1 00:00:00,080 --> 00:00:11,119 Speaker 1: You are now what I call her? Ye? Yeah, way up, 2 00:00:11,240 --> 00:00:14,720 Speaker 1: way up with Angela. Yee, I'm here. Jasmine brand is here. 3 00:00:14,880 --> 00:00:18,480 Speaker 1: Good morning, Angela, Good morning. We got a good night 4 00:00:18,560 --> 00:00:20,520 Speaker 1: last night, which we get into. Yeah, we did have 5 00:00:20,520 --> 00:00:23,560 Speaker 1: a really entertaining night last night. Yes, we're gonna do 6 00:00:23,600 --> 00:00:26,840 Speaker 1: that on about last night, but Janelle Money, Yes, let's 7 00:00:26,840 --> 00:00:30,160 Speaker 1: just say that. Yes, let's just say that. We're gonna 8 00:00:30,160 --> 00:00:32,080 Speaker 1: have a fun show today. Vernon Davis is going to 9 00:00:32,120 --> 00:00:35,560 Speaker 1: be joining us. Okay, Yes, he's a former NFL player. 10 00:00:36,440 --> 00:00:38,720 Speaker 1: His brother also played in the NFL. Yeah, us in 11 00:00:38,840 --> 00:00:42,040 Speaker 1: the family literally, But he is an actor slash producer. 12 00:00:42,120 --> 00:00:44,360 Speaker 1: Now he's pretty good at too. Yeah, he's been in 13 00:00:45,200 --> 00:00:49,680 Speaker 1: movies with some big people like Bruce Willis. Yes, he 14 00:00:49,760 --> 00:00:53,240 Speaker 1: wasn't a film Morgan Freeman had some new stuff coming 15 00:00:53,240 --> 00:00:56,360 Speaker 1: out with Fan. Yes, out already, so you can check 16 00:00:56,400 --> 00:00:59,200 Speaker 1: that out. We also produced a movie on bat plus 17 00:00:59,240 --> 00:01:02,400 Speaker 1: a Sky movie. We'll talk to him about that. You know. 18 00:01:02,440 --> 00:01:05,480 Speaker 1: I love a good horror. I'm trying to finish um Swarm. 19 00:01:05,520 --> 00:01:07,720 Speaker 1: I still got like three more episodes. I think I 20 00:01:07,760 --> 00:01:10,560 Speaker 1: have more than you. Yeah, I was watching it last night, 21 00:01:10,560 --> 00:01:12,320 Speaker 1: but by the time we got home, I was kind 22 00:01:12,319 --> 00:01:15,600 Speaker 1: of tired. Yeah, but we'll talk about that. Danielle rawlings, 23 00:01:15,840 --> 00:01:20,360 Speaker 1: Oh yeah, it's gonna be here today if y'all watch BMF. 24 00:01:20,880 --> 00:01:24,000 Speaker 1: Come on, Danielle, come on, Dianelle getting pushed around. Shut 25 00:01:24,080 --> 00:01:28,039 Speaker 1: up to the ground. Yes, pumped, not pumped. He was, 26 00:01:28,440 --> 00:01:30,800 Speaker 1: I know, and I'm not gonna lie. Dinelle is a girl. 27 00:01:31,040 --> 00:01:33,760 Speaker 1: I knew don Nelle since like before he was asked 28 00:01:33,880 --> 00:01:36,080 Speaker 1: Larry on the Chappelle Show. Okay, you know you knew 29 00:01:36,160 --> 00:01:38,560 Speaker 1: him pre Ashley Larry. We actually you want to hear 30 00:01:38,560 --> 00:01:40,960 Speaker 1: a funny story. So Danelle is one of my best ties. 31 00:01:41,400 --> 00:01:45,040 Speaker 1: But we hosted um the online Hip Hop Awords together 32 00:01:45,520 --> 00:01:48,760 Speaker 1: shh dot com okay, with the RAM site, and so 33 00:01:48,800 --> 00:01:50,920 Speaker 1: long ago it was meet him. Will Sylvansu is also 34 00:01:50,960 --> 00:01:54,480 Speaker 1: a great comedian, was there with us all so and 35 00:01:54,600 --> 00:01:57,480 Speaker 1: we met like at a comedy club in Brooklyn two 36 00:01:57,520 --> 00:02:01,040 Speaker 1: steps down and he was so funny. Don Nell's hilaris. 37 00:02:01,080 --> 00:02:02,400 Speaker 1: What year do you think that was when you met 38 00:02:02,480 --> 00:02:05,160 Speaker 1: don Neelle Angela, Oh, it's a long time ago. This 39 00:02:05,240 --> 00:02:07,680 Speaker 1: might before, This might be before I even started doing 40 00:02:07,800 --> 00:02:11,800 Speaker 1: radio really, so that's probably it's been doing radio for 41 00:02:12,040 --> 00:02:15,120 Speaker 1: how long now, like nineteen years? Okay, but you know, 42 00:02:15,200 --> 00:02:19,640 Speaker 1: I'm Donelle at the very beginning before your radio career. Yes, wow, 43 00:02:19,800 --> 00:02:21,680 Speaker 1: when you go way back. He used to live in Brooklyn, 44 00:02:21,680 --> 00:02:24,600 Speaker 1: but he's from DC, so he's gonna be joining us today. 45 00:02:24,639 --> 00:02:26,480 Speaker 1: And we also are going to shine a light. You know, 46 00:02:26,520 --> 00:02:29,200 Speaker 1: this is my favorite favorite way to start the showy 47 00:02:29,680 --> 00:02:33,320 Speaker 1: shining a light on somebody doing something amazing positive, somebody 48 00:02:33,320 --> 00:02:36,240 Speaker 1: who's helped you in any way. Sometimes a little thing 49 00:02:36,320 --> 00:02:38,400 Speaker 1: can absolutely make your day. And we want to shine 50 00:02:38,400 --> 00:02:41,120 Speaker 1: a light on those people. Eight hundred two nine fifty 51 00:02:41,200 --> 00:02:43,320 Speaker 1: one fifty. This is your time to shine a light 52 00:02:43,360 --> 00:02:45,800 Speaker 1: on somebody who's done something positive for you, somebody you 53 00:02:45,880 --> 00:02:47,600 Speaker 1: want to show some love too, because that's what we 54 00:02:47,680 --> 00:02:51,080 Speaker 1: do on Way Up with Angela, Ye, turn your lights on, y'all, 55 00:02:51,600 --> 00:02:59,079 Speaker 1: lights spreading love to those who are doing greatness. It's 56 00:02:59,160 --> 00:03:01,919 Speaker 1: time to shine I'm light on them. He added his 57 00:03:02,080 --> 00:03:04,919 Speaker 1: Way Up with Angela, yee, I'm here. Jasmine Brand is 58 00:03:04,960 --> 00:03:08,960 Speaker 1: here with me. Good morning. What's today? Tuesday? Happy Tuesday? Yes, 59 00:03:09,120 --> 00:03:12,880 Speaker 1: happy Tuesday, um, and we are ready to shine a light. 60 00:03:12,880 --> 00:03:14,000 Speaker 1: Who do you want to shine a light on? I 61 00:03:14,040 --> 00:03:16,320 Speaker 1: know you had somebody in mind, No I did not 62 00:03:16,840 --> 00:03:18,680 Speaker 1: you did? You were like let's shine a light on 63 00:03:18,760 --> 00:03:21,679 Speaker 1: such and such. You said, my boy panel that was 64 00:03:21,720 --> 00:03:25,720 Speaker 1: here yesterday. Yes, your boy Parnell yesterday you said that. 65 00:03:25,919 --> 00:03:27,360 Speaker 1: I thought you were going to shine a light on him, 66 00:03:27,360 --> 00:03:29,680 Speaker 1: because I don't I can't remember the name of his restaurant. Okay, 67 00:03:29,880 --> 00:03:34,400 Speaker 1: all right, Mama, what pop and push, pop and push 68 00:03:34,880 --> 00:03:36,880 Speaker 1: shining light on popping Pool. He actually brought us some 69 00:03:36,960 --> 00:03:40,960 Speaker 1: amazing Haitian patties yesterday. It was chicken, cod and pork. 70 00:03:41,040 --> 00:03:43,640 Speaker 1: Not only pork, and you don't eat amazing. I don't 71 00:03:43,640 --> 00:03:45,640 Speaker 1: eat codd either, So I had a couple of chicken patties. 72 00:03:45,720 --> 00:03:48,280 Speaker 1: Keys are makeup artists. She had the cod. She's texted 73 00:03:48,320 --> 00:03:50,800 Speaker 1: me amazing. She texted me after she left, like those 74 00:03:50,880 --> 00:03:53,600 Speaker 1: cod patties were amazing. We had the chicken. You know 75 00:03:53,640 --> 00:03:56,280 Speaker 1: what the key to it is is the flakiness of 76 00:03:56,320 --> 00:03:59,760 Speaker 1: the bread. Yes, the bread is amazing. Yes, we know 77 00:03:59,840 --> 00:04:01,880 Speaker 1: you left food girl. Oh my god, but shout out 78 00:04:01,880 --> 00:04:04,960 Speaker 1: to my guy part. Now. You know another person I've 79 00:04:04,960 --> 00:04:06,960 Speaker 1: known for a long time. He used to have this website, 80 00:04:06,960 --> 00:04:10,280 Speaker 1: What's popping dot net. Oh that was before Instagram. I 81 00:04:10,360 --> 00:04:12,400 Speaker 1: remember that. I didn't know that was him. Yeah, so 82 00:04:12,440 --> 00:04:14,400 Speaker 1: he was the founder of What's Popping dot Net. So 83 00:04:14,480 --> 00:04:16,880 Speaker 1: back in the day, if you're young, you won't notice, 84 00:04:17,240 --> 00:04:19,359 Speaker 1: but he would go to parties and on this you 85 00:04:19,360 --> 00:04:21,040 Speaker 1: can see all the pictures from the parties. Now we 86 00:04:21,080 --> 00:04:23,919 Speaker 1: have instagrams, right, he said, instagram happened, So that's what 87 00:04:24,400 --> 00:04:27,039 Speaker 1: kind of shutdown What's Popping dot net. But at that 88 00:04:27,160 --> 00:04:29,359 Speaker 1: time it was a website where you could see pictures 89 00:04:29,360 --> 00:04:31,440 Speaker 1: of everybody out at the parties. I remember that. But 90 00:04:31,480 --> 00:04:34,159 Speaker 1: his restaurant is in Long and Long Island. Okay, so 91 00:04:34,200 --> 00:04:36,160 Speaker 1: shout out to part now, thank you anybody that brings 92 00:04:36,200 --> 00:04:38,760 Speaker 1: us food. We appreciate you, especially when the food is good, Yes, 93 00:04:39,040 --> 00:04:41,200 Speaker 1: especially when the food has been sex when it's not 94 00:04:41,320 --> 00:04:43,480 Speaker 1: all right? All right, well, eight hundred two nine two 95 00:04:43,600 --> 00:04:45,760 Speaker 1: fifty one fifty, it's time for y'all to China. Light 96 00:04:45,880 --> 00:04:51,400 Speaker 1: on him and let's talk to Carrie. What's good my daddy? Oh? 97 00:04:51,440 --> 00:04:54,159 Speaker 1: Tell us why. He's the best set in the world. 98 00:04:54,960 --> 00:04:58,200 Speaker 1: And every single morning he always makes sure he calls 99 00:04:58,279 --> 00:05:01,640 Speaker 1: me chills. He's something to keep me motivated to do 100 00:05:01,720 --> 00:05:04,760 Speaker 1: better for my kids. I love that. What's your dead name? 101 00:05:05,480 --> 00:05:08,520 Speaker 1: Willie Dorsey? Okay? That should make everybody out there be 102 00:05:08,600 --> 00:05:10,240 Speaker 1: like you know what. I gotta do the same thing 103 00:05:10,279 --> 00:05:12,719 Speaker 1: for my children, call them up every morning or send 104 00:05:12,760 --> 00:05:17,480 Speaker 1: them a message last week, well, thank you, Carrie Dominique. 105 00:05:17,520 --> 00:05:19,279 Speaker 1: Who do you want to shine a light on this morning? 106 00:05:20,400 --> 00:05:24,040 Speaker 1: I want to shine a light on myself. Okay, So 107 00:05:24,080 --> 00:05:26,800 Speaker 1: I'm last few weeks, I've been really, really hard. My 108 00:05:26,880 --> 00:05:29,039 Speaker 1: baby has been in the hospital, but I have yet 109 00:05:29,080 --> 00:05:32,040 Speaker 1: to leave her side. I've had job interviews and I've 110 00:05:32,040 --> 00:05:35,120 Speaker 1: been working. So I just want to shout out to myself, 111 00:05:35,560 --> 00:05:39,040 Speaker 1: is your baby gonna be okay? Yes, she's fine, she's fine. 112 00:05:39,360 --> 00:05:42,080 Speaker 1: All right, Well that's a blessing and we're happened here. 113 00:05:42,080 --> 00:05:43,880 Speaker 1: Then you got to shine a light on you. You're 114 00:05:43,920 --> 00:05:47,320 Speaker 1: absolutely right being strong, still keeping it going, but also 115 00:05:47,360 --> 00:05:52,400 Speaker 1: there for your child. You never know what people going through. 116 00:05:52,520 --> 00:05:54,240 Speaker 1: All right, Well that was shine a light on them. 117 00:05:54,240 --> 00:05:56,240 Speaker 1: Eight hundred two nine two fifty one fifty. If you 118 00:05:56,240 --> 00:05:58,400 Speaker 1: want to shine a light on anybody, you can always 119 00:05:58,440 --> 00:06:00,440 Speaker 1: call us up. And when we come back, we have 120 00:06:00,560 --> 00:06:03,479 Speaker 1: yet we'll talk about a forty million dollar lawsuit. And 121 00:06:03,560 --> 00:06:06,480 Speaker 1: this is for bad Bunny on way up with Angela Yee. 122 00:06:06,839 --> 00:06:10,560 Speaker 1: This is Coop in the room from industry shade to 123 00:06:10,720 --> 00:06:17,640 Speaker 1: Ola Gossip Out, Angela's Sea. Yes, it's way up for Angela. Yee, 124 00:06:17,720 --> 00:06:21,159 Speaker 1: Jasmine brand is here. It's here for your Ye team. Now, 125 00:06:21,240 --> 00:06:24,239 Speaker 1: Jordan Pille has two movies coming out in twenty twenty 126 00:06:24,240 --> 00:06:27,240 Speaker 1: four dot this year, but next year. The first is 127 00:06:27,320 --> 00:06:30,880 Speaker 1: his production company, Monkey Part Productions. So that movie is 128 00:06:30,880 --> 00:06:32,479 Speaker 1: gonna come out, and that's a thriller. You know, I 129 00:06:32,520 --> 00:06:35,240 Speaker 1: love a thriller. I love a horror movie. And then 130 00:06:35,320 --> 00:06:38,040 Speaker 1: the other one is scheduled to be released on Christmas 131 00:06:38,160 --> 00:06:40,320 Speaker 1: Day twenty twenty four, and he's going to direct that 132 00:06:40,400 --> 00:06:43,880 Speaker 1: one himself. That's the untitled one. Yeah, it's untitled. Okay, 133 00:06:44,120 --> 00:06:47,400 Speaker 1: So you know he's done great so far. Get Out US, Nope, 134 00:06:47,400 --> 00:06:50,159 Speaker 1: they all were pretty successful. Get Out was nominated for 135 00:06:50,160 --> 00:06:53,480 Speaker 1: four Oscars and he did win Best Original Screenplay. US 136 00:06:53,480 --> 00:06:57,880 Speaker 1: and Nope were Awards Season hopefuls, but people feel like 137 00:06:57,920 --> 00:07:00,560 Speaker 1: he was snubbed. But so far, the new movie that's 138 00:07:00,560 --> 00:07:04,000 Speaker 1: coming on a Decenter twenty fifth is um. Just all 139 00:07:04,000 --> 00:07:06,160 Speaker 1: we know is it's a Christmas movie. Okay, Angela, what's 140 00:07:06,200 --> 00:07:10,280 Speaker 1: been your favorite um Jordan Peel film thus far? Um? 141 00:07:10,400 --> 00:07:13,360 Speaker 1: I probably liked Out of get Out US and Nope, Yeah, 142 00:07:13,480 --> 00:07:18,800 Speaker 1: I think maybe I liked US, Okay, I like to 143 00:07:18,840 --> 00:07:20,880 Speaker 1: get Out. Yeah, I figured that, but I did like US. 144 00:07:21,160 --> 00:07:23,680 Speaker 1: I figured that. No, I mean, out of those three, 145 00:07:23,680 --> 00:07:26,640 Speaker 1: if I had to guess which when you liked get Out, 146 00:07:26,640 --> 00:07:28,880 Speaker 1: But I didn't really like US. It was like it 147 00:07:28,960 --> 00:07:30,560 Speaker 1: was come too weird for me. But that's that's up 148 00:07:30,560 --> 00:07:34,080 Speaker 1: your alley. Yeah, it is all right. And Bryson Tiller 149 00:07:34,240 --> 00:07:38,000 Speaker 1: has been trending. You know why why because he announced 150 00:07:38,080 --> 00:07:40,280 Speaker 1: that he's going on tour. It's been a five year 151 00:07:40,400 --> 00:07:42,960 Speaker 1: hiatus for him. Wow. He said, it's simple. We're back, 152 00:07:43,000 --> 00:07:44,760 Speaker 1: taking a trip to the past and giving y'all a 153 00:07:44,760 --> 00:07:48,520 Speaker 1: glimpse of the future. Five whole years without touring. Time 154 00:07:48,560 --> 00:07:51,800 Speaker 1: really does fly. See y'all soon. Okay. I like Bryson Tiller. Yeah, 155 00:07:51,840 --> 00:07:54,240 Speaker 1: he's back and I'm better tour. He actually was at 156 00:07:54,280 --> 00:07:58,600 Speaker 1: the iHeart Festival last year. He came out with Diddy. Okay, Yeah, 157 00:07:58,640 --> 00:08:00,520 Speaker 1: so that was nice. That was a nice prize because 158 00:08:00,560 --> 00:08:02,800 Speaker 1: I'm like, oh, I was excited to see him. So 159 00:08:03,720 --> 00:08:08,200 Speaker 1: everybody's really hype about this tour and people are also like, 160 00:08:08,600 --> 00:08:10,920 Speaker 1: what's going on because they don't have a lot of details. Yeah, 161 00:08:10,960 --> 00:08:12,400 Speaker 1: I wonder how much these tickets are going to be 162 00:08:13,320 --> 00:08:16,400 Speaker 1: who I hope they're not a Drake Prices all right? 163 00:08:16,480 --> 00:08:19,280 Speaker 1: And Arie Lennox she was to be and the Princess 164 00:08:19,280 --> 00:08:21,000 Speaker 1: and the Frog and she actually and I love the 165 00:08:21,040 --> 00:08:24,679 Speaker 1: Ari Lenics did this. She posted a video of herself singing. 166 00:08:24,720 --> 00:08:26,960 Speaker 1: She said, Hi at Disney, I'm Arie Lennox and I 167 00:08:26,960 --> 00:08:29,080 Speaker 1: would love an opportunity to audition for Princess and the 168 00:08:29,120 --> 00:08:45,880 Speaker 1: Frog in person. Here's almost there by Anika Noni rose, 169 00:08:50,880 --> 00:08:54,120 Speaker 1: you got a girl. I love that at the part, yeah, yeah, 170 00:08:54,120 --> 00:08:56,079 Speaker 1: if it's up to us, I love that. Now you 171 00:08:56,080 --> 00:08:57,640 Speaker 1: don't have to wait, like you can just put it 172 00:08:57,679 --> 00:08:59,680 Speaker 1: out there and wait for the niversal. I love her, 173 00:09:00,240 --> 00:09:02,079 Speaker 1: and I love that she wants to be in that too, 174 00:09:02,120 --> 00:09:05,200 Speaker 1: and I love that she's from DC. Okay, and bad 175 00:09:05,240 --> 00:09:08,480 Speaker 1: Bunny has been hit with a forty million dollar law suit, 176 00:09:08,880 --> 00:09:11,840 Speaker 1: and that is from his ex girlfriend, Carlis de la 177 00:09:11,880 --> 00:09:15,160 Speaker 1: Cruz Hernandez. I love your accent. Go ahead. Yes, her 178 00:09:15,240 --> 00:09:19,000 Speaker 1: voice is on a pair of his songs, and according 179 00:09:19,040 --> 00:09:22,920 Speaker 1: to this law suit, she made indistinguishable contributions to Patti 180 00:09:23,000 --> 00:09:28,360 Speaker 1: and dosmell. Bende says okay now, Diazzi says sorry, okay. 181 00:09:28,559 --> 00:09:31,440 Speaker 1: My Spanish is a little rusty where she says bad 182 00:09:31,480 --> 00:09:34,720 Speaker 1: Bunny Baby, and those have been used without legal permission, 183 00:09:34,800 --> 00:09:37,160 Speaker 1: is what she is saying. The recording has also been 184 00:09:37,160 --> 00:09:40,240 Speaker 1: put to use in promotions worldwide concerts, television, radio, and 185 00:09:40,320 --> 00:09:43,640 Speaker 1: social musical platforms, according to the law suit that was 186 00:09:43,640 --> 00:09:45,760 Speaker 1: filed in March and a Puerto Rican court. She said, 187 00:09:45,800 --> 00:09:49,160 Speaker 1: since then, thousands of people have commented directly on Carlis's 188 00:09:49,200 --> 00:09:51,240 Speaker 1: social media networks as well as every time she goes 189 00:09:51,240 --> 00:09:54,240 Speaker 1: to a public place about the Bad Bunny Baby. And 190 00:09:54,320 --> 00:09:56,920 Speaker 1: this has caused and currently causes that De la Cruz 191 00:09:56,960 --> 00:10:01,480 Speaker 1: Hernandez feels worried, anguish, intimidated, overwhelmed and ans By the way, 192 00:10:01,480 --> 00:10:05,560 Speaker 1: those songs do have a combined um almost one billion streams. 193 00:10:05,760 --> 00:10:07,520 Speaker 1: And how much does she wanted to have been Spotify? 194 00:10:07,600 --> 00:10:09,959 Speaker 1: How much is she sewing him for? She's suing him 195 00:10:10,000 --> 00:10:15,640 Speaker 1: for forty million dollars okay, right, anxiety cost m And 196 00:10:15,840 --> 00:10:19,840 Speaker 1: you know she's also listening in the lawsuit his manager, okay, 197 00:10:20,200 --> 00:10:23,040 Speaker 1: and record label and all of those things. You do 198 00:10:23,200 --> 00:10:25,600 Speaker 1: have to get some type of clearance. Yeah, you just 199 00:10:25,640 --> 00:10:28,480 Speaker 1: can't be going around taking your ex girlfriend's voice and 200 00:10:28,559 --> 00:10:31,200 Speaker 1: using it. My voice is actually on an eminem album. 201 00:10:31,240 --> 00:10:34,360 Speaker 1: I'm sure your voice is on a few places. You're Angela, 202 00:10:34,400 --> 00:10:36,920 Speaker 1: you're kind of known. Yeah, I did a I left 203 00:10:36,920 --> 00:10:38,439 Speaker 1: the way, but they did call get clearance. I have 204 00:10:38,480 --> 00:10:40,079 Speaker 1: to sign pit. They don't play what is it was 205 00:10:40,120 --> 00:10:42,800 Speaker 1: an intro? Was it part of a song? Okay, I'm 206 00:10:42,840 --> 00:10:44,640 Speaker 1: on a skit? Okay, we should we should hear that 207 00:10:44,640 --> 00:10:47,160 Speaker 1: at some point. All right, it is way up at Angela. Ye, 208 00:10:47,160 --> 00:10:49,320 Speaker 1: that is your yet and when we come back about 209 00:10:49,400 --> 00:10:51,640 Speaker 1: last night and it's all about new money on way 210 00:10:51,720 --> 00:10:59,520 Speaker 1: up in Angela. Ye. So at last night, Yes, I'm 211 00:10:59,559 --> 00:11:04,760 Speaker 1: here asthmen. Brand is here, Danielle is downstairs. It's so disrespectful. 212 00:11:05,520 --> 00:11:07,240 Speaker 1: Well he was out alive and then he made me 213 00:11:07,320 --> 00:11:10,079 Speaker 1: join his live and it's like, come on, Danielle. Danielle 214 00:11:10,160 --> 00:11:12,040 Speaker 1: is all over the place. But that's your boy. Yes 215 00:11:12,080 --> 00:11:13,560 Speaker 1: it is, and he's done his way up here. I 216 00:11:13,600 --> 00:11:15,360 Speaker 1: cannot wait for him to come in because I know 217 00:11:15,400 --> 00:11:18,840 Speaker 1: what's going to be a whole moment. Yes, but last night, 218 00:11:18,920 --> 00:11:20,760 Speaker 1: this is the segment where we talk about what we 219 00:11:20,760 --> 00:11:22,560 Speaker 1: did last night, okay, and we want to bring this 220 00:11:22,600 --> 00:11:25,160 Speaker 1: to y'all exclusively because we had a time last night. 221 00:11:25,240 --> 00:11:27,559 Speaker 1: We did you want to tell them what we did. 222 00:11:27,760 --> 00:11:31,480 Speaker 1: We went to go preview Janelle Monee's new album. Okay, Okay, 223 00:11:32,000 --> 00:11:35,120 Speaker 1: I love some Janelle Monee. She looked amazing, by the way, 224 00:11:35,480 --> 00:11:37,559 Speaker 1: and it was a vibe I'd like to see all 225 00:11:37,600 --> 00:11:39,760 Speaker 1: of us. Yeah, like in settings like that where we 226 00:11:39,800 --> 00:11:41,480 Speaker 1: go out and we're just having a good time and 227 00:11:41,559 --> 00:11:44,320 Speaker 1: nobody had like their phones out filming everything because it 228 00:11:44,440 --> 00:11:46,679 Speaker 1: is new music that people haven't heard yet. But when 229 00:11:46,679 --> 00:11:48,880 Speaker 1: I tell you this new Genelle Monee album is a vibe, 230 00:11:48,880 --> 00:11:50,839 Speaker 1: somebody said to me, it's the type of thing where 231 00:11:50,880 --> 00:11:55,280 Speaker 1: you're just at home smoking it's it's it's I really 232 00:11:55,320 --> 00:11:59,520 Speaker 1: like it. I love how it starts. And the other 233 00:11:59,520 --> 00:12:01,280 Speaker 1: great thing that I loved about her was that she 234 00:12:01,360 --> 00:12:03,160 Speaker 1: was doing something that I know we all do. So 235 00:12:03,280 --> 00:12:04,840 Speaker 1: I was dancing in front of the window looking at 236 00:12:04,840 --> 00:12:07,440 Speaker 1: her own reflections like she was by herself. I was like, 237 00:12:07,480 --> 00:12:09,280 Speaker 1: I know we all do that at home. She was 238 00:12:09,360 --> 00:12:12,240 Speaker 1: dancing like nobody was watching. But that shows that she 239 00:12:12,320 --> 00:12:15,440 Speaker 1: loves her own music herself. So just shout out to 240 00:12:15,480 --> 00:12:18,120 Speaker 1: Janelle Munette. I know y'all gonna be really excited for 241 00:12:18,200 --> 00:12:22,520 Speaker 1: this new album. Danelle rawlings just Danielle Danielle Rawlings just 242 00:12:22,640 --> 00:12:25,640 Speaker 1: walked in the building the act doors straight from the airport, 243 00:12:25,840 --> 00:12:31,040 Speaker 1: the act women in the act door to see can 244 00:12:31,120 --> 00:12:32,920 Speaker 1: you you gotta talk on the mic, Donelle. You can't 245 00:12:32,920 --> 00:12:35,560 Speaker 1: just stand there and yell from a distance. There you go, 246 00:12:37,000 --> 00:12:44,560 Speaker 1: You know, to pause everything first, you're on brand. If 247 00:12:44,600 --> 00:12:47,000 Speaker 1: your micros on, it would be is it like is 248 00:12:47,000 --> 00:12:50,120 Speaker 1: it like like live people in their cars right now? 249 00:12:50,520 --> 00:12:53,719 Speaker 1: Live lives people are watching right now right. I'm not 250 00:12:53,720 --> 00:12:55,200 Speaker 1: gonna say, all right, so I gotta talk to La. 251 00:12:55,240 --> 00:12:57,320 Speaker 1: It's time to work, all right, peace, all right? Yeah, 252 00:12:57,320 --> 00:12:59,880 Speaker 1: get off your live when we come back. We have 253 00:13:00,040 --> 00:13:03,120 Speaker 1: a new segment that I'm really excited about. Yes, I 254 00:13:03,160 --> 00:13:04,880 Speaker 1: am too. Now, y'all know how you guys be on 255 00:13:04,920 --> 00:13:08,440 Speaker 1: Instagram and everybody's like an expert on relationships and love. Yes, 256 00:13:08,520 --> 00:13:10,840 Speaker 1: And sometimes you're like I agree with that, and sometimes 257 00:13:10,880 --> 00:13:13,280 Speaker 1: you're like, okay, this is just ridiculous. Right, So we 258 00:13:13,320 --> 00:13:15,000 Speaker 1: have a new segment that we're going to be doing. 259 00:13:15,040 --> 00:13:19,040 Speaker 1: It's called Gurus of the Graham. Gurus of the Gram. Yes, 260 00:13:19,440 --> 00:13:23,880 Speaker 1: geo TG Chris Witherspoon. When he was here, he was 261 00:13:23,920 --> 00:13:26,200 Speaker 1: guest hosting, and you know him from the Grio, you 262 00:13:26,240 --> 00:13:29,719 Speaker 1: know him from NBC and MSNBC as an entertainment contributor. 263 00:13:30,160 --> 00:13:32,000 Speaker 1: But I was trying to come up with a name 264 00:13:32,040 --> 00:13:34,120 Speaker 1: for the segment, and then he was like Graham Gurus, 265 00:13:34,160 --> 00:13:36,719 Speaker 1: and I was like, Gurus of the Graham. Gurus that. 266 00:13:36,840 --> 00:13:38,720 Speaker 1: So we want to see if you guys agree, And 267 00:13:38,760 --> 00:13:40,520 Speaker 1: when we come back, we have one of the Gurus 268 00:13:40,559 --> 00:13:43,520 Speaker 1: of the Cram, and y'all are gonna call him way 269 00:13:43,600 --> 00:13:48,560 Speaker 1: in and let us know. Okay, I don't know what's happening, 270 00:13:48,559 --> 00:13:51,679 Speaker 1: but eight fifty one fifty is a number. It's way 271 00:13:51,800 --> 00:14:00,760 Speaker 1: up with Angela. Yee, I ask it this way up 272 00:14:00,760 --> 00:14:03,160 Speaker 1: at the Angela. Yeah, I'm here, Jasmine brand is here 273 00:14:03,360 --> 00:14:05,920 Speaker 1: and Jane Rawley's and I'm way up. Not only way up, 274 00:14:05,920 --> 00:14:07,480 Speaker 1: I'm way up on the East coast. I'm way up 275 00:14:07,480 --> 00:14:09,959 Speaker 1: on it on the West coast. Fresh off, you owe 276 00:14:09,960 --> 00:14:12,400 Speaker 1: me an apology to Oisterize, you owe me an apology, 277 00:14:12,600 --> 00:14:16,520 Speaker 1: Jane said, you owe me an apology? All right, sorry, 278 00:14:16,640 --> 00:14:18,920 Speaker 1: So here's what we're doing right now. It's called Gurus 279 00:14:18,960 --> 00:14:22,040 Speaker 1: of the Graham. You know, everybody on on social media 280 00:14:22,320 --> 00:14:24,080 Speaker 1: likes to weigh in on things. A lot of people 281 00:14:24,120 --> 00:14:26,120 Speaker 1: are quote experts. Some of the car show a lot 282 00:14:26,160 --> 00:14:29,000 Speaker 1: of car shows what a lot of people take their 283 00:14:29,000 --> 00:14:32,640 Speaker 1: expertise from social media. And here is when Steve Harvey 284 00:14:32,680 --> 00:14:34,920 Speaker 1: he was talking to hold of Kopee about knowing a 285 00:14:34,960 --> 00:14:38,080 Speaker 1: woman is the one. Me and No, y'all need really 286 00:14:38,160 --> 00:14:40,520 Speaker 1: understand it's me and No. Really, we know if you 287 00:14:40,720 --> 00:14:42,680 Speaker 1: want or you're not. Now we can string you along 288 00:14:42,760 --> 00:14:45,040 Speaker 1: if you're not, but we know we know it ain't no, 289 00:14:45,160 --> 00:14:47,520 Speaker 1: ain't no. We've been dating for eight years and we're 290 00:14:47,560 --> 00:14:50,520 Speaker 1: not sure. Me and y'all need to stop this. Me 291 00:14:50,640 --> 00:14:53,560 Speaker 1: and No. You can ask him point blank. The problem 292 00:14:53,760 --> 00:14:55,640 Speaker 1: is women have a fear of asking because they don't 293 00:14:55,640 --> 00:14:58,080 Speaker 1: want to know the true Me and No. It don't 294 00:14:58,120 --> 00:15:01,400 Speaker 1: take us a year, all right, he said, it's and 295 00:15:01,560 --> 00:15:03,800 Speaker 1: under a year. Men know if a woman is the one. 296 00:15:04,360 --> 00:15:06,880 Speaker 1: You don't know the reason why. You don't know if 297 00:15:06,920 --> 00:15:10,760 Speaker 1: they won, because everybody lies and everybody sends their representative. 298 00:15:11,320 --> 00:15:13,640 Speaker 1: You know what we're gonna talk about that account. It's 299 00:15:13,680 --> 00:15:16,960 Speaker 1: gurus of the Graham. Danielle doesn't agree with Steve Harvey, 300 00:15:17,040 --> 00:15:18,520 Speaker 1: but we want to hear what you guys have to think, 301 00:15:18,520 --> 00:15:19,680 Speaker 1: and we're gonna hear more of what you have to 302 00:15:19,720 --> 00:15:21,480 Speaker 1: say when we come back eight hundred and two nine 303 00:15:21,520 --> 00:15:26,880 Speaker 1: two fifty one fifty call us and weigh in. It 304 00:15:27,040 --> 00:15:29,480 Speaker 1: is way up at Angela. Yee, I'm here, Jasmine brand 305 00:15:29,560 --> 00:15:32,160 Speaker 1: is here, Daniel Rawlings is in the building. I really 306 00:15:32,200 --> 00:15:35,480 Speaker 1: appreciate excitement reintroduced me. That's very Yeah, I'm excited. Daniel 307 00:15:35,520 --> 00:15:37,600 Speaker 1: came in like a tornado. I know he did the 308 00:15:37,640 --> 00:15:40,040 Speaker 1: only work. And we're doing Gurus of the Graham right 309 00:15:40,080 --> 00:15:43,400 Speaker 1: now and this is all based off of the expertise 310 00:15:43,640 --> 00:15:47,160 Speaker 1: that's available for us for free on social media with 311 00:15:47,200 --> 00:15:49,840 Speaker 1: all of the gurus. And here is Steve Harvey. He's 312 00:15:49,880 --> 00:15:52,560 Speaker 1: talking about knowing if a woman is the one right 313 00:15:52,600 --> 00:15:56,400 Speaker 1: away and no, y'all need really understand it's me and No. 314 00:15:56,720 --> 00:15:58,760 Speaker 1: Really we know if you want and you're not. Now 315 00:15:58,760 --> 00:16:01,200 Speaker 1: we can string you along you're not, but we know 316 00:16:01,480 --> 00:16:03,280 Speaker 1: we know it ain't No, ain't no. We've been dating 317 00:16:03,360 --> 00:16:06,640 Speaker 1: for eight years and we not Me and y'all need 318 00:16:06,680 --> 00:16:09,560 Speaker 1: to stop this. Me and No. You can ask him 319 00:16:09,600 --> 00:16:11,800 Speaker 1: point blank. The problem is women have a fear of 320 00:16:11,840 --> 00:16:13,840 Speaker 1: asking because they don't want to know the true me 321 00:16:13,920 --> 00:16:17,360 Speaker 1: and No. It don't take us a year, all right, 322 00:16:17,440 --> 00:16:19,480 Speaker 1: So we want to see what you guys think Dannelle, 323 00:16:19,520 --> 00:16:21,400 Speaker 1: what are your thoughts? Do you know? I think you know, 324 00:16:21,440 --> 00:16:23,160 Speaker 1: but you don't know. You kind of know, but I 325 00:16:23,240 --> 00:16:25,480 Speaker 1: think that you hope that you know. I don't know 326 00:16:25,480 --> 00:16:27,960 Speaker 1: if it's that. What does that Danielle? What does that mean? 327 00:16:28,040 --> 00:16:30,120 Speaker 1: What you say? What does that mean? I think that 328 00:16:30,240 --> 00:16:33,400 Speaker 1: over period of time you can get to know, but 329 00:16:33,440 --> 00:16:35,960 Speaker 1: it's just hard just say, like knows when it's not 330 00:16:36,000 --> 00:16:39,000 Speaker 1: the one Joe you see me crying on motorcycle, small 331 00:16:39,080 --> 00:16:41,960 Speaker 1: type of stuff over But even before, like a lot, 332 00:16:42,040 --> 00:16:44,040 Speaker 1: I was like, Danae is just doing this for the summer. 333 00:16:44,200 --> 00:16:46,560 Speaker 1: He was. But sometimes you might not know and they 334 00:16:46,640 --> 00:16:51,680 Speaker 1: you might know, sometimes you're in denial. Sometimes you might know, 335 00:16:51,720 --> 00:16:53,360 Speaker 1: but they're not knowing the same thing you know, And 336 00:16:53,520 --> 00:16:55,280 Speaker 1: that's when they I don't know what Danielle was saying. 337 00:16:56,160 --> 00:16:59,800 Speaker 1: Real men understand See he stated season before he knew 338 00:17:00,240 --> 00:17:04,159 Speaker 1: the season was over. Wow, And I'm like done, now 339 00:17:04,240 --> 00:17:07,280 Speaker 1: that's not And then he was mad that one girl 340 00:17:07,280 --> 00:17:10,720 Speaker 1: you day was catering to me. Oh remember that when 341 00:17:10,720 --> 00:17:13,840 Speaker 1: we had the um we had a fashion show. Oh yeah, 342 00:17:13,840 --> 00:17:15,520 Speaker 1: oh yeah, yeah. He was dating this woman and she 343 00:17:15,600 --> 00:17:16,800 Speaker 1: was like do you need anything to you? When he 344 00:17:16,840 --> 00:17:18,560 Speaker 1: was like, why are you catering to her and you 345 00:17:18,640 --> 00:17:21,680 Speaker 1: get it that. Yeah, do you know if a guy 346 00:17:21,760 --> 00:17:23,920 Speaker 1: is the one for you? No? I think that's hard 347 00:17:23,960 --> 00:17:27,080 Speaker 1: to tell because, like Danielle said, people do change. Yeah, 348 00:17:27,200 --> 00:17:28,520 Speaker 1: but I want to see what you guys think. Eight 349 00:17:28,600 --> 00:17:32,639 Speaker 1: hundred ninety one fifty Hello, who's this? Ye yo? Yo? 350 00:17:32,680 --> 00:17:36,280 Speaker 1: Just just Nick valduva. What are your thoughts on what 351 00:17:36,359 --> 00:17:39,520 Speaker 1: Steve Harvey had to say? Oh? I trying to feel 352 00:17:39,920 --> 00:17:41,919 Speaker 1: low key, but at the same time, yall know, like 353 00:17:42,040 --> 00:17:46,600 Speaker 1: likes said, you ya'll know exactly what somebody gonna because 354 00:17:46,920 --> 00:17:51,200 Speaker 1: because folks life, That's what I said. Can I be 355 00:17:51,280 --> 00:17:54,359 Speaker 1: an expert? Now? Yes? Have you ever been in a 356 00:17:54,400 --> 00:17:56,439 Speaker 1: situation what you thought you knew? Didn't you realize you 357 00:17:56,480 --> 00:17:58,399 Speaker 1: didn't know? You wanted to know, but what you know 358 00:17:58,520 --> 00:18:06,800 Speaker 1: you didn't really know. Yeah, that's a good way to 359 00:18:06,840 --> 00:18:09,960 Speaker 1: put it though, because you think like you you really 360 00:18:10,000 --> 00:18:13,399 Speaker 1: think you'd be doing something beforelks be playing different roles 361 00:18:13,440 --> 00:18:15,320 Speaker 1: and different like there's some actors out here, don't all 362 00:18:15,359 --> 00:18:17,760 Speaker 1: the lord don't that's a real man talking about some 363 00:18:18,240 --> 00:18:20,040 Speaker 1: thank you all right, thank you, don't thank you? Why 364 00:18:20,080 --> 00:18:24,440 Speaker 1: y'all getting rid of here? Oh y'all? No, no, no, Hello, 365 00:18:24,520 --> 00:18:27,199 Speaker 1: who's this? This is Cliff from Atlanta? How are you? 366 00:18:27,560 --> 00:18:30,480 Speaker 1: Cliff from Atlanta? I'm here, Danielle Rawlings is here, and 367 00:18:30,680 --> 00:18:33,640 Speaker 1: Jasmine Brandon's head. What do you think about knowing someone's 368 00:18:33,640 --> 00:18:36,760 Speaker 1: the one and under a year? Darnell? Need to stop playing, man, 369 00:18:37,080 --> 00:18:41,680 Speaker 1: of course we know. Oh well, you know the game. 370 00:18:42,119 --> 00:18:45,320 Speaker 1: That's game recognizing game. That's all that is. You're just 371 00:18:45,359 --> 00:18:48,719 Speaker 1: being strung along. Gods. No, I met my wife and 372 00:18:48,760 --> 00:18:51,679 Speaker 1: I knew within probably the first three months that I 373 00:18:51,800 --> 00:18:54,439 Speaker 1: never wanted to not spend another minute with her. Okay, 374 00:18:54,520 --> 00:18:56,679 Speaker 1: all right, I give you congratulations you married? So what 375 00:18:56,720 --> 00:19:00,359 Speaker 1: don nobody want to hear that? But I need just 376 00:19:00,359 --> 00:19:03,960 Speaker 1: playing these games. Man, we gotta get off this. Just 377 00:19:05,119 --> 00:19:07,359 Speaker 1: can I talk as a real man? No, no, no, no, no, no. 378 00:19:07,800 --> 00:19:09,919 Speaker 1: What they're saying, we reverse it. We don't get with 379 00:19:10,000 --> 00:19:13,040 Speaker 1: we whipped that. Okay, I understand you got stop talking 380 00:19:13,040 --> 00:19:18,879 Speaker 1: about yo. Don't just expect me like that. It's not trash. 381 00:19:19,000 --> 00:19:21,640 Speaker 1: My question how many of those you said you knew 382 00:19:21,640 --> 00:19:24,080 Speaker 1: when you met your wife, But how many women before 383 00:19:24,200 --> 00:19:27,239 Speaker 1: that you thought you knew before you found out that 384 00:19:27,320 --> 00:19:29,000 Speaker 1: was the one, Because all of them could be known. 385 00:19:29,640 --> 00:19:35,560 Speaker 1: Absolutely none. Every man else was games, everything else was 386 00:19:35,600 --> 00:19:39,520 Speaker 1: playing around, everything else was played playing But doesn't agree 387 00:19:39,560 --> 00:19:45,480 Speaker 1: with you? Man, you're sucking. Man. Yeah, somebody's not a 388 00:19:45,520 --> 00:19:50,040 Speaker 1: sucker because they don't agree with Who's this with? What? 389 00:19:50,240 --> 00:19:52,040 Speaker 1: What do you think you think you knowing? Under a year? 390 00:19:52,119 --> 00:19:55,440 Speaker 1: Who do you agree with? Steve Harvey or Donelle Rolling? 391 00:19:55,880 --> 00:19:58,400 Speaker 1: Keep trying to stop playing games with you? They explained, Yeah, 392 00:19:58,640 --> 00:20:02,440 Speaker 1: tell us, why why are you does? Marriage doesn't determine 393 00:20:02,480 --> 00:20:04,640 Speaker 1: and love and you? I mean, how much you love 394 00:20:04,640 --> 00:20:07,880 Speaker 1: a person. Marriage is a contract deal. Look how much 395 00:20:07,920 --> 00:20:09,920 Speaker 1: you love a person. That's nothing to do with that 396 00:20:10,080 --> 00:20:12,920 Speaker 1: marriage part. Look at God. But we're not talking about marriage. 397 00:20:12,920 --> 00:20:15,000 Speaker 1: You're talking about do you know what we talk about? 398 00:20:15,000 --> 00:20:18,280 Speaker 1: First off, don't try to switch that first year you're 399 00:20:18,280 --> 00:20:21,119 Speaker 1: saying within that first year you know who the person 400 00:20:21,320 --> 00:20:24,640 Speaker 1: is or know you don't? Okay, thank you. You don't 401 00:20:24,640 --> 00:20:27,040 Speaker 1: really know who the person is until you actually live 402 00:20:27,119 --> 00:20:30,080 Speaker 1: with them. Have you ever been married? Yeah? I am 403 00:20:30,080 --> 00:20:33,280 Speaker 1: married right now. I've been married twenty four years. Until 404 00:20:33,280 --> 00:20:36,639 Speaker 1: you knew. I didn't marry my wife until ten years 405 00:20:36,720 --> 00:20:42,160 Speaker 1: after we were together. You knew. It's a different I knew, 406 00:20:42,600 --> 00:20:46,159 Speaker 1: I knew, I knew my wife was who she was 407 00:20:46,359 --> 00:20:51,000 Speaker 1: when I fell and I had a hard time, and 408 00:20:51,080 --> 00:20:54,199 Speaker 1: she did everything to make sure I was good. I 409 00:20:54,320 --> 00:20:55,879 Speaker 1: know this is gonna be This is not gonna be 410 00:20:55,880 --> 00:20:58,440 Speaker 1: a popular thing. I'm about to say now, and this 411 00:20:58,520 --> 00:21:01,320 Speaker 1: is a lot of people upset. Don't say that, but 412 00:21:01,640 --> 00:21:05,200 Speaker 1: I'm gonna say it because you don't know. But when 413 00:21:05,200 --> 00:21:07,560 Speaker 1: you don't know, you think you'll know, because you say 414 00:21:07,600 --> 00:21:11,520 Speaker 1: to yourself, if I could just train HERD, we could 415 00:21:11,880 --> 00:21:13,760 Speaker 1: train I feel like you need to be trained. Well 416 00:21:13,760 --> 00:21:16,320 Speaker 1: I didn't. I didn't train my wife. I didn't need 417 00:21:16,359 --> 00:21:20,560 Speaker 1: to train my wife like you know. We we it's 418 00:21:20,680 --> 00:21:24,760 Speaker 1: your personality that I looked her. All right, we agree 419 00:21:24,760 --> 00:21:31,360 Speaker 1: with you one. I appreciate you. Okay, oh did you know? 420 00:21:31,640 --> 00:21:36,000 Speaker 1: I did you? Did your wife know? You up at 421 00:21:36,000 --> 00:21:38,480 Speaker 1: her DM? Can't somebody train down? Now? Put a muzzle 422 00:21:38,560 --> 00:21:41,200 Speaker 1: on him? Thank you? All right? Well that was Gurus 423 00:21:41,240 --> 00:21:43,600 Speaker 1: of the Grandma brand New segment that we've introduced. But 424 00:21:43,600 --> 00:21:46,200 Speaker 1: we'll be talking about things that are happening on Instagram 425 00:21:46,200 --> 00:21:49,040 Speaker 1: with these social media experts, and when we come back, 426 00:21:49,080 --> 00:21:51,840 Speaker 1: we have yet we'll be talking about Michael Jordan's and 427 00:21:51,960 --> 00:21:55,920 Speaker 1: the movie Air that everybody's discussing. And uh, we got 428 00:21:55,920 --> 00:21:58,080 Speaker 1: some exclusives for you on Way Up with Anti La Yee. 429 00:21:59,359 --> 00:22:03,280 Speaker 1: She's like to out like a Angela like Angela ye. Man, 430 00:22:03,400 --> 00:22:09,399 Speaker 1: she's spilling it all. This is yet the Way Up 431 00:22:09,400 --> 00:22:12,680 Speaker 1: with Angela Yee. I'm here with Jasmine Brand and don 432 00:22:12,680 --> 00:22:16,000 Speaker 1: Now Rowling. That's right, gangster Donna rownds all day every day. 433 00:22:16,080 --> 00:22:18,960 Speaker 1: Y'all know that this book the Nord date when you 434 00:22:19,080 --> 00:22:21,080 Speaker 1: was on BMF. I don't nobody want to talk about that. 435 00:22:21,080 --> 00:22:23,919 Speaker 1: That's what they wrote. Anyway, Moving along, he was getting pushed. 436 00:22:23,920 --> 00:22:29,760 Speaker 1: I was down pumped. I wasn't hurt my heart. I'm 437 00:22:29,800 --> 00:22:32,879 Speaker 1: not gone. Yeah, all right, we're gonna do yet. But 438 00:22:32,880 --> 00:22:34,639 Speaker 1: we're gonna get to BMF in a minute in your 439 00:22:34,760 --> 00:22:40,520 Speaker 1: role im okay, punching bag okay, Michael Jordans. We're getting 440 00:22:40,560 --> 00:22:42,919 Speaker 1: ready for the movie Air. Are you guys excited to 441 00:22:42,920 --> 00:22:46,600 Speaker 1: see this? I am. I'm waiting to see Larsa Jordan's documentary. 442 00:22:46,800 --> 00:22:49,159 Speaker 1: Stop it. She would change her name, she said. She 443 00:22:49,200 --> 00:22:53,320 Speaker 1: did say that. Yes, The Air arrives in theaters next month, 444 00:22:53,400 --> 00:22:55,600 Speaker 1: by the way, and there's gonna be some serious star 445 00:22:55,680 --> 00:22:57,720 Speaker 1: power and that Ben Affleck takes on the role of 446 00:22:57,800 --> 00:23:01,280 Speaker 1: Nike founder Phil Knight. Matt Damon is the marketing guru 447 00:23:01,359 --> 00:23:04,840 Speaker 1: Sonny Vacaro, and Viola Davis and her real life husband 448 00:23:04,920 --> 00:23:08,240 Speaker 1: Julius Tennant are going to be Michael Jordan's parents, Dolores 449 00:23:08,320 --> 00:23:10,960 Speaker 1: and James, but Jordan is not in it himself though. 450 00:23:11,480 --> 00:23:14,720 Speaker 1: All right, So this all chronicles Vaccaro's attempts to sign 451 00:23:15,160 --> 00:23:17,640 Speaker 1: Michael Jordan, who was in a rookie to the Nike label, 452 00:23:17,680 --> 00:23:19,960 Speaker 1: which was not working out at the time, and so 453 00:23:20,040 --> 00:23:23,600 Speaker 1: it barely includes um Damian Young who appears as Jordan. 454 00:23:23,720 --> 00:23:27,560 Speaker 1: He's only ever shown from behind, and so you know 455 00:23:27,640 --> 00:23:30,639 Speaker 1: it was not Michael's decision. They said, I did not 456 00:23:30,720 --> 00:23:32,560 Speaker 1: ever plan on it because I never thought for a second. Hey, 457 00:23:32,560 --> 00:23:34,840 Speaker 1: Michael is so magnificent, so famous. The whole reason why 458 00:23:34,840 --> 00:23:36,600 Speaker 1: he represents and means what he does in terms of 459 00:23:36,640 --> 00:23:40,080 Speaker 1: greatness and excellence is because he's so enigmatic and majestic 460 00:23:40,119 --> 00:23:43,320 Speaker 1: and identifiable immediately by his carriage and demeanor and what 461 00:23:43,400 --> 00:23:46,240 Speaker 1: we've seen him do physically. That's what Ben affleckat to say. 462 00:23:46,440 --> 00:23:49,000 Speaker 1: So he doesn't want people to be like, hey, that's 463 00:23:49,119 --> 00:23:53,960 Speaker 1: Michael Jordan, and Angela Donielle has his hand off for 464 00:23:54,000 --> 00:23:58,399 Speaker 1: five minutes. Why are you yelling? Donelle. Did Michael Jordan's 465 00:23:58,400 --> 00:24:00,280 Speaker 1: sign off on that project? Yes, he did it. And 466 00:24:00,320 --> 00:24:02,560 Speaker 1: you know what Michael Jordan's demand was, what was it? 467 00:24:02,720 --> 00:24:05,920 Speaker 1: He wanted Viola Davis to play the person who intervened 468 00:24:05,960 --> 00:24:08,600 Speaker 1: to make his Nike deal happen. Perfect. I love it 469 00:24:08,960 --> 00:24:11,160 Speaker 1: only the reason I said, question because you got two 470 00:24:11,200 --> 00:24:13,920 Speaker 1: different projects, one that guy signs on and one that 471 00:24:13,960 --> 00:24:16,040 Speaker 1: signs off. The one that signed off the ones that 472 00:24:16,119 --> 00:24:18,320 Speaker 1: go go hard. The other one is like, it's always 473 00:24:18,680 --> 00:24:20,840 Speaker 1: panders to what their beliefs are and what they saw. 474 00:24:21,000 --> 00:24:23,760 Speaker 1: I think you're accurate in done. Yeah. Ben Affleck said 475 00:24:23,760 --> 00:24:26,080 Speaker 1: he sat down with Michael Jordan's and he said he 476 00:24:26,119 --> 00:24:28,240 Speaker 1: wasn't going to make this movie without asking him what 477 00:24:28,400 --> 00:24:32,440 Speaker 1: matters to you? And Michael Jordan did officially give his blessing, 478 00:24:32,480 --> 00:24:34,320 Speaker 1: and he did said he wanted Viola Davis to play 479 00:24:34,320 --> 00:24:36,280 Speaker 1: his mom. He said it has to be Viola Davis, 480 00:24:36,640 --> 00:24:39,040 Speaker 1: and Ben Affleck said, Viola Davis is the best actor 481 00:24:39,080 --> 00:24:41,600 Speaker 1: I've ever seen. Wow. By the way, this is a 482 00:24:41,640 --> 00:24:44,520 Speaker 1: hard business, he said, But I also heard of Ben 483 00:24:44,520 --> 00:24:46,679 Speaker 1: Affleck told Michael Jordan's shut up and drivel. That's what 484 00:24:46,720 --> 00:24:49,080 Speaker 1: I heard. You did not hear. I heard it one 485 00:24:50,000 --> 00:24:52,680 Speaker 1: is lying I heard it on the internet. Stop it done, 486 00:24:52,800 --> 00:24:54,960 Speaker 1: because people are going to think you're being for real, 487 00:24:56,000 --> 00:24:57,719 Speaker 1: is reporting what I heard on the internet, and internet 488 00:24:57,800 --> 00:25:00,119 Speaker 1: is always right? All right? Well, Viola, And by the way, 489 00:25:00,119 --> 00:25:02,800 Speaker 1: Air is going to be in theaters on Wednesday, April fifth. 490 00:25:02,960 --> 00:25:05,160 Speaker 1: I can't wait for Just the FII. And here's Biola 491 00:25:05,240 --> 00:25:09,480 Speaker 1: Davis talking about being picked, handpicked by Michael Jordan herself. 492 00:25:10,160 --> 00:25:12,920 Speaker 1: You know, you're flattered at first, and then the next 493 00:25:12,920 --> 00:25:18,240 Speaker 1: second is pressure to play the woman who basically is 494 00:25:18,440 --> 00:25:23,240 Speaker 1: the orchestrator of this great athlete's life. You know, she's 495 00:25:23,240 --> 00:25:25,880 Speaker 1: one of those people where you're like, where did this 496 00:25:25,960 --> 00:25:29,760 Speaker 1: talent come from? Where did this vision come from? Because 497 00:25:29,760 --> 00:25:32,959 Speaker 1: she's from a generation of people that in my family, 498 00:25:33,040 --> 00:25:35,920 Speaker 1: they didn't really have dreams, and if they did, they 499 00:25:36,000 --> 00:25:39,880 Speaker 1: die then the sharecrop was field. She also was on 500 00:25:40,119 --> 00:25:42,760 Speaker 1: the Red Carver talking about herself and her husband's with 501 00:25:42,760 --> 00:25:44,640 Speaker 1: her because you know they're playing Michael Jordan's parents. That's 502 00:25:44,640 --> 00:25:47,680 Speaker 1: her husband in real life, Julius Tennant. Who's going to 503 00:25:47,760 --> 00:25:52,159 Speaker 1: play Michael Jordan's side chicks? Come on, who would it 504 00:25:52,160 --> 00:25:53,679 Speaker 1: be if you had to pick somebody? Let me hear 505 00:25:53,760 --> 00:25:57,720 Speaker 1: this audio all let me joy and walking together. It 506 00:25:57,920 --> 00:26:02,639 Speaker 1: was a pleasure to be able to play there through 507 00:26:02,680 --> 00:26:04,800 Speaker 1: one another in the same way we are. So it 508 00:26:04,920 --> 00:26:07,840 Speaker 1: was it was things you don't have to work at 509 00:26:07,920 --> 00:26:12,520 Speaker 1: because we already haven't understanding that we're together. Like right now, 510 00:26:12,560 --> 00:26:14,800 Speaker 1: we wouldn't even have to touch me, but we are together. 511 00:26:15,359 --> 00:26:17,840 Speaker 1: Oh I love it. Okay, Now we're not trying to 512 00:26:17,880 --> 00:26:20,680 Speaker 1: ignore my concerns. Danielle is worse than Raj on this, mic, 513 00:26:20,680 --> 00:26:23,280 Speaker 1: I do you know what this movie is about. It's 514 00:26:23,320 --> 00:26:26,639 Speaker 1: about him signing this deal with Nike? Okay, because can 515 00:26:26,680 --> 00:26:28,879 Speaker 1: you can you imagine the time when Nike wasn't popping. 516 00:26:29,000 --> 00:26:31,000 Speaker 1: Can you imagine time what he was hitting when he 517 00:26:31,040 --> 00:26:33,439 Speaker 1: was popping and signing that deal. You don't you know 518 00:26:33,480 --> 00:26:35,919 Speaker 1: what Mike was smashing before they said we're gonna give 519 00:26:35,920 --> 00:26:37,720 Speaker 1: you all these money. But people want to do a 520 00:26:37,760 --> 00:26:42,399 Speaker 1: movie about Danielle. Can I would only want to play myself, Okay, 521 00:26:42,600 --> 00:26:44,800 Speaker 1: all right, but I want to know I would love 522 00:26:44,840 --> 00:26:48,760 Speaker 1: to know who Mike casting to be his side checks. Okay, 523 00:26:48,840 --> 00:26:51,480 Speaker 1: well that is your yet and when we come back 524 00:26:51,840 --> 00:26:54,159 Speaker 1: normally we do under the radar. These are headline stories 525 00:26:54,160 --> 00:26:56,399 Speaker 1: that are going under the radar. But why not focus 526 00:26:56,520 --> 00:26:58,639 Speaker 1: on Doanelle Rowlings And I just want to say this. 527 00:26:58,640 --> 00:27:00,280 Speaker 1: I want to tell you, imagine this um text to 528 00:27:00,359 --> 00:27:02,920 Speaker 1: my mental health. I have a therapist now right. I'm 529 00:27:02,960 --> 00:27:05,520 Speaker 1: not gonna let you gas like me. I won't be triggered. 530 00:27:05,560 --> 00:27:08,120 Speaker 1: And I want you too to respect my boundaries. If 531 00:27:08,119 --> 00:27:11,359 Speaker 1: we can't do that, I'm leaving. Okay, all right, like 532 00:27:11,480 --> 00:27:14,000 Speaker 1: we said, we'll be right back with done Rosa up. 533 00:27:14,720 --> 00:27:17,640 Speaker 1: Want to be more way up with Angela on now 534 00:27:18,000 --> 00:27:22,960 Speaker 1: you know is yes, it's way up with Angela. I'm here, 535 00:27:23,080 --> 00:27:25,520 Speaker 1: Jasmine Brand is here, Yes, and it's under the radar 536 00:27:25,560 --> 00:27:29,800 Speaker 1: with Donnell Rawlings aka Alvin aka Astular aka day da 537 00:27:29,920 --> 00:27:37,160 Speaker 1: A ka Umiana aka all I got mad akk whom 538 00:27:37,320 --> 00:27:39,320 Speaker 1: first need some music or something? Man, I gonna be 539 00:27:39,440 --> 00:27:40,960 Speaker 1: to something. Man can just do me with that. I 540 00:27:41,000 --> 00:27:43,480 Speaker 1: don't want to hear that. Yeah, we need his music now? 541 00:27:46,080 --> 00:27:48,280 Speaker 1: All right now, I'll start over. How can you stop it? 542 00:27:48,560 --> 00:27:51,159 Speaker 1: Can you stop it? Sir? All right now? Can I 543 00:27:51,160 --> 00:27:53,440 Speaker 1: get the introduction again, a real introduction? And I want 544 00:27:53,440 --> 00:27:56,680 Speaker 1: the music? All right? We got Donelle Rawlings aka Alvin 545 00:27:56,840 --> 00:28:01,359 Speaker 1: aka the Shady Mortician from BMF in the building with us. 546 00:28:02,080 --> 00:28:06,480 Speaker 1: Hey Donna the shade. I'm not the shade. More atticitions. 547 00:28:06,520 --> 00:28:10,760 Speaker 1: Some people have their fantasies fulfilled different from what normal 548 00:28:10,800 --> 00:28:13,280 Speaker 1: people do, and that's what this character did. He like 549 00:28:13,400 --> 00:28:15,960 Speaker 1: a cold. Some people like like a cold. Let's talk 550 00:28:16,000 --> 00:28:20,320 Speaker 1: about your role. First of all, BMF is an amazing shows. 551 00:28:20,359 --> 00:28:23,480 Speaker 1: I watch it on demand every single Friday, um. And 552 00:28:23,640 --> 00:28:26,399 Speaker 1: so your role of Alvin, you're kind of like the 553 00:28:26,560 --> 00:28:31,600 Speaker 1: punching bag for what's the other character's name again, Lamar 554 00:28:31,880 --> 00:28:35,640 Speaker 1: Lamar yea na, I'm his closest ally. He's a person 555 00:28:35,720 --> 00:28:38,600 Speaker 1: that doesn't have a lot of friends. He destroys everything 556 00:28:38,600 --> 00:28:40,960 Speaker 1: in this path. And I've done interviews to promote the 557 00:28:41,000 --> 00:28:42,680 Speaker 1: show and it was like, why is it that Lamar 558 00:28:43,200 --> 00:28:45,640 Speaker 1: could body everybody else and he won't come at you? 559 00:28:46,240 --> 00:28:48,400 Speaker 1: And to my the way I answer that is because 560 00:28:48,800 --> 00:28:51,680 Speaker 1: I'm blood and people or everybody knows somebody in the 561 00:28:51,800 --> 00:28:55,040 Speaker 1: in the hood or the streets that's a straight shooter, 562 00:28:55,880 --> 00:28:58,360 Speaker 1: killer or whatever, and they have issues with certain people, 563 00:28:58,600 --> 00:29:00,440 Speaker 1: but they won't cross their family. I think that's the 564 00:29:00,520 --> 00:29:02,840 Speaker 1: only that's the saving grace with my character in the 565 00:29:02,920 --> 00:29:05,280 Speaker 1: relationship with Lamar. Yeah, and he like he will do 566 00:29:05,400 --> 00:29:07,960 Speaker 1: things like he broke it television while you were watching? 567 00:29:08,440 --> 00:29:10,080 Speaker 1: Why why? Why are you focusing on the distance? And 568 00:29:10,160 --> 00:29:12,680 Speaker 1: then he did push you to the ground. Push to 569 00:29:12,760 --> 00:29:14,640 Speaker 1: the ground. I slipped to the ground. You see my team, 570 00:29:16,320 --> 00:29:19,080 Speaker 1: He did not watch your back. I want to ask that. Okay, 571 00:29:19,080 --> 00:29:22,200 Speaker 1: I'm gonna is your character would you say scared of Lamar? 572 00:29:22,360 --> 00:29:25,000 Speaker 1: Is Alvin scared of Lamar? All right? First off, let 573 00:29:25,040 --> 00:29:29,320 Speaker 1: me explain this. Eric Kofi is a method actor, right, Okay, 574 00:29:29,440 --> 00:29:31,480 Speaker 1: I'm not a trained actor or anything. And when I 575 00:29:31,520 --> 00:29:33,880 Speaker 1: say method actor, he's a type of dude. When he 576 00:29:34,000 --> 00:29:36,640 Speaker 1: comes up, he's Lamar all day. So you are scared? 577 00:29:37,120 --> 00:29:39,239 Speaker 1: Are you? Are you scared when he walks around as 578 00:29:39,360 --> 00:29:43,320 Speaker 1: that character on set? Danielle, Look he's getting scared now. No, 579 00:29:43,440 --> 00:29:46,240 Speaker 1: I'm not getting triggered. I've learned how to have therapy. 580 00:29:46,960 --> 00:29:50,680 Speaker 1: Danielle was holding himself. Cope was here right now a Lamar? 581 00:29:50,720 --> 00:29:52,600 Speaker 1: He would rip that chair from behind you, not on 582 00:29:52,880 --> 00:29:55,440 Speaker 1: the ground. Answering the question, he's a method actor. He 583 00:29:55,480 --> 00:29:56,920 Speaker 1: come to work want to kill people. I come to 584 00:29:56,960 --> 00:29:59,080 Speaker 1: work wanting to make people laugh. And even when we 585 00:29:59,160 --> 00:30:01,600 Speaker 1: were shooting at I wasn't the sucker that people are 586 00:30:01,680 --> 00:30:04,400 Speaker 1: calling me right now, First off, it's not real. It's 587 00:30:04,400 --> 00:30:06,800 Speaker 1: a character. How sick of people calling me telling about 588 00:30:06,800 --> 00:30:08,680 Speaker 1: your son? Why you let him snatch you up at 589 00:30:08,680 --> 00:30:10,480 Speaker 1: your call like that? How are you gonna let a 590 00:30:10,560 --> 00:30:13,040 Speaker 1: grown man take your hungry man meals and let the 591 00:30:13,120 --> 00:30:15,560 Speaker 1: dog eat it to that. I didn't let them do that. 592 00:30:15,680 --> 00:30:19,760 Speaker 1: The writers let them do that. Okay, I'm acting. Okay, Now, 593 00:30:19,880 --> 00:30:22,000 Speaker 1: let me ask you this in the season finale, right 594 00:30:22,640 --> 00:30:25,280 Speaker 1: the whole time, you've been so loyal. Yeah, no, let 595 00:30:26,160 --> 00:30:27,920 Speaker 1: me go back to what I do. Not to give 596 00:30:27,920 --> 00:30:31,239 Speaker 1: a spoiler, don't say I want to go. You're very 597 00:30:31,320 --> 00:30:34,280 Speaker 1: disloyal in that last episode, and that's ten episodes to 598 00:30:34,320 --> 00:30:35,880 Speaker 1: get there. I try to stick in here with him. 599 00:30:36,000 --> 00:30:40,400 Speaker 1: He disrespected me, fed, he fed his punk dog hungry 600 00:30:40,440 --> 00:30:43,880 Speaker 1: man meals. He threw my TV while I'm watching my 601 00:30:43,960 --> 00:30:46,520 Speaker 1: favorite show. He threw it over the balcony. And when 602 00:30:46,520 --> 00:30:48,720 Speaker 1: I'm trying to tell you is every time he disrespected me, 603 00:30:49,240 --> 00:30:51,920 Speaker 1: I would freestyle and I'd be like, man, f you 604 00:30:52,440 --> 00:30:55,440 Speaker 1: and that punk a dog blah blah blah blah, and 605 00:30:55,480 --> 00:31:00,400 Speaker 1: the director would be like, God, yeah, I had to 606 00:31:00,400 --> 00:31:01,960 Speaker 1: explained that to me. They had explained to me that 607 00:31:02,480 --> 00:31:03,840 Speaker 1: is it hard for you to play a role where 608 00:31:03,840 --> 00:31:05,840 Speaker 1: you're getting punked and you can't really do anything about 609 00:31:05,840 --> 00:31:07,800 Speaker 1: it but take it or did it hit close to home? 610 00:31:08,000 --> 00:31:09,760 Speaker 1: You know what? I really think I'm being punked right now. 611 00:31:10,000 --> 00:31:11,760 Speaker 1: All right, well, they're gonna come back with some more. 612 00:31:11,800 --> 00:31:13,240 Speaker 1: You know, we have the Way Up mix coming up 613 00:31:13,280 --> 00:31:15,440 Speaker 1: at the top of the hour, plus Davis is going 614 00:31:15,480 --> 00:31:17,440 Speaker 1: to be joining us. We have some more with Donnelle 615 00:31:17,480 --> 00:31:19,080 Speaker 1: Rowlings that when we come back, because we want to 616 00:31:19,080 --> 00:31:20,440 Speaker 1: make sure we get to the bottom of this. You 617 00:31:20,520 --> 00:31:22,920 Speaker 1: have the nerve to have on that sweater. I'm the greatest. 618 00:31:23,000 --> 00:31:25,360 Speaker 1: Here's a sweater with Muhammad Ali, the greatest. Way Up 619 00:31:25,400 --> 00:31:32,000 Speaker 1: with Angela yee ye, back at it, bring it, bringing 620 00:31:32,080 --> 00:31:37,440 Speaker 1: the yes, it is way up with Angela ye. First all, 621 00:31:37,440 --> 00:31:38,800 Speaker 1: I want to say Jason's mad at me because she 622 00:31:38,840 --> 00:31:40,920 Speaker 1: said I have as anybody ever made a tim I 623 00:31:40,960 --> 00:31:44,120 Speaker 1: can't train you before we get done. Can I open 624 00:31:44,160 --> 00:31:46,040 Speaker 1: the break? Okay, open the parts. My brand is here, 625 00:31:46,160 --> 00:31:49,720 Speaker 1: Donelle Rowlings is here, okay, thank you, and Danielle is 626 00:31:49,840 --> 00:31:53,000 Speaker 1: making it very intense behind this. First of all, I'm 627 00:31:53,000 --> 00:31:55,240 Speaker 1: not going to be triggered, and I'm just saying, you 628 00:31:55,400 --> 00:31:57,680 Speaker 1: guys put words in my mouth and y'all tricked me 629 00:31:57,880 --> 00:32:01,880 Speaker 1: and Angela, this is what I said. This would change 630 00:32:01,880 --> 00:32:06,120 Speaker 1: her posture. Has anybody made an attempt of training you? 631 00:32:06,360 --> 00:32:08,760 Speaker 1: You said that on the air. He said that women 632 00:32:08,840 --> 00:32:10,880 Speaker 1: need to be trained. I did not say women need 633 00:32:10,920 --> 00:32:14,760 Speaker 1: to be trained. I said some could be trained, okay, 634 00:32:15,080 --> 00:32:18,160 Speaker 1: And then he Angela Danielle asked me have I Have 635 00:32:18,360 --> 00:32:21,280 Speaker 1: I ever been trained? And there's a type of wild 636 00:32:21,360 --> 00:32:24,280 Speaker 1: animals and then then I said hold on, I said no, 637 00:32:24,520 --> 00:32:27,280 Speaker 1: and then Dona Angela Danielle said he would he could 638 00:32:27,320 --> 00:32:30,040 Speaker 1: help me learn how to be trained. No, that's not 639 00:32:30,120 --> 00:32:32,320 Speaker 1: what I said. I'd like to use the toilet or 640 00:32:33,200 --> 00:32:36,880 Speaker 1: potty training, Manille, because I'm not training. I could talk 641 00:32:36,920 --> 00:32:39,520 Speaker 1: about it if you want to have a conversation about it. 642 00:32:39,760 --> 00:32:41,840 Speaker 1: Let's table this all right, let's talk about this in 643 00:32:41,920 --> 00:32:43,680 Speaker 1: a minute. It is a Way Up with Angela. Ye, 644 00:32:43,760 --> 00:32:45,240 Speaker 1: the Way Up mix is coming up at the top 645 00:32:45,320 --> 00:32:48,240 Speaker 1: of the hour. Plus Vernon Davis will be joining us 646 00:32:48,280 --> 00:32:51,360 Speaker 1: former NFL player, but he's an actor or slash producer now, 647 00:32:51,920 --> 00:32:53,880 Speaker 1: and I guess Danielle will still be here if he's 648 00:32:53,880 --> 00:32:56,600 Speaker 1: a trained actor. Is he a trained actor? Can you 649 00:32:56,720 --> 00:32:58,160 Speaker 1: just stay in your see and can we train you 650 00:32:58,200 --> 00:33:00,120 Speaker 1: to be quiet. It's way up with Angela yee. Oh, 651 00:33:00,200 --> 00:33:02,160 Speaker 1: she about to blow the lid abof this part. Let's 652 00:33:02,200 --> 00:33:11,640 Speaker 1: get it. Come and get the tea. Oh hey, it's 653 00:33:11,680 --> 00:33:14,040 Speaker 1: way up with the July yee. Sorry, that's my fault. 654 00:33:14,080 --> 00:33:16,520 Speaker 1: I was looking at Danelle Done. That's doing the most. 655 00:33:16,680 --> 00:33:21,240 Speaker 1: You're very distracting a problem. Everybody in this room got 656 00:33:21,320 --> 00:33:23,560 Speaker 1: a problemate. I've told you when I first came in distracting, 657 00:33:23,640 --> 00:33:25,160 Speaker 1: I said, I won't be triggered. I said, I'm a 658 00:33:25,240 --> 00:33:28,480 Speaker 1: provocatur right, and certain people in this room I would 659 00:33:28,480 --> 00:33:31,360 Speaker 1: not say names are putting as they saying this old 660 00:33:31,400 --> 00:33:34,640 Speaker 1: school words in my mouth and it's not fair. Okay, okay, 661 00:33:34,800 --> 00:33:37,480 Speaker 1: but we love ag provocatur we do. I do. I'm 662 00:33:37,520 --> 00:33:40,400 Speaker 1: a provocator, all right. Now let's talk about yet staff 663 00:33:40,480 --> 00:33:43,920 Speaker 1: Ruby Rose. She was on social media and she posted 664 00:33:44,000 --> 00:33:46,040 Speaker 1: ready for Ramadan, and then people were going in on 665 00:33:46,120 --> 00:33:50,400 Speaker 1: her for her abbey and she took she actually changed 666 00:33:50,440 --> 00:33:53,560 Speaker 1: her abbey after that. It's abbey is a little provocative. 667 00:33:54,480 --> 00:33:56,640 Speaker 1: She's PROVOCATORI we know. I look at this. I say 668 00:33:56,760 --> 00:33:59,400 Speaker 1: this is someone looks that that's well trained. But she's 669 00:33:59,400 --> 00:34:03,680 Speaker 1: about to do Danelle, what Ruby Rose is about to do. 670 00:34:04,080 --> 00:34:08,920 Speaker 1: I don't look like somebody that listens. No, it does not, okay, Danelle, 671 00:34:08,960 --> 00:34:10,840 Speaker 1: Oh my god, and you listening. I've never seen your 672 00:34:10,880 --> 00:34:15,360 Speaker 1: posts like that. Um So there you have it. Boosey, 673 00:34:15,960 --> 00:34:17,480 Speaker 1: he did an interview with Black You know, he does 674 00:34:17,520 --> 00:34:19,520 Speaker 1: these interviews with Blad all the time. Apparently he gets 675 00:34:19,520 --> 00:34:22,680 Speaker 1: paid a lot for them, and he was upset about 676 00:34:22,719 --> 00:34:25,560 Speaker 1: his cousin. He said his cousin allegedly stole seven thousand 677 00:34:25,640 --> 00:34:28,080 Speaker 1: dollars from him. Listen to this. He went in my 678 00:34:28,200 --> 00:34:31,200 Speaker 1: room and stole He's took like seven bands. Did you 679 00:34:31,320 --> 00:34:33,800 Speaker 1: try to call him or confront him with it or 680 00:34:33,880 --> 00:34:36,120 Speaker 1: ask for the money back? Oh? No, I ain't asked 681 00:34:36,239 --> 00:34:38,560 Speaker 1: for no money. But why not? I don't want no 682 00:34:38,680 --> 00:34:41,120 Speaker 1: money back, bro, you know, like this is my blood. 683 00:34:41,200 --> 00:34:44,360 Speaker 1: He's not gonna like when I see him break his jaws. 684 00:34:44,560 --> 00:34:46,320 Speaker 1: I'm waiting on him, you know. Okay, what if he 685 00:34:46,360 --> 00:34:48,600 Speaker 1: turns around? Okay, so what if he churns around? Suits 686 00:34:48,640 --> 00:34:50,520 Speaker 1: you over there? I don't know you ever worked that 687 00:34:51,719 --> 00:34:53,960 Speaker 1: out yet. I ain't thinking about Judge here. I was 688 00:34:54,000 --> 00:34:55,520 Speaker 1: looking for him now. I was trying to kids you 689 00:34:55,600 --> 00:34:59,000 Speaker 1: another day. I was gonna cut his pink helt. Oh wow, 690 00:34:59,120 --> 00:35:01,640 Speaker 1: that's so. Maybe this cousin was trying to contribute to 691 00:35:01,680 --> 00:35:06,600 Speaker 1: the economy. Okay, okay, that's Diana. You can't come up 692 00:35:06,640 --> 00:35:09,360 Speaker 1: here alive anymore. It's over for you. We called it, right, 693 00:35:09,440 --> 00:35:14,000 Speaker 1: do we catch it? It won't happen again by Diana. No, 694 00:35:14,200 --> 00:35:18,440 Speaker 1: you can't just buy moving on all right now. Tyra 695 00:35:18,560 --> 00:35:21,400 Speaker 1: Banks has been replaced on Dancing with the Stars. She 696 00:35:21,520 --> 00:35:23,520 Speaker 1: actually left. You know, she has an ice cream brand 697 00:35:23,640 --> 00:35:26,719 Speaker 1: that she wants to really concentrate on, So she's leaving 698 00:35:26,840 --> 00:35:29,440 Speaker 1: Dancing with I mean America's Next Time Model after three 699 00:35:29,520 --> 00:35:32,920 Speaker 1: seasons so she can work on her flourishing ice cream business. 700 00:35:32,960 --> 00:35:35,120 Speaker 1: I didn't know she had this ice cream business. I did, 701 00:35:35,200 --> 00:35:38,279 Speaker 1: but I did smize and dream. Also, her rumors that 702 00:35:38,640 --> 00:35:41,120 Speaker 1: things weren't going well behind the scenes with her hosting 703 00:35:41,200 --> 00:35:43,320 Speaker 1: on Dancing with the Stars, I've seen that too. I 704 00:35:43,360 --> 00:35:45,799 Speaker 1: don't know if that's true or not, but Julianne Hoff 705 00:35:45,920 --> 00:35:48,279 Speaker 1: is going to be replacing her, and she said it's 706 00:35:48,280 --> 00:35:50,840 Speaker 1: such an honor to be rejoining Dancing with the Stars 707 00:35:51,000 --> 00:35:53,640 Speaker 1: as co hosts. The show holds a special place in 708 00:35:53,760 --> 00:35:55,520 Speaker 1: my heart from the many years and different roles I 709 00:35:55,600 --> 00:35:57,840 Speaker 1: have had the privilege of being a part of. She 710 00:35:58,040 --> 00:36:01,400 Speaker 1: first started on their back in two thousands Evan Okay, 711 00:36:01,520 --> 00:36:03,920 Speaker 1: and she was paired with a celebrity contestant as a 712 00:36:04,040 --> 00:36:06,560 Speaker 1: pro dancer. She later emerged as a winner of seasons 713 00:36:06,600 --> 00:36:09,880 Speaker 1: four and five, and then now she's back as a 714 00:36:09,960 --> 00:36:11,759 Speaker 1: co host. So I think that's really dope. It is. 715 00:36:11,800 --> 00:36:14,280 Speaker 1: I miss Tyrone to you. Y'all like seeing Tyrone Tyra 716 00:36:14,360 --> 00:36:17,640 Speaker 1: Banks on TV all right, and Thoja Cat has announced 717 00:36:17,680 --> 00:36:20,719 Speaker 1: that she is healing really fast. She had a breast 718 00:36:20,800 --> 00:36:26,040 Speaker 1: reduction in LiPo section done. Now wod Man's gonna cheer 719 00:36:26,120 --> 00:36:28,400 Speaker 1: for a breast reduction. It might still she still may 720 00:36:29,040 --> 00:36:31,960 Speaker 1: look voluptuous, but she it's a lot on I think 721 00:36:32,040 --> 00:36:33,880 Speaker 1: women's I don't know, but I feel like it's a 722 00:36:33,920 --> 00:36:37,799 Speaker 1: lot on women's. She got lipos and her thighs hurt 723 00:36:37,840 --> 00:36:39,320 Speaker 1: a lot if she moves too much, she said, but 724 00:36:39,360 --> 00:36:41,880 Speaker 1: I'm healing really fast. She started to look at that future. 725 00:36:43,760 --> 00:36:46,520 Speaker 1: When you first get it, it looks all fine, and Danny, 726 00:36:46,600 --> 00:36:49,480 Speaker 1: do you start saying, okay, especially these people to get 727 00:36:49,480 --> 00:36:52,279 Speaker 1: all this work done and don't exercise, they just like 728 00:36:52,640 --> 00:36:55,680 Speaker 1: just sagging bag, just looks. She's a pretty great shape. 729 00:36:55,800 --> 00:36:58,719 Speaker 1: She looked good. She looks good, but it doesn't matter 730 00:36:58,840 --> 00:37:01,160 Speaker 1: unless she feels like she looks Alright, A man can't 731 00:37:01,160 --> 00:37:04,120 Speaker 1: talk up here. I'll re see what's called. You've talked enough, Dianelle. Okay, 732 00:37:04,200 --> 00:37:07,200 Speaker 1: it's the way yup with Annielle Rowlings is here, Jasmine 733 00:37:07,239 --> 00:37:09,680 Speaker 1: Brand is here, and it is Women's History Month. I 734 00:37:09,800 --> 00:37:14,120 Speaker 1: respect that, I hope so with Anela Ye. Ladies, when 735 00:37:14,160 --> 00:37:16,239 Speaker 1: they ask what you bring to the table, tell them 736 00:37:16,280 --> 00:37:19,560 Speaker 1: you brought the table up with Angela Yee celebrating the 737 00:37:19,600 --> 00:37:23,040 Speaker 1: ladies doing Women's History Month. Yes, it is way up 738 00:37:23,080 --> 00:37:26,320 Speaker 1: with Angela Yee. I'm here, Jasmine Brand is here, Danielle 739 00:37:26,400 --> 00:37:30,800 Speaker 1: Rawlings is here. The tornado, the tornado, he definitely like 740 00:37:30,920 --> 00:37:34,759 Speaker 1: a tornado, but with all kinds of love. Yes, he's 741 00:37:34,800 --> 00:37:38,960 Speaker 1: a talented tornado. And I came. I was dealing with production. 742 00:37:39,760 --> 00:37:41,239 Speaker 1: I was trying to be a part of the show. 743 00:37:41,440 --> 00:37:43,680 Speaker 1: I was trying to be supportive. I was trying to 744 00:37:43,719 --> 00:37:46,040 Speaker 1: do all of these things. You're one of Angela's closest friends, 745 00:37:46,080 --> 00:37:49,239 Speaker 1: and she appreciates you. She appreciates you being here. So yeah, 746 00:37:49,600 --> 00:37:51,200 Speaker 1: I wish her friends would say the same. Thing. But 747 00:37:51,239 --> 00:37:54,240 Speaker 1: that doesn't matter. Wait what happened? I wish her friends 748 00:37:54,280 --> 00:37:56,360 Speaker 1: would feel the same way. You want them to like 749 00:37:56,440 --> 00:37:59,400 Speaker 1: you too. Well, he wants to train me so that 750 00:37:59,440 --> 00:38:02,520 Speaker 1: I can keep him man, and but let's let's move on. Yeah, 751 00:38:02,520 --> 00:38:04,839 Speaker 1: it is Women's History Month, yes, and so we want 752 00:38:05,080 --> 00:38:08,520 Speaker 1: these women or a history month? Got a man? Go ahead? Done? 753 00:38:08,719 --> 00:38:13,040 Speaker 1: Is that everything you think? That's what you think? That's 754 00:38:13,040 --> 00:38:16,560 Speaker 1: a different You gotta come into the mike. You gotta 755 00:38:16,560 --> 00:38:21,800 Speaker 1: stop yelling falls Okay, Well, anyway, today we want to 756 00:38:21,840 --> 00:38:25,400 Speaker 1: celebrate somebody who's been instrumental for you doanelle, and who 757 00:38:25,520 --> 00:38:30,680 Speaker 1: we absolutely adore and admire. And that person is Tasha Smith. Yes, 758 00:38:30,800 --> 00:38:32,920 Speaker 1: I love her for so many reasons. Okay, what are 759 00:38:32,960 --> 00:38:35,920 Speaker 1: your reasons? My reason because the first one of the 760 00:38:35,960 --> 00:38:39,240 Speaker 1: first major projects ever did was on HBO's The Corner 761 00:38:39,360 --> 00:38:41,520 Speaker 1: years ago. If you're familiar with The Corner, Yeah, it 762 00:38:41,560 --> 00:38:44,400 Speaker 1: was a good addict right. I played addict on that 763 00:38:44,680 --> 00:38:47,120 Speaker 1: if you remember The Corner. The wire was to spinoff 764 00:38:47,160 --> 00:38:49,160 Speaker 1: of the Corner. And when I didn't know, I was 765 00:38:49,160 --> 00:38:50,759 Speaker 1: a young actor, still don't know what I'm doing half 766 00:38:50,800 --> 00:38:52,560 Speaker 1: the time, she kind of took me under the wings. 767 00:38:52,600 --> 00:38:56,760 Speaker 1: She gave me um confidence. She would read lines women. 768 00:38:56,840 --> 00:38:59,120 Speaker 1: She really helped me get through that. And some years 769 00:38:59,239 --> 00:39:04,000 Speaker 1: later she as a director of fifty cent stars hit 770 00:39:04,080 --> 00:39:07,640 Speaker 1: show BMF. She was a director for that and last 771 00:39:07,680 --> 00:39:09,840 Speaker 1: season she called me for the specific road of me 772 00:39:09,920 --> 00:39:12,040 Speaker 1: playing Alvin. She said, this is right for you. I 773 00:39:12,160 --> 00:39:14,840 Speaker 1: talked to fifty Randy, We're gonna do this. She's the 774 00:39:14,880 --> 00:39:17,960 Speaker 1: one who got me in there got next season three episodes. 775 00:39:18,040 --> 00:39:20,120 Speaker 1: They kept writing and had me in nine episodes and 776 00:39:20,160 --> 00:39:22,840 Speaker 1: none of that would have been possible if it wasn't 777 00:39:23,000 --> 00:39:25,160 Speaker 1: for Tasha smil I love that story. It's a full 778 00:39:25,200 --> 00:39:27,239 Speaker 1: circle moment. I didn't know that the corners spent off 779 00:39:27,239 --> 00:39:30,520 Speaker 1: of the rye Yes. I remember the corner because Danielle 780 00:39:30,560 --> 00:39:32,200 Speaker 1: was in that. I knew you back then too, for 781 00:39:32,320 --> 00:39:33,759 Speaker 1: the back of the Day. I love it by bar 782 00:39:33,840 --> 00:39:35,520 Speaker 1: daniel I'm sorry I didn't touch a show like that. 783 00:39:35,600 --> 00:39:38,640 Speaker 1: Donell so funny that you forget. He's a good actor too. Yeah, 784 00:39:38,680 --> 00:39:41,840 Speaker 1: he's acting, yes all the time. And here actually is 785 00:39:41,880 --> 00:39:46,040 Speaker 1: Tasha Smith and she's talking about directing on BMF. I'm 786 00:39:46,120 --> 00:39:51,440 Speaker 1: Tasha Smith, the director of BMF. Coming into this industry 787 00:39:51,680 --> 00:39:55,759 Speaker 1: as a director, that was difficult. I used to feel 788 00:39:55,840 --> 00:39:57,960 Speaker 1: like I'm too loud, too black, and too much of 789 00:39:58,040 --> 00:40:00,120 Speaker 1: a woman all love it. I felt like it was 790 00:40:00,200 --> 00:40:03,239 Speaker 1: an obstacle. But I got to a point in my 791 00:40:03,360 --> 00:40:06,200 Speaker 1: life where I said, I'm gonna be me because I 792 00:40:06,360 --> 00:40:10,080 Speaker 1: am a woman, i am black, i am loud, It's 793 00:40:10,120 --> 00:40:12,239 Speaker 1: who I am, and I'm gonna let it all work 794 00:40:12,320 --> 00:40:15,800 Speaker 1: for me as a storyteller. All right. So that was 795 00:40:15,880 --> 00:40:19,240 Speaker 1: Tesha A lot of another fun factor, Tasha Smith started 796 00:40:20,040 --> 00:40:22,439 Speaker 1: doing a deaf jam era. Yeah you know, and whatever 797 00:40:22,480 --> 00:40:25,480 Speaker 1: I see her, she's like a comedian, correct a writer. 798 00:40:25,719 --> 00:40:27,560 Speaker 1: She was a comedian, she was a stand up and 799 00:40:27,719 --> 00:40:30,600 Speaker 1: every time that girl's not she'll do anything. And whenever 800 00:40:30,600 --> 00:40:31,960 Speaker 1: I say I was like, were're gonna go back and stay? 801 00:40:31,960 --> 00:40:33,399 Speaker 1: She said, I don't know if I could do it again, deed, 802 00:40:33,440 --> 00:40:36,000 Speaker 1: but I would love to see Tasha Smith. We turned 803 00:40:36,400 --> 00:40:38,120 Speaker 1: to the stage and blow up stages like she did 804 00:40:38,239 --> 00:40:40,239 Speaker 1: years ago. But that was a good choice for women 805 00:40:40,360 --> 00:40:42,920 Speaker 1: woman on a month or whatever, woman's history man, woman's 806 00:40:42,960 --> 00:40:45,160 Speaker 1: history man who were honoring today? And I love her 807 00:40:45,600 --> 00:40:47,960 Speaker 1: Sid by the way, I have to say, Sida Smith. 808 00:40:48,239 --> 00:40:50,400 Speaker 1: People always get them confused to because they look so 809 00:40:50,560 --> 00:40:53,120 Speaker 1: much alike. They do, but She's super talented too as 810 00:40:53,160 --> 00:40:56,160 Speaker 1: far as producing and being a creative and cooking by 811 00:40:56,239 --> 00:40:58,760 Speaker 1: the way, but I will say, but there are dentical twins, 812 00:40:59,000 --> 00:41:01,560 Speaker 1: but I think Tasha he is a little biggert. What 813 00:41:01,760 --> 00:41:08,040 Speaker 1: is your now? What is your favorite? Yo's History month? Listen? 814 00:41:08,160 --> 00:41:10,719 Speaker 1: And also what I love about Tasha Smith though, is 815 00:41:11,120 --> 00:41:15,240 Speaker 1: not just the fact that she is an amazing actor, producer, director, 816 00:41:15,640 --> 00:41:17,560 Speaker 1: but also she's a teacher. You know, she has an 817 00:41:17,600 --> 00:41:20,640 Speaker 1: acting school in Lay and so she actually helps a 818 00:41:20,680 --> 00:41:25,680 Speaker 1: lot of young actors out work work. Okay, yeah, I 819 00:41:25,719 --> 00:41:28,440 Speaker 1: don't know that. I know if you see all right 820 00:41:28,560 --> 00:41:31,160 Speaker 1: dinew And one of my favorite roles that she had 821 00:41:31,280 --> 00:41:34,080 Speaker 1: was in as Angela and why did I? Was it? 822 00:41:34,160 --> 00:41:35,880 Speaker 1: Why did I get married? And she's also going to 823 00:41:35,880 --> 00:41:37,840 Speaker 1: ask you what was your favorite role that she's played in? 824 00:41:37,920 --> 00:41:41,440 Speaker 1: What movie? There's so many that's your favorite? What's your favorite? 825 00:41:41,440 --> 00:41:44,239 Speaker 1: That's my favorite? And she was directed on Pee Valley, right, yep. 826 00:41:45,200 --> 00:41:48,440 Speaker 1: I just loved her on the Corner because you know, 827 00:41:48,960 --> 00:41:52,640 Speaker 1: somebody to play that stretch looking totally different playing crackhead. 828 00:41:52,719 --> 00:41:55,399 Speaker 1: She killed that role on that. But I just want 829 00:41:55,440 --> 00:41:58,759 Speaker 1: to say, uh, Happy Woman's Month, Tasha Smith, and thank 830 00:41:58,800 --> 00:42:00,560 Speaker 1: you for the opportunities you've given me and a lot 831 00:42:00,600 --> 00:42:02,719 Speaker 1: of other people in the field of entertainment. Yeah, and 832 00:42:02,719 --> 00:42:04,799 Speaker 1: that's what it's all about. We love women who are 833 00:42:05,239 --> 00:42:07,920 Speaker 1: hard working, talented, but also pay it forward. And I'm 834 00:42:07,920 --> 00:42:10,160 Speaker 1: pretty sure I'm really closer. I don't think that you 835 00:42:10,160 --> 00:42:14,920 Speaker 1: would mind saying telling people, Okay, thank you so much 836 00:42:15,600 --> 00:42:21,759 Speaker 1: for that for Women's History Month. We appreciate it, and 837 00:42:21,880 --> 00:42:24,520 Speaker 1: said just Smith, shout out to you as well. Amazing women. 838 00:42:24,560 --> 00:42:26,400 Speaker 1: And when we come back, Vernon Davis is going to 839 00:42:26,400 --> 00:42:29,399 Speaker 1: be joining as former NFL player, but he is also 840 00:42:29,440 --> 00:42:32,800 Speaker 1: an actor and he's starring alongside Morgan Freeman. He's actually 841 00:42:32,880 --> 00:42:34,800 Speaker 1: also going to be in another movie with Morgan Freeman. 842 00:42:34,840 --> 00:42:37,480 Speaker 1: So apparently Morgan Freeman really liked him a lot. But 843 00:42:37,560 --> 00:42:39,440 Speaker 1: he's going to talk about his journey because it's not 844 00:42:39,560 --> 00:42:42,680 Speaker 1: so easy to make that transition from a professional athlete 845 00:42:42,760 --> 00:42:45,920 Speaker 1: into the field of being a successful actor. It's way 846 00:42:46,000 --> 00:42:52,040 Speaker 1: up with Angela Ye. Vernon Davis is next, Yeah, back 847 00:42:52,120 --> 00:42:57,040 Speaker 1: at it up with angela Ye is on? Yes, it 848 00:42:57,160 --> 00:42:59,359 Speaker 1: is way up with Angela Ye. I'm here, Jasmine Baron 849 00:42:59,480 --> 00:43:03,399 Speaker 1: is here. Done, Yeah, Rawlings is here. What's up? Hey? Dan? 850 00:43:03,480 --> 00:43:06,040 Speaker 1: Now we were talking about you on BMF. I want 851 00:43:06,080 --> 00:43:09,239 Speaker 1: to know, just from watching the season finale, are you 852 00:43:09,360 --> 00:43:11,840 Speaker 1: going to be back for season three? It's already confirmed, 853 00:43:12,280 --> 00:43:14,560 Speaker 1: I mean they confirmed the season three, but I haven't 854 00:43:14,600 --> 00:43:18,520 Speaker 1: heard anything about me coming back or being part of 855 00:43:18,520 --> 00:43:23,319 Speaker 1: the third season. But it's still early, you know. Yeah, 856 00:43:24,760 --> 00:43:26,239 Speaker 1: you never know. I may know one I may not know. 857 00:43:26,480 --> 00:43:28,719 Speaker 1: But for me, like I don't get caught up on that, 858 00:43:28,840 --> 00:43:31,040 Speaker 1: I look at like any and every opportunity. It was 859 00:43:31,040 --> 00:43:34,000 Speaker 1: the opportunity in that moment. Okay, you know, and that's it. 860 00:43:34,400 --> 00:43:36,879 Speaker 1: That's it, you know. Yeah, enjoyed watching you on the show. 861 00:43:36,880 --> 00:43:38,800 Speaker 1: I always get excited every time I've seen Danielle on 862 00:43:38,840 --> 00:43:42,279 Speaker 1: the screen. So you got excited when um, you're getting 863 00:43:42,280 --> 00:43:44,160 Speaker 1: beat up and punished. Yeah, getting beat up and thrown 864 00:43:44,239 --> 00:43:47,040 Speaker 1: around there somebody. You've been doing some great roles. Yeah, 865 00:43:47,480 --> 00:43:50,839 Speaker 1: I'm lucky enough obviously every three or four years, UM 866 00:43:51,840 --> 00:43:54,160 Speaker 1: show what Happened? Where it's part of pop culture. People 867 00:43:54,200 --> 00:43:57,120 Speaker 1: like it. Like I'm not a regular actor. I'm not 868 00:43:57,239 --> 00:44:00,759 Speaker 1: on any like a serious regular anything, but every so 869 00:44:00,920 --> 00:44:02,920 Speaker 1: often I get a gig and it's like it's something 870 00:44:03,000 --> 00:44:05,120 Speaker 1: that the streets like or people like, and it just 871 00:44:05,440 --> 00:44:07,680 Speaker 1: gives things pop. Have you ever done a sex scene? 872 00:44:07,719 --> 00:44:10,160 Speaker 1: I saw and I've been watching Swarm and I'm trying 873 00:44:10,200 --> 00:44:12,600 Speaker 1: to finish it. I love it. But people were upset 874 00:44:12,600 --> 00:44:15,080 Speaker 1: about Chloe Bailey doing a sex scene, which I didn't understand. 875 00:44:15,320 --> 00:44:17,680 Speaker 1: What are you mad about? It's acting. But then it 876 00:44:17,719 --> 00:44:20,480 Speaker 1: turned into a whole conversation about Halle Berry and she 877 00:44:20,600 --> 00:44:22,839 Speaker 1: hit da da Da da da, And so I want 878 00:44:22,840 --> 00:44:24,840 Speaker 1: to ask you that now, have you ever done a 879 00:44:24,920 --> 00:44:28,160 Speaker 1: sex scene or would you It's years ago. I would 880 00:44:28,200 --> 00:44:29,839 Speaker 1: consider it. It was a show. It was a movie 881 00:44:29,880 --> 00:44:32,320 Speaker 1: called bum Night to the Heights. It was like a 882 00:44:32,400 --> 00:44:36,000 Speaker 1: low budget I want no disrespect. Is available anywhere for 883 00:44:36,080 --> 00:44:41,640 Speaker 1: us to see, probably a blockbuster scene we can find. 884 00:44:41,719 --> 00:44:44,000 Speaker 1: Go ahead, Yeah, that maybe somewhere. But when I thought 885 00:44:44,000 --> 00:44:46,000 Speaker 1: about it, you know, I guess when you when when 886 00:44:46,040 --> 00:44:48,240 Speaker 1: you getting prepared to do a sex scene or anything 887 00:44:48,360 --> 00:44:50,759 Speaker 1: like this, I'll check you out of what your normal 888 00:44:50,800 --> 00:44:53,120 Speaker 1: situation would be on set. You know, it's a little 889 00:44:53,200 --> 00:44:54,759 Speaker 1: part of you, as nervous part of you. You want 890 00:44:54,760 --> 00:44:56,640 Speaker 1: to be a professional. Right in the beginning of I 891 00:44:56,800 --> 00:44:58,520 Speaker 1: was like, yeah, man, this is gonna be fun, And 892 00:44:58,560 --> 00:44:59,839 Speaker 1: all I ken about saying I was like, I really 893 00:45:00,000 --> 00:45:02,840 Speaker 1: want to get excited. I'd be as real as possible. 894 00:45:03,000 --> 00:45:06,440 Speaker 1: Right then, as we got closer to actually shooting it, 895 00:45:06,960 --> 00:45:08,960 Speaker 1: a professional side of me took over and I was like, 896 00:45:09,600 --> 00:45:11,239 Speaker 1: I don't want to do anything to make this woman 897 00:45:11,320 --> 00:45:16,799 Speaker 1: feel uncomfortable. A tough situation like this was about Corney Allen. 898 00:45:16,840 --> 00:45:18,960 Speaker 1: We were in the back of a pickup truck. It 899 00:45:19,040 --> 00:45:22,440 Speaker 1: was hot outside, and then like people, when you watch 900 00:45:22,520 --> 00:45:24,759 Speaker 1: a movie or TV, you only it looks like one 901 00:45:24,840 --> 00:45:26,759 Speaker 1: person has something to do with that, but you're talking 902 00:45:26,760 --> 00:45:31,720 Speaker 1: about fifty people on the crew. But I did perform 903 00:45:31,880 --> 00:45:35,799 Speaker 1: well enough to make it very realistic that I had 904 00:45:35,880 --> 00:45:38,120 Speaker 1: got to the height over did you look like I mean, 905 00:45:38,160 --> 00:45:42,560 Speaker 1: did they show your butt? Yeah, not the whole, but 906 00:45:42,760 --> 00:45:47,200 Speaker 1: just the tip heard at the top right before the 907 00:45:47,239 --> 00:45:51,200 Speaker 1: crack hit that part right there. Another thing is like 908 00:45:52,440 --> 00:45:55,080 Speaker 1: and I was trying to figure out ways to make 909 00:45:55,160 --> 00:45:57,880 Speaker 1: it look like all out sex sing without having to 910 00:45:58,400 --> 00:46:00,440 Speaker 1: have too much exposure to her. And I was like 911 00:46:00,480 --> 00:46:02,520 Speaker 1: something similars putting my pants on the butt and putting 912 00:46:02,560 --> 00:46:04,040 Speaker 1: my shirt up and it looked like and I was 913 00:46:04,719 --> 00:46:09,680 Speaker 1: the same right now, how disappointed? No, this is a movie. 914 00:46:10,120 --> 00:46:12,239 Speaker 1: That's that's acting. I did a good job and I 915 00:46:12,280 --> 00:46:14,120 Speaker 1: thought it was good. All right. Well, speaking of acting, 916 00:46:14,239 --> 00:46:16,840 Speaker 1: we have an actor about to join us. He formerly 917 00:46:16,880 --> 00:46:20,560 Speaker 1: played in the NFL for like fifteen seasons. Vernon Davis 918 00:46:20,719 --> 00:46:23,160 Speaker 1: is joining us, and he's going to be talking about 919 00:46:23,200 --> 00:46:25,040 Speaker 1: all of his roles that he's having. He's in a 920 00:46:25,120 --> 00:46:28,440 Speaker 1: movie right now. It's way up with Angela Yee, with 921 00:46:28,560 --> 00:46:33,239 Speaker 1: Angela ye more. Now, what's up? It's way up with 922 00:46:33,280 --> 00:46:36,879 Speaker 1: Angela Yee. I'm here and Jasmine Brand is here. I'll 923 00:46:36,880 --> 00:46:38,799 Speaker 1: call you. Your name is not really Jasmine Baron, that's 924 00:46:38,800 --> 00:46:41,319 Speaker 1: your website, but Jasmine from the Jasmine Brand is here, 925 00:46:41,640 --> 00:46:48,520 Speaker 1: and Vernon Davis is here. Actor extraordinaire Vernon Davis. But um, 926 00:46:48,680 --> 00:46:50,160 Speaker 1: you know we're here to talk about you're in a 927 00:46:50,280 --> 00:46:53,000 Speaker 1: movie that you're in, which is exciting. The ritual killer. 928 00:46:53,600 --> 00:46:57,239 Speaker 1: I'm a little nervous sitting next to you. Should be 929 00:46:57,400 --> 00:47:03,080 Speaker 1: very He got into character right away. But so, how 930 00:47:03,120 --> 00:47:04,640 Speaker 1: did that feel for you to play a role like 931 00:47:04,760 --> 00:47:08,120 Speaker 1: that where you're actually a killer? It was dope, it 932 00:47:08,239 --> 00:47:11,919 Speaker 1: was It was interesting because I never imagined myself playing 933 00:47:11,960 --> 00:47:13,839 Speaker 1: a role like that. It took a lot to get 934 00:47:13,920 --> 00:47:16,480 Speaker 1: into get into it because I had to attach too 935 00:47:16,520 --> 00:47:19,200 Speaker 1: many things from my past life into this character, like 936 00:47:20,040 --> 00:47:23,640 Speaker 1: you have to go really deep and dark those moments 937 00:47:23,719 --> 00:47:26,279 Speaker 1: that you experienced when you were a kid. It can 938 00:47:26,320 --> 00:47:29,920 Speaker 1: be really harsh for some people to think in that way, 939 00:47:30,000 --> 00:47:31,879 Speaker 1: but when you're an actor, you have to be able 940 00:47:31,920 --> 00:47:35,120 Speaker 1: to live in those moments and live truthfully. And it's 941 00:47:35,160 --> 00:47:37,560 Speaker 1: not like you retired from football and just started acting. 942 00:47:37,600 --> 00:47:40,279 Speaker 1: You've been acting. So this is something that I mean, 943 00:47:40,360 --> 00:47:42,279 Speaker 1: you've been working on it, like you've known this is 944 00:47:42,320 --> 00:47:44,239 Speaker 1: what you want to do. Yeah, I was. I thought 945 00:47:44,280 --> 00:47:46,160 Speaker 1: I knew. I thought I knew what I was doing 946 00:47:46,280 --> 00:47:48,200 Speaker 1: when I was playing ball, but I did it. There 947 00:47:48,280 --> 00:47:49,920 Speaker 1: was there was a moment when I was on I 948 00:47:49,960 --> 00:47:52,239 Speaker 1: think it was ESPN. He said Vernon, let me see it, 949 00:47:52,400 --> 00:47:54,520 Speaker 1: let me see you act o man, And I started 950 00:47:54,520 --> 00:48:01,800 Speaker 1: like crying, crying on it looked it looked it was 951 00:48:01,880 --> 00:48:05,239 Speaker 1: cool to some people, but it's not. That's not the crap. 952 00:48:05,360 --> 00:48:07,239 Speaker 1: You don't because because when you cry, and you don't 953 00:48:07,320 --> 00:48:09,960 Speaker 1: really you fight your tiers. You don't really cry. You 954 00:48:10,000 --> 00:48:12,400 Speaker 1: don't want people to see you cry in public or 955 00:48:12,440 --> 00:48:15,520 Speaker 1: in person. You just doing it on purpose. It's more 956 00:48:15,760 --> 00:48:18,800 Speaker 1: it's more internally right than externally. So you once you 957 00:48:18,960 --> 00:48:20,760 Speaker 1: learn that and you learn the craft. You're like, Okay, 958 00:48:21,040 --> 00:48:24,520 Speaker 1: I get the Hello silly so now you can cry. Yeah, 959 00:48:24,560 --> 00:48:26,160 Speaker 1: I get it. I get really emotional. I mean I 960 00:48:26,480 --> 00:48:29,400 Speaker 1: I do it weekly. I practice even if I'm not 961 00:48:29,440 --> 00:48:32,920 Speaker 1: getting a job every week and crying, well, not not 962 00:48:33,080 --> 00:48:36,359 Speaker 1: crying necessarily. I practice like the emotion of it all. 963 00:48:36,880 --> 00:48:38,680 Speaker 1: When did you know you wanted to ask? You wanted 964 00:48:38,719 --> 00:48:41,200 Speaker 1: to take it seriously? I know I wanted to take 965 00:48:41,239 --> 00:48:47,200 Speaker 1: it seriously. When probably my last year playing Peopall, I 966 00:48:47,320 --> 00:48:49,960 Speaker 1: did this movie called Hell in the Border and it 967 00:48:50,080 --> 00:48:52,319 Speaker 1: was probably like the biggest role I had I've ever 968 00:48:52,400 --> 00:48:55,239 Speaker 1: had in my attack career playing football. So when I 969 00:48:55,360 --> 00:48:56,600 Speaker 1: when that happened, I was like, well, I want to 970 00:48:56,640 --> 00:48:58,360 Speaker 1: continue to do this. And you knew that was going 971 00:48:58,440 --> 00:49:01,360 Speaker 1: to be your last year playing football? No, I didn't know. 972 00:49:01,600 --> 00:49:03,120 Speaker 1: I didn't know at all. I had a had an 973 00:49:03,120 --> 00:49:06,560 Speaker 1: concussion and my granddad died and I wanted I was 974 00:49:06,640 --> 00:49:08,760 Speaker 1: ready to move on. I couldn't go on, I couldn't 975 00:49:08,760 --> 00:49:10,600 Speaker 1: play play anymore. I wanted to step away and do 976 00:49:10,680 --> 00:49:12,960 Speaker 1: something different and that stuff. So this is it, this 977 00:49:13,160 --> 00:49:16,120 Speaker 1: is your You definitely want to act forever. I feel 978 00:49:16,160 --> 00:49:17,920 Speaker 1: like I do because you can. I look up to 979 00:49:18,000 --> 00:49:19,879 Speaker 1: guys like Morgan Freeman. He said five, and he's still 980 00:49:19,920 --> 00:49:21,320 Speaker 1: doing it and I wasn't being in a movie. But 981 00:49:21,440 --> 00:49:23,399 Speaker 1: Morgan Freeman, though, let's take a moment to even think 982 00:49:23,440 --> 00:49:26,600 Speaker 1: about that. That's major. Yeah, we actually getting ready to 983 00:49:26,600 --> 00:49:29,400 Speaker 1: do another one. What one called Gunner. I played that 984 00:49:29,520 --> 00:49:34,719 Speaker 1: I played, I played his son, all ridiculous, kicked out 985 00:49:34,760 --> 00:49:39,839 Speaker 1: with makeup, right makeup and no. But I yeah, I'm 986 00:49:39,880 --> 00:49:42,319 Speaker 1: playing the son and this one we uh, yes, it's 987 00:49:42,320 --> 00:49:44,799 Speaker 1: gonna be pretty cool. But the one I just had 988 00:49:44,960 --> 00:49:47,680 Speaker 1: called the Ritual Killer, that was that was cool. So 989 00:49:47,840 --> 00:49:50,439 Speaker 1: that's a true story. It's based on the true story, 990 00:49:50,520 --> 00:49:52,279 Speaker 1: all right, So tell us the true story for people 991 00:49:52,280 --> 00:49:54,360 Speaker 1: who haven't seen the movie and don't know it. So 992 00:49:54,480 --> 00:49:58,080 Speaker 1: harvesting body parts and Africa, it's it's a ritual where 993 00:49:58,840 --> 00:50:01,359 Speaker 1: you you're you're selling to people who want to feel 994 00:50:01,400 --> 00:50:06,000 Speaker 1: more powerful, and people with money come to this tribe 995 00:50:06,040 --> 00:50:09,600 Speaker 1: called the Syndroma tribe and they buy this concoction that's 996 00:50:09,640 --> 00:50:13,320 Speaker 1: made of body parts, golden nerves, and now they're more powerful. 997 00:50:13,320 --> 00:50:15,920 Speaker 1: They can see better, they can think better, they're stronger. 998 00:50:16,800 --> 00:50:19,359 Speaker 1: So that's what you're It is very disturbing, and that's 999 00:50:19,400 --> 00:50:21,760 Speaker 1: why I say when you know, attaching someone the moments 1000 00:50:21,800 --> 00:50:24,960 Speaker 1: for my life to this character. I had anxiety after 1001 00:50:25,040 --> 00:50:27,359 Speaker 1: the film was over because every day I'm fine, when 1002 00:50:27,360 --> 00:50:29,160 Speaker 1: I'm in my hotel and I'm coming out, I was fine. 1003 00:50:29,239 --> 00:50:31,280 Speaker 1: But when I put on these garments of this character, 1004 00:50:31,719 --> 00:50:34,239 Speaker 1: I started by my mannerism, my face change. I can 1005 00:50:34,280 --> 00:50:37,359 Speaker 1: just feel it in my whole body, just like everybody. Yeah, 1006 00:50:37,360 --> 00:50:40,160 Speaker 1: that's wild. How did you be compressed after the project 1007 00:50:40,280 --> 00:50:43,000 Speaker 1: was over? I had a therapist, okay, that had a therapist. 1008 00:50:43,040 --> 00:50:47,160 Speaker 1: I did some yoga, started meditating more, and just getting 1009 00:50:47,160 --> 00:50:49,840 Speaker 1: myself back because people don't understand, like I spent like 1010 00:50:49,960 --> 00:50:51,920 Speaker 1: a month and a half two months with this this 1011 00:50:52,080 --> 00:50:55,040 Speaker 1: guy that I created. I spent a month two months 1012 00:50:55,080 --> 00:50:56,759 Speaker 1: with him, and I became him. It was crazy. It 1013 00:50:56,840 --> 00:50:59,959 Speaker 1: felt so good killing all these people. Oh man, I'm saying, 1014 00:51:00,000 --> 00:51:04,600 Speaker 1: and yeah, that sounds would right now. I'm just saying. Yeah. 1015 00:51:04,680 --> 00:51:06,920 Speaker 1: As an act, it felt it was fulfilling. It was 1016 00:51:06,960 --> 00:51:09,040 Speaker 1: like it was The trailer was very it was like 1017 00:51:09,120 --> 00:51:11,200 Speaker 1: I was releasing something. It was like I was releasing 1018 00:51:11,239 --> 00:51:13,359 Speaker 1: some demons from the past. That that's what felt good. 1019 00:51:13,880 --> 00:51:16,480 Speaker 1: So I didn't want to stop. So when you when 1020 00:51:16,520 --> 00:51:18,400 Speaker 1: you get done with that you have to really make 1021 00:51:18,480 --> 00:51:22,719 Speaker 1: sure get it all out. Yeah, decompressed and just you know, 1022 00:51:22,840 --> 00:51:25,000 Speaker 1: just fine. Two things. What type of advice and Morgan 1023 00:51:25,040 --> 00:51:26,640 Speaker 1: Freeman give you? Because I can see you guys have 1024 00:51:26,680 --> 00:51:29,680 Speaker 1: a good relationship. Y'all just did the Ritual Killer together. 1025 00:51:29,680 --> 00:51:31,440 Speaker 1: You said you're going to be in another movie. So 1026 00:51:31,880 --> 00:51:33,800 Speaker 1: what I mean being that he took a liking to you? 1027 00:51:33,920 --> 00:51:36,480 Speaker 1: Did he also say all right, son, here's you know 1028 00:51:36,840 --> 00:51:38,920 Speaker 1: some things you need to do. You gotta you're not 1029 00:51:39,000 --> 00:51:42,719 Speaker 1: sounding like him right now? You have to do the voice. No, 1030 00:51:43,719 --> 00:51:45,200 Speaker 1: I don't know if I can sound like Morgan. Can 1031 00:51:45,239 --> 00:51:47,640 Speaker 1: you sound like him? I don't know. Let's try it. 1032 00:51:47,800 --> 00:51:53,640 Speaker 1: Let's try. It's like if I hear him, if I 1033 00:51:53,719 --> 00:51:55,359 Speaker 1: hear him again, I can probably do it. But I can't. 1034 00:51:55,360 --> 00:51:58,359 Speaker 1: I can't do I got I don't got him down yet. Um. 1035 00:51:58,960 --> 00:52:00,600 Speaker 1: He just talked. He's like a hold you on set. 1036 00:52:00,640 --> 00:52:03,960 Speaker 1: It's interesting because we haven't seen and he just talked 1037 00:52:04,000 --> 00:52:06,880 Speaker 1: to me like try this, try this, try like this. 1038 00:52:07,680 --> 00:52:10,279 Speaker 1: It's like, okay, you get it, you get it. He's 1039 00:52:10,440 --> 00:52:12,640 Speaker 1: in this quiet voice. He's just an interest in person. 1040 00:52:12,640 --> 00:52:15,560 Speaker 1: It's like a coach and in an actor. I really 1041 00:52:15,680 --> 00:52:18,000 Speaker 1: appreciate that, and I respect it because for him to 1042 00:52:18,040 --> 00:52:20,040 Speaker 1: be eighty five years old, you know, you don't have 1043 00:52:20,120 --> 00:52:21,840 Speaker 1: to help out them. You don't have to do anything. 1044 00:52:21,920 --> 00:52:24,759 Speaker 1: You just come to work and go back to its trailer. Yeah, 1045 00:52:25,040 --> 00:52:27,720 Speaker 1: she's amazing. And if you think about it like a director, 1046 00:52:27,760 --> 00:52:30,200 Speaker 1: it's kind of like a coach too, you know, being 1047 00:52:30,239 --> 00:52:33,040 Speaker 1: a you know, being able to follow what someone's telling 1048 00:52:33,040 --> 00:52:35,200 Speaker 1: you to do and run those plays. Yes, do you 1049 00:52:35,400 --> 00:52:37,920 Speaker 1: find it easy to remember scripts because you always had 1050 00:52:37,920 --> 00:52:40,759 Speaker 1: to remember plays? Or No, it's a different process I 1051 00:52:40,880 --> 00:52:42,120 Speaker 1: have to come up with. So what I do is 1052 00:52:42,160 --> 00:52:44,000 Speaker 1: if I have a if I have a script in 1053 00:52:44,040 --> 00:52:45,319 Speaker 1: front of me, when I do, I take it page 1054 00:52:45,360 --> 00:52:48,600 Speaker 1: by page and I'll I'll be breakfast, breakfast, lunch, and dinner, 1055 00:52:49,000 --> 00:52:51,560 Speaker 1: and I'll just get the words and then I'll recorded 1056 00:52:51,600 --> 00:52:54,080 Speaker 1: on my voice memo. Okay, instead of listening to music, 1057 00:52:54,120 --> 00:52:56,600 Speaker 1: I listened to my voice to the lines. So every 1058 00:52:56,680 --> 00:52:58,160 Speaker 1: day or every two days, like I have like one 1059 00:52:58,239 --> 00:52:59,719 Speaker 1: or two pages memorized, and then I go to the 1060 00:52:59,760 --> 00:53:02,440 Speaker 1: next And that's saying, you know, I got the whole script. 1061 00:53:02,760 --> 00:53:04,719 Speaker 1: That's so hard to do. Because I've done like some 1062 00:53:04,880 --> 00:53:07,320 Speaker 1: quick guest appearances, I might have like four lines and 1063 00:53:07,400 --> 00:53:09,239 Speaker 1: I think I have a down pat and then you 1064 00:53:09,360 --> 00:53:14,600 Speaker 1: can get there and you're like line words. I see 1065 00:53:14,600 --> 00:53:16,520 Speaker 1: you rememberize the words, but the words don't. The words 1066 00:53:16,600 --> 00:53:20,160 Speaker 1: don't even really mean anything because you your emotions change 1067 00:53:20,200 --> 00:53:22,879 Speaker 1: the words. Right, So how you feeling emotionally, it will 1068 00:53:22,960 --> 00:53:24,880 Speaker 1: change the words. It'll make you go slow and make 1069 00:53:24,920 --> 00:53:28,120 Speaker 1: you go fast. It all comes from like inside. All right. 1070 00:53:28,239 --> 00:53:30,399 Speaker 1: That was Burning Davis. He's talking about his new movie, 1071 00:53:30,440 --> 00:53:32,200 Speaker 1: The Ritual Killer. We had some more with him and 1072 00:53:32,280 --> 00:53:38,920 Speaker 1: we come back. You up with Angela Yee. It's way 1073 00:53:39,040 --> 00:53:41,640 Speaker 1: up with Angela Yee and Burning Davis is here with 1074 00:53:41,760 --> 00:53:44,719 Speaker 1: me and Jasmine Brand. Now. Burning you also invested in 1075 00:53:44,800 --> 00:53:48,759 Speaker 1: a basketball team. Yeah, here's your research. Capital Classic and 1076 00:53:48,880 --> 00:53:51,279 Speaker 1: I own the Brisbane Bullets, which is an Australian team. Yeah. 1077 00:53:51,320 --> 00:53:53,640 Speaker 1: Look at how these a lot going on, a lot 1078 00:53:53,719 --> 00:53:57,960 Speaker 1: going on to invest in. Wow, well it just crossed 1079 00:53:58,000 --> 00:53:59,920 Speaker 1: the table. And if it makes sense, then it makes sense. 1080 00:54:00,440 --> 00:54:02,399 Speaker 1: It's like law of attraction. Like the things that you're 1081 00:54:02,840 --> 00:54:04,520 Speaker 1: that you seek on, the things that you desire to 1082 00:54:04,600 --> 00:54:06,440 Speaker 1: just come your way. That's how my whole life been, 1083 00:54:06,560 --> 00:54:08,280 Speaker 1: just like even with the movies. With the Morgan Freeman 1084 00:54:08,360 --> 00:54:11,279 Speaker 1: movie is something that just happened. Just make sense. Yeah, 1085 00:54:11,440 --> 00:54:13,600 Speaker 1: In terms of investments, is there anything that you passed 1086 00:54:13,640 --> 00:54:18,120 Speaker 1: on that you wish that you didn't? Yes? What ring? 1087 00:54:18,800 --> 00:54:21,440 Speaker 1: Oh yeah, yeah that was a good one. I had 1088 00:54:21,520 --> 00:54:24,040 Speaker 1: that right in mind. Oh that was right there. Yeah. Okay, 1089 00:54:24,680 --> 00:54:27,040 Speaker 1: like I don't know what you're doing. Okay, but yeah, 1090 00:54:27,040 --> 00:54:31,719 Speaker 1: that's but sometimes investing is hard because we also hear 1091 00:54:31,760 --> 00:54:33,800 Speaker 1: a lot of stories about people investing in things and 1092 00:54:33,880 --> 00:54:37,800 Speaker 1: then athletes in particular, like going broke because of bad investments. 1093 00:54:37,880 --> 00:54:39,279 Speaker 1: That's just because they don't know what they're doing or 1094 00:54:39,280 --> 00:54:40,840 Speaker 1: what they look for. You just have to know what 1095 00:54:40,920 --> 00:54:42,640 Speaker 1: to look for and and what questions to ask and 1096 00:54:42,680 --> 00:54:46,160 Speaker 1: what's what's available to you, Like twenty sent discount. I 1097 00:54:46,239 --> 00:54:48,320 Speaker 1: tend to go with companies that already have the momentum, 1098 00:54:48,440 --> 00:54:51,200 Speaker 1: companies that have maybe have fifteen twenty million dollar evaluation, 1099 00:54:51,800 --> 00:54:54,480 Speaker 1: because if you invest in a startup, you can't really 1100 00:54:54,520 --> 00:54:56,800 Speaker 1: tell what's going on. You don't know what they expect. 1101 00:54:57,239 --> 00:54:58,920 Speaker 1: They're starting from the ground up. Why do that when 1102 00:54:58,920 --> 00:55:01,120 Speaker 1: you can get in on the on something that has momentum, 1103 00:55:01,200 --> 00:55:02,560 Speaker 1: And that's what I do. I try to look at 1104 00:55:02,600 --> 00:55:05,400 Speaker 1: that and then you know, I asked, what the what 1105 00:55:05,480 --> 00:55:07,480 Speaker 1: the exit strategy is. And I also want to know 1106 00:55:08,000 --> 00:55:10,480 Speaker 1: how many employees they have just all the right questions 1107 00:55:10,520 --> 00:55:12,719 Speaker 1: that you need to ask. And once you understand how 1108 00:55:12,800 --> 00:55:15,919 Speaker 1: that works, and once you know who's on the board 1109 00:55:15,920 --> 00:55:19,399 Speaker 1: of advisory who invested, then that tells you a lot. 1110 00:55:19,520 --> 00:55:22,239 Speaker 1: If if I wh why invest in the company if 1111 00:55:22,280 --> 00:55:25,360 Speaker 1: there's nobody it's like minded, or if there's an accredited 1112 00:55:25,400 --> 00:55:27,560 Speaker 1: investor that I know of, I wouldn't want to If 1113 00:55:27,560 --> 00:55:29,480 Speaker 1: that's not happening, I don't want to invest in this company. 1114 00:55:29,680 --> 00:55:33,040 Speaker 1: It's all who Who's Who's who's bringing it to you? Right? Right? Who? 1115 00:55:34,440 --> 00:55:35,960 Speaker 1: Because you know how many people probably be like, Yo, 1116 00:55:36,040 --> 00:55:38,359 Speaker 1: I got an idea, man, an idea? Can you give 1117 00:55:38,360 --> 00:55:40,080 Speaker 1: me some money for this? All I need is if 1118 00:55:40,120 --> 00:55:44,319 Speaker 1: it's an idea, I'm not investing that, I'm not investing. Yeah, 1119 00:55:44,360 --> 00:55:45,920 Speaker 1: I'm not going to invest in an idea unless it 1120 00:55:45,960 --> 00:55:50,239 Speaker 1: has a twenty MILLIONAR evaluation. What's the biggest mistake you've 1121 00:55:50,280 --> 00:55:53,120 Speaker 1: made business ever? I mean I learned from it. I 1122 00:55:53,239 --> 00:55:56,239 Speaker 1: learned through experience. I just learned just learning. You've never 1123 00:55:56,320 --> 00:55:59,279 Speaker 1: made any really big, big business mistakes? Oh yeah, I have. 1124 00:55:59,400 --> 00:56:01,840 Speaker 1: I invested in this Ponzi scheme and I was just 1125 00:56:01,920 --> 00:56:05,279 Speaker 1: showing them. It was a bunch of athletes in it. Oh, 1126 00:56:05,440 --> 00:56:07,040 Speaker 1: be careful and there's a bunch of athletes. You know, 1127 00:56:08,040 --> 00:56:09,600 Speaker 1: you lost a lot of money. I lost a lot 1128 00:56:09,640 --> 00:56:14,160 Speaker 1: of money, lost about five hundred thousand. Yeah. Who there's 1129 00:56:14,200 --> 00:56:17,319 Speaker 1: guys that lost millions. Yeah, but I wasn't. I wasn't. 1130 00:56:17,320 --> 00:56:19,120 Speaker 1: I've always been conservative, so I didn't put that much 1131 00:56:19,160 --> 00:56:21,040 Speaker 1: of money in. Okay, but thank you so much for 1132 00:56:21,120 --> 00:56:23,680 Speaker 1: coming through. We really do appreciate it, and we want 1133 00:56:23,680 --> 00:56:25,560 Speaker 1: to make sure everybody goes and watches the movie. We're 1134 00:56:25,560 --> 00:56:27,520 Speaker 1: actually gonna I'm gonna make Jazmine watch it, even though 1135 00:56:27,560 --> 00:56:29,400 Speaker 1: she don't like a scary movie. I love it The 1136 00:56:29,520 --> 00:56:32,680 Speaker 1: Ritual Killer and stream that movie on BT plus two 1137 00:56:32,880 --> 00:56:37,520 Speaker 1: because that looks good. Yes, um, Brianna a message from Brianna. Yeah, 1138 00:56:37,560 --> 00:56:39,399 Speaker 1: y'all gotta check out this new song coming out called Phone. 1139 00:56:39,400 --> 00:56:42,640 Speaker 1: You're gonna appreciate it. Oh yeah, this girl I had, 1140 00:56:42,680 --> 00:56:45,439 Speaker 1: this girl, had this girl that I was dating. She's 1141 00:56:45,480 --> 00:56:47,560 Speaker 1: go through my phone all the time while I was sleeping. 1142 00:56:49,520 --> 00:56:51,839 Speaker 1: Beat tone, pe set me this beat phone. I ain't 1143 00:56:51,880 --> 00:56:55,880 Speaker 1: gonna through my phone. Yeah yeah, dope. Me and three 1144 00:56:55,920 --> 00:56:58,000 Speaker 1: old black girl Black on the come up. He's amazing. 1145 00:56:58,040 --> 00:56:59,560 Speaker 1: You gotta hear you, gotta hear him on this track. 1146 00:57:00,160 --> 00:57:02,400 Speaker 1: I thought I didn't do it. Yeah, go back to 1147 00:57:02,440 --> 00:57:04,400 Speaker 1: the phone, don't very relief. Why is she How does 1148 00:57:04,440 --> 00:57:06,920 Speaker 1: she get in your phone? Well, she would just go 1149 00:57:07,040 --> 00:57:08,759 Speaker 1: through my phone and now when I was didn't have 1150 00:57:08,840 --> 00:57:12,600 Speaker 1: a password or anything on it. No, we trusted each other. 1151 00:57:12,800 --> 00:57:14,600 Speaker 1: Oh no, And what was she seeing when she went 1152 00:57:14,640 --> 00:57:17,000 Speaker 1: through your friend? Nothing? She couldn't find anything because I 1153 00:57:17,040 --> 00:57:19,360 Speaker 1: wasn't just doing any wasn't doing anything. I guess that's why. 1154 00:57:19,360 --> 00:57:21,760 Speaker 1: I guess that's why she thought she could go through 1155 00:57:21,840 --> 00:57:24,520 Speaker 1: my phone, because I was giving her the password to 1156 00:57:24,600 --> 00:57:27,320 Speaker 1: my phone. Gave her but she'd be up at night 1157 00:57:27,400 --> 00:57:30,240 Speaker 1: like this, and you caught her. I'm like, yeah, I'm 1158 00:57:30,280 --> 00:57:32,200 Speaker 1: just like, what's going on? So that I was like, 1159 00:57:32,360 --> 00:57:34,600 Speaker 1: I need to get in line two. Line two is 1160 00:57:34,640 --> 00:57:37,160 Speaker 1: a different line on my phone. So I'm talking to 1161 00:57:37,280 --> 00:57:39,080 Speaker 1: my grandmother and my mother say we have I'm having 1162 00:57:39,120 --> 00:57:41,640 Speaker 1: a conversation about her. Yeah, she don't need to see 1163 00:57:41,640 --> 00:57:43,880 Speaker 1: that because she can take it another way. So I 1164 00:57:43,920 --> 00:57:45,760 Speaker 1: just bought line two. So on the music, you hear 1165 00:57:45,800 --> 00:57:48,240 Speaker 1: me talking about line two, is that we did you'll 1166 00:57:48,280 --> 00:57:50,880 Speaker 1: break up? Over that or you're still together. Unfortunately we 1167 00:57:50,960 --> 00:57:53,560 Speaker 1: broke up over so you're gonna put together a whole project. 1168 00:57:53,720 --> 00:57:57,160 Speaker 1: You think we got an album called Showtime. Okay, you 1169 00:57:57,200 --> 00:57:59,440 Speaker 1: gotta hit the music man. Music is awesome. A lot 1170 00:57:59,480 --> 00:58:01,400 Speaker 1: of people, a lot of people. Yeah, but that was 1171 00:58:01,440 --> 00:58:03,600 Speaker 1: my first That was my first song. It kind of 1172 00:58:03,640 --> 00:58:05,960 Speaker 1: gave me wallet vibes. I'm not gonna lie. Yeah yeah, yeah, 1173 00:58:06,000 --> 00:58:12,160 Speaker 1: yeah yeah, pretty girl girl. She's so excited. You're like, Okay, 1174 00:58:12,280 --> 00:58:17,120 Speaker 1: we like that. Jay told me I did a song 1175 00:58:17,200 --> 00:58:19,000 Speaker 1: I get Jay told him produced something for me too, 1176 00:58:20,120 --> 00:58:24,920 Speaker 1: Young Joe Okay, that's my guy. Young Joey is like us, Yeah, 1177 00:58:25,680 --> 00:58:29,080 Speaker 1: where happen? You're doing what you love now. We see 1178 00:58:29,280 --> 00:58:31,320 Speaker 1: all the passion when you talk about the music, when 1179 00:58:31,320 --> 00:58:35,600 Speaker 1: you talk about the Yeah, no, it's very important because 1180 00:58:35,600 --> 00:58:38,520 Speaker 1: you know somebody's favorite phony. I guess it's important. And 1181 00:58:38,600 --> 00:58:40,240 Speaker 1: in time to tell you see over time, like you 1182 00:58:40,440 --> 00:58:43,160 Speaker 1: tell you know someone serious about something, They're gonna keep 1183 00:58:43,160 --> 00:58:45,400 Speaker 1: on going, They're not gonna give up. I feel like 1184 00:58:45,440 --> 00:58:47,040 Speaker 1: he could turn us to a killer at any second 1185 00:58:47,120 --> 00:58:55,840 Speaker 1: right now. On that. Thank you so much though, honestly, 1186 00:58:55,880 --> 00:58:58,600 Speaker 1: and congratulations, yeah, thank you. I appreciate it all right. Well, 1187 00:58:58,600 --> 00:59:01,000 Speaker 1: that was Vernon Davis. Thank you so much for joining us. 1188 00:59:01,040 --> 00:59:02,920 Speaker 1: And when we come back, we have asked ye. Eight 1189 00:59:03,080 --> 00:59:05,480 Speaker 1: hundred two nine two fifty one fifty is a number. 1190 00:59:05,760 --> 00:59:08,240 Speaker 1: I'm here, Donnel, Rawlings is here, and Jasmine Brand is 1191 00:59:08,280 --> 00:59:10,120 Speaker 1: here to help you on way up with Angela Yee 1192 00:59:11,280 --> 00:59:16,000 Speaker 1: with its relationship or career advice, Angela's dropping facts. This 1193 00:59:16,200 --> 00:59:19,600 Speaker 1: is yes, it is way up with Angela Yee. I'm here, 1194 00:59:19,720 --> 00:59:24,440 Speaker 1: Jasmine Brand is here, done, Rawlins is here, done done now, 1195 00:59:24,600 --> 00:59:28,640 Speaker 1: and it's time first all over here. I bet okay, anyway, 1196 00:59:28,680 --> 00:59:31,600 Speaker 1: I see you what as he is when you guys 1197 00:59:31,640 --> 00:59:33,840 Speaker 1: get to call in and ask for advice. Now, y'all 1198 00:59:33,880 --> 00:59:35,760 Speaker 1: know we have the voicemail set up twenty four to 1199 00:59:35,840 --> 00:59:38,840 Speaker 1: seven and sometimes you guys leave voice messages if you 1200 00:59:38,880 --> 00:59:41,920 Speaker 1: can't get through asking for advice. Eight hundred two nine 1201 00:59:41,920 --> 00:59:43,880 Speaker 1: two fifty one fifty is that number in case you 1202 00:59:44,040 --> 00:59:46,680 Speaker 1: feel inclined to do that. And today we have a 1203 00:59:46,840 --> 00:59:50,200 Speaker 1: voicemail and we're gonna need some help from me Donnel 1204 00:59:50,320 --> 00:59:54,400 Speaker 1: and Jasmine. Okay, So anyway, I settled down about two 1205 00:59:54,560 --> 00:59:57,920 Speaker 1: years ago. Long story short. I don't want to be 1206 00:59:58,040 --> 00:59:59,320 Speaker 1: tied down on the more I just want to do 1207 00:59:59,400 --> 01:00:02,600 Speaker 1: what I gotta say. I recently seeing another young lady 1208 01:00:02,680 --> 01:00:05,080 Speaker 1: on the side. Neither of them know about each other. 1209 01:00:05,640 --> 01:00:08,000 Speaker 1: But I feel guilty because I'm actually in a committed 1210 01:00:08,080 --> 01:00:11,440 Speaker 1: relationship for a long time, but it still doesn't end there. 1211 01:00:11,520 --> 01:00:13,400 Speaker 1: I got this job about a year and a half ago, 1212 01:00:13,800 --> 01:00:17,160 Speaker 1: and now I'm kind of to my wife's boss too, 1213 01:00:17,680 --> 01:00:20,240 Speaker 1: So I don't know. Maybe I'll keep it in my pants. 1214 01:00:20,280 --> 01:00:22,000 Speaker 1: That's want the fis. For give me some advice, man, 1215 01:00:22,000 --> 01:00:25,600 Speaker 1: I need to help. That's great advice. But so look, 1216 01:00:25,680 --> 01:00:28,080 Speaker 1: this man is in a committed relationship, but really he's not, 1217 01:00:28,520 --> 01:00:31,840 Speaker 1: and he's sleeping with different people. His wife's boss. Yeah, 1218 01:00:31,920 --> 01:00:35,040 Speaker 1: by the way, he's married. Yeah, okay, and so there. 1219 01:00:35,120 --> 01:00:37,280 Speaker 1: Yeah did he say his girl's boss. He said, my wife. 1220 01:00:37,680 --> 01:00:40,280 Speaker 1: His wife's boss. And he's already looking for help. He's 1221 01:00:40,280 --> 01:00:41,880 Speaker 1: trying to help himself, he said, I don't know. He 1222 01:00:42,000 --> 01:00:44,840 Speaker 1: knows the answer. He said, maybe I should keep it 1223 01:00:44,920 --> 01:00:47,120 Speaker 1: in my pants, which is the toughest thing to do, 1224 01:00:47,480 --> 01:00:49,840 Speaker 1: and the most mature thing you can do is keep 1225 01:00:49,880 --> 01:00:51,680 Speaker 1: your pants and give your wife a chance to be 1226 01:00:51,760 --> 01:00:53,880 Speaker 1: the only person with But if you're talking about I 1227 01:00:54,040 --> 01:00:56,840 Speaker 1: don't know if you are it's already the question you 1228 01:00:56,960 --> 01:00:59,439 Speaker 1: built to keep smashing. It's never gonna stop. And that's 1229 01:00:59,440 --> 01:01:01,640 Speaker 1: a high likelihood that his wife is gonna find out. 1230 01:01:02,240 --> 01:01:06,240 Speaker 1: And sometimes people don't think about the content. People think 1231 01:01:06,400 --> 01:01:09,960 Speaker 1: that they'll cheat and get away with it forever and 1232 01:01:10,120 --> 01:01:12,040 Speaker 1: no one's gonna find out, and a little do you know, 1233 01:01:12,240 --> 01:01:14,360 Speaker 1: what are those consequences going to be? When she does 1234 01:01:14,480 --> 01:01:17,280 Speaker 1: find out? She's gonna want to leave you for sure? 1235 01:01:17,440 --> 01:01:19,280 Speaker 1: Now you know you didn't necessarily try. I mean I 1236 01:01:19,600 --> 01:01:22,600 Speaker 1: think initially it might not happen, But what will she 1237 01:01:22,760 --> 01:01:25,680 Speaker 1: want to do? You're sleeping with my boss, I mean, 1238 01:01:25,800 --> 01:01:28,840 Speaker 1: how and then if if they stay together, that's gonna 1239 01:01:28,880 --> 01:01:30,680 Speaker 1: be a journey for her to ask. A lot of 1240 01:01:30,760 --> 01:01:35,400 Speaker 1: people trust you again in relationships because of the security 1241 01:01:35,760 --> 01:01:39,040 Speaker 1: and never wanting to be alone, and they tolerate certain 1242 01:01:39,080 --> 01:01:41,720 Speaker 1: things and on the man's side. And I was guilty 1243 01:01:41,760 --> 01:01:44,400 Speaker 1: of this and parts of my life where I thought 1244 01:01:44,520 --> 01:01:46,480 Speaker 1: because I was a Bret winner and you've heard this 1245 01:01:46,560 --> 01:01:48,840 Speaker 1: on other platforms. I thought, because I was doing a 1246 01:01:48,920 --> 01:01:51,640 Speaker 1: certain thing and negated that person's feeling, and I thought 1247 01:01:51,680 --> 01:01:54,160 Speaker 1: I had the right, not the right, but I was like, Okay, 1248 01:01:54,560 --> 01:01:56,720 Speaker 1: you can do whatever you want. To do because you're 1249 01:01:56,760 --> 01:02:00,560 Speaker 1: making money that you do that, and I'm learning that 1250 01:02:00,680 --> 01:02:02,800 Speaker 1: that's not always what made you realize that that wasn't 1251 01:02:02,840 --> 01:02:06,240 Speaker 1: gonna work? What just doing that? Yeah? Kind now, when 1252 01:02:06,280 --> 01:02:08,760 Speaker 1: people didn't when they didn't care about it, When when 1253 01:02:08,960 --> 01:02:13,640 Speaker 1: when it wasn't something of necessity with somebody, That's when 1254 01:02:13,680 --> 01:02:17,200 Speaker 1: I felt like, all right, eventually you get eventually you 1255 01:02:17,320 --> 01:02:20,400 Speaker 1: outgrow doing stupid stuff, right, But you know you also 1256 01:02:20,480 --> 01:02:22,240 Speaker 1: don't want it to be too late by the time 1257 01:02:22,320 --> 01:02:24,840 Speaker 1: you do that and you burnt down the whole. Maybe 1258 01:02:24,880 --> 01:02:27,920 Speaker 1: he should just be single. Yeah, he's married though, And 1259 01:02:28,040 --> 01:02:30,640 Speaker 1: that's the thing, right, It feels like, are you married 1260 01:02:30,680 --> 01:02:33,520 Speaker 1: and don't want to be married? Are you married and 1261 01:02:33,600 --> 01:02:35,880 Speaker 1: want to have your cake and eat it too? Probably? 1262 01:02:36,040 --> 01:02:38,280 Speaker 1: Probably the latter, Probably Probably those are the things that 1263 01:02:38,360 --> 01:02:40,600 Speaker 1: he needs to determine for himself. Am I in this 1264 01:02:40,720 --> 01:02:43,040 Speaker 1: relationship that I don't want to be in? Do I 1265 01:02:43,200 --> 01:02:45,280 Speaker 1: want to break up? Or do I want to save 1266 01:02:45,360 --> 01:02:47,040 Speaker 1: my marriage and do the right thing? Because I don't 1267 01:02:47,040 --> 01:02:48,440 Speaker 1: know if he wants to do the right thing. And 1268 01:02:48,520 --> 01:02:52,000 Speaker 1: then sometimes it's it takes two people to fulfill you 1269 01:02:52,360 --> 01:02:55,760 Speaker 1: on what you want to be satisfied in a situation. Now, 1270 01:02:56,240 --> 01:03:00,200 Speaker 1: tell me the truth. It's hard to find every thing 1271 01:03:00,480 --> 01:03:03,600 Speaker 1: you want. Watch your boss is so taboo, you know 1272 01:03:03,720 --> 01:03:07,040 Speaker 1: how crazy that it is. Wild. So now not only 1273 01:03:07,120 --> 01:03:08,680 Speaker 1: did I lose my man, but I'm gonna lose my 1274 01:03:08,840 --> 01:03:10,600 Speaker 1: job too, because how am I sippus to work for 1275 01:03:10,640 --> 01:03:13,439 Speaker 1: this woman who's sleeping with my husband. It's so disrespectful. 1276 01:03:14,000 --> 01:03:15,720 Speaker 1: One was a job. She probably just find it out. 1277 01:03:16,640 --> 01:03:20,760 Speaker 1: It depends on what us. Don't give us anything. Have 1278 01:03:20,880 --> 01:03:23,760 Speaker 1: you ever been cheated on? You know every man wants 1279 01:03:23,800 --> 01:03:26,120 Speaker 1: to say, yes, I know I've been cheated Okay, how 1280 01:03:26,160 --> 01:03:30,200 Speaker 1: did that feel? Um, it didn't feel good. Okay, that's 1281 01:03:30,280 --> 01:03:31,960 Speaker 1: my point. But I knew, but I knew what to 1282 01:03:32,040 --> 01:03:34,400 Speaker 1: lever saying something that I knew it because this this 1283 01:03:34,560 --> 01:03:37,240 Speaker 1: particular woman told me. She looked at my face, she said, donell, 1284 01:03:37,680 --> 01:03:39,320 Speaker 1: I just want to let you know. This is how 1285 01:03:39,320 --> 01:03:41,480 Speaker 1: I knew I was getting cheated on. She said, I 1286 01:03:41,520 --> 01:03:43,560 Speaker 1: just want to let you know whatever you're doing, I'm 1287 01:03:43,640 --> 01:03:45,400 Speaker 1: doing And I was like, I can't believe this trick 1288 01:03:47,400 --> 01:03:50,000 Speaker 1: and there, yeah, that is your asking. Ye, when we 1289 01:03:50,080 --> 01:03:52,280 Speaker 1: come back, we have the last word again. Eight hundred 1290 01:03:52,280 --> 01:03:55,680 Speaker 1: two nine is the number that being to get your 1291 01:03:55,760 --> 01:03:59,280 Speaker 1: voice heard. The word big gets the last word on 1292 01:03:59,400 --> 01:04:03,400 Speaker 1: way up with it? Angela ye that oh it's way 1293 01:04:03,480 --> 01:04:06,160 Speaker 1: up for the angela ye, I'm angela yee. Jasmine brand 1294 01:04:06,280 --> 01:04:09,080 Speaker 1: is here with me. Yes, don Ron Langs is hell 1295 01:04:10,840 --> 01:04:12,280 Speaker 1: and you know this is the part of the show 1296 01:04:12,320 --> 01:04:14,160 Speaker 1: where you guys get to have the last word. But 1297 01:04:14,200 --> 01:04:17,320 Speaker 1: we do want to thank Vernon Davis for joining us. Yes, yes, 1298 01:04:17,440 --> 01:04:20,360 Speaker 1: the ritual killer. He looks scary in that. Yeah. And 1299 01:04:20,480 --> 01:04:23,640 Speaker 1: then he turned into a killer right in for the ViRGE. Yes, 1300 01:04:24,800 --> 01:04:27,280 Speaker 1: watch the rest Gans right. I did not even have 1301 01:04:27,320 --> 01:04:30,160 Speaker 1: a name now the commander he had Resticans. I'm sorry 1302 01:04:30,160 --> 01:04:34,919 Speaker 1: you had a commander of the commanders. I just shout 1303 01:04:34,960 --> 01:04:36,720 Speaker 1: out to I wanted to really quick shoutlenge of time. 1304 01:04:37,640 --> 01:04:41,360 Speaker 1: Uh Taylor, heine key, he's going to Atlanta. I d 1305 01:04:41,520 --> 01:04:43,360 Speaker 1: him the other day just to thank him for how 1306 01:04:43,560 --> 01:04:46,160 Speaker 1: he made the city excited. It was exciting to watch 1307 01:04:46,240 --> 01:04:48,560 Speaker 1: football game again, yes, and everything. And he told me 1308 01:04:48,600 --> 01:04:50,560 Speaker 1: he said I'm a fan, and I was like, thank you. 1309 01:04:50,640 --> 01:04:53,200 Speaker 1: Then I said thank you for not calling me an 1310 01:04:53,200 --> 01:04:56,080 Speaker 1: old head by saying I grew up watching you. Then 1311 01:04:56,120 --> 01:05:00,400 Speaker 1: he said I mean and did this sign like oh yeah, 1312 01:05:00,440 --> 01:05:02,440 Speaker 1: well you know, And speaking of DC, shout out to 1313 01:05:02,480 --> 01:05:06,360 Speaker 1: Tony Lewis Senior. Just coming home. Yeah, just coming home. 1314 01:05:06,400 --> 01:05:08,560 Speaker 1: And if you're talking BMF, it's hard to not talk. 1315 01:05:08,600 --> 01:05:10,640 Speaker 1: If you talk to BMF. It's an era in Watchington, 1316 01:05:10,720 --> 01:05:13,960 Speaker 1: DC where's big players in the game. Rightful ms being 1317 01:05:14,000 --> 01:05:16,360 Speaker 1: won and Tony been another one And at thirty five 1318 01:05:16,480 --> 01:05:21,600 Speaker 1: years he's just been released and his son has started UM. 1319 01:05:21,840 --> 01:05:25,600 Speaker 1: What is a nonprofitable foundation, a foundation to educate people, 1320 01:05:25,600 --> 01:05:28,400 Speaker 1: not educate people, but try to get some reform on 1321 01:05:28,800 --> 01:05:32,200 Speaker 1: some of these non violent crimes. Kim Gardashian does the 1322 01:05:32,280 --> 01:05:34,720 Speaker 1: same type of work. Yeah, but like these non valid crimes, 1323 01:05:34,760 --> 01:05:37,240 Speaker 1: people give given up thirty five years in life for 1324 01:05:37,400 --> 01:05:39,480 Speaker 1: stuff that had nothing to do with violence. But we 1325 01:05:39,560 --> 01:05:43,360 Speaker 1: said it happens. But anytime a street legend comes back 1326 01:05:43,720 --> 01:05:46,480 Speaker 1: to DC, people get excited. He really is reforming. His 1327 01:05:46,600 --> 01:05:49,240 Speaker 1: son for years has been advocating for his release and 1328 01:05:49,320 --> 01:05:51,040 Speaker 1: release the others that have the same sort of story. 1329 01:05:51,240 --> 01:05:52,960 Speaker 1: I said, it was only nine when his dad went 1330 01:05:53,000 --> 01:05:55,240 Speaker 1: to jail for over thirty years. And this is another thing. 1331 01:05:55,280 --> 01:05:57,480 Speaker 1: As much as people are excited about BMF, one thing 1332 01:05:57,520 --> 01:05:59,560 Speaker 1: I've always said is that we don't never really focus 1333 01:05:59,600 --> 01:06:02,240 Speaker 1: on the flip side. You see people people get money. 1334 01:06:02,280 --> 01:06:04,960 Speaker 1: You see people living these lavish lifestyle, but you don't 1335 01:06:05,000 --> 01:06:07,439 Speaker 1: see the destruction of what it does community and family 1336 01:06:07,600 --> 01:06:09,240 Speaker 1: some kind of way. And people always say this, some 1337 01:06:09,320 --> 01:06:12,200 Speaker 1: of the most successful people in the drug game or whatever, 1338 01:06:12,600 --> 01:06:15,200 Speaker 1: if they focus on something different, right, they could be 1339 01:06:15,280 --> 01:06:18,040 Speaker 1: some of the biggest CEOs. They use their brains and 1340 01:06:18,240 --> 01:06:23,240 Speaker 1: their savvy and their finessing skills for business, right, jay Z, Yeah, 1341 01:06:23,640 --> 01:06:26,120 Speaker 1: all right, well done. Now we love having you here. 1342 01:06:26,160 --> 01:06:28,080 Speaker 1: You know, you're a real great friend of mine in 1343 01:06:28,160 --> 01:06:31,560 Speaker 1: real life. I really appreciate you. Yeah, So it was exciting. 1344 01:06:31,640 --> 01:06:33,560 Speaker 1: Anything you want to promote or I just want to 1345 01:06:33,600 --> 01:06:35,840 Speaker 1: say that, um haven't been in New York in a 1346 01:06:35,920 --> 01:06:38,840 Speaker 1: while in a large I said, in a large capacity, 1347 01:06:39,520 --> 01:06:42,360 Speaker 1: every Fool's day. It's a big show that's been going 1348 01:06:42,400 --> 01:06:44,400 Speaker 1: off like last three or four years. Some big names 1349 01:06:44,480 --> 01:06:47,800 Speaker 1: gonna be on that show. Myself, Tiffany had its Face. 1350 01:06:47,880 --> 01:06:50,760 Speaker 1: I love Bill Bellamy a special performance about the baby 1351 01:06:51,160 --> 01:06:53,000 Speaker 1: and it's become a tradition here in New York and 1352 01:06:53,320 --> 01:06:55,840 Speaker 1: especially the Barclay Center. So if you haven't seen me 1353 01:06:55,880 --> 01:06:58,280 Speaker 1: performing a lot while, make sure you come out to 1354 01:06:58,640 --> 01:07:01,280 Speaker 1: the Barclay. Gonna take the mask a foosday. This is 1355 01:07:01,320 --> 01:07:03,000 Speaker 1: not a joke, but if it is a joke, I 1356 01:07:03,080 --> 01:07:07,240 Speaker 1: would be following up on my social media. Oh my gosh, well, 1357 01:07:07,360 --> 01:07:10,760 Speaker 1: thank you for that. And eight let's hear you guys 1358 01:07:10,800 --> 01:07:14,200 Speaker 1: with your last words. Hey, my name is her? Been 1359 01:07:14,720 --> 01:07:19,400 Speaker 1: like this Tarnel light on, my wonderful mom best but 1360 01:07:20,160 --> 01:07:22,440 Speaker 1: even else you think she's saving enough and there when 1361 01:07:22,480 --> 01:07:24,840 Speaker 1: she has to do starting up a little business at 1362 01:07:24,880 --> 01:07:29,680 Speaker 1: the same time and turning more knew what she mean? 1363 01:07:30,920 --> 01:07:34,520 Speaker 1: That's how I want like this, Charlon light on. Hey brother, y'all. 1364 01:07:34,640 --> 01:07:38,240 Speaker 1: What's up? Angela? Ye? What's up? Doll Rollins from from 1365 01:07:38,320 --> 01:07:41,560 Speaker 1: the dn V. You know what I'm saying. Go okay, man, Angela. 1366 01:07:41,640 --> 01:07:44,080 Speaker 1: I've been watching you for so long. I do want 1367 01:07:44,120 --> 01:07:48,280 Speaker 1: to say that, Dandanell, you are tripping well, No, you're 1368 01:07:48,320 --> 01:07:50,960 Speaker 1: actually you were correct when you first said until you 1369 01:07:51,040 --> 01:07:56,400 Speaker 1: said something about training, training, But I don't think that 1370 01:07:56,840 --> 01:08:00,360 Speaker 1: you know what I'm saying. You can know immediately you 1371 01:08:00,400 --> 01:08:02,800 Speaker 1: don't really know someone because we all put on areas 1372 01:08:02,800 --> 01:08:07,480 Speaker 1: at first. You don't know somebody until you live with them. 1373 01:08:07,560 --> 01:08:09,840 Speaker 1: And I feel like that's the difference between men and women. 1374 01:08:10,400 --> 01:08:14,600 Speaker 1: Women need the ring. Men once we live with you 1375 01:08:15,080 --> 01:08:19,000 Speaker 1: were married with, regardless off. So that's where I say 1376 01:08:19,080 --> 01:08:24,040 Speaker 1: you're different, But I love y'all. Man, Keep striving, keep surviving. Man, Hey, 1377 01:08:24,160 --> 01:08:27,439 Speaker 1: this is about down now. I asked him to remember 1378 01:08:27,479 --> 01:08:31,200 Speaker 1: a brother had his Spot and Tom Springs. We checked 1379 01:08:31,240 --> 01:08:34,160 Speaker 1: each other out every time he was in town. Never 1380 01:08:34,240 --> 01:08:36,559 Speaker 1: said anything for each other, but he was doing his thing, 1381 01:08:37,160 --> 01:08:41,280 Speaker 1: talking all that. Today I wanted done the rollervoid, get 1382 01:08:41,320 --> 01:08:47,360 Speaker 1: a boy, the cruik being me going way up with 1383 01:08:47,560 --> 01:08:48,240 Speaker 1: Angela yee