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Speaker 1: Good evening, sweet world, and welcome to the Nodunks podcast

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Speaker 1: on the Athletic Network. It's Sunday night, April twelfth, twenty twenty,

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Speaker 1: and we're here to recap the quarter final action of

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Speaker 1: the NBA Horse Challenge. Yeah, it's come to this. I'm

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Speaker 1: s K E E T S and joining us on

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Speaker 1: the phone. We got the homey M E l A S.

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Speaker 1: What's up? Task?

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Speaker 2: What's going on?

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Speaker 1: We got the bearded one k E RB y trey

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Speaker 1: A y O.

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Speaker 3: Why wow?

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Speaker 1: And last but not least, making the magic happen. He

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Speaker 1: plays a quicker game. I would have preferred that tonight.

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Speaker 1: It's just JD H E l O. There he is

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Speaker 1: and here we are.

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Speaker 2: No Ley.

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Speaker 1: He wisely sat this one out. First question task, how's

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Speaker 1: your horse bracket looking? You're still alive? Can you win

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Speaker 1: the money?

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Speaker 4: That may have been my favorite part, actually seeing the

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Speaker 4: the the graphic, the image that es being sent out

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Speaker 4: with the eight heads on it. It was a beautiful

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Speaker 4: graphic and then it was all downhill from there. Listen,

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Speaker 4: kudos for you TESPN for trying this. It was an effort,

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Speaker 4: it was It was very long. It was very long,

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Speaker 4: and camera work could have used a little bit more

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Speaker 4: high definition. But I understand you also can't send out

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Speaker 4: camera people. You can't send out camera crews to these

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Speaker 4: people's houses. So we're working with a lot of nephews.

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Speaker 4: Is Tamika catching sat it out there? Chris Paul had

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Speaker 4: his son out there, Chris Paul Junior working a camera.

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Speaker 4: Paul Pierce had his son Prince working a camera. And

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Speaker 4: I must have felt like deja vu tod JD to

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Speaker 4: some of our you know, some of our shoots where

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Speaker 4: you have a secondary camera, somebody holding the camera. You

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Speaker 4: got to input that footage and then you're editing from that.

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Speaker 4: So hey, it was all right, I want to want

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Speaker 4: to I want to see a little bit more creativity

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Speaker 4: from some of these people.

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Speaker 1: Yeah, yeah, let's be That was the part that I

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Speaker 1: thought was a little little rough. There were some good shots,

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Speaker 1: there were some creative shots, and I think we'll get

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Speaker 1: through them. We'll run through a couple of them. But

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Speaker 1: I think overall it was a part of it, of course, yeah,

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Speaker 1: the production of it all when they were just limited resources,

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Speaker 1: but it just felt super flat. Trey, did you agree

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Speaker 1: with that or did you enjoy those two hours on

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Speaker 1: a Sunday.

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Speaker 3: Night I loved it. I honestly loved Horse. I started

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Speaker 3: off like, I'm looking through my notes. I took notes

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Speaker 3: because I mean, what else am I doing? Yeah, it's

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Speaker 3: two hours, it was long, it was underproduced, but literally,

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Speaker 3: what else would I be doing watching Love and Basketball,

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Speaker 3: which I'm gonna do after we're done recording this to

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Speaker 3: be fresh for tomorrow. I gotta get all my basketball content.

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Speaker 3: And it felt great to have something to do on

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Speaker 3: a Sunday night. I feel busy tonight and I'm not

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Speaker 3: complaining about that, So I'm looking through my notes. At

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Speaker 3: the beginning, it's all notes. I look at these shots,

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Speaker 3: look at these shots, and then as I keep going

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Speaker 3: down and down, look at this house. Wow, that's cool.

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Speaker 3: Paul Pierce has a scooter. Interesting he also has two

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Speaker 3: umbrellas in the background. Why does he have an umbrella

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Speaker 3: on his court? To me, it was just fascinating to

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Speaker 3: see these people at their homes just shooting around. I

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Speaker 3: enjoyed that part of it, all part of it. Yeah,

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Speaker 3: you're gonna cut down maybe a one minute highlight package

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Speaker 3: of cool Horse shots, but I don't know. It was

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Speaker 3: an enjoyable way for me to spend my Sunday night.

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Speaker 1: Yeah, it was shocking. It was two hours. I mean,

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Speaker 1: I think it would have been better as just an hour,

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Speaker 1: having the four matchups. And I was actually a little

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Speaker 1: shocked by how little editing they sort of did. Now,

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Speaker 1: they of course edited between, you know, because there was

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Speaker 1: commercial breaks and all that. I get that, but they

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Speaker 1: led a lot of like misshots or just not a

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Speaker 1: lot going on. They left that in because I don't know,

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Speaker 1: I guess they were tied to the two hour window

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Speaker 1: and they got nothing else anyway, so they're like two hours,

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Speaker 1: let's just.

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Speaker 2: Give it a go.

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Speaker 1: Yeah, that part, I mean, if it was tightened up

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Speaker 1: a little bit and could have been a little bit

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Speaker 1: more enjoyable. But I'm with you, TROYA. I took notes too.

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Speaker 1: I was, you know, at the start, was into it

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Speaker 1: for whether or not they were going to be creative

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Speaker 1: with their actual shots. And as we got about thirty

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Speaker 1: minutes in, I couldn't care at all about the shots

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Speaker 1: they were taking, and it was all the extra stuff.

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Speaker 1: Hey is that a fake dog sitting in the driveway. Hey,

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Speaker 1: that's a cool castle that Paul Pierce lives next to.

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Speaker 1: Oh that's a nice pool like stuff like that. Like

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Speaker 1: it was just seeing these NBA and WNBA stars and

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Speaker 1: legends just their backyards or where they are right now.

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Speaker 1: And that was, for whatever reason we're so bored, was entertaining.

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Speaker 3: Yeah, it's NBA cribs. It was. It was incredible. I

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Speaker 3: was like, man, that's pretty cool that Chauncey Phillips and

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Speaker 3: Paul Pierce both have trampolines. I wonder if they've ever

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Speaker 3: talked about that before. I wonder if they both know

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Speaker 3: the same guy got it from the same place. I'm

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Speaker 3: watching with Laura. She says, you know, if we had

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Speaker 3: a yard like that, we definitely have a trampoline. So

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Speaker 3: I'm glad to see that. Yeah. Sometimes w NBA stars,

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Speaker 3: NBA stars, they are just like us. I feel like

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Speaker 3: I played basketball in some of those driveways we were seeing,

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Speaker 3: you know. It was it was just fun to see

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Speaker 3: where these people are.

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Speaker 5: Maybe they should just take the horse out of its

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Speaker 5: every Sunday night.

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Speaker 1: Yeah, that's what everybody was saying on Twitter. They're like,

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Speaker 1: just just show us your houses. That was because we

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Speaker 1: did see them.

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Speaker 3: Just show us your houses please.

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Speaker 1: Yeah, I mean that was the more fascinating part. Again,

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Speaker 1: Everyone's like, oh, that looks cool. What you got there

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Speaker 1: and it's like, who cares if you can hit a

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Speaker 1: bank shot from the left side like I hoped you could,

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Speaker 1: and they couldn't even do it all that while it

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Speaker 1: was the other part, a lot of this is for

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Speaker 1: these pros.

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Speaker 4: Yeah, it was funny to see Paul Pierce not be

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Speaker 4: able to get up and do what Zach Lavine was doing.

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Speaker 4: Zach Lavine cheating big time. There's no dunking, but he

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Speaker 4: was up above the rim, dropping it in and putting

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Speaker 4: it off the backboard and going to the other side.

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Speaker 4: And Paul Pierce, as we watched a couple of months

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Speaker 4: ago in his high school dunk contest, he didn't really

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Speaker 4: have that athleticism. Then he's not gonna have it when

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Speaker 4: he's forty. And no offense to Paul, but that's just

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Speaker 4: what's gonna happen. Zach was cheating, I mean big time.

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Speaker 3: I thought has been a season long conspiracy against Zach

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Speaker 3: Lavine preventing him from dunking. I was happy to see

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Speaker 3: him rub the rules in the face of the NBA.

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Speaker 3: They kept him out of the All Star Game, which

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Speaker 3: kept him out of the dunk contest. If they would

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Speaker 3: have allowed him in in Chicago, perhaps he would have

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Speaker 3: taken it easy on Paul.

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Speaker 4: He was going up on the backboard there. Yeah, he

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Speaker 4: was rubbing it in Paul's face. So we didn't see

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Speaker 4: that scooter. Paul, big mistake. He's been in a McDonald's

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Speaker 4: dunk contest before. You're waiting to see when you can

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Speaker 4: play the scooter. But you went down too fast and

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Speaker 4: you were done. And he was talking about it after.

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Speaker 4: He's talking trash after the fact, and that's what I think,

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Speaker 4: Skeets you're talking about. I want to see a little

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Speaker 4: bit more of that trash shocking. There just wasn't a

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Speaker 4: lot of it. If you watched right up until the end.

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Speaker 4: The way ESPN signed off, you know they have a

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Speaker 4: little montage or the best moments and the best moments.

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Speaker 4: The best moment that they signed off with was Chauncey

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Speaker 4: Billups saying I got to get back in the driver's

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Speaker 4: seat and Mark Jones, the host, saying, let's drive.

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Speaker 3: That was the last.

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Speaker 1: Laughing at that part too. I think I actually wrote

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Speaker 1: in our slack channel lol, just out of nowhere, and

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Speaker 1: then I had to say, what the heck I was readless?

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Speaker 1: Why I was dropping a lol? But that's exactly why

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Speaker 1: I did. Yeah, okay, look I will say this before

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Speaker 1: and we could just quickly go through the matchups just

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Speaker 1: for fun here. That's all this is. I actually think

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Speaker 1: it is still was still better than the old two

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Speaker 1: thousand and nine ten horse contests.

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Speaker 2: Yeah, that was.

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Speaker 1: I mean with that one was live. That one's on TNT.

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Speaker 1: That's the one that Durant goes back to back. They

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Speaker 1: give him the Funny Horse Trophy. That was garbage. I mean,

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Speaker 1: that was just so boring. They didn't care at all,

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Speaker 1: those guys at least, like you said, there was a

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Speaker 1: little bit of banter at times. You know, we were

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Speaker 1: at a disadvantage because of the lag and the camera

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Speaker 1: quality and stuff, but there was some back and forth

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Speaker 1: so and some creativity. It was way better than nine

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Speaker 1: oh ten. I know, that's the lowest bar ever any

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Speaker 1: horse could walk let alone, you know, or jump over that.

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Speaker 1: But that's where we're at with this horse tournament. So

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Speaker 1: this was better.

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Speaker 3: This was and I think that almost like the platonic

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Speaker 3: ideal of it was Paul Pierce versus Zach Lavine, because

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Speaker 3: zach Lavine was like doing funny cool shots and Paul

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Speaker 3: Pierce was chiming in with everything. Like he kept the

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Speaker 3: conversation going the entire time and out almost like a

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Speaker 3: couple of friends actually playing horse against each other. One

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Speaker 3: guy's clearly better than the other, so he's not gonna

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Speaker 3: actually take it easy on him. The other guy's just

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Speaker 3: cracking on him. I thought that was the perfect matchup

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Speaker 3: of the night. And you know, if they were all

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Speaker 3: like that, if everybody was as chatty as Paul Pierce,

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Speaker 3: probably the results will be even better received. Because I

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Speaker 3: don't think they are.

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Speaker 2: Paul Piers brought it.

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Speaker 4: Paul Piers definitely brought it, And I just wish that

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Speaker 4: Zach Lavine's reception there in Seattle was a little bit

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Speaker 4: better because I was getting interested when he started talking

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Speaker 4: about him being better at baseball than he was at

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Speaker 4: basketball growing up, and he started walking towards his batting cages,

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Speaker 4: and he kind of sort of started showing us the

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Speaker 4: batting cage. When you walk in the mesh right behind

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Speaker 4: the plate, we're gonna see him.

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Speaker 2: Take a swing.

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Speaker 4: And then it cut out we lost.

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Speaker 2: That would have been awesome.

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Speaker 1: Yeah, he got too far away from the WiFi. You're right, yeah,

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Speaker 1: get back there, get back okay, So yeah we'll get

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Speaker 1: let's go through them, Tray like, it was an interesting

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Speaker 1: decision to start with Trey Young versus Chauncey Billips. I think,

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Speaker 1: I I guess I get the idea of starting with

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Speaker 1: Trey Young. He's probably well, I guess he's the biggest

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Speaker 1: name in this contest, Chris Paul of course, like obviously

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Speaker 1: future Hall of Famer and multiple time All Star and

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Speaker 1: all that. But Tray, I'm the young guy, and maybe

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Speaker 1: that's exciting. And everybody thought he was gonna win this thing. Anyway.

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Speaker 1: He started off well, he started off hot, he hit

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Speaker 1: his first four shots. But I do love I laughed

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Speaker 1: out loud that the first shot of this NBA Horse

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Speaker 1: twenty twenty Challenge was a free throw. That's I mean,

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Speaker 1: we were it was. That's a bad start.

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Speaker 4: Not only a free throw, but then it goes down

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Speaker 4: the side. He's got a decline right beside his driveway

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Speaker 4: that is covered up by a bunch of rocks. So

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Speaker 4: he's chasing his own ball down over this rocky trail,

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Speaker 4: Like if he turns an ankle right there, what the

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Speaker 4: heck happens? Like he is really there's no rebounder, there's

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Speaker 4: nobody around. He's like, free throw goes down. He's like, oh,

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Speaker 4: let me just go get this for a second. And

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Speaker 4: they kind of cut that part out because they didn't

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Speaker 4: want to show eight seconds of him going to get

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Speaker 4: a ball.

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Speaker 2: But man, that could have got a little rocky.

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Speaker 1: Yeah, yeah on the loose rock. Oh they're very nice. Yeah,

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Speaker 1: there actually is a part I think it is in

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Speaker 1: there where he does sort of trip. He trips coming

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Speaker 1: up those rocks, like back onto the court. He doesn't like,

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Speaker 1: he doesn't roll an ankle, but he definitely trips. So

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Speaker 1: he started. He started hot, I will say too, like

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Speaker 1: he had a bent rim. I mean he should have

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Speaker 1: actually won this thing. I know, I know, you know,

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Speaker 1: big shot Billups had the nice court, beautiful court, smooth

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Speaker 1: on one bace like mister big shot on the other.

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Speaker 1: But you got that bent rim down. I mean you can.

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Speaker 1: You can do a lot of damage in a sort

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Speaker 1: of a shooting contest because it's just easier to hit stuff.

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Speaker 1: But he's after a hot start. He struggled and Billups

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Speaker 1: got going. I mean he was down h o R.

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Speaker 1: He hit the one legged three, then he hit that

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Speaker 1: behind the backboard like from the right corner bomb. He

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Speaker 1: went back to that well later on too, and he

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Speaker 1: banked home with three from top. So Billups classic gold

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Speaker 1: guy just took him a while to get uh warmed up,

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Speaker 1: and then he was he was He was pretty much

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Speaker 1: money once he got it going. Were you impressed by

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Speaker 1: old man Billups there? Tray?

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Speaker 3: Oh, he went deep into the old man bag for sure.

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Speaker 3: I thought you could just see the experience of having

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Speaker 3: played twenty more years of horse doing all these dumb

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Speaker 3: shots because he was doing you know, like, I'm gonna

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Speaker 3: just jump off my right leg while still shooting right handed.

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Speaker 3: I'm gonna shoot from the deep corners. These were the

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Speaker 3: shots that old men take, and I just thought it

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Speaker 3: was hilarious to see an old man pull that on

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Speaker 3: an NBA player. That was great.

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Speaker 1: Yeah. The weirdest part to me was after Trey Young loses,

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Speaker 1: they're doing their little postgame interview with Mark Jones, and

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Speaker 1: Trey Jung says, quote, I didn't want to risk a

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Speaker 1: long three today. What the hell is Trey Young talking about?

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Speaker 1: With that quote? I didn't want to risk a long

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Speaker 1: three today. It's like, did I hear that right? I

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Speaker 1: planned it back?

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Speaker 3: Yeah, he was playing it too conservatively, saving a little

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Speaker 3: something for the next round. I suppose. Yeah, yeah, he

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Speaker 3: kept going back to the same shots. You know, he

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Speaker 3: did a lot of lefty free throws, a lot over

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Speaker 3: the glass. He just didn't have the variety to hang

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Speaker 3: with Chauncey.

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Speaker 1: Yeah, no, he didn't. It was a disappointing performance from trade.

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Speaker 2: He gave it away.

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Speaker 4: He gave this game away. We saw at the beginning

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Speaker 4: Chauncey Bills was blowing into his hands. It was cold

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Speaker 4: in Colorado, it was windy. A couple of times when

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Speaker 4: he went back to the three point line, he waited

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Speaker 4: for the wind to die down. This was Trey's opportunity.

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Speaker 4: You got the soft rim. Chauncey's working on a professional rim.

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Speaker 4: There was not forgiving whatsoever. But Chauncey was banging him down.

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Speaker 4: And I don't want to be in analyzing a body

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Speaker 4: here in the off season. It feels like it feels

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Speaker 4: like we're in an offseason. But didn't Chauncy being able

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Speaker 4: to just flick the wrist from the three point line

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Speaker 4: just show you that he's old manstrong, but probably just

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Speaker 4: stronger period than Trey Young really got to get his

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Speaker 4: body into it, and and Chauncey just I was surprised.

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Speaker 4: We talked about him.

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Speaker 3: He's built for horse people have always said it.

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Speaker 4: We talked about him with the big Mister big Shot Moniker,

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Speaker 4: and we.

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Speaker 2: Talked about how many big shots has he hit in

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Speaker 2: his career? After this, after horse.

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Speaker 1: Well, now he's got like another four to add to

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Speaker 1: the resume.

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Speaker 4: After this he's earned Moniker.

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Speaker 1: Yeah, he's I do remember Trey You know when when

300
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Speaker 1: when Chauncey Phillips was coming out of a Colorado draft

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Speaker 1: Express said this guy's a go to horse player. This

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Speaker 1: guy's got the body of a horse player, and this

303
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Speaker 1: guy's gonna do some damage in the gym one on one. Yeah,

304
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Speaker 1: so he gets the way, we get the old guy

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Speaker 1: moving on. That was great and what Yeah, a little

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Speaker 1: shocking that that Trey Young didn't attempt, appear to attempt

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Speaker 1: like his own deep shot, like everybody thought like, oh,

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Speaker 1: this would be fun. Maybe Treyung will shoot like a

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Speaker 1: forty footer.

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Speaker 6: Yeah yeah, but he didn't want to risk it. Talking

311
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Speaker 6: just risk it, man, I think that was the perfect

312
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Speaker 6: time to risk taking a long shot.

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Speaker 1: Anyway, billis who's on? Okay, next one, we got Hall

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Speaker 1: of Favor to be Tamika Catchings WNBA star consider one

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Speaker 1: of the greatest women players of all time. I mean,

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Speaker 1: she's got tons of gold medals, she went in college,

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Speaker 1: she won in the WNBA, She's taken on Mike Conley.

318
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Speaker 1: This was the most unfair court advantage for Conley. I mean,

319
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Speaker 1: he's in a climate controlled gym, a giant gym at that.

320
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Speaker 1: This guy's made a lot of money in his career.

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Speaker 1: You know, when this contract's all said and done, he'll

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Speaker 1: be over two hundred million. And Tamika Catchings is on.

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Speaker 1: I think the smallest court we saw from the night right,

324
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Speaker 1: just that old sort of appeared to be maybe on

325
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Speaker 1: the side of her house or in the back of

326
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Speaker 1: her house, just a slab of cement. Wasn't a lot

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Speaker 1: of room for her.

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Speaker 3: It didn't look like yeah, and I mean even as

329
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Speaker 3: soon as the matchup was over, that was what Conley said.

330
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Speaker 3: First thing, Well, I was inside. That definitely helped because

331
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Speaker 3: it seemed like she was like blowing into her hands

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Speaker 3: before every single shot. Her court Also, for whatever time

333
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Speaker 3: a day it was in Indianapolis, was on the shady

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Speaker 3: side of the house. Couldn't help. Could have filmed maybe

335
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Speaker 3: in the morning, give her a little bit better of

336
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Speaker 3: a shot. I don't know.

337
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Speaker 4: It was it was the morning because she said her nephew,

338
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Speaker 4: who was operating the secondary camera, just woke up, so

339
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Speaker 4: got him up out of beds.

340
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Speaker 1: Is that why he sat down at one point?

341
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Speaker 2: That was my third.

342
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Speaker 1: Part of the whole night.

343
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Speaker 2: I don't think they used the nephew.

344
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Speaker 1: My nephew on the camera.

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Speaker 5: He also changed into pants halfway through too, so he

346
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Speaker 5: changed into pants. Yeah, he's wearing shorts and then you

347
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Speaker 5: you disappeared and I was like, hey, where.

348
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Speaker 1: Did he go that?

349
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Speaker 2: It was cold. I don't think they used his shot once.

350
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Speaker 1: Yeah, it was.

351
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Speaker 4: It was like one of us holding a secondary camera

352
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Speaker 4: didn't do it well, not going to use it, just

353
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Speaker 4: scrap all that footage. But yeah, you've got a field

354
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Speaker 4: goal kicker who kicks in a dome versus a field

355
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Speaker 4: goal kicker kicking in the elements.

356
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Speaker 2: Who's going to win.

357
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Speaker 1: Yeah, that's good.

358
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Speaker 4: The last shot, his last shot. You bring up Trey

359
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Speaker 4: Young playing it sort of conservative. It seemed like all

360
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Speaker 4: these players kind of wanted to play it or rather

361
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Speaker 4: than Zach Lavine, like they wanted to get a lead,

362
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Speaker 4: Like they just they just don't want to be embarrassed.

363
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Speaker 2: I don't know if it's sort of.

364
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Speaker 4: Like the the Skills Challenged and nobody really going crazy

365
00:16:10,200 --> 00:16:14,120
Speaker 4: out of the gate, because Mike Conley didn't really go

366
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Speaker 4: crazy until his final shot, till he was up h

367
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Speaker 4: o rs and then we saw a cool shot from

368
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Speaker 4: the free throw line. He dribbles underneath the hoop and

369
00:16:22,200 --> 00:16:25,400
Speaker 4: then throws it with his off hand over the backboard.

370
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Speaker 1: That was an awesome shot. That was one of the

371
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Speaker 1: shots of the night. Yeah, yeah, he buried it, I thought, Tamika.

372
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Speaker 1: I was happy to see her. I'm gonna say, paying

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Speaker 1: tribute to me at our horse games with the three

374
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Speaker 1: sixties go to TK and she she nailed it, smooth

375
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Speaker 1: looking three sixty layups.

376
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Speaker 2: So I like that.

377
00:16:41,520 --> 00:16:43,560
Speaker 3: That was in my notes as well, and if you're

378
00:16:43,600 --> 00:16:47,160
Speaker 3: making the notes, no, it's impressive. But I also thought

379
00:16:47,200 --> 00:16:49,960
Speaker 3: it was fun to be reminded that, oh yeah, Mike

380
00:16:50,000 --> 00:16:53,200
Speaker 3: Conley is basically ambidextrous, because he got so many letters

381
00:16:53,200 --> 00:16:55,840
Speaker 3: on catching just from going offhand, because for him it

382
00:16:55,880 --> 00:16:56,880
Speaker 3: barely is an offhand.

383
00:16:57,240 --> 00:17:00,960
Speaker 1: Yeah, and then it always got confusing because he he's left handed,

384
00:17:01,040 --> 00:17:03,880
Speaker 1: so he would always have to say, like my other

385
00:17:03,960 --> 00:17:06,560
Speaker 1: hand or not my alternate hand, yeah, altered.

386
00:17:06,760 --> 00:17:10,280
Speaker 4: Mark Jones would have to clarify your non dominant hand,

387
00:17:10,320 --> 00:17:12,080
Speaker 4: you're off hand, alternate hand.

388
00:17:12,119 --> 00:17:12,840
Speaker 2: You don't hear that too.

389
00:17:13,200 --> 00:17:15,480
Speaker 1: What did you think of Mark Jones on the call?

390
00:17:16,960 --> 00:17:18,840
Speaker 1: Tough gig?

391
00:17:17,840 --> 00:17:22,000
Speaker 4: But I think of that job professional. Is he an

392
00:17:22,000 --> 00:17:25,000
Speaker 4: Andrew Wiggins fan? He had an Andrew Wiggins Golden State Warriors.

393
00:17:25,600 --> 00:17:26,360
Speaker 2: Hold on, hold on.

394
00:17:26,320 --> 00:17:28,280
Speaker 1: Hold on, hold on. That was a sleeve jersey? Was

395
00:17:28,280 --> 00:17:29,639
Speaker 1: that not a Matt Barnes jersey?

396
00:17:29,840 --> 00:17:34,359
Speaker 3: Maybe Julie was Charles Jenkins jersey. Well, I guess we

397
00:17:34,400 --> 00:17:38,400
Speaker 3: got a little suspense for Thursday. What's on the back

398
00:17:38,440 --> 00:17:39,119
Speaker 3: of that jersey?

399
00:17:39,160 --> 00:17:42,000
Speaker 4: Mark, Yeah, Jones, great Canadian broadcaster.

400
00:17:42,160 --> 00:17:43,960
Speaker 2: He's he's solid. He was very solid.

401
00:17:44,240 --> 00:17:47,119
Speaker 1: Yeah, because I thought it was a Wigan. Maybe it is.

402
00:17:47,200 --> 00:17:49,800
Speaker 1: It could be a Wiggins sleeved Wigans jersey would be

403
00:17:49,800 --> 00:17:52,320
Speaker 1: a little weird on Golden State. But because yeah, he

404
00:17:52,359 --> 00:17:55,240
Speaker 1: had the Chris Bosh hanging and then I'm like, oh cool,

405
00:17:55,240 --> 00:17:56,800
Speaker 1: he's got the Wigans. Was like, yeah, he's a good

406
00:17:56,800 --> 00:17:59,680
Speaker 1: Canadian boy repping the Toronto team sort of even though

407
00:17:59,680 --> 00:18:03,040
Speaker 1: it's a and then you got a Wiggins. But I think, yeah,

408
00:18:03,119 --> 00:18:04,919
Speaker 1: Matt Barnes or who'd you say.

409
00:18:04,800 --> 00:18:08,560
Speaker 3: Trent Charles Jenkins because he was the number twenty two

410
00:18:08,680 --> 00:18:11,080
Speaker 3: that year they wore those sleep jerseys.

411
00:18:11,720 --> 00:18:13,480
Speaker 1: Okay, okay, well.

412
00:18:13,200 --> 00:18:15,479
Speaker 3: But I mean kudos to Mark Jones for keeping it

413
00:18:15,560 --> 00:18:18,840
Speaker 3: rolling and also handling the coin flip every time. Yeah,

414
00:18:18,920 --> 00:18:20,720
Speaker 3: quite an ask you think that was a personal coin?

415
00:18:21,480 --> 00:18:23,840
Speaker 1: Well, I really just want to know if he mastered

416
00:18:23,840 --> 00:18:25,800
Speaker 1: how to flip the coin and was he always getting

417
00:18:26,240 --> 00:18:28,520
Speaker 1: wanted to. Should he go on Survivor one day and

418
00:18:28,560 --> 00:18:32,000
Speaker 1: play the safe for the perfect clip? Yeah, he should

419
00:18:32,760 --> 00:18:32,920
Speaker 1: do it.

420
00:18:33,560 --> 00:18:35,840
Speaker 4: He showed it close up At one point I didn't

421
00:18:35,840 --> 00:18:37,159
Speaker 4: even know. I couldn't even tell what was on it.

422
00:18:37,160 --> 00:18:39,119
Speaker 4: Was it a Canadian quarter? There was a bit of

423
00:18:39,119 --> 00:18:39,600
Speaker 4: a glare.

424
00:18:40,440 --> 00:18:43,560
Speaker 1: Oh yeah, is a Canadian quarter way less than an American?

425
00:18:44,119 --> 00:18:45,080
Speaker 2: It does?

426
00:18:45,119 --> 00:18:47,160
Speaker 1: I think it does. Yeah, It's made up of different material,

427
00:18:47,160 --> 00:18:48,680
Speaker 1: a little bit in it.

428
00:18:48,680 --> 00:18:51,160
Speaker 4: It's not accepted in vending machines here in the US.

429
00:18:51,480 --> 00:18:54,040
Speaker 2: They don't like it. To fix it right back out.

430
00:18:54,640 --> 00:18:58,119
Speaker 1: So Conley advances that wouldn't turn into a bit of

431
00:18:58,160 --> 00:19:00,320
Speaker 1: a blowout, if I remember correctly.

432
00:19:03,080 --> 00:19:06,160
Speaker 4: Yeah, there was no Tamika didn't catch an ur, didn't

433
00:19:06,240 --> 00:19:08,360
Speaker 4: catch Conley on a letter whatsoever?

434
00:19:08,520 --> 00:19:10,520
Speaker 1: It Oh? I thought I thought he had an h

435
00:19:10,560 --> 00:19:13,400
Speaker 1: at one point. Yeah, so she so Conley crushes her.

436
00:19:13,760 --> 00:19:16,920
Speaker 1: She's gone that we had. Yeah, Zach Lavinevsus Paul Pierce.

437
00:19:17,000 --> 00:19:20,200
Speaker 1: I think carcnon rom but sounds like you guys sort

438
00:19:20,200 --> 00:19:22,520
Speaker 1: of agree the most entertaining matchup from the night.

439
00:19:22,880 --> 00:19:27,520
Speaker 3: The critics choice for sure. It was what you would

440
00:19:27,520 --> 00:19:29,720
Speaker 3: want for the entirety of the night. It's what you

441
00:19:29,760 --> 00:19:32,520
Speaker 3: would want. You would want creativity from shots, and you

442
00:19:32,560 --> 00:19:35,480
Speaker 3: would want funny banter back and forth. And I thought

443
00:19:35,560 --> 00:19:39,200
Speaker 3: that Zach brought the creativity enough to give Paul something

444
00:19:39,240 --> 00:19:41,680
Speaker 3: to try that would be funny. And then Zach as

445
00:19:41,680 --> 00:19:44,159
Speaker 3: well held his own with you know, Paul chiming back

446
00:19:44,200 --> 00:19:45,560
Speaker 3: and forth. Yeah, I thought they both did.

447
00:19:45,600 --> 00:19:48,040
Speaker 1: And I think it was the fairest keep Yeah. In

448
00:19:48,080 --> 00:19:49,680
Speaker 1: regards to the outdoor home.

449
00:19:49,520 --> 00:19:50,520
Speaker 3: Courts and the.

450
00:19:52,920 --> 00:19:56,679
Speaker 4: Big time the show, the houses huge positive that the

451
00:19:56,760 --> 00:20:00,000
Speaker 4: trash talking was probably the best going back and forth

452
00:20:00,119 --> 00:20:02,240
Speaker 4: between the two. Didn't seem like there was a lot

453
00:20:02,280 --> 00:20:06,800
Speaker 4: of non basketball chatter. There's questions from Mark Jones about

454
00:20:06,880 --> 00:20:09,200
Speaker 4: Kevin Garnett and a little bit about Paul Pierce having

455
00:20:09,240 --> 00:20:14,000
Speaker 4: a Boston Celtics court in Los Angeles or in California,

456
00:20:14,080 --> 00:20:16,720
Speaker 4: but beyond that, there wasn't a lot of that was

457
00:20:17,040 --> 00:20:18,080
Speaker 4: it was pretty well bounced.

458
00:20:18,119 --> 00:20:18,360
Speaker 2: I thought.

459
00:20:18,480 --> 00:20:22,119
Speaker 4: The surprise to me in this one was Zach Lavine

460
00:20:22,119 --> 00:20:24,480
Speaker 4: admitting that he has small hands and he can't palm.

461
00:20:24,560 --> 00:20:28,000
Speaker 1: Yeah, I have those. I actually wrote that down too.

462
00:20:28,280 --> 00:20:30,639
Speaker 1: Did we know that in advance? Like we was that

463
00:20:30,680 --> 00:20:32,720
Speaker 1: a thing? He's obviously been in a million dunk contests.

464
00:20:32,800 --> 00:20:39,320
Speaker 4: While Pierce had that in the scouting report, cons can't

465
00:20:39,359 --> 00:20:41,560
Speaker 4: palm the ball might come back to bite him and horse.

466
00:20:42,160 --> 00:20:44,440
Speaker 3: Yeah, but yeah, I like, did it come up. I

467
00:20:44,440 --> 00:20:46,080
Speaker 3: don't know if it's ever come up, because you're right

468
00:20:46,119 --> 00:20:47,840
Speaker 3: now that you think back to his dunk contest, he's

469
00:20:47,920 --> 00:20:49,119
Speaker 3: kind of just whipping the ball around.

470
00:20:49,400 --> 00:20:52,840
Speaker 1: Interesting, Yeah, that's true. Yeah, he's going around the back

471
00:20:52,880 --> 00:20:55,120
Speaker 1: a lot. He's passing it between his hands. Yeah, he's

472
00:20:55,119 --> 00:20:57,120
Speaker 1: not palming it all that much. I guess he did

473
00:20:57,200 --> 00:21:00,920
Speaker 1: hit that deep three from the shrubs to win it. Oh,

474
00:21:01,000 --> 00:21:03,000
Speaker 1: that was one of the better shots I would say too.

475
00:21:03,040 --> 00:21:04,639
Speaker 1: And he was doing Yeah, he was bringing out the

476
00:21:04,640 --> 00:21:07,680
Speaker 1: athleticism early, doing those little taps off the glass. Really,

477
00:21:08,040 --> 00:21:11,120
Speaker 1: you know, Paul Pierce that it was a huge disadvantage

478
00:21:11,119 --> 00:21:15,840
Speaker 1: for him having to jump up just in general. But yeah,

479
00:21:15,920 --> 00:21:17,879
Speaker 1: Zach was he was sort of bending the rules like

480
00:21:17,880 --> 00:21:21,080
Speaker 1: you said earlier their tests and well played, well played, sir.

481
00:21:21,440 --> 00:21:23,800
Speaker 3: Yeah, but Paul was pretty smart about it too, because

482
00:21:24,200 --> 00:21:26,679
Speaker 3: while he was very layered up, his top layer was

483
00:21:26,720 --> 00:21:29,119
Speaker 3: a vest so he did have the mobility still with

484
00:21:29,160 --> 00:21:31,200
Speaker 3: his arms in case he needed to get his hands

485
00:21:31,240 --> 00:21:31,760
Speaker 3: up to the rim.

486
00:21:32,280 --> 00:21:35,320
Speaker 1: Yeah, that's true. He looked like a guy that we

487
00:21:35,359 --> 00:21:37,520
Speaker 1: see eight out of ten times down here in Georgia

488
00:21:37,600 --> 00:21:40,640
Speaker 1: with that vest on. That is a power look down here.

489
00:21:41,119 --> 00:21:44,560
Speaker 1: So Levine advances. And one more thing about that matchup

490
00:21:44,600 --> 00:21:48,560
Speaker 1: that I have. I liked those like those mesh like

491
00:21:48,640 --> 00:21:51,359
Speaker 1: fences they have up around the perimeter of a court

492
00:21:52,040 --> 00:21:55,240
Speaker 1: so your ball doesn't go like Portray Young had it

493
00:21:55,280 --> 00:21:57,400
Speaker 1: going down onto the rocks and down that little hill.

494
00:21:57,440 --> 00:21:59,200
Speaker 1: That's a that's nice. What do you think one of

495
00:21:59,240 --> 00:22:03,040
Speaker 1: those costs? Any idea.

496
00:22:04,080 --> 00:22:06,120
Speaker 3: To fifty to fifty?

497
00:22:06,200 --> 00:22:11,480
Speaker 1: WHOA, It seems like a lot to me. Just plastic

498
00:22:11,680 --> 00:22:14,240
Speaker 1: meshes that maybe we can make our own anyway. Zach

499
00:22:14,280 --> 00:22:18,240
Speaker 1: Lavie moves on final matchup, Chris Paul versus WNBA star

500
00:22:18,720 --> 00:22:23,680
Speaker 1: Ali Quigley. Now by this point we are I mean,

501
00:22:24,000 --> 00:22:26,680
Speaker 1: when did they start this and our forty in something

502
00:22:26,720 --> 00:22:29,440
Speaker 1: like that deep. We are so deep, and if you're

503
00:22:29,440 --> 00:22:31,840
Speaker 1: still watching it at this point, you're sort of checked out.

504
00:22:31,960 --> 00:22:34,680
Speaker 1: I just got fascinated by the fake dog in the driveway.

505
00:22:35,080 --> 00:22:37,720
Speaker 1: I just I mean, I knew it was a fake dog.

506
00:22:37,760 --> 00:22:40,280
Speaker 1: It wasn't moving, but it looks so damn good that

507
00:22:40,320 --> 00:22:42,960
Speaker 1: you're like, maybe that's real. Why is that dog not moving?

508
00:22:43,000 --> 00:22:45,640
Speaker 1: Because you'd only see glimpses of it from the second camera,

509
00:22:46,520 --> 00:22:48,200
Speaker 1: the person moving with the camera trying to get the

510
00:22:48,240 --> 00:22:51,479
Speaker 1: angles on the shots. But it appears, like you know,

511
00:22:51,760 --> 00:22:54,840
Speaker 1: on Twitter here right after the show, the woman that

512
00:22:54,960 --> 00:22:57,919
Speaker 1: was doing the filming I think confirmed it was a

513
00:22:57,960 --> 00:22:58,600
Speaker 1: fake dog.

514
00:22:58,960 --> 00:23:02,720
Speaker 3: That's right. That's Ali Quigley's wife is Courtney van der Slute,

515
00:23:02,760 --> 00:23:05,479
Speaker 3: also an All star point guard for the Chicago so

516
00:23:05,520 --> 00:23:08,080
Speaker 3: she was there doing the secondary camera work and certainly

517
00:23:08,080 --> 00:23:11,040
Speaker 3: confirmed it was a fake dog. But why why a

518
00:23:11,359 --> 00:23:14,719
Speaker 3: fake dog there? It seemed to not even be positioned

519
00:23:14,800 --> 00:23:16,280
Speaker 3: on the side of the house, where like if you

520
00:23:16,280 --> 00:23:18,959
Speaker 3: were having a fake guard dog then it would be there,

521
00:23:19,000 --> 00:23:20,680
Speaker 3: because it was like on the interior of the house.

522
00:23:20,680 --> 00:23:23,720
Speaker 3: So it was just more like a decorative friendship fake dog.

523
00:23:23,760 --> 00:23:24,000
Speaker 3: I think.

524
00:23:24,080 --> 00:23:27,280
Speaker 1: Yeah. And also yeah, if it was like a pretend

525
00:23:27,280 --> 00:23:30,400
Speaker 1: guard dog. I don't think you go with the beautiful,

526
00:23:30,640 --> 00:23:34,800
Speaker 1: smiling golden retriever just sitting there waited to be pet.

527
00:23:35,480 --> 00:23:37,000
Speaker 3: Maybe it's an Airbud tribute.

528
00:23:37,280 --> 00:23:39,840
Speaker 1: Yeah, oh, maybe it was an Airbud tribute.

529
00:23:39,920 --> 00:23:41,600
Speaker 2: Yeah, so I wander would you rather watch?

530
00:23:41,840 --> 00:23:45,679
Speaker 4: Would you rather watch two hours of Horse on Thursday?

531
00:23:45,760 --> 00:23:48,520
Speaker 4: Let's say it's another Thursday semifinals and finals, or have

532
00:23:48,600 --> 00:23:49,840
Speaker 4: to watch Airbud again.

533
00:23:52,080 --> 00:23:54,600
Speaker 1: I'm watching Horse Silver air Butud again? Yeah, because I

534
00:23:54,600 --> 00:23:57,920
Speaker 1: can't watch Airbud like twice within What right?

535
00:23:59,000 --> 00:24:01,240
Speaker 2: Have you watched Love and Basket cap all yet? I

536
00:24:01,320 --> 00:24:01,919
Speaker 2: have them?

537
00:24:02,359 --> 00:24:04,359
Speaker 1: I Yeah, you guys haven't yet.

538
00:24:05,000 --> 00:24:05,800
Speaker 2: I have true.

539
00:24:05,920 --> 00:24:07,960
Speaker 1: Okay, okay, okay, okay, I'm going.

540
00:24:07,840 --> 00:24:09,200
Speaker 3: For a late night watch.

541
00:24:09,520 --> 00:24:12,600
Speaker 1: Wow, I was I'm so happy I decided to watch

542
00:24:12,640 --> 00:24:16,400
Speaker 1: Love and Basketball first, then the quarterfinal action from NBA Horse.

543
00:24:16,520 --> 00:24:19,880
Speaker 1: I think that was well? Was that the better order?

544
00:24:20,080 --> 00:24:20,280
Speaker 2: Well?

545
00:24:20,359 --> 00:24:22,359
Speaker 1: Spoiler, I liked Love and Basketball a lot more than

546
00:24:22,359 --> 00:24:24,280
Speaker 1: the NBA Horse two hours of NBA Horse.

547
00:24:24,720 --> 00:24:26,560
Speaker 5: That doesn't mean you like Love and Basketball.

548
00:24:26,720 --> 00:24:30,120
Speaker 1: No, no, no, you're gonna maybe be a little surprised

549
00:24:30,880 --> 00:24:33,440
Speaker 1: for the show. Yeah, we'll save her for the other show.

550
00:24:33,480 --> 00:24:36,240
Speaker 1: You're right, that's coming up later on Monday. But yeah,

551
00:24:36,240 --> 00:24:37,919
Speaker 1: so we were just fascinated by the fake dog. She

552
00:24:37,920 --> 00:24:39,760
Speaker 1: could she could obviously shoot, she was on it.

553
00:24:39,800 --> 00:24:42,639
Speaker 4: Can we ask, can we can we ask Courtney Vanderslute

554
00:24:42,680 --> 00:24:44,480
Speaker 4: if there was a real dog there as well?

555
00:24:44,560 --> 00:24:45,160
Speaker 2: As I thought.

556
00:24:45,280 --> 00:24:49,000
Speaker 4: Later on they panned over to another part of the court,

557
00:24:49,040 --> 00:24:50,640
Speaker 4: and I thought I saw the back of a dog.

558
00:24:50,800 --> 00:24:52,720
Speaker 4: I thought I saw the rear end of a dog.

559
00:24:52,800 --> 00:24:54,760
Speaker 4: And unless they turned that dog around and put it

560
00:24:54,800 --> 00:24:56,200
Speaker 4: on a different part of the court, I think there's

561
00:24:56,200 --> 00:24:56,960
Speaker 4: a dog out there.

562
00:24:57,600 --> 00:25:00,119
Speaker 3: Well, maybe they should set out some vanilla pudding and

563
00:25:00,160 --> 00:25:01,280
Speaker 3: see what shows up.

564
00:25:03,040 --> 00:25:06,160
Speaker 1: We'll have to find out. Yeah, I guess the one

565
00:25:06,160 --> 00:25:08,919
Speaker 1: thing from this I like she had the the she

566
00:25:09,040 --> 00:25:10,880
Speaker 1: did the old class, she did the classic lie Ella

567
00:25:10,960 --> 00:25:14,439
Speaker 1: sat down on the court or Pete Maravich pistol. Pete

568
00:25:14,560 --> 00:25:16,840
Speaker 1: shot it from the butt off the glass. That was

569
00:25:16,880 --> 00:25:19,600
Speaker 1: a huge shot, pretty impressive. Chris Paul didn't want to

570
00:25:19,600 --> 00:25:21,119
Speaker 1: get down there. He said it was raining or it

571
00:25:21,200 --> 00:25:22,720
Speaker 1: just rain. Didn't want to get the butt wet.

572
00:25:23,000 --> 00:25:23,119
Speaker 2: Uh.

573
00:25:23,880 --> 00:25:25,919
Speaker 1: One of the worst feelings, you know, sitting in a

574
00:25:26,200 --> 00:25:30,000
Speaker 1: in a damp like let's say, cushion of a you know,

575
00:25:30,000 --> 00:25:33,159
Speaker 1: an outdoor patio furniture, sitting on the ground grass, if

576
00:25:33,200 --> 00:25:35,399
Speaker 1: it's been wet the day before, ran the day before,

577
00:25:35,800 --> 00:25:38,240
Speaker 1: it's a that's an uncomfortable feeling that maybe did him in.

578
00:25:38,320 --> 00:25:39,640
Speaker 1: Actually I was a smart moved by Ali.

579
00:25:40,640 --> 00:25:42,960
Speaker 3: I mean, I disagree with you skeets, but as we

580
00:25:43,000 --> 00:25:45,760
Speaker 3: saw with the Tamika catchings match, there's time to go

581
00:25:45,800 --> 00:25:48,720
Speaker 3: in and change pants. Oh yeah, yeah, so he could

582
00:25:48,760 --> 00:25:50,320
Speaker 3: just go and throw on a new pair and be

583
00:25:50,320 --> 00:25:52,600
Speaker 3: fresh to go. Not an excuse, Chris Paul.

584
00:25:53,800 --> 00:25:55,880
Speaker 1: They would have ESPN would like, can we just come

585
00:25:55,880 --> 00:25:58,480
Speaker 1: in watch it change pants like we need you know, man,

586
00:25:58,480 --> 00:25:59,719
Speaker 1: we can stretch this out and make a good four

587
00:25:59,800 --> 00:26:01,879
Speaker 1: or five. Hey Jones, you got any good pants questions

588
00:26:01,880 --> 00:26:05,680
Speaker 1: you can throw at her? Yeah? I did like when

589
00:26:06,280 --> 00:26:08,639
Speaker 1: they were sort of just sort of doing more normal shots.

590
00:26:08,640 --> 00:26:10,399
Speaker 1: I guess she hit a couple of elbow jumpers. I

591
00:26:10,440 --> 00:26:12,679
Speaker 1: like Chris Paul dropping. She got to check the stats.

592
00:26:12,680 --> 00:26:16,159
Speaker 1: That's my favorite spots. Yeah, you gotta to do your homework.

593
00:26:16,200 --> 00:26:19,080
Speaker 1: Chris Paul loves the elbow jumper. But in the end,

594
00:26:19,119 --> 00:26:20,600
Speaker 1: and Chris Paul had the spin on one foot. I

595
00:26:20,640 --> 00:26:22,159
Speaker 1: think that was one of the better shots from the

596
00:26:22,240 --> 00:26:26,080
Speaker 1: night too. But yeah, everyone, You're right. The NBA guy

597
00:26:26,160 --> 00:26:28,680
Speaker 1: sort of played it. They played it safe pretty early

598
00:26:28,720 --> 00:26:30,200
Speaker 1: on in their matchups and then maybe got a little

599
00:26:30,200 --> 00:26:33,840
Speaker 1: more creative as it went on. But Ali advances, so Trey.

600
00:26:33,880 --> 00:26:36,760
Speaker 1: We got a Chicago versus Chicago's second round matchup between

601
00:26:36,840 --> 00:26:37,560
Speaker 1: Levine and Quigley.

602
00:26:38,359 --> 00:26:40,680
Speaker 3: A BOLLS championship is not out of the realm of

603
00:26:40,760 --> 00:26:42,720
Speaker 3: possibility right now. And at the very least we're getting

604
00:26:42,760 --> 00:26:45,440
Speaker 3: to Chicago's into the finals. I told you they're making

605
00:26:45,440 --> 00:26:46,800
Speaker 3: the playoffs. It's happening.

606
00:26:46,960 --> 00:26:49,280
Speaker 1: JD. What did you think of the overall production? I

607
00:26:49,280 --> 00:26:51,080
Speaker 1: know you didn't watch the whole thing, but of what

608
00:26:51,119 --> 00:26:52,840
Speaker 1: you saw, what did you think?

609
00:26:52,960 --> 00:26:53,359
Speaker 2: I thought?

610
00:26:53,680 --> 00:26:56,520
Speaker 5: I think Test said it. Shout out to them for trying,

611
00:26:56,600 --> 00:27:00,240
Speaker 5: you know, I mean, they made they did their best.

612
00:27:00,680 --> 00:27:03,400
Speaker 5: They all seem to have a stationary camera and then

613
00:27:04,080 --> 00:27:08,159
Speaker 5: a supplemental camera run by nephews and wives and stuff.

614
00:27:08,680 --> 00:27:11,040
Speaker 5: I don't think they needed those. Just stay on the

615
00:27:11,080 --> 00:27:13,840
Speaker 5: wide shot because every time they cut away it was

616
00:27:14,280 --> 00:27:18,840
Speaker 5: jumpy and the Internet was really really problematic in those

617
00:27:19,160 --> 00:27:21,320
Speaker 5: in those shots, the ones that I saw anyway, Yeah,

618
00:27:21,880 --> 00:27:24,080
Speaker 5: and I was always just like, just go back to

619
00:27:24,119 --> 00:27:26,000
Speaker 5: the wide shots so I can actually see the shot

620
00:27:26,080 --> 00:27:26,680
Speaker 5: that's happening.

621
00:27:27,160 --> 00:27:29,080
Speaker 1: So here's I have a question about that. It's sort

622
00:27:29,080 --> 00:27:31,159
Speaker 1: of like a technical question, JD. Maybe you'll know the

623
00:27:31,200 --> 00:27:32,840
Speaker 1: answer to him, because I was thinking that too, Like,

624
00:27:34,080 --> 00:27:36,120
Speaker 1: I mean, really, the heroes, if you want to call them,

625
00:27:36,119 --> 00:27:39,480
Speaker 1: of this event were those like the secondary camera men

626
00:27:39,480 --> 00:27:41,760
Speaker 1: and women, like running around the court trying to get

627
00:27:41,760 --> 00:27:44,399
Speaker 1: the angles, like trying to do what Jad and Mattio

628
00:27:44,480 --> 00:27:47,800
Speaker 1: have done for us in the past. But why, Like

629
00:27:48,160 --> 00:27:51,240
Speaker 1: it appeared that those shots too were being fed live

630
00:27:51,680 --> 00:27:54,680
Speaker 1: back to ESPN, Right, That's why they were so crappy looking.

631
00:27:54,720 --> 00:27:56,439
Speaker 1: But in my head, I was like, why didn't they

632
00:27:56,480 --> 00:27:59,640
Speaker 1: just record it like you would on an iPhone a video?

633
00:28:00,080 --> 00:28:01,439
Speaker 2: Yeah, that's now is the problem.

634
00:28:01,520 --> 00:28:03,080
Speaker 1: It's going to be the file is just going to

635
00:28:03,119 --> 00:28:05,040
Speaker 1: be absolutely gigantic, and they're not going to be able

636
00:28:05,080 --> 00:28:05,960
Speaker 1: to get it to ESPN.

637
00:28:06,520 --> 00:28:09,320
Speaker 5: I mean no, because we we did that ourselves when

638
00:28:09,320 --> 00:28:12,159
Speaker 5: we did the Vince autograph thing. I mean, they're not,

639
00:28:12,320 --> 00:28:13,240
Speaker 5: So why did they do that?

640
00:28:13,480 --> 00:28:14,359
Speaker 2: Well, I don't know.

641
00:28:14,520 --> 00:28:18,879
Speaker 5: I suspect that they were cutting it live to tape

642
00:28:19,000 --> 00:28:21,600
Speaker 5: and then they took that and and cut it down

643
00:28:21,640 --> 00:28:25,440
Speaker 5: from there. That's the only explanation I can think of, right,

644
00:28:25,920 --> 00:28:28,520
Speaker 5: And you know when when was this shot? Was it

645
00:28:28,560 --> 00:28:32,200
Speaker 5: shot earlier today or was it shot over the weekend?

646
00:28:32,240 --> 00:28:33,040
Speaker 5: I mean, I don't know.

647
00:28:33,600 --> 00:28:35,840
Speaker 1: I'm sure it was shot days prior. I mean, I'll

648
00:28:35,920 --> 00:28:37,840
Speaker 1: be shocked if on Thursday. I mean, I made a

649
00:28:37,920 --> 00:28:41,400
Speaker 1: joke about it on Twitter. But like, will will ESPN

650
00:28:41,480 --> 00:28:44,360
Speaker 1: tell the winners the four people that advanced? Can you

651
00:28:44,440 --> 00:28:47,800
Speaker 1: change your clothes between you know, between the sem you know,

652
00:28:47,880 --> 00:28:49,680
Speaker 1: the quarter files in the semi finals and maybe even

653
00:28:49,680 --> 00:28:51,200
Speaker 1: the finals, just to make it look like it's a

654
00:28:51,200 --> 00:28:53,200
Speaker 1: different day, because they must have shot this all on

655
00:28:53,200 --> 00:28:54,240
Speaker 1: one day, right.

656
00:28:55,760 --> 00:28:58,200
Speaker 5: And if that's the case, then there's no excuse for

657
00:28:58,200 --> 00:29:00,440
Speaker 5: for the shoppiness of the video in my opinion.

658
00:29:00,520 --> 00:29:01,840
Speaker 2: But what do I know.

659
00:29:01,920 --> 00:29:03,120
Speaker 5: I'm a low le podcaster.

660
00:29:03,240 --> 00:29:07,520
Speaker 4: These days were strictly a podcaster. But you've had had

661
00:29:07,560 --> 00:29:10,880
Speaker 4: to ingest hours and hours of footage of let's say

662
00:29:10,920 --> 00:29:14,640
Speaker 4: it's mad Oustin recording something on his iPhone or whatever,

663
00:29:15,040 --> 00:29:17,680
Speaker 4: and and other people have to send you footage. If

664
00:29:17,680 --> 00:29:20,560
Speaker 4: it's a Dropbox file or a Google Drive file. They

665
00:29:20,600 --> 00:29:22,080
Speaker 4: probably just don't want to deal with that.

666
00:29:22,280 --> 00:29:24,600
Speaker 5: I think, oh yeah, for sure, it'd.

667
00:29:24,360 --> 00:29:27,720
Speaker 2: Be big tech issues. Yeah me right.

668
00:29:27,720 --> 00:29:29,880
Speaker 1: That's but that I could. Yeah, that was weird because

669
00:29:29,880 --> 00:29:32,000
Speaker 1: every time they did go to that again secondary camera

670
00:29:32,320 --> 00:29:34,320
Speaker 1: whatever you want to call it, whatever camera that wasn't

671
00:29:34,360 --> 00:29:39,480
Speaker 1: attached to a ladder with a pillows, the human operated camera. Yeah,

672
00:29:39,480 --> 00:29:42,400
Speaker 1: it was so crappy. And I'm like, why is this crappy? What?

673
00:29:42,600 --> 00:29:45,000
Speaker 1: Just film it? Just record a video and it will

674
00:29:45,000 --> 00:29:47,800
Speaker 1: look amazing on your iPhone or you're Android or whatever.

675
00:29:48,240 --> 00:29:50,680
Speaker 1: But it's yeah, there had to have been a reason

676
00:29:51,280 --> 00:29:52,800
Speaker 1: for the live element of it all.

677
00:29:52,880 --> 00:29:55,480
Speaker 5: I mean, if I was directing that, there's no After

678
00:29:55,520 --> 00:29:57,880
Speaker 5: the first couple of times, it'd be just like, screw this,

679
00:29:58,320 --> 00:30:01,240
Speaker 5: I'm not using that footage. Them shoot if they want,

680
00:30:01,240 --> 00:30:03,920
Speaker 5: but we just can't use it. It's unusable.

681
00:30:04,320 --> 00:30:07,920
Speaker 1: Yeah, it was. It was bad. It was bad at times.

682
00:30:07,960 --> 00:30:09,840
Speaker 5: And a lot of times they would do a replay

683
00:30:11,040 --> 00:30:12,880
Speaker 5: and it would be in a box and in some

684
00:30:13,000 --> 00:30:15,959
Speaker 5: in a graphic covering up the basket itself, which you

685
00:30:15,960 --> 00:30:20,640
Speaker 5: know is at NBA TV anyway, that's pretty sacrilegious to

686
00:30:20,680 --> 00:30:24,440
Speaker 5: see like a spin that spin layup, but you don't

687
00:30:24,440 --> 00:30:26,240
Speaker 5: actually even see the basket.

688
00:30:26,400 --> 00:30:27,560
Speaker 2: What's the point, right.

689
00:30:27,920 --> 00:30:30,480
Speaker 1: Well, yeah, I mean they're not they're handing it like

690
00:30:30,520 --> 00:30:34,400
Speaker 1: you said to nephews, lives and brothers and like here

691
00:30:34,560 --> 00:30:36,160
Speaker 1: just operate this like oh.

692
00:30:36,040 --> 00:30:39,120
Speaker 5: But but but I don't even know that the the

693
00:30:39,120 --> 00:30:41,720
Speaker 5: the basket wasn't in the shot because the graphic they

694
00:30:41,720 --> 00:30:44,360
Speaker 5: put it in some box like a replay box. Right,

695
00:30:44,440 --> 00:30:46,680
Speaker 5: So that that's on ESPN.

696
00:30:47,440 --> 00:30:50,840
Speaker 1: Oh, well they've got another I don't know, it's another

697
00:30:50,920 --> 00:30:55,480
Speaker 1: two hours on Thursday. Hopefully, I mean it probably will

698
00:30:55,480 --> 00:30:58,400
Speaker 1: be because it's another well, no, it's three matchups. Maybe

699
00:30:58,440 --> 00:31:00,920
Speaker 1: this isn't an hour. I will hope that this Thursday

700
00:31:01,240 --> 00:31:03,520
Speaker 1: semi finals and then the finals is just an hour,

701
00:31:03,880 --> 00:31:04,479
Speaker 1: and it could be.

702
00:31:04,560 --> 00:31:07,760
Speaker 5: There's no way, there's no way. You're talking about two

703
00:31:07,840 --> 00:31:13,280
Speaker 5: hours of quote unquote live sports that the only sports

704
00:31:13,320 --> 00:31:15,440
Speaker 5: that's gonna be happening this week, right, I mean, no,

705
00:31:15,680 --> 00:31:15,960
Speaker 5: ge d.

706
00:31:15,960 --> 00:31:16,360
Speaker 2: He come up.

707
00:31:16,360 --> 00:31:18,640
Speaker 1: They're gonna have only three matchups now in two hours.

708
00:31:18,680 --> 00:31:20,440
Speaker 1: You think they're gonna stretch it out that much.

709
00:31:21,560 --> 00:31:25,120
Speaker 5: They're selling out ads, They're selling two hours worth of ads.

710
00:31:25,160 --> 00:31:27,600
Speaker 5: I'd be I'd be stunned if they If it wasn't

711
00:31:27,640 --> 00:31:28,560
Speaker 5: two hours.

712
00:31:28,880 --> 00:31:30,880
Speaker 1: We will see it's gonna be Bill Ups versus Conley

713
00:31:30,880 --> 00:31:33,440
Speaker 1: and then Zach Lavine versus Quickly and then the winners

714
00:31:33,440 --> 00:31:36,320
Speaker 1: of those two matchups battle in the final.

715
00:31:37,360 --> 00:31:39,520
Speaker 4: You better not pull that that same stuff he did

716
00:31:39,520 --> 00:31:43,040
Speaker 4: against Pierce against Ali Quigley. She's five to ten or

717
00:31:43,080 --> 00:31:44,480
Speaker 4: whatever she is, it's gonna be I think it's gonna

718
00:31:44,480 --> 00:31:46,280
Speaker 4: be hard for her to get above the room and

719
00:31:46,320 --> 00:31:46,920
Speaker 4: around the rim.

720
00:31:47,000 --> 00:31:51,680
Speaker 2: Like he was just guessing. I don't think she's a flyer. Yeah,

721
00:31:51,720 --> 00:31:53,440
Speaker 2: and that's.

722
00:31:53,360 --> 00:31:55,440
Speaker 4: They gotta they gotta lay down the law with Levine.

723
00:31:56,240 --> 00:32:00,000
Speaker 4: You gotta lay he's got enough tricks. He's got enough tricks.

724
00:32:01,320 --> 00:32:02,640
Speaker 3: Play it straight. I see what you're saying.

725
00:32:02,760 --> 00:32:06,120
Speaker 1: Yeah, Billips Conley should be good because of the court

726
00:32:06,200 --> 00:32:09,120
Speaker 1: matchup at least, you know, we're we're talking basically official

727
00:32:09,160 --> 00:32:13,080
Speaker 1: looking courts here and nets and stuff like that. Billups outside.

728
00:32:13,120 --> 00:32:15,920
Speaker 1: So yeah, the weather always comes into play. But I mean,

729
00:32:15,960 --> 00:32:18,680
Speaker 1: Mike Conley, what a jim. I was thinking the whole time.

730
00:32:19,120 --> 00:32:21,640
Speaker 1: If you had to guess, because we saw, correct me,

731
00:32:21,720 --> 00:32:24,520
Speaker 1: I'm wrong. We saw we saw sort of three walls.

732
00:32:24,520 --> 00:32:27,080
Speaker 1: Of the four walls in Conley's gym. One wall had

733
00:32:27,120 --> 00:32:30,680
Speaker 1: really cool photos of Mike Conley, Okay, some awesome blown up,

734
00:32:30,800 --> 00:32:33,360
Speaker 1: you know photos. Then the one wall had in big

735
00:32:33,440 --> 00:32:41,520
Speaker 1: letters dream The other wall had I think, believe, what's

736
00:32:41,560 --> 00:32:42,240
Speaker 1: the third wall?

737
00:32:42,720 --> 00:32:42,960
Speaker 2: Say?

738
00:32:43,000 --> 00:32:45,560
Speaker 1: Has it got to be a chief dream?

739
00:32:45,680 --> 00:32:52,240
Speaker 3: Believe? Achieve effort? Oh, okay, effort.

740
00:32:54,040 --> 00:32:55,880
Speaker 1: I just kept thinking that the whole time, like, what's

741
00:32:55,920 --> 00:32:57,600
Speaker 1: that third wall? Say? What's the other wall?

742
00:32:57,760 --> 00:32:58,840
Speaker 2: Say? Is it achieve?

743
00:32:58,960 --> 00:33:03,480
Speaker 1: Is it effort? Is it just stay cool? Keep horsey.

744
00:33:05,080 --> 00:33:05,800
Speaker 1: I'll find out.

745
00:33:05,760 --> 00:33:07,440
Speaker 2: Any one of those. I'd like to think it says

746
00:33:07,440 --> 00:33:08,160
Speaker 2: you're an All.

747
00:33:08,040 --> 00:33:12,920
Speaker 4: Stars, but it's probably one of those.

748
00:33:13,040 --> 00:33:15,680
Speaker 1: Yeah, hey, oh yeah, you just made me figure something too.

749
00:33:15,720 --> 00:33:18,160
Speaker 1: It just talking to court dimensions here and stuff like that.

750
00:33:19,080 --> 00:33:20,440
Speaker 1: I think you slipped it in their task because I

751
00:33:20,480 --> 00:33:22,760
Speaker 1: saw someone else on Twitter saying, why the hell did

752
00:33:22,760 --> 00:33:25,720
Speaker 1: Paul Pierce have that umbrella sort of you know by

753
00:33:25,800 --> 00:33:28,440
Speaker 1: his court see. I think he had set that up

754
00:33:28,480 --> 00:33:32,320
Speaker 1: for the camera sort of to protect the camera from

755
00:33:32,360 --> 00:33:34,400
Speaker 1: maybe any sunglare. So I think he was going the

756
00:33:34,400 --> 00:33:36,200
Speaker 1: extra mile. That was my impression of that.

757
00:33:36,280 --> 00:33:38,000
Speaker 3: Interesting it was raining, that weird.

758
00:33:37,800 --> 00:33:40,160
Speaker 1: Umbrella being there. Yeah, that's my that's what I think.

759
00:33:40,400 --> 00:33:42,360
Speaker 4: It was also raining, as he said it, but never

760
00:33:42,440 --> 00:33:44,240
Speaker 4: usually rains in southern California.

761
00:33:44,320 --> 00:33:46,120
Speaker 2: But right, I think, so he's covering my camera.

762
00:33:46,560 --> 00:33:48,520
Speaker 4: Yeah, he's protecting the iPad or whatever he.

763
00:33:48,560 --> 00:33:49,480
Speaker 2: Was feeling on there.

764
00:33:49,600 --> 00:33:53,480
Speaker 4: Yeah, profession And you said you mentioned the ladder. So

765
00:33:53,560 --> 00:33:55,600
Speaker 4: many ladders out there, so many ladders.

766
00:33:56,240 --> 00:33:59,080
Speaker 3: Yeah, I guess that's another good production question, JD. If

767
00:33:59,120 --> 00:34:02,160
Speaker 3: you're shooting something at your home, is a step ladder

768
00:34:02,200 --> 00:34:04,320
Speaker 3: the best stationary camera mount.

769
00:34:04,640 --> 00:34:05,520
Speaker 2: A step ladder?

770
00:34:05,880 --> 00:34:06,160
Speaker 1: Sure?

771
00:34:06,640 --> 00:34:09,680
Speaker 5: Yeah, actually yeah, I think it would be if if

772
00:34:09,680 --> 00:34:13,319
Speaker 5: you want it human eye level without a human holding it. Yeah,

773
00:34:13,480 --> 00:34:15,560
Speaker 5: put it on a step of a step ladder.

774
00:34:15,920 --> 00:34:17,520
Speaker 1: That's what they did make, so a lot of them did,

775
00:34:17,520 --> 00:34:18,000
Speaker 1: at least.

776
00:34:18,440 --> 00:34:18,640
Speaker 2: Yeah.

777
00:34:18,640 --> 00:34:20,719
Speaker 4: I was just confused by Trey young setup. He must

778
00:34:20,800 --> 00:34:22,920
Speaker 4: have had something on a ladder, but then he had

779
00:34:22,920 --> 00:34:25,799
Speaker 4: a secondary ladder that was on the other side of

780
00:34:25,840 --> 00:34:29,840
Speaker 4: the court that he kept going to, and I thought, okay,

781
00:34:29,920 --> 00:34:32,279
Speaker 4: maybe he's got notes there or something. But he didn't

782
00:34:32,320 --> 00:34:34,319
Speaker 4: really go into his bag of tricks, so I don't that.

783
00:34:34,360 --> 00:34:37,160
Speaker 4: I'm pretty sure free throw line wasn't written on his

784
00:34:37,200 --> 00:34:40,239
Speaker 4: notes sitting on a ladder. I was just very confused

785
00:34:40,239 --> 00:34:44,319
Speaker 4: by that extra ladder. And if they, like you said, JD,

786
00:34:44,440 --> 00:34:47,640
Speaker 4: they're I'm sure they're spelled selling spots. It's probably gonna

787
00:34:47,640 --> 00:34:49,960
Speaker 4: be two hours, but you could have some nice product

788
00:34:50,000 --> 00:34:54,200
Speaker 4: placement with these ladders get some Werner money or some

789
00:34:54,360 --> 00:34:56,120
Speaker 4: Postco money.

790
00:34:56,680 --> 00:34:59,439
Speaker 1: Werner Herzoc should have shot this then then you'd really

791
00:34:59,480 --> 00:35:03,520
Speaker 1: be talking. I got two questions before we wrap this up.

792
00:35:03,600 --> 00:35:05,839
Speaker 1: I can't believe we just did over thirty minutes on this.

793
00:35:06,840 --> 00:35:09,520
Speaker 1: We are the real MVPs of the NBA horse competition.

794
00:35:10,600 --> 00:35:13,000
Speaker 1: Before we get your predictions on who wins the thing,

795
00:35:13,960 --> 00:35:16,000
Speaker 1: I want to know you're in this what is your

796
00:35:16,120 --> 00:35:19,719
Speaker 1: go to creative horse shot task? Because I especially wanted

797
00:35:19,719 --> 00:35:21,359
Speaker 1: to ask you because you had a great video up

798
00:35:21,360 --> 00:35:24,120
Speaker 1: on your Twitter account at tasmelus leading up to this

799
00:35:24,120 --> 00:35:27,880
Speaker 1: big night where you were showing some of some funny

800
00:35:27,880 --> 00:35:29,680
Speaker 1: shots you were taking in your driveway. But do you

801
00:35:29,760 --> 00:35:32,399
Speaker 1: have do you have a go to that you feel

802
00:35:32,440 --> 00:35:34,839
Speaker 1: pretty confident in your ability to knock it down with

803
00:35:34,880 --> 00:35:37,360
Speaker 1: some regularly regularity in a contest.

804
00:35:37,719 --> 00:35:39,759
Speaker 2: Well, thank you for mentioning my Twitter accountest.

805
00:35:39,840 --> 00:35:44,120
Speaker 4: Yes, yes, my favorite shot I didn't use it in

806
00:35:44,160 --> 00:35:47,879
Speaker 4: the vid is you go down the baseline a little

807
00:35:47,880 --> 00:35:50,040
Speaker 4: bit towards the corner. There is that always that line

808
00:35:50,120 --> 00:35:52,239
Speaker 4: sticking out from the baseline just that I don't know,

809
00:35:52,239 --> 00:35:53,920
Speaker 4: it's like a foot long, and you shoot it over

810
00:35:53,960 --> 00:35:57,319
Speaker 4: the backboard from there. That's my favorite one. I concentrate

811
00:35:57,320 --> 00:35:58,560
Speaker 4: from that spot for some reason.

812
00:35:58,760 --> 00:35:59,719
Speaker 2: Oh my favorite time.

813
00:36:00,080 --> 00:36:03,200
Speaker 1: Remember you doing that in the in the old NBA

814
00:36:03,280 --> 00:36:05,600
Speaker 1: TV studio and we sometimes would play horse before you yeah,

815
00:36:05,600 --> 00:36:06,160
Speaker 1: before a show.

816
00:36:06,239 --> 00:36:08,040
Speaker 2: Yes, I know it's not a crazy shot. It's really

817
00:36:08,080 --> 00:36:09,440
Speaker 2: just that's.

818
00:36:09,280 --> 00:36:12,360
Speaker 1: Creative, at least the angles creative, Trey, what's your go to?

819
00:36:13,120 --> 00:36:15,680
Speaker 3: Mine is similar. I like to drop way back, even

820
00:36:15,760 --> 00:36:19,200
Speaker 3: farther behind the backboard than task. But down in that

821
00:36:19,239 --> 00:36:20,719
Speaker 3: deep angle we saw some of the guys shoot it

822
00:36:20,719 --> 00:36:23,400
Speaker 3: from like basically where the corner of the court meets

823
00:36:24,280 --> 00:36:26,239
Speaker 3: the deep deep corner. My dad would always shoot this

824
00:36:26,320 --> 00:36:28,280
Speaker 3: shot and he would do it with his feet pointing

825
00:36:28,280 --> 00:36:31,480
Speaker 3: both ways. Really nerdy looking. But you know, I stole

826
00:36:31,920 --> 00:36:34,160
Speaker 3: my general jump shot from him, so I got the arc,

827
00:36:34,239 --> 00:36:36,959
Speaker 3: so I had to steal this ridiculous looking shot as well.

828
00:36:37,239 --> 00:36:39,640
Speaker 1: What is He's not here? So let's answer for him.

829
00:36:39,680 --> 00:36:42,680
Speaker 1: What's Lee's go to Horse shot? If you had to

830
00:36:42,680 --> 00:36:43,640
Speaker 1: pick one.

831
00:36:43,920 --> 00:36:46,520
Speaker 3: I mean, he shoots a free throw every three shots

832
00:36:46,520 --> 00:36:49,839
Speaker 3: in Horse, He'll shoot another shot, then I'll shoot another shot.

833
00:36:49,840 --> 00:36:51,560
Speaker 3: They're like, okay, let's get back to the free throw.

834
00:36:51,640 --> 00:36:53,919
Speaker 3: So that's his go to. But I mean the right hand,

835
00:36:53,960 --> 00:36:56,520
Speaker 3: left back pocket is his signature.

836
00:36:56,960 --> 00:37:00,279
Speaker 1: Stupid shot over the head, Yeah, from like two feet

837
00:37:00,280 --> 00:37:03,279
Speaker 1: away from the rim, but you can miss it. It's

838
00:37:03,440 --> 00:37:06,239
Speaker 1: it is weird he does. He is pretty damn good

839
00:37:07,880 --> 00:37:10,120
Speaker 1: left handed from the free throw line. He's off hand,

840
00:37:10,280 --> 00:37:12,399
Speaker 1: he's not. I mean he's pretty damn good at knocking

841
00:37:12,440 --> 00:37:15,080
Speaker 1: that down with some consistency. I guess mine is. I

842
00:37:15,480 --> 00:37:18,480
Speaker 1: love to try the old hot dog Tornado three sixty layup,

843
00:37:18,560 --> 00:37:21,359
Speaker 1: no doubt. But I'm a big over the backboard guy too,

844
00:37:21,760 --> 00:37:23,600
Speaker 1: like that one Conley did. I probably don't do it

845
00:37:23,600 --> 00:37:26,000
Speaker 1: as cool as he did it, but that little scoop

846
00:37:26,040 --> 00:37:29,520
Speaker 1: over the backboard is uh. I can hit, you know,

847
00:37:29,640 --> 00:37:32,200
Speaker 1: more than most people so have like my chances of

848
00:37:32,200 --> 00:37:34,440
Speaker 1: picking up a letter in that one I'll hear from

849
00:37:34,440 --> 00:37:34,799
Speaker 1: you guys.

850
00:37:34,800 --> 00:37:37,400
Speaker 3: I mean this desperate better than a coin.

851
00:37:38,239 --> 00:37:38,640
Speaker 2: Wow.

852
00:37:38,719 --> 00:37:41,080
Speaker 1: Well we're gonna find out. I gotta I gotta get

853
00:37:41,120 --> 00:37:42,960
Speaker 1: to that still for that Survivor challenge.

854
00:37:43,160 --> 00:37:43,399
Speaker 3: JD.

855
00:37:43,480 --> 00:37:44,640
Speaker 1: If do you have a horse shut?

856
00:37:45,680 --> 00:37:48,200
Speaker 5: Just just a straight up shot for me if I'm

857
00:37:48,520 --> 00:37:50,760
Speaker 5: I mean, it's my only hope.

858
00:37:50,800 --> 00:37:54,640
Speaker 1: Really, what's uh, what's Matt Austin's horse shut?

859
00:37:58,719 --> 00:38:01,919
Speaker 2: Both? Yeah? Oh yeah, the box car social as well.

860
00:38:02,200 --> 00:38:04,520
Speaker 1: He was gonna wear boots for that good day Hello,

861
00:38:04,719 --> 00:38:07,840
Speaker 1: good day, Hello, nice to see you. I love that clip.

862
00:38:07,880 --> 00:38:09,319
Speaker 1: If you don't know what I'm talking about right now,

863
00:38:09,680 --> 00:38:11,920
Speaker 1: go to our Twitter account at No Dunk saying that's

864
00:38:11,960 --> 00:38:16,520
Speaker 1: another free plug. We shared our extreme horse video that

865
00:38:16,600 --> 00:38:20,120
Speaker 1: we did way back in San Antonio in what was

866
00:38:20,120 --> 00:38:21,840
Speaker 1: it Your Guys twenty twelven.

867
00:38:22,080 --> 00:38:25,399
Speaker 3: About if you want horse to be great, hire us.

868
00:38:25,520 --> 00:38:29,800
Speaker 3: We'll be like, yeah, team Flight Brothers for the horse contest.

869
00:38:29,840 --> 00:38:31,400
Speaker 3: We may not be able to make all the shots,

870
00:38:31,440 --> 00:38:32,680
Speaker 3: but we can come up with all of them.

871
00:38:32,960 --> 00:38:35,560
Speaker 1: Well, yeah, we're gonna be creative, We're gonna be stupid.

872
00:38:35,600 --> 00:38:37,480
Speaker 1: It's gonna be at least be a little entertaining. And

873
00:38:37,560 --> 00:38:41,560
Speaker 1: JD is gonna edit that bad boy so I had forgotten. Honestly,

874
00:38:41,800 --> 00:38:44,120
Speaker 1: how funny that video is. That's one of my favorites.

875
00:38:44,200 --> 00:38:46,520
Speaker 1: Like from the job that you did, JD, the fact

876
00:38:46,560 --> 00:38:48,680
Speaker 1: that we're all in cowboy outfits, and then some of

877
00:38:48,719 --> 00:38:53,000
Speaker 1: the shot and task you watching it, we were crying

878
00:38:53,040 --> 00:38:55,319
Speaker 1: every time you do the perfect take your hat off

879
00:38:55,400 --> 00:38:58,680
Speaker 1: like kim it, like right, oh my god. We were

880
00:38:58,719 --> 00:39:00,920
Speaker 1: in cheers. And then the box Mattio is probably the

881
00:39:00,920 --> 00:39:02,640
Speaker 1: star of the whole thing, but everybody brings it in

882
00:39:02,680 --> 00:39:03,680
Speaker 1: that one. That's a very funny.

883
00:39:03,800 --> 00:39:07,279
Speaker 5: Best part of that ship was all of us while

884
00:39:07,320 --> 00:39:09,920
Speaker 5: all of you guys walking into a country and Western

885
00:39:10,000 --> 00:39:14,120
Speaker 5: bar the next night in those costumes. Yeah, that was crazy.

886
00:39:14,400 --> 00:39:16,799
Speaker 1: Yeah, and that was to ride the bull.

887
00:39:16,920 --> 00:39:17,400
Speaker 2: All right.

888
00:39:17,760 --> 00:39:19,120
Speaker 5: Well, don't spoil it, Skeates.

889
00:39:19,840 --> 00:39:20,760
Speaker 1: Well, I didn't see who.

890
00:39:23,400 --> 00:39:24,160
Speaker 3: The bull is?

891
00:39:25,480 --> 00:39:27,600
Speaker 1: Is ridden? Is that right?

892
00:39:28,560 --> 00:39:29,279
Speaker 5: We did say that?

893
00:39:29,719 --> 00:39:32,920
Speaker 1: Yeah? Oh yeah. Anyway, we got it up on our

894
00:39:32,920 --> 00:39:34,799
Speaker 1: Facebook page. But we got what we tweeted it out.

895
00:39:34,800 --> 00:39:37,520
Speaker 1: Go check that out at No Dunks think Extreme Horse.

896
00:39:38,280 --> 00:39:40,359
Speaker 1: It's very very fun, all right, I mean, might as

897
00:39:40,360 --> 00:39:43,239
Speaker 1: well call it there. The real question is will we

898
00:39:43,320 --> 00:39:46,640
Speaker 1: be back on late Thursday night to recap the semi

899
00:39:46,640 --> 00:39:48,360
Speaker 1: finals and finals. I think you're just gonna have to

900
00:39:48,360 --> 00:39:50,719
Speaker 1: wait and find out. You just gonna have to wait

901
00:39:50,760 --> 00:39:52,239
Speaker 1: and see how the rest of this week goes for

902
00:39:52,880 --> 00:39:55,479
Speaker 1: No Dunks. But coming up later on Monday, we already

903
00:39:55,520 --> 00:39:58,200
Speaker 1: told you we got a brand new film session breaking

904
00:39:58,320 --> 00:40:04,880
Speaker 1: down the romantic drama Love and Basketball. I spoiler, I

905
00:40:05,000 --> 00:40:07,600
Speaker 1: enjoyed it. I was shocked how much I actually liked it,

906
00:40:07,640 --> 00:40:09,359
Speaker 1: even though it is a longer movie so we gotta

907
00:40:09,400 --> 00:40:11,440
Speaker 1: go because we gotta let Trey watch this damn thing.

908
00:40:12,239 --> 00:40:13,799
Speaker 1: You're gonna be starting here late. You're gonna be up

909
00:40:13,800 --> 00:40:15,239
Speaker 1: till midnight today TK.

910
00:40:16,719 --> 00:40:18,799
Speaker 3: Light work skeets. I'm not one of these guys who's

911
00:40:18,800 --> 00:40:21,520
Speaker 3: gonna complain about a three and a half hour irishman

912
00:40:21,840 --> 00:40:24,880
Speaker 3: two hours for loving basketball. That's like an amused boosh

913
00:40:25,000 --> 00:40:27,839
Speaker 3: for me. Might make a grilled cheese halfway through.

914
00:40:29,000 --> 00:40:29,600
Speaker 2: What else?

915
00:40:29,880 --> 00:40:33,040
Speaker 4: It's gonna fly by. It's gonna fly by, that's how

916
00:40:33,080 --> 00:40:33,719
Speaker 4: good it was.

917
00:40:34,040 --> 00:40:35,960
Speaker 1: Well, it's gonna fly by because you just watched two

918
00:40:36,000 --> 00:40:39,279
Speaker 1: hours of people playing like I said I did. That

919
00:40:40,440 --> 00:40:42,919
Speaker 1: may be the better way to watch it. Watch horse

920
00:40:42,960 --> 00:40:43,520
Speaker 1: and then watch it.

921
00:40:43,560 --> 00:40:46,319
Speaker 3: Maybe I'll set up Laura's phone right next to the

922
00:40:46,360 --> 00:40:48,520
Speaker 3: TV so I can FaceTime it to myself, so I can,

923
00:40:48,600 --> 00:40:50,719
Speaker 3: you know, stay on the same sort of quality. I

924
00:40:50,760 --> 00:40:53,280
Speaker 3: don't want my picture to be too clear.

925
00:40:53,760 --> 00:40:56,839
Speaker 1: Yeah no, please have Laura stay up for the next

926
00:40:56,840 --> 00:40:59,920
Speaker 1: two hours and fillm you with her phone of you watching.

927
00:41:02,320 --> 00:41:03,200
Speaker 2: Today. Awesome?

928
00:41:03,480 --> 00:41:05,640
Speaker 1: All right, let's call it there again. A brand new

929
00:41:05,640 --> 00:41:09,320
Speaker 1: film session coming up later on Monday. Love in Basketball.

930
00:41:09,360 --> 00:41:11,200
Speaker 1: If you haven't watched it already, do a late night

931
00:41:11,280 --> 00:41:13,400
Speaker 1: watch like TK clipper Bows.

932
00:41:13,680 --> 00:41:16,160
Speaker 3: You heard it here first, have a great time, turn up,

933
00:41:16,320 --> 00:41:17,600
Speaker 3: love you guys awesome.

934
00:41:17,680 --> 00:41:20,439
Speaker 4: Thanks for joining us, and remember when life goes off track,

935
00:41:20,560 --> 00:41:22,200
Speaker 4: you gotta get back in the driver's seat.

936
00:41:23,360 --> 00:41:24,080
Speaker 2: Let's drive.

937
00:41:25,440 --> 00:41:26,480
Speaker 1: Embrace the night people.

938
00:41:27,239 --> 00:41:34,920
Speaker 5: You could stay every day and Dan you happy every minute.

939
00:41:37,920 --> 00:41:41,200
Speaker 5: It's been so long with your Lona Way.

940
00:41:43,560 --> 00:41:47,400
Speaker 4: It's happened already. It's gonna be goody