaches listening right now.

1:03:10.560 --> 1:03:16.320
<v Speaker 1>She texted me, Oh cool, Yeah, what do you want

1:03:16.320 --> 1:03:19.040
<v Speaker 1>to tell janeything about you specifically? Oh? Jay, let me

1:03:19.040 --> 1:03:21.400
<v Speaker 1>tell you. Like I took drama back in seventh grade

1:03:21.400 --> 1:03:23.720
<v Speaker 1>at Murcus in middle school. Miss Dawson was my teacher.

1:03:23.960 --> 1:03:25.480
<v Speaker 1>We didn't really do much acting. It was much a

1:03:25.520 --> 1:03:28.960
<v Speaker 1>goofing off and then over, you know, COVID. I was

1:03:29.000 --> 1:03:30.840
<v Speaker 1>just sitting at home and I was like, man, I

1:03:30.880 --> 1:03:32.960
<v Speaker 1>want to start acting classes. I want to make it

1:03:33.000 --> 1:03:35.320
<v Speaker 1>to Hollywood. I want to become a star. And so

1:03:35.360 --> 1:03:38.040
<v Speaker 1>I found a class, but they're only meeting online. So

1:03:38.040 --> 1:03:41.040
<v Speaker 1>we've been doing table reads over zoom for like a

1:03:41.120 --> 1:03:44.920
<v Speaker 1>year and a half and man, it is going excellent. Good,

1:03:45.880 --> 1:03:50.080
<v Speaker 1>that's awesome. Where's your Where was your school in Austin, Texas?

1:03:50.200 --> 1:03:54.400
<v Speaker 1>Murcus in middle school? We were the matadors. Yeah, middle school.

1:03:54.440 --> 1:03:55.960
<v Speaker 1>He didn't know he's going full middle school. Yeah, right

1:03:56.000 --> 1:03:58.200
<v Speaker 1>over there on far West Boulevard. I mean right across

1:03:58.240 --> 1:04:01.960
<v Speaker 1>from tcby Yogurt mister Gaddy Pizza. It was amazing. And

1:04:02.120 --> 1:04:04.000
<v Speaker 1>Dawson Elementary was at the top of the hill, but

1:04:04.000 --> 1:04:05.919
<v Speaker 1>we were separated by offense. I didn't go to DAWs

1:04:06.120 --> 1:04:07.920
<v Speaker 1>That's what it is. Yeah, I think you've got a

1:04:07.920 --> 1:04:09.960
<v Speaker 1>little do. I have no idea what miss Dawson is

1:04:09.960 --> 1:04:12.520
<v Speaker 1>doing now, but she was the drama teacher, and boy,

1:04:12.880 --> 1:04:16.200
<v Speaker 1>we had a lot of fun on that. Okay, Hey, Jay,

1:04:16.280 --> 1:04:18.800
<v Speaker 1>say says, you're a professor for music and Theater Arts

1:04:18.800 --> 1:04:21.200
<v Speaker 1>at m I T. So what what is that? What

1:04:21.240 --> 1:04:24.520
<v Speaker 1>do you do there? I teach? I teach classes in

1:04:25.320 --> 1:04:29.600
<v Speaker 1>acting directing media design. So we do a lot of

1:04:29.640 --> 1:04:33.840
<v Speaker 1>work with emerging technologies. I feel about that, man, M

1:04:33.840 --> 1:04:36.320
<v Speaker 1>I T. I've been there, you have. I was in

1:04:36.400 --> 1:04:38.040
<v Speaker 1>Boston one time and I stayed at a hotel and

1:04:38.040 --> 1:04:40.080
<v Speaker 1>it had like sheets. I said, M I T. That's

1:04:40.080 --> 1:04:43.040
<v Speaker 1>not you being there. I mean it's right next door. Okay, okay,

1:04:43.040 --> 1:04:47.440
<v Speaker 1>that hotel, that's that's that's pretty close, jayshe I was

1:04:47.440 --> 1:04:49.439
<v Speaker 1>on with us the director and so wait a minute,

1:04:49.600 --> 1:04:52.240
<v Speaker 1>he has time to direct in Las Vegas. He has

1:04:52.280 --> 1:04:55.120
<v Speaker 1>time to teach it MT. This dude's all over. Well

1:04:55.160 --> 1:04:56.960
<v Speaker 1>ask him, ask him how like, how do you do that?

1:04:57.080 --> 1:04:59.360
<v Speaker 1>I have a lot of frequent flyer miles and I

1:04:59.640 --> 1:05:04.000
<v Speaker 1>don't sleep a lot. This guy's awesome. Hey, let's go. Hey,

1:05:04.240 --> 1:05:06.000
<v Speaker 1>have you worked in with big actors like you know?

1:05:06.240 --> 1:05:08.160
<v Speaker 1>You guy? Can you drop some names on me or no?

1:05:08.600 --> 1:05:13.880
<v Speaker 1>Mostly theater? Um, gosh, yeah, no, it's okay. Theater is good,

1:05:13.920 --> 1:05:14.920
<v Speaker 1>Like you know what I mean. There's a lot of

1:05:14.960 --> 1:05:16.960
<v Speaker 1>theater people that do great and I can't wait to eater.

1:05:17.360 --> 1:05:21.680
<v Speaker 1>Do you know what I mean? Jay? Remember he got

1:05:21.680 --> 1:05:25.200
<v Speaker 1>to hire you, right, Yeah, be cool. So let's see,

1:05:25.480 --> 1:05:26.920
<v Speaker 1>I'll take you. I mean, I may want it. I

1:05:26.920 --> 1:05:28.600
<v Speaker 1>don't know, we'll see well no no, no, no that

1:05:28.640 --> 1:05:31.760
<v Speaker 1>either you're not so hard to get cool, be cool,

1:05:32.200 --> 1:05:35.120
<v Speaker 1>it's cool, Jay ja Avazon with us director, tell me

1:05:35.120 --> 1:05:37.240
<v Speaker 1>about Bad out of Hell and just generally what this

1:05:37.400 --> 1:05:41.680
<v Speaker 1>is so Bad out of Hell is um is a

1:05:42.120 --> 1:05:45.800
<v Speaker 1>kind of like a rock opera musical based on based

1:05:45.840 --> 1:05:49.960
<v Speaker 1>on Jim Steinman and meat Loaf's eponymous album, Right Meet

1:05:50.200 --> 1:05:52.520
<v Speaker 1>Bad out of Hell, which I which for a long

1:05:52.560 --> 1:05:56.280
<v Speaker 1>time was like the second most selling album of all time. Um.

1:05:56.960 --> 1:06:02.680
<v Speaker 1>So it's like basically, basically the story revolves around Strat

1:06:02.720 --> 1:06:07.080
<v Speaker 1>and Raven who fall madly in love, um, sort of

1:06:07.120 --> 1:06:09.680
<v Speaker 1>love at first sight at a at a street protest,

1:06:10.400 --> 1:06:14.120
<v Speaker 1>and let's just say her dad is not into it. Um,

1:06:14.320 --> 1:06:17.600
<v Speaker 1>And so what ensues is a kind of kind of

1:06:18.200 --> 1:06:23.400
<v Speaker 1>rock and roll Romeo and Juliet story in which, um,

1:06:23.400 --> 1:06:26.400
<v Speaker 1>it's just sort of like one mad adventure after another

1:06:27.040 --> 1:06:31.919
<v Speaker 1>set against these amazing, amazing songs. Nice and speaking of song, wow,

1:06:31.960 --> 1:06:34.800
<v Speaker 1>what's that part of the audition? This is crazy. I mean,

1:06:35.400 --> 1:06:37.760
<v Speaker 1>Strat is the main character, and you see who I

1:06:37.800 --> 1:06:42.040
<v Speaker 1>read Strat, I'm for the big role. This is awesome.

1:06:42.200 --> 1:06:44.320
<v Speaker 1>I didn't know I was going to be the main guy. Well,

1:06:44.360 --> 1:06:47.160
<v Speaker 1>I think he's just reading something from the production. Well,

1:06:47.320 --> 1:06:49.760
<v Speaker 1>but I don't know. I'm not that. I have nothing

1:06:49.760 --> 1:06:50.960
<v Speaker 1>to do with this. I don't know. I'm just trying

1:06:50.960 --> 1:06:54.120
<v Speaker 1>to set you. This is crazy. I am going to

1:06:54.120 --> 1:07:02.240
<v Speaker 1>have the lead. No, no, now, I got nervous. Whoa lunchbox?

1:07:02.280 --> 1:07:05.480
<v Speaker 1>Are you ready to do this song? Yeah? Can you?

1:07:05.600 --> 1:07:07.080
<v Speaker 1>Can you move him so we can hear me? Can ye?

1:07:07.200 --> 1:07:10.520
<v Speaker 1>Hold on? The hold on? Hold on, he's mutic go ahead.

1:07:10.520 --> 1:07:12.200
<v Speaker 1>I've never heard this song. I don't know this part.

1:07:12.240 --> 1:07:13.480
<v Speaker 1>What do you mean? I don't know how it goes?

1:07:14.240 --> 1:07:16.040
<v Speaker 1>But you no one told you were singing that. I

1:07:16.040 --> 1:07:17.800
<v Speaker 1>told I even told you were singing the last part

1:07:17.800 --> 1:07:20.760
<v Speaker 1>of it, even on the air, I said. I said

1:07:20.800 --> 1:07:24.400
<v Speaker 1>you were doing the original, the ending of that song,

1:07:24.840 --> 1:07:27.280
<v Speaker 1>not the part you sing about the motorcycle. Oh, I've

1:07:27.280 --> 1:07:29.320
<v Speaker 1>been practicing the motorcycle. No, but I told you that

1:07:29.400 --> 1:07:32.080
<v Speaker 1>wasn't it, the battering ram whatever? Okay, you can turn

1:07:32.120 --> 1:07:36.120
<v Speaker 1>it back up. Okay, okay, so lunchbox, you're gonna sing here,

1:07:36.560 --> 1:07:39.479
<v Speaker 1>Ray play me the ending to the Songbox is gonna

1:07:39.480 --> 1:07:47.520
<v Speaker 1>sing down. Done this a lot of times. I mean,

1:07:47.600 --> 1:07:49.400
<v Speaker 1>let me tell you that's like right in my wheelhouse. Yeah,

1:07:49.400 --> 1:07:51.760
<v Speaker 1>I practice practicing a lot, practice a lot. Let me

1:07:51.760 --> 1:07:53.800
<v Speaker 1>tell you, Jay, I've been practicing at home. This song

1:07:53.960 --> 1:07:59.000
<v Speaker 1>is like on my top playlist. Okay, And so Jay,

1:07:59.160 --> 1:08:01.480
<v Speaker 1>will you tell lunch Box exactly what he needs to

1:08:01.480 --> 1:08:05.360
<v Speaker 1>do in this song performance. So, in this particular momentu

1:08:05.720 --> 1:08:09.640
<v Speaker 1>Strat has been pursued by the police um with Raven

1:08:09.640 --> 1:08:12.760
<v Speaker 1>on the back of his motorcycle. She like says, stop stop,

1:08:12.760 --> 1:08:14.600
<v Speaker 1>I gotta get off, I gotta go back. I gotta

1:08:14.640 --> 1:08:17.000
<v Speaker 1>try to stop them, and she takes off and he

1:08:17.040 --> 1:08:20.000
<v Speaker 1>thinks I've lost everything, and so he just goes on

1:08:20.040 --> 1:08:27.479
<v Speaker 1>a tear and flies off a cliff and crashes um

1:08:28.160 --> 1:08:32.839
<v Speaker 1>and um and basically he's so upset his heart flies

1:08:32.920 --> 1:08:39.800
<v Speaker 1>out of his chest, emotional singing him with emotional flames, confetti.

1:08:40.080 --> 1:08:45.479
<v Speaker 1>It's just complete madness on stage, obsesstos, sheets, no anymore.

1:08:45.680 --> 1:08:48.160
<v Speaker 1>That's a later scene. Hey, Ray, So what do we

1:08:48.160 --> 1:08:50.720
<v Speaker 1>have for Lunchbox far as an instrumental? Is it of

1:08:50.760 --> 1:08:52.960
<v Speaker 1>the final part that he's doing? Yea, and how much

1:08:52.960 --> 1:08:55.479
<v Speaker 1>time in front of when he starts it's literally it'll

1:08:55.560 --> 1:08:57.439
<v Speaker 1>give me like that and then boom that's when he

1:08:57.520 --> 1:08:59.280
<v Speaker 1>hit the first line. Well, let's try it to the practice.

1:08:59.320 --> 1:09:03.440
<v Speaker 1>Here go, I'm down at the bottom of the place.

1:09:04.360 --> 1:09:06.479
<v Speaker 1>You got it, you got it? Now you're ready? Ja

1:09:06.560 --> 1:09:11.640
<v Speaker 1>Are you ready? Here we go, go ja here lunch backs.

1:09:11.760 --> 1:09:14.320
<v Speaker 1>When you get to those high seas, just like, go

1:09:14.400 --> 1:09:17.519
<v Speaker 1>for it. I don't see any seeds on there, but

1:09:18.320 --> 1:09:20.320
<v Speaker 1>the high notes, just go for it. Belt it out

1:09:20.360 --> 1:09:23.639
<v Speaker 1>like yeah, there's no like high seat like the letter seas.

1:09:23.880 --> 1:09:27.080
<v Speaker 1>I don't see any seas. Okay, got it, you got it? Okay, okay,

1:09:27.400 --> 1:09:29.840
<v Speaker 1>Ray are you ready? Hunch? Which one were the high ones?

1:09:30.080 --> 1:09:37.360
<v Speaker 1>The high ones? The ones were high high like I'm bad,

1:09:37.479 --> 1:09:49.760
<v Speaker 1>I'm bad, out of I'll be gone. Come wow okay, okay, So,

1:09:50.200 --> 1:09:52.720
<v Speaker 1>oh my gosh, what, oh my gosh, this is how

1:09:52.760 --> 1:09:59.439
<v Speaker 1>you win? Uh, Tony's that's right how it starts. That

1:09:59.520 --> 1:10:03.559
<v Speaker 1>was what I tell is. Okay, research guys, Come on,

1:10:03.560 --> 1:10:06.240
<v Speaker 1>you don't think I know my musicals? Come on, no, Jay,

1:10:06.400 --> 1:10:08.120
<v Speaker 1>So we're obviously not gonna put you on the spot

1:10:08.160 --> 1:10:09.320
<v Speaker 1>right now. You have a lot to watch. We're gonna

1:10:09.320 --> 1:10:10.920
<v Speaker 1>get you this tape as well from in the studio.

1:10:11.160 --> 1:10:12.559
<v Speaker 1>But lunchbox hit, oh, we have a we have a

1:10:12.600 --> 1:10:15.000
<v Speaker 1>one more thing. I mean, we have one more thing. Okay,

1:10:15.280 --> 1:10:17.519
<v Speaker 1>you want more, Okay, I'll give you more. What else

1:10:17.520 --> 1:10:20.240
<v Speaker 1>do you need from us? So one more small bit,

1:10:20.360 --> 1:10:23.200
<v Speaker 1>because you know, there's also there's another part that I

1:10:23.200 --> 1:10:26.760
<v Speaker 1>think is also potentially really well suited to you, which

1:10:26.840 --> 1:10:31.120
<v Speaker 1>is more comedy. Actually it's like a great comic role.

1:10:31.600 --> 1:10:36.400
<v Speaker 1>And in this in this particular scene, m Raven, the

1:10:36.520 --> 1:10:41.840
<v Speaker 1>daughter has basically like thrown a can of gasoline into

1:10:41.920 --> 1:10:46.400
<v Speaker 1>a convertible and lit it on fire. And the character

1:10:46.479 --> 1:10:49.960
<v Speaker 1>that you would play is performing in an orchestra which

1:10:50.000 --> 1:10:56.360
<v Speaker 1>gets sort of exploded, and so your strati various trombone

1:10:57.600 --> 1:11:01.760
<v Speaker 1>gets smashed, and you like walk down on stage and

1:11:01.840 --> 1:11:07.560
<v Speaker 1>just in in three sentences you scream at the actors

1:11:08.120 --> 1:11:12.200
<v Speaker 1>for being you know, for messing up your trombone. And

1:11:12.439 --> 1:11:14.640
<v Speaker 1>all that I really need is like I need you

1:11:14.680 --> 1:11:17.800
<v Speaker 1>to mention your manager or your agent, like I'm gonna

1:11:17.800 --> 1:11:20.519
<v Speaker 1>call my agent or your union. I'm gonna call the

1:11:20.600 --> 1:11:24.160
<v Speaker 1>union or just anything along that, and one mention of

1:11:24.160 --> 1:11:26.800
<v Speaker 1>like look what you did to my trombone. That's it,

1:11:26.920 --> 1:11:29.080
<v Speaker 1>and the rest and the rest is all you just

1:11:29.439 --> 1:11:33.479
<v Speaker 1>three three or four sentences, Yeah, okay, let them maybe

1:11:33.479 --> 1:11:35.400
<v Speaker 1>an action so they don't want to start. Yeah, I'm

1:11:35.400 --> 1:11:37.800
<v Speaker 1>gonna do you know what you're doing. Yeah, I'm gonna

1:11:37.880 --> 1:11:40.120
<v Speaker 1>yell at someone for messing up my trombone. Uh yeah,

1:11:40.280 --> 1:11:42.120
<v Speaker 1>that's right. And I got to talk about my agent

1:11:42.200 --> 1:11:46.599
<v Speaker 1>and the union and or okay, I'm saying, yeah, okay,

1:11:47.280 --> 1:11:48.920
<v Speaker 1>here we go, Lunchbuck now trying to get the role

1:11:49.680 --> 1:11:53.160
<v Speaker 1>in Bad Out of Hell three two action. You idiots.

1:11:53.479 --> 1:11:56.679
<v Speaker 1>You messed up my trombone. I'm gonna get my agent

1:11:56.760 --> 1:11:59.759
<v Speaker 1>on the phone. Hey you oh yeah, you you moron.

1:12:00.200 --> 1:12:03.640
<v Speaker 1>You're gonna have to Western Union met somebody because I

1:12:03.720 --> 1:12:06.719
<v Speaker 1>no longer have a trumbone. I'm play and I can't

1:12:06.720 --> 1:12:16.759
<v Speaker 1>believe it. Now I'm gonna burn down your house. Who see,

1:12:16.880 --> 1:12:19.439
<v Speaker 1>I got Jay held his heart, helped his heart Weight Union.

1:12:19.680 --> 1:12:26.040
<v Speaker 1>It's a different way Western Western Union. That's so good.

1:12:26.520 --> 1:12:28.160
<v Speaker 1>Jay held his heart. He was something by that. This

1:12:28.200 --> 1:12:32.080
<v Speaker 1>is a great Okay, lunchbox, anything you want to say before?

1:12:32.240 --> 1:12:33.640
<v Speaker 1>Have you so much? Jay's time and he's got to

1:12:33.680 --> 1:12:35.080
<v Speaker 1>decide if he's gonna give you the role. But Jay,

1:12:35.120 --> 1:12:36.559
<v Speaker 1>I know you gotta go teach it in my tea.

1:12:36.600 --> 1:12:38.599
<v Speaker 1>You got you gotta decide on this, and you're gonna

1:12:38.600 --> 1:12:41.000
<v Speaker 1>have all the pictures out of people who you're gonna cast,

1:12:41.320 --> 1:12:44.200
<v Speaker 1>and just know that I am the man. Like you're

1:12:44.240 --> 1:12:45.760
<v Speaker 1>gonna have a lot of people to choose from. But

1:12:46.120 --> 1:12:48.519
<v Speaker 1>I really think I'm gonna bring what you need. I'm

1:12:48.560 --> 1:12:50.000
<v Speaker 1>gonna be like a bat out of Hell. I will

1:12:50.000 --> 1:12:55.000
<v Speaker 1>memorize Jay. I can just see it now. I could

1:12:55.000 --> 1:12:58.680
<v Speaker 1>see it now, Jay lunchbox in Las Vegas, sitting at

1:12:58.680 --> 1:13:01.400
<v Speaker 1>the Eiffel Tower. Right there are in Paris, sipping on

1:13:01.439 --> 1:13:04.120
<v Speaker 1>a cocktail and just talking about man bat out of Hell.

1:13:04.160 --> 1:13:07.840
<v Speaker 1>I can't believe we got nominated for a Tony cheers. Yep,

1:13:08.160 --> 1:13:13.240
<v Speaker 1>that's it all right there? He famous director, Jay? Does

1:13:13.280 --> 1:13:14.640
<v Speaker 1>he think I have what it goes to? Go to

1:13:14.680 --> 1:13:16.800
<v Speaker 1>n T two? I was watching He's gonna invite you

1:13:16.800 --> 1:13:18.800
<v Speaker 1>to MT. I don't think that it happens. I think

1:13:18.800 --> 1:13:20.840
<v Speaker 1>a professor can do that. I don't think that happens here.

1:13:20.880 --> 1:13:24.200
<v Speaker 1>Oh yeah, Um, So we're gonna give Jay. We're gonna

1:13:24.200 --> 1:13:25.800
<v Speaker 1>send him all the tape and we're gonna hear from

1:13:25.840 --> 1:13:29.120
<v Speaker 1>him early next week, probably Monday or Tuesday of the latest.

1:13:29.200 --> 1:13:31.000
<v Speaker 1>Oh man, we will hear if you got the role.

1:13:31.080 --> 1:13:33.880
<v Speaker 1>It's gonna be a busy weekend. For me, no sleep, okay,

1:13:34.080 --> 1:13:36.560
<v Speaker 1>because I'm gonna be just like pacing, I'm gonna be practicing.

1:13:36.760 --> 1:13:39.240
<v Speaker 1>I'm gonna be a practicing like then I'm down in

1:13:39.320 --> 1:13:43.400
<v Speaker 1>the bottom of Jay. Thank you so much for your time,

1:13:43.400 --> 1:13:44.920
<v Speaker 1>and we will talk to you Earli next week. Okay,

1:13:45.080 --> 1:13:50.960
<v Speaker 1>thank you. It's the Best Bits of the Week with

1:13:51.040 --> 1:13:54.960
<v Speaker 1>Morgan number two. That's it, y'all. Thanks for hanging out

1:13:55.000 --> 1:13:57.519
<v Speaker 1>and listening to the best Bits, just the bits. Make

1:13:57.560 --> 1:13:59.160
<v Speaker 1>sure if you want to check out part one. It's

1:13:59.200 --> 1:14:01.400
<v Speaker 1>a interview with me. Not really, it's more of a

1:14:01.439 --> 1:14:04.120
<v Speaker 1>conversation with myself while you guys listen. And I hope

1:14:04.160 --> 1:14:06.360
<v Speaker 1>you guys also answered some of the questions I asked,

1:14:06.360 --> 1:14:09.160
<v Speaker 1>because otherwise I'm sitting in a room talking to myself.

1:14:09.200 --> 1:14:11.120
<v Speaker 1>But that's okay too. I'm just glad you're here. Thank

1:14:11.160 --> 1:14:13.879
<v Speaker 1>you for listening to the Best Bits and its entirety

1:14:13.960 --> 1:14:16.600
<v Speaker 1>and every weekend sharing it with your friends, posting about it.

1:14:16.720 --> 1:14:18.840
<v Speaker 1>I just love you all so much. Thank you. Have

1:14:18.920 --> 1:14:23.080
<v Speaker 1>a fabulous weekend. Bye, D's baby Boss.