WEBVTT - Marlene Dietrich Goes To War | Reviving a Mobit

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<v Speaker 1>In the early days of Hollywood's Golden Age, German immigrant

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<v Speaker 1>Marlena Dietrich electrified audiences around the world. She defied the

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<v Speaker 1>expectations of traditional women's roles in her films and in

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<v Speaker 1>her life. But it wasn't her acting that led Adolf

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<v Speaker 1>Hitler to label her a traitor to the quote unquote fatherland.

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<v Speaker 1>It was her patriotic support for her adopted homeland. When

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<v Speaker 1>the United States went to war, so did Marlena Dietrich.

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<v Speaker 1>It was the beginning of a lifelong dedication to American

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<v Speaker 1>soldiers that never wavered. I hope you enjoy hearing her story,

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<v Speaker 1>which I recorded for the audio version of my obituary's book,

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<v Speaker 1>Marlena Dietrich was one hundred percent. In nineteen seventy two,

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<v Speaker 1>the German born screen legend and internationally known cabaret artist

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<v Speaker 1>was in London rehearsing for a concert. She was seventy

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<v Speaker 1>years old. As with everything related to her image, Dietrich

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<v Speaker 1>knew exactly how she wanted to be lighted. Her trusted

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<v Speaker 1>longtime lighting designer, Joe Davis, was on hand to make

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<v Speaker 1>sure her expectations were met. Dietrich's twenty two year old

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<v Speaker 1>grandson Peter Reva was also there. He remembers the scene vividly.

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<v Speaker 1>I'm standing next to her on the London stage with

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<v Speaker 1>Joe Davis and way up in the clouds at the

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<v Speaker 1>top of the theater. There's a guy pointing a spotlight

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<v Speaker 1>on her face. She kept telling him, waving a hand

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<v Speaker 1>where to move the light. The man called down. I

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<v Speaker 1>think that's perfect, Miss Dietrick. Joe Davis called up Doe

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<v Speaker 1>exactly as Miss Dietrich says. Marlena gestured again a few

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<v Speaker 1>times and then turned to Joe and said that's fine.

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<v Speaker 1>So I asked Joe how she knew it was fine.

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<v Speaker 1>His reply, when it begins to burn her eyes, she

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<v Speaker 1>knows it is dead center. Like Elizabeth Taylor, Marlena Dietrich

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<v Speaker 1>is today remembered by many for her beauty, but Dietrich's

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<v Speaker 1>persona cool, husky voiced at times androgynous, was always more daring.

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<v Speaker 1>As the theater critic Kenneth Tynan wrote, her masculinity appeals

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<v Speaker 1>to women and her sexuality to men. In the Western

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<v Speaker 1>Destrie Rides, again, Dietrich gets into a bar fight, a

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<v Speaker 1>real knockdown drag out with another woman rolling around the

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<v Speaker 1>floor before Jimmy Stewart dumps a bucket of water on

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<v Speaker 1>both of them, then Dietrich attacks him with a bottle,

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<v Speaker 1>a chair, and her fists. Incidentally, this is the movie

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<v Speaker 1>where she sings Boys in the back Room brilliantly parodied

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<v Speaker 1>by Madeline Kahn as I'm Tired in Blazing Saddles. Turns

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<v Speaker 1>out Dietrich wasn't afraid of a good fight in real life.

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<v Speaker 1>Destri came out in nineteen thirty nine, the year Hitler's

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<v Speaker 1>Germany invaded Poland, commencing World War Two, and Dietrich stepped

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<v Speaker 1>right into the breach to help her new beloved homeland,

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<v Speaker 1>the United States of America, defeat the country of her birth.

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<v Speaker 1>I don't think she was ever happier, more fulfilled than

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<v Speaker 1>when she was serving the Allied troops, Peter Reva told me.

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<v Speaker 1>Perhaps that's because she knew well what was at stake.

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<v Speaker 1>Born in Berlin as Marie Magdalena Dietrich in nineteen oh one,

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<v Speaker 1>Dietrich lost her father when she was just five. While

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<v Speaker 1>still a girl, she came up with the name Marlena

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<v Speaker 1>by fusing her first and second names. It was her

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<v Speaker 1>first act of self creation. She embarked on a career

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<v Speaker 1>in entertainment as a chorus girl in Berlin reviews and

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<v Speaker 1>then as an actress in the city's vibrant cinema scene.

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<v Speaker 1>Her breakout performance came as a cabaret singer in Joseph

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<v Speaker 1>von Sternberg's Blue Angel. Immediately, Paramount Studios came calling, and

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<v Speaker 1>Dietrich moved to Hollywood to star in a series of

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<v Speaker 1>six films in the early nineteen thirties, all directed by Sternberg.

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<v Speaker 1>She was usually cast in the role of a vamp

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<v Speaker 1>or femme fatale, but fast won a reputation for breaking

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<v Speaker 1>the rules. In nineteen thirty three, while sailing from New

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<v Speaker 1>York to France, she received a warning from Paris's chief

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<v Speaker 1>of police that should she arrive in the city wearing

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<v Speaker 1>men's trousers, she would be arrested, and so naturally, she

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<v Speaker 1>made sure to wear a white pantsuit when she disembarked.

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<v Speaker 1>The Paris papers hailed it as a revolution in fashion,

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<v Speaker 1>and the next day the chief of police showed up

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<v Speaker 1>with a bracelet inscribed with an apology. During the same

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<v Speaker 1>years that Dietrich was conquering Hollywood, Adolf Hitler was coming

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<v Speaker 1>to power back in Germany. Dietrich watched political developments in

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<v Speaker 1>her home country warily. Although the German government had banned

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<v Speaker 1>Blue Angel in nineteen thirty three, Sternberg was Jewish. Hitler

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<v Speaker 1>loved the film. He wanted Dietrich to return to Germany

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<v Speaker 1>to continue her career. As her grandson Peter Reva told me,

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<v Speaker 1>Marlena was staunchly opposed to autocrats and fascists. When she

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<v Speaker 1>got to that position of security and fame, she took

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<v Speaker 1>every opportunity she could to oppose the Nazis. German foreign

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<v Speaker 1>minister von Riebintroff came to visit her in nineteen thirty

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<v Speaker 1>seven at the Lancaster Hotel in Paris, bearing a mother's

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<v Speaker 1>cross to woo Marlena back to Germany. It would have

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<v Speaker 1>essentially made her Queen of Germany with the promise of

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<v Speaker 1>a care free life. She said no then and many

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<v Speaker 1>other times. Hitler never asked again, just labeled her a

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<v Speaker 1>traitor to the fatherland. Instead, Dietrich worked with Jewish emigrat

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<v Speaker 1>director Billy Wilder. Jews had been leaving Germany since the

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<v Speaker 1>Nazis came to power in nineteen thirty three, but in

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<v Speaker 1>nineteen thirty eight, with Krystelnacht, a nationwide pogrom against Jewish homes, businesses, synagogues,

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<v Speaker 1>and schools. The refugee problem became a crisis. Dietrich and

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<v Speaker 1>Wilder started a fund to spawn refugees, and Dietrich escrote

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<v Speaker 1>her entire salary from nineteen thirty seven's Night Without Armor

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<v Speaker 1>at four hundred and fifty thousand dollars per film, she

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<v Speaker 1>was one of Hollywood's highest paid stars to support the cause.

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<v Speaker 1>And then in nineteen thirty nine, this woman, who was

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<v Speaker 1>culturally German to the core, publicly renounced her home country

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<v Speaker 1>and became an American citizen. She made sure the cameras

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<v Speaker 1>were there when she was sworn in. She wanted the

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<v Speaker 1>oath of American citizenship to be captured on film, says Reva,

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<v Speaker 1>in order to send a message to the Third Reich

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<v Speaker 1>and good Germans for them to know she was taking

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<v Speaker 1>that stand. This didn't go over well back home. The

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<v Speaker 1>Nazi newspaper Dar Stormer wrote that she had been corrupted

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<v Speaker 1>from her years spent among the Jews of Hollywood, calling

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<v Speaker 1>her decision a betrayal of the fatherland. Dietrich didn't care,

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<v Speaker 1>but the bombing of Pearl Harbor she went further. In

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<v Speaker 1>nineteen forty two, she traveled throughout the United States to

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<v Speaker 1>promote the purchase of war bonds. Some estimates credit her

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<v Speaker 1>with raising a million dollars in sales. I am delighted

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<v Speaker 1>to have the opportunity to help my country in any

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<v Speaker 1>way I can, she told The New York Times that year.

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<v Speaker 1>I consider it a privilege, not a duty. She also

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<v Speaker 1>supported the government's wartime propaganda, which used German language radio

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<v Speaker 1>to demoralize the Nazi troops, but Dietrich's greatest efforts were

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<v Speaker 1>for the USO. In nineteen forty four and nineteen forty five,

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<v Speaker 1>she volunteered for multiple tours entertaining troops and prisoners of

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<v Speaker 1>war in Algeria, Italy, France, and Germany for eighteen straight months,

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<v Speaker 1>with more time at the front, Billy Wilder said, than

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<v Speaker 1>General Eisenhower. She earned a reputation for abiding the rough conditions,

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<v Speaker 1>a lack of electricity, sleeping intents, and for being willing

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<v Speaker 1>to tour near enemy lines. The closer the better, as

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<v Speaker 1>far as Dietrich was concerned. Riva recalls Danny Thomas, who

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<v Speaker 1>was a young comic at the time touring with Dietrich,

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<v Speaker 1>once said to me, your grandmother, laughing and shaking his head.

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<v Speaker 1>She tried to get us killed. We were performing our

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<v Speaker 1>act for five guys in a foxhole with howitzer as

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<v Speaker 1>firing overhead. She performed for as many as half a

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<v Speaker 1>million troops, singing and even playing the saw, which she

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<v Speaker 1>bowed like a violin. As a teenager, she had aspired

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<v Speaker 1>to be a concert violinist, until a severe wrist injury

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<v Speaker 1>dashed her hopes. She did some comic bits too. In

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<v Speaker 1>one act, she purported to be a mind reader. She

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<v Speaker 1>would call a serviceman up on stage and state that

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<v Speaker 1>she would tell the audience his thoughts. After a sly

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<v Speaker 1>look at the young man, she'd quip, oh, think of

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<v Speaker 1>something else. I can't talk about that. Actually, I think

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<v Speaker 1>Dietrich wanted to be a soldier, and you couldn't very

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<v Speaker 1>well be a soldier, so she fought her way, said

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<v Speaker 1>her daughter Maria Riva, mother of Peter, in a nineteen

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<v Speaker 1>ninety six British documentary. Maria Riva's acclaimed nineteen ninety two

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<v Speaker 1>memoir described Dietrich as not so much a mother as

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<v Speaker 1>a queen with her family as court. But on Dietrich's

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<v Speaker 1>contributions to the war effort. Maria Riva is unstinting. She

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<v Speaker 1>did a magnificent job. Certainly when she was finally overseas,

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<v Speaker 1>she practically was a soldier. She never said I was

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<v Speaker 1>with the USO. She was in the army. One of

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<v Speaker 1>Dietrich's more famous paramours, the actor Douglas Fairbanks Junior, claimed

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<v Speaker 1>that she entertained the idea of helping the Allied cause

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<v Speaker 1>in an even grander way by killing Hitler. Dietrich biographer

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<v Speaker 1>Charlotte Chandler quotes Fairbanks as saying that Dietrich toyed with

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<v Speaker 1>plans to seduce and then assassinate the German leader. Back

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<v Speaker 1>in the thirties, when Hitler still held out hopes that

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<v Speaker 1>Dietrich would return to Germany, Morlena suggested to Fairbanks that

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<v Speaker 1>she might accept the offer on the condition that she

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<v Speaker 1>be granted a private audience with the fear. Her plan

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<v Speaker 1>was to gush about Hitler, soften him up, and then

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<v Speaker 1>strike the fatal blow. When Fairbanks expressed skepticism about the plan,

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<v Speaker 1>surely she would be searched before being allowed to meet

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<v Speaker 1>privately with Hitler, she countered that she would subject herself

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<v Speaker 1>to a strip search and use a poisoned hair pen

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<v Speaker 1>as the lethal weapon. She always felt a responsibility to

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<v Speaker 1>do one hundred percent, says Peter Riva. If you detest

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<v Speaker 1>Hitler enough, you're going to give that one hundred percent

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<v Speaker 1>of your effort. After the war, the United States honored

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<v Speaker 1>its adopted citizen with the Presidential Medal of Freedom. In

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<v Speaker 1>nineteen forty seven, France named her a Chevalier of the

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<v Speaker 1>Legion of Honor, Belgium a Knight of the Order of Leopold.

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<v Speaker 1>In nineteen sixty five, she became the first German and

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<v Speaker 1>the first woman to receive the Medallion of Valor from

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<v Speaker 1>the State of Israel. She was also honored by the

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<v Speaker 1>Jewish veterans of World War II, but not everyone honored her.

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<v Speaker 1>When she returned to Germany in nineteen sixty she encountered threats, protests,

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<v Speaker 1>and chants of Marlena go home from those who still

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<v Speaker 1>felt she had betrayed the nation. For the rest of

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<v Speaker 1>her life, she shared a bond with the young men

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<v Speaker 1>alongside whom she'd served. They were her boys, says Peter Reva.

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<v Speaker 1>She felt responsible for them, She felt grateful to them.

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<v Speaker 1>When she sang in Vegas the first time in nineteen

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<v Speaker 1>fifty three at the Sahara, many of her boys wore uniforms.

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<v Speaker 1>She called us the next morning, crying, happy that her

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<v Speaker 1>boys remembered and that she was able to thank them

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<v Speaker 1>once more. Every time I saw her perform London, Switzerland, Paris,

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<v Speaker 1>New York, Jersey, it was always the same. She'd ask

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<v Speaker 1>if any of her boys were in the audience. They'd

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<v Speaker 1>whoop and holler. She'd smile, flash a leg and sing provocatively.

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<v Speaker 1>They were hers and she was theirs. She knew their sacrifice.

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<v Speaker 1>Never forgot she loved this country, says Peter Reva. She

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<v Speaker 1>did loved the spirit of can do. When the first

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<v Speaker 1>space shuttle flew in nineteen eighty one, she called everyone

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<v Speaker 1>she knew to turn on the TV and watch. It

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<v Speaker 1>wasn't about space travel, it was about the American ability

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<v Speaker 1>to reach out, explore, improve try. She loved that Americans

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<v Speaker 1>built their lives on trying, persevering, the real immigrant spirit,

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<v Speaker 1>and she was an immigrant. This special episode of the

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<v Speaker 1>Mobituaries podcast is also included in the audiobook edition of Mobituaries.

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<v Speaker 1>While You Just Heard the Surprising History of Marlena Dietrich.

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<v Speaker 1>The Mobituary's audiobook is filled with stories you won't hear

0:12:40.480 --> 0:12:45.040
<v Speaker 1>on the podcast. You'll get profiles of presidents who aren't

0:12:45.040 --> 0:12:49.400
<v Speaker 1>on Mount Rushmore, tributes to cars now consigned to the

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<v Speaker 1>scrap heap of history, tales of long gone sports teams,

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<v Speaker 1>and dragons, Yes, dragons, you see, people believed in dragons

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<v Speaker 1>until well. Anyway, you can download the audiobook edition of

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<v Speaker 1>Mobituaries wherever you get your audio books. Thanks for listening.