1 00:00:01,720 --> 00:00:05,560 Speaker 1: Welcome to episodes to eight six. This is an emergency 2 00:00:05,559 --> 00:00:08,520 Speaker 1: bobycast on the Grammys. Came to a music podcast not 3 00:00:08,600 --> 00:00:11,280 Speaker 1: talking about the biggest music show of the of the year, 4 00:00:11,440 --> 00:00:13,920 Speaker 1: which I didn't watch. I watched clips afterwards, but you 5 00:00:13,960 --> 00:00:16,520 Speaker 1: know what, that's most things. Now. I started to feel 6 00:00:16,520 --> 00:00:18,320 Speaker 1: guilty about not watching the show, but I don't watch 7 00:00:18,400 --> 00:00:21,159 Speaker 1: most shows that are live, unless the sporting event or 8 00:00:21,239 --> 00:00:22,840 Speaker 1: like late night talk shows, I don't watch them. I 9 00:00:22,920 --> 00:00:25,159 Speaker 1: watched the clips, though you did watch them there. I 10 00:00:25,160 --> 00:00:28,240 Speaker 1: watched all three and a half hours. Well, I'm glad 11 00:00:28,280 --> 00:00:31,240 Speaker 1: you're here. What stood out to you? I mean the 12 00:00:31,320 --> 00:00:33,599 Speaker 1: performances really did stuck out to me, and I think 13 00:00:33,600 --> 00:00:36,720 Speaker 1: it's because they were all prerecorded, so I felt they 14 00:00:36,760 --> 00:00:39,440 Speaker 1: had more of a cinematic quality to them. They looked 15 00:00:39,440 --> 00:00:41,839 Speaker 1: better and they were more entertaining to watch than just 16 00:00:41,920 --> 00:00:44,800 Speaker 1: regular old live performances. They look at little movies. Yeah, 17 00:00:44,920 --> 00:00:48,280 Speaker 1: they had like cool backgrounds, the special effects were there. 18 00:00:48,400 --> 00:00:50,960 Speaker 1: I just thought it was more enjoyable for me. So 19 00:00:51,040 --> 00:00:55,320 Speaker 1: to you, nothing is lost by it not being live. 20 00:00:55,600 --> 00:00:58,240 Speaker 1: Wondering if something could go wrong, No, I think it's better. 21 00:00:58,880 --> 00:01:00,880 Speaker 1: But then why not just watch music video? Then? I 22 00:01:00,880 --> 00:01:02,720 Speaker 1: mean it did kind of feel like that. You're like, oh, 23 00:01:02,920 --> 00:01:05,280 Speaker 1: I guess this is a pre recorded thing, but I 24 00:01:05,360 --> 00:01:07,160 Speaker 1: just think the fact of having them all in one 25 00:01:07,200 --> 00:01:09,280 Speaker 1: show is what makes it worth watching. And then the 26 00:01:09,280 --> 00:01:12,000 Speaker 1: other stuff, like the actual presentation the awards was a 27 00:01:12,040 --> 00:01:15,119 Speaker 1: live so were they presenting the people in the crowd. 28 00:01:15,360 --> 00:01:18,320 Speaker 1: They were outside of the stable center, So the whole 29 00:01:18,440 --> 00:01:20,760 Speaker 1: setup where all the artists were and were they were 30 00:01:20,800 --> 00:01:24,080 Speaker 1: giving away the actual awards was outside, and then faked 31 00:01:24,080 --> 00:01:28,200 Speaker 1: all the inside performances. Whose performance did you go Dane? Now? 32 00:01:28,280 --> 00:01:31,920 Speaker 1: Is cool? Man? I really liked the baby's performance. When 33 00:01:31,920 --> 00:01:34,120 Speaker 1: he performed, he had like this choir in the background 34 00:01:34,160 --> 00:01:37,319 Speaker 1: with him, and I thought that song was okay before, 35 00:01:37,400 --> 00:01:38,880 Speaker 1: but when he did it live, I was like, this 36 00:01:38,959 --> 00:01:41,240 Speaker 1: is awesome. And he kind of did that weekend thing 37 00:01:41,280 --> 00:01:44,480 Speaker 1: to where he was playing to the people watching at home, 38 00:01:44,720 --> 00:01:47,160 Speaker 1: looking directly at the camera, and I just thought that 39 00:01:47,240 --> 00:01:49,520 Speaker 1: was cool. What song did you do he did as 40 00:01:49,560 --> 00:01:52,600 Speaker 1: a rock star? Here's a club of itating not a 41 00:01:52,680 --> 00:01:56,920 Speaker 1: cop pistol on my black I'm a cop. You ever 42 00:01:57,040 --> 00:02:00,280 Speaker 1: met a real hitter? Stuff? This say no good talking? 43 00:02:01,240 --> 00:02:03,200 Speaker 1: It is cool? And they switch up songs right, just 44 00:02:03,240 --> 00:02:05,360 Speaker 1: an arrangement on the song can freshen it up. I 45 00:02:05,360 --> 00:02:08,080 Speaker 1: don't know that I would listen to that on Spotify, 46 00:02:08,200 --> 00:02:10,120 Speaker 1: but it's a cool version after you've heard the other 47 00:02:10,120 --> 00:02:12,880 Speaker 1: one a million times on TikTok. That's cool. I did 48 00:02:12,919 --> 00:02:17,600 Speaker 1: see that Beyonce won her Grammy the Performing Arts with 49 00:02:17,639 --> 00:02:21,200 Speaker 1: the most Grammy's ever. I think Beyonce is great, amazing, fantastic, 50 00:02:21,240 --> 00:02:24,200 Speaker 1: but also think she's a bit overrated. Okay, I do 51 00:02:24,560 --> 00:02:27,079 Speaker 1: because maybe she but I think mostly just because she's 52 00:02:27,120 --> 00:02:31,200 Speaker 1: not for what I like, and she's so big an award, 53 00:02:31,240 --> 00:02:32,720 Speaker 1: and I think she deserves all the awards. But I 54 00:02:32,760 --> 00:02:35,200 Speaker 1: think you can be amazing and still be overrated. For example, 55 00:02:35,200 --> 00:02:39,880 Speaker 1: The Hangover the funniest crap all overrated to me. Great movie, 56 00:02:40,120 --> 00:02:43,760 Speaker 1: but and but I told this to Caitlyn and she's like, no, 57 00:02:44,000 --> 00:02:46,720 Speaker 1: She's like fantastic, like the best ever. So I also 58 00:02:46,800 --> 00:02:48,440 Speaker 1: understand that I'm kind of an id when it comes 59 00:02:48,440 --> 00:02:51,560 Speaker 1: to Beyonce because I just don't get it. I loved 60 00:02:51,600 --> 00:02:56,160 Speaker 1: her in Destiny's Child. Maybe I'm too old, I don't know, 61 00:02:56,240 --> 00:02:58,760 Speaker 1: but she's my age. What do you think about Beyonce? 62 00:02:59,200 --> 00:03:01,359 Speaker 1: I thought the same thing whenever, Like she did Lemonade 63 00:03:01,360 --> 00:03:02,960 Speaker 1: and it was like the biggest thing ever people. I 64 00:03:02,960 --> 00:03:04,960 Speaker 1: didn't get it, and I didn't realize she was at 65 00:03:05,000 --> 00:03:07,079 Speaker 1: that level of fame to where people just loved her. 66 00:03:07,160 --> 00:03:09,840 Speaker 1: Her fans are like die hard. I see her more 67 00:03:10,120 --> 00:03:12,720 Speaker 1: being from Destiny's Child. I guess it's just the age 68 00:03:12,720 --> 00:03:15,960 Speaker 1: and where we come from. I admit I'm not educated 69 00:03:16,040 --> 00:03:18,079 Speaker 1: enough on Beyonce to fully understand it. And she's also 70 00:03:18,160 --> 00:03:21,040 Speaker 1: not doing what I like. Yeah, you know, I like 71 00:03:21,480 --> 00:03:25,720 Speaker 1: sad guitars like so, so when I say that, I 72 00:03:25,760 --> 00:03:28,679 Speaker 1: say it with respect and that you know the same way. 73 00:03:28,680 --> 00:03:31,320 Speaker 1: I look at a Bob Dylan and I wasn't alive 74 00:03:31,800 --> 00:03:35,560 Speaker 1: for what's that noise? Is there a song she went for? Oh? 75 00:03:35,600 --> 00:03:36,920 Speaker 1: It was so low. I thought I was playing like 76 00:03:36,960 --> 00:03:42,960 Speaker 1: out on my phone, like a Bob Dylan who's known 77 00:03:43,000 --> 00:03:44,640 Speaker 1: as the greatest songwriter of all time. I'm like, hey, 78 00:03:44,720 --> 00:03:48,240 Speaker 1: overrated because he just didn't play in my heart. So 79 00:03:48,360 --> 00:03:52,560 Speaker 1: Beyonce is now. Congratulations to her. The Grammy makes her 80 00:03:53,280 --> 00:03:56,560 Speaker 1: the most ever at the Grammys. Taylor Swift one Album 81 00:03:56,560 --> 00:03:58,880 Speaker 1: of the Year. It's her third album of the year. 82 00:04:00,040 --> 00:04:01,840 Speaker 1: Weird thinking about the Grammys though, and I'll say it again, 83 00:04:03,320 --> 00:04:05,840 Speaker 1: but you saw it more this year with artists going 84 00:04:05,840 --> 00:04:09,000 Speaker 1: the Grammys are rigged. You saw it in the actual headlines. 85 00:04:10,240 --> 00:04:13,200 Speaker 1: You saw the weekend saying it. There are a couple 86 00:04:13,280 --> 00:04:15,240 Speaker 1: other artists that were like, you know what, screwing, I'm 87 00:04:15,280 --> 00:04:19,800 Speaker 1: not going to the Grammys because it rigged is not 88 00:04:19,880 --> 00:04:25,560 Speaker 1: the word, because everyone knows, or it's been known recently, 89 00:04:26,080 --> 00:04:28,680 Speaker 1: how the situation works. There's just a little group of 90 00:04:28,680 --> 00:04:30,960 Speaker 1: people like, I know how the country music ones weren't picked, 91 00:04:31,000 --> 00:04:35,120 Speaker 1: and it is bull crap. That's not that's not legitimate. 92 00:04:35,480 --> 00:04:37,080 Speaker 1: I'm not saying the winners weren't, because I get to 93 00:04:37,080 --> 00:04:38,400 Speaker 1: that in a second, but the ones that are put 94 00:04:38,440 --> 00:04:42,160 Speaker 1: up as as the nominees. There's people in the room 95 00:04:42,200 --> 00:04:44,000 Speaker 1: and they're like, well, what's the wind blowing this way? 96 00:04:44,320 --> 00:04:47,039 Speaker 1: What's the direction? I know some of the people in 97 00:04:47,040 --> 00:04:53,599 Speaker 1: the room, So yeah, it's it is. It's crap. But 98 00:04:53,600 --> 00:04:55,440 Speaker 1: it's always been that way. It doesn't mean it's right. 99 00:04:55,920 --> 00:04:58,279 Speaker 1: But I've always known that the Grammys were kind of hokey. 100 00:04:58,320 --> 00:04:59,760 Speaker 1: They're the biggest award, it's the best one to get 101 00:04:59,800 --> 00:05:02,839 Speaker 1: because can brag about it forever. It's a weird process. 102 00:05:02,839 --> 00:05:05,839 Speaker 1: We're just to be able to go m what's the 103 00:05:05,839 --> 00:05:09,200 Speaker 1: political climate what's the well, you know what what sound 104 00:05:09,440 --> 00:05:12,200 Speaker 1: is really blowing up here? Who is someone? Because in 105 00:05:12,320 --> 00:05:14,120 Speaker 1: times there have been winners who noboy's ever heard of, 106 00:05:14,200 --> 00:05:16,120 Speaker 1: and you're like best new Artists, I've never even heard 107 00:05:16,160 --> 00:05:18,120 Speaker 1: of them. I remember when Bony ver One and I 108 00:05:18,160 --> 00:05:20,120 Speaker 1: was like, who is Boni the right? You probably had 109 00:05:20,120 --> 00:05:23,800 Speaker 1: a bunch of hipsters. So my point is the Grammys 110 00:05:23,839 --> 00:05:27,400 Speaker 1: are a bit dopey and how they pick their nominees. 111 00:05:27,440 --> 00:05:29,839 Speaker 1: And sometimes I think the votes count because I voted, 112 00:05:30,120 --> 00:05:32,240 Speaker 1: but they can flip those. It's like at the end 113 00:05:32,279 --> 00:05:36,080 Speaker 1: of talent shows when real quick you go, Proce says, right, flipped, 114 00:05:37,720 --> 00:05:40,560 Speaker 1: and they do, and they can from what I've been 115 00:05:40,560 --> 00:05:43,400 Speaker 1: told they can, and from what I've read in the news, 116 00:05:44,560 --> 00:05:47,279 Speaker 1: because that's the story that came out last year. But 117 00:05:47,520 --> 00:05:50,240 Speaker 1: have you been reading about what everybody's pissed? I mean, 118 00:05:50,240 --> 00:05:52,960 Speaker 1: the Weekend was mad because he put out that album 119 00:05:53,120 --> 00:05:56,760 Speaker 1: it broke all the records, but zero nominations, And then 120 00:05:56,920 --> 00:05:59,600 Speaker 1: Zane was mad just because he doesn't like the Grammys. 121 00:05:59,680 --> 00:06:03,360 Speaker 1: So it's mainly just people getting mad when they're not nominated. 122 00:06:04,080 --> 00:06:07,640 Speaker 1: It wouldn't be mad eitherated. I don't wait till I 123 00:06:07,680 --> 00:06:09,840 Speaker 1: wasn't nominated to do the whole spill. It just feels 124 00:06:09,839 --> 00:06:11,880 Speaker 1: like they feel like they're not a part of the 125 00:06:11,880 --> 00:06:14,160 Speaker 1: cool kids club. So they're like, you know what, I'm 126 00:06:14,160 --> 00:06:18,800 Speaker 1: gonna tear him down. Yeah, okay, And all of my 127 00:06:18,920 --> 00:06:22,680 Speaker 1: stuff that I'm told comes from different people. So listen, 128 00:06:22,720 --> 00:06:24,880 Speaker 1: I'm not in the room. Let me cover myself legally 129 00:06:24,880 --> 00:06:26,920 Speaker 1: here everything that I'm sharing with you and stuff that's 130 00:06:26,960 --> 00:06:30,800 Speaker 1: that's come here. Say to me that that that's the situation. 131 00:06:31,320 --> 00:06:33,159 Speaker 1: But I've always known it to be the situation, So 132 00:06:33,200 --> 00:06:36,440 Speaker 1: I'm not upset about it. Like it's a game you play. 133 00:06:36,600 --> 00:06:39,760 Speaker 1: It's politics like any award. But they do have some 134 00:06:39,800 --> 00:06:42,000 Speaker 1: winners that are legitimate. I I do believe that because 135 00:06:42,000 --> 00:06:46,040 Speaker 1: I vote. But what I've been told is that they 136 00:06:46,040 --> 00:06:47,719 Speaker 1: can get all those votes in and go, you know what, 137 00:06:47,760 --> 00:06:49,560 Speaker 1: we just don't think that's the that's the one and 138 00:06:49,600 --> 00:06:52,760 Speaker 1: flip it true or false. I'm gonna say this, what 139 00:06:52,839 --> 00:06:55,320 Speaker 1: do I know, I'm not. I don't know anything. It's 140 00:06:55,320 --> 00:07:00,840 Speaker 1: all alleged. So Beyonce's Queen Dingling. She's biggest of all time, 141 00:07:00,880 --> 00:07:03,280 Speaker 1: best of all time, her nine year old one, her 142 00:07:03,320 --> 00:07:06,240 Speaker 1: first Grammy. So here you go, here's Beyonce. Speech for 143 00:07:06,320 --> 00:07:09,320 Speaker 1: Best R and B Performance for Black Parade. This is 144 00:07:09,320 --> 00:07:13,200 Speaker 1: so overwhelming. I've been working my whole life since nine 145 00:07:13,280 --> 00:07:17,040 Speaker 1: years old and I'm I can't believe this happened. Is 146 00:07:17,080 --> 00:07:19,520 Speaker 1: such a magical night. Thank you so much. I know 147 00:07:19,640 --> 00:07:25,360 Speaker 1: my daughter is watching um, two daughters and my son 148 00:07:25,440 --> 00:07:29,040 Speaker 1: y'all all watching blue. Congratulations you want to Grammy tonight. 149 00:07:29,640 --> 00:07:33,800 Speaker 1: I'm so proud of you. Billie Eilish one Record of 150 00:07:33,840 --> 00:07:37,760 Speaker 1: the Year, which that's much more of a technical award. 151 00:07:39,080 --> 00:07:41,840 Speaker 1: Explain that Record of the Year goes to the artists. 152 00:07:42,360 --> 00:07:45,440 Speaker 1: Album of the Year goes to the composers of it. 153 00:07:45,840 --> 00:07:50,000 Speaker 1: Record of the Year is like the singing sound yeah, 154 00:07:50,200 --> 00:07:53,040 Speaker 1: the artist Yeah, which I thought it was surprising she won. 155 00:07:53,480 --> 00:07:56,960 Speaker 1: And Taylor one album, which is the writing of right. Yeah. 156 00:07:56,960 --> 00:07:59,640 Speaker 1: That's why all the writers went up and excepted the award. 157 00:07:59,840 --> 00:08:02,000 Speaker 1: So here is Billie Eilish Record of the Year. This 158 00:08:02,080 --> 00:08:06,040 Speaker 1: is really embarrassing for me, Megan girl, I was gonna 159 00:08:06,040 --> 00:08:09,120 Speaker 1: write a speech about how you deserve this, but then 160 00:08:09,120 --> 00:08:13,320 Speaker 1: I was like, there's no way. I was like, it's 161 00:08:13,360 --> 00:08:16,320 Speaker 1: hers you deserve this. It was kind of awkward when 162 00:08:16,320 --> 00:08:17,760 Speaker 1: she went up and accepted it because she went on 163 00:08:17,800 --> 00:08:19,800 Speaker 1: for like a minute of why Megan the Stallion deserved 164 00:08:19,840 --> 00:08:22,760 Speaker 1: it over her and then she's like, oh, but I'm 165 00:08:22,760 --> 00:08:25,680 Speaker 1: happy I got it. That's happened a couple of times. 166 00:08:25,720 --> 00:08:29,120 Speaker 1: I remember once I don't know about some tags that 167 00:08:29,160 --> 00:08:31,760 Speaker 1: guy mc lamore. Yeah, when mack lamore one and he's like, 168 00:08:31,800 --> 00:08:34,439 Speaker 1: I shouldn't have won this, and he was like apologizing 169 00:08:34,480 --> 00:08:39,520 Speaker 1: on Instagram. I think it was too If I'm just 170 00:08:39,559 --> 00:08:41,840 Speaker 1: going back in my mind, it might have been Kendrick. 171 00:08:41,880 --> 00:08:45,240 Speaker 1: It was Kendrick Lamar. That's it. Taylor Swift Album of 172 00:08:45,240 --> 00:08:48,280 Speaker 1: the Year of Folklore. I want to thank James Inez 173 00:08:48,400 --> 00:08:50,640 Speaker 1: and Betty and their parents, who are the second and 174 00:08:50,679 --> 00:08:53,880 Speaker 1: third people that I play every new song that I write. Um, 175 00:08:53,920 --> 00:08:56,040 Speaker 1: But mostly we just want to thank the fans. You 176 00:08:56,080 --> 00:08:58,800 Speaker 1: guys met us in this imaginary world that we created, 177 00:08:58,800 --> 00:09:01,560 Speaker 1: and we can't tell you how honored we are forever 178 00:09:02,000 --> 00:09:04,160 Speaker 1: by this. Thank you so much, and thank you to 179 00:09:04,200 --> 00:09:06,480 Speaker 1: the Recording Academy. We will never forget that you did 180 00:09:06,480 --> 00:09:09,640 Speaker 1: this for us. Thank you so much. Miranda Lambert wins 181 00:09:09,720 --> 00:09:12,760 Speaker 1: Best Country Album for wild Card, So I'm very thankful 182 00:09:12,760 --> 00:09:14,839 Speaker 1: for this and thankful for j Joyce, who had three 183 00:09:14,880 --> 00:09:18,559 Speaker 1: albums in this category. Actually and branding myself and all 184 00:09:18,600 --> 00:09:21,040 Speaker 1: the songwriters and musicians who made wild Card. What it 185 00:09:21,160 --> 00:09:23,640 Speaker 1: is in this tattoo that inspired it. Thanks to my family, 186 00:09:23,720 --> 00:09:26,320 Speaker 1: my husband, my manager, Marion Kraft, my band and crew. 187 00:09:26,360 --> 00:09:28,320 Speaker 1: I missed the hell out of y'all and I can't 188 00:09:28,320 --> 00:09:30,280 Speaker 1: wait to get back out of the vans. I love 189 00:09:30,320 --> 00:09:33,640 Speaker 1: you so much. Thank you. There you go. Marion Morris 190 00:09:33,640 --> 00:09:38,640 Speaker 1: performed The Bones with John Mayer playing guitar. Sure can 191 00:09:39,920 --> 00:09:47,360 Speaker 1: to put love ki, but we built this so nothing's 192 00:09:47,440 --> 00:09:52,880 Speaker 1: have a gun to move with all other pay Did 193 00:09:52,960 --> 00:09:55,760 Speaker 1: he sing? No? I didn't think so either, Like a 194 00:09:55,800 --> 00:09:58,240 Speaker 1: little bit back up, but no. You can hear him 195 00:09:58,320 --> 00:10:00,280 Speaker 1: just his guitar play and you get a solo A 196 00:10:00,320 --> 00:10:03,000 Speaker 1: Lionel Richie performed Lady during the Kenny Rogers tribute because 197 00:10:04,040 --> 00:10:14,520 Speaker 1: he wrote this or Kenny Rogers. Sure, and Miranda Lambert 198 00:10:14,520 --> 00:10:29,760 Speaker 1: performed Bluebird. He's just think about Beyonce, which I was 199 00:10:29,800 --> 00:10:32,520 Speaker 1: a bit wrong. She is the number one artist of 200 00:10:32,559 --> 00:10:39,160 Speaker 1: all time. But Quincy Jones is overall the biggest Grammy win. Right, Yeah, 201 00:10:39,720 --> 00:10:43,559 Speaker 1: that's right because he he's a female. Yeah, but even 202 00:10:43,640 --> 00:10:45,280 Speaker 1: Quincy Jones had to have something that doesn't have to 203 00:10:45,280 --> 00:10:48,200 Speaker 1: people like producing. Yeah, So I think she's won the 204 00:10:48,240 --> 00:10:50,720 Speaker 1: most for being an artist and is the number one 205 00:10:50,800 --> 00:10:53,599 Speaker 1: female period. Quincy Jones is number one, but it's not 206 00:10:53,640 --> 00:10:54,800 Speaker 1: like quinc Jones is a bunch of a bunch of 207 00:10:54,840 --> 00:10:57,840 Speaker 1: records words. Quincy Jones singing right for number one artist. 208 00:10:58,480 --> 00:10:59,800 Speaker 1: It was a good night for the ladies who won 209 00:10:59,800 --> 00:11:03,079 Speaker 1: the top out four awards again. Taylor Billie Eilish. Her 210 00:11:03,200 --> 00:11:05,080 Speaker 1: got Song of the Year. Can you play that song? Yeah? 211 00:11:05,200 --> 00:11:14,199 Speaker 1: Where what's called? I Can't Breathe? And do a Leap? 212 00:11:14,240 --> 00:11:16,640 Speaker 1: I got Best Pop Vocal Album. I love do a Leap? 213 00:11:16,679 --> 00:11:21,560 Speaker 1: His music like that levitating song. This one's good. This 214 00:11:21,640 --> 00:11:23,760 Speaker 1: is the first one I love from her more than 215 00:11:23,800 --> 00:11:27,120 Speaker 1: New Rules. New Rules was fine too. That was great 216 00:11:27,679 --> 00:11:30,320 Speaker 1: and that levitating is jam to Megan the Stallion won 217 00:11:30,360 --> 00:11:32,520 Speaker 1: Best New Artist, first female rapper to do it since 218 00:11:32,600 --> 00:11:41,119 Speaker 1: Lauren hill In. So, if the Baby was your favorite performance, 219 00:11:41,200 --> 00:11:44,360 Speaker 1: what was next? The opening? Harry styles and high and 220 00:11:44,440 --> 00:11:46,000 Speaker 1: played and I just thought it was a great way 221 00:11:46,000 --> 00:11:48,320 Speaker 1: to kick get off. And he's really good live what 222 00:11:48,440 --> 00:11:54,040 Speaker 1: they do. Um, he did Watermelon Sugar, Okay, that's here 223 00:11:55,400 --> 00:12:05,480 Speaker 1: on sum evening. He be young. It sounds good, it's good. 224 00:12:05,520 --> 00:12:07,520 Speaker 1: Did your boy post Malone perform. He did perform what 225 00:12:07,880 --> 00:12:09,920 Speaker 1: he did? Uh? Hollywood's Bleeding, the first song off his 226 00:12:09,960 --> 00:12:16,240 Speaker 1: album call Me said, you want to see me, but 227 00:12:16,480 --> 00:12:23,560 Speaker 1: you care right now? What would you say? Was the 228 00:12:23,559 --> 00:12:27,000 Speaker 1: biggest surprise of the night last night? The biggest surprise, 229 00:12:27,720 --> 00:12:32,240 Speaker 1: oh man, like the biggest upset, the biggest upset for me? 230 00:12:33,080 --> 00:12:36,880 Speaker 1: Um for rock album. I really wanted this artist, Phoebe 231 00:12:36,880 --> 00:12:39,079 Speaker 1: Bridges to win. She was up for four awards and 232 00:12:39,160 --> 00:12:41,120 Speaker 1: one zero. I saw her on Instagram posting an old 233 00:12:41,160 --> 00:12:42,920 Speaker 1: picture of her with her hands crossed and she was 234 00:12:42,960 --> 00:12:45,920 Speaker 1: like these are all them? Yeah? And even like Elton 235 00:12:46,000 --> 00:12:48,080 Speaker 1: John came out before the awards and was like, hey, 236 00:12:48,080 --> 00:12:50,480 Speaker 1: and she doesn't win, I'm punching somebody, So even like 237 00:12:50,520 --> 00:12:52,800 Speaker 1: he was behind her and I thought she was great 238 00:12:53,120 --> 00:12:55,000 Speaker 1: and that album was like my favorite last year and 239 00:12:55,000 --> 00:12:56,760 Speaker 1: I can't believe she didn't win anything. What do they 240 00:12:56,760 --> 00:13:00,480 Speaker 1: get right? Um? I really think the Life Offormance is 241 00:13:00,520 --> 00:13:02,960 Speaker 1: the way they put everything together, Like I don't care 242 00:13:03,000 --> 00:13:05,280 Speaker 1: that it's not that it's not live. I think having 243 00:13:05,280 --> 00:13:07,839 Speaker 1: those all prerecorded actually made the thing better. And then 244 00:13:07,920 --> 00:13:11,160 Speaker 1: Trevor Noah was actually really good and in an awards 245 00:13:11,160 --> 00:13:13,200 Speaker 1: show where he had nobody to bounce off with. Usually 246 00:13:13,200 --> 00:13:15,400 Speaker 1: they bring other people to do stuff with him. It 247 00:13:15,480 --> 00:13:17,800 Speaker 1: was good, it was funny, and he kept the show moving, 248 00:13:17,800 --> 00:13:20,240 Speaker 1: and that's a really hard thing to do. I don't 249 00:13:20,240 --> 00:13:22,400 Speaker 1: know if I would like the live thing, really, I 250 00:13:22,400 --> 00:13:26,520 Speaker 1: don't know if I like it when it's not live. Um, okay, 251 00:13:26,559 --> 00:13:30,280 Speaker 1: anything else that you thought was really great about the show? Um? 252 00:13:30,559 --> 00:13:33,720 Speaker 1: Kind of weird was how much well they did wop 253 00:13:34,280 --> 00:13:36,640 Speaker 1: And it was weird to just turn on the TV 254 00:13:36,760 --> 00:13:38,920 Speaker 1: and see that happening on. Like if somebody was just 255 00:13:38,960 --> 00:13:41,080 Speaker 1: turning that on randomly, I think that would be really weird. 256 00:13:41,120 --> 00:13:42,719 Speaker 1: Did they say the word? They didn't say the P 257 00:13:42,840 --> 00:13:46,400 Speaker 1: word word. It was all blurred All the curswing was 258 00:13:46,400 --> 00:13:49,920 Speaker 1: blurred out. But the actual content of this song when 259 00:13:49,960 --> 00:13:53,480 Speaker 1: they're describing everything was still in there since it was recorded. 260 00:13:53,480 --> 00:13:55,880 Speaker 1: Can you still say their mouths saying it? Yeah, but 261 00:13:55,920 --> 00:13:58,280 Speaker 1: it's just silenced. But I mean they're still doing the 262 00:13:58,360 --> 00:14:01,000 Speaker 1: dance and everything, and it's already be up there and 263 00:14:01,080 --> 00:14:06,280 Speaker 1: basically wearing nothing. What's the worst part of the show, Ah, 264 00:14:06,320 --> 00:14:08,920 Speaker 1: I mean, I think just the fact that I don't 265 00:14:08,960 --> 00:14:11,200 Speaker 1: really care to see the awards given away on TV. 266 00:14:12,160 --> 00:14:14,000 Speaker 1: That's at least fun part of it. When they actually 267 00:14:14,000 --> 00:14:15,720 Speaker 1: give the awards away, it's like, you don't really care. 268 00:14:15,760 --> 00:14:18,439 Speaker 1: It adds nothing to it. Do you still think a 269 00:14:18,480 --> 00:14:20,560 Speaker 1: awards show should be three and a half hours long? No, 270 00:14:21,120 --> 00:14:22,920 Speaker 1: Like by the end of it, we're like, this is 271 00:14:23,000 --> 00:14:24,760 Speaker 1: this is going on way too long. They had like 272 00:14:24,800 --> 00:14:28,280 Speaker 1: three more performances ago and it was already way over. 273 00:14:28,440 --> 00:14:32,720 Speaker 1: So no, I'd say make it an hour, right, Yeah, 274 00:14:33,040 --> 00:14:35,320 Speaker 1: it's you would almost like a streaming service to get 275 00:14:35,320 --> 00:14:39,200 Speaker 1: ahold of a big awards show. Yeah, because you could 276 00:14:39,280 --> 00:14:44,080 Speaker 1: fast forward through. You could. I mean, they could do 277 00:14:44,320 --> 00:14:46,960 Speaker 1: different kinds of music, Like if you want to watch 278 00:14:46,960 --> 00:14:49,800 Speaker 1: the Country Grammys, there's an hour of that you pick 279 00:14:49,840 --> 00:14:52,480 Speaker 1: your selection. Yeah, because it's just a lot to watch 280 00:14:52,720 --> 00:14:55,160 Speaker 1: to sit down, Like I'm waiting for post Malone and 281 00:14:55,200 --> 00:14:56,840 Speaker 1: I have to wait till like the third hour of 282 00:14:56,840 --> 00:15:00,280 Speaker 1: the show. So but overall you rate it, I would 283 00:15:00,280 --> 00:15:02,880 Speaker 1: give it a little like at three point five, that's 284 00:15:02,880 --> 00:15:05,960 Speaker 1: pretty good. I thought it was enjoyable. They did a 285 00:15:05,960 --> 00:15:09,400 Speaker 1: good job in a putting good show together in COVID times, 286 00:15:09,440 --> 00:15:12,520 Speaker 1: so I have to found it more enjoyable in many years. 287 00:15:12,640 --> 00:15:15,840 Speaker 1: Best country song The High Women crowded table, play a 288 00:15:15,880 --> 00:15:17,720 Speaker 1: little bit of this. We'll run this category real quick, 289 00:15:18,800 --> 00:15:31,600 Speaker 1: where the crowle and then Best Country Solo performance Vince 290 00:15:31,680 --> 00:15:37,040 Speaker 1: Gill when my Amy Praise Ship gave me my Foost bibble. 291 00:15:41,640 --> 00:15:46,640 Speaker 1: It's just right be sad, Dan and Shay one again. 292 00:15:46,840 --> 00:15:50,200 Speaker 1: I think it's the third in a row. Huh, I 293 00:15:50,200 --> 00:15:54,040 Speaker 1: mean slowly, how are they not being recognized as the 294 00:15:54,080 --> 00:16:01,840 Speaker 1: biggest thing? You know? Speed? Hi? All right, well, thank 295 00:16:01,880 --> 00:16:05,440 Speaker 1: you for your you know your perspective, thank you for 296 00:16:05,480 --> 00:16:07,360 Speaker 1: watching it. I was watching I was watching American idols, 297 00:16:07,360 --> 00:16:10,360 Speaker 1: so I didn't not watch some clips today and I 298 00:16:10,400 --> 00:16:13,560 Speaker 1: watched a few small clips of different clips, like I 299 00:16:13,560 --> 00:16:15,840 Speaker 1: didn't watch full performances. I just gonna, you know, scirting 300 00:16:15,880 --> 00:16:17,040 Speaker 1: through them a little bit. I watch some of the 301 00:16:17,080 --> 00:16:18,880 Speaker 1: John Mary one. But I never saw him sing. Yeah, 302 00:16:18,920 --> 00:16:21,200 Speaker 1: that was disappointing. I thought maybe he'd sing a little 303 00:16:21,200 --> 00:16:23,760 Speaker 1: bit like because she has the Hosier version. I was like, 304 00:16:23,800 --> 00:16:25,440 Speaker 1: he's gonna do that, that's true, and think about and 305 00:16:25,440 --> 00:16:26,680 Speaker 1: then she started thinking. I was like, oh, is he 306 00:16:26,720 --> 00:16:29,400 Speaker 1: gonna do anything? It's still cool to get him up there? 307 00:16:29,600 --> 00:16:31,480 Speaker 1: All right, there you go, by the way, follow Mike. 308 00:16:31,600 --> 00:16:32,800 Speaker 1: We're just talking about this pro one on there and 309 00:16:32,800 --> 00:16:35,240 Speaker 1: follow Mike on TikTok. Yeah, because he if he gets 310 00:16:35,280 --> 00:16:38,280 Speaker 1: ten thousand followers, he can then monetize his account some money. 311 00:16:38,800 --> 00:16:41,080 Speaker 1: I made three dollars today, My kidding. I got three 312 00:16:41,080 --> 00:16:43,040 Speaker 1: dollars from TikTok. I'm trying to get that three dollars. 313 00:16:43,280 --> 00:16:45,320 Speaker 1: What I'm telling me. Your TikTok name Mike de Sto 314 00:16:45,560 --> 00:16:48,000 Speaker 1: d E s t r O. All Right, follow that 315 00:16:48,120 --> 00:16:51,200 Speaker 1: and we'll be back on this normal issue, the normal 316 00:16:51,520 --> 00:16:55,120 Speaker 1: podcast weekend we will have. You're just trying to have 317 00:16:55,240 --> 00:17:01,000 Speaker 1: a good time. Even if it kid go moon, we'll 318 00:17:01,000 --> 00:17:03,360 Speaker 1: be on, so it'll be cool. Jimmy Allen wants to 319 00:17:03,360 --> 00:17:05,440 Speaker 1: do a fantastic Jimmy came in and crushed it. That's 320 00:17:05,440 --> 00:17:08,240 Speaker 1: a really great interview that he came in, very generous 321 00:17:08,240 --> 00:17:09,520 Speaker 1: in that interview. So go listen to that in the 322 00:17:09,560 --> 00:17:12,640 Speaker 1: last episode. All Right, thank you guys, that's an emergency podcast. Goodbye.