1 00:00:09,680 --> 00:00:14,600 Speaker 1: All right, it is Oscar Sunday Award Show. Just I 2 00:00:14,600 --> 00:00:16,799 Speaker 1: don't know when you're listening to this, but it's coming 3 00:00:16,840 --> 00:00:19,760 Speaker 1: up and you still haven't seen Train Dreams. Yes, it's 4 00:00:19,840 --> 00:00:23,160 Speaker 1: number nine. As we're making through all ten Best Picture 5 00:00:23,520 --> 00:00:27,280 Speaker 1: nominees giving you the cliff notes, but up next, number nine. Now, 6 00:00:27,600 --> 00:00:29,800 Speaker 1: Train Dreams the shortest of them all. 7 00:00:29,800 --> 00:00:33,279 Speaker 2: We should mention the shortest, but it actually felt like 8 00:00:33,400 --> 00:00:34,120 Speaker 2: the longest. 9 00:00:34,840 --> 00:00:35,400 Speaker 1: We'll explain it. 10 00:00:35,479 --> 00:00:38,000 Speaker 3: Yeah, well one of the longest. It's funny. 11 00:00:38,040 --> 00:00:41,240 Speaker 2: I was surprised when I saw how short it actually 12 00:00:41,400 --> 00:00:43,440 Speaker 2: was because it did feel like. 13 00:00:43,360 --> 00:00:46,320 Speaker 3: This very long journey. 14 00:00:46,479 --> 00:00:50,120 Speaker 2: So this movie got four nominations, and this was the 15 00:00:50,120 --> 00:00:54,440 Speaker 2: only other Best Picture nominee that didn't have any Best 16 00:00:54,520 --> 00:00:58,000 Speaker 2: Acting nods, which is pretty fascinating given that you've got 17 00:00:58,080 --> 00:01:02,760 Speaker 2: Joel Edgerton and Felicity Jones in this, like two incredible 18 00:01:02,920 --> 00:01:06,160 Speaker 2: award winning actors, that neither one of them got a 19 00:01:06,200 --> 00:01:06,920 Speaker 2: nomination for. 20 00:01:06,920 --> 00:01:12,560 Speaker 1: This and Joel Edgerton, what was the other one? F one? 21 00:01:12,760 --> 00:01:15,800 Speaker 1: Those are the only two, right, correct? F one? These 22 00:01:15,840 --> 00:01:17,800 Speaker 1: are the only two, And I guess that's kind of 23 00:01:18,440 --> 00:01:20,479 Speaker 1: I don't know. I guess somebody had to get left 24 00:01:20,520 --> 00:01:21,399 Speaker 1: out with so many movies. 25 00:01:21,440 --> 00:01:25,280 Speaker 2: But what's interesting to me, though, is this movie in particular. 26 00:01:25,319 --> 00:01:28,039 Speaker 2: By the way, so it got Best Picture, Best Cinematography, 27 00:01:28,200 --> 00:01:31,600 Speaker 2: Best Original Song, and Best Adapted Screenplay. 28 00:01:31,840 --> 00:01:33,880 Speaker 3: Now best cinematography, totally get it. 29 00:01:33,880 --> 00:01:38,240 Speaker 2: It is a sweeping, beautiful it's gorgeous to look at. 30 00:01:38,280 --> 00:01:41,319 Speaker 2: It kind of reminds me of even watching like a 31 00:01:41,400 --> 00:01:44,560 Speaker 2: NAT Geo special. You're just kind of swept away in 32 00:01:44,720 --> 00:01:50,360 Speaker 2: this gorgeous landscape in the Pacific Northwest. But really what 33 00:01:50,760 --> 00:01:54,280 Speaker 2: drives this movie is the acting and so the storytelling. 34 00:01:54,320 --> 00:01:57,800 Speaker 2: So it's interesting to me that it didn't get an acting. 35 00:01:57,520 --> 00:02:00,840 Speaker 1: Not wait a second, I just messed up the narrator 36 00:02:01,680 --> 00:02:06,240 Speaker 1: Will Patten. Will Patten adds a lot to this movie. 37 00:02:06,440 --> 00:02:08,920 Speaker 3: So that has been written about it. Oh my god, 38 00:02:09,040 --> 00:02:10,279 Speaker 3: the reviews people. 39 00:02:10,040 --> 00:02:12,080 Speaker 2: Talk about you know how I said it reminded me 40 00:02:12,160 --> 00:02:14,200 Speaker 2: of an at Geo where you've got, you know, the 41 00:02:14,560 --> 00:02:18,359 Speaker 2: voice of God speaking over the storytelling of whatever you're 42 00:02:18,400 --> 00:02:21,600 Speaker 2: looking at. That's what Will Patten gives to this movie. 43 00:02:21,720 --> 00:02:24,600 Speaker 2: Just this, you know, the voice. You actually see his 44 00:02:24,840 --> 00:02:26,240 Speaker 2: face when you hear his voice. 45 00:02:26,280 --> 00:02:28,280 Speaker 1: You probably can't come up with his name. He's one 46 00:02:28,280 --> 00:02:30,760 Speaker 1: of those actors who've just been around being don't so 47 00:02:30,800 --> 00:02:33,880 Speaker 1: many things. He's usually the right hand of whoever. The 48 00:02:33,919 --> 00:02:36,760 Speaker 1: man is kind of a guy, but robes. As soon 49 00:02:36,880 --> 00:02:39,800 Speaker 1: as we heard his voice, we said, know that guy. 50 00:02:39,840 --> 00:02:42,560 Speaker 1: We started listing movies even that he was in, and 51 00:02:42,560 --> 00:02:45,320 Speaker 1: we couldn't come up with his name. But he drives. 52 00:02:45,840 --> 00:02:46,240 Speaker 2: He is. 53 00:02:47,000 --> 00:02:51,920 Speaker 1: He is dramatic and intoxicating in his storytelling as he 54 00:02:52,000 --> 00:02:55,040 Speaker 1: goes along. I love you know what. That was the 55 00:02:55,040 --> 00:02:56,360 Speaker 1: best part of this movie for me. 56 00:02:56,760 --> 00:02:59,680 Speaker 2: You said that multiple times, and you actually even remembered. 57 00:02:59,680 --> 00:03:04,480 Speaker 2: You said, remember remember in Halloween and Halloween Killed. Oh, yeah, 58 00:03:04,960 --> 00:03:07,040 Speaker 2: that's the officer and you were right. I was like, 59 00:03:07,120 --> 00:03:08,959 Speaker 2: oh my god, you're right. I can see his face. 60 00:03:09,080 --> 00:03:11,360 Speaker 2: That is the voice to. 61 00:03:11,280 --> 00:03:13,680 Speaker 3: Go from Halloween to Train Dreams. 62 00:03:13,800 --> 00:03:16,480 Speaker 2: Okay, a little bit of a departure, but he literally 63 00:03:16,520 --> 00:03:21,280 Speaker 2: has the perfect story book like voice to narrate this epic, 64 00:03:21,480 --> 00:03:23,200 Speaker 2: epic journey. And so if you want to know what 65 00:03:23,240 --> 00:03:27,320 Speaker 2: it is, here is the official synopsis. Based on Dennis 66 00:03:27,400 --> 00:03:31,600 Speaker 2: Johnson's beloved novella. Train Dreams is the moving portrait of 67 00:03:31,720 --> 00:03:36,880 Speaker 2: Robert Greinier, a logger and railroad worker who leads a 68 00:03:36,880 --> 00:03:40,480 Speaker 2: life of unexpected depth and beauty in the rapidly changing 69 00:03:40,520 --> 00:03:44,000 Speaker 2: America of the early twentieth century. What they leave out 70 00:03:44,080 --> 00:03:47,200 Speaker 2: is there is this beautiful love story I think, between 71 00:03:47,280 --> 00:03:51,200 Speaker 2: man and planet Earth and what it provides, and also 72 00:03:51,360 --> 00:03:54,119 Speaker 2: between a man and a woman, this simple man who 73 00:03:54,280 --> 00:03:56,600 Speaker 2: just wanted the simple things in life, and there is 74 00:03:56,640 --> 00:03:59,600 Speaker 2: a tragic turn and twist in the story that is 75 00:03:59,640 --> 00:04:00,720 Speaker 2: fairly devastating. 76 00:04:00,840 --> 00:04:03,680 Speaker 1: What would you say, just based on reading that, is 77 00:04:03,720 --> 00:04:07,760 Speaker 1: that a movie that catches your attention just on the snopsis? 78 00:04:07,760 --> 00:04:09,360 Speaker 3: Okay, I think we need to tell the story. 79 00:04:09,600 --> 00:04:13,640 Speaker 2: So when we were going over the different movies in 80 00:04:13,680 --> 00:04:15,560 Speaker 2: what order we wanted to watch them part of we 81 00:04:15,600 --> 00:04:18,880 Speaker 2: started watching these movies actually a couple weeks ago when Sabrine. 82 00:04:19,480 --> 00:04:22,359 Speaker 2: Sabine was on her not spring break but her winter break, 83 00:04:22,680 --> 00:04:24,480 Speaker 2: and so she started kind of looking them up for 84 00:04:24,560 --> 00:04:25,400 Speaker 2: us and asking us. 85 00:04:25,640 --> 00:04:26,960 Speaker 3: So we said, what's the shortest one. 86 00:04:27,000 --> 00:04:29,160 Speaker 2: We wanted to get the shortest one over first, and 87 00:04:29,200 --> 00:04:31,120 Speaker 2: she said trained dreams were like train dreams. 88 00:04:31,160 --> 00:04:33,840 Speaker 3: What's that about? She read this synopsis. 89 00:04:33,880 --> 00:04:35,839 Speaker 2: You and I looked at each other and started laughing 90 00:04:35,960 --> 00:04:41,400 Speaker 2: and said, no, nah, we were like a lagger talking 91 00:04:41,400 --> 00:04:45,320 Speaker 2: about his life of unexpected depth in the rapidly change 92 00:04:45,600 --> 00:04:49,320 Speaker 2: twentieth century. Really that sounds like a social studies movie. 93 00:04:49,360 --> 00:04:52,200 Speaker 2: I had to watch in class in lieu of, you know, 94 00:04:52,320 --> 00:04:56,760 Speaker 2: my substitute teachers there, So that was like compulsory movie watching. 95 00:04:56,920 --> 00:04:59,400 Speaker 2: As short as it was when we heard that we 96 00:05:00,000 --> 00:05:02,839 Speaker 2: I would never have watched this movie had it not 97 00:05:02,920 --> 00:05:05,360 Speaker 2: been nominated and had we not decided to do this. 98 00:05:06,120 --> 00:05:10,160 Speaker 1: That that is true. There was nothing necessarily even about 99 00:05:10,160 --> 00:05:12,360 Speaker 1: it after it was nominated that I was like, oh, 100 00:05:12,360 --> 00:05:14,520 Speaker 1: I'm curious, sir, let me put that on the list. 101 00:05:15,000 --> 00:05:18,440 Speaker 1: It just was not as much as I love Joel Edgerton, Yeah, 102 00:05:18,440 --> 00:05:21,200 Speaker 1: we love having Felicity Jonesah well, oh my goodness. And 103 00:05:21,240 --> 00:05:23,720 Speaker 1: I didn't even know about Homeboy doing the narration, So 104 00:05:23,960 --> 00:05:26,320 Speaker 1: it just wasn't and didn't. Sabine tell us as well 105 00:05:26,320 --> 00:05:28,479 Speaker 1: that it was already out there. That had to do 106 00:05:28,560 --> 00:05:31,200 Speaker 1: with the loss of a child. It had to do 107 00:05:31,240 --> 00:05:32,440 Speaker 1: with death again of a child. 108 00:05:32,839 --> 00:05:35,839 Speaker 2: So many of these movies in Best Picture have had 109 00:05:35,839 --> 00:05:36,880 Speaker 2: the death of a child. 110 00:05:36,920 --> 00:05:40,560 Speaker 3: The loss of a child that is just a gutting, gutting. 111 00:05:40,279 --> 00:05:42,839 Speaker 2: Theme, and it's hard to kind of rev yourself up 112 00:05:42,880 --> 00:05:43,560 Speaker 2: to say, hey. 113 00:05:43,480 --> 00:05:45,080 Speaker 3: Let's watch this. 114 00:05:45,080 --> 00:05:48,599 Speaker 2: This is about the death of a wife and his daughter, 115 00:05:48,880 --> 00:05:53,200 Speaker 2: and it is I mean again, I cried, crying, feeling moved, 116 00:05:53,320 --> 00:05:55,720 Speaker 2: and look, I do think I looked at you and 117 00:05:55,800 --> 00:05:56,760 Speaker 2: said a couple of times. 118 00:05:56,800 --> 00:05:58,440 Speaker 3: You know, we we just we. 119 00:05:58,400 --> 00:06:02,200 Speaker 2: Are so obsessed and love horrors and horror comedies, and 120 00:06:02,240 --> 00:06:03,560 Speaker 2: we'll watch comedy movies too. 121 00:06:04,120 --> 00:06:06,080 Speaker 3: This is this is kind of cool. 122 00:06:05,960 --> 00:06:10,280 Speaker 4: This assignment because we I was able to watch different 123 00:06:10,360 --> 00:06:13,880 Speaker 4: types of movies that we don't seek out normally, and 124 00:06:13,920 --> 00:06:16,279 Speaker 4: we got to watch the best of the best. 125 00:06:16,520 --> 00:06:19,200 Speaker 1: You are absolutely right, and we are This should be 126 00:06:20,800 --> 00:06:24,000 Speaker 1: a lesson to us down the road. When movies come out, 127 00:06:24,000 --> 00:06:25,960 Speaker 1: we should give them a chance, go to the theater, 128 00:06:26,120 --> 00:06:29,080 Speaker 1: check things out, because there is plenty to enjoy in 129 00:06:29,120 --> 00:06:32,480 Speaker 1: these movies. It's just not usually what we what we 130 00:06:32,520 --> 00:06:36,640 Speaker 1: go for and ies. We like horror and we like comedy. 131 00:06:36,880 --> 00:06:39,680 Speaker 1: We have now, as crazy as we are, we have 132 00:06:39,800 --> 00:06:42,599 Speaker 1: now almost gotten to a point where we're almost exclusive 133 00:06:42,920 --> 00:06:46,960 Speaker 1: horror comedy. Right now, we need a complete departure from 134 00:06:47,080 --> 00:06:49,440 Speaker 1: the life that we are covering. 135 00:06:50,640 --> 00:06:54,040 Speaker 2: So it needs to be satirical, It needs to be outrageous, 136 00:06:54,279 --> 00:06:57,760 Speaker 2: it needs to be thrilling offensive. Even sometimes that's fine 137 00:06:57,920 --> 00:07:01,359 Speaker 2: exactly or yes, or the fear of the supernatural, just 138 00:07:01,360 --> 00:07:03,159 Speaker 2: something such a departure from reality. 139 00:07:03,440 --> 00:07:04,880 Speaker 3: But in the Train Dreams. 140 00:07:04,920 --> 00:07:08,600 Speaker 2: Look, it never actually was released to the box office, right, 141 00:07:08,640 --> 00:07:10,400 Speaker 2: This never was in theater's Train Dreams. 142 00:07:10,600 --> 00:07:13,040 Speaker 1: No where did it go? I should know this? No, 143 00:07:13,080 --> 00:07:15,680 Speaker 1: it did not get a theatrical release. Where did it 144 00:07:15,920 --> 00:07:17,200 Speaker 1: end up online? Where did we watch it? 145 00:07:18,040 --> 00:07:19,040 Speaker 3: This was one of the ones. 146 00:07:19,080 --> 00:07:21,840 Speaker 2: I believe that we were able to stream for free 147 00:07:21,920 --> 00:07:25,280 Speaker 2: because that was part of our schedule of what we 148 00:07:25,320 --> 00:07:27,080 Speaker 2: could watch because we were trying to wait for all 149 00:07:27,120 --> 00:07:28,360 Speaker 2: of them to stream free. 150 00:07:28,400 --> 00:07:30,680 Speaker 3: But this was on Netflix, so this might have just 151 00:07:30,720 --> 00:07:31,080 Speaker 3: been a. 152 00:07:30,960 --> 00:07:34,560 Speaker 2: Netflix to Netflix movie because it was never theatrically released, 153 00:07:35,040 --> 00:07:37,280 Speaker 2: so there was no actual box office, no way to 154 00:07:37,320 --> 00:07:39,680 Speaker 2: determine how popular this was in terms of how many 155 00:07:39,680 --> 00:07:41,320 Speaker 2: people actually saw this movie. 156 00:07:41,840 --> 00:07:44,160 Speaker 1: Where did we put this on our list? In what order? 157 00:07:44,200 --> 00:07:45,559 Speaker 1: Did we actually watch this one? 158 00:07:45,680 --> 00:07:47,760 Speaker 2: This was one of the last ones because I think 159 00:07:47,880 --> 00:07:51,880 Speaker 2: just because of the synopsis. When we read the synopsis, 160 00:07:51,920 --> 00:07:54,360 Speaker 2: it just seemed like the last thing we wanted to watch, 161 00:07:54,680 --> 00:07:57,840 Speaker 2: and then add death to it and it just was like, Wow, 162 00:07:58,000 --> 00:08:00,320 Speaker 2: I don't know if I'm up for this. But the 163 00:08:00,360 --> 00:08:03,920 Speaker 2: truth is we actually enjoyed it. I actually thought it 164 00:08:04,000 --> 00:08:08,160 Speaker 2: was so beautiful to watch. It was heartrending. Yes, but 165 00:08:08,240 --> 00:08:12,120 Speaker 2: it was also so beautiful, and the critics and the 166 00:08:12,160 --> 00:08:15,560 Speaker 2: audience agreed. Rotten Tomatoes ninety four percent for the critics, 167 00:08:16,080 --> 00:08:17,720 Speaker 2: ninety percent for the audience. 168 00:08:18,800 --> 00:08:23,280 Speaker 1: Our forty two long movie that helped it is PG. Thirteen, 169 00:08:24,200 --> 00:08:30,000 Speaker 1: What Robes. This movie felt incredibly long to me. Now, 170 00:08:30,120 --> 00:08:32,080 Speaker 1: let me start with we didn't know what to expect. 171 00:08:32,080 --> 00:08:33,719 Speaker 1: The synopsis that we don't know if it's gonna be 172 00:08:33,760 --> 00:08:36,400 Speaker 1: a great movie. We love, but Robes. When we the 173 00:08:36,520 --> 00:08:40,640 Speaker 1: first shot, the first image you see when this movie starts, 174 00:08:40,960 --> 00:08:45,439 Speaker 1: you think, wow, that's beautiful. Yep, it is breathtaking from 175 00:08:45,520 --> 00:08:47,600 Speaker 1: the jump, and you do feel like you're on one 176 00:08:47,600 --> 00:08:51,920 Speaker 1: of these what were those big what was it? The 177 00:08:51,920 --> 00:08:53,240 Speaker 1: planet Earth? The document? 178 00:08:53,320 --> 00:08:58,360 Speaker 2: I think, yes, David what the voice of God? I'll 179 00:08:58,400 --> 00:09:00,360 Speaker 2: never come up with this name, but my girls love 180 00:09:00,440 --> 00:09:01,400 Speaker 2: those movies. 181 00:09:01,520 --> 00:09:02,559 Speaker 3: That's what I felt like I. 182 00:09:02,559 --> 00:09:05,600 Speaker 2: Was watching when this movie started, and I got sucked 183 00:09:05,640 --> 00:09:06,000 Speaker 2: into it. 184 00:09:06,080 --> 00:09:08,120 Speaker 1: You do get sucked in. It's only an hour and 185 00:09:08,120 --> 00:09:11,600 Speaker 1: forty two minutes. Did we do it in one sitting? 186 00:09:12,040 --> 00:09:12,560 Speaker 1: We did? 187 00:09:12,679 --> 00:09:15,079 Speaker 2: We did it in one sitting than the next movie 188 00:09:15,120 --> 00:09:16,040 Speaker 2: we did in two days. 189 00:09:16,160 --> 00:09:18,960 Speaker 1: Okay, Well Trained Dreams was one for me at least 190 00:09:19,320 --> 00:09:21,280 Speaker 1: this is the one. You said, it felt like it 191 00:09:21,400 --> 00:09:24,720 Speaker 1: kept getting longer and longer and longer. To me for 192 00:09:24,760 --> 00:09:27,079 Speaker 1: some reason, this isn't the one I did that. 193 00:09:27,320 --> 00:09:29,600 Speaker 2: No, which was the next one? Which was that the 194 00:09:29,640 --> 00:09:31,199 Speaker 2: next one sentimental value? 195 00:09:31,640 --> 00:09:34,760 Speaker 1: No, it was this one, you remember. It was the 196 00:09:34,800 --> 00:09:36,839 Speaker 1: shortest one, but it took us so long to get 197 00:09:36,840 --> 00:09:39,760 Speaker 1: through it, you said, because I complained that I felt 198 00:09:39,760 --> 00:09:40,559 Speaker 1: that there was just the one. 199 00:09:40,600 --> 00:09:42,920 Speaker 2: I'm sorry, I'm getting confused, because all of the last 200 00:09:42,960 --> 00:09:45,720 Speaker 2: ones we saw you did not like it at all, 201 00:09:45,960 --> 00:09:49,280 Speaker 2: because they were very emotional and they did drag on. 202 00:09:49,600 --> 00:09:53,360 Speaker 1: No, that's okay, that's to put it that way. I 203 00:09:53,400 --> 00:09:55,679 Speaker 1: didn't say I didn't like them because they were emotional. 204 00:09:55,720 --> 00:09:58,240 Speaker 1: They were a different type of experiences. I've been trying 205 00:09:58,280 --> 00:10:02,920 Speaker 1: to explain. There's a difference appreciating this art versus saying 206 00:10:03,120 --> 00:10:05,720 Speaker 1: that's not a good movie or I don't like that movie. 207 00:10:05,800 --> 00:10:10,280 Speaker 2: True, okay, true, true, true, Yes, I do remember though 208 00:10:10,440 --> 00:10:12,760 Speaker 2: there were several times when you just you kept looking 209 00:10:12,800 --> 00:10:15,760 Speaker 2: at your phone and pausing and looking at the end 210 00:10:15,840 --> 00:10:18,160 Speaker 2: of the movie and wondering when it was going to 211 00:10:18,200 --> 00:10:18,480 Speaker 2: be over. 212 00:10:18,480 --> 00:10:19,800 Speaker 1: But again you're saying, there was this one or the 213 00:10:19,840 --> 00:10:20,400 Speaker 1: next one. 214 00:10:20,600 --> 00:10:22,040 Speaker 3: I think you kind of did it on both. 215 00:10:22,160 --> 00:10:23,400 Speaker 1: See this thing. 216 00:10:23,360 --> 00:10:26,400 Speaker 2: I'm telling you there you have I can we I 217 00:10:26,440 --> 00:10:31,520 Speaker 2: know when things start getting uncomfortable, like really uncomfortable and dark, 218 00:10:31,760 --> 00:10:33,800 Speaker 2: that is when you tend. 219 00:10:33,600 --> 00:10:34,360 Speaker 3: To check out. 220 00:10:34,520 --> 00:10:38,840 Speaker 1: But I don't sit up and want to dive in 221 00:10:38,880 --> 00:10:42,720 Speaker 1: to whatever that is right. I don't want to get 222 00:10:42,760 --> 00:10:45,720 Speaker 1: sucked into misery. I don't want to get sucked into heartache. 223 00:10:45,720 --> 00:10:47,360 Speaker 1: I don't want to get sucked into pain and to 224 00:10:47,520 --> 00:10:51,480 Speaker 1: loss and to death. I don't. And these movies are 225 00:10:51,559 --> 00:10:54,880 Speaker 1: so good. They're so well written, they're so well shot, 226 00:10:54,920 --> 00:10:57,800 Speaker 1: they're so well directed, they're so well acted that you 227 00:10:57,840 --> 00:11:01,440 Speaker 1: can't help to get sucked in and I want to 228 00:11:01,480 --> 00:11:04,839 Speaker 1: go away. They're just not I don't. Maybe I feel 229 00:11:04,880 --> 00:11:07,720 Speaker 1: too much, Maybe I can't take them just for what 230 00:11:07,760 --> 00:11:12,160 Speaker 1: they are and not get but robes. They are heavy movies, 231 00:11:12,240 --> 00:11:15,280 Speaker 1: and this one had beauty start to finish, and some 232 00:11:15,320 --> 00:11:17,120 Speaker 1: of that beauty had a lot to do with pain. 233 00:11:17,559 --> 00:11:18,079 Speaker 3: That's true. 234 00:11:18,120 --> 00:11:21,600 Speaker 2: And the outdoors, which is what I really loved about 235 00:11:21,600 --> 00:11:24,840 Speaker 2: this movie, the connection to nature as a logger, just 236 00:11:24,920 --> 00:11:27,640 Speaker 2: one with the trees and just it was gorgeous in 237 00:11:27,679 --> 00:11:31,319 Speaker 2: its isolation, which sounds crazy, but there was so much 238 00:11:31,360 --> 00:11:32,000 Speaker 2: beauty to that. 239 00:11:32,080 --> 00:11:34,000 Speaker 1: But after hearing all that, can you all tell if 240 00:11:34,000 --> 00:11:35,800 Speaker 1: we would tell you to watch it or skip it? 241 00:11:35,840 --> 00:11:49,920 Speaker 1: Stay here all right, folks, Train Dreams? You know why 242 00:11:49,960 --> 00:11:51,240 Speaker 1: the title anyway? Do you remember? 243 00:11:51,320 --> 00:11:51,440 Speaker 4: Well? 244 00:11:51,440 --> 00:11:54,080 Speaker 2: Because he would get on the train and have to 245 00:11:54,160 --> 00:11:56,880 Speaker 2: leave his family for months at a time, and then 246 00:11:57,240 --> 00:11:59,600 Speaker 2: with a bunch of other loggers looking for work, instot 247 00:11:59,640 --> 00:12:02,880 Speaker 2: the train would take him I'm thinking, to work, but 248 00:12:02,920 --> 00:12:06,800 Speaker 2: then back to the life that he was wanting to 249 00:12:06,840 --> 00:12:07,720 Speaker 2: be able to support. 250 00:12:07,960 --> 00:12:11,880 Speaker 1: Somebody asked you to tonight, Hey, should I watch Trained Dreams? 251 00:12:11,880 --> 00:12:14,679 Speaker 2: You would tell them I would say to watch it. 252 00:12:14,920 --> 00:12:16,320 Speaker 2: I really liked it. 253 00:12:16,360 --> 00:12:18,600 Speaker 3: I thought there was a lot of beauty and value in. 254 00:12:18,559 --> 00:12:21,360 Speaker 2: It, And I just think I would probably tell them, 255 00:12:21,400 --> 00:12:22,800 Speaker 2: you need to be in the right state of mind, 256 00:12:22,960 --> 00:12:26,320 Speaker 2: don't be sleepy, and if you're looking for some fast 257 00:12:26,480 --> 00:12:30,280 Speaker 2: paced action, thriller comedy like, it's none of those things. 258 00:12:30,320 --> 00:12:33,480 Speaker 2: This is actually if you're kind of in a reflective. 259 00:12:32,960 --> 00:12:34,280 Speaker 3: Meditative place. 260 00:12:34,600 --> 00:12:36,920 Speaker 2: I really think this is a beautiful movie to watch 261 00:12:37,320 --> 00:12:39,200 Speaker 2: if you're willing to just kind of go in deep 262 00:12:39,240 --> 00:12:43,960 Speaker 2: with connection and just I think this is celebrating the 263 00:12:44,000 --> 00:12:48,160 Speaker 2: beauty of life in its simplest form and just respecting 264 00:12:49,240 --> 00:12:52,400 Speaker 2: the cycle of life and seeing how fleeting things are 265 00:12:52,400 --> 00:12:55,560 Speaker 2: but still being able to be at peace with it. 266 00:12:55,600 --> 00:12:56,800 Speaker 3: People a lot of folks who. 267 00:12:56,840 --> 00:12:59,560 Speaker 2: Went online and talked about this talked about it highlighting 268 00:12:59,559 --> 00:13:02,600 Speaker 2: invisible pain, and that's something so many people feel but 269 00:13:02,679 --> 00:13:05,680 Speaker 2: don't know how to express or to even connect with. 270 00:13:05,760 --> 00:13:08,319 Speaker 2: And this movie spoke to a lot of people because 271 00:13:08,360 --> 00:13:11,880 Speaker 2: it it highlighted or it showed in a way without 272 00:13:11,920 --> 00:13:14,360 Speaker 2: even saying so much. They showed what it's like to 273 00:13:14,440 --> 00:13:16,520 Speaker 2: live with invisible pain and still find beauty. 274 00:13:17,160 --> 00:13:20,280 Speaker 1: It is. It felt like reading a book, a really 275 00:13:20,280 --> 00:13:22,839 Speaker 1: good book. And you know, I don't read a out 276 00:13:22,840 --> 00:13:27,280 Speaker 1: of books, but there was detail, if you will, that 277 00:13:27,600 --> 00:13:29,559 Speaker 1: felt like some of the stuff you would only get 278 00:13:30,040 --> 00:13:33,040 Speaker 1: from taking a deep dive into a character in a book. 279 00:13:33,160 --> 00:13:34,800 Speaker 1: But they pulled it off in an hour forty two. 280 00:13:35,280 --> 00:13:38,400 Speaker 1: Congrats to them and anything they pick up I would applaud. 281 00:13:38,480 --> 00:13:41,560 Speaker 1: This was a This was a unique movie. I thought 282 00:13:41,640 --> 00:13:44,720 Speaker 1: it was gorgeous. Not something I don't think I would 283 00:13:44,760 --> 00:13:48,000 Speaker 1: ever There's a caveat I would never say, go you 284 00:13:48,120 --> 00:13:52,040 Speaker 1: gotta see train dreams tonight and then not say but 285 00:13:52,040 --> 00:13:54,440 Speaker 1: but heads up right, you would need to give a 286 00:13:54,440 --> 00:13:55,880 Speaker 1: little bit of a warning before. 287 00:13:55,600 --> 00:13:56,880 Speaker 3: So watch it with an asterisk. 288 00:13:57,520 --> 00:14:01,439 Speaker 1: Absolutely, this is not Friday night popcorn movie. 289 00:14:01,840 --> 00:14:07,280 Speaker 2: No, this might be a Sunday afternoon reflectible. 290 00:14:07,800 --> 00:14:10,680 Speaker 1: Right after watching Jane Pauli on CBS. 291 00:14:10,840 --> 00:14:12,880 Speaker 2: Yes, maybe a Sunday mornings and then you turn this on. 292 00:14:12,960 --> 00:14:16,000 Speaker 2: That would actually took a good anytime you would think 293 00:14:16,040 --> 00:14:18,120 Speaker 2: you would want to watch Planet Earth and I just 294 00:14:18,280 --> 00:14:18,800 Speaker 2: remember you. 295 00:14:18,880 --> 00:14:22,360 Speaker 3: The narrator was David Atteboro. But if you like that, 296 00:14:22,760 --> 00:14:24,000 Speaker 3: you'll love this movie. 297 00:14:24,160 --> 00:14:27,480 Speaker 1: There you go. All right, that's number now, only one more. 298 00:14:28,080 --> 00:14:30,280 Speaker 1: It's going to be next on our feet. It'll be 299 00:14:30,360 --> 00:14:33,480 Speaker 1: right after this one movie number ten for us. It's 300 00:14:33,520 --> 00:14:38,320 Speaker 1: going to be sentimental value. We don't know really what 301 00:14:38,360 --> 00:14:39,720 Speaker 1: to do with this one. All right, we'll see you 302 00:14:39,760 --> 00:14:50,200 Speaker 1: on the next one.