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Speaker 1: Hey, Discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party. The bridge to get you from one full

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Speaker 1: episode or Disgraceland to the other, the backyard to dig

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Speaker 1: into the dirt. On this episode, we are talking, among

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Speaker 1: other things, once again about the Notorious Big some disgraceful

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Speaker 1: new metal, Ricky Powell, Bismarcky, and of course your voicemails, text,

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Speaker 1: dms and more, and as always, a whole lot of Rosie.

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Speaker 1: All right, Discos, let's get into it.

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Speaker 2: All right.

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Speaker 1: In this week's re release of Part two of The

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Speaker 1: Notorious Big Story, we get further into the infamous East

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Speaker 1: Coast West Coast Beef, but also into Biggie's life after Tupac,

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Speaker 1: his inspiration as an artist, and the mystery behind his

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Speaker 1: still unsolved murder. Still unsolved? Can you believe this is

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Speaker 1: twenty six years ago? But recently there was some news

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Speaker 1: related to Tupac secures murder the Nevada home of Keith D,

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Speaker 1: one of the two living eyewitnesses to Tupac's murder. His

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Speaker 1: home was recently rated and now, at the time of

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Speaker 1: the taping of this after party episode, The Sun newspaper

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Speaker 1: in the UK is reporting that Keith D is facing

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Speaker 1: quote unquote imminent charges related to Tupac's murder. Not sure

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Speaker 1: how credible the Sun is just throwing that out there,

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Speaker 1: But add to that, one of the former detectives who

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Speaker 1: worked on Biggie's case is saying that whatever evidence they're

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Speaker 1: collecting from Keith D may actually help solve Biggie's murder

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Speaker 1: as well. So what do you think onto something here

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Speaker 1: be getting warmer? Feels like every couple months or sorry,

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Speaker 1: years or whatever, something pops up that teases us and

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Speaker 1: lets us think that we're finally going to get to

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Speaker 1: the finally going to get to the end of this.

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Speaker 1: I almost feel like, if we were to know who

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Speaker 1: actually killed Biggie or Tupac, would we even pay attention

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Speaker 1: to it in today's media landscape, Would it even cut through?

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Speaker 1: I mean, I know it would cut through immediately, but

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Speaker 1: I almost feel like the mystery around their death is

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Speaker 1: way bigger than any potential solving of the case could be.

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Speaker 1: You can hear at the end of this Notorious Big episode,

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Speaker 1: the part two episode that we just released, you can

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Speaker 1: hear where I'm coming from with my feelings on who

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Speaker 1: killed them and what the motivation could have been. So

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Speaker 1: because of that, because of my thoughts on this, it's

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Speaker 1: easy for me to see why one of the former

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Speaker 1: detectives who worked on the case, like I just mentioned,

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Speaker 1: would say that whatever evidence is found on Keith d

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Speaker 1: might act helped authorities find out who killed Big the

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Speaker 1: Big the Big One, the notorious Big One. This topic,

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Speaker 1: still twenty six years later, is a hot one. And

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Speaker 1: I don't mean popular one, I mean dangerous one. The

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Speaker 1: killers are still out there. I believe that. I believe that,

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Speaker 1: at least in the case of Tupac, the killer still

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Speaker 1: holds influence and is still dangerous and still capable of killing.

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Speaker 1: And I think that that is very much why no

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Speaker 1: one will actually say who they think killed Tupac. If

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Speaker 1: you watch interviews with people who were involved, I mean

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Speaker 1: friends of his other artists in the music industry, same

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Speaker 1: thing goes for when they talk about who killed Biggie.

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Speaker 1: You can kind of see a pattern develop and how

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Speaker 1: they answer questions in what they don't say, and I

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Speaker 1: use that. I use that as a guiding guide post

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Speaker 1: for me on writing these big episodes. And again, you

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Speaker 1: know what I just said about Tupac's killer being out there,

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Speaker 1: the same holds for Biggie's killer. Not only is he

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Speaker 1: still out there, I believe that the forces that brought

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Speaker 1: down Big are bigger and more dangerous than the forces

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Speaker 1: that brought down Tupac Secure. So, uh, you know, there's

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Speaker 1: a question I asked at the end of this episode,

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Speaker 1: the part two episode on Biggie. The question is who

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Speaker 1: stood to gain from the death of the notorious Big.

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Speaker 1: Lots of potential people stood the game was at his

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Speaker 1: record label, his manager, the LAPD Tupac supporters. There is

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Speaker 1: a long, long list. So who who stood to gain

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Speaker 1: from Biggie Small's dying? Six one seven nine oh six

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Speaker 1: six six three eight. The question this week is simple,

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Speaker 1: who do you think killed the notorious Big? Leave me

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Speaker 1: a voicemail or send me a text just like the

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Speaker 1: eight five to nine chiming in here on their way

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Speaker 1: to work.

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Speaker 3: Hey Jake, this is shown from the eight point nine

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Speaker 3: Uh calling.

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Speaker 4: In on my way to work.

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Speaker 3: Listening to the most recent Bonus episode you had asked

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Speaker 3: about feuds and music from of the greatest views of

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Speaker 3: all time, you said that you aren't too sure about

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Speaker 3: any country music, and one that immediately came to mind,

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Speaker 3: especially considering you know, you recently put out the Merle

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Speaker 3: Haggard episode. People keep calling in requesting Wayalem Jennings episodes. Well, actually,

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Speaker 3: Merle and Whalon had a bit of a beef circa

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Speaker 3: in nineteen sixty nine, Waylon Jennings and Merle got into

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Speaker 3: a poker game and Merle and I think it was

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Speaker 3: his manager at the time, I remember it was Fuzzy Owens.

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Speaker 3: But anyway, Merle and Fuzzy Whylan thinks that they set

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Speaker 3: him up and took all his money because Whalen had

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Speaker 3: anywhere between four and five thousand dollars on this game,

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Speaker 3: and he lost and was bitter about it. And even

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Speaker 3: though both of those guys were friends with Johnny Cash,

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Speaker 3: Willie Nelson and you know other outlaws in the scene,

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Speaker 3: you know, they.

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Speaker 2: Just couldn't get along. Whalen never forgot about that, you know,

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Speaker 2: he still held over Merle's head. So a lot of people,

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Speaker 2: you know, they wonder why Merle wasn't in the highwayman.

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Speaker 2: This is a big part of the reason why. But anyway,

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Speaker 2: I love the podcast.

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Speaker 3: I know you've asked in the past about what we

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Speaker 3: do and where we listen, like I said, listening on

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Speaker 3: the road. And also while I'm at work, I work

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Speaker 3: at big as fans. I guess you could say on

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Speaker 3: the biggest Fans the Great Disgrace Land. She keeps doing

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Speaker 3: what you're doing and.

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Speaker 1: Rock rolla all right, Sean, I had no idea about

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Speaker 1: this Merle Haggard and Whalon Jennings dust up. See that's

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Speaker 1: the thing, that's that's why this thing of ours, this

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Speaker 1: quote unquote thing of ours works. I share info with

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Speaker 1: you guys. You guys hit me the classic country beefs

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Speaker 1: and have no fear. We will get to a Whaleen

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Speaker 1: Jennings episode paging Zeth lundy uh sometime in the near future.

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Speaker 1: But in the meantime, like I said previously, you can

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Speaker 1: check out the video we have on Whalen on our

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Speaker 1: YouTube channel that's YouTube dot com slash at Disgrace lampod.

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Speaker 1: But back to the voicemails, Judy. Judy from the three

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Speaker 1: oh nine sounds like a clash song, do isn't it?

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Speaker 1: Judy from The Three on nine? All right, Judy, what

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Speaker 1: do you got.

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Speaker 5: Hey, Jake? I am calling from three h nine and

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Speaker 5: I was listening to a bonus episode. Not sure which one,

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Speaker 5: but you asked about non biopic music movies.

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Speaker 6: Or something to that extent, and I don't think this

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Speaker 6: is a bio. I think it's just an amalgamation of

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Speaker 6: different stories that are similar to maybe musicians, well, definitely

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Speaker 6: similar to musicians.

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Speaker 5: That have lived, but I don't.

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Speaker 6: Think it's about anyone in particular.

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Speaker 5: It's American pop. It's an animated movie.

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Speaker 6: I love it is my favorite.

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Speaker 5: It is so just layered.

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Speaker 6: When you really get into it and watch it, the

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Speaker 6: animation is crude and raw. With the music, it's just

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Speaker 6: a great experience. So I suggest that I didn't mention

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Speaker 6: my name. My name is Judy again, Colin from the

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Speaker 6: Three on I have a great day, Balta.

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Speaker 1: Rolla, Judy, thank you. I've never seen American pop. I

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Speaker 1: don't think it's not this. No, I'm thinking of heavy metal.

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Speaker 1: That's someone from the seventies. When is American pop from

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Speaker 1: two Thousand's what I got to figure this out. I'll

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Speaker 1: look into American pop. Judy, thank you. I appreciate the voicemail.

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Speaker 1: Let's check out this one from Terry all the way

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Speaker 1: out in Idaho in the two.

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Speaker 7: Eight Hey Jay gets Terry from way out in Idaho

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Speaker 7: again the two to eight music Movies. I'm gonna have

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Speaker 7: to say I am a huge Prince fan. So Purple Rain.

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Speaker 7: I know that probably won't go down on a lot

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Speaker 7: of people's list, but it's one of my favorites. Bohemian

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Speaker 7: Rhapsody is up there. I also have to say I'm

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Speaker 7: a Motley Crue fan, so I loved the Dirt and

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Speaker 7: eight Mile was a good one with Eminem so really

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Speaker 7: love that. Anyway, keep up the great work and rock Corolla.

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Speaker 1: Terry, thank you for the call. I love Purple Rain

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Speaker 1: because I love Prince. But I'm going to say something

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Speaker 1: that I don't think is controversial. But who knows Prince

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Speaker 1: is not a good actor. We love Prince and because

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Speaker 1: we love him, I feel like that compensates in Purple Rain,

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Speaker 1: at least for his lack of acting. Chops, Yeah, I

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Speaker 1: still love the movie. His shitty acting doesn't really affect

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Speaker 1: it for me. He just looks good on a motorcycle.

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Speaker 1: What can I say, what else did you talk about here?

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Speaker 1: The Dirt. The Dirt was good, especially Tony Cavallero is

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Speaker 1: Ozzy Osbourne and that scene with the ants, But it's

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Speaker 1: hard to compete with that book. I don't know if

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Speaker 1: you've read The Dirt, the Neil Strauss book, but it

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Speaker 1: is incredible. I think it's the only book I've ever

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Speaker 1: read in one sitting where I just started reading it

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Speaker 1: and I stopped everything I was doing, and I could

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Speaker 1: not stop reading it until I was done. I remember

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Speaker 1: exactly where I was. I was in I was on

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Speaker 1: the Upper east Side in my friend Julie Duffy's apartment

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Speaker 1: back when she lived in New York, and we'ld go

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Speaker 1: out on tour managing John Cooper, Mellen Camp and justin

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Speaker 1: Timberlake and let me crash your place when she was gone.

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Speaker 1: Awesome of you, Julie, still thanking you after all these years.

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Speaker 1: But I remember she had a copy of The Dirt

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Speaker 1: on her bookshelf when I got to her place, and

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Speaker 1: I mustn't have had anything to do that day and night,

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Speaker 1: because I just planted my ass down in one of

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Speaker 1: Julie's chairs and I just read and read and read

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Speaker 1: and read, and all these years later, it's a it's

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Speaker 1: a Netflix thing and we're still talking about it. But

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Speaker 1: that's because the book is so damn good. So Terry,

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Speaker 1: check out the book The Dirt by Neil Strauss if

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Speaker 1: you haven't already. And thanks for your bad Lands answers

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Speaker 1: as well. I'll get back to you separately on your

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Speaker 1: movie stuff over in the wrap party. All right, let's

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Speaker 1: check in with Billy for the two to one to zero, Jake.

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Speaker 4: You got Billy here from the two to one zero

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Speaker 4: in San Antonio, Texas, And I'm calling in a reference

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Speaker 4: to one of your previous after party questions. So I

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Speaker 4: just wanted to, like, you know what I've been listening

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Speaker 4: too lately in reference to what you first mentioned, I've

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Speaker 4: been revisiting a lot of old school well really, I

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Speaker 4: mean just nineteen eighty stuff like Talking Heads, Depeche Mode

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Speaker 4: and nine inch Snails. But man, you were talking about this,

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Speaker 4: you know, I can't I can't believe that you like,

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Speaker 4: you've never seen NASA ron Killers or you didn't like

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Speaker 4: it the first time when you saw it, because it's crazy.

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Speaker 4: Oliver Stone he directed that flick, and then he hired

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Speaker 4: Trent Reznor from nine Inch Snails of nine and Snails

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Speaker 4: is nine Inch Nails to produce the soundtrack for the film.

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Speaker 4: So I don't know if you've rewatched it, but you

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Speaker 4: might like it the second time around much more because

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Speaker 4: in my personal opinion, I don't know which is better

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Speaker 4: the film or the soundtrack. So you might want to

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Speaker 4: challenge yourself on that one, friend, I think it will

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Speaker 4: be thoroughly surprised. But keep on keeping on, man, keep doing,

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Speaker 4: you know, keep touring the best work that everybody implores

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Speaker 4: you to continue doing. And I'm a huge fan of yours. Yeah,

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Speaker 4: you're an inspiration, brother.

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Speaker 3: Be good, Take.

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Speaker 1: Care, Billy. I did not know about the Resnor angle

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Speaker 1: with Natural Born Killers, but I'll indeed get back into

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Speaker 1: it and check it out. I love having a reason

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Speaker 1: to rewatch movies and challenge my initial opinions about things,

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Speaker 1: and your timing is great. Just heard a Resnor piece

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Speaker 1: from the Social Network soundtrack and popped up on my shuffle.

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Speaker 1: I was blown away by him and Atticus Fitch. Am

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Speaker 1: I saying that right? But yeah, I'll check out natural

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Speaker 1: Born Killers for no other reason, like you said, just

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Speaker 1: for the soundtrack. And it's been decades since I've seen

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Speaker 1: that movie, so kind of excited to have a reason

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Speaker 1: to dive back into it, even though it was just

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Speaker 1: reading Tarantino's comments about how much he still dislikes that

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Speaker 1: that movie. All right, six one seven, nine oh six,

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Speaker 1: six six three eight. If you want to leave me

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Speaker 1: a voicemail on anything that we're discussing here in Disgraceland,

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Speaker 1: I love loving these recommendations from you guys on best

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Speaker 1: non music biopic music movies. That's a mouthful, But this

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Speaker 1: week's question, you know, keep those, keep those answers coming

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Speaker 1: if you got them. But this week's question is who

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Speaker 1: killed the notorious Big Doesn't get more true crimey and

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Speaker 1: more music true crime than that. Check out the latest

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Speaker 1: re release of the two Biggie episodes we did part

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Speaker 1: two just hit It's at the top of your feeds.

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Speaker 1: You can check that out to refresh your memory. Hit

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Speaker 1: me back with your theories on who killed Biggie Smalls.

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Speaker 1: We'll take We'll take theories on who killed Tupac as well,

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Speaker 1: whatever whatever other questions you have voicemails texts six one

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Speaker 1: seven nine oh six six six three eight. I'm gonna

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Speaker 1: take a quick break. Be back after this with some

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Speaker 1: answers to your text some dms and more. Yes, yes,

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Speaker 1: we are back, so let's dive into some of your texts.

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Speaker 1: You can text me as you know six one seven

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Speaker 1: nine oh six six six three eight. Got this one

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Speaker 1: here from the eight one four Hi, Jake, my name

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Speaker 1: is Chad and I'm from the eight one to four

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00:14:27,280 --> 00:14:29,200
Speaker 1: area of Pennsylvania and I have been listening to you

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Speaker 1: since you started work on Disgraceland and bad Lands while

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Speaker 1: at work while I cut the grass at home. I

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Speaker 1: work in a manufacturing plant that makes fuel related items

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Speaker 1: like some pumps and LCD screens for gas stations and

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00:14:41,000 --> 00:14:43,840
Speaker 1: depots all over the world. My family and I recently

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Speaker 1: took a trip to Virginia Beach and I introduced them

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Speaker 1: to your podcast during the drive. They loved your writing

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Speaker 1: and storytelling abilities. Keep up the great work and thank

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Speaker 1: you for all your hard work. I would love to

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Speaker 1: hear something about the early few between Roger Waters and

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Speaker 1: David Gilmour someday if you could. Much love. Thanks for

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Speaker 1: the text, Chad, appreciate it that you're spreading the Disgraceland

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Speaker 1: to your family. You must have some older kids, I hope,

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Speaker 1: but yeah, Roger Waters and David Gilmore. We're gonna do

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Speaker 1: a Pink Foyd Part two at some point, and I

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Speaker 1: believe we'll get into that, all right. This one comes

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Speaker 1: in from the five one eight Hot on the Conspiracy Line.

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Speaker 1: Hey Jake Chuck in the five poe eight again, I

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Speaker 1: heard you talking about Mark David Chapman on the pod today.

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Speaker 1: Are familiar with the theory. Are you familiar with the

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Speaker 1: theory that John Lennon was assassinated but not necessarily by Chapman.

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Speaker 1: I don't know what to make of it. Maybe it's

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Speaker 1: similar to your John Denver pod. Anyway, attaching a link

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Speaker 1: to the pod, I am familiar with it, and I

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Speaker 1: don't put any stock in that. But hey Man, Free Country.

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Speaker 1: You can believe what you want to believe. But everything

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Speaker 1: I've read leads me to believe that Chapman was the guy.

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Speaker 1: Not even a question, all right? All right? This one

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Speaker 1: comes from the six seven eight. Hey Jake, this is

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Speaker 1: Erica from the six seven eight ATL. I'm a new

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Speaker 1: listener to your podcast and I love it. Shout out

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Speaker 1: to my coworker Steve, who introduced me to the Disgracelam podcast.

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Speaker 1: And then I saw you had one about movie stars

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00:16:05,960 --> 00:16:08,240
Speaker 1: and I said to myself, this is amazing. I'm a big,

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Speaker 1: huge movie person, so thank you for the podcast. You

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Speaker 1: got it. This is going to a bad Lands direction,

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Speaker 1: but I'm gonna keep rolling with it. With that being said,

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00:16:16,200 --> 00:16:17,680
Speaker 1: I was on my way with work, looking for an

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Speaker 1: episode to listen to and find one about Kerry Fisher.

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Speaker 1: And as I'm listening to, I got on the highway

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Speaker 1: and this black jeto was in front of me and

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00:16:24,320 --> 00:16:26,840
Speaker 1: I noticed their license plate. Immediately said, oh mg, the

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Speaker 1: license plate r at Obi wan Kenobi. I couldn't believe it.

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Speaker 1: I don't know what this means, but it was interesting enough.

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00:16:32,600 --> 00:16:33,720
Speaker 1: I had to reach out to tell you about it,

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00:16:33,760 --> 00:16:35,440
Speaker 1: and this won't be the last time you hear from me.

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Speaker 1: I got a lot of catching up to do. Well,

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00:16:37,800 --> 00:16:40,560
Speaker 1: all right, And then she sends in. Erica sends in

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Speaker 1: the picture of the Obi wan Kenoby license plate from

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00:16:44,200 --> 00:16:45,680
Speaker 1: the jet. I got a little it was a little

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00:16:45,720 --> 00:16:47,560
Speaker 1: bad lance text there. I thought it was gonna be

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00:16:47,560 --> 00:16:50,440
Speaker 1: an after party disgraceland text, but hey, we'll keep it.

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Speaker 1: Let's see what else we got from the four six'

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00:16:54,080 --> 00:16:58,280
Speaker 1: nine subject music industry Beefs, jake what About David? Crosby

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00:16:58,280 --> 00:17:01,600
Speaker 1: And Steven. Stills crosby said something offensive About still's girlfriend

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00:17:01,600 --> 00:17:04,359
Speaker 1: and they never got past. It is that really what it?

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00:17:04,480 --> 00:17:08,119
Speaker 1: Was that's fucked? Up if that, was that's fucked up

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00:17:08,119 --> 00:17:11,640
Speaker 1: for many different. Reasons, one why are you saying something

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00:17:11,640 --> 00:17:15,679
Speaker 1: offensive about your? Bandmates? GIRL i, mean come? On and

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Speaker 1: number two, guys get over.

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Speaker 2: It it's.

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00:17:19,600 --> 00:17:22,199
Speaker 1: Ridiculous, Well crosby's, dead so there's no getting over it.

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00:17:22,240 --> 00:17:24,480
Speaker 1: Now if it never got over, all, right let's. Go

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Speaker 1: what else we got? Here seven to two four Says, Hey,

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00:17:27,400 --> 00:17:31,720
Speaker 1: jake It's. Anthony you asked In disgraceland about music, feuds especially.

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00:17:31,800 --> 00:17:34,760
Speaker 1: COUNTRY i Know Toby keith and The chicks got deep into,

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00:17:34,800 --> 00:17:37,439
Speaker 1: it Including keith showing picks of The chicks With sodom

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00:17:38,160 --> 00:17:42,960
Speaker 1: sodom whu'ssein it got. Heated well that's, interesting, man that's fucking.

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00:17:43,040 --> 00:17:45,280
Speaker 1: INTERESTING i didn't know anything about. That i'm gonna look that.

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Speaker 7: Up.

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00:17:45,800 --> 00:17:49,199
Speaker 1: Uh i'm down for some early odds country. Beef what

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00:17:49,240 --> 00:17:51,640
Speaker 1: else we got? Here from the four to two four

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00:17:51,760 --> 00:17:54,280
Speaker 1: went to the O C fair last weekend and they

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Speaker 1: have an exhibit Called art Of, Music and for some

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Speaker 1: REASON i went in and remember Disgrace, land and here

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00:17:58,640 --> 00:18:01,240
Speaker 1: are some picks and then there's a bunch of, picks

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00:18:01,240 --> 00:18:04,840
Speaker 1: just general, Picks prince The. BEATLES i like. That you're

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00:18:04,920 --> 00:18:07,520
Speaker 1: just you're seeing music stuff and you're thinking of. Me thank,

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00:18:07,560 --> 00:18:10,919
Speaker 1: you all? Right got this one from the three to

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00:18:10,920 --> 00:18:14,800
Speaker 1: oh Two, Jake tina from the three oh two Here Happy. Friday,

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00:18:14,920 --> 00:18:17,480
Speaker 1: no you're probably, top probably on top of this being

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00:18:17,520 --> 00:18:19,720
Speaker 1: a masshole like so many of these, fellas BUT i

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00:18:19,760 --> 00:18:21,800
Speaker 1: had to send it your way. Anyway such a banger

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00:18:21,880 --> 00:18:23,960
Speaker 1: really stoke for the full album in a couple, months

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00:18:24,520 --> 00:18:26,359
Speaker 1: and hopefully none of them will make it onto your

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00:18:26,400 --> 00:18:30,240
Speaker 1: podcast due to the, misadventures but maybe merely for being

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00:18:30,280 --> 00:18:35,919
Speaker 1: so fucking. Rad any who have a spectacular Weekend heart

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00:18:36,160 --> 00:18:38,840
Speaker 1: x T. X that is From tina in the three o,

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00:18:38,960 --> 00:18:41,400
Speaker 1: two and once she's referring to she sends a link

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00:18:41,440 --> 00:18:44,040
Speaker 1: here To, spotify and it is to the new single

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00:18:44,119 --> 00:18:50,240
Speaker 1: by The defiant single Called Dead. Language defiant punk band

349
00:18:50,520 --> 00:18:54,280
Speaker 1: with all these punk, vets including the Infamous Dicky. BARRETT

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00:18:54,640 --> 00:18:57,280
Speaker 1: i say, infamous but he's not. Infamous he's a great fucking,

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00:18:57,320 --> 00:19:02,160
Speaker 1: guy former singer of The Mighty mighty Boss, Tones And tina's,

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00:19:02,240 --> 00:19:04,680
Speaker 1: right this song is fucking great AND i look forward

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00:19:04,720 --> 00:19:06,919
Speaker 1: to the full album from The defiant what else we

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00:19:06,960 --> 00:19:09,600
Speaker 1: got from the seven o. Five i'm gonna wrap it

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00:19:09,640 --> 00:19:12,360
Speaker 1: here on This beef's conversation because it's pretty damn good and,

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00:19:12,480 --> 00:19:14,640
Speaker 1: Uh i'm gonna move on, though this one coming from

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00:19:14,680 --> 00:19:17,720
Speaker 1: the seven o, five saying three of the biggest Beefs Dean,

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00:19:17,760 --> 00:19:21,200
Speaker 1: Martin Jerry Lee, Lewis don And Phil, Everly Don felder

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00:19:21,280 --> 00:19:24,440
Speaker 1: And Glenn. Fry h, yeah we didn't really get into

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00:19:24,440 --> 00:19:27,120
Speaker 1: The Don Felder Glenn fry beef and The eagles kind

361
00:19:27,119 --> 00:19:29,119
Speaker 1: of touched on. IT i THINK i don't really Remember

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00:19:29,200 --> 00:19:31,800
Speaker 1: don And Phil everly. Though that's huge and that couldn't

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00:19:31,840 --> 00:19:36,520
Speaker 1: necessitate An Everly brothers, episode Which i'd never really thought

364
00:19:36,520 --> 00:19:39,639
Speaker 1: of before until, Now so thank you seven oh. Five and,

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00:19:39,680 --> 00:19:42,800
Speaker 1: then of, Course Dean martin And Jerry. Lewis you know

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Speaker 1: there's gonna be a rap pack episode at some. Point

367
00:19:45,560 --> 00:19:48,400
Speaker 1: but the MORE i think about, this the More i'm

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00:19:48,440 --> 00:19:51,359
Speaker 1: becoming hip to the fact that there's probably many rap

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00:19:51,359 --> 00:19:54,520
Speaker 1: pack episodes that we could get into. Here so thanks

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00:19:54,600 --> 00:19:57,239
Speaker 1: for the seven o. Five appreciate. It, guys you want

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00:19:57,280 --> 00:19:59,520
Speaker 1: to send me some voicemails six, one seven nine oh

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00:19:59,560 --> 00:20:02,120
Speaker 1: six six you want to send me some texts same

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00:20:02,160 --> 00:20:05,560
Speaker 1: thing six one seven nine oh six sixty six three.

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00:20:05,680 --> 00:20:08,160
Speaker 1: Eight you want TO dm me about any of these

375
00:20:08,200 --> 00:20:11,040
Speaker 1: topics we're, discussing you can do that at disgrace. Lampot

376
00:20:11,160 --> 00:20:14,200
Speaker 1: let's get into that right. Now some, dms all? Right

377
00:20:14,280 --> 00:20:17,280
Speaker 1: From leo X fury On. Instagram leo Rights, man your

378
00:20:17,280 --> 00:20:20,080
Speaker 1: episode On Ariana grande is mind. Blowing AND i was

379
00:20:20,119 --> 00:20:22,160
Speaker 1: listening to the after party right after that one about

380
00:20:22,160 --> 00:20:24,120
Speaker 1: the top hip hop, groups and you said something really.

381
00:20:24,160 --> 00:20:27,840
Speaker 1: Important you need A BIG l. Episode it's my fav

382
00:20:28,320 --> 00:20:33,560
Speaker 1: rapper of all, time all, Right, leo get into That

383
00:20:33,600 --> 00:20:36,080
Speaker 1: BIG l at some. Point it's on the, list, man

384
00:20:36,119 --> 00:20:37,560
Speaker 1: and it's been on the list from the, beginning AND

385
00:20:37,600 --> 00:20:39,359
Speaker 1: i keep finding reasons not to do. It it's one

386
00:20:39,400 --> 00:20:40,920
Speaker 1: of those things THAT i really want to get into,

387
00:20:40,920 --> 00:20:42,359
Speaker 1: it And i'm kind of afraid of the amount of

388
00:20:42,359 --> 00:20:45,879
Speaker 1: time That i'm going to have to. Spend but we

389
00:20:45,920 --> 00:20:49,600
Speaker 1: will get into it at some, POINT i. Promise Ian

390
00:20:49,720 --> 00:20:53,920
Speaker 1: standish sends us a story of himself drinking a rock and.

391
00:20:54,000 --> 00:20:58,240
Speaker 1: Rolla Thanks Ian, stanish appreciate. That that's also On. Instagram

392
00:20:58,760 --> 00:21:02,200
Speaker 1: Zach ahern writes in On, Instagram hey could even get

393
00:21:02,240 --> 00:21:04,920
Speaker 1: through a minute Of. FIDLAR i think he meant the

394
00:21:04,960 --> 00:21:07,640
Speaker 1: right couldn't even get through a minute Of. Fidlar, well

395
00:21:07,720 --> 00:21:11,719
Speaker 1: that's just like your, opinion, man and you're missing. Out

396
00:21:11,920 --> 00:21:15,520
Speaker 1: it's a great fucking. BAND i stand by. It Austin

397
00:21:15,640 --> 00:21:19,320
Speaker 1: James music writes in something about how awesome Notorious big

398
00:21:19,560 --> 00:21:22,119
Speaker 1: IS a little story, THERE i missed, It so for a,

399
00:21:22,160 --> 00:21:25,280
Speaker 1: second let's keep moving here with a couple more. Dms

400
00:21:25,480 --> 00:21:29,639
Speaker 1: let's go over To. Facebook Sue hendrickson writes in On,

401
00:21:29,680 --> 00:21:31,920
Speaker 1: Facebook Hey, Jake sue from six to one to, two

402
00:21:32,080 --> 00:21:35,480
Speaker 1: did you recommend Reinventing elvis? Recently i'm fifty three years.

403
00:21:35,520 --> 00:21:37,960
Speaker 1: Old thanks to my, mom who is a full On elvis,

404
00:21:37,960 --> 00:21:40,080
Speaker 1: Fanatic i've been listening To elvis since BEFORE i was.

405
00:21:40,119 --> 00:21:42,720
Speaker 1: Born the Day elvis died is seven to my. SOUL

406
00:21:42,760 --> 00:21:45,320
Speaker 1: i was. Seven my mom AND i were. Inconsolable she's

407
00:21:45,359 --> 00:21:48,240
Speaker 1: been gone for fifteen years. Now watching the show brings

408
00:21:48,280 --> 00:21:51,480
Speaker 1: her spirit, close his, talent, grace sense of, humor and

409
00:21:51,520 --> 00:21:54,960
Speaker 1: that UNMISTAKABLE it. Factor it's. Breathtaking love your, Show love

410
00:21:55,000 --> 00:21:57,240
Speaker 1: the ongoing conversations you have with your. Listeners thanks for

411
00:21:57,280 --> 00:21:59,320
Speaker 1: hours of great entertainment you got, It. SUE i did

412
00:21:59,400 --> 00:22:03,720
Speaker 1: not recommend Reinventing, elvis But i'm gonna watch it and

413
00:22:04,720 --> 00:22:07,040
Speaker 1: sorry about the loss of your. Mom you definitely sound

414
00:22:07,080 --> 00:22:09,240
Speaker 1: like you're missing her and that you keep her close

415
00:22:09,320 --> 00:22:11,879
Speaker 1: in your, heart And elvis is a good way to do,

416
00:22:11,960 --> 00:22:14,400
Speaker 1: that So i'm gonna check that. Out thank. You Aaron

417
00:22:14,480 --> 00:22:17,480
Speaker 1: nicole writes In i'm in, landscaping so While i'm weeding

418
00:22:17,520 --> 00:22:19,639
Speaker 1: beds and, PRUNING i have you as my work buddy all.

419
00:22:19,720 --> 00:22:23,160
Speaker 1: Day we live in the roller coaster capital of the, World, Sandusky.

420
00:22:23,320 --> 00:22:26,240
Speaker 1: Ohio let me know what you think of f is for.

421
00:22:26,400 --> 00:22:28,800
Speaker 1: FAMILY i will erin WHEN i get into. It thanks

422
00:22:28,800 --> 00:22:33,159
Speaker 1: for introducing. Yourself appreciate. You appreciate all you. Guys you

423
00:22:33,200 --> 00:22:35,840
Speaker 1: want to get in, touch it's at disgrace lam. Pod all.

424
00:22:35,920 --> 00:22:37,879
Speaker 1: Right you can do that On. Facebook you can do

425
00:22:37,920 --> 00:22:41,439
Speaker 1: that On. Instagram you can do that On. Twitter you

426
00:22:41,440 --> 00:22:43,280
Speaker 1: can do that on TikTok if that's your. Thing it's

427
00:22:43,280 --> 00:22:46,200
Speaker 1: actually Not twitter. Anymore excuse, me IT'S x all. Right

428
00:22:46,320 --> 00:22:49,120
Speaker 1: i'm easy to get in touch, with, okay AND i respond,

429
00:22:49,320 --> 00:22:55,920
Speaker 1: WELL i try to respond. Anyways doug In groon, Writes, Hey,

430
00:22:55,920 --> 00:22:59,000
Speaker 1: disgraceland this is ON. X Hey Disgrace. Landpod this reminds

431
00:22:59,040 --> 00:23:01,320
Speaker 1: me of the intro to the recommendations portion of the after,

432
00:23:01,359 --> 00:23:04,119
Speaker 1: party and it's this amazing picture Of Thin, lizzy a

433
00:23:04,280 --> 00:23:06,959
Speaker 1: BAND i love and have forever loved and will forever.

434
00:23:07,040 --> 00:23:11,520
Speaker 1: Loved AND i don't understand where people get off THINKING

435
00:23:11,560 --> 00:23:14,760
Speaker 1: i don't Like Thin lizzy or where that came. From At,

436
00:23:14,840 --> 00:23:18,320
Speaker 1: Dean i'm, Sorry Dean arnold writes in ON x At disgrace, Lampot,

437
00:23:18,320 --> 00:23:20,359
Speaker 1: oh this is a good. One on, Beefs ira And

438
00:23:20,440 --> 00:23:25,560
Speaker 1: Charlie luvin hated each Other country Beef, Yeah luvin brothers Hot.

439
00:23:25,680 --> 00:23:29,119
Speaker 1: DAMN i get to write that. Episode that'll be fun

440
00:23:29,200 --> 00:23:32,400
Speaker 1: all right. Again At disgrace lamp pod ON, x On,

441
00:23:32,440 --> 00:23:37,040
Speaker 1: facebook On, instagram get in. Touch we're talking. Everything we're talking,

442
00:23:37,040 --> 00:23:40,760
Speaker 1: beefs country, beefs music, beefs, whatever. Beefs we're talking about

443
00:23:40,840 --> 00:23:44,360
Speaker 1: best non music biopic music. Movies we're talking about who

444
00:23:44,440 --> 00:23:47,439
Speaker 1: Killed Biggie small's who might have Killed? Tupac let me

445
00:23:47,520 --> 00:23:49,840
Speaker 1: know six one seven nine oh six six six three

446
00:23:49,920 --> 00:23:53,040
Speaker 1: Eight At disgrace, Lampod i'm gonna take a quick break

447
00:23:53,080 --> 00:24:12,240
Speaker 1: back with some recommendations in just a. Bit the recommendations

448
00:24:12,280 --> 00:24:15,240
Speaker 1: Part this is the recommendation's, part the part we recommend

449
00:24:15,240 --> 00:24:17,800
Speaker 1: the things that need, recommending the recommendation's. Part all, right all,

450
00:24:17,840 --> 00:24:19,760
Speaker 1: right all. Right i'm writing this thing that hopefully you

451
00:24:19,760 --> 00:24:22,240
Speaker 1: guys will hear about. SOON i can't talk about, it but,

452
00:24:22,400 --> 00:24:25,200
Speaker 1: someday HOPEFULLY i. Can it's a story that's set in

453
00:24:25,240 --> 00:24:28,000
Speaker 1: the early. Offts it's set in two thousand and, one

454
00:24:28,080 --> 00:24:31,280
Speaker 1: to be. Specific so As i'm writing this, Thing i've

455
00:24:31,320 --> 00:24:34,520
Speaker 1: been mining rock music from two thousand and nineteen ninety

456
00:24:34,600 --> 00:24:38,120
Speaker 1: nine for, inspiration not from two thousand and, one because,

457
00:24:38,119 --> 00:24:40,960
Speaker 1: again the story takes place in early two thousand and.

458
00:24:41,000 --> 00:24:44,000
Speaker 1: One and also the thing That i've noticed is two

459
00:24:44,040 --> 00:24:47,800
Speaker 1: thousand and, one this thing happens in music that changes

460
00:24:47,880 --> 00:24:51,119
Speaker 1: the course that we're. On two thousand and one is

461
00:24:51,119 --> 00:24:52,800
Speaker 1: when we start to get you, know we get the,

462
00:24:52,840 --> 00:24:58,000
Speaker 1: strokes white, stripes start to break, through and then the

463
00:24:58,359 --> 00:25:01,440
Speaker 1: sort of floodgates, open the high, ives the, vines all

464
00:25:01,520 --> 00:25:05,359
Speaker 1: of the, bands for lack of a better, term and

465
00:25:06,160 --> 00:25:09,679
Speaker 1: mainstream rock music takes a turn for the, better for

466
00:25:09,760 --> 00:25:15,560
Speaker 1: sure in my, Opinion But i'm focused on for the

467
00:25:15,600 --> 00:25:18,600
Speaker 1: worst here in two thousand And what was going on

468
00:25:18,640 --> 00:25:22,280
Speaker 1: in two thousand and nineteen ninety, nine and As i'm

469
00:25:22,320 --> 00:25:25,239
Speaker 1: writing this, thing And i'm immersed in this world And

470
00:25:25,280 --> 00:25:27,399
Speaker 1: i'm listening to what was on the charts at the

471
00:25:27,400 --> 00:25:33,879
Speaker 1: time for rock, MUSIC i find myself having a brand

472
00:25:33,880 --> 00:25:39,199
Speaker 1: new appreciation for WHAT i can only describe as ridiculous

473
00:25:39,400 --> 00:25:46,080
Speaker 1: new metal. MUSIC i fucking. HATED i didn't care about.

474
00:25:46,080 --> 00:25:49,560
Speaker 1: IT i THOUGHT i not only hated, IT i like.

475
00:25:49,920 --> 00:25:56,480
Speaker 1: Actively it just repelled. Me i'm talking about these songs

476
00:25:56,560 --> 00:25:58,720
Speaker 1: in particular are the Ones i've been listening, to and

477
00:25:58,760 --> 00:26:00,639
Speaker 1: these are the bands That i'm talking about, Here, Okay

478
00:26:01,200 --> 00:26:05,400
Speaker 1: Last resort By Papa, Roach American badass By Kid, Rock

479
00:26:06,240 --> 00:26:11,760
Speaker 1: drive By, Incubus down with The sickness By, Disturbed Sleep

480
00:26:11,880 --> 00:26:15,719
Speaker 1: now in The fire By Ridge against The. MACHINE i

481
00:26:15,760 --> 00:26:18,000
Speaker 1: was pretty much out On rage after their first, Album

482
00:26:18,119 --> 00:26:19,960
Speaker 1: so by two thousand and ONE i wasn't paying, attention

483
00:26:20,080 --> 00:26:22,040
Speaker 1: or two THOUSAND i wasn't paying, ATTENTION i should. Say

484
00:26:22,320 --> 00:26:25,199
Speaker 1: and as For Papa, Roach Kid rock And incubus And,

485
00:26:25,280 --> 00:26:33,640
Speaker 1: DISTURBED i was thoroughly. Disinterested but, again hearing these songs

486
00:26:33,680 --> 00:26:39,080
Speaker 1: now almost as artifacts from another. Time with this new,

487
00:26:39,400 --> 00:26:44,560
Speaker 1: OBJECTIVITY i hear them as kind of a new classic

488
00:26:44,680 --> 00:26:47,560
Speaker 1: rock AND i cannot Believe i'm saying, this But i'm

489
00:26:47,600 --> 00:26:54,680
Speaker 1: open to, it LIKE i again again, Again this music repelled,

490
00:26:54,720 --> 00:26:59,040
Speaker 1: me and Now i'm, like you, Know i'm turning Up

491
00:26:59,080 --> 00:27:01,600
Speaker 1: Last resort By, roach, which by the, way the lyrics

492
00:27:01,600 --> 00:27:03,560
Speaker 1: are so fucking. DARK i can't believe that was like

493
00:27:03,600 --> 00:27:07,520
Speaker 1: a radio. Hit BUT i don't. KNOW i, MEAN i

494
00:27:07,560 --> 00:27:10,160
Speaker 1: Realize i'm flushing all my quote unquote cool guy crad

495
00:27:10,200 --> 00:27:12,480
Speaker 1: down the toilet. Here but what CAN i? Say this is.

496
00:27:12,520 --> 00:27:15,240
Speaker 1: True there's something that happens with time where you can

497
00:27:15,240 --> 00:27:18,640
Speaker 1: bring objectivity to a piece of, music and you can

498
00:27:18,720 --> 00:27:21,800
Speaker 1: hear it in the context of nostalgia or something that

499
00:27:21,920 --> 00:27:25,800
Speaker 1: makes you feel Like it's not that it gives you,

500
00:27:25,800 --> 00:27:27,320
Speaker 1: permission BECAUSE i don't give a shit about. THAT i

501
00:27:27,359 --> 00:27:28,960
Speaker 1: don't care what people think about WHAT i listened to

502
00:27:29,080 --> 00:27:30,679
Speaker 1: or what they think about me BECAUSE i listened to

503
00:27:30,720 --> 00:27:32,840
Speaker 1: something or. Another, Clearly i'm telling you right now THAT

504
00:27:33,240 --> 00:27:36,560
Speaker 1: i can appreciate it disturbed For god's. Sakes but there's

505
00:27:36,600 --> 00:27:40,400
Speaker 1: something about just having distance from. It And i've experienced

506
00:27:40,440 --> 00:27:43,200
Speaker 1: this with other types of music, too that make it

507
00:27:43,400 --> 00:27:46,040
Speaker 1: listenable to, me make me not, listenable make me almost

508
00:27:46,040 --> 00:27:49,120
Speaker 1: want to just want to like. It it's. Weird it's fucking.

509
00:27:49,400 --> 00:27:52,600
Speaker 1: Weird and all of. This of, course listening to this

510
00:27:54,000 --> 00:27:57,520
Speaker 1: bad new metal from nineteen ninety nine and two thousand

511
00:27:58,040 --> 00:28:02,120
Speaker 1: has forced me into listening to newer heavy, music hardcore,

512
00:28:02,240 --> 00:28:05,560
Speaker 1: music new, metal not new and you, metal but new

513
00:28:05,800 --> 00:28:09,080
Speaker 1: as in modern. Metal mostly When i'm working, Out So

514
00:28:09,080 --> 00:28:11,720
Speaker 1: i'm listening To Incendi, Area i'm listening to Mad Ball.

515
00:28:12,040 --> 00:28:14,880
Speaker 1: Leeway that's, OLD i get, it but Still i'm back

516
00:28:14,920 --> 00:28:17,359
Speaker 1: listening to a power trip kind of new but not really.

517
00:28:18,000 --> 00:28:21,360
Speaker 1: Turnstyle SO i just got to ask what heavy music

518
00:28:21,400 --> 00:28:23,359
Speaker 1: are you guys listening to Because i'm in that mindset right.

519
00:28:23,400 --> 00:28:26,040
Speaker 1: Now and, yeah if you want to convince me that

520
00:28:26,080 --> 00:28:28,840
Speaker 1: these new metal bands are actually better THAN i thought

521
00:28:28,880 --> 00:28:30,720
Speaker 1: they were AND i just missed something and Now i'm

522
00:28:30,720 --> 00:28:32,920
Speaker 1: finally catching up to, it convinced me WHY i shouldn't

523
00:28:32,920 --> 00:28:35,879
Speaker 1: Hate Papa roach Or disturbed is What i'm. Saying, Uh and,

524
00:28:35,960 --> 00:28:38,680
Speaker 1: again hit me up with some any modern hardcore or

525
00:28:38,840 --> 00:28:40,960
Speaker 1: modern metal you guys are digging on six one seven

526
00:28:41,120 --> 00:28:44,680
Speaker 1: nine oh six six six three. Eight i'm in a

527
00:28:44,680 --> 00:28:47,240
Speaker 1: heavy music phase currently And i'm digging, it so hit

528
00:28:47,280 --> 00:28:51,800
Speaker 1: me up with those. Recommendations also listening To Death valley

529
00:28:51,840 --> 00:28:53,720
Speaker 1: girls band From La going to see them in a

530
00:28:53,760 --> 00:28:56,640
Speaker 1: couple of weeks At. Bumblefest, uh anyone else going To?

531
00:28:56,680 --> 00:29:00,680
Speaker 1: Bumblefest Maybe i'll see. There caught up on for music

532
00:29:00,720 --> 00:29:03,600
Speaker 1: related video. Content caught up on a couple of music

533
00:29:03,640 --> 00:29:06,680
Speaker 1: docs since we last. Spoke showtime keeps playing The Ricky

534
00:29:06,680 --> 00:29:11,440
Speaker 1: Powell The individualist documentary from twenty. Twenty And i've seen this.

535
00:29:11,480 --> 00:29:13,320
Speaker 1: BEFORE i saw it when it came. Out of, Course

536
00:29:13,360 --> 00:29:16,320
Speaker 1: i'm interested In Ricky powell just because of his affiliation

537
00:29:16,400 --> 00:29:18,560
Speaker 1: with The Beastie, boys but also just being part of

538
00:29:18,560 --> 00:29:21,320
Speaker 1: that whole like Downtown New york thing in the eighties and.

539
00:29:21,400 --> 00:29:25,360
Speaker 1: Nineties that's my, lane, man as it is for a

540
00:29:25,400 --> 00:29:27,200
Speaker 1: lot of you guys. TOO i KNOW i see any

541
00:29:27,240 --> 00:29:30,760
Speaker 1: of that. Content i'm just, like suck right. In and

542
00:29:30,840 --> 00:29:34,080
Speaker 1: this documentary is really. Great And Ricky powell was a great.

543
00:29:34,160 --> 00:29:37,280
Speaker 1: Artist he was a, photographer he was more than. That

544
00:29:37,320 --> 00:29:40,400
Speaker 1: he was a. Personality he had his own. THING i

545
00:29:40,440 --> 00:29:41,920
Speaker 1: know a lot of you know who he. Is i'm

546
00:29:41,920 --> 00:29:44,760
Speaker 1: obviously speaking right now to those who. Don't but if

547
00:29:44,800 --> 00:29:47,440
Speaker 1: you're all interested in Downtown New, york if you're all

548
00:29:47,440 --> 00:29:52,880
Speaker 1: interested in early hip, hop early def jam or The Beastie,

549
00:29:52,920 --> 00:29:55,520
Speaker 1: boys of, course anything like. That check Out Ricky Powell The.

550
00:29:55,520 --> 00:29:58,440
Speaker 1: Individualist this documentary is not, new it's from twenty, twenty

551
00:29:59,080 --> 00:30:01,400
Speaker 1: but it is. Worse LIKE i, SAID i saw it,

552
00:30:01,440 --> 00:30:03,360
Speaker 1: then and it's on and every TIME i catch it,

553
00:30:03,440 --> 00:30:06,480
Speaker 1: ON i just rewatch. It it's just it's really fucking. Great,

554
00:30:07,360 --> 00:30:09,600
Speaker 1: also there's a NEW i think this is On showtime as.

555
00:30:09,640 --> 00:30:09,800
Speaker 4: Well.

556
00:30:09,960 --> 00:30:12,800
Speaker 1: Showtime showtime does a lot of music, content which is.

557
00:30:12,920 --> 00:30:17,080
Speaker 1: AWESOME i appreciate, that thanks Mister Mimus. Showtime but they've

558
00:30:17,080 --> 00:30:20,320
Speaker 1: got this new Biz marquee documentary Called All up in The,

559
00:30:20,320 --> 00:30:23,640
Speaker 1: biz which is pretty damn. GOOD i haven't seen all of.

560
00:30:23,680 --> 00:30:26,640
Speaker 1: IT i like The Ricky powell. Thing it pops up

561
00:30:26,680 --> 00:30:28,560
Speaker 1: And i'm just like sucked into. It i'll watch it

562
00:30:28,560 --> 00:30:31,080
Speaker 1: all before the next time we, speak just BECAUSE i

563
00:30:31,120 --> 00:30:33,800
Speaker 1: really started to get into it last, night and and

564
00:30:33,840 --> 00:30:37,320
Speaker 1: it dawned on. Me you, know there's this you, KNOW

565
00:30:37,320 --> 00:30:39,320
Speaker 1: i don't know if the programming here From showtime with

566
00:30:39,360 --> 00:30:43,360
Speaker 1: Biz marque and The Rocky powell thing is because we're

567
00:30:43,040 --> 00:30:46,240
Speaker 1: we're circling we're still circling this fifty years Of Hip

568
00:30:46,240 --> 00:30:49,840
Speaker 1: hop anniversary thing or. Not but it dawned on me

569
00:30:49,920 --> 00:30:54,640
Speaker 1: and watching these, docs especially the Biz marque, one THAT

570
00:30:55,320 --> 00:30:58,680
Speaker 1: i just think it's so great that we. Are these

571
00:30:58,760 --> 00:31:01,040
Speaker 1: docs come out and a lot of them tell the

572
00:31:01,080 --> 00:31:06,200
Speaker 1: same stories or they tell different versions of anecdotes from

573
00:31:06,520 --> 00:31:11,040
Speaker 1: hip hop, history WHICH i think is very important because

574
00:31:11,040 --> 00:31:14,000
Speaker 1: we've been beaten over the heads OR i, have at

575
00:31:14,080 --> 00:31:17,120
Speaker 1: least in people my, age with the sort of punk

576
00:31:17,240 --> 00:31:21,239
Speaker 1: rock and classic rock music history, lore and we know

577
00:31:21,360 --> 00:31:24,280
Speaker 1: all these stories about The ramones getting, together all the

578
00:31:24,320 --> 00:31:27,520
Speaker 1: stories about The stones and Led zeppelin or The Sex

579
00:31:27,600 --> 00:31:32,160
Speaker 1: pistols Or nirvana or. Whatever this stuff is like it's

580
00:31:32,280 --> 00:31:37,160
Speaker 1: well worn. Road it's been gone over in so many different.

581
00:31:37,200 --> 00:31:39,680
Speaker 1: Ways And i'm guilty of going over this stuff more

582
00:31:39,720 --> 00:31:42,560
Speaker 1: than once as. Well hip hop because it's a newer,

583
00:31:42,560 --> 00:31:45,040
Speaker 1: medium it's a newer form of, music and his history is,

584
00:31:45,080 --> 00:31:47,640
Speaker 1: newer has not had this, happen and they are all

585
00:31:47,720 --> 00:31:50,680
Speaker 1: these sort OF i hate this, phrase but these untold,

586
00:31:50,800 --> 00:31:54,040
Speaker 1: stories just a story About Marley morrow and The Juice,

587
00:31:54,080 --> 00:32:00,560
Speaker 1: crew and how these Guys Big Daddy, Kane, Bismarquis eric

588
00:32:00,600 --> 00:32:02,640
Speaker 1: b and Rock, keem how these guys all kind of

589
00:32:02,640 --> 00:32:05,800
Speaker 1: were in the same, orbit how they're jockeying to get

590
00:32:05,800 --> 00:32:09,480
Speaker 1: on these tracks and how this history took. SHAPE i,

591
00:32:09,480 --> 00:32:12,680
Speaker 1: mean this stuff is very. Compelling these stories are super,

592
00:32:12,800 --> 00:32:14,920
Speaker 1: interesting and they're part of hip hop, lore and they

593
00:32:14,960 --> 00:32:20,280
Speaker 1: deserve to be as prevalent in sort of the historical

594
00:32:20,320 --> 00:32:24,720
Speaker 1: rear view as are stories about punk rock and classic rock. Are, maybe,

595
00:32:24,720 --> 00:32:28,560
Speaker 1: though the problem isn't one of disseminating this. Information maybe

596
00:32:28,560 --> 00:32:32,080
Speaker 1: the problem is my lens and HOW i look through

597
00:32:32,080 --> 00:32:34,880
Speaker 1: it and sort of where it takes, me where it

598
00:32:34,960 --> 00:32:37,800
Speaker 1: has taken. Me but all this is to say that

599
00:32:37,960 --> 00:32:40,320
Speaker 1: all this hip hop content that's being released right, NOW

600
00:32:40,360 --> 00:32:43,360
Speaker 1: i think it's. GREAT i love. It i'm here for,

601
00:32:43,400 --> 00:32:47,720
Speaker 1: it And i'm happy to add our own content From

602
00:32:47,760 --> 00:32:50,280
Speaker 1: disgraceland onto this pile as. Well you guys are going

603
00:32:50,320 --> 00:32:53,000
Speaker 1: to hear more about that next, week And i'm very

604
00:32:53,000 --> 00:32:56,239
Speaker 1: excited for. It what are you guys? Watching what are

605
00:32:56,240 --> 00:32:58,520
Speaker 1: you listening? To you're reading anything? Good let me know

606
00:32:58,640 --> 00:33:01,120
Speaker 1: six one seven nine oh six six six three eight

607
00:33:01,160 --> 00:33:04,800
Speaker 1: with your. Recommendations i'm gonna take a quick. Break i'm drinking,

608
00:33:04,800 --> 00:33:07,120
Speaker 1: coffee not tea this, morning Because i'm up early doing.

609
00:33:07,160 --> 00:33:08,680
Speaker 1: This i'm gonna rink a little more. Coffee i'll be

610
00:33:08,680 --> 00:33:26,760
Speaker 1: back after. This all, right let's. Recap shall We number,

611
00:33:26,800 --> 00:33:29,760
Speaker 1: One part two of The Notorious big re releases the

612
00:33:29,840 --> 00:33:33,240
Speaker 1: latest episode of Our disgraceland series that's in your feeds right.

613
00:33:33,280 --> 00:33:36,080
Speaker 1: Now number. Two over in the Bad Lands, feed we've

614
00:33:36,080 --> 00:33:39,440
Speaker 1: got a brand new episode On Joan. Crawford number. Three

615
00:33:39,560 --> 00:33:42,160
Speaker 1: next week in The Disgraceland, feed we're dropping the trailer

616
00:33:42,200 --> 00:33:45,080
Speaker 1: for season, thirteen which not only ties into the fifteenth

617
00:33:45,080 --> 00:33:48,360
Speaker 1: anniversary of Hip hop but is our first serialized season

618
00:33:48,400 --> 00:33:52,960
Speaker 1: Of disgraceland. Ever ten episodes on one, artist and it's

619
00:33:53,000 --> 00:33:57,120
Speaker 1: a massive. Artist. Huge, okay you're gonna want to check this.

620
00:33:57,160 --> 00:33:58,760
Speaker 1: Out you're not gonna want to miss. This number. Four

621
00:33:58,840 --> 00:34:01,080
Speaker 1: my number is six one one seven nine oh six

622
00:34:01,200 --> 00:34:04,000
Speaker 1: six six three. Eight call me on the telephone or text.

623
00:34:04,040 --> 00:34:06,960
Speaker 1: Me all, right my moment of bliss me reading you

624
00:34:07,160 --> 00:34:10,319
Speaker 1: the phone book From Los angeles circa nineteen seventy five

625
00:34:10,360 --> 00:34:13,080
Speaker 1: with a familiar name that's relevant to this week's. Episode

626
00:34:14,200 --> 00:34:20,279
Speaker 1: let's Go Wallace york two zero three Two east one

627
00:34:20,360 --> 00:34:24,200
Speaker 1: hundred and twentieth six three six dash five nine six

628
00:34:24,320 --> 00:34:29,600
Speaker 1: Ozho Wallace yvonne eighty one Hundred avalon seven five one

629
00:34:29,920 --> 00:34:34,879
Speaker 1: four seven six Seven Wallace zorn photos one four three

630
00:34:34,880 --> 00:34:39,680
Speaker 1: Two wilcox four six, One dash one two one, Nine

631
00:34:39,719 --> 00:34:44,960
Speaker 1: Wallack david one seven four Six North Orange drive eight

632
00:34:45,000 --> 00:34:46,760
Speaker 1: five One dash five nine.

633
00:34:46,800 --> 00:34:47,480
Speaker 4: Eight eight.

634
00:34:49,680 --> 00:34:54,000
Speaker 1: Six six Six dash one nine six zero One Wallack

635
00:34:54,440 --> 00:34:58,279
Speaker 1: keith two six nine Nine laquesta dron seven eight seven

636
00:34:58,360 --> 00:35:02,920
Speaker 1: six six eighty five Wall Dash Fine outs ONE o

637
00:35:03,080 --> 00:35:07,759
Speaker 1: two four nine seven seven five seventy five four six.

638
00:35:07,840 --> 00:35:15,120
Speaker 1: Two quit talking and start, mixing could