1
00:00:00,960 --> 00:00:04,520
Speaker 1: Look mare, oh, I see you am I own and

2
00:00:04,600 --> 00:00:08,600
Speaker 1: look over there is that culture Yes, goodness, wow lost

3
00:00:08,600 --> 00:00:12,559
Speaker 1: cult dingda last culturistas calling.

4
00:00:13,000 --> 00:00:15,600
Speaker 2: What we were saying before we got on was that

5
00:00:15,680 --> 00:00:16,959
Speaker 2: I went to the movie theaters.

6
00:00:17,280 --> 00:00:19,279
Speaker 1: You went to the movie theaters. But it depends on

7
00:00:19,320 --> 00:00:22,439
Speaker 1: which one you went to, doesn't It depends on the brand.

8
00:00:23,079 --> 00:00:26,079
Speaker 2: I had a worse experience because I didn't go to

9
00:00:26,160 --> 00:00:27,800
Speaker 2: an AMC and see Nicole first.

10
00:00:28,080 --> 00:00:32,960
Speaker 1: At what point will we say, ah, God, there's no

11
00:00:33,000 --> 00:00:35,839
Speaker 1: way that I asked this question without sounding awful.

12
00:00:36,040 --> 00:00:38,440
Speaker 2: But you know that no matter how you sound, I

13
00:00:38,479 --> 00:00:39,199
Speaker 2: will understand.

14
00:00:39,360 --> 00:00:41,080
Speaker 1: I know you do. I can't say that for them.

15
00:00:41,360 --> 00:00:44,199
Speaker 1: Please understand me when I ask this, Have compassion. Have

16
00:00:44,240 --> 00:00:46,519
Speaker 1: compassion for me for whatever he sounds like. In the

17
00:00:46,560 --> 00:00:49,040
Speaker 1: next second or two, just have compassion. And in the

18
00:00:49,080 --> 00:00:53,120
Speaker 1: seconds beyond, I think, when will it not be a

19
00:00:53,159 --> 00:00:55,040
Speaker 1: sort of security blanket kind of thing. Are you coming

20
00:00:55,040 --> 00:00:57,480
Speaker 1: for me? I'm not coming for you, I'm coming for like.

21
00:00:57,560 --> 00:01:01,720
Speaker 2: At some point we're gonna have to free Nicole from this,

22
00:01:01,840 --> 00:01:04,399
Speaker 2: I understand. And here's what I'm actually gonna come out

23
00:01:04,440 --> 00:01:06,920
Speaker 2: and say, Okay, this is actually really crazy to even

24
00:01:07,000 --> 00:01:10,960
Speaker 2: go here because our guest today is actually the Nicole authority,

25
00:01:11,080 --> 00:01:12,440
Speaker 2: one of the Nicole girls.

26
00:01:12,560 --> 00:01:17,319
Speaker 1: Yes, and Naomi Darling may one of the things that's

27
00:01:17,319 --> 00:01:20,200
Speaker 1: happening in culture is the Nicole kidman amc thing.

28
00:01:20,959 --> 00:01:24,520
Speaker 2: We're getting diminishing returns. The cheers are starting to get less.

29
00:01:24,720 --> 00:01:27,319
Speaker 2: And I've been to the cinema and it felt like

30
00:01:27,440 --> 00:01:31,679
Speaker 2: last year like everyone was like screaming or gagging for Nicole,

31
00:01:31,920 --> 00:01:33,520
Speaker 2: and now it's kind of like, I think what we

32
00:01:33,560 --> 00:01:34,039
Speaker 2: need is a.

33
00:01:33,959 --> 00:01:36,399
Speaker 1: Two point zero version of it. Well, first of all,

34
00:01:36,440 --> 00:01:37,800
Speaker 1: there's no way the two point zero lives up to

35
00:01:37,840 --> 00:01:41,600
Speaker 1: the one. Oh, I would agree, And this is why

36
00:01:41,680 --> 00:01:45,679
Speaker 1: you go out while you're on top. And oh my gosh,

37
00:01:45,680 --> 00:01:49,080
Speaker 1: and I think we've like we've lost that threat. And

38
00:01:49,080 --> 00:01:51,560
Speaker 1: I please have compassion for me as I say this,

39
00:01:52,000 --> 00:01:53,680
Speaker 1: And it makes you get all self conscious to go

40
00:01:53,760 --> 00:01:54,920
Speaker 1: to a regal. Here's the thing.

41
00:01:55,080 --> 00:01:57,320
Speaker 2: You just notice when it's not there, and to the

42
00:01:57,360 --> 00:01:59,520
Speaker 2: point where I'm like, oh, is it now? Put of

43
00:01:59,520 --> 00:02:01,720
Speaker 2: the movie go experience, which is a testament to her

44
00:02:01,720 --> 00:02:04,080
Speaker 2: Stark quall. Absolutely, you know what I mean. But like

45
00:02:04,600 --> 00:02:06,480
Speaker 2: here's what I'll say. I really don't want to see

46
00:02:06,760 --> 00:02:09,079
Speaker 2: I don't want to see any Nicole Kidman amc gay

47
00:02:09,120 --> 00:02:12,120
Speaker 2: Halloween costumes come October. I want to see two things,

48
00:02:13,040 --> 00:02:16,840
Speaker 2: Barbie and Ariano Maddox at the vander.

49
00:02:16,639 --> 00:02:19,160
Speaker 1: Pump reunion and the revenge dress. And the revenge dress.

50
00:02:19,200 --> 00:02:22,000
Speaker 2: I want to see all my gay guys trying to

51
00:02:22,040 --> 00:02:24,760
Speaker 2: get into that garment, which, by the way, is not

52
00:02:24,800 --> 00:02:27,799
Speaker 2: a practical garment for a reunion, because but.

53
00:02:27,760 --> 00:02:31,000
Speaker 1: She looked amazing sitting She looked incredible. She really pulled

54
00:02:31,040 --> 00:02:33,560
Speaker 1: it off, didn't she. She really did. And I want

55
00:02:33,560 --> 00:02:35,839
Speaker 1: to see my General Allions is out there.

56
00:02:35,960 --> 00:02:38,600
Speaker 2: Oh, that would be really good at Genallion's costumes.

57
00:02:38,200 --> 00:02:41,520
Speaker 1: With what she calls the landing strip. Yeah, not exactly

58
00:02:41,560 --> 00:02:44,200
Speaker 1: what she thinks it means, no, not, But you know,

59
00:02:44,360 --> 00:02:44,880
Speaker 1: I think.

60
00:02:44,760 --> 00:02:47,000
Speaker 2: That we both could be General Lions.

61
00:02:47,280 --> 00:02:49,000
Speaker 1: I mean yes, both of us, you and I. We

62
00:02:49,000 --> 00:02:51,359
Speaker 1: would both represent different parts of General Lions. What part

63
00:02:51,360 --> 00:02:56,400
Speaker 1: would you That would be General Lions pre Veneers and

64
00:02:56,840 --> 00:03:01,920
Speaker 1: you would be General Lions the binary the binary pre

65
00:03:01,919 --> 00:03:04,639
Speaker 1: even years, and you would be gena lines posts nos job,

66
00:03:04,680 --> 00:03:06,799
Speaker 1: which I only say that because it's all genetic condition

67
00:03:07,360 --> 00:03:12,320
Speaker 1: and like, I actually think this is an amazing case study,

68
00:03:12,360 --> 00:03:16,960
Speaker 1: and like get the work done. It's all gender affirming

69
00:03:17,000 --> 00:03:17,880
Speaker 1: care do you know what I mean?

70
00:03:18,000 --> 00:03:20,359
Speaker 2: Well, speaking on this, did you know that right now

71
00:03:20,360 --> 00:03:24,160
Speaker 2: there was a news article that says that Hollywood actresses

72
00:03:24,240 --> 00:03:27,880
Speaker 2: are in mass getting work done right now during the strike.

73
00:03:27,919 --> 00:03:30,040
Speaker 2: So they're going to their doctors, and there is actually

74
00:03:30,440 --> 00:03:34,320
Speaker 2: a huge movement amongst Hollywood A listers and B listers. Oh,

75
00:03:34,320 --> 00:03:37,880
Speaker 2: don't forget the B. It's actually real culture number forty nine.

76
00:03:38,000 --> 00:03:42,440
Speaker 2: Don't forget the B listeners. They're all moving to get

77
00:03:42,480 --> 00:03:44,440
Speaker 2: their work done now right because the strike is going

78
00:03:44,480 --> 00:03:45,960
Speaker 2: to go on for a while. So we're going to

79
00:03:46,000 --> 00:03:48,920
Speaker 2: be seeing all the girls with the new faces, knees,

80
00:03:49,000 --> 00:03:52,119
Speaker 2: shoulders toester, full headed transplants.

81
00:03:52,240 --> 00:03:55,800
Speaker 1: I can't wait. I say, get them, get them. Should

82
00:03:55,840 --> 00:03:58,960
Speaker 1: we get some I might get a little little third eye,

83
00:04:00,320 --> 00:04:03,680
Speaker 1: little trip third eye. I want a third eye. Speaking

84
00:04:03,720 --> 00:04:06,080
Speaker 1: of the third eye, I think this is a perfect transition.

85
00:04:06,200 --> 00:04:08,640
Speaker 2: There is some cards on the table and cards on

86
00:04:08,680 --> 00:04:11,720
Speaker 2: the table. There's some cards on the table. Thank you,

87
00:04:12,000 --> 00:04:13,920
Speaker 2: we have Can I just see what the deck is?

88
00:04:14,120 --> 00:04:18,000
Speaker 1: Here we go. We've brought our system. Ask your guides

89
00:04:18,200 --> 00:04:20,600
Speaker 1: or oracle cards. We need to get into these.

90
00:04:20,640 --> 00:04:22,680
Speaker 2: We're going to get into these. I don't trust anyone

91
00:04:23,120 --> 00:04:27,000
Speaker 2: to tell me my fortune like my girl. And this

92
00:04:27,040 --> 00:04:30,080
Speaker 2: actually is a moment in Lost Colt history because I

93
00:04:30,080 --> 00:04:33,320
Speaker 2: think probably the number one most referenced person on the

94
00:04:33,320 --> 00:04:37,000
Speaker 2: podcast is probably Suitimh. But that's only because we've known

95
00:04:37,040 --> 00:04:40,600
Speaker 2: her much longer, right, We've been known Sudy for decades.

96
00:04:40,960 --> 00:04:43,880
Speaker 1: But there was a before and after the movement on

97
00:04:43,960 --> 00:04:45,960
Speaker 1: a moment to movement on a moment of one day,

98
00:04:46,120 --> 00:04:48,719
Speaker 1: my sister shows up and goes I was talking to House,

99
00:04:49,440 --> 00:04:52,480
Speaker 1: and I was like who, And then I didn't even

100
00:04:52,520 --> 00:04:54,520
Speaker 1: have to ask it out loud because I was like,

101
00:04:55,320 --> 00:04:58,200
Speaker 1: there's that guy. He felt threatened. I did not feel threatened.

102
00:04:58,279 --> 00:05:01,520
Speaker 1: I was actually so overjoyed. Why are you shaking your leg?

103
00:05:02,040 --> 00:05:04,560
Speaker 1: I was not. No. My sister moves out to La.

104
00:05:05,080 --> 00:05:09,559
Speaker 1: I miss her terribly, and then I see this person

105
00:05:09,600 --> 00:05:11,960
Speaker 1: come into her life and I say, it's all gonna

106
00:05:12,000 --> 00:05:13,720
Speaker 1: be okay, and I said I had to bring her

107
00:05:13,720 --> 00:05:15,880
Speaker 1: into your life. And then it was kind of a

108
00:05:15,880 --> 00:05:20,240
Speaker 1: beautiful moment. I'll never forget. I love House so much.

109
00:05:20,279 --> 00:05:23,240
Speaker 1: I love House as in the unit House and the

110
00:05:23,240 --> 00:05:24,760
Speaker 1: individuals that COMPRISEE House.

111
00:05:25,040 --> 00:05:27,000
Speaker 2: Yeah, so this is the big episode for the readers

112
00:05:27,000 --> 00:05:30,599
Speaker 2: because they get to meet House and what I'm pointing

113
00:05:30,640 --> 00:05:32,040
Speaker 2: to on the table cards on the table are these

114
00:05:32,040 --> 00:05:34,279
Speaker 2: astral guides orcle cards, And he said he was going

115
00:05:34,360 --> 00:05:36,680
Speaker 2: to bring these to the podcast recording, and I sort

116
00:05:36,720 --> 00:05:37,840
Speaker 2: of just in the back of my mind was like,

117
00:05:37,880 --> 00:05:40,160
Speaker 2: I don't think he even really does that. And then

118
00:05:40,200 --> 00:05:41,960
Speaker 2: you came in and asked do you do this? And

119
00:05:42,000 --> 00:05:44,520
Speaker 2: he said no, oh no. It was actually the lovely

120
00:05:44,520 --> 00:05:45,240
Speaker 2: woman we just met.

121
00:05:45,279 --> 00:05:46,960
Speaker 1: It was Enid who asked do you do this? And

122
00:05:47,000 --> 00:05:49,120
Speaker 1: he said no, but I can do it, yeah, which

123
00:05:49,200 --> 00:05:50,200
Speaker 1: is a perfect way to answer.

124
00:05:50,279 --> 00:05:52,320
Speaker 2: That's actually something that everyone out there needs to know

125
00:05:52,320 --> 00:05:54,680
Speaker 2: about astrology. Even if you can't do it, you can

126
00:05:54,760 --> 00:05:57,320
Speaker 2: do it because like, watch this. So I've pulled out

127
00:05:57,360 --> 00:06:01,120
Speaker 2: this card. This is intuition and in her child. So

128
00:06:01,240 --> 00:06:02,919
Speaker 2: what I'm seeing for you not a terror card, by

129
00:06:02,960 --> 00:06:05,680
Speaker 2: the way. What I'm saying for you is that you

130
00:06:05,880 --> 00:06:09,720
Speaker 2: need to honor yourself. And if you don't start honoring

131
00:06:09,760 --> 00:06:13,400
Speaker 2: yourself now, you never will bowen. And if you're not

132
00:06:13,520 --> 00:06:16,440
Speaker 2: laughing and smiling and playing with the inner child every day,

133
00:06:16,920 --> 00:06:17,919
Speaker 2: you're doing it wrong.

134
00:06:18,800 --> 00:06:22,920
Speaker 1: I am literally on a reparenting journey. And how could

135
00:06:23,000 --> 00:06:25,080
Speaker 1: you have drawn that card were it not for the cosmos?

136
00:06:25,360 --> 00:06:28,120
Speaker 1: I have the gift, and so does our guests, and

137
00:06:28,160 --> 00:06:34,000
Speaker 1: so does Sonia Choquette cat choke cat. Oh, I got

138
00:06:34,040 --> 00:06:36,440
Speaker 1: me in the bedroom. They called me a chokeet. I'll

139
00:06:36,480 --> 00:06:40,120
Speaker 1: be Oh, so you're you're the choke curb. I actually

140
00:06:40,160 --> 00:06:43,320
Speaker 1: hate choking sexually. Yeah, I don't like it.

141
00:06:43,480 --> 00:06:46,320
Speaker 2: I don't like when people because people also get crazy

142
00:06:46,360 --> 00:06:47,040
Speaker 2: about it.

143
00:06:47,040 --> 00:06:50,760
Speaker 1: It's hard to regulate. Well, yeah, because you can't breathe listen.

144
00:06:50,880 --> 00:06:53,200
Speaker 1: If you like choking, I bet you're a damn Republican

145
00:06:53,200 --> 00:06:56,279
Speaker 1: because you hate the regulation. Okay, Oh my god, I'm

146
00:06:56,279 --> 00:06:58,960
Speaker 1: so shook. I know. I think we need to cut

147
00:06:59,000 --> 00:07:02,240
Speaker 1: straight to this and our guests, and wouldn't you say, ladies.

148
00:07:01,960 --> 00:07:05,600
Speaker 2: And gentlemen and non binary friends, please welcome into your

149
00:07:05,640 --> 00:07:15,360
Speaker 2: ears house aka Patrick Rogers.

150
00:07:12,960 --> 00:07:15,520
Speaker 1: And now they get to hear your iconic like Midwestern

151
00:07:15,600 --> 00:07:21,560
Speaker 1: voice finally say the word house India. Yeah, Indiana born,

152
00:07:23,440 --> 00:07:27,119
Speaker 1: corn fed, Midwest best. Oh. And I bet that people

153
00:07:27,120 --> 00:07:28,640
Speaker 1: when they knew they would come on the podcast, when

154
00:07:28,640 --> 00:07:30,360
Speaker 1: they went on today, they thought that you would have

155
00:07:30,360 --> 00:07:31,920
Speaker 1: a voice sort of like us, like sort of a

156
00:07:31,960 --> 00:07:34,480
Speaker 1: faggy voice. Yes. And then you sort of come.

157
00:07:34,280 --> 00:07:38,160
Speaker 2: In and you have sort of this like authoritative yes,

158
00:07:38,200 --> 00:07:38,840
Speaker 2: what would you say?

159
00:07:39,040 --> 00:07:42,360
Speaker 1: How would you sort of a choker voice? Oh? Oh,

160
00:07:42,600 --> 00:07:45,680
Speaker 1: you know, choke if they like it? Yeah, I mean,

161
00:07:45,800 --> 00:07:47,280
Speaker 1: you know, Bottom's choice.

162
00:07:47,440 --> 00:07:50,640
Speaker 2: Bottom's choice is what I say, a title of that?

163
00:07:51,200 --> 00:07:51,320
Speaker 3: Here?

164
00:07:51,400 --> 00:07:52,880
Speaker 2: I was thinking the title of that would be house,

165
00:07:52,920 --> 00:07:54,200
Speaker 2: but already it's bottoms choice.

166
00:07:54,200 --> 00:07:57,120
Speaker 1: Bottom. Now, can we go back to something you could

167
00:07:58,080 --> 00:08:03,400
Speaker 1: Nicole Kidman? Yes? Because I feel like yeah, So I

168
00:08:03,440 --> 00:08:06,400
Speaker 1: think one thing we have to say is anything that

169
00:08:06,560 --> 00:08:09,840
Speaker 1: is that iconic and prolific needs to end at some point,

170
00:08:09,960 --> 00:08:13,120
Speaker 1: because it's like in Christopher Nolan's Batman. You become the

171
00:08:13,360 --> 00:08:16,480
Speaker 1: enemy story. That's what's what they say. That's what they

172
00:08:16,480 --> 00:08:18,840
Speaker 1: say in the movie. You become the enemy of the story.

173
00:08:19,080 --> 00:08:21,720
Speaker 1: If you're not, we can't keep doing the same mad

174
00:08:21,840 --> 00:08:25,320
Speaker 1: and a sequel, honey, come on, there's never going to

175
00:08:25,360 --> 00:08:27,800
Speaker 1: be anything better than the original. But didn't they say

176
00:08:27,840 --> 00:08:29,920
Speaker 1: that she was filming a sequel. They said that they

177
00:08:29,920 --> 00:08:33,920
Speaker 1: were writing it. They've been writing it for two years.

178
00:08:34,200 --> 00:08:36,959
Speaker 1: Apparently it's not been And I don't blame them, yeah,

179
00:08:36,960 --> 00:08:39,199
Speaker 1: of course for not approving, and for right for taking

180
00:08:39,280 --> 00:08:41,920
Speaker 1: us on a right but I will say, you go,

181
00:08:42,080 --> 00:08:45,000
Speaker 1: you set in your AMC. You've got your slushyet, oh know,

182
00:08:45,040 --> 00:08:50,160
Speaker 1: you got your popcorn? Nicole comes on and whether the

183
00:08:50,200 --> 00:08:53,840
Speaker 1: movie is bad, whether the movie is good, you're you're

184
00:08:53,920 --> 00:08:59,079
Speaker 1: in your entertainment church. She is the pastor saying, come

185
00:08:59,120 --> 00:09:01,880
Speaker 1: on in, baby Girl and just relax and enjoy yourself.

186
00:09:02,080 --> 00:09:05,120
Speaker 1: And it's nice to be led into that. I think

187
00:09:05,160 --> 00:09:07,280
Speaker 1: that's a really nice way to start a film. So

188
00:09:07,280 --> 00:09:09,520
Speaker 1: the murder you stand on this, then should it and

189
00:09:09,679 --> 00:09:12,559
Speaker 1: or should it be a pastor? It could never It

190
00:09:12,600 --> 00:09:15,959
Speaker 1: can never be again. It can never be again with her,

191
00:09:16,440 --> 00:09:19,760
Speaker 1: But my god, they should try something else. Maybe darling

192
00:09:19,840 --> 00:09:22,400
Speaker 1: Ney could do something. Darling Ney could do something, well,

193
00:09:22,440 --> 00:09:24,960
Speaker 1: then that would that really does come off as like

194
00:09:25,880 --> 00:09:28,160
Speaker 1: Nicole didn't want to do it. Yeah, it should be.

195
00:09:28,240 --> 00:09:31,000
Speaker 1: It should be like Anya Taylor Joy, I thought, you're

196
00:09:31,000 --> 00:09:35,000
Speaker 1: about to say enya and yeah into the and you

197
00:09:35,040 --> 00:09:37,160
Speaker 1: should be back and you should should be back. Did

198
00:09:37,400 --> 00:09:44,200
Speaker 1: you ever act? She can say music that's usually number eighty?

199
00:09:44,280 --> 00:09:48,520
Speaker 1: Did Anya ever act? Who can say? And yeah? At

200
00:09:48,559 --> 00:09:50,839
Speaker 1: the Oscars? May it be Lord of the Rings of

201
00:09:50,840 --> 00:09:55,760
Speaker 1: the Ring. I was saying, this woman is a performer, insane, insane,

202
00:09:56,000 --> 00:09:58,920
Speaker 1: it is. It's a disservice that she's in Ireland in

203
00:09:59,000 --> 00:10:01,520
Speaker 1: her castle with her ca and she will not leave.

204
00:10:02,240 --> 00:10:04,640
Speaker 1: She will not leave, She will not see us anymore.

205
00:10:04,720 --> 00:10:06,199
Speaker 1: She doesn't care, she doesn't care. Do you think she

206
00:10:06,200 --> 00:10:08,480
Speaker 1: has a recording studio in the cast she does? Okay,

207
00:10:08,600 --> 00:10:11,360
Speaker 1: you know this. Yes, there's an article, famous article from

208
00:10:11,400 --> 00:10:15,360
Speaker 1: five years ago where they're like, Enya's this trope reclose

209
00:10:15,880 --> 00:10:18,439
Speaker 1: they go, they talk to people around her. There's all

210
00:10:18,440 --> 00:10:20,559
Speaker 1: this stuff about her cast, soule, her studio and there

211
00:10:20,559 --> 00:10:24,000
Speaker 1: and stuff. It's fascinating. It's Irish Bure. It's very Irish bureky,

212
00:10:24,360 --> 00:10:28,160
Speaker 1: very Kate Bush. You know, are weird girls who we love.

213
00:10:28,600 --> 00:10:31,240
Speaker 1: I love it. You know when they were saying that

214
00:10:31,240 --> 00:10:33,280
Speaker 1: Billie Eilish is the new Kate Bush and we all laughed,

215
00:10:34,720 --> 00:10:37,559
Speaker 1: and now I get it. I cried and I cried,

216
00:10:37,600 --> 00:10:40,719
Speaker 1: but I get what they're saying, like young prodigy, kind

217
00:10:40,720 --> 00:10:43,560
Speaker 1: of like doing something different. Yes, anyway, I just wanted

218
00:10:43,559 --> 00:10:45,920
Speaker 1: to put that out. No, I think it's an interesting comparison.

219
00:10:46,000 --> 00:10:49,880
Speaker 1: I think it's more interesting that than when people say,

220
00:10:49,920 --> 00:10:54,400
Speaker 1: like Karen kolicheck Karin, which I don't think is necessarily

221
00:10:54,480 --> 00:10:57,800
Speaker 1: a similar We love her, we love her, God, my God,

222
00:10:58,080 --> 00:11:00,679
Speaker 1: we stand, we stand. I don't think that that's really

223
00:11:00,840 --> 00:11:01,720
Speaker 1: two of the same things.

224
00:11:01,920 --> 00:11:04,560
Speaker 2: I just watched that they were just released again. You

225
00:11:04,559 --> 00:11:07,439
Speaker 2: know how Billy Irish says the same interview yes every year,

226
00:11:07,520 --> 00:11:09,680
Speaker 2: every year, so this is the sixth one, and I

227
00:11:09,679 --> 00:11:11,800
Speaker 2: think it is a thing of like Nicole, it might

228
00:11:11,880 --> 00:11:14,319
Speaker 2: be needing to end, because it's getting to the point

229
00:11:14,320 --> 00:11:18,360
Speaker 2: now where she is like watching herself from six years

230
00:11:18,400 --> 00:11:20,440
Speaker 2: past and she's kind of just like yeah, man, Like

231
00:11:20,520 --> 00:11:22,760
Speaker 2: I feel like it feel like the loop has closed

232
00:11:22,800 --> 00:11:24,959
Speaker 2: on it. Whereas it's like, I don't know how much

233
00:11:25,000 --> 00:11:27,200
Speaker 2: longer she'll do it. But Billie Eilish as of late

234
00:11:27,280 --> 00:11:29,960
Speaker 2: seems like a very adult person, whereas like, I think

235
00:11:30,000 --> 00:11:32,280
Speaker 2: what's been fun about those Billie Eilish interviews is it's

236
00:11:32,280 --> 00:11:35,559
Speaker 2: like watching it out like how she goes, like look

237
00:11:35,559 --> 00:11:37,679
Speaker 2: how she changes, and now she's just sitting there and

238
00:11:37,679 --> 00:11:40,120
Speaker 2: she's just like, Wow, I can't believe I've done this

239
00:11:40,160 --> 00:11:40,520
Speaker 2: every year.

240
00:11:40,559 --> 00:11:41,480
Speaker 1: I really was young.

241
00:11:41,559 --> 00:11:43,560
Speaker 2: And there's nothing else being offered in the vein of

242
00:11:43,600 --> 00:11:46,200
Speaker 2: why we're interviewing her. It's just like it's been a thing.

243
00:11:46,800 --> 00:11:48,800
Speaker 1: I like the concept. It doesn't have to be like

244
00:11:49,080 --> 00:11:53,079
Speaker 1: Richard Linkleader like I do like her more and more. Oh, totally. Yeah.

245
00:11:53,200 --> 00:11:57,199
Speaker 1: You know that little Barbie song, the Barbie's song, Oh

246
00:11:57,280 --> 00:12:00,440
Speaker 1: my well in the film too perfect moment in there.

247
00:12:00,600 --> 00:12:03,040
Speaker 1: I saw it again last night and I almost cried. Wow.

248
00:12:03,559 --> 00:12:06,320
Speaker 2: I've had more emotional reaction the second time seeing it

249
00:12:06,360 --> 00:12:07,760
Speaker 2: than I did the first. The first I was kind

250
00:12:07,760 --> 00:12:10,439
Speaker 2: of just like overwhelmed and like I can't believe this movie,

251
00:12:10,480 --> 00:12:12,320
Speaker 2: Like wow. And then the second time, I think I

252
00:12:12,360 --> 00:12:14,360
Speaker 2: was ready to receive the messages a little bit more

253
00:12:14,360 --> 00:12:16,080
Speaker 2: and I was really really moved by it. And that

254
00:12:16,120 --> 00:12:18,280
Speaker 2: part is like when they show all the images and

255
00:12:18,280 --> 00:12:20,520
Speaker 2: cuts of different like women and girls throughout their life.

256
00:12:20,559 --> 00:12:23,840
Speaker 1: I was like, this is pretty special. I was moved.

257
00:12:24,200 --> 00:12:26,600
Speaker 1: I was moved. I was teary eyed. I laughed, I

258
00:12:26,640 --> 00:12:30,480
Speaker 1: got teary eyed. I had full, you know, emotional story.

259
00:12:30,760 --> 00:12:34,880
Speaker 1: Even on lexapro and especially you can do it. You

260
00:12:34,920 --> 00:12:37,480
Speaker 1: can do it, you can do it. Should we confess

261
00:12:37,679 --> 00:12:42,560
Speaker 1: something you and I our experience with another movie? Oh?

262
00:12:43,000 --> 00:12:44,240
Speaker 1: I think we should. I think we should.

263
00:12:45,000 --> 00:12:46,720
Speaker 2: I think everyone, here's what we're gonna say.

264
00:12:46,800 --> 00:12:49,520
Speaker 1: And you know this is special, Ops, Lioness, is this

265
00:12:49,600 --> 00:12:50,480
Speaker 1: what we're talking about?

266
00:12:51,240 --> 00:12:52,960
Speaker 2: No, we didn't make it through Oppenhamer.

267
00:12:54,000 --> 00:13:00,960
Speaker 1: We saw it in a theater, movie theater neither nor regal,

268
00:13:01,520 --> 00:13:07,720
Speaker 1: tough village East by Angelica, huge theater of many happy memories.

269
00:13:07,720 --> 00:13:10,280
Speaker 1: In that theater, I've seen the room there from plastic

270
00:13:10,360 --> 00:13:12,200
Speaker 1: spoons at the screen there. I have seen a classic

271
00:13:12,240 --> 00:13:15,120
Speaker 1: New York theater, classic theater. Stop Bridesmaid's there the first time,

272
00:13:15,160 --> 00:13:17,400
Speaker 1: I was like, I will always remember this moment, you know,

273
00:13:18,040 --> 00:13:20,080
Speaker 1: I will always remember this moment of open him because

274
00:13:20,080 --> 00:13:23,120
Speaker 1: one the concessions line was too long, down the block,

275
00:13:23,280 --> 00:13:25,840
Speaker 1: down the block, in a manner of speaking, And then

276
00:13:27,160 --> 00:13:31,319
Speaker 1: the movie itself, our main thing was is Filip Hugh

277
00:13:31,360 --> 00:13:34,360
Speaker 1: gonna have tits out. Every scene she's in, she deserves

278
00:13:34,400 --> 00:13:37,120
Speaker 1: better than this. Is Emily Blunt going to be an

279
00:13:37,120 --> 00:13:39,480
Speaker 1: alcoholic nag, And every scene Che's in, she deserves better

280
00:13:39,520 --> 00:13:41,360
Speaker 1: than this. And then that's like.

281
00:13:41,320 --> 00:13:43,839
Speaker 2: The theme of Christopher Nolan's filmography is that the women

282
00:13:43,960 --> 00:13:46,280
Speaker 2: in them deserved much better than that. But like, I

283
00:13:46,320 --> 00:13:49,320
Speaker 2: mean literally, like my thing with it was with my

284
00:13:49,400 --> 00:13:52,120
Speaker 2: one precious life. No more three hour movies.

285
00:13:52,600 --> 00:13:55,319
Speaker 1: And they're gonna keep coming. Well yeah, I mean they

286
00:13:55,360 --> 00:13:56,439
Speaker 1: show no signs of stopping.

287
00:13:56,520 --> 00:13:58,680
Speaker 2: But my thing is like, by the time Barbie is over,

288
00:13:59,280 --> 00:14:00,959
Speaker 2: the bomb has an even gone off.

289
00:14:00,760 --> 00:14:04,600
Speaker 1: And right, right right, and the bomb was going off

290
00:14:04,760 --> 00:14:07,800
Speaker 1: in little ways up until the hour and a half

291
00:14:07,800 --> 00:14:10,959
Speaker 1: mark for us anyway, where Matt was truly jumping out

292
00:14:10,960 --> 00:14:12,160
Speaker 1: of his seat and we were like, this is not

293
00:14:12,360 --> 00:14:15,360
Speaker 1: did you see this? I haven't? Yeah, right, And if

294
00:14:15,360 --> 00:14:18,959
Speaker 1: you enjoy it, please, If anyone enjoys this movie, I celebrate.

295
00:14:19,640 --> 00:14:22,720
Speaker 1: But for us in that moment on a Monday night,

296
00:14:23,560 --> 00:14:27,000
Speaker 1: after the weekend we had, when did we do that weekend?

297
00:14:27,360 --> 00:14:27,640
Speaker 3: I don't know.

298
00:14:27,640 --> 00:14:30,960
Speaker 1: I think we just like hung out a big week

299
00:14:31,640 --> 00:14:34,240
Speaker 1: a big weekend of hanging out. But you were so

300
00:14:34,360 --> 00:14:37,320
Speaker 1: relaxed from that and then to go into Oppenheimer get

301
00:14:37,400 --> 00:14:38,080
Speaker 1: jilted around.

302
00:14:38,120 --> 00:14:39,400
Speaker 2: Oh, this is what I wanted to say about the

303
00:14:39,440 --> 00:14:40,400
Speaker 2: Angelica of it all.

304
00:14:40,880 --> 00:14:42,720
Speaker 1: You feel it. And this is not a drag on them.

305
00:14:42,760 --> 00:14:44,520
Speaker 2: It's kind of a drag on the movie because I

306
00:14:44,560 --> 00:14:46,400
Speaker 2: realize I've had this problem with Christopher.

307
00:14:46,040 --> 00:14:49,320
Speaker 1: Nolan's movies a lot. I can't hear them, like when

308
00:14:49,320 --> 00:14:51,080
Speaker 1: I saw an Interstellar in what I thought was a

309
00:14:51,080 --> 00:14:53,560
Speaker 1: great movie theater years ago, like I've given that movie

310
00:14:53,640 --> 00:14:55,160
Speaker 1: the benefit of the doubt, and I tend to give

311
00:14:55,160 --> 00:14:57,000
Speaker 1: his movies the benefit of the doubt. Actually I'm a

312
00:14:57,040 --> 00:14:57,760
Speaker 1: huge fan of his.

313
00:14:58,160 --> 00:15:01,520
Speaker 2: I couldn't hear this movie, and I could not hear Interstellar,

314
00:15:01,560 --> 00:15:02,800
Speaker 2: to the point where I was just like.

315
00:15:03,200 --> 00:15:05,520
Speaker 1: What is it like? Is it just that everything is

316
00:15:05,600 --> 00:15:08,440
Speaker 1: so The score was so it just.

317
00:15:08,440 --> 00:15:11,480
Speaker 2: Covered the whole movie in a way that his scores do,

318
00:15:11,600 --> 00:15:15,560
Speaker 2: and I was just like, girl, I can't.

319
00:15:14,560 --> 00:15:17,000
Speaker 1: I haven't seen the film yet, and I'm a big

320
00:15:17,080 --> 00:15:20,200
Speaker 1: Christopher Nolan fan, so I'm excited to going back, Yes,

321
00:15:20,320 --> 00:15:23,400
Speaker 1: going way back. I just mentioned Batman. You know who

322
00:15:23,480 --> 00:15:26,040
Speaker 1: else has heard of that film? No, but I will

323
00:15:26,080 --> 00:15:29,400
Speaker 1: say I saw Tenet when it was out around the pandemic,

324
00:15:29,520 --> 00:15:33,960
Speaker 1: and that film was so confusing. Yeah, I felt like

325
00:15:34,160 --> 00:15:37,000
Speaker 1: my grandmother trying to watch Matrix. Yeah. I kept turning

326
00:15:37,040 --> 00:15:40,560
Speaker 1: to my friend being like, what what is going on?

327
00:15:42,320 --> 00:15:45,240
Speaker 1: I went to college, you know, I'm not educated. I

328
00:15:46,000 --> 00:15:49,360
Speaker 1: know some stuff. I couldn't figure out who was what.

329
00:15:49,440 --> 00:15:52,600
Speaker 1: And poor Elizabeth the bickie legs in the air. She

330
00:15:52,720 --> 00:15:55,480
Speaker 1: looked eight feet taller than everybody. He didn't know how

331
00:15:55,520 --> 00:15:58,920
Speaker 1: to shoot her, and you know, a six foot three man.

332
00:15:58,960 --> 00:16:02,000
Speaker 1: I respect these tall girls. Yes, I respect these tall girls.

333
00:16:02,000 --> 00:16:03,600
Speaker 1: And I don't like when men don't know how to

334
00:16:03,640 --> 00:16:06,520
Speaker 1: film the Yeah, they got her in an suv, legs

335
00:16:06,560 --> 00:16:08,640
Speaker 1: out in the air, she's looking like good for the

336
00:16:08,680 --> 00:16:11,320
Speaker 1: big red dog. Yeah, it's just it's a sick way

337
00:16:11,360 --> 00:16:12,040
Speaker 1: to treat a woman.

338
00:16:12,120 --> 00:16:14,560
Speaker 2: Yeah, I agree, I would agree. And you know the

339
00:16:14,600 --> 00:16:16,800
Speaker 2: thing is in this film, How'm told do you think

340
00:16:16,800 --> 00:16:19,360
Speaker 2: Emily Blunt is five nine?

341
00:16:20,520 --> 00:16:24,520
Speaker 1: She looked five eleven? I don't know what that is.

342
00:16:24,640 --> 00:16:26,800
Speaker 1: It's he's filming them from up, try to get up

343
00:16:26,800 --> 00:16:28,880
Speaker 1: their skirt. Why are they looking? So here's the thing.

344
00:16:28,920 --> 00:16:30,920
Speaker 2: Why would literally to go back to the Florence feel

345
00:16:30,920 --> 00:16:33,880
Speaker 2: of it all? She really was nude the entire movie.

346
00:16:34,160 --> 00:16:35,960
Speaker 2: And then you're gonna not be able to handle it.

347
00:16:36,000 --> 00:16:37,160
Speaker 2: And there's and that's my girl.

348
00:16:37,440 --> 00:16:39,560
Speaker 1: I know. We love flow. The reason is that, like

349
00:16:39,640 --> 00:16:43,000
Speaker 1: there's secks, no problem, we love heard of it, heard

350
00:16:43,000 --> 00:16:45,440
Speaker 1: of it. But then like that character, that person in

351
00:16:45,480 --> 00:16:49,600
Speaker 1: real life, like sad little ending there. Then where's Killian's cock? Okay,

352
00:16:49,640 --> 00:16:51,840
Speaker 1: I'm sorry, but like if why is the woman nude

353
00:16:51,840 --> 00:16:55,800
Speaker 1: the whole time? Yeah, you get flow tits, you get

354
00:16:55,880 --> 00:17:00,480
Speaker 1: Killian cock. That's the equation. That's the equation for a film.

355
00:17:00,520 --> 00:17:01,080
Speaker 1: I'll tell you what.

356
00:17:01,320 --> 00:17:03,920
Speaker 2: Because on paper, every project looks like it's gonna.

357
00:17:03,680 --> 00:17:07,040
Speaker 1: Sligh yes, right, so you can see why she would

358
00:17:07,040 --> 00:17:08,959
Speaker 1: want to do something like this. Christopher Nolan is one

359
00:17:09,000 --> 00:17:11,800
Speaker 1: of our current O Tours of Cinema. I think any

360
00:17:11,840 --> 00:17:14,680
Speaker 1: actor actress would kill to have a role. Of course,

361
00:17:14,720 --> 00:17:16,640
Speaker 1: I think she saw the role. At least it wasn't

362
00:17:16,640 --> 00:17:18,720
Speaker 1: the housewife. You know. I'm sure she thought there was

363
00:17:18,760 --> 00:17:22,080
Speaker 1: something interesting there. She's never done sex like that. I mean,

364
00:17:22,720 --> 00:17:25,440
Speaker 1: I'm thinking Lady Macbeth was there that much. I don't

365
00:17:25,600 --> 00:17:30,240
Speaker 1: think so. Right when Harry styles ate her out and

366
00:17:30,280 --> 00:17:31,400
Speaker 1: don't worry darling, and.

367
00:17:31,359 --> 00:17:33,000
Speaker 2: Then she was pissed about it. Remember she was like,

368
00:17:33,080 --> 00:17:35,439
Speaker 2: stop producing this movie to just the sex. Because then

369
00:17:35,440 --> 00:17:37,800
Speaker 2: Olivia Wilde was out there being like in my movie

370
00:17:37,880 --> 00:17:42,000
Speaker 2: only the women come. Remember that narrative, Olivia Wilde and

371
00:17:42,080 --> 00:17:43,680
Speaker 2: my movie only the Women Come. And then you find

372
00:17:43,720 --> 00:17:45,760
Speaker 2: out at the end, like all the women are being brutalized.

373
00:17:45,880 --> 00:17:50,160
Speaker 1: Right, Well, yeah, they come to grips.

374
00:17:50,240 --> 00:17:52,600
Speaker 2: They come to grips with the fact that they're oppressor.

375
00:17:52,760 --> 00:17:56,639
Speaker 2: Oh god, but flow, you know what flow? I think?

376
00:17:57,080 --> 00:17:58,920
Speaker 1: Well, I was gonna say, Emily probably looked at the

377
00:17:58,920 --> 00:18:00,959
Speaker 1: scripts said I'm the now wife. But at least I'm

378
00:18:01,000 --> 00:18:04,240
Speaker 1: on a horse and they can shoot me tall. Fun

379
00:18:04,280 --> 00:18:06,240
Speaker 1: to be on a horse, I'll say that, Yeah, you know,

380
00:18:06,280 --> 00:18:08,600
Speaker 1: it's actually not fun, not fun to be a horse,

381
00:18:09,200 --> 00:18:12,919
Speaker 1: run horse for camera. Guess what this crew and I

382
00:18:12,920 --> 00:18:15,919
Speaker 1: love his crew, but this crew decided to have a

383
00:18:16,000 --> 00:18:18,639
Speaker 1: drone and of course the horse don't know what the

384
00:18:18,680 --> 00:18:21,840
Speaker 1: fuck that is. And then I almost died. Almost. I

385
00:18:21,840 --> 00:18:24,240
Speaker 1: didn't tell you this almost died, And I wasn't a

386
00:18:24,320 --> 00:18:26,159
Speaker 1: narrative that you came back with. Well, there were the

387
00:18:26,560 --> 00:18:28,200
Speaker 1: other Marion from island was that I had a piece

388
00:18:28,240 --> 00:18:30,040
Speaker 1: of use toilet paper, my own used toilet paper, stuck

389
00:18:30,040 --> 00:18:31,840
Speaker 1: to my shoe. And then everybody on set saw and

390
00:18:32,119 --> 00:18:35,480
Speaker 1: walking around set with a shitty with from his with

391
00:18:35,520 --> 00:18:38,400
Speaker 1: a big groun on my pants, the big old brown.

392
00:18:38,480 --> 00:18:41,040
Speaker 1: But the other a ic, the other rats was riding

393
00:18:41,119 --> 00:18:46,439
Speaker 1: on horses and once you know the drone, even hundreds

394
00:18:46,480 --> 00:18:50,440
Speaker 1: of yards away. These horses can clock. They were spoke, Yes,

395
00:18:50,480 --> 00:18:53,240
Speaker 1: they were spooking. Then I almost a horse can clock.

396
00:18:55,760 --> 00:18:58,600
Speaker 1: A horse could clock, horse could clock famous famous. So

397
00:18:58,640 --> 00:19:02,760
Speaker 1: you almost got booked. I almost got bucked. And there

398
00:19:02,800 --> 00:19:04,560
Speaker 1: was part of me though that I was like, this

399
00:19:04,680 --> 00:19:05,240
Speaker 1: is a good way to.

400
00:19:05,240 --> 00:19:08,320
Speaker 2: Go, chic way to die. And Yang was on set

401
00:19:08,359 --> 00:19:11,399
Speaker 2: in Iceland. He was thrown from a horse and passed.

402
00:19:11,480 --> 00:19:18,080
Speaker 1: Now I remember the narrative you loved Iceland because I

403
00:19:18,200 --> 00:19:21,480
Speaker 1: just got back from Ice. Tell us about your Iceland experience.

404
00:19:21,560 --> 00:19:24,640
Speaker 1: Iceland is one of the most magical places I've ever been.

405
00:19:24,960 --> 00:19:29,840
Speaker 1: The people are so funny, a deeply funny people. I've

406
00:19:29,880 --> 00:19:31,480
Speaker 1: never seen you so happy that when you came back

407
00:19:31,560 --> 00:19:34,240
Speaker 1: it was one of the best vacations I've ever taken

408
00:19:34,280 --> 00:19:36,639
Speaker 1: in my life. First of all with Josh and Aaron,

409
00:19:36,720 --> 00:19:41,920
Speaker 1: who the readers know, and they're just the easiest people

410
00:19:41,960 --> 00:19:43,840
Speaker 1: to travel with. I mean, you know, we've done Fire

411
00:19:43,880 --> 00:19:46,719
Speaker 1: Island with them. They're very easy people to be around,

412
00:19:47,160 --> 00:19:51,119
Speaker 1: and they know people from their improv days. Big improv

413
00:19:51,160 --> 00:19:55,800
Speaker 1: scene in Iceland, big huge improv scene. You'd never who

414
00:19:55,840 --> 00:19:58,800
Speaker 1: would guess I wouldn't guess that. And so their friends

415
00:19:58,840 --> 00:20:01,560
Speaker 1: from improv have a summer house. Take us to the

416
00:20:01,600 --> 00:20:05,880
Speaker 1: summerhouse in the south of Iceland. Waterfalls everywhere. We're going

417
00:20:05,920 --> 00:20:13,760
Speaker 1: to Foss Goga Fos, which is their backyard Foss. We're

418
00:20:13,760 --> 00:20:17,720
Speaker 1: seeing puffins and manatees eat. They eat the puffin there.

419
00:20:17,920 --> 00:20:20,320
Speaker 1: I did not. I did not partake not great puff

420
00:20:20,800 --> 00:20:24,960
Speaker 1: a gorgeous little bird, the sport not off, not off,

421
00:20:25,040 --> 00:20:28,439
Speaker 1: not often. It's like an old Icelandic tradition, but they

422
00:20:28,440 --> 00:20:31,640
Speaker 1: don't really keep it up with it anymore. They eat puffins,

423
00:20:31,640 --> 00:20:33,879
Speaker 1: don't They don't. But no, it was just like the

424
00:20:33,880 --> 00:20:37,640
Speaker 1: people were amazing. Raichvic's so darn cute and charming. They're

425
00:20:37,680 --> 00:20:41,679
Speaker 1: obsessed with water. I house knows this house and I

426
00:20:41,800 --> 00:20:44,480
Speaker 1: used to go every Sunday to we Spaw in La

427
00:20:44,720 --> 00:20:47,159
Speaker 1: when we both lived there. It's just one of the

428
00:20:47,200 --> 00:20:51,840
Speaker 1: great institutions. And I was saying, we're going to need

429
00:20:51,920 --> 00:20:56,280
Speaker 1: to do that soon. It looks amazing. It's amazing, Jersey.

430
00:20:56,280 --> 00:20:57,840
Speaker 1: It was what I was going to do before. Beyond

431
00:20:58,160 --> 00:20:59,960
Speaker 1: five floors. It's incredible.

432
00:21:00,119 --> 00:21:02,840
Speaker 2: We you also need to join us at the when

433
00:21:02,840 --> 00:21:04,920
Speaker 2: we went to the Governor's the Governor's Island SPA.

434
00:21:05,040 --> 00:21:06,600
Speaker 1: It's a little bit of a truck, but so is Jersey.

435
00:21:06,680 --> 00:21:09,040
Speaker 1: I'll go, I'll go. It's a trek, but you take

436
00:21:09,080 --> 00:21:11,280
Speaker 1: the ferry right there. They like have their own fais

437
00:21:11,640 --> 00:21:15,360
Speaker 1: so you know it's spot fair. But anyway, they're obsessed

438
00:21:15,359 --> 00:21:17,080
Speaker 1: with spot culture. Where did you go? Do you go

439
00:21:17,080 --> 00:21:20,520
Speaker 1: to Winter Blue? Did you go to sky Lagoon? I

440
00:21:20,560 --> 00:21:23,159
Speaker 1: think so. I can't remember the other name. It's outside Rykovic,

441
00:21:23,240 --> 00:21:25,080
Speaker 1: but I think it's sky. But you're on the water

442
00:21:25,200 --> 00:21:28,320
Speaker 1: and you're in like these rocks and you're in the

443
00:21:28,359 --> 00:21:32,439
Speaker 1: water in a hoot lagoon. It's insane. Now can I

444
00:21:32,480 --> 00:21:35,280
Speaker 1: ask when they say hot lagoon? Just how hot? A

445
00:21:35,359 --> 00:21:39,560
Speaker 1: perfect ninety two? And you walk up and they with

446
00:21:39,640 --> 00:21:41,879
Speaker 1: all of these they've walk up bars and you have

447
00:21:41,960 --> 00:21:44,280
Speaker 1: your like wrists things to your clock. Let me get

448
00:21:44,320 --> 00:21:47,159
Speaker 1: an apperall sprits clock. Let me get a da da

449
00:21:47,280 --> 00:21:50,400
Speaker 1: da clock. Let me get some wine as I'm tipsy

450
00:21:50,480 --> 00:21:53,600
Speaker 1: as hell. Look at you would love this is so

451
00:21:54,320 --> 00:21:57,000
Speaker 1: looking at the stunning ocean, the clouds are passing by.

452
00:21:57,280 --> 00:22:00,840
Speaker 1: It's in summer. It's a nice sixty degrees like it was.

453
00:22:00,920 --> 00:22:04,560
Speaker 1: Just that was the part of it. And then I said,

454
00:22:04,600 --> 00:22:06,160
Speaker 1: let's go for New Year's Eve. And then they said,

455
00:22:06,160 --> 00:22:07,880
Speaker 1: well that's when there's only three and a half hours

456
00:22:07,920 --> 00:22:10,440
Speaker 1: or sunlight or whatever. Yeah, and no one's going out.

457
00:22:10,520 --> 00:22:14,400
Speaker 1: That's what I heard. Highest density of puffin of puffin

458
00:22:14,800 --> 00:22:20,080
Speaker 1: of in the highest sensity of people who write novels

459
00:22:20,160 --> 00:22:23,720
Speaker 1: per population. Isn't that beautiful? This novelists per capita. Yes.

460
00:22:24,520 --> 00:22:27,160
Speaker 1: Fascinating fact about Iceland. This is the thing about Iceland

461
00:22:27,560 --> 00:22:30,600
Speaker 1: and the Icelandic people. There is no original sin. The

462
00:22:30,680 --> 00:22:34,320
Speaker 1: Vikings just got there. No one was there. Let's build

463
00:22:34,320 --> 00:22:36,680
Speaker 1: a town. They didn't have to kill anybody. Nope, didn't

464
00:22:36,680 --> 00:22:40,080
Speaker 1: have to like make anybody feel crazy or they don't

465
00:22:40,119 --> 00:22:41,960
Speaker 1: have the guilt, they don't have the shame. And I'll

466
00:22:41,960 --> 00:22:44,520
Speaker 1: tell you what's one cool. Other thing is that there's

467
00:22:44,600 --> 00:22:48,680
Speaker 1: only one real gay bar because gay queer people are

468
00:22:48,720 --> 00:22:52,119
Speaker 1: so integrated into the culture that they don't need for

469
00:22:52,359 --> 00:22:54,520
Speaker 1: their own safe little space. They don't really need it.

470
00:22:54,560 --> 00:22:57,480
Speaker 1: They're out at all the straight bars with everybody else

471
00:22:57,600 --> 00:23:01,880
Speaker 1: chilling hanging out. I was like, this is so cool. Yeah,

472
00:23:01,880 --> 00:23:06,200
Speaker 1: Like it was very very special. And the actors there, oh,

473
00:23:06,480 --> 00:23:09,000
Speaker 1: I just say the people who played my family. I

474
00:23:09,000 --> 00:23:11,199
Speaker 1: probably talked about this already on nor from Queens. It

475
00:23:11,280 --> 00:23:13,879
Speaker 1: was like the Meryl Streep of Iceland, and it was

476
00:23:13,920 --> 00:23:16,040
Speaker 1: like the like leading character actor of Iceland, and they've

477
00:23:16,080 --> 00:23:17,720
Speaker 1: known each for thirty years, like, hey, how are you?

478
00:23:18,400 --> 00:23:20,280
Speaker 1: And then they like they're like, we love doing comedy

479
00:23:20,840 --> 00:23:22,879
Speaker 1: because they're like all we do here are like Nordic

480
00:23:22,960 --> 00:23:25,520
Speaker 1: noirs and it's so depressing. Everyone's getting raped and killed

481
00:23:26,119 --> 00:23:27,880
Speaker 1: on our shows, it's always girl with the dragon tattoo.

482
00:23:28,280 --> 00:23:30,520
Speaker 1: And then they're like this is this is fun. They're like,

483
00:23:30,520 --> 00:23:31,520
Speaker 1: we want more comedies.

484
00:23:31,800 --> 00:23:34,679
Speaker 2: So you go there, it's like this incredible community spirit.

485
00:23:35,320 --> 00:23:37,400
Speaker 2: And then the reason why you were there was.

486
00:23:37,359 --> 00:23:41,240
Speaker 1: To see York. Let's talk about this. So basically what

487
00:23:41,359 --> 00:23:44,920
Speaker 1: happened was New York was supposed to do her concert.

488
00:23:44,960 --> 00:23:48,320
Speaker 1: There she's doing like a flute or castral moment. Yes, well,

489
00:23:48,600 --> 00:23:52,600
Speaker 1: I saw she couldn't make get the flutes to Iceland

490
00:23:52,680 --> 00:23:58,040
Speaker 1: because of some it was. It was it was a supply, yeah,

491
00:23:58,080 --> 00:24:00,720
Speaker 1: and so she was like, shoot, well, anyone who is

492
00:24:00,840 --> 00:24:03,800
Speaker 1: outside of Iceland and bought flights, I'm gonna do a

493
00:24:03,880 --> 00:24:07,040
Speaker 1: DJ set for you. Said shoot, she said darn it.

494
00:24:07,520 --> 00:24:11,680
Speaker 1: She said darn it. And so she said, I'm gonna

495
00:24:11,680 --> 00:24:14,120
Speaker 1: do a fabulous little DJ set for you.

496
00:24:14,520 --> 00:24:16,240
Speaker 2: And so, so the way it always explained to me

497
00:24:16,400 --> 00:24:18,480
Speaker 2: was there was supposed to be a big concerent in Iceland,

498
00:24:18,520 --> 00:24:20,400
Speaker 2: and then she said, I'm canceling it if you are

499
00:24:20,480 --> 00:24:21,280
Speaker 2: from Iceland.

500
00:24:21,400 --> 00:24:21,920
Speaker 1: Sorry, girl.

501
00:24:22,000 --> 00:24:26,639
Speaker 2: Obvious international ticket holders got special dejas, Yet.

502
00:24:27,000 --> 00:24:32,200
Speaker 1: How could they tell based on like where you purchased? Well,

503
00:24:32,240 --> 00:24:36,280
Speaker 1: I'm sure your credit card you understand, you understand. So anyway,

504
00:24:36,280 --> 00:24:38,720
Speaker 1: we go there. She holds it. It her friend's art gallery.

505
00:24:39,320 --> 00:24:44,400
Speaker 1: It's one hundred people, that's it, and she it's we're scheduled.

506
00:24:44,440 --> 00:24:46,480
Speaker 1: It's supposed to be like two and a half hours,

507
00:24:46,520 --> 00:24:48,000
Speaker 1: and we're like, is she going to do a full

508
00:24:48,000 --> 00:24:50,160
Speaker 1: two and a half hour DJ set? So we get there.

509
00:24:50,520 --> 00:24:55,000
Speaker 1: She's in her garb, she dressed up. The girl is

510
00:24:55,040 --> 00:24:57,560
Speaker 1: fully in a green wig and like there's some fun

511
00:24:57,640 --> 00:25:01,680
Speaker 1: guys outside out out of her and like she's wearing

512
00:25:01,720 --> 00:25:04,040
Speaker 1: like a gown and like a cape and the full thing.

513
00:25:04,200 --> 00:25:07,200
Speaker 1: And she's just up top, like five feet above us,

514
00:25:07,240 --> 00:25:10,199
Speaker 1: just like a little bit above us, and like saying hi.

515
00:25:10,760 --> 00:25:12,920
Speaker 1: And then she does a two and a half hour set.

516
00:25:13,000 --> 00:25:16,399
Speaker 1: She starts with forty minutes of classical remixes that she

517
00:25:16,520 --> 00:25:24,159
Speaker 1: does herself into tropical beats, into hardcore wrap into like

518
00:25:24,359 --> 00:25:28,800
Speaker 1: indie remix. It is the most insane DJ set I've

519
00:25:28,800 --> 00:25:31,199
Speaker 1: ever heard in my life. And she's just like fully

520
00:25:31,320 --> 00:25:34,600
Speaker 1: like jumping with the audience, like getting her life, sweating

521
00:25:34,600 --> 00:25:38,080
Speaker 1: her tits off. It was unreal, one of like the

522
00:25:38,119 --> 00:25:42,399
Speaker 1: most sacred experiences I've had. She was amazing, this woman.

523
00:25:42,600 --> 00:25:46,160
Speaker 1: Did you ever listen to the podcasts. Yeah album. Yes,

524
00:25:46,280 --> 00:25:48,840
Speaker 1: this woman knows music in a way that you would

525
00:25:48,840 --> 00:25:52,040
Speaker 1: never believe. It knows everything about everything. It's crazy. I

526
00:25:52,080 --> 00:25:55,080
Speaker 1: mean even sugar Cubes. I mean she was like eleven

527
00:25:55,119 --> 00:25:58,160
Speaker 1: writing insane music. I mean she is a prodigy in

528
00:25:58,200 --> 00:26:01,320
Speaker 1: like the truest sense and continue used to evolve, which

529
00:26:01,359 --> 00:26:04,440
Speaker 1: is exciting to like have an artist you've loved since

530
00:26:04,440 --> 00:26:06,359
Speaker 1: you were a kid and they keep doing new things.

531
00:26:06,720 --> 00:26:09,439
Speaker 1: You know, doesn't always happen, doesn't always happen. You know,

532
00:26:09,600 --> 00:26:12,120
Speaker 1: like it's really interesting when you have someone who has

533
00:26:12,200 --> 00:26:15,439
Speaker 1: that stamina. Yes, because that they don't all because some

534
00:26:15,480 --> 00:26:17,800
Speaker 1: of them are holl up in their Irish castles with

535
00:26:17,800 --> 00:26:20,119
Speaker 1: their cats and their cats and won't say hi to me.

536
00:26:20,400 --> 00:26:22,399
Speaker 1: Is that kind of flop though? I mean, are we

537
00:26:22,520 --> 00:26:25,040
Speaker 1: let's let's take any of the task because come on,

538
00:26:25,320 --> 00:26:27,720
Speaker 1: come on, we need it. We give it to us.

539
00:26:27,920 --> 00:26:29,720
Speaker 2: What is the other end your song that's really good?

540
00:26:29,760 --> 00:26:30,800
Speaker 2: It's only time.

541
00:26:32,119 --> 00:26:35,879
Speaker 1: Sail Away? That is a fucking gorgeous song. What was

542
00:26:35,920 --> 00:26:38,560
Speaker 1: the CD that was like Pure Moods that would come

543
00:26:38,600 --> 00:26:42,240
Speaker 1: on your Celtic Moods Celtic and that song was always

544
00:26:42,240 --> 00:26:45,960
Speaker 1: blasting on the TV. They're selling that CD in that

545
00:26:46,080 --> 00:26:59,399
Speaker 1: Celtic moods. Celtic moods speaking of people who like continue

546
00:26:59,440 --> 00:27:02,160
Speaker 1: to evolve and stuff. We did just see Beyonce this week.

547
00:27:02,960 --> 00:27:04,879
Speaker 1: I mean the East Rutherford show.

548
00:27:05,200 --> 00:27:08,399
Speaker 2: And I love when I love Whenever anyone plays MetLife

549
00:27:08,400 --> 00:27:09,359
Speaker 2: and they go New.

550
00:27:09,280 --> 00:27:13,240
Speaker 1: Jersey, contractually, I think they can't say New York. You

551
00:27:13,280 --> 00:27:14,439
Speaker 1: know what I would do if I was one of

552
00:27:14,440 --> 00:27:16,840
Speaker 1: the girls, and I'm gonna act it out if I

553
00:27:16,920 --> 00:27:19,320
Speaker 1: was taking And this is you have to understand. When

554
00:27:19,320 --> 00:27:22,040
Speaker 1: Taylor Swift is on stage at MetLife, she's Taylor Swift.

555
00:27:22,119 --> 00:27:26,480
Speaker 2: Yeah, yes, unless it's the Evermore or Folklore's She's only.

556
00:27:26,359 --> 00:27:28,399
Speaker 1: Taylor Swift when it's Evere and when she does the

557
00:27:28,400 --> 00:27:29,119
Speaker 1: surprise songs go.

558
00:27:29,520 --> 00:27:32,280
Speaker 2: And also you could argue that Taylor Swift makes an

559
00:27:32,280 --> 00:27:36,760
Speaker 2: appearance sometimes in the Fearless section. So this is my

560
00:27:36,840 --> 00:27:39,399
Speaker 2: impression of what I would do as Taylor Swift if

561
00:27:39,400 --> 00:27:42,800
Speaker 2: I'm on stage at MetLife Stadium in East Rutherford, New Jersey,

562
00:27:43,040 --> 00:27:43,879
Speaker 2: be cheering for me.

563
00:27:44,080 --> 00:27:50,639
Speaker 1: Woo yes, thank you everyone, It's so fun to be

564
00:27:50,680 --> 00:27:57,800
Speaker 1: in New Jersey tonight. Hi, New York. Then I would go.

565
00:27:59,320 --> 00:28:01,080
Speaker 1: But you know what she did in nineteen eighty nine.

566
00:28:01,640 --> 00:28:03,320
Speaker 1: I think I have a pretty solid memory of this,

567
00:28:03,359 --> 00:28:05,560
Speaker 1: and it's been you know, documented recorded. I think she went,

568
00:28:05,960 --> 00:28:09,800
Speaker 1: it's nice to be in Jersey. Some people came in

569
00:28:09,840 --> 00:28:23,000
Speaker 1: from New York and even Connecticut. You saw Taylor. It

570
00:28:23,200 --> 00:28:27,560
Speaker 1: sucks Clay blank space. I think my girl. I think

571
00:28:27,640 --> 00:28:30,439
Speaker 1: she felt like she had the responsibility to do the

572
00:28:30,640 --> 00:28:32,320
Speaker 1: entire tri state, you know what I mean. Yeah, she

573
00:28:32,400 --> 00:28:38,280
Speaker 1: was like some fishermen from May. Yeah, Rhode Island, Queens.

574
00:28:38,360 --> 00:28:42,560
Speaker 1: Stand up. All of a sudden, she becomes like Road Island, Queen,

575
00:28:43,640 --> 00:28:44,720
Speaker 1: Roe Island, Queens.

576
00:28:45,960 --> 00:28:49,320
Speaker 2: What So this is a Taylor Swift community right here.

577
00:28:49,360 --> 00:28:51,400
Speaker 2: What do you think? And I'm really already willing to

578
00:28:51,480 --> 00:28:53,920
Speaker 2: jump ahead? What do you think is the next era

579
00:28:54,400 --> 00:28:55,000
Speaker 2: of Taylor?

580
00:28:55,120 --> 00:28:57,520
Speaker 1: Well, first of all, it's August first, So let's say

581
00:28:57,840 --> 00:29:03,480
Speaker 1: salt are August prayer, and that's August prayer. So I'm

582
00:29:03,480 --> 00:29:05,880
Speaker 1: glad we got to that. Yeah, you know, because let's

583
00:29:05,880 --> 00:29:09,280
Speaker 1: break down all the Okay, next Sarah Swift. Taylor Swift

584
00:29:09,440 --> 00:29:12,680
Speaker 1: was very much Taylor Swift, like I'm country girl. Then

585
00:29:12,800 --> 00:29:16,600
Speaker 1: Fearless was country superstar, country superstar. Let me dip into

586
00:29:16,600 --> 00:29:20,000
Speaker 1: faith Hill esthetic let me dip into Yeah, the Golden Girl,

587
00:29:20,240 --> 00:29:23,200
Speaker 1: Golden Girl from the Country. Then we speak now was

588
00:29:23,480 --> 00:29:29,120
Speaker 1: Disney Disney Princess. Yes, Red was pop crossover country super star. Yeah,

589
00:29:29,160 --> 00:29:30,560
Speaker 1: I'm a woman. I'm a woman.

590
00:29:30,640 --> 00:29:33,360
Speaker 2: Now, I'm a woman, and I've actually been through things, Jake,

591
00:29:35,320 --> 00:29:36,320
Speaker 2: So now we're ready to talk.

592
00:29:36,360 --> 00:29:37,160
Speaker 1: Where's the scarf?

593
00:29:37,240 --> 00:29:40,320
Speaker 2: Yeah, the scarf and that's like the color of the imagery.

594
00:29:40,360 --> 00:29:42,840
Speaker 2: That was the first like sort of really, Taylor Swift

595
00:29:42,880 --> 00:29:43,920
Speaker 2: really started to come out.

596
00:29:44,280 --> 00:29:46,760
Speaker 1: She crept out, she jumped out, and then she jumped

597
00:29:46,760 --> 00:29:50,800
Speaker 1: back in. And but nineteen eighty nine was Imperial Face

598
00:29:50,840 --> 00:29:54,240
Speaker 1: pop superstar in New York. Bitch first, Imperial Face. Some

599
00:29:54,320 --> 00:29:58,479
Speaker 1: might argue, yeah, girlfriends first. Every night is a girl's night, Yes, Barby,

600
00:29:58,880 --> 00:30:03,479
Speaker 1: very very Barby Harby. Yeah, girls night only, no boys allowed.

601
00:30:03,800 --> 00:30:06,920
Speaker 2: They just can if Margot Robbie was around at the time,

602
00:30:06,960 --> 00:30:08,960
Speaker 2: like she would have been in the squad like et cetera.

603
00:30:09,040 --> 00:30:11,520
Speaker 1: And she wasn't around at the time. Can you believe

604
00:30:11,560 --> 00:30:14,680
Speaker 1: we got every single stop she had she was introducing

605
00:30:14,760 --> 00:30:17,960
Speaker 1: someone to come out on stage. We got Bird, we

606
00:30:18,000 --> 00:30:24,240
Speaker 1: got Wow from in Treatments, from from in treatment.

607
00:30:24,320 --> 00:30:26,880
Speaker 2: It was so funny because it was literally like I

608
00:30:26,960 --> 00:30:29,360
Speaker 2: think there was like six models came out and then

609
00:30:29,400 --> 00:30:30,920
Speaker 2: she literally goes and now.

610
00:30:32,600 --> 00:30:34,680
Speaker 1: You know her from Orders the New Black and.

611
00:30:34,640 --> 00:30:36,440
Speaker 2: Everyone was like and then she was like, oh so

612
00:30:36,680 --> 00:30:40,480
Speaker 2: Onduba and comes out and stomps everyone screaming.

613
00:30:41,760 --> 00:30:44,600
Speaker 1: Where she did she was ready. First of all, she

614
00:30:44,640 --> 00:30:47,640
Speaker 1: doesn't not serve. She doesn't not serve. I did do

615
00:30:47,760 --> 00:30:51,840
Speaker 1: something last year at the Emmys Night before party where

616
00:30:51,880 --> 00:30:53,400
Speaker 1: I was very excited to see her, the only person

617
00:30:53,480 --> 00:30:55,520
Speaker 1: I was excited to see, and I did go up

618
00:30:55,520 --> 00:30:57,840
Speaker 1: here and say I'm a huge fan. She goes, thanks,

619
00:30:58,720 --> 00:31:00,960
Speaker 1: you're calling her out. I'm calling her out a little bit.

620
00:31:00,960 --> 00:31:02,640
Speaker 1: I was a little disappointed, and now I know that

621
00:31:02,720 --> 00:31:05,800
Speaker 1: sometimes I should try to avoid that energy, you know

622
00:31:05,840 --> 00:31:08,840
Speaker 1: what I mean what it just.

623
00:31:09,000 --> 00:31:14,719
Speaker 2: Makes the circulation and it gets back too Aduba and

624
00:31:14,720 --> 00:31:16,880
Speaker 2: it's like, oh, no, I know who he was. I

625
00:31:16,880 --> 00:31:17,520
Speaker 2: don't like him.

626
00:31:17,600 --> 00:31:19,560
Speaker 1: I don't like him. I don't like that. I don't

627
00:31:19,680 --> 00:31:23,200
Speaker 1: like that God, I don't liked that's the guy from SNL.

628
00:31:23,640 --> 00:31:25,719
Speaker 1: I don't like him. Comes out.

629
00:31:25,760 --> 00:31:28,680
Speaker 2: I hated Fire Island. She thought as politics were wrong.

630
00:31:29,400 --> 00:31:31,440
Speaker 1: She disagrees. You know, this is like when I went

631
00:31:31,480 --> 00:31:34,160
Speaker 1: to the SAG Awards and I ran into Robert Mairo

632
00:31:34,800 --> 00:31:37,640
Speaker 1: and I said, thank god we finally met. Yeah, this

633
00:31:37,760 --> 00:31:40,520
Speaker 1: is really that's a good line for Robert and he laughed, God,

634
00:31:41,640 --> 00:31:48,080
Speaker 1: that's really funny. I was drunk as a skunk. Oh yeah,

635
00:31:48,160 --> 00:31:52,520
Speaker 1: Lewis was fussy, fussy, I was getting my life. Wasn't

636
00:31:52,520 --> 00:31:55,160
Speaker 1: there someone else you went up to? God? Am I

637
00:31:55,200 --> 00:31:57,240
Speaker 1: going to say? Zoe Kravitz? I went up to Zoey

638
00:31:57,280 --> 00:31:59,840
Speaker 1: Kravitz and I held her hand and I said, maybe

639
00:32:00,080 --> 00:32:03,520
Speaker 1: you can say faggot. He's not giving me from our credit.

640
00:32:03,600 --> 00:32:06,560
Speaker 1: He said, Baby, in that dress, you can say faggot.

641
00:32:06,640 --> 00:32:08,520
Speaker 1: I'm sure she could, and I think she can be

642
00:32:08,680 --> 00:32:16,640
Speaker 1: said thank you maybe in that thank you stay faggot. Yeah,

643
00:32:16,920 --> 00:32:18,640
Speaker 1: I was having fun, I'm sure.

644
00:32:18,760 --> 00:32:21,560
Speaker 2: Yeah. Did we meet anyone? Every time I've been with

645
00:32:21,600 --> 00:32:22,320
Speaker 2: you to the Emmys?

646
00:32:22,360 --> 00:32:24,520
Speaker 1: That was sort of like pre well, Michelle Williams and

647
00:32:24,520 --> 00:32:27,000
Speaker 1: Busy Phillips was that that was an iconic first meeting.

648
00:32:27,080 --> 00:32:29,640
Speaker 2: Yes, Bizzy Phillips was coming back from the bathroom right

649
00:32:29,680 --> 00:32:31,560
Speaker 2: behind us with Michelle Williams, and she looked at us

650
00:32:31,560 --> 00:32:33,160
Speaker 2: and she goes, you guys are doing it right with

651
00:32:33,200 --> 00:32:35,800
Speaker 2: those drinks through double fisting cocktails of course.

652
00:32:36,040 --> 00:32:38,600
Speaker 1: And then did she reveal that she knew who you were.

653
00:32:38,920 --> 00:32:40,760
Speaker 1: She did not reveal, But then when she came on

654
00:32:40,760 --> 00:32:42,520
Speaker 1: the podcast, she said that she did know at the time,

655
00:32:42,520 --> 00:32:45,280
Speaker 1: which I don't busy. I don't think I believe you.

656
00:32:45,280 --> 00:32:48,160
Speaker 2: No, I think she did. I actually think that you

657
00:32:48,400 --> 00:32:49,080
Speaker 2: are well known.

658
00:32:49,640 --> 00:32:54,040
Speaker 1: It is known who Bowen is not it is it

659
00:32:54,200 --> 00:32:58,320
Speaker 1: is known, it is known. But uzzo oh, I was

660
00:32:58,360 --> 00:33:02,160
Speaker 1: going through Okay, okay.

661
00:33:02,280 --> 00:33:04,040
Speaker 2: So what I was saying was that then there was

662
00:33:04,120 --> 00:33:07,120
Speaker 2: nineteen eighty nine, which was Imperial phase pop star like Nah.

663
00:33:07,240 --> 00:33:08,200
Speaker 1: Then of course there was the.

664
00:33:08,200 --> 00:33:11,239
Speaker 2: Great fall in the media reputation, and then that was

665
00:33:11,560 --> 00:33:13,120
Speaker 2: the great album reputation, the.

666
00:33:13,080 --> 00:33:17,160
Speaker 1: Greatest, one of the greatest albums of all time. It

667
00:33:17,240 --> 00:33:20,440
Speaker 1: is so important that we speak that because some of

668
00:33:20,480 --> 00:33:22,160
Speaker 1: these girls, I think they don't know there. There was

669
00:33:22,200 --> 00:33:24,920
Speaker 1: a narrative and it got put on that album and

670
00:33:24,960 --> 00:33:27,400
Speaker 1: it was it was false. There were many lies spread.

671
00:33:27,480 --> 00:33:29,480
Speaker 2: I'll tell you the one of the lies that Taylor

672
00:33:29,520 --> 00:33:31,760
Speaker 2: told herself was that that album was a failure. Because

673
00:33:31,840 --> 00:33:34,960
Speaker 2: in the Miss Americana documentary, she she on camera doesn't

674
00:33:34,960 --> 00:33:36,840
Speaker 2: get the Grammy nominations and she's like, Okay, well, I

675
00:33:36,880 --> 00:33:38,320
Speaker 2: just have to make a better album and I almost

676
00:33:38,320 --> 00:33:40,440
Speaker 2: had to stand up and scream at the TV because

677
00:33:40,480 --> 00:33:43,640
Speaker 2: I was like, no, this was the album.

678
00:33:43,760 --> 00:33:46,040
Speaker 1: This was the you need to say that direct to camera.

679
00:33:46,280 --> 00:33:48,520
Speaker 1: Reputation was the album, and we've actually said it many

680
00:33:48,560 --> 00:33:50,320
Speaker 1: times because it actually won Album of the Year again

681
00:33:50,360 --> 00:33:53,800
Speaker 1: this year. Did the culture No, no, it didn't. It

682
00:33:53,840 --> 00:33:56,080
Speaker 1: didn't won Best Era. It won the Eras Award for

683
00:33:56,120 --> 00:34:01,960
Speaker 1: Best another great award, equally equally esteem. So then after

684
00:34:02,000 --> 00:34:04,760
Speaker 1: that was of course Lover, which was Queer Rights, which

685
00:34:04,960 --> 00:34:07,400
Speaker 1: was of course I love his love, his love is love.

686
00:34:07,520 --> 00:34:08,880
Speaker 1: It was the color of rainbow.

687
00:34:09,400 --> 00:34:12,920
Speaker 2: It was giving purple clouds, pink clouds, the Lisa Frank,

688
00:34:13,120 --> 00:34:15,439
Speaker 2: Lisa Frank, and then we of course had her doing

689
00:34:15,480 --> 00:34:18,520
Speaker 2: interviews again because reputation was there will be no explanation,

690
00:34:18,560 --> 00:34:21,040
Speaker 2: there is only reputation. I am not speaking to you

691
00:34:21,040 --> 00:34:22,560
Speaker 2: because you did me wrong. But if you listen to

692
00:34:22,560 --> 00:34:25,440
Speaker 2: the music, I'm actually happy, happier than.

693
00:34:27,239 --> 00:34:29,759
Speaker 1: Not. That's not Taylor, No, that's Billy, but keep going.

694
00:34:30,000 --> 00:34:32,719
Speaker 2: Then was followed by Folklore, which was of course pandemic

695
00:34:33,560 --> 00:34:34,439
Speaker 2: like country Girl.

696
00:34:34,600 --> 00:34:36,920
Speaker 1: Yeah, I'm a folklore gal. I was just talking to

697
00:34:36,920 --> 00:34:39,960
Speaker 1: someone about this too over the weekends. The album that

698
00:34:40,160 --> 00:34:43,360
Speaker 1: turned them onto Taylor. The album that turned Patty Lapone

699
00:34:43,440 --> 00:34:46,240
Speaker 1: onto Taylor was folk It was Spoke, Remember she tweeted,

700
00:34:46,280 --> 00:34:48,080
Speaker 1: She was like, Yeah, I just went for a drive

701
00:34:48,160 --> 00:34:52,520
Speaker 1: with my daughter. We put on the new Taylor Swift album.

702
00:34:52,600 --> 00:34:57,640
Speaker 1: She's a Poet's better late than Ever, Patty, Yeah, Patty,

703
00:34:57,760 --> 00:35:02,600
Speaker 1: And you know who Patty likes? Sun Times time writers. Yes,

704
00:35:04,239 --> 00:35:08,319
Speaker 1: people who know that know that.

705
00:35:08,480 --> 00:35:10,880
Speaker 2: Then after Folklore was of course the superior album of

706
00:35:10,920 --> 00:35:12,720
Speaker 2: the pandemic, which was ever More.

707
00:35:14,360 --> 00:35:16,040
Speaker 1: This. But House and I are together on this. It

708
00:35:16,120 --> 00:35:21,759
Speaker 1: is such a powerful state Winter Girls, Winter Girls. There's

709
00:35:21,800 --> 00:35:24,120
Speaker 1: nothing quite like it. No one's ever written anything quite

710
00:35:24,160 --> 00:35:27,719
Speaker 1: like it. Which it really takes you back home to

711
00:35:27,800 --> 00:35:30,560
Speaker 1: your hometown in a way that it's a place. It

712
00:35:30,600 --> 00:35:32,640
Speaker 1: really puts you there in a way that I think

713
00:35:32,760 --> 00:35:35,839
Speaker 1: is so specific. And I am still trying to figure

714
00:35:35,880 --> 00:35:39,680
Speaker 1: the album out. And that's how you know it's still solving.

715
00:35:39,480 --> 00:35:41,520
Speaker 2: During the Evermore era of the Aerostore.

716
00:35:42,040 --> 00:35:48,640
Speaker 1: You hear tis the demn season and that's about the hometown, baby,

717
00:35:49,200 --> 00:35:50,160
Speaker 1: amen Amen.

718
00:35:50,360 --> 00:35:54,840
Speaker 2: Then Midnights Darkness, it's the theme is of course being

719
00:35:55,000 --> 00:35:55,399
Speaker 2: up late.

720
00:35:55,760 --> 00:36:00,000
Speaker 1: Yes, the theme is anxiety. Anxiety, The theme is adedive

721
00:36:00,880 --> 00:36:05,880
Speaker 1: and yet the theme is best. Believe I'm still bejeweled.

722
00:36:06,600 --> 00:36:07,720
Speaker 1: When I walk in the room.

723
00:36:07,920 --> 00:36:11,319
Speaker 2: I can make the whole place. What is the next era?

724
00:36:11,880 --> 00:36:14,640
Speaker 1: The next well, you know, there are reports that Max

725
00:36:14,680 --> 00:36:17,560
Speaker 1: Martin and Shellback are back in the studio with her. Yes,

726
00:36:17,600 --> 00:36:21,240
Speaker 1: what does that mean? It means imperial pop. It means

727
00:36:21,239 --> 00:36:25,400
Speaker 1: like undeniable pop hooks are coming back. Not that Midnights

728
00:36:25,400 --> 00:36:27,360
Speaker 1: didn't have the but Midnights was. I think Midnight was

729
00:36:27,520 --> 00:36:29,520
Speaker 1: less sort of it's a little low fi. It's a

730
00:36:29,560 --> 00:36:31,440
Speaker 1: little low fight. It's a little bit like vibes, a

731
00:36:31,480 --> 00:36:36,359
Speaker 1: little bit like it's a little vibes. Yeah, exactly, it's

732
00:36:36,360 --> 00:36:37,080
Speaker 1: a vibe album.

733
00:36:37,239 --> 00:36:39,640
Speaker 2: It was actually I think exactly what I predicted it

734
00:36:39,680 --> 00:36:42,080
Speaker 2: would be, which is what did I say? It was

735
00:36:42,160 --> 00:36:45,960
Speaker 2: like like early two thousands, like yeah, like deaf cat

736
00:36:46,080 --> 00:36:49,680
Speaker 2: death cab vibes, like I thought that the indie pop era, Yes,

737
00:36:49,719 --> 00:36:52,960
Speaker 2: indie pop era, Like what's that called that? Such great heights? Yea, yeah,

738
00:36:52,960 --> 00:36:56,080
Speaker 2: that sort of situation, like yeah, post service like that.

739
00:36:56,080 --> 00:36:58,680
Speaker 2: That type of thing is the closest we've gotten from her.

740
00:36:58,760 --> 00:37:01,279
Speaker 1: Jack anton Off is deaf and very immersed in that

741
00:37:01,360 --> 00:37:03,919
Speaker 1: world and very interested in that world. And I think

742
00:37:03,960 --> 00:37:07,399
Speaker 1: as a consumer of Taylor. I'd be very I'm very

743
00:37:07,440 --> 00:37:12,120
Speaker 1: interested to see post Jack a little bit more, a

744
00:37:12,200 --> 00:37:17,919
Speaker 1: little more coke, a little less, Kay you understand? Yeah, yeah,

745
00:37:18,000 --> 00:37:21,640
Speaker 1: I'm ready to get her back on her feet. Okay, yeah,

746
00:37:22,360 --> 00:37:25,880
Speaker 1: Okay without Jack, I don't think we need Jack for

747
00:37:25,880 --> 00:37:28,879
Speaker 1: a minute. I I like what he's done, big fan

748
00:37:28,960 --> 00:37:33,399
Speaker 1: of that guy. But I just think that artists need

749
00:37:33,440 --> 00:37:36,719
Speaker 1: to work with new producers and expand themselves. And I

750
00:37:36,760 --> 00:37:40,040
Speaker 1: think sometimes when you get into these relationships and these patterns,

751
00:37:40,360 --> 00:37:45,799
Speaker 1: you can be creating similar things for a number of Well,

752
00:37:45,840 --> 00:37:49,799
Speaker 1: I was, do you think, so? How do you feel

753
00:37:49,840 --> 00:37:54,240
Speaker 1: about what Jack did to Lord with the Yellow album?

754
00:37:54,280 --> 00:37:58,239
Speaker 1: The yellow album Yellow Album with Sunset with what's it

755
00:37:58,320 --> 00:38:00,360
Speaker 1: called called Solar Power?

756
00:38:00,480 --> 00:38:05,680
Speaker 2: Solar Power, which is famously an album that Jack Anzanof

757
00:38:05,680 --> 00:38:06,400
Speaker 2: did to Lord.

758
00:38:06,719 --> 00:38:10,680
Speaker 1: Yeah he did, I think so. I think that Lord

759
00:38:11,480 --> 00:38:16,680
Speaker 1: has been a darling of critics for a very long time.

760
00:38:17,040 --> 00:38:21,240
Speaker 1: And I think sometimes having a miss makes you even greater.

761
00:38:21,800 --> 00:38:24,239
Speaker 1: And I think sometimes in your early career, having a

762
00:38:24,320 --> 00:38:27,600
Speaker 1: miss like that can make you hungrier and ready for

763
00:38:28,360 --> 00:38:30,680
Speaker 1: in a new way, for an era that's more exciting.

764
00:38:31,040 --> 00:38:36,000
Speaker 1: So I'm hoping that the lesson is, you know, Jack flopped.

765
00:38:36,520 --> 00:38:41,040
Speaker 1: Now I fly, I hope, I hope, God, I hope.

766
00:38:41,080 --> 00:38:43,840
Speaker 2: So I fucking love Lord.

767
00:38:43,880 --> 00:38:45,200
Speaker 1: But I will say this, there.

768
00:38:45,160 --> 00:38:47,640
Speaker 2: Was not a bone in my body that could get

769
00:38:47,640 --> 00:38:48,960
Speaker 2: into that album Melodrama.

770
00:38:49,120 --> 00:38:51,319
Speaker 1: That is one of one of the perfect albums of

771
00:38:51,320 --> 00:38:54,880
Speaker 1: our generation. It's a perfect album, and to go from

772
00:38:54,960 --> 00:39:00,439
Speaker 1: that to Yellow album, it's shocking shock.

773
00:39:01,080 --> 00:39:03,239
Speaker 2: Maybe there was just like there was this thing and

774
00:39:03,280 --> 00:39:05,120
Speaker 2: I think there's this thing with Lord where it's like

775
00:39:05,760 --> 00:39:08,640
Speaker 2: she took a really she took a much bigger swing

776
00:39:08,680 --> 00:39:11,120
Speaker 2: than I think she thought she. Yeah, yes, because there

777
00:39:11,200 --> 00:39:13,799
Speaker 2: wasn't anything to latch onto with that album, like even

778
00:39:13,840 --> 00:39:16,239
Speaker 2: the first single, Like people seemed excited about it for like.

779
00:39:16,280 --> 00:39:17,960
Speaker 1: I was excited for exactly twenty four hours.

780
00:39:17,960 --> 00:39:19,680
Speaker 2: I was gonna say forty eight yea yeah, but like

781
00:39:19,760 --> 00:39:21,279
Speaker 2: and then it kind of went away and I was

782
00:39:21,360 --> 00:39:25,799
Speaker 2: just like, yeah, there needs to be something else. Also,

783
00:39:25,960 --> 00:39:28,520
Speaker 2: maybe it didn't feel as fresh and new as she

784
00:39:28,680 --> 00:39:32,080
Speaker 2: thought that was gonna sound, because like Harry Styles was

785
00:39:32,160 --> 00:39:35,480
Speaker 2: kind of doing a similar type thing, leastothetically Anyway, Yeah,

786
00:39:35,520 --> 00:39:39,120
Speaker 2: I felt like really pop and a lot to latch onto.

787
00:39:39,520 --> 00:39:41,799
Speaker 1: Does that make sense? Yeah? Bad? No, No, No, that

788
00:39:41,840 --> 00:39:45,560
Speaker 1: makes sense. Ultimately, that which is a house saying. Ultimately,

789
00:39:46,160 --> 00:39:49,680
Speaker 1: I think that the production wouldn't have stopped it if

790
00:39:49,719 --> 00:39:54,160
Speaker 1: the writing were better. I do think that that album

791
00:39:54,320 --> 00:39:58,439
Speaker 1: was not written as well as Melodrama, and I think

792
00:39:58,480 --> 00:40:02,120
Speaker 1: that the production exacer baited that. Yeah, and I do

793
00:40:02,200 --> 00:40:06,799
Speaker 1: think that having an album flop like that could very

794
00:40:06,800 --> 00:40:09,240
Speaker 1: well be great for her. I think there's many lessons

795
00:40:09,239 --> 00:40:12,160
Speaker 1: in failure, and as many lessons in failure more so

796
00:40:12,320 --> 00:40:15,360
Speaker 1: probably than in success. And so hopefully, you know, she

797
00:40:15,800 --> 00:40:20,120
Speaker 1: takes that and makes a really strong, beautifully written album

798
00:40:20,120 --> 00:40:21,800
Speaker 1: because Melodrama is so well written.

799
00:40:22,040 --> 00:40:25,719
Speaker 2: I mean, actually, with all knowledge of the fact that

800
00:40:25,760 --> 00:40:29,440
Speaker 2: Melodrama is her greatest work to date, I still prefer

801
00:40:30,080 --> 00:40:32,759
Speaker 2: Pure Heroin because of where it takes me back to.

802
00:40:32,880 --> 00:40:34,000
Speaker 1: Which is like right after college.

803
00:40:34,200 --> 00:40:36,440
Speaker 2: Right after college, I remember I was like, this is

804
00:40:36,480 --> 00:40:38,799
Speaker 2: so lame, but I was like very much in like

805
00:40:38,840 --> 00:40:41,799
Speaker 2: a place I was like experimenting with weed a lot,

806
00:40:41,880 --> 00:40:43,520
Speaker 2: like smoking a lot of we for the first time,

807
00:40:43,880 --> 00:40:46,000
Speaker 2: and like listening to like four hundred Lucks and being

808
00:40:46,040 --> 00:40:47,880
Speaker 2: a little stone and like walking around New York. I

809
00:40:47,880 --> 00:40:50,759
Speaker 2: felt thought I was like killing it. I'm like, I

810
00:40:50,880 --> 00:40:51,840
Speaker 2: just love.

811
00:40:51,800 --> 00:40:53,759
Speaker 1: Pure Heroin so so, so so much.

812
00:40:53,840 --> 00:40:56,680
Speaker 2: And then melodrama I can fully respect, is like probably

813
00:40:56,719 --> 00:40:57,879
Speaker 2: one of the greater albums of.

814
00:40:57,840 --> 00:41:00,480
Speaker 1: The past, like ten years. Who's to say that Solar

815
00:41:00,520 --> 00:41:03,680
Speaker 1: Power there in like two albums from now is going

816
00:41:03,760 --> 00:41:05,920
Speaker 1: to be like her reputation, do you know what I mean?

817
00:41:05,920 --> 00:41:09,080
Speaker 1: Because there really was a stench on that on reputation

818
00:41:09,239 --> 00:41:12,560
Speaker 1: for a long time. I don't think there was from

819
00:41:12,560 --> 00:41:15,560
Speaker 1: the media. From the media, I think there definitely was.

820
00:41:16,840 --> 00:41:20,399
Speaker 1: She wasn't talking about I think that the audience loved reputation. Well,

821
00:41:20,440 --> 00:41:23,240
Speaker 1: I just remember the day that reputation leaked. I remember

822
00:41:23,280 --> 00:41:26,399
Speaker 1: this day one person in particular, I won't say his name.

823
00:41:26,480 --> 00:41:28,200
Speaker 1: It was like, ugh, do you want me to send

824
00:41:28,200 --> 00:41:31,799
Speaker 1: you Taylor Swift's disgusting bad album? And I already listened

825
00:41:31,800 --> 00:41:32,840
Speaker 1: to it at that point. I want to be like,

826
00:41:33,440 --> 00:41:38,680
Speaker 1: I'm enjoying it, was not it. Here's what I'll say.

827
00:41:39,160 --> 00:41:41,879
Speaker 2: I will cup to this when look what you made

828
00:41:41,880 --> 00:41:44,680
Speaker 2: me do it first came out, I was like, no, yeah,

829
00:41:44,760 --> 00:41:47,160
Speaker 2: I will go on record as saying yeah, which, by

830
00:41:47,200 --> 00:41:48,880
Speaker 2: the way, it's now. First of all, when she does

831
00:41:48,920 --> 00:41:51,440
Speaker 2: it in the concerts, so you're living and screaming, and

832
00:41:51,440 --> 00:41:53,600
Speaker 2: now I love it and I get it. When it

833
00:41:53,640 --> 00:41:56,319
Speaker 2: first came out. I think I didn't like the whole

834
00:41:56,360 --> 00:41:59,319
Speaker 2: angle of like I'm antagonizing the media back after like

835
00:41:59,400 --> 00:42:01,600
Speaker 2: all this stuff and if you, if you really think

836
00:42:01,640 --> 00:42:04,000
Speaker 2: about it, like that was such a difference from what

837
00:42:04,080 --> 00:42:06,680
Speaker 2: she had done that I was just like I did

838
00:42:06,760 --> 00:42:08,480
Speaker 2: not get it, did not like it, did not.

839
00:42:08,560 --> 00:42:09,160
Speaker 1: Like the video.

840
00:42:09,320 --> 00:42:11,600
Speaker 2: Whereas now I want to go back and I want

841
00:42:11,640 --> 00:42:13,640
Speaker 2: to like lightly just slap myself in the face a

842
00:42:13,680 --> 00:42:14,960
Speaker 2: little bit and say you, shame on you.

843
00:42:15,360 --> 00:42:19,040
Speaker 1: But also with Taylor, there's always typically besides anti hero,

844
00:42:19,200 --> 00:42:22,560
Speaker 1: there's backlash from every lead single. I mean, that's one

845
00:42:22,600 --> 00:42:24,680
Speaker 1: part of being a Tailor fan is you're always a

846
00:42:24,800 --> 00:42:26,800
Speaker 1: little off put by the lead single.

847
00:42:26,880 --> 00:42:29,800
Speaker 2: She's made the wrong choice, I think a couple times,

848
00:42:30,120 --> 00:42:34,280
Speaker 2: for many times, in spite being you know, this master

849
00:42:34,560 --> 00:42:36,960
Speaker 2: riddler of sorts, the lead.

850
00:42:36,800 --> 00:42:39,160
Speaker 1: Single she gets wrong a lot. It's it's an achilles

851
00:42:39,239 --> 00:42:41,600
Speaker 1: heel of hers. Yeah.

852
00:42:41,920 --> 00:42:44,319
Speaker 2: You know who doesn't ever get the lead single wrong?

853
00:42:44,840 --> 00:42:49,080
Speaker 1: Beyonce. Yeah, Beyonce's lead single is never wrong. Break my

854
00:42:49,120 --> 00:42:50,760
Speaker 1: soul formation, break.

855
00:42:50,560 --> 00:42:52,800
Speaker 2: My soul was, and you hear it in the concert

856
00:42:52,800 --> 00:42:55,359
Speaker 2: when you when you're out, break my soul goes off

857
00:42:55,360 --> 00:42:58,040
Speaker 2: so hard and talk about a little bit of renaissance.

858
00:43:00,440 --> 00:43:03,279
Speaker 1: Sorry, I'm being stupid, I'm being no, but I that

859
00:43:03,480 --> 00:43:06,320
Speaker 1: was wrong. Well no, no, but I can kill that instinct,

860
00:43:06,360 --> 00:43:08,000
Speaker 1: you know what I mean? But what if you hadn't

861
00:43:08,000 --> 00:43:09,560
Speaker 1: said something, then I would have been out here saying

862
00:43:09,560 --> 00:43:12,239
Speaker 1: we would have the Reputation World Tour and said, break

863
00:43:12,280 --> 00:43:12,640
Speaker 1: my soul.

864
00:43:13,000 --> 00:43:15,920
Speaker 2: People would have me we're not fighting, we're kind of

865
00:43:15,920 --> 00:43:16,440
Speaker 2: back together.

866
00:43:16,800 --> 00:43:17,560
Speaker 1: But I'll tell you why.

867
00:43:17,600 --> 00:43:19,279
Speaker 2: When we would have fought is if he had let

868
00:43:19,320 --> 00:43:21,760
Speaker 2: me be out here looking like a fucking dumb ass.

869
00:43:22,560 --> 00:43:25,600
Speaker 1: Like I would have. Yeah, I like you would have

870
00:43:26,320 --> 00:43:29,799
Speaker 1: out here saying we went to the Beyonce show, Reputation, Reputation.

871
00:43:29,920 --> 00:43:31,200
Speaker 1: I'll tell you what, though, I would like to see

872
00:43:31,239 --> 00:43:33,920
Speaker 1: Beyonce's cover of Reputation please she would rip it up.

873
00:43:33,920 --> 00:43:37,200
Speaker 1: Maybe that's Renaissance Part two. Any cover I wish Renaissance

874
00:43:37,200 --> 00:43:43,400
Speaker 1: Part two is just reputation. Renaissance is just Beyonce recording reputation.

875
00:43:47,280 --> 00:43:50,960
Speaker 1: Do you guys have any theories on when AT two

876
00:43:51,040 --> 00:43:52,960
Speaker 1: will be or what it will be?

877
00:43:53,160 --> 00:43:56,759
Speaker 2: Every one of my theories has been wrong and exhausted,

878
00:43:56,840 --> 00:43:59,560
Speaker 2: like the fact that there's not been any videos at

879
00:43:59,560 --> 00:44:02,520
Speaker 2: this point. I think it's iconic never give it to us,

880
00:44:03,239 --> 00:44:04,719
Speaker 2: don't ever give it to us. Also, you know what

881
00:44:04,760 --> 00:44:07,799
Speaker 2: I've withholding. I love the withholding. Yeah, you know what

882
00:44:07,840 --> 00:44:10,239
Speaker 2: I've rediscovered. Just besides that for a second, and I

883
00:44:10,280 --> 00:44:11,839
Speaker 2: do want to talk about this, but I have been

884
00:44:11,880 --> 00:44:16,160
Speaker 2: all over Tina Knows Lawson's Instagram. That woman makes me

885
00:44:16,320 --> 00:44:20,200
Speaker 2: laugh so much funny when she joke, she goes, Hi, everybody,

886
00:44:20,480 --> 00:44:22,960
Speaker 2: it's time for a corny joke. And she'll just tell

887
00:44:23,040 --> 00:44:25,439
Speaker 2: the worst joke you've ever heard, and she'll and she'll

888
00:44:25,520 --> 00:44:29,880
Speaker 2: and everyone would being like, you know, that's funny. Like

889
00:44:29,960 --> 00:44:33,080
Speaker 2: and also she acts sometimes like there's one wait, I

890
00:44:33,120 --> 00:44:34,359
Speaker 2: have to play it's an actor.

891
00:44:34,480 --> 00:44:36,840
Speaker 1: She's been in movie. There's one she has been in

892
00:44:36,880 --> 00:44:39,040
Speaker 1: a movie. She was in that movie with she is,

893
00:44:39,160 --> 00:44:41,520
Speaker 1: I will say, like one of the most charming social

894
00:44:41,560 --> 00:44:45,880
Speaker 1: media presences. I like social media with older people, like

895
00:44:46,160 --> 00:44:49,080
Speaker 1: there's less it should be for parents. It's such a

896
00:44:50,280 --> 00:44:52,440
Speaker 1: it's more enjoyable. I don't like when people are too

897
00:44:52,520 --> 00:44:55,839
Speaker 1: curated on social media, Like it's fun to just have

898
00:44:56,160 --> 00:44:59,960
Speaker 1: Beyonce's mom telling Corney jokes and shopping at Costco. You know,

899
00:45:00,080 --> 00:45:02,080
Speaker 1: this was my favorite video I watched yesterday, actually showed

900
00:45:02,120 --> 00:45:03,239
Speaker 1: it to my mom. I said, mom, you need to

901
00:45:03,280 --> 00:45:04,720
Speaker 1: be more like her. It was just on the sidewalk.

902
00:45:04,719 --> 00:45:06,520
Speaker 1: She's eating. It was on the sidewalk, and this is

903
00:45:06,520 --> 00:45:09,480
Speaker 1: what she said. She's sitting with sol That is that

904
00:45:09,520 --> 00:45:13,960
Speaker 1: Angie Bean's It's okay. So it's Tina Knowls giving direct

905
00:45:14,000 --> 00:45:18,040
Speaker 1: to camera. This is what happens. Hi, We're at a

906
00:45:18,160 --> 00:45:22,759
Speaker 1: little side watch that fe in Perry not really just

907
00:45:22,760 --> 00:45:27,080
Speaker 1: New York City. And it's not sex in the City.

908
00:45:27,280 --> 00:45:33,399
Speaker 1: It's like nuch in the city. Good. We look camera

909
00:45:33,440 --> 00:45:37,000
Speaker 1: to Angie and Solange and they wave, just eating lunch

910
00:45:37,080 --> 00:45:42,239
Speaker 1: on the sidewalk. We are about to get our so

911
00:45:42,280 --> 00:45:44,359
Speaker 1: we're about to get our girl, We're about to get

912
00:45:44,400 --> 00:45:47,160
Speaker 1: our grub on. I love it. I love it. It's

913
00:45:47,160 --> 00:45:49,920
Speaker 1: not sex and the City. It's more like lunch in

914
00:45:50,000 --> 00:45:55,760
Speaker 1: the city. I said, absolutely, so true, so true. Perfect.

915
00:45:56,000 --> 00:45:59,759
Speaker 1: The simplest joke structure I would say, which is we're

916
00:45:59,800 --> 00:46:03,520
Speaker 1: out side on the little cafe and Perry, not really,

917
00:46:03,520 --> 00:46:11,080
Speaker 1: we're in New York City. That's Tana Knowles. She really

918
00:46:11,400 --> 00:46:13,919
Speaker 1: has it. I will say. In that family, you don't

919
00:46:13,960 --> 00:46:18,720
Speaker 1: get a ton of comedy. No, you really don't consense

920
00:46:18,760 --> 00:46:20,680
Speaker 1: gold member, and it's nice to have one of them

921
00:46:20,719 --> 00:46:24,920
Speaker 1: be a comedy girl, you know, my god, and you realize, like, oh,

922
00:46:24,960 --> 00:46:27,719
Speaker 1: so she's the comedy girl, you know, because you got

923
00:46:27,760 --> 00:46:31,000
Speaker 1: the serious daughter, the indie daughter, right, and then you

924
00:46:31,120 --> 00:46:34,000
Speaker 1: got the mom who's the comedy queen. She's more wacky,

925
00:46:34,320 --> 00:46:36,960
Speaker 1: Like I might do more jokes, I will say. I

926
00:46:37,000 --> 00:46:39,680
Speaker 1: wanted to say about the concert. What I appreciated was

927
00:46:39,960 --> 00:46:42,040
Speaker 1: when America has a problem, when she's in her b

928
00:46:42,360 --> 00:46:46,680
Speaker 1: uniform comedy, it's campy and really silly, and it's the

929
00:46:46,719 --> 00:46:50,560
Speaker 1: most campy I've seen her in years. It's really fun,

930
00:46:50,719 --> 00:46:53,400
Speaker 1: Like I just love seeing her with that little wiggle

931
00:46:53,440 --> 00:46:56,440
Speaker 1: in her bee costume. It's so silly. There was comedy

932
00:46:56,440 --> 00:47:00,680
Speaker 1: in the show when she goes to sleep, Yes, cozy, Yeah,

933
00:47:00,800 --> 00:47:03,160
Speaker 1: that's comedy. And you know what, it's not comedy, but

934
00:47:03,200 --> 00:47:06,319
Speaker 1: you can tell she's like because formation I would say

935
00:47:06,320 --> 00:47:08,799
Speaker 1: it was like her like I do stadiums down and

936
00:47:08,840 --> 00:47:09,799
Speaker 1: it was severe and.

937
00:47:09,840 --> 00:47:14,080
Speaker 2: It was it was very like we're here on a mission, galvinized.

938
00:47:13,640 --> 00:47:17,880
Speaker 1: And that album is very is incredibly like personally like heavy,

939
00:47:17,960 --> 00:47:21,239
Speaker 1: politically heavy. All of that renaissance is the first time

940
00:47:21,239 --> 00:47:23,359
Speaker 1: we've seen her in years. Be like the key changes

941
00:47:23,400 --> 00:47:26,600
Speaker 1: during Love on Top. Like the look she's getting, she's like, oh, like,

942
00:47:26,719 --> 00:47:29,400
Speaker 1: she's like she's just having fun. She was, she was.

943
00:47:30,120 --> 00:47:33,400
Speaker 2: I think she even said she's like, it's about enjoying life.

944
00:47:33,719 --> 00:47:36,680
Speaker 1: She said it. During the concert, she gave a Wendy Williams, Oh.

945
00:47:39,520 --> 00:47:42,279
Speaker 2: I don't think she expected as many key changes as

946
00:47:42,480 --> 00:47:46,360
Speaker 2: she literally cut us off key changes.

947
00:47:46,400 --> 00:47:48,840
Speaker 1: She said, okay, give yourselves around applause, and it was

948
00:47:48,880 --> 00:47:50,080
Speaker 1: a little bit like good job, but it was a

949
00:47:50,120 --> 00:47:52,840
Speaker 1: little bit like okay, stop she told She told London

950
00:47:52,840 --> 00:47:55,400
Speaker 1: to shut up too. We were people were going crazy

951
00:47:55,400 --> 00:47:57,239
Speaker 1: in London. And then I remember her being like, all right,

952
00:47:57,280 --> 00:48:01,200
Speaker 1: all right, okay, it's embarrassing that we're the audience that

953
00:48:01,239 --> 00:48:04,000
Speaker 1: couldn't go on mute. Though I was on you the

954
00:48:04,520 --> 00:48:06,600
Speaker 1: closer we were on mute. We were on me the

955
00:48:06,640 --> 00:48:08,560
Speaker 1: whole time, the audience that's done the best so far

956
00:48:08,600 --> 00:48:11,440
Speaker 1: as Nashville, and so I think, whatever the stop she

957
00:48:11,440 --> 00:48:15,920
Speaker 1: has left, please everybody mute, go on mute. So tell

958
00:48:15,960 --> 00:48:18,319
Speaker 1: people what this is. Though it's during energy when she

959
00:48:18,440 --> 00:48:22,879
Speaker 1: goes big wave in the room, everybody the crowd goall move,

960
00:48:23,320 --> 00:48:25,600
Speaker 1: look around, everybody on mute.

961
00:48:25,360 --> 00:48:28,000
Speaker 2: And then you're all supposed to stop for four times,

962
00:48:28,360 --> 00:48:31,239
Speaker 2: for four counts. And the worst is when you look

963
00:48:31,280 --> 00:48:33,120
Speaker 2: around and everyone gets it, and then you have two

964
00:48:33,120 --> 00:48:33,880
Speaker 2: people that are.

965
00:48:33,760 --> 00:48:38,240
Speaker 1: Like whoa, and I'm just like, no, what you understand

966
00:48:38,280 --> 00:48:41,000
Speaker 1: about mute? What? Yeah? What don't you understand? Speak to

967
00:48:41,040 --> 00:48:44,200
Speaker 1: them a person, you know what they're not doing talking, screaming, singing,

968
00:48:44,520 --> 00:48:47,439
Speaker 1: they're mute. So it's a command from Beyonce. I would

969
00:48:47,480 --> 00:48:52,279
Speaker 1: advise that you listen, you know, and the song here

970
00:48:52,440 --> 00:48:55,480
Speaker 1: in exactly That's what I was thinking.

971
00:48:56,400 --> 00:48:58,560
Speaker 2: What if she had said I want to do a

972
00:48:58,600 --> 00:49:01,960
Speaker 2: special song tonight, I wouldn't have been out.

973
00:49:02,000 --> 00:49:03,880
Speaker 1: I would have been out of fallen out. Are you

974
00:49:03,960 --> 00:49:07,040
Speaker 1: kidding me? One of my favorite vocals of hers. I mean,

975
00:49:07,080 --> 00:49:09,680
Speaker 1: it's such a good song, too beautiful song. I am

976
00:49:09,719 --> 00:49:13,640
Speaker 1: alone out speak speaking of this. He just jumped out

977
00:49:13,680 --> 00:49:16,520
Speaker 1: of his skin. Didn't expect. You need to get dream

978
00:49:16,600 --> 00:49:20,279
Speaker 1: Girls back on Broadway. It's been to your right and

979
00:49:20,480 --> 00:49:24,399
Speaker 1: London Weston got it and they added listen to it

980
00:49:24,440 --> 00:49:27,680
Speaker 1: doesn't make sense. They do it, they want they did

981
00:49:27,680 --> 00:49:31,120
Speaker 1: it is do it. I don't care. America Broadway needs

982
00:49:31,200 --> 00:49:34,520
Speaker 1: to get dream Girls back on stage.

983
00:49:34,960 --> 00:49:39,520
Speaker 2: America has a problem. No dream your number ninety nine.

984
00:49:39,480 --> 00:49:43,040
Speaker 1: America has a problem. No dream Girls on Broadway. Amber

985
00:49:43,120 --> 00:49:44,640
Speaker 1: Riley was ready to come over here and win the

986
00:49:44,680 --> 00:49:46,879
Speaker 1: Tony and a heartbeat. It would have been five four,

987
00:49:46,920 --> 00:49:48,680
Speaker 1: three two one that easy.

988
00:49:48,760 --> 00:49:50,680
Speaker 2: It's actually important that we say this out loud on

989
00:49:50,760 --> 00:49:54,920
Speaker 2: this actual particular podcast, because when we said out loud

990
00:49:55,080 --> 00:49:57,520
Speaker 2: that we needed a Sweeney Todd big budget revival, it

991
00:49:57,560 --> 00:49:58,080
Speaker 2: then happened.

992
00:49:58,080 --> 00:49:58,400
Speaker 1: We got it.

993
00:49:58,520 --> 00:50:01,080
Speaker 2: So this is a podcast where things get spoken into existence.

994
00:50:01,160 --> 00:50:07,160
Speaker 1: Yes, so that's just number one listeners. They're Katie. Everyone

995
00:50:07,160 --> 00:50:07,360
Speaker 1: on the.

996
00:50:07,360 --> 00:50:10,480
Speaker 2: Broadways would well, a lot of them are readers, publicists,

997
00:50:10,480 --> 00:50:13,760
Speaker 2: a lot of finalists, fists, a lot of finalists on Broadway.

998
00:50:13,840 --> 00:50:14,960
Speaker 1: But I want to.

999
00:50:14,960 --> 00:50:17,200
Speaker 2: Say, in terms of the Beyonce of it all, what

1000
00:50:17,400 --> 00:50:18,759
Speaker 2: is the Act two?

1001
00:50:18,800 --> 00:50:19,600
Speaker 1: When is it coming?

1002
00:50:19,719 --> 00:50:22,400
Speaker 2: I think it's a totally because if you look at

1003
00:50:22,440 --> 00:50:25,520
Speaker 2: the design of the Act one Renaissance, it says Act

1004
00:50:25,560 --> 00:50:28,239
Speaker 2: one Renaissance, like Renaissance is the name of Act one.

1005
00:50:28,560 --> 00:50:30,319
Speaker 2: So Act two I think it's going to be a

1006
00:50:30,320 --> 00:50:33,480
Speaker 2: completely different thing, completely different vibe. I think Renaissance was

1007
00:50:33,480 --> 00:50:35,359
Speaker 2: the house album. I think Act two is.

1008
00:50:35,719 --> 00:50:37,640
Speaker 1: I still think she is going to do some sort

1009
00:50:37,640 --> 00:50:41,239
Speaker 1: of country thing, definitely will, but I think it will

1010
00:50:41,280 --> 00:50:45,359
Speaker 1: be whatever. It will be heavily instrumental, like I do

1011
00:50:45,440 --> 00:50:48,399
Speaker 1: think it's going to be like rock country like it's

1012
00:50:48,440 --> 00:50:51,720
Speaker 1: going to be using like real instruments, like live band

1013
00:50:52,080 --> 00:50:55,120
Speaker 1: type vibe is what I what I would imagine where

1014
00:50:55,120 --> 00:50:59,480
Speaker 1: she would pivot from this. Maybe acoustic, I could see,

1015
00:50:59,680 --> 00:51:01,400
Speaker 1: I could. But do you remember when she was in

1016
00:51:01,520 --> 00:51:04,200
Speaker 1: Vegas and she had the girls band and it was

1017
00:51:04,280 --> 00:51:06,640
Speaker 1: all girls and she had that live rock band. I

1018
00:51:06,680 --> 00:51:09,399
Speaker 1: think something like that kind of This is the first

1019
00:51:09,440 --> 00:51:12,040
Speaker 1: tour where she's had she's had the boys back. Yeah,

1020
00:51:12,080 --> 00:51:14,080
Speaker 1: you know, because for a while there was it was

1021
00:51:14,200 --> 00:51:16,719
Speaker 1: all went on stage. Yes, boys are back in town.

1022
00:51:16,760 --> 00:51:20,760
Speaker 1: Boys are back big time. Yeah. And Beyonce would often say, ladies,

1023
00:51:21,440 --> 00:51:23,239
Speaker 1: right ess Actually real culture number eight.

1024
00:51:23,520 --> 00:51:36,120
Speaker 3: Beyonce would often say, ladies, we.

1025
00:51:36,120 --> 00:51:39,919
Speaker 1: Have to ask you the question havac Roger's house, What

1026
00:51:40,040 --> 00:51:43,120
Speaker 1: is the culture that made you say? Culture is for me? Okay?

1027
00:51:43,440 --> 00:51:46,759
Speaker 1: So I thought about this. That's good for a while.

1028
00:51:47,840 --> 00:51:50,920
Speaker 1: So when I was growing up, my next door neighbors

1029
00:51:51,080 --> 00:51:55,400
Speaker 1: were these lesbians called Debian Carol, and I was obsessed

1030
00:51:55,440 --> 00:51:57,160
Speaker 1: with them and I was best friends with their daughter,

1031
00:51:57,239 --> 00:52:02,879
Speaker 1: Lauren Lauren l O r n E. Spooking me. Last name,

1032
00:52:03,440 --> 00:52:06,960
Speaker 1: last name. Just take a guest the last name Mike Michelle.

1033
00:52:07,800 --> 00:52:11,479
Speaker 1: This is just the craziest last name. Batman A T

1034
00:52:11,719 --> 00:52:16,880
Speaker 1: M A n. Lorne Batman, Batman. Also we're listening to

1035
00:52:16,920 --> 00:52:19,239
Speaker 1: this I Love you girl. Was it Batman? B A

1036
00:52:19,560 --> 00:52:25,600
Speaker 1: T M A in So did you pronounce it Batman? Batman? Yes? Batman? Well,

1037
00:52:25,680 --> 00:52:29,279
Speaker 1: you know Batman. So this girl was how old? We

1038
00:52:29,719 --> 00:52:32,120
Speaker 1: were whatever, six or seven? This girl was how old?

1039
00:52:32,120 --> 00:52:34,600
Speaker 1: It's obviously different age every year, So you were six

1040
00:52:34,719 --> 00:52:38,040
Speaker 1: or seven? So this was in nineteen ninety five something, yeah,

1041
00:52:38,560 --> 00:52:39,239
Speaker 1: very much. So.

1042
00:52:39,400 --> 00:52:42,640
Speaker 2: Lorne Michaels was very established, and so was Batman. So essentially,

1043
00:52:42,640 --> 00:52:44,960
Speaker 2: when you name your daughter Lauren Batman, you know exactly

1044
00:52:45,000 --> 00:52:47,600
Speaker 2: what you're doing, or you should. Yes, okay, sorry, Debbie

1045
00:52:47,600 --> 00:52:49,360
Speaker 2: and Carroll, you kind of well, they kind of just

1046
00:52:49,440 --> 00:52:50,000
Speaker 2: something iconic.

1047
00:52:50,400 --> 00:52:52,960
Speaker 1: This is in Indiana too, though, you know this is

1048
00:52:53,160 --> 00:52:57,279
Speaker 1: you know, this is Cornfields. So okay. So she was

1049
00:52:57,320 --> 00:52:58,920
Speaker 1: my best friend. We were really young and we were

1050
00:52:58,960 --> 00:53:02,360
Speaker 1: obsessed with the Spice Girl. And I wouldn't listen to

1051
00:53:02,400 --> 00:53:04,719
Speaker 1: it at my house. I would only listen to it

1052
00:53:04,760 --> 00:53:08,000
Speaker 1: at Lauren's house, and Debbie and Carol knew I was

1053
00:53:08,160 --> 00:53:11,200
Speaker 1: obsessed with the Spicy anyway, and they knew I was

1054
00:53:11,239 --> 00:53:14,320
Speaker 1: obsessed with Posh Spice, and they took me to see

1055
00:53:14,360 --> 00:53:17,759
Speaker 1: the Spice World movie with Lauren and then they used

1056
00:53:17,800 --> 00:53:20,080
Speaker 1: to take me on vacation with them, like they took

1057
00:53:20,080 --> 00:53:22,080
Speaker 1: me to Key West. They knew I was gay, and

1058
00:53:22,120 --> 00:53:24,719
Speaker 1: they always like did things to like let me kind

1059
00:53:24,719 --> 00:53:28,280
Speaker 1: of you know. Well, they surprised me and took Lauren

1060
00:53:28,320 --> 00:53:33,240
Speaker 1: and I to see Spice Girls on tour Deer Creek, Indiana,

1061
00:53:33,360 --> 00:53:35,920
Speaker 1: and they let me. They dressed me up like Posh

1062
00:53:36,760 --> 00:53:39,279
Speaker 1: and we got to go. I got to go to

1063
00:53:39,560 --> 00:53:43,520
Speaker 1: Spice Girls live and I was dressed like Posh and

1064
00:53:43,760 --> 00:53:46,520
Speaker 1: I was just like getting my life. It was the

1065
00:53:46,640 --> 00:53:48,440
Speaker 1: first time I was like out in the house, I

1066
00:53:48,600 --> 00:53:52,080
Speaker 1: kind of dressed girly and like me and Lauren were

1067
00:53:52,120 --> 00:53:55,600
Speaker 1: just like roaming the concert like on top of the world.

1068
00:53:56,160 --> 00:53:59,360
Speaker 1: And it was really kind of like I was like, oh,

1069
00:53:59,560 --> 00:54:03,319
Speaker 1: like yes, like this is this is like this feels right,

1070
00:54:03,360 --> 00:54:04,640
Speaker 1: this is life for sure.

1071
00:54:05,480 --> 00:54:07,719
Speaker 2: Just not even just the Spice Girls, not even just

1072
00:54:07,719 --> 00:54:10,600
Speaker 2: the Spice Girls on tour, but like inhabiting Posh.

1073
00:54:10,800 --> 00:54:15,759
Speaker 1: Inhabiting Posh, I got to free myself of some of

1074
00:54:15,800 --> 00:54:18,799
Speaker 1: the already cultural notions of like being a boy and

1075
00:54:18,880 --> 00:54:22,280
Speaker 1: my liking boy things at a very young age because

1076
00:54:22,520 --> 00:54:25,560
Speaker 1: Debbie and Carol knew and and let me kind of,

1077
00:54:25,800 --> 00:54:28,680
Speaker 1: you know, do be a little gay.

1078
00:54:28,480 --> 00:54:30,000
Speaker 2: Boy at their house as it were.

1079
00:54:30,160 --> 00:54:33,840
Speaker 1: This is really important because it's right before Brittany. But

1080
00:54:33,920 --> 00:54:36,120
Speaker 1: we're the generation that kind of like missed the Madonna

1081
00:54:36,120 --> 00:54:38,640
Speaker 1: boat in terms of like our childhood. So like, yes,

1082
00:54:38,840 --> 00:54:41,840
Speaker 1: spice girls giving you like girl power in your face

1083
00:54:42,239 --> 00:54:44,680
Speaker 1: and having that also mean like you can dress like

1084
00:54:44,840 --> 00:54:47,680
Speaker 1: us is like a huge deal. Yeah, they were literally

1085
00:54:48,320 --> 00:54:50,080
Speaker 1: little boys. There's like something.

1086
00:54:50,400 --> 00:54:52,920
Speaker 2: This this is bizarre what I'm gonna say, but like

1087
00:54:53,239 --> 00:54:58,400
Speaker 2: something about the nineties was like very like flavorful, you

1088
00:54:58,440 --> 00:55:00,239
Speaker 2: know what I mean. Like it's just like I think

1089
00:55:00,239 --> 00:55:03,040
Speaker 2: of the nineties, I think flavors, flavors, Like does that

1090
00:55:03,239 --> 00:55:04,440
Speaker 2: is that sold?

1091
00:55:04,840 --> 00:55:07,280
Speaker 1: No? Because literally, like I was watching like an Instagram

1092
00:55:07,280 --> 00:55:09,319
Speaker 1: story of someone like in their car blasting like old

1093
00:55:09,320 --> 00:55:12,839
Speaker 1: school marian. I was like there's something like are I'm

1094
00:55:12,840 --> 00:55:15,640
Speaker 1: immediately there and it's like it's even more evocative than

1095
00:55:15,680 --> 00:55:18,080
Speaker 1: the eighties to us, obviously because we weren't alive at

1096
00:55:18,080 --> 00:55:21,080
Speaker 1: the time. Like nineties it was like they they figured

1097
00:55:21,120 --> 00:55:24,920
Speaker 1: it out, they like dialed it to the exact right numbers. Well,

1098
00:55:24,960 --> 00:55:27,760
Speaker 1: it was maximalism in a way that our pop stars

1099
00:55:27,800 --> 00:55:30,560
Speaker 1: don't do as much. We got Gaga, yeah, you know,

1100
00:55:31,040 --> 00:55:33,600
Speaker 1: in her streak, but I felt like, like the Spice

1101
00:55:33,600 --> 00:55:36,920
Speaker 1: girls are dressed as their name. Yeah, they're very saturated.

1102
00:55:37,040 --> 00:55:40,240
Speaker 1: I guess that's what they're like cartoon characters. I'm scary,

1103
00:55:40,360 --> 00:55:42,959
Speaker 1: I'm dressed, scary, I'm gosh, I'm dressed. You know, They're

1104
00:55:43,120 --> 00:55:47,680
Speaker 1: they're giving you cartoon characters and archetypes that you could

1105
00:55:48,040 --> 00:55:51,840
Speaker 1: affirm yourself at. Yeah, you know, and also they're giving

1106
00:55:51,880 --> 00:55:55,359
Speaker 1: you sex, and they're giving you like fun and playfulness

1107
00:55:55,400 --> 00:55:57,759
Speaker 1: and like, you know, as a gay boy growing up,

1108
00:55:57,920 --> 00:56:01,239
Speaker 1: like it was like, oh, they you know, really got

1109
00:56:01,280 --> 00:56:04,760
Speaker 1: to be themselves fully and like do these tours together

1110
00:56:04,920 --> 00:56:07,600
Speaker 1: and be friends. And it was very you know.

1111
00:56:07,680 --> 00:56:11,080
Speaker 2: They were also doing like claiming of sexuality and using

1112
00:56:11,120 --> 00:56:14,120
Speaker 2: the word feminism and talking about girl power and also

1113
00:56:14,200 --> 00:56:16,719
Speaker 2: putting sisterhood first and like making that message in their

1114
00:56:16,800 --> 00:56:19,719
Speaker 2: music way before people were talking about that in like

1115
00:56:19,760 --> 00:56:21,360
Speaker 2: a intellectual sense.

1116
00:56:21,680 --> 00:56:22,879
Speaker 1: Well, of course they.

1117
00:56:22,800 --> 00:56:25,480
Speaker 2: Were girl power, but I'm literally like there were five

1118
00:56:25,520 --> 00:56:27,640
Speaker 2: year old saying girl power and I remember I like

1119
00:56:28,120 --> 00:56:29,680
Speaker 2: that was the first time I had ever even heard

1120
00:56:29,719 --> 00:56:32,640
Speaker 2: the word feminism. Is when like in Spice World, when

1121
00:56:32,680 --> 00:56:34,399
Speaker 2: they're dressed up as each other and one of them

1122
00:56:34,440 --> 00:56:35,960
Speaker 2: is dressed up as Jerry and they're like.

1123
00:56:35,920 --> 00:56:38,120
Speaker 1: Feminism, blah blah blah, and I was like.

1124
00:56:38,440 --> 00:56:43,960
Speaker 2: Feminism, Like me, I'm a feminist, No, I know, And

1125
00:56:44,040 --> 00:56:45,879
Speaker 2: also like you know, truth be told.

1126
00:56:45,960 --> 00:56:48,160
Speaker 1: I still think the music's great. I still think they're

1127
00:56:48,160 --> 00:56:50,920
Speaker 1: one of the best girl groups we've ever had. Likely

1128
00:56:50,960 --> 00:56:54,040
Speaker 1: they are icon status that music if you listen to

1129
00:56:54,200 --> 00:56:57,440
Speaker 1: the records, Like I'm sorry. I remember being at the

1130
00:56:57,480 --> 00:57:01,080
Speaker 1: concert Deer Creek, Indiana, me dress the Spash and they

1131
00:57:01,080 --> 00:57:06,520
Speaker 1: were doing Viva Forever, and I sobbed my little gay

1132
00:57:06,520 --> 00:57:10,920
Speaker 1: eyes out. I was like absolutely, just like, oh my god,

1133
00:57:11,080 --> 00:57:14,400
Speaker 1: what is the best Spice Girl song? Oh, that's really hard.

1134
00:57:14,520 --> 00:57:17,959
Speaker 1: Two becomes one. That's a really good one to become.

1135
00:57:17,960 --> 00:57:20,240
Speaker 1: One is iconic. Who do you think you are?

1136
00:57:21,320 --> 00:57:23,040
Speaker 2: I mean, I think the answer is want to be,

1137
00:57:23,200 --> 00:57:25,800
Speaker 2: But I would say Spice up your life. You can't

1138
00:57:25,880 --> 00:57:28,600
Speaker 2: ever get away from it. When they come out in

1139
00:57:28,640 --> 00:57:30,560
Speaker 2: the end of the movie and they're coming out of

1140
00:57:30,560 --> 00:57:34,880
Speaker 2: the like fog and they're like, no, it's.

1141
00:57:37,720 --> 00:57:40,680
Speaker 1: That goes off, it still gets me hype. I can

1142
00:57:40,760 --> 00:57:43,400
Speaker 1: still listen to it. If that's blasting at the afters,

1143
00:57:43,560 --> 00:57:47,160
Speaker 1: I'm gonna like be like, oh, yes, absolutely yes. Also,

1144
00:57:47,200 --> 00:57:51,040
Speaker 1: that movie's fun. The movie is so funny. By the way,

1145
00:57:51,160 --> 00:57:54,000
Speaker 1: we always say Post turns out a communic torn of force.

1146
00:57:54,280 --> 00:57:57,320
Speaker 1: She's a genius. I mean her seventy three questions with

1147
00:57:57,440 --> 00:58:00,720
Speaker 1: Vogue is one of the funniest things ever seen in

1148
00:58:00,760 --> 00:58:01,200
Speaker 1: my life.

1149
00:58:01,280 --> 00:58:04,040
Speaker 2: This is the funniest one. This is the funniest single

1150
00:58:04,120 --> 00:58:05,320
Speaker 2: word anyone has ever said.

1151
00:58:05,520 --> 00:58:11,000
Speaker 1: What's the cause you care about? It's it's when when

1152
00:58:11,080 --> 00:58:13,200
Speaker 1: the guy's like, do you think I should give her

1153
00:58:13,320 --> 00:58:15,920
Speaker 1: my grandma's old wedding ring or this new one, and

1154
00:58:15,960 --> 00:58:19,800
Speaker 1: she goes, don't give her that ropey old thing.

1155
00:58:20,440 --> 00:58:22,080
Speaker 2: And then when her assistant comes in and she goes,

1156
00:58:22,120 --> 00:58:23,320
Speaker 2: I need to get you another dress.

1157
00:58:24,120 --> 00:58:25,600
Speaker 1: Where would you like to go on vacation?

1158
00:58:26,240 --> 00:58:32,160
Speaker 2: Ya, she's a free I'm still waiting on my house standing.

1159
00:58:34,120 --> 00:58:37,160
Speaker 2: There is so much about it, so much, so many moments.

1160
00:58:37,200 --> 00:58:40,440
Speaker 1: It's endlessly rewatchable. And she also when she can't do

1161
00:58:40,520 --> 00:58:43,960
Speaker 1: a handshake, you think maybe this woman has never shaken

1162
00:58:44,000 --> 00:58:46,720
Speaker 1: a hand. Before she goes up and it's like off

1163
00:58:46,840 --> 00:58:49,520
Speaker 1: and then it's off again, or she she's convinced that

1164
00:58:49,560 --> 00:58:53,400
Speaker 1: she only has one angle, which is like yeah.

1165
00:58:54,160 --> 00:58:56,560
Speaker 2: Also, there's a moment where she she like hugs someone,

1166
00:58:56,640 --> 00:58:58,480
Speaker 2: like says hello someone. She's like, you can tell she's

1167
00:58:58,520 --> 00:58:59,960
Speaker 2: so not used to greeting people.

1168
00:59:00,400 --> 00:59:06,360
Speaker 1: She's how are you great to see you? Aid No,

1169
00:59:06,440 --> 00:59:09,240
Speaker 1: she says, my award for outstanding achievement And she says

1170
00:59:09,240 --> 00:59:10,880
Speaker 1: my outing outstanding achievement award.

1171
00:59:10,880 --> 00:59:14,400
Speaker 2: Because remember the last culture is cultural Awards. Beckhamut Standing

1172
00:59:14,400 --> 00:59:16,280
Speaker 2: Achievement Award and for.

1173
00:59:16,320 --> 00:59:18,680
Speaker 1: Her role in the Spice World movie, right, that's what

1174
00:59:18,960 --> 00:59:19,880
Speaker 1: that is what we're referencing.

1175
00:59:20,040 --> 00:59:22,000
Speaker 2: I mean, there is a part of the movie where

1176
00:59:22,240 --> 00:59:24,080
Speaker 2: this honestly might be part of the culture that made

1177
00:59:24,080 --> 00:59:25,720
Speaker 2: me say culture was for me in terms of sense

1178
00:59:25,720 --> 00:59:27,960
Speaker 2: of humor. There's the scene where they're all doing the

1179
00:59:27,960 --> 00:59:30,960
Speaker 2: obstacle course and Pasha. It's revealed that Pasha is just

1180
00:59:30,960 --> 00:59:34,320
Speaker 2: walking along the side in her heels. I screamed, I

1181
00:59:34,320 --> 00:59:36,880
Speaker 2: said that, and that is the gayest ship I've ever seen,

1182
00:59:37,000 --> 00:59:39,280
Speaker 2: Like for me like to be screaming at her walking

1183
00:59:39,280 --> 00:59:41,120
Speaker 2: around the side, like look, she's like doesn't want to

1184
00:59:41,120 --> 00:59:44,680
Speaker 2: do the physical obstial course, like she's too cute for it,

1185
00:59:44,760 --> 00:59:46,120
Speaker 2: Like I loved it so much.

1186
00:59:46,240 --> 00:59:50,080
Speaker 1: The stress is dry clean only Melonie shuts up Cherry.

1187
00:59:51,040 --> 00:59:53,200
Speaker 1: Remember remember what is it? It goes, it goes on.

1188
00:59:53,360 --> 00:59:56,480
Speaker 2: I haven't seen this spy with my little eyes something

1189
00:59:57,000 --> 01:00:00,600
Speaker 2: blue and they go hospital and Victoria goes shuts up.

1190
01:00:02,360 --> 01:00:06,920
Speaker 1: I will say, like she gets the comedy bits that stuff,

1191
01:00:06,960 --> 01:00:10,720
Speaker 1: like she is like very dry sense of humor, very British,

1192
01:00:10,960 --> 01:00:14,000
Speaker 1: very funny, like she can deliver a line. She's great

1193
01:00:14,080 --> 01:00:22,200
Speaker 1: in it. Holler is underrated, hollow. Yeah, that's incredible. I

1194
01:00:22,280 --> 01:00:24,080
Speaker 1: just took a hard left into Holler. But we have

1195
01:00:24,160 --> 01:00:28,120
Speaker 1: to acknowledge that forever. Is that what that album is called? Yes? Yes,

1196
01:00:28,840 --> 01:00:31,760
Speaker 1: the last one, the third Yeah is I mean it

1197
01:00:31,880 --> 01:00:34,440
Speaker 1: is just tragic when you listen to that though like that,

1198
01:00:34,520 --> 01:00:37,040
Speaker 1: you're like, it's missing Jerry, even though it's like did

1199
01:00:37,080 --> 01:00:39,480
Speaker 1: we ever miss it that much? That's the thing is,

1200
01:00:39,480 --> 01:00:39,959
Speaker 1: it's like.

1201
01:00:40,120 --> 01:00:42,240
Speaker 2: In all these groups, when one of them leaves, it

1202
01:00:42,320 --> 01:00:45,280
Speaker 2: is over, like if harmony was ended when Camila left,

1203
01:00:45,400 --> 01:00:48,600
Speaker 2: like one direction was ended when Zayne left. Yeah, because

1204
01:00:48,840 --> 01:00:51,400
Speaker 2: it's so crazy that Harry was still in that. Harry

1205
01:00:51,480 --> 01:00:52,920
Speaker 2: wasn't the first to leave the group, and I think

1206
01:00:53,000 --> 01:00:55,480
Speaker 2: Zay has come out since and been like, yeah, literally,

1207
01:00:55,560 --> 01:00:57,240
Speaker 2: the only reason I left was because I wanted to

1208
01:00:57,280 --> 01:00:58,080
Speaker 2: be the first to leave.

1209
01:00:58,320 --> 01:01:00,680
Speaker 1: Yeah, what do you get out of that? It stands

1210
01:01:00,720 --> 01:01:03,280
Speaker 1: you apart. It says I'm the solo artist. But and

1211
01:01:03,320 --> 01:01:06,080
Speaker 1: then he did not really well he had he did,

1212
01:01:06,080 --> 01:01:08,160
Speaker 1: but it's like then he disappeared for like five years,

1213
01:01:08,200 --> 01:01:08,600
Speaker 1: didn't he.

1214
01:01:08,640 --> 01:01:10,800
Speaker 2: I think that's for like other reasons, right right, because

1215
01:01:10,800 --> 01:01:13,880
Speaker 2: he like pushed Yolanda had done a step you last,

1216
01:01:15,800 --> 01:01:17,800
Speaker 2: there was like a drama where like he like, wait,

1217
01:01:17,840 --> 01:01:20,760
Speaker 2: there was like a so he famously was with Gigi

1218
01:01:20,800 --> 01:01:24,440
Speaker 2: Hadid and then there was like a drama where like

1219
01:01:24,560 --> 01:01:27,280
Speaker 2: there was like a domestic dispute with Yolanda Hadid of

1220
01:01:27,320 --> 01:01:29,360
Speaker 2: the real house fridge and.

1221
01:01:29,480 --> 01:01:32,760
Speaker 1: Her fridge in the big frig. I'll never forget she

1222
01:01:32,760 --> 01:01:33,920
Speaker 1: pushed her out of it. He pushed her out of

1223
01:01:33,960 --> 01:01:36,800
Speaker 1: the fridge, and that's that was the step I'll never forget.

1224
01:01:36,840 --> 01:01:38,840
Speaker 2: We were in Palm Springs together, which, by the way,

1225
01:01:38,880 --> 01:01:41,040
Speaker 2: we've talked about that faded Palm Springs trip.

1226
01:01:41,080 --> 01:01:43,320
Speaker 1: I can't kicked out of the house. But that was

1227
01:01:43,360 --> 01:01:44,080
Speaker 1: when I got.

1228
01:01:43,840 --> 01:01:46,160
Speaker 2: A house into Beverly Hills because you fell in love

1229
01:01:46,160 --> 01:01:48,200
Speaker 2: with Kathy Hilton's sight on scenes, I did.

1230
01:01:48,360 --> 01:01:50,440
Speaker 1: You got it, you got it immediately. I just I

1231
01:01:50,480 --> 01:01:53,080
Speaker 1: did not realize that there were like funny people on

1232
01:01:53,120 --> 01:01:55,280
Speaker 1: the show. Yeah, you know, I just thought they were

1233
01:01:55,320 --> 01:01:57,720
Speaker 1: all bitchy or something like. I just I really didn't

1234
01:01:57,720 --> 01:01:59,760
Speaker 1: watch it, so I didn't know, And that was just

1235
01:01:59,800 --> 01:02:02,280
Speaker 1: my context was like, oh, people like to watch them fighting.

1236
01:02:02,600 --> 01:02:06,520
Speaker 1: I watched the show. These girls are making me. Wow,

1237
01:02:07,040 --> 01:02:10,000
Speaker 1: these are funny, funny girl. He loves the old New York.

1238
01:02:10,080 --> 01:02:12,439
Speaker 1: New York is his girls. I know, they're just so fun.

1239
01:02:12,480 --> 01:02:18,080
Speaker 1: I mean Sonia and Ramona and Louayne and Beth and Carol.

1240
01:02:18,320 --> 01:02:20,720
Speaker 1: I mean they're so good. I was watching the old

1241
01:02:20,720 --> 01:02:24,040
Speaker 1: one right now. Watch six just to like get to

1242
01:02:24,120 --> 01:02:27,200
Speaker 1: the park because I think we is it. Derenda's in there.

1243
01:02:27,480 --> 01:02:30,920
Speaker 1: Durnda's not in there yet, Okay, I'm season seven. Seven

1244
01:02:31,160 --> 01:02:36,600
Speaker 1: six is is Harol six shop six is literally no, no, no,

1245
01:02:36,600 --> 01:02:38,880
Speaker 1: no no. Basically, I wanted I wanted to watch the

1246
01:02:39,120 --> 01:02:41,360
Speaker 1: you know this is gonna come out of nowhere. I

1247
01:02:41,360 --> 01:02:44,200
Speaker 1: wanted to watch the first episode of Aviva, and then

1248
01:02:44,240 --> 01:02:45,960
Speaker 1: I wanted to watch a bunch of little episodes in

1249
01:02:46,000 --> 01:02:47,840
Speaker 1: between and I wanted to get to the last episode

1250
01:02:47,840 --> 01:02:50,480
Speaker 1: of Aviva the Leg, the Leg, because the leg is

1251
01:02:50,800 --> 01:02:56,000
Speaker 1: truly one of the most incredible moments of teleficial about

1252
01:02:56,040 --> 01:02:59,960
Speaker 1: me is this. I'm second, I'm scathing Calfick. She's just

1253
01:03:00,480 --> 01:03:02,720
Speaker 1: goes crazy and then she goes here had her take it,

1254
01:03:02,760 --> 01:03:08,320
Speaker 1: I'll crawl, throws her leg over. I'm like, this is wild.

1255
01:03:08,560 --> 01:03:10,080
Speaker 1: She took off her leg and threw it.

1256
01:03:10,120 --> 01:03:12,680
Speaker 2: And I love when you watched the reunion of that

1257
01:03:12,680 --> 01:03:14,960
Speaker 2: because I recently also did watch that episode and the

1258
01:03:15,000 --> 01:03:17,600
Speaker 2: reunion she goes, Andy was like.

1259
01:03:17,720 --> 01:03:19,640
Speaker 1: How did you get it off so fast? Because you

1260
01:03:19,680 --> 01:03:21,680
Speaker 1: must have taken it off. You must have been preparing

1261
01:03:21,760 --> 01:03:24,400
Speaker 1: to do that. She goes, I was definitely preparing to

1262
01:03:24,400 --> 01:03:26,080
Speaker 1: take it off. And there's a little button and only

1263
01:03:26,120 --> 01:03:26,960
Speaker 1: I know where it is.

1264
01:03:27,160 --> 01:03:28,840
Speaker 2: So she was saying, like, only I know where the

1265
01:03:28,840 --> 01:03:30,800
Speaker 2: button is on my leg to take my leg off

1266
01:03:30,840 --> 01:03:32,640
Speaker 2: so I can pick it up and throw it or

1267
01:03:32,720 --> 01:03:34,120
Speaker 2: slamming on the table as it were.

1268
01:03:34,280 --> 01:03:37,560
Speaker 1: It is. I mean, it's so clearly produced and she

1269
01:03:37,600 --> 01:03:39,400
Speaker 1: what did come in like ready to do and she

1270
01:03:39,520 --> 01:03:41,000
Speaker 1: was cooked right outter that. They were like, we can't,

1271
01:03:41,040 --> 01:03:43,960
Speaker 1: we can't have this, but like it was everyone in

1272
01:03:43,960 --> 01:03:48,480
Speaker 1: that rest and that party was like laughing, gasping, screaming,

1273
01:03:48,760 --> 01:03:53,000
Speaker 1: every like fucking Kristin. Okay, wait, no I'm not, and

1274
01:03:53,080 --> 01:03:54,640
Speaker 1: I'm excited to come back to the first reason of

1275
01:03:54,720 --> 01:03:58,760
Speaker 1: Kristin was good. She's coming back to legacy, running legacy,

1276
01:04:00,040 --> 01:04:03,200
Speaker 1: a girl, you're gonna get going, Kristen take and I'm

1277
01:04:03,200 --> 01:04:07,080
Speaker 1: just like, we don't it. She was good. Her tagline

1278
01:04:07,080 --> 01:04:11,280
Speaker 1: the first season was what I smart? Yeah, but I'm

1279
01:04:11,480 --> 01:04:13,520
Speaker 1: But the way she says her line, which maybe tells

1280
01:04:13,600 --> 01:04:15,840
Speaker 1: you that like she hated saying it, like.

1281
01:04:16,320 --> 01:04:18,840
Speaker 2: She thought it was funnier. I think she Okay, so

1282
01:04:18,920 --> 01:04:21,920
Speaker 2: this is what happens when comedy, when girls do comedy,

1283
01:04:22,000 --> 01:04:25,479
Speaker 2: but don't It's like she thought that she was doing

1284
01:04:25,480 --> 01:04:28,240
Speaker 2: a play on I'm not the sharper stool in the

1285
01:04:28,280 --> 01:04:30,880
Speaker 2: shed like pretty girls like doesn't mean we're not smart.

1286
01:04:31,000 --> 01:04:31,680
Speaker 1: She thought she was.

1287
01:04:31,840 --> 01:04:33,920
Speaker 2: Getting ahead of it right, and it just like was

1288
01:04:33,960 --> 01:04:36,440
Speaker 2: there was not enough of a structure to like get

1289
01:04:36,480 --> 01:04:39,840
Speaker 2: that across. It just sounded like she's acually stupid. She's not.

1290
01:04:40,280 --> 01:04:43,800
Speaker 1: She's a comedian. Not a comedian. Of course we know this,

1291
01:04:43,920 --> 01:04:44,600
Speaker 1: we know she's not.

1292
01:04:44,880 --> 01:04:47,400
Speaker 2: Bone was saying before we got here that he was

1293
01:04:47,440 --> 01:04:49,560
Speaker 2: watching Old Ronnie and now we know what season and

1294
01:04:49,720 --> 01:04:50,920
Speaker 2: was comparing it to New Roney.

1295
01:04:51,000 --> 01:04:52,960
Speaker 1: Have you are you caught up on New I'm caught

1296
01:04:53,040 --> 01:04:57,080
Speaker 1: up on New Roney. I really, who are you responding to? Well,

1297
01:04:57,200 --> 01:05:01,160
Speaker 1: I thought the Jenna when her comment her glasses flogging

1298
01:05:01,280 --> 01:05:03,880
Speaker 1: up from it being cold was really funny. Yeah, she

1299
01:05:03,960 --> 01:05:06,600
Speaker 1: is funny. She's funny, and she's a little awkward, and

1300
01:05:06,680 --> 01:05:09,520
Speaker 1: there's some things that aren't housewife like about her, which

1301
01:05:09,520 --> 01:05:12,360
Speaker 1: I think is interesting. You know, so I'm responding to her. She's,

1302
01:05:12,400 --> 01:05:15,000
Speaker 1: of course the star of the show at this point.

1303
01:05:16,280 --> 01:05:19,520
Speaker 1: I think that Brinn is of course gonna be great.

1304
01:05:19,720 --> 01:05:23,320
Speaker 1: You know, she's kind of hasn't been like much this

1305
01:05:23,440 --> 01:05:28,480
Speaker 1: past episode, but enjoy her. I like when she asked

1306
01:05:28,520 --> 01:05:30,360
Speaker 1: why Jenna got a free pass in, Aaron was like,

1307
01:05:30,400 --> 01:05:32,400
Speaker 1: I guess I like her more or whatever. I like.

1308
01:05:34,240 --> 01:05:36,640
Speaker 1: I think she's gonna be a good not villain, but

1309
01:05:36,840 --> 01:05:39,120
Speaker 1: you know, she's gonna be confrontational.

1310
01:05:39,320 --> 01:05:42,320
Speaker 2: She is the one that arrives on screen outside of Jenna.

1311
01:05:42,680 --> 01:05:45,360
Speaker 2: Aaron is the one that arrives on screen pops the most.

1312
01:05:45,800 --> 01:05:47,040
Speaker 1: Like. I think that.

1313
01:05:46,960 --> 01:05:49,880
Speaker 2: She she's very dropped in and like she she to

1314
01:05:49,960 --> 01:05:52,800
Speaker 2: me gives New York in a way where it doesn't

1315
01:05:52,800 --> 01:05:53,959
Speaker 2: seem like she gives a fuck.

1316
01:05:54,280 --> 01:05:56,400
Speaker 1: I think this season is going to be interesting. I

1317
01:05:56,400 --> 01:05:59,840
Speaker 1: think by the end we'll see real personalities out of

1318
01:05:59,840 --> 01:06:03,560
Speaker 1: them all. But right now I'm getting two to three personalities,

1319
01:06:04,000 --> 01:06:07,640
Speaker 1: real authentic people who are also TV characters, and the

1320
01:06:07,680 --> 01:06:12,000
Speaker 1: rest are still figuring things out. Yeah, and I think

1321
01:06:12,200 --> 01:06:15,320
Speaker 1: things take time. I don't really judge a season based

1322
01:06:15,360 --> 01:06:18,480
Speaker 1: on the first two three Now, you know, it's very early.

1323
01:06:18,800 --> 01:06:20,560
Speaker 1: I think we need five or six to kind of

1324
01:06:20,600 --> 01:06:23,200
Speaker 1: sort out how things are going to play out. But

1325
01:06:23,320 --> 01:06:25,600
Speaker 1: right now, I would say people who I can see

1326
01:06:26,120 --> 01:06:30,360
Speaker 1: actually being players in the show would be Jenna, Brynn, Aaron. Yeah,

1327
01:06:30,800 --> 01:06:34,000
Speaker 1: the whites. The whites. I do like that. I do

1328
01:06:34,200 --> 01:06:40,560
Speaker 1: like I do like the non whites. But wait, I'm

1329
01:06:40,600 --> 01:06:42,080
Speaker 1: so sorry. I did not mean to make it about this,

1330
01:06:42,360 --> 01:06:45,080
Speaker 1: but I was like on sigh until this episode where

1331
01:06:45,160 --> 01:06:47,400
Speaker 1: she was like, oh god, you guys like going to

1332
01:06:47,440 --> 01:06:49,280
Speaker 1: the dollar store. You guys clearly didn't grow up poor.

1333
01:06:49,320 --> 01:06:51,960
Speaker 1: And then that like opened and I was like that,

1334
01:06:52,680 --> 01:06:53,080
Speaker 1: I like her.

1335
01:06:53,080 --> 01:06:56,120
Speaker 2: Now here's my thing. I like them all. I like uba.

1336
01:06:56,240 --> 01:06:57,040
Speaker 1: I think she has to.

1337
01:06:57,480 --> 01:06:59,160
Speaker 2: I think we're about to see her open up in

1338
01:06:59,160 --> 01:07:01,000
Speaker 2: a way like becoming up at tractions for next week

1339
01:07:01,040 --> 01:07:03,880
Speaker 2: Coming attractions, the preview for next week, Like I'm at

1340
01:07:03,880 --> 01:07:05,720
Speaker 2: the drive in the Coming Attractions.

1341
01:07:06,240 --> 01:07:08,240
Speaker 1: What's gonna happen with the Luba on the big screen?

1342
01:07:08,480 --> 01:07:11,120
Speaker 2: Like, so next week Uba looks like she cries and

1343
01:07:11,120 --> 01:07:14,360
Speaker 2: breaks down, and I'm like, when are we gonna see

1344
01:07:14,400 --> 01:07:15,360
Speaker 2: the core of Uba?

1345
01:07:15,760 --> 01:07:20,160
Speaker 1: Guess what what I ordered? Uber Hot? Oh? Yes, Uba?

1346
01:07:20,640 --> 01:07:24,160
Speaker 1: Oh bowing. Uba owns a hot sauce business. Oh I

1347
01:07:24,280 --> 01:07:25,480
Speaker 1: loveb Hot.

1348
01:07:25,520 --> 01:07:28,800
Speaker 2: I'm getting so Okay, here's what I'll do when it

1349
01:07:28,800 --> 01:07:30,960
Speaker 2: comes to me, I will bring it and we'll do

1350
01:07:31,000 --> 01:07:34,040
Speaker 2: a live tasting. Oh smart, that's good. Maybe that should

1351
01:07:34,040 --> 01:07:38,120
Speaker 2: be on our additional episode. Yes, uber hot taste.

1352
01:07:38,240 --> 01:07:39,000
Speaker 1: Oh my god.

1353
01:07:39,360 --> 01:07:42,160
Speaker 2: So she's got like an acclaimed hot sauce line. It

1354
01:07:42,240 --> 01:07:44,080
Speaker 2: comes in three flavor I love it.

1355
01:07:44,160 --> 01:07:47,000
Speaker 1: Yeah, I'm forgetting exactly what they are, but like they're

1356
01:07:47,040 --> 01:07:49,680
Speaker 1: you're actually gonna google it because because I'm actually of

1357
01:07:49,720 --> 01:07:52,920
Speaker 1: hot sauce culture, you are of hot saus I love

1358
01:07:52,960 --> 01:07:57,400
Speaker 1: to watch the show Hot Ones. Okay, so there's Haba narrow, Hot,

1359
01:07:57,480 --> 01:08:01,200
Speaker 1: Fresno mild, and Serrano medium, which kind of is just

1360
01:08:01,240 --> 01:08:04,200
Speaker 1: three different Sure, Okay, but I like that it's an

1361
01:08:04,240 --> 01:08:06,720
Speaker 1: African gem. Uba Hot is a hot sauce that can

1362
01:08:06,760 --> 01:08:10,000
Speaker 1: be used to make any meal delicious. It adds flavor

1363
01:08:10,120 --> 01:08:12,920
Speaker 1: and brings a sensational taste of Africa to your palette.

1364
01:08:12,960 --> 01:08:15,160
Speaker 1: Our dream is for you to enjoy uber hot with

1365
01:08:15,200 --> 01:08:19,240
Speaker 1: all your senses. Love and spicy sauce. What do you

1366
01:08:19,240 --> 01:08:21,639
Speaker 1: think you're gonna try it with? And so about Uba,

1367
01:08:21,840 --> 01:08:24,000
Speaker 1: it says I have a passion for good food and

1368
01:08:24,040 --> 01:08:25,880
Speaker 1: beautiful things. That's her about.

1369
01:08:26,080 --> 01:08:28,000
Speaker 2: At a very young age, my mother taught me that

1370
01:08:28,040 --> 01:08:30,559
Speaker 2: life should be experienced with all our senses. We're sort

1371
01:08:30,600 --> 01:08:32,679
Speaker 2: of getting a theme here. This sort of is hot

1372
01:08:32,720 --> 01:08:35,559
Speaker 2: sauce but in five dimensions? Yeah, does that make sense?

1373
01:08:35,560 --> 01:08:38,439
Speaker 2: How many dimensions are there? It depends on it. It

1374
01:08:38,479 --> 01:08:43,760
Speaker 2: depends on the max is ten ten? Yeah, the max

1375
01:08:43,800 --> 01:08:45,320
Speaker 2: number of demands. Well, you can look it up. I'm

1376
01:08:45,360 --> 01:08:46,600
Speaker 2: not the best person to explain it.

1377
01:08:46,640 --> 01:08:49,519
Speaker 1: You're not an expert. Like, so one dimension is like,

1378
01:08:49,680 --> 01:08:51,920
Speaker 1: don't what do we call this? Quantum physics? Yeah, it

1379
01:08:51,960 --> 01:08:55,160
Speaker 1: gets into string theory and but I again, I'm not

1380
01:08:55,439 --> 01:08:57,240
Speaker 1: an expert on this at all. All I know is

1381
01:08:57,280 --> 01:09:00,720
Speaker 1: that I love five dimensional stuff because it's like, that's like,

1382
01:09:00,800 --> 01:09:02,479
Speaker 1: I think that's when like time travel starts to do

1383
01:09:02,600 --> 01:09:04,840
Speaker 1: you learned this from Oppenheimer. From Oppenheimer, I did when

1384
01:09:04,840 --> 01:09:09,000
Speaker 1: I walked out. I walked out instead of instead of

1385
01:09:09,040 --> 01:09:11,640
Speaker 1: watching flows nips go up.

1386
01:09:12,479 --> 01:09:16,120
Speaker 2: Each of them has an extraordinary mouth watering flavor and

1387
01:09:16,200 --> 01:09:20,000
Speaker 2: is named after a precious gemstone, Ruby Strength, inspired by

1388
01:09:20,040 --> 01:09:23,080
Speaker 2: my two fellow Virgo nieces whose love has given me strength.

1389
01:09:23,360 --> 01:09:28,120
Speaker 1: Two Virgo Nis, the Rare and Special, inspired by my

1390
01:09:28,160 --> 01:09:30,160
Speaker 1: beloved mother, my roots, the one who taught me to

1391
01:09:30,160 --> 01:09:31,160
Speaker 1: see the good and everyone.

1392
01:09:31,200 --> 01:09:34,920
Speaker 2: And finally, Emerald Honorable, inspired by my favorite quote by

1393
01:09:34,960 --> 01:09:38,720
Speaker 2: Marcus Aurelius. Whatever anyone does or says, I must be

1394
01:09:38,760 --> 01:09:40,200
Speaker 2: Emerald and keep my color.

1395
01:09:40,800 --> 01:09:42,599
Speaker 1: I know you will love Uba Hot.

1396
01:09:42,400 --> 01:09:44,160
Speaker 2: As much as I do, as it was created to

1397
01:09:44,200 --> 01:09:46,880
Speaker 2: make moments in life bold, delicious and spicy love and

1398
01:09:46,960 --> 01:09:47,559
Speaker 2: hot sauce.

1399
01:09:47,680 --> 01:09:50,559
Speaker 1: Uba love it. I like I like Uba. I like

1400
01:09:50,680 --> 01:09:53,280
Speaker 1: Uba even more now. Yeah, now that she's like a

1401
01:09:53,360 --> 01:09:56,160
Speaker 1: hot sauce connoisseur who knew, who knew, gotta get her

1402
01:09:56,200 --> 01:09:58,960
Speaker 1: on hot ones, I think that what we need is

1403
01:09:59,040 --> 01:09:59,960
Speaker 1: Uba on hot ones.

1404
01:10:00,080 --> 01:10:01,840
Speaker 2: But I think if we're gonna get a out real

1405
01:10:01,880 --> 01:10:05,679
Speaker 2: housewife on hot Ones. Unfortunately it is gonna be Bethany. Yeah,

1406
01:10:05,680 --> 01:10:08,320
Speaker 2: she's the most famous. Did you see Bethany's insane and

1407
01:10:08,400 --> 01:10:12,840
Speaker 2: story eating crawfish? And oh, I'm fascinated. It was really wild.

1408
01:10:13,040 --> 01:10:18,880
Speaker 1: I've never it's interesting to see someone like her film themselves.

1409
01:10:19,439 --> 01:10:21,880
Speaker 1: I think from Housewives, get used to being filmed all

1410
01:10:21,920 --> 01:10:26,000
Speaker 1: the time and now can't stop filming herself or something.

1411
01:10:26,280 --> 01:10:29,760
Speaker 1: Because the most it's like, I feel like it's constantly

1412
01:10:30,000 --> 01:10:33,840
Speaker 1: being in an opinion about whatever she's got, but it's

1413
01:10:34,000 --> 01:10:37,840
Speaker 1: it's near constant filming. Yeah, herself. Bethany is interesting to

1414
01:10:37,960 --> 01:10:39,680
Speaker 1: me because I've had this thought and tell me this

1415
01:10:39,840 --> 01:10:42,360
Speaker 1: if this is like a stupid, unsophisticated thought, not that

1416
01:10:42,400 --> 01:10:47,560
Speaker 1: it matters, but like on TikTok, the aesthetic is always

1417
01:10:47,760 --> 01:10:50,639
Speaker 1: for me. As I'm watching her, I'm like she has

1418
01:10:50,680 --> 01:10:53,840
Speaker 1: lost her mind. And then she'll go on like the

1419
01:10:53,880 --> 01:10:57,200
Speaker 1: Today Show and talk to Jdah and Jenna and I'm like,

1420
01:10:57,360 --> 01:10:59,360
Speaker 1: she's the most composed. She's the Queen of England. She's

1421
01:10:59,360 --> 01:11:03,400
Speaker 1: the most composed woman. She knows exactly what her I

1422
01:11:03,400 --> 01:11:06,559
Speaker 1: wonder if to talk she just thinks that works for her.

1423
01:11:06,920 --> 01:11:09,599
Speaker 1: You know, did you see when she made that salad

1424
01:11:09,640 --> 01:11:13,040
Speaker 1: and it was all celery. Yes, And I've seen her

1425
01:11:13,040 --> 01:11:16,519
Speaker 1: like eat tuna rod of the can un cool down

1426
01:11:16,600 --> 01:11:19,320
Speaker 1: because I like that and it was sick.

1427
01:11:19,640 --> 01:11:21,880
Speaker 2: And I'm saying I've done it. But to see her

1428
01:11:22,040 --> 01:11:28,360
Speaker 2: do that and filmed myself eating raw that's what basically

1429
01:11:28,439 --> 01:11:29,400
Speaker 2: made a salad.

1430
01:11:29,120 --> 01:11:34,160
Speaker 1: That was dice, cherry tomatoes, chopped celery and like mayo

1431
01:11:34,240 --> 01:11:41,040
Speaker 1: with lemon tuna. They call it tuna salad. That's why

1432
01:11:41,080 --> 01:11:43,680
Speaker 1: I called it tuna salad. And I don't. I'm, you know,

1433
01:11:43,720 --> 01:11:47,280
Speaker 1: watching her eat this and I'm thinking, no, there's been

1434
01:11:47,600 --> 01:11:50,680
Speaker 1: a break. Something jumps on us and the dollars in

1435
01:11:50,760 --> 01:11:52,840
Speaker 1: her bank account because here we are talking about her

1436
01:11:52,880 --> 01:11:55,800
Speaker 1: making her money. She's by the way, I guess she's

1437
01:11:55,880 --> 01:11:59,040
Speaker 1: She is also iHeart podcast. She's an iHeart podcast and

1438
01:11:59,080 --> 01:12:02,840
Speaker 1: we love her. Don't listen to the show. It's really heart.

1439
01:12:02,880 --> 01:12:07,200
Speaker 1: I Heart encourages the intra show antagonizing like they want

1440
01:12:07,240 --> 01:12:09,439
Speaker 1: us to fight amongst each other. Oh yeah, big time.

1441
01:12:09,680 --> 01:12:12,679
Speaker 1: It's like Super Smash Brothers. It's Super SMA if they

1442
01:12:12,880 --> 01:12:16,960
Speaker 1: if Nintendo, if you make a Super Smash iHeart Radio edition,

1443
01:12:18,000 --> 01:12:20,320
Speaker 1: like the Ice Climbers would be like the Ice climbers

1444
01:12:20,439 --> 01:12:22,160
Speaker 1: because I don't want to fight you. But you and

1445
01:12:22,240 --> 01:12:25,600
Speaker 1: I fighting, you know, Nikki Glazer. I love that I

1446
01:12:25,600 --> 01:12:27,639
Speaker 1: would pay to see. We love you, Nicki. We would

1447
01:12:27,640 --> 01:12:29,280
Speaker 1: never fight you only in a video game. Only in

1448
01:12:29,320 --> 01:12:31,559
Speaker 1: a video game where you should we do some cards.

1449
01:12:31,840 --> 01:12:33,519
Speaker 1: Let's do some o my god, the host of the

1450
01:12:33,520 --> 01:12:38,840
Speaker 1: show over here right all right, I'm sorry, Recess with house.

1451
01:12:47,560 --> 01:12:49,720
Speaker 1: How does this work? How does this work? Okay? So

1452
01:12:49,920 --> 01:12:51,880
Speaker 1: I got these cards when I was seven years old.

1453
01:12:51,960 --> 01:12:55,400
Speaker 1: My aunt was a Reikie healer and energy healer, and

1454
01:12:55,439 --> 01:12:57,840
Speaker 1: she gave the me to these when I was young,

1455
01:12:57,880 --> 01:12:59,680
Speaker 1: so that I would always have to say, that's why

1456
01:12:59,680 --> 01:13:03,639
Speaker 1: they're apart, they're falling apart. So basically, these don't tell

1457
01:13:03,640 --> 01:13:06,719
Speaker 1: you your future. They actually just read your present energy.

1458
01:13:07,240 --> 01:13:09,519
Speaker 1: So it's it's not going to be able to tell

1459
01:13:09,560 --> 01:13:11,439
Speaker 1: you what will I do in Da da Da. It's

1460
01:13:11,479 --> 01:13:15,960
Speaker 1: about answering questions now to lead you to answers about

1461
01:13:15,960 --> 01:13:18,679
Speaker 1: your own life. So I love you know a question

1462
01:13:18,800 --> 01:13:21,000
Speaker 1: you could ask. I'll give you some examples so that

1463
01:13:21,320 --> 01:13:23,280
Speaker 1: you can think of it as also if you want,

1464
01:13:23,320 --> 01:13:25,760
Speaker 1: you can privately think the question, but it might not

1465
01:13:26,800 --> 01:13:28,599
Speaker 1: the podcast. Okay, yeah, so.

1466
01:13:31,760 --> 01:13:33,559
Speaker 2: Can we tell the cards. I listened to All Too

1467
01:13:33,560 --> 01:13:35,960
Speaker 2: Well ten minute version two times this morning. That's where

1468
01:13:35,960 --> 01:13:36,360
Speaker 2: I'm at.

1469
01:13:36,520 --> 01:13:41,280
Speaker 1: Okay, So basically, like, what do I need to move

1470
01:13:41,600 --> 01:13:45,360
Speaker 1: through this emotional imbalance I'm having? Could be a question

1471
01:13:46,080 --> 01:13:51,519
Speaker 1: or what should I focus on in life to be

1472
01:13:51,840 --> 01:13:56,000
Speaker 1: happier or et cetera, et cetera. Okay, I have so it.

1473
01:13:56,320 --> 01:13:59,920
Speaker 1: Ask me the question and I'll help you renavigate the question,

1474
01:14:00,080 --> 01:14:02,559
Speaker 1: retool it. For the cards, you're going to shuffle them,

1475
01:14:02,720 --> 01:14:05,240
Speaker 1: lay them out, pick three, and then we'll go over

1476
01:14:05,280 --> 01:14:08,280
Speaker 1: them together. When you want to go first, you go first. Okay.

1477
01:14:09,400 --> 01:14:10,800
Speaker 1: We already have a car.

1478
01:14:11,200 --> 01:14:12,200
Speaker 2: Am I shuffling them?

1479
01:14:12,320 --> 01:14:13,800
Speaker 1: You're shuffling them?

1480
01:14:13,280 --> 01:14:15,880
Speaker 2: Okay, So I'm shuffling and should I sort of ask

1481
01:14:15,920 --> 01:14:18,280
Speaker 2: my questions? You should ask your question out loud, okay,

1482
01:14:19,320 --> 01:14:21,720
Speaker 2: to the cards and the astrol guides and house. I

1483
01:14:21,760 --> 01:14:26,960
Speaker 2: want to know how do I release fixations and negative

1484
01:14:27,080 --> 01:14:30,320
Speaker 2: thoughts that aren't serving me anymore?

1485
01:14:30,439 --> 01:14:31,400
Speaker 1: I want to move.

1486
01:14:31,240 --> 01:14:36,760
Speaker 2: Forward in a genuine, real way without fixation on the

1487
01:14:36,840 --> 01:14:41,720
Speaker 2: past and ways in which I've been treated unfairly, and

1488
01:14:41,920 --> 01:14:47,000
Speaker 2: move forward with compassion for myself instead of what is happening.

1489
01:14:47,400 --> 01:14:51,280
Speaker 1: Okay, So keep thinking and when you're ready, lay the

1490
01:14:51,320 --> 01:14:56,559
Speaker 1: cards out, and then you'll pick three. We'll think of

1491
01:14:56,600 --> 01:14:59,160
Speaker 1: the answer. You've had these since you were seven. That's

1492
01:14:59,240 --> 01:15:02,120
Speaker 1: really beautiful. I'm ready and I'm gonna lay them out

1493
01:15:02,120 --> 01:15:05,080
Speaker 1: and I'm gonna do like this. Yeah, I'm what I'm doing, readers,

1494
01:15:05,120 --> 01:15:07,920
Speaker 1: is I'm spreading the cards out like this, and now

1495
01:15:07,920 --> 01:15:09,960
Speaker 1: I'm to pick three that are calling out to me. Yep,

1496
01:15:10,080 --> 01:15:13,080
Speaker 1: take your time, Taja, Okay, take your time. By the way,

1497
01:15:14,160 --> 01:15:16,000
Speaker 1: we saw the trailer for a Color Purple, the movie

1498
01:15:16,080 --> 01:15:19,080
Speaker 1: musical in uh during the Barbie movie yesterday. That looks good.

1499
01:15:20,560 --> 01:15:24,040
Speaker 2: Okay, I pick this one's calling out to me because

1500
01:15:24,040 --> 01:15:27,479
Speaker 2: it almost fell off the table. So there's one. This

1501
01:15:27,520 --> 01:15:31,719
Speaker 2: one's making itself known to me. And I'm gonna say

1502
01:15:33,040 --> 01:15:35,479
Speaker 2: the final card that I would like to pick out

1503
01:15:35,720 --> 01:15:37,599
Speaker 2: is and I'm gonna sort of go left with myself

1504
01:15:37,600 --> 01:15:40,040
Speaker 2: here it's this one because it was on top.

1505
01:15:40,600 --> 01:15:45,320
Speaker 1: Okay, those are my three cards. Okay, So these cards

1506
01:15:45,400 --> 01:15:49,400
Speaker 1: are basically your guides. So there we'll go over the

1507
01:15:49,400 --> 01:15:51,519
Speaker 1: theme of each card and then we'll try and find

1508
01:15:51,520 --> 01:15:54,400
Speaker 1: a little narrative for you between the three. It's a

1509
01:15:54,400 --> 01:16:00,160
Speaker 1: little storytelling pleasure. Can be sure you show to the camera. Yeah, okay, pleasure,

1510
01:16:01,360 --> 01:16:09,759
Speaker 1: Divine Goddess, fulfillment, abundance, satisfaction, contentment. The Divine Goddess smiles

1511
01:16:09,840 --> 01:16:12,640
Speaker 1: upon you, urging you to step into her luscious and

1512
01:16:12,680 --> 01:16:18,160
Speaker 1: beautiful garden and drink from her well of vitality and joy. Summer, relax,

1513
01:16:18,640 --> 01:16:21,719
Speaker 1: have fun, and allow the good times to roll. Life

1514
01:16:21,760 --> 01:16:25,040
Speaker 1: is to be enjoyed, not endured, whether it's a fun

1515
01:16:25,120 --> 01:16:28,040
Speaker 1: day at the beach or arousing sexual romp with your lover.

1516
01:16:28,560 --> 01:16:32,080
Speaker 1: The Divine Goddess reminds you that there's nothing holy, superior,

1517
01:16:32,320 --> 01:16:36,640
Speaker 1: or righteous in resisting pleasure or hiding your beauty. She

1518
01:16:36,800 --> 01:16:39,479
Speaker 1: stepped into your life to remedy the sad fact that

1519
01:16:39,520 --> 01:16:42,599
Speaker 1: you're not taking joy in much of anything of late,

1520
01:16:42,960 --> 01:16:45,240
Speaker 1: and have lost touch with some of your inner beauty.

1521
01:16:46,160 --> 01:16:48,759
Speaker 1: Life has become black and white in shades of gray,

1522
01:16:49,280 --> 01:16:52,760
Speaker 1: and you're missing color. She advises you not to postpone

1523
01:16:52,760 --> 01:16:56,120
Speaker 1: your wards until you're in heaven. Instead, she encourages you

1524
01:16:56,200 --> 01:16:59,760
Speaker 1: to enjoy a little heaven on earth. Indulge your soul

1525
01:16:59,800 --> 01:17:04,400
Speaker 1: and some delicious food, good friends, great music, and playful fun.

1526
01:17:04,800 --> 01:17:07,959
Speaker 1: Use her sparkle to inspire you to embellish your environment

1527
01:17:08,080 --> 01:17:13,000
Speaker 1: redecorate whatever will make you happy. This is a harvest

1528
01:17:13,080 --> 01:17:17,000
Speaker 1: for you. It's a time of abundance and flow. It's

1529
01:17:17,040 --> 01:17:19,120
Speaker 1: time for you to share your beauty with others and

1530
01:17:19,240 --> 01:17:23,400
Speaker 1: be generous. Don't fret about over indulging or getting carried away.

1531
01:17:23,840 --> 01:17:26,559
Speaker 1: Get used to the beautiful life and consider it your

1532
01:17:26,560 --> 01:17:30,519
Speaker 1: birthright to dance in the divine Goddess's garden. Her question

1533
01:17:30,720 --> 01:17:33,080
Speaker 1: to you is how good can you stand it?

1534
01:17:33,560 --> 01:17:33,760
Speaker 2: Oh?

1535
01:17:35,439 --> 01:17:37,360
Speaker 1: What about? I think? I mean it? Need to order

1536
01:17:37,360 --> 01:17:42,160
Speaker 1: a glass dildo. How we get there? Let's finish the

1537
01:17:42,200 --> 01:17:47,400
Speaker 1: cards before we get Yeah, yeakay, let's get the narrative, honey, compromise,

1538
01:17:47,840 --> 01:17:51,360
Speaker 1: Master teacher, Master teacher, Oh my god.

1539
01:17:52,360 --> 01:17:56,519
Speaker 2: Okay, okay, so I have so far pleasure and master teacher, compromise.

1540
01:17:57,760 --> 01:18:01,719
Speaker 1: Your master teachers, reminding you that nothing is entirely good

1541
01:18:01,880 --> 01:18:05,599
Speaker 1: or bad, even people, and that every person has their

1542
01:18:05,600 --> 01:18:09,719
Speaker 1: own version of reality, which may not necessarily agree with yours.

1543
01:18:10,320 --> 01:18:14,240
Speaker 1: Instead of feeling wronged by those who refuse to submit

1544
01:18:14,280 --> 01:18:16,960
Speaker 1: to your point of view, give up your righteous and

1545
01:18:17,040 --> 01:18:20,800
Speaker 1: rigid demands and broaden your perspective to include the interests

1546
01:18:20,800 --> 01:18:24,640
Speaker 1: of those you struggle with. Now mentally, move toward the

1547
01:18:24,720 --> 01:18:27,920
Speaker 1: center and open your mind. Although it's easy to feel

1548
01:18:27,920 --> 01:18:31,240
Speaker 1: indignant and defensive as you've dealt with a current impasse,

1549
01:18:31,760 --> 01:18:34,240
Speaker 1: the truth is no one is trying to harm you

1550
01:18:34,360 --> 01:18:38,799
Speaker 1: right now. Instead, your detractors are simply supporting their own

1551
01:18:38,800 --> 01:18:43,240
Speaker 1: interest and priorities which are different than yours. Rather than

1552
01:18:43,280 --> 01:18:47,920
Speaker 1: reacting emotionally to their resistance, strive to understand and work

1553
01:18:47,960 --> 01:18:51,839
Speaker 1: to be fair. Your master Teacher's message for you except

1554
01:18:51,840 --> 01:18:54,600
Speaker 1: that your interests are no more or no less important

1555
01:18:54,600 --> 01:18:57,479
Speaker 1: than those of the people around you. The only way

1556
01:18:57,479 --> 01:19:03,880
Speaker 1: for you to progress to hire ground is to compromise. Okay, interesting,

1557
01:19:03,960 --> 01:19:10,400
Speaker 1: That is interesting. Celebration Celebration Joy Guide which, by the way,

1558
01:19:10,439 --> 01:19:14,960
Speaker 1: these are really positive cards. Positive. There's death in there,

1559
01:19:14,840 --> 01:19:19,120
Speaker 1: there's you know, suffering like that. You got an incredibly

1560
01:19:19,280 --> 01:19:22,759
Speaker 1: positive reading. So the cards are giving hock girl summer

1561
01:19:22,840 --> 01:19:25,120
Speaker 1: and you you are having for the most part, I

1562
01:19:25,120 --> 01:19:28,719
Speaker 1: would say, a joyful time, even though there are moments

1563
01:19:28,720 --> 01:19:31,599
Speaker 1: of you know, hardship. Yeah, I'm just sorry, I don't

1564
01:19:31,600 --> 01:19:36,680
Speaker 1: mean final card. You're entering a period of great expansion.

1565
01:19:37,160 --> 01:19:39,280
Speaker 1: Your joy guides are at hand, ushering you into a

1566
01:19:39,320 --> 01:19:44,200
Speaker 1: season of abundance, celebration, and hospitality. You're loved and accepted

1567
01:19:44,280 --> 01:19:47,200
Speaker 1: and trusted by those around you. This is a time

1568
01:19:47,200 --> 01:19:50,879
Speaker 1: when life gives back. You may become engaged, get married,

1569
01:19:51,160 --> 01:19:53,920
Speaker 1: get a promotion, land a deal, or just get a

1570
01:19:53,960 --> 01:19:57,719
Speaker 1: long waited lucky break, whatever you desire, your joy guides

1571
01:19:57,760 --> 01:20:01,600
Speaker 1: are urging you to prepare for because it's realize that

1572
01:20:01,640 --> 01:20:04,240
Speaker 1: his life's tides turn your way. The soon to become

1573
01:20:04,320 --> 01:20:07,360
Speaker 1: realized positive flow of events isn't just a fluke or

1574
01:20:07,400 --> 01:20:10,080
Speaker 1: an accident, or the luck of the draw, whether it's

1575
01:20:10,120 --> 01:20:13,840
Speaker 1: the natural outcome of your unwavering efforts, your commitment to

1576
01:20:13,880 --> 01:20:17,720
Speaker 1: your dreams and goals, your joy guide's message plan for

1577
01:20:17,800 --> 01:20:20,840
Speaker 1: the party you're going to soon have a reason to celebrate.

1578
01:20:21,000 --> 01:20:24,160
Speaker 1: Oh my god, I love my right. I know, yes,

1579
01:20:24,240 --> 01:20:27,000
Speaker 1: this all feels very right to me. So how how

1580
01:20:27,000 --> 01:20:28,880
Speaker 1: good can you stand it? How good can you? How

1581
01:20:28,920 --> 01:20:32,120
Speaker 1: good can you stand it? WHOA, that's like really good?

1582
01:20:32,760 --> 01:20:35,360
Speaker 1: That's a real culture? Number eight? How good can you

1583
01:20:35,439 --> 01:20:37,840
Speaker 1: stand it? So? I think, you know, I think it's

1584
01:20:37,880 --> 01:20:39,920
Speaker 1: pretty clear the reading. I don't know if we it's

1585
01:20:40,000 --> 01:20:43,000
Speaker 1: it doesn't seem like anyone's confused here. I would say

1586
01:20:43,120 --> 01:20:47,800
Speaker 1: that for you, the one thing it's seems like it's

1587
01:20:47,840 --> 01:20:52,000
Speaker 1: asking the compromise is probably going to be the hardest part.

1588
01:20:52,439 --> 01:20:57,800
Speaker 1: But it seems like if you can reach that within yourself,

1589
01:20:57,960 --> 01:21:01,320
Speaker 1: you're in such a period of jewel that that is

1590
01:21:01,360 --> 01:21:04,400
Speaker 1: the blockage for you. And it feels like when you

1591
01:21:04,520 --> 01:21:09,479
Speaker 1: finally can make that piece, you're already in this really

1592
01:21:10,000 --> 01:21:13,920
Speaker 1: brilliant new era. It's a compromise of within this self

1593
01:21:13,920 --> 01:21:17,000
Speaker 1: and yeah, because only I can make the decision. But

1594
01:21:17,439 --> 01:21:20,240
Speaker 1: this is all you. You know, this is a this

1595
01:21:20,320 --> 01:21:22,040
Speaker 1: is a battle between you and your.

1596
01:21:21,920 --> 01:21:25,400
Speaker 2: Self, right There's nothing in those cards that's like, no

1597
01:21:25,439 --> 01:21:26,280
Speaker 2: one's holding you back.

1598
01:21:26,560 --> 01:21:29,639
Speaker 1: These cards aren't about anybody else, and all they do

1599
01:21:29,720 --> 01:21:32,600
Speaker 1: is read your energy, so it's only telling you what

1600
01:21:32,760 --> 01:21:37,000
Speaker 1: you already know, and what you know is that this

1601
01:21:37,120 --> 01:21:41,280
Speaker 1: is hard for you right now. But pleasure, but divine godess.

1602
01:21:41,320 --> 01:21:43,320
Speaker 1: I mean it was it was talking about you know, you,

1603
01:21:43,479 --> 01:21:45,000
Speaker 1: eat good food, be with friends, dance alow.

1604
01:21:45,160 --> 01:21:47,320
Speaker 2: We did all that and we've been doing that and

1605
01:21:47,320 --> 01:21:50,360
Speaker 2: also I'm about to have a very fun time and

1606
01:21:50,400 --> 01:21:51,280
Speaker 2: this is great.

1607
01:21:51,280 --> 01:21:54,360
Speaker 1: Good reading, good good reading.

1608
01:21:54,400 --> 01:21:56,840
Speaker 2: And now, oh, I don't know, I feel like I

1609
01:21:56,840 --> 01:21:58,479
Speaker 2: feel like this might be totally different.

1610
01:22:00,120 --> 01:22:03,599
Speaker 1: I get the darker one. That's okay, you know what

1611
01:22:03,720 --> 01:22:07,080
Speaker 1: I want to see death. But if you do get death,

1612
01:22:07,320 --> 01:22:10,000
Speaker 1: death is about the ending of something, and that's a

1613
01:22:10,040 --> 01:22:12,880
Speaker 1: positive too. In many ways, for many people, the end

1614
01:22:13,160 --> 01:22:17,200
Speaker 1: is the best way to start something new. Yes, yeah, absolutely,

1615
01:22:17,240 --> 01:22:19,800
Speaker 1: you have to end to begin. That's true. That's a

1616
01:22:19,800 --> 01:22:26,200
Speaker 1: real culture. It's actually real. It's real culture. Number seventy five,

1617
01:22:26,320 --> 01:22:29,880
Speaker 1: You have to did you do your question? Oh, I'm

1618
01:22:29,880 --> 01:22:31,400
Speaker 1: so sorry. I stretched. I'll do the question, and then

1619
01:22:31,400 --> 01:22:33,360
Speaker 1: I'll do the question and shuffle for a bite. Put

1620
01:22:33,360 --> 01:22:37,720
Speaker 1: your energy on the cards. My question is what are

1621
01:22:37,760 --> 01:22:44,559
Speaker 1: the means by which I can connect to all the

1622
01:22:44,600 --> 01:22:46,559
Speaker 1: parts of myself? I feel like I feel like my

1623
01:22:46,600 --> 01:22:51,240
Speaker 1: struggle lately has been sort of a disparate evaluation of

1624
01:22:51,280 --> 01:22:55,840
Speaker 1: like me and I feel very fragmented. And how do

1625
01:22:55,880 --> 01:22:58,599
Speaker 1: I make it all whole again? You know? And how

1626
01:22:58,840 --> 01:23:01,599
Speaker 1: how do I do that? Yeah? Okay, that's a great question. Great,

1627
01:23:02,160 --> 01:23:06,400
Speaker 1: Oh my spread girl, that's okay. That's what it meant

1628
01:23:06,439 --> 01:23:08,200
Speaker 1: to be. It's what it's meant to be. Okay, it

1629
01:23:08,240 --> 01:23:10,639
Speaker 1: was meant to be cluttered. Okay, okay, what's calling out

1630
01:23:10,680 --> 01:23:13,080
Speaker 1: to me? Only you can answer.

1631
01:23:15,600 --> 01:23:18,040
Speaker 2: Yes, yes, yes, I was gonna say her.

1632
01:23:18,560 --> 01:23:21,720
Speaker 1: That's correct. That's the one good card that's all. This one.

1633
01:23:22,160 --> 01:23:24,720
Speaker 1: That one's a baby, Pick it out, put it on

1634
01:23:24,720 --> 01:23:28,720
Speaker 1: the table. Last one we go. Number three, don't miss,

1635
01:23:29,520 --> 01:23:35,679
Speaker 1: don't miss. This is the big decision, this one. Three

1636
01:23:35,720 --> 01:23:40,719
Speaker 1: cards on the table, three cards laid before me. First

1637
01:23:40,760 --> 01:23:48,400
Speaker 1: one discontent, discontent, muses, muses, muses. I'm my muses are

1638
01:23:48,600 --> 01:23:51,439
Speaker 1: a little you know, you know, every reading has their

1639
01:23:51,479 --> 01:23:56,080
Speaker 1: own list is a dark card. There are ghosts and phantoms,

1640
01:23:56,120 --> 01:23:59,800
Speaker 1: and I don't like that. Okay, but I actually think

1641
01:23:59,800 --> 01:24:03,320
Speaker 1: this this card has a lot to teach. Okay, okay,

1642
01:24:03,400 --> 01:24:07,599
Speaker 1: So are we listening already? Okay? Sooner or later in

1643
01:24:07,640 --> 01:24:11,200
Speaker 1: our evolutionary process, each of us begins to realize that

1644
01:24:11,280 --> 01:24:14,360
Speaker 1: it's not the having that fulfills our souls, but it's

1645
01:24:14,360 --> 01:24:18,960
Speaker 1: the act of creating that brings us satisfaction, contentment. And

1646
01:24:19,040 --> 01:24:23,640
Speaker 1: what we've created, no matter how grand, inevitably subsides and

1647
01:24:23,720 --> 01:24:29,360
Speaker 1: our creative juices get stagnant, long to flow. That's why

1648
01:24:29,400 --> 01:24:33,360
Speaker 1: the once ideal partner ceases to mesmerize, the perfect job

1649
01:24:33,400 --> 01:24:38,200
Speaker 1: eventually becomes mundane, and the great adventure becomes tedious. Although

1650
01:24:38,240 --> 01:24:40,360
Speaker 1: there's a lot to be said for enjoying what we

1651
01:24:40,479 --> 01:24:43,800
Speaker 1: have now, we must nevertheless respect the fact that our

1652
01:24:43,840 --> 01:24:49,280
Speaker 1: basic nature's creative beings is to create. Without the process,

1653
01:24:49,320 --> 01:24:52,280
Speaker 1: we can't be fully content, at least not for long.

1654
01:24:52,960 --> 01:24:55,960
Speaker 1: Your muses are present, and they're calling on you now

1655
01:24:56,000 --> 01:25:00,880
Speaker 1: to embrace your creative discontent and undertake new project. Their

1656
01:25:00,920 --> 01:25:04,120
Speaker 1: message to you is see your frustration as a longing

1657
01:25:04,200 --> 01:25:08,840
Speaker 1: to learn more, expand more, dare more, and create more.

1658
01:25:09,360 --> 01:25:16,760
Speaker 1: I gotta get a glass, dildo, I gotta a glass.

1659
01:25:16,600 --> 01:25:18,639
Speaker 1: It's true. I know it's so true. Oh my god,

1660
01:25:18,840 --> 01:25:24,160
Speaker 1: that's why. No, no, no, no, no, okay. Second card to

1661
01:25:24,200 --> 01:25:34,920
Speaker 1: see see this is actually gorgeous to see Cardian angels. Okay,

1662
01:25:35,040 --> 01:25:37,160
Speaker 1: I know this card has lots of tea. Okay, this

1663
01:25:37,240 --> 01:25:39,360
Speaker 1: is I think this is a teaching card as well.

1664
01:25:39,640 --> 01:25:41,320
Speaker 1: This is actually one of my favorite cards. I'm at

1665
01:25:41,320 --> 01:25:47,640
Speaker 1: a teaching hospital and it's too funny. Well, you know,

1666
01:25:47,760 --> 01:25:50,479
Speaker 1: when you're doing to readings and one person gets one,

1667
01:25:52,280 --> 01:25:55,200
Speaker 1: I was gonna get the dark one. I love it.

1668
01:25:55,280 --> 01:26:02,839
Speaker 1: Let's let's let let's keep going. Your guardian angels are present,

1669
01:26:03,200 --> 01:26:06,760
Speaker 1: alerting you to the fact that all isn't as it appears.

1670
01:26:07,520 --> 01:26:10,599
Speaker 1: Pay close attention to what's going on around you and

1671
01:26:10,640 --> 01:26:14,519
Speaker 1: within you. You'll notice that vibes are in the air.

1672
01:26:17,840 --> 01:26:22,600
Speaker 1: You'll now you'll notice your guardian angels remind you that

1673
01:26:22,680 --> 01:26:26,479
Speaker 1: your own treachery and deceit are subtle and difficult to see.

1674
01:26:26,920 --> 01:26:30,120
Speaker 1: After all, no one wants to believe they can or

1675
01:26:30,160 --> 01:26:34,519
Speaker 1: someone might hurt them. Sometimes it's a deliberate attempt, other

1676
01:26:34,640 --> 01:26:38,120
Speaker 1: times it's an act of self protection at your own expense.

1677
01:26:38,920 --> 01:26:43,000
Speaker 1: Deceit and manipulation need not be maliciously intended to cur

1678
01:26:43,200 --> 01:26:47,200
Speaker 1: or be damaging. Often it's just the result of thoughtlessness

1679
01:26:47,439 --> 01:26:51,640
Speaker 1: or fear. Your guardian angels urge you to trust your

1680
01:26:51,680 --> 01:26:55,519
Speaker 1: vibes completely when it comes to your suspicions of yourself

1681
01:26:55,560 --> 01:27:02,240
Speaker 1: and others. Please equally scrutinize your own own deceptions. Either

1682
01:27:02,360 --> 01:27:05,840
Speaker 1: case leads to dead ends and disappointing outcomes. Ask your

1683
01:27:05,880 --> 01:27:08,880
Speaker 1: angel guides to protect you from your own deceits. Have

1684
01:27:08,920 --> 01:27:12,400
Speaker 1: the courage and integrity to be honest with yourself. Your

1685
01:27:12,400 --> 01:27:17,479
Speaker 1: guardian angel's message right now is we will watch over you. Now.

1686
01:27:17,479 --> 01:27:22,280
Speaker 1: Are they my muses to your guardian angels? My guardian angels, no,

1687
01:27:22,320 --> 01:27:25,679
Speaker 1: you got you got muses and guardians are saying create,

1688
01:27:25,760 --> 01:27:27,960
Speaker 1: create creates. Well, then my guardian angels are saying, don't

1689
01:27:28,000 --> 01:27:31,799
Speaker 1: trust the muses. No, No, that's not what they're saying.

1690
01:27:32,479 --> 01:27:34,720
Speaker 1: I don't think we'll get to the narrative. We'll get

1691
01:27:34,760 --> 01:27:37,559
Speaker 1: to the narrative even got to how can you make

1692
01:27:37,600 --> 01:27:41,439
Speaker 1: a narrative? Balance? Wow? Period? And now all of a

1693
01:27:41,439 --> 01:27:45,519
Speaker 1: sudden it makes sense. Period? And now what's to say?

1694
01:27:46,280 --> 01:27:49,599
Speaker 1: Divine teachers, divine teachers, we both have teachers in ours.

1695
01:27:50,680 --> 01:27:55,360
Speaker 1: You are good students, I find no, but still I

1696
01:27:55,439 --> 01:27:57,680
Speaker 1: am very distractive. You're back, but I was trying to

1697
01:27:57,680 --> 01:28:00,599
Speaker 1: be nice. And you're in the delicate process of learning

1698
01:28:00,640 --> 01:28:03,760
Speaker 1: how to properly balance the flow of give and take

1699
01:28:03,880 --> 01:28:07,920
Speaker 1: in your personal relationships, and it's time to evaluate. Are

1700
01:28:07,920 --> 01:28:10,760
Speaker 1: you giving too much, leaving you resentful and angry, or

1701
01:28:10,800 --> 01:28:13,479
Speaker 1: you withholding when you could give more, leaving you feeling

1702
01:28:13,520 --> 01:28:16,920
Speaker 1: guilty and defensive. Your divine teachers can help you learn

1703
01:28:16,960 --> 01:28:19,800
Speaker 1: how to better align your relationships so that you neither

1704
01:28:19,880 --> 01:28:23,280
Speaker 1: give nor take too much as a means of controlling others.

1705
01:28:23,320 --> 01:28:26,120
Speaker 1: They counsel you to be honest about your motivations when

1706
01:28:26,160 --> 01:28:29,000
Speaker 1: dealing with others. You know in your heart of hearts

1707
01:28:29,040 --> 01:28:33,760
Speaker 1: what drives you. Do you create dependency in and control,

1708
01:28:33,920 --> 01:28:35,760
Speaker 1: or do you withhold for fear that you might be

1709
01:28:35,840 --> 01:28:39,920
Speaker 1: taken advantage of keeping people guessing. Your divine teachers are

1710
01:28:39,960 --> 01:28:42,960
Speaker 1: on hand to help you answer these questions. They lovingly

1711
01:28:43,000 --> 01:28:46,360
Speaker 1: assure you that relationships are the most difficult of all

1712
01:28:46,400 --> 01:28:50,120
Speaker 1: spiritual classrooms, and the lessons of proper give and take

1713
01:28:50,240 --> 01:28:53,800
Speaker 1: are the most difficult skills to learn. Have compassion for

1714
01:28:53,840 --> 01:28:57,880
Speaker 1: yourself as you seek balance. Ask your divine teachers to

1715
01:28:57,920 --> 01:29:00,200
Speaker 1: help you become more aware of how you give and

1716
01:29:00,240 --> 01:29:04,720
Speaker 1: receive in all relationships, not just the romantic kind. There

1717
01:29:04,720 --> 01:29:08,640
Speaker 1: are message to you. There's no difference between giving and receiving.

1718
01:29:08,760 --> 01:29:15,200
Speaker 1: Love great, I love it. I am creating my own

1719
01:29:15,439 --> 01:29:21,639
Speaker 1: suspicion in the deceit by an imbalance of give and take,

1720
01:29:22,760 --> 01:29:25,800
Speaker 1: and that is all fueled by a discontent with in

1721
01:29:25,840 --> 01:29:28,800
Speaker 1: your creative life, present situation in creative life, and in

1722
01:29:28,880 --> 01:29:32,360
Speaker 1: stagnant endeavors. What do you see here? What do you see? Sorry?

1723
01:29:32,400 --> 01:29:35,160
Speaker 1: I want to know. Well, I do think it's interesting.

1724
01:29:35,400 --> 01:29:40,640
Speaker 1: I find that when I do these there is always

1725
01:29:40,680 --> 01:29:42,880
Speaker 1: this and you can create yourself so whatever, But there

1726
01:29:42,920 --> 01:29:45,400
Speaker 1: is always a little narrative between first, second, and third.

1727
01:29:45,600 --> 01:29:48,519
Speaker 1: And you know you do choose as it is, but

1728
01:29:48,600 --> 01:29:51,639
Speaker 1: I do think that, Like for me, the first one

1729
01:29:51,960 --> 01:29:56,639
Speaker 1: is it's saying, this is a core issue that it's

1730
01:29:56,680 --> 01:30:00,760
Speaker 1: going on that is causing this fragmentation. It seems like

1731
01:30:00,840 --> 01:30:02,880
Speaker 1: that is what the answer is for that. And then

1732
01:30:02,920 --> 01:30:07,639
Speaker 1: it's almost giving you these sort of backup reasons of

1733
01:30:07,720 --> 01:30:12,639
Speaker 1: why that's happening, and it's this deceit is I find

1734
01:30:12,800 --> 01:30:18,360
Speaker 1: it's always self deceit when these cards are being used,

1735
01:30:18,640 --> 01:30:22,639
Speaker 1: and it's always almost usually when people get the card,

1736
01:30:22,680 --> 01:30:25,040
Speaker 1: they know immediately what it is that they're saying to

1737
01:30:25,080 --> 01:30:28,800
Speaker 1: themselves or or whatever self deceit they have. And then

1738
01:30:28,840 --> 01:30:32,559
Speaker 1: to get the balance of you know, relationships and stuff

1739
01:30:33,760 --> 01:30:36,559
Speaker 1: is sort of interesting because then that relates to the

1740
01:30:36,600 --> 01:30:40,920
Speaker 1: deceit too. It's sort of saying, like these relationships, you know,

1741
01:30:41,000 --> 01:30:44,600
Speaker 1: I'm having uh da da da, I'm not seeing myself

1742
01:30:44,720 --> 01:30:47,800
Speaker 1: clearly in these and it's all a larger sign of

1743
01:30:48,520 --> 01:30:53,360
Speaker 1: creative mm hmm. You have to listen to yourself, you

1744
01:30:53,360 --> 01:30:56,720
Speaker 1: have to trust your insights. Thank you. Uh no, but

1745
01:30:56,760 --> 01:30:59,000
Speaker 1: I thought that was really good reading. Well, do you

1746
01:30:59,040 --> 01:31:02,960
Speaker 1: feel like you got any clarity a little bit? A

1747
01:31:02,960 --> 01:31:07,200
Speaker 1: little bit, yes, But I think I'm like working myself

1748
01:31:07,280 --> 01:31:10,600
Speaker 1: out of I'm getting to the last one, which is

1749
01:31:10,640 --> 01:31:15,360
Speaker 1: the balance. I'm like, I'm inching closer towards this, yes,

1750
01:31:15,479 --> 01:31:19,639
Speaker 1: to get out of this this yes, which no problem.

1751
01:31:19,680 --> 01:31:23,320
Speaker 1: I love it well. And this is kind of more

1752
01:31:23,360 --> 01:31:27,360
Speaker 1: closer to the present. It's the third card, whereas this

1753
01:31:27,479 --> 01:31:32,719
Speaker 1: is past order. What was your third card? Celebration celebration. Yes,

1754
01:31:32,960 --> 01:31:36,519
Speaker 1: we'll be celebrating. We'll be celebrating and balancing, and we

1755
01:31:36,560 --> 01:31:38,160
Speaker 1: are celebrating, and we are celebrating.

1756
01:31:38,400 --> 01:31:42,280
Speaker 2: I mean, I feel very hopeful about the future. I

1757
01:31:42,280 --> 01:31:45,519
Speaker 2: think that like it's the halfway well it's not the

1758
01:31:45,560 --> 01:31:47,360
Speaker 2: halfway point of the year, but sometimes it feels like

1759
01:31:48,680 --> 01:31:52,840
Speaker 2: at least like end of summer, although like sort of

1760
01:31:52,840 --> 01:31:54,880
Speaker 2: my summer is just starting, and then through fall. In

1761
01:31:54,880 --> 01:31:58,160
Speaker 2: the winter is always when I feel like things are

1762
01:31:58,200 --> 01:31:59,960
Speaker 2: the most difficult, and then they get so much better

1763
01:32:00,120 --> 01:32:03,519
Speaker 2: for some reason, like narratively, like my years always get

1764
01:32:03,560 --> 01:32:05,680
Speaker 2: better at the end of them. Maybe it's because I

1765
01:32:05,720 --> 01:32:07,760
Speaker 2: have like a routine thing that I do every year,

1766
01:32:08,360 --> 01:32:11,280
Speaker 2: but it's hard now when there's like so much less

1767
01:32:11,360 --> 01:32:13,280
Speaker 2: routine than there's ever been because we're all not working

1768
01:32:13,280 --> 01:32:16,679
Speaker 2: and stuff. But maybe this like time of being having

1769
01:32:16,680 --> 01:32:19,840
Speaker 2: like more solitariness and more like less filling up is

1770
01:32:19,880 --> 01:32:23,200
Speaker 2: an opportunity to achieve this balance card, you know what

1771
01:32:23,200 --> 01:32:23,559
Speaker 2: I mean?

1772
01:32:24,000 --> 01:32:27,639
Speaker 1: M M who does know? Who does know? I'm telling

1773
01:32:27,680 --> 01:32:30,160
Speaker 1: you who can say? I do think that. I always

1774
01:32:30,160 --> 01:32:32,839
Speaker 1: think of September as a new beginning, just because school starts,

1775
01:32:33,040 --> 01:32:35,320
Speaker 1: and for so long you were kind of like in

1776
01:32:35,439 --> 01:32:37,519
Speaker 1: that mode, and so I always think of like, I

1777
01:32:37,600 --> 01:32:39,280
Speaker 1: like the back half of the year, like I like

1778
01:32:39,720 --> 01:32:42,600
Speaker 1: later summer into fall into winter, like that's where I

1779
01:32:42,640 --> 01:32:44,240
Speaker 1: read my engine. Really, you know what.

1780
01:32:44,320 --> 01:32:45,720
Speaker 2: I set up that loud the other day for the

1781
01:32:45,720 --> 01:32:48,840
Speaker 2: first time, and I felt very like like almost like, actually.

1782
01:32:48,600 --> 01:32:49,840
Speaker 1: You know what I'm gonna do. And I don't think,

1783
01:32:49,880 --> 01:32:52,800
Speaker 1: so honey, this is amazing segue. I don't think so honey,

1784
01:32:53,520 --> 01:32:55,519
Speaker 1: this is this is really good a segment where we

1785
01:32:55,560 --> 01:32:59,400
Speaker 1: take one minute to go off on something in culture

1786
01:32:59,400 --> 01:33:03,240
Speaker 1: that's really grinding our gears. Matt Rogers is struck. I'm

1787
01:33:03,280 --> 01:33:06,880
Speaker 1: really excited to do this. I believe it. This is

1788
01:33:06,880 --> 01:33:08,920
Speaker 1: Matt Rogers. I don't think so Honey's time starts now.

1789
01:33:08,960 --> 01:33:11,599
Speaker 1: I don't think so honey. Summer. Oh and it's fine

1790
01:33:11,640 --> 01:33:14,599
Speaker 1: to say it, Okay, it's too fucking hot. I don't

1791
01:33:14,640 --> 01:33:16,760
Speaker 1: want to be out in the sun. That's that baking hot,

1792
01:33:16,840 --> 01:33:20,320
Speaker 1: especially not during global boiling, which we're in. It's not

1793
01:33:20,360 --> 01:33:23,800
Speaker 1: global warming anymore, honey, it's global boiling. The whales are

1794
01:33:23,840 --> 01:33:26,759
Speaker 1: beaching themselves. They can't take it. I saw a clip

1795
01:33:26,800 --> 01:33:29,240
Speaker 1: today and Otter was trying to steal a surfboard. But

1796
01:33:29,280 --> 01:33:31,519
Speaker 1: you're also going crazy in the water. Why because it's

1797
01:33:31,520 --> 01:33:33,599
Speaker 1: heating up. I'll tell you what else is heating up

1798
01:33:33,760 --> 01:33:36,080
Speaker 1: me too much? I want to be inside in the

1799
01:33:36,120 --> 01:33:38,600
Speaker 1: air conditioning. I don't think, so honey, if you have

1800
01:33:38,680 --> 01:33:40,840
Speaker 1: air conditioning. In the Year of Our Lord twenty twenty three,

1801
01:33:41,080 --> 01:33:42,679
Speaker 1: I went on on a date with a guy. He said,

1802
01:33:42,680 --> 01:33:45,200
Speaker 1: I don't have air conditioning. I said, that might be

1803
01:33:45,240 --> 01:33:47,639
Speaker 1: a deal breaker right there, because you want to know why.

1804
01:33:47,760 --> 01:33:49,960
Speaker 1: I don't think, so, honey. Summer and one of the

1805
01:33:49,960 --> 01:33:52,439
Speaker 1: things you need, and they're actually saying it's no longer

1806
01:33:52,479 --> 01:33:53,960
Speaker 1: a luxury, it's a necessity.

1807
01:33:54,439 --> 01:33:57,080
Speaker 2: It's air conditioning. So I don't think, so honey, summer.

1808
01:33:57,360 --> 01:33:59,559
Speaker 2: I do think, so honey. The fall, I do think,

1809
01:33:59,600 --> 01:34:02,439
Speaker 2: so honey. The winter catch me then, and I do

1810
01:34:02,520 --> 01:34:06,320
Speaker 2: think so honey the spring. Otherwise I'm uncomfortable. The humidity,

1811
01:34:06,439 --> 01:34:08,599
Speaker 2: the dryness. Both of you I don't.

1812
01:34:08,439 --> 01:34:12,639
Speaker 1: Think so, honey, that's one minute. I don't like summer.

1813
01:34:13,920 --> 01:34:20,200
Speaker 1: You do, No, I don't, Okay, I don't. I'm sorry,

1814
01:34:20,400 --> 01:34:26,960
Speaker 1: I was. I'm sorry. Dancing and more yourself. I don't

1815
01:34:26,960 --> 01:34:31,760
Speaker 1: think my vibe vibes are in the air.

1816
01:34:32,000 --> 01:34:34,080
Speaker 2: When your card said that there were vibes in the air,

1817
01:34:34,760 --> 01:34:35,920
Speaker 2: I really felt that.

1818
01:34:36,280 --> 01:34:38,799
Speaker 1: And it's not a live vibes are in the air always.

1819
01:34:38,960 --> 01:34:40,439
Speaker 1: You know what I like to do with my girls

1820
01:34:40,479 --> 01:34:44,559
Speaker 1: during the summer vie happy hour I will say right

1821
01:34:44,560 --> 01:34:46,599
Speaker 1: now in this the day we're recording this this week

1822
01:34:46,720 --> 01:34:48,920
Speaker 1: is spectacular weather in New York City.

1823
01:34:49,000 --> 01:34:51,120
Speaker 2: We're going out for happy hour after this, of course.

1824
01:34:51,360 --> 01:34:54,720
Speaker 1: Of cork of courks, Yeah, corks, Oh my god.

1825
01:34:54,760 --> 01:34:56,519
Speaker 2: You know the birth of the of corks was the

1826
01:34:56,640 --> 01:35:00,200
Speaker 2: very first day that we met house wo. It was

1827
01:35:00,280 --> 01:35:02,360
Speaker 2: in la I don't think, Sony, when you iconically did

1828
01:35:02,400 --> 01:35:04,200
Speaker 2: your I don't think so money on Jennifer Garner.

1829
01:35:04,760 --> 01:35:06,400
Speaker 1: Gays who stand Jennifer Gardner?

1830
01:35:06,520 --> 01:35:08,599
Speaker 2: Oh it was gays? Who's I don't think so many gays?

1831
01:35:08,600 --> 01:35:09,719
Speaker 2: Who's the Jennifer Gardner?

1832
01:35:09,800 --> 01:35:13,120
Speaker 1: And I think my favorite bit was that is your

1833
01:35:13,280 --> 01:35:17,200
Speaker 1: favorite dessert merangue? Oh yeah, that was a good house.

1834
01:35:17,400 --> 01:35:19,599
Speaker 1: Thank you. Oho, she's making a comeback. You'd be careful.

1835
01:35:19,880 --> 01:35:23,839
Speaker 1: That was years ago. That was years ago. I wouldn't

1836
01:35:23,880 --> 01:35:26,640
Speaker 1: do that now. All right, this is Bellen Yang's I

1837
01:35:26,640 --> 01:35:28,960
Speaker 1: don't think so, honey. His time starts now. I don't

1838
01:35:29,000 --> 01:35:31,519
Speaker 1: think so, honey. The art world, I'm just trying to

1839
01:35:31,520 --> 01:35:33,760
Speaker 1: get a couple of paintings from any apartment. And why

1840
01:35:33,880 --> 01:35:38,400
Speaker 1: is it the most expensive thing ever created? Why is

1841
01:35:38,439 --> 01:35:43,200
Speaker 1: it so expensive? I believe in compensating artists. I believe

1842
01:35:43,320 --> 01:35:46,320
Speaker 1: in paying for a piece of art. I will pay

1843
01:35:46,680 --> 01:35:49,360
Speaker 1: on an appropriate amount of money. But some of these

1844
01:35:49,600 --> 01:35:55,839
Speaker 1: price points are actually psycho and I'm not paying fifty

1845
01:35:55,920 --> 01:35:59,720
Speaker 1: thousand dollars for a little jade horse, Mama. Jade is

1846
01:35:59,760 --> 01:36:02,160
Speaker 1: what those things that my sister and I have said

1847
01:36:02,160 --> 01:36:03,960
Speaker 1: this all the time, my sister especially, she goes jade

1848
01:36:04,000 --> 01:36:05,960
Speaker 1: is one of those gemstones that really only Asian people

1849
01:36:06,000 --> 01:36:08,200
Speaker 1: care about. And so therefore you have to price it

1850
01:36:08,200 --> 01:36:10,800
Speaker 1: in a way that's not like so exclusive, like make

1851
01:36:10,840 --> 01:36:13,559
Speaker 1: it so because the market's already small, it's already gonna

1852
01:36:13,560 --> 01:36:14,920
Speaker 1: be something where like I don't want to pay that

1853
01:36:15,000 --> 01:36:17,360
Speaker 1: much money for it. These prices would make you you

1854
01:36:17,360 --> 01:36:19,120
Speaker 1: guys know me, You guys know that I kind of

1855
01:36:19,200 --> 01:36:22,840
Speaker 1: dish out cash for things unreasonable in an unamasonable way.

1856
01:36:23,040 --> 01:36:25,760
Speaker 1: I pay some of these paintings. I go not in

1857
01:36:25,800 --> 01:36:29,000
Speaker 1: a million years. And that's one minute. Jade did.

1858
01:36:29,160 --> 01:36:31,200
Speaker 2: Didn't Gwyneth Paltrow say you got to put a jade

1859
01:36:31,200 --> 01:36:32,120
Speaker 2: egg up your vagina?

1860
01:36:33,080 --> 01:36:35,080
Speaker 1: Did she ruin it? Did she run jade for Asians?

1861
01:36:35,200 --> 01:36:37,400
Speaker 1: I think she did, because what she was doing was

1862
01:36:37,439 --> 01:36:41,880
Speaker 1: she was trying to stimulate the I think thee to

1863
01:36:41,960 --> 01:36:46,840
Speaker 1: help relubricate. Right, Well, then the ja. Well then this

1864
01:36:46,960 --> 01:36:50,839
Speaker 1: is the thing, like I'm never like jade is ours,

1865
01:36:51,040 --> 01:36:52,519
Speaker 1: you know what I mean? And now I can't even

1866
01:36:52,560 --> 01:36:54,720
Speaker 1: get jade off the fucking streets. So what is this.

1867
01:36:54,840 --> 01:36:56,839
Speaker 2: You're like looking to populate your new apartment.

1868
01:36:57,040 --> 01:36:58,680
Speaker 1: I just have some walls that I want to, like,

1869
01:36:59,680 --> 01:37:05,240
Speaker 1: have some big walls. Let's just say I just wanted big,

1870
01:37:05,640 --> 01:37:11,679
Speaker 1: big walls. I just sugar. Sugar wall taste like cream.

1871
01:37:11,920 --> 01:37:12,920
Speaker 1: Taste like cream.

1872
01:37:13,560 --> 01:37:16,360
Speaker 2: I heard that, I hope, So I hope your walls

1873
01:37:16,360 --> 01:37:16,960
Speaker 2: are so big.

1874
01:37:18,600 --> 01:37:22,280
Speaker 1: Pure man makes like a nice cream for your walls. Really,

1875
01:37:23,479 --> 01:37:26,760
Speaker 1: and I have gotten compliment, I did. I've had the coffee,

1876
01:37:27,320 --> 01:37:30,439
Speaker 1: not the coff I've used the butt bomb. Yes, it's

1877
01:37:30,520 --> 01:37:32,439
Speaker 1: called the stay Ready Cream. This is not sponsored, by

1878
01:37:32,439 --> 01:37:35,559
Speaker 1: the way, but ready but could be. I've done this

1879
01:37:35,600 --> 01:37:38,519
Speaker 1: stay Ready cream and people are like, that's nice. Yeah,

1880
01:37:38,600 --> 01:37:39,320
Speaker 1: that is nice.

1881
01:37:39,400 --> 01:37:41,880
Speaker 2: I liked the butt bomb a lot. Yeah, all Pure

1882
01:37:42,040 --> 01:37:42,599
Speaker 2: Men's products.

1883
01:37:42,800 --> 01:37:45,200
Speaker 1: Pure Man is really really doing it. I think that

1884
01:37:45,280 --> 01:37:48,320
Speaker 1: they found a market, they found a niche and an

1885
01:37:48,320 --> 01:37:51,719
Speaker 1: audience with money, and they made a good product. Very smart.

1886
01:37:51,840 --> 01:37:54,639
Speaker 1: They like they really thought about They were like, of

1887
01:37:54,760 --> 01:37:59,120
Speaker 1: course these people want things to make that area fresh. Yeah,

1888
01:37:59,560 --> 01:38:01,840
Speaker 1: because we get self conscious about all of it. So like,

1889
01:38:02,000 --> 01:38:05,759
Speaker 1: let let's make you help a girl out. Yeah, totally, totally.

1890
01:38:06,560 --> 01:38:08,880
Speaker 1: And that's like the art world. The art world could

1891
01:38:08,920 --> 01:38:11,080
Speaker 1: really take a page from here. For mess the art world.

1892
01:38:12,160 --> 01:38:14,120
Speaker 1: I just want to say so many wonderful people have

1893
01:38:14,160 --> 01:38:16,479
Speaker 1: reached down said I'm a dealer, I can help you out.

1894
01:38:16,520 --> 01:38:18,360
Speaker 1: I appreciate you. But I just want to say that

1895
01:38:18,400 --> 01:38:21,679
Speaker 1: the system itself seems a little broken. They're wheelers and dealers.

1896
01:38:21,720 --> 01:38:24,479
Speaker 1: They're wheelers and dealers. Well they made that die that

1897
01:38:24,640 --> 01:38:26,800
Speaker 1: film about it. Oh yeah, was that the one with

1898
01:38:26,840 --> 01:38:29,480
Speaker 1: Jake Jill and Hall. Yeah. Yeah, And they're all killers.

1899
01:38:29,560 --> 01:38:32,400
Speaker 1: They're killers, and that scares me. I have to trust

1900
01:38:32,439 --> 01:38:35,840
Speaker 1: the deceit. The vibes are in the air. That was

1901
01:38:35,880 --> 01:38:38,320
Speaker 1: about the art world, that was about well you never

1902
01:38:38,360 --> 01:38:39,880
Speaker 1: told you if you would have told me about the

1903
01:38:39,960 --> 01:38:45,080
Speaker 1: art well before the reading car specific about it. The

1904
01:38:45,120 --> 01:38:48,080
Speaker 1: cards are yelling at you to not get finaggled by

1905
01:38:48,120 --> 01:38:51,800
Speaker 1: the art world. Honey. These people on first DIBs are

1906
01:38:51,920 --> 01:38:57,480
Speaker 1: selling David Hockney prints posters of things for like thousands

1907
01:38:57,479 --> 01:38:58,000
Speaker 1: of dollars.

1908
01:38:58,120 --> 01:39:01,880
Speaker 2: I go not in a million years poster poster. If

1909
01:39:01,920 --> 01:39:04,360
Speaker 2: I knew who David Hockney was, I would be appalled.

1910
01:39:04,479 --> 01:39:07,040
Speaker 1: Oh yeah, you would love him, you would love him

1911
01:39:07,080 --> 01:39:08,080
Speaker 1: well Wikipedia.

1912
01:39:08,120 --> 01:39:13,880
Speaker 4: After this, yeah, away David and lovely stan Smith being

1913
01:39:13,960 --> 01:39:18,960
Speaker 4: like our hashman, we have to say, we have to

1914
01:39:18,960 --> 01:39:20,040
Speaker 4: say this real quick.

1915
01:39:20,640 --> 01:39:23,040
Speaker 1: We went to see here lies love Oh my god,

1916
01:39:23,960 --> 01:39:26,599
Speaker 1: it was it was amazing. We had such a great time.

1917
01:39:26,640 --> 01:39:31,160
Speaker 1: But Matt didn't know. The Marcus didn't know, so he

1918
01:39:31,240 --> 01:39:33,840
Speaker 1: was cheering. When they want the election, mel Marcus was

1919
01:39:33,840 --> 01:39:35,719
Speaker 1: I thought, I actually thought she was a pop star.

1920
01:39:36,680 --> 01:39:38,479
Speaker 1: So so the Marcus is when the election and then

1921
01:39:38,479 --> 01:39:40,040
Speaker 1: Matt's like, and then I give I give him a

1922
01:39:40,040 --> 01:39:42,040
Speaker 1: look like no. I found out she was a dictator,

1923
01:39:43,240 --> 01:39:46,120
Speaker 1: and it really bummed him out. I know, but she's

1924
01:39:46,600 --> 01:39:48,439
Speaker 1: you know, she's just got nice clothes. So it's tough.

1925
01:39:48,600 --> 01:39:51,200
Speaker 1: It's so hard when these women have nice clothes. It's hard.

1926
01:39:51,320 --> 01:39:54,000
Speaker 1: You want to support women, even when they're dictators. I

1927
01:39:54,080 --> 01:39:56,400
Speaker 1: find as a as a gay man, I want to

1928
01:39:56,400 --> 01:40:00,400
Speaker 1: see women. Vita Big was a big fan until I out.

1929
01:40:00,600 --> 01:40:05,120
Speaker 1: You know, she was a maleficent maleficent big Charsila Ursula

1930
01:40:05,200 --> 01:40:08,400
Speaker 1: big fan. Because they look they look interesting, they look interesting,

1931
01:40:08,439 --> 01:40:11,080
Speaker 1: they're funny, they're funny. This is your I don't think

1932
01:40:11,160 --> 01:40:13,120
Speaker 1: so honey house. Are you ready? Okay? All right? This

1933
01:40:13,160 --> 01:40:15,559
Speaker 1: is Patrick Rodgers. I don't think sohney. As time starts now,

1934
01:40:16,160 --> 01:40:18,400
Speaker 1: I don't think so honey. Going to a restaurant with

1935
01:40:18,439 --> 01:40:22,519
Speaker 1: more than four people, Oh, first of all, I hate

1936
01:40:22,600 --> 01:40:25,960
Speaker 1: to see the look of a waiter look like, oh god,

1937
01:40:26,280 --> 01:40:28,120
Speaker 1: am I gonna have to deal with this all night.

1938
01:40:28,240 --> 01:40:30,880
Speaker 1: Ten of your best gay friends and you all order

1939
01:40:31,080 --> 01:40:34,519
Speaker 1: espresso Martini's. Well, guess what, y'all, it's gonna take us

1940
01:40:34,560 --> 01:40:38,240
Speaker 1: forty five minutes to get a beverage here. It is

1941
01:40:38,400 --> 01:40:41,519
Speaker 1: so annoying. I don't care about split Wise, I don't

1942
01:40:41,560 --> 01:40:44,120
Speaker 1: care about Venmo. What I care about is I can't

1943
01:40:44,200 --> 01:40:48,000
Speaker 1: hear anything anyone is saying. At a restaurant where there's

1944
01:40:48,080 --> 01:40:51,000
Speaker 1: ten people around the table, it can't you can't get

1945
01:40:51,040 --> 01:40:53,200
Speaker 1: a drink, you can't get your food on time, you

1946
01:40:53,240 --> 01:40:55,639
Speaker 1: can't hear anyone. I'm like, huh, what, I aren't even

1947
01:40:55,680 --> 01:40:59,280
Speaker 1: hearing problems? Huh. Restaurants are supposed to be intimate dining

1948
01:40:59,360 --> 01:41:02,680
Speaker 1: fifty experiences, and when you're with so many people, you

1949
01:41:02,760 --> 01:41:06,280
Speaker 1: do not get that you're wasting the experience. Even five

1950
01:41:06,400 --> 01:41:09,200
Speaker 1: is too many because you're not connecting. You're not saying, Hi,

1951
01:41:09,240 --> 01:41:11,120
Speaker 1: how are you fie? How is your week? And so

1952
01:41:11,240 --> 01:41:13,160
Speaker 1: that's why if you see me at the restaurant, it

1953
01:41:13,240 --> 01:41:17,320
Speaker 1: will be for or less trust that whatever happened to hi,

1954
01:41:17,800 --> 01:41:20,439
Speaker 1: how are you trust?

1955
01:41:20,960 --> 01:41:24,960
Speaker 2: Customer service? Customer service, here's what I'd say. I've been

1956
01:41:25,000 --> 01:41:27,479
Speaker 2: to dinner with more than four people. I've been to

1957
01:41:27,560 --> 01:41:28,519
Speaker 2: dinner with less.

1958
01:41:28,720 --> 01:41:31,240
Speaker 1: I always enjoy it with less. I agree, I hadn't

1959
01:41:31,280 --> 01:41:31,720
Speaker 1: thought about this.

1960
01:41:31,800 --> 01:41:33,600
Speaker 2: And also that moment when the waiter comes over, it

1961
01:41:33,680 --> 01:41:35,920
Speaker 2: se'es a bunch of gays and you understand.

1962
01:41:36,920 --> 01:41:39,320
Speaker 1: And it's not even like they know the gays tip

1963
01:41:39,360 --> 01:41:41,200
Speaker 1: well and stuff like that. It's like, can I do

1964
01:41:41,240 --> 01:41:43,479
Speaker 1: a dirty martini. Can I do it on the rocks?

1965
01:41:43,640 --> 01:41:46,000
Speaker 1: Can I get three olive us with blue cheese? But

1966
01:41:46,040 --> 01:41:49,559
Speaker 1: that's thirteen people people, And so then he has to

1967
01:41:49,600 --> 01:41:51,640
Speaker 1: get all those drinks out at the same time. They

1968
01:41:51,680 --> 01:41:54,720
Speaker 1: have two bartenders behind there, So then the two bartenders

1969
01:41:54,720 --> 01:41:57,120
Speaker 1: have to make thirteen drinks come out at once for

1970
01:41:57,200 --> 01:42:00,719
Speaker 1: your table when there's forty other tables. It these pure

1971
01:42:01,000 --> 01:42:02,360
Speaker 1: mathematical nightmare.

1972
01:42:02,400 --> 01:42:04,040
Speaker 2: I do the same thing that you're doing right now,

1973
01:42:04,080 --> 01:42:06,439
Speaker 2: which is I also have been restaurant industry in my past,

1974
01:42:06,439 --> 01:42:08,960
Speaker 2: and I get stressed out when I know something is annoying,

1975
01:42:09,000 --> 01:42:10,320
Speaker 2: like for example, splitting checks.

1976
01:42:10,360 --> 01:42:11,519
Speaker 1: I always know what's annoying.

1977
01:42:11,880 --> 01:42:15,160
Speaker 2: I always know what's annoying when someone orders like that thing,

1978
01:42:15,280 --> 01:42:17,240
Speaker 2: you know what I mean? Like, I always know what's annoying.

1979
01:42:17,320 --> 01:42:19,439
Speaker 2: People are like just bringing out whenever it's ready to

1980
01:42:19,439 --> 01:42:21,479
Speaker 2: come out. That's like literally not how it works, right,

1981
01:42:22,040 --> 01:42:23,080
Speaker 2: So I understand.

1982
01:42:22,800 --> 01:42:26,200
Speaker 1: And it's it's manageable. With four or less you will

1983
01:42:26,240 --> 01:42:30,000
Speaker 1: have a great experience. So true. I think dining, I

1984
01:42:30,080 --> 01:42:32,960
Speaker 1: love it with two. I find I connect really I

1985
01:42:33,000 --> 01:42:36,360
Speaker 1: love to have a sensuous meal with someone and enjoy

1986
01:42:36,439 --> 01:42:39,000
Speaker 1: the conversation. And that could be three people and that

1987
01:42:39,080 --> 01:42:43,599
Speaker 1: could be four, but it should be an intimate experience. Agreed. Yes,

1988
01:42:43,760 --> 01:42:45,439
Speaker 1: you know, it's a great date night, it's a great

1989
01:42:45,560 --> 01:42:49,280
Speaker 1: connecting with close friends. It should not be your birthday

1990
01:42:49,280 --> 01:42:52,200
Speaker 1: of twenty No, sorry, because guess what, all twenty people

1991
01:42:52,240 --> 01:42:54,240
Speaker 1: are going to have a complicated order because we're all

1992
01:42:54,240 --> 01:43:00,439
Speaker 1: the same. Yes, instead go to care go see go seep. No,

1993
01:43:01,000 --> 01:43:04,120
Speaker 1: and that's the podcast because I'm not having that. The

1994
01:43:04,240 --> 01:43:06,559
Speaker 1: energy suddenly became We've been here for two hours, and

1995
01:43:06,720 --> 01:43:09,759
Speaker 1: that's how you know that true friends have been talking.

1996
01:43:10,000 --> 01:43:11,640
Speaker 1: We had our guides.

1997
01:43:11,320 --> 01:43:14,080
Speaker 2: Tell us what was up. We spoke about Nicole's AMC.

1998
01:43:14,280 --> 01:43:16,719
Speaker 2: We set a clear message about that. We talked about

1999
01:43:16,720 --> 01:43:20,800
Speaker 2: the errors, talked about renaissance, We prognosticated. We pointed lords

2000
01:43:20,800 --> 01:43:24,679
Speaker 2: in a direction true North. Like Uber Hot, we basically

2001
01:43:24,720 --> 01:43:28,240
Speaker 2: previewed Uba Hot taste tests. Yes, we introduced the readers

2002
01:43:28,280 --> 01:43:31,240
Speaker 2: to house, which was a long, huge movement, and we

2003
01:43:31,439 --> 01:43:34,080
Speaker 2: connected with each other like no one could at a

2004
01:43:34,120 --> 01:43:35,760
Speaker 2: dinner with more than the people in this.

2005
01:43:35,760 --> 01:43:36,400
Speaker 1: Room, period.

2006
01:43:36,479 --> 01:43:39,920
Speaker 2: And that includes that includes Donnie. That includes by heat. Yeah,

2007
01:43:39,960 --> 01:43:41,680
Speaker 2: and Donnie's looking at his watch in a way that

2008
01:43:41,720 --> 01:43:44,120
Speaker 2: makes me feel like we are don got to go

2009
01:43:44,800 --> 01:43:47,120
Speaker 2: about to go, and so how are we house?

2010
01:43:47,200 --> 01:43:50,759
Speaker 1: Thank you for making yours. Gosh, thanks for having me, Ladies,

2011
01:43:50,880 --> 01:43:55,479
Speaker 1: ladies hey, and ladies at home. We love yet episode

2012
01:43:55,680 --> 01:44:00,760
Speaker 1: with song. This is one of the best. My reputationous

2013
01:44:00,840 --> 01:44:04,040
Speaker 1: and have been more so, he was saying me for me.

2014
01:44:05,200 --> 01:44:06,400
Speaker 2: If you want to hear more of that, go to

2015
01:44:06,439 --> 01:44:09,200
Speaker 2: the Aerostour this weekend and next week in Los Angeles

2016
01:44:09,320 --> 01:44:10,040
Speaker 2: six shows.

2017
01:44:10,080 --> 01:44:14,640
Speaker 1: That's so fine. Bye bye,