Speaker 1: Welcome to Stuff You Missed in History Class, a production
Speaker 1: of iHeartRadio. Hello and Happy Friday. Am Holly Frye and
Speaker 1: I'm Tracy V. Wilson. We talked about al Tina Shanazzi
Speaker 1: this week. We sure did. I highly recommend that documentary
Speaker 1: to anybody who is interested in more about her. It's
Speaker 1: called Altina. Here's what's really interesting about it to me.
Speaker 1: I got it kind of late in the game for
Speaker 1: a behind the scenes I was feeling a little under
Speaker 1: the weather this earlier this week, and I didn't finish
Speaker 1: the episode in time for our regular recording, which worked
Speaker 1: out great because it gave it time for this documentary
Speaker 1: to finally get to me, and so I had extra stuff,
Speaker 1: which was great. But the thing that's really interesting about
Speaker 1: it is that I think because it was made by
Speaker 1: members of her family who knew her, they skip over
Speaker 1: a lot of key moments in her life just because
Speaker 1: I think they think everybody knows that or like that
Speaker 1: seems like, you know, of course everybody knows that she's
Speaker 1: doing this at this time. But then it means that
Speaker 1: the whole thing is fleshed out with a lot of
Speaker 1: other stuff that you don't get in other places, which
Speaker 1: is great. I will say this too. Both her ex
Speaker 1: husband Charlie and her husband at the time of her death, Tino,
Speaker 1: are interviewed in it for long periods of time, and
Speaker 1: you know, they both speak so lovingly about her, and
Speaker 1: I feel like she is a person that it might
Speaker 1: have been easy when we look at the facts of
Speaker 1: her relationships and how she you know, transferred from one
Speaker 1: person to another after having an affair, et cetera, and
Speaker 1: think negatively about her. These people did not, like her
Speaker 1: ex husband, Charlie talked about her with such love and
Speaker 1: reverence and never any like bitterness about it, which is
Speaker 1: really interesting. And I don't know if that's to to
Speaker 1: who she was. Yeah, you just if you loved her,
Speaker 1: you knew she had a free spirit element to her
Speaker 1: and that was part of the deal. But it was
Speaker 1: really quite a sweet, sweet thing to see her sisters. Yeah,
Speaker 1: we don't know much about them, no, because she didn't
Speaker 1: seem to like them all that much. Like she actually
Speaker 1: kind of says something really mean about one of her sisters,
Speaker 1: Like basically they were more interested in continuing this sort
Speaker 1: of life they were raised in. They sure they wanted
Speaker 1: to marry well and be society wives and like, Okay,
Speaker 1: that's fine, although she kind of suggests that one really
Speaker 1: turned into quite a piece of work. But they're like
Speaker 1: left out. I don't know if they were no contact
Speaker 1: or low contact or what, but they don't seem to
Speaker 1: be involved. Yeah. I can't imagine that. If your life
Speaker 1: involved a mansion and then it involved an entire floor
Speaker 1: of a hotel, it might be really hard to imagine
Speaker 1: a different life than that being satisfying. Yeah, not to
Speaker 1: excuse any kind of behavior, I just like, yeah, I
Speaker 1: think you just have a different point of view on
Speaker 1: how the world works. And yeah, I mean Altina is
Speaker 1: the outlier who was like, no, I'd like to get
Speaker 1: a job and do some stuff. I know, I'm fine.
Speaker 1: It's also interesting in a situation like that documentary, where
Speaker 1: you get different perspectives to hear how differently people perceived
Speaker 1: her as a mother. A lot of people are like,
Speaker 1: I don't know why she ever had kids. She didn't
Speaker 1: seem that didn't seem to fit with her life. She
Speaker 1: didn't really seem to want kids, although others are like,
Speaker 1: she adored those boys, they were her everything. It's a
Speaker 1: very weird, you know, the way that anybody especially if
Speaker 1: you have like a in any kind of conflicted relationship
Speaker 1: with a parent, you know. I know I've had that.
Speaker 1: Like I often feel like my dad is not very
Speaker 1: enthusiastic about me. But then I'll talk to one of
Speaker 1: his friends and they're like, no, he sings your praises,
Speaker 1: And I'm like, are you being nice to me? Or
Speaker 1: do we just have a very different you know? So
Speaker 1: I think that's part of it. I will say. She
Speaker 1: her first husband, Marris Sanders, who died pretty young. It
Speaker 1: sounds as though he really had to grapple with alcoholism,
Speaker 1: but she does speak of him. Even though she says
Speaker 1: he was a terrible husband to her, she is very
Speaker 1: quick to point out that he was actually a very
Speaker 1: good father and that, you know, once they were living separately,
Speaker 1: he would call the kids every single night and read
Speaker 1: them their bedtime story over the phone, which is sort
Speaker 1: of sweet. I promised that I would talk about a
Speaker 1: story involving the mob. Yeah, and so it sounded like
Speaker 1: a fun story involved it is fun It's funny, okay, Okay,
Speaker 1: So when she had her sunglasses factory in Los Angeles,
Speaker 1: she tells the story in the documentary, and it's really funny.
Speaker 1: That this guy. These two guys came by one day
Speaker 1: and they were kind of like they were basically doing
Speaker 1: the mob shakedown. They were like, this is a nice
Speaker 1: little place. She got here, be ashamed. If something happened
Speaker 1: to it, we could protect you. She did not understand
Speaker 1: what was going on at all. She was like, I
Speaker 1: don't no, I'm good. I think we're fine. Like she
Speaker 1: was not didn't. It wasn't that she was like, I'm
Speaker 1: not playing your game. She did not understand that the
Speaker 1: game was being played. I love that and that. It
Speaker 1: wasn't until later that she realized what had happened, and
Speaker 1: that was probably a factor in the shutting down of
Speaker 1: the factory. Like she already hated it, but it was
Speaker 1: like and if I got to deal with this, this
Speaker 1: is just one more thing I don't want to handle.
Speaker 1: So that is a very interesting thing. Her husband, Charlie,
Speaker 1: who was working on the MLK documentary with her, was
Speaker 1: so clearly committed to that cause, and he talks about them.
Speaker 1: I think they were in Alabama. They went to church
Speaker 1: services that doctor King was giving as a guest pastor,
Speaker 1: and they spent time with him and his family and
Speaker 1: like their circle, and he was like I didn't know
Speaker 1: how they were going to perceive us, Like here is
Speaker 1: you know, my wife, a rich Jewish artist, and me
Speaker 1: a political scientist who is the whitest of white guys,
Speaker 1: coming in and saying we want to help tell your story,
Speaker 1: and we didn't know how we were going to be greeted.
Speaker 1: And he said that that community was more welcoming to
Speaker 1: them than many of the white social circles that they
Speaker 1: ran in, and he was so touched by it, which
Speaker 1: was lovely. He was just a sweet story. He seems
Speaker 1: like the sweetest human on the planet. Truthfully. Her fourth husband,
Speaker 1: Celestino Tino, clearly adored her and admired her, but he
Speaker 1: gave this quote that was really really fascinating to me.
Speaker 1: He said, I always remained her employee. I was married
Speaker 1: to her, but I wasn't her husband. I was her employee,
Speaker 1: companion and guardian. And like it's I think part of
Speaker 1: it is, and keep it. I want to keep in
Speaker 1: mind too. He is a Spanish speaker, so everything we're
Speaker 1: getting on that is through subtitles, so I don't know
Speaker 1: if there's a translation thing, because I don't my Spanish
Speaker 1: is not in any way to a point where I
Speaker 1: could pick that out. It seems like it's an issue
Speaker 1: of reverence for him. There was such a big age gap,
Speaker 1: and he also noted that he never used the informal
Speaker 1: oh yeah address of her in Spanish, always the formal,
Speaker 1: even when they had been together for years and years
Speaker 1: and years. It's very interesting to me. She commanded a
Speaker 1: lot of respect, and she seems super interesting. I am
Speaker 1: floored by again the casual way she would just be like, well,
Speaker 1: I just really wanted to have a lot of sex,
Speaker 1: and I needed to. I needed to have that affair.
Speaker 1: I'm gonna have to have an affair, now what I
Speaker 1: will admit right, this is a thing that I don't
Speaker 1: want to sound judgy, but that's like a thing that
Speaker 1: like gets my hackles up. I'm like, no cheaters, no,
Speaker 1: But I couldn't even find myself disliking her. She seemed
Speaker 1: to see it also clearly, right, Uh, she fascinates me utterly.
Speaker 1: I don't know. I didn't. I mean, I it's I
Speaker 1: never knew about all of her activism because it doesn't
Speaker 1: come up in the little like she admitted the cat
Speaker 1: eye glasses. Yeah, it makes her sound like a cool,
Speaker 1: artsy little kind of you know, a chick on the
Speaker 1: arts scene in the thirties of New York, like, oh,
Speaker 1: how quaint, and it's like, no, she did a lot
Speaker 1: of very risky stuff politically throughout her life, like the
Speaker 1: fact that she signed thirteen f A. Davids for people
Speaker 1: and was basically like, if they do something wrong, that's
Speaker 1: on me, and that's fine. We got to get him
Speaker 1: out of Europe. Very very bold. The New York Times
Speaker 1: ad saying that the war was wrong. Very bold. You know,
Speaker 1: as we discussed in those episodes and in that behind
Speaker 1: the scenes, that was a divisive time in the country
Speaker 1: where people really were tooth and nail over the issue
Speaker 1: of the war. Yeah, So for her and her husband
Speaker 1: to take such a strong stance on it in writing
Speaker 1: was a lot. Yeah. She just seemed very She was
Speaker 1: confident in her convictions, which I have to admire, even
Speaker 1: if she wasn't maybe always great about treating other people
Speaker 1: with respect. When it came to right, she wanted to
Speaker 1: have an affair with right. I of course cannot imagine
Speaker 1: having a prolonged affair with my best friend's spouse. I mean,
Speaker 1: I can't imagine having a prolonged a fair full stop.
Speaker 1: But I really ca not imagine having a prolonged affair
Speaker 1: and then having social outings with that person's spouse as
Speaker 1: though everything was fine, right, right, And I have to wonder,
Speaker 1: like did the wife Surely she must have picked it, Yeah,
Speaker 1: I kind of part of me is like, you know,
Speaker 1: if she had lived in a time with different mores
Speaker 1: around sex and relationships, but at the same time, she
Speaker 1: lived through the seventies, right, you know, we're not talking
Speaker 1: about someone who lived at a time when things, I mean,
Speaker 1: part of her life more restrained than maybe now. But like,
Speaker 1: I can imagine a world in which she was just
Speaker 1: like openly polyamorous and it did not feel like a
Speaker 1: series of affairs that then ended marriages and started new ones. Yeah.
Speaker 1: I mean, here's what becomes really intriguing to me, right
Speaker 1: I All of the behavior and all of the risky
Speaker 1: things she did were definitely possible because she lived a
Speaker 1: life of extraordinary privilege. Right. Sure, if everybody turned on
Speaker 1: her because of her political opinion, I don't think she
Speaker 1: would have cared. She would have been fine. She's like, great,
Speaker 1: I got money, I'm going to hang out my house
Speaker 1: and make art cool. So that's part of it. It
Speaker 1: was risky, but it wasn't the same level of risky
Speaker 1: as it would be for other people. But I also
Speaker 1: think that offers her this odd sense of remove when
Speaker 1: it came to having affairs and whatnot. It would be like, well, yes, socially,
Speaker 1: this will blow up, but my life will be fine.
Speaker 1: I can still go about my I think it may
Speaker 1: have given her subconsciously. I don't think she would have
Speaker 1: been conscious of it, but I think it gave her
Speaker 1: like a remove from concern about the morality of it.
Speaker 1: Was like, well, I have money, I'm fine, I'm good.
Speaker 1: I can just keep making I'm gonna paint. I would
Speaker 1: lose a friend, but so it's okay. It's wild to me.
Speaker 1: It's very moment on many levels, but she is an intriguing,
Speaker 1: intriguing person. It is also funny. I will say how
Speaker 1: many of the people interviewed in that documentary talk about
Speaker 1: these aspects of her personality that were maybe not the easiest,
Speaker 1: but they still talk about her with so much love
Speaker 1: and adoration that she seems like she must have been
Speaker 1: a truly wonderful human who, just like other humans, is
Speaker 1: flawed in variety of ways. And that one is a
Speaker 1: pretty arly problematic flaw for a lot of people. I'm
Speaker 1: not trying to brush it into the rug, but that
Speaker 1: they just all loved her so much. It was like,
Speaker 1: well that's Altina. Yeah. Yeah, we mentioned too that she
Speaker 1: went by Tina a lot of the time, right. I
Speaker 1: found myself having a hard time calling her that, which
Speaker 1: I had written into the outline in some places, and
Speaker 1: then I just stopped doing it. And then when I
Speaker 1: saw that documentary and her husband Tino talking about how
Speaker 1: he never addressed her at the informal, I was like,
Speaker 1: I think I understand this a little bit. Sure, it
Speaker 1: doesn't feel right to be so familiar with her for
Speaker 1: some reason, and apparently even the people closest to her
Speaker 1: felt that. It's very cute. One of her neighbors from
Speaker 1: Santa Fe talks about they had she and Tino had
Speaker 1: their house, and then down the hill a couple houses
Speaker 1: away they had bought another house that they made their
Speaker 1: art studio, and how every morning they would walk down
Speaker 1: the hill hand in hand together to go to work,
Speaker 1: and how charming everyone found it because they were obviously
Speaker 1: very very deeply devoted to one another, which I find
Speaker 1: really interesting because that's the one marriage that all of
Speaker 1: her social circle was like, what are you doing? This
Speaker 1: doesn't make any sense, Like this isn't do you just
Speaker 1: want a younger man for the stamina, Like what's going
Speaker 1: on here? But they clearly were emotionally completely connected, which
Speaker 1: is really lovely. Listen, you gotta try several times sometimes
Speaker 1: to get it right. I guess she did. In the end.
Speaker 1: Her last marriage seems like it was very good, and
Speaker 1: her second marriage I think was very very good. Had
Speaker 1: he not died, I'm sure they would have been together
Speaker 1: for the rest of their lives. Right. Yeah, Anyway, al
Speaker 1: Tina Shnazi, you intrigue and fascinate me, and I can't
Speaker 1: help but admire you, even as I make kind of
Speaker 1: cringey faces about some of the things you do. We
Speaker 1: talked about the Boston Floating Hospital this week. We did
Speaker 1: so my little trip to just look at the Boston
Speaker 1: Molasses flood plaque. I don't remember if I've told this
Speaker 1: story on the show before, but it's there's two plaques. Now.
Speaker 1: The initial one was not a very big plaque. It
Speaker 1: was a small green plaque that used to be affixed
Speaker 1: to a stone wall that was in kind of a
Speaker 1: green space area. That space has been redone. There's I
Speaker 1: think a baseball field there. There's Botchy courts there. Now
Speaker 1: that sign it's still on the block from the stone wall,
Speaker 1: but the wall is gone so instead of it being
Speaker 1: it was a low wall, so it was kind of
Speaker 1: like calf height before, huh, And now it's like the
Speaker 1: just the one block from the wall down at ground level.
Speaker 1: So I walked around for a period of time, like
Speaker 1: I had the spot marked on Google Maps or whatever,
Speaker 1: but I was like, where is it though, And when
Speaker 1: I finally found it, I was like that, I see
Speaker 1: why this was so difficult for me to find. The
Speaker 1: other sign is a newer sign, and it is one
Speaker 1: of a series of signs that has been put up
Speaker 1: by the Friends of the Boston Harbor Walk and the
Speaker 1: Friends of the Boston Harbor Walk sign about the floating
Speaker 1: hospital is what inspired this. That is also where I
Speaker 1: read the quote about where they went and stopping by
Speaker 1: the lighthouse for the light housekeeper to play the fog
Speaker 1: horn at them. So sweet, it was very sweet. So
Speaker 1: I was very glad that I just, you know, I
Speaker 1: don't remember exactly what I was doing, but I had
Speaker 1: a little time that I didn't want to just sit
Speaker 1: there in North Station doing nothing. It was a pretty date.
Speaker 1: This is a pretty area to walk around, right there
Speaker 1: by the water. Something I found in the research that
Speaker 1: I just found so funny that I'm now going to
Speaker 1: share with all of you is a dispute from the
Speaker 1: pages of the American Journal of Nursing circa nineteen eleven,
Speaker 1: so the first letter to the editor, or yes, the
Speaker 1: letter to the editor from the American Journal of Nursing.
Speaker 1: It's titled Boston Floating Hospital, Dear Editor. In the June
Speaker 1: number of the journal. I read an advertisement of the
Speaker 1: Boston Floating Hospital and went there this last summer to
Speaker 1: take a postgraduate course. There was one thing which I
Speaker 1: was surprised to find, and that was that the nurses
Speaker 1: were expected to go from the hotel where they had
Speaker 1: their rooms, down on the street car to the dock
Speaker 1: in their uniforms. It did seem to me that, after
Speaker 1: so much has been written in our journals, and so
Speaker 1: much has been said in our county and state associations
Speaker 1: about the nurse appearing on the street in the sick
Speaker 1: rem uniform, that this state of things should not be allowed.
Speaker 1: A great many of the nurses did object. It was
Speaker 1: very hot, and often too hot to wear coats, but
Speaker 1: some of us did swelter and wore our long coats.
Speaker 1: I wondered after I got there, if the journal knew
Speaker 1: of the state of affairs, if it would advertise such
Speaker 1: a hospital. Of course, conditions differ in different parts of
Speaker 1: the country. I know that in our state we are
Speaker 1: very careful in admitting graduates of hospitals to our state association,
Speaker 1: where nurses are allowed to go on the street in uniform.
Speaker 1: Mary I. Hall. So. That was followed by a note
Speaker 1: from the editor published just below it, which said, while
Speaker 1: we disapprove on general principles of the wearing of the
Speaker 1: uniform on the street, we should hardly consider this a
Speaker 1: vital question in considering the practical value of the graduate
Speaker 1: experience to be gained from the course as advertised. We
Speaker 1: have yet to hear of a hospital or training school
Speaker 1: anywhere in the world where everything is above criticism. But
Speaker 1: it would seem a simple matter and an improvement to
Speaker 1: set apart a state room where street costumes could be
Speaker 1: exchanged for uniforms. Editor So. A couple months later, the
Speaker 1: following ran in the American Journal of Nursing, titled a
Speaker 1: Reply from the Boston Floating Hospital a B above. I
Speaker 1: was very much surprised to read Miss Hall's letter published
Speaker 1: in the January Journal. In the first place, it is
Speaker 1: not compulsory for the nurses to wear their uniforms on
Speaker 1: the street cars, but it is allowed so that their
Speaker 1: hours will not be any longer than possible, as conditions
Speaker 1: are such that it is necessary for us to travel
Speaker 1: over a good part of the city to get a
Speaker 1: place where the nurse can live comfortably. Personally, I object
Speaker 1: very much to a uniform being worn on the street,
Speaker 1: and so have former superintendents. The rules for uniforms on
Speaker 1: the wards are skirts must be at least three inches
Speaker 1: from the floor, sleeves turned back to the elbows, and
Speaker 1: an over apron covering the entire dress, and never worn
Speaker 1: outside of the wards. Miss Hall failed to mention these things,
Speaker 1: which surely looks as though she was trying to misrepresent
Speaker 1: a hospital which granted her a diploma which she seemed
Speaker 1: quite anxious to secure. Very truly, yours, Sarah A. Egan,
Speaker 1: r and Superintendent of Nurses. I found that whole exchange
Speaker 1: so catty and hilarious. I love it. I love it.
Speaker 1: I took pictures of it with my phone on the
Speaker 1: screen of my computer and put it in my group chat.
Speaker 1: Yeah it's a good one. I have so many thoughts. Yeah,
Speaker 1: are you gonna Are you gonna share them? Are they
Speaker 1: inside thoughts? Some of them are inside thoughts just because
Speaker 1: they're not suitable for this podcast because they have But
Speaker 1: I also like, we we know these people? Oh sure, yeah, yeah, yeah,
Speaker 1: who will? And I know, listen, I don't know what
Speaker 1: goes on in someone else's head. The older I get,
Speaker 1: the more I realize that I feel like my perception
Speaker 1: of the world is often very different from the people
Speaker 1: around me, So I won I never know if this
Speaker 1: is a case where someone purposefully is omitting something or
Speaker 1: if they got some idea in their head that was
Speaker 1: wrong and never sought any more information to see if
Speaker 1: that was accurate or not. But it does. I mean,
Speaker 1: we know those people that just want to be upset
Speaker 1: about a thing, and so they will run with whatever
Speaker 1: variation of the facts supports their state of upsetness and
Speaker 1: just kind of put the pedal to the metal on
Speaker 1: that and like that is the situation. The end closed,
Speaker 1: Cat and I and then the response makes me think,
Speaker 1: maybe she was kind of a pill while she was
Speaker 1: there in her program and they were like, ugh, this
Speaker 1: chick again. Yeah, I found it all hilarious. There is
Speaker 1: a book about the Boston Floating Hospital. It is called
Speaker 1: The Boston Floating Hospital How a Boston Harbor Barge Changed
Speaker 1: the Course of Pediatric Medicine. It's a little more than
Speaker 1: ten years old now, I think. Living in the Boston area,
Speaker 1: I was able to go check a copy of it
Speaker 1: out from the library and it is a nice little book.
Speaker 1: It's not particularly long. It has lots of detail that
Speaker 1: we really didn't get into hear. Some of it was
Speaker 1: just like we didn't need a bunch of specific details
Speaker 1: about specific seasons of the different years that the ship
Speaker 1: went out. A couple of things are. One thing in
Speaker 1: particular kind of struck me that I thought about talking
Speaker 1: about and I didn't, and that is that we said
Speaker 1: that this was a very popular charity. Understandably a hospital
Speaker 1: that's helping save sick babies, Yeah, who does that? It's
Speaker 1: very charming. But in eighteen ninety five, so early in
Speaker 1: the history of the Boston Floating Hospital, some people apparently
Speaker 1: came to the hospital and they suggested staging a production
Speaker 1: of Cinderella to benefit the hospital. They did do the play,
Speaker 1: but then they absconded with the money and did not
Speaker 1: actually give it to the hospital. Yeah uh what jerks, Listen.
Speaker 1: I'm not necessarily an afterlife believer, but if there is one,
Speaker 1: I hope they were the worst version. They literally stole
Speaker 1: from a children's a sick right children's charity. Yeah, yeah, ghastly.
Speaker 1: I also, the book was sort of the last thing
Speaker 1: that I looked at in many things of looking at
Speaker 1: for this episode, And so there are some things, right,
Speaker 1: I'm sure like I was not being the absolute most attentive,
Speaker 1: and I am not fully clear on when exactly Rufus
Speaker 1: Toby was no longer part of the hospital, because like
Speaker 1: his he was in reports from the hospital with titles
Speaker 1: like chairman or a chairman of the board and things
Speaker 1: like that for a period of years and then he's
Speaker 1: not listed anymore. But as far as I know, he
Speaker 1: was still living. And I don't really know what the
Speaker 1: story is there and whether there is a story, whether
Speaker 1: it was you know, just sort of the natural progression
Speaker 1: of going from a ship where they were doing medical care.
Speaker 1: But also a big focus was we're getting into the
Speaker 1: fresh air and away from the heat and the pollution
Speaker 1: to being a hospital with you know, pathology labs and
Speaker 1: a pharmacy and a medical staff and research going on,
Speaker 1: and like whether having a minister with obviously heard in
Speaker 1: the right place but no medical experience, like didn't make
Speaker 1: sense to be in that role anymore. And I don't
Speaker 1: really know. And maybe he just got to retirement age.
Speaker 1: I mean maybe so. And I I got to the
Speaker 1: point where I said we should record this episode now
Speaker 1: and stopped trying to dig up the answer. Sometimes you
Speaker 1: have to do that. You often get my outlines in
Speaker 1: the dead of night because there's always part of me
Speaker 1: it's like I got to look up that other thing,
Speaker 1: and I gotta find that other that one last I
Speaker 1: just want to make sure that oh I still can't
Speaker 1: find it, and eventually I have to be like I'm
Speaker 1: going to bed. Yeah. Yeah. So that is my periodic
Speaker 1: installment of a Save some Baby story, as every single
Speaker 1: day brings multiple new, alarming, upsetting things, some of which
Speaker 1: just make me want to throw up. Yep. So spending
Speaker 1: some time about babies on a boat a little bit
Speaker 1: of a comfort in this moment. Whatever is happening on
Speaker 1: your weekends, I hope you have some comfort in this moment.
Speaker 1: Whatever is your version of a story about saving babies,
Speaker 1: I hope you have some of that in your life
Speaker 1: right now. We will be back with a Saturday classic
Speaker 1: tomorrow and something brand new on Monday. Stuff you Missed
Speaker 1: in History Class is a production of iHeartRadio. For more
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Speaker 1: wherever you listen to your favorite shows.