1 00:00:01,200 --> 00:00:04,800 Speaker 1: Today's Daily Highlight from Elvis Duran in the Morning Show. 2 00:00:05,200 --> 00:00:06,159 Speaker 1: In the Morning. 3 00:00:05,880 --> 00:00:09,160 Speaker 2: Show, do Alifah on the way. You know, I have 4 00:00:09,400 --> 00:00:13,680 Speaker 2: almost mastered the dance that she performed at the Grammys. Really, 5 00:00:13,960 --> 00:00:15,800 Speaker 2: it's all over TikTok. All the kids are doing it. 6 00:00:15,880 --> 00:00:16,880 Speaker 3: Please do it when she's here. 7 00:00:17,040 --> 00:00:20,680 Speaker 2: No, no, I'm not. I'm not there yet. I'm close. I'm 8 00:00:20,800 --> 00:00:23,920 Speaker 2: very close. Anyway, do Aleipa on the way. She had 9 00:00:23,960 --> 00:00:25,400 Speaker 2: a tattoo the other day. I want to ask her 10 00:00:25,400 --> 00:00:27,080 Speaker 2: where she got her tattoo. We've ben all the deep 11 00:00:27,120 --> 00:00:37,000 Speaker 2: probing questions coming up a lia and here she is. Okay, 12 00:00:37,080 --> 00:00:37,720 Speaker 2: thanks for being. 13 00:00:37,640 --> 00:00:39,879 Speaker 1: Here, Thank you so much for having me. I'm so 14 00:00:39,920 --> 00:00:40,440 Speaker 1: happy to. 15 00:00:40,400 --> 00:00:42,800 Speaker 2: Be New York City. Traffic sucks, doesn't. 16 00:00:42,560 --> 00:00:45,840 Speaker 1: It be bananas? But I'm here. 17 00:00:47,760 --> 00:00:49,080 Speaker 2: We're saying it to do it. And if you come 18 00:00:49,120 --> 00:00:50,479 Speaker 2: to New York you know what we're talking about. If 19 00:00:50,520 --> 00:00:54,480 Speaker 2: you're if you're running early, then you're like, why did 20 00:00:54,520 --> 00:00:56,800 Speaker 2: we leave the hotel so early? If you're running late, 21 00:00:56,880 --> 00:00:59,360 Speaker 2: like why did we leave? There is no happy media 22 00:00:59,360 --> 00:01:01,400 Speaker 2: and welcome to Well we call it home. 23 00:01:02,320 --> 00:01:04,160 Speaker 1: I'm very happy to be here. Thanks for having me. 24 00:01:04,560 --> 00:01:06,880 Speaker 2: It's very interesting because when your first album came out. 25 00:01:07,640 --> 00:01:13,280 Speaker 2: What year was that seventeen? Okay, and that's when you're 26 00:01:13,440 --> 00:01:18,480 Speaker 2: getting that getting that motion going right. Second album, Pandemic, Yes, 27 00:01:19,000 --> 00:01:21,880 Speaker 2: but we still loved it. Say this the third album, 28 00:01:22,400 --> 00:01:26,759 Speaker 2: this is like, okay, there's no excuses, there's no way 29 00:01:26,800 --> 00:01:29,679 Speaker 2: you can't hide, no not to and it sounds so awesome. 30 00:01:29,720 --> 00:01:31,520 Speaker 2: How proud of are you of your album? 31 00:01:31,680 --> 00:01:34,480 Speaker 1: Thank you? Yeah, I'm really proud. And also is it 32 00:01:34,480 --> 00:01:38,679 Speaker 1: it's like a new experience, you know, doing I don't know, 33 00:01:38,720 --> 00:01:41,399 Speaker 1: the promotion side of things in a completely different way. 34 00:01:41,440 --> 00:01:43,880 Speaker 1: It's like, oh, I can actually go out there and 35 00:01:43,920 --> 00:01:46,480 Speaker 1: see the fans and hang out and do shows and 36 00:01:46,680 --> 00:01:48,400 Speaker 1: things that I didn't have the opportunity to do with 37 00:01:48,400 --> 00:01:52,000 Speaker 1: the last record until two years after it was released. Right, 38 00:01:52,320 --> 00:01:56,560 Speaker 1: So this is like it's it's new stomping ground. I 39 00:01:56,600 --> 00:01:57,720 Speaker 1: love it, really happy. 40 00:01:57,800 --> 00:02:00,880 Speaker 2: It is stomping. It's boots on the ground. Man, you're running. 41 00:02:01,240 --> 00:02:02,720 Speaker 2: I mean, is it to the point now you're like, 42 00:02:02,760 --> 00:02:04,680 Speaker 2: whoa is this? Is this? 43 00:02:04,720 --> 00:02:04,840 Speaker 3: What? 44 00:02:04,960 --> 00:02:06,360 Speaker 2: This is like? Forevermore? 45 00:02:06,920 --> 00:02:09,320 Speaker 1: It's a lot of work, it's a lot, but it's fun. 46 00:02:09,400 --> 00:02:12,280 Speaker 1: I'm just it feels like such a release now as 47 00:02:12,280 --> 00:02:14,440 Speaker 1: we're getting closer and closer to the album coming out, 48 00:02:14,480 --> 00:02:15,520 Speaker 1: it just feels surreal. 49 00:02:16,160 --> 00:02:19,920 Speaker 4: You know, when you were sorry when you originally started writing, 50 00:02:20,200 --> 00:02:22,800 Speaker 4: didn't you go into CVS and buy like a notebook 51 00:02:22,800 --> 00:02:25,240 Speaker 4: and then the songs in it because you loved CVS 52 00:02:25,320 --> 00:02:26,320 Speaker 4: or something out of story? 53 00:02:26,600 --> 00:02:28,920 Speaker 1: Well, yes, I definitely love CVS. I feel like I 54 00:02:29,000 --> 00:02:32,680 Speaker 1: got I end up going to CVS and just buying 55 00:02:32,680 --> 00:02:34,840 Speaker 1: a lot of random stuff I don't need. I think 56 00:02:34,919 --> 00:02:37,480 Speaker 1: that's really what happens with most of my CVS hales. 57 00:02:37,919 --> 00:02:40,680 Speaker 1: But I really needed a notebook, like I just needed 58 00:02:40,720 --> 00:02:43,320 Speaker 1: somewhere to write down my ideas. I didn't realize how 59 00:02:43,360 --> 00:02:45,640 Speaker 1: important that notebook when it ended up becoming. I was like, 60 00:02:45,720 --> 00:02:48,320 Speaker 1: I'm going into the studio. I need a notebook, And 61 00:02:48,360 --> 00:02:52,080 Speaker 1: it ended up becoming this like relic almost all my 62 00:02:52,560 --> 00:02:55,239 Speaker 1: all my words and my lyrics and stories and stuff 63 00:02:55,240 --> 00:02:57,680 Speaker 1: for everything that I've written for this album. 64 00:02:57,800 --> 00:03:00,959 Speaker 2: So lock it up. Yeah yeah, oh you know every 65 00:03:01,040 --> 00:03:04,200 Speaker 2: artist we have and we love asking about the writing process. 66 00:03:04,480 --> 00:03:06,880 Speaker 2: So yours is a CVS notebook. A lot of people 67 00:03:06,960 --> 00:03:08,239 Speaker 2: use voice notes on the phone. 68 00:03:08,360 --> 00:03:11,160 Speaker 1: Yeah, I do voice notes too, but I think I 69 00:03:11,200 --> 00:03:13,280 Speaker 1: wanted to get off my phone as much as possible 70 00:03:13,320 --> 00:03:15,320 Speaker 1: because I spend so much time on it that I 71 00:03:15,360 --> 00:03:16,799 Speaker 1: was like, I just want to put pen to paper 72 00:03:16,919 --> 00:03:18,920 Speaker 1: and kind of see the words. And it was just 73 00:03:19,200 --> 00:03:24,520 Speaker 1: a new, I don't know experience, and I loved having something, 74 00:03:25,400 --> 00:03:27,399 Speaker 1: you know, to hold and to read and to see. 75 00:03:27,440 --> 00:03:29,160 Speaker 1: It really felt like a diary that I. 76 00:03:29,120 --> 00:03:32,240 Speaker 2: And it won't disappear the toilet definitely not. 77 00:03:33,200 --> 00:03:35,360 Speaker 1: Now I have it like I have it, you know, 78 00:03:35,400 --> 00:03:38,800 Speaker 1: photocoffeed and say very good, you know scanned and I 79 00:03:38,960 --> 00:03:41,080 Speaker 1: you know, so nothing will happen to it. 80 00:03:41,080 --> 00:03:44,720 Speaker 2: You've been very busy to do us. So the Grammy performance, 81 00:03:44,720 --> 00:03:47,360 Speaker 2: which was unbelievable than you have you been to TikTok? 82 00:03:47,440 --> 00:03:51,600 Speaker 2: Have you seen all of the dances everyone's learning, because 83 00:03:51,600 --> 00:03:52,960 Speaker 2: that dance was fierce. 84 00:03:53,000 --> 00:03:56,400 Speaker 1: You have to agree, thank you, thank you. In heels, 85 00:03:56,520 --> 00:03:58,800 Speaker 1: in heels, you got to You've got to give it 86 00:03:58,840 --> 00:04:01,480 Speaker 1: some like sass one thing, and I feel like in heels, 87 00:04:01,480 --> 00:04:05,080 Speaker 1: I just moved back right. But I think it was 88 00:04:05,120 --> 00:04:07,840 Speaker 1: really one of my dances as he had take took 89 00:04:07,880 --> 00:04:11,200 Speaker 1: my mic and he goes, let's go. That was like 90 00:04:11,240 --> 00:04:14,960 Speaker 1: the hype excitement part that everyone kind of latched onto 91 00:04:15,000 --> 00:04:18,320 Speaker 1: and then they're like, all right, let's recreate the dance routine. 92 00:04:18,320 --> 00:04:20,560 Speaker 1: But it was just so much fun. We had such 93 00:04:20,760 --> 00:04:22,040 Speaker 1: a blast putting that together. 94 00:04:22,360 --> 00:04:25,080 Speaker 2: Did you see Kiky Boots the musical? You've seen the 95 00:04:25,120 --> 00:04:28,040 Speaker 2: kinky boots? Haven't you a long the tall red boots 96 00:04:28,040 --> 00:04:31,360 Speaker 2: with a high, fierce heel. Maybe pull up a picture. 97 00:04:32,080 --> 00:04:36,080 Speaker 2: So at night I go home, I closed, I close 98 00:04:36,160 --> 00:04:38,599 Speaker 2: the blinds. I pulled on my kinky boots. I'm almost 99 00:04:38,680 --> 00:04:41,640 Speaker 2: halfway done learning your dance. And when it's done, did you. 100 00:04:41,600 --> 00:04:42,080 Speaker 1: Do a video? 101 00:04:42,480 --> 00:04:42,680 Speaker 5: No? 102 00:04:42,680 --> 00:04:49,800 Speaker 1: No, no, no, come on, he actually has them. I gotta 103 00:04:49,839 --> 00:04:51,800 Speaker 1: see it. I gotta see it. 104 00:04:51,880 --> 00:04:54,200 Speaker 2: You didn't go gramustication until you already I will not 105 00:04:54,279 --> 00:04:59,600 Speaker 2: show you my kiky dance. So you were you were 106 00:04:59,640 --> 00:05:01,640 Speaker 2: with for Myers and you got a tattoo? 107 00:05:01,880 --> 00:05:02,120 Speaker 1: Yes? 108 00:05:02,480 --> 00:05:04,359 Speaker 2: Were you really day drinking with Seth Myers? 109 00:05:04,520 --> 00:05:09,039 Speaker 1: I not only as a day drinking. I got blackout? 110 00:05:09,160 --> 00:05:11,359 Speaker 2: Okay? Good? What was your cocktail of choice? I forgot? 111 00:05:11,600 --> 00:05:17,240 Speaker 1: Well, unfortunately it was like an involuntary cocktail of rum, vodka, gin, tequilo, 112 00:05:17,360 --> 00:05:21,080 Speaker 1: oh my god, and all of the above. Well, it 113 00:05:21,120 --> 00:05:23,440 Speaker 1: was a blast. We had the best time, but I 114 00:05:23,520 --> 00:05:26,599 Speaker 1: should have paced myself. Well. I was like, I was like, 115 00:05:26,680 --> 00:05:32,080 Speaker 1: I can handle this. I can drink and it kind 116 00:05:32,120 --> 00:05:32,599 Speaker 1: of backfire. 117 00:05:32,640 --> 00:05:34,960 Speaker 2: It looks like a fun day. But are hitting a tattoo? 118 00:05:35,080 --> 00:05:35,320 Speaker 1: Yeah? 119 00:05:35,320 --> 00:05:36,760 Speaker 2: We did. Is this your first tattoo? 120 00:05:37,120 --> 00:05:42,240 Speaker 1: No, okay, it's my twenty Okay, whoa, I've got a couple, 121 00:05:42,279 --> 00:05:44,000 Speaker 1: but they're all quite small, so I have lots on 122 00:05:44,040 --> 00:05:46,760 Speaker 1: my hands and my arm wasn't looking. 123 00:05:47,200 --> 00:05:50,279 Speaker 2: I'm I'm still I'm almost sixty years old. I still 124 00:05:50,279 --> 00:05:52,480 Speaker 2: don't have my first tattoo because I can't make up 125 00:05:52,480 --> 00:05:52,919 Speaker 2: my mind. 126 00:05:53,080 --> 00:05:53,800 Speaker 1: But don't do it. 127 00:05:55,720 --> 00:05:56,640 Speaker 2: I want to do it. 128 00:05:57,160 --> 00:05:59,560 Speaker 1: I want to do it's cooler without No. 129 00:05:59,440 --> 00:05:59,760 Speaker 2: It's not. 130 00:06:00,200 --> 00:06:06,839 Speaker 1: Yeah, I mean yeah, because now I've like started, so 131 00:06:06,839 --> 00:06:08,479 Speaker 1: I might as well carry on. But if you don't 132 00:06:08,520 --> 00:06:10,760 Speaker 1: have any, it's almost like more rare not to have any. 133 00:06:10,880 --> 00:06:12,880 Speaker 1: So I wouldn't even stop. 134 00:06:12,920 --> 00:06:15,919 Speaker 2: I just want one. Well, you don't look at my boobs, 135 00:06:15,920 --> 00:06:17,719 Speaker 2: so my boobs start to fall toward the ground. 136 00:06:17,839 --> 00:06:18,480 Speaker 1: Kinky boobs? 137 00:06:18,560 --> 00:06:23,880 Speaker 2: Absolutely? Why not? Yeah, let's get to the music. So 138 00:06:24,200 --> 00:06:26,440 Speaker 2: here you are if you're in the business where if 139 00:06:26,440 --> 00:06:28,839 Speaker 2: you're not, just understand, this is the promotion time where 140 00:06:29,120 --> 00:06:31,720 Speaker 2: we have this album, we have this music we want 141 00:06:31,760 --> 00:06:33,200 Speaker 2: to share with the world. So we're going to travel 142 00:06:33,240 --> 00:06:35,800 Speaker 2: to every corner of the Earth. To make sure everyone 143 00:06:35,880 --> 00:06:39,280 Speaker 2: understands this this album. What is the album talk? I 144 00:06:39,320 --> 00:06:41,880 Speaker 2: mean talk about radical optimism? What is it? I know 145 00:06:41,960 --> 00:06:45,159 Speaker 2: that's a stupid kind of broad based question. 146 00:06:45,440 --> 00:06:48,960 Speaker 1: Well, radical optimism, to me is a term that was 147 00:06:49,000 --> 00:06:52,719 Speaker 1: introduced to a friend of mine and it basically resonated 148 00:06:52,760 --> 00:06:55,120 Speaker 1: with me through the whole time I was writing the record, 149 00:06:55,200 --> 00:06:58,560 Speaker 1: which is about resilience. It's about rolling with the punches. 150 00:06:58,640 --> 00:07:01,400 Speaker 1: It's about when things don't go your way of keeping 151 00:07:01,440 --> 00:07:06,680 Speaker 1: like an optimistic mindset. It's thinking about when something goes wrong, 152 00:07:06,800 --> 00:07:09,520 Speaker 1: how you feel like a week later, a month later, 153 00:07:09,600 --> 00:07:11,760 Speaker 1: and you look at things in hindsight or with perspective 154 00:07:11,800 --> 00:07:13,920 Speaker 1: and you go, oh, like, I can't believe I was 155 00:07:14,000 --> 00:07:17,400 Speaker 1: that worried about this thing. You know, it's over, it's done, 156 00:07:17,680 --> 00:07:20,400 Speaker 1: you know. And I think with that in mind, that 157 00:07:20,520 --> 00:07:23,200 Speaker 1: kind of helps to have a more positive and optimistic 158 00:07:23,240 --> 00:07:25,160 Speaker 1: approach that when things are bad, they're not going to 159 00:07:25,200 --> 00:07:31,400 Speaker 1: be bad for forever. And having that kind of ideology 160 00:07:31,400 --> 00:07:34,800 Speaker 1: in your mind makes all the bad things okay because 161 00:07:35,120 --> 00:07:36,880 Speaker 1: you know that you just have to get through them. 162 00:07:36,960 --> 00:07:39,080 Speaker 1: That's how you learn, that's how you grow. It's outside 163 00:07:39,080 --> 00:07:42,200 Speaker 1: your comfort zone where you progress and that's kind of 164 00:07:42,200 --> 00:07:45,320 Speaker 1: the radical optimism that I feel like we all need 165 00:07:45,920 --> 00:07:48,280 Speaker 1: in life to just keep it moving. 166 00:07:48,640 --> 00:07:50,880 Speaker 2: You have an advantage of musicians who put albums out 167 00:07:50,880 --> 00:07:52,800 Speaker 2: having advantage over the rest of us who don't, and 168 00:07:52,840 --> 00:07:55,360 Speaker 2: that is being able to chronicle where you were in life. 169 00:07:55,360 --> 00:07:57,560 Speaker 2: For instance, you were not the same du Alipa as 170 00:07:57,600 --> 00:08:00,400 Speaker 2: you were when you did your first album. You're not 171 00:08:00,400 --> 00:08:02,360 Speaker 2: even the same Dua Lipa you were when you when 172 00:08:02,400 --> 00:08:04,520 Speaker 2: you did Radical Optimism. You you have changed. 173 00:08:04,600 --> 00:08:08,680 Speaker 1: You're what I'm saying, I've grown so much, so you. 174 00:08:08,600 --> 00:08:10,280 Speaker 2: Can look you can look at your body of work 175 00:08:10,280 --> 00:08:13,480 Speaker 2: and go, that's where I was then, I'm not there anymore. 176 00:08:13,840 --> 00:08:14,920 Speaker 2: I'm a different woman. 177 00:08:14,760 --> 00:08:16,960 Speaker 1: Now, Yeah, for sure. And I think I look at 178 00:08:17,000 --> 00:08:19,720 Speaker 1: it fondly because it's like a time capsture of a 179 00:08:19,920 --> 00:08:22,680 Speaker 1: point in my life where I was, and it's nice 180 00:08:22,720 --> 00:08:25,120 Speaker 1: to look back at it and be like, oh, I've 181 00:08:25,160 --> 00:08:27,480 Speaker 1: grown so much from that point to where I am now. 182 00:08:27,920 --> 00:08:30,200 Speaker 1: I guess that's the that's the fun of it. 183 00:08:30,720 --> 00:08:32,920 Speaker 3: I read that not only are you having fun with 184 00:08:32,960 --> 00:08:35,400 Speaker 3: this tour because now you were these promotional tours that 185 00:08:35,440 --> 00:08:37,040 Speaker 3: you're doing now and going out and talking to people, 186 00:08:37,280 --> 00:08:39,720 Speaker 3: but that you also have a book club. I do, 187 00:08:39,760 --> 00:08:41,679 Speaker 3: and I find this fascinating. Do you actually read the 188 00:08:41,679 --> 00:08:42,920 Speaker 3: books or do you listen to audible? 189 00:08:43,080 --> 00:08:45,439 Speaker 1: No, I read, you read them? Yeah, I love, I love. 190 00:08:45,480 --> 00:08:47,200 Speaker 1: I think maybe it's again the thing like the notebook, 191 00:08:47,240 --> 00:08:51,120 Speaker 1: Like I love to have the physical copy and it's 192 00:08:51,200 --> 00:08:52,960 Speaker 1: just so fun. I love when like, I love when 193 00:08:53,000 --> 00:08:55,319 Speaker 1: a book's like really like no idea. 194 00:08:55,240 --> 00:08:57,480 Speaker 4: You are touching like such a special part of my life. 195 00:08:58,200 --> 00:09:00,360 Speaker 4: I have read what was I telling you today? Seven 196 00:09:00,920 --> 00:09:05,079 Speaker 4: fourteen books since January. Oh wow, amazing, And I have 197 00:09:05,120 --> 00:09:08,120 Speaker 4: to have the physical copy as well. I listen audible too, 198 00:09:08,120 --> 00:09:10,320 Speaker 4: but because I like to pass them on like they're 199 00:09:10,320 --> 00:09:11,200 Speaker 4: my babies. 200 00:09:10,880 --> 00:09:11,800 Speaker 1: To people, can you give them? 201 00:09:12,080 --> 00:09:12,480 Speaker 2: Yeah? 202 00:09:12,520 --> 00:09:13,000 Speaker 3: I love it. 203 00:09:13,840 --> 00:09:15,440 Speaker 4: I would like you to experience this. 204 00:09:15,559 --> 00:09:17,840 Speaker 1: Here you go. I love this so much. Yeah, yeah, 205 00:09:17,840 --> 00:09:20,120 Speaker 1: I feel definitely. 206 00:09:19,760 --> 00:09:22,040 Speaker 3: And I would imagine that reading so much also helps 207 00:09:22,040 --> 00:09:23,560 Speaker 3: you in the writing process one thousand. 208 00:09:24,280 --> 00:09:26,840 Speaker 1: I think it just expands your vocabulary. And also, just 209 00:09:26,960 --> 00:09:31,080 Speaker 1: like your trainer thought, your perspective, you understand emotions in 210 00:09:31,120 --> 00:09:33,439 Speaker 1: a completely different way, even things that you haven't been through. 211 00:09:33,480 --> 00:09:36,280 Speaker 1: You kind of see it from someone else's eyes and 212 00:09:36,360 --> 00:09:37,520 Speaker 1: it's yeah, it's moving. 213 00:09:37,720 --> 00:09:43,760 Speaker 2: Do you gravitate toward autobiographies or literature or trashy novels. 214 00:09:43,320 --> 00:09:47,320 Speaker 1: And no. I love fiction, okay mainly. Something that I 215 00:09:47,400 --> 00:09:50,000 Speaker 1: read recently that I loved so much was Lincoln in 216 00:09:50,040 --> 00:09:55,280 Speaker 1: the Bardo by George Saunders. And it's just so quirky 217 00:09:55,440 --> 00:10:00,400 Speaker 1: and interesting in the way that it's written is just beautiful. 218 00:10:00,400 --> 00:10:01,719 Speaker 1: It takes a second to kind of get into the 219 00:10:01,800 --> 00:10:03,760 Speaker 1: voice of it, but I think you'd like it. If you, 220 00:10:03,920 --> 00:10:06,280 Speaker 1: Oh yeah, just love to read a lot. You should. 221 00:10:06,320 --> 00:10:07,600 Speaker 1: You should give it a go. It's the kind of 222 00:10:07,600 --> 00:10:11,920 Speaker 1: book that you should sit through and read it into sittings. 223 00:10:12,600 --> 00:10:16,200 Speaker 1: But it's yeah, I love fiction because I love to 224 00:10:16,240 --> 00:10:17,959 Speaker 1: dive into a different world. 225 00:10:18,240 --> 00:10:19,640 Speaker 2: And when you said the title, a lot of people 226 00:10:19,679 --> 00:10:25,200 Speaker 2: listening going, oh my god, leave the A clap, the 227 00:10:25,240 --> 00:10:26,160 Speaker 2: double clap. 228 00:10:27,120 --> 00:10:27,920 Speaker 1: The double class. 229 00:10:32,240 --> 00:10:38,679 Speaker 5: I said, there is there could be a problem if 230 00:10:38,679 --> 00:10:40,600 Speaker 5: you're doing a big concert in a sold out arena 231 00:10:41,520 --> 00:10:43,320 Speaker 5: and rather than standing up and applauding, it's the end 232 00:10:43,320 --> 00:10:45,520 Speaker 5: of a song, they just stand up and go and then. 233 00:10:45,440 --> 00:10:46,440 Speaker 2: Then that's it. 234 00:10:48,360 --> 00:10:50,360 Speaker 1: I'm just like, I get it, but I don't get it. 235 00:10:51,360 --> 00:10:54,320 Speaker 2: I'm in, I'm in. Are you having fun? 236 00:10:54,440 --> 00:10:55,680 Speaker 1: I'm having the most fun. 237 00:10:55,480 --> 00:10:57,160 Speaker 2: What's the most fun about this? I know that may 238 00:10:57,160 --> 00:10:59,600 Speaker 2: be a stupid question, but in the answer will work. 239 00:11:00,679 --> 00:11:05,080 Speaker 1: It's just exciting. Every new experience is so fun. And 240 00:11:06,559 --> 00:11:08,360 Speaker 1: you know, since I've been able to talk about the 241 00:11:08,360 --> 00:11:11,520 Speaker 1: album title and like start releasing titles of the songs 242 00:11:11,559 --> 00:11:13,600 Speaker 1: and stuff, it's just been so freeing because I can 243 00:11:13,640 --> 00:11:17,400 Speaker 1: really explain what everything's been about. I think in the beginning, 244 00:11:17,400 --> 00:11:19,880 Speaker 1: when I'm just releasing singles and trying to keep everything secret, 245 00:11:20,320 --> 00:11:24,360 Speaker 1: that's so hard to talk in code. And now I'm 246 00:11:24,400 --> 00:11:26,120 Speaker 1: like it is, it's coming. 247 00:11:26,200 --> 00:11:28,760 Speaker 2: A lot of text are coming through. Do what presents 248 00:11:28,800 --> 00:11:31,200 Speaker 2: the best shows. Most of the artists these days just 249 00:11:31,200 --> 00:11:36,440 Speaker 2: sing and run across the stage. You dancers, choreography, everything amazing, 250 00:11:37,360 --> 00:11:39,840 Speaker 2: love do it. I just watched Argyle. You can do 251 00:11:39,880 --> 00:11:41,200 Speaker 2: it all. How much fun was Argyle? 252 00:11:41,240 --> 00:11:43,960 Speaker 1: Oh, it was so much fun, so much fun. I 253 00:11:44,000 --> 00:11:48,640 Speaker 1: loved being on set. It was, yeah, again an experience 254 00:11:48,760 --> 00:11:53,040 Speaker 1: I didn't know what to expect from, and everyone was lovely. 255 00:11:53,080 --> 00:11:55,560 Speaker 1: I worked a lot with Henry Cavill and John Cena 256 00:11:55,600 --> 00:11:59,320 Speaker 1: and my parts, and they were so lovely and generous 257 00:11:59,320 --> 00:12:02,560 Speaker 1: with their time and just like patient with me. While 258 00:12:02,600 --> 00:12:05,800 Speaker 1: I just kind of figured it out on the job 259 00:12:05,880 --> 00:12:08,040 Speaker 1: and it was it was really fun. 260 00:12:08,400 --> 00:12:11,000 Speaker 2: It was so it was like reading a great book. 261 00:12:11,440 --> 00:12:14,400 Speaker 2: Obviously our guy was. It was just it was just 262 00:12:14,520 --> 00:12:18,520 Speaker 2: so beautifully done. I'm just blown away at the imagination 263 00:12:18,679 --> 00:12:21,200 Speaker 2: and the creativity that people have because you start watching 264 00:12:21,280 --> 00:12:22,720 Speaker 2: arg I'm not gonna give anything away. If you haven't 265 00:12:22,720 --> 00:12:24,480 Speaker 2: seen it, you start watching it and they're like, whoa, 266 00:12:24,640 --> 00:12:25,280 Speaker 2: where are we going for? 267 00:12:25,960 --> 00:12:28,200 Speaker 1: It's all whoa And it's such a ride. And I 268 00:12:28,240 --> 00:12:33,400 Speaker 1: guess that's like the that's the Matthew Vaughan, right mind. Yeah, 269 00:12:33,480 --> 00:12:37,960 Speaker 1: there's there's just like lots of ideas and it's it's 270 00:12:38,040 --> 00:12:39,680 Speaker 1: it's very much his thing. It's so cool. 271 00:12:39,760 --> 00:12:41,880 Speaker 2: Now you do take time to read books? Do you 272 00:12:41,960 --> 00:12:42,679 Speaker 2: do you watch film? 273 00:12:43,559 --> 00:12:47,240 Speaker 1: I do watch film, Yeah, but I prefer to read. 274 00:12:47,320 --> 00:12:47,640 Speaker 1: I guess. 275 00:12:47,760 --> 00:12:49,360 Speaker 4: Oh gosh, I love her more and more. 276 00:12:50,840 --> 00:12:51,480 Speaker 2: The Gentleman. 277 00:12:52,080 --> 00:12:54,240 Speaker 1: Oh, yes, I seen I've seen the film, but I 278 00:12:54,240 --> 00:12:55,320 Speaker 1: haven't seen the series. 279 00:12:55,440 --> 00:12:57,400 Speaker 2: Oh it's so good. 280 00:12:57,200 --> 00:13:01,240 Speaker 1: God, it's really good. I love it Guy Richie. Yeah, 281 00:13:01,320 --> 00:13:02,040 Speaker 1: it was so good. 282 00:13:02,200 --> 00:13:04,199 Speaker 3: Is there a book that you've read that you just think, 283 00:13:04,240 --> 00:13:06,520 Speaker 3: Oh my god, when and if this becomes a film, 284 00:13:06,559 --> 00:13:11,560 Speaker 3: I got to be part of it. Oh, let's make 285 00:13:11,600 --> 00:13:13,720 Speaker 3: it happen right now, speak it into existence. 286 00:13:14,160 --> 00:13:16,640 Speaker 1: I don't know. I don't know about like being in it. 287 00:13:16,720 --> 00:13:19,680 Speaker 1: I would love to, like maybe be in the behind 288 00:13:19,679 --> 00:13:21,640 Speaker 1: the scenes. I'm a really big fan of the author 289 00:13:21,679 --> 00:13:25,679 Speaker 1: Douglas Stewart, and he wrote this incredible book called Chuggy Bain, 290 00:13:26,640 --> 00:13:29,360 Speaker 1: And I mean I kind of know that that one's 291 00:13:29,360 --> 00:13:31,840 Speaker 1: in the works. Oh, I'd love to, like maybe make 292 00:13:31,960 --> 00:13:34,800 Speaker 1: music for it, get involved somehow for sure. 293 00:13:35,240 --> 00:13:37,199 Speaker 4: Do you love being a redhead? And how much die 294 00:13:37,240 --> 00:13:38,240 Speaker 4: do you see in the shower? 295 00:13:38,679 --> 00:13:42,400 Speaker 1: I love being a redhead. The maintenance is a nightmare. 296 00:13:44,360 --> 00:13:47,160 Speaker 1: It does look like I've murdered someone every time I 297 00:13:47,200 --> 00:13:51,480 Speaker 1: get into the shower, usually on the first wash, and 298 00:13:51,480 --> 00:13:54,640 Speaker 1: then it kind of calms down. But I love it. 299 00:13:54,720 --> 00:13:58,040 Speaker 1: I don't know, I have a lot of fun being 300 00:13:58,040 --> 00:13:58,880 Speaker 1: a redhead. Nice. 301 00:13:58,920 --> 00:14:00,679 Speaker 3: How often do you have to keep up with it? 302 00:14:01,760 --> 00:14:04,200 Speaker 1: I have to die every like week and a half 303 00:14:04,440 --> 00:14:06,240 Speaker 1: to just kind of give it a g. 304 00:14:08,480 --> 00:14:09,800 Speaker 2: The payoffice is very strong. 305 00:14:09,840 --> 00:14:10,960 Speaker 1: It's fun. It's fun. 306 00:14:11,040 --> 00:14:12,560 Speaker 2: I'm gonna go back to something you were talking about 307 00:14:12,559 --> 00:14:16,040 Speaker 2: a second ago about how life is basically paraphrasing, life 308 00:14:16,080 --> 00:14:19,800 Speaker 2: is just full of adventures, trying new things, doing doing 309 00:14:19,840 --> 00:14:23,760 Speaker 2: exciting things on your promotional tour this and that. I'm 310 00:14:23,800 --> 00:14:27,560 Speaker 2: thinking of someone in their car in traffic going to 311 00:14:27,600 --> 00:14:31,040 Speaker 2: work right now, going gosh, how can that I apply 312 00:14:31,640 --> 00:14:34,320 Speaker 2: a life like that to me. Let's say you don't 313 00:14:34,360 --> 00:14:37,880 Speaker 2: have choreographers and you don't have Grammy performances, you don't 314 00:14:37,880 --> 00:14:43,000 Speaker 2: have a life full of studio recording sessions and writing sessions, 315 00:14:43,200 --> 00:14:45,680 Speaker 2: but you have a life where you, you know, whatever 316 00:14:45,720 --> 00:14:47,800 Speaker 2: your life is, there's got to be a way that 317 00:14:47,960 --> 00:14:50,240 Speaker 2: any of us can have the dua leap a life 318 00:14:50,280 --> 00:14:53,520 Speaker 2: where we are experiencing new things. How do you like 319 00:14:53,720 --> 00:14:56,880 Speaker 2: scratch the surface with like diving into things that are 320 00:14:56,880 --> 00:14:59,720 Speaker 2: almost frightening because they're so so new and different. 321 00:15:02,000 --> 00:15:04,320 Speaker 1: I think it's easy. I think it really just starts, 322 00:15:04,560 --> 00:15:07,400 Speaker 1: like you just have to stop by saying yes, you know. 323 00:15:08,200 --> 00:15:10,680 Speaker 1: I think whether it's trying a new restaurant and eating 324 00:15:10,720 --> 00:15:13,960 Speaker 1: something that you probably wouldn't do before, like that already 325 00:15:14,080 --> 00:15:16,520 Speaker 1: is like diving into the deep end and something maybe 326 00:15:16,560 --> 00:15:20,240 Speaker 1: that you wouldn't have thought you would have done before. 327 00:15:20,800 --> 00:15:24,000 Speaker 1: I think you can find different things exploring a new 328 00:15:24,000 --> 00:15:27,520 Speaker 1: part of town, a new bookstore, a new film, and 329 00:15:27,640 --> 00:15:30,440 Speaker 1: new like there's so many different ways to kind of 330 00:15:31,280 --> 00:15:33,560 Speaker 1: include that discovery into your life. 331 00:15:33,840 --> 00:15:36,800 Speaker 2: You know, it's scary, though, I mean to show up 332 00:15:36,800 --> 00:15:40,160 Speaker 2: on set it Argyle to argyle, Were you a little nervous? 333 00:15:40,200 --> 00:15:41,120 Speaker 2: I mean, or you just. 334 00:15:41,120 --> 00:15:44,720 Speaker 1: Definitely absolutely, But I get nervous for even like my 335 00:15:44,720 --> 00:15:47,680 Speaker 1: my everyday job that I think I'm good at. You know, 336 00:15:47,880 --> 00:15:51,600 Speaker 1: I'm like, I get so nervous because I want to 337 00:15:51,640 --> 00:15:54,080 Speaker 1: be I want to be really good at it, and 338 00:15:54,120 --> 00:15:56,680 Speaker 1: I want to like be precise or like deliberate with 339 00:15:56,760 --> 00:15:59,840 Speaker 1: my actions or you know, make sure that I give 340 00:15:59,840 --> 00:16:01,680 Speaker 1: a one hundred and ten percent of what I'm doing. 341 00:16:01,720 --> 00:16:05,400 Speaker 1: So when I'm going into something where really I'm on 342 00:16:06,840 --> 00:16:09,040 Speaker 1: like shaky ground on my my like my feet are 343 00:16:09,080 --> 00:16:11,040 Speaker 1: dangling off the edges, I like to kind of call 344 00:16:11,080 --> 00:16:12,720 Speaker 1: it where it scares me, where I'm out of my 345 00:16:12,760 --> 00:16:16,680 Speaker 1: comfort zone. Then of course I'm much more nervous, but 346 00:16:16,760 --> 00:16:19,720 Speaker 1: I'm willing and ready to just kind of learn. 347 00:16:19,880 --> 00:16:22,040 Speaker 2: So anyone in life can do this, And iess that's 348 00:16:22,080 --> 00:16:24,240 Speaker 2: the magic thing. I always say. They get turned to 349 00:16:24,240 --> 00:16:25,960 Speaker 2: me saying the same thing over and over. But there 350 00:16:26,000 --> 00:16:29,080 Speaker 2: is such a thin thin line between fright and excitement, right, 351 00:16:29,720 --> 00:16:32,840 Speaker 2: and it's good to be have that courage to go, Okay, 352 00:16:33,120 --> 00:16:37,640 Speaker 2: you know, I'm gonna do a pottery class. I'm going 353 00:16:37,680 --> 00:16:39,280 Speaker 2: to try to make a vase. It's gonna look like 354 00:16:39,320 --> 00:16:41,040 Speaker 2: a misshapen penis, but I'm gonna try. 355 00:16:41,120 --> 00:16:44,520 Speaker 1: No, But it's true because you have to, like for me, 356 00:16:44,600 --> 00:16:48,400 Speaker 1: for example, like I know I can't draw, I can't paint. 357 00:16:48,480 --> 00:16:51,920 Speaker 1: I can't that's like stick people at the very best. 358 00:16:52,000 --> 00:16:52,280 Speaker 2: Me too. 359 00:16:52,840 --> 00:16:55,760 Speaker 1: But I would like throw myself into the experience and 360 00:16:55,880 --> 00:16:57,760 Speaker 1: just be like, all right, this is gonna look terrible, 361 00:16:57,800 --> 00:16:59,760 Speaker 1: but it's it's you just got to do it, you know, 362 00:17:00,160 --> 00:17:03,800 Speaker 1: jump into it correct. Like the postery thing is a 363 00:17:03,800 --> 00:17:06,560 Speaker 1: perfect example. I haven't done that yet. I'm too scared, 364 00:17:06,640 --> 00:17:07,200 Speaker 1: and I should. 365 00:17:07,280 --> 00:17:12,080 Speaker 2: It's a lot of misshaped penises happened morning here for 366 00:17:12,160 --> 00:17:14,359 Speaker 2: a friend. We do it. Thank you for coming in 367 00:17:14,400 --> 00:17:17,000 Speaker 2: here today. Having of course, radical optimism. It's not it's 368 00:17:17,000 --> 00:17:18,920 Speaker 2: more than just a bunch of music on an album. 369 00:17:19,280 --> 00:17:21,920 Speaker 2: It's a lot of work. It's a lot of taking chances. 370 00:17:22,440 --> 00:17:26,520 Speaker 2: It's the feel and texture of different sounds with different collaborations. 371 00:17:26,560 --> 00:17:28,880 Speaker 2: I mean, there's so much more that goes into these 372 00:17:28,920 --> 00:17:32,000 Speaker 2: things than we all then we know that we were 373 00:17:32,040 --> 00:17:34,200 Speaker 2: aware of and that's why It's important on this tour 374 00:17:34,200 --> 00:17:36,320 Speaker 2: that you remind everyone of what goes into this album. 375 00:17:36,560 --> 00:17:37,480 Speaker 2: It's so cool a lot. 376 00:17:37,440 --> 00:17:40,160 Speaker 1: Dude, Thank all right, thank you so much. 377 00:17:40,640 --> 00:17:41,880 Speaker 5: Than day. 378 00:17:42,640 --> 00:17:43,719 Speaker 2: Hey you know what's up this? 379 00:17:44,480 --> 00:17:44,640 Speaker 1: Hey? 380 00:17:44,680 --> 00:17:47,880 Speaker 2: This is a Justin Bieber here. Hi, this is Elton John. 381 00:17:47,960 --> 00:17:49,080 Speaker 1: This is Britney's Fears. 382 00:17:49,320 --> 00:17:50,760 Speaker 2: Elvis in the Morning Show.