WEBVTT - The Raid

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<v Speaker 1>Pushkin. Jay Calpern. Here, before we get into this episode,

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<v Speaker 2>I remember it was late at night, like after we

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<v Speaker 2>had gone to bed.

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<v Speaker 1>For Marissa Giamanco, September eighteenth, two thousand and eight was

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<v Speaker 1>the moment that everything changed, the last day of one

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<v Speaker 1>life and the first day of another.

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<v Speaker 2>I was sleeping in a big sweater, like one of

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<v Speaker 2>my dad's sweaters actually, and I remember being like, I

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<v Speaker 2>need to put some pants on. Before I entered the door.

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<v Speaker 1>She had heard voices outside and then pounding on the

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<v Speaker 1>front door. The Giamanco family lived in a cozy, one

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<v Speaker 1>story shoe box of a house. There were only two bedrooms.

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<v Speaker 1>Their dad, Keith, slept on a couch in the living

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<v Speaker 1>room so that each of his daughters could have their

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<v Speaker 1>own bedroom. Marissa and her twin sister were both seventeen

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<v Speaker 1>years old seniors in high school, and on this particular night,

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<v Speaker 1>they were worried about their dad. He hadn't come home

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<v Speaker 1>or called or left any kind of message. The girls

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<v Speaker 1>tried texting him but got no answer.

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<v Speaker 2>It was weird.

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<v Speaker 1>The family's dog, Lucky, peered out the window, and then

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<v Speaker 1>late in the night came that pounding on the front door.

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<v Speaker 2>So I'm all like scrambling to find some pajama pants

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<v Speaker 2>to put on. They're all like knocking really loud, like, oh, well,

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<v Speaker 2>the door. You know. I'm like, hold on, I need

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<v Speaker 2>to find some pants. And my sister's like, who is that?

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<v Speaker 2>And I'm like, I don't know. Do you know who

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<v Speaker 2>it is? Because all we could see were flash lights,

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<v Speaker 2>Like it was a very bright light, like that's that's

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<v Speaker 2>what I remember. You could even see like the flashlight

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<v Speaker 2>light coming underneath the wooden door before I even opened it,

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<v Speaker 2>and you could just feel the pressure like dude, they're

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<v Speaker 2>gonna open this door if we don't open this door.

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<v Speaker 1>So Marissa opens the door and sees a whole lot

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<v Speaker 1>of eyes with badges and flashlights. They asked to come in,

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<v Speaker 1>and Marissa asks for a warrant, which I find kind

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<v Speaker 1>of bold, Like how did you even think to do

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<v Speaker 1>that at seventeen years old?

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<v Speaker 2>I think it might have just been watching Law and Order, Like, honestly,

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<v Speaker 2>if I'm being dead ass, like, you got to tell

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<v Speaker 2>me why you come into my house, dude. So they

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<v Speaker 2>handed us the warrant, which was a lot of language

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<v Speaker 2>that I didn't understand at that time.

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<v Speaker 1>And then a whole parade of law enforcement officials starts

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<v Speaker 1>coming into their house.

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<v Speaker 2>And it wasn't just the Floorsent police, it was the FBI,

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<v Speaker 2>it was the county police. And I remember one of

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<v Speaker 2>them saying, your dad is in a safe place. You

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<v Speaker 2>don't have to worry about that. He's just in some trouble.

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<v Speaker 2>Like that's literally what they said to me, Like nothing

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<v Speaker 2>more than that some.

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<v Speaker 1>Trouble's like WTF, Like what could Dad have possibly done

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<v Speaker 1>to warrant all of this? Meanwhile, Lucky, the family dog,

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<v Speaker 1>he's on the offensive, lunging in all of these intruders.

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<v Speaker 1>One of the cops asked Marissa to control her dog,

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<v Speaker 1>so she takes Lucky to the backyard. It was a hot,

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<v Speaker 1>sticky night, the last bits of summer lingered. Marissa prided

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<v Speaker 1>herself as a moody, rebellious, aspiring writer and so very

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<v Speaker 1>much on brand. Marissa lights a cigarette and then she

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<v Speaker 1>just stands there processing the chaos she just witnessed in

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<v Speaker 1>her house.

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<v Speaker 2>They are flipping over the couch cushions and looking in

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<v Speaker 2>the vents and opening the closets, and I'm standing there

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<v Speaker 2>smoking a cigarette and I'm just thinking, I'm like, damn,

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<v Speaker 2>I hope they don't find my weed in my room.

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<v Speaker 2>I had weed in the closet, so I you know,

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<v Speaker 2>I was like, Damn, I don't want to get in

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<v Speaker 2>trouble too. And Dad's going to be mad at me

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<v Speaker 2>if he finds, you know what.

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<v Speaker 1>I mean, Because at this point, Marissa is still assuming

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<v Speaker 1>that her dad is coming home, that he's still going

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<v Speaker 1>to be the one she has to answer to about

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<v Speaker 1>school and walking the dog and the weed in her closet.

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<v Speaker 1>But as this raid on her house continues, Marissa starts

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<v Speaker 1>to scratch her head a bit.

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<v Speaker 2>I racked my brain for anything, and I was like,

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<v Speaker 2>I really don't know what dad would be doing. I'm like,

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<v Speaker 2>was he like involved in an accident, or like, did

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<v Speaker 2>he see something he wasn't supposed to.

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<v Speaker 1>Marissa and her sister thought they knew who their father was.

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<v Speaker 1>A mild mannered, kind of goofy, kind hearted midwestern guy,

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<v Speaker 1>a single dad who loved hockey in sports trivia, a

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<v Speaker 1>guy who showed up at their basketball games and orchestra concerts,

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<v Speaker 1>a guy who drove them to school and his dad mobile,

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<v Speaker 1>a light blue Mercury Grand Marquis and Keith Giamanco was

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<v Speaker 1>this guy, but he was also someone else. This is

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<v Speaker 1>a story about a crime, actually a series of crimes

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<v Speaker 1>carried out by a mysterious figure who managed to evade

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<v Speaker 1>the authorities, And it's about justice, about what punishment these

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<v Speaker 1>crimes deserve. But at its core, for me, it's a

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<v Speaker 1>story about the secrets that can exist within a family.

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<v Speaker 1>It's about the disguises that parents put on for their

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<v Speaker 1>kids and for the world. So much of parenting is

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<v Speaker 1>built on lies, starting with the stories we tell our

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<v Speaker 1>kids about Santa Claus and the Tooth Fairy, and then

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<v Speaker 1>there are the lies of omission. We all withhold things

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<v Speaker 1>in order to protect our children. We all Harbor secrets.

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<v Speaker 1>It's just that some secrets are much bigger than others.

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<v Speaker 1>I'm Jake Halbern and this is deep Cover The Family Man,

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<v Speaker 1>Episode one, The Raid. Marissa Giamanca is now thirty five

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<v Speaker 1>years old, and I met her for the first time

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<v Speaker 1>on the side of a lonely, windswept road in east

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<v Speaker 1>central Missouri. Marissa had suggested this spot, close to where

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<v Speaker 1>she lives, as our rendezvous point. She had this idea

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<v Speaker 1>that we take a road trip together. There were places

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<v Speaker 1>that she wanted to take me, places that she thought

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<v Speaker 1>I should see with my own eyes, places that still

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<v Speaker 1>simmered with questions. Peering through my snow encrusted windshield, I

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<v Speaker 1>saw a woman in a winter parka and a puffy

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<v Speaker 1>penguin hat. I slowed down the car and she hopped in.

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<v Speaker 2>Hi.

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<v Speaker 1>Hi, I'm Jake.

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<v Speaker 2>Hi, I'm Marissa.

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<v Speaker 1>In all my years of doing this, I don't think

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<v Speaker 1>I've ever just done an interview where I got into

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<v Speaker 1>a car with someone and went on.

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<v Speaker 2>A road trip with them. Yeah. Oh that's cool. Yeah,

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<v Speaker 2>I love that.

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<v Speaker 1>So where should we go first?

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<v Speaker 2>I would say that let's start in floorcent because that's

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<v Speaker 2>kind of where the story started.

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<v Speaker 1>And just like that. We were off, driving through the snow,

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<v Speaker 1>heading for the suburbs of Saint Louis. An hour and

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<v Speaker 1>a half later we turned onto Abischon Street, a quaint

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<v Speaker 1>suburban road with rows of handsome rick houses. Which houses

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<v Speaker 1>it is.

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<v Speaker 2>This one over here on the corner. Wow, the porch

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<v Speaker 2>is still red.

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<v Speaker 1>This is the house where Marissa and her sister grew

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<v Speaker 1>up until the age of sixteen. So not the place

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<v Speaker 1>where the police raided that night. This is where they

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<v Speaker 1>lived before that. It's a spacious ranch house on a

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<v Speaker 1>corner lot, a porch out front, a large front yard,

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<v Speaker 1>tall trees. It's pretty in a quiet, unassuming way. For

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<v Speaker 1>a while, Marissa just stared at her old home as

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<v Speaker 1>if captured by its spell, ensnared by the invisible tendrils

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<v Speaker 1>of memory.

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<v Speaker 2>It almost feels surreal. Honestly, it feels surreal. Mom's flowers

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<v Speaker 2>are gone, though, and there was a bird bath. She

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<v Speaker 2>had a bird bath right there. But yeah, beautiful house.

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<v Speaker 1>Back when Marissa was a young girl living in this house,

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<v Speaker 1>her mother, Becky was still very much in the picture.

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<v Speaker 1>Becky was also the one the girls went to when

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<v Speaker 1>something felt hard. She'd sit with you, talk it through

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<v Speaker 1>Becky was involved at the PTA at the girls' school

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<v Speaker 1>and was a leader at their church, and she was

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<v Speaker 1>an amazing cook.

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<v Speaker 2>My favorite memory of my mom is in the kitchen,

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<v Speaker 2>seeing her put her energy and that love into the

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<v Speaker 2>food and then tasting the food like I still to

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<v Speaker 2>this day have very rarely found a meal that feels

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<v Speaker 2>as loving as Miss Becky Jumanco's.

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<v Speaker 1>When Marissa talks about her parents, it feels like a

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<v Speaker 1>very nineteen fifties arrangement. Each day, Becky would pack Keith

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<v Speaker 1>lunch with a few sandwiches and Stanley Thermis. Then Keith

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<v Speaker 1>would go off to the printing press where he worked.

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<v Speaker 1>He'd come home tired, hands covered in ink. Marissa remembers

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<v Speaker 1>sitting with her dad at night on the couch. She'd

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<v Speaker 1>lie down with her head on his belly, feeling the

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<v Speaker 1>rise and fall of his breaths until she fell asleep.

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<v Speaker 1>Then he'd carry her off to bed. During the holidays,

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<v Speaker 1>her parents decorated the whole house. Hung a wreath on

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<v Speaker 1>the front door, wrote the word Noel in cursive lights

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<v Speaker 1>on the roof, put a giant bow on the garage.

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<v Speaker 1>Like the house itself was a beautifully wrapped gift. And

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<v Speaker 1>it kind of was right up into the moment it

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<v Speaker 1>began to unravel. Marissa has a twin sister named Elise,

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<v Speaker 1>and like so many twins, they had a very close

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<v Speaker 1>bond from the start.

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<v Speaker 2>My earliest memory is us in our crib together and

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<v Speaker 2>conspiring with each other through facial expressions on how we

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<v Speaker 2>were going to get out of that crib. And she

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<v Speaker 2>climbed up on my back and got out of the crib,

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<v Speaker 2>and my mom had to run down the hallway and

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<v Speaker 2>she was like, what are you doing? That is my

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<v Speaker 2>earliest memory.

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<v Speaker 1>I love this story from Elise because even in toddlerhood,

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<v Speaker 1>they're already conspiring, already working together, already figuring things out,

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<v Speaker 1>and in a strange way, they're rehearsing the very skill

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<v Speaker 1>they'll need most later in life, escaping. Elise is the

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<v Speaker 1>older twin by one minute, and even though they're twins

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<v Speaker 1>in many ways, Alise played the part of the older sibling.

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<v Speaker 1>She was taller, bigger, more talkative, and very organized. Alise

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<v Speaker 1>she always loved checklists.

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<v Speaker 3>I would be the.

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<v Speaker 2>One to ask questions to my parents for us, or

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<v Speaker 2>like even when we were kids, I would order for

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<v Speaker 2>her at a restaurant. I was kind of her mouthpiece

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<v Speaker 2>a lot of the time.

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<v Speaker 1>Around the time the twins were ten years old, they

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<v Speaker 1>remember their parents started to argue a lot. The girls

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<v Speaker 1>floated through this turbulence, kind of the way kids do,

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<v Speaker 1>listening and not listening, picking up bits and pieces like

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<v Speaker 1>their parents bickering about food stamps, among other things. On

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<v Speaker 1>one occasion, things got so heated that their mom shoved

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<v Speaker 1>an ice cream cone into their dad's face. There was

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<v Speaker 1>a lot of shouting. The girls remember the police showing up.

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<v Speaker 1>It got to the point that Alice told me she

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<v Speaker 1>actually wanted her parents to separate rate.

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<v Speaker 2>I saw how things were going with them. I'm like, yes,

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<v Speaker 2>please get away from each other. That really was what

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<v Speaker 2>I was thinking. I was like, please take time away.

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<v Speaker 1>Sometimes, Alise says, their mom got so fed up she'd

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<v Speaker 1>go out to a local bowling alley and come home drunk,

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<v Speaker 1>so drunk that one time she missed her bed and

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<v Speaker 1>landed on the floor instead. Alise says that her mother

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<v Speaker 1>changed from the perfect stay at home mom who volunteered

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<v Speaker 1>with the PTA, morphing into someone else. Like one time

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<v Speaker 1>Alise was playing in a middle school basketball game. She

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<v Speaker 1>got called for a foul and then a moment later,

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<v Speaker 1>a fire alarm went off.

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<v Speaker 2>I'm on the court and I'm like, what the fuck?

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<v Speaker 2>And some may ran over and she was like, your

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<v Speaker 2>mom pulled the fire alarm, And I was like, what

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<v Speaker 2>she pulled the fire alarm because she disagreed with the

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<v Speaker 2>call and emptied out the entire gym.

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<v Speaker 1>And it wasn't just erratic behavior. Elise says that her

0:15:13.596 --> 0:15:17.236
<v Speaker 1>mother would vacillate from being an angel to a devil,

0:15:18.356 --> 0:15:25.116
<v Speaker 1>no warning, no explanation. When the twins were twelve, it

0:15:25.156 --> 0:15:28.436
<v Speaker 1>all came to a head. Here's how Marissa remembers it.

0:15:29.476 --> 0:15:33.516
<v Speaker 2>I remember being in the kitchen in this house, and

0:15:33.836 --> 0:15:36.996
<v Speaker 2>I remember my dad sitting at the kitchen table. I

0:15:37.036 --> 0:15:40.116
<v Speaker 2>was like kind of directly like standing behind him, about

0:15:40.196 --> 0:15:42.836
<v Speaker 2>like two feet away, and he had his hands up

0:15:42.916 --> 0:15:47.036
<v Speaker 2>on the table like together, like clasped like up against

0:15:47.036 --> 0:15:51.276
<v Speaker 2>his head, and I remember him saying, your mom's not

0:15:51.316 --> 0:15:56.196
<v Speaker 2>coming back here, and just want to I just wanted

0:15:56.236 --> 0:15:58.676
<v Speaker 2>to scream. I might have even screamed out loud. I

0:15:58.716 --> 0:15:59.036
<v Speaker 2>don't know.

0:16:01.836 --> 0:16:05.436
<v Speaker 1>This Apparently was their dad's decision. He asked her to leave,

0:16:05.956 --> 0:16:11.836
<v Speaker 1>like he just finally had enough. Once Becky was gone,

0:16:12.596 --> 0:16:14.716
<v Speaker 1>the girls were alone in the house with their father

0:16:15.436 --> 0:16:24.116
<v Speaker 1>and the silent presence of unanswered questions with their mother gone.

0:16:24.356 --> 0:16:26.676
<v Speaker 1>Ali says that their dad did his best to make

0:16:26.716 --> 0:16:30.516
<v Speaker 1>their life as normal as possible. Keith embraced the role

0:16:30.556 --> 0:16:34.396
<v Speaker 1>of a single dad, making meals, driving them to school,

0:16:34.396 --> 0:16:38.876
<v Speaker 1>and his light blue Mercury Marquis the Dadmobile, taking them

0:16:38.876 --> 0:16:42.236
<v Speaker 1>to practice, putting them in therapy with a family counselor,

0:16:42.756 --> 0:16:45.196
<v Speaker 1>and just encouraging them.

0:16:45.596 --> 0:16:50.316
<v Speaker 2>I think he tried to protect us. I think he

0:16:50.396 --> 0:16:55.796
<v Speaker 2>was partially successful. And I say partially because I think

0:16:56.836 --> 0:17:01.836
<v Speaker 2>many folks forget that children are smarter than we think

0:17:01.876 --> 0:17:06.556
<v Speaker 2>they are, and they're so observant, and that was no

0:17:06.676 --> 0:17:08.236
<v Speaker 2>exception for Merissa and I.

0:17:09.876 --> 0:17:12.876
<v Speaker 1>It was clear to the girls that Keith, despite everything

0:17:12.916 --> 0:17:16.516
<v Speaker 1>that he was doing, was struggling grieving the loss of

0:17:16.556 --> 0:17:20.996
<v Speaker 1>his wife. Once, when Marissa came home from school, she

0:17:21.076 --> 0:17:23.716
<v Speaker 1>found him on the stairs down to the basement with

0:17:23.836 --> 0:17:28.116
<v Speaker 1>his wedding album in hand, looking through the pages and weeping.

0:17:29.156 --> 0:17:30.836
<v Speaker 1>It was one of the only times she ever saw

0:17:30.836 --> 0:17:35.196
<v Speaker 1>her dad cry. She knew he was grieving, but from

0:17:35.196 --> 0:17:39.236
<v Speaker 1>a kid's perspective, none of it fully made sense. Her

0:17:39.276 --> 0:17:45.836
<v Speaker 1>mother's behavior, her parents' separation, her father's explanation, and despite

0:17:45.876 --> 0:17:49.636
<v Speaker 1>her best efforts, Marissa just couldn't get through to him.

0:17:50.596 --> 0:17:56.156
<v Speaker 2>I remember having to say his name. I would be like, Dad, Dad, Dad, Keith.

0:17:56.956 --> 0:17:59.996
<v Speaker 2>You literally you'd have to go through like the list

0:17:59.996 --> 0:18:02.716
<v Speaker 2>of names to get him to pay attention. I remember

0:18:02.716 --> 0:18:04.676
<v Speaker 2>the first time I did that, standing in the kitchen.

0:18:04.716 --> 0:18:07.676
<v Speaker 2>He was staring out that window right there, and I

0:18:07.796 --> 0:18:11.036
<v Speaker 2>was literally like, there is something than wrong right now,

0:18:11.796 --> 0:18:14.116
<v Speaker 2>like and obviously I was twelve years old. I couldn't

0:18:14.156 --> 0:18:17.036
<v Speaker 2>put my finger on it. But it was it was anxiety,

0:18:17.116 --> 0:18:21.236
<v Speaker 2>it was defeat, it was it was fear. She says.

0:18:21.356 --> 0:18:24.036
<v Speaker 1>She called him by his first name because she needed

0:18:24.036 --> 0:18:27.196
<v Speaker 1>to get his attention, but it went deeper than this,

0:18:27.796 --> 0:18:31.476
<v Speaker 1>because in that moment, anyway, her father had seemed less

0:18:31.516 --> 0:18:34.716
<v Speaker 1>like a dad and more like just a guy named Keith,

0:18:35.676 --> 0:18:43.636
<v Speaker 1>well meaning kind, but removed in some way unknowable. Meanwhile,

0:18:43.956 --> 0:18:48.876
<v Speaker 1>their mother did come back repeatedly, but in the strangest

0:18:48.916 --> 0:18:49.996
<v Speaker 1>of ways.

0:18:50.596 --> 0:18:54.996
<v Speaker 2>She would knock on my bedroom window, so the back

0:18:55.036 --> 0:18:59.476
<v Speaker 2>window of this house, in the middle of the night

0:19:00.396 --> 0:19:03.636
<v Speaker 2>and asked me, can you grab the vacuum cleaner and

0:19:03.716 --> 0:19:06.476
<v Speaker 2>hand it to me out the window? Can you hand

0:19:06.516 --> 0:19:08.516
<v Speaker 2>me this piece of jewelry and hand it to me

0:19:08.516 --> 0:19:11.996
<v Speaker 2>out the window and don't tell your dad that I

0:19:12.116 --> 0:19:15.276
<v Speaker 2>was here. That's when I was like, there is something

0:19:15.316 --> 0:19:19.836
<v Speaker 2>going on. Is when she started visiting my window in

0:19:19.876 --> 0:19:20.636
<v Speaker 2>the middle of the night.

0:19:21.836 --> 0:19:26.516
<v Speaker 1>Naturally, Marissa asked her dad about this, like what was

0:19:26.516 --> 0:19:27.476
<v Speaker 1>going on with mom?

0:19:28.396 --> 0:19:31.596
<v Speaker 2>Yep? Dad was like, your mom's sick. That's how he

0:19:31.676 --> 0:19:33.676
<v Speaker 2>kind of tried to explain it at the time. Was

0:19:33.876 --> 0:19:39.036
<v Speaker 2>she's sick, she has a disease. There was no further explanation.

0:19:39.356 --> 0:19:41.036
<v Speaker 2>It was she's sick in the head.

0:19:42.396 --> 0:19:44.116
<v Speaker 1>I mean, how do you make sense of that? As

0:19:44.356 --> 0:19:44.996
<v Speaker 1>a kid?

0:19:45.916 --> 0:19:48.556
<v Speaker 2>You don't. It sits with you and you're like, well,

0:19:48.676 --> 0:19:50.636
<v Speaker 2>guess my mom's sick in the head? Am I sick

0:19:50.676 --> 0:19:53.836
<v Speaker 2>in the head? I love my mom? My mom was

0:19:53.876 --> 0:19:56.756
<v Speaker 2>always taken care of me. Is she really that sick?

0:19:56.796 --> 0:20:00.796
<v Speaker 2>And then are you sick in then? Like there's a

0:20:00.836 --> 0:20:03.316
<v Speaker 2>lot going on when somebody says that to you.

0:20:04.716 --> 0:20:06.956
<v Speaker 1>The girls were left to think back on their mother

0:20:07.516 --> 0:20:10.476
<v Speaker 1>all the strange things that she had done as they

0:20:10.516 --> 0:20:13.236
<v Speaker 1>tried to make sense of it all. Were there other

0:20:13.276 --> 0:20:15.716
<v Speaker 1>things besides the handing stuff out the window where you

0:20:15.756 --> 0:20:17.396
<v Speaker 1>started to see something was off with your.

0:20:17.316 --> 0:20:23.636
<v Speaker 2>Mom well, the erratic behaviors, the slurring of words, the

0:20:24.516 --> 0:20:27.636
<v Speaker 2>nodding out, the not being able to stay conscious. And

0:20:27.676 --> 0:20:32.916
<v Speaker 2>then there's the opposite, extremely energetic, talkative, not able to

0:20:32.956 --> 0:20:36.556
<v Speaker 2>sit still, like I remember her howling like a dog

0:20:36.636 --> 0:20:40.236
<v Speaker 2>at some point in the bathroom, like saying can I

0:20:40.276 --> 0:20:40.836
<v Speaker 2>get more?

0:20:42.156 --> 0:20:45.436
<v Speaker 1>At some point it became clear to Marissa that can

0:20:45.476 --> 0:20:48.956
<v Speaker 1>I get more meant can I get more drugs?

0:20:49.836 --> 0:20:52.276
<v Speaker 2>So it's one of those things where it's like, yeah,

0:20:52.396 --> 0:20:53.556
<v Speaker 2>you know what's going on.

0:20:57.716 --> 0:21:00.796
<v Speaker 1>Keith may have had the best of intentions. He may

0:21:00.836 --> 0:21:04.156
<v Speaker 1>have wanted what so many parents want, to protect their

0:21:04.236 --> 0:21:10.796
<v Speaker 1>kids from pain, but his solution was a lie of omission. Ultimately,

0:21:10.796 --> 0:21:14.476
<v Speaker 1>his daughters would make two realizations. The first was that

0:21:14.516 --> 0:21:18.396
<v Speaker 1>their mother was struggling mightily with addiction, and the second

0:21:18.676 --> 0:21:22.796
<v Speaker 1>was that Keith was an unreliable narrator of sorts, someone

0:21:22.836 --> 0:21:24.876
<v Speaker 1>who could not be counted on to tell them about

0:21:24.876 --> 0:21:28.476
<v Speaker 1>the harder truths, even the ones that were essential to

0:21:28.516 --> 0:21:32.676
<v Speaker 1>their understanding of the world. And this is kind of

0:21:32.676 --> 0:21:36.396
<v Speaker 1>how life went for the twins. Their lives were like

0:21:36.436 --> 0:21:40.196
<v Speaker 1>a novel where all the transitions and explanations had been

0:21:40.236 --> 0:21:46.116
<v Speaker 1>stripped out, leaving just a string of disorienting moments that

0:21:46.156 --> 0:22:05.996
<v Speaker 1>would make any reader feel bewildered. Keith had always told

0:22:05.996 --> 0:22:08.796
<v Speaker 1>his daughters that they needed to dream big and think

0:22:08.836 --> 0:22:13.796
<v Speaker 1>about life beyond Fluorescent Missouri. When they turned fourteen, he

0:22:13.916 --> 0:22:17.076
<v Speaker 1>enrolled them in a fancy all girls private school called

0:22:17.156 --> 0:22:22.156
<v Speaker 1>Narynx Hall. The girls weren't exactly enthusiastic about this, but

0:22:22.596 --> 0:22:25.836
<v Speaker 1>Keith insisted on it and claimed they could afford it.

0:22:27.876 --> 0:22:30.196
<v Speaker 1>By then, he had stopped working at the printing press

0:22:30.516 --> 0:22:33.156
<v Speaker 1>and told the girls that he was day trading, using

0:22:33.156 --> 0:22:36.556
<v Speaker 1>his own money to buy and sell stocks. But money

0:22:36.596 --> 0:22:39.716
<v Speaker 1>was always kind of weird with Keith. At least. Recalled

0:22:39.876 --> 0:22:43.516
<v Speaker 1>one time they went to an outback steakhouse and when

0:22:43.516 --> 0:22:46.836
<v Speaker 1>it came time to pay, Keith peeled off a crisp

0:22:46.956 --> 0:22:49.996
<v Speaker 1>one hundred dollars bill, half of which was a tip.

0:22:50.756 --> 0:22:55.036
<v Speaker 1>Super flashy, But then she remembers his other time midway

0:22:55.036 --> 0:22:57.756
<v Speaker 1>through high school when she wasn't allowed to take her

0:22:57.796 --> 0:23:03.156
<v Speaker 1>final exams because dad hadn't paid their tuition, so the

0:23:03.156 --> 0:23:08.556
<v Speaker 1>family's finances they felt shaky. And then one day, when

0:23:08.596 --> 0:23:12.476
<v Speaker 1>the girls were sixteen, Marissa recalls her father telling them

0:23:12.836 --> 0:23:16.156
<v Speaker 1>they had to move immediately.

0:23:17.276 --> 0:23:20.236
<v Speaker 2>Like it was quick, like I'm saying my dad went

0:23:20.276 --> 0:23:22.956
<v Speaker 2>in the garage and said, you can keep two bikes.

0:23:23.156 --> 0:23:25.916
<v Speaker 2>Because I love bikes. I probably had like twelve bikes,

0:23:26.156 --> 0:23:28.236
<v Speaker 2>so he was like, you have to set all of

0:23:28.276 --> 0:23:30.916
<v Speaker 2>them out for free. We'll try to sell some of them.

0:23:31.516 --> 0:23:33.316
<v Speaker 2>It was like, do you want to keep this? You

0:23:33.356 --> 0:23:36.276
<v Speaker 2>can't keep that, Like we have to get out of here.

0:23:37.156 --> 0:23:41.396
<v Speaker 2>That was like super freaky, like when you're a kid.

0:23:41.636 --> 0:23:44.556
<v Speaker 1>This is when they moved to that shoebox size house,

0:23:44.876 --> 0:23:48.996
<v Speaker 1>the one where the police raid eventually occurred. Here, you

0:23:49.076 --> 0:23:52.196
<v Speaker 1>might remember, the girls each had a small bedroom and

0:23:52.316 --> 0:23:55.956
<v Speaker 1>Keith slept on the couch. During this time, Keith was

0:23:55.956 --> 0:23:58.476
<v Speaker 1>out of the house a lot, and Marissa and her

0:23:58.476 --> 0:24:02.196
<v Speaker 1>sister Elise used to guess about where their dad went

0:24:02.636 --> 0:24:03.836
<v Speaker 1>and what he did.

0:24:04.396 --> 0:24:06.556
<v Speaker 2>We came up with different scenarios in our head. This

0:24:06.676 --> 0:24:11.116
<v Speaker 2>was my joke. My joke was Dad bills build swing

0:24:11.196 --> 0:24:13.436
<v Speaker 2>sets in his spared time. I was like, he must

0:24:13.476 --> 0:24:16.436
<v Speaker 2>be going to build swing sets. That's what I used

0:24:16.516 --> 0:24:19.836
<v Speaker 2>to say as a joke because I was like I can't.

0:24:19.876 --> 0:24:23.036
<v Speaker 2>I can't literally can't can't figure it out. So I'm

0:24:23.036 --> 0:24:24.996
<v Speaker 2>just gonna fucking fill it in with some joke.

0:24:26.156 --> 0:24:28.556
<v Speaker 1>At last remembers asking him where he was off to,

0:24:29.156 --> 0:24:31.636
<v Speaker 1>and he would sometimes tell her, I don't have to

0:24:31.636 --> 0:24:35.116
<v Speaker 1>tell you where I'm going, She says, with him, it

0:24:35.236 --> 0:24:40.276
<v Speaker 1>was pure Scooby Doo mystery. Those are her words. When

0:24:40.316 --> 0:24:43.476
<v Speaker 1>it became undeniable that things were wrong, like when they

0:24:43.516 --> 0:24:46.516
<v Speaker 1>had to vacate their house, a lease offered to help.

0:24:47.436 --> 0:24:50.636
<v Speaker 2>I also had a job at the time at the

0:24:50.716 --> 0:24:55.396
<v Speaker 2>Danna Republic, working at the mall, and I even was like,

0:24:56.236 --> 0:24:58.716
<v Speaker 2>do you want help with the bills or whatever? And

0:24:58.996 --> 0:25:04.916
<v Speaker 2>my dess said, you know, no, save your money. We're fine.

0:25:05.156 --> 0:25:08.996
<v Speaker 1>But clearly things were not fine. There were problems by

0:25:09.516 --> 0:25:12.396
<v Speaker 1>that needed to be checked and weren't. And you can

0:25:12.436 --> 0:25:16.916
<v Speaker 1>start to see why Elise loved checklists. In the small

0:25:16.996 --> 0:25:20.556
<v Speaker 1>part of the world that she could control, she wanted order.

0:25:21.876 --> 0:25:25.196
<v Speaker 1>Elise didn't really get much more clarity until the start

0:25:25.276 --> 0:25:28.276
<v Speaker 1>of her senior year. They'd been living in the shoe

0:25:28.276 --> 0:25:31.596
<v Speaker 1>box house for about nine months. It seemed like Keith

0:25:31.716 --> 0:25:35.476
<v Speaker 1>was out a lot selling swing sets or whatever he did.

0:25:36.196 --> 0:25:39.556
<v Speaker 1>And then came that muggy night in two thousand and eight,

0:25:40.356 --> 0:25:41.236
<v Speaker 1>the night of the raid.

0:25:43.636 --> 0:25:47.636
<v Speaker 2>We're waiting for our dad to finally go home or

0:25:47.716 --> 0:25:54.436
<v Speaker 2>come home and that never happened, and I'm thinking about

0:25:54.436 --> 0:26:02.356
<v Speaker 2>calling hospitals. I'm thinking about calling the police because it's

0:26:02.436 --> 0:26:05.116
<v Speaker 2>just not like my dad to not show up like that.

0:26:06.076 --> 0:26:08.876
<v Speaker 1>But it had been a long day. Elise had school

0:26:09.156 --> 0:26:10.196
<v Speaker 1>and then a shift at work.

0:26:10.956 --> 0:26:13.316
<v Speaker 2>She was beat. I have to lay it down. At

0:26:13.356 --> 0:26:17.636
<v Speaker 2>this point, changed into my nightgown. I get into bed,

0:26:18.996 --> 0:26:24.556
<v Speaker 2>and I see a flashlight coming through my window, and

0:26:24.556 --> 0:26:30.036
<v Speaker 2>then I hear dogs sniffing around and I get up

0:26:30.076 --> 0:26:32.876
<v Speaker 2>out of my bed. I turn on the lights because

0:26:32.876 --> 0:26:33.916
<v Speaker 2>I'm freaked out.

0:26:34.556 --> 0:26:37.876
<v Speaker 1>It's the police. She and her sister opened the door

0:26:38.436 --> 0:26:42.156
<v Speaker 1>and a whole team of law enforcement officers enters the house.

0:26:43.196 --> 0:26:45.996
<v Speaker 2>My dad was in trouble with the with the law

0:26:46.116 --> 0:26:49.396
<v Speaker 2>in a serious way, because there wouldn't I recognize seriousness,

0:26:49.396 --> 0:26:51.716
<v Speaker 2>because they wouldn't have sent an entire crime scene unit

0:26:51.756 --> 0:26:56.236
<v Speaker 2>out to my house if it wasn't serious. They didn't

0:26:56.236 --> 0:26:59.796
<v Speaker 2>send one or two dudes. They sent, you know, a

0:26:59.836 --> 0:27:03.996
<v Speaker 2>whole van of people plus dogs. I realize this amount

0:27:03.996 --> 0:27:08.636
<v Speaker 2>of labor is because my dad did something serious.

0:27:10.596 --> 0:27:14.956
<v Speaker 1>The police moved quickly through the bedrooms, the closets, up

0:27:14.956 --> 0:27:19.236
<v Speaker 1>into the attic. They took the family computer boxes of clothing,

0:27:19.636 --> 0:27:23.556
<v Speaker 1>other odds and ends. The family dog Lucky grew so

0:27:23.756 --> 0:27:27.916
<v Speaker 1>agitated that Marissa had to take him outside. Alice stayed

0:27:27.956 --> 0:27:31.316
<v Speaker 1>behind answering the police's questions.

0:27:31.636 --> 0:27:34.636
<v Speaker 2>I remember stepping in my room with a couple of

0:27:34.636 --> 0:27:39.356
<v Speaker 2>the officers and then interviewing me. They asked how much

0:27:39.396 --> 0:27:44.956
<v Speaker 2>money I'd ever seen my dad have on him. They

0:27:44.996 --> 0:27:50.836
<v Speaker 2>asked me if I knew what he was doing earlier

0:27:50.916 --> 0:27:51.436
<v Speaker 2>that day.

0:27:52.716 --> 0:27:55.396
<v Speaker 1>Her mind raced to make sense of what was happening,

0:27:55.996 --> 0:27:57.836
<v Speaker 1>but none of it made sense.

0:27:59.036 --> 0:28:03.956
<v Speaker 2>I was in shock. I was in shock. Honestly, I

0:28:03.996 --> 0:28:06.836
<v Speaker 2>felt like I was having an out of body experience,

0:28:06.876 --> 0:28:10.716
<v Speaker 2>like I was disassociating as I was speaking to the cops.

0:28:11.196 --> 0:28:13.956
<v Speaker 1>The police told Elise that their dad wanted to call

0:28:13.996 --> 0:28:17.956
<v Speaker 1>them himself and explain what he'd done. That was all

0:28:17.956 --> 0:28:21.876
<v Speaker 1>they'd say. Then the police gathered the boxes of evidence

0:28:22.476 --> 0:28:29.636
<v Speaker 1>and left. Maris remembers they stayed up as long as

0:28:29.676 --> 0:28:31.836
<v Speaker 1>they could, waiting for their dad to call.

0:28:32.796 --> 0:28:36.116
<v Speaker 2>Me and my sister actually lay down in the bed

0:28:36.196 --> 0:28:41.916
<v Speaker 2>together and we had the old corded phone with the

0:28:41.916 --> 0:28:45.036
<v Speaker 2>green lights on it, and we had the phone next

0:28:45.036 --> 0:28:47.116
<v Speaker 2>to our heads because we were like, we don't want

0:28:47.116 --> 0:28:49.236
<v Speaker 2>to miss it. If he calls, but we were so

0:28:49.396 --> 0:28:52.036
<v Speaker 2>tired because it was like three four in the morning

0:28:52.516 --> 0:28:54.476
<v Speaker 2>that we were like, we have to lay down because

0:28:54.516 --> 0:28:56.316
<v Speaker 2>we were still planning on going to school.

0:28:57.316 --> 0:29:01.676
<v Speaker 1>Finally, at some point the phone rings. The girls startled

0:29:01.756 --> 0:29:05.876
<v Speaker 1>suddenly fully awake. They pick up and it's their dad.

0:29:06.916 --> 0:29:14.036
<v Speaker 2>He calls and he's like, I'm fine, I'm safe, I'm

0:29:14.116 --> 0:29:18.156
<v Speaker 2>just in trouble. But there was no actual explanation on

0:29:18.236 --> 0:29:21.716
<v Speaker 2>that first phone call. It was just hey, I'm safe,

0:29:21.796 --> 0:29:24.916
<v Speaker 2>I love you, Everything's gonna be okay.

0:29:25.876 --> 0:29:29.636
<v Speaker 1>And that was it. That's all he says. Even in

0:29:29.676 --> 0:29:33.476
<v Speaker 1>the moment of reckoning, this moment of truth, Keith is

0:29:33.596 --> 0:29:38.516
<v Speaker 1>kind of deliberately vague, and so the whole situation remains

0:29:38.556 --> 0:29:44.516
<v Speaker 1>shrouded in mystery. Elise also remembers this call vividly, including

0:29:44.516 --> 0:29:47.836
<v Speaker 1>the way her dad's voice sounded on the phone.

0:29:47.916 --> 0:29:52.116
<v Speaker 2>He was very upset and crying and he said everything's

0:29:52.156 --> 0:29:56.756
<v Speaker 2>going to be okay, I'll be home soon, and him

0:29:56.796 --> 0:30:02.956
<v Speaker 2>saying that I had hope that he was telling the

0:30:02.996 --> 0:30:06.396
<v Speaker 2>truth and that that would happen. But in my gud

0:30:06.516 --> 0:30:08.516
<v Speaker 2>I had a gut feeling that I just knew that

0:30:08.596 --> 0:30:12.356
<v Speaker 2>this was just it's going to be a long, long road.

0:30:19.156 --> 0:30:21.556
<v Speaker 1>At some point later that morning, they turn on the

0:30:21.596 --> 0:30:25.316
<v Speaker 1>TV and there's a big story on the local news.

0:30:25.996 --> 0:30:30.356
<v Speaker 1>They're replaying footage from the previous day. Marissa remembers seeing

0:30:30.396 --> 0:30:34.316
<v Speaker 1>an aerial shot taken from a helicopter. She recalls the

0:30:34.356 --> 0:30:36.396
<v Speaker 1>newscaster saying, they've.

0:30:36.236 --> 0:30:40.316
<v Speaker 2>Been looking for this guy. And then there was a

0:30:40.396 --> 0:30:43.796
<v Speaker 2>picture of the car that he was driving, the light

0:30:43.836 --> 0:30:45.516
<v Speaker 2>blue Grand Marquee.

0:30:45.436 --> 0:30:49.556
<v Speaker 1>A light blue Grand Marquee, which was the same type

0:30:49.596 --> 0:30:50.876
<v Speaker 1>of car that their dad drove.

0:30:51.796 --> 0:30:56.396
<v Speaker 2>You could see the car and you could see into

0:30:56.476 --> 0:31:00.436
<v Speaker 2>the car from this helicopter shot, and there was a cup.

0:31:00.876 --> 0:31:02.196
<v Speaker 2>It was an Emo's cup.

0:31:02.836 --> 0:31:05.916
<v Speaker 1>Emo's Pizza was a family favorite. Keith had one of

0:31:05.956 --> 0:31:10.676
<v Speaker 1>their branded cups. Marisa recalls his dad mug, the one

0:31:10.716 --> 0:31:11.716
<v Speaker 1>he kept in his car.

0:31:12.356 --> 0:31:14.716
<v Speaker 2>It's like, you know, you're like, that's Dad's Emo's code.

0:31:14.996 --> 0:31:17.596
<v Speaker 2>It was just too much of a coincidence to not

0:31:17.836 --> 0:31:25.196
<v Speaker 2>be my dad's car. We're sitting here literally at this house,

0:31:25.596 --> 0:31:30.196
<v Speaker 2>on the couch in the living room, watching the cable television,

0:31:31.796 --> 0:31:35.316
<v Speaker 2>and we're just like, they have got to have the

0:31:35.436 --> 0:31:36.316
<v Speaker 2>wrong person.

0:31:37.996 --> 0:31:42.036
<v Speaker 1>In this moment, the girls were overwhelmed with shock and confusion,

0:31:42.716 --> 0:31:46.316
<v Speaker 1>but there was one thing that at last knew for certain.

0:31:47.116 --> 0:31:49.556
<v Speaker 2>This is going to change my life and my family

0:31:49.636 --> 0:31:56.116
<v Speaker 2>dynamic forever. And I immediately started feeling like I was

0:31:56.196 --> 0:32:00.876
<v Speaker 2>in survival mode and that I needed to figure out

0:32:00.876 --> 0:32:05.556
<v Speaker 2>what was going to happen next, because everything that had

0:32:05.836 --> 0:32:12.156
<v Speaker 2>existed prior in my reality is now I'm finding out untrue.

0:32:13.516 --> 0:32:17.276
<v Speaker 1>Before long, the TV camera crews started to arrive outside

0:32:17.356 --> 0:32:20.556
<v Speaker 1>the little shoe box house where Elise and Marissa lived.

0:32:21.236 --> 0:32:25.636
<v Speaker 1>Because this story about a suburban dad who secretly resorted

0:32:25.676 --> 0:32:29.316
<v Speaker 1>to a life of crime, this would soon be national news.

0:32:30.076 --> 0:32:32.956
<v Speaker 1>Reporters from around the country would be looking for answers,

0:32:33.836 --> 0:32:38.276
<v Speaker 1>and so too would Elise and Marissa. They wanted to

0:32:38.356 --> 0:32:42.796
<v Speaker 1>know what exactly had their dad done, was he guilty,

0:32:43.396 --> 0:32:46.556
<v Speaker 1>and if so, how had they not seen this coming?

0:32:47.076 --> 0:32:50.876
<v Speaker 1>What did that mean about them as a family, because

0:32:50.956 --> 0:32:54.436
<v Speaker 1>as of now, the girls had no parents in the picture,

0:32:54.876 --> 0:32:57.236
<v Speaker 1>no one to pay the bills, no one to answer

0:32:57.276 --> 0:33:02.716
<v Speaker 1>to but themselves. And this was just the beginning. Soon

0:33:02.796 --> 0:33:05.956
<v Speaker 1>there would be a very public reckoning, including a trial

0:33:06.636 --> 0:33:10.396
<v Speaker 1>and a lot of lingering questions about their father, a

0:33:10.476 --> 0:33:22.476
<v Speaker 1>man they thought they knew. Coming up this season on

0:33:22.556 --> 0:33:24.716
<v Speaker 1>Deep Cover, the Family Man.

0:33:25.796 --> 0:33:29.556
<v Speaker 3>There was literally a feeling of relief when I knew

0:33:29.596 --> 0:33:32.316
<v Speaker 3>that they didn't have a make on the vehicle, nor

0:33:32.796 --> 0:33:36.196
<v Speaker 3>did they have a good picture of me that somebody

0:33:36.236 --> 0:33:39.716
<v Speaker 3>that I knew would recognize me for the five thousand

0:33:39.796 --> 0:33:42.916
<v Speaker 3>dollars reward or whatever it was at that particular time.

0:33:43.796 --> 0:33:46.556
<v Speaker 2>And he showed me the surveillance tape and he's like,

0:33:46.636 --> 0:33:47.996
<v Speaker 2>do you recognize this person?

0:33:48.476 --> 0:33:49.036
<v Speaker 1>Is detalk to.

0:33:49.076 --> 0:33:51.396
<v Speaker 2>John Bradley DSM three point eight, one of the same

0:33:51.436 --> 0:33:54.836
<v Speaker 2>Lost Counting Police Department bureau crimes against persons. That is

0:33:54.956 --> 0:33:57.036
<v Speaker 2>not the look of an innocent man.

0:33:57.916 --> 0:34:00.556
<v Speaker 1>You can't put that many people in that much fear

0:34:01.636 --> 0:34:04.716
<v Speaker 1>and not expect to pay a heavy price for it.

0:34:04.716 --> 0:34:10.436
<v Speaker 3>It was an all out onslaught of police cars, helicopters,

0:34:10.916 --> 0:34:12.916
<v Speaker 3>cars in front of me, cars behind me.

0:34:13.476 --> 0:34:16.676
<v Speaker 2>It was a mess. It made me angry. I didn't

0:34:16.676 --> 0:34:21.316
<v Speaker 2>trust anyone after that. What is actually reality is everyone

0:34:21.396 --> 0:34:31.076
<v Speaker 2>lying to me about who they are.

0:34:32.316 --> 0:34:35.516
<v Speaker 1>Deep Cover. The Family Man is produced by Isaac Carter

0:34:36.036 --> 0:34:40.756
<v Speaker 1>and Amy Gains McQuaid. Our show is edited by Karen Chakerjee.

0:34:41.356 --> 0:34:46.516
<v Speaker 1>Our executive producer is Jacob Smith. Sound design by Jake Gorsky.

0:34:47.116 --> 0:34:50.676
<v Speaker 1>Original scoring and our theme were composed by Luis Gara.

0:34:51.316 --> 0:34:54.996
<v Speaker 1>Our show art was designed by Sean Carney, fact checking

0:34:55.276 --> 0:35:00.396
<v Speaker 1>by Anica Robbins. Our story consultant was James Foreman Junior.

0:35:01.236 --> 0:35:06.476
<v Speaker 1>Special thanks to Daphne chen Sonya Gerwit, Morgan Ratner, Kira Posey,

0:35:06.956 --> 0:35:13.156
<v Speaker 1>Jake Flanagan, Corin Gilliard Fisher, Eric Sandler, Christina Sullivan and

0:35:13.236 --> 0:35:16.036
<v Speaker 1>Greta Cone. I'm Jay Calburn