WEBVTT - Fake It 'Til You Make It: William and Beryl Toye

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<v Speaker 1>Ridiculous Crime is a production of iHeartRadio Saren Burnett.

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<v Speaker 2>It's up Elizabeth dunn not the much.

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<v Speaker 3>How you Be Girl, I'm Elizabeth Dutton.

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<v Speaker 2>I'm Elizabeth Dunton.

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<v Speaker 3>And do you know what's ridiculous?

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<v Speaker 2>I do?

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<v Speaker 3>Oh?

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<v Speaker 2>Yeah, tell got a sack?

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<v Speaker 3>Yeah?

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<v Speaker 2>Okay. Your favorite band, Guns n' Roses. So in nineteen

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<v Speaker 2>eighty nine they were on a world tour, right, so

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<v Speaker 2>that was like there for appetite destruction. I guess they're

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<v Speaker 2>opening right, So they get back from the road after

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<v Speaker 2>that tour, and then Slash has nothing to do. So

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<v Speaker 2>what Slash gonna do?

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<v Speaker 4>Well?

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<v Speaker 2>Apparently being on the Yeah, being on the road had

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<v Speaker 2>given him like a regular schedule. Without a schedule, he

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<v Speaker 2>falls into a really bad cocaine and heroin problem for

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<v Speaker 2>two years now. Apparently, as he said and I quote,

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<v Speaker 2>it turned out to be the start of a long

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<v Speaker 2>and night Marrish obsession with heroin, and it lasted from

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<v Speaker 2>nineteen eighty nine until nineteen ninety one. While he was

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<v Speaker 2>on that night Marrish obsession with heroin, he had a

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<v Speaker 2>particularly funny exchange. I know you're like, how can that be?

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<v Speaker 2>Thereon trust You'll laugh when you hear it. Dudes out

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<v Speaker 2>there on a binch, he's like on heroin and cocaine,

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<v Speaker 2>and just like you know, zooted to the high heck

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<v Speaker 2>and slash. He starts tripping like hallucinating. I don't know

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<v Speaker 2>if he hadn't been sleeping or if he's mixing in

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<v Speaker 2>other drugs. All I can find is definitely heroin and cocaine.

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<v Speaker 2>I'm imagining some other drugs in there too, possibly hadn't

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<v Speaker 2>eaten well, I don't know. He's hallucinating, and he starts

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<v Speaker 2>he's also buying you on a golf course in Arizona. Okay,

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<v Speaker 2>so golf course Arizona, Slash hallucinating. It's nighttime. He remembers thinking,

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<v Speaker 2>and I quote that he was being chased by predators

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<v Speaker 2>with rubbery looking dreadlocks. So these rubbery dreadlocks predators. They

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<v Speaker 2>also had harpoons like they were on a whaling expedition

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<v Speaker 2>in Arizona, and machine guns, so they had hard pones

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<v Speaker 2>and machine guns. He was booking, he was running right,

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<v Speaker 2>So then what does he do. He runs through a

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<v Speaker 2>glass door and then he gets into like I don't know,

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<v Speaker 2>like a maid in the in the golf course. He

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<v Speaker 2>grabs her tries to use her as a human shield

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<v Speaker 2>the courage, and then the police come and they stop him,

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<v Speaker 2>they arrest him, and he tells the whole story to

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<v Speaker 2>the police in vivid detail. Case. He's still tripping, so

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<v Speaker 2>he's telling them and I quote, I was still high

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<v Speaker 2>enough that I told the story without a shred of

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<v Speaker 2>self consciousness. Oh can you imagine, Slash tell you that.

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<v Speaker 3>Can?

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<v Speaker 2>So there you go.

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<v Speaker 3>See I told you, well, yeah, that is ridiculous. But

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<v Speaker 3>poor dear, do you know what else is ridiculous?

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<v Speaker 2>No, but I was hoping you did.

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<v Speaker 3>Accusing the victim of the very crime you've perpetrated against them?

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<v Speaker 3>Oh yeah, this is ridiculous.

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<v Speaker 2>Crime.

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<v Speaker 3>A podcast about absurd and outrageous capers, heists and cons.

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<v Speaker 3>It's always ninety nine percent murder free and one hundred

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<v Speaker 3>percent ridiculous.

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<v Speaker 2>I know you heard that.

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<v Speaker 3>I love eccentrics.

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<v Speaker 2>Yeah you do. You are kind of them.

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<v Speaker 3>I have a book by Edith Sitwell called English Eccentrics.

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<v Speaker 2>Oh yes, some of the world's best.

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<v Speaker 3>Oh yeah, it's wild. Princess Caribou is in the book.

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<v Speaker 3>We talked about her before. There are Hermits, adventurers, Charlatan's

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<v Speaker 3>weirdos as a weirdo. I love these folks, and there

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<v Speaker 3>are degrees of delusion in eccentrics, some more severe than others. True,

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<v Speaker 3>So I have for you today a grifter, an art forger,

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<v Speaker 3>a liar, a supreme eccentric talk that talk. He has,

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<v Speaker 3>of course, an equally eccentric wife. I mean, you have

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<v Speaker 3>to be a straight a sort of folly ido. Although

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<v Speaker 3>I don't want to wait into any like issues of

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<v Speaker 3>mental illness, let's stick with eccentric for now. His name

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<v Speaker 3>is William Toy and he was born nineteen thirty one,

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<v Speaker 3>Tye Tolly, Baton Rouge, Louisiana. Birth. This boy, this is

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<v Speaker 3>to get you situated in times. So he dropped, He

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<v Speaker 3>dropped out of high school, and that seems like it

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<v Speaker 3>was a lot easier to do in the late nineteen forties.

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<v Speaker 2>Just had to slip out.

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<v Speaker 3>Well yeah, I mean, like my grandpa dropped out of

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<v Speaker 3>sixth grade to get a job to help the family

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<v Speaker 3>back in the day, like pre that time, it was

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<v Speaker 3>like last year anyway, my grandpa sixth grade, last year,

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<v Speaker 3>Toy he bailed on high school and he was artistically

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<v Speaker 3>and mechanically inclined, and he eventually worked his way up

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<v Speaker 3>to a gig making architectural models for engineering firms. That's

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<v Speaker 3>not bad, rrect impressive. He taught himself to paint along

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<v Speaker 3>the way, and by the nineteen sixties he was working

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<v Speaker 3>as an artist. That was his gig. So another artist

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<v Speaker 3>who was also self taught but had a much more

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<v Speaker 3>compelling and impressive story was Clementine Hunter.

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<v Speaker 2>Don't know that name.

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<v Speaker 3>She was born in late eighteen eighty six to a

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<v Speaker 3>Creole family at a plantation in Nagadocia's Parish, Louisiana. Her

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<v Speaker 3>grandparents were enslaved on a nearby plantation and it was,

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<v Speaker 3>you know, here on this other one that she got

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<v Speaker 3>to picking cotton and pecans or pecans, you can stay

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<v Speaker 3>down there. She worked as a maid and a cook.

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<v Speaker 3>And again this is like, you know, post Civil War.

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<v Speaker 3>Here's a fun fact about her. On the morning that

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<v Speaker 3>she gave birth to one of her kids, she harvested

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<v Speaker 3>seventy eight pounds of cotton and then she went home

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<v Speaker 3>and called for the midwife.

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<v Speaker 2>Great, wait a minute, you said, on the day she

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<v Speaker 2>gave birth. Yeah, so she's she's like hours from labor.

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<v Speaker 2>She picked seventy eight pounds of cotton.

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<v Speaker 3>Seventy eight pounds.

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<v Speaker 2>Now I know a little about picking cotton from family stories.

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<v Speaker 2>That's a lot of day. I mean, like, that's that's

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<v Speaker 2>a real good day.

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<v Speaker 3>She is a strong, smart woman who was denied in education.

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<v Speaker 3>She couldn't read or write. And I think it's important

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<v Speaker 3>to remember that when the Civil War ended and slave

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<v Speaker 3>people weren't just free to wave goodbye to their oppressors

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<v Speaker 3>and walk to the city and get a job in

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<v Speaker 3>an apartment. You know, they were in economic shackles.

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<v Speaker 2>Yeah, definitely.

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<v Speaker 3>And for those who you know ignorantly say, oh, but

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<v Speaker 3>they learned to trade, they had nothing.

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<v Speaker 2>Oh no, they had nothing. I mean, coming out of slavery,

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<v Speaker 2>you got to think about like, okay, someone used to

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<v Speaker 2>own you, so if you let your dog go, what

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<v Speaker 2>would they have? That was basically slavery. But you know,

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<v Speaker 2>you just obviously I don't want to make the comparison

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<v Speaker 2>to animals, but I'm saying, when you own something, that

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<v Speaker 2>is a fitting comparison for slavery. They were not allowed

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<v Speaker 2>to have anything other than like, you know, some ragtag

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<v Speaker 2>clothing they got each year, like here's your coat for

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<v Speaker 2>the year, here's your seeing.

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<v Speaker 3>These animals chattel lives, so they had no money, no education,

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<v Speaker 3>no real rights, and then so they're generally stuck where

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<v Speaker 3>they were totally and now they're just getting a pittance

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<v Speaker 3>and basically prevent it from advancing it anyway. This is

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<v Speaker 3>a historical fact, it's our truth. So kick rocks. If

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<v Speaker 3>you aren't willing to confront this and the ramifications as well,

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<v Speaker 3>I'm not talking to you.

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<v Speaker 2>Oh you mean, like someone would say that like coming

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<v Speaker 2>out of slavery, you're in a good spot now you're

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<v Speaker 2>free or something.

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<v Speaker 3>Yeah, exactly. So. Clementine she couldn't read, she couldn't write,

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<v Speaker 3>but she soaked up what she saw in the world

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<v Speaker 3>around her. And one day in the late nineteen thirties, Clementine,

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<v Speaker 3>now a grandmother, she found a box of paint tubes

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<v Speaker 3>left behind by a visitor to the plantation, because the

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<v Speaker 3>plantation by that time had become sort of a literary

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<v Speaker 3>and artistic salon. Oh wow, it was like a retreat.

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<v Speaker 2>Never expect that, No, not at all.

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<v Speaker 3>So she was fascinated by the colors and the textures

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<v Speaker 3>of the paint, and she goes back to her living quarter.

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<v Speaker 3>She pulls down a window shade and begins conveying in paint.

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<v Speaker 3>The realities of her daily life, the images of her memory,

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<v Speaker 3>the musings of her imagination. Sure, she became a folk artist,

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<v Speaker 3>sort of an outsider artist. Her figures are very much

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<v Speaker 3>reminiscent of those in quilt making, and that was the

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<v Speaker 3>skill in an art that she learned early in life.

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<v Speaker 3>And eventually she would incorporate sewing and quilting and even

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<v Speaker 3>weaving into her visual art. But for this point like

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<v Speaker 3>she's just painting. She started selling paintings after her husband died.

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<v Speaker 3>She put up a sign outside of her cabin that

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<v Speaker 3>said Clementine Hunter Artist, twenty five cents to look. So

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<v Speaker 3>she got her first shows in walk into this sailwich

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<v Speaker 3>picking have them on display. Yeah, exactly, Maybe you can

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<v Speaker 3>make an offer. So she gets her first shows in

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<v Speaker 3>nineteen forty five, and then in nineteen forty nine she

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<v Speaker 3>got wider recognition thanks to the New Orleans Arts and

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<v Speaker 3>Craft Show.

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<v Speaker 2>I said forty nine.

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<v Speaker 3>Forty nine, And in nineteen fifty three she was profiled

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<v Speaker 3>in Look magazine and that took her national So the

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<v Speaker 3>people involved with the writers and the artist's colony at

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<v Speaker 3>the Plantation, they helped her out. There was this journalist

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<v Speaker 3>Francois Mignon, who was a friend of Cammy Henry. Cammy

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<v Speaker 3>Henry was the owner of the plantation, and so Francois Mignon.

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<v Speaker 3>He provided Clementine with paint and materials and then sang

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<v Speaker 3>her praises to everyone he met. And her paintings got

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<v Speaker 3>displayed first in a local drug store and they were

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<v Speaker 3>on sale for a dollar a pop, just like twelve

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<v Speaker 3>dollars today. But you know, she's just gaining all this momentum.

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<v Speaker 3>In nineteen fifty six, she and Francois Mignon, they wrote

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<v Speaker 3>a cookbook together about the food at the plantation, So

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<v Speaker 3>she contributed recipes illustrations and these were like family recipes

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<v Speaker 3>that went back. So she's getting this like recognition and

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<v Speaker 3>acknowledgment in all of this. She painted for decades. She

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<v Speaker 3>had a lot of exhibitions and shows all over the South.

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<v Speaker 3>She was the first black artist to have a solo

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<v Speaker 3>exhibition at the New Orleans Museum of Art. She received

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<v Speaker 3>an invitation to the White House from President Jimmy Carter,

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<v Speaker 3>and she got a letter from President Ronald Reagan. A

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<v Speaker 3>Northwestern State University of Louisiana gave her an honorary doctorate

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<v Speaker 3>of Fine arts. In nineteen eighty six, Louisiana Governor Edwin

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<v Speaker 3>Edwards made her an honorary colonel, and in twenty nineteen,

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<v Speaker 3>long after she passed, state legislators passed a resolution that

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<v Speaker 3>designated October first as Clementine Hunter Day. Right, so she

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<v Speaker 3>painted right up until the end of her life in

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<v Speaker 3>nineteen eighty eight, at the age of one hundred and one.

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<v Speaker 2>I love that she started late in all this. I

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<v Speaker 2>mean charches a grammar.

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<v Speaker 3>Versus a grandmother.

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<v Speaker 2>That's amazing.

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<v Speaker 3>I think that the letter from Reagan was for her

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<v Speaker 3>one hundredth birthday.

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<v Speaker 2>I'm kind of guessing you said forty fifty yea, guys.

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<v Speaker 3>But to do this, to come from absolutely nothing amazing

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<v Speaker 3>and create this in hundreds well, and by the time

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<v Speaker 3>of her death in one hundred and one, her paintings

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<v Speaker 3>were selling for thousands of dollars. She goes from twenty

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<v Speaker 3>five cents to take a look to thousands of dollars.

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<v Speaker 3>In her life, she painted four thousand to five thousand

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<v Speaker 3>paintings like There's just tons And because of like her

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<v Speaker 3>sort of primitive style, people thought that they could forge

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<v Speaker 3>her work.

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<v Speaker 2>Oh like bask yacht stuff.

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<v Speaker 3>Yes, yes, so even her own relatives, as well as

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<v Speaker 3>those of plantation owner Cammy Henry. They made fakes of

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<v Speaker 3>clement Yeah, James L. We don't be going to.

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<v Speaker 2>Exploit enough of your family, so we wanted to exploit.

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<v Speaker 3>You, right, James L. Wilson, in his book Clementine Hunter

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<v Speaker 3>American Folk Artists quote. In nineteen seventy four, Hunter's reputation

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<v Speaker 3>had grown so and with it the price of her works,

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<v Speaker 3>that the inevitable occurred. A forgery scare. Rumors that either

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<v Speaker 3>a grandson or a nephew was grinding out Hunter copies

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<v Speaker 3>and selling them began to fly, and in New Orleans

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<v Speaker 3>an artist was charged with copying her paintings and trying

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<v Speaker 3>to sell them as Hunter originals. We're going to talk

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<v Speaker 3>about that artist.

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<v Speaker 2>Why did you go, Elizabeth. You found a way to

0:11:33.000 --> 0:11:35.000
<v Speaker 2>make me not root for a criminal.

0:11:34.760 --> 0:11:38.760
<v Speaker 3>Right right now? Look at me. So like art dealers,

0:11:38.760 --> 0:11:41.840
<v Speaker 3>they've been complaining about these fakes. So the New Orleans

0:11:41.840 --> 0:11:43.359
<v Speaker 3>police opened an investigation.

0:11:43.520 --> 0:11:44.000
<v Speaker 2>Get them.

0:11:44.200 --> 0:11:49.600
<v Speaker 3>Detective Robert Poadavon and Officer Roma Kent. They answered a

0:11:49.600 --> 0:11:52.920
<v Speaker 3>newspaper ad for the sale of Clementine Hunter paintings. They

0:11:52.920 --> 0:11:55.600
<v Speaker 3>went undercover to meet with the seller at a house

0:11:55.640 --> 0:11:56.480
<v Speaker 3>on Canal Street.

0:11:56.679 --> 0:11:57.480
<v Speaker 2>On Canal Street.

0:11:57.520 --> 0:12:01.240
<v Speaker 3>Yeah, the guy shows the Plaine clothes cops twelve paintings

0:12:01.280 --> 0:12:06.840
<v Speaker 3>supposedly painted by Clementine Hunter, and upon inspection, the officers

0:12:06.880 --> 0:12:09.560
<v Speaker 3>determined they were fakes. So they had studied up, they

0:12:09.640 --> 0:12:13.200
<v Speaker 3>knew everything about her work. They arrested the cellar and

0:12:13.240 --> 0:12:16.640
<v Speaker 3>they even discovered ten more fakes at his own house. Wow,

0:12:16.840 --> 0:12:20.680
<v Speaker 3>who is this guy? William Toy Ah bad Billy Toy,

0:12:20.800 --> 0:12:25.120
<v Speaker 3>Bad Billy Toy. He gets booked on twenty two counts

0:12:25.160 --> 0:12:28.080
<v Speaker 3>of forgery and it was alleged by police that he

0:12:28.160 --> 0:12:31.719
<v Speaker 3>forged both the works of Clementine Hunter and her initials,

0:12:31.760 --> 0:12:34.000
<v Speaker 3>her signature. So it wasn't just like I'm painting this

0:12:34.120 --> 0:12:36.360
<v Speaker 3>and it's unattributed. Remember we've talked.

0:12:36.240 --> 0:12:39.880
<v Speaker 2>About that's what makes it. Yeah, fraud, that's what makes

0:12:39.880 --> 0:12:40.520
<v Speaker 2>it a forgery.

0:12:40.559 --> 0:12:42.080
<v Speaker 3>And that's why he couldn't say it was like an

0:12:42.120 --> 0:12:45.800
<v Speaker 3>appreciation piece or whatever Tony Tetro used to say. So

0:12:46.320 --> 0:12:49.319
<v Speaker 3>the police they tracked down other paintings sold by Toy

0:12:49.440 --> 0:12:53.520
<v Speaker 3>and took them to Clementine for authentication. Oh yeah, she's

0:12:53.600 --> 0:12:56.760
<v Speaker 3>ninety two years old. She's living in Melrose, Louisiana. She

0:12:56.920 --> 0:12:59.880
<v Speaker 3>confirmed you know what, I didn't paint these and this

0:13:00.040 --> 0:13:03.520
<v Speaker 3>signature total forgery. So after that, then the cops brought

0:13:03.520 --> 0:13:06.640
<v Speaker 3>in another twenty two paintings for her to authenticate because

0:13:06.640 --> 0:13:10.240
<v Speaker 3>they've got the source. Toy spent a day in jail,

0:13:10.520 --> 0:13:13.600
<v Speaker 3>then he hired the best defense attorney in town. He

0:13:13.679 --> 0:13:17.240
<v Speaker 3>posted bail via a two thousand dollars bond. The case, though,

0:13:17.280 --> 0:13:20.640
<v Speaker 3>was never prosecuted, just kind of fell apart. Who knows

0:13:20.640 --> 0:13:22.280
<v Speaker 3>why ninety seven he strikes.

0:13:22.400 --> 0:13:24.080
<v Speaker 2>I guess they felt there wasn't a major victims.

0:13:24.160 --> 0:13:28.439
<v Speaker 3>I suppose he strikes again in Baton Rouge in ninety seven,

0:13:28.840 --> 0:13:31.720
<v Speaker 3>so he and his wife they consigned more paintings to

0:13:31.800 --> 0:13:35.880
<v Speaker 3>the Louisiana Auction Exchange in Baton Rouge. But these weren't

0:13:35.960 --> 0:13:39.600
<v Speaker 3>just Clementine Hunter pieces. They were also works by Matisse

0:13:39.760 --> 0:13:44.600
<v Speaker 3>and Dega. Yeah, all fake, of course. So he accused.

0:13:44.600 --> 0:13:47.360
<v Speaker 3>Toy accused the owner of the auction house, Ronald Causey,

0:13:47.480 --> 0:13:50.679
<v Speaker 3>of taking the real pieces and then counterfeiting them and

0:13:50.679 --> 0:13:53.600
<v Speaker 3>putting those up for sale. Oh like, I gave you

0:13:53.640 --> 0:13:55.440
<v Speaker 3>the blueprint and you made a copy and that's what.

0:13:55.559 --> 0:13:59.079
<v Speaker 2>So now I'm the victim, I'm the problem.

0:13:59.200 --> 0:14:03.600
<v Speaker 3>Yeah, so Toy files complaints with Louisiana Auctioneer's Licensing Board

0:14:03.679 --> 0:14:06.840
<v Speaker 3>against Kasey against the guy he ripped off, saying that

0:14:06.920 --> 0:14:09.880
<v Speaker 3>Kasey withheld payments for the paintings that were sold at auction.

0:14:10.000 --> 0:14:14.760
<v Speaker 3>The board took no action then. Causey later passed away

0:14:14.800 --> 0:14:20.200
<v Speaker 3>from lung cancer. However, Toy started spreading rumors that the

0:14:20.240 --> 0:14:23.600
<v Speaker 3>FBI had been trying to conduct a raid on Casey's house,

0:14:23.960 --> 0:14:26.240
<v Speaker 3>and he told people that while Kasey's wife tried to

0:14:26.280 --> 0:14:28.440
<v Speaker 3>barricade the door, Kasey went to the back of the

0:14:28.440 --> 0:14:31.800
<v Speaker 3>house and took his own life. Whoa he said, quote,

0:14:31.840 --> 0:14:34.160
<v Speaker 3>there was a gunshot. The FBI pushed the door open

0:14:34.200 --> 0:14:38.200
<v Speaker 3>and went in and found Kusey dead. None of it's true.

0:14:38.320 --> 0:14:42.800
<v Speaker 3>Toy's wife, Beryl b e r Y lt Not like

0:14:42.840 --> 0:14:47.520
<v Speaker 3>create Ann. Beryl Beryl wrote to a friend of hers

0:14:47.520 --> 0:14:51.120
<v Speaker 3>who's also an accomplice, Robert Lucky. Quote, he stole about

0:14:51.160 --> 0:14:53.480
<v Speaker 3>one point three million worth of art from us. He

0:14:53.520 --> 0:14:57.040
<v Speaker 3>was a dangerous criminal who surrounded himself with other dangerous criminals.

0:14:57.240 --> 0:15:01.640
<v Speaker 3>We literally hounded him to his death. They're saying that Casey.

0:15:01.760 --> 0:15:06.440
<v Speaker 3>Here's what Casey's widow, Sondra had to say. Quote Ron

0:15:06.480 --> 0:15:08.800
<v Speaker 3>would be the last person in the world to kill himself.

0:15:08.840 --> 0:15:11.600
<v Speaker 3>He died of lung cancer. My husband was a fine,

0:15:11.680 --> 0:15:14.040
<v Speaker 3>big hearted person who didn't like to think people could

0:15:14.080 --> 0:15:16.600
<v Speaker 3>do bad things to you, and so he trusted mister

0:15:16.680 --> 0:15:19.680
<v Speaker 3>Toy and the whole time mister Toy was deceiving him.

0:15:19.920 --> 0:15:22.240
<v Speaker 3>By the time we finished dealing with mister Toy, both

0:15:22.320 --> 0:15:24.960
<v Speaker 3>Ron and I were convinced he was either completely insane

0:15:25.080 --> 0:15:26.040
<v Speaker 3>or completely evil.

0:15:26.360 --> 0:15:29.120
<v Speaker 2>So he took the other approach on dead men, tell

0:15:29.200 --> 0:15:32.200
<v Speaker 2>no tales. My dead men can't change what I'm saying.

0:15:32.360 --> 0:15:33.360
<v Speaker 2>Uh huh, that's.

0:15:33.400 --> 0:15:36.640
<v Speaker 3>No, completely insane, completely evil? Why not both?

0:15:36.760 --> 0:15:38.600
<v Speaker 2>That's what I'm with, right, So when.

0:15:38.480 --> 0:15:41.240
<v Speaker 3>We come back, we'll dive further into the bizarre behavior

0:15:41.360 --> 0:15:42.760
<v Speaker 3>of William and Beryl Toy.

0:15:42.960 --> 0:16:05.920
<v Speaker 4>All right, Zarenizabeth over here over here?

0:16:06.320 --> 0:16:10.040
<v Speaker 3>Question? Yes, thank you? What was I talking about?

0:16:10.200 --> 0:16:11.520
<v Speaker 2>Oh, Beryl good?

0:16:11.640 --> 0:16:14.400
<v Speaker 3>Good call William and Beryl Toy?

0:16:14.880 --> 0:16:18.160
<v Speaker 2>Like I just kept this barrel her name Beryl Beryl

0:16:18.600 --> 0:16:21.520
<v Speaker 2>wise could be Beryl and boy Toy. That just sounds is.

0:16:21.440 --> 0:16:26.120
<v Speaker 3>Like a really like a failed eighties movie like script

0:16:26.200 --> 0:16:27.080
<v Speaker 3>that everyone got.

0:16:26.920 --> 0:16:27.960
<v Speaker 2>Made once a computer.

0:16:29.040 --> 0:16:30.640
<v Speaker 3>Hear me out, beryln boy Toy.

0:16:31.320 --> 0:16:34.320
<v Speaker 2>No, it's not a real barrel. It's a computer. What

0:16:34.360 --> 0:16:34.560
<v Speaker 2>was that?

0:16:34.680 --> 0:16:37.320
<v Speaker 3>Crazy cooked out producers named Don Simpson.

0:16:37.000 --> 0:16:39.280
<v Speaker 2>Oh yeah, and Jerry Bruckheim cast on that.

0:16:39.320 --> 0:16:43.280
<v Speaker 3>Could you believe that Beryl and boy toy? So William

0:16:43.360 --> 0:16:44.120
<v Speaker 3>and Beryl.

0:16:44.160 --> 0:16:48.280
<v Speaker 2>Was my friend's hero. The you looked at that, He's like,

0:16:48.320 --> 0:16:49.120
<v Speaker 2>I want to be like.

0:16:49.080 --> 0:16:53.480
<v Speaker 3>That, dear god man. Anyway, So these two, this gruesome twosome,

0:16:53.520 --> 0:16:58.560
<v Speaker 3>they're forging paintings by local renowned folks, outsider artist Clementine

0:16:58.600 --> 0:17:02.080
<v Speaker 3>Hunter and then also world famous French painters throw it in.

0:17:02.120 --> 0:17:06.159
<v Speaker 3>Why they are sewing chaos and nastiness wherever they go.

0:17:06.720 --> 0:17:09.960
<v Speaker 3>As their crimes advanced, so did their paranoia and delusion.

0:17:10.200 --> 0:17:15.719
<v Speaker 3>Ah yes, methis people exact after the whole Causy affair,

0:17:16.119 --> 0:17:19.920
<v Speaker 3>they start spiraling out. They installed bulletproof glass in their

0:17:19.960 --> 0:17:24.200
<v Speaker 3>downstairs windows, which you know can't hurt. It's not cheap listen. Yeah,

0:17:24.240 --> 0:17:26.560
<v Speaker 3>I would do it at my house. Did you know

0:17:26.640 --> 0:17:28.960
<v Speaker 3>I had a car once that had bulletproof windows and

0:17:29.000 --> 0:17:30.080
<v Speaker 3>a bomb plate underneath?

0:17:30.400 --> 0:17:30.640
<v Speaker 2>What?

0:17:30.800 --> 0:17:31.840
<v Speaker 3>It was so comforting?

0:17:32.320 --> 0:17:33.040
<v Speaker 2>What I did?

0:17:33.080 --> 0:17:33.399
<v Speaker 3>Serious?

0:17:33.440 --> 0:17:34.840
<v Speaker 2>How did you have a bomb plate?

0:17:35.119 --> 0:17:37.320
<v Speaker 3>I want to talk about it, but I did. I

0:17:37.320 --> 0:17:39.160
<v Speaker 3>didn't know I had a bomb plate until I took

0:17:39.200 --> 0:17:41.639
<v Speaker 3>it to the mechanic the first time, like you know,

0:17:42.119 --> 0:17:44.240
<v Speaker 3>and they put it up. They're like, this is registering

0:17:44.320 --> 0:17:45.959
<v Speaker 3>is so much heavier than it should be. And they

0:17:45.960 --> 0:17:47.600
<v Speaker 3>put it up on the lift thing and like wow,

0:17:48.080 --> 0:17:49.080
<v Speaker 3>why do you have a bomb plate?

0:17:49.080 --> 0:17:50.800
<v Speaker 2>I'm like, stretch the length of the car.

0:17:51.240 --> 0:17:53.640
<v Speaker 3>And then I had a bullet Like when you rolled

0:17:53.640 --> 0:17:55.960
<v Speaker 3>the window down, it was double. They were bulletproof glass.

0:17:56.000 --> 0:17:58.160
<v Speaker 2>Why are you driving one of Pablo Escobar's cars?

0:17:58.160 --> 0:18:02.160
<v Speaker 3>Because for real, how did you? I want to talk?

0:18:02.240 --> 0:18:08.400
<v Speaker 2>I have so many questions, Like a bulletproof car.

0:18:08.560 --> 0:18:10.040
<v Speaker 3>I was very comfort comforting.

0:18:10.160 --> 0:18:10.959
<v Speaker 2>I bet it was.

0:18:11.080 --> 0:18:13.840
<v Speaker 3>It was. It was awesome. So they didn't stop at

0:18:13.840 --> 0:18:18.359
<v Speaker 3>the glass in their house. The glass. They put a

0:18:18.400 --> 0:18:21.240
<v Speaker 3>booby trap under the window in the car port, which

0:18:21.280 --> 0:18:24.800
<v Speaker 3>is it's a clever one. So they had they laid

0:18:24.800 --> 0:18:26.879
<v Speaker 3>down a bunch of marbles and then they put a

0:18:26.920 --> 0:18:29.840
<v Speaker 3>sheet of glass on top of that. So that this

0:18:29.920 --> 0:18:32.600
<v Speaker 3>is how this is what William Toy said, quote anybody

0:18:32.600 --> 0:18:34.720
<v Speaker 3>who steps on it will be in for a surprise.

0:18:36.119 --> 0:18:40.440
<v Speaker 2>Wait what what inside the home? Underneath a window.

0:18:39.800 --> 0:18:43.040
<v Speaker 3>Outside the home outside their house, Like there's the car

0:18:43.119 --> 0:18:45.960
<v Speaker 3>port and there's this window there and the like, if

0:18:45.960 --> 0:18:47.600
<v Speaker 3>you try and break in, you're going to step on

0:18:47.680 --> 0:18:48.480
<v Speaker 3>marbles and glass.

0:18:48.480 --> 0:18:51.080
<v Speaker 2>You're not going to notice the marbles and glass.

0:18:50.640 --> 0:18:53.199
<v Speaker 3>No, because who looks where they're walkings there? Yes, of

0:18:53.200 --> 0:18:55.200
<v Speaker 3>course it's all very home alone.

0:18:55.440 --> 0:18:56.800
<v Speaker 2>It's very home alone.

0:18:57.080 --> 0:18:59.520
<v Speaker 3>So in the middle of all this, the toys are

0:18:59.680 --> 0:19:02.000
<v Speaker 3>at at that the paintings they're trying to sell are

0:19:02.080 --> 0:19:08.639
<v Speaker 3>totally real, totally legal, totally cool, trap home alone. And

0:19:08.680 --> 0:19:11.280
<v Speaker 3>they said that they were the real victims here. This

0:19:11.320 --> 0:19:14.159
<v Speaker 3>is a witch hunt. Of course, how were they the victims?

0:19:14.200 --> 0:19:15.679
<v Speaker 2>Well, it's obvious they're saying they are.

0:19:15.840 --> 0:19:19.320
<v Speaker 3>This is what they said. They said that international drug dealers.

0:19:19.480 --> 0:19:23.080
<v Speaker 3>Of course, we're using auction houses to steal legitimate paintings

0:19:23.119 --> 0:19:27.159
<v Speaker 3>from honest, trusting sellers like them. They said that the

0:19:27.240 --> 0:19:31.640
<v Speaker 3>dealers switched out the good paintings with copies and then

0:19:31.680 --> 0:19:34.120
<v Speaker 3>went back to the auction houses saying that the pieces

0:19:34.119 --> 0:19:36.240
<v Speaker 3>were fake and they wanted their money back.

0:19:36.080 --> 0:19:37.880
<v Speaker 2>Because everyone loves the investigators, like.

0:19:37.840 --> 0:19:41.159
<v Speaker 3>Okay, Pablo escobars out there buying hippos with his booger

0:19:41.280 --> 0:19:44.480
<v Speaker 3>sugar money. And then these supposed kingpins are creating a

0:19:44.560 --> 0:19:47.000
<v Speaker 3>large number of fake paintings in order to flee small

0:19:47.040 --> 0:19:48.280
<v Speaker 3>auction houses in the South.

0:19:48.400 --> 0:19:49.879
<v Speaker 2>Yes, he's like, how do I get in on an

0:19:49.880 --> 0:19:51.560
<v Speaker 2>in insurance scam in Louisiana?

0:19:51.920 --> 0:19:58.960
<v Speaker 3>Very slow on a crew of forgers.

0:19:57.520 --> 0:20:00.200
<v Speaker 2>For the kind of games that I get for are

0:20:00.240 --> 0:20:01.840
<v Speaker 2>just a tenth of a plane load.

0:20:02.040 --> 0:20:05.520
<v Speaker 3>Right, So the consigners of the paintings, the toys, they

0:20:05.520 --> 0:20:08.600
<v Speaker 3>didn't get paid and all they had were they're worthless fakes,

0:20:08.720 --> 0:20:11.359
<v Speaker 3>garbage that had been swapped out by drug dealers. Of course,

0:20:12.080 --> 0:20:16.119
<v Speaker 3>they claimed that they gave the FBI evidence that antique

0:20:16.280 --> 0:20:20.680
<v Speaker 3>armoirs sold at auction had hidden compartments that the drug

0:20:20.720 --> 0:20:22.080
<v Speaker 3>dealers hid narcotic sin.

0:20:22.200 --> 0:20:23.800
<v Speaker 2>Oh yeah, made out of co game.

0:20:23.920 --> 0:20:26.920
<v Speaker 3>I feel like there are less complicated ways to move

0:20:27.000 --> 0:20:30.239
<v Speaker 3>drugs than hiding it in an amoir, putting it up

0:20:30.240 --> 0:20:33.399
<v Speaker 3>for auctions, then the buyer sitting through said auction to

0:20:33.440 --> 0:20:39.000
<v Speaker 3>get the item and haul it away. Hey, let me

0:20:39.000 --> 0:20:40.399
<v Speaker 3>pay on top of it. There has to be like

0:20:40.480 --> 0:20:44.119
<v Speaker 3>a more efficient and volume appropriate method. That's just me.

0:20:44.160 --> 0:20:46.000
<v Speaker 3>I'm a logisticscal Oh you are?

0:20:46.520 --> 0:20:48.439
<v Speaker 2>You get it? Like on a plane, maybe a small

0:20:48.440 --> 0:20:51.240
<v Speaker 2>plane flying low over the radar bulletproof.

0:20:52.080 --> 0:20:55.040
<v Speaker 3>So back to the art. It wasn't just Clementine that

0:20:55.080 --> 0:20:58.439
<v Speaker 3>William Toy was ripping off as I said he was.

0:20:58.920 --> 0:21:01.439
<v Speaker 3>He was also great at making forgeries of works by

0:21:01.520 --> 0:21:06.639
<v Speaker 3>Claude Monett. He said, quote, nobody does Monet better than me.

0:21:07.320 --> 0:21:10.720
<v Speaker 3>Maybe money. If you were still alive and we both

0:21:10.720 --> 0:21:13.200
<v Speaker 3>did a water lily painting, tell me the difference.

0:21:13.640 --> 0:21:16.800
<v Speaker 2>Nobody does it better than water lily Monet. Exactly.

0:21:17.600 --> 0:21:20.520
<v Speaker 3>So Toy said in an interview that all that kept

0:21:20.600 --> 0:21:24.159
<v Speaker 3>him from being a major star, a hugely successful artist

0:21:24.480 --> 0:21:29.679
<v Speaker 3>was agoraphobia. That's Emily Dickinson would like exactly, although Emily

0:21:29.680 --> 0:21:32.000
<v Speaker 3>Dickinson only got published after she died, so point taking

0:21:32.840 --> 0:21:35.400
<v Speaker 3>and so like. While I am not inclined to take

0:21:35.480 --> 0:21:40.880
<v Speaker 3>anything this Dufis says is true, the agoraphobia angle is interesting. Well,

0:21:40.920 --> 0:21:42.359
<v Speaker 3>Agoraphobia isn't just being.

0:21:42.280 --> 0:21:44.480
<v Speaker 2>Afraid to leave the house outside.

0:21:44.560 --> 0:21:47.400
<v Speaker 3>It's extreme cases that you know, it's it's an aspect

0:21:47.440 --> 0:21:48.640
<v Speaker 3>of anxiety disorder.

0:21:48.640 --> 0:21:49.080
<v Speaker 2>That's what I thought.

0:21:49.320 --> 0:21:50.920
<v Speaker 3>Yes, you don't want to be somewhere that you can't

0:21:50.960 --> 0:21:52.920
<v Speaker 3>quickly escape. Then you don't want to be too far

0:21:52.920 --> 0:21:54.119
<v Speaker 3>from your place of safety or.

0:21:54.080 --> 0:21:56.119
<v Speaker 2>Company, Like you're afraid of a field, You're afraid of

0:21:56.160 --> 0:21:56.919
<v Speaker 2>being exposed.

0:21:57.000 --> 0:21:59.520
<v Speaker 3>Yeah, exactly, and so as someone who deals with clinical

0:21:59.560 --> 0:22:03.119
<v Speaker 3>anxiety and panic disorder, I've brushed up against those feelings before,

0:22:03.280 --> 0:22:05.600
<v Speaker 3>you know. Yeah, and I can see how not being

0:22:05.600 --> 0:22:08.080
<v Speaker 3>comfortable being out in the world would impact your art career.

0:22:08.720 --> 0:22:11.640
<v Speaker 3>But dudes seem fine, gallivant and all over to sell

0:22:11.720 --> 0:22:14.040
<v Speaker 3>his fake paintings. So I smell a rat.

0:22:14.119 --> 0:22:16.560
<v Speaker 2>It just seems to be momentary and transactional, like, oh,

0:22:16.600 --> 0:22:18.159
<v Speaker 2>it's only here that it comes out.

0:22:18.280 --> 0:22:21.119
<v Speaker 3>Yeah, exactly, And now I have the Sunday scary Yeah.

0:22:21.160 --> 0:22:24.399
<v Speaker 3>So anyway, in November of two thousand and five, Toy

0:22:24.480 --> 0:22:27.199
<v Speaker 3>made a deal with a man named Don Fusin, not

0:22:27.240 --> 0:22:30.760
<v Speaker 3>to be confused with Ron fusing No or Don Fuser

0:22:30.840 --> 0:22:31.080
<v Speaker 3>or the.

0:22:31.040 --> 0:22:33.200
<v Speaker 2>Devil in Georgia who also is out making deals.

0:22:33.280 --> 0:22:36.800
<v Speaker 3>Yeah exactly, so Don. He was a businessman and an

0:22:36.880 --> 0:22:38.720
<v Speaker 3>art collector from Baton Rouge.

0:22:38.400 --> 0:22:40.640
<v Speaker 2>Which one Donna Ron donn okay.

0:22:40.440 --> 0:22:42.280
<v Speaker 3>Don't confusing with Ron Fusan.

0:22:42.440 --> 0:22:43.720
<v Speaker 2>Never so Don.

0:22:44.280 --> 0:22:47.840
<v Speaker 3>He bought thirty thousand dollars worth of Clementine Hunter paintings

0:22:47.880 --> 0:22:48.480
<v Speaker 3>from Toy.

0:22:48.640 --> 0:22:48.960
<v Speaker 2>Actual.

0:22:49.040 --> 0:22:52.320
<v Speaker 3>Oh yeah, or so he thought. So. Come to find out,

0:22:52.560 --> 0:22:55.760
<v Speaker 3>thanks to the FBI, the paintings were fakes. So Don

0:22:55.800 --> 0:22:58.359
<v Speaker 3>said later, quote, we can all be fooled, and this

0:22:58.400 --> 0:23:00.399
<v Speaker 3>man fooled me. I gave him the best benefit of

0:23:00.440 --> 0:23:02.840
<v Speaker 3>the doubt at every turn, and that's not normally me.

0:23:03.840 --> 0:23:05.439
<v Speaker 2>He's doing a lot of work to say he's not

0:23:05.480 --> 0:23:09.080
<v Speaker 2>an idiot. So Toy, it could have happened anyone doesn't

0:23:09.080 --> 0:23:09.879
<v Speaker 2>norally happen to anybody.

0:23:09.920 --> 0:23:13.399
<v Speaker 3>You know what toy Toy said told Don that he

0:23:13.440 --> 0:23:17.000
<v Speaker 3>got the paintings because his wife Beryl bought those directly

0:23:17.000 --> 0:23:20.040
<v Speaker 3>from Clementine in the nineteen sixties. And then they threw

0:23:20.040 --> 0:23:21.240
<v Speaker 3>some more on top of this.

0:23:21.320 --> 0:23:22.240
<v Speaker 2>Yeah, it's freebies.

0:23:22.400 --> 0:23:25.119
<v Speaker 3>She hung no, no, no, they threw more juice onto the story.

0:23:25.240 --> 0:23:28.400
<v Speaker 2>Oh I thought she tossed in a couple you know,

0:23:28.520 --> 0:23:28.920
<v Speaker 2>I like.

0:23:28.880 --> 0:23:32.679
<v Speaker 3>The looks at you. Barrel hung on to them and

0:23:32.720 --> 0:23:37.040
<v Speaker 3>even saved them from Hurricane Katrina. Right. In fact, he

0:23:37.080 --> 0:23:40.080
<v Speaker 3>said Hurricane Katrina had wiped them out. They had nothing

0:23:40.119 --> 0:23:44.640
<v Speaker 3>after the hurricane. See see, they'd had a warehouse where

0:23:44.640 --> 0:23:47.679
<v Speaker 3>they kept opera sets and those all got destroyed and

0:23:47.680 --> 0:23:49.080
<v Speaker 3>that's how they were making their money.

0:23:49.280 --> 0:23:51.760
<v Speaker 2>Ah, of course, you know my opera set. I moved

0:23:51.800 --> 0:23:53.560
<v Speaker 2>opera sets for all of the late nineties.

0:23:53.800 --> 0:23:56.159
<v Speaker 3>None of this sounds on the up and up down, No,

0:23:56.400 --> 0:23:58.880
<v Speaker 3>not at all. No, but don was taken, he said.

0:23:58.920 --> 0:24:02.119
<v Speaker 3>Quote the story read right to me. Nothing seemed wrong.

0:24:02.640 --> 0:24:05.280
<v Speaker 2>You are easily fooled. I do not believe your previous

0:24:05.280 --> 0:24:07.560
<v Speaker 2>statement about this never happened to you before.

0:24:07.680 --> 0:24:10.679
<v Speaker 3>Sorry for them. So many people took advantage of an

0:24:10.760 --> 0:24:14.640
<v Speaker 3>absolute tragedy and disaster following Katrina, and it's sickening.

0:24:14.760 --> 0:24:15.600
<v Speaker 2>Oh yeah, definitely.

0:24:15.600 --> 0:24:16.440
<v Speaker 3>It was so horrible.

0:24:16.520 --> 0:24:18.080
<v Speaker 2>I know, a bunch of artists the French Quarter and

0:24:18.080 --> 0:24:21.040
<v Speaker 2>then they were putting stuff out. This is basically before Instagram,

0:24:21.080 --> 0:24:22.560
<v Speaker 2>you being like, hey, we need help, and so they're

0:24:22.560 --> 0:24:24.640
<v Speaker 2>desperately to puting out on newsletters they get like emails,

0:24:24.880 --> 0:24:26.680
<v Speaker 2>they're like hey, and there's so many. I couldn't help

0:24:26.680 --> 0:24:29.480
<v Speaker 2>them all. But I realized very quickly they started going

0:24:29.840 --> 0:24:32.080
<v Speaker 2>people are pretending to be us, and they're also asking

0:24:32.119 --> 0:24:33.920
<v Speaker 2>for help. So I want you know this is authentic.

0:24:33.960 --> 0:24:35.080
<v Speaker 2>I was like, oh, y'all.

0:24:34.920 --> 0:24:36.960
<v Speaker 3>Are And because of the chaos of it and the

0:24:37.040 --> 0:24:40.480
<v Speaker 3>lack of records in the last the Louisiana, Louisiana of

0:24:40.520 --> 0:24:43.800
<v Speaker 3>it all, God bless. Yeah, it was totally taken advantage

0:24:43.800 --> 0:24:45.600
<v Speaker 3>of entered you know, creat barrel.

0:24:45.640 --> 0:24:48.920
<v Speaker 2>It was like the original Ppe loan scam, but completely yes.

0:24:49.560 --> 0:24:53.960
<v Speaker 3>So trusting generous Don bought the paintings from Toy and

0:24:54.040 --> 0:24:57.119
<v Speaker 3>then turn around and sold them to friends. And about

0:24:57.119 --> 0:25:00.000
<v Speaker 3>a month later, Don started getting calls from the buyers.

0:25:00.480 --> 0:25:03.840
<v Speaker 3>They'd had the pieces authenticated and experts said they were fake.

0:25:04.000 --> 0:25:05.320
<v Speaker 2>My praiser wants to speak with you.

0:25:05.359 --> 0:25:08.320
<v Speaker 3>OK, he's right. Well, then the FBI comes calling. An

0:25:08.480 --> 0:25:11.960
<v Speaker 3>FBI agent interviewed Don and three other people who paid

0:25:11.960 --> 0:25:15.560
<v Speaker 3>Toy nearly one hundred thousand dollars in total for forty

0:25:15.560 --> 0:25:19.560
<v Speaker 3>fake Clementine Hunter paintings. So Don, he decides, I'm going

0:25:19.600 --> 0:25:21.440
<v Speaker 3>to the toy's house and I'm getting my money back.

0:25:21.520 --> 0:25:23.600
<v Speaker 2>So did the FBI clear Don? Because there like, this

0:25:23.680 --> 0:25:24.840
<v Speaker 2>man's too dumb to be the master.

0:25:25.240 --> 0:25:28.159
<v Speaker 3>He's like, he's such a sweetheart. They put his head sweet.

0:25:27.920 --> 0:25:30.320
<v Speaker 2>Summer child, someone helped across the street.

0:25:30.520 --> 0:25:32.439
<v Speaker 3>So Don Don, Don posses up.

0:25:32.960 --> 0:25:34.280
<v Speaker 2>But I'm going maybe slow.

0:25:34.359 --> 0:25:35.760
<v Speaker 3>I'm getting my money back, but.

0:25:35.720 --> 0:25:37.639
<v Speaker 2>I'm going for my aron close.

0:25:38.160 --> 0:25:42.560
<v Speaker 3>Oh yes, I want you to picture it. You are

0:25:42.600 --> 0:25:46.800
<v Speaker 3>the embroidered Ralph Lauren Polo logo on Don Fusen's button

0:25:46.840 --> 0:25:50.960
<v Speaker 3>down shirt. You rest elegantly over the man's heart. He

0:25:51.000 --> 0:25:54.520
<v Speaker 3>has a good heart, he loves art. He's trusting, but

0:25:54.680 --> 0:25:56.800
<v Speaker 3>now he's on a mission to get his money back

0:25:56.840 --> 0:26:00.479
<v Speaker 3>from two lunatics. Don sighs as he gets into his

0:26:00.520 --> 0:26:03.480
<v Speaker 3>car and revs the engine. He's on a mission. As

0:26:03.520 --> 0:26:06.160
<v Speaker 3>he speeds down the road and with the windows down,

0:26:06.560 --> 0:26:09.440
<v Speaker 3>that thick humid air whips in and you flutter against

0:26:09.520 --> 0:26:12.639
<v Speaker 3>Don's body. He slows the car and comes to a

0:26:12.680 --> 0:26:15.400
<v Speaker 3>stop on Katy Drive. He gets out of the car

0:26:15.480 --> 0:26:16.840
<v Speaker 3>and surveys the scene.

0:26:16.960 --> 0:26:18.000
<v Speaker 2>The grass hasn't been.

0:26:17.880 --> 0:26:20.360
<v Speaker 3>Cutting in ages, and it's as tall as Don's knees.

0:26:20.680 --> 0:26:23.520
<v Speaker 3>There's junk and garbage strewn all through the tall weeds.

0:26:23.880 --> 0:26:27.600
<v Speaker 3>You can feel Don's heart beating faster behind you. He's scared.

0:26:28.480 --> 0:26:30.480
<v Speaker 3>He walks up to the house and steps onto the

0:26:30.480 --> 0:26:33.760
<v Speaker 3>dilapidated front porch. There are signs all over the place,

0:26:34.119 --> 0:26:37.920
<v Speaker 3>do not disturb, keep out, go away, but Don will

0:26:37.920 --> 0:26:40.840
<v Speaker 3>obey none of these. He steals himself and takes a

0:26:40.880 --> 0:26:43.919
<v Speaker 3>deep breath. He approaches the front door. This is no

0:26:44.119 --> 0:26:48.080
<v Speaker 3>ordinary front door. It is a huge iron door. Don

0:26:48.119 --> 0:26:50.479
<v Speaker 3>stares at the imposing door for a moment and then

0:26:50.520 --> 0:26:53.480
<v Speaker 3>begins pounding on it with his fist. Suddenly, the door

0:26:53.520 --> 0:26:56.800
<v Speaker 3>creaks open. An old woman with short gray hair peers

0:26:56.840 --> 0:26:59.640
<v Speaker 3>out from inside the cluttered house. At her feet are

0:26:59.640 --> 0:27:03.919
<v Speaker 3>three cats circling her ankles, purring and yewing. You and

0:27:04.000 --> 0:27:06.440
<v Speaker 3>Don looked beyond her into the house and see more

0:27:06.480 --> 0:27:09.239
<v Speaker 3>cats lounging on the furniture under countless pieces of art

0:27:09.320 --> 0:27:12.240
<v Speaker 3>hung on the walls. Beryl picks up one of the cats.

0:27:12.440 --> 0:27:15.760
<v Speaker 3>The collar reads he by gebe. It's an old cat.

0:27:15.840 --> 0:27:20.800
<v Speaker 3>It's hair thinning and its eyes clouded with cataracts. Beryl says, Don,

0:27:21.240 --> 0:27:23.760
<v Speaker 3>you squint your embroidered eyes at her by pinching two

0:27:23.800 --> 0:27:28.320
<v Speaker 3>threads together. I trusted you, and you sold me fakes. No,

0:27:28.760 --> 0:27:32.280
<v Speaker 3>says Beryl. I bought those pieces myself, right from the

0:27:32.400 --> 0:27:34.760
<v Speaker 3>artist Clementine Hunter sold those to me.

0:27:35.680 --> 0:27:36.200
<v Speaker 2>I want my.

0:27:36.240 --> 0:27:40.040
<v Speaker 3>Money back, Don yells. Beryl yells back, I sold you

0:27:40.080 --> 0:27:42.600
<v Speaker 3>the real paintings, and you made copies. You forged all

0:27:42.600 --> 0:27:44.680
<v Speaker 3>these paintings, and now you're trying to scam us all.

0:27:45.240 --> 0:27:48.360
<v Speaker 3>And with that, Beryl slammed the iron door. You look

0:27:48.400 --> 0:27:50.600
<v Speaker 3>over and you see a cat peering at you through

0:27:50.600 --> 0:27:54.000
<v Speaker 3>a window. Don turns and returns to his car. You

0:27:54.119 --> 0:27:56.960
<v Speaker 3>rest your logo body against his as he speedes off

0:27:57.000 --> 0:27:58.800
<v Speaker 3>and heads home empty handed.

0:28:00.320 --> 0:28:00.760
<v Speaker 2>There you are.

0:28:01.359 --> 0:28:05.320
<v Speaker 3>A few days later, Don got a letter from Beryl. Quote,

0:28:05.600 --> 0:28:08.240
<v Speaker 3>the onus is not upon us to prove that the

0:28:08.240 --> 0:28:10.840
<v Speaker 3>paintings are real. It is upon you to prove that

0:28:10.880 --> 0:28:11.399
<v Speaker 3>they are not.

0:28:12.920 --> 0:28:13.760
<v Speaker 2>Does that?

0:28:13.920 --> 0:28:16.639
<v Speaker 3>Yeah? So and he did. He proved it. He's like,

0:28:16.680 --> 0:28:20.080
<v Speaker 3>guess what, they're fakes. I've taken the onus and there

0:28:20.080 --> 0:28:20.280
<v Speaker 3>you are.

0:28:21.280 --> 0:28:21.480
<v Speaker 2>Court.

0:28:22.760 --> 0:28:25.359
<v Speaker 3>Don wanted proof from the Toys that the experts were

0:28:25.400 --> 0:28:28.120
<v Speaker 3>wrong and the couple had in fact bought the paintings

0:28:28.160 --> 0:28:31.200
<v Speaker 3>directly from the artist. This is what he said. Quote.

0:28:31.320 --> 0:28:33.600
<v Speaker 3>I was hoping that mister Toy would say, let me

0:28:33.600 --> 0:28:36.040
<v Speaker 3>get a photo album and there would be forty pictures

0:28:36.080 --> 0:28:38.719
<v Speaker 3>of missus Toy with Clementine on her front porch, but

0:28:38.760 --> 0:28:41.120
<v Speaker 3>there were no pictures. I was hoping he would produce

0:28:41.160 --> 0:28:43.520
<v Speaker 3>a phone number of a friend who had visited Melrose

0:28:43.560 --> 0:28:46.520
<v Speaker 3>with missus Toy, but they didn't have that either, So.

0:28:46.480 --> 0:28:50.880
<v Speaker 2>No one had been to her Melrose place. No one. Yes,

0:28:51.240 --> 0:28:53.200
<v Speaker 2>I like that they want a photo album of proof,

0:28:53.240 --> 0:28:54.080
<v Speaker 2>Like what have they? My mother?

0:28:54.200 --> 0:29:00.520
<v Speaker 3>I'm need to start making photo albums of proof. It's

0:29:00.520 --> 0:29:04.240
<v Speaker 3>making me nervous. So Don sets up a meeting with

0:29:04.280 --> 0:29:08.240
<v Speaker 3>Toy and invited along with him a well regarded art

0:29:08.280 --> 0:29:10.680
<v Speaker 3>conservator named Margaret Morland.

0:29:10.960 --> 0:29:13.360
<v Speaker 2>Not Margaret Moreland, Yes, Margaret Morland.

0:29:14.720 --> 0:29:17.120
<v Speaker 3>Morland was a known conservator who had been in the

0:29:17.120 --> 0:29:18.440
<v Speaker 3>business for twenty five years.

0:29:18.520 --> 0:29:19.320
<v Speaker 2>Oh Mags of steel.

0:29:19.360 --> 0:29:22.280
<v Speaker 3>Oh yeah, she's a tough bird. She had cleaned a

0:29:22.320 --> 0:29:26.400
<v Speaker 3>lot of Hunter paintings for Toy, and after Katrina, Toy

0:29:26.480 --> 0:29:30.880
<v Speaker 3>brought Moreland even more Hunter paintings for cleaning. Moreland attached

0:29:30.880 --> 0:29:33.800
<v Speaker 3>a condition report to each piece that she cleaned. So

0:29:33.920 --> 0:29:35.880
<v Speaker 3>she said, quote, he kept asking me, do you think

0:29:35.880 --> 0:29:37.720
<v Speaker 3>these are real? I don't want people to think they're fake.

0:29:38.400 --> 0:29:41.320
<v Speaker 3>So if you have paintings that you got from the

0:29:41.400 --> 0:29:43.600
<v Speaker 3>actual artist, why would you say that?

0:29:44.040 --> 0:29:45.800
<v Speaker 2>Yeah? I don't. I don't get that one.

0:29:46.040 --> 0:29:49.920
<v Speaker 3>So Moreland she came to believe that Toy used her

0:29:49.920 --> 0:29:53.680
<v Speaker 3>condition reports as proof of authenticity to prospective buyers. She's

0:29:53.720 --> 0:29:56.160
<v Speaker 3>not authenticating, she's just cleaning a painting.

0:29:56.520 --> 0:29:59.280
<v Speaker 2>But he's acting like that somehow is a yeah process.

0:29:59.320 --> 0:30:02.120
<v Speaker 3>And she said, there's no way I certified them. These

0:30:02.120 --> 0:30:04.240
<v Speaker 3>are just notes I make for myself to keep track

0:30:04.280 --> 0:30:08.640
<v Speaker 3>of them. Now, remember how the Toys said Don had

0:30:08.680 --> 0:30:13.320
<v Speaker 3>recopied their legit paintings. They accused Morland's son Robert, of

0:30:13.320 --> 0:30:16.520
<v Speaker 3>being the real forger in all of this. So Robert,

0:30:16.560 --> 0:30:19.240
<v Speaker 3>who had considered Toy a friend, was absolutely shocked.

0:30:19.400 --> 0:30:20.920
<v Speaker 2>Oh he's buddies with this person.

0:30:21.120 --> 0:30:24.480
<v Speaker 3>This is what Robert Morland said, quote never, never would

0:30:24.480 --> 0:30:26.320
<v Speaker 3>I do something like that. I don't think I could

0:30:26.360 --> 0:30:29.760
<v Speaker 3>fake one if I wanted to. It's just preposterous. Usually

0:30:29.760 --> 0:30:31.960
<v Speaker 3>when a painting is old, the older it is, the

0:30:31.960 --> 0:30:34.040
<v Speaker 3>stronger the paint is. But there were times when a

0:30:34.040 --> 0:30:35.840
<v Speaker 3>little paint would come up when I was using a

0:30:35.880 --> 0:30:39.200
<v Speaker 3>relatively weak cleaner, and I was like, huh, that's coming

0:30:39.280 --> 0:30:40.040
<v Speaker 3>up kind of easy.

0:30:40.280 --> 0:30:41.000
<v Speaker 2>But what do I know.

0:30:41.080 --> 0:30:43.520
<v Speaker 3>I don't know anything about Clementine Hunter, and I definitely

0:30:43.560 --> 0:30:45.720
<v Speaker 3>wasn't going to say the paintings were fake because of that.

0:30:47.040 --> 0:30:50.520
<v Speaker 3>Don though hits the nail on the head. Quote. Clementine

0:30:50.560 --> 0:30:53.560
<v Speaker 3>was a poor black woman who painted for pennies and nickels.

0:30:53.840 --> 0:30:56.240
<v Speaker 3>These people copy her work and sign her name to

0:30:56.280 --> 0:30:58.760
<v Speaker 3>get thousands of dollars for something that she'd have gotten

0:30:58.800 --> 0:31:01.880
<v Speaker 3>thirty dollars for. She's the person most violated by this.

0:31:02.440 --> 0:31:05.080
<v Speaker 2>Don I'm so wrong. I take it back. You're not simple,

0:31:05.120 --> 0:31:07.560
<v Speaker 2>You're truthful. You get right to the heart of matters.

0:31:07.760 --> 0:31:09.160
<v Speaker 2>Who am I to judge.

0:31:08.920 --> 0:31:14.000
<v Speaker 3>Your irritating to me about this the absolute exploitation. So

0:31:14.160 --> 0:31:17.080
<v Speaker 3>Don he gathered a bunch of other victims of the toys,

0:31:17.080 --> 0:31:19.280
<v Speaker 3>and he went to the state Attorney General's office. They

0:31:19.360 --> 0:31:24.000
<v Speaker 3>demanded an investigation. They got nothing, of course, not at all,

0:31:24.120 --> 0:31:26.600
<v Speaker 3>Don said, quote. The impression I got was that they

0:31:26.640 --> 0:31:28.640
<v Speaker 3>thought this was a big white collar crime and that

0:31:28.760 --> 0:31:30.760
<v Speaker 3>rich people were getting hurt, and so it wasn't a

0:31:30.760 --> 0:31:31.200
<v Speaker 3>big deal.

0:31:31.640 --> 0:31:33.640
<v Speaker 2>Oh, we do about that.

0:31:33.560 --> 0:31:35.920
<v Speaker 3>That's kind of our motto here. But like, I don't

0:31:35.920 --> 0:31:39.240
<v Speaker 3>classify these folks as wealthy. Okay, like they have money,

0:31:39.240 --> 0:31:41.680
<v Speaker 3>but the losses make an impact on their livelihood. They

0:31:41.680 --> 0:31:44.360
<v Speaker 3>can't just absorb these losses. I like the ones where

0:31:44.360 --> 0:31:47.280
<v Speaker 3>the fat cat victim is what I call violently.

0:31:46.880 --> 0:31:48.880
<v Speaker 2>Rich, Yes, or like writing it off because they don't

0:31:48.880 --> 0:31:49.600
<v Speaker 2>want to be embarrassed.

0:31:49.680 --> 0:31:51.720
<v Speaker 3>Yeah, you don't get to be a billionaire or a

0:31:51.720 --> 0:31:54.760
<v Speaker 3>member of the one percent without stomping on and exploiting others.

0:31:54.840 --> 0:31:57.280
<v Speaker 2>Yes, so simple, get it.

0:31:57.320 --> 0:31:59.240
<v Speaker 3>And that, dear listeners, is why I think they are

0:31:59.280 --> 0:32:02.480
<v Speaker 3>fair game and the crimes involving them tickle me.

0:32:02.880 --> 0:32:05.600
<v Speaker 2>Are you recommending a cookbook to how to Cook and

0:32:05.640 --> 0:32:06.120
<v Speaker 2>Eat the rich.

0:32:06.880 --> 0:32:10.479
<v Speaker 3>Basically, let's take a break, let that soak in, and

0:32:10.560 --> 0:32:13.880
<v Speaker 3>when we come back, we'll keep wading through the wreckage

0:32:14.000 --> 0:32:38.480
<v Speaker 3>left in the wake of the USS Toy. Hey's Aaron, welcome.

0:32:39.560 --> 0:32:41.480
<v Speaker 2>You got more about that boy toy, the toy boy

0:32:41.640 --> 0:32:43.440
<v Speaker 2>my man creating barrel and barrel.

0:32:44.160 --> 0:32:47.880
<v Speaker 3>Yeah, I do. So. We've got the toys forging paintings,

0:32:48.320 --> 0:32:51.760
<v Speaker 3>selling said fakes, then turning around and accusing the buyers

0:32:51.800 --> 0:32:55.600
<v Speaker 3>of forgery when caught. Yes, it's amazing. Sometimes the tactic

0:32:55.640 --> 0:32:56.840
<v Speaker 3>works and sometimes it doesn't.

0:32:56.920 --> 0:32:57.960
<v Speaker 2>Yeah, like when you're seven.

0:32:58.080 --> 0:33:00.440
<v Speaker 3>But it always muddies the water, installs things.

0:33:00.520 --> 0:33:00.800
<v Speaker 2>Yeah.

0:33:00.840 --> 0:33:05.000
<v Speaker 3>You know. One target of the toys, Janice Dealerno. She

0:33:05.080 --> 0:33:07.400
<v Speaker 3>knew the ruse all too well. She's the owner of

0:33:07.440 --> 0:33:10.000
<v Speaker 3>an art gallery and frame shop in Baton Rouge, and

0:33:10.040 --> 0:33:13.760
<v Speaker 3>she bought five Clementine Hunter paintings from Toy. This is

0:33:13.800 --> 0:33:16.960
<v Speaker 3>what she said quote. I started getting suspicious of him.

0:33:17.400 --> 0:33:20.720
<v Speaker 3>He had this unending collection of paintings with anything you

0:33:20.760 --> 0:33:24.600
<v Speaker 3>could possibly want. You could name the subject matter and size.

0:33:24.720 --> 0:33:29.280
<v Speaker 3>I just started wondering what was going on. I think

0:33:29.320 --> 0:33:31.400
<v Speaker 3>the fact that you could name fine art by artists

0:33:31.440 --> 0:33:32.960
<v Speaker 3>and size of the piece should have been a good

0:33:32.960 --> 0:33:34.640
<v Speaker 3>clue that he wasn't on the up and up. Yeah,

0:33:35.040 --> 0:33:36.280
<v Speaker 3>made to order fine art.

0:33:36.160 --> 0:33:38.800
<v Speaker 2>When you're like, have like an actual Hunter painting of

0:33:38.840 --> 0:33:40.960
<v Speaker 2>Lionel Ritchie that's a seven by eleven, and you're like,

0:33:41.080 --> 0:33:43.120
<v Speaker 2>I don't know why she painted that, but.

0:33:43.080 --> 0:33:46.120
<v Speaker 3>You know it's it's funny, serendipitous.

0:33:45.440 --> 0:33:47.280
<v Speaker 2>That she did. It's amazing and she's exactly what I

0:33:47.320 --> 0:33:48.200
<v Speaker 2>wanted from my bathroom.

0:33:49.360 --> 0:33:52.800
<v Speaker 3>Sodalerno. She took the paintings to an expert on Hunter

0:33:52.920 --> 0:33:57.160
<v Speaker 3>pieces and learned they were fake. Surprise, and she said, quote,

0:33:57.160 --> 0:33:59.600
<v Speaker 3>William Toy turns it around and accuses the person he

0:33:59.640 --> 0:34:02.960
<v Speaker 3>sold a art to copying it. It's ludicrous, Like, hello,

0:34:03.120 --> 0:34:04.600
<v Speaker 3>how many times you have to walk into this wall?

0:34:04.640 --> 0:34:07.160
<v Speaker 2>Everybody say, it's ridiculous. Exactly.

0:34:07.880 --> 0:34:10.920
<v Speaker 3>So Shannon Foley another target. She's an art dealer in

0:34:10.960 --> 0:34:13.879
<v Speaker 3>New Orleans. She went to Toy's freaky house to buy

0:34:13.880 --> 0:34:17.480
<v Speaker 3>the pieces. This is how she described it. Quote, it

0:34:17.560 --> 0:34:21.439
<v Speaker 3>was dirty, there was dust everywhere, three four maybe five

0:34:21.520 --> 0:34:24.040
<v Speaker 3>cats were around. I was pregnant, and the stench of

0:34:24.120 --> 0:34:26.440
<v Speaker 3>cat urine hit me in the face. I thought, oh

0:34:26.440 --> 0:34:28.399
<v Speaker 3>my gosh, this is crazy. I had to get out

0:34:28.400 --> 0:34:30.400
<v Speaker 3>of there. You meet a lot of eccentric people in

0:34:30.440 --> 0:34:32.759
<v Speaker 3>the art world who live in bizarre conditions and yet

0:34:32.800 --> 0:34:37.640
<v Speaker 3>have valuable things. So it's the eccentricity that buys the

0:34:37.640 --> 0:34:38.879
<v Speaker 3>toys credit.

0:34:38.920 --> 0:34:42.799
<v Speaker 2>Not the toxoplasmosis in the nose when you go to visit, the.

0:34:42.760 --> 0:34:45.320
<v Speaker 3>Ammonia of it all like. But if you have money,

0:34:45.320 --> 0:34:46.640
<v Speaker 3>you can be as weird as you want to be.

0:34:46.840 --> 0:34:48.480
<v Speaker 2>Look at the British were talking about at the beginning.

0:34:48.480 --> 0:34:49.800
<v Speaker 3>That's why I need to win the lottery.

0:34:49.920 --> 0:34:52.240
<v Speaker 2>Yes, you can be eccentricause you want to be exactly.

0:34:52.640 --> 0:34:56.200
<v Speaker 3>So the Toys they were opera aficionados, and they named

0:34:56.200 --> 0:34:58.960
<v Speaker 3>their cats after characters from Gilbert and Sullivan musical.

0:34:59.120 --> 0:35:00.239
<v Speaker 2>Oh my god, you have name games.

0:35:00.640 --> 0:35:04.000
<v Speaker 3>Yes, yes, Toy once said, quote, do you know we've

0:35:04.040 --> 0:35:07.040
<v Speaker 3>had one hundred and six cats since nineteen seventy seven.

0:35:07.320 --> 0:35:07.799
<v Speaker 2>Oh wow.

0:35:07.880 --> 0:35:10.680
<v Speaker 3>Coco was the first. Yum Yum was second. If you

0:35:10.760 --> 0:35:12.960
<v Speaker 3>have all day, I can tell you about every one

0:35:12.960 --> 0:35:15.560
<v Speaker 3>of them. We didn't want all the yelling and screaming,

0:35:15.600 --> 0:35:18.960
<v Speaker 3>so we adopted cats instead. I contacted a funeral home

0:35:19.000 --> 0:35:21.480
<v Speaker 3>about where to get gravestones for the cats. So I'm

0:35:21.480 --> 0:35:23.799
<v Speaker 3>going to have a load of gravestones delivered, and we're

0:35:23.800 --> 0:35:25.960
<v Speaker 3>gonna put one at the head of each grave.

0:35:26.800 --> 0:35:29.440
<v Speaker 2>Okay, just so much to go with there. But my

0:35:29.560 --> 0:35:32.440
<v Speaker 2>favorite possibly is a load of gravestones, a load of

0:35:32.760 --> 0:35:35.520
<v Speaker 2>can maybe a load of half a gravestone.

0:35:35.520 --> 0:35:38.319
<v Speaker 3>Then here's barrel. She chimes in, quote, we know where

0:35:38.320 --> 0:35:40.960
<v Speaker 3>they all are. Taddy's in here, Janie's here.

0:35:41.440 --> 0:35:44.759
<v Speaker 2>Oh no, she's just in the house. I suppose over

0:35:44.800 --> 0:35:45.279
<v Speaker 2>there in that.

0:35:45.160 --> 0:35:48.239
<v Speaker 3>Bag in her pocket. So back to Shannon.

0:35:47.920 --> 0:35:49.400
<v Speaker 2>Foley The Pirates of Penzance.

0:35:49.440 --> 0:35:53.720
<v Speaker 3>A now fully wades into cat Pea Central and buys

0:35:53.840 --> 0:35:58.040
<v Speaker 3>five paintings get out, and then she bought fourteen more

0:35:58.239 --> 0:36:01.000
<v Speaker 3>via mail after she sold those origin four. Now they

0:36:01.040 --> 0:36:03.560
<v Speaker 3>had to smell terrible. It's why they have to get

0:36:03.719 --> 0:36:04.120
<v Speaker 3>Oh my god.

0:36:04.200 --> 0:36:05.880
<v Speaker 2>Yeah, i'd be like a smoker's house, but its capit.

0:36:06.560 --> 0:36:06.799
<v Speaker 3>Yeah.

0:36:06.840 --> 0:36:10.120
<v Speaker 2>Also, I'm thinking she thought that's what made it more artistic.

0:36:10.160 --> 0:36:13.080
<v Speaker 2>It's like, oh, it was so funky. Yeah, have toists.

0:36:13.080 --> 0:36:15.960
<v Speaker 2>They can't be people who live like that.

0:36:16.440 --> 0:36:20.400
<v Speaker 3>Well, so all said, fully paid forty four thousand dollars

0:36:20.400 --> 0:36:21.680
<v Speaker 3>for nineteen paintings.

0:36:21.840 --> 0:36:22.640
<v Speaker 2>Oh man, She.

0:36:22.719 --> 0:36:24.959
<v Speaker 3>Listed some on a website and then she put others

0:36:25.040 --> 0:36:27.000
<v Speaker 3>up at an auction house. And soon enough she finds

0:36:27.000 --> 0:36:29.520
<v Speaker 3>out they're all faked, so she reaches out to the

0:36:29.560 --> 0:36:33.200
<v Speaker 3>toys demands her money back. Quote they said all these

0:36:33.200 --> 0:36:35.960
<v Speaker 3>people were jealous of them, that other people were the forgers.

0:36:36.000 --> 0:36:39.160
<v Speaker 3>It's like they're scripting their own reality. I love the

0:36:39.280 --> 0:36:41.480
<v Speaker 3>journey that everyone goes through of like, oh my god,

0:36:41.480 --> 0:36:43.120
<v Speaker 3>they have these paintings. It's kind of a bargain.

0:36:43.160 --> 0:36:43.960
<v Speaker 2>I'm gonna exploit them.

0:36:44.000 --> 0:36:46.239
<v Speaker 3>They smell like pee, but like, I don't know, they're

0:36:46.320 --> 0:36:49.000
<v Speaker 3>kinda they're They're weird, artistic centric type.

0:36:48.800 --> 0:36:50.440
<v Speaker 2>And I'm going to get a good deal. I just

0:36:50.480 --> 0:36:52.560
<v Speaker 2>got con the oh.

0:36:52.520 --> 0:36:54.880
<v Speaker 3>And now they're saying I faked them. Anyway, so she

0:36:54.960 --> 0:36:55.640
<v Speaker 3>tries to sue.

0:36:55.640 --> 0:36:57.080
<v Speaker 2>These people are crazy.

0:36:57.400 --> 0:36:59.799
<v Speaker 3>She tried to sue them, but she could never get

0:36:59.800 --> 0:37:01.919
<v Speaker 3>the papers served. They wouldn't open the door.

0:37:02.080 --> 0:37:04.279
<v Speaker 2>Oh yeah, yeah, no, of course not. I think that

0:37:04.320 --> 0:37:07.040
<v Speaker 2>they would have to go to like some kind of

0:37:07.040 --> 0:37:08.799
<v Speaker 2>collector from the mob to get their money.

0:37:08.880 --> 0:37:09.240
<v Speaker 3>Totally.

0:37:09.239 --> 0:37:11.480
<v Speaker 2>You need someone in a long black leather jack.

0:37:11.680 --> 0:37:13.120
<v Speaker 3>You need to know some Hell's.

0:37:12.719 --> 0:37:14.239
<v Speaker 2>Not a lawyer exactly that would do it.

0:37:14.360 --> 0:37:16.920
<v Speaker 3>Yeah, you always say, and I'm always like, I wish

0:37:16.960 --> 0:37:17.920
<v Speaker 3>I knew some Hell's Angels.

0:37:17.920 --> 0:37:21.759
<v Speaker 2>See this is our California, New Jersey to buy exactly. So.

0:37:21.840 --> 0:37:25.360
<v Speaker 3>Another gal, the owner of Baton Rouge financial services company,

0:37:25.440 --> 0:37:28.520
<v Speaker 3>named Stephanie Hardy. She met toy in around like two

0:37:28.520 --> 0:37:31.120
<v Speaker 3>thousand and six, two thousand and seven when he came

0:37:31.160 --> 0:37:34.200
<v Speaker 3>in looking to get a loan and Hardy denied him

0:37:34.200 --> 0:37:36.799
<v Speaker 3>alone smart at which point he said, well, I've got

0:37:36.840 --> 0:37:40.000
<v Speaker 3>all these Clementine Hunter paintings. Let's use him as collateral.

0:37:40.560 --> 0:37:44.359
<v Speaker 3>So what does Hardy do? She's like, I have a collateral. No,

0:37:44.480 --> 0:37:47.560
<v Speaker 3>she buys five of the paintings. God, She's like, don't

0:37:47.560 --> 0:37:49.359
<v Speaker 3>worry about the loan. How I could take those off

0:37:49.400 --> 0:37:52.200
<v Speaker 3>your hand. He's like, okay, seventy five hundred dollars and

0:37:52.239 --> 0:37:54.680
<v Speaker 3>she talks him down to twenty five hundred dollars.

0:37:55.239 --> 0:37:58.040
<v Speaker 2>This is classic con behavior. Everyone thinks they're getting one

0:37:58.080 --> 0:37:58.680
<v Speaker 2>over on him.

0:37:58.800 --> 0:38:00.920
<v Speaker 3>Here's what she said. This is how she said. Quote.

0:38:01.040 --> 0:38:03.480
<v Speaker 3>Some were rare ones, like a Christmas tree. When I

0:38:03.520 --> 0:38:05.600
<v Speaker 3>asked what else he had, he gave me a spiral

0:38:05.640 --> 0:38:08.400
<v Speaker 3>bound notebook with polaroids of the paintings. He told me,

0:38:08.640 --> 0:38:10.640
<v Speaker 3>I can get you any of these that you want,

0:38:10.680 --> 0:38:14.560
<v Speaker 3>in lots of sizes, in lots of sizes, like the

0:38:14.640 --> 0:38:16.439
<v Speaker 3>alarm bell is going off, and she's like, I got

0:38:16.440 --> 0:38:18.799
<v Speaker 3>some rare ones for twenty five hundred. How did she

0:38:18.880 --> 0:38:19.960
<v Speaker 3>not see this scam?

0:38:20.040 --> 0:38:21.520
<v Speaker 2>Why can't we get jobs?

0:38:21.040 --> 0:38:23.680
<v Speaker 3>Back it up so he doesn't qualify for a loan,

0:38:24.400 --> 0:38:26.520
<v Speaker 3>she buys paintings from him, and then he's like, you know,

0:38:26.520 --> 0:38:29.160
<v Speaker 3>I can get him in any size. It's like when

0:38:29.200 --> 0:38:31.880
<v Speaker 3>you order a T shirt online and then they say, oh,

0:38:31.880 --> 0:38:33.520
<v Speaker 3>you can also get the design on a mug or

0:38:33.520 --> 0:38:36.239
<v Speaker 3>a mousepad, Like why do I want an Elliot Smith

0:38:36.280 --> 0:38:39.600
<v Speaker 3>mouse pad? Scratch that it sounds kind of cool anyway?

0:38:40.760 --> 0:38:43.200
<v Speaker 3>What else was in the Magic Art catalog notebooks?

0:38:43.280 --> 0:38:46.759
<v Speaker 2>Eron it would go through Elliot Smith mug so masch set?

0:38:47.360 --> 0:38:48.520
<v Speaker 2>What else was in a notebook?

0:38:48.600 --> 0:38:52.000
<v Speaker 3>Let me tell you the glute? Inside was a letter

0:38:52.120 --> 0:38:55.120
<v Speaker 3>dated nineteen seventy three from Mark Antony of the three

0:38:55.280 --> 0:38:58.960
<v Speaker 3>three one gallery in New Orleans. Okay, here's a small problem.

0:38:59.120 --> 0:39:01.760
<v Speaker 3>The place closed in nineteen sixty six and the letter

0:39:01.840 --> 0:39:02.920
<v Speaker 3>was from nineteen seventy three.

0:39:03.000 --> 0:39:04.280
<v Speaker 2>That doesn't work out, It doesn't.

0:39:04.560 --> 0:39:07.680
<v Speaker 3>The letter said the toys owned four hundred and thirty

0:39:07.719 --> 0:39:11.160
<v Speaker 3>eight Hunter paintings and with a total worth of approximately

0:39:11.200 --> 0:39:12.400
<v Speaker 3>forty five thousand dollars.

0:39:12.680 --> 0:39:14.960
<v Speaker 2>No to his credit, could this have been like, you know,

0:39:15.040 --> 0:39:16.920
<v Speaker 2>we lost the brick and mortar, but now we're a

0:39:16.960 --> 0:39:18.360
<v Speaker 2>floating gallery.

0:39:18.200 --> 0:39:20.359
<v Speaker 3>An online Now that was like.

0:39:20.280 --> 0:39:24.879
<v Speaker 2>The brick of Dune of we appear every four years.

0:39:25.239 --> 0:39:25.760
<v Speaker 2>So toy.

0:39:25.960 --> 0:39:29.120
<v Speaker 3>He gives copies of the letter to both Dalerno and

0:39:29.120 --> 0:39:32.919
<v Speaker 3>Foley as provenas for the paintings. Hardy, though, she gets

0:39:33.000 --> 0:39:35.040
<v Speaker 3>the hold her hands on the whole notebook and turns

0:39:35.080 --> 0:39:36.160
<v Speaker 3>it over to the FBI.

0:39:36.360 --> 0:39:38.920
<v Speaker 2>Oh yeah, wow.

0:39:38.600 --> 0:39:41.320
<v Speaker 3>So January of two thousand and nine, Well, she best

0:39:41.360 --> 0:39:43.840
<v Speaker 3>with a banker. The banker's like, okay, we have federal

0:39:43.880 --> 0:39:44.520
<v Speaker 3>issues here.

0:39:44.400 --> 0:39:45.640
<v Speaker 2>But how did you get her hands on the note

0:39:45.680 --> 0:39:46.279
<v Speaker 2>Did she break in?

0:39:46.400 --> 0:39:48.160
<v Speaker 3>She was like, can I just take it home? And

0:39:48.280 --> 0:39:50.879
<v Speaker 3>like just and she put it in a ziplock bag

0:39:50.880 --> 0:39:53.319
<v Speaker 3>because it smelled so bad I want to stinking up

0:39:53.360 --> 0:39:56.480
<v Speaker 3>my car. January two thousand and nine, the FBI got

0:39:56.480 --> 0:39:59.080
<v Speaker 3>in touch with Lindel King, the director of the Wiseman

0:39:59.200 --> 0:40:03.640
<v Speaker 3>Art Museum at University of Minnesota. The FBI thought that

0:40:03.680 --> 0:40:06.200
<v Speaker 3>the Hunter paintings on display there that were gifted from

0:40:06.239 --> 0:40:09.759
<v Speaker 3>a local collector and his family were forgeries. FBI came

0:40:09.800 --> 0:40:12.680
<v Speaker 3>and took pictures of all thirty eight Clementine Hunter paintings.

0:40:12.680 --> 0:40:17.200
<v Speaker 3>There who now that March FBI special agent Randolph Deeton

0:40:17.320 --> 0:40:21.879
<v Speaker 3>the fourth not the fourth. Yeah, he contacted the museum

0:40:22.000 --> 0:40:24.160
<v Speaker 3>to let him know that five of their thirty eight

0:40:24.239 --> 0:40:27.759
<v Speaker 3>Hunter paintings were likely fake. In an interview with the Toys,

0:40:27.960 --> 0:40:31.160
<v Speaker 3>Beryl said, once they leave our hands, we have no

0:40:31.239 --> 0:40:33.799
<v Speaker 3>control over what happens to them. We had the real

0:40:33.840 --> 0:40:37.640
<v Speaker 3>ones and everyone else was faking them. And then William says,

0:40:37.760 --> 0:40:41.280
<v Speaker 3>I didn't confess anything because I didn't do anything. People.

0:40:41.719 --> 0:40:42.880
<v Speaker 3>They're amazing.

0:40:43.280 --> 0:40:46.000
<v Speaker 2>So they're like the long shag carpet of people.

0:40:46.840 --> 0:40:51.400
<v Speaker 3>It's like, collect so much gross, don't walk on it barefoot. So,

0:40:51.440 --> 0:40:53.920
<v Speaker 3>when asked about Clementine Hunter's work, Toy said that he

0:40:54.000 --> 0:40:56.640
<v Speaker 3>hated it and he wouldn't let his wife hang the

0:40:56.640 --> 0:41:00.560
<v Speaker 3>pieces in the house. Quote, they're junk and really only

0:41:00.560 --> 0:41:03.400
<v Speaker 3>good as dart boards. The only thing that Clementine Hunter's

0:41:03.400 --> 0:41:05.760
<v Speaker 3>good for is a stepping stone in a muddy field.

0:41:06.360 --> 0:41:07.800
<v Speaker 3>Damn backup, did.

0:41:07.680 --> 0:41:10.120
<v Speaker 2>Dude, I'm about to fight on these words. Clementine Hunter

0:41:10.120 --> 0:41:10.880
<v Speaker 2>don't deserve that.

0:41:11.320 --> 0:41:14.920
<v Speaker 3>So again September two, two thousand and nine. So we're like,

0:41:15.080 --> 0:41:18.080
<v Speaker 3>you know, after they've contacted the museum. Earlier in the year,

0:41:18.160 --> 0:41:21.680
<v Speaker 3>the FBI they raid toys home in Baton Rouge. They

0:41:21.680 --> 0:41:26.600
<v Speaker 3>seized art supplies, computers, documents, typewriters, and according to the toys,

0:41:26.640 --> 0:41:29.480
<v Speaker 3>the only paintings the FBI found were four small Hunter

0:41:29.560 --> 0:41:32.000
<v Speaker 3>pieces that were left over from the four hundred piece

0:41:32.040 --> 0:41:35.240
<v Speaker 3>collection that Beryl got decades prior when she was friends

0:41:35.239 --> 0:41:36.239
<v Speaker 3>with Clementine Hunter.

0:41:36.360 --> 0:41:37.359
<v Speaker 2>That's what the toy said.

0:41:37.360 --> 0:41:40.920
<v Speaker 3>That's what the toy said. Say And like Beryl again,

0:41:41.000 --> 0:41:43.040
<v Speaker 3>she said she started buying the pieces from Hunter in

0:41:43.120 --> 0:41:46.239
<v Speaker 3>nineteen sixty nine, you know, typically paying like thirty five

0:41:46.280 --> 0:41:50.680
<v Speaker 3>to fifty dollars of painting. Hold up. Retired Associate professor

0:41:50.760 --> 0:41:56.200
<v Speaker 3>of journalism at Northwestern State Tom Whitehead christ Fowl. He

0:41:56.600 --> 0:41:59.960
<v Speaker 3>was close friends with Clementine Hunter, and he visited her

0:42:00.080 --> 0:42:03.120
<v Speaker 3>once a week beginning in nineteen sixty nine. He said

0:42:03.120 --> 0:42:06.120
<v Speaker 3>in an interview that he never once crossed paths with Beryl,

0:42:06.160 --> 0:42:09.520
<v Speaker 3>and Hunter never once mentioned her name. So if this

0:42:09.560 --> 0:42:12.400
<v Speaker 3>woman is showing up and buys four hundred pieces.

0:42:12.120 --> 0:42:14.359
<v Speaker 2>You would think he would say that she might come

0:42:14.440 --> 0:42:15.239
<v Speaker 2>up in conversation.

0:42:15.360 --> 0:42:19.400
<v Speaker 3>Beryl's undeterred. No, of course, they were pointing fingers at

0:42:19.440 --> 0:42:22.000
<v Speaker 3>me and I can't paint. And then they thought they

0:42:22.000 --> 0:42:24.719
<v Speaker 3>could trick me. They said, well, your husband's confess to it,

0:42:24.760 --> 0:42:26.600
<v Speaker 3>and we're going to take them down to Central lock up.

0:42:26.640 --> 0:42:28.879
<v Speaker 3>And I said, but he couldn't have painted them either,

0:42:28.920 --> 0:42:32.440
<v Speaker 3>because I bought them from Clementine. I said, okay, I

0:42:32.480 --> 0:42:34.840
<v Speaker 3>painted them. I painted them right after I finished helping

0:42:34.840 --> 0:42:38.200
<v Speaker 3>Michaelangelo paint the Sistine Chapel and Chagall paint the lobby

0:42:38.239 --> 0:42:40.760
<v Speaker 3>of the Met. This of course, went above their heads.

0:42:41.280 --> 0:42:45.760
<v Speaker 3>Oh my god, I know they are so Animal Control

0:42:45.880 --> 0:42:47.640
<v Speaker 3>at the Raid gets.

0:42:46.719 --> 0:42:49.919
<v Speaker 2>All snob over, these Louisiana police who say that I'm

0:42:49.960 --> 0:42:51.720
<v Speaker 2>the criminal. Ma'am, you are the criminal.

0:42:52.040 --> 0:42:53.400
<v Speaker 3>Animal control is called.

0:42:53.200 --> 0:42:54.880
<v Speaker 2>Animal control nights. I got the dog catcher on.

0:42:54.960 --> 0:42:57.239
<v Speaker 3>Well, they had to get a bunch of cats out

0:42:57.239 --> 0:43:03.760
<v Speaker 3>of the house bi Raid. Something bad happened to he BGB.

0:43:03.880 --> 0:43:06.080
<v Speaker 3>We won't go into but Beryl had a meltdown.

0:43:06.560 --> 0:43:07.160
<v Speaker 2>Are you kidding?

0:43:07.320 --> 0:43:08.080
<v Speaker 3>I'm not kidding you.

0:43:08.360 --> 0:43:10.759
<v Speaker 2>I mean, yeah, I want to I don't want to hear.

0:43:11.280 --> 0:43:15.279
<v Speaker 3>So Beryl has a meltdown and tried to attack an agent. Wow, okay,

0:43:15.320 --> 0:43:18.200
<v Speaker 3>I'll tell you what happened here. PBGB got spooked and

0:43:18.239 --> 0:43:19.759
<v Speaker 3>ran out in the street and got hit by car

0:43:20.320 --> 0:43:23.319
<v Speaker 3>rip HEBGB, but he BGB had cataracts and was like,

0:43:23.960 --> 0:43:25.479
<v Speaker 3>not not long for this world.

0:43:25.520 --> 0:43:28.040
<v Speaker 2>Okay, that's terrible. So it's just nature doing it in

0:43:28.080 --> 0:43:28.920
<v Speaker 2>a weird way.

0:43:28.920 --> 0:43:31.560
<v Speaker 3>Right, But so Beryl loses it, which I mean, okay,

0:43:31.600 --> 0:43:34.360
<v Speaker 3>I get it. I would, and starts attacking an FBI agent,

0:43:34.400 --> 0:43:37.239
<v Speaker 3>which you know would he would, And they had a tranquilizer,

0:43:37.280 --> 0:43:41.160
<v Speaker 3>which like, okay, I'll take it. So when she got home,

0:43:41.239 --> 0:43:44.160
<v Speaker 3>Beryl told an interview quote, they're watching us from the

0:43:44.160 --> 0:43:47.200
<v Speaker 3>top of that building as we speak. The FBI has

0:43:47.280 --> 0:43:50.359
<v Speaker 3>us under twenty four hour surveillance. They see everything we do.

0:43:50.760 --> 0:43:54.040
<v Speaker 3>They sprayed a special powder on our car. Whenever William

0:43:54.120 --> 0:43:56.440
<v Speaker 3>goes anywhere, like to the market, they can track him

0:43:56.440 --> 0:43:57.359
<v Speaker 3>from a satellite.

0:43:57.600 --> 0:43:58.200
<v Speaker 2>A satellite.

0:43:58.320 --> 0:44:01.160
<v Speaker 3>Yeah, this is the spinning. The spinning is happening. So

0:44:01.200 --> 0:44:07.040
<v Speaker 3>then William joins in quote. When they were clearing out

0:44:07.080 --> 0:44:09.520
<v Speaker 3>the land behind us to build that building, they took

0:44:09.560 --> 0:44:12.520
<v Speaker 3>out a forest. The guy operating the cat tractor found

0:44:12.520 --> 0:44:15.719
<v Speaker 3>a human skeleton holding a high powered rifle. The skeleton

0:44:15.760 --> 0:44:18.600
<v Speaker 3>didn't have identification, but we're certain he was an assassin

0:44:18.719 --> 0:44:21.239
<v Speaker 3>hired to kill us. He died back there. Somehow it

0:44:21.320 --> 0:44:25.520
<v Speaker 3>never made the papers. Of course, we'd moved from eccentric

0:44:25.640 --> 0:44:27.160
<v Speaker 3>into and two.

0:44:27.360 --> 0:44:29.800
<v Speaker 2>I was talking to my Brocowy this morning at breakfast,

0:44:29.840 --> 0:44:30.879
<v Speaker 2>and it told me that.

0:44:31.600 --> 0:44:35.239
<v Speaker 3>This is what their neighbor, James Breedlove observed. Quote. I

0:44:35.320 --> 0:44:38.000
<v Speaker 3>had so many people come over I could have sold tickets.

0:44:38.239 --> 0:44:40.279
<v Speaker 3>The agents had a card table set up in the

0:44:40.280 --> 0:44:42.959
<v Speaker 3>front yard and they were bringing out paintings. They would

0:44:43.000 --> 0:44:45.399
<v Speaker 3>wrap the paintings in brown paper and log them into

0:44:45.400 --> 0:44:48.399
<v Speaker 3>a yellow pad on a clipboard. Finally, a fire truck

0:44:48.480 --> 0:44:51.080
<v Speaker 3>and an EMS vehicle showed up. I later learned that

0:44:51.120 --> 0:44:53.600
<v Speaker 3>Beryl went bokers. They took her to the psych board

0:44:53.600 --> 0:44:55.600
<v Speaker 3>of a local hospital for three days. But we didn't

0:44:55.680 --> 0:44:57.759
<v Speaker 3>understand all this at the time. All we saw was

0:44:57.800 --> 0:44:59.959
<v Speaker 3>Beryl coming out on a stretcher. It was quite a show.

0:45:00.040 --> 0:45:02.239
<v Speaker 2>I'm telling you, I bet it was right.

0:45:02.320 --> 0:45:05.000
<v Speaker 3>But like, here's the thing. Beryl's likely only took four paintings,

0:45:05.040 --> 0:45:06.360
<v Speaker 3>and this guy's like they had to set up a

0:45:06.360 --> 0:45:07.080
<v Speaker 3>whole lot for day.

0:45:07.160 --> 0:45:08.560
<v Speaker 2>Yeah, yeah, one after the other.

0:45:09.080 --> 0:45:11.960
<v Speaker 3>So Toy thinks that Beryl now suffers from PTSD as

0:45:12.000 --> 0:45:13.880
<v Speaker 3>a result of the raid, and he thinks that she

0:45:13.920 --> 0:45:15.080
<v Speaker 3>should have shock therapy.

0:45:15.600 --> 0:45:18.160
<v Speaker 2>Oh, I don't know. Maybe he wants to make electro

0:45:18.280 --> 0:45:21.920
<v Speaker 2>convulsive shock therapy. Yeah, that ain't no joke, no h.

0:45:22.200 --> 0:45:25.160
<v Speaker 3>And as to the fake paintings, Toy accused their pal

0:45:25.280 --> 0:45:26.720
<v Speaker 3>Robert Lucky, of the forgery.

0:45:26.840 --> 0:45:28.960
<v Speaker 2>They were noticed with electric shock therapy. It's always we

0:45:28.960 --> 0:45:30.840
<v Speaker 2>should do this as someone else. No one ever goes

0:45:30.880 --> 0:45:34.480
<v Speaker 2>you know what I would electric shock therapy exactly, Okay, anyway, exactly.

0:45:35.360 --> 0:45:40.600
<v Speaker 3>So Toy turns on Robert Lucky, who was like their friend.

0:45:41.560 --> 0:45:44.560
<v Speaker 3>He accused the FBI of planting fakes in his home

0:45:44.680 --> 0:45:48.239
<v Speaker 3>during the raid. Quote they had a painting, supposedly a

0:45:48.320 --> 0:45:50.920
<v Speaker 3>Clementine that I had never seen before. They have to

0:45:51.040 --> 0:45:52.719
<v Speaker 3>have brought it with them. We don't even know it

0:45:52.760 --> 0:45:53.080
<v Speaker 3>was there.

0:45:53.680 --> 0:45:55.600
<v Speaker 2>Of course, that seems very reasonable.

0:45:55.640 --> 0:45:58.520
<v Speaker 3>Beryl doubles down. Quote, the FBI just wants us out

0:45:58.520 --> 0:46:00.440
<v Speaker 3>of the house so they can come back and steal

0:46:00.480 --> 0:46:02.719
<v Speaker 3>the dega we have stored in the closet. But I

0:46:02.760 --> 0:46:05.120
<v Speaker 3>have a message for them. We're not leaving. Let them

0:46:05.160 --> 0:46:08.480
<v Speaker 3>come get us. She's like, we got marbles, we got

0:46:08.480 --> 0:46:09.280
<v Speaker 3>panes of glass.

0:46:09.400 --> 0:46:11.600
<v Speaker 2>We're gonna go. Look out the world. You know that

0:46:11.719 --> 0:46:14.640
<v Speaker 2>people in the Pennsylvania should probably tell this story they have.

0:46:14.840 --> 0:46:16.680
<v Speaker 2>They said they found a bunch of gold from like

0:46:16.719 --> 0:46:18.799
<v Speaker 2>the Civil War, and then they claimed the FBI came

0:46:18.800 --> 0:46:22.160
<v Speaker 2>in and stole the gold from them overnight. That's why

0:46:22.200 --> 0:46:25.000
<v Speaker 2>these people will not be believed is because of Beryl and.

0:46:25.000 --> 0:46:28.440
<v Speaker 3>Bill Toy, right exactly exactly, Well, Bill Toy, he's a

0:46:28.480 --> 0:46:31.959
<v Speaker 3>tough talker too. Quote the FBI doesn't scare me. Try

0:46:32.000 --> 0:46:35.760
<v Speaker 3>standing before an orchestra of sixty eight musicians, Now that's terrifying.

0:46:35.840 --> 0:46:38.160
<v Speaker 2>Oh yes, Like, okay, where.

0:46:37.880 --> 0:46:38.880
<v Speaker 3>Did you get that? Dude?

0:46:38.960 --> 0:46:40.960
<v Speaker 2>Like okay, seels like he plays mad libs in his

0:46:41.040 --> 0:46:43.120
<v Speaker 2>head and says them.

0:46:43.160 --> 0:46:46.080
<v Speaker 3>He just eternally in my head gets the jay z Okay.

0:46:47.800 --> 0:46:50.400
<v Speaker 3>Robert Lucky he told the FBI that he met the

0:46:50.400 --> 0:46:53.200
<v Speaker 3>Toys around nineteen ninety nine and that he had sold

0:46:53.239 --> 0:46:56.640
<v Speaker 3>approximately one hundred paintings that he got from them. And then,

0:46:56.640 --> 0:46:59.719
<v Speaker 3>according to the FBI, Lucky was informed by Hunter Art

0:46:59.719 --> 0:47:02.480
<v Speaker 3>Exs that the pieces he was selling were fake, but

0:47:02.600 --> 0:47:05.080
<v Speaker 3>he just kept selling him. He's like all right, yeah,

0:47:05.680 --> 0:47:08.120
<v Speaker 3>So Lucky denies this. He said, quote, I never sold

0:47:08.120 --> 0:47:10.040
<v Speaker 3>a painting that I thought was a forgery, but.

0:47:10.080 --> 0:47:12.799
<v Speaker 2>I thought not that I had been told was a forgery. Thought,

0:47:12.960 --> 0:47:14.120
<v Speaker 2>I don't know much about art.

0:47:14.200 --> 0:47:17.960
<v Speaker 3>So Special Agent Deeton wrote in court documents that Robert

0:47:18.040 --> 0:47:20.920
<v Speaker 3>Lucky was suspected of acting as an intermediary for the

0:47:20.960 --> 0:47:23.400
<v Speaker 3>toys by way of helping them sell the forged paintings.

0:47:23.440 --> 0:47:24.399
<v Speaker 2>I'm with him and that.

0:47:24.400 --> 0:47:27.520
<v Speaker 3>He quote engaged in a conspiracy and a scheme to

0:47:27.560 --> 0:47:30.879
<v Speaker 3>defraud several victims in Louisiana and in other states and

0:47:30.920 --> 0:47:33.920
<v Speaker 3>knowingly sold forgeries as original, authentic works of art by

0:47:33.920 --> 0:47:34.759
<v Speaker 3>Clementine Hunter.

0:47:34.840 --> 0:47:36.320
<v Speaker 2>Yeah, he's the equivalent of their fence.

0:47:36.440 --> 0:47:39.759
<v Speaker 3>Yes completely so. FBI documents also said that it was

0:47:39.840 --> 0:47:43.359
<v Speaker 3>around two thousand, in the year two thousand, the same

0:47:43.400 --> 0:47:46.520
<v Speaker 3>time that Lucky moved to New Orleans, that faked Hunter

0:47:46.640 --> 0:47:48.640
<v Speaker 3>paintings began appearing on the market.

0:47:48.880 --> 0:47:49.560
<v Speaker 2>Coincidence.

0:47:49.600 --> 0:47:54.120
<v Speaker 3>Yeah, Lucky sold about fifty to one hundred paintings on

0:47:54.160 --> 0:47:59.440
<v Speaker 3>behalf of the toys Arkansas, Louisiana, New York, Texas the

0:47:59.520 --> 0:48:03.160
<v Speaker 3>prove and to the paintings always misrepresented. The buyers were

0:48:03.160 --> 0:48:05.680
<v Speaker 3>told that the sources of the paintings were like other

0:48:05.800 --> 0:48:08.160
<v Speaker 3>Hunter collectors, not the toys. So he gets them from

0:48:08.160 --> 0:48:10.439
<v Speaker 3>the toys. He's like, no, that lady who really loves Hunter.

0:48:10.560 --> 0:48:11.960
<v Speaker 2>Yeah, he's in New York. You don't know her.

0:48:12.760 --> 0:48:17.360
<v Speaker 3>So for a while there, Lucky owned an antique shop

0:48:17.400 --> 0:48:18.719
<v Speaker 3>where he sold paintings.

0:48:18.760 --> 0:48:20.640
<v Speaker 2>I don't trust those places anti shops.

0:48:20.680 --> 0:48:22.879
<v Speaker 3>No, it's like an interesting little front.

0:48:22.960 --> 0:48:26.400
<v Speaker 2>Yeah, so they're like, you know, like pawn shops, but

0:48:26.719 --> 0:48:28.439
<v Speaker 2>they're always kind of hanky. Yeah, that's how I feel

0:48:28.480 --> 0:48:29.279
<v Speaker 2>about an antique shop.

0:48:29.320 --> 0:48:33.400
<v Speaker 3>Greed, Yeah, he reported When he had this antique shop,

0:48:33.800 --> 0:48:36.839
<v Speaker 3>he reported that someone had stolen thirty two paintings from

0:48:36.880 --> 0:48:39.719
<v Speaker 3>his shop. This was in ninety two, and he told

0:48:39.760 --> 0:48:42.360
<v Speaker 3>newspapers that it was an eighty thousand dollars loss, but

0:48:42.360 --> 0:48:45.920
<v Speaker 3>don't worry, it's covered by insurance. He was arrested in

0:48:46.000 --> 0:48:50.040
<v Speaker 3>nineteen ninety nine on felony charges in Shreveport, Louisiana, because

0:48:50.040 --> 0:48:52.640
<v Speaker 3>he'd failed to deliver three hundred paintings that he sold

0:48:52.680 --> 0:48:56.239
<v Speaker 3>for twenty one thousand dollars, later released on bond. In

0:48:56.280 --> 0:48:59.920
<v Speaker 3>two thousand, a New Orleans physician named Robert Ryan was

0:49:00.040 --> 0:49:02.880
<v Speaker 3>selling part of his Hunter collection and he got a

0:49:03.000 --> 0:49:06.360
<v Speaker 3>judgment against Lucky for twelve grand, which is the amount

0:49:06.360 --> 0:49:09.759
<v Speaker 3>that he paid Lucky for the paintings. Because he found

0:49:09.800 --> 0:49:12.560
<v Speaker 3>out that everything he bought was fake. He was able

0:49:12.600 --> 0:49:15.240
<v Speaker 3>to get Lucky's wages garnished and he collected his final

0:49:15.239 --> 0:49:16.319
<v Speaker 3>payment in two thousand and five.

0:49:18.480 --> 0:49:18.719
<v Speaker 2>Yeah.

0:49:19.040 --> 0:49:23.960
<v Speaker 3>June of twenty eleven, Toy pleaded guilty to selling forged paintings,

0:49:24.360 --> 0:49:29.120
<v Speaker 3>misrepresenting the provanas to buyers, and painting the forgeries. His

0:49:29.160 --> 0:49:31.719
<v Speaker 3>plea agreement allowed him to avoid time in prison, which

0:49:31.760 --> 0:49:34.040
<v Speaker 3>was like a maximum of five years, but he was

0:49:34.120 --> 0:49:37.839
<v Speaker 3>kept under supervised release and he had to pay restitution.

0:49:37.680 --> 0:49:39.320
<v Speaker 2>So his real payment was restitution.

0:49:39.520 --> 0:49:42.000
<v Speaker 3>Yeah, he attacked a photographer with his cane on the

0:49:42.040 --> 0:49:44.120
<v Speaker 3>way out of the courthouse. You know, you got to

0:49:44.160 --> 0:49:48.239
<v Speaker 3>keep it real. In September of the same year, the

0:49:48.280 --> 0:49:51.759
<v Speaker 3>both of them pleaded guilty. Both Toys pleaded guilty to

0:49:51.800 --> 0:49:54.719
<v Speaker 3>mail fraud. They got sentenced to two years probation and

0:49:54.760 --> 0:49:56.760
<v Speaker 3>they had to pay four hundred and twenty six thousand

0:49:56.800 --> 0:49:57.759
<v Speaker 3>dollars in restitution.

0:49:58.080 --> 0:49:59.760
<v Speaker 2>Oh that's not bad for mail fraud.

0:50:00.239 --> 0:50:03.800
<v Speaker 3>Yeah, the hit Lucky also got convicted of mail fraud.

0:50:04.200 --> 0:50:06.560
<v Speaker 3>He got sentenced to twenty five months in prison and

0:50:06.600 --> 0:50:08.399
<v Speaker 3>then he had to pay three hundred and twenty six

0:50:08.440 --> 0:50:09.759
<v Speaker 3>thousand dollars in restitution.

0:50:09.800 --> 0:50:11.640
<v Speaker 2>It's interesting that he gets popped, not them on the

0:50:11.640 --> 0:50:13.640
<v Speaker 2>twenty five months. It seems like they would all get

0:50:13.640 --> 0:50:14.520
<v Speaker 2>twenty five months.

0:50:14.280 --> 0:50:16.040
<v Speaker 3>That's what I would think. Well, he serves his time.

0:50:16.880 --> 0:50:19.720
<v Speaker 3>He had three year supervised release after and two hundred

0:50:19.760 --> 0:50:23.680
<v Speaker 3>hours of community service. So all's well, that ends well,

0:50:23.680 --> 0:50:24.680
<v Speaker 3>they all pay the price.

0:50:24.800 --> 0:50:28.719
<v Speaker 2>Now, did Beryl ever agreed that her husband convicted for

0:50:28.760 --> 0:50:32.239
<v Speaker 2>it actually painted the painting. She's still going but it

0:50:32.280 --> 0:50:33.840
<v Speaker 2>was space aliens in the FBI.

0:50:34.040 --> 0:50:35.880
<v Speaker 3>Yeah, everyone's trying to make them the victims.

0:50:35.920 --> 0:50:38.520
<v Speaker 2>Saron Powder, As you can see from satellite.

0:50:38.080 --> 0:50:39.240
<v Speaker 3>What's your ridiculous takeaway?

0:50:40.000 --> 0:50:41.480
<v Speaker 2>From the beginning to the end.

0:50:41.920 --> 0:50:42.840
<v Speaker 3>It's all ridiculous.

0:50:42.840 --> 0:50:44.759
<v Speaker 2>That was it. It's all so ridiculous. I'm taking the

0:50:44.760 --> 0:50:46.439
<v Speaker 2>whole thing away as ridiculous, and.

0:50:46.320 --> 0:50:48.560
<v Speaker 3>Again, I want to make sure that everyone understands it.

0:50:48.640 --> 0:50:54.880
<v Speaker 3>I'm not making poking fun at mental illness.

0:50:53.440 --> 0:50:56.440
<v Speaker 2>Qualify as art eccentrics more so mentally ill from what

0:50:56.480 --> 0:50:57.720
<v Speaker 2>you were describing, I don't.

0:50:57.600 --> 0:51:00.400
<v Speaker 3>Know, you know, it's more than it's just the things

0:51:00.400 --> 0:51:02.759
<v Speaker 3>that they do so much so anyway, but I do

0:51:02.840 --> 0:51:04.719
<v Speaker 3>want to make that absolutely clear that that's you know,

0:51:05.800 --> 0:51:08.040
<v Speaker 3>you know what my ridiculous takeaways? Thanks for asking.

0:51:08.200 --> 0:51:09.839
<v Speaker 2>Oh yeah, hey, what's yours?

0:51:09.719 --> 0:51:12.480
<v Speaker 3>I'm calling back to your what's ridiculous at the top

0:51:12.520 --> 0:51:15.440
<v Speaker 3>of the show, which was about Slash. Do you follow

0:51:15.480 --> 0:51:16.920
<v Speaker 3>him on Instagram? Uh?

0:51:17.239 --> 0:51:18.759
<v Speaker 2>You told me to do that a long time ago

0:51:18.760 --> 0:51:19.120
<v Speaker 2>and I have not.

0:51:19.280 --> 0:51:23.520
<v Speaker 3>It's it's like a thirteen year old boys Instagram. It's

0:51:23.560 --> 0:51:26.680
<v Speaker 3>so great. It's either like wishing happy birthday to other

0:51:26.800 --> 0:51:28.880
<v Speaker 3>musicians and he has like this little thing that he

0:51:28.920 --> 0:51:31.040
<v Speaker 3>types out with like brackets or whatever to make it

0:51:31.040 --> 0:51:34.800
<v Speaker 3>look like Slash or like early pre emoji stuff, okay,

0:51:34.960 --> 0:51:38.440
<v Speaker 3>or it's just like weird like heavy metal magazine, you know,

0:51:38.520 --> 0:51:43.000
<v Speaker 3>like the horror like sexy or stuff and weird stuff

0:51:43.040 --> 0:51:44.000
<v Speaker 3>like that's trippy.

0:51:44.080 --> 0:51:45.000
<v Speaker 2>It's like you gotta follow.

0:51:45.000 --> 0:51:45.680
<v Speaker 3>It's amazing.

0:51:45.840 --> 0:51:48.160
<v Speaker 2>So like you want me to to check out his

0:51:48.440 --> 0:51:51.960
<v Speaker 2>like a dark light or black light posters. And then

0:51:52.080 --> 0:51:54.080
<v Speaker 2>also does he do like any like pictures of him

0:51:54.080 --> 0:51:56.840
<v Speaker 2>with celebrities and wish birthday or just a random picture.

0:51:56.840 --> 0:51:59.000
<v Speaker 3>It's a random picture that's spreading on stage.

0:51:59.040 --> 0:52:01.320
<v Speaker 2>Yep, so follow is it always a picture of Hambergery

0:52:01.360 --> 0:52:05.400
<v Speaker 2>sent a picture of them like birthday?

0:52:06.080 --> 0:52:07.640
<v Speaker 3>Yeah, he doesn't appear on his own thing.

0:52:07.920 --> 0:52:10.759
<v Speaker 2>That's classics seriously, And the rest of the times it's like,

0:52:10.760 --> 0:52:12.759
<v Speaker 2>look at this giant snake, a.

0:52:12.760 --> 0:52:15.600
<v Speaker 3>Lot of snake content. Okay, thirteen year old boy, it's amazing.

0:52:15.719 --> 0:52:18.160
<v Speaker 2>He's true to himself. That's exactly who you wanted.

0:52:18.320 --> 0:52:20.400
<v Speaker 3>I love that kind of authenticity with people.

0:52:20.680 --> 0:52:22.480
<v Speaker 2>I thought I met him, he was exactly what I

0:52:22.520 --> 0:52:24.320
<v Speaker 2>wanted to be in person. And now you're just confirming

0:52:24.360 --> 0:52:27.160
<v Speaker 2>for me. He stayed that guy. Follow on. This be

0:52:27.239 --> 0:52:30.880
<v Speaker 2>your best right. That's all I have for I love it.

0:52:31.080 --> 0:52:33.640
<v Speaker 3>You can find us online at ridiculous crime dot com.

0:52:33.680 --> 0:52:36.000
<v Speaker 3>We have T shirts. No, I don't think we do.

0:52:36.160 --> 0:52:37.600
<v Speaker 3>I don't know what we have there. Cats.

0:52:37.600 --> 0:52:38.239
<v Speaker 2>We should get some.

0:52:39.680 --> 0:52:44.080
<v Speaker 3>Gifts, we should do some shirts. We're a ridiculous crime

0:52:44.120 --> 0:52:48.400
<v Speaker 3>on both Twitter and Instagram, ridiculous Crime at gmail dot com.

0:52:48.440 --> 0:52:50.720
<v Speaker 2>The interns showed me a really cool T shirt idea

0:52:50.719 --> 0:52:53.320
<v Speaker 2>we got from somebody. I think it was today or yesterday.

0:52:53.360 --> 0:52:54.600
<v Speaker 2>I thought that was so. If you guys have T

0:52:54.680 --> 0:52:57.640
<v Speaker 2>shirt ideas, yeah, because respondings some out.

0:52:57.800 --> 0:53:01.280
<v Speaker 3>Yeah. Look at the interns sewing their little tiny fingers

0:53:01.320 --> 0:53:04.120
<v Speaker 3>working leave a talk back on the iHeart app. I

0:53:04.160 --> 0:53:06.440
<v Speaker 3>know people don't like to download apps. That's what we've

0:53:06.440 --> 0:53:09.000
<v Speaker 3>been finding out. They say, I don't want another app. Well,

0:53:09.040 --> 0:53:13.320
<v Speaker 3>guess what I don't care, send me a talk about.

0:53:15.239 --> 0:53:17.280
<v Speaker 2>The apps.

0:53:17.400 --> 0:53:21.080
<v Speaker 3>Pleased another app and add that one in, So that's

0:53:21.200 --> 0:53:29.520
<v Speaker 3>my thing. Reach Out Baby. Ridiculous Crime is hosted by

0:53:29.520 --> 0:53:33.080
<v Speaker 3>Elizabeth Dutton and Sarah Burnette, produced and edited by Dave Kusten.

0:53:33.160 --> 0:53:37.200
<v Speaker 3>Professional cat wrangler research is by Marissa I Want to

0:53:37.200 --> 0:53:41.000
<v Speaker 3>buy a Monette Brown and Andrea do you have any other?

0:53:41.160 --> 0:53:44.280
<v Speaker 3>Or a five x eight song Sharpened Tear. The theme

0:53:44.360 --> 0:53:46.640
<v Speaker 3>song is by the auction House of Lee and Dutton.

0:53:47.040 --> 0:53:50.640
<v Speaker 3>Executive producers are Ben have you seen my Cat? Bowlin?

0:53:50.800 --> 0:54:01.799
<v Speaker 3>And Noel who hasn't seen your cut Brown? Cryme say

0:54:01.800 --> 0:54:04.240
<v Speaker 3>it one more time? Riudiquious Crime.

0:54:05.239 --> 0:54:08.600
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio. Four more podcasts

0:54:08.640 --> 0:54:12.240
<v Speaker 1>from iHeartRadio visit the iHeartRadio app, Apple Podcasts, or wherever

0:54:12.239 --> 0:54:13.720
<v Speaker 1>you listen to your favorite shows.